Inspiration for type creation pages final by Megan Louise Pope

By Megan L. Pope

Inspiring Typography Designers and Tips and Tricks on Getting Started

By Megan L. Pope

I would like to acknowledge my boyfriend Nicholas Sobolev, along with my friends and family for supporting me through my creative endeavours.

First Published in 2015

Inspiration for Type Creation © 2015 Megan Pope, all rights reserved under the copyright act 1968. Written by: Megan Pope with outsourced information from publications and websites. Refer to Bibliography.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any way or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission. Referencing and Copying for educational purposes only. The information contained in this book is to the best of the author’s and publisher’s knowledge true and correct. Printed and Bound by Blurb.

Getting Started

Behind the Words

Text Editing and Proofreading: Megan Pope. Layouts and Design: Megan Pope.

Establish Your Type

Introduction

10 Tactile Typography 28 3D Typography 46 2D Typography

66 Font Categories 74 Typefaces common to Designers 76 Time to Type 94 Tips and Tricks

Intro

“Finding new ways to create unique and exciting type means that you’re always on the hunt for insipration.”

ypography creates an experience before users have even read a single word or clicked a button. Typography doesn’t just tell a story, it creates an atmosphere and emotional response the same way as a tone of voice. If you dream to be the next great typographer in this world, whether designing amazing Open Type Fonts, weaving beautiful hand-drawn letters or creating your own custom typeface designs, I assure you this book is for you. Inspiration for Type Creation

G ET STARTED Get Inspired

CREATE

Designing a typeface

can be a long journey so it’s prudent to have a clear vision of its purpose. You might begin with something purely self-expressive, maybe you were inspired by something and wanted to get creative. However, the usual practice is to create a typeface in response to a brief. Developing your own brief will inevitably require research and reflection. How will it be used: is it for a specific project or personal use only? Is there a problem you might solve? How might your typeface fit into a landscape alongside similar designs? What makes it unique? All these contribute to an outcome in the end which will hopefully reflect the decided brief.

The options are vast. Typefaces have been created, for example, specifically for academic texts, to provide better number systems for engineering documents or as a one-off for public lettering.

Only when you know what your typeface will actually be used for can you really get started on the design and create. Get inspired. Look at the legends. What kind of type do you like?

“The Inspiration for a typeface can come from anything, a tree, a ladder, rocks, people, old office supplies laying around. Pretty much anything and everything you can find.” Decide what kind of typeface you want to create. Ask yourself what you want to do with the typeface your creating... Do you want to create a typeface from your handwriting? Or use it for bold, headline type? Having a general idea of what your end goal is, will help to make a lot of the decisions throughout the process of creating your own typeface. Inspiration for Type Creation

BEHIND THE WORDS Is a Steady Hand

Luke Lucas

â&#x20AC;&#x153;

I love that the same word, passage or even letter can be treated in bunch of different ways and embody entirely different meanings... That and through subtleties like a slight shift in line weight, the elongation of a tail or the arc you use, a letter can go from contemporary to traditional or happy to sad in a single stroke...

www.lukelucas.com www.behance.net/Luke_Lucas

Luke Lucas is a creative freelancer, art director, illustrator, designer and typographer situated in Sydney, Australia. Well known, he has a self-made career which spanned for more than two decades to present. His contemporary work focuses on conceptual illustrative typography, custom lettering and type design attracting briefs from agencies, publishers and brands across the globe.

he has received awards from D&AD, MADC and AWARD and his regular clients include Nike, Target USA, Esquire, The New York Times and The Washington Post. Inspiration for Type Creation

Inspiration for Type Creation

www.gedpalmer.com www.behance.net/gedpalmer

Ged Palmer is a lettering artist and sign painter based in London. With over twelve years experience of working with letterforms, Ged offers typography, calligraphy, lettering & sign painting to discerning clients in the UK and abroad. As a member of the International Society of Typographic Designers, his fascination with letterforms began in his early years while painting graffiti.

recent clients include businesses such as Clarks, The Folio Society, Microsoft, Philips, Duncan Baird Publishers, Best Western and the Wonderland Magazine.

Inspiration for Type Creation

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Ged Palmer

The great thing about lettering and sign painting is there is so much history, so many styles and techniques that you can never

really learn it all.

Inspiration for Type Creation

“

I like the interaction hand drawn typography can have to the meaning of a word and how the letters next to each other plays together and shapes a integrality.

Martin

Schmetzer

martinschmetzer.com www.behance.net/PapperOPenna

Martin Schmetzer is a stockholm-based designer specializing in hand-drawn typography with a high level of detail and diligence. As part of Sweden’s most renouned illustration agency and represented by Rithuset in Sweden, Match Illustration in UK and Red Ape in Australia/ Asia, he works with many other artists of multidisciplinary areas and styles where he learns and broadens his horizons.

On a daily, Martin Schmetzer is designing

logotypes, packaging, and custom typography and illustrations for clients including Ford, Pilot Pens, Under Armour and fashion brands like WeSC. Inspiration for Type Creation

Inspiration for Type Creation

www.seblester.com www.behance.net/seblester

Seb Lester trained in Graphic Design at Central Saint Martins in London. He now works in Lewes in East Sussex as a designer and artist. He has developed typefaces and type illustrations for some of the world’s biggest companies, publications and events, including the likes of NASA, Apple, Nike, Intel, The New York Times, The 2010 Vancouver Winter Olympics and JD Salinger’s final reissue of The Catcher in the Rye.

Previously a Senior Type Designer at Monotype for nine years, he has developed custom typefaces for many very familiar brands including British Airways, Intel, Waitrose, The Daily Telegraph, H&M and Barclays.

Inspiration for Type Creation

“

Seb Lester

The best part is the creative process at the beginning. The excitement of developing ideas and fleshing out letterforms. It’s great fun developing the basic digital character set and developing weights. Watching the design take shape and evolve.

Inspiration for Type Creation

BEHIND THE WORDS

Is a Creative Mind

“

French advertising posters by Toulouse-Lautrec, Chéret, Grün, emblems and badges on vintage cars and motorcycles, packaging labels on old tins and bottles and all the hand-painted signs out there in the world. I also admire the work of many current graphic designers and letterers—doing so inspires me to keep working hard to improve.

Becca Clason

www.beccaclason.com https://dribbble.com/beccaclason

Becca Clason is a California-born lettering artist, art director, and designer in Salt Lake City, Utah. She creates tactile typography out of food, flowers, and other products, and she is a graphic designer and letterer for Studio Design, a mobile graphic design platform and app. She graduated from Brigham Young University, where she studied creative advertising and graphic design. Becca has worked with many freelance clients, some including Disney, Mattel, Inc., LÄRABAR, L’Oréal Paris Professionnel, Evite, Dollar General, Canadian Tire, and Food & Wine Magazine. Inspiration for Type Creation

Inspiration for Type Creation

www.dominiquefalla.com www.behance.net/dominiquefalla

Dominique Falla is an Australian designer/ artist who works in a variety of craft mediums and combines them with a digital aesthetic to make tactile typography pieces. She is currently interested in the New Aesthetic and exploring ways in which the digital world can inhabit the real one using typography. Dominique has features in art and review publications including: +81, Novum Magazine, Gold Coast Creative, Twofold, ArtBox Magazine, Winter For Elbows and The Herald Sun.

Inspiration for Type Creation

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Dominique Falla

By lifting typography from the computer screen or the printed page, I find the letterforms are given new life, as are the words themselves, and people respond in such a positive way to the haptic nature of the pieces and they are drawn to touch them and re examine the letterforms and I get such pleasure from their reactions..

Inspiration for Type Creation

“

I love working with food, but I’ve had such amazing experiences with other materials. Various ropes/strings have proven a fun challenge as they require twisting and monolinear treatments, fabrics look elegant in their own right, plants unfold in my hands and have a timetable before they wilt; the

world is full of potential materials.

Danielle Evans

www.marmaladebleue.com https://www.behance.net/marmaladebleue

Danielle Evans is an urban Columbus, Ohio native. She derives great pleasure in walking everywhere, taking food photos on instagram, and being ‘the cool aunt’. Her heart strings are plucked by lettering and typography, which she exhibits through brush pen, paper cutting and most notably, dimensional type. She art directs, food styles, and collaborates with personable and quirky clients to achieve authentic, evocative, and approachable work for social media campaigns, editorials, and advertising.

Clients Danielle has worked for include Target, Aria, Prina and Tesco, Kellogg, ADC and Indiana Wesleyan niversity. Inspiration for Type Creation

Inspiration for Type Creation

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Anna Garforth

I enjoy the tactility of working with organic mediums and

http://www.annagarforth.co.uk/

Anna Garforth is a London based artist taking the art world by storm using her diverse skills to uniquely capture the aesthetics of nature and transform the world around us. Garforth takes a multifarious approach to her art practice creating an eclectic body of work utilizing a diverse array of skills such as illustration, design and craft.

Anna Garforth has worked and exhibited internationally, working with big brands, creative agencies and independent clients in locations such as Hong Kong, the UK and Holland. Clients include Converse, Elle Decor, Nature Valley and the Design Museum.

Inspiration for Type Creation

learning how to craft it into something else. No harmful toxins

or bad fumes are involved. It takes me to interesting places both through the process and working on commissions around europe.

Inspiration for Type Creation

BEHIND THE WORDS Is a Keen Eye

“

In my work I try to convey that nostalgic trip through my vague recollections in as true a sense as possible, letting everything mix and slightly distort along the way. I don’t like to create pastiches, but rather I prefer to mix up all these influences and present them in the same way that they are jumbled up in my memories; to create something new,

but clearly rooted in the past.

Thomas Burden

www.therewillbeunicorns.com www.behance.net/therewillbeunicorns

Thomas Henry Burden graduated from Camberwell college of Arts with a Bachelor of Graphic design in 2007, and since has been doing freelance work in full-time stints as a senior designer at leading design studios McfaulStudio and I Love Dust. His work is widespread and touches on a bit of everything including book covers, ad campaigns, magazine editorials, packaging, animations, websites, stage visuals and building projections. Thomas Burdern has worked for many clients, a few of them being Nike, Pathe, Greenpeace, Wall St Journal, Washington Post, The Guardian and UPS. Inspiration for Type Creation

Inspiration for Type Creation

http://www.chrislabrooy.com/ https://www.behance.net/chrislabrooy

After graduating from the RCA with an MA in design products, Chris Labrooy first began to use 3D as a simple tool to visualise ideas for furniture and products that he could not afford to produce. As 3D technology and hardware evolved, he saw an opportunity to explore CGI as a creative medium in itself with which he could subvert and twist familiar everyday things into new typographic and sculptural forms. Chris LaBrooy is interested in the intersection between typography, architecture, product design and visual art. Some clients he has worked for include

NY Department of Transport, Future Publising,

Scientific American and Microsoft.

Inspiration for Type Creation

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Chris LaBrooy

I have a fascination with subverting the everyday material culture that surrounds us into something new. The computer allows me to think really big.

Inspiration for Type Creation

“

Surround yourself with talented people and share your ideas. You’ll learn and gain insights that you otherwise wouldn’t have working on your own.

David McLeod

www.therewillbeunicorns.com www.behance.net/therewillbeunicorns

David McLeod is a multi-disciplinary Designer and Artist. Originally from Australia, he now lives and works in New York City. His work is focused on experimental and highly textural CGI illustration, bespoke typography and lettering. Younger, he started off knowing he wanted to do something creative and regularily would draw. After he was supplied a computer by his techsavvie father, he began making pixelated graphics and small animation. David has been commissioned by Toyota, Motorola, Mastercard, Canon, Bloomingdales, The Boston Globe, Variety Magazine and Greenpeace. Inspiration for Type Creation

Inspiration for Type Creation

http://www.chrislabrooy.com/ https://www.behance.net/chrislabrooy

Benoit is a creative image maker focused on digital art, 3D illustration and typography. His work encompasses a large range of 3D field creation, design, CGI retouch and art direction. He began as a digital art director before then devoting himself entirely to digital art. He has evolved into agencies such as Publicis, Anonymous and recently Serialcut. At the end of 2013 he moved back to France to start working freelance for international advertising agencies and magazines. Some of his past clients include Nike, Rayban, Cartier, Vodafone, O2, Nespresso, Etam, Renault and Google.

Inspiration for Type Creation

“

Benoit Challand

I don’t really have methods to keep my “creative juices” flowing. I’m inspired by lots of things. Words inspire me quite a bit. I will often develop concepts based on a combination of words. Phrases like “Pen Orchestra” or “Fancy Wood” help me to generate ideas that I can then start sketching and compositing into final works.

Inspiration for Type Creation

ESTABLISH

THROUGH TOP TIPS AND TRIC

YOUR TYPE KS FROM THE PROFESSIONALS

1 SPACE Spacing

Fundamental

TO MAKE UNITY

Inspiration for Type Creation

Varying type size is one of the best ways to

differentiate your content – there should be a specified size and weight for your heading, sub-heading and body copy – this creates visual hierarchy. Use a heavy typeface for your heading to amplify your focal message and as an extra touch you can close up the letter spacing, but ensure the words are still legible. Applying a subtle transparency to your type will soften the hard edges and strong unity formed by the tight letter spacing. Also, you can use a finer typeface for your supporting copy and space out the lettering for contrast.

Content Consistancy Ensure your design is harmonious by choosing

typefaces which are aesthetically aligned to your content. The typefaces you choose should represent both your content and your other elements within your design. For example, the use of a handwritten script for a product or design representing something ‘handmade’ or a typewriter font for vintage or press publication. Also, adding an element to the space between words is a dynamic way to add a little bit of finesse to your design to complete it.

Handmade Style

Inspiration for Type Creation

Headings

of any shape

Narrow BUT BOLD

Inspiration for Type Creation

Just like bold fonts, narrow and thin fonts work better for headings than they do for blocks of text. Combining two similar narrow typefaces with different letter spacing and weight will create a nice contrast.

Applying an element, like a line or stroke the same width as some of your text will both place emphasis on certain words and contain your type.

Overlay An image that you can apply text over is a

great way combine your graphic elements for a more stunning effect. Choose an image with features you can overlay type on, then adjust the brightness and contrast within your filter sliders to ensure your text is legible.

Sticking to one font family will create harmony within your design â&#x20AC;&#x201C; break up content by using different styles eg. italic, bold. Itâ&#x20AC;&#x2122;s also smart to use the rule of thirds to help define visual hierarchy.

Attractive

OverlayPlay

Inspiration for Type Creation

Handmade Style 5

Creative Characters

Inspiration for Type Creation

Express

Yourself

When you are faced with a semi-colon, or an

ampersand – take advantage of them. Many fonts provide a beautiful selection of glyphs (type characters or symbols). For example, Ampersands are an elegant typographic feature. Choose any typeface that celebrates this character like PlayFair Display. Place your content with purpose and keep an eye on your alignment, making sure your supporting type lines up with another element in your graphic.

6 Helvetica

Trends Always Change Gotham might be amazing, but it’s not right for

everything. It’s good to know what’s ‘in’ but try not

to rely too heavily on trends because using the latest typeface won’t make your work the ‘greatest’. Instead of simply surfing the net for new fonts, open a book, and research some tried and tested classics. Sans serif is contemporary, modern and clean, but a classic and dependable serif can be all those things too. The real magic happens when you find a pairing that brings the best out of each typeface.

Caslon

Baskerville

Inspiration for Type Creation

Look For Other Inspiration

Inspiration for Type Creation

It is important to look for inspiration from

other places besides just other lettering artists. Perhaps look at sign painters, vintage packaging, tattoo artists, and graffiti. Figure out what inspires you besides type, and look at the design surrounding these fields. Maybe youâ&#x20AC;&#x2122;re interested in surfing and want to look at not just old surfboard company graphics, but surf town signage, tide charts and painted boat names.

Try Different Mediums Rather than just using a computer or pencil

to draw all types of letterforms, try using other tools like calligraphy pens, brush markers, paint brushes, charcoal, and chalk. Even try using bits of nature such as flowers, foods like condiments and spices, or even old junk laying around, anything you can form a letter with. Try working at different sizes, too. Using your arm to make marks creates a different feeling and gets different results than making small movements with a pencil between your fingers. Often, this is the key to creating new and unique letterforms.

Inspiration for Type Creation

CATEGORIES FOR FONTS in

Design

1 2

Serif

The serif category is defined by extra decorative marks or ‘legs’ on each letter. These embellish characters and make them easier to read in body text. Serifs Include Old Style, Transitional, Neoclassical and Didone, Slab, Clarendon and Glyphic.

Sans Serif

A Sans-serif typeface is one that does not have the small projecting features called “serifs” at the end of strokes. Used in the main texts for print output and web texts. Sans Serifs include Grotesque, square, Humanistic and Geometric.

Script

Script fonts have ornaments, curves and long tails and are calligraphic in nature to imitate handwriting. They are commonly used in wedding and other formal occasions. Scripts include Formal, Casual, Calligraphic, Blackletter and Lombardic.

Decorative

Decorative fonts are unique and thematic in nature and are often used for branding or for specific occassions. Some of the many Decorative fonts include Grunge, Psychedelic and Graffiti.

T ypefaces Common to Designers

here are a number of early choices you need to consider. Will it be a serif or sans serif ? Will it be based on a writing implement or be more geometric? Will your design be a text face, comfortable at small sizes and suitable for long documents, or will it be a display face with an imaginative style, that works better a larger size? On the following pages are a selection of pre-existing fonts well known to the design community. These will serve as a stepping stone to your own custom font through observation of similar characteristics and structure.

Akzidenz Grotesk

Akzidenz Grotesk, the first ever sans-serif typeface to be widely used, was originally released in 1898, by the H. Berthold AG type foundry. At first glance, it can sometimes be mistaken for the later Helvetica or Univers designs.

Inspiration for Type Creation

Avenir

The Avenir typeface was designed by Adrian Frutiger in 1988. The city of Amsterdam uses Avenir extensively in its graphic identity. The BBC2 TV channel has also begun to use Avenir as its main corporate font for its logo and identity, another shift away from the once universal use of Gill Sans across all of the BBCâ&#x20AC;&#x2122;s output.

Inspiration for Type Creation

Bodoni

Caslon is a family of serif typefaces designed by William Caslon (1692â&#x20AC;&#x201C;1766). His earliest design dates to 1734. The Caslon types were distributed throughout the British Empire, including British North America. Caslonâ&#x20AC;&#x2122;s types were immediately successful and used in many historic documents, including the U.S. Declaration of Independence.

Bodoni is the name given to a series of serif typefaces first designed by Giambattista Bodoni in 1798. This typeface has a narrower underlying structure with flat, unbracketed serifs. The face has extreme contrast between thick and thin strokes, and an overall geometric construction.

Inspiration for Type Creation

Caslon

Adobe Caslon Regular Adobe Caslon Italic Adobe Caslon Semibold Adobe Caslon Semibold italic Adobe Caslon Bold Adobe Caslon Bold Italic

Inspiration for Type Creation

Franklin Gothic Franklin Gothic was designed by Morris Fuller Benton, in 1902. “Gothic” is an increasingly archaic term (used widely in the past but quite rare today), meaning ‘sans-serif’, which is found primarily in Canada, the United Kingdom, and the United States. Caruso’s redrawing of Franklin Gothic consists of a slightly enlarged x-height and a moderately condensed lowercase alphabet.

Inspiration for Type Creation

Futura

Futura was designed in 1927 by Paul Renner. Although Renner was not associated with the Bauhaus movement, he shared many of its structural elements, and believed that a modern typeface should express modern models, rather than be a revival of a previous design. Futura’s success spawned a range of new geometric sansserif typefaces from competing foundries, and remains one of the most used sans-serif types into the 21st century.

Inspiration for Type Creation

Gill Sans

Gill Sans was designed by Eric Gill in 1927-30. Gill was a well established sculptor, graphic artist and type designer, and the Gill Sans typeface takes inspiration from Edward Johnston’s ‘Johnston’ typeface, used for the London Underground, which Gill had worked on whilst apprenticed to Johnston. Eric Gill attempted to make the ultimate legible sans-serif text face, and Gill Sans was designed to function equally well as both a text face and for display.

Inspiration for Type Creation

Helvetica

Helvetica was created by Miedinger with Eduard Hoffmann at the Haas’sche Schriftgiesserei (Haas type foundry) of Münchenstein, Switzerland. Haas set out to design a new sans-serif typeface that could compete with Akzidenz Grotesk in the Swiss market. Originally called Neue Haas Grotesk, the typeface’s name was changed in 1960 by Haas’ German parent company, Stempel, to Helvetica — derived from Confederatio Helvetica, Latin for Swiss Confederation — in order to make it more marketable internationally.

Inspiration for Type Creation

G Time

to Type

Bites of knowledge for your process

Repetition

Start with one letter and work from there. For

instance, you could take an uppercase R and draw from that your uppercase P. Repeating shapes and forms in letters brings a typeface together. Think of it as creating a series of interchangeable parts to be used as a core for your letters. Adding unique elements can come after you have the basic form set into place.

Options

Exhaust all the options before settling on just

Forming Change

one character design. For each typeface, create multiple variations of characters to see which works and looks the best in presentation. Sometimes the first iteration is the best, but evolving an idea to its end helps you find gems and combinations you might not have thought about.

Start forming words as you are designing the

typeface. Forming words helps designers make decisions between iterations and where things should be placed. The letterforms will very rarely be used in isolation, so why design them that way?

Don’t be afraid to change it. It may be a little

extra work, time, and effort but it is always worth it. You want to create something you are proud of, so cutting corners will only result in the “I wish I had…” or even more work later on if you decide to change it. Trust your design eye and senses. Inspiration for Type Creation

Lastly...

Do What You Love

ractise is key for success. Remember to practise everyday or as often as you can to develop your own style and preferences. Afterall, Professionals wouldn’t be where they are today without their many years of research, expertise and practise in typography design. On that same note, always remember to have fun with your design endeavours and don’t be afraid to try something new.

Once you’ve crafted something you’re happy with, you’ll start seeing how it performs at a range of tasks suited to the original briefs you assigned it. Always ask designers, friends or family to test it out and give you feedback. The more critique you can get, the better chances you have of improving and creating gorgeous and functional Typefaces and eye-popping Typography artworks.

Inspiration for Type Creation

Glossary Typography

The art, arrangement or process of printing with type.

Typeface

A typeface is a set of one or more fonts each composed of glyphs that share common design features.

Glyph

a hieroglyphic character or symbol.

Brief

A set of instructions or purpose given in regards to a job or task.

Inspiration

The process of being mentally stimulated to do or feel something, especially to do something creative.

Open Type

OpenType is a format for scalable computer fonts.

True Type

TrueType is an outline font standard.

Contemporary

Conforming to modern or current ideas in design.

Letterforms

The graphic form of a letter of the alphabet, either as written or in a particular type font.

CGI

Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, typography etc.

Medium

Refers to the substance the artist uses to create his or her artwork.

Legible

Clear enough to read.

Aesthetics

A set of principles concerned with the nature and appreciation of beauty.

Content

The material, including text and images, that constitutes a publication or document.

Inspiration for Type Creation

Bibliography Cao, Jerry The typographic secrets behind visual hierachy, 2015, Creative Bloq, http://www.creativebloq.com/typography/secrets-behind-visual-hierarchy-41514751 (accessed May 12, 2015) Clarke, Jamie How to design your own typeface, 2014, Creative Bloq, http://www.creativebloq.com/typography/design-your-own-typeface-8133919 (accessed May 12, 2015) Com, Jesse Designing a Typeface With Illustrator and FontLab from Start to Finish - Part1, 2010, Tuts Plus, http://design.tutsplus.com/tutorials/designing-a-typeface-with-illustrator-and-fontlab-from-startto-finish-part-1--vector-3458 (accessed May 13, 2015) Lucas, Luke About, 2015, Luke Lucas, http://www.lukelucas.com/about (accessed May 13, 2015) Lucas, Luke Luke Lucas, 2015, Behance, https://www.behance.net/luke_lucas (accessed May 13, 2015) Cartwright, James An Interview with Ged Palmer, sign writer extraordinaire!, 2015, It’s Nice That, http://www.itsnicethat.com/articles/ged-palmer-interview (accessed May 13, 2015) Palmer, Ged Info, 2015, Ged Palmer, http://www.gedpalmer.com/info (accessed May 13, 2015) Typostrate Interview with Martin Schmetzer, 2014, Typostrate, http://typostrate.com/post/76304506902/inteview-with-martin-schmetzer (accessed May 14, 2015) Schmetzer, Martin About, 2015, Martin Schmetzer, http://martinschmetzer.com/384777/about (accessed May 14, 2015) Boardley, John An Interview With Seb Lester, 2008, I Love Typography, http://ilovetypography.com/2008/12/11/an-interview-with-seb-lester/(accessed May 14, 2015) Lester, Seb About, 2015, Seb Lester, http://www.seblester.com/about (accessed May 14, 2015) Coyne, Richard and Blanchard, Robert Becca Clason, 2013, Communication Arts, http://www.commarts.com/fresh/becca-clason (accessed May 15, 2015) Clason, Becca About, 2015, Becca Clason, http://www.beccaclason.com/filter/packaging/ABOUT (accessed May 15, 2015) Smith, Jenica Dominique Falla [designer-tactile typographer], 2011, Design Montage, http://www.designmontage.com.au/2011/10/dominique-falla-designer-tactile-typographer/(accessed May 15, 2015) Falla, Dominique About, 2015, Dominique Falla, http://www.dominiquefalla.com/about-dominique/ (accessed May 15, 2015) Sakai, Heather An Interview with Danielle Evans, 2015, go media, http://gomedia.com/zine/insights/interviews/type-thats-good-enough-to-eat-an-interview-with-danielle-evans/ (accessed May 15, 2015) Evans, Danielle About, 2015, Marmalade Blue, http://marmaladebleue.com/about/ (accessed May 15, 2015) Caridad, Paul Living, Growing Graffiti: Moss Typography & Mural Designs by Anna Garforth, 2014, Visual News, http://www.visualnews.com/2014/01/30/living-growing-graffiti-moss-typography-muraldesigns-anna-garforth/ (accessed May 16, 2015) Garforth, Anna About, 2015, Anna Garthorth, http://www.annagarforth.co.uk/about.html (accessed May 16, 2015) Meiring, Lindi Designers We Love: Thomas Burden, 2014, Visi, http://www.visi.co.za/design/designers-we-love-thomas-burden/ (accessed May 16, 2015) Burden, Thomas Info, 2015, There will be Unicorns, http://www.therewillbeunicorns.com/INFO (accessed May 16, 2015) Sokoi, Zach “Flight Intestines” Imagines What The Melting Innards Of A Jet Look Like, 2014, The Creators Project, http://thecreatorsproject.vice.com/blog/flight-intestines-imagines-what-the-melting-innardsof-a-jet-look-like (accessed May 16, 2015) début art Chris Labrooy, 2015, Début Art, http://www.debutart.com/illustration/chris-labrooy#/biography (accessed May 16, 2015) Clayton, Peter Ten Pennies Interview with David McLeod, 2015, Ten Pennies, http://www.tenpennies.co.uk/david-mcleod-interview/ (accessed May 16, 2015) McLeod, David David McLeod, 2015, Behance, https://www.behance.net/davidmcleod (accessed May 16, 2015) Friedman, Grant An Interview With Benoit Challand, 2014, Tuts Plus, http://design.tutsplus.com/articles/an-interview-with-benoit-challand--cms-20645 (accessed May 17, 2015) Challand, Benoit Benoit Challand, 2015, Linked In, https://fr.linkedin.com/in/benoitchalland (accessed May 17, 2015) Pack, Poppy Typography Tips and Tricks: Part One, 2014, Canva, https://designschool. canva.com/blog/typography-tips-tricks-part-one/ (accessed May 17, 2015) Creative Blog 10 pro tips for perfect typography, 2013, Creative Bloq, http://www.creativebloq.com/typography/pro-tips-flawless-typography-5132670 (accessed May 17, 2015) RedBubble 5 Tips for Creating Beautiful Lettering Projects, 2015, RedBubble Blog, http://blog.redbubble.com/2015/02/5-typography-tips/ (accessed May 17, 2015) W, Andreas Working with Types: Typography Design Tutorial for Beginners, 2015, 1st Web Designer, http://www.1stwebdesigner.com/typography-tutorial-beginners/ (accessed May 17, 2015) Clarke, Jamie How to design your own typeface, 2014, Creative Bloq http://www.creativebloq.com/typography/design-your-own-typeface-8133919 (accessed May 17, 2015)

Inspiration for Type Creation

Airey David Thirteen typefaces for graphic designers, 2007, David Airey http://www.davidairey.com/13-typefaces-for-graphic-designers/ (accessed May 17, 2015) Ramey, Thomas How To: Design Your Own Typeface, 2014, Creative Market https://creativemarket.com/blog/2014/05/19/how-to-design-your-own-typeface (accessed May 17, 2015)

Images

Lucas, Luke A Few of our favourite Things, 2014, Luke Lucas http://www.lukelucas.com/Stylist-Magazine-Nov-14 (accessed May 13, 2015) Lucas, Luke Better Advice, 2013, Luke Lucas http://www.lukelucas.com/Better-Advice-Money-Magazine (accessed May 13, 2015)

Lucas, Luke Forever Young, 2011, Luke Lucas http://www.lukelucas.com/Forever-Young-Bob-Dylan-1974 (accessed May 13, 2015)

Lucas, Luke Letters Do It Betterer, 2015 Luke Lucas http://www.lukelucas.com/Letterers-Do-It-Betterer-Typism-15 (accessed May 13, 2015)

Lucas, Luke Hype Today Gone Tommorrow, 2011 Luke Lucas http://www.lukelucas.com/Hype-Today-Gone-Tomorrow (accessed May 13, 2015) Lucas, Luke Seasons Greetings, 2011, Luke Lucas http://www.lukelucas.com/Tellurian-Season-s-Greetings (accessed May 13, 2015) Lucas, Luke Big Mouth Project, 2009 Luke Lucas http://www.lukelucas.com/Big-Mouth-Project (accessed May 13, 2015) Lucas, Luke Got Type, 2012, Luke Lucas http://www.lukelucas.com/Business-Cards-2012 (accessed May 13, 2015) Lucas, Luke Portrait, 2014, Luke Lucas, https://www.analoguedigital.com.au/luke-lucas (accessed May 13, 2015)

Lucas, Luke A Few of our favourite Things, 2014, Luke Lucas, http://www.lukelucas.com/Stylist-Magazine-Nov-14 (accessed May 13, 2015) Lucas, Luke Better Advice, 2013, Luke Lucas, http://www.lukelucas.com/Better-Advice-Money-Magazine (accessed May 13, 2015)

Lucas, Luke Forever Young, 2011, Luke Lucas, http://www.lukelucas.com/Forever-Young-Bob-Dylan-1974 (accessed May 13, 2015)

Lucas, Luke Letters Do It Betterer, 2015 Luke Lucas, http://www.lukelucas.com/Letterers-Do-It-Betterer-Typism-15 (accessed May 13, 2015) Lucas, Luke Seasons Greetings, 2011, Luke Lucas, http://www.lukelucas.com/Tellurian-Season-s-Greetings (accessed May 13, 2015) Lucas, Luke Big Mouth Project, 2009, Luke Lucas, http://www.lukelucas.com/Big-Mouth-Project (accessed May 13, 2015) Lucas, Luke Got Type, 2012, Luke Lucas, http://www.lukelucas.com/Business-Cards-2012 (accessed May 13, 2015) Lucas, Luke Class Pays, 2012, Luke Lucas, http://www.lukelucas.com/Class-Pays (accessed May 13, 2015)

Lucas, Luke Got Type, 2012, Luke Lucas, http://www.lukelucas.com/Business-Cards-2012 (accessed May 13, 2015)

Palmer, Ged Portrait, 2012, Belleville http://cafesbelleville.com/blogs/news/16718048-quand-ged-palmer-nous-rend-visite (accessed May 13, 2015) Palmer, Ged I’ll Sleep When I’m Dead, 2012, Ged Palmer, http://www.gedpalmer.com/#/eastward/ (accessed May 13, 2015) Palmer, Ged You Need To Hear This, 2013, Ged Palmer, http://www.gedpalmer.com/#/alps/ (accessed May 13, 2015)

Palmer, Ged Going Gone Gorilla, 2011, Ged Palmer, http://www.gedpalmer.com/#/new-gallery/ (accessed May 13, 2015) Palmer, Ged Hand-Lettered LogoTypes, 2012, Ged Palmer, http://www.gedpalmer.com/#/urban/ (accessed May 13, 2015) Palmer, Ged Stunning Lettering by Ged Palmer, Thee Blog, http://diegoguevara.com/blog/2012/10/19/stunning-lettering-by-ged-palmer/ (accessed May 13, 2015) Palmer, Ged Stunning Hand-Drawn Lettering, 2012, From Up North, http://www.fromupnorth.com/stunning-hand-drawn-lettering-804/ (accessed May 13, 2015) Palmer, Ged Reformation Europe’s House Divided, 2013, Ged Palmer, http://www.gedpalmer.com/stay/ (accessed May 13, 2015) Palmer, Ged Rusty Bicycle, 2014, Go Media, http://gomedia.com/zine/insights/become-master-typographer-follow-rules/ (accessed May 13, 2015) Schmetzer, Martin Schmetzer, 2013, Suqer, http://suqer.deviantart.com/ (accessed May 14, 2015) Schmetzer, Martin Ford Is Better, 2013, Martin Schmetzer, http://martinschmetzer.com/384773/2646944/gallery/ford-and-is-better (accessed May 14, 2015) Schmetzer, Martin Baltimore Magazine, 2014, Martin Schmetzer, http://martinschmetzer.com/384773/4433578/gallery/baltimore-magazine (accessed May 14, 2015) Schmetzer, Martin Hand Lettering, 2014, Martin Schmetzer, http://martinschmetzer.com/384773/2646938/gallery/hand-lettering (accessed May 14, 2015) Schmetzer, Martin Leadville 100, 2014, Martin Schmetzer, http://martinschmetzer.com/384773/4491388/gallery/leadville-100 (accessed May 14, 2015) Schmetzer, Martin Go Further, 2014, Martin Schmetzer, http://martinschmetzer.com/384773/4881109/gallery/go-further (accessed May 14, 2015) Schmetzer, Martin Punk’n Brewster, 2014, Red Ape, http://redape.com.au/portfolio/details/punkn-brewster (accessed May 14, 2015)

Inspiration for Type Creation

Schmetzer, Martin Punk’n Brewster, 2014, Red Ape, http://redape.com.au/portfolio/details/punkn-brewster (accessed May 14, 2015) Lester, Seb Portrait, 2015, Seb Lester, http://workspiration.org/seb-lester (accessed May 14, 2015) Lester, Seb Lettering, 2015, Seb Lester, http://www.seblester.com/lettering (accessed May 14, 2015) Lester, Seb Mightier, 2015, Seb Lester, http://www.seblester.com/ (accessed May 14, 2015) Lester, Seb Neo Sans, 2015, Seb Lester, http://www.seblester.com/shop/fonts/ (accessed May 14, 2015) Lester, Seb Dreams, 2015, Seb Lester, http://www.seblester.com/ (accessed May 14, 2015) Lester, Seb Blazing, 2015, Seb Lester, http://www.seblester.com/(accessed May 14, 2015) Lester, Seb Hellfire, 2015, Seb Lester, http://www.seblester.com/ (accessed May 14, 2015) Lester, Seb The Voice Of All The Gods, 2015, Seb Lester, http://www.seblester.com(accessed May 14, 2015) Lester, Seb Home Sweet Home, The Calm Gallery, https://www.thecalmgallery.com (accessed May 14, 2015) Clason, Becca Portrait, Becca Clason, http://www.beccaclason.com/ABOUT (accessed May 15, 2015) Clason, Becca Chili, Becca Clason, http://www.beccaclason.com/HAVING-PUN-WITH-FOOD (accessed May 15, 2015) Clason, Becca I dont Carrot all, Becca Clason, http://www.beccaclason.com/HAVING-PUN-WITH-FOOD (accessed May 15, 2015) Clason, Becca Schedule, Becca Clason, http://www.beccaclason.com/WAFFLE-LOVE (accessed May 15, 2015) Clason, Becca Waffle Love, Becca Clason, http://www.beccaclason.com/WAFFLE-LOVE (accessed May 15, 2015) Clason, Becca Create, Becca Clason, http://www.beccaclason.com/CRAFT-THE-LETTER (accessed May 15, 2015) Clason, Becca Blow, Becca Clason, http://www.beccaclason.com/CRAFT-THE-LETTER (accessed May 15, 2015) Clason, Becca Draft, Becca Clason, http://www.beccaclason.com/CRAFT-THE-LETTER (accessed May 15, 2015) Clason, Becca Press, Becca Clason, http://www.beccaclason.com/CRAFT-THE-LETTER (accessed May 15, 2015) Clason, Becca A Sprinkle of Love, , Becca Clason, http://www.beccaclason.com/EDIBLE-LOVE-NOTES (accessed May 15, 2015) Clason, Becca I’m Whipped, Becca Clason, http://www.beccaclason.com/EDIBLE-LOVE-NOTES (accessed May 15, 2015) Clason, Becca I love you, Becca Clason, http://www.beccaclason.com/EDIBLE-LOVE-NOTES (accessed May 15, 2015) Clason, Becca Peanut Butter, Becca Clason, http://www.beccaclason.com/LARABAR (accessed May 15, 2015) Clason, Becca Sunflowers symbolize false riches, Becca Clason, http://www.beccaclason.com/FLORAL-TYPOGRAPHY (accessed May 15, 2015) Falla, Dominique Portrait, Dominique Falla, https://about.me/dominiquefalla (accessed May 15, 2015) Falla, Dominique The Loom Apartments, Dominique Falla, http://www.dominiquefalla.com/portfolio/the-loom-apartments/ (accessed May 15, 2015) Falla, Dominique Meet Me In The Sunshine, Dominique Falla, http://www.dominiquefalla.com/portfolio/meet-me-in-the-sunshine/ (accessed May 15, 2015) Falla, Dominique Postcards from Rome: Pasta, Dominique Falla, http://www.dominiquefalla.com/portfolio/postcards-from-rome-pasta/ (accessed May 15, 2015) Falla, Dominique Edible Art, Dominique Falla, http://www.dominiquefalla.com/portfolio/edible-art/ (accessed May 15, 2015) Falla, Dominique We take rare diseases personally, Dominique Falla, http://www.dominiquefalla.com/portfolio/rare-diseases/ (accessed May 15, 2015) Falla, Dominique Gusto, Dominique Falla, http://www.dominiquefalla.com/portfolio/gusto/ (accessed May 15, 2015) Falla, Dominique Semi-Permanent Poster, Dominique Falla, http://www.dominiquefalla.com/portfolio/semi-permanent-poster/ (accessed May 15, 2015) Falla, Dominique I could do anything, Dominique Falla, http://www.dominiquefalla.com/portfolio/i-could-do-anything/ (accessed May 15, 2015) Falla, Dominique Trash Everest, Dominique Falla, http://www.dominiquefalla.com/portfolio/trash-everest/ (accessed May 15, 2015) Falla, Dominique WIRED magazine, Dominique Falla, http://www.dominiquefalla.com/portfolio/wired-magazine/(accessed May 15, 2015) Falla, Dominique Destiny Protect me from the World, Dominique Falla, http://www.dominiquefalla.com/portfolio/destiny-protect-me-from-the-world/ (accessed May 15, 2015) Falla, Dominique Tactile Alphabet, Dominique Falla, http://www.dominiquefalla.com/portfolio/tactile-alphabet/ (accessed May 15, 2015) Evans, Danielle Portrait, Marmalade Bleue, http://marmaladebleue.com/about (accessed May 15, 2015) Evans, Danielle FOUR, Marmalade Bleue, http://marmaladebleue.com/#/four/ (accessed May 15, 2015) Evans, Danielle Peppery Curry, Marmalade Bleue, http://marmaladebleue.com/#/peppery-curry/ (accessed May 15, 2015) Evans, Danielle Juicy Type, Marmalade Bleue, http://marmaladebleue.com/#/juicy/ (accessed May 15, 2015)

Inspiration for Type Creation

Evans, Danielle Juicy Type, Marmalade Bleue, http://marmaladebleue.com/#/juicy/ (accessed May 15, 2015) Evans, Danielle Real Thread Tee Type, Marmalade Bleue, http://marmaladebleue.com/#/rt-tee-type/(accessed May 15, 2015) Evans, Danielle TheGuardian, Marmalade Bleue, http://marmaladebleue.com/#/theguardian/ (accessed May 15, 2015) Evans, Danielle Pop Culture and Popcorn, Marmalade Bleue, http://foodtypography.com/ (accessed May 15, 2015) Evans, Danielle Crafted, Abduzeedo, http://abduzeedo.com/food-typography-marmalade-bleue (accessed May 15, 2015) Evans, Danielle Love you More Than.. Valentines, Marmalade Bleue, http://marmaladebleue.com/#/love-you-more/ (accessed May 15, 2015) Evans, Danielle Spaghet-it! Food Type, Marmalade Bleue, http://marmaladebleue.com/#/spaghetti/ (accessed May 15, 2015) Garforth, Anna Portrait, 2013, Nieder Und Marx, http://niederundmarx.com/2115/12-fragen-an-anna-garforth/ (accessed May 16, 2015) Garforth, Anna Natur, 2013, Anna Garforth, http://www.annagarforth.co.uk/work/natur.html (accessed May 16, 2015) Garforth, Anna Grow, 2013, Anna Garforth, http://www.annagarforth.co.uk/work/grow.html (accessed May 16, 2015) Garforth, Anna Feast, 2013, Anna Garforth, http://www.annagarforth.co.uk/work/feast.html (accessed May 16, 2015) Garforth, Anna Beta, 2013, Anna Garforth, http://www.annagarforth.co.uk/work/beta.html (accessed May 16, 2015) Garforth, Anna Welcome, 2013, Anna Garforth, http://www.annagarforth.co.uk/work/detour.html (accessed May 16, 2015) Garforth, Anna Bite off more than you can chew , 2013, Plenty of Colour, http://plentyofcolour.com/2011/05/24/typography-by-anna-garforth/ (accessed May 16, 2015) Garforth, Anna Wild at Heart, 2013, Design Aside, http://www.designaside.com/10210/design/anna-garforth (accessed May 16, 2015) Garforth, Anna Shepherd’s Bush, 2013, Telegraph, http://www.telegraph.co.uk/news/picturegalleries/picturesoftheday/8634364/Pictures-of-the-day-13-July-2011.html?image=11 (accessed May 16, 2015) Garforth, Anna In This Spore, 2009, Mesmeri, https://mesmeri.wordpress.com/category/street-art/ (accessed May 16, 2015) Burden, Thomas Portrait, Thomas Burden, https://instagram.com/thomasburden/ (accessed May 16, 2015) Burden, Thomas Nickelodeon, There will be Unicorns, http://www.therewillbeunicorns.com /NICKELODEON (accessed May 16, 2015) Burden, Thomas HPS Group, There will be Unicorns, http://www.therewillbeunicorns.com/HPS-GROUP (accessed May 16, 2015) Burden, Thomas Vital Magazine, There will be Unicorns, http://www.therewillbeunicorns.com/VITAL-MAGAZINE (accessed May 16, 2015) Burden, Thomas NET Magazine, There will be Unicorns, http://www.therewillbeunicorns.com/NET-MAGAZINE (accessed May 16, 2015) Burden, Thomas Neon Type, There will be Unicorns, http://www.therewillbeunicorns.com/NEON-TYPE-1 (accessed May 16, 2015) Burden, Thomas The RCSLT Impact Report, Tumblr, http://therewillbeunicornsblog.tumblr.com/(accessed May 16, 2015) Burden, Thomas Hey Sugar, Tumblr, http://therewillbeunicornsblog.tumblr.com/(accessed May 16, 2015) Burden, Thomas Unwired, Tumblr, http://therewillbeunicornsblog.tumblr.com/(accessed May 16, 2015) Burden, Thomas Im Not Sorry And I’d Do It Again, There will be Unicorns, http://www.creativebloq.com/illustration/design-spring-5-new-illustrations-inspire-7133551(accessed May 16, 2015) Burden, Thomas The New Pornographers, Tenth and Fourth, http://www.handsomefrank.com/illustrators/thomas-burden/(accessed May 16, 2015) Burden, Thomas Neon Type 2, Behance, https://www.behance.net/gallery/17789221/NEON-TYPE-2(accessed May 16, 2015) LaBrooy, Chris Portrait, Chris LaBrooy, https://instagram.com/chrislabrooy/ (accessed May 17 2015) LaBrooy, Chris Summer Streets NYC, Chris LaBrooy, http://www.chrislabrooy.com/summer_streets_NYC.html (accessed May 17, 2015) LaBrooy, Chris Land of the Froo, Chris LaBrooy, http://www.chrislabrooy.com/land_of_the_free.html (accessed May 17, 2015) LaBrooy, Chris ATT Tours, Of The Future, Chris LaBrooy, http://www.chrislabrooy.com/ATT_tours_of_the_future.html (accessed May 17, 2015) LaBrooy, Chris Some Quotes, Chris LaBrooy, http://www.chrislabrooy.com/quotes.html (accessed May 17, 2015) LaBrooy, Chris Taste Festival, Chris LaBrooy, http://www.chrislabrooy.com/Taste.html (accessed May 17, 2015) LaBrooy, Chris Tinkerly, Chris LaBrooy, http://www.debutart.com/illustration/chris-labrooy/tinkerly#/illustration-portfolio(accessed May 17, 2015) LaBrooy, Chris Taste Festival, Chris LaBrooy, http://www.chrislabrooy.com/Taste.html (accessed May 17, 2015) LaBrooy, Chris Helvetica, Chris LaBrooy, http://www.chrislabrooy.com/helvetica.html (accessed May 17, 2015) LaBrooy, Chris Bauhaus 3d Type, Chris LaBrooy, http://www.chrislabrooy.com/bauhaus.html (accessed May 17, 2015) LaBrooy, Chris Transport for London, Chris LaBrooy, http://www.chrislabrooy.com/transport_for_london.html (accessed May 17, 2015)

Inspiration for Type Creation

LaBrooy, Chris Helvetica, Chris LaBrooy, http://www.chrislabrooy.com/helvetica.html (accessed May 17, 2015) LaBrooy, Chris Bauhaus 3d Type, Chris LaBrooy, http://www.chrislabrooy.com/bauhaus.html (accessed May 17, 2015) LaBrooy, Chris Transport for London, Chris LaBrooy, http://www.chrislabrooy.com/transport_for_london.html (accessed May 17, 2015) LaBrooy, Chris A Yummy Curated Gallery, Behance, https://www.behance.net/gallery/25803571/A-Yummy-Curated-Gallery-2014- (accessed May 17, 2015) McLeod, David Portrait, Facebook, https://www.facebook.com/TypeDavidMcLeod (accessed May 18, 2015) McLeod, David Find Your Anchor, 2012, Behance, https://www.behance.net/gallery/4109801/Find-Your-Anchor (accessed May 18, 2015) McLeod, David Messy, White Zine, http://www.whitezine.com/en/graphic/david-mcleod-typography.html/attachment/david-mcleod-messy-typography (accessed May 18, 2015) McLeod, David Framework, 2012, Behance, https://www.behance.net/gallery/4109813/Framework (accessed May 18, 2015) McLeod, David Shortcut, 2012, Behance, https://www.behance.net/gallery/4109831/Shortcut (accessed May 18, 2015) McLeod, David Building Success, 2013, Behance, https://www.behance.net/gallery/7531451/Building-Success (accessed May 18, 2015) McLeod, David Amfursands, 2014, Behance, https://www.behance.net/gallery/19976837/Amfursands (accessed May 18, 2015) McLeod, David Thank You, 2013, Behance, https://www.behance.net/gallery/7085661/Thank-You (accessed May 18, 2015) McLeod, David Stigma & Cognition: Found in Translation, 2014, Behance, https://www.behance.net/gallery/21905893/Stigma-Cognition-Found-in-Translation (accessed May 18, 2015) McLeod, David L+R: Strategy and Aesthetics, 2014, Behance, https://www.behance.net/gallery/19626597/LR-Strategy-Aestheticsn (accessed May 18, 2015) McLeod, David 2013: Year of the Snake, 2014, Behance, https://www.behance.net/gallery/7072965/2013-Year-of-the-Snake (accessed May 18, 2015) McLeod, David Form Follows Failure, 2014, Behance, https://www.behance.net/gallery/15029071/Form-Follows-Failure (accessed May 18, 2015) Challand, Benoit Portrait, 2015, Awwwards, http://www.awwwards.com/jury/judge/benoit_challand/ (accessed May 18, 2015) Challand, Benoit Fancy Wood, 2015, Behance, https://www.behance.net/gallery/8981891/Fancy-Wood-is-a-Fancy-Mood (accessed May 18, 2015) Challand, Benoit Healthcare, 2015, Benoit Challand, http://www.benoitchalland.com/project/health-care/ (accessed May 18, 2015) Challand, Benoit Akaru, 2015, Benoit Challand, http://www.benoitchalland.com/project/akaru/ (accessed May 18, 2015) Challand, Benoit Nested, 2014, Benoit Challand, http://www.benoitchalland.com/project/nested/ (accessed May 18, 2015) Challand, Benoit Sculpt, 2015, Benoit Challand, http://www.benoitchalland.com/project/sculpt/ (accessed May 18, 2015) Challand, Benoit Robust, 2015, Benoit Challand, http://www.benoitchalland.com/project/robust/ (accessed May 18, 2015) Challand, Benoit Reach Your Goal, 2013, Benoit Challand, http://www.benoitchalland.com/project/reach-your-goal/ (accessed May 18, 2015) Go Mighty Tagged: Calligraphy, 2015, Calligraphy, http://gomighty.com/tag/calligraphy/ (accessed May 19, 2015) Green Wedding Shoes Free-Spirited Artist Wedding, 2013, Green Wedding Shoes, http://greenweddingshoes.com/free-spirited-graffiti-artist-wedding-kristen-dusty/ (accessed May 19, 2015) Chacha What Are the Funniest Welcome Signs?, Cacha, http://www.chacha.com/gallery/2476/what-are-the-funniest-town-welcome-signs (accessed May 19, 2015) Akzidenz Grotesk, Calteck, https://identity.caltech.edu/standards/type/primary_and_secondary (accessed May 20, 2015) Avenir, Wake Forest, http://www.wakehealth.edu/Brand-Center/Basics/Typeface.htm (accessed May 20, 2015) Bodoni, Business cards zone, http://www.businesscardszone.com/font-formats-and-characteristics-2013-04-24/ (accessed May 20, 2015) Franklin Gothic, Charles Jeffcoat Studio, http://charlesjeffcoat.com/font-of-the-day-franklin-gothic/ (accessed May 20, 2015) Gill Sans, Type.co.uk, http://www.type.co.uk/a_to_z/id/9880 (accessed May 20, 2015) Futura, Design History Kingscliff, https://designhistorykingscliff.wordpress.com/2012/04/09/paul-renner-by-susan-germann/ (accessed May 20 2015) Helvetica, Wikipedia, http://en.wikipedia.org/wiki/Helvetica (accessed May 20 2015)

Inspiration for Type Creation

This is the go-to book for Typography inspiration of all kinds, from hand-drawn to tactile and even CGI or 3D.

Get InspIred by

• Pre-existing Typographic Designs • Typographers and Designers • Tips and Tricks to Get Started • Must-have Typefaces for Designers • The Keys for Creation Success