M A U R I C I O
S A L G A D O
ARCHITECTURE & INTERIOR DESIGN
PORTFOLIO
INTRO The following content shows a selected range of educational work along my way of becoming an architect. It is organized in chronological order, beginning with the first projects I made during my career and my exchange program, and concluding with my major final project.
01 Curriculum 02 Pioneers [Exhibition Design] 03 UDLAP Library [Facade Design] 04 Essendon Co-House [Shipping Container] 05 Nicho [Work Space Renovation] 06 Papalote Museo del NiĂąo [Museum] 07 Serendipia 11 [Thesis Project]
01 CURRICULUM
professional SUMMARY I am a creative, committed, reliable, and outgoing architect with a dancing diploma. My goal in life is being able to create dynamic and unique spaces for people. Taking in consideration more than just functional and aesthetics facts. Indeed, by combining my life’s experiences and performative practices to create a better executable space for a specific user. I am a friendly and an approachable person who can work individually or cooperatively. I always do my best effort to succeed in new challenges and personal goals. I don’t give up easily and I consider myself very ambitious. I have an extreme passion for my career. And as result of this, my interest about spatial interior design has increased ever since I started to be more aware of details. Performing arts, will always make me see daily life in a different perspective, in a way by helping me understand space beyond movement and execution.
work SKILLS Excellent computer skills - Able to work individually or as part of a team - Good numerical skills - In depth knowledge of interior/industrial/architectural design - Exceptional attention to detail - Quick learner - Good administrative skills - Exceptional time management skills - Knowledge in some other languages - Great visual/graphic designer skills - artistic sense - approachable and reasonable
work EXPERIENCE “SPATIAL MODELS” Architectural Design Studio II ( UDLAP, Current ) Teacher’s Assistant “DAVID JONES” Bourke St.MELBOURNE, AUSTRALIA 11-2014- 07/2015 Casual Sales Assistant Visual Merchandiser Assitant TORDEC IFRASTRUCTURE FIRM, PUEBLA, MÉXICO 01/2014-05/2014 Internship - Angelopolis Lineal Park II Part
mausalgadoar@gmail.com
“MAG” BUILDING FIRM, MEXICO CITY, 05-2013- 08/2013 Internship - Development of the CFE Bunker in Mexico City
KNOWLEDGES
SUMMARY
Spanish
Bachelor Degree in Architecture Design UDLAP (Mexico) 08/2011- 12/2016
Italian
education
Diploma of Fine Arts (Dancing) UDLAP (Mexico) 1/2012 - 12/2016 EXCHANGE Bachelor in Interior Design (Honours RMIT UNIVERSITY (Australia) 07/2014 - 07/2015
English French
Photoshop Ilustrator InDesign ArchiCad Artlantis Studio
INTERESTS
AutoCad AutoCad 3dMax Max 3d
02 PIONEERS
exhibition PROPOSAL Contemporary dance is a movement that came to break with the classical style. Over the history of Dancing there have been a numerous quantity of dancers that have marked dancing into new movements. And during the 20th century, there were a few characters that innovated the world of dance. 4 different minds that nowadays are the inspiration for every single young dancer. The exhibition will show some of the work of Pina Bausch, Martha Graham and Rudolf Von Laban , in different ways, as projection of different pieces of their creations, photography sessions and even some pieces will be performed in the space to make the audience understand the way of how this 3 icons of the dance continue to be inspiration for the new talents, and also to make them understand how Contemporary dancing is not always the same style as everyone think, but is just a unique and creative way of understanding and exploring movement and space. Bringing a recreation of one the sets from the most famous choreography of Pina Bausch, “Cafe Muller�. A bit of the costumes and installations that Martha Graham used to use for her pieces, and the famous Icosahedra of the architect and dancer Laban. More pieces from these talented choreographers are put together into this exhibition to express a new movement that flowed during the XX century in the world of the dance.
DESIGN PLAN
SECTION A-A’
Laban’s Isocahedron
SECTION B-B’
03 ESSENDON CO-HOUSE
PROPOSAL This project respond to the idea of designing a home, basically made with shipping containers as part of a brief, that could be suitable for 4 members of a family that share the passion for cooking and spending some time doing outdoors exploration. Without ignoring their safety, privacy and comfort. By generating those spaces where each member could have their own privacy, and of course those ones where they could be able to share some quality time together.
VOLUMETRY CONTAINER A
CONTAINER B
+
=
-ENTRANCE -KITCHEN -LIVING ROOM -DINNING ROOM -2 BEDROOMS .2 1/2 BATHROOM -GARAGE -STUDY ROOM -TV ROOM .LAUNDRY -GARDEN -SWIMMING POOL
ELEVATION WEST
ELEVATION SOUTH
2ND FLOOR
SECTION C-C’
GROUND FLOOR SECTION A-A’
SECTION B-B’
04 UDLAP’S LIBRARY
The new design proposal for UDLAP’s library was created with the purpose of breaking the style that the whole university has been maintaining since the university opened its doors. Keeping the essence of the materiality of the campus, was one of the main things we did. In this case, using this Mexican material called “Talavera”, we tried to break the pattern of the shapes that this typical mosaic of the state has, to create a pattern that was going to be reflected in the shape of the building’s volume. In addition, this pattern was going to be used to create an element from the exterior that was going to have this shapes perforated over the Steel. Provoking an interesting game of lights and shadows coming into the library.
05 NICHO
CONCEPT Nicho, is a new collaborative proposal of creating an inspiring/dynamic/interactive workshop space that allows people from different areas of study, to work in a harmonious, and collaborative environment that permits the interconnection of different intellectual and creative ideas. The purpose of this project is having this inspirational space where people from different working disciplines could come to work and could experiment a good atmosphere, product of a spatial design where recyclable materials and the adaptability of the space, all together generate a perfect collaborative workshop. Encouraging people to come to Nicho, a cozy collaborative space
BIG BANG STUDIOS
DESIGN PLAN SECTION B-B’
PROCESS
COLOUR PALETTE
SECTION C-C’
ACTUAL PLAN
BEAM
BEAM
PUBLIC SPACE PRIVATE SPACE
SECTION A-A’
VISSY Cardboard
SECTION A-A’ PUBLIC DESKS
HARDWOODS
SECTION B-B’
SECTION C-C’ MOULDING
PRIVATE CUBICLES
POP UP CAFE / LOUNGE
FURNITURE PROPOSAL
0 6 PA PA L O T E M U S E O D E L N I Ñ O
[ CHILDREN’S MUSEUM ]
Skyview
Restaurant
Lockers/Changing Room
Domus BANAMEX Offices
Reception
Museum
Museum IMAX Temporal Exhibition
Mantainance Store/Lockers Mix use Space Workshops Restrooms Fast Foof Court
“Papalote Museo del Niño”, it’s a famous concession of interactive museums for children all over Mexico. The brief for this project, basically pretended to make ourselves become children again, and try to makes ourselves understand where our imagination could take us. Having therefore a perfect theme for the developing of a new children’s museum at the city of Puebla.
Warehouse IMAX Vestibule
DEVELOPING THE
SKIN
DEVELOPING THE
MUSEO
PLANS GROUND LEVEL
4TH LEVEL
5TH LEVEL
2ND LEVEL
6TH LEVEL
3RD L
LEVEL
7TH LEVEL
DOMUS BANAMEX
SECTION A-A’
SECTION B-B’
07 SERENDIPIA / 111 ARTISTIC DISCOVERY HUB
[ THESIS PROJECT ]
// PROJECT The project emerged as a solution for 3 different issues that Mexico’s city has had for years. The first social problem was about how children and teenagers are following wrong steps in their lives, falling into juvenile delinquency. The second environmental issue was related with the enormous amount of abandoned buildings that are located in important roadways all over the city, having as a consequence the growing of the city to the periphery. And the third economical trouble, its about how the government spend money on developing cultural and artistically infrastructure that doesn’t count with the proper installations that the specific users need
ENVIRONMENTAL SOCIAL
The huge amount of abandoned buildings ECONOMICAL with architectural potential, located in important roadways
SITE B
location
integration
SITE A
The intersection of these 3 problems brought as a solution the creation of an Artistic Finding Centre, where teenagers and children could spend time learning from the different artistic disciplines, in a building that could have proper spaces per their needs. By recycling abandoned buildings that were located nearby each other, the project basically raised as an Artistic Urban Campus Proposal
SUN LIGHTNING
HEIGHTS
hacia metro insurgentes
// VOLUMETRIC PROCESS The natural light all over the city, and the surrounding building’s heights, were the key facts that affected the volume of both sites in first place. Plus the creation of little models that responded to the context itself, it was what brought us to the final volume proposed.
av. insurgentes
FINAL VOLUME
ROOFTOP CAFÉ BAR 295 m2
OPEN FORUM “LA COLMENA” 543 m2
LECTURE ROOM 350 m2
RESTROOMS 80 m2
CLASSROOMS 100 m2
WORKSHOP 135 m2
LOCKER’S ROOM 300 m2
MIX USED CLASSROOM 370 m2
LOUNGE 100 m2
WHITE ROOM 330 m2
CLASSROOMS 214 m2 & 200 m2
WORKSHOP 135 m2
LOUNGE 100 m2
CLASSROOMS 214 m2 & 200 m2
WORKSHOP 135 m2
AUDITORIUM 360 m2
RESTROOMS 80 m2
LOUNGE 106 m2
BLACK ROOM 350 m2
OPEN GALLERY 170 m2
RESTROOMS 80 m2
LOUNGE 145 m2
SHOPS 220 m2
SHOPS 100 m2 & 300 m2
INROMATION CENTER 115 m2
SHOPS 75 m2 & 120 m2
ACCESS TO SERENDIPIA
200 m2
HALLWAY
LOUNGE 106 m2
BLACK ROOM 350 m2
WHITE ROOM 330 m2
TRANSVERSAL SECTION
OPEN GALLERY 170 m2
ACCESS TO SERENDIPIA 200 m2
MAURICIO SALGADO ARENAS ID/143400
12
CENTRO DE HALLAZGO ARTÍSTICO
UDLAP
CONCEPTO El movimiento en el cuerpo humano siempre viene basado en una f o r m a g e o m é t r i c a , q u e s i e m p r e t e r m i n a s i e n d o i r r e g u l a r o r e g u l a r. Existe una relación la cual, se pueden sacar patrones de movimiento en este tipo de casos. La dinámica del edifcio corresponde a la misma dinámica corporal .
LOCALIZACIÓN DE FACHADAS (MAQUETA DE CONJUNTO) F
E B
RUPTURA DE LO REGULAR Rompemos con la simetría de la forma.
A
Proponiendo fachadas dinámicas irregulares, que involucra a la percepción del u s u a r i o d e s d e e l i n t e r i o r y e l e x t e r i o r, p a r a q u e n u n c a s e a u n a f a c h a d a i g u a l , y q u e al mismo tiempo se unifique por el material y el patrón generado por movimiento corporal.
G I
ACCESS FROM INSURGENTES AVENUE TIPOLOGÍAS
The movement of the body was the first design concept I tried to explore as way of finding how dancing could interfere with my architectural proposal. Basically, I started to explore the body of a dancer and how they generate different movements to create a choreographic master piece. This is what I was looking, I wanted to bring a masterpiece into my faรงade design. So I asked to a contemporary dancer if he could create a choreography in a photo session, and with the different movements he created with his body, I started to deconstruct it into silhouettes, and then into patterns based on straight lines. And when all this came into just lines, I placed it on the different faces of the building. The result was the creation of a dynamic faรงade based on the movement of a dancer, that every single person who walk or drive around the area could enjoy and admire. And that this could also help the building create a unique personality of the suburb.
DESARROLLO DEL CONCEPTO
A
B
C
// DEFINICIÓN
Mostrar el proceso de desarrollo del concepto de diseño para la piel del edifcio.
D
E
F
G
H
I
// INTENCIÓN
// CONCLUSIÓN
Identificar los patrones de movimiento del cuerpo humano, que sirvieron para dar pie a la envolvente por medio de un diagrama de proceso.
Realmente se logró encontrar una secuencia de movimiento para que la envolvente del edifcio sea dinámica, y cumpla con el concepto de diseño.
M A U R I C I O
S A L G A D O
ARCHITECTURE & INTERIOR DESIGN
PORTFOLIO