2018 -19
M E D H A R A O Design Portfolio
DESIGN PROCESS
Pre-design phase
Initial Consult ation/Programming
G at h e r Requirments Goals Problem areas / Limitations Budget
Re s e a rc h C ycle Maslow’s hierarchy of needs
Design style and Client profile
Case Study
Design phase
Analysis and B reakdown
G e n e r at i o n Initial brief and table meet for the team with detailed break down of problem areas and requirments Brainstorm- Referencing and ing and table existing market meets analysis
S i te/Lo c at i o n A n a lys i s Cr i te r i a M at r i x a n d B u b b le d i a g r a m s
S chemati c D esign
The initial layouts are developed after considering the city and building codes.
Design phase
Zo n i n g
I n i t i a l S ketc h e s a n d l ayo ut s
D esign D evelopment P re l i m n a r y s t r u c tu re a n d l ayo u t s
Inputs and discussions
Cl ient
M ate r i a l a n d f i n i s h e s M o o d a n d c o n c e pt b o a rd s
D esign Conclu sions Post-design phase
Site visits
F i n a l d r aw i n g s a n d l ayo ut s C o n s t r u c t i o n D r aw i n g s S c h e d u le s
Presenat ation and Handovers
Af te r f i n a l c h e c k s of d e ta i l s a n d f i n i sh e s a n of f i c i a l h a n d ove r to cl i e nt a n d co nt ra ct co n clusi o n s
Contractors
Interior Spaces
Design Portfolio Exterior Spaces
Product Design
CONTENT Academic work Of f ice design
C afe D esign Residential Design B us Stop for Manil a,Phil ippines Hand Renders
OFFICE DESIGN Microsoft
Design Objective M i c r o s o f t i s w o r k i n g t o w a r d s unification of interiors throughout their of f ices. Through our project we hope to help M i c r o s o f t m o d e r n i z e t h e i r workspaces The design includes open spaces to encourage better communication between teams . To c r e a t e e n g a g i n g a n d p r o d u c t i v e space which are ergonomically designed.. The design is for 343 Industries which is a par t of Microsof t studio.
Initial Sketches Colour Sceheme Co lo u rs d e rive d fro m t h e la te st l i m ite d e d iti o n H a lo X b ox co nt ro lle r
M a i n C o lo u rs
Criteria Matrix Th e re q u i re m e nt c h a r t g u i d e s us towa rd s t h e so lu t i o n . Th e i d e a was to h ave o p e n ye t p rivate sp a c e s . O p e n sp a c e s was to e n co u ra g e t h e i nte ra ct i o n a n d t h e p riva te W i s fo r m o re fo c use d a n d d e d i c a te d wo rk . Th e i n it i a l sk e tc h e s h e l p to d e te rm i n e t h e approximate a re a re q u i re d p e r ro o m .
Bubble Diagram Th e b u b b le d i a g ra m sh ows t h e re la t i o n sh i p of t h e fu n ct i o n s a n d it ’ s i nte rd e p e n d e n c i e s . I t h e l p s us d i a g ra m m a t i c a lly re p re se nt t h e c rite ri a m a t ri x . Th e fu n ct i o n s a re d ive d i nto 4 m a i n fu n ct i o n s i n t h e 3 43 stu d i os
Zoning Th e zo n e s we re develop e d as a co m b i n ati o n of t h e b u b b le d i a g ra m s a n d t h e c rite ri a m a t ri x . Th e usa g e of eve r y sp a c e i s m a xi m i se d by combining co h e sive re q u i re m e nt s , wh i le k e e p i n g i n m i n d t h e b u i ld i n g co d e s .
PLANS
Floor plan with furniture layout D e rive d fro m t h e zo n i n g , t h e p la n a i m s a t o p e n sp a c e s e n a b l i n g i nte ra ct i o n s b e t we e n t h e use rs . Th e m a i n wo rk sp a c e s a re d ivi d e d by t h e co nfe re n c e ro o m s . Th e q u ite sp a c e s a re d ivi d e d by t h e 3 D M a p p i n g a n d t h e te st i n g t h e a t re . Th e st yle of d e si g n a d o pte d i n m o d e rn wit h fu tu ri s t i c e le m e nt s .
RCP An open ceiling p la n p a i nte d Pa nto n e74 58 C a t h e i g ht 360cms. A fa l se c e i l i n g i s c re a te d wh e re n e c e s sa r y a t h e i g ht 3 0 0 c m . Th e M EP i s a l so sp ra y p a i nte d wit h d u co f i n i sh i n Pa nto n e 74 58 C .
Th e wo rk sta t i o n l i g ht i n g f ix tu re s – S i lo Tri o, i s a d i f fuse d wit h LED 3 0 0 0 k . Th e co nfe re n c e ro o m s a n d t h e co rri d o rs fe a tu re s l i g ht s fro m M a h lu h u n g fro m t h e m a i n c e i l i n g . Th e 3 D m a p p i n g ro o m h as a g ri d fo r sp e c i a l l i g ht i n g p os si p i l it i e s a t t h e Fa l se c e i l i n g h e i g ht . Th e S o c i a l H u b a n d D e m o ro o m h ave re cta n g u la r a n d t ri a n g u la r by ZER O
Electrical Plan Th e m a i n j u n ct i o n b ox sit s o u t si d e t h e b u i ld i n g n ex t to t h e sta i r wa y. Th e l i g ht i n g f ixtu re s a re co n n e cte d to s witc h wh i c h a re p la c e d i n st rate g i c p o i nt s i n t h e ro o m s . Th e ro o m s a l so h ave m ot i o n se n so rs wit h t i m e rs , wh i c h tu rn o n o r of f t h e l i g ht d e p e n d i n g o n t h e usa g e . Th e co nfe re n c e ro o m, te st i n g t h e a t re a n d 3 D m a p p i n g ro o m s h ave d i m m e rs as so c i a te d wit h t h e s witc h
Evacuation Plan Em e rg e n cy exit ro u te s wit h c a lc u la te d p la c e m e nt of f i re a la rm s . Th i s p la n fo llows t h e c it y co d e s . I t a l so i n d i c a te s t h e p la c e m e nt of f i rst a i d b oxe s , wit h e m e rg e n cy co nta ct n u m b e rs .
02
03
FLOOR FINISH LE
Floor Finish Th e f lo o r f i n i sh e s a re g o i n g to01b e : XBox blue p o l i sh e d vi nyl h e te ro g e n o us flooring by A rm st ro n g .
WC
04 : Hexagonal
0 1 : M a i n X- b ox B lu e . Pa nto n e 74 5 8 C
Re ce pt i o n: Pa nto n e 03 : Gray brush 6 63 C
Concrete Overlay
Reception
02 : Mild candy
01
Acoustic Material
02 : Pa nto n e 63 5C + 6 6 3 C Ca n d y St ri p e s
03 : X b ox Lo g o p axbox t te rnblue and g
Demo Room
04
04 : H exa g o n a l p a t te rn fro m i n sp i ra t i o n p i ctu re WC : Space blue D e m o Ro o m: Sta rr y N i g ht ru b b e r m a t - re cycle d Aco u s t i c M ate ri a l :S o u n d a bso rb i n gDemo fa b ri cRoom : S c a rp e t flooring with wh C o n ce r te O ve rl ay : 2 c m t h i c k n e s s ove r stu c co
Acoustic Materi
Concrete overla
Operation Manager’s Desk A s use rs e nte r t h e of f i c e sp a c e t h ey a re we lco m e d by a n a ll-wh ite ro o m,wit h a n i nte ra ctive scre e n wit h a n i m ate d c h a ra cte rs fro m t h e H a lo U n ive rse . A s d e f i n e d t h e o p e ra t i o n m a n a g e r h a n d le s m ost of t h e a d m i n i st rat ive wo rk . To a c co m m o d a te sm o ot h a n d e as y wo rk i n g sp a c e a n d as se m b le d d e sk by Act i u g ive s a sp a c e s d e sk sp a c e wit h storage. Th i s d e sk ove rlo o k s t h e d e m o ro o m wit h t h e wa it i n g a re a
Act i u sto ra g e u n it
H e rm a n - M i lle r C h a i r i n g ra y
R e cycle d m ot h e rb o a rd wa ll e n c ase d i n g las s
Act i u’ s P ri sm a as se m b le d d e sk s
CONFERENCE ROOM Eve r y of f i c e to d a y i s m ovi n g towa rd s Ag i le m e t h o d o lo g i e s , t h e co nfe re n c e ro o m a i d s t h e sc ru m s eve r y m o rn i n g . I t i s a f lexi a b le sp a c e wit h re siza b le g las s ta b le s . Th i s sp a c e co m fo r ta b ly f it s 2 0 p e o p le . I t i s e n c ase d i n si d e g las s wa ll s wit h va cu u m i n su la t i o n fo r m e d i u m a co ust i c a l p riva cy. Th e se g las s wa ll s a l so h ave tex t st i c k e rs to m a k e it a semi-private space. I t h as a row of wi n d ows o n o n e si d e a llowi n g b e a u t i fu l su n l i g ht to f low i n . A h i g h e n d wa ll h u n g p ro j e cto r a n d sc re e n o n sm a lle r wa ll s . To b lo c k su n l i g ht wi n d ow size d a co ust i c b o a rd s a re m a d e ava i la b le
Movable Panels To m a xi m ize t h e use of t h i s sp a c e , a b e a m wit h wh e e l h o ld s a m ova b le ro o m se p a ra to r. Th e se p a ra to r i s m a d e of a co ust i c fa b ri c p a n e l s . Ea c h p a n e l i s t h e sa m e wi dt h of t h e co lu m n, wh i c h i n tu rn h i d e s t h e co lu m n .
Aco us t i c Fa b ri c Panel s by deacoustics
B u rd i c k wo rksu r fa ce
Basketball machine with sound absorb panels
Book Shelf
Vending Machine
Terrarim wall
Snooker and dining table
Herman Miller - Quilted booth
SOCIAL HUB Th i s sp a c e i s d e si g n e d fo r re la xa t i o n a n d reviva l . I t h o p e s to h e l p t h e use rs i nte ra ct ove r a cof fe e o r so m e fa m i ly re c i p e s . I t a l so h o p e s to e n g a g e t h e m i n co m p e t it ive fu n a ct ivit i e s t h ro u g h t h e b ask e t b a ll a n d sn o o k e r ta b le s . Th e re i s a sm a ll L i b ra r y co rn e r wit h H e rm a n M i lle r lo u n g e c h a i r. Th e te rra ri u m wa ll a d d s a b it of g re e n, l i g hte n i n g u p t h e sp a c e . Th i s sp a c e a l so i n clu d e s ve n d i n g m a c h i n e s fo r a q u i c k sn a c k .
B la c k p owd e r co ate d sn o o k e r + D i n i n g Ta b le by fusi o n
S o n i c C h a i rs by D e r S o n i c C h a i rs .
N o ra h i g h Q u i lt b o ot h by c h a i r by H e rm a n M i lle r G a z zd a c usto m ize d i n M i c rosof t co lo u rs
Lo u n g e C h a i r by H e rm a n M i lle r
Artist and Nerd Sations Th i s sp a c e i s d e si g n e d fo r re la xa t i o n a n d reviva l . I t h o p e s to h e l p t h e use rs i nte ra ct ove r a cof fe e o r so m e fa m i ly re c i p e s . I t a l so h o p e s to e n g a g e t h e m i n co m p e t it ive fu n a ct ivi t i e s t h ro u g h t h e b ask e t b a ll a n d sn o o k e r ta b le s . Th e re i s a sm a ll L i b ra r y co rn e r wit h H e rm a n M i lle r lo u n g e c h a i r. Th e te rra ri u m wa ll a d d s a b it of g re e n, l i g hte n i n g u p t h e sp a c e . Th i s sp a c e a l so i n clu d e s ve n d i n g m a c h i n e s fo r a q u i c k sn a c k .
H e rm a n M i lle r a d j usta b le wo rk d e sk s
G a z zd a of f i c e sto ra g e wit h c usto m i se d co lo u rs A r t i s t d e sk wit h co m p a r t m e nt s to k e e p stationer y
S ECTI O N 01 : C u t t i n g t h ro u g h t h e n e rd stat i o n a n d t h e p riva te WC s (fe m a le)
S ECTI O N 02 : C u t t i n g t h ro u g h t h e D e m o ro o m, te st i n g t h e at re a n d co nfe re n c e ro o m
Elevat i o n 01 : Th e m a i n i nte ra ct ive d i sp la y
Elevat i o n 02 : Te rra ri u m wa
a ll i n t h e n e rd sta t i o n
Elevat i o n 03 : K itc h e n co u nte r i n t h e so c i a l h u b
C o nfe re n c e R o o m
N e rd Sta t i o n
Demo Room
R e c e pt i o n Lo u n g e
A r t i s t Sta t i o n
Mini Lib
b ra r y i n t h e S o c i a l H u b
D i n i n g a re as i n t h e S o c i a l H u b
Pla y a re as i n t h e S o c i a l H u b
Te s t i n g Th e a t re
3 D M a p p i n g ro o m
CAFE DESIGN Caffe dei Gigli
Design Objective To d e s i g n a c a f é i n s p i r e d b y t h e church Santi Apostoli. The café is to include Romanesque style architecture and Florentine elements. The proposed design takes inspiration of the Romanesque arches for it ’s windows. The colours and décor of the interiors is a modern take on Florence.
C o lle cto r’ s c e ra m i c wa ll
Wi n d ow A rc h wi th se a ti n g
Colour sc h e m e s d r awn fro m th e t y p i c a l tusc a n b u i ld i n g s i n sh a d e s of ye l l ow
“ C a f f è d e i g i g l i ” tr a n sl a ti n g to C afe of L i l i e s i s a C afé tu c k e d away i n p i az za d e l l i m b o . Th e i n te ri o rs of th i s c afe i s i n sp i re d by th e c i t y of Fl o re n c e . Fl o re n ti n e’ s l ove th e i r cof fe e s a n d c afe s . I t i s b u t n a tu r a l to s t a r t th e i r m o rn i n g wi th th e fr a g r a n t e sp re s so . Th e d e si g n h o p e s to e n h a n c e yo u r cof fe e exp e ri e n c e wi th th e c i t y’ s c u l tu re a n d co l o u rs .
FLOOR PL AN Th e p la n d ivi d e s t h e c a fĂŠ i nto t wo se ct i o n . Th e k itc h e n a n d t h e e nt ra n c e i s la i d wit h c e ra m i c t i le s . Th e se t i le s h ave g e o m e t ri c p a t te rn s i n l i g ht g ra y. Th e ot h e r se ct i o n h as c h e st n u t wo o d e n p la n k la i d p e rp e n d i c u l to t h e wi n d ow wa ll s . Th e wi n d ow si ll h as se a ti n g . Th e b i g g e r ta b le s a re a l i g n e d i n 4 5 to a c co m m o d ate m o re se a t i n g a n d m ova b le sp a c e . Th e re i s a sm a ll n o o k fo r m i n i m a l co o k i n g a n d a n o p e n cof fe e/se r vi c e sta t i o n . Th e la t te r h as a h i g h ra i se d co u nte r a n d t h e b i ll i n g co u nte r se p a ra t i n g k itc h e n fro m d i n i n g .
Level 2 3000
Level 1 0
SECTION 01
Level 2 3000
Level 1 0
SECTION 02
S k e tc hy vi ew towa rd s t h e e nt ra n c e
S k e tc hy vi ew sh owi n g t h e c e ra m i c wa ll a n d se a t i n g
WINDOWS Windows adapt to the classic romanesque arches
CAFE COUNTER The cafe counter top is designed with ceramic tiles with modern geometric patterns. There is also a provision for high seating for a quick caffe.
C T C
CERAMIC PLATE WALL The ceramic wall plate is inspired by the ceramics in Bargello. Hung above are a collectors set of Ceramic plates.
RESIDENTIAL DESIGN B AC H ELO R PA D Design Objective To d e s i g n a 8 m x 8 m ( 1 2 8 s q m ) t w o floored bachelor pad inspired by a famous architect. The client is a 25 year old male working in his startup. The main design elements are derived from a gather session with the client after understanding his routine, likes and dislikes through a questionnaire. The style of design is inspired by Ta d a o A n d o . T h e m a i n e l e m e n t s inculcated are the play of light and the use of the architect ’s signature concrete. The furniture would complement the concrete and to stay true to the materials used. To k e e p i t s i m p l e t h e f u r n i t u r e u s e d is by Gaz zda and bathroom f ix tures by Adda.
Fro m g a th e r a n d th e d e si g n o b j e ctive s we d e rive d th e b a si c fu n cti o n s fo r th i s p a d. Th e c ri te ri a m a trix sh ows th e a d j a c e n cy a n d p riva cy re q u i re m e n ts of e a c h of th e se fu n cti o n s .
p
Wo o d f i n i sh , Wa l n u t
C o n c re te
Th e p a d i s d ivi d e d i n to t wo f l o o rs , se p a r a ti n g p riva te a n d p u b l i c a re a s . Th e g ro u n d f l o o r h a s th e e n te r t a i n m e n t a n d so c i a l izi n g a re a s . Th e f i rs t f l o o r co n si s ts of th e p riva te a re a s l i k e b e d ro o m s a n d b a th , i t a l so h a s th e s tu d y wi th a vi ew.
D ivi n g th e sp a c e s i n to a re a s h e l p e d i n b o u n d i n g th e fu n cti o n s . Priva te a re a s a re m a i n l y fo r p e rso n a l fu n cti o n s . S i n c e S h e ri f l ove s to co o k, th e co o k i n g a re a i s se m i p riva te wh e re th e g u e s ts c a n i n te r a ct a n d wa tc h h i m co o k . Th e e n te rt a i n i n g a re a s a re p u b l i c sp a c e s co n si s ti n g of l ivi n g a n d d i n i n g sp a c e s .
GROUND FLOOR
Th e g ro u n d f lo o r i s m a i n ly t h e e nte r ta i n m e nt a re a . We e nte r i nto t h e l ivi n g a re a wit h a co mfo r ta b le co u c h by G a z zd a a n d a wa ll h u n g te levi si o n wit h G a z zd a u n it . . Th e la yo u t i s si m p le a n d co mfo r ta b le fo r lo n g g a m i n g se s si o n s o r m ovi e n i g ht s . Th e d i n i n g i s n ex t to t h e c u r ta i n wa ll wit h e as y a c c e s s to k itc h e n a n d t h e g a rd e n a re a . Th e k itc h e n h as a co u nte r wit h a n o p e n i n g fo r vi si b i l it y fro m t h e d i n i n g a n d l ivi n g . Th e re i s sto ra g e fo r co a t s a n d sh o e s u n d e r t h e sta i r wa y.
Th e e nte e n su
f i rst f lo o r h as re la xi n g a re as . Th i s i s a p riva te sp a c e fo r g ro o m i n g , re la xi n g a n d re a d i n g . We e r i nto a sm a ll l i b ra r y a n d a re a d i n g co rn e r. To t h e ri g ht of t h e sta i r wa y i s t h e b e d ro o m wit h u ite b a t h . Th e ot h e r d o o r le a d s to a b a lco ny
SAM PAG U ITHA A B US S TO P A N D CO M M U N I C ATI O N B O OTH MAN I L A ,PH I L I PPI N ES
Design Objective The objective of this project is to design a functional bus stop and a communication device for the citize n s of B o n i f a ci o G lo b a l Ci t y ( B G C), Philippines. The design is compliant with the building and city codes, it is considerate of the latest trends in the transportation and communication industries, it also accommodates sustainable and eco-friendly design methods. The bus stop will be easy to use, comfor table and secure, therefore encouraging more commuters to use public transpor tation and thus reducing the current traf f ic and pollution crisis.
O u r d e si g n i s i n sp i re d by t h e P h i l i p p i n e s’ n a t i o n a l f lowe r lo c a lly c a lle d as t h e “ sa m p a g u ita” o r wh a t we co m m o n ly k n own as t h e j asm i n e f lowe r. We wa nte d t h e st ru ctu re of o u r b us sto p a n d co m m u n i c a t i o n b o ot h to re se m b le t h e sa m p a g u ita’ s ste m s a n d p e ta l s . O u r d e si g n i s ve r y o rg a n i c a n d close to n a tu re as t h e B G C i s a c it y m a d e u p m ostly of t re e l i n e d ave n u e s a n d g re e n o p e n sp a c e s . MATER IAL a n d FI N I S H ES Th e m a te ri a l s c h o ose n a re re a d i ly ava i la b le i n t h e Ph i l i p p i n e s , e as y to i n sta ll a n d c a n b e m as s p ro d u c e d . I t i s a l so e co -fri e n d ly.
ENTR A N CE TO TH E CIT Y B o n i fa c i o G lo b a l C it y h as t h re e ( 3 ) m a j o r a cc e s s p o i nt s; · Ac c e s s fro m t h e N o r t h a n d We st t h ro u g h Kala ya a n Ave n u e wh i c h co n n e ct s to t h e Ka la ya a n Flyove r, o r wh a t i s b e t te r i nte rp re te d as t h e ‘ b a c k ’ of t h e B G C a re a . Th e se a re wh e re t h e sc h o o l s a re lo c a te d . · Ac c e s s fro m t h e We st vi a ED SA t h ro u g h M c K i n ley R o a d a n d t h e t h re e e nt ra n c e s fro m C- 5 h i g hwa y i n t h e East wh e re t h e m a ll s a re . Ac c e s s fro m t h e a i rp o r t t h ro u g h t h e Vi lla m o r A i rb ase to t h e so u t h by Fi f t h Ave n u e .
Front view of the bus stop and communication booth
Kerb Level
Communication booth details
Wooden Seat details
D AY L I G H T R E N D E R S
NIGHT LIGHT RENDERS
HAND RENDERS
Marker renders and hand sketches for quick ideation. This is an essential par t of my design process. Markers used are mainly copic, style file.
R o o m sk e tc h usi n g co p i c a n d st yle f i le m a k e rs
M a te ri a l m a rk e r re n d e rs . Th e m ate ri a l s re n d e re d h e re a re wo o d, g las s o n co n c re te a n d a n a lu m i n i u m tu b e
I n it i a l d e si g n sk e tc h e s fo r a sh o e s to re
H a n d re n d e re d e leva t i o n wit h co p i c a n d st yle f i le m a rk e rs
R e n d e rs usi n g sh a d e s of g ra y g ivi n g t h e sk e tc h a m o n o c h ro m a t i c fe e l . I nte ri o r sk e tc h of a sh o e d e si g n e r’ s
I nte ri o r sk e tc h of a sh o e d e si g n e r’ s lo u n g e . S h own h e re i s a c usto m ize d sh e lf a n d a c a b i n e t wit h a n i n b u i lt c h a i r a n d ta b le .
DESIGN CONCEPTS REPRESENTED THROUGH BASIC SHAPES
D o m i n a n c e & R e s se ivn e n c e : Co lo u r , sh a p e a n d size
Tra n sp a re n cy : To m a k e h e av y o b j e ct l i g hte r. To a c h i eve t ra n sp a re n cy t h ro u g h so l i d co lo u rs
H a rm o ny & Co nt rast : Th e re m a y b e co nt rast s b u t n ot n e c e s sa ri ly wit h a d o m i n a t i n g e le m e nt
M E D H A
R A O
medharao@gmail.com