a d a m p r e t t y _ a n d r e w g h o b b S _ d a n i e l s o m m e r _ e u g e n h a l l e r _ g u i d o c a s ta g n o l i j a n r a s m u s v o ss _ j o h a n n e s k รถ n i g _ j u l i a n d u f o r t _ l o r e n z o a g i u s _ m i t c h j e n k i n s O l a f u n v e r z a r t _ p at r i c k c u r t e t _ P a u l g r e e n _ p e n n y b r a d f i e l d _ t i m m k รถ l l n tom stoddart_trevor ray hart
FOREW o RD It seems never-ending, the stream of new technologies by which we view images. It grows exponentially at the expense of the small book publisher, the independent magazine, the corner bookshop. In our modern world, our interaction with images is often fleeting and elusive – the click of a mouse spirits us away from what was, just seconds ago, a fantastic new world. However, to linger on a picture with the paper between one’s fingertips is to squeeze every drop out of it. A great printed image stirs something within us. It commands our respect and reveals itself even as we watch. It promises a reward for our time. What’s more, the ritual of touching the image at the same moment we observe it doubles our sensory experience and gives us a deeper, more lasting memory – it burns its mark into our minds. What kind of permanency does the digital image have? E-books, e-mags, e-portfolios – one click, one trash can, and they’re gone. To quote an Apple product: “You can’t undo this action.” A printed picture offers a different kind of relationship: this image plans to stick around. We might be hurtling forwards at a rapid pace, but when it comes to the best possible presentation of images, it’s in old school we trust. It is with these thoughts that I proudly present the first issue of Periscope, a magazine showcasing works by our artists.
Luke Lalor Periscope Creative GmbH
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contents adam pretty
4-11
andrew g hobbS
12-19
daniel sommer
20-27
g u i d o c a s ta g n o l i johannes könig
28-35 36-43
julian dufort
44-51
lorenzo agius
52-59
mitch jenkins
60-67
Olaf unverzart
68-75
p at r i c k c u r t e t
76-83
timm kölln
84-91
tom stoddart
92-99
trevor ray hart
100-107
PROT É G É S eugen haller
108-115
j a n r a s m u s v o ss paul green
116-123
124-131
penny bradfield
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132-139
adam pretty
A l l w e h av e t o d e c i d e i s w h at t o d o w i t h t h e t i m e t h at i s g i v e n u s . Gandalf speaking to Frodo JRR T o l k i e n – F e l l o w s h i p o f t h e R i n g
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andrew g hobbs
I f t h e r e i s o n e t h i n g t h at i s f o r e i g n t o m e i t i s s h o p p i n g f o r p l e a s u r e . O n t h e o t h e r h a n d, I b e l i e v e t h at i t i s r i g h t t o h o n o r a l l t h o s e w h o c r e at e b e a u t i f u l t h i n g s a n d g i v e s at i s f a c t i o n t o those who see me wearing them. Grace Kelly
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daniel sommer
Reife des Mannes: das heiSSt den Ernst wiedergefunden haben, d e n m a n a l s K i n d h at t e , b e i m S p i e l . Jenseits von Gut und BÜse — Nietzsche
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Guido Castagnoli The real voyage of discovery consists not in seeking n e w l a n d s c a p e s b u t i n h av i n g n e w e y e s . Marcel Proust
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johannes kĂśnig
Listen, real poetry doesn‘t say anything; i t j u s t t i c k s o f f t h e p o ss i b i l i t i e s . O p e n s a l l d o o r s . Y o u c a n w a l k t h r o u g h a n y o n e t h at s u i t s y o u . Jim Morrison
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Julian Dufort res ipsa loquitur. Cicero
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Lorenzo Agius
My idea of a good picture is one t h at ‘ s i n f o c u s a n d o f a f a m o u s p e r s o n . Andy Warhol
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Mitch Jenkins
T a l k i n g f a b u l o u s n e ss i n t o b e i n g . The Jazz Butcher
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olaf unverzart
walking is suspicious where the sun always shines the world is seen through your car window. los รกngeles 2010
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P at r i c k Curtet Life is today. p at r i c k c u r t e t
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timm kölln
WHEN I MET HIM , HE WELCOMED ME S AYING : I ’ LL GIVE YOU THREE MINUTE S FOR THE PHOTO S - AND BEWARE THAT TWO HAVE ALREADY PA S S ED . Josep Guardiola
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Tom Stoddart I k n o w t h at t h e a c c i d e n t o f m y b e i n g a p h o t o g r a p h e r h a s m a d e m y l i f e p o ss i b l e . Richard Avedon
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Trevor Ray Hart When I grow up, I want to be a seagull. M at i l d a , a g e d 6
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PROT É G É S
Eugen Haller
I take pictures Photographic pictures B r i g h t l i g h t, d a r k r o o m B r i g h t l i g h t, d a r k r o o m . Depeche Mode - Photographic
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PROT É G É S
Jan Rasmus V o ss
I‘m an ice queen, I’m the Sun King, I ’ m a n a l i e n f l e e i n g f r o m D i s t r i c t 9 a n d I ’ m a d o m i n at r i x . S o I r e c k o n t h at m a k e s m e a l u k e w a r m r o y a lt y with a whip from outer space. anna wintour
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PROT É G É S
paul green
E i n B i l d e r b u c h i s t d i e s e W e lt, D a s m a n c h e m h e r z l i c h w o h l g e f ä l lt, D e r b l ät t e r n d B i l d u m B i l d g e n i e S S t, V o m T e x t n i c h t e i n e Z e i l e l i e s t. Paul Von Heyse
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PROT É G É S
Penny Bradfield
Twenty years from now you will be more disappointed by the t h i n g s t h at y o u d i d n ‘ t d o t h a n b y t h e o n e s y o u d i d d o. S o t h r o w o f f t h e b o w l i n e s . S a i l a w a y f r o m t h e s a f e h a r b o r . C at c h t h e trade winds in your sails. Explore. Dream. Discover. Mark Twain
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adam pretty
andrew g hobbs
daniel sommer
b eijin g www.adampr etty.c om
l o n do n w w w. a n dr ewg h o b b s .c o m
mu n ic h www. da n iel s o mmer. eu
guido gastagnoli
johannes kรถnig
julian dufort
genoa w w w.guidocastagnol i .c om
mu n i c h w w w.j o h a n n es k o en i g .c o m
b er l i n / n ew y ork www.j u l i a n du f o rt.com
lorenzo agius
mitch jenkins
olaf unverzart
lon don www.lor en zoagius .c om
l o n do n www. mi tc h j en k i n s .c o m
mu n ic h www.u n v er z a rt. de
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p at r i c k c u r t e t
timm kölln
tom stoddart
par is w ww.patr ickcur tet.c om
b er l i n w ww.timmk o el l n .c o m
l o n do n www.t o ms to dda rt.com
PROT É G É S
trevor ray hart
eugen haller
london ww w.tr ev or r ayhar t.c om
mu n ic h www. eu g en h a l l er. de
jan rasmus voss
paul green
penny bradfield
b er lin w w w.jan r asmusv oss .c om
b er l i n www.th ep a u l g r een .c o m
b er l i n www. p en n y b r a df ield.com
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ADAM PRETTY
JOHANNES KÖNIG
4-11
36-43
With Matt Mitcha m ’s h i s t or i c , g ol d -m e d a l-w i nni n g
J o h a n n es K ö n i g is t h e f i rs t i l l ust r at o r in
performance at t h e 2 0 0 8 B e i j i n g O l y m p i c Ga m e s ,
P e rs i c o p e ´s p o r t f o l i o. t h e w o r ks s e l e c t e d are a
he achieved he r o stat u s n o t o n l y i n h is n at i v e
b l e n d o f h a n d - d r a w n a r t w o r ks s h o w n i n variou s
Austr alia b ut als o w i t h i n t h e w or l d ’s d i vi ng c o m-
g a l l e r i es t h r o u g h o u t Mu n i c h , as w e l l as e d itorial
munity. The gra c e f u l at h l e t e f r o m B r i sb a n e is
i l l u st r at i o ns a n d c o m p u t e r - g e n e r at e d w o r ks for
considered by m a n y t o b e t h e w o r l d ’s p r e m i e r
N i n ten do a n d G r o f a .
diver. Adam Pre t t y ’s i m a g e r y r e v e a ls Mi t c h a m ’s str ongest char a c t e r i s t i c s : h i s c om m a nd i ng ph y s i-
julian dufort
cal p r ese nc e a nd pow e r fu l g r a c e .
44-51
Julian Dufort has been intensely passionate about
andrew g hobbs
photography since a very young age, and this love
12-19
is clearly translated into his work. These selected These image s de n o t e t h e t i m e l ess n at u r e o f t h e
images showcasing his extraordinary talent were
fashion s and i n t e r i o rs f r o m t h e l at e f i f t i es
created for multiple magazines (Men’s Health, Men’s
to early sixties . A n d r e w G H o b bs c a p t u r es t he
Vogue, Money Magazine and ESPN Magazine).
no stalgic mood p e r f e c t l y t h r o u g h a c i n e m at i c gaze th at p laces m od e l a nd L ond on “ I t-G i r l ” C a r a
LORENZO AGIUS
D elevigne in the r o l e o f a b e g u i l i n g m at i n e e i d o l . The idea wa s to ta k e i ns p i r at i o n f r o m p o p u l a r
52-59
L o r e n z o A g i us h a s a n i n n at e f e e l f o r h is c e lebrity
culture influenc e s o f t h e p e r i o d a n d a d d h i n ts
s u b j e c ts , w h i c h is w h y h is i m a g es a l w a ys s trike
of modernity to p r o d u c e a l o v e l e t t e r t o t h os e
th e o b s er v er wi th t h eir r a r e h o n es ty a n d a uthen-
decade s t h at c h a n g e d t h e w o r l d.
t i c i t y . N o t o n l y is e a c h p h o t o g r a p h s t u n n i ng in i ts o w n r i g h t, Ag i u s h a s a m a g i c i a n ’s t o u c h when it
daniel sommer
c o m es t o c a p t u r i n g h is f a m o us s u b j e c t ’s essential
20-27
n at u r e a n d u n a f f ec ted p er s o n a l ity . D aniel Sommer’ s st r i k i n g a n d u n us u a l p i c t u r es wer e cr eated for t h e H or nba c h W a h ns i nn c a m-
MITCH JENKINS
paign “H ow muc h m a d n ess a r e y o u m a d e o f ? ” in cooperation with a d -a g e n c y H e i m at, Be r l i n . S o m m e r
60-67
Th e si z z l i n g b u r l es q u e s e r i es b y Mi t c h J e nkins
caught the Ger m a n DIY- m a r k e t ’s at t e n t i o n w i th
wa s p u b l i s h ed i n t h e U S ma g a z i n e “ D o dg em L o g ic“,
th ese fr en e t i c a nd e y e-c at c h i ng i m a g e s .
e d i t e d b y Al a n Mo o r e . Th e s e c o n d iss u e o f the b i - m o n t h l y u n d e r g r o u n d p e r i o d i c a l , s t u f f e d with
GUIDO CASTAGNOLI
w is d o m a n d w h i ms i c a l su r p r is es , p r o v i d e d three
28-35
dif f er en t l u s c i o u s c o v er s a n d a n a r t ic l e on In 2007, Guido C a s ta g nol i ’s ph ot og r a ph i c i nve s-
b u r l es q u e p as t, p r ese n t a n d f u t u r e . Mi t c h ‘s image s
tigation of the u r ba n l a nd s c a pe of s m a l l J a pa-
wer e th e s h i n y c en t r e o f i t a l l .
nese town s too k u s fa r fr om t h e s t e r e ot y pes associated with c o n t e m p o r a r y J a p a n . T h i s t i m e , h e h as follow e d a s i m i l a r pat h a nd s h ow n u s more than the m e g a l o p o l is w e se e so o f t e n ; instead, we are c o n f r o n t e d w i t h a n a m b i e n c e o f s i l e nc e a nd g r a c e . 144 periscope magazine
OLAF UNVERZART
PROT É G É S
68-75
Olaf Unverzart often mixes genres, just as much as he mixes continents. For this presentation, he
EUGEN HALLER
chose a selection of photographs taken in the U.S.
108-115
“It’s a kind of a portrait – a reportage of empty Wh e t h e r i t ’s a c a n o f s a r d i n es i n o i l , a t e nnis
landscapes and a permanent visual biography.”
b a l l o r c o n v e n t i o n a l t o o ls , Eu g e n H a l l e r knows
PATRICK CURTET
h o w t o g i v e i t a n e x t r a o r d i n a r y l o o k . Th r ough 76-83
H a l l e r ’s l e ns , e v e n t h e m os t c o m m o n e v e r yday o b j ec t s ta k e o n a s p ec ta c u l a r , o th er wo r ldly
Patr ick Cur tet‘ s m a s t e r y of s h a r p, s t y l i s h a u t o -
q u a l i ty a n d s t o p v i ewer s in t h eir t r a c k s.
motiv e p h otogra ph y i s d i s pl a y e d i n h i s l i fe s t y le mi se en scène, w h i c h w as c r e at e d f o r t h e As t o n
JAN RASMUS VOSS
M artin DB 9 prom o t i o n . H i g h - c l ass p h o t o g r a p h y
116-123
for a h i g h -c l a ss ve h i c l e . Wh e n t h e o w n e r o f B e r l i n ’s o l d s e m i -a b a n d oned
TIMM KÖLLN
a m us e m e n t p a r k g o t o u t o f j a i l r e c e n t l y , J an 84-91
R a s mu s V o ss p h o to g r a p h ed h i m f o r a ma g a zine a n d a ls o g a i n e d h is p e r m issi o n t o s p e n d a day
Tim Kölln ha s ma d e a n a m e f o r h i ms e l f t h r o u g h
s h o o t i n g o n t h e p r e m is es . V o ss a n d m o d e l Chan
hi s extraordina r y p e rsp e c t i v e o n c y c l i n g . S i n c e
C h i u r e t u r n e d t o t h e o v e r g r o w n a m us e m e n t park
2005, he ha s at t e n d e d a l l m a j o r r a c es a n d
t o e n j o y t h e a b a n d o n e d r i d es a n d c r e at e thes e
shown u s these e v e n ts f r o m a v e r y sp e c i a l p o i n t
u n i q u e ima g es .
of view, a s if h e w e r e a p a r t o f t h e m r at h e r than a spectato r . J os e p G u a r d i o l a , n o w c o a c h
PAUL GREEN
of FC Bar celo na , w a s a l e g e nd t o K öl l n e ve r
124-131
sin ce he saw h im d e bu t a s a pl a y e r ba c k i n 1 990 . P a u l G r een l o v es t o ex p l o r e l o c atio n s , s ea rching
TOM STODDART
f o r i n t e r est i n g l i g h t i n g t o i n t e ns i f y t h e mood 92-99
a n d d e f i n i t i o n o f h is i m a g es. “ G r e at l i g h t i n g can b e f o u n d i n t h e s h a d o ws o f a n a n c i e n t b u i lding,
Tom Stoddart t o o k t h ese r e m a r k a b l e i m a g es
th r o u g h a di r tied s ta b l e s k y l i g h t, o r f o u r sto-
for th e ‘ Walk W i t h G i a nt s ’ w e b c a m pa i g n for
r ies u n der g r o u n d. “
Johnnie Walker , i n w h i c h u s e r s c a n d ow nl oa d interview s and l is t e n as t h e y ta k e a w a l k w i t h
PENNY BRADFIELD
some of th e m os t i ns pi r i ng m e n on e a r t h .
132-139
P en n y B r a df iel d’ s i ma g es s h o w u s a s ta r k v iew of
TREVOR RAY HART
100-107
A r m e n i a , a w o r l d l e a d e r i n m u lt i p l e d r u g - r esi stant a n d ex t en s iv el y dr u g - r es is ta n t t u b er c u l o sis
Tr ev or Ray Ha r t ’s d i s t i nc t i ve s t y l e a nd h i s
s t r a i ns . Tu b e r c u l osi s is s o st i g m at is e d i n A rmenia
ability to captu r e t h e b e a u t y a n d t e x t u r e o f a
t h at s u f f er er s o f ten av o id s eek i n g t r eat men t or,
fleeting momen t a r e e v i d e n t i n t h ese p i c t u r es ,
wo r s e, h ide t h eir i l l n ess b y tr eat in g t h ems elv es
which were selec t e d f r o m h is o n g o i n g p e rs o n a l
in ex p er tl y wi th o v er -th e- c o u n t er a n tib io t ics.
wor k wit h h i s d a u g h t e r , M at i l d a .
145 periscope magazine
Published by: Periscope Creative G mbH UrbanstraSSe 116 10967 Berlin +49 30 688 368 48 www.periscope-creative.com
Editors in Chief: Luke Lalor, Tim Rhode s Editor: Mari ssa van Uden Content by: 16 photographer s, 1 Illustrator Design: Melville Brand De sign, munich www.melvillebranddesign.com
Print: Color Gruppe, munich Sleeve paper: B端ttenpapierfabrik G mund, Gmund
With thanks to: Dave W roe, Marta M atuszewski, Maurice R edmond, Richard Evan s, Adam William s and The Urban Collective Family: Jan Rasmus Voss, Felix Wiesner, Carsten Schmitz and Max Miller.
147 periscope magazine
This ad alone will not fully convince you of our print quality. This magazin surely will. (Periscope - printed by Color Gruppe MĂźnchen)
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