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1003058JB/

THE ALL-NEW

THE TREND FORECAST 2020

BATHROOM REFRESH

A LOCAL LENS ON GLOBAL LIFESTYLE & DESIGN TRENDS

MAPPING OUT THE LATEST LOOKS & DECOR ESSENTIALS

SHOP THIS ISSUE NOW FIND OUT HOW ON PAGE 10

HOUSEANDLEISURE.CO.ZA DEC 2019/JAN 2020 R55 (INCL VAT) NAMIBIA N$55

HERE / NOW

MANIFESTO

In this issue, we look at global design and decor trends through a local lens, exploring style inspo from across the globe, curated into four special sections: NORTH, SOUTH, EAST & WEST.

TAKE A SEAT Clockwise, from top: Nerd bar stool by David Heckler, for Muuto, Créma; Curvilinear Interdependence II bench, Houtlander; Cover Chair by Muuto, Créma; Bubble pivoting armchair in Topaze Green by Sacha Lakic, Roche Bobois; CS204 stool in Dark Green, Chair Crazy; 280 Zig Zag chair in Yellow

by Gerrit Thomas Rietveld for Cassina, True Design; Sayap wing chair in Espresso, and Relax occasional chair in Camel leather, both Weylandts; Lawson armchair

by Rodolfo Dordoni for Minotti, Minotti; Hula love seat in Coral Red, Haldane Martin; Africa armchair in Red

by Eugeni Quitllet for Vondom, Cane Time; Round rug, Weylandts.

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HERE / NOW

35 MANIFESTO We explore the essence of hygge, raw textures, and palettes taken straight from the shores of Nordic pebble beaches 36 SPOTLIGHT A round-up of style inspiration and trends that embody the spirit of the north 39 STYLE PROFILE Creative Hamzeh Alfarahneh on proto~, his exciting new arts partnership in Cape Town’s CBD 40 STYLE THE TREND Monochromatic minimalism, muted tones and organic forms, inspired by Belgian style icon Axel Vervoordt 42 HOUSE GERMANY Nest Living: an ode to Flemish minimalism in an interior design duo’s Sprockhövel abode and live-in showroom that is simple yet sophisticated 54 BATHROOM FOCUS Minimal Scandi: clean lines and natural textures characterise this sauna-style look 56 FOOD The Table: feasting food inspires time to connect, both indoors and out

59 MANIFESTO All about the spirit of the souk, scorched earth and bio-inspired pattern woven into the soul of the global south 60 SPOTLIGHT Who to follow and what to covet: art, decor, reading, eating and colour 63 STYLE PROFILE Meet Kirst Gordon, co-founder of TurkishSouth African towel brand, Summah 64 STYLE THE TREND Rattan, cane and jute get a modern makeover that celebrates the versatility of woven grass 66 LODGE MOROCCO Dune Living: Berber Lodge bestows a modern sensibility on traditional architecture that reflects its tranquil surrounds 78 BATHROOM FOCUS Moroccan Tales: concrete, patterned tiles and earthy hues make for a bathroom straight out of Marrakech 80 FOOD The Riad: communal dining brings back traditional family-style meals in a warm social environment

COVER Photograph from House Australia, as seen on page 90 7 ED’S NOTE House and Leisure editor Charl Edwards introduces this issue’s theme 10 READY TO SHOP A selection of must-have drinks and accessories that you can shop directly from the pages of House and Leisure 12 ONLINE Explore houseandleisure.co.za for unique content on everything happening in our world, as well as added-value articles to support our Trends issue 15 TREND The husband-and-wife duo behind LRNCE of Marrakech 22 STYLE Bielle Bellingham’s latest venture, The Garden Room 30 ROUND TABLE Talking trends with three well-known creative minds 127 STOCKISTS Contact list of suppliers 128 LAST WORD Ever-versatile modular furniture for the new living space DEC

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83 MANIFESTO We turn our compass eastwards in search of the region’s bold new ways of effortless living 84 SPOTLIGHT Places to go, people to see, spaces to know, and things you’ll want 87 STYLE PROFILE Why Japan has become the muse of Cape Town-based designer David West 88 STYLE THE TREND The urban workshop look uses honest materials as a canvas for bright artworks and handmade furniture 90 HOUSE AUSTRALIA Compact Living: a much-beloved shade of yellow runs through this environmentallyfriendly Perth home that makes clever use of limited space 100 BATHROOM FOCUS Onsen Inspired: a tranquil room that imbues a sense of calm with natural elements and cool materials 102 FOOD The Street: fresh and authentic, on-the-go street foods offer a return to raw simplicity

105 MANIFESTO A glimpse into the cultural and natural diversity of the Americas, from iconic Mid-Century desert architecture to the jungles of its wilder climes 106 SPOTLIGHT Our pick of creative collabs, fab furniture, inventive design and must-have objets 109 STYLE PROFILE For globetrotting jeweller Zoja Mihic, travel to far-flung places is the source of her inspiration 110 STYLE THE TREND Bauhaus-inspired shapes and timeless pieces are at home in a light, Mid-Century Modern interior 112 HOUSE USA Retro Living: a lovingly restored 1950s Palm Springs home showcases retro-futurism in all its glory 122 BATHROOM FOCUS Miami Nice: update a retro-style bathroom with fun, contemporary twists 124 FOOD The Diner: unusual flavours, bespoke hues and natural ingredients combine to reinvent ‘traditional’ foods

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HL / ED’S NOTE

or this issue, we look towards decor and lifestyle trends across the world, finding inspiration from all corners of the globe for the year ahead.

We’ve curated stories and snippets for each that speak to these areas of influence; a round-up of looks and ave been informed by a literal and lateral mapping of North, South, East and West.

We set out to find four distinct concept homes that each stand for a different lifestyle and approach to their surrounds – representative of a way of life for these unique taste-makers.

For North, we explore a cosy nature-inspired home in Germany; in South, we take an exclusive first look at an earthy yet sophisticated design lodge in Morocco; we head East to visit a space-conscious eco cabin in Australia, and to end off in the West, we celebrate an iconic Mid-Century Modern house in the USA. Each of these homeowners embodies their lifestyle to the T, regardless of trend. Each lives and breathes it, setting the scene for others to follow, and for us to be inspired.

I don’t think there’s any better example of this authentic commitment to a personal style than Belgian interior decorator Axel Vervoordt, renowned for his minimalist approach. Having inspired millions of followers to adopt his iconic style, Vervoordt’s recent collaboration with celebs Kanye West and Kim Kardashian on their California home was a powerful design partnership and a perfect indicator of the viral nature of trends – his style has inspired a new generation of followers, for which we have social media (and, I’m guessing, the Kardashians) to thank.

It’s a great time to witness and experience this changing landscape of trend (see our Round Table feature ‘Talking Trends’ on page 30). Instagram and Pinterest have become our biggest tools for sharing trends and looks, creating a domino effect across the world via social media – cue Moroccan design brand and Instagram darling LRNCE and the brand’s contemporary take on the Moroccan aesthetic (see our exclusive feature on these two in ‘A Meeting of Two Worlds’ on page 15 ).

Trend inspo is at your fingertips – we’re here to help you make sense of it, and map it all out for you as trends come and go... or stay.

READY TO TRAVEL? Turn to page 21 to enter our Travelcheck competition and win a trip to Vienna or Vietnam – your choice!

PHOTOGRAPHY: LUKE KUISIS

x charl_edwards

See you all in 2020, when our City Issue hits the shelves on 27 January.

Join the conversation at:

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HL / READY TO SHOP

Bring that drinks trolley to life with the timeless, the trendy and the down-right delicious

Victoria Amber Gin R349, Takealot.

2019 Mourvedre Rosé R120, Babylonstoren.

Sagaform whiskey & drinks stones (set of 9) R349, Yuppiechef.

Plaisir de Merle Grand Brut Méthode Cap Classique R230, port2port.

Rolleo drinks trolley in Gold R1 999, @home.

Terracotta folk ceramic cork back coasters (set of 4) R249, Superbalist.

Botanical cocktail shaker R299, Poetry.

Hendrick’s Premium Gin R489, Takealot.

Retro red wine glass (set of 6) R1 295, Weylandts.

HOW TO USE THE QR CODES IN THIS ISSUE Wherever you see a QR code on a page, you can scan the code to either shop items featured there directly from the related online store, or view additional digital content including videos, profiles and Q&As on our website. Find the QR code scanner in your Facebook app by typing ‘QR code’ and scan the code. If you have an iPhone, use your camera app to scan QR codes with ease. Android users can also download a QR code scanner app from Google Play.

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News. Inspiration. Ideas. Explore a world of decor-design content online.

Cape Town International

Head online for regular updates on all things trend and forecast related.

We’re keeping our finger on the pulse to make sure you’re always in the know. Scan the code to find out more.

THE HERE/NOW OF… decor trends, design inspiration, local & international homes, top travel spots & more!

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HL / TREND

EXCLUSIVE

Europe and Africa come together in the uniquely local line of products brought to life by the husband and wife duo responsible for LRNCE in Marrakech, House and Leisure takes a personal look into their lives and works WORDS GARRETH VAN NIEKERK PHOTOGRAPHY LRNCE

ABOVE Founders of LRNCE, Laurence Leenaert and husband Ayoub, found their appreciation for terracotta a few kilometres outside of Marrakesh when they met a passionate family-owned business.

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HUSBAND AND WIFE DUO CREATE WORK THAT IS A CELEBRATION OF THEIR CITY’S HISTORY.

orocco may be an ancestral base for Africa’s most luminous craft traditions, but a new school of makers from the region are pushing it’s storied legacy into a bold new direction — and drawing the global design community’s attention while they’re at it.

The Marrakech-based studio LRNCE are one of the most colourful, and enigmatic, ambassadors of this next wave. A husband and wife duo, founders of LRNCE, Laurence Leenaert and husband Ayoub Boualam create work that is as much a celebration of their home city’s history, as it is of what they hope design could mean for their own generation.

The pair met and fell in love while Laurence was living in Marrakech, and have since fused their own origins in Belgium and Morocco, respectively. This continent’s diverse fusion has informed their uniquely collaborative collections, which includes homeware accessories, furniture and fashion. For Borrowed From Fatimaa.A, for instance, thoroughly minimal carpet designs celebrate the everyday weaver.

‘Fatimaa is the most common female name in Morocco, so naming this collection is our way to celebrate them, give them a tribute, and most of all to keep in mind their hard work and dedication,’ they say. ‘The choice of the word “Borrowed” is to place emphasis on the

idea that no one can steal the knowledge and skills of Moroccan crafts men and women, and forget about them.’

But bringing these two worlds together was no walk in the park, Laurence explains to House and Leisure. ‘In the beginning, it was not that easy, I had to earn their respect first. I spent my time getting to know the artisans and ensured I could learn from them and really understand how they work and who they are. We exchanged in knowledge and skill; I was able to show them my world, step-by-step, and introduce alternative methods of creation. And so they were able to adopt new techniques, use new colours, new patterns, to do things in the moment.

And combine this with their ancient skill.’

This careful balance was literally woven into the foundation of the brand. ‘I started the brand in 2013 after my internship in Berlin.

THIS SPREAD, FROM LEFT In the LRNCE studio abstract artworks, such as the one in this painting, get transformed into functional furniture pieces; the couple met while Belgianborn Laurence was on holiday in Ayoub’s hometown of Marrakech. They married in 2019.

THIS SPREAD, CLOCKWISE FROM LEFT Recent additions to the LRNCE line includes outdoor furniture handmade by small-scale artisan businesses in the area; ‘Naaaas’ 100% wool bedspread handwoven and dyed by Moroccan women in a blend of colours unique to the region; hand-painted couscous, dabdaba, and nakhla plates from LRNCE’s ceramic collection.

In 2015 I decided to move to Marrakech after spending time in the desert of Morocco (making backpacks with the local fabrics). I sold almost everything and moved to Marrakech with 100kgs of luggage. I found a small riad and moved into the center of the Old Medina.’

‘The idea was to focus on backpacks, but as time went

by I got to know an artisan who makes sandals and then a woman who knots carpets, and then I found – in the middle of nowhere – an amazing family business that does pottery, so I got a bit distracted from my line of backpacks and invested

my money in making samples of products I never thought I would create.’

‘Ayoub joined me two years later, and from there we started the showroom and studio together. Next we’re opening our new studio-comeriad in Marrakech, but we are not really big planners. I love spontaneous decisions and we will see what comes our way.’

Their story may be the sort of two-worlds-colliding romance one only dreams of when looking at Morocco’s past, but the reality may be more beautiful, and global, than any dream before. O lrnce.com

‘ I SOLD ALMOST EVERYTHING AND MOVED TO MARRAKECH WITH 100KGS OF LUGGAGE.’ – LAURENCE LEENAERT

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THIS PAGE, CLOCKWISE FROM TOP LEFT An abstract artwork by LRNCE hangs in their studion; Instagram self portrait shows Laurence with a terracotta vase on her head; art informs function in their range of vases; a line of tajine dishes on a rooftop in Marrakech, a hazy city scene in the background.

PROMOTION / WIN

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BIELLE BELLINGHAM’S LATEST VENTURE, THE GARDEN ROOM, TRADES THE TRADITIONAL RETAIL EXPERIENCE FOR A ‘LIVED’ CONCEPT, EMBRACING THE LATEST TREND IN EXPERIENTIAL DESIGN…

HL / STYLE

OPPOSITE PAGE Bonny couch R34 000, Bielle Bellingham; woven basket, stylist’s o THIS PAGE, ABOVE Jack coffee table R6 800, Bielle Bellingham; book and props, stylist’s o THIS PAGE, RIGHT Champagne coupe in Blue, stylist’s own; Mo fluted plinth R1 000, Bielle Bellingh DEC 23 JAN

‘B EA UTY IS

A POWERFUL CATALYST, HEALER, & ULTIMATELY, A TOO L

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’ NG. VI LI THIS PAGE, LEFT Spiky vase by Sisi Wam R5 100, Bielle Bellingham.

THIS PAGE, ABOVE, CLOCKWISE FROM LEFT Cream asymmetrical vase R990, pink and rust vase R1 400, terracotta trophy vase R5 100, all Bielle Bellingham; vintage red cupboard and plants, stylist’s own.

OPPOSITE PAGE Blue and white Lady wallpaper R1 300/m and Isis entrance hall table R8 200, both Bielle Bellingham; flowers POR, Holloway Floral Design; vintage African wall mask, stylist’s own.

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FOOD: LIME AND ‘CAPER’ SALAD WITH RADISH; ROLLMOPS; DATES.

D SIP FROM.’ N A , H ENGAG C E WITH, SIT ON, TOU

OPPOSITE PAGE, CLOCKWISE FROM LEFT Captain slate tabletop R6500, Bielle Bellingham; stoneware plate in Green by Humble & Mash R899 (for 12-piece dinner set), Yuppiechef.com; Nolan graphite spoon R1 399 (for set of 16) and Alto stemless white wine glass R99, both from Country Road Home, Woolworths; wine decanter, stylist’s own; Tapas salad bowl R349 from Country Road Home, Woolworths; green chequered napkin, stylist’s own; white side plate R449 (for set of four) from Country Road Home, Woolworths.

THIS PAGE, ABOVE Souk tiles in Aqua R740/m2 , Decobella; hemp curtains R550, The Fabric House; vintage containers, stylist’s own.

THIS PAGE, RIGHT Rattan occasional chair R6 500, Bielle Bellingham.

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he more you know about what Bielle Bellingham does, the harder it becomes to explain what she does. Bielle describes herself as having ‘the ultimate “slash” career’: stylist, shopkeeper, bootstrapper, scout, researcher, producer, creative director, brand builder, interior designer. The list could go on. Bielle approaches these slashes not as hurdles to leap over, but rather, she dances between them, transitioning from role to role. And where the role doesn’t yet exist, she carves out new niches in creative spaces.

It’s unsurprising, then, that Bielle’s newest venture, The Garden Room, defies the neatness of a label. Located on the slopes of Table Mountain in the verdant tranquillity of Cape Town’s Newlands suburb, The Garden Room is a ‘slash space’. Apart from functioning most of the time as a guesthouse, it’s also a carefully curated retail experience ‘where nature, locally designed furniture, art, lifestyle products, accessories and textiles collide’. It’s a space to engage with, sit on, touch, and sip from a selection of Bielle’s own creations, as well as personally selected pieces that represent a cross-section of some of South Africa’s most innovative artistic minds. And it’s shoppable!

It’s a concept that ticked a lot of boxes, says Bielle. ‘I recently held an art sale focused on making collecting art more accessible, where local artists opened up their sketchbooks at incredibly low prices. For five days, I sat in a pop-up

store and I loved it, but I also thought about how soul-destroying sitting in a shop can be. It got me thinking about the future of retail – we’re making discoveries digitally and shopping online. But what about the thickness of a coffee cup? You should be able to feel it and drink out of it before you decide.

For me, The Garden Room represents a space where you can have that visceral experience of a product.’

One or two days in the month, The Garden Room is open to the public. You can then buy anything that resonates with you through an online platform, and have it shipped home.

And there’s plenty with which to resonate. ‘All the items I’m making are named after pets that have been special to me, my family or my friends. For example, the Bonny couch is named after my mum’s beloved ridgeback.’ For Bielle, it’s about integrating the online and offline shopping journey as well as innovating around product discovery and interaction. ‘My intended customer base is smart, time-starved and doesn’t want to bullied into decisions, so they want someone to help sift through the nonsense and possibly offer something they didn’t even know they would love.

They want to unplug and be superplugged-in.’

‘Beauty is a very powerful catalyst, healer, and ultimately, a tool for living,’ says Bielle. It’s this focus on living that transcends the slashes and allows a space like The Garden Room to work so hard yet inspire so elegantly. O @biellebellingham

THIS PAGE Pongo chair R12 100, Bielle Bellingham.

OPPOSITE PAGE, CLOCKWISE FROM LEFT Imitation Cesca chairs R6 500 each, Peet Pienaar artwork R6 800, iron trestle legs R5 300 (for set of two), Captain slate tabletop (available separately) R6 500, all Bielle Bellingham.

CERAMICS ON TABLETOP, CLOCKWISE FROM LEFT Small spiky vase by Sisi Wam R1 150, cream ribbed vase R1 300, cream trophy vase R1 300, large spiky vase by Sisi Wam R5 100, all Bielle Bellingham.

ROUND TABLE

TALKING TRENDS

Join House and Leisure and three well-known South African design minds as we deep-dive beyond the idea of trends as we know them WORDS GARRETH VAN NIEKERK PHOTOGRAPHY LUKE KUISIS STYLING CHARL EDWARDS LOCATION INTERNATIONAL SLAB SALES WAREHOUSE, CAPE TOWN

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ECLIPSE TABLE CUSTOM-MADE IN ICE STONE AND POLISHED MARBLE BY CONTINUA HANGING SLAB REBESCATO MARBLE

BY RUDI’S CHOICE FOR CAESARSTONE MEXICAN GLASSWARE, THE STORER. FOR SUPPLIERS’ DETAILS SEE THE STOCKISTS PAGE

HL / OPINIONS

OPPOSITE, FROM LEFT Kelly Fung, head of editorial at Superbalist and ex editor-in-chief of ELLE magazine, Zanele Kumalo, journalist and former editor of lifestyle website Woman24, and Gary Cotterell, founder and ex-editor of Wanted magazine

ouse and Leisure sat down with three of South African media’s celebrated journalists and editors at tile and slab retailer Continua’s Eclipse table in the International Slab Sales warehouse in Cape Town to discuss exactly what a trend is, or isn’t – and ask whether trends, as we know them, even still exist. Story editor Garreth van Niekerk chatted with Kelly Fung, Zanele Kumalo and Gary Cotterell about this complex topic – and whether we should believe it the next time someone says, ‘That’s totally on-trend.’ Read some of the highlights from the conversation…

Garreth: There’s a lot of disparity when it comes to the idea of a trend. How would each of you interpret a trend right now?

Zanele: For me, a trend is a two-fold, double-edged thing. The terrible incarnation of it is when something captures everyone’s attention, and almost becomes a viral meme. But the sometimesgood result of that frenzy is that when something captures our attention, it is an indication of the times, and of where we are currently. Obviously, a viral meme isn’t necessarily bad, but too often people run with things that aren’t rooted in reality or in substance. And then it feels like we all kind of climbed onto this hamster wheel, and basically, people are just making things up.

Gary: The pace of things is just so much faster now. Spotting, finding or understanding trends is harder today than ever before. You have to be faster in trying to distil them and find them, because there are more micro trends happening – more regularly – that you do, or don’t have to be bothered with.

Zanele: That’s true in a sense, there are more shows, more fairs…

Gary: Well, there’s more of everything.

Kelly: There are also just more platforms to consume and present all that is going on. Yes, there once was ‘trend’, but now we almost need to differentiate between hype and trend. Hype is that short-lived, very popular culture that we often see on social media and digital platforms.

For me, the best way to describe how trend has transformed would be, for instance, in the fashion world – in the way that Athleisure changed the way

‘I THINK IDENTITY IS THE REAL TREND RIGHT NO THAT’S WHERE THE AUTHENTIC VOICE COMES IN AGAIN ’ GARY we think and live, and consume things.

That’s how I differentiate them.

Zanele: So, are we saying that a short-lived trend is a ‘bad’ trend?

Kelly: I don’t necessarily think so. I think we consume everything in much smaller bite-sizes.

Garreth: Are influencers still a thing?

Gary: I think it’s shifting…

Zanele: It’s definitely shifting, but it feels like it’s happening slowly.

Gary: I think the ‘less is more’ concept is being applied to so many things.

Kelly: ...which is a trend in itself. But I think I might disagree that it’s happening slowly.

I believe it might happen quite quickly now because of the nature of how things move at the moment. Historically, influencers

were film actors or celebrities, and before that, supermodels: it took a long time to get an actor on the cover of a magazine.

Now it’s the real people who influence the public. Because everything is a little more democratised now, I think the nature of digital [platforms] means that [trends] will be much more short-lived than they were in the era of the celebrity. I don’t think it’s a sustainable practice.

Zanele: It’s also about what everyone is working towards – actual sustainability and the fact that we’ve moved from the first stage of the web, to the social web, and that the backlash will be people subscribing to the New York Times and reading whole articles, and using authentic figures instead of influencers, and buying fast fashion.

Gary: I think identity is the real trend right now. That’s where the authentic voice comes in again. Niche publishing titles that focus on very small communities, zooming in on very focused topics, are doing it well.

I think that’s where the shift will be with influencers.

Garreth: That said, do you think there will still be a job for trend forecasters?

Kelly: Unpopular opinion, but the job of a forecaster is no longer relevant. Firstly, there’s the internet. And I think the idea of a trend, as we have known it, is no longer in existence.

Gary: I don’t know. Is a trend forecaster not like a librarian, or archivist?

Zanele: For me, they are still relevant because they act as experts. We can’t actually rely on the internet, because there is so much misinformation. There will always be clients and brands that are asking to come up with new campaigns, to entice new audiences…

‘I ALSO THINK IT FEEDS INTO A MORE NATURAL AND CONSCIOUS WAY OF LIVING ’ ZANELE

Gary: So maybe they’re more like a campaigner, or a leader, who asks how we can effect change, rather than just sell more stuff.

Kelly: I think it depends on what sort of trend forecaster we’re talking about. Someone like Lidewij Edelkoort, who has done all that invaluable research… but I think we need to ‘reclassify’ her. She’s like a historian, or a librarian.

Gary: …or a sociologist, or archivist. We need more people like that – who are recording trends, but maybe not so much turning them into fast business. Rather, they are really determining – in an honest way – what a trend might be for the future.

Garreth: What is the one thing that each of you hopes to become a trend, or at least something we will see more of in the future?

Kelly: I hope that there will be a more considered approach coming out of the

‘I HOPE THAT THERE WILL BE A MORE CONSIDERED APPROACH COMING OUT OF THE WORLD – TO SLOWER LIVING A LITTLE BIT MORE CRAF CONSIDERATION ’ KELLY

world – to slower living, a little bit more craft, consideration – in all aspects, not just design – and that whatever you are making or consuming is more thoughtout, and that it makes you feel good, and that you are doing something good for someone else. I hope that filters down.

Gary: I echo that. It’s always been part of my thinking, as I’ve always worked in the luxury space, but when you look at it from a sustainability point of view, everything makes more sense. You are buying nicer things that last longer. It’s better for your pocket, for the environment, and for your existence.

So I hope there are more sustainable practices across the board. From what you consume, to employment policies, what you wear, and the provenance of things. Ask yourself, ‘Where did this come from?’ It just makes more sense across the board. Less is more. Less, but better quality, for longer.

Zanele: Exactly. I also think it feeds into a more natural, considered and conscious way of living. And I think it’s begun to happen, which is inspiring. I still feel like there is room for everyone. There is room for those who still want to eat meat, and there is room for those who don’t. It’s just where we are now, and the world is going to have to figure out the next phase. O

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The essence of hygge, radically raw textures, and palettes taken straight from the shores of Nordic pebble beaches: A South African-Milanese design duo (p.37) / Style the trend (p.40) / A live-in showroom in Germany (p.42) / Monochromatic bathroom inspiration (p.54) / Long-table eating (p.56)

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NORTH / SPOTLIGHT

BOOK: PORTRAITS OF INTERIORS

PaintSmith Delft Grey Green

COLOUR: CUT GRASS GREEN & DELFT GREY

Rolling fields of mountain lawn and sherds of antique pottery bring those icy Northern tones home, both from the colour wizards at PaintSmith.

EATERY: AURUM

Aptly named after the Latin word meaning ‘gold’, AURUM will open on the 7th floor of the tallest building in the continent, The Leonardo, at the end of 2019. The restaurant will offer a modern interpretation of European cuisine with a local flair.

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PHOTOGRAPHY: SUPPLIED

Michelin-starred South African chef Jan Hendrik’s restaurant feed has an impressive online following, but the page is more than just a drool-fest of incredible looking dishes. It is a photo journal of all the places he travels to through Europe, sourcing rare ingredients, and objects for his wonderfully-laid table. On the odd occasion he also shares when a celebrity pops into his restaurant, which makes us very proud.

PaintSmith Cut Grass

STYLE STEAL: @JANTHEJOURNAL

No one embodies the new Northern minimalism more than Flemish antiquities dealer, gallerist, and interior designer Axel Vervoordt.

DESIGN DUO: CARA / DAVIDE

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The beguilingly simple craftsmanship of Venetian Carabottino screens have been bent, curved and twisted in the beyond beautiful work coming out of the Cara/Davide Studio – a South African-Milanese design duo making some of our favourite new things. The collection includes a mirror, contained in a curved Carabottino encasement, a sideboard, and coffee table that takes this age-old tradition to a completely new place. There’s something incredibly wondrous about the way light and images are veiled by the graphic and

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architectonic lines of the screen construction, and we can’t wait to see where Cara/Davide take this exciting approach to heritage in the coming years. This collection isn’t available in South Africa just yet, but if you want to get a head start go to their website: caradavide.com

WALLPAPER: LEMON’S NEW WAVE

Inspired by American journalist Tom Wolfe’s descriptor for the 70s as ‘The Me Decade’ (which came out of his essay ‘The Me Decade and The Third Great Awakening’), Lemon’s dynamic New Wave collection reimagines the retro colours and nostalgic checks of the period, with bold in-yourface patterns that make a playful nod to the decade. madebylemon.co.za

NORTH / STYLE PROFILE

Creator / Polymath / Iberophile WORDS GARRETH VAN NIEKERK

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ordan-born, Cape Town-based creative Hamzeh Alfarahneh works across mediums and disciplines to create collaborations that celebrate the infinite beauty of multiculturalism. He also just opened proto~ – an exciting arts partnership in Cape Town’s CBD, and one of our favourite new spaces in the city.

Tell us a little more about proto~. A store within A4 Arts Foundation, proto~ draws inspiration from artists working in their studios, in practice, and play, and provides a platform for them to share fragments and processes. The hub of this investigation is a collection of ensembles and maquettes that are for sale in store.

How did your Not Just A Comb project extend into Not Just A Puma, your recent partnership

with the Puma brand? Not Just A Comb (NJAC) is a half design project, half outreach programme in conjunction with NGOs and nonprofits in SA that work exclusively with women artisans. Our goal is to create meaningful objets d’art that speak to our desire for beauty and connection.

The Puma collaboration was an extension of that theme, which revolves around the question: ‘In a world full of divisions, can humans find common ground?’

Do you get to visit Jordan often? I visit twice a year, and the amount of construction and infrastructure is insane!

I’m also immensely proud of our youth; how liberal and entrepreneurial our generation has become. What I cherish most is my tight-knit family, full of amazing people.

What should every person do on their first trip to Jordan?

An absolute must is Hashem, a little hole-in-the-wall falafel shop in downtown Amman.

Everybody eats there.

Why is southern Spain a major source of inspiration for you ? It’s so rich in culture and history. My first interaction with Andalusia, Spain’s southern coastal region, was with its poetry and music from the medieval Islamic Empire.

It has always been a fascination for me to understand how people from different religions have learned to collaborate, cohabit and thrive together peacefully.

Best sights in Andalusia?

The Mezquita MosqueCathedral in Córdoba, and in Granada, Flamenco dancing in Sacromonte caves and the Alhambra Palace Compound. O @notjustacreator #notjustacomb DEC

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THIS PAGE, FROM TOP proto˜ is flipping the idea of a museum gift store on its head at Cape Town’s A4 Arts Foundation; Hamzeh Alfarahneh, the creative behind proto˜; an image of ‘Sitting Figure’ by artist Michal Baror, taken from Hamzeh’s Instagram profile; a highlight from Hamzeh’s recent travels through Europe is the extraordinary Mezquita Mosque Cathedral, located in Córdoba, Andalusia.

NORTH / STYLE THE TREND

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In a nod to Belgian style icon Axel Vervoordt, this minimalist aesthetic works with monochromatic palettes and the manipulation of natural light to embrace the essence of nature and all its organic forms

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THIS SPREAD, CLOCKWISE FROM TOP LEFT 1. CreteStain in Blue POR, Cemcrete 2. Avignon wardrobe R18 995, Block & Chisel 3. Ceramic pendant 06 in Black R730 (excludes cable and light fitting), NM Design 4. Wooden horse sculpture R595, and 5. Pisac ball clay vase in Black R495, both Weylandts 6. Forest Green ceramic vase R4 900, La Grange Interiors 7. Beautiful Imperfection linen wall art in Jungle Green R12 995, Weylandts 8. CH24 Wishbone chair by Hans J Wegner for Carl Hansen & Søn in beech with black cord seat in Olive Green R143 879 (excludes shipping), Domum 9. Sisal Fine Boucle carpet in Oatmeal R642/m2 , Rowley & Hughes 10. Tectra coffee table with polished Calcatta Vagli marble top and mild steed bases in Blue Black R146 050, Okha 11. Peanut bowl R895 (large), La Grange Interiors 12. Water hyacinth round jute rug by Sixth Floor R1 104, Superbalist 13. Craig barstool R1 299, Coricraft 14. Cubist Sofa Element – Fabric in Mocha R10 995, Weylandts 15. Zaza cushion R1 995, La Grange Interiors 16. Pure linen, hand-dyed painted and ombre cushion cover in Charcoal and Brown R1 350 (50x70cm), LIM 17. Original Tall rain boots in Green R1 899, Hunter 18. Behati dining table R14 995, Block & Chisel.

NORTH / HOUSE GERMANY

Flemish minimalism and painterly natural light bring to life an interior design duo’s abode and live-in showroom in Sprockhövel

WHO INTERIOR DESIGNER DUO WHERE SPROCKHÖVEL, GERMANY WHAT HOME & LIVE-IN SHOWROOM

WORDS KERSTIN ROSE PHOTOGRAPHY CATERINA RANCHO

THIS SPREAD, FROM LEFT It took Jeanette Walther years to secure this 300-year-old carriage house in Sprockhövel, Germany, and transform it into the home of her and husband Stefan’s dreams. The home exterior features repurposed timber, a recurring element in the renovation. One of the family’s prized cars sits picturesquely encased in a timber garage; peacefully tucked away on the sunny second level of their home is a daybed from Netherlands-based company, Hoffz (hoffz.nl) alongside a door that masquerades as a cupboard and leads into a bathroom.

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THE TREND

Furniture as architecture: add surprise and structural interest to a space by doubling the function of a reclaimed piece, as is shown in this cupboardcum-doorway that leads into another room.

THIS SPREAD, FROM LEFT A glimpse into the living room from the entrance hall. A pair of artworks by Jeanette hang above a desk crafted by husband, Stefan Walther. The woven chair is from Hoffz, and the ceramics were collected from flea markets and various artists; soft light enhances the dining area, wall art by Jeanette completes the furnishings, also from Hoffz.

here’s no such thing as can’t – a personal and everlasting motto for American Jeanette Walther, an interior designer living in Germany. And it’s how she came to be in her current home: a 300-year-old carriage house in Sprockhövel, a small th of Germany’s Ruhr Valley region.

You need to have a real eye for beauty in order to have discovered this small sandstone property, which is located on a through road, surrounded by post-World War II buildings, fast-food chains and hairdressers. Jeanette had her eye on the house for years, dreaming that someday she would own it.

And then one day, while driving past, she noticed a removal van outside. Her time had come.

The first thing the interior designer had to do was convince her husband Stefan to invest in this diamond in the rough. She wanted to turn the house into a new home for her family, but at the same time design it in such a way that it would also serve as a kind of inhabited showroom for the business that she and Stefan run together.

Months later, after complicated negotiations, the Walthers bought the house with its large, enchanting garden and began the process of gutting and renovating. ‘The inside was a total botch job,’ the interior architect recalls.

The building had last been ‘renovated’ in the 1970s, a fact borne witness to by the erratic wallpaper patterns and amateur fittings. ‘It was a nightmare,’ groans Jeannette. The walls were packed on the inside with polystyrene and insulating foil, beneath which the house’s timber framework was mouldering away. The couple discovered antique wooden door frames hidden away beneath the plastic ones, and after they had pulled up the

dilapidated flooring, beautiful original oak floorboards came to light. ‘It was like uncovering a treasure trove. We removed entire decades, layer by layer.’ They tore down walls and installed new bathrooms, put in new wiring and restored the wooden and stone floors. Finally, they coated the walls with fine clay plaster.

The backdrop for Jeanette’s compositions was now complete.

Working hand-in-hand, they planned and brought to life their interior designs throughout the house. Whatever Jeanette imagined, Stefan would turn into a reality. In his workshop, he makes the couple’s self-designed furniture and builds bespoke kitchens. Nothing here is off the peg. They work like alchemists, experimenting with colour pigments and working with natural materials such as stone, wood and iron until they achieve the desired look. ‘It’s a mixture of simple and sophisticated,’ explains Jeanette.

The home is in a constant state of flux; greys are the current dominant tones, with certain constants that can be found in the simple furniture and the Flemish-inspired colours, tactile fabrics, some of the couple’s antiques, and their own designs.

In the centre of the house is the kitchen, which leads into the garden and the garage. ‘We want our fittings and furnishings to look good, of course, but they also have to function on a dayto-day basis,’ Jeanette explains. This applies especially to the kitchen, which is used for cooking daily. The pair worked together on the fiddly job of special etched-steel wall panels, each created individually by hand. Apart from protecting the wall from hot oil splatterings, they bestow depth and dimension to the space.

It’s this kind of detail that is characteristic of Jeanette’s interior design philosophy: no effort is too great for the creation of a casually elegant home. O home-interior.com

THE TREND

Surface textures: focus on the material details of elements like steel, wood and concrete.

Ceramic accessories and leather curtains add to this muted, artisanal sensibility.

THIS PAGE, CLOCKWISE FROM TOP LEFT The old sandstone abode opens onto an established garden with a sunny terrace; a vignette of Jeanette’s beloved ceramic collection above the steel kitchen panelling; Jeanette in her element: she loves cooking and hosting guests. Light streams into the kitchen from the garden, which accommodates a wallmounted mantel with hooks, made by Stefan from collected pieces of old wood.

OPPOSITE PAGE Stefan built the kitchen according to Jeanette’s vision.

The curtain beneath the sink is made from leather, and the floor tiles were repurposed from the original house. Handmade etched-steel wall plates serve as splashbacks and add depth to the space.

‘It was like uncovering a treasure trove.

We removed entire decades, layer by layer.’

– Jeanette

OPPOSITE PAGE In the living room, a couple of shapely wooden coffee tables create a focal point – they were painted using a spattle technique with pigment colours. Along with the art, couch linen and scatters, they were all made by the Walthers.

THIS PAGE, CLOCKWISE FROM TOP RIGHT The home offers a number of cosy corners in which to relax, all different yet complementary in their aesthetic. This sofa comprises industrial pallets and custom-made cushions; entrance detail – a nook was carved into a piece of wood and given a pigment finish to enhance the grain; grey linen covers on a chair and sofa, both by Hoffz, blend in beautifully with the walls.

THE TREND

The hygge philosophy endures in its creation of unique corners for nesting, or quiet moments. The Nordic concept embraces wellness and conviviality through the use of comfortable and inviting decor pieces.

THE TREND

Statement pieces: display decor pieces as art – perfect for setting the mood and adding interest to quiet spots.

THIS PAGE, CLOCKWISE FROM TOP LEFT Angles, texture and earthy tones come together in a wood-and-iron shelf by Stefan, which showcases some of Jeanette’s ceramics; an antique carafe on a two-level sidetable made of iron and old timber; natural light streams into a room from the interleading window above a another peaceful nesting area.

OPPOSITE PAGE A clean-lined bedframe in blonde wood, offset by simple linen and earthy scatters, takes centre stage in the calm and uncluttered bedroom space. All the furniture, carpets and lamps are by Hoffz.

THE TREND

Monochromatic mood: paint techniques as a decor element: the walls are covered with a fine clay plaster throughout, and finished using a spattle technique with pigment colours to enhance the texture of each surface.

They work like alchemists, experimenting with colour pigments and working with natural materials such as stone, wood and iron until they achieve the desired look.

THIS SPREAD, FROM LEFT A staircase to the second floor leads to yet another private nesting space: a Hoffz stool and daybed bathed in natural light; on the same floor is a ‘cupboard’ revealing a bathroom door. The beautiful floors are made from 300-year-old oak beams that were recovered from the original house.

NORTH / FOCUS

Stone-like tiles, wooden details and imperfect patinas come together in a clean-lined, sauna-style space

PHOTOGRAPHY: SANDBERG RESIDENCE BY NORM ARCHITECTS; JONAS BJERRE-POULSEN. FOR SUPPLIERS' DETAILS SEE OUR STOCKISTS PAGE

COMPILED BY MAYBE CORPACI

WARM & COOL Scandinavian bathroom styles employ a combination of minimal lines, neutral colours and natural textures.

Here, blonde oak cabinetry and symmetry soften a wallto-floor concrete backdrop.

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Saphire vinyl flooring R506/m2, Finfloor.

‘RIGID CORE VINYL BOARDS ARE 100% WATERPROOF AND PERFECT FOR BATHROOMS’ – FINFLOOR

Rejuvenate Intense Body Balm by Aesop R490, Loading Bay.

Simple Sconce Gunmetal Grey, R1 150, Hoi P'loy.

Neo Genesis porcelain tile in Anthracite, R895/m2 (60x120cm), Studio Masson.

Pepper and spice scented candle R400, Musgrave Gin.

Deep frame circular mirror R5 790, Arkivio.

Knitted washcloth, R70, Spaza Store.

Tangent ladder rail R7 155 (0.52x1.89m), Jeeves.

Curaprox toothbrush R65, Go Oral Care.

O’live activated charcoal soap R57, Faithful to Nature.

Onyx stool, R9 995, Weylandts.

Travertine square rock face basin, R2 800, Persian Tiles.

Meir Chrome free -standing round bath mixer, POR Flush.

Marmo soap dish R5 600, Lavo Bathroom Concepts.

DETOXIFY AND RECHARGE SERENITY IS A REALITY IN THIS LOFTY SPA SPACE AT BABYLONSTOREN IN THE WESTERN CAPE.

‘Food is put on a pedestal as if it’s a work of art... Chefs become architects...’

– Li Edelkoort DEC 56

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THE TREND: Li Edelkoort’s book for Caesarstone, Form Follows Food, highlights how food has become the biggest megatrend of our time. It has become the focal point for sharing by young people, and is the most sought-after space to spend time together.

ADDITIONAL PHOTOGRAPHS: SUPPLIED

TAKEN FROM FORM FOLLOWS FOOD BY LIDEWIJ EDELKOORT FOR CAESARSTONE CONCEPT, TEXT & ART DIRECTION LI EDELKOORT PHOTOGRAPHY& CREATIVE DIRECTION JULIETTE CHRÉTIEN & DANIEL COSTA FOOD STYLING LÉA DE TRAVY ALL STONE, MARBLE SURFACES & PROPS CAESARSTONE

NORTH / FOOD

A 2016 CABERNET SAUVIGNON

Classic red wine never goes out of style. Something like this beautiful Cab Sav offers a flavour profile that is a consistent accompaniment to simple and complex dishes, lending itself as the perfect addition on any table. port2port.wine/buy-wine/alto/

TABLE TALK

(Clockwise from above) Elegant dining at The Chef’s Table in Durban, 031-001-0200; sophisticated sipping at Publik Wine Bar in Joburg, @publikwine; and an afternoon spent outdoors at The Table at De Meye in Cape Town, @thetable_demeye.

ON THE MENU

Feasting food inspires time to connect, both indoors and out.

FRESH HERRING

Gone are the days when this charming little swimmer used to make you cringe at an overly laden table – Herring is back! Fresh, pickled or grilled, we love the delicate flavour and instant freshness it imparts. Serve it with sliced fresh onion for some added Northern authenticity.

Q&A

DALE STEVENS

FABER,AVONDALE, CT

When did you start your restaurant?

I took over FABER in April 2018.

What is your favourite item on the menu?

Our menu changes regularly to feature seasonal ingredients, so choosing is difficult. Being yellowtail season, I would say our dish

of raw line-caught yellowtail, tosazu dressing, toasted sesame, zucchini, fennel, toasted nori and fried squid is my top dish.

What’s your current food trend obsession?

Sustainability! Working on a Biodynamic and certified organic farm has given me a platform to inform guests about traceability, organic produce, cutting down on plastic and alternative farming methods.

Favourite local spot?

The Table at De Meye, which has recently been taken over

by Brendan Thorncroft and Leigh Williamson avondalewine.co.za/faber

ADVERTORIAL / POETRY

EFFORTLESS GIFTING POETRY’S SS19 COLLECTION IS A CELEBRATION OF FEMININITY AND SPONTANEOUS ADVENTURES, TAKING US ON A JOURNEY OF THE WANDERLUST WITH ITS FESTIVE GIFTING SOLUTIONS.

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DRESS THE PART Expect relaxed sophistication and modern easy-wearing silhouettes. Style that pleated skirt with a cami blouse and basket-weave or leather bag while we step into summer with the perfect wedge or block heel. There is a Poetry ensemble for every occasion.

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Floral Gold Cruet, R160.

VISIT POE TR

Floral Sugar Bowl, R180.

CO D L EIS U R E.

Gold Rim Tumbler, R75.

Poetry supports community upliftment initiatives by sourcing sustainable products.

Lookout for their new glassware collection.

Wood Detail Rectangular Paddle Board, R250.

LITTLE PLEASURES Settle into the season of selfcare with proudly South African, beautifully scented body and bath products.

We’re spoiled for choice with an array of creams to candles for the home.

Shop Poetry in store or online at poetrystores.co.za, and for more gifting inspiration connect on social media:

poetrystores

poetrystores

poetrystores

PHOTOGRAPHS: SUPPLIED

SUMMER LIVING Carefully sourced homeware and lifestyle accessories showcase luxe artisanal expression – breathing life and splendor into the home. We’re loving Poetry’s flare for eclectic and timeless collectables like the Gemma Orkin range of hand-painted ceramic bowls. Not to mention the ever growing furniture capsule including stools, chairs, coffee tables, mirrors and so much more.

h a t wa t e r s ? s? W W ter e ’ r e

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Discover the spirit of the souk, scorched earth and bio-inspired pattern woven into the soul of the global south: A nest in the desert (p.60) / Summah’s style truths (p.63) / Get the cane & grass look (p.64) / The breathtaking Berber lodge (p.66) / Bathroom inspiration from Marrakech (p.78) / Riad-style feasting (p.80)

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SOUTH / SPOTLIGHT

Dulux 50YY 51/519,

COLOUR: CHANGING SANDS

Clay, root vegetables and wet sand inspire this season’s warmer tones, like the Dulux colours in the extended palette for 2020.

Dulux Copper Orange

Tiaan Nagel’s SS19 Collection, shot by Travys Owen

SHOP: TIAAN NAGEL

Former House and Leisure editor Tiaan Nagel has returned to the world of fashion design with the launch of his namesake store at Hyde Park corner, Joburg, where visitors will get to see his beautiful and totally handmade SS19 collection called ‘Remember You Are’. The collection, Tiaan explains, was inspired by the tones, forms and textures of the Rorkes Drift ceramicists, as well as poetry

by South African poet Ntokozo Mbokazi, but it’s about more than just clothes, he says. ‘At almost 37 I feel like doing something that’s about quality, that speaks to longevity and ultimately is about a legacy.’ For the store interior, Tiaan worked with Tonic Design to realise a space that was inspired by the clothes, and that would set a solid base for a collection of homeware items that Tiaan has created in collaboration with some of South Africa’s most exceptional craftspeople. tiaannagel.com

STAY: THE NEST

Sculpted out of thatch in the Namib Tsaris Conservancy, The Nest @ Sossusvlei emerges like a design oasis between the desolate dunes of the Namib desert. Like the weaver’s nest that its design is inspired by, the architecture’s wavy walls of grass unfold across the barren landscape only to reveal ever-more interesting and luxurious interiors on the inside. The whole project is a bold exercise in biomimicry, and if the design isn’t enough to keep you captivated, the space is tucked between thought-provoking sculptural art installations and ancient camelthorn trees that surround the property.

It’s no wonder then that the extraordinary space – brought to life by superstar designer and artist Porky Hefer and built by conservationist Swen Bachran – was recently voted by Wallpaper* magazine as the world’s Best Private House. Bachran has already transformed the Namib Tsaris Conservancy by removing 120km of fences and opening up wildlife corridors, and if his plans to reseed the Sossusvlei is anything to go by, The Nest is the start of a whole new era for the region.

SCULPTURE: MAGODI ABONGILE BY ZIZIPHO POSWA

A new series from Zizipho Poswa, inspired by traditional African hairstyles, will be on display at Design Miami early December.

The Nest

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‘The women sit leisurely on the carpet in the living room. A parade of trays filled with perfumed woods soaking in large jars of scented oils are brought out, an Arabian incense known as Bakhoor. Some jars contain spices, others wood chips, all covered in various scented liquids.

The final product, embalmed in a sugary coating, is burnt over coals releasing a deeply scented smoke that takes hold of the air around us.

Khamissa, my client, has brought me to her cousin to show me each step in preparing Bakhoor; a process I’d been yearning to learn. After we burn pieces previously made, her mother teaches me how to perfume myself with the smoke, leaving dreams of faraway places clinging to my clothing and hair...’

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For a perfumer, the journey toward creating a unique perfume can be as complex as the layers of the scent itself. In an exclusive online reportback Agata Karolina, African Nose and Director of House of Gozdawa Perfumery, retells the adventure in central Africa that lead to her creating a bespoke scent for a client.

Here is a short extract from her trip to Chad:

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THIS PAGE, CLOCKWISE FROM ABOVE Bottles of the Gozdawa scent; the Nose Agata Karolina; ceramic vessel created for Agata’s new range, photographed by Rudi Geyser at Noordhoek beach.

EATERY: TRYN

The House and Leisure team were instantly struck by the recently revamped interiors at Steenberg Farm’s Tryn Restaurant – an elegant and colourful ode to the style of legendary founder Catharina Ras, who was the first female landowner in the Cape. In the space, one can find standout contemporary pieces by Moooi, made more marvellous by the restoration of original features in the Heritage-grade space on the estate, paired with plush velvet and marble finishes. ‘The heritage of Catharina was so tangible within the walls of the restaurant that we could not wash away the story with a new, unrelated aesthetic and a few disconnected furniture pieces,’ says Nicola Orpen. ‘To modernise the interiors meant we needed to modernise Catharina and bring her into the 21st century. She then became Tryn, the nickname her friends and family used for her – the name more connected to her free and feisty spirit.’ steenbergfarm.com/tryn/

BOOK: THE NEW MEDITERRANEAN

STYLE STEAL: @LULAMAWOLF

We’re madly in love with Lulama Wolf’s ‘One Woman Wolf Pack’ abstract paintings she’s been sharing on Instagram, which capture the spirit of this continent in earthy, graphic simplicity.

TAPESTRY: ‘MOUNTAINS & VALLEYS’

BY GREYROOM

Incredible works

by Jonette Schoeman that take you into her woven world. greyroom.co.za

PHOTOGRAPHY: SUPPLIED

Gestalten’s The New Mediterranean: Homes and Interiors Under The Southern Sun opens the door to some of the Med’s most talented designers and architects.

SOUTH / STYLE PROFILE

Summah founder / Towel aficionado / Baklava believer WORDS GARRETH VAN NIEKERK

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PHOTOGRAPHY: SUPPLIED

he spirit of Marrakech has been perfectly captured in the dreamy images created for the Maroc collection of South African-Turkish towels by Summah – a brand founded

by Cape Town-born daughter and father duo Kirst and Mark Gordon. We caught up with Kirst to learn more about her new life in Turkey and what’s on the cards for this exciting young brand.

How did your love affair with Turkey begin? I first came to Turkey for work in 2012. After spending a couple of months here, I got to meet people from all walks of life, embraced their culture and food, and started to like it even more. I met my boyfriend, relocated to Istanbul in 2014, and have been here since.

What’s it like living there, compared to SA? There are

actually a lot of similarities.

The Bosphorus (the dividing waterway) is still used as a trade route and has led to a beautiful mixture of foreigners and locals working together. It also has incredibly beautiful natural landscapes.

Do you have a favourite Turkish store? There are so many designers with their own independent stores, but a good starting point – where you can see a mix of designer and smaller-scale local creatives – is Vakkorama, which has stores all over Turkey. I also love Bey in Karaköy.

You recently returned from Marrakech to shoot Summah’s new campaign; tell us more. I travelled alone, which was a different experience for me. I stayed at Berber Lodge in Oummnas (page 66) just outside of Marrakech and Riad

L’atelier, a gorgeous riad in the middle of the Medina.

I wandered the souks for hours, taking in the vibrant colours and vendors. Palm trees filed the streets and every corner of Marrakech features their famed pinkhued walls. The experience was actually surreal, and I will definitely go back.

What’s next in line for Summah? We have just launched our SS20 collection, which has beautiful cotton towels for beach and bathroom, and some of our latest summer essentials. Our new gown collection will be launching in mid-December and we are also very proud to introduce Maroc – our first Summah custom-made towel, inspired by the time I spent in Morocco. It was handloomed with our selected colours and is already gaining interest worldwide. O @kirst_gordon DEC

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THIS PAGE, FROM TOP The Yves Saint Laurent Museum in Marrakech, Morocco, is a must-see for firsttime travellers to the city; Kirst Gordon, one half of Summah, in Marrakech during the brand’s recent campaign shoot; pink-hued walls abound in the medina; a rooftop view of the iconic Koutoubia Mosque.

SOUTH / STYLE THE TREND

Grass gets a modern makeover with new rattan and cane pieces that bestow a worldly appeal to natural fibres.

Add to the rustic simplicity with brass, whittled wood and terracotta ceramics

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THIS SPREAD, CLOCKWISE FROM TOP LEFT 1. Anguille Big Croco Legend wallpaper in VP42418 from the Anguille collection by Élitis R7 970, St Leger & Viney 2. Chi hoe R995, Weylandts 3. Sarah server R46 000, Anatomy Design 4. Flake Rim vase Z6 in Viridian R625, Vorster & Braye 5. Dual floor vase R2 149, Mezzanine Interiors 6. Cameroon moulding pot R1 795, Weylandts 7. Wicker screen R4 999, @home 8. Rattan pendants with tassels from R1 450, both Pilgrimagespaces 9. 4046 Excava surface from R3 593/m2 (excludes fabrication and installation), Caesarstone 10. Milk diamond cotton rug R1 999, Poetry 11. Cane Weave sidetable R4 999 (large), @home 12. Classic Panama hat R199, Woolworths 13. Monet high-back chair in Natural R4 990, Pezula Interiors 14. Pink Lace Circle printed rug R999, Heirloom 15. Bamboo table with glass top in Brown R1 874, Superbalist 16. Orchid fan-back chair R1 895, Block & Chisel 17. Jaipur hand-painted teapot R625, and 18. Indian Chakki sidetable R3 295, both Pilgrimagespaces.

SOUTH / LODGE MOROCCO

THE TREND

Contrasted-plantings lend sculptural interest and dissimilarity to the traditional adobe surfaces of the building. Embrace the use of indigenous grasses as a base to link your home to its environment.

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Between the Atlas mountains and the Agafay desert lies Berber Lodge, a contemporary ‘village’ inspired by the architecture of Morocco’s historic settlements

WHO A FRENCH-SWISS DESIGNER WHERE MARRAKECH, MOROCCO WHAT THE BERBER LODGE

WORDS LOUISE ZUN PHOTOGRAPHY ANDREAS VON EINSIEDEL

THIS SPREAD, FROM LEFT The gardens around the Berber Lodge in Oumnas, Morocco, are the work of Parisian landscape designer Arnaud Casaus, who used agave, pistachio and long grass as an unusual groundcover, set within an old olive grove. The building’s adobe mud walls are the same soft pink tone as the earth on which they stand, all the materials having been sourced locally; this small bedroom window is typical of the style used in the Berber house building: a traditional lattice-like screen with internal shutters allows for the harsh light to be controlled, and the room is kept cool.

OPPOSITE PAGE A cool, broad hall at the heart of the main lodge is sparsely furnished with a Mid-Century modern floor lamp, an old wooden ladder and an attractive small oriental table. The exposed palm trunk ceiling provides a rustic yet solid element to the construction.

arrakech is a visual feast for the appreciative mind, with accompanying smells of spices, sounds of drumming, snake charmers and camels, desert winds and the African sun, set within ramparts of beaten red clay, so it’s no surprise that the city is such a popular destination for international sightseers. And – as is often the case – with an increase in tourists, comes the overdevelopment of a city, and so the local connoisseurs and discerning travellers have been quietly moving out of town to the exquisite calm and raw simplicity of the surrounding countryside.

It is here – in the Berber village of Oumnas – situated between the snowcapped Atlas Mountains and the wide expanse of the Agafay desert, that French-Swiss designer Romain Michel-Ménière recently opened his personal passion project; a hotel by the name of Berber Lodge.

After a glamorous early life spent in many of the world’s most famous cities some 15 years back, Michel-Ménière lost both his parents in separate accidents within a single year. This caused him to change the course of his life and move to Morocco.

Initially he chose the country for practical reasons, including its proximity to Europe and the fact that the French language is widely used. But practicality soon gave way to a real affinity for the country and its rich culture.

‘Morocco has become my country, the place where I feel at home,’ says Michel-Ménière. ‘I love the culture and, above all, the people, who I have taken into my heart as my Moroccan family. The jet-set life was fun but unfulfilling – there was too much superficiality. My life in Morocco feels real and full of heart.’

Michel-Ménière has spent the past few years working as an interior decorator, designing many of Marrakech’s hot spots, as well as doing work for private clients. But as time went on, he felt a need to design something catering to his own preferences. These include Berber architecture and traditional building techniques, as well as his signature low-key and modern sensibility when it comes to decorating. He is also always interested in reflecting the spirit of a place. Combine all of this with Michel-Ménière’s outgoing personality, and

the perfect mix for a hotel was born.

To arrive at Berber Lodge is to enter what seems like another planet – a world in which nature and the slow life take hold. What started out as a large terrain of 100-year-old olive trees was, within the space of two years, transformed into a stylish yet low-key hotel of nine individual lodges, laid out with a traditional Berber village feel. MichelMénière’s respect for Berber building techniques has resulted in a ‘village’ that melds seamlessly into the surroundings, benevolently watched over by the ancient kasbah on the hill nearby. Earth was taken from the land to create the Moroccan pisé bricks that were used to build the lodge’s walls. Ceilings made from palm tree, bamboo and eucalyptus integrate structure with nature.

Classic proportions were given a modern twist with enlarged windows and openings, allowing the tranquillity of the countryside to permeate within. Antique kilims, Moroccan tea trays and banquette seating are placed alongside MidCentury Modern furnishings found in the flea markets of Morocco and Paris, and these in turn are offset by rattan furniture from Essaouira.

Michel-Ménière has brought this together in a mix of traditional and contemporary via nature and a good dose of simply excellent taste.

While it was Michel-Ménière’s vision, the project is also the result of a little help from his friends. These include up-and-coming architects Karl Fournier and Olivier Marty of Studio KO – the duo behind the brilliantly designed Yves Saint Laurent museum in Marrakech – who helped with the architectural plans and placed the first line of what is now Berber Lodge.

Paris-based landscape designer Arnaud Casaus created a wild garden among the existing trees using Moroccan and Mexican plants, and ancient modes of irrigation. He also made sure to plant traditional local herbs such as verbena and mint.

Philomena Schurer Merckoll (a fellow hotelier and friend), was also on hand to help, with all of them coming together to underline Michel-Ménière’s creation of something truly magical.

The overriding feeling you have when staying at Berber Lodge is one of soul, and of reflection at the seemingly untouched Moroccan countryside in which it resides. And it is in the combination of modern and ancient that any vistor is transported into a fantasy world. O berberlodge.net

To arrive at Berber Lodge is to enter what seems like another planet – a world in which nature and the slow life take hold.

THIS PAGE A large yellow metal star, formerly in an old bar in the French quarter of Casablanca hangs above an antique Berber chest. All the rooms are finished in the ‘pink plaster’ look common to the area.

OPPOSITE PAGE For the principal blue salon, architects Karl Fournier and Olivier Marty designed large windows to create a greater connection to the gardens – and took inspiration from local tradition in the form of a mousharabia screen to soften the expanse of glass. The sofa and armchairs, which come from a grand old Marrakech house, are teamed with a ‘50s-style rattan table and French lamp. Flea markets in both Paris and Marrakech yielded all manner of treasures.

THE TREND

Exposed material: clay is used as a neatral material that ties together the rest of the textural elements in the building.

Leaving natural plaster unpainted alongside clay bricks as flooring keeps the look clean and simple, allowing you to layer natural elements such as wood, rattan, jute and tactile extras.

THIS SPREAD, FROM LEFT It is said that anything can be found or made in Morocco, and here a locally made marble basin has been wall-mounted with a singlespout tap in the main bathroom. Rattan, also made in Morocco, is a favourite choice for sidetables of all sorts, and is entirely appropriate for the style and the climate; this bedroom suite is simple yet luxurious. Throughout the lodge are floor tiles that were specially made for the project. The ceiling heights are generous and here, a custom-made rattan headboard works as a room divider, too. Apart from the vintage elements, many items were commissioned or bought locally, from the famous Beni Ourain rugs, made at Mustapha Blaoui (IG: @mustaphablaoui), to light fittings and artisan-woven fabrics for curtains and bedcovers. The bed base is covered with an old kilim rug.

THE TREND

Texternal layering. Woven grass floor matts applied to a wall serve as a decorative room divider and echo the sandy hues and woven textures used throughout the lodge. Graphic patterns in the rug, bed base and studded door design elevate the relatively simple scheme.

THIS PAGE The bar is lit by a row of rattan pendant lights rather like Caribbean sun shades, and sparsely furnished with a pair of bar stools. An old African pot and large ceramic bowl book-end sits atop the bar counter.

OPPOSITE PAGE Set among the olive groves, the chic 1950s-style garden furniture is enhanced by cushions upholstered in West African Dogon Indigo fabric.

Earth was taken from the land to create the Moroccan pisé bricks that were used to build the lodge’s walls. Ceilings made from palm tree, bamboo and eucalyptus integrate structure with nature.

THIS SPREAD Alfresco meals are enjoyed in the gardens among old olive trees.

The rattan furniture mostly hails from Essaouira on the coast and the tables are locally made – the vibrant green provides an unexpected punch of colour that seems just right in this landscape.

The overriding feeling you have when staying at Berber Lodge is one of soul, of reflection at the seemingly untouched Moroccan countryside in which it resides.

SOUTH / FOCUS

Transform a conventional bathroom into a restful sanctuary using earthy hues and materials, offset by graphic elements COMPILED BY MAYBE CORPACI

PATTERN PLAY

PHOTOGRAPHY: PALAZZO DANIELE, ITALY; CARLEY PAGE SUMMERS AND CYRIELLE RIGOT. FOR SUPPLIERS' DETAILS SEE OUR STOCKISTS PAGE

A Moroccan-inspired space is anchored by cool, textured concrete walls. Use patterned tiles in hues of blue, green, mustard, ochre, white and pink as a focal contrast.

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Elixir pendants R1 173 each, Eurolux.

Tadelakt surface in Berber POR, Stucco Italiano.

Paint in Turkish Tart (Y2-B1-3) R230/1ℓ, Plascon.

Terracotta vase R1 800, Jade Paton.

Provenza Cobalto 130x130mm mosaic tiles, R25 each, Italtile.

Turning circle tiles R1 780/m2 , Akashic Tiles.

The Citadel vase R4 000, Nebnikro.

TADELAKT IS A WALLSURFACE MADE WITH LIME PLASTER AND OLIVE-OIL BLACK SOAP, WHICH, WHEN COMBINED, CREATE A WATERPROOF MEMBRANE IDEAL FOR WET AREAS.

Kamala® Cast Bronze Basin R77 220, Kohler.

Marrakech Intense parfum by Aesop R1 390, Loading Bay. 2-in-1 King shower mixer in Tiger Bronze

by Meir R25 798, Flush.

Marrakesh tap by Design On Bol, R15 600, Kohler.

Woman-kind honey comb sponge R199, Faithful to Nature.

TRADITIONAL AMBIENCE AT RIAD JARDIN SECRET HOTEL, MARRAKECH, MOROCCO

Itawuli towels R705 each, Mungo.

‘...Serene observation of what is essential and how to pay homage to the earth.’

– Li Edelkoort DEC 80

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THE TREND: In Li Edelkoort’s book for Caesarstone, Form Follows Food she pay homage to the simple things in life. Looking back at ancient practices to inform the way we live life today, from what we eat to how we spend our time.

ADDITIONAL PHOTOGRAPHS: SUPPLIED

TAKEN FROM FORM FOLLOWS FOOD BY LIDEWIJ EDELKOORT FOR CAESARSTONE CONCEPT, TEXT & ART DIRECTION LI EDELKOORT PHOTOGRAPHY& CREATIVE DIRECTION JULIETTE CHRÉTIEN & DANIEL COSTA FOOD STYLING LÉA DE TRAVYALL STONE, MARBLE SURFACES & PROPS CAESARSTONE

SOUTH / FOOD

MINT CONDITION

Tea, in general, is having a moment – but the range of refreshing mint teas on the market just cements our love of the steeped leaf. Lady Bonin’s Moroccan Mint makes the perfect cuppa, but a home-made brew of fresh mint sprigs (sweetened with honey) will hit the spot, too. ladyboninstea.com

GATHER ROUND

(Clockwise from above) For African cuisine in a convivial setting, try Classique Braai Lounge in Hillcrest, @ classiquebraailounge; fusion Moroccan at Pretoria’s La Terasse Rooftop Café & Deli, moroccanhouse.co.za; Madam Taitou offers Ethiopian fare in Cape Town, 072-704-6182.

ON THE MENU

Communal dining brings back traditional familystyle meals in a warm social environment

Q&A

VUSI NDLOVU JUDITH, JOBURG

TIGER NUT

Like the lovechild of an almond and a coconut, this deliciously chewy little nut of flavour is the perfect accompaniment to salads for a bit of texture, and makes a super nutrientdense addition to your breakfast smoothie.

Tell us about your space.

I started a food lab/studio of sorts. We don’t operate as a restaurant, but rather, we host pop-ups and residencies all over the world.

What is your favourite item on the menu?

The best dish we’ve come up with is one I served in Finland: roasted

cabbage with beer and mussel broth, finished with ginger, apple, and mussel powder.

Any food trends on your radar?

Right now, I love vegetables – they have been front and centre of some of the coolest dishes this year. We’re seeing some crazy, great ideas, such as cauliflower ice cream…

And best local restaurant?

A place I’d always swing by for a quick bite is BGR in Rosebank, and another firm favourite is the Che Argentine Grill, in Parkwood. @v4vusi

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PHOTOGRAPHY BY JODY D’ARCY & BAUERSYNDICATION.COM.AU/MAGAZINEFEATURES.CO.ZA; QUOTE FROM THE 2018 FILM ISLE OF DOGS

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EAST / MANIFESTO

From Australia to Japan, we turn our compass eastward in search of the region’s bold new ways of effortless living:

Goodleaf wellness (p.84) / David West’s Japan (p.87) / Get the urban workshop look (p.88) / Compact living in Perth (p.90) / Find your Zen bathroom inspiration (p.100) / Eat the street (p.102)

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EAST / SPOTLIGHT

COLOUR: LEMONS, LIMES & LEAVES

The coolness of Plascon’s Mulberry Leaf Colour of 2020 is perfectly accented by fruits from the tree.

STYLE STEAL: @SHEISVISUAL

A visual Instagram journal from Marize Albertyn gives us an inside look into the mind of this creative.

The simplicity of her feed cuts through the noise of life and serves as a refreshing visual diary design.

Plascon Sparkling Lemon Lime Y6-A1-1

Plascon Lavish Lemon Y5-0A1-1

INSTALLATION: GEMSTONES

Ronel Jordaan’s crystal-shaped seating also acts as a sound absorption panel made from hand-dyed felt. roneljordaan.com / southernguild.co.za

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PHILOSOPHY: GOODLEAF WELLNESS

Goodleaf opened South Africa’s first premium CBD store on Cape Town’s Buitenkant Street in the East City Precinct earlier this year, and has since come to define what wellness could look like for the burgeoning market of CBD products. The store stocks a selection of premium hempderived CBD products – including vapes, drops and creams – from leading international brands like Select CBD, Dr Kerklaan and Herb Essntls. Look out for their new store in Rosebank, Johannesburg. goodleaf.co.za

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TABLE: BABYLONSTOREN SPICE GARDEN

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Created as an ode to Africa’s spice trade with Asia, the Babylonstoren Spice Garden, located in a breathtakingly beautiful domed conservatory opposite the farm’s healing garden, sees visitors being invited to share a meal in an environment that features rare spice plants like cinnamon, clove and nutmeg trees; greater galangal, ginger and turmeric plants. Make your booking by emailing enquiries@babylonstoren.com.

ART: CHECK MY PLANTS

The Impala Lily, aka African Bonsai

BOOK: THE JAPANESE GARDEN

Thought-provoking essays and incredible photography explore over 800 years of Japanese garden design in Phaidon’s The Japanese Garden.

PATTERN: RENEE ROSSOUW

We’re in love with architect and designer Renee Rossouw’s scatter cushion range, made from 100% hand-tufted wool. reneerossouwcushions.wordpress.com

PHOTOGRAPHY: SUPPLIED

We’ve always been intrigued by the Impala Lily (aka African Bonsai), but we’ve never really seen it the way ‘plant enthusiast’ Filipa Domingues captured it through her lens on her wildly popular Check My Plants Instagram page. It’s just one of the rare and unique indigenous species that she documents in untouched detail, using natural light on a black backdrop. Alongside her beautiful photos she’s also quick to share interesting tidbits about the plant itself, which makes for a nice pause between all the fluff on the ‘gram. @checkmyplants

EAST / STYLE PROFILE

Designer / Big on Japan / Onsen expert WORDS GARRETH VAN NIEKERK

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ollowing a hiatus from the design world, Cape Town-based fashion designer David West ventured east to Japan for inspiration before he returned to the business. We caught up with him after his appointment as head of design at Superbalist, where his vision has been making waves.

Tell us a little about your first trip to Japan. It was in 2009 that I initially took some time out and spent a few months in Tokyo, exploring and immersing myself in some of the cultural aspects that interest me, like Kabuki theatre and incense culture.

Since then you’ve been eight times. What’s the attraction?

It’s so culturally rich and layered. I have only ever been able to scratch the surface of what interests me there, and every time I go, I find something new, from food to

architecture and gardening.

What makes an onsen (Japanese spa) special?

They are usually set in magnificent mountainous landscapes. Besides the incredibly healing and restorative natural volcanic spring waters that are high in various minerals, depending on the region, it’s the architecture and location of the historical hot-spring inns (ryokan) that are the real charm.

And your three top eating experiences in Japan?

Sushi at Ginza Kyubey in Tokyo: it’s a traditional sushi restaurant with five storeys of private dining rooms and counters where you go on the chef’s omakase journey. Then, a kaiseki dinner (a multi-course meal) at Fujiiso Ryokan in Takayama, Nagano. Their style is a modernist take on traditional cuisine; one of the

most spectacular meals I’ve eaten. And kare-pan (curry bread) from a local bakery – it’s like a crisp, curry-filled Japanese vetkoek.

Best botanical garden?

The moss garden at Saihō-ji Rinzai Zen Buddhist Temple in Kyoto. In order to visit, I had to apply by postcard via normal mail. It feels strangely un-landscaped, and only a few people are allowed to enter each day.

Your favourite suburb?

Kagurazaka, an area that still maintains a taste of old Tokyo, with cobbled alleyways and eateries that serve traditional cuisine, shops that sell old-fashioned sweets and tea, and stores specialising in pickled foods.

Any standout Tokyo stores?

First to mind would be Oribe ceramics store in Shimokitazawa and Shoyeido incense store in Ginza. O @davidwestdavidwest DEC

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THIS PAGE, FROM TOP Bracken fern shoots become an unforgettable appetiser at a Shibuya restaurant; Superbalist head designer David West at a traditional onsen on one of his travels; the Houshi Onsen Chojukan in Minakami Tanigawa; An must-visit – the Kamakura tub at a Kanaguya onsen.

EAST / STYLE THE TREND 3.

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The playful nature of the classroom inspires this modernised factorystyle look, where honest materials and finishes form an industrial canvas for bright artworks and handmade furniture

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THIS SPREAD, CLOCKWISE FROM TOP LEFT 1. Lush velvet wall clock R999, Superbalist 2. Pegboard R280, and 3. York Timbers plywood pine R349, both Builders 4. Hoya Bella hanging plant R650, Opus 5. Simpl Stor 123 triple cabinet on castors R10 458 (4 doors; 1.2x1.27m) and top section only of Simpl Stor 143 triple cabinet on castors R11 919 (for 6-door cabinet; 1.2x1.27m), both Raw Studios 6. Schnauzer objet R3 250, Leon at CCXIX 7. Cretecote in Nickel Grey POR, Cemcrete 8. Melange Stripes 2 rug by Sybilla for Nanimarquina in 100% handspun Afghan wool, R19 490 (0.8x2.4m), Créma 9. Bucket stool in Red R1 815, Pedersen + Lennard 10. HG sidetable with high-gloss Duco top in Yellow and oxidized brass base R16 000, Tonic 11. Cappuccino Crush cup in Red by Revol R189, Yuppiechef.com 12. Lifie mug in Black speckle by Urchin Art R99, Superbalist 13. Polder sofa in Green by Vitra R131 025, Créma 14. Yellow Sam bicycle R5 790, Simple Sam 15. Framed Map Afrique R2 950 (90x100cm), Pezula Interiors 16. Modular Loft bookcase R5 040, Weylandts 17. Reversible soft bucket in Sunshine Gold from R200, Skinny laMinx 18. Women’s Original lightweight rubberised jacket in Wader Yellow R2 499, Hunter 19. Pepper storage jar R1 300, Bordallo Pinheiro.

SOUTH / HOUSE AUSTRALIA

COMPACT LIVI When four friends built together on a small suburban plot in Perth, they maximised space and flexed their creativity to realise their dream homes WORDS CERI DAVID STYLING LISA QUINN-SCHOFIELD PHOTOGRAPHY JODY D’ARCY & BAUERSYNDICATION.COM.AU/ MAGAZINEFEATURES.CO.ZA

WHO FAMILY OF FIVE WHERE PERTH, AUSTRALIA WHAT A SUBURBAN ECO-CABIN

THIS SPREAD James Crombie, a film and TV set dresser, and his wife, architecture graduate Bekk, outside their 78m2 eco-friendly house in Perth, with their children Elsie, nine months, Beatrice, nine and Bjørn, seven.

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was 2008, while planning their wedding, that James nd Bekk Crombie fell in love with the colour yellow.

We were looking for an interesting shade for the ridesmaids’ dresses and bonbonniere,’ says Bekk.

We went for a really warm, deep yellow that, strangely, e’d liked from the movie Rosemary’s Baby. It looks so ich teamed with white.’ Though the yolky hue didn’t get on in their vows, it’s followed them through the birth of their first two children, Beatrice and Bjørn, then for a couple of years living in Norway and back again to the house they built in Perth. Here, visitors are welcomed by the colour yellow at the front door and when they ring the doorbell. It’s reprised in the family’s bikes and the ladder that leads to James and Bekk’s loft bedroom. ‘Friends have started calling it “Crombie yellow”’ says James, ‘because it pops up in everything we do.’

When it comes to personal touches, that yellow is just the tip of the iceberg. Everything in this house has been adapted, customised and reinvented – right down to the land it occupies, which they share with their best friends Nathan and Helen.

The plan was hatched while the Crombies were living in Norway, from where Bekk’s family hails. ‘I suggested it halfjokingly to our friends... but within a couple of weeks all four of us were actively looking at properties and finance options,’ says James. ‘They would renovate a house and we would build another one – and we would all live together on the same block.’

It was an idea that ticked many boxes for both families. ‘[lt] gave us a chance to live “small”,’ James says. ‘For similar money we could’ve had a triple-garage mansion an hour up the freeway... but instead we have a five-minute walk to school, the train, supermarket and parks, and enough of a garden to grow veggies.’

They started making offers and struck lucky on their fifth go: a 600m2 corner block in Shenton Park with a small 1950s house,

THIS PAGE ‘We’re lucky this climate allows us to open the doors and double the size of the house,’ says Bekk of the merantiframed sliding glass doors. The kitchen cupboards were painted in chalkboard green for Beatrice, Bjørn and Elsie to get creative.

OPPOSITE PAGE The small dining area is uncluttered, with only a few practical additions.

The painting above the window is a collaborative piece the Crombies made by all painting the same vase.

which Nathan and Helen would renovate and move into with their two kids, and there was space for James and Bekk to build.

That said, the block couldn’t be subdivided, so their ‘house’ would need to fit the specifications for an ancillary dwelling – aka a granny flat. Ultimately, they got approval for 78m2 and just one storey – but the couple were up for the challenge.

Bekk, an architecture graduate, describes designing her own house as a dream. ‘We’ve always lived in a compact way.’

The Crombies moved back to Western Australia in 2015 and planned the project with three key criteria in mind – build an environmentally friendly home to a tight budget that maximises the small space.

According to Bekk, the most central concept of the home is reverse-brick veneer – a method where bricks are used for the interior, as they naturally regulate temperature far better than other materials. The house is positioned to make the most of the wind for ventilation and the sun for warmth, and is divided into two long halves. On one side is the open-plan living area (with TV nook, kitchen and dining area), which has extra space thanks to the high-vaulted ceiling and large glass doors that open onto the garden. On the other side are two children’s rooms, bathroom, laundry and wardrobe, crowned by a mezzanine bedroom for Bekk and James, which is cleverly accessed by a yellow ladder.

‘In terms of materials, the brief was always, “This, or something similar”, so there was room for creativity and flexibility,’ says Bekk. There’s colour and texture everywhere, from the various timbers whose shades will evolve as they age, to kitchen cupboards given a lick of green chalkboard paint so the kids use less paper.

There are vintage industrial pendant lamps in blues and greens, and Mid-Century teak furniture inherited from James’ dad.

‘I don’t do it often enough, but when I have a moment to relax, it’s a feast for the eyes,’ Bekk exclaims. O

THIS PAGE, CLOCKWISE FROM TOP LEFT Chalkie the cat wonders past a pair of vintage bar stools; the indoor window doubles as a outdoor bench on the patio; the house is positioned to take full advantage of the wind for ventilation and natural light for illumination.

OPPOSITE PAGE James sourced the bricks used throughout the family home. ‘We think they originally came from the beautiful old Perry Lakes Stadium, built for the Commonwealth Games in 1962.’ The kitchen counter is made from purebond rock maple plywood with a concrete studio benchtop. Cascading plants throughout give the rooms depth and life.

THE TREND

Indie industrial: salvaged items such as the indoor bricks, and 1970s industrial lamps were put to good use – the latter making a costeffective focal point on the patio.

Everything in this house has been adapted, customised and reinvented – right down to the land it occupies, which they share with their best friends.

THE TREND

Eco-friendly structure: the most central concept of the home is reverse-brick veneer – a method where bricks are used for the interior, as they naturally regulate temperature far better than other materials.

The Crombies planned the project with three key criteria in mind – build an environmentally friendly home to a tight budget that maximises the small space.

OPPOSITE PAGE Pops of the couple’s beloved shade of yellow add energy throughout the house to add energy, especially in small spaces.

THIS PAGE A bright yellow industrial staircase leads to James and Bekk’s loft bedroom.

The artwork is a selfportrait of James, who is a visual artist. The low-level bed contributes to the minimalistic ethos, balanced by a plush blanket. Deceptively compact windows abutting the loft floor allow for copious amounts of natural light to flood the space.

THE TREND

Recurring bursts of colour add interest and a personal touch to a predominantly neutral background, as seen in the powder-blasted tap fittings in vibrant yellow in the bathroom, and punches of yellow in the house’s front door or kids’ bicycles.

There’s colour and texture everywhere, from the various timbers whose shades will evolve as they age, to kitchen cupboards given a lick of green chalkboard paint so the kids use less paper.

OPPOSITE PAGE, FROM LEFT In the kids’ bedroom a Pink Sahara rug from Oh Happy Home (ohhappyhome.com. au) and Bambury Rainbow quilt cover shows how kids’ spaces can be bright without being childish. The wooden toy boat mounted on the wall is a sweet reminder of Norway, where they once lived; that pop of colour again seen in the taps from IKEA (ikea.com), which were powdercoated in the same ‘Crombie yellow’ used throughout the house. Mosaic pool tiles create synergy between the shower and the rest of the bathroom.

THIS PAGE The main bedroom loft features built-in drawers as bedside tables with James’ grandfather’s painting of an alpine scene placed on top.

EAST / FOCUS

Relax in a tranquil room that imbues a sense of calm – subtly achieved with natural elements and cool materials

PHOTOGRAPHY: BRISTOL HOTEL BY ELSA YOUNG. FOR SUPPLIERS' DETAILS SEE OUR STOCKISTS PAGE

COMPILED BY MAYBE CORPACI

LIGHT AND SPACE Making use of natural light and creating space takes this room from a conventional bathroom to a home spa. Pebbles, plants and any other tactile accessories set the mood.

DEC 100 112 JAN

Instantly brighten your en-suite bathroom by replacing doors with custom-made Plantation Shutters.

Copper twister macrame plant hanger R425, Knus.

Orange room spray

by Costes R750, Maison Mara.

Creative collection tiles in Yellow & Natural R5 800/m2 , Opia Design.

‘BATHROOMS ARE THE PERFECT SPACES FOR INDOOR PLANTS.’ – FOLHA PLANT SHOP, CAPE TOWN Fever Tea and Geranium room spray R150, Opus.

HV1 single-lever mixer in Light Green by Vola R8 125, Still Bathrooms.

Boulder stool R3 795, Weylandts.

SET THE MOOD WITH CALM GREENS AND SUBTLE LIGHTING, SUCH AS IN THIS BATHROOM AT HOME SUITE HOTELS BRISTOL, JOHANNESBURG Toy bath duck R75, Takealot.

Aloe kimono robe R2 400, Karu Collections.

Fin oak three-ply core flooring POR (19x190), Finfloor.

Ficus bonsai R210, Woolworths.

Britannia bath mixer and over-rim standpipes, R11 900, Victorian Bathrooms.

THE TREND: From Li Edelkoort’s book for Caesarstone, Form Follows Food: as more abandoned industrial spaces are converted into public spaces, laying bare their structures, so general design including food - is influenced. Earthier foods are cooked simply, spooned directly onto plates – an antidote for the technology-fatigued.

DEC 102 JAN

ADDITIONAL PHOTOGRAPHS: SUPPLIED

‘Food and materials inspire one another, becoming amulti-sensorial form of creative expression.’

– Li Edelkoort

TAKEN FROM FORM FOLLOWS FOOD BY LIDEWIJ EDELKOORT FOR CAESARSTONE CONCEPT, TEXT & ART DIRECTION LI EDELKOORTPHOTOGRAPHY& CREATIVE DIRECTION JULIETTE CHRÉTIEN & DANIEL COSTA FOOD STYLING LÉA DE TRAVYALL STONE, MARBLE SURFACES & PROPS CAESARSTONE

EAST / FOOD

KOMBUCHA CULTURE

If you think this fermented tea drink has had its moment, then think again – kombucha is here to stay.

Look out for delectable flavour combinations in artisan-made batches, such as those by Brew Kombucha, which has perfected a range of organic South African rooibos tea versions brewkombucha.co.za

ROAD WORTHY

(Clockwise from above) Expect fresh burritos daily from Didi’s Bitchin’ Burritos food truck in Cape Town, @didis_mexican; Roti & Chai redefine Indian street food in Durban, @roti_and_chai; the mobile team at Sumting Fresh are satisfying Joburg appetites, @sumtingfresh.

ON THE MENU

Fresh and authentic, on-the-go street foods offer a return to raw simplicity

Q&A

SIFISO NTULI, BLACK GARLIC

Sweet, savoury, with hints of balsamic vinegar and tamarind, this slowfermented garlic is the ingredient of the moment.

The aging process does away with the sharpness of this staple aromatic, making it the perfect addition to vinaigrettes, or swirled into mash potatoes.

THE ROVING BANTU KITCHEN JHB

Why did you start The Roving Bantu Kitchen?

Food brings people together.

My eatery is a cultural space where people gather to share ideas, values and stories over a meal, listening to great South African live music. Don’t expect the conventional: wine glasses, straws, menus. If I had my way,

we wouldn’t even have cutlery.

What’s your favourite menu item?

Goat curry, with coconut rice & peas. Our speciality is braaied jerk chicken.

Are there any food trends that you follow?

I’m not into trends – I’d love to see more African food served in Africa, as a staple. We should be proud of our heritage and our food culture.

And your best local eatery?

I have a few, but I frequent the Ethiopian spot downtown: Besufekad Restaurant between Troye and Delvers streets in Joburg. rovingbantu.co.za

PROMOTION / VILLA 47

A THREE-TIERED EMPORIUM OF GASTRONOMIC DELIGHT

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hether it’s a client meeting at lunch, grabbing drinks over dinner with friends or needing a functional space for an event; VILLA 47 rises to the occasion. Whet your appetite with the restaurant’s authentic modern Italian offerings.

LOCANDA What we love most about Locanda at VILLA 47 Emporio Italiano (besides the Spaghetti ai Frutti di Mare) is the consistently superb service, food and ambience – key to an enjoyable dining experience.

The relaxed, trendy Italian style bistro situated on the ground and middle floor will make you feel right at home.

EXHIBIT A With a focus on sustainability, the menu highlights indigenous ingredients and elevates local favourites. Maverick duo, Chef Rikku Ó’Donnchü and Chef Warwick King are the minds behind this culinary experience. Joining the duo, is Christiaan De Jongh. You can expect immersive fine-dining with the freshest local produce and world-class wines.

Address 47 Bree Street, Cape Town

For reservations contact VILLA 47 021 418 2740 reservations@villa47.co.za Exhibit A 060 392 2234

For more information, visit villa47.co.za or connect with VILLA47 on social media: @villa47capetown @villa47onbree

PHOTOGRAPHS: VALENTINA NICOL

MARTINI TERRAZZA LOUNGE The spacious courtyard fusion-cocktail bar is the ultimate space to host your event. Enjoy a selection of head-spinning cocktails and exquisite designed-to-share dishes which blend authentic Italian flavours with a hint of the Orient. Martini time Aperitivo between 4 and 7.

WEST / MANIFESTO

in

actio

n!’

PHOTOGRAPHY BY BIRGITTA WOLFGANG BJØRNVAD / SISTER AGENCY; QUOTE FROM THE 1998 FILM FEAR AND LOATHING IN LAS VEGAS

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‘I tell y ou ,m

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ea

i s t he Ame r s i ica th , n dr an m

We explore the extraordinary cultural and natural diversity of the Americas, from iconic Mid-century desert architecture to the jungles of their wilder climes: Ardmore’s spectacular safari revival (p.107) / Get the Desert Modernist look (p.110) / Retro-futurism in Palm Springs (p.112) / Bathroom inspiration from the west (p.122) / Eating out at American-style diners (p.124)

DEC 105 JAN

WEST / SPOTLIGHT PLENTY collaboration between Pichulik and Skinny laMinx, showing a @myuzu flower arrangement

FURNITURE: SEATING BY MURRMURR COLOUR: SPRING SUNRISE

Duram’s uplifting shades Promise of Spring and Sweet Sunrise Promise of Spring.

STYLE STEAL: @PICHULIK

Duram Sweet Sunrise 099-6

Duram Promise of Spring 005-4

PHOTOGRAPHY: SUPPLIED

The sounds of Tropicalia music, and work of Brazilian designers Roberto Burle Marx, Sergio Rodrigues and Genaro Carvalho inspired the spirit of abundance in plenty: one of our favourite new collabs. The graphic and colourful collection saw textile designer Heather Moore, of Skinny LaMinx, and jewellery designer Kat Pichulik, of Pichulik, come together in a celebration of Spring’s bounty, only made more lovely by their campaign images featuring flowers by the extremely talented Lana from @myuzu.by.lana. Find out more at pichulik.com and skinnylaminx.com.

For her first range of furniture local designer Mia Senekal looked upward to the moon, finding a plethora of architectural lines and subtle details in it’s mysterious allure. The designer explained the thinking behind her Moon range, both part of the Murrmurr line, to House and Leisure: ‘The different phases of the moon and the shapes that the shadows create captivated me and inspired the collection. The New Moon Couch is inspired by the new moon phase, which is a solid round defined shape. The Quarter Coffee & Side Tables were inspired by the quarter moon, which shows in the cut outs in the marble – the positives and negatives reflecting one another.’ For more, head to murrmurr.co.za.

DEC 106 JAN

PRINT: ARDMORE’S SUMPTUOUS SAFARI

When Ardmore founder, Fee Halsted, recently found herself a bit strung out and in need of inspiration she decided to pack things up and head North from their base in KwaZulu-Natal to experience the natural wonders of the Sabie River. What she found there would inform the basis of Ardmore’s new Sabie Range – a lush, and bewilderingly layered take on the Mpumalanga fauna and flora. ‘Nothing is more salutary and exciting than nestling in the bush to ignite the imagination and restore one’s faith in humanity and rekindle the spirit,’ Fee explains to House and Leisure. In the Sabie collection, which comes in three colourways, monkeys hang from elephant trunks, giraffes and snakes mingle between patterned reeds, and an elusive striped and spotted King Cheetah winds through a leafy glen. Ardmore artists Sidney Nyembezi and Abel Mohlakoana brought the story to life, creating a range that is undoubtedly Ardmore at it’s most glamorous — a testament to the extraordinary skill of one of Africa’s most inventive design houses. For more, head to ardmore-design.com.

CREATIVE COLLAB: STUDIO AN X DIALOGUE ROOM

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For the launch of The Dialogue Room — an innovative space in Woodstock where creatives from the design industry can crosspolinate — Cannata, a company renowned for its engineered stone and porcelain products partnered with Studio AN, a Cape Town-based architectural and interior design brand, to create a unique collection of objects titled Morph. The extremely lustworthy collection includes a light fixture, stool, bench, mirror and cabinet all made of marble and terrazzo, with each of the pieces subtly exploring the process of transformation from one stage to another – a tribute to the journey of transition and growth that gave birth to this exciting new creative hub.

D L E IS U R E

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PRODUCT: ROMANO CARDINAL MIRRORS

We’re obsessing over these new mirrors from the debut collection of Cape Town-based designer Romano Cardinal. romanocardinal.com

Get taken into a playful world of decadent and incredibly colourful homes by the likes of Cristina Celestino and Nina Yashar that push the envelope in both their interior and architectural approaches.

PHOTOGRAPHY: SUPPLIED

BOOK: THE HOUSE OF GLAM

WEST / STYLE PROFILE

Jeweller / Luxury traveller / Enquiring mind WORDS GARRETH VAN NIEKERK

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PHOTOGRAPHY: SUPPLIED

e caught up with globetrotter Zoja Mihic, of Zoja Studio, to tell us about how the journey in making the brand is just as important as the jewels themselves.

Travel is an important part of the Zoja story. Where did it begin? The brand is about the journeys we make through life and the discoveries along the way. I am deeply curious by nature and driven by the desire to explore places, cultures, people, ideas. This essence has motivated so many of my personal and brand-related decisions.

As a designer, how do you find moments in between travel to create your line?

Designing, for me, is a fluid process. Fortunately a notebook and pencil is all it requires to note inspiring moments and ideas.

Your latest collection has

seen you spending time in the Americas; tell us more.

The polarity between North and South America is an endless source of fascination.

I have wanted to understand the cultural mechanisms of both, and in order to do so, I have tried to expose myself to both as much as possible.

What did you find inspiring about Peru? For me, Peru is about ancient wisdom. It’s about colour and its rich layers that reveal so much beauty about the people and natural world. It is almost impossible to capture what I felt. I have fumbled in my attempts recounting the experiences; suffice to say I went there with my eyes and heart open.

Best purchases in Mexico?

While in Oaxaca I bought myself a beautiful handwoven cream-toned fan, and a massive summer tablecloth and napkins

in hues of dusty pink and terracotta.

One store everyone should visit in Brazil? The Cris Barros store in the city is a temple of beauty and captures how retail design should be done.

What is the ultimate eating experience you’ve had on your travels lately? This would have to be MIL in Cusco by Virgilio Martinez. It is tucked in the mountains of the Sacred Valley, 11 000 feet above sea level, set right on the edge of the ancient ruins of Moray. There are huge stone depressions cut into the earth, which acted as an agricultural lab for the Incas for centuries. All produce is sourced from the local community; even the water served is Andean snowmelt.

The whole experience was an execution of humility and excellence. O @zoja_studio DEC 109 JAN

THIS PAGE, FROM TOP Zoja Mihic on her travels through Peru; images from Zoja’s personal and professional Instagram feed depict the colourful life of a globetrotting creative.

WEST / STYLE THE TREND

Bauhaus-inspired shapes and timeless, contemporary pieces in expressive colours provide the perfect foil for a light Mid-Century Modern interior

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THIS SPREAD, CLOCKWISE FROM TOP LEFT 1. Angular painted White Brick Wall mural R399, Stickythings.co.za 2. Sunburst clock in Multicolor by George Nelson for Vitra R7 372, Créma 3. Bubbles & Bottles R2 999 (extra large), La Grange Interiors 4. Bump vase R4 028 (tall), Créma 5. Vase stack R399 (for set of three), @home 6. ‘A Bigger Splash’ print by David Hockney R555 (unframed), workART 7. Cactus botanic R1 490, SHF Home 8. Bed settee by Pierre Paulin with two back cushions from R71 700, Ligne Roset 9. Grey high-foot traffic tile POR, Terra Stone 10. Prickle in brass R935 (large), La Grange Interiors 11. Sismic ottoman in Red by Cédric Ragot R35 660, and 12. Bubble ottoman D.80 in Cèdre Yellow by Sacha Lakic R20 300, both Roche Bobois 13. Poseidon Isometric rug R4 100, HAUS by Hertex 14. Invitation round table R12 169 15 and Wire chair in White R1 969, both KARE 16. Ermelo TV/AV unit in walnut with White Satin Duco carcass and Matt White mild-steel base R38 000 (0.45x2.6m), Tonic Design 17. Bump jug in Grey/Pink by Tom Dixon R2 620, Créma 18. Diavoletta vase in Pink by Daniel Eltner for Cappellini R11 696, True Design.

WEST / HOUSE USA

DEC

112

JAN

A Palm Springs 1950s Desert Modernism home gets lovingly restored by an owner with a weakness for the futuristic ‘houses of tomorrow’

WHO REAL-ESTATE AGENT WHERE PALM SPRINGS, USA WHAT MID-CENTURY MODERN HOME

WORDS JOSEFINE BERZANT PHOTOGRAPHY BIRGITTA WOLFGANG BJØRNVAD / SISTER AGENCY

THIS SPREAD, FROM LEFT A 1964 Mercury Park Lane completes the elegantly simple lines of this Mid-Century Modern home in the Twin Palms neighbourhood of Palm Springs, California. Designed in 1956 by architect William Krisel, the house maintains its original essence and features the butterfly-style rooftop that became synonymous with the area; indigenous plants were used to their full potential throughout this sunny valley. Also a landscape architect, Krisel selected the plants in shapes and colours to suit the appearance of the homes.

ne of the largest collections of MidCentury Modern homes in Southern California is the pioneering work of architect William Krisel. Situated in Twin Palms, a south Palm Springs neighbourhood, they became the desert community’s first Modernist tract in the 1950s; at that time they embodied the futuristic ‘houses of tomorrow’.

The desert-mountain landscape presents a dramatic setting for these abodes with their original retro detail.

After falling in love with the alluring natural vistas and the unique architecture of Palm Springs, real estate agent Chris Menrad was prompted to search for a property in this dusty Pleasantville scene. It was during his hunt, while driving along the streets of Palm Springs in 1999, that Chris rounded a corner at Palm Canyon and spotted the unusual roof constructions in the distance – structures jutting out like the flamboyant wings of a Cadillac. He headed in their direction and ended up in the suburb of Twin Palms.

‘I was so impressed with the original architecture of the homes. The area was living in a time warp,’ says Chris. He drove further into the neighbourhood, where he found a house for sale with the same interesting ‘butterfly’ roof. He bought it, and has since done his utmost to restore it to its authentic former glory.

Chris’ background as a property realtor affords him a strong sense of aesthetic and an intuitive eye for style, and he immediately saw the interesting interplay between architecture and lifestyle: a thinking that encapsulated the optimistic post-war building culture.

‘The life you live here is a bit like being on holiday.

You’re more relaxed and free. The many large windows give you a hint of the outdoors, so you’re aware of the light, the weather, the surrounding mountains and palm trees. Together with the house’s tent-like roof, it bestows a sense of camping in the desert landscape,’ Chris says.

It was not until a year later, however, that he came to fully appreciate that he had purchased something very special. Chris’ ‘Alexander’ house (so named for the local builder George Alexander) was one of Krisel’s designs, the visionary architect having been responsible for more than 30 000 homes throughout Southern California during his career. His rise to sensationalism was born in Palm Springs between the years 1956 and 1963, in collaboration with Alexander Construction Company. Together they doubled

the town’s size by building 2 500 tract homes that still stand today. Krisel standardised architectural elements, created a model that appealed to the many, and proved that modernism could be both viable and affordable.

Embracing an open-plan layout with a view between its different spaces, the house makes use of the same materials in several of the rooms, such as terrazzo flooring and wooden ceilings. The square floor plan is divided into two parts: a large living room with kitchen and dining areas flowing unobstructedly to the outdoor pool, and a more private section encompassing three bedrooms and two bathrooms.

Chris decided to renovate in 2006, but careful thought went into how he would tackle this project: his intention was to preserve the soul of the home, as far as possible, and he was determined to restore the original details. Architectturned-artist Phillip K Smith III reconstructed the kitchen and bathroom cabinets in birch plywood, according to how they were built in the 1950s – as recorded in the images of well-known architectural photographer Julius Shulman, which were taken shortly after the houses were built.

In a bid to ensure his renovation was as close to the original as possible, Chris contacted Krisel and explained that he was in the process of restoring one of his classic Alexander homes. Krisel agreed to advise him by sharing his illustrations of the house’s original design and colour scheme. The original hues were warm and natural, and offered beautifully descriptive names such as ‘Sea Isle Blue’, ‘Cacao’ and ‘Apricot Glow’, all reflective of the surrounding desert landscape.

‘After much effort, I even located paint from the paint company Fuller O’Brien [which no longer exists] on eBay. I have tried to bring the house back to its original form and it is amazing to see how modern it now looks in a contemporary context.’

A sublime selection of 1950s pieces now characterises Chris’ home, which serve to further accentuate the architecture. Since this first partnership, together with architect friend JR Roberts, Chris went on to refurbish three more Krisel-Alexander houses with help from Krisel himself (the architect passed away in 2017 at the age of 92).

‘I had developed a close relationship with William and his lovely wife Corinne over all these years through many projects, and I consider myself lucky to have learned and worked with this remarkable artist,’ says Chris. And so the elegant legacy of one of the founding fathers of ‘desert modernism’ lives on. O

OPPOSITE PAGE On entry, it’s clear that art is integral to this home: on the left is a flower painting by Peter Gee alongside a work by David Simes, and on the right, a wall sculpture by Tony DeLap.The end wall is home to the 1963 photograph Rich Thomson, Indio by Mel Roberts, which characterises life in Palm Springs. Beneath it, on a Light Bench by Pablo Pardo, are coloured glass vases by Blenko (blenko.com) and a Pick-Up Bulb table lamp, which was designed by Bill Curry for Design Line in the 1960s.

THE TREND

Don’t rebuild – restore.

In line with environmental movements around the globe, the trend towards the restoration of Modernist architecture is ensuring the past remains beautiful, and the future remains bright.

THIS SPREAD, FROM LEFT White terrazzo flooring and wooden ceilings in the light-infused, open-plan living space provide the perfect canvas for decor accents in desert hues. A vibrant departure is photographer Chad Kleitsch’s large artwork above the fireplace, which forms a central feature in the living area. It is flanked on the left by a 1968 Gherpe floor lamp in Opaline White by SuperStudio (poltronova.it), and to the right by Penguin Pusher, a sculpture by Mark Shulman. A pair of 1960s Mushroom Poufs by Pierre Paulin for Artifort (paulinpaulinpaulin.com) anchor a Stellar I rug by Raymond Loewy for Edward Fields (edwardfields.com); Mid-Century Modern pieces augment the original aesthetic: bar stools created by Harry Bertoia in 1952, an iconic Tulip dining table and chairs by Eero Saarinen (knoll.com), the modular sofa by prolific modernist designer George Nelson for Herman Miller (vitra.com), a Pole floor lamp from Stiffel (stiffel.com) and the yellow vase by Bitossi (bitossiceramiche.it/en). On the right, a Ball Clock (also by George Nelson) hangs above a sculptural 1950s terracotta floor lantern by Malcolm Leland for Architectural Pottery (wright20.com). Chris had the house’s original kitchen cabinets reconstructed in birch plywood with help from architect/artist Phillip K Smith III.

THE TREND

Paint it green. Colour forecasts across the board indicate that green, in all its wonderful shades, is making a major comeback.

One of our favourites is Tranquil Dawn — Dulux’s Colour of the Year for 2020.

THIS SPREAD, FROM LEFT The bedroom leads to an outdoor shower area, bordered by simple lines and large glass windows – fundamental elements of this style of architecture. The shower fixture was designed by Philippe Starck for Hansgrohe (hansgrohe.com), and the cacti are part of Krisel’s conscious use of plants for their shape and colour; clerestory windows enable the small distinction between the inside and the outside of the house, offering views of palm trees, mountains and skies. The bed is by George Nelson for Herman Miller, the bedside tables are by Florence Knoll (knoll.com) and the Pipistrello table lamps are by Gae Aulenti for Martinelli Luce (martinelliluce.it). The rug comes from a local rug shop, the bed linen is from Restoration Hardware (restorationhardware.com), and a vintage textile fabric by Lucienne Day is used as a throw.

THIS SPREAD, FROM LEFT In the shade of the butterfly roof, outdoor furniture by Richard Schultz for Knoll provides a spot for relaxation by the pool; even though Palm Springs lies in the middle of the California desert valley, its numerous towering palm trees and more than 600 swimming pools turn it into a serene, lush oasis. A fittingly retro Cadillac finds a home in the garage.

‘I was so impressed with the original architecture of the homes.

The area was living in a time warp,’ – Chris

WEST / FOCUS

Bring a welcome freshness to a retro-style bathroom with fun, contemporary twists

PHOTOGRAPHY: SUPPLIED BY REUTOV DESIGNS, FOR SUPPLIERS' DETAILS SEE OUR STOCKISTS PAGE

COMPILED BY MAYBE CORPACI

CURATED COMPOSITION Terrazzo surfaces, brass taps, corals, peaches and aquas, and glossy finishes come together beautifully in this Mid-Century space.

122 JAN DEC 112

Palm tree leaves R1 995, La Grange Interiors.

Morph mirror in Murano Terrazzo R2 400, Studio Morph for The Dialogue Room.

Gold metal and glass pendant R3 500, Maxim Lighting.

Paint in Tranquil Dawn POR, Dulux.

SPLASH OUT SOAK UP THE SUN AT THE GIGI ROOFTOP SWIMMING POOL, GORGEOUS GEORGE HOTEL, CAPE TOWN

Paint in Peach Party (O3-A1-4) POR, Plascon.

DADO quartz Carmen bath and basin POR, DADO Africa.

Waxfill candle R80, MRP Home.

Morph stool R25 500, Studio AN for Cannata’s Dialogue Room.

Escamas dynamic tiles in Skylight R1 500/m2, Deco Bella.

Subway tiles in Pink and Jade, R1 800/m2, Akashic Tiles.

Venezia threehole basin tap in Gold R24 370, Lavo Bathroom Concepts.

COLOUR FORECAST DULUX TRANQUIL DAWN, COLOUR OF THE YEAR 2020, HAS AN AIR OF CALM THAT CAPTURES THE MOOD OF A NEW DECADE

Décor Walther nailbrush in Gold, R200, Victorian Bathrooms.

‘Food has graduated as a new design discipline to be reckoned with, enouraging people to experiment more.’

– Li Edelkoort DEC 124 JAN

THE TREND: In her book for Caesarstone, Form Follows Food, trend forecaster Lidewij Edelkoort uses The Meringue Girls’ confection as an example of how this nostalgic sweet has been transformed – as a reflection of the trend towards a focus on high-quality mono-products.

ADDITIONAL PHOTOGRAPHS: SUPPLIED

TAKEN FROM FORM FOLLOWS FOOD BY LIDEWIJ EDELKOORT FOR CAESARSTONE CONCEPT, TEXT & ART DIRECTION LI EDELKOORT PHOTOGRAPHY& CREATIVE DIRECTION JULIETTE CHRÉTIEN & DANIEL COSTA FOOD STYLING LÉA DE TRAVY ALL STONE, MARBLE SURFACES & PROPS CAESARSTONE

WEST / FOOD

FLOAT IT

We’re thrilled at the first signs of the soda float’s return. Keep it classic with cream soda and vanilla ice cream plus confetti sprinkles, or take it to a whole new level by Soda-Streaming interesting cordials and adding luscious ice creams with nuts and chocolate bits.

OLD SCHOOL

(Clockwise from above) Smokin’ Joe’s in Durban do boxingthemed burgers and decadent shakes, @smokinjoesza; Cape Town’s Clarke’s Bar & Dining Room offers diner-style fare, @clarkescapetown; burgers and beers are the focus at Buns Out in Joburg, @bunsoutlinden.

ON THE MENU

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Unusual flavours, bespoke hues and natural ingredients combine to reinvent ‘traditional’ foods

Q&A SALTED CARAMEL

Dolloped generously on ice cream, dotted throughout dark chocolate slabs, or even smeared on freshly toasted brioche… our sweet love affair with all things salted caramel deepens.

STEPHANIE ANASTASOPOULOS, ARTHUR’S MINI SUPER, CAPE TOWN

Why and when did you start Arthur’s Mini Super?

My business partner Will found the location in Sea Point, and asked if I wanted to open a hole-in-the-wall coffee shop with him. I said ‘OK’ and that was that. We opened on 6 December 2018.

What’s your favourite item on the menu?

We do breakfast, lunch, coffee, and exceptional pantry basics. My best at the moment is our anchovy butter on sourdough toast.

Are there any current food trends that you’re following?

I can’t think of a food trend that I’m obsessed with, but I like simple fare made with good-quality ingredients!

Any local eateries you can recommend?

My favourite spot for a casual Chinese dinner is He Sheng in Main Road, Sea Point, Cape Town. arthursminisuper.co.za

PROMOTION / TABLE BAY

A MERRY CHRISTMAS AT THE TABLE BAY HOTEL

celebrate the day (or night) with you.

On Christmas eve, you are invited to dine in their Atlantic venue with a night time view of the harbour and Table Mountain in the distance.

A show-stopping lunch and dinner will be hosted in the Atlantic, making sure that you receive the royal treatment.

THE MENU: From carved honey glazed gammon, studded with clove and cassia bark, white onion cream sauce to Christmas cake pops with almonds, pistachios and coconut, the menu is a festive delight.

A live pianist will lull you into the mood and create the musical backdrop for your day, and into the evening, as you enjoy a Christmas celebration you’ll never forget, meticulously crafted by Table Bay hotel.

Booking for the Cape Christmas Magic is essential.

Contact: 021 406 5988 or tablebaydining@suninternational.com to reserve your spot.

Share your splendid expierence on social media and tag the Table Bay hotel

TheTableBayHotel TableBayHotelSA tablebayhotelsa

PHOTOGRAPHS: SUPPLIED

W

ith the festive season around the corner, the Table Bay hotel, known for its unrivalled food and beverage offering is hosting the feast of all feasts.

With all the bells and whistles, the fivestar hotel will welcome in the magic of Christmas, putting you in the mood to celebrate with family and friends.

Prepare to experience a full buffet of festive delights as you head on a gastronomic adventure with their Cape Christmas Magic menu.

THE OFFERING: The hotel will host Cape Christmas Magic on Christmas eve and the 25th of December.

The hotel’s talented team and awardwinning Chefs will prepare a luxurious and mouth-watering feast for family and friends to indulge in. The menu blends Christmas classics with contemporary flavours and authentic South African flair.

With three dazzling feasts, the Table Bay hotel is planning an all-out affair to

HL / STOCKISTS

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Italtile itatile.co.za Jade Paton Ceramics instagram.com/jadepatonceramics Jeeves jeeves.co.za KARE kare-design.com Karu Collections karu.world Knus knus.co Kohler africa.kohler.com La Grange Interiors lagrangeinteriors.co.za Lavo Bathroom Concepts lavo.co.za Leon at CCXIX leonat219.com Ligne Roset ligne-roset.com LIM lim.co.za Loading Bay loadingbay.co.za Maison Mara maisonmara.co.za Maxim Lighting maximdecor.net Mezzanine Interiors mezzanineinteriors.co.za Minotti limeline.co.za MRP Home mrphome.com Musgrave Gin yuppiechef.com Muuto cremadesign.co.za NMdesign nmdesign.co.za Okha okha.com Opia Design opiadesign.co.za Opus Studio opusstudio.co.za Pedersen + Lennard pedersenlennard.co.za Persian Tiles persiantile.co.za Pezula Interiors pezulainteriors.co.za Pilgrimagespaces pilgrimagespaces.co.za Plantation Shutters plantation.co.za Plascon plascon.com Poetry poetrystores.co.za Port 2 Port port2port.wine Raw Studios rawstudios.co.za Renee Rossouw reneerossouwcushions. wordpress.com DEC 127

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COMPETITION TERMS AND CONDITIONS

For full competition terms and conditions, visit houseandleisure.co.za/content/ terms-and-conditions While all product information was checked before going to print, House and Leisure cannot guarantee that prices will not change or that products will be available at the time of publication.

HL / LAST WORD

s ape s iftin PHOTOGRAPHY HENRIQUE WILDING

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ON THE YELLOW COUCH This modular couch was done in collaboration with Casa Leon by Leon at CCXIX for the Cape Talk Yellow Couch series. Scan the QR code above to follow the story.

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SEE YOU AGAIN FOR OUR CITY ISSUE, ON SALE 27 JANUARY. DEC 128 JAN

FOR SUPPLIERS’ DETAIILS SEE STOCKISTS PAGE

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Your furniture should be able to keep up with your unconventional life, but rarely does. That’s why we love modular couches that don’t need to be pushed into corners or placed perfectly together – they should be able to move like you do.

Get yourself a couple, and make them yellow, and this current trend will be taken into the stratosphere, like these ones from Casa Leon by Leon at CCXIX.