1 minute read
Wang Peng
Beyond, 3 channel video, 20’:00”, 2014 Feeling North Korea, single channel video, audio, 12’:15”, 2007
Wang Peng (b.1964, China) explores a very particular logic relating to screen space in his recent video work. His approach is realised through constructed techniques that includes the synthesis of two or more spatial points of view within the one screen. In Beyond it is the separation and relationship between the three screens’ imagery with reference to an obscured (or invisible) horizon that is employed. In Feeling North Korea half of the screen is fattened by imposing a black void, while the other half screen plays out footage the artist discreetly flmed on a visit to Pyongyang.
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《超越》,三屏录像,平角显示器,20分钟,2014 《感受朝鲜》,单屏录像,有声,2007
王蓬(生于1964年,中国)在近期的录像作品中,探索了屏幕空间的一个非常特定的逻辑关系。他 的方法是通过合成建构手法包括将多重视像融入同一个屏幕来实现。在作品《超越》中,他利用了 三个屏幕图像之间的距离和关联,形成了一条模糊(或不可见)的地平线。《感受朝鲜》中屏幕的 一半被黑色遮挡,而另一半播放的画面是艺术家在访问平壤时秘密拍摄的。