ME Printer May 2019 Issue 170 by ME Printer Magazine

Arabic Inclusive

ISSN 2304-117X

‫مجلة متخصصة يف عالم الطباعة يف الشرق األوسط‬ Registered with IMPZ

Vol. 16 / Issue 170 / May 2019

FESPA 2019 to Connect the Global Print Industry

Importance of Finishing in the Print Industry Workflow automation can bring finishing fully into the realm of digital production

GPP 2019 Roundup A complete roundup of what happened at this year’s show!

‫إقـرأ فـي قسم اللغة العــربيـة‬ ‫فعاال ً ومؤثرا ً أمر بالغ األهمية يف‬ ّ ‫أن تكون‬ ‫عملية اإلنتاج‬ ‫أحدث حلول الطباعة بالشاشة والطباعة الرقمية‬ 2019 ‫تتصدر عناوين المعرض العالمي للطباعة‬

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Contents News

FESPA

Regional Deals Worth Millions of Dollars Sealed at Gulf Print & Pack 2019

Xerox Egypt Participates at Techno Print 2019 International Exhibition

Digital Display Technologies Set to be a Game Changer

UAEBBY and Italian Experts Discuss Child-Appropriate Content in Books

Al Yousuf 3D Printing Launches Doob in UAE

International OKI Europe to Push the Boundaries of Creativity and Colour at FESPA 2019

EFI Acquires BDR Boya Kimya

ColorGATE Announces Cooperation with X-Rite Pantone

KODAK FLEXCEL Solutions Technical Team Awarded FIRST Implementation Specialist Certification from FTA

Xaar 5601 Printhead to Star at ITMA 2019

Durst Proven Technology Drives Digital Revolution for Bliss Impex

Konica Minolta’s AccurioJet KM-1 UV Inkjet Press Empowers ChromaGraphics

Barberán Shows New Tech at LIGNA 2019

New Features for Labels and Packaging in Latest Harlequin Release

Koenig & Bauer Receives Flexographic Technical Association’s Highest Award

Bernholz Packaging Takes a New Approach to Quality Assurance with its Rapida 106

EFI Nozomi C18000 Inspires Start-Up Company Precision Digital Printing

BST eltromat Makes It Even Easier to Set Up Web Guiding Systems

Ultimate Paperbox Purchases Its First Heidelberg Speedmaster XL 106-8P+L 15

Mimaki USA Announces Partnership with Gravograph

Latest Screen and Digital Printing Solutions to Headline at Global Print Expo 2019

Canon to Show Off Latest Solutions for Signage and Graphics Specialists at FESPA 2019

Avery Dennison and Mactac to Show Expanded Product Portfolio

SAi Software Solutions to Participate for the Very First Time at FESPA 2019

Colour L*A*B* Programme Eevealed for Global Print Expo 2019

Gerber Technology to Expand its MCT Digital Cutting System into European Market

PPtex to Showcase Textile Solutions at FESPA 2019

GPP 2019 22

Canon Intros imagePRESS C910 Light Production Series

Konica Minolta Presents Reality of Small Batches of Labels

Vinsak Highlights Modularity

Afra Participates with it Partners

TechNova Launches Digital Offset Plates

Bobst Focuses on Productivity Enhancement

Canon Interview 24

Workflow Automation Brings Finishing Fully Into the Realm of Digital Production

Konica Minolta – Sustainability 25

Konica Minolta Says Climate Protection is an Integral Part of its Overall Strategies

Women in Print Women Should Never Limit Themselves and Move Forward Bravely

ISSN 2304-117X 26

The Comprehensive Monthly Magazine Dedicated To The Graphic Arts Industry Print Professionals In The Middle East

Vol. 16 / Issue 170/ May 2019

Arabic Inclusive

ISSN 2304-117X

‫مجلة متخصصة يف عالم الطباعة يف الشرق األوسط‬ Registered with IMPZ

ME Printer FZ L.L.C.

P.O.Box: 502183 Dubai Media City, Dubai – UAE Tel: +971 4 391 1210 Fax: +971 4 390 9561 E-mail: info@meprinter.com

Print Influencer The Biggest Challenge Facing the Industry is Margin Erosion

Vol. 16 / Issue 170 / May 2019

Group Publishing Director Morteza Karimian karimian@meprinter.com

ME Printer Editorial Team Editor Chris Fernando editor@meprinter.com

Technical Editor - English Section Rod Hayes rod.hayes@me.com Technical Editor - Arabic Section Dr. George Nubar Simonian goujy@dircon.co.uk

Products and Applications

Dr. Younes Shokr Khah younes@meprinter.com

OKI Launches C800 A3 Colour Printer Series on the Market

Specialist Contributing Editors USA - Frank Romano fxrppr@rit.edu

Avery Dennison Launches M_use Avery Dennison Launches M_use

UK - Laurel Brunner lb@digitaldots.org

Roland TrueVIS VG2 Passes Customer Testing with Flying Colors

Advertising Manager

Kernow Coatings Launches KernowJet KlearView

Pantone Introduces Licensing Program for Color Printing and Display Solutions

Classifieds & Subscription +971 4 391 1210 +971 50 528 9267 info@meprinter.com

USA - Dr. Nicholas Hellmuth nhellmuth@flaar.org

FESPA 2019 TO CONNECT THE GLOBAL PRINT INDUSTRY

IMPORTANCE OF FINISHING IN THE PRINT INDUSTRY WORKFLOW AUTOMATION CAN BRING FINISHING FULLY INTO THE REALM OF DIGITAL PRODUCTION

GPP 2019 ROUNDUP A COMPLETE ROUNDUP OF WHAT HAPPENED AT THIS YEAR’S SHOW!

Taking place at the Messe Munich between the 14-17 May, 2019, FESPA 2019 is Europe’s largest speciality print exhibition for screen and digital wide format print, textile printing and signage solutions. FESPA connects the global printing community and offers access to valuable industry resources and networking opportunities. Read all about it inside.

Reji Matthews +971505475110 meprinter@meprinter.com

Printed by Al Nisr Publishing LLC Distributed by Al Nisr Distribution LLC

Opinion and Insight Why Digital Printed WallCoverings Are Set for Dynamic Growth

6th drupa Global Trends Report Shows Global Print Health in Overall Good Condition

High Performance Barrier Films Market to Record an Exponential CAGR by 2028

Rigid Food Containers Market to Witness CAGR of 4% Rise Between 2017 – 2022

Bioplastic Packaging Market Size Worth $34.24 Billion By 2024

Correspondence and advertising material to be sent to ME Printer Magazine Office G05, Building 4, Dubai Media City, Dubai, UAE. or E-mail to: meprinter@meprinter.com

All rights reserved. No part of this publication may be reproduced in whole or in part without written permission of the publisher. Whilst every care has been taken in the preparation of the editorial content, the publishers cannot be held responsible for any errors or omission. Readers are requested to seek specialist advise before acting on information contained in this publication, which is provided for general use and may not be appropriate for the reader’s particular circumstances.

‫إقـرأ فـي قسم اللغة العــربيـة‬ ‫أن تكون فعّ االً ومؤثراً أمر بالغ األهمية يف‬ ‫عملية اإلنتاج‬ ‫أحدث حلول الطباعة بالشاشة والطباعة الرقمية‬ 2019 ‫تتصدر عناوين المعرض العالمي للطباعة‬

ME Printer Media Partner

News Regional

ME‌Printer May 2019

Deals Worth Millions of Dollars Sealed at Gulf Print & Pack 2019

Gulf Print & Pack 2019 – the MENA region’s leading trade show for the commercial and package printing sector – ended on a high note as business deals worth millions of dollars were sealed during the biannual event. The show, which was hosted at World Trade Centre in Dubai, took place from 15-18 April, and attracted 8,737 visitors from 90 countries. Afra International, Canon, HP, Konica Minolta, Phoenix Technologies, Prestige Graphics, Ricoh and Xerox were among the many leading manufacturers taking part in the exhibition, which generated a significant number of leads. Canon, which sold more than 30 machines, anticipates that sales will reach $1.5 million. Xerox, meanwhile, sold more than 6 Xerox Iridesse and 22 Versant 180 Press machines at the show. Among others were Afra International, who sold its lamination and packaging machines. Al Mahir Printing, which saw onsite bookings of 5 units, was expecting 10-15 more deals later. Its chief executive officer Dilawar Dalwai said, “Lots of customers are coming next week to visit the office then finalize deals.” Amit Radia, chief executive officer of Atlas Group, said: “This year, Gulf Print & Pack was very focused, and with a wide variety of equipment on show. Considering the market environment, it was great to see such a positive response from the attendees. I be-

lieve we are seeing light at the end of the tunnel for the print industry in the region and those who have reinvented themselves will see positive growth after the last few challenging years.” Lisa Milburn, managing director, Gulf Print & Pack, said: “We are delighted to hear that exhibitors have signed a significant number of business deals during the show. They are still calculating the combined worth of transactions as a large number of business deals will be finalized shortly. The introduction of the Innovation Trail, with live machinery and technology demonstrations at this year’s show, was aimed at making Gulf Print & Pack 2019 visitors see just what’s possible and experience the latest technologies and trends in the market live in action. This re-

ally paid off, as we received positive feedback from visitors about the demonstrations throughout the entire four days of the show, which is fantastic.” Echoing this enthusiasm, Chris Lynch, head of Production Technology and Graphic Communications Services, Xerox Middle East & Africa, said: “We were delighted with the level of interest in the Xerox stand and record sales of our Iridesse and Versant machines. This was helped hugely by being part of the Innovation Trail, which really created momentum in the run up to and during this year’s show, and all our live demonstrations had a fantastic turn out. The seminars we hosted in the dedicated presentation area on our stand were likewise well attended.” This was also reflected in visitor feedback. Kimi Yang, business development director, Chen Lui Printing Press, China, said: “We are delighted with the caliber of the business people who we’ve met at this event. This exhibition has provided quality leads. We had some very interesting discussions immediately after our visit to certain stands. This is our first time and the exhibition provided us with ideal solutions for our business. We will definitely share this with other businesses in China. We are definitely looking forward to visit again.” Gulf Print & Pack is due to return to World Trade Centre in Dubai from 6-8 June 2021.

Xerox Egypt Participates at Techno Print 2019 International Exhibition Xerox Egypt participated at Techno Print 2019 International Exhibition, that took place at the Cairo Convention Center on 18-20 April 2019. Xerox showcased new and unique printing technologies and also demonstrated how its workflow and color management software redefines productivity and drives growth for businesses. “The digital transformation era continues to push technology providers to innovate and offer their customers long-term benefits from print materials. Therefore, the future of the print industry will continue to evolve and become more digitally competent,” said Chris Lynch, Head of Production Technology, Xerox Middle East & Africa. “Xerox enables technology providers to offer new value to the customers while making the sector more

relevant to the market.” Xerox showcased its latest range of print solutions with live demonstrations at Hall 1 stand, including Versant family, Wide Format Printing and, Iridesse Production Press.

Xerox also had a live demonstration for workflow automation solutions and finishing options where visitors interacted and knew how they can benefit from the latest in print technologies.

Morgana RDC High speed Digital Rotary Die Cutter The Morgana RDC Rotary Die Cutter has been designed to meet the demands of todays digital print market catering for short run, medium run and long run custom shaped print products

SPECIAL FEATURES: • Die cut, kiss cut, score and perforate in one pass • Flexible dies for custom shaped products • 4,500 sheets per Hour • Top sheet, air suction, deep pile feeder • Simple and quick die changeover • Sheet separator • 368 x 508mm max. sheet size • 120 - 400gsm stock

• • • • • • •

Flexible cutting dies Die registration system Inline waste stripping High capacity feeder Delivery conveyor Mark or edge registration Quick change stripper assemblies

AFRA INTERNATIONAL DMCC

P.O. Box 233473, Al Qusais, Industrial Area 4, Dubai, U.A.E. Ph: +971 4 2676675, Fax: +971 4 2676674, Email: sales@afraprintequip.com www.afraprintequip.com / www.digitalprintﬁnish.com / www.ﬂexoprintpack.com

News Regional

Digital Display Technologies Set to be a Game Changer The fifth edition of SGI Dubai ‘Knowledge Series’ brought the industry stakeholders to discuss the impending opportunities and also the challenges faced by the digital display technology industries. The forum had a representation from prominent international and regional brands including LG, GE, EPSON, Al Risq Advertising and ENO Digital Signage among others. Currently, the global digital signage market is valued at $20.8 billion and is expected to grow to $29.6 billion by 2024 at a CAGR of 7.3%. With several mega expositions and events being planned in the region, the digital signage industry is set to fast track its growth trajectory. Participants at the 5th edition of Knowledge Series aired their views on having a consortium or a platform in the near future, that would have a database of verified vendors right from the hardware supplier to content developers and integrators. “Based on the discussion during the knowledge series, SGI Dubai has decided to create a dedicated Digital Display Technology pavilion that would include all the

manufacturers and players within this ecosystem from across the globe,” said Sharif Rahman, CEO, International Expo Consults. Several vertical industries including healthcare, hospitality, retail, education, aviation, exhibitions and events are the potential target market for the players within the digital signage marketplace. The participants also felt that the potential and the market share of the indoor digital display market will continue to remain higher in the UAE than outdoor. “SGI Dubai 2020, the leading event for the printing and signage industry aims to play a significant role in the growth of the digital display market in the Middle East. This is the future and it will definitely redefine the way signages are going to be viewed in the next few years,” added Sharif. As compared to other categories, the digital signage and display technology industry will prove to be a game changer and the segment is expected to grow further in the UAE and across the GCC region. Saudi Arabia is another huge market for the players within this industries due to the current

reforms taking place within the Kingdom across several industries including the Cinemas and entertainment. The rising demand of OLED displays, 4K and 8K displays and infrastructure development have also given a boost in the arm to this digital market. Furthermore, the need for eco-friendly alternate to signage as well as development of cost-effective technology is expected to play a major role in the growth of this segment. The participants also felt that there is a global need for standardization and that organisations should collaborate to arrive at this solution. The lack of standardization in terms of technology, format and software has restrained the growth of the global digital display market. With the upcoming 23rd edition of the show, International Expo Consults, the organisers of the show would like to unveil a new format of the show, which is relevant and caters to the latest trends in the marketplace. SGI Dubai 2020 is scheduled to take place from January 12th to 14th in Halls 4, 5, 6, 7 & 8 at the Dubai World Trade Centre.

ME‌Printer May 2019

UAEBBY and Italian Experts Discuss Child-Appropriate Content in Books

The diversity of topics that concern children’s literature, including content sensitivity, silent (wordless picture) books, and ways to further develop the tactile books industry to elevate the knowledge and experiences of young readers, have been tackled by the UAE Board on Books for Young People (UAEBBY) at three intellectual discussions they hosted during their participation at the Turin International Book Fair (TIBF 2019). The discussions were part of ‘Sharjah Guest of Honour’ celebrations. The panels laid special emphasis on the content and techniques used in books designed for differently-

abled and refugee children. In the first discussion, titled, ‘Books, Children and the Dark Side’, was moderated by Eman Mohammed, and featured Emirati Author Alia Al Shamsi, and Italian researcher and author, Dr. Marcella Terrusi. The two literature experts analysed popular dark children’s classics and addressed questions about subjects that should be off limits for children’s books. Both emphasised that the modern authors must explore their role in approaching new methods and writing techniques, that will turn the violence and hardships in dark classics into something suitable

for children. They also presented examples of Little Red Riding Hood, Cinderella, Pinocchio, and other international stories, that modified their plots or conclusions to make them more suited to young readers. Noting that parents have a key role in protecting children from violent or other inappropriate content, the speakers also shed light on need for stronger dialogue and negotiation between the author and publisher in creating quality content that will ignite young imaginations through themes of love, empathy and understanding, and at the same time, educate them about the realities of life.

Al Yousuf 3D Printing Launches Doob in UAE Al Yousuf 3D Printing, a subsidiary of Al Yousuf Group, has announced the arrival of Doob, a full-service 3D technology company that creates replicas of you utilising the latest 3D printing technology, to the UAE.Founded in Dusseldorf, Germany, Doob is a frontrunner in digital scanning technology and the concept is currently present in New York (US), Los Angeles (US), Tokyo (Japan), Berlin (Germany), Sydney (Australia), Barcelona (Spain) and even Bahrain.Doob 3D Technology in Dubai was inaugurated by Helal Al Marri, director general – department of tourism and commerce marketing and director general – Dubai World Trade Centre Authority. Mohamed Iqbal Al Yousuf, deputy president – marketing, Al Yousuf Group, said: “We are really excited about the launch of Doob in the UAE.”“Doob is a photo-realistic 3D

printed replica of you. It is basically taking selfies to the next level. It is fun and captures moments in a way like no other,” he added. Doob is suitable for friends, families, kids, fashion-enthusiasts, businessmen and businesswomen, birthdays, weddings, events and even pets. To create the figurines, Doob operates retail stores and utilises mobile installations that can easily be set up at off-site events.Once you enter the Doob-licator which has 66 cameras and have your 3D images scanned and the size of your figurine chosen, you can expect to receive it within two to three weeks. In line with the region’s culture and traditions, Doob in the UAE will also have an all-women crew who will cater to women and will be involved in every step of the process from the scanning to modelling to printing. The Doob figurines

In line with their active participation in the industry’s events, MEPCO was exhibiting in the first quarter of the year in Dubai at Paper World Middle East & at Gulf Print & Pack and in Bangladesh at PaperTech. Customers from all over the region were present with the interest to know more about the wide variety of portfolio that MEPCO holds. It is promising to see such an active participation despite all the challenges that the industry is facing. Today Mepco Gulf counts more than 40 employees, operates in more than 30 countries from 6 different offices

are available in different sizes including the 4-inch Buddy, 6-inch Bestie, 8-inch Doobie, 10-inch Boss, and 14-inch Diva. Life-sized Doob figurines are also available upon request. Prices start from Dh699 ($190.29) only.

dealing with more than 500 clients and international reputed suppliers from all over the World. Mepco is known to be committed to deliver the highest standards in everything they do and it is in this context that the company got the ISO 9001:2015 and the FSC CERTIFICATIONS. Being ranked 5th in the TOP 100 SMEs by the agency of the Department of Economic Development in Dubai (DED) for the years 2011-2012 and being rated "A" by the Dubai SME Rating Framework in 2017, Mepco has gained solid trust from all its stakeholders.

News International

ME‌Printer May 2019

OKI Europe to Push the Boundaries of Creativity and Colour at FESPA 2019

OKI Europe Ltd will be exhibiting at FESPA 2019 where it will showcase revenue-boosting solutions that focus on the print for-profit market in Hall A5, Stand F10. From a preview of a new addition to OKI’s White Toner Transfer Printing portfolio together with its unique alternative to Direct to Garment printing, to wide format and label printers, OKI will be showcasing its applications driven devices which enable print shops and creative businesses to access new revenue opportunities and extend their customer base by making traditionally complex, time consuming and costly processes quick and cost-effective. At FESPA this year, OKI Europe will demonstrate the impressive performance capabilities of its ColorPainter large format range including live car wrapping in partnership with Drytac. The car wrap will be printed on the M-64s and applied to a vehicle live on the OKI stand to demonstrate the vivid colour and quality including colour matching and media stretch-ability as well as outdoor durability. OKI in partnership with Sentec

International and Berger Textiles will also demonstrate wallpaper (M-64s) and textile wall covering printing (H3-104s), highlighting the pin sharp detail and the blackest black on the market, perfect for high-end applications. A key highlight at the OKI booth will be the recently launched Switchable Toner Technology for the Pro8432WT A3 White Toner printer, which enables customers to switch between CMYW and CMYK. This will allow print shops to extend their service offering to print true black on light colour garments or textiles and material as well as the application of white toner on dark media so customers can capture additional revenue opportunities. The new addition to the White Toner Printer portfolio is a real game changer in transfer printing and a true challenger to the Direct to Garment market. Positioned for industrial usage in particular as an alternative solution for the screen printing market, this new device is yet another revenue generating

innovation from OKI for short-run ondemand printing. Be one of the first to see a preview of this new printer on the OKI stand at FESPA. Also on display will be OKI’s Pro1050 Label Printer. This unique device delivers lucrative new revenue streams as the only five colour (CMYK+W) digital LED label printer on the market. The Pro1050 requires minimal setup time, prints up to 8000 labels per day and can easily switch between different media types with dark or clear label media printing capabilities, enabling customers to take their label designs to new levels of creativity and flexibility with a minimum volume of just one label. Perfect for on-demand, ready-touse cut labels, this CMYK+W Label Printer is equipped with LED drytoner, which is resistant to water and alcohol solvents making it possible to produce labels which are suitable for freezer, outdoor and industrial use. With no label media coating or special lamination required, customers benefit from a lower total cost of ownership.

EFI Acquires BDR Boya Kimya Electronics For Imaging has announced that it has acquired privately held BDR Boya Kimya San. Tic. A.S. Based in Bursa, Turkey, BDR is a leading manufacturer of reactive inkjet inks for industrial digital textile printing. BDR is being integrated into EFI Reggiani, a global leader in textile printer technology, and it will continue to develop inks, working closely with and supporting its clients while expanding and growing its capabilities. BDR’s employees are joining EFI, working from their current sites in Turkey. While financial terms of the acquisition were not disclosed, they are not expected to be material to EFI’s Q2 or full-year 2019 results. “We are excited to have the BDR team on board and to fully support

their industry-leading customers,” said EFI Reggiani Vice President and General Manager Adele Genoni. “The synergies arising with BDR and the world-class portfolio of EFI Reggiani textile printers will be a key point of emphasis for us to continue providing high-quality products and innovation. EFI Reggiani is also significantly strengthening its presence in Turkey with this acquisition, which brings us to the heart of an important and growing textile hub.” Founded in 2016, BDR has experienced remarkable growth since its launch in the market. The company services many of the world’s top textile and apparel manufacturers, delivering trusted products that drive greater cost-efficiency and

quality in digital printing. Thanks to its strong commercial capabilities, BDR has built a significant presence in Turkey and Pakistan and, increasingly, across Europe, the Middle East and India as well. “BDR has always been very focused on the growing worldwide opportunity with digital to increase sustainability in the textile industry using high-performance and quality inks,” said Serra Saatc?oglu Yildiz and Ibrahim Demir, BDR’s co-founders. “EFI’s global, bestin-class Reggiani portfolio fits exactly with our own key goals for innovation and growth. We are excited to be joining EFI to work together on advancing the industry’s analog-to-digital printing transformation.”

ColorGATE Announces Cooperation with X-Rite Pantone

of spectral data descriptions. This enables brands and designers to communicate color palettes across substrates and printing processes. By using ColorGATE´s implementation of PantoneLIVE, producers and brand owners gain access to a wide range of digital industrial print devices for label printing, direct-to-object decoration as well as digital printing presses for corrugated packaging. In addition to the wide range of derived Pantone color definitions, it is also possible for brands to create and define custom color palettes and share

those with everyone involved in the production process, from the design concept to finishing, via the cloud. In addition to the PantoneLIVE support, ColorGATE will release the new Spectral Spot Module that enables spectral characterization of spot colors both for commercial and industrial printing applications and thus improves reproduction accuracy, especially when reproduced using digital printing. The module supports spot color descriptions in CxF/X4 format according to ISO 179972-4.

ME‌Printer May 2019

Spectral characterization of spot colors is necessary for both commercial and industrial printing applications to ensure brand color consistency across the entire process chain. Without spectral data, the sharing of spot colors through the supply chain can be ambiguous leading to color inconsistencies, rework and added waste. This is especially true when producing digitally-printed packaging or digital proofs for conventionally manufactured packaging, as brand owners are demanding a higher level of color accuracy and repeatability. ColorGATE will support X-Rite’s PantoneLIVE cloud-based digital color standard ecosystem in its upcoming release. ColorGATE is offering the benefits of PantoneLIVE to proofing systems as well as digital production environments to help streamline color communication and improve production. With PantoneLIVE, brand owners and producers have the option to receive relevant spot color definitions for non-standardized processes and substrates on the base

News International

KODAK FLEXCEL Solutions Technical Team Awarded FIRST Implementation Specialist Certification from FTA

During 2018, Miraclon’s entire Flexographic US&C Technical Applications Group, as well as three members of the Global Product Support team, achieved FIRST Implementation Specialist Certification through training provided by the Flexographic Technical Association (FTA). The team at Miraclon, the new company formed by the recent sale of Kodak’s Flexographic business, are putting their new skills into practice as they help flexographers extract maximum

value from their KODAK FLEXCEL NX Plates in North America. For more than 20 years, FIRST (Flexographic Image Reproduction Specifications & Tolerances) has helped flexo printers take their processes to the next level by providing the procedures and methodologies necessary to produce high-quality and consistent results, pressrun after pressrun. Joe Tuccitto, Director of Education, FTA commented; “FIRST is a set of specifications that has proven its weight in advancing flexographic print quality to rival other package printing process. The FIRST Induvial Certification Programs assist flexographic print professionals in complying with the specifications. We at the FTA are proud that Miraclon has joined the ranks of these professionals in continuing to push the quality levels of the flexographic industry to new heights.” Over the past 10 years, the FTA has developed state-of-the-art online, individual certification programs to help companies apply FIRST methodology. Those who carry a FIRST Individual Certification are more capable and able flexographers

who can bring improvements, consistency and real results to any workflow. FIRST Implementation Specialist Certification yields experts in flexographic printing support, consultation and communication, who are proficient in communicating the principles and practices of FIRST. Level III demonstrates how to apply the science of FIRST methodology by running to the numbers to control the process. It ensures every learner has the right tools to consistently and effectively communicate FIRST throughout the entire workflow. Chris Payne, CEO, Miraclon said, “With our KODAK FLEXCEL Solutions we have established a track record of technical innovation in the flexo space that drives growth and business success for our customers. At Miraclon, we are honored to have such a dedicated team of skilled employees and to achieve this FIRST Implementation Specialist Certification is a very proud moment for us. The FTA continue to consistently excel in their standards for the flexo industry.”

ME‌Printer May 2019

Xaar 5601 Printhead to Star at ITMA 2019

Xaar, a world-leader in industrial inkjet printing, will introduce the Xaar 5601 printhead to the textiles market at ITMA 2019 in Barcelona from 20 to 26th June. Displaying on stand C205 in Hall H3 as part of Xaar’s range of printhead solutions for the textile sector, together with a variety of stunning textile samples, the Xaar 5601 will also be incorporated in a technology demonstration on the stand of a leading digital textile printer manufacturer – further details will be announced this month. The Xaar 5601, with 5680 nozzles, sets new standards in digital textile printing with its market-leading

print quality and productivity – up to 80 linear meters of textiles can be printed per minute. Exceptional color uniformity and repeatability are ensured through Xaar’s AcuDrp Technology alongside tight colorto-color registration, thanks to the Xaar 5601’s unique Z-profile. Unparalleled usability is also provided with a number of alignment features that enable quick and easy Plug & Print installation with no mechanical adjustment required. Xaar’s TF Technology ink recirculation further minimizes any downtime whilst optimizing print quality. The Xaar 1201 printhead will also be on display. Its high print quality,

compact design and ability to jet 1, 2 or 4 colors makes it a versatile option for a wide range of small and mid-range scanning textile applications. Throughout the week at ITMA 2019, Xaar’s inkjet expertise will be shared with talks about the Xaar 5601 and other topics held twice every day on the stand. Also, as sponsors of the WTIN Digital Textile Conference, co-located with ITMA and held on 24th June, Xaar will take part in a panel discussion on the digital textile workflow and the role of inkjet technology in delivering everything from concepts and samples to finished products.

Durst Proven Technology Drives Digital Revolution for Bliss Impex Bliss Impex, an international manufacturer of synthetic textiles, printing fabrics and apparel fabrics, has invested in four Durst Alpha systems – three Alpha 190 Reactive machines and one Durst Alpha 180 printer for polyester work – in a digital revolution that will double business volumes and turnover within five years. The cost-effective, proven digital technology provides industrial scale production of over 10,000,000 linear meters a month and is expected to replace Bliss Impex’s conventional textile printing set-up within three years. The Delhi, Indiabased company has pledged to invest in more systems from Durst, manufacturer of advanced digital and production technology, in a seismic change to industrial digital textile production. Brand owners and designers are increasingly demanding that their orders are printed on the four Durst production systems to benefit from fast turnaround requirements where orders can be processed and delivered within two days, instead of a previous typical 15-30 day cycle. With virtually no wastage, no limitations to colour configurations

and GOTS-certified inks, Bliss Impex is confident of fast-track future growth. The Alphas use the Durst One-Step GOTS-certified reactive ink, which was specially developed for the Alpha Series of printers. The four Durst machines and are a major part of a €6million investment in a temperature-controlled digital production center for Bliss Impex group, which employs 300 people in

total and has a €17.5 million turnover. Rajiv Verma, Managing Director of Durst India, said: “Bliss Impex is a first-class example of how production requirements for short-run orders, high quality, fast delivery and the ability to quickly respond to market trends are driving the digital transformation. We’ve come a very long way in a short space of time. Digital is the future.”

Konica Minolta’s AccurioJet KM-1 UV Inkjet Press Empowers ChromaGraphics our processes and procedures. We needed high quality print for both short and medium run lengths on virtually any substrate that can be printed offset, with lower costs than toner and offset,” said Eric Janssen, President, ChromaGraphics. “As our partner, Konica Minolta helped accurately identify cost saving opportunities, proved a solution, and delivered what was promised.” Added Ben Tabai, Director of Operations, ChromaGraphics, “Adding the AccurioJet KM-1 has allowed us to increase our quality and efficiency, decrease our waste and maintain our position as a leader

in the industry.” ChromaGraphics, who previously faced challenges in matching custom colors for product photos and spot colors, found the AccurioJet KM-1 delivers exceptional color consistency and a larger gamut for matching process and spot colors. For their customers, it means no longer being limited to longer runs for “offset quality,” quicker turnaround and an extremely broad selection of substrates. And from an environmental standpoint, installation of the KM-1 significantly reduced makeready waste from offset and finishing bindery.

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Konica Minolta Business Solutions U.S.A., Inc. (Konica Minolta) is pleased to offer customers the latest technology to help grow their businesses. For ChromaGraphics, a second-generation commercial printing organization that produces a great deal of work for wineries in and around Sonoma County, CA, the switch to UV inkjet technology enabled them to win new customers and new business from existing customers, due to the combination of versatility in choice of paper stocks, cost and speed. “At ChromaGraphics, we strive to be flexible to our clients’ needs versus

News International

Barberán Shows New Tech at LIGNA 2019

Barberán, leader in the design and manufacture of industrial machinery for surfaces finishing will be introducing some of their latest developments for wood processing at LIGNA, that will be held the last week of May at Hannover, Germany. TrueTexture, the latest development for texture generation, which synchronizes images with a 3D effect creating panels with exceptional finishes, will undoubtedly be the star of the show. This new treatment concept for panels allows to create haptic sensations and deepness effects over boards. Once it is applied it can be covered with a matte or glossy finish. This new system supposes a game change in terms of versatility, both in digital printing and in varnishing. Among the many applications that it can have, flooring stands out; it is specially fitted for it

thanks to the abrasion and shock high-resistance treatment. As for digital printing, a printer will be showcased with 4/6 colors (CMYK + light cyan and light magenta). With increased color gamut and a better chromatic spectrum, it improves optical resolution, smoothes the tones, color transitions and metamerism, and optimizes ink costs. In conjunction with texture generation, these two will be two of the strongest bets Barberán will exhibit at Ligna. Laminating machinery will also be shown, including some of the new capabilities. An indexing line featuring a gluing machine, a new cut and trimming system for the four edges of the panel and an indexing table, or a Compact Line HG, a laminating machine for high quality finishes that works with hotmelt glues and high gloss

foils, will be showcased. Another compact series module will also be in Hannover: the Compact Line Foil, which applies glue directly onto the foil, and allows edges posforming at the exit of the table. The Inert Coat is the main bet for the varnishing department. This machine is based on the concept of a controlled atmosphere where products can be cured without particle intrusion and with absence of oxygen, to achieve a perfect finish with the best quality in the market. This high-performance installation includes a calender and a smoothing process (through the application and drying of a transparent foil) to create a surface with exceptional optical and mechanical properties. As for wrapping, Barberán will show a bilateral wrapping machine that wraps both sides of profiles with rolled materials in a single step, simplifying the processes. Formed by two station of unwinder + slot nozzle, it improves productivity and hand-in times. It’s ready for 4.0 industrial technology: it has two cameras for the control of the production result, RDIF codification and smart glasses, which allow the communication between the client’s technical team and Barberán’s. The developments that will be seen at Hannover show both the technological innovation that Barberán carries and its client-oriented philosophy, with a continuous offer of customized integral solutions.

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New Features for Labels and Packaging in Latest Harlequin Release

The latest update to the Harlequin RIP®, Version 12.1, the print engine that drives the industry’s highest performing digital presses, is announced today by developers Global Graphics Software. Harlequin Version 12.1 introduces additional features for labels and packaging workflows, notably support for the new ISO standard for processing technical marks, and expanded support for systems requiring multiple RIP instances to handle high data throughput requirements.

PDF Processing Steps is a new industry standard designed for labels and packaging workflows, that specifies a standard way of encoding processing steps such as die and fold lines or dimensions into a PDF file. It provides an unambiguous way of marking the technical content that’s required in the finishing step of the production workflow but not intended to be printed. The benefit to converters is that they can automate common digital press workflows, such as

starting a print run with a few iterations of just the cut and fold lines for checking registration with dies and other finishing equipment. The main print run will then usually need all the processing steps turned off, so just the live graphics are shown and there’s no risk of cut lines being visible on the final print. A few more copies of just the technical separations may be printed at the end to detect if registration with cutters and converting equipment has drifted during the job.

Koenig & Bauer Receives Flexographic Technical Association’s Highest Award At the Flexographic Technical Association’s premier trade show InfoFlex 2019 held from May 6-7 in New Orleans, Koenig & Bauer Flexotecnica has received the FTA’s Technical Innovation Award for its Augmented Reality-DataGlass Remote Support. This award recognizes the most innovative and impactful technologies for the ever-evolving package printing and converting industry. Representatives from Koenig & Bauer Flexotecnica were honored at the Awards Banquet during Forum in New Orleans. “With Koenig & Bauer’s rich 200 year history of technical innovation, we have the ability to offer more proactive innovative support ensuring that our customers receive the maximum uptime and throughput in their facility and allow them to remain ahead of their competitors,” says Jeff Dietz VP, Web & Specialty Press Division at Koenig & Bauer Flexotecnica. “Our new AR-DataGlass stands out as part of our on-going innovation of new product introductions.”

The Augmented Reality-DataGlass Remote Support system is truly a revolutionary new product. It provides Koenig & Bauer remote maintenance specialists with the ability to experience, in real time, what a customer’s technical team can see and hear. This is easily accomplished with the aid of an HD camera, headset and microphone. The camera enables remote maintenance specialists from Koenig & Bauer to see and follow the actions of the technicians on site live in real time while they work on the press and see exactly what service technicians on site are seeing. The specialist can offer targeted support and be instructed step by step on how to remedy the problem. By providing this one-to-one conversation between Koenig & Bauer’s technical team and the customer, Koenig & Bauer is better able to help them immediately diagnose the problem and get their flexo production system up and running. No longer is there a need to wait a crucial few days for a technician to visit

and diagnose the problem. Using the AR-DataGlasses, technicians can quickly remedy technical issues and instantly provide helpful information such as circuit diagrams, part lists, text messages (including a real time translating tool between nine languages), technical documentation, diagrams, editable live-camera images, etc. which can be shown on the display of the AR-DataGlass.

Bernholz Packaging Takes a New Approach to Quality Assurance with its Rapida 106 be too limited in our options.” One special feature of the new Rapida 106 is that it incorporates the inline inspection system QualiTronic PDF HighRes. This enables Bernholz to monitor quality to a standard which is normally only required by suppliers of pharmaceuticals and similarly quality-critical products. The reason for such complex quality monitoring lies in the demands which Bernholz customers place in every aspect of their packaging. To meet these demands, also in respect of print quality, professional inspection methods are essential. QualiTronic PDF HighRes compares every printed sheet against a reference generated from the pre-press PDF. Production monitoring is then effected at resolutions up to 290 dpi, right up to the maximum printing speed. Errors in a 6pt Arial font can be detected with ease. To

enable flawed sheets or blanks to be sorted out before or during the further processing, each sheet is already marked with a unique code as it leaves the feeder. If an error is detected, the number imprinted by the Sheet Ident inkjet system is entered in an error report, and it is then a simple matter to identify the flawed sheets or blanks for removal before the transfer to post-press. The latest Rapida 106 is already the fourth at Bernholz. An identically equipped Rapida 106 stands in the neighbouring hall, allowing Mark A. Hoffmann and his team to make a direct comparison. The advances in sheetfed offset technology over the course of just a few years are immediately evident: Productivity and output of the new press are much higher. Makeready time has also been reduced to an equally significant extent.

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A new eight-colour Rapida 106 with twin coaters has been in production at Bernholz Packaging in the North German town of Bad Salzuflen since November. It is the second press in this configuration at the company. Straight printing with up to eight colours and practically all the finishing variants which can be realised in a double coating process is the core business of packaging specialist Bernholz, an independent company founded almost 100 years ago. Its main product line is cigarette packaging, where spot colours dominate alongside the standard four-colour set for the illustrations required by present-day legislation. Bernholz also serves the premium segment of the confectionery industry. Managing director Mark A. Hoffmann: “With a six-colour press, we would simply

News International

EFI Nozomi C18000 Inspires Start-Up Company Precision Digital Printing

The high-productivity, high-quality, direct-to-board digital corrugated packaging capabilities of the Nozomi C18000 ultra-high-speed, single-pass LED inkjet digital press from Electronics For Imaging has inspired Arkansas entrepreneurs James, Troy and Justin Best to launch Precision Digital Printing. The leaders of the Jonesborobased company installed an EFI Nozomi press, recognizing it as a truly groundbreaking solution for corrugated production. “I have been in the corrugated business for 25 years and have been around converting equipment

my entire life,” stated Troy Best. “We knew the Nozomi would be a game-changer for the industry, and we chose to found the company as a print-only business serving the trade, giving corrugated converters products they could not sell before.” In the Precision Digital model, customers supply raw materials, and then Precision Digital prints the provided sheets and sends them back to customers, who then convert them to the finished product. “This service allows corrugated box companies to outsource to us without tying up capital in the

investment themselves,” according to Justin Best, who is Troy’s cousin. “The converting houses we have already started to partner with see us as a supplemental resource, not competition, because we don’t do any converting.” The Bests started Precision Digital Printing last September, with the family spending several months constructing a 100,000 square foot facility designed to house both the new Nozomi and a second Nozomi press the company anticipates purchasing in the future. “The building is constructed in a mirror-image fashion,” Justin Best explained. “We have loading docks on each side and we constructed a custom conveyor system so sheets coming off the press go right to strapping, are married up with paperwork and are immediately ready for shipping. “We are just getting production up and running now but will have 20 to 25 employees once we get ramped up,” he added. “We hope to run a second shift within eight months and be in a position to add the second Nozomi sometime after that.”

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BST eltromat Makes It Even Easier to Set Up Web Guiding Systems

At the ICE EUROPE 2019 BST eltromat International presented new options for automatically positioning the CLS Pro 600 digital sensor with an FVG POS 100 sensor positioning device, making it even easier to set up web guiding systems. Machine operators have a number of options here. They can either manually enter the position data for the digital line and contrast sensor via the ekr 500 digital Unit Touch controller, or take over the position data via bus protocol directly from a higher-level PLC, in which this data is stored in recipes, for example. “All of the options streamline the process of setting up the web

guiding system even more. This further increases the availability of production machines. If the position data of the lines or contrasts to be scanned are automatically transmitted from other systems or stored orders, the set-up times in the web guiding system can be reduced by up to 40%. At the same time, this eliminates input errors. The result is higher operational reliability, which yields less waste,” said Ingo Ellerbrock, Head of Product Management at BST eltromat, stating the main benefits for integrating the three key components of the web guiding system. The term “Industry 4.0” stands for digitalization and networking

production processes with the goal of significantly increasing efficiency. “The automatic setup of the web guiding system via our linked components is the basis of effective production process improvement.” BST eltromat mainly developed the FVG POS 100 to control the edges and centers for wide web materials. The innovative sensor positioning device is mainly used where frequently changing web widths are used, web guiding controllers are installed in locations that are hard to access within machines, and/or where a high degree of automation is required.

Ultimate Paperbox Purchases Its First Heidelberg Speedmaster XL 106-8P+L Ultimate Paperbox located in City of Industry, California will expand market share with their Heidelberg Speedmaster XL 106-8P+L, which will give them the ability to consistently produce high-end products at 18,000 sheets an hour. After picking up several high-end cosmetic accounts, Ultimate Paperbox looked to the eight-color Speedmaster XL 106 with coater, Prinect Inpress Control 2 and integrated Drystar UV to satisfy their clients’ needs for high quality packaging with a gloss-matte finish. According to Janak Patel, President of Ultimate Paperbox, “The Speedmaster was the perfect match for us to produce at high speeds consistently, while also being able to give each package that extra pop on the shelf thanks to the unique capabilities of the press.” The Speedmaster XL 106 is able to handle all of the needs Ultimate Paperbox requires with Prinect Inpress Control 2 on the press, which handles even the most complex color critical job changes at the fastest speeds possible. This technology helps the Speedmaster XL 106 deliver the first measurable

result in less than 60 sheets in under a minute. Equipped with speeds of 18,000 sheets per hour, the Speedmaster XL 106 will help the company grow by about 15-20% in the next 2 to 3 years. According to Patel, “We’ve

only been running the press for a few months, but our uptime has been about 90%. We’ll be able to get a lot more off the press and to packaging quicker thanks to the industry leading speeds and the UV and technology on the press.”

Mimaki USA Announces Partnership with Gravograph retails stores and more, our mutual customers develop products that can benefit from both offerings. Our partnership aims to enhance workflows all while adding to the strengths of our individual processes and ensuring our customers can continue to create high-quality products with ease,” said Michael Maxwell, senior manager at Mimaki USA. “This is an exciting new partnership that will integrate complementary Gravograph laser, rotary engraving and materials solutions to the Mimaki portfolio of printing systems. Mimaki and Gravotech engineers have teamed together

to seamlessly drive the Gravograph lasers through the Mimaki FineCut operating software to enhance their customers’ print and cut productivity,” said Dan Schimelman, general manager North America for the Gravotech Group. Mimaki will begin offering several new bundles with their UJF Series printers alongside various Gravograph products aimed at printing, cutting and engraving. This will include producing dynamic and attractive ADA compliant signage. With this enhanced portfolio, Mimaki customers have the opportunity to design, deliver and succeed with easy-to-use workflows.

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Mimaki USA has announced a strategic partnership with Gravograph, part of the Gravotech Group, a worldwide leader of innovative engraving, cutting and marking solutions for CNC rotary milling/engraving machines and Galvo and gantry laser systems. The partnership allows Mimaki USA to distribute Gravotech’s products, including mechanical and laser engravers as well as engraving materials, throughout the U.S. “People interact everyday with products produced on Mimaki and Gravograph solutions. From large industrial companies, sign shops,

FESPA

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Latest Screen and Digital Printing Solutions to Headline at Global Print Expo 2019

With just a few days to go before the opening day of the show, a host of international screen, digital and textile printing manufacturers are getting ready to showcase the latest technologies and applications to the speciality print sector at Global Print Expo 2019. Following the success of the Global Print Expo 2018 in Berlin, print service providers (PSPs) and sign-makers will gather once again in Munich to experience a wide variety of print technologies, consumables and materials from both leading brands and smaller businesses. One of the key features at this year’s Global Print Expo, textile is set to be a key talking point at the event, counting over 160 exhibitors showing textile solutions. First time exhibitor Omniprint (Hall A6, Stand D40) will be using FESPA 2019 as a platform for displaying its range of direct-to-garment (DTG) printing technologies, including its latest system, the Cheetah Industrial DTG. With quality prints up to 1800dpi, the Cheetah is one of the fastest industrial DTG printers on the market, boasting high print quality and compatibility with a wide

range of materials, including 100% polyester and cotton/poly blends. Digital sublimation and directto-textile printers will also be a key feature on the Mutoh stand (Hall B5, Stand F29). Visitors will be able to see first-hand the high speed ValueJet 1948WX digital dye-sublimation printer, with print speeds ranging from 125 m²/h to 195 m²/h. The system is ideal for businesses looking for a printer capable of handling high volumes and intensive use. Digital Print FESPA Global Print Expo 2019 will see the world premiere of Karibu, the first roll-to-roll printer from swissQprint (Hall A5, Stand H30). Little is known about the new system at present, but the Swiss company has confirmed that it will come with a range of standout features, including: a roll handling system that enables fast loading; a finely segmentable vacuum system; new output software; and a bespoke ink set. Canon (Hall B5, Stand E30) will once again exhibit its range of wide format digital print and automated workflow solutions, including the successful Océ

Arizona flatbed series and the Océ Colorado printer, featuring Canon UVgel technology. The new Océ Arizona 1300 Series will be displayed for the first time at an international event since its launch in February 2019. The Océ Arizona 1380 GT model will show customers how it can help them produce an even broader range of applications working with almost any rigid or flexible media. The new printer will be demonstrated with Océ Arizona Xpert, an innovative software solution that simplifies and automates complex print jobs, including multi-layered and double-sided applications. Mimaki Europe (Hall B6, Stand A30) will exhibit its recently launched UV-curable metallic ink, MUH-100Si, which is compatible with the company’s UJF-7151plus printer, which produces high-quality print for an impressive range of applications, from gifts and novelty items to wide format boards. Screen print SPS TechnoScreen (Hall A6, Stand A51) will introduce the new SPS ASTRON QX, a full servo-driven cylinder machine designed for high-end industrial screen printing applications. The

key features of the new system reflect the gradual introduction of camera control and registration systems that’s been taking place in the screen printing industry for the past decade. The SPS ASTRON QX series can be equipped with a camera registration system that matches the image position within the screen frame to the image position on each individual sheet. It is available for a maximum sheet size of 550 x 800 mm and features a single sheet front-pick-up feeder. Inks German ink manufacturer, Marabu (Hall B5, Stand E28), will be presenting its offering for screen, digital and pad printing, for both graphic and industrial applications. The company’s spectrum of UV-curable digital inks are compatible with all common print heads, such as the flexible Ultra Jet DUV-A inks for wide format print, as well as the Ultra Jet DUV-C range, for printing directly onto flat glass surfaces. Ultra Jet DUVMF is a versatile ink developed especially for wide format graphics. These products represent a new generation of highly reactive inks that enhance roll-to-roll and hybrid printer productivity. International ink manufacturer, Sun Chemical (Hall B4, Stand K10), will also showcase its portfolio of screen, industrial, wide format and super wide format inkjet inks. Three new additions to Sun

Chemical’s SunTex range will be launched at FESPA 2019: DTY, PDY and PDR, with print samples available on the stand. DTY is a dyesublimation inkjet ink for transfer and direct-to-textile printing, while PDY and PDR are pigmented inkjet inks produced for textile printing. As a developer of software applications for sign-making, screen printing, garment decorating and digital printing, CADLink (Hall A6, Stand E34) is promoting the latest version of its Digital Factory OKI Edition RIP software, which enables users to manage their print workflows more efficiently. The latest build of the software includes newly engineered custom printer drivers, along

with modified colour profiles, supporting a wider variety of printers than ever before. The new driver architecture optimises RIP and print speeds, reducing job processing times by up to 2-3 times while also providing incredibly vibrant colours, including rich black reproduction. Self-adhesive specialist Aslan (Hall A5, Stand F65) will be presenting MetalLux ASLAN SE 50 (available in platinum and champagne versions), a sophisticated film suitable for application over entire surfaces or for use as selective highlights; and MirrorEffect AntiScratch ASLAN SE 75 (available in silver and gold), featuring a doublesided mirror effect and superior scratch resistance.

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FESPA

Canon to Show Off Latest Solutions for Signage and Graphics Specialists at FESPA 2019

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Canon will help signage and graphics producers to fuel new growth opportunities at FESPA 2019 and will demonstrate how improved operational efficiencies and higher margin applications can support evolving business models and enable access to new markets. Canon will inspire visitors with wide format digital print and automated workflow solutions, including the successful Océ Arizona flatbed series and the groundbreaking Océ Colorado printer featuring Canon UVgel technology. Displayed for the first time at an international event, the new Océ Arizona 1300 Series will be on show for visitors to see the flatbed printer live following its February 2019 launch. The Océ Arizona 1380 GT model will be on display at the

Global Print Expo 2019 and will show customers how the technology enables them to produce an even broader range of applications working with almost any rigid or flexible media. The new printer will be demonstrated with Océ Arizona Xpert, an innovative software solution that simplifies and automates complex print jobs, including multi-layered and double-sided applications. Customers will have the opportunity to experience a range of textured applications printed live using Océ Touchstone, which is enabling many flatbed customers to deliver higher value applications reliably and cost-effectively. Examples that will be produced on the stand will include textured surfaces, embossing, metallic accents and raised lettering. Visitors to Canon’s stand will also see the Océ Arizona 6170 with High Flow Vacuum (HFV). This technology keeps challenging porous media such as corrugated board and plywood in place on the printer bed, reducing the need for manual operator intervention and assuring precise registration for superior quality prints. The ability to print efficiently onto rigid substrates enables customers to diversify into packaging, industrial and interior décor applications. The Océ Arizona 6170 with HFV will be printing POS displays and folded cardboard at

the Global Print Expo 2019. Canon will have complete end-to-end solutions on show, including Océ ProCut, customers interested in optimising operational efficiency can see first-hand the next strategic steps Canon will be taking in automation. For visitors interesting in roll-to-roll technologies, the Océ Colorado 1640 printer with Canon UVgel technology will be a highlight of the Canon stand. The printer will be shown in an automated print and cut workflow with an inline solution from Canon partner Fotoba, feeding instantly dry printed output into the cutter device without any manual intervention, delivering a stack of cut prints ready for immediate shipment. Following the technology demo of this solution last year, Canon has worked closely with customers and Fotoba to optimise the product for high volume production, making it commercially available from the first day of this year’s event. The imagePROGRAF PRO-2000 24” large format printer will also be on display on the Canon stand, producing fine art and photographic prints, as well as outdoor applications, such as banners, using a water-resistant media. This will enable customers to broaden their product portfolio to offer prints that can handle wet weather conditions for up to six months for short-term, seasonal campaigns.

Avery Dennison and Mactac to Show Expanded Product Portfolio Avery Dennison is set to wow customers at this year’s Global Print Expo 2019 with a stunning new display booth filled with a range of their latest creations, featuring the Avery Dennison and Mactac brands. Visitors to the Global Print Expo 2019 will discover cuttingedge products and materials in car wrapping, architecture and interior decoration, highlighting Avery Dennison and Mactac innovations that help to broaden and differentiate customers’ business offerings. The companies will showcase digital wrapping films and laminates, wrapping films and paint protection films, window films, new signage series and emergency vehicle products. One of the Avery Dennison highlights will be an upgraded DOL 1400Z protective overlaminate series, with improved transparency and exceptional elongation capabilities of up to 220%.

All with a 6-year vertical and 3-year horizontal warranty. Gloss, matt and lustre versions are available, for vehicle wraps and demanding 3D graphics applications. Mactac’s interior and retail application options will include a new JT 8300 DOT product for floor graphics. This slip-resistant

film expands the JT 8300 DOT range, which is designed to be so easy to apply that nonprofessional staff can achieve great results in shopping and exhibition environments. JT 8300 DOT Floor is a directly printable floor graphics film that does not require a laminate.

SAi Software Solutions to Participate for the Very First Time at FESPA 2019

design to production operations and drive business growth for customers. Visitors will have the opportunity to partake in informative one-toone tutorials focusing on the feature-rich Flexi and EnRoute solutions, as well as the company’s Box & Display software, introduced

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SAi will unveil for the first time in EMEA its new product innovations at FESPA 2019. The innovations will benefit sign and display businesses looking to boost creativity and increase throughput. At the show, SAi will demonstrate its very latest packages which provide addedvalue solutions that facilitate

for those looking to quickly and easily design custom cardboard boxes. SAi’s participation at the Global Print Expo 2019 marks 30 years in business, with the event also set to see the company unveil its vibrant new purple branding for the first time at a major panEuropean tradeshow. Visitors can also hear directly from SAi’s Vice-President, Technical Services, Eyal Friedman, who will participate in FESPA’s panel discussion, “Automate or Die: From Printing Industry to Industry 4.0”. This informative debate will look at the importance of automation within the wide format printing industry, how this is changing, and the crucial role software has to play. This will take place in the Trends Theatre on the show floor on Thursday, 16th May from 1.00pm – 1.30pm.

FESPA

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Colour L*A*B* Programme Eevealed for Global Print Expo 2019

FESPA has announced the conference programme and expert tour times for its new Colour L*A*B* feature at this year’s Global Print Expo, designed to help visitors review and improve colour management practices in their print businesses. The Colour L*A*B* showcase will include a host of exhibitors such as Adobe, Barbieri, EFI, Eizo, HP, Just Normlicht, Pantone, Techkon and X-Rite, displaying their key colour management solutions – from calibrated monitors to colorimeters, spectrophotometers, viewing cabinets to software and colour systems for the wide format and graphic arts markets. Conference Programme Colour L*A*B* will feature a focused conference programme of free educational presentations on colour management hosted by a range of subject matter experts. These will include: Paul Sherfield, Owner of The Missing Horse Consultancy and renowned colour management expert; Laurel Brunner and Paul Lindström from Digitaldots.org, the independent graphic arts research group specialised in digital pre-press, printing and

publishing technologies; Mike Scrutton, Director of Print Technology, Adobe; and Dr Andreas Kraushaar, Director of Pre-Press, Fogra. Paul Lindström’s presentation will discuss the subject of extending colour gamut for digital wide format, while Laurel Brunner’s will focus on colour management as a fundamental part of process control and automation in media workflows. Mike Scrutton will be treating his session as an insider guide to using colour in Creative Suite, covering file creation in Adobe

CS, as well as tips and tricks on how to produce files correctly at the pre-press stage. Dr Andreas Kraushaur’s presentation will give an overview of PSD – Process Standard Digital, a standardised procedure introduced by Fogra for the creation of digital print products – while also elaborating on how an improved knowledge of colour management can help PSPs (print service providers) manage customer expectations. The half-hour seminars will run daily between 11am – 4.30pm on the 14th, 15th and 16th May, and between 11am – 3pm on the 17th. Guided Tours Visitors will have the opportunity to take part in guided tours of the Colour L*A*B* feature led by Paul Sherfield, Laurel Brunner and Paul Lindström. The tours will provide an overview of all individual elements contributing to professional colour management, including monitors, measurement and calibration tools, lightboxes, hard and soft proofing, software solutions and print output devices. The 45-minute long tours will run throughout the course of the show, five times a day on the 14th, 15th and 16th May, and three times a day on the 17th. The tours can be booked in advance via the FESPA Global Print Expo website.

Gerber Technology to Expand its MCT Digital Cutting System into European Market Gerber Technology to showcase the Gerber MCT Cutter system at FESPA 2019. The system allows users to control target registration, cut file editing and machine production from one, integrated user interface. As the need for ondemand manufacturing increases across an ever-widening array of substrates, producers in the sign & graphic and packaging industries need a system that offers speed and versatility to meet every request that comes in. To remain competitive, it is important for companies to offer more material options and quicker turnaround times without diminishing the quality of their product. The Gerber MCT Cutter

has numerous tools to complete the most challenging jobs for a wide range of substrates, while increasing productivity and delivering high-quality results. The innovative system allows users to control target registration, cut file editing and machine production from one, integrated user interface. Six months after having acquired MCT Digital, Gerber is now expanding its MCT digital cutting system worldwide into the sign & graphics and packaging markets. The highly-integrated system of hardware and software has won numerous awards in the North American market. The Gerber MCT Cutter is equipped with an

industry-leading 100w laser for textiles and acrylics, as well as 11 interchangeable tools and the industry’s most integrated production and vision-guided software, TigerVision.

PPtex to Showcase Textile Solutions at FESPA 2019

orientation. The owner-managed house develops, produces and supplies textiles suitable for digital printing. All fabrics were developed together with internationally renowned digital printing experts in Germany. A partnership with Durst, one of the leading manufacturers of large

format printers, guarantees the best running and printing properties of the fabrics, particularly on Durst Rhotex machines. All textiles of PPtex GmbH are ideal for sublimation printing. In comparison to competitors, the assortment is kept deliberately small; the enterprise relies on quality rather than quantity.

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For the first time, PPtex GmbH will exhibit their textile products at the Global Print Exp 2019 in Munich. Founded in 2018 by Managing Director and textile expert Sebastian Gößnitzer, the German textile company holds a good reputation in the market with its high-quality materials and consistent customer

GPP 2019

Canon Intros imagePRESS C910 Light Production Series Canon Middle East has introduced the imagePRESS C910 printer series to the region to meet the light production needs of both commercial printers and large corporate print departments, as well as SMEs seeking cost-effective production of high quality, personalised marketing collateral in-house. The toner-based series comprises three models – imagePRESS C910, C810 and C710 – with production speeds of up to 90ppm, 80ppm and 70ppm respectively, on stocks up to 350gsm. They are intended for typical monthly production volumes of up to 500,000 A4 pages. The devices are also capable of producing banner prints of up to 1300mm, expanding the portfolio of products that customers can offer, from book jackets to posters to four-fold leaflets. A range of finishing options further increases application flexibility.

Konica Minolta Presents Reality of Small Batches of Labels A Konica Minolta AccurioLabel 190 digital label press takes centre stage on the company’s stand at GPP 2019, demonstrating the capability of the technology to produce small batches. The press has a small footprint and low investment threshold, making it a viable tool for producing small batches of full-colour labels for a number of applications, such as food, beverage, cosmetics and pharmaceuticals. The main body of the press is built by Denmark’s GM, with the print engine using Konica Minolta’s established 4-color dry toner electrophotography print technology. A DPR Scorpio finishing line is presented after the digital press to illustrate the ability to produce finished rolls in an efficient workflow.

Vinsak Highlights Modularity The Vinsak USAR 430 modular slitter rewinder is a standout highlight on the Indian company’s stand, where it was shown configured with a VIS 1200 inkjet system for variable data printing. Other upgrade options for the Usar include die-cutting and 100 percent inspection. With all major components driven by servo motors, the equipment can run up to a maximum of 300m/min. Vinsak further detailed a new Usar with variable cold foiling and digital varnish, plus Vinsak roll lifter and table top rewinders. Details of Lombardi’s new mid web flexo press, Iwasaki’s intermittent flexo press technology, Pantec flatbed finishing, Petrel Security inks and Radus smart technologies were also available.

SMI Drives Down Lead Times Indian labelstock manufacturer SMI Coated Products promised lead times as short as 3-4 days in the region after investing in the capabilities at its facility in Dubai.

The company celebrated its 25th anniversary this year. It established its Dubai location in 2017 around the time of the last edition of Gulf Print & Pack. In the time since, it has invested in its slitting capacity in Jebel Ali Free Zone, which has allowed it to offer much shorter lead times than had previously been afforded to converters in the region. At Gulf Print & Pack 2019, SMI welcomed customers from across the UAE and further afield, including Saudi Arabia, Pakistan and Africa.

Afra Participates with it Partners Afra featured an array of print finishing technology on its stand, as well as representing the printing technology of partners Edale and TrojanLabel. For example, a number of systems for print finishing are shown from Petratto, Morgana, Rhin-O-Tuff and Uchida. A Champion Supercut 1060 was demonstrating diecutting as part of the show’s Innovation Trail. Edale was represented by sales and marketing director Darren Pickford, who used his time at Gulf Print & Pack 2019 to present the company’s engineering pedigree and high-quality printing technology to the region.

TechNova Launches Digital Offset Plates TechNova Imaging Systems introduced the new Helios positive thermal plate, Eros UV CtP plate and Violite VNV violet plate products. Helios is a positive acting thermal CtP plate suited for long-run UV ink printing without the need of post-baking. It is said to have dependable press performance under a wide range of aggressive press conditions, without the need to post-bake. Eros is a third generation UV CtP plate specially designed for hi-resolution, hi-speed imaging on the latest UV CtP platesetters. Violite VNV is a low-chem violet photopolymer CtP plate ideally suited for newspaper printing. Platesetters, chemicals, inks, coatings, adhesives and blankets are also presented at Gulf Print & Pack 2019.

Sona Brings Neenah to MENA Sona Commercial has launched fine grade paper from Neenah Inc. in the MENA region. Headquartered in the US, Neenah’s focus is on recycled and alternative fibre products, and a reduced environmental footprint. Sona also showcssed a range of speciality grade fine papers from the likes of Gruppo Cordenons and Hansol Paper, in addition to Lenzing Papier’s 100 percent recycled fine paper range.

Bobst Focuses on Productivity Enhancement Bobst (Africa and Middle East) highlighted a range of converting technologies to the MENA region, designed

to automate production, assure quality and increase profits. These included systems for die-cutting with blanking, in-line inspection, folder gluers, as well as its Connected Series service that connects all Bobst machines on the shop floor to information systems for performance monitoring and management of hardware. This allowed users to make informed decisions on improvements. A further development is the introduction of the Helpline Plus AR augmented reality service that allow customers to wear a special headset so a Bobst expert can virtually see what the machine operator sees and provide precise instructions on what must be done.

Canon Interview

Workflow Automation Brings Finishing Fully Into the Realm of Digital Production Ayman Ali, the Senior Marketing Manager for B2B at Canon Middle East, speaks about why finishing forms a major part of the print industry

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What sort of technology and market trends do you see in the print finishing industry? According to a Smithers Pira study titled ‘The Future of Print Finishing Markets to 2023’, in 2018 the global market for new post-press equipment was $4.87 billion, a little down from the high of $5.10 billion in 2013. The market is expected to rebound slightly across the next five years to reach to $4.90 billion in 2023. This situation will be addressed by the expanding demand for digital print finishing equipment. Innovation in the print finishing market is driven by the attempt to make print more appealing to consumers and to add value to the final product with impact finishing. This includes integrating embossing, digital postpress enhancements, laser cutting, among others, into machinery for label finishing, packaging and commercial print.

How can adding digital finishing into their workflows help printers? Today, finishing can be fully integrated with prepress and printing in a workflow based on relaying digital job specifications from process to process. When this happens, the whole print manufactur-

ing paradigm changes. Postpress traditionally has been the most labor-intensive stage of print production while digital finishing, especially when it takes place in-line with the press, breaks the bottleneck by eliminating the gaps that tend to isolate process steps in a conventional bindery. Workflow automation is what brings finishing fully into the realm of digital production. It is especially critical in jobs containing variably printed elements or multiple components—for example, book blocks with tabbed inserts and covers—that have to be brought rapidly and precisely together. Canon’s PRISMA production management software is an adaptive workflow solution that lets Canon and Océ presses work seamlessly with equipment from the leading providers of digital finishing systems. Together, the software and the devices represent digitally integrated manufacturing at its most efficient—with finishing as the most efficient step of all. What sort of products and solutions in terms of print finishing, do you offer on the market? Canon offers variety of in-line finishing solution that is fully integrated with the digital press. These in-line finishing options include perfect binding, stackers, hole punchers, booklet makers with a three way trimmer, and more. These professional feeders and finishing solutions aim to provide for perfect results every time. The Océ ColorStream 6000 Chroma is a highly versatile inkjet web press combining outstanding quality and flexibility for the efficient and reliable production of mail, publishing and commercial applications. United Printing and Publishing (UPP) in Abu Dhabi, recently added the region’s first Océ ColorStream 6000 Chroma continuous feed ink-

jet press technology to its robust print production environment. With the new press, UPP will have increased system versatility to extend the spectrum of applications they are able to produce digitally with the additional benefits of exceptional quality, enhanced productivity, as well as low paper waste and efficient ink and power consumption. The combination demonstrates that the best solutions come from partnerships between digital press manufacturers and qualified suppliers of digital finishing equipment. How have print finishing technologies evolved over the years? Today, finishing can be fully integrated with prepress and printing in a workflow based on relaying digital job specifications from process to process. Instead of prepping a job in one location, printing it in another, and binding it somewhere else, everything takes place in a unitary production line consisting of a networked press with finishing modules connected directly to it. In this in-line digital finishing scenario, the sequence is “white paper in, sellable product out”: printed, trimmed, folded, bound, and ready to ship to the customer in one pass, all from what is essentially one device. Since print has commoditized itself, do you believe the use of different finishing technologies can be a differentiator to move away from the norm? In areas like packaging and interior design, creative design that can utilize special printing techniques, enabled by digital press capabilities and combining different finishing options, can provide a customer with a unique customized product. This adds value to the product itself where a unique piece of decoration targets the high value niche customer.

Konica Minolta – Sustainability

Konica Minolta Says Climate Protection is an Integral Part of its Overall Strategies

opment Goals such as combatting climate change. This leadership initiative is committed to bringing together influential businesses to source energy supplies from 100 per cent renewable sources. Konica Minolta is set to achieve this goal by 2050. Its European headquarters, Konica Minolta Business Solutions Europe, and its German subsidiary for

example are already contributing to the goal by using electricity from renewable resources. Additionally, the European headquarters have been certified by ClimatePartner GmbH as operating completely carbon neutral. Konica Minolta recognises that joining RE100 will help to avoid global CO2 emissions through the spread and expanded use of renewable energy

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As an international corporation, one of Konica Minolta’s highest goals is to create value for society. Hence, it is mandatory for the company to commit to conducting business in an environmentally sustainable way. This is emphasised with Konica Minolta’s long-term environmental target Eco Vision 2050, which was set up in 2009 to reduce CO2 emissions by 80 percent by 2050 compared compared to 2005. Energy efficiency and climate protection are also core topics in Konica Minolta’s customer-centric sustainability approach. Through the company’s products and services the customers have the chance to actively decide for climate conscious solutions from Konica Minolta themselves. For example through the “Enabling Carbon Neutrality” program, production printing customers are able to offset their carbon emissions through certified climate projects around the world. “For Konica Minolta it is a matter of course to act sustainable within our own company environment on the one hand, but also to be able to help our customers and patners do so in conducting their businesses on the other hand. We see it as our responsibility to contribute to the establishment of sustainable business processes and are proud to be able to do our part,” explains Olaf Lorenz, General Manager, International Marketing Division at Konica Minolta Business Solutions Europe GmbH. In addition, Konica Minolta decided to join the RE100 in January 2019 in line with its approach to business while contributing to the United Nations Sustainable Devel-

Women in Print

Women Should Never Limit Themselves and Move Forward Bravely Magida Beydoun, the Chairman and General Manager at Copytech sal speaks about her experience in the regional print industry Tell us about your leadership style and philosophy. My personal leadership philosophy is based on establishing mutual trust with everybody in my team to reach company targets. I believe that sharing my personal leadership philosophy will help my team develop an understanding of what I expect from them. Above all, I believe that following these principles will allow me to positively impact the lives of those around me.

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My leadership philosophy: • Teamwork, Communication and Sharing • Trust & Credibility • Consistency & Dedication • Determination & Professionalism • Motivation &Learning My role as General Manager is to find all the way how to improve office culture and create a positive work environment among the whole team members.

What made you choose Printing and Graphics Industry as a career opportunity? Just after my graduation I joined a big group of companies dealing with the office equipment products, at that time office equipment included the telex, fax, calculators, typewriters beside the analogue copiers as the group was the official distributor of Konica Minolta (previously Minolta) in Lebanon. From the first task as assistant to the logistics manager, to junior accountant, senior, chief and then finance manager where I stayed for more than 15 years until the post of General Manager became vacant. This was an opportunity for me to change my career path despite the big difficulties and obstacles that I have to face and the tremendous responsibilities that I should carry to overlap this challenge. However, I was willing to take the risk as I was confident that I will succeed in my new role.

How has your unique background prepared you for success in the industry? Since I started my first job, I have been known to be a dedicated trustworthy person with a positive attitude, dependable, flexible when it comes to change, punctual at all times, sharing my skills with co-workers and colleagues, insisting to get things done on time, and a great passion to read & learn. This does not mean that I was workaholic or afraid of losing my job. I loved my job. And today, at the beginning of every work day I feel energized by what I do and I am certain that I can make a difference not only to my team but also to my customers. I believe this is something that you cannot learn at school but by yourself.

than any other man in same position, so the comparison is always there. But I had always liked the challenge, the post of GM gave me plenty of opportunities to learn and have a complete overview of the company. Now here I am on my 7th successful year of leadership as General Manager of the company. I would advise every womanto grab any business opportunity, take the risk, face criticism, survive failure and understand that perfection is never required. Sometimes it might be a tough assignment but we should never limit ourselves and move forward bravely. I strongly believe that women will never advance in business until we break theobstacles of differentiation of gender inequality.

What was your most interesting job? It is true that I am coming from a finance background where revenues and margins are the most important factors to do business. But my successful years of experience has helped me to formulate new ways to grow and lead the business as I was fully aware of whole operations through all divisions beside the perfect understanding with all staff members and the most interesting part for me was to learn the technical language which is an essential part in the printing industry and listen to the sales team arguments and then build a productive bridge of opportunities between them.

What is the greatest transformation in the printing that you’ve witnessed in your career? The printing industry, like many other industries, continues to undergo technological changes. The greatest change was the digital transformation which is the booming topic of today. Digital transformation is not an easy issue to define in brief, in fact it is a complex system of market requirements, mentality and implementation that should be executed on the whole different levels of the business without exception.

What advice would you give to women looking to break into the field of print and related industry? I can truly say that being a General Manager in a printing business company which is known as a male dominated industry is not an easy task. Because as a woman, I had to prove always that I am better

What are your thoughts on the next transformation in the print and graphics industry? The introduction of Artificial Intelligence,the Internet of Things (IOT), as devices are becoming increasingly intelligent and may be connected, monitored and managed remotely. This world of smart devices has the potential to improve business efficiency, reducing operating and maintenance costs.

Print Influencer

The Biggest Challenge Facing the Industry is Margin Erosion Neil Rom, the Sales Director for Africa and Turkey at OKI, speaks about his experience in the regional print industry What is your career history to date and key career achievements? I started my career out over 30 years ago with a broadline distributor in South Africa. After that, I have moved to a VAR system integrator where I could follow my passion for print and also for OKI. What are your roles and responsibilities in the company as a print influencer? My role with OKI is guiding partners and end customers to ensure the correct product selection that will achieve optimum cost efficiencies and performance What qualities should a print influencer possess to lead the company? Strong financial knowledge to understand the impact print can have on an organisation both in terms of costs and its ability to raise a corporates brand profile. What is your advice on finding success in the print industry? Clear understanding of print technologies. Stay on top of shifts in technology as well as changes in industry behaviour especially towards digitisation. Understand the impact that printed media has on an organisationâ&#x20AC;&#x2122;s ability to showcase itself.

What is the biggest challenge facing the print and graphics arts industry in the region? The biggest challenge facing the industry is margin erosion.

How can partners and stakeholders in the print industry work effectively to generate growth in the industry? Search for industry vertical applications that are not only more profitable for partners but give end customers clear value and control of their print costs, identify solutions that speed up time to market for marketing campaigns, and OKI's unique banner printing solutions for the retail industry are a case in point. All of these dramatically reduce time to market on campaigns so that retailers can capitalise and generate revenue faster in a highly competitive market.

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How would you assess the current state of the print and graphics arts industry? The industry is in flux and has been for some years now, as industry players jostle to find their niche profitable markets that can take them forward into new markets.

If you could improve one thing about the print and graphics arts business, what would it be? Improving the education and knowledge sharing.

Products and Applications

OKI Launches C800 A3 Colour Printer Series on the Market

OKI Europe has announced the launch of its new C800 Series of ultra-compact A3 colour printers that produces professional results in-house for every type of business. With a focus on delivering value for organisations that typically outsource print jobs, the C800 Series has been developed to handle any print job large or small, quickly and cost effectively. Featuring OKI’s pioneering digital LED technology, the C800 Series can handle an unrivalled range of media in HD colour, from pre-cut media to eye-catching posters and expansive banners. It’s compact size, fast print speeds and high quality results make the C800 Series a perfect choice for any business type, particularly retailers. OKI’s new energy-efficient fusing technology means it’s quick to wake-up, warm up and quieten down allowing businesses using the C800 Series to save time and energy without compromising on quality or performance.

The C800 Series is the smallest A3 colour business printer on the market, and includes the versatile C824 which is ideal for individuals and workgroups with different needs and delivers affordable day-to-day document printing and outstanding high-impact results on a wide range of sales and marketing materials. Users can also access troubleshooting video content from the OKI Mobile Print App. Private Print and optional Card Release user authentication technology prevents unauthorised access and helps to protect corporate data. Fully equipped to handle both light and heavier paper weights, from 64 up to 256gsm in 1200 x 600dpi resolution, the C824 handles documents in A6 up to A3 sizes, including banners up to 1.3m. The C834 delivers the same benefits as the C824 and has wireless as standard, tap and print functionality so users can print directly from smartphones or tablets (Android only) and is AirPrint by Apple Inc enabled and Google Cloud Print 2.0 ready.

The C834 delivers outstanding High Definition ProQ2400 multi-level output quality and 1200 x 600dpi resolution for sharp, clear fine print that is easy to read. Additionally, the C834 offers lower running costs, thanks to high capacity consumables. With all the features of the C834, the C844 takes professional sales, marketing and customer signage to the next level delivering super sharp, highquality text and images in 1200 x 1200dpi print resolution. Each printer in the in C800 Series is equipped with a clear, easy-to-use screen and is Blue Angel certified for energy efficiency. OKI’s new fuser saves energy while Auto-Off mode automatically powers down to less than 0.15W when not in use, further driving up energy efficiency. Automatic duplex printing reduces paper usage and customers can access OKI’s free consumables recycling programme, helping businesses to operate as sustainably and cost-effectively as possible when it comes to printing in-house.

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Color-Logic Certifies swissQprint UV Inkjet Printers

Color-Logic has certified swissQprint UV inkjet printers with white for use with the Color-Logic metallic process. Discussing the printer certification, Color-Logic Director of Sales and Marketing Mark Geeves said: “The certification samples submitted by swissQprint accurately demonstrat-

ed all of the Color-Logic decorative effects and embellishments. swissQprint printers also have the ability to add a varnish to prints, thus greatly increasing the value to clients. The Color-Logic color system for metallics takes the varnish capability into account, providing swissQprint clients

an accurate metallic color system that virtually guarantees that desired colors are correctly produced on the initial print run. swissQprint customers can confidently accentuate the Color-Logic decorative effects and embellishments by using the varnish feature.”

Avery Dennison Launches M_use Avery Dennison recently introduced M_use, a new digital platform to inspire innovative design solutions for label and packaging designers and converters. M_use, short for “materials in use”, is a community where users can find inspiration as they experience the attributes of a label application— from technical to tactile—as well as discover more about the science behind the design. “M_use combines inspirational design content with the materials science expertise of Avery Dennison. It’s an easy-to-use interface that shows the magic of materials in use,” said Angus McGuffin, global creative director at Avery Dennison. The site features an online library of materials. Users get a 360 degree perspective on the texture, color, tactility, and printability. They also can access bespoke content created in collaboration with industry experts that covers insights, trends, and creative design inspiration. “We see M_use as a digital swatchbook for our converters as much as an inspirational resource for designers. Creatives can download and design on high-resolution

images to see the material in use before ordering a sample,” said Ralph Olthoff, global marketing director for wine and spirits at Avery Dennison. “Powered by Avery Dennison, M_use leverages our deep knowledge of materials science and our love and curiosity for design to bring an inspiration-to-production, full-circle experience to designers, brands, and label printers,” said McGuffin. “Label materials are my canvas, and

that’s true for any designer,” says Davide Ciaroni, creative director of Italian design agency Doni & Associati. “The more you know about materials and their application, the better your work is. I pay a lot of attention to detail, but above all, I try to start every new design with my material choice. I’m excited that M_use will make it easier for me to connect not only with the materials that can elevate my design but with ideas and inspiration from other designers as well.”

PrintFactory Launches Linux Compatibility for Workflow Software an industrial scale. The open source platform also supports the direct integration of PrintFactory’s RIP application with large format print devices. Erik Strik, CEO at PrintFactory, commented: “As a team of former wide-format printers, we understand that every print shop works differently. That’s why we’re excited to release PrintFactory on the Linux platform. “Whether you’re a Linux enthusiast or prefer to work from Mac or Windows, PrintFactory gives large format printers the choice to mix and match operating systems in a way that works for them. For more industrial applications, Linux is ideally suited to work as a RIP server

for true clustering capability. “The launch is the latest development in our strategy to open up opportunities across the wider dealer network. We’re looking forward to meeting wide-format printers and dealers at FESPA Global Print Expo to share how a fully-compatible workflow solution can support better printing and bigger profits.” PrintFactory provides all the job preparation and colour correction tools required to optimise wide-format print production. The software’s easy-to-use cloudbased workflow connects multiple devices to enable dynamic production scheduling, status reporting and resource management from any connected computer.

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PrintFactory has launched Linux compatibility for its workflow software suite, becoming the first software provider to offer a fullysupported workflow solution across the three main operating systems Windows, MacOS and Linux. The launch of PrintFactory on Linux offers wide-format printers maximum flexibility in the way they work. For example, if prepress operators are using MacOS or Windows workstations, PrintFactory now enables jobs to be simultaneously processed on a Linux server. Offering advanced processing power, PrintFactory’s Linux compatibility offers an ideal solution for large format printers looking to cluster applications and RIP files on

Products and Applications

Inkcups Introduces the Helix Hi-Fi

Inkcups announced the release of its newest product, the Helix Hi-Fi, a 7-color rotary digital printer that delivers photorealistic skin-tone matching with the addition of three new color pockets.

The Helix Hi-Fi is an evolution of the Inkcups Helix, the industry’s bestselling printer in its class. In addition to Helix’s standard CMYKWV, the Helix Hi-Fi has three additional colors: light cyan, light magenta and light black. While the standard Helix already delivers the best image quality in the industry, the addition of the light colors brings output quality to a new level. The benefits are most dramatic in printing skin tones where true photorealistic images are generated with smoother shade transitions, less graininess, and higher-resolution edge effects. The Helix Hi-Fi’s unique skin-tone matching function is increasingly in demand for personalized printing, which often requires one-off production of facial images. Helix Hi-Fi can import a series of unique image files and produce high-resolution

printed products of stunning quality. Typical applications include personalized images on glass candle holders, drinkware including stemless wine glasses, stainless steel tumblers, pint glasses and many more. Ideal for promotional and retail markets, the Helix Hi-Fi prints multi-color graphics on straightwalled cylinders, tapers, and objects with limited wall curvatures. The system features a built-in programmable tilt to reduce changeover time and eliminate the need to optimize print recipes for each SKU change. The Helix Hi-Fi uses UV LED ink and prints 360 degrees with a maximum resolution of 1200 dpi. The machine’s printable area is 8.6 inches; the system can print on items up to 12 inches in length with a diameter ranging from 2-5 inches.

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Roland TrueVIS VG2 Passes Customer Testing with Flying Colors

The Dutch sign specialist Gielen Reclame (Valkenswaard) is incredibly enthusiastic about the successful beta test of the new 8-colour TrueVIS VG2 printer/cutter from Roland. So happy, in fact, that Chris Gielen immediately purchased two machines: “The addition of the new orange ink now provides us with the opportunity to make even better prints with certain corporate identity colours.” Gielen Reclame, along with a sign maker in Denmark and Renault F1 Team, is one of the three European

companies that have subjected the new generation TrueVIS from Roland DG to extensive practical testing. The Dutch company has a great deal of experience with Roland devices - there were already six Roland printers in the production hall, and with the investment in two TrueVIS VG2 devices there are now eight - and was therefore the ideal customer to push the boundaries of this new printer. The TrueVIS VG2 is the latest generation printer/cutter from Roland DG. "In its development,

we were able to build on more than 30 years of knowledge and experience with 16 previous generations of products in the print & cut market segment that is so important to us," says Karel Sannen, Marketing Manager at Roland DG, Benelux. “We have introduced more than 40 new and improved functions and features - in the hardware, but also in the software and the ink, including orange ink for an even wider colour gamut. Together, these improvements ensure even better performance than previous generations. I am convinced that the TrueVIS VG2 truly sets the new standard in large format printing solutions. And that's why I am happy that our beta test customers endorse that view as well.” The TrueVIS VG2, introduced in March, is available in various ink configurations, including CMYK x 2 and CMYKLcLmLk with orange or white in the eighth colour channel.

Zünd Launches New Coated Router Bits Zünd is bringing to market new, DLC-coated router bits. The coating reduces friction and increases wear resistance, thereby delivering very high-quality results as well as better performance and cost efficiency. The new router bits are especially beneficial in routing applications involving aluminum, aluminum composites, wood, and PVC. Friction and wear during the routing process substantially affect the quality of cut parts, routing performance, and longevity of bits. Thin-film coatings are among the most effective ways to achieve significant improvements in performance and productivity. Innovative DLC (diamond-like carbon) coating permits greater processing speeds and cutting depths. The number of passes can be reduced, which significantly increases routing productivity. Up to 4 mm thick aluminum composites can be processed in a single pass, at speeds of up to 11 m/36 ft per min. In many cases, a finishing pass becomes unnecessary, which further reduces production time. Because of the resulting smooth, durable surfaces it creates, thinfilm coating reduces friction, provides excellent wear resistance,

and more than doubles the life of the bit. The same properties also help prevent material build-up on the bit when processing acrylic or aluminum. Reduced drag forces on the material permit routing more detailed contours, and even smaller parts can be routed without the need for bridges to hold them in place. Smoother surfaces also diminish the amount of heat generated during routing, which eliminates the need for cooling or lubrication.

Both aluminum and aluminumcomposite panels can be dry routed when using these bits, which facilitates handling and leaves both cut pieces and working area clean and dry. The new bits are optimized for use with Zünd routing spindles and are available in diameters from 2 to 6 mm and for routing depths up to 22 mm/.87 in. They are also available with stop ring, which makes them suitable for use with the automatic tool changer ARC.

Datacolor Launches New Color Lifecycle Management Solutions color quality. Datacolor also introduces ColorHub, a web-based software solution, which provides an unprecedented real-time view of mills’ color performance. This cloud-based depository of lab dip and production color data will help ensure shade consistency and quality by identifying and taking corrective action to color issues in real time. “No one better understands how color impacts business than Datacolor, and we continually seek to develop new color management

solutions that meet our customers’ needs within today’s complex global supply chain,” said Dustin Bowersox, Market Manager, Textiles & Apparel, Datacolor. “These series of solutions is intended to address several pain points for the textile and apparel supply chain, allowing brands to make better sourcing decisions based on mill performance and sophistication while allowing suppliers to improve operational efficiency by providing real time data into the quality and consistency of their products.”

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Datacolor has announced the launch of new color lifecycle management solutions intended to deliver greater transparency and confidence for both textile and apparel brands, as well as suppliers, mills and dye houses. The new offerings include Assessment Services, which encompass a suite of comprehensive color assessment and lab audit services that will significantly reduce the time and cost of product development by ensuring the supply chain is qualified and capable to meet all expectations to assure

Products and Applications

KHS Now Also Labels Cans Most decisions to buy are made directly at the point of sale: the significance of product presentation is growing, with an attractive visual appearance becoming ever more important. KHS is therefore now also offering its successful Innoket Neo labeling series for cans to manufacturers of small batches and producers with a high brand variety. The machine opens up new avenues in product marketing and flexibility in production. Warehouse capacities are reduced and energy is saved. Images of production shops filled with pallets of differently printed empty cans will soon be a thing of the past. Says Cornelius Adolf, labeling product manager for KHS,

“We’ve expanded our existing portfolio to include can labeling to give the customer more design options and enable these designs to be implemented faster with smaller warehouse capacities.” This is because minimum order quantities and long delivery times for empty cans limit flexibility. It is now possible to order unprinted cans within a much shorter period and to label them using the KHS Innoket Neo, thus simplifying logistics processes. The Innoket Neo can be used to apply self-adhesive film or paper labels. Here, the container can be either partly or fully wrapped with a label – including optical alignment. “The look and feel are

unique”, is how Adolf explains the results of the self-adhesive labeling method. With this technology beverage producers can also respond much more rapidly and flexibly to the steadily growing variety of products and labels on the market. With this system the design or logo can be changed within a few hours and the cans dressed with suitable motifs. “Customers can even print their own labels. This considerably shortens the time to market. An attractive product is a clear distinguishing criterion at the point of sale," says Adolf. As no cans with varying motifs have to be ordered, costs are also cut as higher numbers of unprinted containers can be purchased.

Kernow Coatings Launches KernowJet KlearView Kernow Coatings is offering the Wide-Format industry creative solutions that facilitate printers’ work, enhance visual merchandisers’ results, all while saving time and money. With an unprinted clear substrate, prints will look as if they are suspended in the air. However, the latest developments in printers offering white inks have enabled new and exciting prospects. A clear substrate, depending on the chosen design, will often require a white layer underneath the coloured elements. This white understrike will bring a punch to the colours and a better opacity to the printed

design. Originally, clear substrates were reserved for screen-printing only and very few UV-printers offered the option to go for white ink. Nowadays, most printer manufacturers provide this option with solvent, UV-cured and even latex inks. On top of that, these machines have now become more affordable. Kernow has looked into the fastest and easiest ways to apply a glass clear message on a window. We wanted to make the application as easy and user-friendly as possible. We have therefore avoided selfadhesive substrates, which inevitably lead to complicated application

or poor results when applied by your everyday worker without sign hanging experience. KlearView 142 is a 142µ/5.6mil substrate printable with eco-solvent, latex and UV-curable inks, while KlearView 125KBC and KlearView 175KBC are UV-printable only with thickness of 125µ/4.9mil and 175µ/6.9mil, respectively. Smaller designs can be printed on 125µ/4.9mil while bigger pieces and hanging displays should be preferably printed on the thicker gauges. All three films offered are 100% PVC-free, being an extra benefit for all brands looking at their environmental footprint.

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Southeastern Printing Buys Eight-Color Komori LED-UV Sheetfed Perfector

Komori America announced that Florida-based Southeastern Printing has purchased an eightcolor Komori Lithrone 40 perfector (GL840P) with Komori’s LED-UV curing system. Since its inception in 1924, Southeastern Printing has grown by listening to customer needs and investing in the latest technologies to meet them. With the recent addition of a new facility in Miami, Florida, the company has doubled in size and is one of Flor-

ida’s largest printing companies. This growth challenged Southeastern Printing to take a holistic approach to processes within its operation and look for ways to achieve new efficiencies in both print facilities. “When it comes to ensuring the future of any printing company, it is critical to invest in the latest technology or you will be left behind,” said Don Mader, CEO of Southeastern Printing. “We knew it was time for a new press for a number of reasons.

We wanted to increase our speed to market to meet our clients’ increasingly tight deadlines. From a sustainability standpoint, it was important to reduce our energy consumption. Finding qualified labor to run the presses is yet another critical issue every printer faces today. The bottom line is that we knew we weren’t saving money by keeping our older presses in operation because they were actually causing unnecessary costs and waste.”

Pantone Introduces Licensing Program for Color Printing and Display Solutions

are now offering Pantone Validated devices include: • Asus: As one of the leading providers of notebooks and all-inone PCs for professional creatives, graphic designers and gaming enthusiasts, Asus has attained Pantone Validated status on a number of ZenBook Pro models, in addition to the Zen AiO. Among many enhanced features designed to enable creativity, the ZenBook Pro models feature ASUS’s sharpest laptop display, which is Pantone Validated and ideal for graphic designers and brand owners creating and viewing color-critical projects on-screen daily. In addition, ASUS has introduced Pantone Validated gamer notebooks in the ROG Zephyrus S models, which allow players to focus on their experience knowing their device model has met Pantone’s color evaluation and gamut benchmarks. • BenQ: As one of the leading brands of high-quality professional displays, BenQ has recently launched its PhotoVue and DesignVue Monitors with outstanding color accuracy. To communicate their solid color performance, a range of BenQ PhotoVue/DesignVue models have been licensed as

Pantone Validated, meeting Pantone’s standards for Pantone color simulation and color gamut. • Stratasys: As one of the leading providers of industrial-grade 3D printing, Stratasys has introduced the industry’s first Pantone Validated, full-color 3D printers – the Stratasys J750 and J735. These models ensure better product design through faster iterations and the creation of final models that match shapes, colors, appearance, finishes and other complex design elements of each model. Exceeding the Pantone Validated criteria qualifies Stratasys to simulate thousands of printable Pantone Colors, including the full range of Pantone SkinTone Colors, allowing designers to build realistic prototypes faster than ever before. • Acer: As one of the world’s top ICT companies whose products include notebooks and stand-alone displays, has unveiled several new products which meet the Pantone Validated criteria for color capability and color gamut, including the ConceptD 7 and ConceptD 5 notebook models, with plans to add several other Pantone Validated display and notebook models in the near future.

ME‌Printer May 2019

Pantone has announced PANTONE Validated, a business-to-business licensing program that enables color hardware manufacturers to incorporate their capability to simulate Pantone colors in their products. Designed to acknowledge color fidelity in representing and reproducing the Pantone Matching System (PMS), the program is ideal for a broad array of manufacturers of color devices used throughout the design workflow where color is critical including: various color printers and digital front-ends from large format systems to industrial inkjet, 3D printers with full color capability, stand-alone professional color displays, laptop and all-in-one desktop computer displays, tablet/mobile devices and digital advertising displays. “Color is a critical element of any design and ensuring the quality of visualization and eventual reproduction of the colors within a design can be particularly frustrating for designers working between digital design programs and the final outputs,” said Iain Pike, Director of Partner Business Development for Pantone. “Working with color print systems and notebook and display manufacturers to confirm that their products are Pantone Validated provides their user base with affirmed color tools that they can use more confidently in their everyday work with Pantone Colors.” Hardware models approved through the Pantone Validated program are evaluated by technicians who combine color science and advanced X-Rite technology to qualify professional- and production-grade color imaging devices. Innovative technology firms who

Opinion and Insight

Why Digital Printed Wall-Coverings Are Set for Dynamic Growth

ME‌Printer May 2019

Debbie McKeegan discusses how digital printed wallpaper has caught the public’s imagination and has become a main driver of the Interior Décor Print Marketplace.

The Digital Printed Wallpaper Market is predicted to grow from $2.53 billion to $7.74 billion over the five years from 2018 to 2023 at a CAGR of 25%. The arrival of the Millennial Market and its love of customisation and personalisation has built on the impetus given by the development of Digital Printing Machinery being able to service demand quickly and efficiently. A serious influence on this market is the benefit of using wallpaper over interior paint. Digitally printed wallpapers add to the aesthetic appeal of the wall space and papers are more economical compared with interior paint despite the high initial investment. Additionally, the residential sector is projected to be the fastest-growing segment in the digitally printed wallpaper market during the forecast period. This growth can be attributed to a rise in the number of housing renovations which creates demand for interior decoration, along with an increase in disposable income levels.

Either way, today, it seems that no Interior Scheme, whether Domestic or Commercial is complete without a ‘Feature Wall’ making a statement about the client. The visual atmosphere created by such custom wall-coverings enables the designer to generate a bespoke environment reflecting subjects as varied as the client’s product range or their personal lifestyle statements. The inkjet segment dominated the global digitally printed wallpaper market, by technology, in 2018, and this trend is projected to continue during the forecast period. This dominance can be attributed to its simplicity of usage, scalability, and its ability to produce highquality print. Predominant in this market place are the machines of HP, Ricoh, Roland DG and Xeikon. Production speeds and reliability have ramped up in recent years, followed by concurrent developments in systems and image processing software, all of which have contributed to an ever-improving technical excellence of the product.

Using ink-sets that vary from EcoSolvent to Latex, these machines delight the designer and consumer alike, and produce high resolution bespoke printed panels that are ready to go. At the same time the available range of printable wall-coverings has developed to meet this broadening marketplace. Specialist Coated Non-Woven Paper, Fire Resistant Substrates and Textured Print Bases, are now offered widely, with Sihl, Desardi, Ahlstrom, Sentec and Landor UK leading the way. The growth of vinyl wallpapers, enhanced by their low cost, stainresistant properties, durability, and easy maintenance properties, is being matched by 3rd generation Substrates, that combine these properties with an ever-broadening portfolio of Surface Effects and sustainable options. Silk lookalikes, Matt Surfaces and Metallics are on the way up, with Woven Textures and subtle Background Patterns also achieving eminence. Against the backdrop of a burgeoning Sales Market, on the supply side, developments in Machinery and Substrates have added enormous impetus to demand, broadening appeal and technical performance, whilst at the same time retaining all the essential qualities of Bespoke Digital Printed Wallcoverings so beloved by the consumer. FESPA Global Print Expo 2019 is Europe’s largest speciality print exhibition for screen and digital wide format print, textile printing and signage solutions. Printeriors will showcase both interior and exterior décor applications, aiming to connect brand owners, interior decorators, designers and architects with PSPs and manufacturers. Various interior décor applications will be on display including wallpaper, lightboxes, soft furnishings including curtains and cushions, table tops and sideboards, window graphics and chairs.

6th drupa Global Trends Report Shows Global Print Health in Overall Good Condition

(UK) and Wissler & Partner (CH). Over 600 printers and 200 suppliers participated with all regions well represented. Richard Gray, Operations Director at Printfuture stated, “Most panel members are positive overall about the future, despite very clear concerns about the economic and political prospects for 2019 and beyond. It is striking that many show an increasingly confident grasp of how to exploit the rapidly changing opportunities for print, as the wider markets make increased use of digital communications.” Most printers make money despite the huge pressure on margins by increasing revenues through raising utilisation while keeping overheads as stable as possible. Globally we even saw a small increase in prices, despite substantial increases in paper/ substrate prices. Suppliers also saw revenues and prices rise globally but with an even sharper decline in margins. Conventional print volumes continue to decline but slowly. In 2013, 23% of printers reported that Digital print was more than 25% of turnover. In 2018, the proportion of printers had increased to 29%. Nevertheless, Sheetfed offset remains the most common form of print technology, present in 66% of all printers. Sheetfed offset volume continues to grow

in Packaging but there was a clear decline amongst Commercial printers for the first time. Web to Print volumes are climbing, but slowly. In 2014, 17% of participants with W2P installations reported more than 25% of turnover came from that source. By 2018, that proportion of participants had increased to 23%. Yet the proportion of printers with W2P installations is static – 25% in 2014 and 25% in 2018. In terms of Capital Expenditure, 41% of printers spent more in 2018 than 2017, while just 15% spent less and expenditure grew in all regions except Africa. Those in Packaging and Functional markets were very bullish while those in Commercial and Publishing markets were more cautious. It was broadly the same pattern amongst Suppliers. For printers, Finishing equipment was the most common target in 2019, followed by Print technology and then PrePress/ Workflow/MIS. As for Print technology, Digital toner sheetfed colour was the most common target for investment in 2019 for all markets, except for Packaging where Sheetfed Offset took first place. Yet the Packaging market saw a 5% growth in the proportion of SKU’s specifying digital print across all applications, except for Labels where the figure is already 40%.

ME‌Printer May 2019

The 6th drupa Global Trends Report shows that the global print industry as a whole is in a stable condition. Globally 40% of printers stated their company economic condition was ‘good’ in 2018 versus 13% who described their condition as ‘poor’, the rest were ‘satisfactory’. This gives a positive net balance of 27%. For suppliers, the positive net balance was 19%. Both groups remain optimistic with c.50% expecting things to be better in 2019. Conditions vary between regions and between markets. So North America continued to enjoy strong growth in 2018, Europe and Australia enjoyed steady growth, whilst Asia, the Middle East, and S/C America were cautious and Africa was in decline. The 2018 results reflect the established pattern in most regions, although the decline in the Middle East and S/C America appears to be worsening. The Packaging market thrives as does Functional, but there are clear signs of increasing caution in the Commercial market and Publishing remains subdued, with the encouraging exception of the books market. Sabine Geldermann, Director drupa, Messe Duesseldorf, commented, “The report shows that with a little more than a year to go to drupa 2020, the global industry is in robust health overall. Clearly, there are significant differences in prospects across different regions and markets as demand rapidly changes with economic conditions and evolving uses of print. That is the real value of this drupa Global Trends series. It allows readers to track those trends over time and identify how printers and suppliers alike can best invest to secure a strong future within the industry.” The findings come from the 6th major annual survey issued last autumn to the drupa Expert Panel of senior decision takers recruited from printers and exhibitors at drupa 2016 and run by Printfuture

Opinion and Insight

Personalized Packaging Industry to Grow Between 2018 and 2026

ME‌Printer May 2019

As per the new market report published by Mindaspire Market Research titled ‘Personalized Packaging Market’: Global Industry Analysis and Forecast 2017-2025’, global personalized packaging market attained a value worth US$ 25,577.9 Mn in 2017 and will possibly thrive at a promising CAGR of 5.1% over the forecast period (2017-2025). The global personalized packaging market has witnessed solid growth during the past few decades, owing to the increasing trend of luxury packaging. The increasing customization in packaging across the nations has given a major boost to the personalized packaging market.

Based on material type, the global personalized packaging market has been segmented into glass, paper & paperboard, plastic, and metal. The paper & paperboard segment is further classified as corrugated, carton board, and paper; the plastic segment is segmented ahead into HDPE, LDPE, LLDPE, PP, PET, and others. By packaging type, global personalized packaging market is segmented into bottles, containers & jars, bags & pouches, cartons, envelopes, and boxes. By end use, only beverages and food segment are considered, beverages segment is further segmented into alcoholic and non-alcoholic beverages, food

segment is segmented into baby food, sauces & dressings & condiments, dairy products, bakery & confectionery, and others subsegments. Alcoholic beverages are further categorized into beer, wine and spirits, non-alcoholic beverages are categorized into soda, juice, milk and bottled water. Among packaging types, the bottles segment is expected to dominate the market during the forecast period, with an estimated market value share of 24.0%, in 2017. However, bags & pouches segment is expected to be the most attractive segment in terms of growth rate during the forecast period. Among end-use segments, beverages segment is expected to dominate the market throughout the forecast period. Increasing customization in beer glass bottles is expected to boost the growth in the personalized packaging market. Among geographic market segments, the APAC region is anticipated to lead the global personalized packaging market, during the forecast period. The market for personalized packaging in APAC is projected to register the highest CAGR of 7.0%, during the forecast period, in term of value.

High Performance Barrier Films Market to Record an Exponential CAGR by 2028 growth of high-performance barrier films depends on busy consumer lifestyle and constant demand for on-the-go and convenience products. High-performance barrier films primary function is to protect the product from moisture and oxygen. High-performance barrier films fulfills the increasing demand for barrier protection for aroma, flavor, UV radiation, carbon dioxide and chemicals. Food packaging accounts for almost 70% in the global highperformance barrier films demand. High-performance barrier films are manufactured using resins such as PET, EVOH, PTFE (polytetrafluoroethylene), PVdC, polyamide, polyethylene naphthalene (PEN), aluminum and others. High-performance barrier films find application in industries including packaging, construction, automobile, electronics & electricals. High-performance barrier films exhibit features such as chemical resistivity, high tear strength and high tensile strength. Advancement in technology, particularly in fields such as pharmaceutical drug formulation, electronics, food processing. Technological advancement in high-performance barrier films has increased demand for protective solutions and packaging which improve the shelf-life of the product while maintaining low permeation rate and its integrity. The growth

of non-food markets such as pharmaceuticals and cosmetics and toiletries is much higher than food high-performance barrier films application. High-performance barrier films resin manufacturers continue to develop and improve plastic films and additives for packaging production. Rising demand for high-performance barrier films in solar PVs and semiconductor insulations expected to boost demand. Additionally, high-performance barrier films are used in food processing industry and pharmaceutical blister packaging, which is expected to fuel the demand during the

ME‌Printer May 2019

forecast period. Over 65% of highperformance barrier films are used for packaging purpose. Growing application of chemically inert and flexible material for packaging food and beverages is likely to fuel highperformance barrier films growth. The rising consumer awareness for food hygiene and safety is expected to boost demand for high-performance barrier films. Some high-performance barrier films manufacturers are adopting sustainability strategies by creating renewable cellulose-based barrier and biodegradable films. For instance Innovia Films and Sappi Fine Paper Europe have combined their compostable substrates – Innovia’s ‘NatureFlex’ and Sappi’s ‘Algro Nature’ – that provides a packaging solution that offers for either industrial or home composting. The demand for food with a high quality and most importantly longer shelf life has led to the increase in the demand for multilayer film structures that can keep the food product fresh or consumable for several days. Recycling becomes a particular problem with multi - layer barrier films structures containing more than one type of plastic. As high-performance barrier films are difficult to separate and may hamper the growth.

Opinion and Insight

ME‌Printer May 2019

Rigid Food Containers Market to Witness CAGR of 4% Rise Between 2017 – 2022

A recent market research report by Future Market Insights presents a thorough analytical overview of the global market for rigid food containers and presents pragmatic forecasts regarding its future scope of development over the years between 2017 and 2022. A variety of rigid containers such as boxes and cartons, cups and tubs, bottles and jars, and trays find extensive usage in the field of food and beverages owing to their qualities such as high impact strength, high stiffness, and high barrier properties. While these aspects make transportation of foods and beverages easier, they also make storage in display shelves much hassle-free and convenient. Several technological advancements in terms of material used for manufacturing rigid containers for the food and beverages industry and developments in sealing mechanisms also help in extending the shelf-life of food products when rigid containers are used. The report states that the market for rigid food containers will develop at a moderate pace over the report’s

forecast period. Some of the key factors expected to work in favor of the global rigid food containers market include the rising preference of the global population to packaged, convenience foods, changing lifestyles, staggering rise in the number of one-person households, busy work regimes, and increased disposable incomes, especially in developing economies. Developing economies are also proving to be highly promising for the rigid food containers market owing to the significant rise in urban settings and the increased numbers of supermarkets and hypermarkets. The report states that the market will exhibit a CAGR of 4% from 2017 to 2022 and rise to a revenue opportunity of $80,000 Million by the end of 2022. From a geographical standpoint, the market in Asia-Pacific excluding Japan (APEJ) will be credited for the dominant revenue share in the global market by the end of 2017. The trend is also expected to continue over the report’s forecast period, with the regional market

registering a CAGR much higher than other key regional markets over the forecast period. The report states that despite concerns regarding its rising volumes in dumping grounds, plastic will continue to remain the most preferred material for manufacturing rigid food containers among manufacturers, followed by paperboards. The revenue generated from the sales of plastic and paperboard rigid food containers will account for over 80% of the overall market in 2017. Plastic will continue to hold on to its top spot in the global market by the end of the forecast period while paperboards will witness a slight decline. Of the key varieties of packaging types in the global rigid food containers market, the segment of trays is likely to remain the will remain the leading variety, in terms of both sales expansion as well as revenue generation. The segment will account for over a third of the overall market by the end of 2017 and will go on to remain the leading product variety over the report’s forecast period as well.

Positive Outlook for Digital Display Tech in the Region According to International Expo Consults, digital signage and display technology are the future and the segment will grow in the UAE. At the moment, the global digital signage market is estimated to value at USD 20.8 billion and is expected to grow to $29.6 billion by 2024 at a CAGR of 7.3%. SGI Dubai 2020, the leading industry event for the printing and signage industry will play a significant role in the growth of the market in the Middle East. Sharif Rahman, CEO, International Expo Consults, said, “Over the past 2 decades we have witnessed the evolution of the signage industry and witnessed the rise of the digital signage from a concept stage to what it is now. There are multiple factors driving the market including the popularity of commercial display over the consumer displays. The need for eco-friendly alternate to signage as well as development

of cost-effective technology play a major role in the growth of the segment. The rising demand of OLED displays, 4K and 8K displays and infrastructure development have given growth to the market in recent time.” Despite having so many advantages over traditional signage, digital signage industry hasn’t really taken off as it was expected. A lack of awareness about the return-on-investment has inhibited some advertisers to shift over, then there is the high initial investment that scares away new customers. There is also a distinct lack of standardization in terms of technology, format and software which has led to restraining the growth of the global market. “The digital signage market is growing in the Middle East and is being driven primarily by the retail sector. This industry will gain a significant market share by 2020 due to its

versatile nature and ease of use. The other verticals which enjoy the benefits of the technology include healthcare, F&B, tourism among others. In terms of technology the region has adopted the latest including virtual reality, augmented reality, mixed reality and artificial intelligence. The industry will benefit from shows like SGI Dubai which will give a platform for the industry to promote itself in the Middle East region,” added Sharif Rahman. Signage and Graphic Imaging Dubai, the region’s largest and premier exhibition for the signage and large format printing industry announces the inclusion of new categories. With the upcoming 23rd edition of the show International Expo Consults, the organisers of the show would like to unveil a new format of the show, which is relevant and caters to the latest trends in the marketplace.

Sanitary Food and Beverage Packaging Sales Revenue to Significantly Increase tion. As compliance rate increases, demand for sanitary food and beverage materials and products is also likely to witness an increase. By packaging type, the key segments include paperboard, metal, rigid plastic, flexible plastic, glass, and ‘others’. Among these, demand for paperboard is currently the highest among end-users. According to the report, paperboard accounts for nearly 34% revenue share on the basis of packaging type. Demand for paperboard in end-use industries is augmented by its low price and easy availability. On the basis of product type, the key segments include milk & other beverage cartons, cups & liquid tight containers, folding food containers, boards & trays, and other product types. Among these, milk & other beverage car-

tons segment accounts for nearly one-fourth revenue share of the global market. Future Market Insights projects this segment to grow at a CAGR of 7% throughout the forecast period. The cups & liquid tight containers segment is also likely to grow at a stable CAGR during the forecast period. North America and APEJ represent two of the most lucrative regions in the global sanitary food and beverage packaging market. Demand for sanitary food and beverage packaging in APEJ is on the basis of high volume, whereas, the North American market is characterised by emphasis on innovative technology. Rising disposable income and urbanization are the key macroeconomic factors boosting the demand for sanitary food and packaging globally.

ME‌Printer May 2019

The global sanitary food and beverage packaging market is likely to grow at a CAGR of nearly 6% during the forecast period 2017-2021. These insights are according to a new market research report from market intelligence and consulting firm Future Market Insights (FMI). According to the report, increasing emphasis on maintaining food safety during the supply chain is promoting investments by manufacturers. Globally, emphasis on maintaining hygiene is on an increase. Regulatory bodies from around the globe are making revisions to food safety guidelines, with an aim to ensure safety of the product. The U.S. FDA in 2016 published a new set of guidelines under the FSMA rule. These guidelines focus on safety of food products during transporta-

MEâ&#x20AC;&#x152;Printer May 2019

Bioplastic Packaging Market Size Worth $34.24 Billion By 2024

The global bioplastic packaging market to reach $34.24 billion by 2024, driven by the rising consumer demand for resource efficient and eco-friendly products. Europe was the largest market accounting for 32.7% of the volume share in 2016 due to supporting regulations coupled with consumer awareness regarding the conservation of the environment. North America and Asia Pacific followed suit, where the regions together are expected to contribute $3.26 billion by 2024. Keeping these driving factors in mind, companies are ramping up their production capacity as well as foraying into R&D of application of new biopolymers into mainstream applications. For instance, in October 2016, BASF and Avantium entered into a joint venture to form Synvina JV, which will manufacture and market FDCA and PEF. Synvina

JV has a production capacity of 50,000 metric tons per year for FDCA and PEF. Moreover, companies are focusing on R&D to expand the utilization of different raw materials such as PBS, PLA, and PBAT in various mainstream packaging applications. For instance, in April 2017, UK-based Biome Bioplastics developed a fully compostable and recyclable coffee cup made entirely from bioplastic materials. These factors together are expected to provide an impetus to the growth of the bioplastic packaging market over the next seven years. PET dominated the global market contributing to $1.84 billion in 2016. The polymer was extensively used in rigid packaging on account of its high durability, transparency, and ease of moldability. Initiatives undertaken by companies such as Coca-Cola,

P&G, and Heinz to use bio-based materials for packing beverages, sauces and spreads and cosmetics is expected to bolster the growth of the rigid packaging market. Increasing demand for flexible packaging solutions on account of several benefits including size and weight particularly in food applications coupled with rising demand for biodegradable films is anticipated to boost the growth of the market. The segment is expected to grow at a volume CAGR of 20.6% from 2017 to 2024. Food packaging accounted for 9% of the overall market share in 2016 and is likely to witness above average growth as a result of rising consumer requirement for eco-friendly packaging. Aesthetic attributes such as transparency, size, weight and presentation are expected to drive the growth of the segment over the projected period.

Calendar

Trade shows

conferences & events May 2019 FTA 2019 Los Angeles, USA 5 - 8 May, 2019 Empack Dortmund, Germany 8 - 9 May, 2019

Eastern Coatings Show 2019 New Jersey, USA 13 - 15 May, 2019

Fespa Munich, Germany 14 - 17 May, 2019

June 2019 Graphitec Expo Paris, France 4-6 June, 2019

3D Print Lyon, France 4-6 June, 2019

Andigrafica Bogota, Colombia 4 - 7 June, 2019

The Graphic Expo Pasay, Philippines 6-8 June, 2019

Graphic Con

Sudbury, Canada 8 June, 2019

Sign Expo Osaka, Japan 14-16 June, 2019

Lahore, Pakistan 15-16 June, 2019

Printech Moscow

Printpack + Sign

Moscow, Russia 18-21 June, 2019

Singapore 10-12 July, 2019

FabCon 3.D

September 2019 Unique 4+1

Erfurt, Germany 25 - 27 June, 2019

KENYA PPSE Nairobi, Kenya 25-27 June, 2019 3D Inside Printing Conference And Expo Goyang-si, South Korea 26-28 June, 2019 Packprint Plas Cebu Cebu, Philippines 27-29 June, 2019 Sign Today-Bangalore Bengaluru, India 28-30 June, 2019 Additive Manufacturing Europe Amsterdam, The Netherlands 26-28 June, 2019

July 2019

Leipzig, Germany 7-9 September, 2019

Pack Print International 2019 Bangkok, Thailand 18 – 21 September, 2019

October 2019 Empack Stockholm Stockholm, Sweden 2-3 October, 2019

XFair Vienna, Austria 8-10 October, 2019

Empack Helsinki Helsinki, Finland 9-10 October, 2019

August 2019 PPPEXPO Kenya Nairobi, Kenya 1 - 3 August, 2019

GFT Bangkok, Thailand 3 - 6 July, 2019

Ipmex Malaysia

Sign India Exhibition New Delhi, India 5-7 July, 2019 Printpack & Sign (PP+S) Singapore 10-12 July, 2019

Surabaya Printing Expo (SPE)

FuturePrint

National Stationery Show (NSS) New York, USA 10-13 August, 2019

Sao Paulo, Brazil 10-13 July, 2019

Kuala Lumpur, Malaysia 1 - 4 August, 2019

Surabaya, Indonesia 1 - 4 August, 2019

Expo Sign Buenos Aires, Argentina 8 - 10 August, 2019 ME‌Printer May 2019

Digital Textile Printing Industry Expo (DTIPE)

mark your calendar book your tickets

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Tel: +971 4 391 1210, Fax: +971 4 390 9561 Equipment For Sale Printing Press for Sale in Abu Dhabi A Well Known Running Printing Press In Mussafah Is For Sale. Two Floor Press With Following Machines: Ctp Autoloader (Heidelberg 70X100), Gto52+1 Color Withno. & Compaq, Polar Cutting, Lamination Machine 70X100, Perfect Binding (Heidelberg), Uv 50X70, Glue Machine With Pressing, 2 Collater, Perferation & Creasing, Spiral & Pressing Heavy Duty And Full Running System With Accessories. Price: AED 650,000 Contact: +971547865566 Canon color photo copier machine Canon Adv 5051. A4 A3 Color and Black n White print,scan, copy, mobile printing, network printer,10 months warranty, toner price 900(20 to 25,thousand copy) Functions: Print, copy, scan, fax, email, wireless; Print speed letter: Up to 51 ppm (black and color); Auto duplex printing; Scan to email; 50-sheet ADF 4 paper trays (standard). Price: AED 2300 Contact: +971528666466 Sharp Photocopier Sharp AR 5620N Desktop Photocopier. Brand new condition. If any problem, money return is guaranteed. Photos as per request. Sharp AR 5620N Desktop Photocopier with options like zoom, multiple copies, Paper sizes such as A4 and A3 as well as a good resolution, this is all you need to have for a photocopier. Price: AED 1500 Contact: _971528751322 GTO 46 1 color printing machine GTO 46 1 color printing machine without motor at throw away price. Price: AED 8500 Contact: +971557373912

Heidelberg SM 74-2P H for Sale Equipment: Densitometer X-Rite; CP2000 Center with Remote Control of Ink Zones, Ink Fountain Roller as well lateral, circumferential and diagonal Register, with Light Pen, Job Memory Card and Touch Screen; ALCOLOR damping with Technotrans Alpha d30 L circulation and refrigeration; AUTOPLATE semiautomatic plate change; automatic ink roller wash-up device; automatic blanket and impression cylinder wash-up device; powder sprayer Grafix Exatronic; high pile delivery. Contact: info@gutenbergmachines.com Canon MFIS Color Digital Multifunction Imaging System, Letter: Up to 35/30 ppm, Legal: Up to 20/18 ppm, Ledger: Up to 20/18 ppm, Functions, Standard: Copy, Print (UFR II), Scan, Send, Store, Optional: Print (PCL, Adobe PostScript 3), Fax (Up to 4 Lines), Operation Panel, 8.4 SVGA Full-Color TFT Screen, Image Server Memory, Standard: 2GB RAM, Maximum: 2.5GB RAM, Hard Disk Drive, Standard: 160GB, Maximum: 1TB, Mirroring Hard Disk Drive, Optional (160GB, 1TB), Method: RAID1, Network Interface Connection, Standard: 1000BaseT/100Base-TX/10Base-T, Optional: Wireless LAN (IEEE 802.1x via third-party adapter) Contact: info@gutenbergmachines.com HP Designjet L65500 Printer Print technology: HP Wide Scan Printing Technology, • Resolution: Up to 1200x600 dpi, • Ink types: HP Latex Inks, • Print Speed: Outdoor-quality prints: up to 800 sqft/hr; Indoor-quality prints: up to 400 sqft/hr, Max. Size:33 x 26 cm (12 x 10 inch), Colors:6,, Description:,, Ecological Printer- INDOOR OUTDOOR Printing System with HP Latex Inks,, high resolution up to 1200 dpi prints,, on materials: Adhesive, banner, paper, film. Contact: info@gutenbergmachines.com

Job Jobs Vacancy

ME‌Printer May April2019 2019

Head of Printing Department - Jeddah As part of their continuing development, our client now requires a Head Of Printing Department. This will be a highly experienced print individual from within the industry who can lead by example to the Print Technicians and ensure the highest quality output from this area of the manufacturing process. Our client is looking to attract the best people and will reward them with a great financial package. Contact: christopher.mcnamara@moodgroup.co.uk

Mechanic Technician - Jeddah Our client is looking for 2 x Mechanic Technicians. So individuals who come with the necessary experience from their industry or other similar fields where skills and knowledge are transferable. Our client is looking to attract the best people and will reward them with a great financial package. Contact: christopher.mcnamara@moodgroup.co.uk

Operations Manager - Rigid Plastics - Egypt Our client seeks an experienced Operations Manager to run their busy manufacturing facility. It is expected that you will already be managing a similar packaging operation, preferably rigid plastics with a proven track record of accomplishment and success. Our client provides an excellent package and career prospects. Contact: marcus.doo@moodgroup.co.uk Production Manager - Security Printing - Kenya The main responsibility of this role is to ensure seamless integration and operation of production units within the company that would guarantee the production and supply of quality security print products to the clients. This role encompasses planning, execution, monitoring, evaluation and timely reporting of production initiatives to the management. Contact: marcus.doo@moodgroup.co.uk Graphic Designers for a Leading Printing Press Graphic Designers (Indian / Pakistani – 2 Nos), with at least 3 to 5 years of printing press experience required for a leading printing press in Dubai. Contact: +971552129500

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‫يوضح تقرير االتجاهات العالمية السادس "دروبا" احتفاظ الطباعة‬ ‫العالمية بوضع جيد بشكل عام‬

‫يف برين� � ��ت فيوتش� � ��ر‪ ،‬أن "معظ� � ��م أعض� � ��اء‬ ‫الفري� � ��ق متفائل� � ��ون بش� � ��كل ع� � ��ام ح� � ��ول‬ ‫المس� � ��تقبل‪ ،‬عل� � ��ى الرغ� � ��م م� � ��ن المخاوف‬ ‫الواضحة للغاية بش� � ��أن اآلفاق االقتصادية‬ ‫والسياس� � ��ية لعام ‪ 2019‬وم� � ��ا بعده‪ .‬ومن‬ ‫الالفت للنظر أن الكثيري� � ��ن يظهرون إدراكًا‬ ‫متزاي � � �دًا للثق� � ��ة ح� � ��ول كيفي� � ��ة اس� � ��تغالل‬ ‫الفرص الس� � ��ريعة التغير يف الطباعة‪ ،‬حيث‬ ‫إن األس� � ��واق األوسع تس� � ��تخدم االتصاالت‬ ‫الرقمية بشكل متزايد"‪.‬‬ ‫يجن� � ��ي معظم أصح� � ��اب المطاب� � ��ع األموال‬ ‫عل� � ��ى الرغ� � ��م م� � ��ن الضغ� � ��ط الهائ� � ��ل على‬ ‫الهوام� � ��ش من خ� �ل��ال زي� � ��ادة العائدات عن‬ ‫طريق زيادة االس� � ��تخدام م� � ��ع الحفاظ على‬ ‫استقرار النفقات العامة قدر اإلمكان‪ .‬وعلى‬ ‫الصعي� � ��د العالم� � ��ي‪ ،‬رأينا زيادة بس� � ��يطة يف‬ ‫األس� � ��عار‪ ،‬على الرغم من الزيادات الكبيرة‬ ‫يف أسعار الورق ‪ /‬الطبقة األساسية‪ .‬وشهد‬ ‫الموردون ً‬ ‫أيضا ارتفاع اإليرادات واألس� � ��عار‬ ‫على مس� � ��توى العالم ولكن م� � ��ع انخفاض‬ ‫حاد يف هوامش األرباح‪.‬‬ ‫تس� � ��تمر أحج� � ��ام الطباع� � ��ة التقليدي� � ��ة يف‬ ‫االنخف� � ��اض ولك� � ��ن بب� � ��طء‪ .‬ويف ع� � ��ام ‪،2013‬‬ ‫ذكر ‪ ٪ 23‬من أصح� � ��اب المطابع أن الطباعة‬ ‫الرقمي� � ��ة كان� � ��ت أكث� � ��ر م� � ��ن ‪ 25٪‬م� � ��ن حجم‬ ‫الت� � ��داول‪ .‬ويف ع� � ��ام ‪ ،2018‬ارتفع� � ��ت نس� � ��بة‬ ‫أصحاب المطابع إىل ‪ .29٪‬ومع ذلك‪ ،‬ال يزال‬ ‫شيوعا‬ ‫اقتطاع ورق التغذية هو الشكل األكثر‬ ‫ً‬ ‫لتكنولوجي� � ��ا الطباعة‪ ،‬وهو ال� � ��ذي يتواجد يف‬ ‫‪ 66٪‬م� � ��ن جمي� � ��ع الطابعات‪ .‬ويس� � ��تمر حجم‬ ‫اقتط� � ��اع ورق التغذي� � ��ة يف النم� � ��و يف مج� � ��ال‬ ‫التغليف‪ ،‬ولك� � ��ن كان هناك انخفاض واضح‬

‫بين الطابعات التجارية ألول مرة‪.‬‬ ‫ترتف� � ��ع أحجام الويب للطباع� � ��ة‪ ،‬ولكن ببطء‪.‬‬ ‫ويف ع� � ��ام ‪ ،2014‬أفاد ‪ 17٪‬من المش� � ��اركين‬ ‫يف تركيبات‪ W2P‬أن أكثر من ‪ 25٪‬من قيمة‬ ‫التداول جاءت من هذا المصدر‪ .‬وبحلول عام‬ ‫‪ ،2018‬زادت هذه النس� � ��بة من المشاركين‬ ‫إىل ‪ .23٪‬واآلن‪ ،‬ف� � ��إن نس� � ��بة الطابع� � ��ات‬ ‫الم� � ��زودة بتركيبات ‪ W2P‬ثابتة‪ -25٪‬يف عام‬ ‫‪ 2014‬و‪ 25٪‬يف عام ‪.2018‬‬ ‫من حيث النفقات الرأس� � ��مالية‪ ،‬أنفق ‪41٪‬‬ ‫من أصح� � ��اب المطابع يف ع� � ��ام ‪ 2018‬أكثر‬ ‫م� � ��ن ع� � ��ام ‪ ،2017‬يف حين أنف� � ��ق ‪ 15٪‬فقط‬ ‫أق� � ��ل وزادت النفق� � ��ات يف جمي� � ��ع المناطق‬ ‫باستثناء أفريقيا‪ .‬وكانت تلك الموجودة يف‬ ‫أسواق التغليف واألسواق الوظيفية رائجة‬ ‫للغاي� � ��ة بينما كان� � ��ت يف األس� � ��واق التجارية‬ ‫وأسواق النشر أكثر حذراً‪ .‬وكان على نطاق‬ ‫واسع نفس النمط بين الموردين‪.‬‬ ‫بالنس� � ��بة ألصحاب المطابع‪ ،‬كانت معدات‬ ‫�يوعا يف‬ ‫التش� � ��طيب هي اله� � ��دف األكثر ش� � � ً‬ ‫ع� � ��ام ‪ ،2019‬تليها تقنية الطباعة ثم ما قبل‬ ‫النشر‪/‬سير العمل‪/‬نظام إدارة المعلومات‪.‬‬ ‫أما بالنس� � ��بة لتكنولوجيا الطباعة‪ ،‬فقد كان‬ ‫ل� � ��ون ورق التغذي� � ��ة من الحب� � ��ر الرقمي هو‬ ‫�يوعا لالس� � ��تثمار يف عام‬ ‫اله� � ��دف األكثر ش� � � ً‬ ‫‪ 2019‬لصالح س� � ��وق التغليف الذي شهد‬ ‫نم ًوا بنس� � ��بة ‪ 5٪‬يف نس� � ��بة أسواق منتجات‬ ‫‪ ،SKUspecill‬باس� � ��تثناء التغلي� � ��ف حي� � ��ث‬ ‫احتل اقتط� � ��اع ورق التغذية المرتبة األوىل‪.‬‬ ‫كما سادت الطباعة الرقمية "واي فاينج"يف‬ ‫جمي� � ��ع التطبيق� � ��ات‪ ،‬باس� � ��تثناء الملصقات‬ ‫حيث يكون الرقم بالفعل ‪.40٪‬‬

‫‪ME‌Printer May 2019‬‬

‫يوضح تقرير االتجاهات العالمية الس� � ��ادس‬ ‫"دروبا" أن صناع� � ��ة الطباعة العالمية ككل‬ ‫يف حالة مستقرة‪ .‬وصرح ‪ 40٪‬من أصحاب‬ ‫المطاب� � ��ع عل� � ��ى مس� � ��توى العال� � ��م أن حالة‬ ‫الش� � ��ركة االقتصادية كان� � ��ت "جيدة" يف عام‬ ‫‪ 2018‬مقاب� � ��ل ‪ 13٪‬مم� � ��ن وصف� � ��وا حالتهم‬ ‫بأنها "سيئة"‪ ،‬والبايق كانت "مرضية"‪ .‬وهذا‬ ‫ً‬ ‫صافيا إيجاب ًيا ق� � ��دره ‪.27٪‬‬ ‫يعط� � ��ي رصي � � �دًا‬ ‫وبالنس� � ��بة للموردي� � ��ن‪ ،‬كان الرصيد الصايف‬ ‫اإليج� � ��ايب ‪ .٪ 19‬وتظ� � ��ل كال المجموعتي� � ��ن‬ ‫متفائلتين حيث توقعت نسبة ‪ 50.50٪‬أن‬ ‫تكون األمور أفضل يف عام ‪.2019‬‬ ‫تختل� � ��ف الظ� � ��روف بي� � ��ن المناط� � ��ق وبي� � ��ن‬ ‫األس� � ��واق‪ .‬لذلك واصلت أمريكا الش� � ��مالية‬ ‫التمت� � ��ع بنمو قوي يف ع� � ��ام ‪ ،2018‬وتتمتع‬ ‫أوروبا وأس� � ��تراليا بنمو مطرد‪ ،‬يف حين كانت‬ ‫آسيا والشرق األوس� � ��ط وكارولينا الجنوبية‬ ‫حذرين وكانت أفريقي� � ��ا يف تراجع‪ .‬وتعكس‬ ‫نتائ� � ��ج عام ‪ 2018‬النم� � ��ط الثابت يف معظم‬ ‫المناطق‪ ،‬عل� � ��ى الرغم من أن االنخفاض يف‬ ‫الشرق األوسط وكارولينا الجنوبية يبدو أنه‬ ‫يزداد سو ًءا‪.‬‬ ‫يزده� � ��ر س� � ��وق التغلي� � ��ف بش� � ��كل عمل� � ��ي‪،‬‬ ‫ولك� � ��ن هناك عالم� � ��ات واضحة عل� � ��ى زيادة‬ ‫الحذر يف الس� � ��وق التجاري وما زال النش� � ��ر‬ ‫ضعي ًفا‪ ،‬مع استثناء مشجع لسوق الكتب‪.‬‬ ‫وعلقت س� � ��ابين غيلدرمان‪ ،‬مديرة "دروبا"‪،‬‬ ‫َ‬ ‫قائلة‪" :‬يوضح‬ ‫لفرع ميس� � ��ي دوس� � ��لدورف‪،‬‬ ‫التقري� � ��ر أنه مع م� � ��رور أكثر من ع� � ��ام بقليل‬ ‫على الوص� � ��ول إىل "دروبا" ‪ ،2020‬أصبحت‬ ‫الصناع� � ��ة العالمي� � ��ة يف وضع قوي بش� � ��كل‬ ‫ع� � ��ام‪ .‬وم� � ��ن الواض� � ��ح أن هن� � ��اك اختالفات‬ ‫كبي� � ��رة يف التوقعات يف مختل� � ��ف المناطق‬ ‫واألس� � ��واق حي� � ��ث يتغي� � ��ر الطلب بس� � ��رعة‬ ‫مع الظ� � ��روف االقتصادية واالس� � ��تخدامات‬ ‫المتط� � ��ورة للطباع� � ��ة‪ .‬وه� � ��ذه ه� � ��ي القيم� � ��ة‬ ‫الحقيقي� � ��ة لسلس� � ��لة اتجاه� � ��ات "دروب� � ��ا"‬ ‫العالمي� � ��ة‪ .‬ويس� � ��مح هذا للق� � ��راء بتتبع هذه‬ ‫االتجاه� � ��ات بم� � ��رور الوق� � ��ت وتحديد أفضل‬ ‫الس� � ��بل ألصحاب المطابع والموردين على‬ ‫حد سواء لالستثمار لتأمين مستقبل قوي‬ ‫داخل الصناعة"‪.‬‬ ‫ت� � ��أيت النتائ� � ��ج م� � ��ن المس� � ��ح الس� � ��نوي‬ ‫السادس الرئيس� � ��ي الذي صدر يف الخريف‬ ‫الماض� � ��ي إىل فريق خب� � ��راء "دروبا" من كبار‬ ‫صانع� � ��ي الق� � ��رار المعيني� � ��ن م� � ��ن أصحاب‬ ‫المطابع‪،‬والعارضي� � ��ن يف "دروب� � ��ا" ‪2016‬‬ ‫ويديره برينت فيوتش� � ��ر (المملكة المتحدة)‬ ‫وويسلر وبارتنر (الصين)‪ .‬وشارك أكثر من‬ ‫‪ 600‬صاحب مطبعة و‪ 200‬مورد مع جميع‬ ‫المناطق الممثلة تمثيال ً جيداً‪.‬‬ ‫كما صرح ريتش� � ��ارد جراي‪ ،‬مدير العمليات‬

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‫آراء وافكار‬

‫لماذا يتم تخصيص أغطية الجدران المطبوعة الرقمية للتطوير الديناميكي؟‬ ‫يتناول ديبي ماكيجان موضوع ورق الحائط الرقمي المطبوع وكيف إستوىل على عقل‬

‫‪ME‌Printer May 2019‬‬

‫ومخيلة عامة الناس وأصبح المحرك الرئيسي لسوق طباعة الديكور الداخلي‪.‬‬

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‫من المتوقع أن يتطور سوق ورق الجدران‬ ‫الرقم� � ��ي المطب� � ��وع م� � ��ن ‪ 2.53‬ملي� � ��ار دوالر‬ ‫إىل ‪ 7.74‬ملي� � ��ار دوالر على مدار الس� � ��نوات‬ ‫الخم� � ��س م� � ��ن ‪ 2018‬إىل ‪ 2023‬بمع� � ��دل‬ ‫س� � ��نوي مرك� � ��ب نس� � ��بته ‪ .٪ 25‬واس� � ��تند‬ ‫مجيء س� � ��وق األلفية وحبه للتكيف حسب‬ ‫المتطلبات وإضفاء الطابع الش� � ��خصيعلى‬ ‫المنتجات إىل الزخم الذي قدمه تطوير آالت‬ ‫الطباعة الرقمية لتك� � ��ون قادرة على خدمة‬ ‫الطلب بسرعة وكفاءة‪.‬‬ ‫ويعتب� � ��ر التأثي� � ��ر الجوه� � ��ري عل� � ��ى ه� � ��ذا‬ ‫الس� � ��وق هو االستفادة من اس� � ��تخدام ورق‬ ‫الج� � ��دران على الط� �ل��اء الداخل� � ��ي‪ .‬ويضفي‬ ‫ورق الجدرانالمطب� � ��وع رقم ًي� � ��ا على المظهر‬ ‫الجمايل للمساحة الجدارية‪ ،‬وتكون األوراق‬ ‫أكثر اقتص� � ��ادا مقارنة بالطالء الداخلي على‬ ‫الرغم من االستثمار األويل العايل‪ .‬باإلضافة‬ ‫إىل ذل� � ��ك‪ ،‬من المتوق� � ��ع أن يك� � ��ون القطاع‬ ‫الس� � ��كني هو القطاع األسرع نم ًوا يف سوق‬ ‫ورق الحائ� � ��ط المطب� � ��وع رقم ًيا خ� �ل��ال فترة‬ ‫التوق� � ��ع‪ .‬ويمك� � ��ن أن يع� � ��زى ه� � ��ذا النمو إىل‬ ‫ارتفاع عدد التشطيبات للوحدات السكنية‬ ‫التي تخلق الطلب عل� � ��ى الديكور الداخلي‪،‬‬ ‫إىل جان� � ��ب زي� � ��ادة يف مس� � ��تويات الدخ� � ��ل‬ ‫المتاح‪.‬‬

‫يف كلت� � ��ا الحالتي� � ��ن‪ ،‬يبدو اليوم أن� � ��ه ال يوجد‬ ‫مخطط داخلي‪ ،‬سواء أكان محل ًيا أم تجاريًا‪،‬‬ ‫كاملاً دون أن يقوم "الجدار المميز" بإصدار‬ ‫بيان عن العميل‪ .‬وتس� � ��اعد البيئة البصرية‬ ‫التي تم إنش� � ��اؤها بواسطة أغطية الجدران‬ ‫المصمم‬ ‫الت� � ��ي تتكيف مع اذواق العم� �ل��اء ُ‬ ‫من إنشاء بيئة مميزة حسب طلب العمالء‬ ‫تعك� � ��س مواضي� � ��ع متنوع� � ��ة مث� � ��ل نط� � ��اق‬ ‫منتج� � ��ات العمي� � ��ل أو بيان� � ��ات نم� � ��ط حياته‬ ‫الش� � ��خصية‪ .‬وس� � ��يطر القط� � ��اع الفوتوغرايف‬ ‫على س� � ��وق ورق الحائط المطب� � ��وع رقم ًيا‪،‬‬ ‫م� � ��ن خالل التكنولوجيا‪ ،‬يف عام ‪ ،2018‬ومن‬ ‫المتوقع أن يس� � ��تمر هذا االتجاه خالل فترة‬ ‫االستطالعات المستقبلية‪.‬‬ ‫يمكن أن تعزى هذه السيطرة والتفوق إىل‬ ‫بس� � ��اطتها يف االس� � ��تخدام وقابلية التوس� � ��ع‬ ‫وقدرته� � ��ا عل� � ��ى إنت� � ��اج مطبوع� � ��ات عالي� � ��ة‬ ‫الج� � ��ودة‪ .‬ويعتب� � ��ر الس� � ��ائد يف هذا الس� � ��وق‬ ‫ه� � ��و آالت "أت� � ��ش يب"و"ريكو"و"روالن� � ��د دي‬ ‫جي"و"أكس� � ��يكون"‪.‬ولقد زادت س� � ��رعات‬ ‫اإلنت� � ��اج والموثوقية يف الس� � ��نوات األخيرة‪،‬‬ ‫وتلته� � ��ا التط� � ��ورات المتزامن� � ��ة يف أنظم� � ��ة‬ ‫وبرمجيات معالجة الصور‪ ،‬والتي ساهمت‬ ‫جميعها يف التميز الفني المتواصل للمنتج‪.‬‬ ‫باس� � ��تخدام مجموعات الحبر التي تختلف‬

‫من "إيكو‪-‬س� � ��ولفنت"إىل "التكس"‪ُ ،‬تضفي‬ ‫ه� � ��ذه اآلالت الس� � ��عادة عل� � ��ى المصم� � ��م‬ ‫والمستهلك على حد سواء‪ ،‬و ُتنتج لوحات‬ ‫مطبوع� � ��ة عالي� � ��ة الدق� � ��ة حس� � ��ب طلب� � ��ات‬ ‫وأذواق العم� �ل��اء جاهزة للعمل‪ .‬ويف الوقت‬ ‫نفس� � ��ه‪ ،‬تم تطوير مجموعة أغطية الجدران‬ ‫القابلة للطباعة المتاحة لتلبية هذا السوق‬ ‫الشاس� � ��ع‪ .‬ويتم تقديم ال� � ��ورق المتخصص‬ ‫المطل� � ��ي غي� � ��ر المنس� � ��وج والطبق� � ��ات‬ ‫األساس� � ��ية المقاوم� � ��ة للحري� � ��ق وقواع� � ��د‬ ‫الطباعة المزخرفة اآلن على نطاق واس� � ��ع‪،‬‬ ‫مع "س� � ��يل"و" دي� � ��واريت" و"أهلس� � ��تروم"‬ ‫و"س� � ��ينتك" و"الن� � ��دور" المملك� � ��ة المتحدة‬ ‫التي تحتل الصدارة يف هذا المجال‪.‬‬ ‫يقابل نمو سوق ورق الجدران من"الفينيل"‪،‬‬ ‫التي تعززها تكلفتها المنخفضةومقاومتها‬ ‫للبقع ومتانتها وخصائص الصيانة السهلة‪،‬‬ ‫الجيل الثالث من الطبقات األساسية‪ ،‬التي‬ ‫تجمع بي� � ��ن هذه الخصائص م� � ��ع مجموعة‬ ‫واس� � ��عة من تأثي� � ��رات الس� � ��طح والخيارات‬ ‫المس� � ��تدامة‪ .‬وتعتبر األسطح الالمعة التي‬ ‫تبدو مش� � ��ابههللحريريف ملمسها وجاذبيتها‬ ‫واألس� � ��طح المعدنية يف طريقه� � ��ا إىل األمام‪،‬‬ ‫وتحقق الرون� � ��ق المتميز مع أنماط الخلفية‬ ‫المنس� � ��وجةوالدقيقة‪ .‬وعلى خلفية س� � ��وق‬ ‫المبيعات المزدهر‪ ،‬فيما يخص المعروض‬ ‫من تل� � ��ك المنتجات‪،‬فقد أضافت التطورات‬ ‫يف مج� � ��ال اآلالت والطبق� � ��ات األساس� � ��ية‬ ‫زخم � � �ا ً هائ� �ل �ا ً للطلب عليها وتوس� � ��يع نطاق‬ ‫جمال التصمي� � ��م واألداء الفني‪ ،‬مع الحفاظ‬ ‫يف الوق� � ��ت نفس� � ��ه عل� � ��ى جمي� � ��ع الصفات‬ ‫األساسية ألغطية الجدران المطبوعة رقم ًيا‬ ‫المخصصة حس� � ��ب الطل� � ��ب المحبوبة لدى‬ ‫المستهلك‪.‬‬ ‫ُيع� � ��د مع� � ��رض الطباعة العالم� � ��ي ‪FESPA‬‬ ‫‪ 2019‬هو أكبر معرض متخصص يف أوروبا‬ ‫يف مجال الطباعة على الشاش� � ��ة والطباعة‬ ‫الرقمي� � ��ة الواس� � ��عة وحل� � ��ول الطباعة على‬ ‫النس� � ��يج والالفت� � ��ات‪ .‬وس� � ��يعرض أصحاب‬ ‫المطاب� � ��ع للتصميم� � ��ات الداخل� � ��ي على حد‬ ‫سواء تطبيقات الديكور الداخلية والخارجية‪،‬‬ ‫بهدف توصيل أصحاب العالمات التجارية‪،‬‬ ‫ومصممي الديك� � ��ور الداخلي‪ ،‬والمصممين‬ ‫والمهندس� � ��ين المعماريي� � ��ن م� � ��ع مختلف‬ ‫الش� � ��ركات والش� � ��ركات المصنعة‪ .‬وس� � ��يتم‬ ‫ع� � ��رض العدي� � ��د م� � ��ن تطبيق� � ��ات الديك� � ��ور‬ ‫الداخلي‪ ،‬بما يف ذلك ورق الحائط وصناديق‬ ‫اإلضاءة والمفروش� � ��ات الناعمة بما يف ذلك‬ ‫الستائر والوسائد وأغطية الطاولة واأللواح‬ ‫الجانبية ورسومات النوافذ والكراسي‪.‬‬

‫زوند تطلق وحدات التوجيه الجديد المطلي‬ ‫تطرح زوند يف السوق وحدات توجيه جديدة‬ ‫مطلية بالكربون الشبيه بالماس‪ .‬يقلل الطالء‬ ‫م� � ��ن االحت� � ��كاك ويزيد م� � ��ن مقاوم� � ��ة التآكل‪،‬‬ ‫وبالت� � ��ايل يحقق نتائج عالية الجودة باإلضافة‬ ‫إىل األداء األفض� � ��ل والتوفي� � ��ر يف التكلفة‪ُ .‬تعد‬ ‫وح� � ��دات التوجي� � ��ه الجدي� � ��دة مفيدة بش� � ��كل‬ ‫خاص يف تطبيق� � ��ات التوجيه التي تش� � ��تمل‬ ‫على األلمنيوم ومركبات األلمنيوم والخشب‬ ‫والبويل إيثيلين ثنايئ الفينايل‪.‬‬ ‫يؤثر االحتكاك والتآكل أثناء عملية التوجيه‬ ‫بش� � ��كل كبير على جودة األج� � ��زاء المقطعة‬ ‫وأداء التوجي� � ��ه وطول عمر الوح� � ��دات‪ .‬نُعد‬ ‫طبق� � ��ات الط� �ل��اء الرقيق� � ��ة من أكث� � ��ر الطرق‬ ‫فعالية لتحقيق تحس� � ��ينات كبيرة يف األداء‬ ‫واإلنتاجية‪ .‬ويس� � ��مح الط� �ل��اء المبتكر ‪DLC‬‬ ‫(الكرب� � ��ون الش� � ��بيه بالم� � ��اس) بس� � ��رعات‬ ‫معالجة أكبر وبالقطع بأعماق مختلفة‪.‬‬ ‫يمكن تقليل عدد م� � ��رات التمرير‪ ،‬مما يزيد‬ ‫بش� � ��كل كبير من إنتاجي� � ��ة التوجيه‪ .‬ويمكن‬ ‫معالج� � ��ة مركب� � ��ات األلمني� � ��وم الت� � ��ي يصل‬ ‫س� � ��مكها إىل ‪ 4‬مم يف ممر واحد‪ ،‬بس� � ��رعات‬

‫تص� � ��ل إىل ‪ 11‬م ‪ 36 /‬قدم يف الدقيقة‪ .‬ويف‬ ‫كثير من الحاالت‪ ،‬يصبح التمرير النهايئ غير‬ ‫ضروري‪ ،‬مما يقلل من وقت اإلنتاج‪.‬‬ ‫وبس� � ��بب األس� � ��طح الناعمة والمتينة التي‬ ‫تنتج عن تلك العملية‪ ،‬تقلل الطبقة الرقيقة‬ ‫م� � ��ن الطالء االحتكاك‪ ،‬وتوف� � ��ر مقاومة تآكل‬ ‫ممت� � ��ازة‪ ،‬مما يزي� � ��د من عمر الوح� � ��دة بأكثر‬ ‫من الضعف‪ .‬وتساعد الخصائص المذكورة‬ ‫ً‬ ‫أيضا يف منع تراكم المواد على الوحدة عند‬ ‫معالج� � ��ة األكريليك أو األلومنيوم‪ .‬تس� � ��مح‬ ‫ق� � ��وى الس� � ��حب المنخفضة المؤث� � ��رة على‬ ‫المادة بتوجي� � ��ه معالم أكثر تفصيلاً ‪ ،‬ويمكن‬ ‫توجيه األجزاء األصغر حتى دون الحاجة إىل‬ ‫القناطر لتثبيتها يف مكانها‪.‬‬ ‫تقلل األسطح األكثر استوا ًء ً‬ ‫أيضا من كمية‬ ‫الحرارة المتولدة أثن� � ��اء التوجيه‪ ،‬مما يلغي‬ ‫الحاج� � ��ة إىل التبري� � ��د أو التش� � ��حيم‪ .‬يمك� � ��ن‬ ‫توجي� � ��ه األل� � ��واح المصنوعة م� � ��ن األلمنيوم‬ ‫ومركب� � ��ات األلومني� � ��وم وه� � ��ي جاف� � ��ة عن� � ��د‬ ‫اس� � ��تخدام هذه القطع‪ ،‬مما يسهل التعامل‬ ‫معه� � ��ا ويت� � ��رك القطع المقطوع� � ��ة ومنطقة‬

‫العمل نظيفة وجافة‪.‬‬ ‫تم تحس� � ��ين الوحدات الجديدة لالستخدام‬ ‫مع مغازل التوجيه من زوند وتتوفر بأقطار‬ ‫تتراوح ما بين ‪ 2‬إىل ‪ 6‬مم وألعماق التوجيه‬ ‫الت� � ��ي تصل إىل ‪ 22‬م� � ��م ‪ 0.87 /‬بوصة‪ .‬كما‬ ‫أنه� � ��ا متوفرة مع حلقة إيق� � ��اف‪ ،‬مما يجعلها‬ ‫مناس� � ��بة لالس� � ��تخدام م� � ��ع أداة المب� � ��دل‬ ‫األوتوماتيكي ‪.ARC‬‬

‫أفيري دينيسون تطلق إم يوس‬ ‫أطلقت أفيري دينيس� � ��ون مؤخ � � � ًرا إم يوس‪،‬‬ ‫وه� � ��ي عب� � ��ارة ع� � ��ن منص� � ��ة رقمي� � ��ة جديدة‬ ‫إللهام حل� � ��ول التصميم المبتكرة لمصممي‬ ‫ومحويل الملصقات واألغلفة‪ .‬إم يوس‪ ،‬التي‬ ‫هي اختصار لعبارة "المواد المس� � ��تخدمة"‪،‬‬ ‫عبارة ع� � ��ن ملتق� � ��ى يمكن للمس� � ��تخدمين‬ ‫أن يجدوا فيه اإلله� � ��ام ألنهم يتعرضون فيه‬ ‫لسمات تطبيق الملصقات ‪ -‬من الفنية إىل‬ ‫المحسوسة ‪-‬باإلضافة إىل اكتشاف المزيد‬ ‫حول العلوم وراء التصميم‪.‬‬ ‫ق� � ��ال أنج� � ��وس مكجوفن‪ ،‬المدي� � ��ر اإلبداعي‬ ‫العالم� � ��ي يف أفي� � ��ري دينيس� � ��ون‪" :‬تجم� � ��ع‬ ‫"إم ي� � ��وس" بين محت� � ��وى التصميم الملهم‬ ‫وخبرة علوم المواد الت� � ��ي تتمتع بها أفيري‬ ‫دينيس� � ��ون‪" .‬إنها واجهة س� � ��هلة االستخدام‬ ‫ُتظهر س� � ��حر المواد المس� � ��تخدمة"‪ .‬يحتوي‬

‫المصممين اآلخرين‪".‬‬

‫‪ME‌Printer May 2019‬‬

‫الموقع على مكتبة للم� � ��واد على اإلنترنت‪،‬‬ ‫حي� � ��ث يحصل المس� � ��تخدمون على منظور‬ ‫‪ 360‬درجة للملمس واللون والمحسوسية‬ ‫وإمكانية الطباع� � ��ة‪ .‬ويمكنهم ً‬ ‫أيضا الوصول‬ ‫إىل المحت� � ��وى التفصيل� � ��ي ال� � ��ذي أُنش� � ��ئ‬ ‫بالتعاون مع خبراء المجال والذي يش� � ��مل‬ ‫ال� � ��رؤى واالتجاه� � ��ات واإلله� � ��ام يف التصميم‬ ‫اإلبداعي‪.‬‬ ‫وق� � ��ال رال� � ��ف أولث� � ��وف‪ ،‬مدي� � ��ر التس� � ��ويق‬ ‫العالمي للخمور والمش� � ��روبات الروحية يف‬ ‫أفيري دينيسون‪" :‬إننا نعتبر إم يوس بمثابة‬

‫دفتر رقمي للمحولين العاملين لدينا بقدر‬ ‫ما نعتبره مصد ًرا إللهام المصممين‪ .‬يمكن‬ ‫أن يحم� � ��ل اإلبداعي� � ��ون صو ًرا عالي� � ��ة الدقة‬ ‫وينفذوا تصميماتهم بنا ًء عليها لمش� � ��اهدة‬ ‫المواد المستخدمة قبل طلب عينة"‪.‬‬ ‫وق� � ��ال ماكجوف� � ��ن "بدع� � ��م م� � ��ن أفي� � ��ري‬ ‫دينيسون‪ ،‬تزيد إم يوس من عمق معرفتنا‬ ‫بعل� � ��وم الم� � ��واد وحبن� � ��ا للتصميم وش� � ��غفنا‬ ‫به لتقدي� � ��م تجربة متكامل� � ��ة ملهمة لإلنتاج‬ ‫للمصممي� � ��ن والعالمات التجارية وطابعات‬ ‫الملصقات"‪.‬‬ ‫وقال دافيد تشاروين‪ ،‬المدير اإلبداعي لوكالة‬

‫التصميم اإليطالية دوين وشركاؤهم‪" :‬مواد‬ ‫الملصق� � ��ات ه� � ��ي الخامة التي أس� � ��تخدمها‬ ‫يف عمل� � ��ي‪ ،‬وهذا ينطب� � ��ق على أي مصمم"‪.‬‬ ‫"كلم� � ��ا زادت معرفت� � ��ك بالم� � ��واد وطريق� � ��ة‬ ‫اس� � ��تخدامها‪ ،‬كان عملك أفضل‪ .‬إنني أويل‬ ‫اهتمام� � ��ا كبي � � � ًرا بالتفاصيل‪ ،‬لك� � ��ن قبل كل‬ ‫ً‬ ‫شيء‪ ،‬أحاول بدء كل تصميم جديد باختيار‬ ‫المواد‪ .‬أنا متحمس ألن إم يوس ستس� � ��هل‬ ‫�ي االطالع ليس فقط عل� � ��ى المواد التي‬ ‫عل� � � ً‬ ‫يمكن أن تحس� � ��ن مستوى تصميمي ولكن‬ ‫ً‬ ‫أيضا على األفكار واإللهام المس� � ��توحى من‬

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‫منتجات وبرامج‬

‫أوكي تطلق طابعات ‪ C800 Series A3‬باأللوان يف السوق‬

‫أعلنت أوك� � ��ي يوروب عن إط� �ل��اق طابعات‬ ‫‪ Series C800‬الجدي� � ��دة م� � ��ن طابعات ‪A3‬‬ ‫باألل� � ��وان فائق� � ��ة الصغر وه� � ��ي تحقق نتائج‬ ‫احترافي� � ��ة داخل ًيا يف جميع أن� � ��واع األعمال‪.‬‬ ‫وعن طري� � ��ق التركي� � ��ز على إضاف� � ��ة القيمة‬ ‫للمؤسسات التي تس� � ��تعين عاد ًة بمصادر‬ ‫خارجية يف مهام الطباعة‪ ،‬تم تطوير ‪Series‬‬ ‫‪ C800‬للتعام� � ��ل مع أي م� � ��ن مهام الطباعة‬ ‫س� � ��واء كان� � ��ت كبي� � ��رة أو صغيرة وبس� � ��رعة‬ ‫وتوفير يف التكلفة‪.‬‬ ‫وبفض� � ��ل تقني� � ��ة لي� � ��د الرقمي� � ��ة الرائدة من‬ ‫أوك� � ��ي‪ ،‬يمك� � ��ن لطابع� � ��ة ‪Series C800‬‬ ‫التعامل مع مجموع� � ��ة هائلة من الخامات‬ ‫بألوان عالي� � ��ة الدقة‪ ،‬من الخامات المقطعة‬ ‫مس� � ��ب ًقا إىل الملصق� � ��ات الجذابة والالفتات‬ ‫العريضة‪ .‬إنها صغيرة الحجم وبها سرعات‬ ‫طباع� � ��ة عالية وتحقق نتائ� � ��ج عالية الجودة‪،‬‬ ‫مما يجعل سلسلة ‪ C800‬خيا ًرا مثال ًيا ألي‬ ‫ً‬ ‫وخاصة‬ ‫ن� � ��وع من أن� � ��واع األعمال التجاري� � ��ة‪،‬‬ ‫تجار التجزئة‪.‬‬ ‫تقنية االنصهار الجديدة الموفرة للطاقة من‬ ‫أوكي هي تقنية س� � ��ريعة اإلع� � ��داد واإلحماء‬

‫والع� � ��ودة إىل حالة الخمود تتيح للش� � ��ركات‬ ‫التي تستخدم ‪ Series C800‬توفير الوقت‬ ‫والطاقة دون اإلخالل بالجودة أو األداء‪.‬‬ ‫تعد ‪ C800 Series‬أصغر سلس� � ��ة طابعات‬ ‫أعم� � ��ال ملون� � ��ة ‪ A3‬يف الس� � ��وق‪ ،‬وتش� � ��مل‬ ‫‪ C824‬متع� � ��ددة االس� � ��تخدامات والتي ُتعد‬ ‫مثالي� � ��ة لألف� � ��راد ومجموع� � ��ات العمل ذوي‬ ‫االحتياج� � ��ات المختلف� � ��ة وتتي� � ��ح إمكاني� � ��ة‬ ‫طباع� � ��ة مس� � ��تندات يومية يس� � ��يرة التكلفة‬ ‫ونتائج رائع� � ��ة عالية التأثي� � ��ر على مبيعات‬ ‫مجموع� � ��ة كبي� � ��رة من الم� � ��واد وتس� � ��ويقها‪.‬‬ ‫يمك� � ��ن للمس� � ��تخدمين ً‬ ‫أيض� � ��ا أن يتمكن� � ��وا‬ ‫من استكش� � ��اف أخط� � ��اء محت� � ��وى الفيديو‬ ‫باس� � ��تخدام تطبيق أوكي للطباعة بالجوال‪.‬‬ ‫تمنع تكنولوجيا الطباعة الخاصة والتحقق‬ ‫من مس� � ��تخدم إص� � ��دار البطاق� � ��ة االختيارية‬ ‫الوص� � ��ول غير المص� � ��رح به وتس� � ��اعد على‬ ‫حماية بيانات الشركة‪.‬‬ ‫السلس� � ��لة مجه� � ��زة بالكام� � ��ل للتعامل مع‬ ‫الورق س� � ��واء كان وزنه خفي ًفا أو ثقيلاً ‪ ،‬بدقة‬ ‫تت� � ��راوح م� � ��ن ‪ 64‬إىل ‪ 256‬جيج� � ��ا هيرتز يف‬ ‫‪ 600 × 1200‬نقط� � ��ة يف البوص� � ��ة‪ ،‬تتعامل‬

‫‪ C824‬م� � ��ع المس� � ��تندات بأحج� � ��ام تت� � ��راوح‬ ‫م� � ��ن ‪ A6‬إىل ‪ ،A3‬بما يف ذلك الالفتات التي‬ ‫يصل حجها إىل ‪ 1.3‬متر‪ .‬توفر ‪ C834‬نفس‬ ‫المزاي� � ��ا التي توفرها ‪ C824‬وتعتمد التقنية‬ ‫الالسلكية باعتبارها التقنية القياسية‪ ،‬وبها‬ ‫إمكاني� � ��ة الطباع� � ��ة بضغ� � ��ط زر حتى يتمكن‬ ‫المس� � ��تخدمون م� � ��ن الطباعة مباش� � ��رة من‬ ‫الهواتف الذكية أو األجهزة اللوحية (أندرويد‬ ‫فق� � ��ط) وه� � ��ي مجه� � ��زة بخاصية إي� � ��ر برينت‬ ‫بواس� � ��طة ‪ Apple Inc‬وجاه� � ��زة للطباع� � ��ة‬ ‫باستخدام جوجل كالود ‪.2.0‬‬ ‫توف� � ��ر ‪ C834‬ج� � ��ودة إخ� � ��راج ‪ProQ2400‬‬ ‫عالي� � ��ة الدقة متع� � ��ددة المس� � ��تويات ودقة‬ ‫تبل� � ��غ ‪ 600 × 1200‬نقط� � ��ة يف البوصة من‬ ‫أجل طباعة دقيقة وواضحة يسهل قراءتها‪.‬‬ ‫وباإلضاف� � ��ة إىل ذلك‪ ،‬تحق� � ��ق ‪ C834‬التوفير‬ ‫يف تكاليف التش� � ��غيل‪ ،‬وذلك بفضل المواد‬ ‫االس� � ��تهالكية عالية الكف� � ��اءة‪ .‬وبجميع هذه‬ ‫المي� � ��زات التي تتمت� � ��ع به� � ��ا ‪ ،C834‬ترتقي‬ ‫‪ C844‬بالمبيع� � ��ات والتس� � ��ويق وإش� � ��ارات‬ ‫العم� �ل��اء االحترافي� � ��ة إىل المس� � ��توى التايل‬ ‫نصوص� � ��ا وص� � ��و ًرا فائق� � ��ة‬ ‫بحي� � ��ث تعط� � ��ي‬ ‫ً‬ ‫الوض� � ��وح وعالية الجودة بدق� � ��ة طباعة تبلغ‬ ‫‪ 1200 × 1200‬نقطة يف البوصة‪.‬‬ ‫ت� � ��م تجهي� � ��ز كل طابعة يف سلس� � ��لة ‪C800‬‬ ‫بشاش� � ��ة واضحة وسهلة االس� � ��تخدام وهي‬ ‫حاصل� � ��ة عل� � ��ى ش� � ��هادة بل� � ��و آنج� � ��ل لكفاءة‬ ‫التوفي� � ��ر يف الطاق� � ��ة‪ .‬حيث يوف� � ��ر المنصهر‬ ‫الجديد من أوك� � ��ي الطاقة يف حين أن وضع‬ ‫إيق� � ��اف التش� � ��غيل التلق� � ��ايئ يعم� � ��ل عل� � ��ى‬ ‫تقلي� � ��ل الطاق� � ��ة إىل أق� � ��ل م� � ��ن ‪ 0.15‬وات‬ ‫حال عدم االس� � ��تخدام‪ ،‬مم� � ��ا يزيد من كفاءة‬ ‫اس� � ��تخدام الطاقة‪ .‬تعمل الطباعة التلقائية‬ ‫عل� � ��ى الوجهي� � ��ن عل� � ��ى تقلي� � ��ل اس� � ��تخدام‬ ‫الورق ويمك� � ��ن للعمالء الوصول إىل برنامج‬ ‫أوك� � ��ي المجاين إلعادة التدوير‪ ،‬مما يس� � ��اعد‬ ‫الش� � ��ركات على العمل على نحو مس� � ��تدام‬ ‫وموفر للتكلفة قدر اإلمكان يف حالة الطباعة‬ ‫داخل الشركة‪.‬‬

‫‪ME‌Printer May 2019‬‬

‫كولور لوجيك تصادق على طابعات نفث الحبر باألشعة فوق‬ ‫البنفسجية سويس كيو برينت‬

‫‪49‬‬

‫صادق� � ��ت كول� � ��ور لوجي� � ��ك عل� � ��ى طابع� � ��ات‬ ‫نفث الحبر باألش� � ��عة فوق البنفس� � ��جية من‬ ‫س� � ��ويس كي� � ��و برينت الت� � ��ي تعم� � ��ل بالحبر‬ ‫األبي� � ��ض لالس� � ��تخدام م� � ��ع عملي� � ��ة كول� � ��ور‬ ‫لوجيك المعدنية‪.‬‬ ‫أثن� � ��اء مناقش� � ��ة ش� � ��هادة الطابع� � ��ة‪ ،‬ق� � ��ال‬ ‫مدي� � ��ر المبيع� � ��ات والتس� � ��ويق يف كول� � ��ور‬ ‫لوجي� � ��ك مارك جيفز‪" :‬لقد أظهرت عينات‬

‫الش� � ��هادات المقدم� � ��ة م� � ��ن س� � ��ويس كيو‬ ‫برينت بدق� � ��ة جميع التأثي� � ��رات الزخرفية‬ ‫والزينة باأللوان الخاص� � ��ة بكولور لوجيك‪.‬‬ ‫وطابعات س� � ��ويس كيو برينت لديها ً‬ ‫أيضا‬ ‫الق� � ��درة على إضافة ورنيش للطباعة‪ ،‬مما‬ ‫يزيد من قيمتها بالنس� � ��بة للعمالء بشكل‬ ‫كبير‪ .‬يراعي نظ� � ��ام كولور لوجيك الخاص‬ ‫باألل� � ��وان المعدني� � ��ة إمكاني� � ��ات الورنيش‪،‬‬

‫مم� � ��ا يوف� � ��ر لعمالء س� � ��ويس كي� � ��و برينت‬ ‫نظام أل� � ��وان معدن ًيا دقي ًق� � ��ا يضمن عمل ًيا‬ ‫إنت� � ��اج األل� � ��وان المطلوبة بش� � ��كل صحيح‬ ‫عند تشغيل الطابعة للمرة األويل‪ .‬ويمكن‬ ‫لعمالء سويس كيو برينت إبراز التأثيرات‬ ‫الزخرفي� � ��ة والزينة باأللوان الخاصة بكولور‬ ‫لوجيك بثق� � ��ة عن طريق اس� � ��تخدام ميزة‬ ‫الورنيش‪".‬‬

‫مقابلة ‪ -‬كانون‬

‫تؤدي أتمتة سير العمل إىل إنجاز عملية التشطيب‬ ‫بالكامل يف عالم اإلنتاج الرقمي‬ ‫جرى حوار مع أيمن علي‪ ،‬مدير التسويق األول بقطاع األعمال يف شركة كانون بالشرق‬ ‫األوسط‪ ،‬عن سبب كون التشطيب جز ًءا رئيس ًيا من صناعة الطباعة‪.‬‬

‫ما ن��وع التكنولوجي��ا واتجاهات الس��وق‬ ‫التي تراها يف صناعة تشطيب الطباعة؟‬ ‫وف ًقا لدراس� � ��ة أجرتها مؤسس� � ��ة سميذرز بيرا‬ ‫بعنوان "مس� � ��تقبل أسواق تشطيب الطباعة‬ ‫حتى عام ‪ ،"2023‬يف عام ‪ ،2018‬حقق السوق‬ ‫العالمي للمعدات الجديدة المس� � ��تخدمة يف‬ ‫مرحلة ما بع� � ��د الطباعة ‪ 4.87‬مليار دوالر‪ ،‬أي‬ ‫أقل قليلاً من المستوى المرتفع الذي حققه‬ ‫يف ع� � ��ام ‪ ،2013‬والذي بلغ ‪ 5.10‬مليار دوالر‪.‬‬ ‫ومن المتوقع أن ينتعش السوق قليلاً خالل‬ ‫الس� � ��نوات الخمس المقبل� � ��ة ليصل إىل ‪4.90‬‬ ‫مليار دوالر يف عام ‪.2023‬‬ ‫س� � ��يتم معالج� � ��ة ه� � ��ذا الموقف ع� � ��ن طريق‬ ‫زي� � ��ادة الطل� � ��ب عل� � ��ى مع� � ��دات تش� � ��طيب‬ ‫الطباع� � ��ة الرقمية‪ .‬إن الدافع وراء االبتكار يف‬ ‫س� � ��وق تش� � ��طيب الطباعة هو محاولة جعل‬ ‫الطباع� � ��ة أكثر جذبًا للمس� � ��تهلكين‪ ،‬وإضافة‬ ‫قيمة إىل المنتج النهايئ مع جودة تشطيب‬ ‫كبيرة‪ .‬ويش� � ��مل ذلك دم� � ��ج كل من النقش‬ ‫وتحسينات ما بعد الطباعة الرقمية والقطع‬ ‫باللي� � ��زر وعوام� � ��ل أخرى‪ ،‬يف آالت تش� � ��طيب‬ ‫الملصقات والتغليف والطباعة التجارية‪.‬‬

‫كيف تط��ورت تقنيات تش��طيب الطباعة‬ ‫على مر السنين؟‬ ‫اليوم‪ ،‬يمكن دمج عملية التشطيب بالكامل‬ ‫فيم� � ��ا قب� � ��ل الطباع� � ��ة والطباعة أثناء س� � ��ير‬ ‫العمل اس� � ��تنادًا إىل إمكانية نقل مواصفات‬ ‫المهم� � ��ة الرقمية من عملية إىل أخرى‪ .‬وبدلاً‬ ‫م� � ��ن إعداد مهمة يف مكان م� � ��ا‪ ،‬وطباعتها يف‬ ‫مكان آخر‪ ،‬وتجليدها يف مكان ثالث‪ ،‬يحدث‬ ‫كل ش� � ��يء يف خ� � ��ط إنتاج موح� � ��د مكون من‬ ‫مطبعة شبكية لها وحدات تشطيب متصلة‬ ‫بها مباشر ًة‪ .‬يف سيناريو التشطيب الرقمي‬ ‫المتصل بالخط هذا‪ ،‬تكون السلس� � ��لة عبارة‬ ‫عن "إدخ� � ��ال ورقة بيض� � ��اء يف آل� � ��ة الطباعة‬ ‫وإخراجه� � ��ا عب� � ��ارة عن منتج صال� � ��ح للبيع"‪:‬‬ ‫مطب� � ��وع ومهذب األط� � ��راف ومطوي ومجلد‬ ‫وجاهز للشحن إىل العميل يف خطوة واحدة‪،‬‬ ‫أساسا‪.‬‬ ‫وذلك كله باستخدام جهاز واحد‬ ‫ً‬ ‫نظ ًرا ألن الطباعة قد جعلت من نفسها سلعة‪،‬‬ ‫هل تعتقد أن اس��تخدام تقنيات التش��طيب‬ ‫المختلف��ة يمك��ن أن يك��ون عام��ل تميز يف‬ ‫السعي نحو البعد عن النمط السائد؟‬ ‫يف مج� � ��االت مث� � ��ل التغلي� � ��ف والتصمي� � ��م‬ ‫الداخل� � ��ي‪ ،‬يمك� � ��ن أن يحق� � ��ق التصمي� � ��م‬ ‫اإلبداعي الذي يمكن أن يس� � ��تخدم تقنيات‬ ‫الطباع� � ��ة الخاص� � ��ة‪ ،‬المدعوم� � ��ة بإمكانيات‬ ‫الطباع� � ��ة الرقمي� � ��ة والجم� � ��ع بي� � ��ن خيارات‬ ‫جا فريدًا‬ ‫التش� � ��طيب المختلفة‪ ،‬للعميل منت ً‬ ‫ومناس � � � ًبا الحتياجات� � ��ه‪ .‬ويضيف ه� � ��ذا األمر‬ ‫قيمة للمنتج نفس� � ��ه حيث إن� � ��ه يجعل منه‬ ‫تحف� � ��ة تس� � ��تهدف العم� �ل��اء المتخصصي� � ��ن‬ ‫رفيعي المستوى‪.‬‬ ‫يقدم التش��طيب الرقمي وعودًا بمنجزات‬ ‫هائل��ة وبالعدي��د م��ن المزايا‪ .‬وبن��ا ًء على‬ ‫ذلك‪ ،‬كيف يمكن للطابع��ات ودور اإلنتاج‬ ‫إظهار قيمة هذه المؤثرات الخاصة؟‬ ‫من المه� � ��م أن يك� � ��ون لديك تقني� � ��ة طباعة‬

‫يف حين أن العديد من الشركات المصنعة‬ ‫للمطاب��ع الرقمي��ة قد حس��نت العمليات‬ ‫الت��ي تق��وم بها‪ ،‬فال ي��زال خب��راء المجال‬ ‫يش��عرون أن التش��طيب ال ي��زال يمث��ل‬ ‫تحديً��ا‪ .‬هل ه��ذا القول صحي��ح؟ إذا كان‬ ‫الج��واب بنع��م‪ ،‬فما ال��ذي تفعل��ه حيال‬ ‫ذلك؟ وإذا كان الجواب ال‪ ،‬فلماذا؟‬ ‫تتط� � ��ور المج� � ��االت الثالثة لعملي� � ��ة الطباعة‬ ‫ مرحل� � ��ة م� � ��ا قب� � ��ل الطباع� � ��ة والطباع� � ��ة‬‫والنش� � ��ر ‪ -‬باس� � ��تمرار‪ .‬حيث يق� � ��وم مصنعو‬ ‫مع� � ��دات التش� � ��طيب بتطوي� � ��ر إم� � ��ا معدات‬ ‫تش� � ��طيب متصل� � ��ة بالخ� � ��ط أو غي� � ��ر متصلة‬ ‫بالخ� � ��ط بم� � ��ا يتوافق م� � ��ع تط� � ��ور تكنولوجيا‬ ‫الطباعة لضمان تلبي� � ��ة متطلبات تطبيقات‬ ‫الطباعة الديناميكية للعمالء‪ .‬وتلتزم كانون‬ ‫باالس� � ��تثمار يف ش� � ��راكات اس� � ��تراتيجية مع‬ ‫مختلف العالمات التجارية لتطوير مجموعة‬ ‫متنوعة من خي� � ��ارات التش� � ��طيب المتصل‬ ‫بالخ� � ��ط التي يمكن أن تدع� � ��م إنتاج العمالء‬ ‫يف المن� � ��زل يف الحفاظ عل� � ��ى الجودة العالية‬ ‫للطباعة واألتمتة والتوفير يف التكلفة‪.‬‬

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‫كي��ف يمك��ن أن تؤدي إضافة التش��طيب‬ ‫الرقمي ضمن مهام س��ير العمل الخاصة‬ ‫بالطابعات إىل تحسين أدائها؟‬ ‫اليوم‪ ،‬يمكن دمج عملية التشطيب بالكامل‬ ‫يف مرحلت� � ��ي م� � ��ا قب� � ��ل الطباع� � ��ة والطباع� � ��ة‬ ‫أثناء س� � ��ير العمل اس� � ��تنادًا إىل إمكانية نقل‬ ‫مواصف� � ��ات المهمة الرقمي� � ��ة من عملية إىل‬ ‫أخ� � ��رى‪ .‬وعندم� � ��ا يحدث ه� � ��ذا‪ ،‬يتغير نموذج‬ ‫تصني� � ��ع الطباع� � ��ة بالكامل‪ .‬و ُتعتب� � ��ر مرحلة‬ ‫م� � ��ا بع� � ��د الطباعة ع� � ��اد ًة أكثر مراح� � ��ل إنتاج‬ ‫الطباع� � ��ة من حيث تدخل العامل البش� � ��ري‬ ‫ً‬ ‫خاصة عندما‬ ‫يف حين أن التشطيب الرقمي‪،‬‬ ‫يحدث باالتساق مع عملية الطباعة‪ ،‬يتجاوز‬ ‫الصعوب� � ��ات عن طريق س� � ��د الفجوات التي‬ ‫غال ًب� � ��ا ما تؤدي إىل عزل خطوات العملية يف‬ ‫إطار عملية التجليد التقليدية‪.‬‬ ‫إن أتمتة سير العمل هي ما يؤدي إىل إنجاز‬ ‫عملية التش� � ��طيب بالكامل يف عالم اإلنتاج‬ ‫مهما بشكل خاص‬ ‫الرقمي‪ .‬ويعد هذا األمر‬ ‫ً‬ ‫يف المهام التي تحتوي على عناصر مطبوعة‬ ‫بش� � ��كل مختلف أو مكونات متعددة ‪ -‬على‬ ‫س� � ��بيل المثال‪ ،‬قوالب طباع� � ��ة الكتب التي‬ ‫به� � ��ا مالحق وأغلف� � ��ة مبوب� � ��ة ‪ -‬والتي يجب‬ ‫تجميعها بس� � ��رعة ودقة‪ .‬و ُيعد برنامج إدارة‬

‫اإلنتاج بريزما من كان� � ��ون حلاً قابلاً للتكيف‬ ‫مع س� � ��ير العم� � ��ل بما يتي� � ��ح لمطابع كانون‬ ‫وأوس� � ��يه العم� � ��ل بسالس� � ��ة م� � ��ع المعدات‬ ‫التي يوردها كبار مزودي أنظمة التشطيب‬ ‫معا‬ ‫الرقم� � ��ي‪ .‬ويمث� � ��ل البرنامج واألجه� � ��زة ً‬ ‫عملي� � ��ة التصنيع المتكامل رقم ًيا يف أقصى‬ ‫درجات الفعالية – بحيث يكون التشطيب‬ ‫هو الخطوة األكثر فعالية على اإلطالق‪.‬‬

‫رقمي� � ��ة متوافق� � ��ة م� � ��ع مع� � ��دات تش� � ��طيب‬ ‫األنظمة غير المتصل� � ��ة بالخط والقريبة من‬ ‫ً‬ ‫خاصة فيما يتعلق بالطالء أو الطالء‬ ‫الخ� � ��ط‪،‬‬ ‫الموضعي الذي يمنح المنجز النهايئ جودة‬ ‫مثل طباعة األوفس� � ��يت‪ .‬ومن ناحية أخرى‪،‬‬ ‫تتي� � ��ح خيارات التش� � ��طيب المتصلة بالخط‬ ‫االقتص� � ��ار عل� � ��ى الح� � ��د األدىن م� � ��ن التدخل‬ ‫البش� � ��ري وبالتايل تتيح إمكاني� � ��ة الحصول‬ ‫عل� � ��ى إنتاجي� � ��ة أعلى م� � ��ع توفي� � ��ر مجموعة‬ ‫متنوع� � ��ة تالئ� � ��م أكث� � ��ر تطبيق� � ��ات الطباع� � ��ة‬ ‫المطلوبة مثل الكتب والمجالت والنشرات‬ ‫والمواد التدريبية والبريد المباشر وما شابه‬ ‫ذلك‪.‬‬ ‫يوف� � ��ر ذل� � ��ك ح� �ًل��اً ش� � ��املاً للعمي� � ��ل بفضل‬ ‫الميزة اإلضافية المتمثل� � ��ة يف الطباعة عند‬ ‫الطلب‪ ،‬وتقصير م� � ��دة الطباعة‪ ،‬وإمكانيات‬ ‫مراعاة المتطلبات الشخصية والتخصيص‪.‬‬ ‫وتق� � ��دم المطاب� � ��ع الرقمي� � ��ة أفض� � ��ل النتائج‬ ‫عندما تكون مدعومة بمعدات التش� � ��طيب‬ ‫الرقم� � ��ي‪ .‬واليوم‪ ،‬يمك� � ��ن أن يمتلك المتجر‬ ‫أيًا م� � ��ن اإلمكانيات الالزم� � ��ة لمرحلة ما بعد‬ ‫الطباع� � ��ة التي تناس� � ��ب المع� � ��دات الرقمية‬ ‫الت� � ��ي يتطلبها ع� � ��بء العم� � ��ل ‪ -‬ليس فقط‬ ‫اآلالت‪ ،‬ولك� � ��ن ً‬ ‫أيض� � ��ا برامج س� � ��ير العمل و‬ ‫‪( DFEs‬الواجهات األمامية الرقمية)‪.‬‬

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‫االستدامة يف الطباعة والتلغيف‬

‫فعاال ً ومؤثرا ً أمر بالغ األهمية يف عملية اإلنتاج‬ ‫أن تكون ّ‬ ‫أنكي تشينغ‪ ،‬مدير المبيعات والتسويق لدى شركة "‪"LN Nano Technology Limited‬‬ ‫يتحدث إىل مجلة مي برنتر عن االستدامة يف صناعة الطباعة والتغليف‪.‬‬

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‫يف رأي��ك‪ ،‬هل االس��تدامة الي��وم أكثر من‬ ‫مج��رد كلمة كبيرة (كلم��ة ترويجية) أم أن‬ ‫الش��ركات مهتمة ح ًق��ا بتقدي��م منتجات‬ ‫وحلول مستدامة؟‬ ‫إننا نرى المزيد من الشركات تعمل بشكل‬ ‫متزاي� � ��د عل� � ��ى تحقي� � ��ق أهداف االس� � ��تدامة‬ ‫ضم� � ��ن اس� � ��تراتجيتهم أله� � ��داف األعم� � ��ال‬ ‫الش� � ��املة‪ .‬ه� � ��ذه بالتأكيد خط� � ��وة جيدة إىل‬ ‫األمام‪ ،‬إىل جانب المجتمع الذي يويل المزيد‬ ‫م� � ��ن االهتم� � ��ام تج� � ��اه التلوث البالس� � ��تيكي‬ ‫وآث� � ��اره عل� � ��ى بيئتنا‪ .‬كم� � ��ا أننا نش� � ��هد تحوال ً‬ ‫باتج� � ��اه الل� � ��ون األخض� � ��ر الذي أصب� � ��ح أكثر‬ ‫انتشا ًرا يف المنتجات االستهالكية‪.‬‬

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‫م��ا هي بعض اس��تراتيجيات االس��تدامة‬ ‫الخاصة بكم؟ وه��ل واجهتكم أية تحديات‬ ‫حتى اآلن؟‬ ‫إن العمل من أجل مس� � ��تقبل مستدام هو‬ ‫أحد أهداف التطوير الخاص بشركتنا‪ .‬حيث‬ ‫نتصور أنه� � ��ا بيئة صحية ومزدهرة اقتصاديا ً‬ ‫ومتنوع� � ��ة تنموي � � �ا ً يتم الس� � ��عي له� � ��ا يف آن‬ ‫مع � � �ا ً لضمان رفاهية ونوعي� � ��ة حياة األجيال‬ ‫الحالي� � ��ة والمقبلة‪ .‬وق� � ��د أدّى هذا إىل تطوير‬ ‫منتجنا من رغوة النش� � ��ا القابلة للتحلل (ب‬ ‫دي س ف� � ��وم) التي يتم إنتاجها من نش� � ��اء‬ ‫الذرة ومن المواد الخ� � ��ام الطبيعية األخرى‬ ‫وه� � ��ي عبارة ع� � ��ن م� � ��واد تعبئة مس� � ��تدامة‬ ‫خالية م� � ��ن النفايات وقابلة للتحلل خالل ‪7‬‬ ‫أس� � ��ابيع‪ .‬باإلضافة إىل خصائصها الخضراء‪،‬‬ ‫ت� � ��م وض� � ��ع اعتب� � ��ارات ً‬ ‫أيض� � ��ا يف مالم� � ��ح‬ ‫تصميمه كتغليف منتج ما‪ .‬وتش� � ��مل هذه‬ ‫االحتياج� � ��ات الحماية‪ ،‬وكذل� � ��ك قدرتها على‬ ‫تحمل التسليم والتخزين‪.‬‬ ‫فيم� � ��ا يتعل� � ��ق بالتحدي� � ��ات الت� � ��ي تواجهها‬ ‫ف� � ��إن األمر يرج� � ��ع إىل وعي الس� � ��وق ودعم‬ ‫الحكومة‪ .‬أحد المفاهيم الرئيسية الخاطئة‬ ‫لم� � ��واد التغليف المرتكزة على الذرة هو أنه‬ ‫ضغوط� � ��ا مفرطة على إنتاج األغذية‬ ‫يفرض‬ ‫ً‬ ‫وتوريده� � ��ا مما قد ي� � ��ؤدي ب� � ��دوره إىل إبطاء‬ ‫سوق المنتجات القابلة للتحلل‪.‬‬ ‫عل� � ��ى العكس من ذلك‪ ،‬فإن مواد التغليف‬ ‫الت� � ��ي تعتم� � ��د على الذرة ه� � ��ي األفضل ألن‬ ‫مادته� � ��ا الخام هي الذرة و تكون مس� � ��تدامة‬ ‫ورخيصة وسهلة اإلنتاج‪ .‬الذرة هي المصدر‬ ‫األقل تكلف� � ��ة واألكثر وفرة للس� � ��كر المتوفر‬ ‫تجارياً‪ .‬إذا تم التخلص منها بشكل صحيح‬ ‫فإن مواد التعبئة المصنوعة من نشا الذرة‬ ‫س� � ��وف تنقس� � ��م إىل ث� � ��اين أكس� � ��يد الكربون‬

‫والم� � ��اء يف غض� � ��ون ع� � ��دة أش� � ��هر‪ .‬كم� � ��ا أن‬ ‫الدع� � ��م الحكومي أمر بالغ األهمية أيضاً‪ .‬تم‬ ‫فرض حظر عل� � ��ى الحقائب وأكياس القش‬ ‫المصنوع� � ��ة م� � ��ن البالس� � ��تيك التقليدي يف‬ ‫إيطاليا وفرنسا وكاليفورنيا وهاواي وتايوان‬ ‫وقد تم توضيح أن أهداف السياسة الفردية‬ ‫البس� � ��يطة مثل الحد من القمامة يمكن أن‬ ‫تتحول إىل فوائد سياس� � ��ية أخرى واس� � ��عة‬ ‫النطاق مثل جمع النفايات الغذائية وإعادة‬ ‫تدوي� � ��ر النفايات العضوية‪ .‬حيث يثبت ذلك‬ ‫أن الدعم التش� � ��ريعي يمكن أن يدفع النمو‬ ‫ويشجع اتخاذ القرارات‪.‬‬ ‫حس��ب رأي��ك‪ ،‬م��ا ه��ي مج��االت صناعة‬ ‫الطباعة والتغليف الت��ي يمكن أن تصبح‬ ‫أكثر صداقة للبيئة؟ كيف ترى االس��تدامة‬ ‫كعامل متأثر ومؤثر على الصناعة ككل؟‬ ‫نحت� � ��اج يف صناع� � ��ة الطباع� � ��ة والتغليف إىل‬ ‫إلق� � ��اء نظرة على سلس� � ��لة القيم� � ��ة بأكملها‬ ‫من المواد إىل التكنولوجيا وصوال ً ألساليب‬ ‫اإلنت� � ��اج وذلك م� � ��ن أجل تحقي� � ��ق التغليف‬ ‫الصدي� � ��ق للبيئ� � ��ة‪ ،‬وال ت� � ��زال العدي� � ��د م� � ��ن‬ ‫الشركات يف "مرحلة" المواد‪ .‬سوف نحتاج‬ ‫إىل قي� � ��ام صناع� � ��ة بأكملها لنحق� � ��ق تراصفا ً‬ ‫وتزامنا مع سلسلة اإلنتاج الخاصة بهم من‬ ‫أج� � ��ل نفس الهدف المتمثل يف االس� � ��تدامة‬ ‫وتحقيق مس� � ��تقبل صحي‪ .‬يف حين أن هذا‬ ‫قد يب� � ��دو مثايل وبعي� � ��د المن� � ��ال إال أننا نود‬ ‫اإلشارة إىل صناعة األغذية كمثال‪.‬‬ ‫عاما إىل الوراء نجد أن الطعام‬ ‫بالع� � ��ودة ‪ً 50‬‬ ‫كان ضروريً� � ��ا لكس� � ��ب ال� � ��رزق‪ .‬لك� � ��ن اليوم‪،‬‬ ‫أصبح الطعام اآلن من أجل التوازن الغذايئ‬ ‫وحت� � ��ى بوجود قيمت� � ��ه الطبية حي� � ��ث يقود‬

‫التح� � ��ول يف األولويات نحو س� �ل��امة األغذية‪.‬‬ ‫وعلى نف� � ��س المن� � ��وال فإذا كان� � ��ت صناعة‬ ‫الطباع� � ��ة والتغليف تض� � ��ع الصديقة للبيئة‬ ‫كأولوي� � ��ة قصوى‪ ،‬فس� � ��وف ي� � ��ؤدي ذلك إىل‬ ‫استخدام الحبر اإليكولوجي والمواد البيئية‪،‬‬ ‫مع الحفاظ على المنتجات الصديقة للبيئة‬ ‫واالستدامة يف السوق للمستهلكين‪.‬‬ ‫كي��ف ترى اس��هامات مع��ارض كمعرض‬ ‫(ب��اك برين��ت إنترناش��يونال) يف تحقي��ق‬ ‫أهداف االستدامة للشركات؟‬ ‫يوف� � ��ر معرض "باك برينت إنترناش� � ��يونال"‬ ‫منبرا ً ينصب على نش� � ��ر الوعي حول حلول‬ ‫التغلي� � ��ف المس� � ��تدامة والمبتك� � ��رة‪ .‬حي� � ��ث‬ ‫يمك� � ��ن للش� � ��ركات أن تبذل ما يف وس� � ��عها‬ ‫لتحقي� � ��ق مس� � ��تقبل مس� � ��تدام‪ .‬إن� � ��ه يق� � ��دم‬ ‫بيئة مناس� � ��بة لالعبين يف الصناعة لاللتقاء‬ ‫م� � ��ن جميع أنح� � ��اء العالم وتب� � ��ادل المعرفة‬ ‫والمهارات‪.‬‬ ‫"إنّ الحاج��ة إىل الكف��اءة تدف��ع صناع��ة‬ ‫الطباعة والحِزم نحو االستدامة"‪ .‬هل هذه‬ ‫المقولة صحيحة؟ و لماذا؟‬ ‫يف رأينا‪ ،‬إن الحاجة إىل "الذهاب إىل البيئة"‬ ‫و "االنتق� � ��ال لألخضر" هو م� � ��ا يدفع صناعة‬ ‫الطباعة والتغليف نحو مستقبل مستدام‪.‬‬ ‫م� � ��ع وضع ذلك يف االعتب� � ��ار حيث نعتقد أن‬ ‫الكف� � ��اءة والفعالي� � ��ة أمر بال� � ��غ األهمية أثناء‬ ‫اإلنت� � ��اج‪ ،‬وكذلك الحاجة إىل الس� �ل��امة ‪ -‬ألن‬ ‫ه� � ��ذه ستش� � ��كل األس� � ��اس لالس� � ��تدامة مع‬ ‫تجن� � ��ب نضوب الم� � ��وارد الطبيعية من أجل‬ ‫الحف� � ��اظ عل� � ��ى الت� � ��وازن البيئي لس� � ��نوات‬ ‫عديدة قادمة‪.‬‬

‫معرض الخليج للطباعة والتغليف‬ ‫تق��دم "كانون" مجموع��ة منتجات طابعة‬ ‫إميجبريس سي ‪ 910‬الخفيفة‬

‫قدمت شركة كانون الشرق األوسط مجموعة "طابعات إميجبريس‬ ‫س� � ��ي ‪ 910‬يف المنطق� � ��ة للوف� � ��اء باحتياج� � ��ات الصناع� � ��ات الخفيفة‬ ‫ألصح� � ��اب المطابع التجارية وأقس� � ��امالطباعة المؤسس� � ��ية الكبيرة‬ ‫باإلضاف� � ��ة إىل المؤسس� � ��ات الصغي� � ��رة والمتوس� � ��طة الحج� � ��م التي‬ ‫تس� � ��عى لإلنتاج ميس� � ��ور التكلفة وبجودة عالية وتأمين التس� � ��ويق‬ ‫الداخلي المشخص‪.‬‬ ‫وتض� � ��م طابعات الحب� � ��ر ثالث مودي� �ل��ات ‪ imagePRESS C910 -‬و‬ ‫‪ C810‬و‪ C710‬بس� � ��رعات إنتاج ‪ 90‬صفحة يف الدقيقة و‪ 80‬صفحة‬ ‫يف الدقيق� � ��ة و‪ 70‬صفحة يف الدقيقة بورق وزنه يصل إىل ‪ 350‬جرام‬ ‫لكل متر مربع‪ .‬وهي مخصصة لإلنتاج الش� � ��هري النموذجي بمقدار‬ ‫‪ 500,000‬صفحة من الحجم ‪.A4‬‬ ‫ويمكن للجهاز ً‬ ‫أيضا إنتاج الفتات مطبوعة ‪ 1300‬ملم مما يوس� � ��ع‬ ‫محفظة المنتج� � ��ات التي يمكن للعمالء عرضه� � ��ا من أغلفة الكتب‬ ‫الخارجي� � ��ة إىل الملصقات إىل منش� � ��ورات من أربع� � ��ة أجزاء‪ .‬وتوجد‬ ‫مجموعة من خيارات التشطيب التي تعزز من مرونة االستخدام‪.‬‬

‫المبيعات والتسويق دارين بيكفورد الذي استغل وقته يف معرض‬ ‫الخلي� � ��ج للتغلي� � ��ف والطباع� � ��ة ‪ 2019‬يف تقديم الخبرة الهندس� � ��ية‬ ‫للشركة وتقنية الطباعة عالية الجودة يف المنطقة‪.‬‬

‫ترك��ز ش��ركة "بوبس��ت" عل��ى تحس��ين‬ ‫اإلنتاجية‬

‫تقدم ش��ركة "كوني��كا مينولتا" باتش��ات‬ ‫ملصقات صغيرة‬

‫تعتب� � ��ر طابع� � ��ة ‪ AccurioLabel 190‬الرقمي� � ��ة م� � ��ن ش� � ��ركة كونيكا‬ ‫مينولتا مركز اهتمام منصة الش� � ��ركة يف المعرض العالمي للطباعة‬ ‫‪ 2019‬حيث تظهر قدرات التكنولوجيا على إنتاج باتشات صغيرة‪.‬‬ ‫وتمتل� � ��ك طابع� � ��ة الملصق� � ��ات بصم� � ��ة صغي� � ��رة وحدود اس� � ��تثمار‬ ‫منخفض� � ��ة مما يجعله� � ��ا أداة مجدي� � ��ة إلنتاج باتش� � ��ات صغيرة من‬ ‫ملصق� � ��ات األل� � ��وان الكاملة لعدد من االس� � ��تخدامات مث� � ��ل المواد‬ ‫الغذائية والمش� � ��روبات ومس� � ��تحضرات التجميل والمستحضرات‬ ‫الصيدالنية‪.‬‬ ‫تم بناء الهيكل الرئيس� � ��ي للطابعة من جانب "جي إم" يف الدنمارك‬ ‫حيث يس� � ��تخدم محرك الطباعة تقنية التصوير الجاف ذات األلوان‬ ‫األربع� � ��ة والتي أنش� � ��أتها ش� � ��ركة كوني� � ��كا مينولتا‪ .‬يت� � ��م عرض خط‬ ‫تش� � ��طيب دي يب آر سكوربيو بعد الطباعة الرقمية لتوضيح القدرة‬ ‫على إنتاج روالت منتهية بشكل فعال‪.‬‬

‫س� � ��لطت شركة "بوبس� � ��ت" (أفريقيا والشرق األوسط) الضوء على‬ ‫مجموعة من تقنيات التحويل يف منطقة الش� � ��رق األوسط وشمال‬ ‫أفريقيا والتي ت� � ��م تصميمها من أجل أتمتة اإلنتاج وضمان الجودة‬ ‫وزي� � ��ادة األرب� � ��اح‪ .‬وتضمن� � ��ت ه� � ��ذه التقني� � ��ات تقطي� � ��ع المطبوعات‬ ‫والمعاينة المستقيمة وماكينات لصق الملفات باإلضافة إىل خدمة‬ ‫مجموع� � ��ة التوصي� � ��ل التي ترب� � ��ط جميع ماكينات "بوبس� � ��ت" على‬ ‫أرضي� � ��ة المتجر بأنظم� � ��ة المعلومات من أجل مراقب� � ��ة األداء وإدارة‬ ‫األجهزة‪.‬‬ ‫وس� � ��مح ذل� � ��ك للمس� � ��تخدمين باتخ� � ��اذ قرارات مس� � ��تنيرة بش� � ��أن‬ ‫التحس� � ��ينات‪ .‬وهن� � ��اك تطور آخر يتمث� � ��ل يف تقديم خدم� � ��ة "الواقع‬ ‫المع� � ��زز" من خالل خ� � ��ط المس� � ��اعدة "‪ "Helpline Plus AR‬والتي‬ ‫تس� � ��مح للعمالء بارت� � ��داء س� � ��ماعة رأس خاصة لك� � ��ي يتمكن خبير‬ ‫"بوبس� � ��ت" عملي� � ��ا من رؤي� � ��ة ما يفعله مش� � ��غل الماكين� � ��ة وتقديم‬ ‫تعليمات دقيقة بشأن ما يجب فعله‪.‬‬

‫تشارك شركة "أفرا " مع شركائها‬

‫‪ME‌Printer May 2019‬‬

‫عرضة ش� � ��ركة أف� � ��را مجموع� � ��ة من تقني� � ��ات تش� � ��طيب الطباعة يف‬ ‫منصته� � ��ا باإلضافة إىل تمثيل تقنية طباعة ش� � ��ركاؤها وهما ش� � ��ركة‬ ‫"إيديل" وش� � ��ركة تروجانالبل‪ .‬على س� � ��بيل المثال‪ ،‬يتم عرض عدد‬ ‫من أنظمة تش� � ��طيب الطباعة من بيترات� � ��و ومورجانا ورينو‪-‬أو‪-‬توف‬ ‫وأوشيدا‪.‬‬ ‫تظهر ‪ Champion Supercut 1060‬تقطيع المطبوعات كجزء من‬ ‫مس� � ��ار ابتكار المعرض‪ .‬تم تمثيل ش� � ��ركة "إيديل" من جانب مدير‬

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‫فيسبا‬

‫أحدث حلول الطباعة بالشاشة والطباعة الرقمية تتصدر عناوين‬ ‫المعرض العالمي للطباعة ‪2019‬‬

‫ومع تبقي أيام قليلة على افتتاح المعرض‪،‬‬ ‫تس� � ��تعد مجموعة م� � ��ن مصنع� � ��ي الطباعة‬ ‫بالشاشة والطباعة الرقمية وطباعة النسيج‬ ‫لعرض أحدث التقنيات والتطبيقات لقطاع‬ ‫الطباع� � ��ة يف المع� � ��رض العالم� � ��ي للطباعة‬ ‫‪ .2019‬وبع� � ��د نج� � ��اح المع� � ��رض العالم� � ��ي‬ ‫للطباعة ‪ 2018‬يف برلين‪ ،‬سيلتقي مقدمي‬ ‫خدمات الطباعة وصناع الالفتات مرة أخرى‬

‫يف "ميونخ" للتعرف على مجموعة واسعة‬ ‫من تقني� � ��ات الطباعة والمواد المس� � ��تهلكة‬ ‫والم� � ��واد م� � ��ن كل م� � ��ن الم� � ��اركات التجارية‬ ‫الرائدة والشركات الصغيرة‪.‬‬ ‫وتتمثل أحد الس� � ��مات الرئيس� � ��ية لمعرض‬ ‫الطباع� � ��ة العالم� � ��ي له� � ��ذا الع� � ��ام يف أنه من‬ ‫المق� � ��رر أن تكون طباعة النس� � ��يج هي نقطة‬ ‫الحوار الرئيسية يف هذه الفعالية حيث تمثل‬ ‫أكثر من ‪ 160‬عارض يعرضون حلول طباعة‬ ‫النس� � ��يج‪ .‬ستستخدم ش� � ��ركة "أومنبرينت"‬ ‫(القاع� � ��ة" أ" ‪ ،6‬المنص� � ��ة "د" ‪ )40‬مع� � ��رض‬ ‫فيسبا ‪ 2019‬كمنصة لعرض مجموعة من‬ ‫تقني� � ��ات الطباعة المباش� � ��رة على المالبس‬ ‫بما يف ذلك أحدث نظام ش� � ��يتاه إندستريال‬ ‫للطباعة المباشرة على المالبس‪.‬‬ ‫س� � ��تعرض ش� � ��ركة ميماكي أوروبا (القاعة‬ ‫"ب" ‪ ،6‬المنص� � ��ة "أ" ‪ )30‬الحب� � ��ر المع� � ��دين‬ ‫المعال� � ��ج باألش� � ��عة ف� � ��وق البنفس� � ��جية‪،‬‬ ‫‪ ،MUH-100-Si‬ال� � ��ذي يتواف� � ��ق مع طابعة‬ ‫‪ UJF-7151‬بلس الخاصة بالش� � ��ركة والتي‬ ‫تنتج طباع� � ��ة عالية الجودة لمجموعة رائعة‬ ‫من التطبيقات مثل الهدايا واألزياء الحديثة‬

‫واللوحات كبيرة الحجم‪.‬‬ ‫ستعرض شركة صن كيميكال (القاعة "ب"‬ ‫‪ ،4‬المنصة "ك" ‪ )10‬ملفها من أحبار الشاشة‬ ‫واألحب� � ��ار الصناعي� � ��ة وأحب� � ��ار الحج� � ��م الكبير‬ ‫وأحبار طابعات الحجم الفائق‪ .‬سيتم إطالق‬ ‫اإلضاف� � ��ات الجديدة لمجموع� � ��ة "صنتيكس"‬ ‫الخاصة بش� � ��كة "صن كيميكال" يف معرض‬ ‫فيس� � ��با ‪ DTY :2019‬و‪ PDY‬و‪ PDR‬وعينات‬ ‫طباعة متاح� � ��ة يف المعرض‪ .‬يعتبر ‪ DTY‬حبر‬ ‫نفاث" إنك جيت" باستخدام المداد المح ّول‬ ‫وطباعة مباش� � ��رة على المنسوجات يف حين‬ ‫أن ‪ PDY‬و‪ PDR‬يعتبر حبر نفاث" إنك جيت‬ ‫ملون تم إنتاجه لطباعة النسيج‪.‬‬ ‫س� � ��تعرض ش� � ��ركة "أس� �ل��ان" المتخصصة‬ ‫يف الم� � ��واد الالصقة الذاتي� � ��ة _القاعة "أ" ‪،5‬‬ ‫المنصة "و" ‪ )65‬شريط ميتاليكس أسالن‬ ‫إس إي ‪( 50‬مت� � ��اح يف اإلصدارات البالتينية‬ ‫والشمبانيا)‪ ،‬وهو شريط متطور لالستخدام‬ ‫على األسطح الكاملة أو لالستخدام كنقاط‬ ‫تسليط ضوء محددة (متاح يف إصدار فضي‬ ‫وإصدار ذهب� � ��ي) يضم تأثير م� � ��رآة بجانبين‬ ‫ومقاومة فائقة للخدش‪.‬‬

‫‪ME‌Printer May 2019‬‬

‫كانون تعرض أحدث الحلول لمتخصصي الالفتات والجرافيك يف‬ ‫معرض فيسبا ‪2019‬‬

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‫ستس� � ��اعد ش� � ��ركة "كان� � ��ون" متخصص� � ��ي‬ ‫الالفت� � ��ات والجرافيك يف إيج� � ��اد فرض نمو‬ ‫جديدة يف معرض فيسبا ‪ 2019‬وستعرض‬ ‫كيفية دعم تحس� � ��ين الكفاءات التشغيلية‬ ‫وتطبيق� � ��ات الهامش األعلى لنماذج العمل‬ ‫المتط� � ��ورة وتمكي� � ��ن الوصول إىل أس� � ��واق‬ ‫جديدة‪ .‬ستكون شركة "كانون" مصدر إلهام‬ ‫لحلول الطباع� � ��ة ذات الحجم الكبير وحلول‬ ‫س� � ��ير العمل التلقايئ بما يف ذلك مجموعة‬ ‫طابع� � ��ات "أوس� � ��ي أريزون� � ��ا" المس� � ��طحة‬ ‫وطابع� � ��ة "أوس� � ��ي كولورادو الرائ� � ��دة والتي‬ ‫تضم تقنية كانون ‪ .UVgel‬‬ ‫وس� � ��يتم عرض مجموعة "أوس� � ��ي أريزونا"‬

‫التي يتم عرضها ألول مرة يف فعالية دولية‬ ‫لكي يرى الزوار الطابعة المسطحة مباشرة‬ ‫بع� � ��د إطاله� � ��ا يف فبراي� � ��ر ‪ .2019‬وس� � ��يتم‬ ‫ع� � ��رض نموذج "أوس� � ��ي أريزونا ‪ 1380‬جي‬ ‫يت" يف المع� � ��رض العالم� � ��ي للطباعة ‪2019‬‬ ‫وس� � ��يعرض عل� � ��ى ال� � ��زوار كي� � ��ف تس� � ��اعد‬ ‫التكنولوجي� � ��ا يف إنتاج مجموعة أوس� � ��ع من‬ ‫التطبيق� � ��ات الت� � ��ي تعم� � ��ل مع أي وس� � ��يط‬ ‫صلب أو مرن تقري ًبا‪ .‬وسيتم عرض الطابعة‬ ‫الجديدة مع "أوس� � ��ي أريزونا إكس� � ��بيرت"‪،‬‬ ‫أح� � ��د حل� � ��ول البرمجي� � ��ات المبتك� � ��رة الت� � ��ي‬ ‫تساعد على تبس� � ��يط وأتمتة مهام الطباعة‬ ‫المعق� � ��دة‪ ،‬بم� � ��ا يف ذل� � ��ك االس� � ��تخدامات‬ ‫متعددة الطبقات وثنائية الطبقات‪.‬‬ ‫وس � � �تُتاح الفرص� � ��ة للعمالء للتع� � ��رف على‬ ‫مجموعة م� � ��ن االس� � ��تخدامات النس� � ��يجية‬ ‫المطبوع� � ��ة مباش� � ��رة باس� � ��تخدام طابع� � ��ة‬ ‫"أوس� � ��ي تاتشس� � ��تون" التي تمكن العديد‬ ‫من عم� �ل��اء الطباعة المس� � ��طحة من تقديم‬ ‫اس� � ��تخدامات عالي� � ��ة القيمة وموث� � ��وق بها‬ ‫بتكلف� � ��ة مناس� � ��بة‪ .‬وتتضمن النم� � ��اذج التي‬ ‫س� � ��يتم عرضه� � ��ا عل� � ��ى المنص� � ��ة أس� � ��طح‬ ‫نسيجية ونقش وإضافات معدنية وحروف‬ ‫بارزة‪ .‬وس� � ��يرى زائ� � ��رو منصة كان� � ��ون ً‬ ‫أيضا‬

‫طابعة "أوس� � ��ي أريزونا ‪ "6170‬ذات الفراغ‬ ‫ع� � ��ايل التدف� � ��ق‪ .‬وتحافظ ه� � ��ذه التقنية على‬ ‫الوس� � ��يط المثقوب مثل اللوحة المتموجة‬ ‫والخش� � ��ب المعاكس على س� � ��طح الطابعة‬ ‫مم� � ��ا يقلل م� � ��ن الحاجة إىل تدخل مش� � ��غل‬ ‫ي� � ��دوي ويضمن تس� � ��جيل دقي� � ��ق من أجل‬ ‫طباعة فائقة الجودة‪.‬‬ ‫وتس� � ��هم القدرة على الطباعة بش� � ��كل جيد‬ ‫على األسطح الس� � ��فلية الصلبة يف التنويع‬ ‫بين اس� � ��تخدامات التعبئة واالستخدامات‬ ‫الصناعي� � ��ة والديك� � ��ور الداخل� � ��ي‪ .‬س� � ��تقوم‬ ‫"أوس� � ��ي أريزون� � ��ا ‪ " 6170‬ذات الفراغ عايل‬ ‫التدف� � ��ق ‪ HFV‬بطباعة ع� � ��روض نقاط البيع‬ ‫وال� � ��ورق المق� � ��وى المط� � ��وي يف المع� � ��رض‬ ‫العالم� � ��ي للطباع� � ��ة ‪ .2019‬وس� � ��تعرض‬ ‫كان� � ��ون حل� � ��ول متكاملة بم� � ��ا يف ذلك وحدة‬ ‫القص المس� � ��طحة الرقمية "أوسي بروكت‬ ‫ويمكن للعمالء المهتمين بتحسين الكفاءة‬ ‫التش� � ��غيلية رؤية الخطوات االس� � ��تراتيجية‬ ‫التالي� � ��ة التي س� � ��تتخذها كان� � ��ون يف األتمتة‬ ‫مباشرة‪ .‬بالنسبة للزوار المهتمين بتقنيات‬ ‫الروالت‪ ،‬ستكون طابعة "أوسي كولورادو"‬ ‫الم� � ��زودة بتقني� � ��ة كان� � ��ون ‪ UVgel‬هي مركز‬ ‫اهتمام المنصة‪.‬‬

‫حصل فريق كوداك فليكسيل سوليوشنز الفني على شهادة‬ ‫أخصايئ تنفيذ أول من الجمعية الفلكسوغرافية الفنية‬ ‫خ� �ل��ال ع� � ��ام ‪ ،2018‬حصل� � ��ت مجموع� � ��ة‬ ‫ميراكل� � ��ون للتطبيق� � ��ات الفني� � ��ة يف مج� � ��ال‬ ‫الفلكس� � ��وغرافيا يف أمريكا وكندا‪ ،‬باإلضافة‬ ‫إىل ثالثة أعضاء من فري� � ��ق دعم المنتجات‬ ‫العالمي‪ ،‬على ش� � ��هادة أخص� � ��ايئ تنفيذ أول‬ ‫م� � ��ن خالل التدري� � ��ب المقدم م� � ��ن الجمعية‬ ‫الفلكس� � ��وغرافية الفني� � ��ة (‪ .)FTA‬يق� � ��وم‬ ‫الفريق يف ميراكلون‪ ،‬الشركة الجديدة التي‬ ‫تشكلت من خالل البيع الذي أُجري مؤخ ًرا‬ ‫لش� � ��ركة كوداكس فلس� � ��كوغرافيك‪ ،‬بوضع‬ ‫مهاراتهم الجديدة حي� � ��ز التنفيذ حيث إنهم‬ ‫يس� � ��اعدون أخصايئِّ الفلكس� � ��وغرافيا على‬ ‫اس� � ��تخراج أقصى قيمة من لوحات كوداك‬ ‫فلكس� � ��ل إن إك� � ��س الخاصة به� � ��م يف أمريكا‬ ‫الشمالية‪.‬‬ ‫عاما‪ ،‬س� � ��اعدت‬ ‫عل� � ��ى م� � ��دى أكثر م� � ��ن ‪ً 20‬‬ ‫مواصف� � ��ات نس� � ��خ الص� � ��ور الفلكس� � ��وغرايف‬ ‫وتفاوتاتها‪( FIRST‬مواصفات نس� � ��خ الصور‬ ‫الفلكسوغرايف وتفاوتاتها) الطابعات المرنة‬ ‫يف االرتق� � ��اء بعملياتها إىل المس� � ��توى التايل‬ ‫عن طريق توفي� � ��ر اإلج� � ��راءات والمنهجيات‬ ‫الالزم� � ��ة لتحقي� � ��ق نتائ� � ��ج عالي� � ��ة الج� � ��ودة‬ ‫ومتسقة‪ ،‬يف عمليات الطباعة الواحدة بعد‬ ‫األخرى‪.‬‬ ‫وعل� � ��ق ج� � ��و توتش� � ��يتو‪ ،‬مدي� � ��ر التعلي� � ��م يف‬ ‫الجمعي� � ��ة الفلكس� � ��وغرافية الفني� � ��ة‪ ،‬قائ� �ًل��اً ‪:‬‬ ‫"إن مواصفات نسخ الصور الفلكسوغرايف‬ ‫وتفاوتاته� � ��ا هي مجموعة م� � ��ن المواصفات‬ ‫الت� � ��ي أثبت� � ��ت أهميته� � ��ا يف تحس� � ��ين جودة‬ ‫الطباعة الفلكسوغرافية لمنافسة عمليات‬

‫طباع� � ��ة التغليف األخ� � ��رى‪ .‬تس� � ��اعد برامج‬ ‫الش� � ��هادات الفردية مواصفات نسخ الصور‬ ‫الفلكس� � ��وغرايف وتفاوتاتها محتريف الطباعة‬ ‫الفلكس� � ��وغرافية يف االلت� � ��زام بالمواصفات‪.‬‬ ‫نحن يف الجمعي� � ��ة الفلكس� � ��وغرافية الفنية‬ ‫نفخ� � ��ر ب� � ��أن ميراكل� � ��ون ق� � ��د انضم� � ��ت إىل‬ ‫مصاف هؤالء المحترفي� � ��ن يف مواصلة رفع‬ ‫مستويات الجودة يف مجال الفلكسوغرافيا‬ ‫إىل آفاق جديدة‪".‬‬ ‫على مدار السنوات العشر الماضية‪ ،‬طورت‬ ‫الجمعي� � ��ة الفلكس� � ��وغرافية الفني� � ��ة أحدث‬ ‫برامج منح الشهادات الفردية على اإلنترنت‬ ‫لمس� � ��اعدة الش� � ��ركات يف تطبي� � ��ق منهجية‬ ‫مواصف� � ��ات نس� � ��خ الص� � ��ور الفلكس� � ��وغرايف‬ ‫وتفاوتاتها‪ .‬الذين يحملون ش� � ��هادات فردية‬ ‫يف مواصفات نس� � ��خ الصور الفلكسوغرايف‬ ‫وتفاوتاتها هم فليكس� � ��وجرافيون أكثر قدرة‬ ‫وكفاءة ويمكنهم إدخال تحسينات وتحقيق‬ ‫االتساق ونتائج حقيقية يف أي سير عمل‪.‬‬ ‫تنتج ش� � ��هادات أخصايئ مواصفات نس� � ��خ‬ ‫الصور الفلكس� � ��وغرايف وتفاوتاتها‪ ،‬خبراء يف‬ ‫دع� � ��م الطباعة الفلكس� � ��وغرافية والتش� � ��اور‬ ‫واالتص� � ��ال‪ ،‬يجيدون ف� � ��ن التعريف بمبادئ‬ ‫وممارس� � ��ات مواصف� � ��ات نس� � ��خ الص� � ��ور‬ ‫الفلكسوغرايف وتفاوتاتها‪ .‬يوضح المستوى‬ ‫الثال� � ��ث كيفي� � ��ة تطبي� � ��ق عل� � ��م منهجي� � ��ة‬ ‫مواصف� � ��ات نس� � ��خ الص� � ��ور الفلكس� � ��وغرايف‬ ‫وتفاوتاتها عن طري� � ��ق اتباع األرقام للتحكم‬ ‫يف العملية‪ .‬إنه يضمن لكل متعلم األدوات‬ ‫المناسبة للتعريف بمواصفات نسخ الصور‬

‫الفلكس� � ��وغرايف وتفاوتاتها بش� � ��كل مستمر‬ ‫وفعال خالل سير العمل بأكمله‪.‬‬ ‫قال كريس باين‪ ،‬الرئيس التنفيذي لشركة‬ ‫ميراكلون‪" :‬مع حلولنا التي أطلقتها كوداك‬ ‫فليكس� � ��ل‪ ،‬حققنا س � � �جلاً حافلاً من االبتكار‬ ‫الفني يف مجال الفلكس� � ��وغرافيا يدعم نمو‬ ‫عمالئنا ونجاح أعمالهم‪ .‬نحن يف ميراكلون‪،‬‬ ‫يش� � ��رفنا أن يكون لدينا هذا الفريق المتفرغ‬ ‫من الموظفين المهرة ولحظة حصولنا على‬ ‫ش� � ��هادة أخص� � ��ايئ مواصفات نس� � ��خ الصور‬ ‫الفلكس� � ��وغرايف وتفاوتاته� � ��ا كان� � ��ت لحظ� � ��ة‬ ‫فخ� � ��ر بالغ بالنس� � ��بة لنا‪ .‬وال ت� � ��زال الجمعية‬ ‫الفلكس� � ��وغرافية الفني� � ��ة مس� � ��تمرة يف‬ ‫التفوق يف المعايي� � ��ر التي تضعها يف مجال‬ ‫الفلكسوغرافيا‪".‬‬

‫إي إف آي (إلكترونيكس فور إيميجينج) تستحوذ على (يب دي آر بويا كيميا)‬

‫‪ME‌Printer May 2019‬‬

‫أعلنت ش� � ��ركة إلكترونيكس فور إيميجينج‬ ‫أنها اس� � ��تحوذت عل� � ��ى يب دي آر بويا كيميا‬ ‫س� � ��ان‪ .‬تي� � ��ك‪ .‬إي� � ��ه إس الكائ� � ��ن مقره� � ��ا يف‬ ‫بورسا‪ ،‬تركيا‪ ،‬يب دي آر هي الشركة الرائدة‬ ‫يف مجال أحبار الطابعات التفاعلية النافثة‬ ‫للحبر المستخدمة يف طباعة المنسوجات‬ ‫الرقمي� � ��ة الصناعي� � ��ة‪ .‬يب دي آر قيد الدمج‬ ‫يف إي إف آي ريجي� � ��اين‪ ،‬الش� � ��ركة الرائ� � ��دة‬ ‫عالم ًيا يف تكنولوجيا طابعات المنسوجات‪،‬‬ ‫وس� � ��تواصل تطوير األحبار‪ ،‬والعمل بشكل‬ ‫وثي� � ��ق م� � ��ع عمالئه� � ��ا ودعمهم م� � ��ع زيادة‬ ‫إمكانياته� � ��ا وتطويرها‪ .‬ينض� � ��م موظفو "يب‬ ‫دي آر" إىل ش� � ��ركة "إي إف آي"‪ ،‬ويعملون‬ ‫من أماكنهم الحالية يف تركيا‪ .‬وعلى الرغم‬ ‫م� � ��ن عدم الكش� � ��ف ع� � ��ن األح� � ��كام المالية‬ ‫لعملية االستحواذ‪ ،‬إال أنه من غير المتوقع‬ ‫أن تك� � ��ون جوهري� � ��ة بالنس� � ��بة لنتائج الربع‬ ‫الث� � ��اين م� � ��ن الع� � ��ام الماض� � ��ي أو نتائج عام‬

‫‪ 2019‬بالكامل‪.‬‬ ‫ق� � ��ال أديل جينوين نائ� � ��ب رئيس إي إف آي‬ ‫ريجي� � ��اين ومديرها العام‪" :‬إننا متحمس� � ��ون‬ ‫تمام� � ��ا‬ ‫لوج� � ��ود فري� � ��ق يب دي آر وندع� � ��م‬ ‫ً‬ ‫عمالءهم الرائدين يف هذا المجال"‪ .‬وأضاف‬ ‫"س� � ��يكون الت� � ��آزر المتحق� � ��ق م� � ��ع يب دي آر‬ ‫والحافظة العالمية لطابعات النسيج التي‬ ‫تنتجه� � ��ا إي إف آي ريجياين من ضمن نقاط‬ ‫االهتمام األساس� � ��ية بالنس� � ��بة لنا لمواصلة‬ ‫تقدي� � ��م منتجات وابت� � ��كارات عالية الجودة‪.‬‬ ‫تعم� � ��ل إي إف آي ريجياين ً‬ ‫أيضا على تعزيز‬ ‫وجودها يف تركيا بشكل كبير من خالل هذا‬ ‫االستحواذ‪ ،‬الذي يجعلنا يف قلب أحد مراكز‬ ‫صناعة النسيج المهمة والمتنامية‪".‬‬ ‫تأسس� � ��ت يب دي آر يف عام ‪ ،2016‬وشهدت‬ ‫ً‬ ‫ملحوظا منذ انطالقها يف السوق‪ .‬تقدم‬ ‫نم ًوا‬ ‫الشركة خدماتها للعديد من أفضل شركات‬ ‫تصنيع النسيج والمالبس يف العالم‪ ،‬حيث‬

‫ً‬ ‫موثوقا بها تزيد من التوفير‬ ‫تقدم منتج� � ��ات‬ ‫يف التكلف� � ��ة والج� � ��ودة يف مج� � ��ال الطباع� � ��ة‬ ‫الرقمي� � ��ة‪ .‬وبفض� � ��ل إمكانياته� � ��ا التجاري� � ��ة‬ ‫مهما يف‬ ‫العالي� � ��ة‪ ،‬حققت يب دي آر تواج � � �دًا‬ ‫ً‬ ‫تركيا وباكس� � ��تان‪ ،‬وبشكل متزايد يف جميع‬ ‫أنحاء أوروبا والشرق األوسط والهند كذلك‪.‬‬ ‫صرح س� � ��يرا س� � ��اتش أوغلو يل� � ��دز وإبراهيم‬ ‫ديمير‪ ،‬مؤسس� � ��ا ش� � ��ركة يب دي آر‪ ،‬قائلين‪:‬‬ ‫دائم� � ��ا على الفرص‬ ‫"لق� � ��د رك� � ��زت يب دي آر‬ ‫ً‬ ‫المتنامية يف جمي� � ��ع أنحاء العالم المرتبطة‬ ‫بالتكنولوجي� � ��ا الرقمي� � ��ة لزيادة االس� � ��تدامة‬ ‫يف مجال النس� � ��يج باس� � ��تخدام أحبار عالية‬ ‫األداء والجودة"‪" .‬تتناس� � ��ب حافظة ريجياين‬ ‫العالمي� � ��ة األفض� � ��ل من نوعها م� � ��ع أهدافنا‬ ‫الرئيس� � ��ية المتعلق� � ��ة باالبت� � ��كار والنمو‪ .‬إننا‬ ‫متحمسون لالنضمام إىل إي إف آي للعمل‬ ‫معا عل� � ��ى تطوي� � ��ر عملية تحوي� � ��ل الطباعة‬ ‫ً‬ ‫التناظرية إىل طباعة رقمية يف هذا المجال"‪.‬‬

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‫األخبار‬

‫‪ME‌Printer May 2019‬‬

‫أوكي يوروب تتجاوز حدود اإلبداع واللون يف اتحاد جمعيات طابعات‬ ‫الشاشة األوروبية ‪FESPA 2019‬‬

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‫ً‬ ‫معرضا يف اتحاد‬ ‫ستقيم أوكي يوروب ليمتد‬ ‫جمعيات طابعات الشاشة األوروبية ‪2019‬‬ ‫س� � ��تعرض فيه حلولاً لزي� � ��ادة اإليرادات تركز‬ ‫على س� � ��وق الطباعة الربحي� � ��ة يف ‪Hall A5،‬‬ ‫‪ .Stand F10‬ومن معاينة اإلضافة الجديدة‬ ‫إىل حافظة طباعة الحب� � ��ر األبيض من أوكي‬ ‫مع البدي� � ��ل الفريد ال� � ��ذي تقدم� � ��ه للطباعة‬ ‫على المالبس‪ ،‬إىل طابعات الخطوط الكبيرة‬ ‫والملصق� � ��ات‪ ،‬س� � ��تعرض أوك� � ��ي أجهزته� � ��ا‬ ‫المعتم� � ��دة عل� � ��ى التطبيق� � ��ات والتي تمكن‬ ‫مراك� � ��ز الطباع� � ��ة والش� � ��ركات المبدع� � ��ة من‬ ‫اس� � ��تغالل فرص جديدة لتحقيق اإليرادات‬ ‫وتوس� � ��يع قاع� � ��دة عمالئه� � ��ا ب� � ��أن تجع� � ��ل‬ ‫العملي� � ��ات المعقدة والتي تس� � ��تهلك وقتًا‬ ‫وتكلفة سريعة وموفرة يف التكلفة‪.‬‬ ‫يف اتح� � ��اد جمعي� � ��ات طابع� � ��ات الشاش� � ��ة‬ ‫األوروبية هذا العام‪ ،‬ستعرض أوكي يوروب‬ ‫ق� � ��درات األداء المذهل� � ��ة لمجموعة طابعات‬ ‫الخطوط الكبي� � ��رة كولوربينت� � ��ر‪ ،‬بما يف ذلك‬ ‫عرض ملصقات السيارة المباشر بالشراكة‬ ‫مع درايتاك‪ .‬س� � ��تتم طباعة ملصق السيارة‬ ‫على ‪ M-64s‬ولصقه مباش� � ��رة على مركبة‬ ‫عل� � ��ى حام� � ��ل أوكي إلظه� � ��ار حيوي� � ��ة األلوان‬ ‫والجودة بما يف ذلك تناسق األلوان وقابلية‬ ‫الخامة للمد وكذلك المتانة الخارجية‪.‬‬ ‫س� � ��تعرض أوك� � ��ي بالش� � ��راكة مع س� � ��نتيك‬ ‫إنترناش� � ��ونال وبرج� � ��ر تكس� � ��تايل ً‬ ‫أيضا ورق‬

‫الحائ� � ��ط (‪ )M-64s‬والطباع� � ��ة على أغطية‬ ‫الجدران القماش� � ��ية (‪ ،)H3-104s‬مع إبراز‬ ‫التفاصيل متناهية الدقة والدهانات األشد‬ ‫س� � ��وادًا يف الس� � ��وق‪ ،‬مم� � ��ا يجعله� � ��ا مثالية‬ ‫للتطبيقات المتطورة‪.‬‬ ‫وم� � ��ن أب� � ��رز المي� � ��زات يف جن� � ��اح أوك� � ��ي تقنية‬ ‫الحبر القابل للتح� � ��ول التي تم إطالقها مؤخ ًرا‬ ‫للطابعة‪ Pro8432WT A3‬التي تعمل بالحبر‬ ‫األبيض‪ ،‬والتي تمكن العمالء من التبديل بين‬ ‫ألوان الس� � ��ماوي واألرجواين واألصفر واألسود‬ ‫والسماوي واألرجواين واألصفر واألبيض‪.‬‬ ‫وسيتيح هذا األمر لمحالت الطباعة توسيع‬ ‫عروض خدماته� � ��ا للطباعة باللون األس� � ��ود‬ ‫عل� � ��ى المالب� � ��س أو المنس� � ��وجات والم� � ��واد‬ ‫الخفيف� � ��ة وكذلك اس� � ��تخدام الحبر األبيض‬ ‫عل� � ��ى الوس� � ��ائط ذات الل� � ��ون الداك� � ��ن حتى‬ ‫يتمك� � ��ن العمالء من الحص� � ��ول على فرص‬ ‫إضافي� � ��ة لتحقي� � ��ق اإليرادات‪ُ .‬تع� � ��د اإلضافة‬ ‫الجدي� � ��دة إىل مجموع� � ��ة طابع� � ��ات الحب� � ��ر‬ ‫األبي� � ��ض بمثاب� � ��ة عام� � ��ل تف� � ��وق حقيقي يف‬ ‫مج� � ��ال نقل الطباعة وتح ٍد حقيقي لس� � ��وق‬ ‫الطباعة عل� � ��ى المالبس‪ .‬ونظ � � � ًرا لكون هذا‬ ‫الجهاز الجديد معدًا لالستخدام يف المجال‬ ‫الصناعي تحديدًا باعتباره حلاً بديلاً لس� � ��وق‬ ‫طباعة الشاشة‪ ،‬فإنه ُيعد بمثابة ابتكار آخر‬ ‫مربح من أوكي للطباعة الس� � ��ريعة حس� � ��ب‬ ‫الطل� � ��ب‪ .‬ك� � ��ن أول من ي� � ��رى معاين� � ��ة لهذه‬

‫الطابع� � ��ة الجدي� � ��دة على عارض� � ��ة أوكي يف‬ ‫اتحاد جمعيات طابعات الشاشة األوروبية‪.‬‬ ‫كما ستُعرض طابعة الملصقات ‪Pro1050‬‬ ‫‪ Label‬من أوكي‪ .‬ويوف� � ��ر هذا الجهاز الفريد‬ ‫فرصا جدي� � ��دة مربح� � ��ة لتحقي� � ��ق اإليرادات‬ ‫ً‬ ‫مثل طابع� � ��ة الملصق� � ��ات الرقمية ليد ذات‬ ‫األلوان الخمسة فقط (السماوي واألرجواين‬ ‫واألصفر واألس� � ��ود ‪ +‬األبيض) يف الس� � ��وق‪.‬‬ ‫تحتاج طابع� � ��ة ‪ Pro1050‬إىل أقل ما يمكن‬ ‫م� � ��ن وق� � ��ت اإلع� � ��داد‪ ،‬وتطبع حت� � ��ى ‪8000‬‬ ‫ملصق يوم ًيا ويمكنه التبديل بس� � ��هولة بين‬ ‫أنواع الخامات المختلفة مع إمكانات طباعة‬ ‫خامات ملصقات داكنة أو فاتحة اللون‪ ،‬مما‬ ‫يتيح للعمالء االرتقاء بتصاميم الملصقات‬ ‫إىل مس� � ��تويات جديدة من اإلبداع والمرونة‬ ‫بأقل حجم ممكن لملصق واحد فقط‪.‬‬ ‫ُتع� � ��د طابع� � ��ة الملصق� � ��ات الس� � ��ماوي‬ ‫واألرج� � ��واين واألصف� � ��ر واألس� � ��ود ‪ +‬األبيض‬ ‫‪ CMYK+W‬مثالي� � ��ة للملصق� � ��ات المقطعة‬ ‫حس� � ��ب الطلب الجاهزة لالس� � ��تخدام‪ ،‬وهي‬ ‫م� � ��زودة بحب� � ��ر ليد ج� � ��اف‪ ،‬مق� � ��اوم لمذيبات‬ ‫الم� � ��اء والكحول‪ ،‬مما يتي� � ��ح إمكانية إصدار‬ ‫ملصقات مناس� � ��بة للمجمدات واالستخدام‬ ‫الخارج� � ��ي والصناع� � ��ي‪ .‬ونظ ًرا لك� � ��ون طالء‬ ‫خام� � ��ات الملصق� � ��ات أو التصفي� � ��ح الخاص‬ ‫غير مطلوب‪ ،‬يستفيد العميل من انخفاض‬ ‫التكلفة اإلجمالية للملكية‪.‬‬

‫تشارك زيروكس مصر يف معرض تكنو برينت ‪ 2019‬الدويل‬

‫ش� � ��اركت زيروك� � ��س مصر يف مع� � ��رض تكنو‬ ‫برين� � ��ت ‪ 2019‬الدويل‪ ،‬ال� � ��ذي أقيم يف مركز‬ ‫القاهرة للمؤتمرات خالل الفترة من ‪ 18‬إىل‬ ‫‪ 20‬أبريل ‪ .2019‬وعرضت زيروكس تقنيات‬

‫طباع� � ��ة جديدة وفريدة م� � ��ن نوعها وأظهرت‬ ‫ً‬ ‫أيضا كيف يعيد برنامج سير العمل وإدارة‬ ‫األل� � ��وان ال� � ��ذي ابتكرت� � ��ه تعري� � ��ف اإلنتاجية‬ ‫ويدعم نمو الشركات‪.‬‬

‫قال كريس لينش‪ ،‬رئيس قس� � ��م تكنولوجيا‬ ‫اإلنت� � ��اج يف زيروك� � ��س الش� � ��رق األوس� � ��ط‬ ‫وأفريقي� � ��ا‪" :‬يواصل عصر التح� � ��ول الرقمي‬ ‫إجب� � ��ار م� � ��زودي التكنولوجيا عل� � ��ى االبتكار‬ ‫وتقدي� � ��م مزايا طويلة األج� � ��ل لعمالئهم من‬ ‫خالل مواد الطباع� � ��ة"‪ ،‬وأضاف قائلاً ‪" :‬على‬ ‫ذلك‪ ،‬سيستمر مستقبل مجال الطباعة يف‬ ‫التطور وس� � ��يصبح أكثر كفاءة م� � ��ن الناحية‬ ‫الرقمية"‪ .‬وقال "إن زيروكس ُتمكِّن مزودي‬ ‫التكنولوجيا من تقديم قيمة جديدة للعمالء‬ ‫ويف نفس الوقت تجع� � ��ل القطاع أكثر صلة‬ ‫بالسوق‪".‬‬ ‫عرضت زيروكس أحدث مجموعة من حلول‬ ‫الطباع� � ��ة الت� � ��ي ابتكرتها عن طري� � ��ق تقديم‬ ‫عروض توضيحية حي� � ��ة يف منصة القاعة ‪،1‬‬ ‫بما يف ذلك أسرة فرسانت وطباعة الخطوط‬ ‫الكبيرة وطابعة إيريديس اإلنتاجية‪ .‬وأقامت‬ ‫ً‬ ‫زيروكس ً‬ ‫عرضا ح ًيا لحلول أتمتة سير‬ ‫أيضا‬ ‫العم� � ��ل وخيارات التش� � ��طيب وق� � ��د تفاعل‬ ‫الزوار معها وتعرفوا على كيفية االس� � ��تفادة‬ ‫من أحدث تقنيات الطباعة‪.‬‬

‫تقنيات العرض الرقمي من المقرر أن تكون عامل تفوق يف المنافسة‬

‫يف ذلك الرعاي� � ��ة الصحية والضيافة وتجارة‬ ‫التجزئ� � ��ة والتعلي� � ��م والطي� � ��ران والمعارض‬ ‫والفعالي� � ��ات ه� � ��ي الس� � ��وق المس� � ��تهدفة‬ ‫المحتملة للمش� � ��اركين يف س� � ��وق الالفتات‬ ‫ً‬ ‫أيض� � ��ا أن‬ ‫الرقمي� � ��ة‪ .‬ورأى المش� � ��اركون‬ ‫إمكانيات س� � ��وق العرض الرقمي الداخلي‬ ‫والحصة الس� � ��وقية المخصصة لهم ستظل‬ ‫أعل� � ��ى يف دول� � ��ة اإلمارات العربي� � ��ة المتحدة‬ ‫منها يف الخارج‪.‬‬ ‫ق� � ��ال ش� � ��ريف‪" :‬يه� � ��دف إس ج� � ��ي آي ديب‬ ‫‪ ،2020‬الح� � ��دث الرائ� � ��د يف مج� � ��ال الطباعة‬ ‫والالفتات‪ ،‬إىل أداء دور مهم يف نمو س� � ��وق‬ ‫العرض الرقمي يف الش� � ��رق األوس� � ��ط‪ .‬هذا‬ ‫هو المس� � ��تقبل وس� � ��يعيد بالتأكي� � ��د تحديد‬ ‫الطريق� � ��ة التي س� � ��يتم بها ع� � ��رض الالفتات‬ ‫يف الس� � ��نوات القليل� � ��ة المقبل� � ��ة"‪ .‬ومقارن� � ��ة‬ ‫بالفئات األخرى‪ ،‬س� � ��يثبت مج� � ��ال الالفتات‬ ‫الرقمي� � ��ة وتكنولوجي� � ��ا الع� � ��رض أن� � ��ه عامل‬ ‫تف� � ��وق يف المنافس� � ��ة‪ ،‬وم� � ��ن المتوق� � ��ع أن‬ ‫تش� � ��هد هذه الفئة مزيدًا م� � ��ن النمو يف دولة‬ ‫اإلم� � ��ارات العربية المتح� � ��دة ودول مجلس‬ ‫التع� � ��اون الخليجي‪ُ .‬تعد المملك� � ��ة العربية‬

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‫اس� � ��تقطب اإلصدار الخامس من "سلسلة‬ ‫المعرف� � ��ة' التي أطلقته� � ��ا إس جي آي ديب‬ ‫أصح� � ��اب المصلحة يف المجال لمناقش� � ��ة‬ ‫الف� � ��رص المتاحة وكذل� � ��ك التحديات التي‬ ‫تواجه مجاالت تكنولوجيا العرض الرقمي‪.‬‬ ‫وقد ش� � ��هد هذا المنتدى تمثيل العالمات‬ ‫التجاري� � ��ة العالمية واإلقليمي� � ��ة البارزة بما‬ ‫يف ذل� � ��ك إل ج� � ��ي وجي إي وإبس� � ��ون وآل‬ ‫ريسك أدفرتايزينج وإينو ديجيتال ساينيج‬ ‫وغيرها‪.‬‬ ‫حال ًي� � ��ا‪ ،‬تبلغ قيمة س� � ��وق الالفتات الرقمية‬ ‫العالمي� � ��ة ‪ 20.8‬ملي� � ��ار دوالر‪ ،‬ومن المتوقع‬ ‫أن تص� � ��ل إىل ‪ 29.6‬ملي� � ��ار دوالر بحلول عام‬ ‫‪ 2024‬بمعدل نمو سنوي مركب قدره ‪7.3‬‬ ‫‪ .٪‬ومن المزمع إقامة العديد من المعارض‬ ‫والفعالي� � ��ات الضخم� � ��ة يف المنطق� � ��ة‪ ،‬ومن‬ ‫المقرر أن يس� � ��رع مجال الالفت� � ��ات الرقمية‬ ‫من مس� � ��ار نم� � ��وه‪ .‬وقد بث المش� � ��اركون يف‬ ‫اإلص� � ��دار الخامس م� � ��ن سلس� � ��لة المعرفة‬ ‫وجه� � ��ات نظره� � ��م بش� � ��أن تكوين اتح� � ��اد أو‬ ‫منصة يف المستقبل القريب‪ ،‬وهذا سيكون‬ ‫له قاع� � ��دة بيانات من التج� � ��ار الموثوق بهم‬ ‫بد ًءا من موردي األجه� � ��زة وانتها ًء بمطوري‬ ‫المحتوى وخبراء التكامل‪.‬‬ ‫وقال ش� � ��ريف رحم� � ��ن‪ ،‬الرئي� � ��س التنفيذي‬ ‫لش� � ��ركة إنترناش� � ��ونال إكس� � ��بو كونس� � ��لتز‪:‬‬ ‫"بنا ًء على النقاش الذي دار خالل سلس� � ��لة‬

‫المعرف� � ��ة‪ ،‬قررت إس جي آي إنش� � ��اء جناح‬ ‫مخصص لتكنولوجيا العرض الرقمي يضم‬ ‫جميع الش� � ��ركات المصنعة والمشاركين يف‬ ‫هذه المنظوم� � ��ة من جميع أنح� � ��اء العالم"‪.‬‬ ‫ُتعتب� � ��ر العديد م� � ��ن المجاالت الرأس� � ��ية بما‬

‫السعودية س� � � ً‬ ‫�وقا هائلاً آخر للمشاركين يف‬ ‫ه� � ��ذه المجاالت نظ � � � ًرا لإلصالح� � ��ات الحالية‬ ‫الت� � ��ي تجري داخل المملك� � ��ة يف العديد من‬ ‫المجاالت بما يف ذلك السينما والترفيه‪.‬‬ ‫كم� � ��ا أن الطل� � ��ب المتزاي� � ��د على شاش� � ��ات‬ ‫أولي� � ��د وشاش� � ��ات ‪ 4K‬و ‪ 8K‬وتطوير البنية‬ ‫التحتية قد أعطيا دفعة قوية لهذا الس� � ��وق‬ ‫الرقمي‪ .‬وع� �ل��اوة على ذلك‪ ،‬م� � ��ن المتوقع‬ ‫أن يك� � ��ون هن� � ��اك حاج� � ��ة إىل بدي� � ��ل صديق‬ ‫للبيئ� � ��ة لالفت� � ��ات‪ ،‬وكذلك س� � ��يكون لتطوير‬ ‫تكنولوجي� � ��ا موفرة للتكلفة دور رئيس� � ��ي يف‬ ‫نمو هذا القطاع‪ .‬ورأى المشاركون ً‬ ‫أيضا أن‬ ‫هن� � ��اك حاجة عالمية لتوحي� � ��د المعايير وأن‬ ‫المنظم� � ��ات يجب أن تتع� � ��اون للوصول إىل‬ ‫هذا الحل‪ ،‬حي� � ��ث أدى عدم توحيد المعايير‬ ‫فيم� � ��ا يتعل� � ��ق بالتكنولوجي� � ��ا والتنس� � ��يق‬ ‫والبرام� � ��ج إىل تحجي� � ��م نمو س� � ��وق العرض‬ ‫الرقمي العالمي‪.‬‬ ‫م� � ��ع النس� � ��خة الثالث� � ��ة والعش� � ��رين المقبلة‬ ‫من المع� � ��رض‪ ،‬تحت عنوان إنترناش� � ��ونال‬ ‫إكسبو كونسلتس‪ ،‬يرغب منظمو المعرض‬ ‫يف إماط� � ��ة اللثام عن ش� � ��كل جديد للعرض‪،‬‬ ‫وهو مناس� � ��ب ويلبي أح� � ��دث االتجاهات يف‬ ‫الس� � ��وق‪ .‬ومن المقرر عقد إس جي آي ديب‬ ‫‪ 2020‬خ� �ل��ال الفترة من ‪ 12‬إىل ‪ 14‬يناير يف‬ ‫القاع� � ��ات ‪ 4‬و ‪ 5‬و ‪ 6‬و ‪ 7‬و ‪ 8‬يف مرك� � ��ز ديب‬ ‫التجاري العالمي‪.‬‬

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‫عروض قيمتها ماليين الدوالرات أبرمتها جالف برينت آند باك ‪2019‬‬

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‫اختُتم المعرض التج� � ��اري الرائد يف منطقة‬ ‫الش� � ��رق األوس� � ��ط وش� � ��مال أفريقيا لقطاع‬ ‫الطباع� � ��ة وطباع� � ��ة األغلف� � ��ة ال� � ��ذي أطلقته‬ ‫جال� � ��ف برين� � ��ت آن� � ��د ب� � ��اك ‪ 2019‬بإنج� � ��از‬ ‫جب� � ��ار حيث أُبرم� � ��ت صفق� � ��ات تجارية تقدر‬ ‫قيمته� � ��ا بماليي� � ��ن الدوالرات خ� �ل��ال الحدث‬ ‫الذي ُيعق� � ��د كل عامين‪ .‬وأقي� � ��م المعرض‪،‬‬ ‫الذي اس� � ��تضافه مركز التج� � ��ارة العالمي يف‬ ‫ديب‪ ،‬خ� �ل��ال الفت� � ��رة م� � ��ن ‪ 15‬إىل ‪ 18‬أبريل‪،‬‬ ‫واستقطب ‪ 8737‬زائ ًرا من ‪ 90‬دولة‪.‬‬ ‫كانت أفرا إنترناش� � ��ونال وكان� � ��ون وإتش يب‬ ‫وكوني� � ��كا مينولت� � ��ا وفوينك� � ��س تكنولوجي� � ��ز‬ ‫وبرس� � ��تيج جرافيكس وريكو وزيروكس من‬ ‫بي� � ��ن العديد من ش� � ��ركات التصنيع الرائدة‬ ‫الت� � ��ي ش� � ��اركت يف المعرض‪ ،‬مم� � ��ا أدى إىل‬ ‫ظهور عدد كبي� � ��ر من العم� �ل��اء المحتملين‪.‬‬ ‫تتوق� � ��ع كان� � ��ون‪ ،‬الت� � ��ي باعت أكث� � ��ر من ‪30‬‬ ‫جه� � ��ا ًزا‪ ،‬أن تصل المبيع� � ��ات إىل ‪ 1.5‬مليون‬ ‫دوالر‪ .‬ويف الوقت نفس� � ��ه‪ ،‬باع� � ��ت زيروكس‬ ‫أكث� � ��ر م� � ��ن ‪ 6‬طابع� � ��ات زيروك� � ��س إيريديس‬ ‫و‪ 22‬طابع� � ��ة فرس� � ��انت ‪ 180‬يف المعرض‪.‬‬ ‫ومن بين الش� � ��ركات األخرى كان هناك أفرا‬ ‫إنترناش� � ��ونال‪ ،‬الت� � ��ي باع� � ��ت آالت التصفيح‬ ‫والتغليف الخاصة بها‪.‬‬ ‫كانت ش� � ��ركة الماهر للطباعة‪ ،‬التي تم حجز‬ ‫‪ 5‬م� � ��ن وحداتها يف الموق� � ��ع‪ ،‬تتوقع ‪10-15‬‬ ‫صفقات أخرى يف وقت الحق‪ .‬وقال المدير‬ ‫التنفيذي لش� � ��ركة ديالوار دالواي‪" ،‬س� � ��يأيت‬ ‫الكثير من العمالء األس� � ��بوع المقبل لزيارة‬ ‫المكت� � ��ب ومن ثم إتم� � ��ام الصفقات"‪ .‬وقال‬ ‫أمي� � ��ت راديا‪ ،‬الرئيس التنفي� � ��ذي لمجموعة‬

‫أطل� � ��س‪" :‬هذا الع� � ��ام‪ ،‬كانت جال� � ��ف برينت‬ ‫آن� � ��د باك مركزة للغاي� � ��ة‪ ،‬وعرضت مجموعة‬ ‫متنوعة من المعدات يف المعرض‪ .‬وبالنظر‬ ‫إىل بيئ� � ��ة الس� � ��وق‪ ،‬كان من الرائ� � ��ع رؤية رد‬ ‫فع� � ��ل إيجايب كه� � ��ذا من الحاضري� � ��ن‪ .‬أعتقد‬ ‫أننا سنش� � ��هد بداية ازدهار يف نهاية المطاف‬ ‫لمج� � ��ال الطباعة يف المنطقة‪ ،‬وأولئك الذين‬ ‫أعادوا اكتشاف أنفس� � ��هم سيشهدون نم ًوا‬ ‫إيجاب ًي� � ��ا بع� � ��د الس� � ��نوات القليل� � ��ة الصعبة‬ ‫الماضية"‪.‬‬ ‫وقال� � ��ت لي� � ��زا ميلب� � ��ورن‪ ،‬العض� � ��و المنتدب‬ ‫لش� � ��ركة جالف برينت آند باك‪" :‬يسعدنا أن‬ ‫نس� � ��مع أن العارضين قد َّ‬ ‫وقعوا عددًا كبي ًرا‬ ‫من الصفقات التجارية خالل المعرض‪ .‬وما‬ ‫زالوا يحسبون القيمة اإلجمالية للمعامالت‬ ‫حيث س� � ��يتم إنجاز عدد كبير من الصفقات‬

‫التجارية قري ًبا‪ .‬كان الهدف من إطالق مبادرة‬ ‫مس� � ��ار االبت� � ��كار‪ ،‬مع الع� � ��روض التوضيحية‬ ‫ل� �ل��آالت والتكنولوجي� � ��ا الحي� � ��ة يف المعرض‬ ‫هذا العام‪ ،‬هو جع� � ��ل زوار جالف برينت آند‬ ‫ب� � ��اك ‪ 2019‬يرون ما يمك� � ��ن تحقيقه فعل ًيا‬ ‫ويجرب� � ��ون أحدث التقني� � ��ات واالتجاهات يف‬ ‫الس� � ��وق‪ .‬لقد آىت هذا األمر ثماره ح ًقا‪ ،‬حيث‬ ‫تلقينا ردود فعل إيجابية من الزائرين بشأن‬ ‫العروض التوضيحية طيلة أربعة أيام كاملة‬ ‫من العرض‪ ،‬وهو أمر رائع"‪.‬‬ ‫وبنفس هذا الحماس‪ ،‬ق� � ��ال كريس لينش‪،‬‬ ‫رئيس قس� � ��م تكنولوجيا اإلنت� � ��اج وخدمات‬ ‫االتص� � ��االت البياني� � ��ة يف زيروك� � ��س الش� � ��رق‬ ‫األوس� � ��ط وأفريقيا‪" :‬لقد س� � ��ررنا بمس� � ��توى‬ ‫االهتمام بجناح زيروك� � ��س وبما حققناه من‬ ‫مبيعات آلالتن� � ��ا إيريديس وفرس� � ��انت‪ .‬وقد‬ ‫س� � ��اعدنا ه� � ��ذا األمر بش� � ��كل كبير ب� � ��أن كان‬ ‫زخما‬ ‫جز ًء من مس� � ��ار االبتكار‪ ،‬ال� � ��ذي أحدث‬ ‫ً‬ ‫فعل ًي� � ��ا خ� �ل��ال الفت� � ��رة التي تس� � ��بق عرض‬ ‫هذا الع� � ��ام وأثن� � ��اء انعق� � ��اده‪ ،‬وكانت جميع‬ ‫العروض التوضيحية الحي� � ��ة التي قمنا بها‬ ‫رائعة‪ .‬وكانت الحلقات التي استضفناها يف‬ ‫منطقة الع� � ��روض التقديمية المخصصة يف‬ ‫جناحنا تحظى بحضور جيد هي األخرى"‪.‬‬ ‫وقد انعكس هذا ً‬ ‫أيضا يف ردود فعل الزوار‪.‬‬ ‫وق� � ��ال كيمي يانج‪ ،‬مدي� � ��ر تطوير األعمال يف‬ ‫مطبعة تش� � ��ن لوي‪ ،‬بالصين‪" :‬نحن سعداء‬ ‫بمس� � ��توى رجال األعمال الذين التقينا بهم‬ ‫يف هذا الحدث‪ .‬لقد تعرفنا يف هذا المعرض‬ ‫عل� � ��ى رواد يف مجال الجودة‪ .‬وأجرينا بعض‬ ‫المناقش� � ��ات الجديرة باالهتمام بعد زيارتنا‬ ‫لبعض األجنحة مباش� � ��رة‪ .‬ه� � ��ذه هي المرة‬ ‫األوىل لن� � ��ا وق� � ��د قدم لن� � ��ا المع� � ��رض حلولاً‬ ‫مثالية ألنشطتنا‪ .‬بالتأكيد سنطلع الشركات‬ ‫األخرى يف الصين على هذا األمر‪ .‬إننا نتطلع‬ ‫بالتأكيد إىل زيارة المعرض مرة أخرى"‪.‬‬ ‫وم� � ��ن المقرر أن تع� � ��ود "جال� � ��ف برينت آند‬ ‫ب� � ��اك" إىل مرك� � ��ز التج� � ��ارة العالم� � ��ي يف ديب‬ ‫خالل الفترة من ‪ 6-8‬يونيو ‪.2021‬‬

‫المحتـويــات‬

‫‪ISSN 2304-117X‬‬

‫االستدامة في‬ ‫الطباعة والتلغيف‬

‫األخبـــار‬ ‫عروض قيمتها ماليين الدوالرات أبرمتها‬ ‫جالف برينت آند باك ‪2019‬‬

‫‪55‬‬

‫تشارك زيروكس مصر يف معرض تكنو‬ ‫برينت ‪ 2019‬الدويل‬

‫‪54‬‬

‫تقنيات العرض الرقمي من المقرر أن‬ ‫تكون عامل تفوق يف المنافسة‬

‫‪54‬‬

‫أوكي يوروب تتجاوز حدود اإلبداع واللون‬ ‫يف اتحاد جمعيات طابعات الشاشة‬ ‫األوروبية ‪2019 FESPA‬‬

‫‪53‬‬

‫حصل فريق كوداك فليكسيل سوليوشنز‬ ‫الفني على شهادة أخصايئ تنفيذ أول من‬ ‫الجمعية الفلكسوغرافية الفنية‬

‫‪52‬‬

‫إي إف آي (إلكترونيكس فور إيميجينج)‬ ‫تستحوذ على (يب دي آر بويا كيميا)‬

‫‪52‬‬

‫‪49‬‬

‫مقابلة ‪ -‬كانون‬ ‫‪48‬‬

‫فيسبا‬ ‫أحدث حلول الطباعة بالشاشة‬ ‫والطباعة الرقمية تتصدر عناوين‬ ‫المعرض العالمي للطباعة ‪2019‬‬ ‫كانون تعرض أحدث الحلول‬ ‫لمتخصصي الالفتات والجرافيك يف‬ ‫معرض فيسبا ‪2019‬‬

‫أن تكون فعّ اال ً ومؤثرا ً أمر بالغ‬ ‫األهمية يف عملية اإلنتاج‬ ‫أنكي تشينغ‪ ،‬مدير المبيعات‬ ‫والتسويق لدى شركة "‪LN Nano‬‬ ‫‪ "Technology Limited‬يتحدث إىل‬ ‫مجلة مي برنتر عن االستدامة يف‬ ‫صناعة الطباعة والتغليف‪.‬‬

‫تؤدي أتمتة سير العمل إىل إنجاز‬ ‫عملية التشطيب بالكامل يف عالم‬ ‫اإلنتاج الرقمي‬ ‫جرى حوار مع أيمن علي‪ ،‬مدير‬ ‫التسويق األول بقطاع األعمال يف‬ ‫شركة كانون بالشرق األوسط‪ ،‬عن‬ ‫سبب كون التشطيب جز ًءا رئيس ًيا‬ ‫من صناعة الطباعة‪.‬‬

‫منتجات وبرامج‬ ‫‪51‬‬

‫‪47‬‬

‫أوكي تطلق طابعات ‪Series C800‬‬ ‫‪ A3‬باأللوان يف السوق‬

‫‪51‬‬

‫‪47‬‬

‫كولور لوجيك تصادق على‬ ‫طابعات نفث الحبر باألشعة فوق‬ ‫البنفسجية سويس كيو برينت‬

‫‪46‬‬

‫زوند تطلق وحدات التوجيه الجديد‬ ‫المطلي‬

‫‪46‬‬

‫أفيري دينيسون تطلق إم يوس‬

‫آراء وافكار‬

‫معرض الخليج‬ ‫للطباعة والتغليف‬ ‫تقدم "كانون" مجموعة منتجات‬ ‫طابعة إميجبريس سي ‪910‬‬ ‫الخفيفة‬

‫‪50‬‬

‫تقدم شركة "كونيكا مينولتا"‬ ‫باتشات ملصقات صغيرة‬

‫‪50‬‬

‫تشارك شركة "أفرا " مع شركائها‬

‫‪50‬‬

‫تركز شركة "بوبست" على‬ ‫تحسين اإلنتاجية‬

‫‪50‬‬

‫‪45‬‬

‫لماذا يتم تخصيص أغطية الجدران‬ ‫المطبوعة الرقمية للتطوير‬ ‫الديناميكي؟‬ ‫يتناول ديبي ماكيجان موضوع ورق‬ ‫الحائط الرقمي المطبوع وكيفأستويل‬ ‫على عقل ومخيلة عامة الناس‬ ‫وأصبح المحرك الرئيسي لسوق‬ ‫طباعة الديكور الداخلي‪.‬‬

‫‪44‬‬

‫يوضح تقرير االتجاهات العالمية‬ ‫السادس "دروبا" احتفاظ الطباعة‬ ‫العالمية بوضع جيد بشكل عام‬

‫مجلة شهرية شاملة مختصة يف عالم‬ ‫الطباعة يف الشرق األوسط‬ ‫السنــة السادسة عشرة ‪ /‬العدد ‪ / 170‬مايو ‪2019‬‬

‫‪ME Printer FZ L.L.C‬‬

‫ص‪.‬ب‪ ،502183 .‬مدينة ديب لإلعالم‬ ‫ديب‪ ،‬اإلمارات العربية المتحدة‬ ‫هاتف‪+971 4 391 1210 :‬‬ ‫فاكس‪+971 4 390 9561 :‬‬ ‫البريد اإللكت� � ��روين‪info@meprinter.com :‬‬ ‫مدير النشر للمجموعة‬ ‫مرتضى كريميان‬ ‫‪karimian@meprinter.com‬‬ ‫هيئــة التح ــرير‬ ‫المحرر ‪ -‬القسم اإلنجليزي‬ ‫‪editor@meprinter.com‬‬ ‫المحرر التقني – القسم العريب‬ ‫د‪ .‬جورج نوبار سيمونيان‬ ‫‪goujy@dircon.co.uk‬‬ ‫المحرر التقني – القسم اإلنجليزي‬ ‫رود هايز‬ ‫‪rod.hayes@me.com‬‬ ‫المختصون المش��اركون يف التحرير‬ ‫فرانك رومانو (الواليات المتحدة)‬ ‫‪fxrppr@rit.edu‬‬ ‫لوريل برونر (المملكة المتحدة)‬ ‫‪lb@digitaldots.org‬‬ ‫د‪ .‬نيكوالس هيلموث‬ ‫‪nhellmuth@flaar.org‬‬ ‫مدير اإلعالنات‬ ‫ريجي ماثيوس‬ ‫‪+971505475110‬‬ ‫‪meprinter@meprinter.com‬‬ ‫اإلعالنات المبوبة واإلشتراكات‬ ‫‪+971 4 391 1210‬‬ ‫‪+971 50 528 9267‬‬ ‫‪info@meprinter.com‬‬ ‫توجه المراسالت إىل العنوان التايل‪:‬‬ ‫مجلة ‪ME Printer‬‬ ‫ص‪.‬ب ‪ ،502183‬مدينة ديب لإلعالم‬ ‫بناية رقم ‪ ،9‬مكتب رقم ‪214‬‬ ‫ديب‪ ،‬اإلمارات العربية المتحدة‬

‫ُطبعت يف مطبعة النسر للنشر‬

‫وزّعت من قبل شركة النسر للنشر‬ ‫جميع حقوق الطبع والنشر محفوظة‬

‫مجلة ‪ ME Printer‬الشريك اإلعالمي الرسمي‬

C800 Series

Small but Mighty. Compact, eco-friendly A3 colour printer offering endless possibilities.

The smallest A3 printer on the market, the C800 Series can handle all your printing needs including business cards, pre-cut media, posters, banners up to 1.3m long and beyond.

To find out more visit www.oki.com/me

IMAGINE IMAGINE THE THE FUTURE FUTURE OF PRINT PRINT OF

Mimaki Europe Hall B6, Stand A30

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