20130301_us_new york by metro us

“JACK THE GIANT SLAYER”: WARNER BROS. PICTURES; “VIKINGS”: HISTORY CHANNEL

WEEKEND NEW YORK March 1-3, 2013

television

No damsels in distress on this new show ‘Vikings’ spotlights strong female leads {page 17}

local

Sequester cuts will pummel NYC safety net Schools, seniors and jobs among hardest hit {page 02}

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CLASSICS With ‘Jack the Giant Slayer,’ Ewan McGregor brings a hybrid fairy tale to life The Scottish star tells us about his inspiration Kids of the 1970s, you might be able to relate {page 08}

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1 In the news

Subway pusher fit to stand trial A woman who faces multiple counts of murder after she pushed an innocent man in front of an oncoming train in December was found fit for trial. Erika Menendez, 31, killed Sunando Sen, 46, at a 7 train station in Sunnyside, Queens. She said she pushed him because he looked Muslim. Sen was not Muslim. Her attorney has entered a not-guilty plea on her behalf. LAURA SHIN

In the news

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Sequester cuts will hit New York hard Education sees $42.7 million cut in New York, with 590 teachers losing their jobs Cuts would also affect child care programs, senior citizens, public housing and Hurricane Sandy aid Up to 100,000 workers could lose jobs, according to study

Education cuts The sequester would cut $42.7 million from primary and secondary education in New York. About 590 teachers and aides would lose their jobs, and 120 schools would lose funding. Special education would also lose $36.3 million, according to White House numbers. Special education would also lose $36.3 million.

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Major New York state and city programs will take an immediate hit of $3.4 million in funding from nationwide budget cuts, starting on Friday, March 1, according to numbers released by the White House. And that’s only the beginning of a series of cuts over nine months that will affect everything from child care programs to senior citizens to public housing and Sandy aid. The cuts come as part of the socalled sequester, an automatic $85 trillion reduction in national spending cuts, that goes into effect today. The sequester was part of the 2011 debt ceiling debate. As part of that agreement, if the government failed to cut $1 trillion from the debt, automatic spending cuts would go into affect. “Financially it will not be as impactful on the state government as it would be on individuals because it’s more assistance that goes to individuals,” Gov. Andrew Cuomo said. The state’s financial plan for dealing with the sequester estimates New

GETTY IMAGES

Meals for seniors

Meals for senior citizens

More than 7,000 children will go without vaccines for diseases such as Hepatitis B.

100K

Public housing The NYC Housing Authority reported that sequestration could lead to a 9 percent funding loss and could reduce services by 20 percent.

York could lose up to $5 billion in federal funds over nine years if the budget cuts are enacted. The sequester would cut $42.7 million from public education in New York. About 590 teachers and aides would lose jobs and

MTA fare hikes take effect this weekend Another MTA fare hike is in store for New Yorkers beginning this weekend. Prices are going up for subways and buses, as well bridges and tunnels, the Long Island Railroad and Metro-North. Beginning on Sunday, March 3, the price of a subway or bus ride will go from $2.25 to $2.50. A monthly MetroCard will go from $104 to $112. A seven-day unlimited MetroCard will cost $30, up from $29. METRO/LS

WEEKEND, MARCH 1-3, 2013

FEMA will also see cuts.

120 schools would lose funding, according to White House numbers. Special education would lose $36.3 million. The cuts would also affect child care and vaccines for children in New York, leaving 2,300 children without care and

Workers in the state who could lose their jobs due to the sequester, according to a George Mason University study

7,170 unvaccinated for diseases like measles and Hepatitis B. Roughly 4,300 children would be removed from Head Start programs. Government-provided meals for seniors would see $1.4 million in cuts. College funding for

FACEBOOK

$5,000 to kidnap a young girl for him. The deal was never completed.

News in brief

METRO/EC

‘Cannibal Cop’ buddy arrested A man arrested by British police on child porn charges last week may be connected to the former city cop on trial this week for planning to kidnap and eat women, the New York Post reported. The defendant, Gilberto Valle, 28, dubbed the “Cannibal Cop,” discussed kidnapping his college classmate with "Moody Blues" online, court documents showed. Moody Blues was identified as the man arrested in Britain. In the online chats, Moody

Valle

Blues claimed to have killed and eaten two women, the Post said. However, British officials told the Post that he wasn’t associated with any murders. He was arrested for conspiracy offense and possessing child pornography. Another user of the same chat site, New Jersey resident Michael Van Hise, 22, was arrested in January for agreeing to pay Valle

Six-year-old killed on way to school A 6-year-old boy was killed by a tractor-trailer in East Harlem on Thursday morning while the nearest crossing guard was taking a break. The boy was crossing First Avenue on his way to school with his 9-year-old brother when the vehicle turned right off of 117th Street and struck him, police said. They were half a block from P.S. 155.

He was rushed to Harlem Hospital, where he was pronounced dead from severe head injuries. His identity is being withheld until the family can be notified. The older brother was unharmed. The crossing guard was in tears as she told 1010 WINS that she had stepped away from her post for a five-minute bathroom break. The truck driver didn’t realize he had hit anyone until witnesses flagged him down, police told the NY Post. He returned to the scene and was not charged. NYPD said in a statement that “there is no criminality suspected at this time.” EMILY JOHNSON

Government-provided meals for senior citizens would see $1.4 million in cuts in New York.

low-income students would be cut by 5.1 percent, Chancellor Matthew Goldstein of the City University of New York said in a statement. In addition, up to 100,000 workers in the state could lose their jobs, a new study by Stephen Fuller from George Mason University estimated. Sequestration would also cause a $375 million cut from FEMA’s disaster relief budget, which could affect Sandy recovery efforts. Evelyn Cheng letters@metro.us

Pedestrian killed by drunk driver in Queens A 76-year-old man was struck by a drunk driver on Wednesday in the Woodhaven section of Queens. John Eberling was crossing Jamaica Avenue at 80th Street when he was hit by a maroon Nissan Pathfinder, police said. He was taken to Jamaica Hospital and pronounced dead. The driver, who remained at the scene, has been identified as 47-yearold Viveshdyal Thakoordyal. He has been charged with vehicular manslaughter and driving while intoxicated. METRO/LS

WEEKEND, MARCH 1-3, 2013

Council lowers fines on city street vendors WILLIAM ALATRISTE

Street vendors thank Council Speaker Christine Quinn with a poster after the city council vote.

Dozens of street vendors gathered today in a show of support for Speaker Christine Quinn as the City Council voted to lower the maximum fines for vendors, who have fought for years against fines that can threaten their livelihoods. The legislation will cut the maximum fine from $1,000 to $500 for violations of the city’s sidewalk

500

The legislation will cut the maximum ﬁne from $1,000 to $500 for violations of the city’s sidewalk codes. codes. The Street Vendor Project of the Urban Justice Center said the fines have long been disproportion-

New Yorks back Styrofoam ban, oppose large soda ban GETTY IMAGES

Take the Styrofoam cups, but leave our large sodas alone.

A majority of New Yorkers support Mayor Michael Bloomberg’s proposed ban on Styrofoam containers, but are less supportive of his ban on large soda, according to a new poll. The Quinnipiac University poll found that New York City voters support a potential plastic foam ban 69 percent to 26 percent. But when asked about the ban that prohibits the sale of sugary drinks larger than 16 ounces, New Yorkers are opposed 51 percent to 46

percent. Opposition was especially strong among black voters. They oppose the drink ban 60 percent to 38 percent. The poll also found that more men oppose the ban than women do. The ban on sugary drinks goes into effect March 12. A ban on plastic foam would force food places who use Styrofoam to replace their containers. Foam trays in school cafeterias would also be eliminated. LAURA SHIN

ate “for minor infractions unrelated to health and safety, such as being inches too close to a doorway.” Last week, Mayor Michael Bloomberg criticized Quinn for “one of the stupider” laws he’s ever heard and said he would veto the bill. SVP indicated that it expected to have the City Council’s support to override the veto. EMILY JOHNSON

In the news

Wanted for sexual assault and robbery in Brooklyn Police are searching for man who allegedly sexually assaulted a 23-yearold woman and robbed her in BedfordStuyvesant. The suspect, who is described as in early 20s, approached a woman near Decatur Street on Feb. 24, around 6 a.m. He grabbed the woman, took her money and sexually assaulted her. He then choked the victim before fleeing. Cops described him as a black male between 5-foot-6 and 5-foot-9. He has a thin mustache and was last seen wearing a dark jacket and blue sneakers. Anyone with info should call Crime Stoppers at (800) 577TIPS. LAURA SHIN

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WEEKEND, MARCH 1-3, 2013

News in brief

Opinion

TOM FOREMAN

Benedict

POLITICAL CORRESPONDENT GETTY IMAGES

Benedict: I’ll obey next pope VATICAN CITY. Pope

Benedict left the Vatican on Thursday after pledging unconditional obedience to whomever succeeds him to guide the Roman Catholic Church at one of the most crisis-ridden periods in its 2,000-year history. The first pope in six centuries to step down, Benedict flew off in a white Italian air force helicopter for the papal summer villa south of the capital where he took up temporary residence. Bells rang out from St Peter’s Basilica and churches all over Rome as the helicopter circled Vatican City and flew over the Colosseum and other landmarks to give the pontiff one last view of the city where he is also bishop. REUTERS

News in brief

Bob Woodward ‘threatened by White House’ WASHINGTON. A promi-

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nent Washington journalist said in interviews on Wednesday that a senior White House official warned him he would “regret” publishing a story challenging the White House’s account of how the idea for automatic spending cuts originated. Bob Woodward said in interviews with Politico and CNN that when he informed the White House he was writing a story critical of the White House’s handling of a debate over the origin of the cuts, known as sequestration, the official reacted angrily. The aide “yelled at me for about a half hour,” Woodward told Politico, and then followed up the tirade with an e-mail. REUTERS

FOR CNN

THE FIRST CUT IS THE DEEPEST I’m not a veterinarian, and unless journalism goes completely to hell, I don’t plan on ever becoming one. As much as I love animals, I’m not suited for the work, if only because whenever someone begins a sentence with, “I have a pet cat …” I reflexively reply with: “Good heavens, why?”

ut here is a lesson I suspect every aspiring vet learns in Bad Moves 101: If the zoo calls you to come castrate a bear, you should expect the patient to offer some resistance. It is a lesson that would resonate in Washington, D.C., these days. In department after department, the claws have been unsheathed, the lips have been curled back over the fangs, and cabinet members are furiously Quoted roaring that any cuts to their budgets will bring the end of Lopping oﬀ up life on earth as we know it. To be sure, the sequester to 10 percent cuts are a big deal. Lopping off of any up to 10 percent of any agency’s agency’s budget almost budget almost certainly will force some hard decisions and painful certainly reductions in services.

will force some hard decisions and painful reductions in services.

ut the evidence of the past few weeks suggests the administration is exaggerating just how dire the situation might be. The education secretary said teachers were already losing their jobs, but then could produce no credible examples of where this has happened. The transportation secretary said his reduced budget would lead to delays in travel and chaos in the airports, all while ignoring that the new budget is virtually the same as his budget in 2008, when there were actually more people flying. And the attorney general pulled a similar stunt, saying the country will be “less safe” if his department has to work with the same amount of money it had just a few years back. Still, all of this has less to do with the sequester than with a natural law in D.C.: Government agencies never accept budget cuts at any level without protest, whether Democrats or Republicans are in charge. Like an angry bear protecting itself, this is the nature of the beast. – CNN’s Tom Foreman is a regular on “AC360°”/ www.ac360.com and “The Situation Room.” Metro does not endorse the opinions of the author, or any opinions expressed on its pages. Opposing viewpoints are welcome. Send 100-word submissions to letters@metro.us.

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Q&A You mentioned on Twitter recently that you were dismayed to not see more promotion for “The Impossible,” which could’ve used a better marketing push. I just didn’t see any posters, that was all. I was commenting on the fact that I was driving around and I was seeing lots of “Jack the Giant Killer” posters, but there weren’t any posters for “the Impossible.” Not in the States, not that I saw anyway. That might’ve helped.

Interview

“He’s a really talented director and really knowledgeable about film, and really can break down stories and characters and understands how to move a story forward at all times. He’s fantastic in the X-Men world, really understands it. I haven’t spoken to him in-depth about this next one yet, but I know he’s really excited about it, and that’s a great sign. I’m looking forward to playing that role again.” — Nicholas Hoult on going back to work with “Jack the Giant Slayer” director Bryan Singer again with “X-Men: Days of Future Past.”

Ewan McGregor, left, works with Eddie Marsan in “Jack the Giant Slayer.”

wan McGregor gets his daring-do on for director Bryan Singer in “Jack the Giant Slayer,” playing a knight who’s forthright and heroic — to a fault — as he and Jack (Nicholas Hoult) try to rescue a princess from the aforementioned giants. But McGregor’s inspiration for the character may surprise you. You look fantastic in this movie. It seems like you haven’t aged in the last 10 years. What gives?

[Laughs] I don’t have a secret to that, I’m afraid. When you’re presented with a forthright knight character, how do you approach that?

I don’t know, it’s a pretty understandable character. It’s a sort of classic role. It’s not something new, really. I just played what was on the page. It’s very well and clearly written in the script. And I liked the hu-

Ned Ehrbar

MCGREGOR’S

‘GIANT’ NEW ROLE

The ‘Jack the Giant Slayer’ co-star on playing a knight, reuniting (again) with his ‘Trainspotting’ co-star Ewen Bremner and the thin marketing campaign for ‘The Impossible’

mor. I thought the humor that was in the writing was very good. I like the fact that he’s sort of very gungho but very often doesn’t quite get things right, and then Jack has to come along behind him and tidy

things up. Sort of like a “Hong Kong Phooey”-type style. That cartoon was one of my main sources of research, “Hong Kong Phooey.” The ﬁlm very carefully walks that line of appeal-

ing to both kids and adults.

I think that’s right. It lies in exactly the right place for a film that’s being made for a family to watch. Very often these days you take your kids to films and there’s inappropriate lan-

METRO WORLD NEWS

guage or sexual jokes that are very clearly aimed for the parents. You don’t want your kids seeing that, or at least I don’t. But this is absolutely something that you could take your family to see and you wouldn’t find yourself in any awkward moments with your kids, you know? It’s a classic sort of family movie. It’s nice to see you working with your “Trainspotting” co-star Ewen Bremner again.

We did “Black Hawk Down” together and then we did another film called “Perfect Sense” together, so this is the fourth film that we’ve made together. I’m always happy to work with him because he’s a great actor, Ewen. I like working with him very much. But yeah, four films we’ve made together now, so it’ll be interesting to see what the next one is. We don’t have anything planned that I know of.

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‘Oldboy’ director hits America

South Korean director Park Chan-wook isn’t terribly known outside of fanboy circles, but his reputation is secure thanks mostly to the hammer-wielding, octopusslurping genre-grinder “Oldboy.” Traditionally a cult hit from a foreign filmmaker leads to a dispiriting American stint, but Park is too much a stylist to get ground up by the Hollywood machine. His English-language debut, “Stoker,” finds him in the United States but working on its margins. It’s a serial killer pic, but a Park Chanwook serial killer pic, which is to say it’s obsessed not with plot or even grisly murders but with visual design, outre ideas and a hothouse at-

mosphere, no doubt gleaned from watching too many American movies. It’s a good thing the filmmaker doesn’t care about plot, because it’s not “Stoker”’s strongest point. Park decided his first American film should be the first produced script co-written by Wentworth Miller, the star of “Prison Break.” A teenager with the loaded name of India Stoker (Mia Wasikowska) loses her father in a car accident (allegedly!). The funeral brings forth mysterious uncle Charles (Matthew Goode), who intrigues her first with his handsomeness and sex appeal, and then by revealing that he likes to snap necks with his belt. Of course, there are

Mia Wasikowska plays a deranged teenager in “Stoker,” out today.

If you go ‘Stoker’

Director: Park Chan-wook Stars: Mia Wasikowska Rating: R Grade:

twists, but Smith’s script also goes to some weird places: India has the hots

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for her uncle, as does her widowed mom (Nicole Kidman, underused but reliably intense), and she soon finds herself turned on by his blase treatment of other people’s lives, leading to a genuinely outthere shower scene. Park grasps onto these elements as tightly as he can, doing his best to obscure the silly story with an array of fetishistic

phantasmagoria. Park’s images, as ever, are fussy and borderline (and often actually) OCD. It’s not just him showing off (although it’s that, too): The power of surfaces is an idea that tends to be built into his narratives. “Sympathy for Lady Vengeance” finds a woman with hot crimson eye shadow whose aggressively stylized revenge masks deeper trauma.

Still, despite amplifying its transgressive bits, Park proves unable to get deeper into the script, and frankly seems bored by its machinations. “Stoker” seems like a placeholder, an excuse to work out his pet themes and talents before a project captures his complete attention. Matt Prigge

matt.prigge@metro.us

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SUN, MAR 10, 2:15 PM $12/$10 Members/$8 Children/ $6 Member Children 1 PM STORYTELLING WORKSHOP $6/$4 Children/Free for members with tickets to 2:15 PM show With live music by pianist Daniel Kelly and projected images that create a groovy multimedia world, David Gonzalez returns to Flushing Town Hall after sold-out shows at the Kennedy Center.

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Review

Low-income families struggle to aﬀord healthy food in the documentary “A Place at the Table,” in theaters today.

WEEKEND, MARCH 1-3, 2013

At least Jack isn’t a sad giant slayer

WARNER BROS. PICTURES

‘A Place at the Table’ Grade: The modest documentary “A Place at the Table” seeks only one thing: to alert the populace to the unsightly proliferation of “food insecurity” that today leaves more than 50 million Americans suffering from hunger. This is coupled with skyrocketing obesity rates, revealing that when those of low income can buy food they’re often buying the worst, often because that’s all there is. Fitting to a tight structure — right down to the

guest stars (Jeff Bridges, Tom Colicchio) — “Place” journeys both around the country and around the various facets of the issue. We learn about how 23½ million Americans live in “food deserts” — areas, both rural and urban, that lack healthy food or even a supermarket. We learn about the demonized-by-conservatives food stamps and how they’re often not enough to get most families through a month’s worth of food. And if you’re a limited-government type who believes in self-sufficiency and hates being told to eat healthily, then guess

what? By doing nothing, hunger costs us $167 billion a year. It’s sobering stuff, and “Place” is intended to shock you into doing something. Despite its pedigree, this purely informational — yet stirring — doc lacks the relative entertainment value of “An Inconvenient Truth,” which, despite its dry description, proved oddly engaging. But given the severity of the film’s issue, pointing to its modest flaws as a piece of filmmaking and as a piece of “entertainment,” deficiencies they may be, seems a touch uncouth. MATT PRIGGE

AN ADRENALINE SHOT”

“

TO THE CEREBRAL CORTEX! – Marshall Fine, HUFF INGTON POST

Today’s dominant blockbuster trend involves taking a beloved pop culture item and turning it into brooding, humorless pomp. So it’s easy to overrate “Jack the Giant Slayer” for not featuring a hero who, say, holds back tears as he ascends a beanstalk, all the while questioning who the real monster is: the homicidal colossus hoping to stomp on humans or, you know, him? Of course, the other extreme is even less palatable. The flip side to last year’s relentlessly dour “Snow White and the Huntsman” was the unwatchably arch (if gorgeous) “Mirror Mirror.” “Jack the Giant Slayer,” semi-inexplicably helmed by “X-Men” maven Bryan Singer, falls somewhere in the middle, albeit closer to the latter: silly without being obnoxious, light without being entirely inconsequential. Melding two separate English folk tales about a guy named Jack — the one about a beanstalk and the less cherished “Jack the Giant Killer” — the film features not a lad but a Y.A. Jack (Nicholas Hoult), and instead of one giant and a golden egg, there’s a bunch of giants and no golden egg. It’s a weird feeling seeing a mega-budgeted romp

Eleanor Tomlinson and Nicholas Hoult battle behemoths in “Jack the Giant Slayer.”

If you go ‘Jack the Giant Slayer’ Director: Bryan Singer Cast: Nicholas Hoult, Ewan McGregor Rating: PG-13 Grade:

based on a slender folk tale seeks only to entertain. But don’t go nuts. There’s such a thing as being too light, and apart from some belated stampeding giant action, this “Jack” is forgettable, each moment out of the mind the instant it’s passed. It’s wonderful that Jack isn’t an agonized depresso, but he winds up with no personality while the parade of overqualified

Brits and Scots — Ewan McGregor as a taciturn swordsman, Ian McShane as the king — strut about, underutilized. “Jack”’s goals are noble: it’s been a while since a good old fashioned — and authentically gory — folk tale made the rounds. Singer’s film periodically meets those needs, with behemoths occasionally biting into human heads like one would a carrot. Such violence is elied, but even a partly failed and sanitized fairy tale is preferable to the next gloomy comic book picture about a sad, caped alien who can fly. Matt Prigge

matt.prigge@metro.us

ACADEMY AWARD NOMINEE ®

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Review ‘21 & Over’ Grade: “21 & Over” feels like a reincarnation of last year’s equally asinine “Project X,” a movie that, like this one, was loaded with revolting characters and implausible scenarios that revolve around a night of partying. The plot is painfully simple: Accompanied by best friends Casey (the charming Skylar Astin) and Miller (Miles Teller), supposed brainiac Jeff Chang (Justin Chon) ignores his father’s command not to

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go out on the night before his med-school interview. Naturally, the three get sloshed, particularly Jeff, who is comatose as Casey and Miller race to get him home in time for his dad’s arrival. Along the way, we’re forced to endure the sight of slow-motion vomiting, Jeff eating a tampon and the characters finding the inevitable opportunity to fight, call the friendship quits and then (yawn) realize how foolish they’ve been. It’s the standard version of the hyperbolic college-party movie, except without the wit of “Old School” or the lovability of “Animal House.” MATTHEW JACOBS JOHN JOHNSON

Justin Chon (center, in bra) is one of the drunken 20-somethings in “21 & Over,” out today.

Commerical fishing in the (blurry) spotlight Director: Lucien CastaingTaylor and Verena Paravel Genre: Documentary Grade:

Lars von Trier shot his 2006 comedy “The Boss Of It All” with a camera strapped to a robot. The method was called “Automavision”: After von Trier lined up his shots, the computer system adjusted them randomly — reframing the image so actors’ body parts were cut off, slightly adjusting the angle so the lighting was different, going out of focus, etc. Von Trier’s visual randomness has nothing on “Leviathan,” a doc-of-sorts from Lucien CastiangTaylor and Verena Peravel. Castiang-Taylor’s previous film was “Sweetgrass,” a look at sheep and shepherds whose approach was decidedly minimalist. “Leviathan” goes even

“shot” with the GoPro, a tiny, durable, waterproof camera. These were attached to the sides of fishermen or thrown out to sea. Images are blurred into visual vomit and frequently impossible to parse. There’s no overt message, and Peravel has said even she doesn’t know what the film is “about.” This is a good thing, and at its best, “Leviathan” is a purely

avant-garde work – a flurry of unrecognizable colors and shapes. The few times it seems to be saying something — and “Leviathan” often does for fish what Georges Franju’s notorious 1949 doc “Blood of the Beasts” did for cows — are the film at its worst. Relatively speaking, of course. Matt Prigge

matt.prigge@metro.us

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deeper into abstraction. If we learned very little about the life of shepherds (and their sheep), you learn nothing about the commercial fishers on relentlessly rocking boats in the North Atlantic. There is no narration, no music, not even context, and what dialogue we hear is indecipherable above the waves, squeaky rust and precipitation. Most of “Leviathan” was

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ﬁlm listings Film Society Lincoln Center Elinor Bunin Munroe Film Center 212–875–5600 144 West 65th Street Between Broadway + Amsterdam Avenues LIKE SOMEONE IN LOVE (NR) Fri 11:30, 2:00, 4:30, 7:00, 9:30; Sat 2:00-4:307:00-9:30.; Sun 11:30-2:00-4:30-7:009:30. A PLACE AT THE TABLE (PG) Fri 11:15, 1:15, 3:15, 5:15, 7:15, 9:45; Sat and Sun 11:45-1:45-3:45-5:45-7:45-9:45.

Film Society Lincoln Center Walter Reade Theater 212–875–5600 Lincoln Center & W. 65th St. A LADY IN PARIS (UNE ESTONIENNE A PARIS) (NR) Fri 3:30 THE SUICIDE SHOP (LE MAGASIN DES SUICIDES) (NR) Sat 3:30

AMC Empire 25 888–AMC–4FUN 42nd Street Between 7th and 8th Avenues 21 AND OVER (R) Fri 10:25, 11:35, 12:55, 2:10, 3:25, 4:40, 5:55, 7:05, 8:30, 9:45, 10:20, 11:05, 12:25, 1:00. Digital Presentation; Sat 11:35-12:55-2:10-3:254:40-5:55-7:05-8:30-9:45-11:55-12:40. Digital Presentation; Sun 10:25-11:3512:55-2:10-3:25-4:40-5:55-7:05-8:309:45-11:30. Digital Presentation THE ATTACKS OF 26/11 (HINDI) (NR) 11:10, 2:05, 5:10, 8:00, 11:00. Digital Presentation THE BERLIN FILE (NR) 10:15, 4:15, 10:15. Digital Presentation BRAVE (PG) Fri and Sat 10:30, 1:10, 3:55. Digital Presentation; Sun 10:0512:40-3:15. Digital Presentation DAY OF THE FALCON (R) 1:25, 8:10, 11:25.C INDEPENDENT;Digital Presentation DJANGO UNCHAINED (R) Fri 11:25, 3:05, 6:55, 10:50. Digital Presentation; Sat and Sun 11:25-3:05-6:55-9:5010:50. Digital Presentation ESCAPE FROM PLANET EARTH (PG) 10:00, 2:25, 7:25. Digital Presentation ESCAPE FROM PLANET EARTH 3D (PG) 11:55, 5:00. RealD 3D A GOOD DAY TO DIE HARD (R) Fri and Sat 11:45, 2:20, 4:55, 6:45, 7:35, 9:30, 10:25, 12:15, 1:00. Digital Presentation; Fri and Sat 10:05-12:403:15-5:45-8:35-11:15. DOLBY ATMOS;ETX: Enhanced Theatre Experience; Sun 11:45-2:20-4:55-7:3510:25-11:20. Digital Presentation; Sun 10:30-1:10-3:55-6:45-9:30. DOLBY ATMOS;ETX: Enhanced Theatre Experience HANSEL & GRETEL: WITCH HUNTERS (R) Fri 11:20, 4:20, 9:15. Digital Presentation; Sat 11:40. Digital Presentation; Sun 10:30-9:15. Digital Presentation HANSEL & GRETEL: WITCH HUNTERS 3D (R) Fri 1:45, 6:50, 11:40. RealD 3D; Sat 10:25. RealD 3D; Sun 1:00-11:40. RealD 3D I, ME AUR MAIN (NR) 12:05, 3:45, 7:10, INDEPENDENT;Digital 10:40.C Presentation THE IMPOSSIBLE (PG-13) 12:30, 9:40.C INDEPENDENT;Digital Presentation JACK THE GIANT SLAYER (PG-13) Fri 10:55, 12:25, 1:50, 3:20, 4:45, 6:15, 7:40, 9:10, 10:35, 12:05. Digital Presentation; Sat 10:55-12:25-1:50-3:20-4:45-6:157:40-9:10-10:10-10:35. Digital Presentation; Sun 10:55-12:25-1:503:20-4:45-6:15-7:40-9:25-10:35. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) 11:40, 2:35, 5:30, 8:25, 11:20. RealD 3D JACK THE GIANT SLAYER: AN IMAX 3D EXPERIENCE (PG-13) Fri and Sat 10:10, 1:05, 4:00, 6:55, 9:50, 12:45. IMAX;RealD 3D; Sun 10:10-1:05-4:006:55-9:50. IMAX;RealD 3D KAI PO CHE (NR) Fri and Sat 3:30, 6:35, 12:35.C INDEPENDENT;Digital Presentation; Sun 3:30-6:35.C INDEPENDENT;Digital Presentation LES MISERABLES (PG-13) 10:35, 2:20, 4:30, 6:05, 9:45. Digital Presentation LIFE OF PI 3D (PG) 10:20, 1:30, 4:35, 7:45, 10:55. RealD 3D LINCOLN (PG-13) 10:00, 5:05. Digital Presentation MAMA (PG-13) 11:50, 2:30, 8:40, 11:30. Digital Presentation THE METROPOLITAN OP ER A: PARSIFAL (NR) Sat 12:00 PHANTOM (R) Fri and Sat 11:00, 1:40, 4:10, 7:00, 9:35, 12:10.C INDEPENDENT;Digital Presentation; Sun 11:001:40-4:10-7:00-9: 35.C INDEPENDENT;Digital Presentation

SAFE HAVEN (PG-13) 12:10, 3:10, 6:10, 9:05, 12:00. Digital Presentation SIDE EFFECTS (R) Fri and Sat 10:40, 1:35, 4:25, 7:20, 10:05, 12:50. Digital Presentation; Sun 10:40-1:35-4:25-7:2010:05. Digital Presentation THE SWEENEY (R) 12:15, 3:00, 5:50, 8:45, 11:35.C INDEPENDENT;Digital Presentation TOP GUN: AN IMAX 3D EXPERIENCE (PG) 1:15, 7:15. IMAX;RealD 3D WARM BODIES (PG-13) Fri and Sat 12:00, 2:40, 5:15, 7:50, 10:30, 1:00. Digital Presentation; Sun 12:00-2:405:15-7:50-10:30. Digital Presentation

AMC Loews Kips Bay 15 888–AMC–4FUN Corner of 31st Street and 2nd Avenue 21 AND OVER (R) Fri 11:00, 1:20, 3:40, 6:00, 8:30, 9:00, 10:50, 11:30. Digital Presentation; Sat and Sun 10:00-12:353:20-5:55-8:30-9:00-11:20-11:30. Digital Presentation ARGO (R) Fri 10:00, 12:40, 3:20, 6:00, 8:40. Digital Presentation; Sat 6:309:20. Digital Presentation; Sun 10:0012:40-3:20-6:00-8:40. Digital Presentation DARK SKIES (PG-13) 11:20, 1:40, 4:00, 6:20, 11:15. Digital Presentation DJANGO UNCHAINED (R) 10:00, 4:25, 8:00, 11:30. Digital Presentation ESCAPE FROM PLANET EARTH (PG) 10:20, 2:40, 7:10. Digital Presentation ESCAPE FROM PLANET EARTH 3D (PG) 12:30, 5:00. RealD 3D A GOOD DAY TO DIE HARD (R) Fri 10:10, 12:30, 2:50, 5:10, 7:30, 10:00, 11:30. Digital Presentation; Sat 10:1012:30-2:50-5:10-7:30-10:00. Digital Presentation; Sun 10:10-12:30-2:505:10-7:30-10:00-11:30. Digital Presentation IDENTITY THIEF (R) 10:15, 12:50, 3:40, 6:20, 9:00, 11:30. Digital Presentation JACK THE GIANT SLAYER (PG-13) 11:30, 5:20, 8:00. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) Fri 2:30, 10:40. RealD 3D; Sat and Sun 2:30-10:45. RealD 3D JACK THE GIANT SLAYER: AN IMAX 3D EXPERIENCE (PG-13) 10:30, 1:20, 4:00, 7:00, 9:45. IMAX;RealD 3D THE LAST EXORCISM PART II (PG-13) 10:30, 12:50, 3:10, 5:20, 7:30, 9:40, 11:40. Digital Presentation LIFE OF PI 3D (PG) 1:30, 9:20. RealD 3D LINCOLN (PG-13) 10:20, 1:40, 5:00, 8:20. Digital Presentation THE METROPOLIT AN OP ER A: PARSIFAL (NR) Sat 12:00 SIDE EFFECTS (R) 11:10, 1:35, 4:00, 6:35, 9:10. Digital Presentation SILVER LININGS PLAYBOOK (R) 11:10, 2:00, 4:40, 7:30, 10:30. Digital Presentation SNITCH (PG-13) 11:10, 1:50, 4:25, 7:00, 9:45. Digital Presentation ZERO DARK THIRTY (R) 11:40, 3:10, 6:40, 10:10. Digital Presentation

Regal Union Square Stadium 14 800–326–3264 628 13th & Broadway 21 AND OVER (R) Fri and Sat 11:30, 12:30, 2:00, 3:00, 4:40, 5:40, 7:10, 8:10, 9:40, 10:40, 11:35, 12:20; Sun 12:301:30-3:00-4:00-5:40-6:40-8:10-9:1010:40-11:40. DJANGO UNCHAINED (R) Fri and Sat 11:40, 3:20, 7:00, 10:35; Sun 12:404:20-8:00-11:35. ESCAPE FROM PLANET EARTH (PG) Fri and Sat 1:40, 6:50; Sun 2:40-7:50. ESCAPE FROM PLANET EARTH 3D (PG) Fri and Sat 11:10, 4:20, 9:20. RealD 3D; Sun 12:10-5:20-10:20. RealD 3D A GOOD DAY TO DIE HARD (R) Fri and Sat 11:50, 2:30, 5:00, 7:40, 10:20, 12:45; Sun 12:50-3:30-6:008:40-11:20. JACK THE GIANT SLAYER (PG-13) Fri and Sat 12:00, 2:50, 5:30, 8:20, 11:00; Sun 1:00-3:50-6:30-9:20-12:00. JACK THE GIANT SLAYER 3D (PG-13) Fri and Sat 11:00, 1:00, 1:50, 3:50, 4:30, 6:30, 7:20, 9:30, 10:00, 12:10, 12:40. RealD 3D; Sun 12:00-2:00-2:50-4:505:30-7:30-8:20-10:30-11:00. RealD 3D LIFE OF PI 3D (PG) Fri and Sat 1:10, 4:50, 7:50, 10:55; Sun 2:10-5:50-8:5011:55. LINCOLN (PG-13) Fri and Sat 12:10, 3:40, 7:05, 10:30; Sun 1:10-4:40-8:0511:30. THE METROPOLIT AN OP ER A: PARSIFAL (NR) Sat 12:00 SAFE HAVEN (PG-13) Fri and Sat 11:45, 2:40, 5:20, 8:00, 10:45; Sun 12:45-3:406:20-9:00-11:45. SIDE EFFECTS (R) Fri 12:20, 1:20, 3:10,

#1 FREE DAILY IN NYC 4:10, 6:10, 7:30, 9:10, 10:10, 11:50; Sat 12:20-3:10-6:10-7:30-9:10-10:10-11:50.; Sun 1:20-2:20-4:10-5:10-7:10-8:3010:10-11:10. WARM BODIES (PG-13) Fri and Sat 1:25, 4:00, 6:40, 9:15, 11:40; Sun 2:25-5:007:40-10:15.

AMC Loews 34th Street 14 888–AMC–4FUN 312 W. 34th St.; between 8th and 9th Avenues 21 AND OVER (R) Fri 10:30, 12:00, 12:55, 2:25, 3:20, 4:50, 5:45, 7:20, 8:15, 9:55, 10:55. Digital Presentation; Sat 10:30-12:55-2:25-3:20-4:50-5:45-7:208:15-9:55-10:55. Digital Presentation; Sun 10:30-12:00-12:55-2:25-3:20-4:505:45-7:20-8:15-9:55-10:55. Digital Presentation ARGO (R) 10:25, 1:15, 4:10, 7:00, 9:50. Digital Presentation BEAUTIFUL CREATURES (PG-13) 12:40. Digital Presentation DARK SKIES (PG-13) 10:20, 3:40, 6:10, 8:40, 11:10. Digital Presentation A GOOD DAY TO DIE HARD (R) 10:15, 12:45, 3:10, 5:40, 8:10, 10:35. Digital Presentation IDENTITY THIEF (R) 10:00, 12:35, 3:15, 5:55, 8:35, 11:15. Digital Presentation JACK THE GIANT SLAYER (PG-13) 11:30, 5:00, 10:40. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) 12:50, 2:15, 7:50. RealD 3D JACK THE GIANT SLAYER: AN IMAX 3D EXPERIENCE (PG-13) 10:40, 1:30, 4:20, 7:10, 10:00. IMAX;RealD 3D THE LAST EXORCISM PART II (PG-13) 10:35, 1:00, 3:25, 5:50, 8:20, 9:45, 10:45. Digital Presentation SIDE EFFECTS (R) 11:00, 1:45, 4:40, 7:30, 10:15. Digital Presentation SILVER LININGS PLAYBOOK (R) 10:05, 1:05, 4:00, 6:50, 9:40. Digital Presentation SNITCH (PG-13) 11:20, 2:10, 4:55, 7:40, 10:25. Digital Presentation WARM BODIES (PG-13) 10:10, 3:30, 6:00, 8:25, 10:50. Digital Presentation ZERO DARK THIRTY (R) 11:10, 2:50, 6:20. Digital Presentation

AMC Loews Lincoln Square 13 888–AMC–4FUN 1998 Broadway 21 AND OVER (R) Fri and Sat 10:10, 12:40, 3:10, 5:40, 8:10, 10:40, 12:30. Digital Presentation; Sun 10:10-12:403:10-5:40-8:10-10:40. Digital Presentation DJANGO UNCHAINED (R) 11:40, 3:25, 7:05, 10:50. Digital Presentation ESCAPE FROM PLANET EARTH (PG) 12:20, 5:10. Digital Presentation ESCAPE FROM PLANET EARTH 3D (PG) 10:00, 2:45, 7:45. RealD 3D A GOOD DAY TO DIE HARD (R) Fri and Sat 11:30, 2:10, 4:45, 7:20, 9:55, 12:20. Digital Presentation; Sun 11:302:10-4:45-7:20-9:55. Digital Presentation IDENTITY THIEF (R) 11:10, 1:55, 4:50, 7:40, 10:30. Digital Presentation JACK THE GIANT SLAYER (PG-13) 11:05, 5:00, 10:45. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) 2:00, 7:55. RealD 3D JACK THE GIANT SLAYER: AN IMAX 3D EXPERIENCE (PG-13) Fri 10:30, 1:20, 4:10, 7:00, 9:50. IMAX;RealD 3D;Reserved Seating; Sat 10:30-1:204:10-7:05-9:55. IMAX;RealD 3D;Reserved Seating; Sun 10:30-1:204:10-7:00-9:50. IMAX;RealD 3D;Reserved Seating LES MISERABLES (PG-13) 12:35, 6:45, 10:20. Digital Presentation LINCOLN (PG-13) 11:15, 2:40, 6:10, 9:40. Digital Presentation SIDE EFFECTS (R) 11:00, 1:45, 4:30, 7:10, 10:00. Digital Presentation SILVER LININGS PLAYBOOK (R) 10:25, 1:25, 4:25, 7:25, 10:25. Digital Presentation STOKER (R) Fri and Sat 11:25, 2:05, 4:40, 7:15, 9:50, 12:25.C INDEPENDENT;Digital Presentation; Sun 11:252:05-4:40-7:15-9:50.C INDEPENDENT;Digital Presentation WARM BODIES (PG-13) 10:00, 4:10. Digital Presentation ZERO DARK THIRTY (R) 11:50, 3:20, 7:00, 10:35. Digital Presentation

Regal E-Walk 13 800–326–3264 247 W 42nd St @ 8th Ave - In Times Square ARGO (R) Fri and Sat 3:40, 9:20. CC/DVS-Closed Captions & Descriptive Video Service; Sun 4:40-10:20.

CC/DVS-Closed Captions & Descriptive Video Service BEAUTIFUL CREATURES (PG-13) Fri and Sat 11:05, 1:55, 4:45, 7:50, 10:50. CC/DVS-Closed Captions & Descriptive Video Service; Sun 12:05-2:55-5:458:50-11:50. CC/DVS-Closed Captions & Descriptive Video Service DARK SKIES (PG-13) Fri and Sat 11:40, 1:10, 2:15, 3:50, 4:40, 6:20, 7:20, 9:00, 10:00, 11:30, 12:30; Sun 12:40-2:103:15-4:50-5:40-7:20-8:20-10:00-11:0012:30. IDENTITY THIEF (R) Fri and Sat 11:10, 12:10, 1:45, 2:45, 4:20, 5:20, 7:00, 8:00, 9:40, 10:40, 12:20. CC/DVS-Closed Captions & Descriptive Video Service; Sun 12:10-1:10-2:45-3:45-5:20-6:208:00-9:00-10:40-11:40-12:20. CC/DVSClosed Captions & Descriptive Video Service THE LAST EXORCISM PART II (PG-13) Fri and Sat 12:00, 2:30, 5:00, 7:30, 10:10, 12:40. CC-Closed Captions;RPX:; Fri and Sat 11:00-12:50-1:40-3:30-4:106:00-6:40-8:30-9:10-11:00-11:40. CC/DVS-Closed Captions & Descriptive Video Service; Sun 1:00-3:30-6:008:30-11:10-12:40. CC-Closed Captions;RPX:; Sun 12:00-1:50-2:404:30-5:10-7:00-7:40-9:30-10:10-12:0012:40. CC/DVS-Closed Captions & Descriptive Video Service SILVER LININGS PLAYBOOK (R) Fri and Sat 11:15, 2:05, 4:55, 7:55, 10:55; Sun 12:15-3:05-5:55-8:55-11:55. SNITCH (PG-13) Fri and Sat 11:30, 12:20, 1:00, 2:10, 3:00, 4:50, 5:50, 6:30, 7:40, 8:40, 10:30, 11:20, 12:15. CC/DVSClosed Captions & Descriptive Video Service; Sun 12:30-1:20-2:00-3:104:00-5:50-6:50-7:30-8:40-9:40-11:3012:15-12:20. CC/DVS-Closed Captions & Descriptive Video Service ZERO DARK THIRTY (R) Fri and Sat 11:35, 3:10, 6:50, 10:20. CC/DVS-Closed Captions & Descriptive Video Service; Sun 12:35-4:10-7:50-11:20. CC/DVSClosed Captions & Descriptive Video Service

Regal Battery Park Stadium 11 800–326–3264 629 102 North End Avenue - Vesey & West Street 21 AND OVER (R) Fri and Sat 12:40, 3:00, 5:30, 7:50, 10:20, 12:20. CC/DVSClosed Captions & Descriptive Video Service; Sun 1:40-4:00-6:30-8:5011:20. CC/DVS-Closed Captions & Descriptive Video Service DARK SKIES (PG-13) Fri and Sat 1:40, 4:25, 7:10, 9:35; Sun 2:40-5:25-8:1010:35. ESCAPE FROM PLANET EARTH (PG) Fri and Sat 4:10, 9:00. CC-Closed Captions; Sun 5:10-10:00. CC-Closed Captions ESCAPE FROM PLANET EARTH 3D (PG) Fri and Sat 1:50, 6:30. CC-Closed Captions; Sun 2:50-7:30. CC-Closed Captions A GOOD DAY TO DIE HARD (R) Fri and Sat 11:55, 2:30, 5:10, 8:10, 10:50. CC/DVS-Closed Captions & Descriptive Video Service; Sun 12:55-3:30-6:109:10-11:50. CC/DVS-Closed Captions & Descriptive Video Service IDENTITY THIEF (R) Fri and Sat 2:00, 4:50, 7:45, 10:35, 12:00. CC/DVSClosed Captions & Descriptive Video Service; Sun 3:00-5:50-8:45-11:35. CC/DVS-Closed Captions & Descriptive Video Service JACK THE GIANT SLAYER 3D (PG-13) Fri and Sat 1:00, 4:00, 7:00, 9:50, 11:30. CC/DVS-Closed Captions & Descriptive Vide;RealD 3D; Sun 2:00-5:00-8:0010:50. CC/DVS-Closed Captions & Descriptive Vide;RealD 3D THE LAST EXORCISM PART II (PG-13) Fri and Sat 12:20, 2:40, 5:00, 7:30, 10:00, 12:20. CC/DVS-Closed Captions & Descriptive Video Service; Sun 1:203:40-6:00-8:30-11:00. CC/DVS-Closed Captions & Descriptive Video Service SIDE EFFECTS (R) Fri and Sat 12:00, 2:50, 5:25, 8:00, 10:40. CC/DVS-Closed Captions & Descriptive Video Service; Sun 1:00-3:50-6:25-9:00-11:40. CC/DVS-Closed Captions & Descriptive Video Service SILVER LININGS PLAYBOOK (R) Fri and Sat 12:50, 3:40, 6:40, 9:30; Sun 1:50-4:40-7:40-10:30. SNITCH (PG-13) Fri and Sat 1:30, 4:30, 7:20, 10:10. CC/DVS-Closed Captions & Descriptive Video Service; Sun 2:305:30-8:20-11:10. CC/DVS-Closed Captions & Descriptive Video Service ZERO DARK THIRTY (R) Fri and Sat 11:50, 3:20, 6:55, 10:30. CC/DVS-Closed

WEEKEND, MARCH 1-3, 2013

Captions & Descriptive Video Service; Sun 12:50-4:20-7:55-11:30. CC/DVSClosed Captions & Descriptive Video Service

Clearview’s Chelsea 212–777–FILM 260 West 23rd Street at 8th Avenue; Between 7th & 8th Avenues ARGO (R) 11:25, 2:15, 5:00, 8:00, 11:00. CC-Closed Captions DJANGO UNCHAINED (R) 11:30, 3:00, 6:45, 10:15. Digital Projection IDENTITY THIEF (R) 1:00, 3:45, 6:30, 9:15 JACK THE GIANT SLAYER (PG-13) 4:45, 10:00. Digital Projection JACK THE GIANT SLAYER 3D (PG-13) 2:00, 7:30 LIFE OF PI (PG) Fri and Sat 11:45. Digital Projection LIFE OF PI 3D (PG) 2:45, 5:45, 9:00 NEDERLANDS DANS THEATER’S “AN EVENING WITH CRYSTAL PITE” (NR) Sun 11:00 QUARTET (PG-13) 11:20, 1:50, 4:30, 7:15, 9:50. Digital Projection THE ROCKY HORROR PICTURE SHOW (R) Fri and Sat 12:00 SIDE EFFECTS (R) Fri and Sat 11:00, 1:30, 4:15, 7:00, 9:45, 12:15; Sun 11:001:30-4:15-7:00-9:45. SILVER LININGS PLAYBOOK (R) 11:05, 1:45, 4:45, 7:45, 10:45 ZERO DARK THIRTY (R) 11:10, 2:30, 6:00, 9:30. Digital Projection

AMC Magic Johnson Harlem 9 888–AMC–4FUN 2309 Frederick Douglass Boulevard & 124th Street 21 AND OVER (R) 10:30, 12:45, 3:05, 5:30, 8:00, 10:30. Digital Presentation DARK SKIES (PG-13) 10:30, 12:50, 5:50, 8:15, 10:45. Digital Presentation DJANGO UNCHAINED (R) 9:30. Digital Presentation ESCAPE FROM PLANET EARTH (PG) 11:15, 3:15, 4:15. Digital Presentation ESCAPE FROM PLANET EARTH 3D (PG) 1:45, 7:00. RealD 3D A GOOD DAY TO DIE HARD (R) 11:30, 2:15, 4:45, 7:15, 9:45. Digital Presentation IDENTITY THIEF (R) 11:45, 2:20, 5:00, 7:40, 10:20. Digital Presentation JACK THE GIANT SLAYER (PG-13) 10:45, 4:30, 10:15. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) 1:30, 7:30. RealD 3D THE LAST EXORCISM PART II (PG-13) 11:00, 1:15, 3:30, 6:00, 8:30, 11:00. Digital Presentation SNITCH (PG-13) 11:25, 2:05, 4:50, 7:45, 10:25. Digital Presentation WARM BODIES (PG-13) 11:10, 1:35, 4:10, 6:35, 9:10. Digital Presentation

AMC Loews Orpheum 7 888–AMC–4FUN 3rd Avenue & 86th Street 21 AND OVER (R) 10:05, 12:30, 3:00, 5:15, 7:35, 9:15. Digital Presentation ESCAPE FROM PLANET EARTH (PG) Fri and Sat 10:00, 2:35, 7:00. Digital Presentation; Sun 2:35-7:00. Digital Presentation ESCAPE FROM PLANET EARTH 3D (PG) 12:25, 4:45, 9:55. RealD 3D IDENTITY THIEF (R) 2:55, 5:35, 8:15, 10:55. Digital Presentation JACK THE GIANT SLAYER (PG-13) Fri and Sat 11:30, 1:45, 3:15, 7:15. Digital Presentation; Sun 1:45-3:15-7:15. Digital Presentation JACK THE GIANT SLAYER 3D (PG-13) Fri 10:45, 12:15, 4:30, 10:00. RealD 3D; Sat 10:45-12:15-4:30-10:40. RealD 3D; Sun 10:45-12:15-4:30-10:00. RealD 3D SIDE EFFECTS (R) 10:15, 12:45, 5:55, 8:30, 11:00. Digital Presentation SNITCH (PG-13) 2:15, 5:00, 7:45, 10:30. Digital Presentation ZERO DARK THIRTY (R) 11:45, 3:30, 6:50, 10:15. Digital Presentation

AMC Loews Village 7 888–AMC–4FUN 66 Third Avenue at 11th Street BEAUTIFUL CREATURES (PG-13) Fri 12:20, 10:40. Digital Presentation; Sat 10:40. Digital Presentation; Sun 12:2010:40. Digital Presentation DARK SKIES (PG-13) 10:05, 12:50, 3:15, 5:40, 8:10, 10:50. Digital Presentation IDENTITY THIEF (R) 11:20, 2:00, 4:40, 7:30, 10:15. Digital Presentation THE LAST EXORCISM PART II (PG-13) 10:00, 12:30, 2:55, 5:20, 7:45, 10:10. Digital Presentation THE METR OP OLITA N OPERA:

PARSIFAL (NR) Sat 12:00 SNITCH (PG-13) Fri 10:10, 1:40, 4:20, 7:20, 10:30. Digital Presentation; Sat 1:15-7:20-10:30. Digital Presentation; Sun 10:10-1:40-4:20-7:20-10:30. Digital Presentation ZERO DARK THIRTY (R) Fri 10:15, 3:45, 7:10. Digital Presentation; Sat 10:003:45-7:10. Digital Presentation; Sun 10:15-3:45-7:10. Digital Presentation

City Cinemas Village East Cinema 800–FAN–DANG 2708 181-189 Second Avenue ARGO (R) 11:00, 1:40, 4:20, 5:30, 7:00, 8:10, 9:50, 10:45 BRAVE (PG) 11:00, 1:10, 3:20 LES MISERABLES (PG-13) 12:30, 3:45, 7:00, 10:15 QUARTET (PG-13) 11:00, 1:10, 3:20, 5:30, 7:40, 9:50 SEARCHING FOR SUGAR MAN (PG-13) 11:10, 1:15, 3:20, 5:25, 7:30, 9:35 SILVER LININGS PLAYBOOK (R) Fri and Sat 11:00, 12:00, 1:40, 2:40, 4:20, 5:20, 7:00, 8:00, 9:40, 10:40; Sun 11:00-1:40-2:40-4:20-5:20-7:00-8:009:40.

Angelika Film Center New York 800–FAN–DANG 18 West Houston at Mercer Street KOCH (NR) 10:45, 1:00, 3:15, 5:30, 7:45, 10:00 MOLLY’S THEORY OF RELATIVITY (NR) 10:10, 12:30, 2:50, 5:10, 7:30, 9:50 NO (R) 11:15, 1:50, 4:25, 5:30, 7:00, 8:00, 9:40, 10:30 SILVER LININGS PLAYBOOK (R) 10:50, 12:00, 1:35, 2:45, 4:15, 7:15, 9:55 WAR WITCH (REBELLE) (NR) Fri 10:20, 12:30, 2:40, 4:50, 7:00, 9:40, 11:50; Sat 10:20-12:30-2:40-4:50-7:00-9:10-11:20.; Sun 10:20-12:30-2:40-4:50-7:00-9:10.

Lincoln Plaza Cinemas 212–757–2280 1886 Broadway AMOUR (PG-13) 11:05, 1:25, 3:55, 6:30, 9:00 BEASTS OF THE SOUTHERN WILD (PG13) 12:50, 5:05, 7:10 TH E G AT EK EEP ER S (S HO MEREI HA’SAF) (PG-13) 11:15, 1:10, 3:25, 5:25, 7:35, 9:40 HAVA NAGILA (THE MOVIE) (NR) 12:15, 1:55, 3:30, 5:10, 6:55, 8:40, 10:20 LORE (NR) 2:45, 9:15 NO (R) 11:00, 1:05, 3:15, 5:30, 7:45, 10:00 WAR WITCH (REBELLE) (NR) 12:10, 2:10, 4:10, 6:10, 8:10, 10:10

AMC Loews 84th Street 6 888–AMC–4FUN 2310 Broadway ARGO (R) 11:00, 2:00, 4:45, 7:30, 10:15. Digital Presentation DARK SKIES (PG-13) 11:45, 2:10, 4:30, 7:15, 10:00. Digital Presentation A GOOD DAY TO DIE HARD (R) 10:40, 1:00, 3:20, 5:45, 8:15, 10:40. Digital Presentation THE LAST EXORCISM PART II (PG-13) 11:30, 1:45, 4:00, 6:15, 8:30, 10:45. Digital Presentation LIFE OF PI 3D (PG) 10:30, 1:20, 4:10, 7:00, 9:50. RealD 3D SNITCH (PG-13) 11:15, 2:15, 5:15, 8:00, 10:35. Digital Presentation

AMC Loews 19th St. East 6 888–AMC–4FUN 890 Broadway At 19th St. ARGO (R) Fri 1:20, 4:10, 7:00, 10:05. Digital Presentation; Sat and Sun 11:202:00-4:40-7:30-10:30. Digital Presentation DARK SKIES (PG-13) Fri 12:25, 2:45, 5:00, 7:20, 9:45. Digital Presentation; Sat and Sun 11:25-1:45-4:05-6:40-9:00. Digital Presentation IDENTITY THIEF (R) Fri 1:55, 4:30, 7:15, 10:00. Digital Presentation; Sat and Sun 11:15-1:55-4:30-7:15-10:00. Digital Presentation THE LAST EXORCISM PART II (PG-13) Fri 1:00, 3:25, 5:40, 8:00, 10:20. Digital Presentation; Sat and Sun 11:55-2:355:15-7:35-10:05. Digital Presentation SNITCH (PG-13) Fri 12:30, 3:00, 5:30, 8:05, 10:30. Digital Presentation; Sat 11:30-2:15-5:00-8:00-10:45. Digital Presentation; Sun 2:15-5:00-8:0010:45. Digital Presentation ZERO DARK THIRTY (R) Fri 12:15, 3:30, 6:50, 10:10. Digital Presentation; Sat and Sun 11:40-3:15-7:00-10:25. Digital Presentation

gossip The feed ...

Checking in with some of Hollywoodâ&#x20AC;&#x2122;s biggest names to see what theyâ&#x20AC;&#x2122;ve been up to â&#x20AC;&#x201D; in their own words, in 140 characters or fewer. Today, Jason Mraz is looking on the bright side, Neil Patrick Harris is putting rumors to rest, Samantha Ronson is not feeling well and Garry Shandling is looking for answers. @jason_mraz For me, the days that begin bad always seem to conclude with magical evenings. Thanks weird day! @ActuallyNPH The Nat Enq is cray cray. We've never had a wedding date, just engaged (Prop 8 and all). We're on a cruise as I write. He's rad. All good. @samantharonson I have now taken every allergy medicine available in the US- still no relief- but if i die tonight, u know why. @GarryShandling Maybe the Pope is tired because he stands when he drives.

WEEKEND, MARCH 1-3, 2013

THE WORD Dorothy Robinsonâ&#x20AC;&#x2122;s take on the world of gossip

@dorothyatmetro

dorothy.robinson@metro.us

Miles Teller: Will not kiss a man happily Miles Teller, the star of â&#x20AC;&#x153;21

& Over,â&#x20AC;? will do a lot of things for the sake of comedy â&#x20AC;&#x201D; but kissing a man really wasnâ&#x20AC;&#x2122;t on the list. â&#x20AC;&#x153;The [guy-on-guy] kissing scene was something I tried to get rid of for a while,â&#x20AC;? he told Metro reporter Ned Ehbar on an interview about the new film about a 21st birthday getting out of control. â&#x20AC;&#x153;I was literally, like, pretty upset about that. And then we did it and it was just like CPR. â&#x20AC;Ś Inevitably, I did it for comedy. But they wanted me to use the tongue and I said, â&#x20AC;&#x2DC;Nope. Itâ&#x20AC;&#x2122;s not that funny, man.â&#x20AC;&#x2122;â&#x20AC;? First of all, Miles, youâ&#x20AC;&#x2122;re wrong: Tongue is totally

Talking points Fey wonâ&#x20AC;&#x2122;t be hosting the Oscars Neil Patrick Harris

#1 FREE DAILY IN NYC

Donâ&#x20AC;&#x2122;t get your hopes up for Tina Fey hosting the Oscars next year. She says

that funny. Second, your attitude is literally, like, pretty homophobic. This is acting â&#x20AC;&#x201D; everyone knows youâ&#x20AC;&#x2122;re pretending. But it gets weirder. Apparently, Teller didnâ&#x20AC;&#x2122;t mind being spanked on film with his male co-star, Skylar Astin. â&#x20AC;&#x153;There was a point where me and Skylar were shackled up and were getting spanked. At one point the shackle broke, so I had to bend over and fix it and there were all these girls around, and I was just like, â&#x20AC;&#x2DC;Iâ&#x20AC;&#x2122;m sorry.â&#x20AC;&#x2122; Then I just went down and fixed it.â&#x20AC;? So yes to two bros, pants down, gettinâ&#x20AC;&#x2122; spanked on film? But no on kissing? Weird.

thereâ&#x20AC;&#x2122;s no way sheâ&#x20AC;&#x2122;ll take the job. â&#x20AC;&#x153;I just feel like that gig is so hard,â&#x20AC;? she tells the Huffington Post. â&#x20AC;&#x153;Especially for, like, a woman. The amount of months that would be spent trying on dresses alone â&#x20AC;&#x201D; no way.â&#x20AC;? Fey earned rave reviews for her work co-hosting the

JOHN JOHNSON

Stewart stops Sanders advancements Now that sheâ&#x20AC;&#x2122;s ruined his marriage, Kristen Stewart wants nothing to do with Rupert Sanders. â&#x20AC;&#x153;Rupertâ&#x20AC;&#x2122;s reached out to Kristen, but she doesnâ&#x20AC;&#x2122;t want anything to do with him,â&#x20AC;? a source tells Radar Online. â&#x20AC;&#x153;He texted her a number of times after Liberty filed for divorce; however, Kristen didnâ&#x20AC;&#x2122;t respond. She regrets ever getting involved with Rupert because of how much it hurt Robert [Pattinson] and the amount of backlash.â&#x20AC;?

Miles Teller will do a lot of things for comedy â&#x20AC;Ś as long as it doesnâ&#x20AC;&#x2122;t involve tongue.

Stewart

Golden Globes with pal Amy Poehler, so many naturally looked to Fey as an improvement for next year, but she she insists thereâ&#x20AC;&#x2122;s no chance.

McAdams and Sheen

McAdams and Sheen: Still on? Not so fast with those re-

ports about Rachel McAdams and Michael Sheenâ&#x20AC;&#x2122;s relationship being over. While the pair has split up after two years of dating, a source insists to E! News that they havenâ&#x20AC;&#x2122;t broken up for good. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s likely not permanent. Temporary hiccup,â&#x20AC;? the source says.

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television

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WEEKEND, MARCH 1-3, 2013

Donâ&#x20AC;&#x2122;t mess with Viking women Katheryn Winnick and Jessalyn Gilsig, stars of â&#x20AC;&#x2DC;The Vikings,â&#x20AC;&#x2122; talk about playing strong female characters in the new series on The History Channel HISTORY CHANNEL

The mental image that comes to mind when you hear â&#x20AC;&#x153;Vikingsâ&#x20AC;? is usually bearded oafs drinking from skull cups in between fits of plundering. â&#x20AC;&#x153;People think they were just barbarians with horns on their heads,â&#x20AC;? says Katheryn Winnick, one of the stars of â&#x20AC;&#x153;The Vikings,â&#x20AC;? a new nineepisode docu-drama that airs Sundays on The History Channel. â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s completely wrong. They were civilized, intelligent, sophisticated.â&#x20AC;? The show is the latest from Michael Hirst, known for his way of turning history into highly watchable, often sexy trash, as he did in the â&#x20AC;&#x153;Elizabethâ&#x20AC;? films, â&#x20AC;&#x153;The Tudorsâ&#x20AC;? and â&#x20AC;&#x153;The Borgias.â&#x20AC;? His new show tells of Ragnar Lothbak (Travis Fimmel), a real-life Viking badass. But the

Katheryn Winnick (center) plays real-life shieldmaiden Lagertha in â&#x20AC;&#x153;The Vikings,â&#x20AC;? airing Sunday.

Quoted

â&#x20AC;&#x153;Your job as an actor is to always make sense to yourself. Even a serial killer makes sense to themselves.â&#x20AC;? GILSIG

women have meaty roles, too, specifically Lagertha (Winnick), wife of Ragnar,

and Siggy (Jessalyn Gilsig), the Lady Macbeth to Gabriel Byrneâ&#x20AC;&#x2122;s evil lord.

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Lagertha, is a â&#x20AC;&#x153;shieldmaidenâ&#x20AC;? â&#x20AC;&#x201D; a female warrior â&#x20AC;&#x201D; and spends the earliest episodes at home as her husband sails on an illegal mission. But that means organizing the community and fending off neâ&#x20AC;&#x2122;erdo-wells in Ragnarâ&#x20AC;&#x2122;s stead. â&#x20AC;&#x153;Whatâ&#x20AC;&#x2122;s great about her relationship with Ragnar

was that they were partners,â&#x20AC;? Winnick says. â&#x20AC;&#x153;It was true love.â&#x20AC;? For Gilsig, best known as Terri Schuester on â&#x20AC;&#x153;Glee,â&#x20AC;? it was a chance to play evil again, this time alongside her TV husband. â&#x20AC;&#x153;This was a team effort,â&#x20AC;? she says of the two characters. â&#x20AC;&#x153;This is a couple that has come to the highest position, and now they have to figure out how to keep it. You have to do that by identifying your enemies and any threat you have, and eliminating them.â&#x20AC;? The secret to playing a villain is believing the character is right, Gilsig says. â&#x20AC;&#x153;Your job as an actor is to always make sense to yourself. Even a serial killer makes sense to themselves.â&#x20AC;? Matt Prigge

letters@metro.us

TV watch list

â&#x20AC;&#x2DC;Savage Family Diggersâ&#x20AC;&#x2122; REALITY. The chronicles

of former pro wrestler Ric Savageâ&#x20AC;&#x2122;s family treasure-digging business seems too bizarre to pass up. Our fingers are crossed that they unearth some historical relics and family secrets. Saturday, 10 p.m., Spike

â&#x20AC;&#x2DC;Welcome to Myrtle Manorâ&#x20AC;&#x2122; REALITY. Catch a

glimpse at life inside of a South Carolina beachside trailer park. TLC has such a knack for delivering lie-to-your-friendsabout-watching-it reality junk food. Series premiere, Sunday, 10 p.m., TLC

â&#x20AC;&#x2DC;Ghost Adventuresâ&#x20AC;&#x2122; REALITY. Explore haunt-

ed locales with a trio of paranormal investigators. Friday, 9 p.m., Travel Channel NATALIE SHURE

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Two new exhibits at ICP present the lifeâ&#x20AC;&#x2122;s work of two photojournalists whose works pulse with life close to death The intersecting narratives in the current exhibitions at the International Center of Photography include some of the darkest moments of the 20th Century. They include images of cities in ruin, refugees and orphans, and storefronts spewing anti-Jewish propaganda. Most feature ordinary people. Up through May 5, â&#x20AC;&#x153;We Went Back: Photographs from Europe 1933â&#x20AC;&#x201C;1956 by Chimâ&#x20AC;? and â&#x20AC;&#x153;Roman Vishniac Rediscovered,â&#x20AC;? present the lifeâ&#x20AC;&#x2122;s work of two photojournalists whose works pulse with life even as they edge closest to death. Vishniac and Chimâ&#x20AC;&#x2122;s work overlap in both content and goals. Chim, a political photographer, at

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times collaborated with propaganda offices to further his own political passions. From 1935 to 1938, Vishniac exposed the hardships of European Jews to attract funding for a Jewish relief organization. Their work is linked by a spirit of advocacy. â&#x20AC;&#x153;The overlapping point is

Warsaw,â&#x20AC;? says Maya Benton, curator of â&#x20AC;&#x153;Roman Vishniac Rediscovered.â&#x20AC;? â&#x20AC;&#x153;Chim was born in Warsaw; his father owned a Yiddish and Hebrew printing press there, and he was very much of the world that Vishniac photographed.â&#x20AC;? Vishniac initially documented lives like Chimâ&#x20AC;&#x2122;s to attract philanthropy, and the work only later came to be seen as a record of an annihilated people. Vishniacâ&#x20AC;&#x2122;s postwar work is more of a conscious testimony of destruction, depicting scenes of Berlin reduced to rubble and Passover at displaced person camps. Natalie Shure

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food

#1 FREE DAILY IN NYC

WEEKEND, MARCH 1-3, 2013

Master a classic Weekend recipe

Âź

Pasta carbonara with peas

1 Â˝

The key to this simple weeknight meal is cooking the eggs just enough to make a creamy sauce without overcooking them. So ďŹ rst, crisp the pancetta; then, while the pasta cooks, mix the eggs with the pecorino and parmesan cheeses. While the drained pasta is still hot, toss it with the cooked pancetta and eggs. This method provides enough gentle heat to create a creamy, rich sauce and virtually eliminates the chance of scrambling the eggs. The addition of peas adds a touch of brightness to this classic Italian dish. INGREDIENTS 1 tablespoon olive oil 6 ounces pancetta, small dice Kosher salt 1 pound linguine 3 large eggs 2 large egg yolks Â˝ cup grated Pecorino

What to buy Look for pancetta in gourmet groceries and Italian markets. Or you can make your own. In a pinch, you can substitute bacon.

19 CHOW.COM

Romano cheese (about 1Â˝ ounces), plus extra for serving cup grated ParmigianoReggiano cheese (about Âž ounce) cup frozen peas, thawed teaspoon freshly ground black pepper, plus more as needed

INSTRUCTIONS Heat the oil in a large frying pan over medium heat until shimmering. Add the pancetta and cook, stirring often, until browned and most of the fat has been rendered, about 12 to 14 minutes. Remove the pan from the heat and set aside.

a large pot of salted water to a boil. Cook the 2pastaBring according to the package directions. Meanwhile, whisk together the eggs and yolks in a medium bowl until combined. Add the cheeses and whisk until evenly combined; set aside. Drain the cooked pasta, reserving half cup of the 3cooking water, and immediately return the hot pasta to the pot. Stir in the reserved egg-cheese mixture, reserved pancetta and pan drippings, peas, measured pepper and just enough pasta cooking water to make the mixture creamy (you may not need all of it). Taste and season with additional pepper as needed. Transfer the pasta to a serving dish and serve im4 mediately, passing the extra grated cheeses on the side.

Peas add some bright color to this pasta carbonara recipe.

Beverage pairing 2005 Pallavicini Frascati: Think bright, crisp and white. A delicate Frascati from the volcanic soils near Rome would be the perfect complement to cut through the richness of this traditional Roman pasta.

CONTRIBUTED BY

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letters&games

#1 FREE DAILY IN NYC

WEEKEND, MARCH 1-3, 2013

Across

1 Yellow jacket 5 Low-cal lunch 10 Salt’s formula 14 Turkish official 15 Proverb 16 Jai — 17 Heartfelt 18 Kin of argon 19 It may be spliced 20 Violinist -- Stern 22 Made a face 24 Sweet potatoes 27 “Rag Mop” brothers 28 Mirth 32 “Platoon” actor 36 Hydrocarbon suffix 37 False name 39 Be stingy 40 Haunches 42 Coffee order 44 “Blue Tail Fly” singer 45 Slouch 47 Princess Fiona’s husband 49 Freud topic 50 Pedro’s honorific 51 Wire 53 Horse’s ankle 56 MOMA artist 57 Thong (hyph.) 61 Toil 65 Crazy, in Juarez 66 Caravan halts 69 Long-handled tool 70 Dairy-case buy 71 Nurse -- Barton 72 Vogue rival 73 Nasty cut 74 Spade and Winslet 75 Unhearing

Letters

Horoscope Pisces Feb. 20-March 20. It’s best not to discard traditional methods in order to experiment with something new. Actually, working with known qualities enhances your chances for success. Aries March 21-April 19. As long as you stay away from speculative ventures, this should be a profitable day for you. Go out of your way to make your bundle the oldfashioned way -- earn it. Taurus April 20-May 20. Don’t allow a few minor setbacks to diminish your hopes and expectations. Any obstacle you encounter is likely to be merely temporary and easily overcome. Gemini May 21-June 20. Even if you can’t totally resolve

RE: “REPUBLICANS HAVE TAKEN US HOSTAGE” (METRO, FEB. 28) Letter

The wild called: It wants your cat

may not kill for fun, but they do attack/kill for no reason all the time. They also kill for greed whenever they attack one of their own to steal its food or mate (which also kills your theory that they don’t steal). You want to see greed? Throw one milk bone between two pit bulls — it’s the primitive version of watching two top-level executives compete for a $6 million bonus. You want a list of things animals can never do? Donate to a charity, improve/ stimulate the economy, improve the environment, make major changes that will benefit large groups of people and/or animals, invent anything, have a conversation, cook a meal, or be of any use at all other than being eaten or providing company. In 18 years, a child could grow up, make you proud, maybe even change the world. In that same time, your pet will most likely die, and after a few months of grieving you will replace it and forget about it.

writer Paul Simons has been writing the same letter every week. Week after week, Republicans are bad and week after week President Obama is great and even greater because he has to deal with “the Republican game of obstructing.” Mr. Simons, this presidency is not occurring in a bubble. The “game” you are referring to is called democracy. Technically, we live in a constitutional republic, but the Constitution and subsequent laws derived from it allow a representative from every district in the country to form a body to legislate on behalf of the district. Over the years there have been many debates and not every president gets everything he wants. That is what you are seeing but having the White House is not enough for Mr. Simons. He is “fed up” that Republicans aren’t rubber stamping every big spending proposal that comes across Obama’s mind. No one will lose a job Friday. CBO says the real number is half of what the Obama propaganda number. But it won’t matter. When sequester kicks in and nothing happens, Obama will just credit himself.

GEORGE JOHNSON, VIA E-MAIL

KEVIN METZ, VIA E-MAIL

RE: “TWO OUT OF THREE PEOPLE AGREE: KIDS ARE BETTER THAN PETS” (METRO, FEB. 26) Animals

Down

1 Dry watercourse 2 Birthday counts 3 Mets’ former ballpark 4 Tropical melon 5 Jazz instrument 6 Lime cooler 7 k.d. — of country music 8 Mall for Plato 9 Sturdy fabric 10 Kyushu port 11 Knighted Guinness

Game: (n.) That which is played by both sides

12 Bamboo stalk 13 Committed perjury 21 Irene of “Fame” 23 Docs prescribe them 25 Summery 26 Farm enclosures 28 Rounds up 29 Desensitize 30 Dud of a car 31 Racing vessel

33 Half a sawbuck 34 Rolex rival 35 — Downs (racetrack) 38 Mr. Spock’s dad 41 Dismiss lightly (hyph.) 43 Toppled over 46 Faculty mem. 48 On an even — 52 Equipped 54 Grandfather —

55 Down Under denizen 57 Beat with a stick 58 Kinks’ tune 59 Finishes the cupcakes 60 Jr.’s exam 62 Cotton unit 63 Tex. neighbor 64 Shoal 67 Afore 68 Stockholm carrier

some unwanted developments, you should be able to lessen their impact. Besides, challenges stimulate your ingenuity. Cancer June 21-July 22. Don’t deny yourself or those you love an unexpected pleasurable encounter, even if it costs you a few bucks. The happiness it engenders is worth the sacrifice. Leo July 23-Aug. 22. It’s imperative that you study important situations very carefully. What at first appears to be unpleasant might contain benefits that you’ll discover only after a close inspection. Virgo Aug. 23-Sept. 22. If you’re too materialistic, you might not be satisfied by the results of your efforts. Look out for your interests, but not by gouging another. Libra Sept. 23-Oct. 23. Funds

could suddenly become available to you for obtaining something you’ve wanted but never thought you could afford. How this unfolds could be rather mysterious. Scorpio Oct. 24-Nov. 22. There’s a chance that you could be subjected to some frustrating resistance from an individual who is usually easygoing. It proves that everybody is human. Sagittarius Nov. 23-Dec. 21. What works for you might not work for someone else. Thus, ignore any pessimistic opinions this person might express about something or someone that you hold dear. Capricorn Dec. 22-Jan. 19. It behooves you to try to do something different with a casual acquaintance. Fresh personalities and encounters will have a very favorable

effect on you. Aquarius Jan. 20-Feb. 19. You don’t need to be fearful if you find yourself in a tight spot. Adversity only strengthens your resolve, and you’ll discover you’re more than a match for spontaneous complications. BERNICE BEDE OSOL

Solution to Thursday’s crossword

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Williams thinks chemistry with Johnson growing Backcourt still trying to find footing Both could be in lineup Friday Williams on a tear GETTY IMAGES

Deron Williams played his best game of the year Tuesday night in New Orleans when he scored 33 points. The one caveat was that Joe Johnson was not in the backcourt with Williams. With Johnson sitting out the last three games due to a sore left heel, Williams has been able to assume some of the responsibilities as the game’s closer — a role Johnson has performed to near perfection this season. The Nets are hopeful Johnson will return Friday night against Dallas, especially after how he and Williams performed in practice on Thursday. “We’re still working on [our chemistry],” Williams said. “It’s something that we’re going to continue to work on and get better as it goes. I said it before I’ve

Williams and Johnson

ON TV MARCH 1 Nets vs. Mavericks 8 p.m., YES

never played with a guy like Joe, so it takes adjustments. We’re used to having the ball in our hands for the majority of the time, so now it’s kind of one of those things.”

Williams is shooting 19-of-36 in 79 minutes over his last two games and interim head coach P.J. Carlesimo does not believe the surge is a fluke. “I think the shooting is real,” Carlesimo said. “I mean he’s shooting the ball extremely well, he’s moving, he’s moving well [and] he’s attacking. We’ve not actually sat down and asked him, but clearly he’s had to do more the last couple games, in terms of creating offense not just for other guys but also for himself. “He looks good, he looks comfortable [and] he’s played big minutes,” Carlesimo said. “We rested him a little bit the other night but he’s playing big minutes and he’s playing very well which is all encouraging.” LARRY FLEISHER

JIM ROGASH/GETTY IMAGES

Brady signed a three-year, $27 million extension, while Sanchez inked a three-year, $40 million deal.

Brady vs. Sanchez: Tale of QB contract tape It’s a tale of two cities and, more aptly, a tale of two quarterbacks. Earlier this week, the Patriots made a very Patriots-like move, resigning Tom Brady to a deal that not only ensures the greatest quarterback of his generation will retire in New England, but a deal that also frees up cap space to keep star players in place around him. Down in New York, reports surfaced out of the NFL Combine that Jets receiver Santonio Holmes would not consider restructuring his own long-term deal to help create cap space. Inexplicably, Jets quarterback Mark Sanchez was given a contract extension last March, just a

couple weeks prior to the team trading for Tim Tebow. The deal was given by then general manager Mike Tannenbaum even though Sanchez was coming off a season of regression and had two years left on his rookie deal. Metro looks at the ugly details:

Kreider sent down to AHL NHL. Rangers prospect

Chris Kreider has been giving the New York to Hartford bus a workout. Kreider took the trip back to the Connecticut Whale on Thursday as the team made room for Rick

Kreider is likely to spend more time with the Whale in his second stint this season.

Nash, who is returning from injury. The 22-year-old forward was sent down for the sec-

ond time after starting the season with the big club. Kreider broke out in last season’s playoffs — before

ever playing a regular-season game — but hasn’t had much of an impact so far in 2013. Kreider has just two points (one goal, one assist) on the season and hasn’t had any points in his last six games. MARK OSBORNE

Rivera throws first simulated spring game

MLB. It was only 18 pitches

and it wasn’t against actual

3 In the news

Original salary (2013): Brady: $21.8 million Sanchez: $12.8 million New salary (2013): Brady: $13.8 million Sanchez: $12.8 million TDs/INTs (2012): Brady: 34/13 Sanchez: 18/8 Butt fumbles (2012): Brady: zero Sanchez: one

Kristian Dyer sports@metro.us

SCOTT LEVY/NHLI/GETTY IMAGES

Sports in brief

WEEKEND, MARCH 1-3, 2013

competition, but Mariano Rivera returned to the mound on Thursday to field his position for the first time. The Yankees’ closer is coming back from a torn right ACL, so Rivera wanted to practice taking groundballs, bunts and covering first base before getting into actual game action. “It feels good, guys, it feels real good,” Rivera told reporters in Yankees spring training. “It was perfect.” METRO/MO

DiPietro clarifies suicide quotes Islanders goalie Rick DiPietro admitted to being frustrated, but wanted to make it clear on Thursday he has never actually considered suicide. A reporter for Long Island’s News 12 tweeted DiPietro thought about “killing himself at one point” after an interview with the struggling player. DiPietro clarified those comments on Thursday, saying his comment in the interview was that if it wasn’t for his wife he might have driven “into a tree.” He said it was simply to show how supportive his wife has been. The goalie was put on waivers by the Islanders last week.

Weekend, March 1-3, 2013

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