Periscope Magazin

a d a m p r e t t y _ a n d r e w g h o b b S _ d a n i e l s o m m e r _ e u g e n h a l l e r _ g u i d o c a s ta g n o l i j a n r a s m u s v o ss _ j o h a n n e s k รถ n i g _ j u l i a n d u f o r t _ l o r e n z o a g i u s _ m i t c h j e n k i n s O l a f u n v e r z a r t _ p at r i c k c u r t e t _ P a u l g r e e n _ p e n n y b r a d f i e l d _ t i m m k รถ l l n tom stoddart_trevor ray hart

FOREW o RD It seems never-ending, the stream of new technologies by which we view images. It grows exponentially at the expense of the small book publisher, the independent magazine, the corner bookshop. In our modern world, our interaction with images is often fleeting and elusive – the click of a mouse spirits us away from what was, just seconds ago, a fantastic new world.

However, to linger on a picture with the paper between one’s fingertips is to squeeze every drop out of it. A great printed image stirs something within us. It commands our respect and reveals itself even as we watch. It promises a reward for our time. What’s more, the ritual of touching the image at the same moment we observe it doubles our sensory experience and gives us a deeper, more lasting memory – it burns its mark into our minds.

What kind of permanency does the digital image have? E-books, e-mags, e-portfolios – one click, one trash can, and they’re gone. To quote an Apple product: “You can’t undo this action.” A printed picture offers a different kind of relationship: this image plans to stick around.

We might be hurtling forwards at a rapid pace, but when it comes to the best possible presentation of images, it’s in old school we trust.

It is with these thoughts that I proudly present the first issue of Periscope, a magazine showcasing works by our artists.

Luke Lalor Periscope Creative GmbH

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contents adam pretty

4-11

andrew g hobbS

12-19

daniel sommer

20-27

g u i d o c a s ta g n o l i johannes könig

28-35 36-43

julian dufort

44-51

lorenzo agius

52-59

mitch jenkins

60-67

Olaf unverzart

68-75

p at r i c k c u r t e t

76-83

timm kölln

84-91

tom stoddart

92-99

trevor ray hart

100-107

PROT É G É S eugen haller

108-115

j a n r a s m u s v o ss paul green

116-123

124-131

penny bradfield

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132-139

adam pretty

A l l w e h av e t o d e c i d e i s w h at t o d o w i t h t h e t i m e t h at i s g i v e n u s .

Gandalf speaking to Frodo JRR T o l k i e n – F e l l o w s h i p o f t h e R i n g

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andrew g hobbs

I f t h e r e i s o n e t h i n g t h at i s f o r e i g n t o m e i t i s s h o p p i n g f o r p l e a s u r e . O n t h e o t h e r h a n d, I b e l i e v e t h at i t i s r i g h t t o h o n o r a l l t h o s e w h o c r e at e b e a u t i f u l t h i n g s a n d g i v e s at i s f a c t i o n t o those who see me wearing them.

Grace Kelly

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daniel sommer

Reife des Mannes: das heiSSt den Ernst wiedergefunden haben, d e n m a n a l s K i n d h at t e , b e i m S p i e l .

Jenseits von Gut und BÜse — Nietzsche

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Guido Castagnoli The real voyage of discovery consists not in seeking n e w l a n d s c a p e s b u t i n h av i n g n e w e y e s .

Marcel Proust

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johannes kĂśnig

Listen, real poetry doesn‘t say anything; i t j u s t t i c k s o f f t h e p o ss i b i l i t i e s . O p e n s a l l d o o r s .

Y o u c a n w a l k t h r o u g h a n y o n e t h at s u i t s y o u .

Jim Morrison

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Julian Dufort res ipsa loquitur.

Cicero

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Lorenzo Agius

My idea of a good picture is one t h at ‘ s i n f o c u s a n d o f a f a m o u s p e r s o n .

Andy Warhol

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Mitch Jenkins

T a l k i n g f a b u l o u s n e ss i n t o b e i n g .

The Jazz Butcher

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olaf unverzart

walking is suspicious where the sun always shines the world is seen through your car window. los รกngeles 2010

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P at r i c k Curtet Life is today. p at r i c k c u r t e t

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timm kölln

WHEN I MET HIM , HE WELCOMED ME S AYING : I ’ LL GIVE YOU THREE MINUTE S FOR THE PHOTO S - AND BEWARE THAT TWO HAVE ALREADY PA S S ED .

Josep Guardiola

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Tom Stoddart I k n o w t h at t h e a c c i d e n t o f m y b e i n g a p h o t o g r a p h e r h a s m a d e m y l i f e p o ss i b l e .

Richard Avedon

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Trevor Ray Hart When I grow up, I want to be a seagull.

M at i l d a , a g e d 6

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PROT É G É S

Eugen Haller

I take pictures Photographic pictures B r i g h t l i g h t, d a r k r o o m B r i g h t l i g h t, d a r k r o o m .

Depeche Mode - Photographic

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PROT É G É S

Jan Rasmus V o ss

I‘m an ice queen, I’m the Sun King, I ’ m a n a l i e n f l e e i n g f r o m D i s t r i c t 9 a n d I ’ m a d o m i n at r i x .

S o I r e c k o n t h at m a k e s m e a l u k e w a r m r o y a lt y with a whip from outer space. anna wintour

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PROT É G É S

paul green

E i n B i l d e r b u c h i s t d i e s e W e lt, D a s m a n c h e m h e r z l i c h w o h l g e f ä l lt, D e r b l ät t e r n d B i l d u m B i l d g e n i e S S t, V o m T e x t n i c h t e i n e Z e i l e l i e s t.

Paul Von Heyse

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PROT É G É S

Penny Bradfield

Twenty years from now you will be more disappointed by the t h i n g s t h at y o u d i d n ‘ t d o t h a n b y t h e o n e s y o u d i d d o. S o t h r o w o f f t h e b o w l i n e s . S a i l a w a y f r o m t h e s a f e h a r b o r . C at c h t h e trade winds in your sails. Explore. Dream. Discover.

Mark Twain

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adam pretty

andrew g hobbs

daniel sommer

b eijin g www.adampr etty.c om

l o n do n w w w. a n dr ewg h o b b s .c o m

mu n ic h www. da n iel s o mmer. eu

guido gastagnoli

johannes kรถnig

julian dufort

genoa w w w.guidocastagnol i .c om

mu n i c h w w w.j o h a n n es k o en i g .c o m

b er l i n / n ew y ork www.j u l i a n du f o rt.com

lorenzo agius

mitch jenkins

olaf unverzart

lon don www.lor en zoagius .c om

l o n do n www. mi tc h j en k i n s .c o m

mu n ic h www.u n v er z a rt. de

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p at r i c k c u r t e t

timm kölln

tom stoddart

par is w ww.patr ickcur tet.c om

b er l i n w ww.timmk o el l n .c o m

l o n do n www.t o ms to dda rt.com

PROT É G É S

trevor ray hart

eugen haller

london ww w.tr ev or r ayhar t.c om

mu n ic h www. eu g en h a l l er. de

jan rasmus voss

paul green

penny bradfield

b er lin w w w.jan r asmusv oss .c om

b er l i n www.th ep a u l g r een .c o m

b er l i n www. p en n y b r a df ield.com

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ADAM PRETTY

JOHANNES KÖNIG

4-11

36-43

With Matt Mitcha m ’s h i s t or i c , g ol d -m e d a l-w i nni n g

J o h a n n es K ö n i g is t h e f i rs t i l l ust r at o r in

performance at t h e 2 0 0 8 B e i j i n g O l y m p i c Ga m e s ,

P e rs i c o p e ´s p o r t f o l i o. t h e w o r ks s e l e c t e d are a

he achieved he r o stat u s n o t o n l y i n h is n at i v e

b l e n d o f h a n d - d r a w n a r t w o r ks s h o w n i n variou s

Austr alia b ut als o w i t h i n t h e w or l d ’s d i vi ng c o m-

g a l l e r i es t h r o u g h o u t Mu n i c h , as w e l l as e d itorial

munity. The gra c e f u l at h l e t e f r o m B r i sb a n e is

i l l u st r at i o ns a n d c o m p u t e r - g e n e r at e d w o r ks for

considered by m a n y t o b e t h e w o r l d ’s p r e m i e r

N i n ten do a n d G r o f a .

diver. Adam Pre t t y ’s i m a g e r y r e v e a ls Mi t c h a m ’s str ongest char a c t e r i s t i c s : h i s c om m a nd i ng ph y s i-

julian dufort

cal p r ese nc e a nd pow e r fu l g r a c e .

44-51

Julian Dufort has been intensely passionate about

andrew g hobbs

photography since a very young age, and this love

12-19

is clearly translated into his work. These selected These image s de n o t e t h e t i m e l ess n at u r e o f t h e

images showcasing his extraordinary talent were

fashion s and i n t e r i o rs f r o m t h e l at e f i f t i es

created for multiple magazines (Men’s Health, Men’s

to early sixties . A n d r e w G H o b bs c a p t u r es t he

Vogue, Money Magazine and ESPN Magazine).

no stalgic mood p e r f e c t l y t h r o u g h a c i n e m at i c gaze th at p laces m od e l a nd L ond on “ I t-G i r l ” C a r a

LORENZO AGIUS

D elevigne in the r o l e o f a b e g u i l i n g m at i n e e i d o l .

The idea wa s to ta k e i ns p i r at i o n f r o m p o p u l a r

52-59

L o r e n z o A g i us h a s a n i n n at e f e e l f o r h is c e lebrity

culture influenc e s o f t h e p e r i o d a n d a d d h i n ts

s u b j e c ts , w h i c h is w h y h is i m a g es a l w a ys s trike

of modernity to p r o d u c e a l o v e l e t t e r t o t h os e

th e o b s er v er wi th t h eir r a r e h o n es ty a n d a uthen-

decade s t h at c h a n g e d t h e w o r l d.

t i c i t y . N o t o n l y is e a c h p h o t o g r a p h s t u n n i ng in i ts o w n r i g h t, Ag i u s h a s a m a g i c i a n ’s t o u c h when it

daniel sommer

c o m es t o c a p t u r i n g h is f a m o us s u b j e c t ’s essential

20-27

n at u r e a n d u n a f f ec ted p er s o n a l ity .

D aniel Sommer’ s st r i k i n g a n d u n us u a l p i c t u r es wer e cr eated for t h e H or nba c h W a h ns i nn c a m-

MITCH JENKINS

paign “H ow muc h m a d n ess a r e y o u m a d e o f ? ” in cooperation with a d -a g e n c y H e i m at, Be r l i n . S o m m e r

60-67

Th e si z z l i n g b u r l es q u e s e r i es b y Mi t c h J e nkins

caught the Ger m a n DIY- m a r k e t ’s at t e n t i o n w i th

wa s p u b l i s h ed i n t h e U S ma g a z i n e “ D o dg em L o g ic“,

th ese fr en e t i c a nd e y e-c at c h i ng i m a g e s .

e d i t e d b y Al a n Mo o r e . Th e s e c o n d iss u e o f the b i - m o n t h l y u n d e r g r o u n d p e r i o d i c a l , s t u f f e d with

GUIDO CASTAGNOLI

w is d o m a n d w h i ms i c a l su r p r is es , p r o v i d e d three

28-35

dif f er en t l u s c i o u s c o v er s a n d a n a r t ic l e on In 2007, Guido C a s ta g nol i ’s ph ot og r a ph i c i nve s-

b u r l es q u e p as t, p r ese n t a n d f u t u r e . Mi t c h ‘s image s

tigation of the u r ba n l a nd s c a pe of s m a l l J a pa-

wer e th e s h i n y c en t r e o f i t a l l .

nese town s too k u s fa r fr om t h e s t e r e ot y pes associated with c o n t e m p o r a r y J a p a n . T h i s t i m e , h e h as follow e d a s i m i l a r pat h a nd s h ow n u s more than the m e g a l o p o l is w e se e so o f t e n ; instead, we are c o n f r o n t e d w i t h a n a m b i e n c e o f s i l e nc e a nd g r a c e .

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OLAF UNVERZART

PROT É G É S

68-75

Olaf Unverzart often mixes genres, just as much as he mixes continents. For this presentation, he

EUGEN HALLER

chose a selection of photographs taken in the U.S.

108-115

“It’s a kind of a portrait – a reportage of empty Wh e t h e r i t ’s a c a n o f s a r d i n es i n o i l , a t e nnis

landscapes and a permanent visual biography.”

b a l l o r c o n v e n t i o n a l t o o ls , Eu g e n H a l l e r knows

PATRICK CURTET

h o w t o g i v e i t a n e x t r a o r d i n a r y l o o k . Th r ough 76-83

H a l l e r ’s l e ns , e v e n t h e m os t c o m m o n e v e r yday o b j ec t s ta k e o n a s p ec ta c u l a r , o th er wo r ldly

Patr ick Cur tet‘ s m a s t e r y of s h a r p, s t y l i s h a u t o -

q u a l i ty a n d s t o p v i ewer s in t h eir t r a c k s.

motiv e p h otogra ph y i s d i s pl a y e d i n h i s l i fe s t y le mi se en scène, w h i c h w as c r e at e d f o r t h e As t o n

JAN RASMUS VOSS

M artin DB 9 prom o t i o n . H i g h - c l ass p h o t o g r a p h y

116-123

for a h i g h -c l a ss ve h i c l e .

Wh e n t h e o w n e r o f B e r l i n ’s o l d s e m i -a b a n d oned

TIMM KÖLLN

a m us e m e n t p a r k g o t o u t o f j a i l r e c e n t l y , J an 84-91

R a s mu s V o ss p h o to g r a p h ed h i m f o r a ma g a zine a n d a ls o g a i n e d h is p e r m issi o n t o s p e n d a day

Tim Kölln ha s ma d e a n a m e f o r h i ms e l f t h r o u g h

s h o o t i n g o n t h e p r e m is es . V o ss a n d m o d e l Chan

hi s extraordina r y p e rsp e c t i v e o n c y c l i n g . S i n c e

C h i u r e t u r n e d t o t h e o v e r g r o w n a m us e m e n t park

2005, he ha s at t e n d e d a l l m a j o r r a c es a n d

t o e n j o y t h e a b a n d o n e d r i d es a n d c r e at e thes e

shown u s these e v e n ts f r o m a v e r y sp e c i a l p o i n t

u n i q u e ima g es .

of view, a s if h e w e r e a p a r t o f t h e m r at h e r than a spectato r . J os e p G u a r d i o l a , n o w c o a c h

PAUL GREEN

of FC Bar celo na , w a s a l e g e nd t o K öl l n e ve r

124-131

sin ce he saw h im d e bu t a s a pl a y e r ba c k i n 1 990 .

P a u l G r een l o v es t o ex p l o r e l o c atio n s , s ea rching

TOM STODDART

f o r i n t e r est i n g l i g h t i n g t o i n t e ns i f y t h e mood 92-99

a n d d e f i n i t i o n o f h is i m a g es. “ G r e at l i g h t i n g can b e f o u n d i n t h e s h a d o ws o f a n a n c i e n t b u i lding,

Tom Stoddart t o o k t h ese r e m a r k a b l e i m a g es

th r o u g h a di r tied s ta b l e s k y l i g h t, o r f o u r sto-

for th e ‘ Walk W i t h G i a nt s ’ w e b c a m pa i g n for

r ies u n der g r o u n d. “

Johnnie Walker , i n w h i c h u s e r s c a n d ow nl oa d interview s and l is t e n as t h e y ta k e a w a l k w i t h

PENNY BRADFIELD

some of th e m os t i ns pi r i ng m e n on e a r t h .

132-139

P en n y B r a df iel d’ s i ma g es s h o w u s a s ta r k v iew of

TREVOR RAY HART

100-107

A r m e n i a , a w o r l d l e a d e r i n m u lt i p l e d r u g - r esi stant a n d ex t en s iv el y dr u g - r es is ta n t t u b er c u l o sis

Tr ev or Ray Ha r t ’s d i s t i nc t i ve s t y l e a nd h i s

s t r a i ns . Tu b e r c u l osi s is s o st i g m at is e d i n A rmenia

ability to captu r e t h e b e a u t y a n d t e x t u r e o f a

t h at s u f f er er s o f ten av o id s eek i n g t r eat men t or,

fleeting momen t a r e e v i d e n t i n t h ese p i c t u r es ,

wo r s e, h ide t h eir i l l n ess b y tr eat in g t h ems elv es

which were selec t e d f r o m h is o n g o i n g p e rs o n a l

in ex p er tl y wi th o v er -th e- c o u n t er a n tib io t ics.

wor k wit h h i s d a u g h t e r , M at i l d a .

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Published by: Periscope Creative G mbH UrbanstraSSe 116 10967 Berlin +49 30 688 368 48 www.periscope-creative.com

Editors in Chief: Luke Lalor, Tim Rhode s Editor: Mari ssa van Uden Content by: 16 photographer s, 1 Illustrator Design: Melville Brand De sign, munich www.melvillebranddesign.com

Print: Color Gruppe, munich Sleeve paper: B端ttenpapierfabrik G mund, Gmund

With thanks to: Dave W roe, Marta M atuszewski, Maurice R edmond, Richard Evan s, Adam William s and The Urban Collective Family: Jan Rasmus Voss, Felix Wiesner, Carsten Schmitz and Max Miller.

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