Volume 50, Issue 3

Page 1

The Independent Student Newspaper of the University of Toronto Mississauga since 1974

Issue 3 Volume 50 September 18 2022

themedium.ca

SHELIZA IBRAHIM

THE ERAS TOUR

NEW WET LAB INCUBATOR

Every scholar’s journey begins somewhere. For graduate student Geordi Frere, his starting point was an ardent love for the mathematical precision of physics. However, a surprising detour sent him into the world of organic chemistry. “I was once spellbound by the charms of physics,” Frere remembers. >> read more on page 07

Taylor Swift is coming to a city near you. Of course, if you’ve been online at all in the last year, you understand that procuring coveted tickets to shows of her wildly successful The Eras Tour is a feat in and of itself.

On September 14, 2023, SpinUp, the University of Toronto Mississauga’s (UTM) pioneer wet lab start-up incubator opened applications to science entrepreneurs in need of an affordable, well-equipped space in which they can innovate and research.

>> read more on page 10

>> read more on page 04

NEWS

Looking for employment opportunities? The Get Hired Fair’s got you covered! Mashiyat Ahmed Contributor

B

eing an undergraduate student can seem overwhelming at times, as everyone deals with unique challenges as they navigate academics, employment, and adulthood. When it comes to professional experiences, some students have difficulty knowing what opportunities are available for them, and others find it daunting to choose from the vast number of career options that speckle the job market. SAMIRA KARIMOVA/ THE MEDIUM

>> HIRED FAIR continues on page 03

ARTS

OPINION

White noise is doomscrolling

How not to be an asshole

Elizabeth Prydatka Contributor

Aidan Thompson Managing Editor - Internal

I

n the later half of 2022, I watched Noah Baumbach’s most recent directorial film on Netflix, White Noise, an adaptation of Don DeLillo’s 1985 novel of the same name. With Adam Driver and Greta Gerwig in the leading roles of this dark comedy, I was right to expect a good time in watching the film, though I was not prepared for the level of uncanny discomfort I would feel afterwards. Naturally, I was inclined to read the original source material that inspired the film. In my reading, I was struck by how relevant, in all of its absurdity, the novel remains almost 40 years after its release. In the early hours of July 16, 1945, the first nuclear bomb, “Gadget,” was detonated. The Trinity test was a success. In less than a month, another bomb was dropped on Hiroshima, and another on Nagasaki three days later, marking the advent of the nuclear age and the birth of the deadliest form of weaponry. In the following decades, the Cold War would exasperate feelings of unease within popular culture. DeLillo weaves this unease into the fabric of his own storytelling to say: we are living in dangerous times. Whether this danger comes in the form of nuclear war, terrorism, invasion, or disease, we live with such dangers in our periphery.

>> WHITE NOISE continues on page 09

We all know an asshole. They jam their nose into their wine glass, make a sound like they’re gargling on their mucus, and then interrupt an otherwise pleasant conversation to describe how the wine’s velvety tannins and subtle notes of snobbery compliment the terroir beautifully. Sensing an apathetic response to their obnoxious declaration, they continue, undeterred, as if social redemption demands they identify every undertone and nuance that graces their palette. They hold their wine glass at a 45-degree angle, gaze perversely into nine ounces of cabernet sauvignon, and then they declare, without prompting (obviously), that the wine’s bouquet is redolent with notes of black currant and leather. Okay, maybe you don’t know that asshole—but believe me, they’re out there and they’re ruining everyone’s time. So, what do you say to an asshole when they’re being, well, an asshole? In my professional and unfortunate experience, you have two options. The first is to chastise them with silence and ignore their pretentious remarks, but chances are, if they use the

word “redolent,” they probably lack the awareness to be discouraged by subtle social cues. So, that leaves us with option two. This one is slightly more complicated, but significantly more fun: try to out-asshole the asshole. Declare with feigned sincerity your own pleonastic descriptions. Describe how the vintage wine tantalizes your palate with notes of dark chocolate and forest floor; or how the terroir boasts a refined complexity that delivers a symphony of flavors, which harmonize perfectly with the undertones of vanilla and cedar. Hopefully your uncultivated opinions will provoke and irritate the asshole into an argument, at which point you can simply propose that you both agree to disagree. Ideally, your willingness to concede to disagreement will be so infuriating that the asshole will forget all about the wine’s opulent flavours and instead direct their passionate capacity for poetics towards your flaws as an individual—which, in my opinion, is preferable. But perhaps the more important question is to ask how you avoid sounding like an asshole. If you enjoy wine, you probably talk about it on occasion. Maybe you took a trip to Italy over spring break and appointed yourself a master sommelier (“wine waiter”). Maybe you’re skeptical that wine has any value beyond intoxication, but you want to prepare for the day you have to impress your in-laws. >> WINE continues on page 03


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