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Purity. Sensuality. Intelligence. This open-plan interior in Berlin offers ample space for cooking and socializing. It combines a wall-mounted b3 system with a bulthaup monoblock. Sleek sandy-beige aluminum panels from oor to ceiling on the kitchen wall contrasts with the texture of the brick in the dining and living area. The look and feel of the aluminum changes with the light, and introduces additional elegance and warmth to the room. Moreover, bulthaup’s unique anodizing method ensures the aluminum surfaces are exceptionally robust, and well suited for kitchen use. To see what else bulthaup kitchens have to offer, please contact your African retail partner livingkitchens.bulthaup.com
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FAMILY FEASTS SERVED WITH WONDER AND JOY SET YOUR TABLE FOR A CELEBRATION With beautiful crockery, glassware and table décor from @home, your guests can expect an epic celebration full of festive joy. Be ready with extra drinks and lots of dessert, everyone is going to want to stay on for more.
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ON THE COVER Photograph by Elsa Young
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CURATE Heat up your interiors with vibrant decor solutions
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PERSPECTIVE Digital director Zodwa Kumalo discusses the practice of ringing in the new year
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DESIGN A look at the ‘Arch for Arch’ monument in Cape Town
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SHOP Add tactility to your space with a range of natural textures
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ART DETAIL Inside a London popup gallery that exhibited the work of emerging artists from Southern Africa
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NOTED Design and lifestyle news
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BODY OF WORK What inspires textile designer Nicholas Coutts
LIVING SCULPTURE The owners of sculptor Edoardo Villa’s former home in Kew, Johannesburg, are intent on keeping the artist’s spirit alive
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PINPOINT A sneak peek at the Radisson Red in the Mother City
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FOOD & DRINKS NEWS
HIT REFRESH With its seaside location in Plettenberg Bay, this family retreat was designed to make the most of the property’s sweeping views
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FOOD How to chargrill fruit and veg
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GARDEN Rediscover the revived Arderne Gardens in Cape Town
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EARTH + SKY This friendly abode on Cape Town’s Atlantic Seaboard adopts a more unconventional approach than the houses that surround it
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TRAVEL The best way to experience Barcelona, Spain, in just two days
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IN EQUILIBRIUM Concrete, glass, timber and contemporary furnishings combine in a laid-back residence in Umdloti, KwaZulu-Natal
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EDITOR’S LETTER Tiaan Nagel invites you to ‘escape the everyday’
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118 NEWS Ideas for updating your kitchen (page 118), kids’ rooms (page 120) and lounge (page 124)
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STYLE PROFILE Meet luxury connoisseur Vika Shipalana
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112 HEAD OUT Whether you have a courtyard, patio or pool, we’ve got trends and tips for your outdoor areas
subscribe For current print subscription offers, email subs@magsathome.co.za or call 087-405-2221. To download the digital edition of House and Leisure, visit houseandleisure.co.za.
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D E C E M B E R 2 0 1 7 | HOUSE AND LEISURE
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s I type this editor’s letter for our December Escape issue – in early October – outside it looks a little as if the world is coming to an end. An epic Highveld thunderstorm is making its way across greater Johannesburg, momentarily demanding a dramatic halt to the ongoing marathon of Sandton skyscraper construction that surrounds our office. The weather is gloomy, and conversation turns to hailstorms and the effect being pelted with hail might have on all of our cars. It’s a well-known fact that we Joburgers take our cars very seriously. The bigger they are, the better, and we think of them as a sexy reminder of all the hours we put in at work – so any threat of the car being damaged by hailstones the size of golf balls creates instant panic. In complete contrast to the chaos outside my office window and the slightly hysterical atmosphere inside, my desk is strewn with layouts for the December issue that you’re holding in your hands. There are bright and sunny images of homes embracing the best of South Africa’s outdoor-indoor lifestyle, fresh chargrilled recipes perfect for alfresco eating (page 94) and the hottest new hotel in Cape Town (page 86). Going on simultaneously, of course, is the 24/7 world of digital-content production – right now, we’re wrapping up our Tropical Modern issue online, and prepping web content that ties into November’s Luxury issue. It’s all a bit trippy. Still, there is nothing better than planning a dreamy escape, even if you are doing so from an office in the middle of a thunderstorm in the heart of Sandton. In this issue we look at interior designers and architects who embrace our enviable climate and create environments that offer an immediate retreat from reality for homeowners. Warren Siebrits and Lunetta Bartz share a rare glimpse into their private life by taking us through their house – originally the home and studio of Italian-born artist Edoardo Villa – on page 48. This unique Joburg abode, with its thickly plastered walls and aged terracotta tiles, speaks to the many Brutalist treasures that still exist (most of them hidden and unchanged) in the city. It’s a special find made contemporary and approachable by Lunetta’s unpretentious yet sophisticated eye. We also look at a beautifully layered retreat in Plettenberg Bay created by Sumari Krige of La Grange Interiors that is filled with bleached woods and deep yellow tones, and admire the way each room is framed to fully embrace the ocean view (page 58). Durban-based designer Ruth Duke of Ruth Duke Interior Design created a laid-back getaway – without compromising on style and high-impact design – in a compact pavilionstyle house in Umdloti that also overlooks the ocean (page 76). And we showcase a modern tiered home in Clifton (page 66), designed by Cape Town architects Jan-Heyn Vorster and Pieter Malan, and swathed in elegant pale wood that’s reminiscent of Japanese tearooms. These four homes speak to great South African living and I hope leave you, in turn, inspired to escape the everyday. Thank you for your continued support! We love proposing and curating ideas for you and for your home.
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HOT IN THE CITY A BARCELONA WEEKEND
COMPILED BY: JESSICA HUNKIN. PHOTOGRAPHS: ISTOCK, PAUL SAMUELS PHOTOGRAPHY, SUPPLIED. COVER PHOTOGRAPHS: HELENIO BARBETTA/LIVING INSIDE, KARL ROGERS, ELSA YOUNG
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CONTRIBUTORS LISA VAN ASWEGEN Lisa is a freelance travel, food and lifestyle journalist who moved to Berlin from Cape Town in 2016. She documents her travels with her seven-year-old son on her blog, lilylovespickles.wordpress.com, and for this issue, created our guide to visiting Barcelona, Spain (page 106).
As seen in House and Leisure styling Leana Schoeman
As seen in House and Leisure styling Leana Schoeman
What’s your top travel-related memory? Travelling on my own to Paris for a weekend when I was on a working holiday in London. My hotel was in the dodgiest area, but I was so happy just to be there. I had to chuck out my trainers to make space for Japanese teacups I bought in the Marais district. Priorities, you know. Who do you like travelling with the best? My son, Kevin. Seeing him explore the world is utterly inspiring. How are you planning to spend your holidays? It will be winter in Germany, so lots of trips to Christmas markets for glühwein and decorations. What are you going to cook this festive season? I’m nostalgic at heart and will recreate my mom’s Christmas party food: stuffed eggs, prawns and asparagus.
ROSALYND WATSON
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Rosalynd is House and Leisure’s new managing editor. What’s your top travel-related memory? Visiting Pamukkale on my last day in Turkey. With its white hills and natural hot springs, it was one of my most magical and breathtaking experiences. Who do you like travelling with the best? I’d love to say my mom, but we would both end up getting lost! So to keep me on track, my wonderful husband, Alan. How are you planning to spend your holidays? With my family and friends, lounging outdoors by the pool or at the beach, building sandcastles with my son and eating loads of ice lollies. What are you going to cook this festive season? Foiled sweet potatoes, mielies and giant mushrooms filled with mozzarella, garlic and pesto, all grilled on the braai. When is your favourite time of day? Whenever I see excitement on my son’s face. What does ‘escape’ mean to you? Unwinding, daydreaming and holiday fun with my family.
LOUISE MCCANN
As seen in House and Leisure styling Mia Vincent
As seen in House and Leisure styling Leana Schoeman
What’s your top travel-related memory? The two-day train trip MYVT 7PL[LYTHYP[aI\YN [V *HWL ;V^U [OYV\NO [OL 2HYVV °Who do you like travelling with the best? My niece and nephew, who bring such a fresh vibe to both the ordinary and the extraordinary. How are you planning to spend your holidays? Simply, happily and close to the sea. What’s your ultimate road-trip song? Admitting that in print would be a mistake. What’s set to be your must-have summer tipple? Ceylon tea and Elgin Viognier wine, not necessarily in that order. When is your favourite time of day? Gloaming. What does ‘escape’ mean to you? ;YH]LSSPUN SPNO[ VU°HU \UL_WLJ[LK HK]LU[\YL VY PU HUV[OLY ZLUZL [OH[ ISPZZM\S MLLSPUN VM ILPUN°KLLWS` VU OVSPKH`
PHOTOGRAPHS: SUPPLIED
A communications strategist with an interest in art, design and development research, Louise lives in Muizenberg and loves her monthly escapes to her home-awayfrom home in Durban. This month she wrote about an innovative pop-up show of southern African art in London (page 34) for us.
EDITORIAL Editor Tiaan Nagel tiaan@assocmedia.co.za Deputy Editor Robyn Alexander robyn@assocmedia.co.za Art Director Ian Martin ian@assocmedia.co.za Junior Art Director Gemma Bedforth gemma@assocmedia.co.za Managing Editor Rosalynd Watson rosalynd@assocmedia.co.za Features Editor Kholeka Kumalo kholeka@assocmedia.co.za Chief Copy Editor Karen Tennent karent@assocmedia.co.za Acting Copy Editor Mariola Fouché hlfreelance@assocmedia.co.za Decor Editor Chrizanda Botha chrizanda@assocmedia.co.za Junior Decor Editor Reshoketswe Mokale shoki@assocmedia.co.za Online Editor Jessica Hunkin jess@assocmedia.co.za Online Content Producer Catherine Franklin cat@assocmedia.co.za Editorial Contact (CT) 021-464-6200 Editorial Contact (JHB) 010-286-1175 COMMERCIAL Group Inland Sales Manager Shanee Smart shanee@assocmedia.co.za Group Coastal Sales Manager Storm Mascall storm@assocmedia.co.za Key Account Managers Jeanine Viljoen (Gauteng) 082-654-9308, jeaninev@assocmedia.co.za Greer Krige (Coastal) 082-397-2056, greer@assocmedia.co.za Chantel Spence 082-822-0842, chantel@assocmedia.co.za Advertising Controller Quanita Rinquest 021-464-6207 ASSOCIATED MEDIA PUBLISHING Chairman Jane Raphaely Chief Executive Officer Julia Raphaely Head of Advertising and Creative Solutions Leigh Kinross Head of Talent Kim van der Linden Head of Digital and Marketing Elrike Lochner Group Brand Director Emilie Gambade Digital Communications Manager Blue Masoka Account Director – Integrated Projects Leandi van den Berg Integrated Projects Manager Zoe Myburgh Marketing Co-ordinator Claudell van Eeden Marketing Assistant Potego Mminele Brand Activation Coordinators Mushfieqah Kannemeyer Junior Web Administrator Rhonda Absolon Head of Sales Support Tarryn Ballentine Sales Support Jorika Moore Head of Creative Solutions Studio Creative Solutions Traffic Managers Junior Traffic Manager – Hub Creative Solutions Art Buyer Creative Solutions Senior Copywriter Creative Solutions Senior Designers Creative Solutions Junior Designer Group Videographer and Photo Editor Creative Solutions Proof Reader
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THIS SPREAD, CLOCKWISE FROM TOP FAR LEFT 1. Trapeze fabric in Lemon from the Carnival collection R1 098/m, Home Fabrics 2. Evita 690M vinyl surface flooring from the Crystal collection R320/m2 (excludes installation), Belgotex 3. Woven tray R624 (65cm), 4. basket with handles R430 (40cm) and 5. woven bowls R171 each (small), all by Umtsala by Madwa, Pezula Interiors 6. Dandelion bamboo Spa wrap R515, Mungo 7. Palissade bench in Olive by Hay R6 727, Créma Design 8. Juno double blanket in yellow R1 560, Mungo 9. Best of LensCulture Vol 1 – LensCulture coffee-table book R578 (Schilt Publishing), Exclusive Books 10. Ella fabric in Sulphar from the Fanciful Forest collection R798/m, Hertex 11. Emerald velvet in 400 from the Emerald collection R760/m, Halogen 12. Shanghai vase by Mario Bellini R3 370, Kartell 13. Bello sun lounger R16 999, Mobelli 14. Slip lounge chair in iroko clear timber with cross-hatch cord in Gazelle R7 095, Vogel 15. Adoration fabric in Mars from the Adoration collection R368/m, Fabric Library 16. Straw backpack (limited edition) POR, Pichulik 17. Mali bed runner in Rolled Sand R2 065 (1.2×3m), Mungo 18. Munggur wood bun stools R12 995 each, Weylandts 19. Goboni fabric in Tumeric from the Chunky Weaves collection R596/m, Halogen 20. Mia fabric in Spring from the Fanciful Forest collection R844/m, Hertex 21. Straw hat R180, The Hive 22. Braided storage basket R299 (large), H&M 23. Vieques sidetable with teak top and textured mustard base R17 210, Marlanteak 24. Round metal tray R229 and 25. water glasses with gold rims R80 each, all H&M. (Clockwise from top) models wear: Capri Tropical bikini bottom R700, The Hive; Yellow kaftan R880, Isabel de Villiers; Aloe printed bikini set R1 130, BeachCult; white stone cuff R1 040 and Trio bangle R600, both by Matter of Fakt, and Evelyn sunglasses R599, Witchery; Granadilla Lolly navy swimming shorts R700, Granadilla Swim; Unknown Eyewear sunglasses R500, The Grand Beach; and all jewellery, model’s own.
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FLOORING THROUGHOUT BY BELGOTEX: EVITA 690M VINYL SURFACE FLOORING FROM THE CRYSTAL COLLECTION R320/M 2 (EXCLUDES INSTALLATION), BELGOTEXFLOORS.CO.ZA. HAIR AND MAKEUP: DIANA ASHERSON. FOR SUPPLIERSâ&#x20AC;&#x2122; DETAILS SEE THE STOCKISTS PAGE
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THIS SPREAD, CLOCKWISE FROM TOP FAR LEFT 1. Slip lounge chair in iroko clear timber with cross-hatch cord in Gazelle R7 095, Vogel 2. Adoration fabric in Mars from the Adoration collection R368/m, Fabric Library 3. Espri utility table in Taupe R2 499, Mobelli 4. Chelsea sunglasses R699, Country Road 5. Desert rose R990 (medium), Cécile & Boyd 6. Margiela: The Hermès Years coffee-table book by Kaat Debo, Sarah Mower, Rebecca Arnold, Vincent Wierink and Suzy Menkes R973 (Lannoo Publishers), Exclusive Books 7. Spice Route scatter cushions in Marsala R800 each (60×60cm) and 8. Sumo fabric in Clay from the Sumo collection R399/m, all Hertex 9. Casquette cap by Pullin R499, Spree.co.za 10. Loom fabric in Pumpkin from the Loom collection R515/m, Home Fabrics 11. Shibuya vase by Christophe Pillet R2 700 and 12. Max Beam sidetable by Ludovica and Roberta Palomba R5 780, both Kartell 13. White Bicycles: Making Music in the 1960s book by Joe Boyd R190 (Serpent’s Tail), Exclusive Books 14. Monza fabric in Saffron from the Chunky Weaves collection R596/m, Halogen 15. Gore tote bag by Aaks R3 400, GUILD 16. Lily kaftan by Short Island R995, The Grand Beach 17. Loom fabric in Canyon from the Loom collection R515/m, Home Fabrics 18. Upright Mentis lounger in iroko clear timber with a crosshatch cord in Gazelle R7 095, Vogel 19. Raffia natural rug R399 (70×140cm), H&M 20. Tabor pots in Orange R1 390 each, Pezula Interiors 21. Nesting table in Walnut R2 242 (small), 22. nesting table in Oak R3 325 (large) and 23. nesting table in stained Grey R4 937 (extra large), all from the Eclipse set of four nesting tables in Oak, Walnut, Grey-stained and Lacquered White by Stua, Créma Design 24. Rectangular tray in Copper R1 200, Cécile & Boyd 25. Jellies Family glasses by Patricia Urquiola R1 620 (large; set of four), Kartell 26. Mali bed runner in Rolled Sand R2 065 (1.2×3m), Mungo. (Clockwise from left) models wear: full-piece swimsuit R1 300, The Hive; Mono sun hat R499, Trenery; Fashion 2 Lapiste swimming shorts by Pullin R550, Spree.co.za; yellow Aloe printed bikini set R1 800 and yellow kaftan R1 100, both BeachCult; Pagoda neckpiece R1 050, Pichulik.
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THIS SPREAD, CLOCKWISE FROM TOP FAR LEFT 1. Monza fabric in Saffron from the Chunky Weaves collection R596/m, Halogen 2. Adoration fabric in Mars from the Adoration collection R368/m, Fabric Library 3. T Tables by Patricia Urquiola R4 750 each, Kartell 4. Wooden bowls in Dark Brown R299 each, H&M 5. Bowls R980 (giant), R270 (medium) and R220 (small) all by Lukhanyo for GUILD, GUILD 6. Striped blanket in Rust R599, H&M 7. Straw sun hat in Red R180, The Hive 8. Jada tote bag R1 299, Trenery 9. Jungle fabric in Tangerine from the Gary Neil Outdoor collection R559/m, Halogen 10. Chelsea sunglasses in Navy R699, Country Road 11. Itawuli bath sheet R590 and Itawuli hand towel R225 in Brown Granite, both Mungo 12. Honeycomb stool with bone inlay R5 995 and Bone inlay stool R4 995, both Weylandts 13. Beach bats by Lukhanyo and Jasper Eales for Guild store R2 500 (pair), GUILD 14. Qw Maya sling stacking sun lounger in Black R16 200, Marlanteak 15. Ponti fabric in Rose from the Ponti collection R456/m, Hertex 16. Cargo fabric in Mars from the Cargo collection R358/m, Fabric Library 17. Tanzania fabric in Mandarin from the Clarence collection R778/m, Halogen 18. Ayanda ceramic sculpture in Dark Grey R28 560 and 19. Umzamo ceramic sculpture in Charcoal with spots of metal R29 925 (large), both by Chantel Woodman, Okha 20. Dew fabric in Arabesque from the Polaris collection R399/m, Fabric Library 21. Optic Container cube by Patrick Jouin R5 135, Kartell 22. Havana coffee-table book by Bernhard Hartmann R973 (teNeues), Exclusive Books 23. Adams red-wine glasses R120 each, Cécile & Boyd 24. Lungo sun lounger R8 599, Mobelli. (Clockwise from left) models wear: Palm Frond swimming shorts R599, Country Road; jewellery, model’s own; Hope one-piece swimsuit R1 199 and Evelyn sunglasses R599, both Witchery; Gold Medal neckpiece R1 320 and Multi whip bangles R190 each, all Pichulik.
V I E W perspective
TAKING STOCK
ZODWA KUMALO
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individuals struggling to make ends meet. But despite this bleak reality, it’s still the human condition to celebrate or mark the end of the year in some tangible way. A photographer friend spent one New Year’s Eve riding in an ambulance answering emergency calls in Hillbrow, Johannesburg, documenting the annual ritual some residents have of throwing large appliances out of the windows of their high-rise apartment buildings. A weird and dangerous practice, yes, but perhaps a cathartic one nonetheless. Another friend admitted that she can’t help but be pulled into the festivities of the annual beach pilgrimage in East London and other small Eastern Cape coastal towns, where crowds gather to bathe in the sea and drink the salty water as a way of cleansing their systems for the new year. Everyone has their own way of closing off the old year, whether it’s by force of habit or as a necessary way of drawing a distinction between the years that have passed before. So the question is, what’s a fitting way to end things off so that you can move on from the old and start working on the new? For a start, make a list. There is so much underestimated power in writing down and visualising the things that you want. Whenever the end of the year is approaching, I write a few paragraphs detailing what I want (and don’t want) for the new year, and then revisit them after three to six months. It’s incredibly satisfying to see all the things you forgot you said you wanted and realise you have actually willed them into your life – consciously or subconsciously. zodwa
KICKING OFF 2018 CELEBRATE WITH MUSIC Afropunk Fest Joburg 2017 on 30-31 December promises to be the music event of the year, with performances by Solange Knowles, DJ Lag, Theo Parrish and Black Motion among others. afropunkfest.com/johannesburg
REVISIT YOUR FINANCES If you’ve been in denial about the poor state of your bank balance, visiting a financial advisor will help you face reality and assist in planning the way forward, which will give you a great sense of control. Plus, most financial institutions offer free consultations.
TAKE A TRIP Trips abroad are out of reach for most, so make a holiday to a local destination the way to go. From hotels to getaways and experiences, visit shotleft.co.za for ideas and specials on everything SA.
CHANGE YOUR OUTLOOK I once read that rather than seeing the end of the year as the last quarter, you should approach it as if it’s the beginning. Make short-term goals to achieve targets, take that course you’ve been putting off, finish writing that book – there’s nothing like creating a sense of urgency that has the ability to change the direction your life might be taking.
PHOTOGRAPH: ANZA RAPHALALANI
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friend recently tweeted something along the lines of, ‘Why are all of my exes suddenly coming out of the woodwork and apologising for past transgressions?’ She sounded slightly taken aback, but there was definitely a mixture of delight and relief in her words. Another friend shared in a Facebook post, ‘More and more people I know have stopped – or are planning to stop – drinking alcohol. Age makes us think about where we want to be in life, what we spend our money and energy on, and how to make the most of both.’ As we draw closer to the end of the year, we begin to take stock of our lives. And as we get older, we start to reevaluate what’s important to us and make necessary edits. So much of being able to move forward hinges on being able to let go of the past – from an intense anger you felt for a person that immediately dissipated after they acknowledged the pain they caused you and simply said sorry, to cutting out the things (and sometimes the people) that no longer add value to your life. It’s all about closure and reviewing in order to make room for the new: tying up loose ends, assessing which old habits need to be tossed out, and commemorating a year of the good, the bad and the ugly in whatever way you see fit. Let’s face it, 2017 has been as challenging as 2016. The ongoing economic downturn has placed a lot of pressure on small and big businesses alike, with increased job losses and new ventures shutting down. That’s not to mention the exorbitant food and fuel prices that have seen families and
wyneth Paltrow pports DonorsChoose
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Cape Town honours Archbishop Emeritus Tutu with a public design in the Company’s Garden
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Challenging and thought-provoking, subtle and striking, memorable and sensitive – a tribute commission is nothing if not intimidating to design. In the case of the recently unveiled ‘Arch for Arch’, a wooden framework dedicated to Nobel Peace laureate Archbishop Emeritus Desmond Tutu in the Company’s Garden in Cape Town, it was about paying homage to a hero, but also about creating a public space that signifies human rights and freedom. ‘It’s so important to have these symbols and metaphors for what it is to be a South African,’ says founder of Design Indaba Ravi Naidoo, one of three key contributors to this piece. ‘[The Arch] is really a metaphor for the Constitution – it comprises 14 arches of wood for 14 chapters of the Constitution.’ After Cape Town mayor Patricia de Lille asked Naidoo to create a structure that would recognise Tutu’s legacy, he recruited the best in the business to articulate the design. First on board: Norwaybased firm Snøhetta. ‘We didn’t want to create a monument, but instead use location to form a public space,’ says the firm’s director Thomas Fagernes. Next Naidoo drafted Local Studio, an architecture practice well versed in South Africa’s contentious urban environment. ‘It had to be more than just a tribute piece,’ Local Studio architect Daniel Trollip says. ‘And with [the Arch] situated just outside Parliament, we anticipate it as a place for people to gather, protest and hold events.’ The swooping network of chapters sits sturdily yet ever so lightly at the entrance to the Company’s Garden, where squirrels might scurry about its beams and trees grow between its apertures. Snøhetta chose wood as the primary material. ‘Wood has a warmth to it. It is alive and has tactility – and it suits the humour of the archbishop,’ says Fagernes. The design teams worked with arborists and horticulturalists to ensure that the structure would meld effortlessly with its environment. For Naidoo, conceptualising the design within the context of place was vital. ‘It’s a homage to Archbishop Tutu, it’s a celebration of our democracy and the Constitution, and it’s a place to constantly conscientise us that our work is not yet done.’ snohetta.com; localstudio.co.za
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1. Wallpaper in Jazz Rust SOC304 from the Sound of Colour collection by Khrôma for Brian Yates R1 475/10m roll, Dreamweaver Studios 2. Offset glass bookcase in Red by Sacha Lakic POR, Roche Bobois 3. Ceramic P614 pendant lights R680 each, Eurolux 4. Coat hook in Rust by Hay R2 361, Créma Design 5. Ashed vase R250, Coricraft 6. Earthenware vase in rust finish R595 (large), La Grange Interiors 7. Gramercy side cupboard R12 995, Mobelli 8. Hemp dhurrie printed rug in Purple and Cerise R19 346 (3×4m), Voke Rugs 9. Pill stool in Copper R3 200, La Grange Interiors 10. PanAm lounge chair R16 000 and footstool R6 200, both Tonic Design 11. The Silo table lamp with marbled resin base by Mia Widlake R7 500, Studio19. 28
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1. Monkey Holiday framed photograph by Carla Erasmus R8 500, Bofred 2. Flores pendant (left) and Saru pendant (right) R2 450 each, SHF 3. Double-sole espadrilles in Beige R670, Espadril 4. Sealed solid oak frame with moveable shelves R10 800, LIM 5. The Botanist gin R499 (750ml), Norman Goodfellows 6. Tea trolley 900 by Alvar Aalto for Artek R41 472, Cube gallery 7. Mallow woollen kilim R12 193 (3Ă&#x2014;4m), Voke Rugs 8. Kannitraki 2-stripe handmade woven vessels in imisi grass and recycled plastic R1 100 each, Design Afrika 9. Dylan sofa R18 960 (excludes scatter cushions), Liam Mooney Studio 10. Seagrass coasters R119 (set of four), @home. 30
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1. Wallpaper in Piccoli Cerchi UT511 from the 301 Hotskin collection by J&V R1 265/m (1.3m wide), Dreamweaver Studios 2. Paris Paname screen in brushed brass and plexiglass panels from the Nouveaux Classiques collection from R118 810, Roche Bobois 3. Ilio floor lamps in White and Orange Amber both by Ernesto Gismondi for Artemide R13 223 each, Cube gallery 4. Channels hand-knotted Tibetan wool and silk rug in Copper by Kelly Wearstler R54 763, The Rug Company 5. Paris Paname magazine rack in brass and leather from the Nouveaux Classiques collection R22 910, Roche Bobois 6. Molly sofa R15 500, Something Different 7. Modern damask cushion in Gold R1 200, Liam Mooney Studio 8. Meta sidetable in solid brass with marble top R19 000, Tonic Design 9. Glass coasters R249 (set of four), @home 10. Animalitá Duck Elefant multivase sculpture in White and Copper by Jaime Hayon for Bosa POR, Créma Design. 32
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FRESHER FOR LONGER Wouldn’t you love a fridge-freezer that can comfortably keep up with storage demands during ϩ˵ʪ иʪʪ̧ и˵̷̈ʪ ɵʪ̈͝˝ Ѥ ʪӱɵ̷ʪ ʪ͝ͱЇ˝˵ ϩͱ ʀͱΧʪ ӥϩ˵ the added demands of a long, lazy Sunday lunch party too? When television personality, businesswoman and Samsung brand ambassador, Jo-Ann Strauss, has her extended family over for a Sunday lunch, it means a large crowd of people around a long table and a refrigerator packed with food. The Samsung RT7000 top-mounted freezer ࣍Ɵđ ࣎ ӥϩ˵ Ɵӥ͝ Aͱͱ̷̈͝˝ ť̷Їϑআ ̈ϑ ʪуɇʀϩ̷ц и˵ɇϩ ϑ˵ʪ ͝ʪʪʒϑࢋ Ɵ˵ʪ Ѥ ʪӱɵ̷̈̈ϩц ͱ˙ ϩ˵ʪ Ɵđ ͔ʪɇ͝ϑ ϑ˵ʪ ʀɇ͝ Ѥ ̈Χ ϩ˵ʪ ťͱиʪθ Aͱͱ̷ ϑӥϩʀ˵ ɇ͝ʒ ʪ˙˙ʪʀϩ ɇ͝ ͔͔̈ʪʒ̈ɇϩʪ temperature change to chill extra food. The fridge and freezer cool and freeze food independently using separate ɇ̈θѤͱиϑࢋ
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This independent cooling system not only improves the efficiency of the fridge and freezer, it also allows Jo-Ann to configure the TMF refrigerator as she needs – using Freezer- Fridge, Energy Saving, Vacation, Fridge Max or Mini mode options. She can turn the freezer into a fridge when she needs extra space and when ϑ˵ʪ ˝ʪϩϑ ɇ ʀ˵ɇ͝ʀʪ ϩͱ ѣ ϩ ̈͝ ɇ ˵ͱ̷̈ʒɇцࡡ ϑ˵ʪ ʀɇ͝ ϩЇθ͝ ϩ˵ʪ ˙θ̈ʒ˝ʪ ʀͱ͔Χɇθϩ͔ʪ͝ϩ off completely.
Every parent knows that it’s better to get the long weekend shopping done in advance and for Jo-Ann it is no exception. The 620-litre TMF refrigerator is big enough to store a week’s worth of groceries. Doing a lot of shopping is hopeless if your fruit and vegetables don’t stay crisp and tasty. Fortunately, the RT7000 TMF helps to lock moisture into fresh produce, keeping it looking and tasting delicious all week long. Because Twin Cooling Plus™ is a completely independent cooling system, it ˵ɇϑ ϑʪΧɇθɇϩʪ ɇ̈θѤͱиϑ ̈͝ϩͱ ϩ˵ʪ ˙θ̈ʒ˝ʪ ɇ͝ʒ ˙θʪʪіʪθࢋ Ɵ˵̈ϑ ΧθʪЭʪ͝ϩϑ ɇ͝ц ˙θ̈ʒ˝ʪ ͱʒͱЇθϑ (half-used onion, anyone?) from affecting frozen food and it keeps the freezer compartment frost-free. Only Twin Cooling Plus™ creates a favourable environment for preserving fresh food in the fridge with 70% humidity – compared to 30% in a conventional TMF – keeping ingredients fresh for longer without drying them out. A large fridge with plenty of storage is on everyone’s wish list, but it’s futile if it pushes your electricity bill sky high. The RT7000 TMF features smart power technologies for a 42% power saving, using digital inverter technology that automatically adjusts the compressor speed to suit the cooling demand.
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T H I S PAG E , C L O C K W I S E F RO M T O P ‘I will save my ribbons for thee III’ by Marlise Keith formed part of a recent exhibition titled Feast Your Eyes – A Taste of Southern African Art at Nando’s in Soho, London, which was converted into a pop-up gallery for a weekend; ‘Grounded I’ by Patrick Bongoy; ‘Untitled’ by Shakes Tembani; ‘Maputo XI’ and ‘Maputo IX’ both by Henk Serfontein. O PP O S I T E PAG E , F RO M T O P The restaurant’s doorway featured an abstract interpretation of Maputo, Mozambique, by Serfontein, who also created the work ‘Crossing Borders II’.
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MOVEABLE NANDO’S IN FEAST SOHO, LONDON, WAS RECENTLY
TRANSFORMED INTO A POPUP GALLERY EXHIBITING THE WORKS OF SOME OF SOUTHERN AFRICA’S MOST TALENTED EMERGING ARTISTS TEXT LOUISE MCCANN PHOTOGRAPHS SUPPLIED
Those who walked past Nando’s Soho branch in London got their first hint of what was to come when South African artist Henk Serfontein painted a bold abstract interpretation of Maputo, Mozambique, around the restaurant’s doorway. Inside the space, a pop-up gallery team had installed an exhibition titled Feast Your Eyes – A Taste of Southern African Art, featuring the work of seven artists living in southern Africa who are all described as ‘emerging’ either in a South African or international context. In addition, each of the artists had participated in one or more of Nando’s artist career-development programmes administered by the Spier Arts Trust. Artworks in the group show included Serfontein’s Maputo Abstracts series,
which reference the city he visited for the first time last year. Echoed in the pieces’ geometric compositions are Maputo’s Art Deco buildings and ceramics, while the transparent textural effect was inspired by old Mozambican homes that looked like they’d only ever been painted once. The neon aesthetic? That was inspired by a restaurant Serfontein dined at with friends from Nando’s and Spier Arts Trust, that had its name written in neon lights. For this series Serfontein, an award-winning artist who came to prominence with his hyper-real paintings of nightscapes, switched to urban graffiti paints, which play a symbolic role in reclaiming space. This beautiful doorway-with-a-story grabbed the attention of the public, who was ushered into a restaurant area that had
been converted into a pop-up gallery for a weekend, with all the architectural lines, open space and fabulous art that makes for an invigorating exhibition experience. It was also very Southern African. Nando’s famous chicken with peri-peri sauce made from bird’s-eye chillies grown in Mozambique was a known drawcard, and it figured among a celebration of incredible Southern African creativity and talent that was comparably hot, but not necessarily known by those who visited. This wasn’t a hushed and reverent gallery space, but a playful experience in which visitors were encouraged to dive in, have fun, connect to a different world and get chatting. They were also invited to put on VR headsets, enabling them to both take in the artworks on display and, with the
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flick of a switch, transport themselves into the artists’ studios back in Africa, in which the creatives were making and talking about the work they had produced for this very exhibition. Visitors joined Serfontein on a journey into a remarkable world of landscapes as an intersection of identity, culture and history. They virtually sat in Nomthunzi Mashalaba’s Johannesburg studio as she reflected on her introspective and quietly beautiful mixed-media pieces, and became involved in a conversation with Democratic Republic of Congo emigrant Zemba Luzamba as he asked visitors to look more closely at his painted African figures, highlighting that their clothes and mannerisms are subtle acts of inspiration and defiance in an oppressive environment. While London taxis whizzed by outside, the raw, singular beauty of a sculptural installation by Patrick Bongoy – made from waste rubber and suspended in a stairwell spanning two storeys – stopped traffic inside. Shakes Tembani’s deliberately stylised technique of bold, flat colour and graphic edges transported visitors from the gritty dazzle of Soho to his take on a South African township, with his focus on celebrating women as the pillars of township community. Norman O’Flynn’s Timekeeper series (2016, 2017) propelled guests across a universe with a sweet and glossy veneer and dead-serious undertones. And Marlise Keith’s covetable mixedmedia works opened up a can of personal ‘mental soup’, sharing her wonderfully varied viewpoints drawn from subject matter ranging from horrific news headlines to colonial history, friends’ dogs, psychopathology, Pinterest, her chronic migraines and roadside memorials. Feast Your Eyes was pretty much like a moment in South Africa – diverse, contradictory, conflicted, united, passionate, expressive, delicious, alluring and unexpected. Perhaps being at the exhibition looking into a VR headset was a little like standing in Soho gazing into a kaleidoscope and spying on Africa’s everchanging slices of life. That was the spirit of experience. nandos.co.za 36
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INSIDE THE NANDO’S HQ IN JOBURG
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T H I S PAG E , C L O C K W I S E F RO M T O P ‘Untitled’ by Shakes Tembani; ‘Leech’ by Patrick Bongoy; an insightful talk from four emerging Londonbased artists – Sophie Rawlingson, Alexander Ikhide, Jordon Wi-Fi and Taurean Roye – on what it’s like starting out in today’s tough art climate; ‘Timekeeper 51’ by Norman O’Flynn and Qubeka Bead Studio.
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BIG TREASURES
At the Liam Mooney Studio in Cape Town, you’re sure to discover some serious interior treats as well as visual inspiration for your living spaces. There’s always a variety of new, vintage or limited-edition collaborative finds on offer, both in store and online. On our design radar this month is the three-door oak Graves Vineyard sideboard on a mild-steel stand (R40 424; made to order in four to eight weeks). liammooney.co.za
LESS IS MORE OLUBUNMI ADEYEMI, THE LAGOS-BASED DESIGNER BEHIND AFROMINIMA, HAS LAUNCHED A MINIMALIST LIFESTYLE BRAND CALLED DÁ. THE FIRST COLLECTION INCLUDES SIMPLE WOODEN KITCHEN UTENSILS, SUCH AS SPOONS, PLATTERS, BOWLS AND SPATULAS. THEY’RE ALL HANDMADE, FINISHED WITH A STRIKING DAB OF COLOUR AND DEFINITELY THE KIND OF THING YOU’RE GOING TO WANT TO KEEP ON DISPLAY. THE.DA.BRAND
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ON THE WATCH
For a gifting idea that will stand the test of time, look no further than a sleek and luxurious Sala timepiece in stainless steel by Nixon. It’s easy to wear and effortlessly cool, with a fuss-free hour and minute dial, and a smaller seconds subdial located at six o’clock. nixon.com
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THE LATEST OFFERING BY WOMENSWEAR BRAND MARGOT MOLYNEUX IS ALL ABOUT SOFTER, LESS-STRUCTURED DESIGNS AND LIGHT FABRICS FOR THE SUNNY SEASONS. THE DELIGHTFUL RANGE FEATURES A REFRESHING PALETTE OF MUSTARD YELLOW AND PALE PEACH, PLUS FUNCTIONAL STRIPES. MARGOTMOLYNEUX.COM
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WELL SERVED
The season of long, lazy lunches is finally here. If you’re in the market for a fresh set of crockery on which to serve your finest fare, take a look at Poetry’s new homeware buys in a range of oceaninspired blues. poetrystores.co.za
DESIGN SMARTS DEBUTING AT 100% DESIGN LONDON, THABISA MJO OF MASH T DESIGN STUDIO’S A PLACE AT THE TABLE COLLECTION ‘CELEBRATES THE DAILY RESOURCEFULNESS AND TRADITIONAL RITUALS IN THE RURAL LIVES OF MY GRANDMOTHER AND HER CONTEMPORARIES,’ SAYS MJO. WE’RE ESPECIALLY FOND OF THE MOJO CHAIR (R4 800), WHICH FOLDS INTO A STOOL OR COFFEE TABLE. THABISA@MASHTDESIGNSTUDIO.COM
ONCE UPON A TIME…
… there was a whimsical Fantasy Forest fabric by Schumacher that fulfilled all our childlike desires without compromising on sophistication. It’s our favourite design from the Once Upon a Time collection and a surefire way to add a striking, playful element to your interiors. We’re having visions of statement cushion covers, curtains and a tablecloth or two. stleger.co.za
TWICE AS NICE
There are few things we love more than a multifunctional piece. The perfectly perched little cactus that sits atop the &DFWXV GH &DUWLHU EDJ DV D FODVS LW·V PDGH of emeralds, carnelians, diamonds and yellow gold) doubles as a brooch, too. cartier.com
HELLO THERE, ROCHE BOBOIS! THE HIGHEND FRENCH FURNITURE RETAILER HAS MADE AN IMPRESSIVE HOME FOR ITSELF IN KRAMERVILLE – AND IT’S A SIGHT FOR SORE EYES. 27 COMMERCE CRES, JOHANNESBURG. ROCHE-BOBOIS.COM KNOWN FOR ITS UNIQUE CREATIONS, JEWELLERY BRAND PICHULIK HAS TEAMED UP WITH WEYLANDTS ON A RANGE OF DARING ACCESSORIES. ‘WE LOOKED INTO WEYLANDTS’ DESIGN DNA AND THEIR USE OF METALLIC, CONTEMPORARY AFRICAN LINES AND TEXTURES THAT ARE EVOCATIVE OF THE SOUTHERN AFRICAN LANDSCAPE, AND INCORPORATED THESE ELEMENTS INTO OUR DESIGNS WITH BOLD SILHOUETTES AND BEADWORK ACCENTS,’ SAYS KATHERINE-MARY PICHULIK. WEYLANDTS.CO.ZA 40
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wa AN ODE TO JOBURG Earlier this year, Philippe van der Merwe and Greg Gamble of Tonic Design were asked to produce something for the We Are Joburg stand at 100% Design South Africa. ‘We are both Joburg boys and have always had a love of the Brutalist architecture in our home city,’ they say. ‘Our response was to interpret this into our design, quite literally, by creating an architecturally inspired drinks unit that plays on the facades of buildings in the city.’ Thus, Facade was born. Fashioned from aluminium – which the designers had not used before and which looks and feels like the concrete used in structures – the cabinet also has a tinted ombré mirror hidden inside. ‘Joburg always has spectacular sunsets, which are often viewed as reflections in the buildings’ glazing. We felt the addition of the mirror added movement and a tension to the way the piece is viewed,’ the pair say. TONICDESIGN.CO.ZA
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Fourways : 011-691 7700 Silver Lakes : 012-809 3519 Umhlanga : 031-566 6777
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NICHOLAS COUTTS
Specialising in WOVEN AND KNITTED artisanal wear, the local FASHION DESIGNER talks us through the INSPIRATION behind his CRAFT PHOTOGRAPH GREG COX PRODUCTION GEMMA BEDFORTH
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I’m a big daydreamer. So many ideas spring to mind throughout the day, and I have to be careful to sort them out and find the good ones. I think about which yarns to put together in a weave, which shades will complement one another in a printed textile, and which concepts and silhouettes to use in my next collection.
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Clad in my favourite adidas sneakers, which are so comfortable and light, I can get through a long day’s work. At 6am I’m off to the gym, then to the studio for a quick check of emails and social media. After that, it’s meetings with collaborators, stylists and printers, visiting my pattern maker and seamstress, checking on weaving progress in different locations, preparing for photo shoots, and sourcing yarns and material. Designing is usually done later in the day, and I often work late into the night.
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HANDS I trust my hands and fingers to guide me in the right direction through the touch of textures and the feel of fabric. Sometimes it’s silky smooth and sometimes it’s fluffy and rough.
V I EW inspiration NOSE My best smells are those that I associate with hiking up Lionâ&#x20AC;&#x2122;s Head and Table Mountain, and through Silvermine Nature Reserve in Cape Town. The scent of fynbos clears my head and is a major source of inspiration for my work. MOUTH Growing up in a tightknit family, the supper table was a place for good conversation and great food. The mouthwatering aromas of garlic, tomatoes and basil would fill the air as my mother, who is an amazing cook, rustled up my favourite meal, spaghetti Bolognese. EYES Colour is a wonderful visual tool and I like to incorporate contrasting tones in my handwoven textiles. It brings joy to my life and fills me with energy, especially warmer hues such as oranges, reds and yellows.
EARS A lot of the time I work alone in silence. The solitude is meditative and I find clarity in my designs this way. When Iâ&#x20AC;&#x2122;m not working, I like listening to the sounds of Petite Noir. nicholascoutts.com
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H O U S E kew
T H I S PAG E As you approach the front door of ‘The Villa House’ in Kew, Johannesburg, its ‘exaggerated, sculptural presence’, as architectural historian Clive Chipkin described it, is most evident. O PP O S I T E PAG E The ‘tower’ is actually an extravagant skylight that draws light down into the house, illuminating the passage from above.
few years after sculptor Edoardo Villa’s death in 2011, art dealer Warren Siebrits and interior designer Lunetta Bartz became the custodians of his house in the sburg. Villa, one of South Africa’s most y sculptors, commissioned the house in h his wife Claire for the rest of their lives. The house itself is an architectural gem, rich with Joburg art history. Italian-born Villa first lived on the property after WWII, after he was released from Zonderwater where he had been a prisoner of war. He quickly immersed himself in the South African art world, and fashionable artist Douglas Portway and his wife invited him to stay at their home in Kew. ‘What is now Edoardo’s studio was actually the Portways’ lounge and kitchen,’ says Warren. Eventually Villa moved out and the Portways sold the house, but when it came up for sale again in 1959, Villa bought it. In 1968, he commissioned his good friend, architect Ian McLennan, to build a new house on the property. There was no brief. ‘[Edoardo] presented [McLennan] with a limited budget, but he gave him carte blanche,’ says Warren. As a result, the house is surprisingly small – just over 100m2 – but architecturally rich. In his book, Johannesburg Transition (Real African Publishers), architectural historian Clive Chipkin notes the house’s ‘powerful sculptural bagged brick forms’. He writes: ‘Low tranquil living areas contrast with unexpected explosions of multi-volume space... [giving] the small house a monumental, perhaps exaggerated, sculptural presence.’ ‘I find it amazing that… they never altered a thing,’ says Lunetta. ‘They kept their house perfectly preserved.’ So when 50
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T H I S PAG E The main living room features a Togo lounge suite from Ligne Roset (ligneroset.com) and an artwork in the background on the left entitled ‘Tired Snake Dancer’ by South African sculptor Lucas Sithole. Art dealer Warren Siebrits is one of the custodians of the house, and says that the ‘Infinite Progress’ (2011) cement mixer by contemporary South African artist Michael MacGarry ‘is a homage to [architect Ian] McLennan, and to every architect, past, present and future’. On the windowsill are works by South African artists Hannes Harrs, MacGarry and Wopko Jensma next to a Corroso vase by Italian glassmaker Flavio Poli. O PP O S I T E PAG E , F RO M T O P The reverse angle of the living room reveals its low ceiling, which contrasts with the dramatic ‘explosions of multi-volume space’ that characterise the other side of the house; the table in the dining room was designed for Villa by his close friend and the house’s architect Ian McLennan. The sculptural candelabra (1956) was also made by Villa, and belonged to McLennan. In the background, the large black sculpture is ‘Black Construction’, for which Villa won a bronze award at the 1959 São Paulo Art Biennale.
T H I S PAG E The kitchen remains perfectly intact, preserved by the fact that the units are raised on concrete bases. The original quarry floor tiles have a beautiful aged patina, and the mosaics used for the splashback are also original. O PP O S I T E PAG E , F RO M T O P ‘Black Construction’ seen from the entrance hall. Above it, clerestory windows let in some of the home’s remarkable light; interior designer Lunetta Bartz, the house’s other custodian, sets the table for lunch in the lush garden. 52
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H O U S E kew Warren and Lunetta were approached by the Villa estate, they felt their responsibility was to preserve the house as it was. ‘[The Villas had] put in a few more contemporary fixtures in terms of lights and such, but there wasn’t much to do except paint, waterproofing and one or two other things,’ says Lunetta. Over the next few years, the couple acquired two adjacent properties. They then set about preserving what is now, thanks to their efforts, a heritage landmark. In 2015, they unveiled the 5m-high Villa sculpture ‘Mother and Child’ (1974) in the garden to mark Villa’s centenary and show the restored house. At first, Warren and Lunetta used the abode mainly as a venue for talks and events, and members of the public were welcomed if they asked to see inside. The couple also used it as a weekend getaway (although they lived less than 5km away). They did some restoration work on the property next door, converting it into an office space, and moved their offices there in November last year. This year, Lunetta went on to restore the courtyard of the Portway home after finding an old photograph that provided essential clues. And then, this past winter, they began to experiment with the idea of living permanently in the Villa house. ‘It came to us in time,’ says Warren, ‘that if we were going to take this project seriously, we had to immerse ourselves in it fully.’ Their decision posed a number of challenges. First, Warren is a prolific collector of art, books, records, papers, political ephemera and more. But he and Lunetta decided that the house couldn’t be filled with ‘things’. ‘They’re all going to be sold,’ says Warren. ‘Because it’s a living piece of sculpture. You’d be destroying the integrity of that if you even thought of putting two-dimensional pictures on the wall.’ Lunetta explains that the furnishings in the house were so much part of it that they couldn’t change those, either. The dining room table was the Villas’, designed for them by McLennan, and the chairs were theirs, too. The bedroom required little more than a bed and sidetables. The lounge was the only place in which they had to make a significant decision. Michel Ducaroy’s Togo lounge suite for Ligne Roset (designed in 1973), which they added, is what Warren calls ‘the one piece of luxury in what is a very austere space’. Otherwise, Lunetta says, ‘It’s completely, radically minimal.’ Warren says that the experience has changed their approach to art, too. ‘It’s given us the potential to think bigger.’ So they have focused on fewer, more important works. One work they acquired and brought back to the house is ‘Black Construction’ (1959), the sculpture for which Villa won a bronze at the São Paulo Biennale. Warren has assembled the selected works here with hidden connections and a narrative in mind. ‘It’s what we always do,’ he says. ‘[We try] to use narratives and stories, but historically based stories, to bring culture into the present, and bring [pieces] to life again and make them real for people.’ For example, the candlestick on the dining room table was made by Villa, and belonged to McLennan. Another, ‘African Sentinel’ (1965), belonged to one of Villa’s earliest champions, the business mogul John Schlesinger. It all adds to ‘the narrative you are able to reconstruct’, says Warren. He explains that if you have the privilege of being able to own an artwork (he refers to it as ‘custodianship’, not ‘ownership’) you’re able to gain insights you wouldn’t be able to find in a monograph or a blog. ‘It’s experiential,’ Warren says. ‘You need to be in very close, sacred contact.’ That, more than anything, has been what Warren and Lunetta have entered into in their move. ‘That’s been the rich journey of meeting Edoardo,’ says Warren.
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H O U S E kew T H I S PAG E The guest bedroom contains one of the few ‘exciting new things’ as Lunetta puts it: a daybed she designed a year and a half ago specifically for the room. O PP O S I T E PAG E , C L O C K W I S E F RO M T O P L E F T The main bedroom opens onto its own dedicated planted courtyard; while small, the bathroom – like the rest of the house – is rich in detail, featuring tiles that complement those in the kitchen; Villa’s 1965 sculpture ‘African Sentinel’ is displayed in a dedicated gallery; a poster for the Villa ’80 exhibition hangs in the bathroom. Twenty-five years after this show took place, Warren and Lunetta would contribute to the book Villa at 90: His Life, Work and Influence by Karel Nel, Elizabeth Burroughs and Amalie von Maltitz (Jonathan Ball).
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O PP O S I T E PAG E At the top of the driveway stands MacGarry’s sculpture ‘For Most of the Many, Much of the Time’ (2015). The bagged brick finish that Chipkin refers to is clear, as is the modest size of the house and its changes in height and volume.
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H O U S E plettenberg bay T H I S PAG E This terraced Plettenberg Bay family retreat serves up multiple uninterrupted ocean views. The oval Florence daybed in Kubu by La Grange Interiors (lagrangeinteriors.co.za) is interior designer Sumari Krige of La Grange Interiorsâ&#x20AC;&#x2122; favourite spot from which to enjoy Lookout Beach, with a Pill Stool in Blue Gradient by Pols Potten (also available at La Grange Interiors) serving as the perfect receptacle for poolside refreshments.
inging comfort, elegance and a mix of rganic textures into a home is what umari Krige of La Grange Interiors as always done best. So it made sense or a Johannesburg family looking for ‘home away from home’ to entrust er with the task of transforming their ew build – which overlooks Lookout each in Plettenberg Bay – into haven to which they could retreat. ast green belt and iconic coastline setting the scene, Krige says that the gamechanging decision to stay clear of contrived ‘beach cottage’ references and azure hues is what makes the space so special. ‘We chose neutral shades with yellow accents to pick up the tone of the local granite used in the house,’ she says. The entrance to the home takes you directly into a study, which reveals the first glimpse of the views to come, and then branches off towards the main bedroom and three guest rooms. This landing also leads onto a double-volume stairwell that takes you down to the kitchen, lounge and dining room (which all inhabit the same vast open-plan space) and then a TV room and another bedroom. Designed by Joeke Monteiro of Boni Monteiro Architects, the house is orientated so that almost all of its rooms capture the seascape. Because the owners wanted a holiday home that was not only beautiful but practical too, Krige chose a selection of loose-covered sofas for the TV room and lounge, and then added an assortment of wooden sidetables, steel nesting coffee tables, raffia stools and leather ottomans. In a home designed to appreciate the postcardworthy vistas (even the wire lights by Filipino design studio Schema were chosen because they don’t block views at eye level) the design team chose to keep the interiors simple. Natural wood and stone have been used extensively, and the uneven plastered walls have mostly been left bare. The expansive stairwell, for example, ‘is a wonderfully airy part of the home, so I didn’t want to clutter the walls with art,’ says Krige. Instead, a sideboard made of reclaimed wood on the landing – and a built-in stepped wall flanking the stairwell – provide settings for photographs, wooden bowls and objets d’art. ‘In the bedrooms, we kept the furniture pared down and minimal so it didn’t compete with the views. I softened the look with hand-dyed linen throws,’ says Krige. The master bedroom offers outlooks from three different windows and is flooded with light, so Krige chose grey tones with accents of yellow for the soft furnishings. Rustic standing mirrors bring glimpses of the outside in, while the en suite bathroom adds a dash of drama with its graphic Moroccan tiles. Wood and glass feature heavily throughout. Krige explains that she loves the contrast of light-wood oval pieces with the organic shapes of the ‘tree trunk’ tables in the lounge: ‘It’s 60
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T H I S PAG E , F RO M T O P The staircase to the living area is stark and striking, with wooden elements setting the tone; a Caesarstone kitchen island (caesarstone.co.za) is one of many places where the family can enjoy relaxed meals or chats with friends. Pendant lights from Glo Lighting + Living (glolighting.co.za), antique wooden vessels and bowls sourced in Indonesia, and leather Alfonso bar stools – all from La Grange Interiors – complement the cool, white palette.
H O U S E plettenberg bay
T H I S PAG E The textures in the kitchen are restrained, with glass and wood giving the space a light, airy feel without falling for traditional â&#x20AC;&#x2DC;beachâ&#x20AC;&#x2122; themes; the hanging wire lamp by Schema (schemaproduct.com) is available at La Grange Interiors, as is the handblown tinted Bubbles & Bottles set by Pols Potten (polspotten.nl). The Ilve stove is from Euro Appliances (euroappliances.co.za).
details such as these,’ she says, ‘that give the home the character that the owners wanted.’ Monteiro also clad the walls of the lounge and study in wooden scaffold planking, adding a rustic element to the interior. And in the kitchen-cum-dining room, the considered balance between contemporary and natural textures becomes especially evident. Roughhewn ceiling beams and a large wooden dining table are offset by a slick Caesarstone kitchen island that is surrounded by inviting, upholstered bar stools perfectly suited to both long, conversational breakfasts and quick meals grabbed on the way to the beach. The unobstructed ocean panorama remains, of course, the jewel in the crown. The kitchendining room leads onto an outdoor dining area that feels as if it’s perched above the coastline, with a terraced garden that leads slowly down to the pool. This is Krige’s favourite part of the home, she says, with its numerous built-in benches and loungers. And it’s very hard not to be drawn to the oval Florence daybed that is next to the pool. ‘It’s exactly where you want to sit to best experience the property,’ she says. lagrangeinteriors.co.za; joeke.co.za T H I S PAG E , F RO M T O P An open fireplace clad in natural stone acts as the focal point in the living room; the outside dining area features a solid teak Ed dining table and Modena dining chairs by Marcel Wolterinck for Borek (borek.eu), while custom-made striped cushions in hemp line the built-in benches for aftermeal leisure time – all are available from La Grange Interiors.
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H O U S E plettenberg bay
T H I S PAG E An artwork by Dorothy Clark presides over the living area, where Architect lounge chairs and an Axelle sofa provide comfortable seating around James nesting coffee tables in metal. A Zor floor lamp, Danny wine table with slate top and Dumbbell wire stool also add to the considered balance between a contemporary and rustic aesthetic. All the furnishings are from La Grange Interiors.
T H I S S PR E A D, CLOCKWISE F RO M T O P L E F T A black Twig coat stand, Vivian desk covered in raffia, Pill Stool in Copper and trio of Round mirrors, all from La Grange Interiors, offset muted pops of yellow in the guest room; the main bedroom includes a custom two-tone headboard with button detail as well as a Kantha Quilt throw stitched from vintage sari pieces. The Architect Bedside Lamp from the Philippines and Indian Wire Crochet sidetable are also available at La Grange Interiors; the study is a tranquil space in which to read and relax.
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T H I S PAG E Jan-Heyn Vorster and Pieter Bruwer’s Clifton house in Cape Town has a much friendlier presence than many of its neighbours. Designed to be less imposing on the skyline, the ‘lighter, cantilevering elements extend beyond or from the solid elements’, so that the solid parts of the building transform into light floating parts, says Vorster. O PP O S I T E PAG E The entryway sets the tone for the interiors, combining cast off-shutter concrete with a wooden front door. The planting between the flagstones integrates the landscape with the house.
on CAPE TOWN’S Atlantic
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H O U S E clifton
alk along Kloof Road in Clifton, Cape Town, and you’ll notice that there’s one house where the joggers, dog walkers and strollers tend to slow, stop and gather for a chat. ‘Clifton doesn’t have the typical suburban setup where people just drive. There’s a lot use the sidewalks,’ says architect Jan-Heyn eighbourhood. Vorster and his life partner bode specifically with the hope that it would be friendlier to the street than the blank, overpowering mansions typical of the Atlantic Seaboard. The properties in the area tend to follow a fairly predictable formula: get up as high as you can and face the seascape, and build as big as you can according to real-estate logic. ‘They are built from left to right, the full width of the site, to maximise the views,’ says Vorster. They typically have no garden, and rather a deck and a swimming pool outside. For all the beauty of those ocean vistas, however, Vorster points out that the buildings all face west, so they tend to be uncomfortably exposed to the harsh afternoon sun. Vorster and Bruwer had been living in an old 1940s Clifton house for two years before they decided to rebuild. While their old home ‘didn’t respond very well to the site’ (and left them with a long, steep climb up the stairs carrying groceries from the garage), they nonetheless learnt some important lessons while living there. ‘It told us a few things about wind, wind direction, the views, the sun and how to design around these climatic challenges,’ says Vorster. As Vorster and his business partner in their architecture firm, Pieter Malan, began designing the house, they found that their first key design decisions were driven by those lessons about the wind and the weather. ‘We started looking at the placement of the building on the site,’ says Vorster. He and Malan came up with the idea of an arrangement, a little like a courtyard building, which created a sheltered outdoor space that faced north, turning its back on the infamous southeaster. They had to dig into the mountainside to create a basement garage. On top of that, they placed a guest suite that links internally with the home. The same level houses most of the services. There’s also a wine cellar, and, because it’s a smart house (with hidden blinds that drop automatically when the sun starts beating in), the IT/AV room and solar-energy plant room are usefully hidden down on this level, too. Malan points out that on street level they used mainly natural stone – either as stone masonry walls or gabion retainers with packed stone. ‘The idea was that it was more of a landscaping element than an engineered built element,’ he says. ‘With the stone and planting, it’s seen as if it is part of the mountain.’ The building itself is placed on top of this rugged base. ‘A lot has gone into bringing the landscape back to the building,’ says Vorster. ‘It was very important that it did not feel like an apartment block in the air.’ Malan points out how, especially from street level, the house starts to ‘dissipate’ the higher it gets. ‘The massive concrete elements become thinner floating slabs that reach out into the view and into the landscape,’ he says. ‘You experience the contrast between solid and void, and internal spaces that open up completely.’ The solid elements articulate the voids: the deck and courtyard. ‘The cantilevering edges are planted with wild rosemary, which will creep over the edges and soften them,’ so that even in the air, on the edges of the building, the planting conjures a connection to the earth. 68
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T H I S S PR E A D, CLOCKWISE F RO M T O P L E F T The timber floor in the dining room is from Hakwood Flooring’s Sierra collection (hakwood. com), and the oiled French oak dining table is by Pierre Cronje (pierrecronje.co.za); in the lounge, the fabrics are kept to a neutral palette of blues, greys and beiges. All joinery and built-in furniture was designed by Malan Vorster and created by Versfeld Custom Furniture (customfurniture.co.za); the ceramics are from Africa Nova (africanova.co.za) and the mirror is from Rodan Kane Hart’s ‘Interlocking Sculpture Series’ from Southern Guild (southernguild.co.za); a double-volume atrium forms the entrance hall.
NATURAL MATERIALS SUCH AS LEATHER, WOOD AND STEEL PREDOMINATE, WITH COPPER AND METALLIC SPARKLES PROVIDING INTEREST AND VARIETY.
T H I S PAG E , F RO M T O P Paintings by Hanneke Benade adorn the kitchen walls; Emma, the Italian greyhound, wanders across the terrazzo floors in the cooking area. The elm built-in cupboards are from the Sine Tempore collection by Gabriele Centazzo for Valcucine (available through Valcucine Cape Town, valcucinesa.co.za), the work surfaces are bush-hammered granite and the free-standing Beaune oven is from Lacanche (lacanche.com). O PP O S I T E PAG E The pendant lights above the kitchen counter are Shadows Suspension Lamps by Brokis, available from Créma Design (cremadesign.co.za).
That connection is not just window-dressing. ‘The house is a green building,’ Malan says. ‘It harvests solar energy to heat all the domestic water and waterborne underfloor heating, as well as the pool. A photovoltaic system generates electricity for the house. Modern homes tend to be energy intensive, with the various technological systems required, so it was designed to be efficient and as selfsufficient as possible.’ Inside, the top two levels are arranged around a double-volume atrium. ‘We tried hard to make the house a complete indoor-outdoor experience, with certain areas almost becoming outdoor rooms when you open the big sliding doors and windows,’ says Malan. At the same time, however, ‘the house has an intimate quality because it is compact and contained’, he says. ‘There are no rambling passages; spaces are all interlinked and well connected.’ The lower courtyard level includes a lounge, kitchen, dining room and guest cloak room, with the entertainment patio and pool in the front. Above the kitchen there’s a study, and above the dining room there’s a bedroom suite and bathroom. The master bedroom, dressing room and bathroom are located close to the road edge to ensure the best views. All the bedrooms are connected by means of a transparent steel and timber bridge, built in the double-volume atrium. The interiors are an exercise in restraint and awareness of the selected materials’ inherent textures and colours. Malan and Vorster limited their palette to concrete, timber and stone: honest materials. There’s very little plastering and painting. ‘A lot of the success of the building had to do with the comprehensive use of joinery, and the attention to detail in the kitchen and bathrooms,’ says Malan. ‘We aimed to create a warm, homely experience, with much emphasis placed on hand-crafted components and the fusing of the work of various tradespeople.’ The furnishings keep to a palette of quiet neutrals and refined design. Natural materials such as leather, wood and steel predominate, with copper and metallic sparkles providing interest and variety, and black adding definition and contrast. ‘The choice of materials underlines our design philosophy that finishes are to be carefully considered to create a sense of timelessness and calmness,’ says Vorster. With the passing of time, as the plants grow and the stone and board-marked concrete gathers patina, he hopes the house will age gracefully. malanvorster.co.za 70
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T H I S PAG E In the pyjama lounge, the Samosa Table by Xander Kriel is available from Southern Guild, the Bamboo Silk rug is from Mae Artisan Rugs (maerugs.com) and the ceramic vessels are from Vorster & Braye Ceramic Design (vorsterandbraye.co.za).
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T H I S PAG E , C L O C K W I S E F RO M T O P L E F T Bookended by stone walls and accessible on two sides via sliding doors, the sheltered outdoor space brings the landscape back to the house; the timber-decked patio adds to the sense of a complete indoor-outdoor experience, with all furniture from B&B Italiaâ&#x20AC;&#x2122;s Gio Outdoor range (bebitalia.com); the guest bathroom boasts a Flaminia Miniwash Undermount basin (ceramicaflaminia.it) with Vola taps from Still Bathroom Gallery (stillbathrooms.co.za). The mirror is from Muuto (muuto.com); the timber flooring and joinery continues in the dressing room.
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T H I S S PR E A D, C L O C K W I S E F RO M FA R L E F T The garden is by Mary Maurel Gardens (marymaurelgardens. co.za) and includes a vegetable and herb patch; an artwork by Lyndi Sales hangs in the master bedroom, above a bed with a mattress by Hästens (hastens.com); the main bathroom has an unobstructed panorama of the ocean; the upstairs guest bathroom reprises the pattern of vertical wooden slats found throughout the house; an upstairs landing connects all the bedrooms via a transparent steel-andtimber bridge. Large picture windows open to views of the ocean and courtyard.
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H O U S E umdloti
T H I S S PR E A D The contemporary design of this twostorey residence in Umdloti, KwaZuluNatal, was developed around the view of the Indian Ocean, with a protected courtyard built on the inland side for the swimming pool. â&#x20AC;&#x2DC;Neutral finishes in both hard and soft furnishings and a base palette of black and ivory combined with timber, industrial cement and charcoal powder-coated steelwork create a harmonious scheme that links indoor and outdoor spaces,â&#x20AC;&#x2122; says Ruth Duke of Ruth Duke Interior Design, who created the interiors. The outdoor sofa, black butterfly chairs and concrete coffee table are all from Weylandts (weylandts.co.za).
n a house with an ordinary layout consisting of standard plastered walls, you can do what you like with the decor. But when the architectural design is striking and powerful, ensuring that the furnishings work in harmony is essential. In this Umdloti home, architect George Elphick of Elphick Proome worked with the topography of the site to create a two-storey residence that responds to both the climate and the context. He paid no mind to traditional square and rectangular geometries, and instead allowed for interesting configurations of space, with walls built on the diagonal and rooms with unusual footprints. ‘The living areas are upstairs – resulting in extensive elevated views of the sea – and private zones are created with courtyards and screens,’ Elphick says. ‘The house opens to the east and the west, protecting the swimming pool from the wind and assisting with cross-ventilation that makes air conditioning unnecessary.’ Wanting a change from the traditional style of their previous home, the owners brought only a few pieces of furniture and their artwork to this new abode. ‘We were excited about living in a more contemporary space,’ they say. ‘Our children are adults and although they still each have a bedroom here, they study and work away from home, so it was time to downsize – to the seaside.’ The house is one of two pairs of semi-detached, flat-roofed homes on the site. ‘Delivering this kind of density is what we need to be looking at for urban areas, especially as it makes the provision of security more practical,’ says Elphick, who designed perforated aluminium screens integrated into the sliding doors, which lead outdoors from the bedrooms. They function as security screens and allow air to circulate through holes laid out in modern geometric patterns – adding to the exterior and proving that secure and stylish aren’t mutually exclusive. Ruth Duke of Ruth Duke Interior Design has created interiors that complement the off-shutter concrete walls, terrazzo floors and pale oak cabinetry to form spaces that are contemporary and comfortable. ‘It was so easy to work with this beautifully designed home,’ she says. ‘It has a strong industrial look and great modern finishes. The owners were emphatic that the furnishings shouldn’t look “cookie-cutter” and wanted all contents sourced from many independent South African designers. Pieces by Tonic, Egg Designs, Koop, LIM, Umoya Design and Guideline MNF all work together to create a timeless aesthetic.’ The colour scheme – a combination of soft greys, dirty blues, ivory slubby linens and raw, natural textures – was informed by the setting. ‘The owners wanted a neutral look and we agreed that the interior palette needed to connect to the hues of the ocean and foliage outside,’ says Duke. 78
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T H I S PAG E , F RO M T O P Designed by architect George Elphick of Elphick Proome Architects, the house lends itself to entertaining; in the kitchen, Waterfall stools from Egg Designs (eggdesigns.co.za) provide stylish seating at the expansive counter, while a scullery located behind the light-wood cabinetry is an example of how the abode has been structured with practicality in mind.
H O U S E umdloti
T H I S PAG E The dining area is home to a collection of art and objets displayed on a Luderitz server with a flamed Zimbabwean granite top from Tonic Design (tonicdesign.co.za). Echoing the timber wall in the entrance is a wooden dining table by Koop (koopdesign.co.za) and Tulip Carver chairs from Guideline MNF (guideline.design).
T H I S S PR E A D, C L O C K W I S E F RO M L E F T Taking pride of place in the living area is a Fabio sofa by Linteloo from Weylandts, upholstered in Soho Linen by St Leger & Viney (stleger.co.za). Here you’ll find functional pieces of art such as Blessing and Verdigris Totem sidetables from Egg Designs, and a bone-inlay stool and Michael marble coffee tables, all from Weylandts; ‘I have a passion for geodes and they always end up in my schemes,’ says Duke of this amethyst geode from Cécile & Boyd (cecileandboyds.com); providing ample light and ventilation, sliding doors stack away to allow the house to open to the outdoors.
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‘I added brass accents and precious-stone finishes – such as black-and-white marble and onyx, and leather elements in black and Gucci tan – as a textural contrast to the linens and cottons. I always add black and white in striped, graphic, bold presentations because these tones ground, freshen and energise an overall colour scheme.’ The upstairs living area is expansive and designed to be lived in. ‘The doors can open on both sides, creating an indoor-outdoor flow that’s perfect for entertaining, and we love taking in the views from the front veranda or gathering around the kitchen island,’ the owners say. Downstairs, a cosy TV lounge and well-appointed study area open onto a courtyard that continues the indooroutdoor layout evident throughout the house. Both are compact and demonstrate that considered design can make smaller rooms seem more spacious. ‘Ruth thought about our needs very carefully,’ say the owners. ‘She spent time getting to know each of us and was able to create spaces to suit us all, custom-designing many pieces of furniture and fixtures. This is most obvious in the bedrooms, where the interiors suit each occupant perfectly.’ The residence is filled with the family’s collection of artworks, many by their son, and photographs by one of the owners. They have been reframed in simple box frames to bring them up to date, allowing them to fit in with this new scheme, and provide pops of colour and an essential personal touch that transforms a house into a home. ruth-duke-interior-design.business.site; eparch.co.za
T H I S S PR E A D, F RO M L E F T A minimalist staircase leads down to the TV lounge, which features a graphic Shibori rug in Indigo from Hertex (hertex.co.za), sidetables from Weylandts and a standing lamp from Cécile & Boyd; the main bathroom is a sanctuary in which marble details add a luxe feel and a picture window beckons to the outdoors; changes in the ceiling’s materials and levels demarcate spaces in the main bedroom, and a bulkhead gives the dressing room an intimate feel. Simple brass, ceramic and marble accessories complement the American walnut bed and sidetables, custom-designed and made by Ruth Duke Interior Design. The lamps are from Cécile & Boyd and the rug is from Hertex.
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competition four seasons
2 LUCKY COUPLES WILL WIN ONE OF TWO FOUR SEASONS HOTEL SPA-BY-NIGHT PACKAGES WORTH R16 500 EACH Each winning couple will enjoy a retreat night-spa package from Four Seasons Hotel The Westcliff in Johannesburg, which includes an overnight stay and a delicious breakfast, plus two 90-minute spa treatments of their choice. The winners will be able to enjoy bubbly and canapés in their room – or at the hotel’s luxurious Après-Spa outdoor lounge area – and will be given gifts of Yswara tea and Terres d’Afrique products to take home.* For more information about Four Seasons Hotel The Westcliff, visit FSJohannesburg fsjohannesburg fourseasons.com/johannesburg Four Seasons Hotel Westcliff Johannesburg
HOW TO ENTER
Look for the competition entry form in the Win section at houseandleisure.co.za and ensure that you submit your entry before 31 December 2017. For competition rules, visit houseandleisure.co.za/terms-conditions.
House And Leisure
houseleisureSA
PHOTOGRAPHS: SUPPLIED. *TRANSPORT/FLIGHT COSTS TO FOUR SEASONS HOTEL THE WESTCLIFF IN JOBURG IS NOT INCLUDED IN THE PRIZE.
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T H I S S PR E A D, F RO M L E F T Designed by Peerutin Architects (peerutin.co.za) and Design Space Africa (designspaceafrica.com), Radisson Red in Cape Town’s Silo district seeks to redefine the way guests interact within its walls. House and Leisure and Eddie the Welsh terrier experienced the space first hand and loved the way that the HI ALL (or front lobby) blurs the lines between hotel reception, chill zone and meeting area; the interior design was overseen by interior architecture studio Source IBA (sourceiba.co.za) and is a veritable hive for activities relating to art, music and fashion, reflecting Radisson Red’s core brand ethos.
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L E I S U R E pinpoint
GO BOLD
A GRAPHIC AND GORGEOUS NEW HOTEL IN CAPE TOWNâ&#x20AC;&#x2122;S SILO DISTRICT, THE RADISSON RED APPEALS TO MODERN TRAVELLERS WHO EMBRACE CREATIVITY TEXT JESSICA ROSS PRODUCTION IAN MARTIN PHOTOGRAPHS MICKY HOYLE
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n the gleaming glass surface, Radisson Hotels’ newest launch, Red – situated in Cape Town’s Silo district – ticks all the boxes of a contemporary high-end hotel. Yet inside the vibrant space, which is imbued with a youthful energy, you’ll find the brand is about more than ticking the right boxes. At its heart is a genuine motivation to understand modern travel needs and meet them in an exciting, different way. ‘As a departure point, the design team looked at the individual components of a hotel, questioning what is truly necessary and relevant,’ says Mardre Meyer. As creative director of interior architecture studio Source IBA, Meyer has overseen a number of hospitality projects, injecting into them Source IBA’s ethos of ‘orchestrating human experiences’. It’s with this philosophy that the team approached the Radisson Red, understanding how visitors would interact with the facets of the hotel, whose unique architecture is the result of a collaboration between local studios Peerutin Architects and Design Space Africa. ‘It allows us to shake up what “room modules” really mean,’ says Meyer. ‘Elements have been taken apart and put back together in a way that recognises that people travel differently now.’ Leading into the OUIBar + KTCHN, the all-day eatery serving fresh, deli-style fare, the HI ALL (in the past you’d have called it the lobby) is one of the areas that best showcases Source IBA’s modular thinking. It’s a communal blurred-lines space that makes you question why those lines existed in the first place. Comprising self-service and manned stations where guests can seamlessly check in and out, meeting zones, chill spots and areas open to interpretation, the lofty multifunctional foyer is perfect for temporary exhibitions, fashion shows and impromptu music events. ‘The inspiration behind the brand is art, music and fashion, and we use this inspiration to create a sense of place,’ says Dale Simpson, curator of Radisson Red. Having cut his teeth at Hotel Missoni (now the G&V Royal Mile Hotel) in Edinburgh, Scotland, Simpson’s role here sees him translating Radisson Red’s ‘ageless Millennial mindset’ into memorable guest experiences. That can mean everything from the way his hospitality team are described (as ‘creatives’) to the bespoke denim kilts wrapped around their waists (designed by Howie R Nicholsby of 21stcenturykilts.com). It’s even encapsulated in the take-away coffee cups that carry limited-edition designs by emerging artists. Many of these reinterpretations are also found inside the hotel rooms, or ‘studios’. Source IBA furnished each one with clever touches that tap into a guest’s needs, such as eschewing the tea tray for a French Press kit. The studios are noticeably more spacious than standard hotel rooms, and have expansive windows that offer superior views of the harbourside surrounds. Source IBA also connected with local designers for the interior styling, using creations from well-known names including Haldane Martin, Pedersen + Lennard, Woltemade and Vogel. But perhaps the most striking element in each studio is a bright mural by Cameron Platter, Radisson Red’s signature artist. O PP O S I T E PAG E , C L O C K W I S E F RO M T O P L E F T The hotel’s rooftop – a ‘very Instagrammable area’ says Mardre Meyer of Source IBA – is home to a craft beer and food truck, as well as Chair_One chairs by Konstantin Grcic for Magis (magisdesign.com); banquette seating encourages laid-back dining in the OUIBar + KTCHN; the menu consists of fresh favourites made from responsibly sourced produce; portals of IBR sheeting echo shipping containers in the harbour. 88
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T H I S PAG E , F RO M T O P Styled after modern studio apartments, the bedrooms include custom details such as a Nguni dining chair and bench by Vogel (vogeldesign.co.za); art can be found throughout the hotel, and the glass facade incorporates faceted graphic elements by Red’s signature artist Cameron Platter.
L E I S U R E pinpoint
L E I S U R E pinpoint O PP O S I T E PAG E , C L O C K W I S E F RO M T O P L E F T Because the Radisson Red is paperless, guestbook info is available on the Red App and behind the studio doors; storage lockers at the hotel gym; Andile Ngqandu sports a designer kilt; the interiors are full of playful touches; OUIBar + KTCHN is a multifunctional zone with dining options for vegetarians and meat lovers alike (bottom right), One bar stools by Konstantin Grcic for Magis (bottom middle), and a communal eating area (bottom left and middle); the hotel is located at Silo 6 in Cape Town’s Silo district.
‘Art is in Red’s veins. It’s the lifeblood of what happens here,’ says Meyer. The proximity to Cape Town’s premier design district and Zeitz Museum of Contemporary Art Africa are major drawcards. This is reflected in the red-crate installation presiding over the HI ALL, another distinctive artwork created by Platter. Platter’s work is a vein that snakes up the core of Radisson Red, from the beating heart of the entrance, through each floor. And if art is in the blood of the hotel, technology is its nervous system – a subtle thread running through a guest’s stay, from the high-speed Wi-Fi to the app that manages check-ins, room service, bill paying and even curating your own minibar, so you can avoid human interaction should you so wish. But that really is only if you want to, says Simpson, adding that ‘technology isn’t about replacing people but enhancing an experience’. For Simpson and Meyer, experience is at the core of the offerings here, and there’s perhaps no better place to truly take that in than on the rooftop bar where – sans technology, design and art – guests can devour panoramas of the V&A Waterfront and beyond, revelling in the Mother City’s natural splendour. Radisson Red, Silo 6, Silo Square, V&A Waterfront, Cape Town; 087-086-1578. radissonred.com/cape-town
T H I S PAG E , F RO M T O P Even the bathrooms boast eclectic design in the form of red mosaics and grouting; all rooms are pet-friendly and the Radisson provides beds and a dedicated menu.
5 REASONS TO CHECK INTO THE RADISSON RED 1. MORNING YOGA GUESTS CAN START THEIR DAY THE VIRTUOUS WAY WITH AN EARLY YOGA OR PILATES SESSION ON THE ROOFTOP. 2. BAXTER’S BITCHIN’ BLONDE THE RADISSON RED BREWS ITS OWN BEER, NAMED AFTER THE HOTEL’S MASCOT, BAXTER THE BOSTON TERRIER. 3. POOCH-FRIENDLY PADS SPEAKING OF FURRY FRIENDS, THERE’S A HOME FOR THEM TOO AT RADISSON RED. ‘A LOT OF PEOPLE WANT TO TRAVEL WITH THEIR PETS,’ SAYS SIMPSON. IN THE HOTEL’S PET PROGRAMME, CATS AND DOGS ARE CHECKED IN WITH A MENU NOTING THEIR DIETARY REQUIREMENTS BEFORE THEY RECEIVE A BANDANNA AND ARE SHOWN TO THEIR BEDS. 4. ROOFTOP PARTIES A LORRY SERVES LOCAL CRAFT BEER AND BASIC FOOD NEXT TO THE POOL ON THE ROOFTOP – WHICH IS SURE TO BE A POPULAR HANGOUT DURING THE WARM SUMMER MONTHS. 5. SUSTAINABLE THINKING RADISSON RED IS A PAPERLESS HOTEL THAT IS CAREFUL TO CONSIDER ITS IMPACT ON CAPE TOWN, AND ITS ROOFTOP FEATURES LOCAL SUCCULENTS THAT DON’T NEED AS MUCH WATER AS REGULAR GREENERY. 90
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L E I S U R E savour
IT’S CHENIN TIME...
Here are three of our best picks: Avondale Anima Chenin Blanc 2015 Combining bright fruit with balanced acidity and elegant minerality, this superbly complex organic Chenin will age beautifully. R235. avondalewine.co.za Holden Manz Chenin Blanc 2017 Textured, complex and elegant, this Chenin features peach, pear and melon flavours – plus lingering hints of oak. From R120. holdenmanz.com Flagstone Tributary Chenin Blanc 2016 With its smooth, crisp acidity, this premium Chenin complements summery salads, chicken and seafood dishes. From R98. flagstonewines.com
NOW THERE’S ANOTHER GOOD REASON TO HEAD OVER TO HERTEX’S BELLVILLE SHOWROOM TO CHECK OUT THE BRAND’S LATEST FABRICS AND RETAIL OFFERINGS – THE ON-SITE RESTAURANT, 1987 EATERY, IS A WONDERFUL PLACE FOR A HEARTY BREAKFAST, SUSTAINING LUNCH OR FRESHLY BAKED TREAT WITH AN EXCELLENT COFFEE. 12 BELLA ROSA ST, BELLVILLE, CAPE TOWN; 021-914-0851. 198 CO ZA COMPILED BY ROBYN ALEXANDER, KHOLEKA KUMALO PHOTOGRAPHS ALEX DU TOIT, SUPPLIED
TOP TIPPLE With its silky finish and refined taste, Reyka vodka hails from Iceland and is ideal for both warmweather cocktails and quiet sipping. R300 at leading liquor stores. reyka.com
CLASSIC COOL
REUBEN RIFFEL’S NEW RESTAURANT AND BAR OFFERS MORE OF HIS DELICIOUS FOOD. FROM HIS TAKE ON THE POKE BOWL TO SPRINGBOK STEAK AND SUPERB RISOTTOS, THERE’S A FAVOURITE DISH HERE FOR EVERYONE. 2 DANIEL HUGO ST, FRANSCHHOEK. REUBENS.CO.ZA
OIL OR NOTHING
Broad Valley olive oil is hand-harvested and cold-pressed on site in a modern Oliomio press. It’s a medium-bodied extra-virgin oil with an appealing palate of olive leaf, pine seed and lingering pepper. And the packaging pays homage to the endangered blue crane, a regular visitor to the farm and an icon of the Overberg region. From R115 for 500ml. broadvalley wines.co.za 92
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THREE CHEERS
Bavarian distillery And Unio s Neu Blk lager is a rich but light brew that pairs perfectly with mature hard cheese teriyaki game stews burgers pepper steak and oysters You know you want to try it! Available a most good liquor stores and yuppiechef.com
Visit www.lecreuset.co.za or call our customer help line on 086 177 3321
L E I S U R E food
Charred tomato and onion salsa.
OFF THE GRI
QUICK AND EASY ALFRESCO DISHES THAT CELEBRATE SUMMER WITH BRIGHT, CHARGRILLED FRUIT AND VEGETABLES RECIPES AND PRODUCTION BRITA DU PLESSIS PHOTOGRAPHS TOBY MURPHY
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GRILLED WILD ASIAN MUSHROOMS WITH COCONUT PAK CHOI
800g assorted large wild mushrooms 2 garlic cloves, crushed 2T Chinese five-spice powder 100g soft butter, melted 2×400ml cans coconut milk 2T grated, fresh ginger root 1 lemongrass stalk, bruised 2T soy sauce 2T sherry Salt and lime juice, to taste 200g pak choi heads, quartered
½ cup sugar ¼ cup water ¼ cup lime juice 2 nectarines, sliced into quarters 2 small oranges or soft-peel citrus fruit, peeled and cut into halves 1 bottle rosé wine A handful of mint and a handful of basil, for garnish
Make a lime syrup by boiling the sugar, water and lime juice in a small pot, stirring continually until the sugar has completely dissolved. Set aside to cool.
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For the dressing 4T vegetable oil 2T honey 2T apple cider/cloudy apple juice 2T fresh lime juice
Drizzle 2T olive oil over the tuna steaks and season with salt and pepper. Place a griddle pan over a high heat and allow it to reach optimal temperature. Mix the apples, fennel bulbs and spring onions with the remaining 2T olive oil and season well. Chargrill, turning frequently, until soft. Remove from the heat, roughly slice the charred fennel and spring onions, and place in a bowl with the apple. Add the radicchio leaves and dill. Pour the dressing ingredients into a jar, shake well and toss through the slaw. Sear the tuna in olive oil to your liking and serve with the slaw. SERVES 4
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CHARRED NECTARINE AND CITRUS SANGRIA
4T olive oil 4 fresh tuna steaks Maldon salt and freshly ground black pepper, to taste 2 apples, cut into wedges 4 baby fennel bulbs, cut in half 2 bunches of spring onions 4 small radicchio leaves, shredded ¼ cup chopped, fresh dill Olive oil, for frying
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Clean the mushrooms, slice the larger ones in half, and assemble them onto kebab sticks or metal skewers. Stir the garlic and Chinese five-spice powder into the melted butter. Braai or grill the kebabs, basting continually with the butter, until the mushrooms are cooked but still firm. In the meantime, pour the coconut milk into a pot and add the ginger, lemongrass stalk, soy sauce and sherry. Bring to the boil and simmer for 10 minutes or until thickened. Season with salt and lime juice, add the pak choi and cook until wilted. Remove the lemongrass and serve as a side dish to the mushroom kebabs or pull the mushrooms off the skewers and toss in the sauce. SERVES 4
To make the labneh, line a sieve with muslin and set over a bowl. Mix the yoghurt with the garlic and pour into the sieve, then twist or tie the muslin edges together and place in the fridge overnight. For the root vegetables, toss the carrots and sweet potatoes in the oil, spices and seasoning, and grill for 30 minutes or until cooked through. Place on a platter and scatter the sesame seeds over them. Remove the labneh from the sieve, discarding the drained liquid, and place in a bowl. Stir through the tahini and honey and serve with the grilled vegetables. SERVES 2
TUNA STEAK WITH CHARRED APPLE AND FENNEL SLAW
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Grill the tomatoes, onion and chilli on a braai or griddle pan until charred. Roughly chop, mix in the coriander, lime zest and juice, and season to taste. This salsa pairs well with charred prawns, crispy tortillas and creamy avocado as a light meal. MAKES 375ML/1½ CUPS
500g double-cream Greek yoghurt 1 garlic clove, crushed 250g baby rainbow carrots, peeled 2 large sweet potatoes, washed and cut into wedges 3T olive oil 1t ground cumin 1t ground coriander ½t chilli flakes Salt, to taste 2T sesame seeds, toasted 1t tahini 2T honey or to taste
Heat a griddle pan on high and lightly chargrill the nectarines and fruit, ensuring that they remain firm. Place the fruit in a large jug, add the lime syrup and rosé, and refrigerate for at least an hour. Garnish with the mint and basil, and serve over ice. SERVES 2-4
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400g mini Rosa tomatoes 1 small red onion, peeled and cut into 8 wedges 1 red chilli, or to taste A handful of fresh coriander, chopped Zest and juice of 1 lime Salt and pepper, to taste
SESAME CARROTS AND SWEET POTATOES WITH HONEY LABNEH
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CHARRED TOMATO AND ONION SALSA
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Grilled wild Asian mushrooms with coconut pak choi.
Sesame carrots and sweet potatoes with honey labneh.
Charred nectarine and citrus sangria.
Tuna steak with charred apple and fennel slaw.
DRINK ME
QUEEN OF HEARTS THE RED QUEEN COCKTAIL
WHITE RABBIT WONDERLAND COCKTAIL
BEAUTIFUL, whimsical AND a little CAPRICIOUS, these delightfully peculiar HENDRICK’S GIN COCKTAILS, inspired by Lewis Carroll’s ALICE’S ADVENTURES IN WONDERLAND, will leave you tumbling down A RABBIT HOLE OF INDULGENT BLISS
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FIND ALL OF THESE HENDRICK’S GIN COCKTAILS
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PHOTOGRAPHS: MARGUERITE OELOFSE AND PHOTOGRAPHY ASSISTANT: SEAN FURLONGER, BOTH AT SUPERNOVA CREATIVE MANAGEMENT; HAIR: JACQUI LUPTON, MAKE-UP: RENEE DE WIT AND STYLIST: VANESSA GSELL, ALL AT GLOSS ARTIST MANAGEMENT; STYLING ASSISTANT: JELENA JABLANOVIC; MODELS: DONNY AT TWENTY MODEL MANAGEMENT, STUART ONSLOW AT FULL CIRCLE, GETRIIN KIVI AT FUSION MODELS AND MALAAN AT MY FRIEND NED LOCATION: THE CELLARS-HOHENORT HOTEL, CAPE TOWN. FOR ADDITIONAL CREDITS, SEE THE STOCKISTS PAGE.
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MAD HATTER TIME FOR TEA COCKTAIL
PAINT THE ROSES RED COCKTAIL
ALICE
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Enjoy responsibly. Not for sale to persons under the age of 18.
among
GIANTS
Revived for a new generation to discover, Arderne Gardens in Claremont, Cape Town, is a wonderworld of arboreal ancients and exotics TEXT CATRIONA ROSS PRODUCTION GEMMA BEDFORTH PHOTOGRAPHS ADEL FERREIRA The Arderne Gardens’ ‘wedding tree’, a Moreton Bay fig (Ficus macrophylla).
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L E I S U R E garden
e were warned about Arderne Gardens at school in the ’80s. ‘Stay away from the fence,’ our teachers said of the adjoining property, ‘and no shortcuts through the gardens, girls.’ Occasionally we were taken on outings into that shadowy, mysterious place, to play hide-and-seek among the shoulderheight roots of the towering ‘wedding tree’ and walk the overgrown paths that snaked between camellia bushes, our teachers patrolling for unsavoury loiterers. Then, as we discovered in senior school, if we leaned from the windows of the upstairs science lab, we could get a good look at the occasional flashers in raincoats who lingered at the fence of that neglected garden, hoping schoolgirls would see them: an education of sorts. These days, this public space in Claremont has been lovingly restored to its original splendour by a group established in 2004, Friends of the Arderne Gardens (FOTAG), in partnership with Cape Town’s city council. Although the garden was declared a National Historical
A Norfolk Island pine (Araucaria heterophylla).
Monument in 1979, and the 37m-high Moreton Bay fig has long been a popular backdrop for wedding photographs, the place is still a well-kept secret. Just off the frenetic Main Road, it offers serene glades and lawns, Japanese-style ponds fed by a natural spring, an unusual collection of magnificent trees including redwoods and araucarias, and heirloom rhododendrons, camellias and azaleas. Arderne Gardens was established in 1845 by an Englishman who came to the Cape to start a new life after the loss of his wife, son and business. Ralph Arderne remarried and bought for £740 a piece of land, part of the old Stellenberg estate, and built a house on the property, now the site of Herschel Preparatory School. Here he planned to create a garden ‘with trees and plants from as many parts of the world as I can’. Word went out to trading ships calling into Cape Town that Mr Arderne was anxious to acquire young plants or seeds from other countries. For one of his first seedlings, a tiny Norfolk Island pine from Australia, he paid £5 (a sizeable sum) and planted it in 1847. Most Norfolk Island pines in Cape Town are thought to be its descendants. Arderne swapped seeds and bulbs with Sir Thomas Hooker of Kew Gardens over the years, and helped to establish the
A grove of palm trees (Phoenix reclinata).
Cape Town Botanical Gardens in the old Company’s Garden in 1848. He became a world-renowned plant collector, and his private gardens became famous. When Arderne died in 1885, the garden was inherited by his eldest son Henry, a lawyer whose buttonhole was often adorned with a ‘Pink Pearl’ rhododendron. Henry travelled widely to collect plants and seeds for the 4.5ha garden, and in 1926, nine years after his death, the City of Cape Town purchased it to save it from subdivision. As the sign at the entrance proclaims, ‘This special garden is the only one of its kind in the world’, thanks to its collection of rare and exotic trees, many of them over a century old. ‘It’s the only garden with so many trees of this size and age in the southern hemisphere,’ says Arderne Gardens horticulturalist Lisa Conradie. As she explains, trees often grow bigger here than in their natural habitat, such as the 32m-high Queensland kauri pine (Agathis robusta), a tree known for its beautiful timber, and the 40m-tall Aleppo pine (Pinus halepensis), an example this large not seen in its native Mediterranean region. The garden is home to six of South Africa’s 76 Champion Trees – individual specimens given national recognition and protection for their age, biological attributes and heritage significance: the Moreton Bay
The 29m-high Araucaria bidwilii (bunya-bunya pine) from Australia.
fig (Ficus macrophylla), the Aleppo pine and Queensland kauri; a Norfolk Island pine (Araucaria heterophylla), a Turkish oak (Quercus cerris) and a great cork oak (Quercus suber) that is reminiscent of a Japanese painting with its gnarled, spreading branches coated in moss and lichen â&#x20AC;&#x201C; a champion tree for climbing, if you ask a visiting child. Equally noteworthy are the collections of Gondwanan trees, species from the ancient supercontinent Gondwana before southern hemisphere landmasses including Africa, South America and Australia split away (araucarias, podocarpuses and cycads) and the recently planted trees from the Green Legacy Hiroshima initiative, which distributes seeds and saplings of trees that survived the 1945 atomic bomb to botanical gardens worldwide: a Kurogane holly (Ilex rotunda), 15 Japanese persimmon saplings (Diospyros kaki) and a Ginkgo biloba, all grown from seed by Kirstenbosch horticulturalist Adam Harrower. International botanists have assisted FOTAG in its ongoing project to label all the trees in the garden, including arborist and author Thomas Pakenham of Meetings with Remarkable Trees renown. With the aim of developing the space into a special southern-hemisphere arboretum, new and replacement trees were planted in a 2016 ceremony to provide the next generation of the giants seen in the garden. Among the rare species planted were a Californian Giant redwood (Sequoiadendron giganteum) and a Dawn redwood (Metasequoia glyptostroboides), described as a fossil until a living tree was discovered clinging to life in 1945 in a remote Szechuan valley in China. Today, senior schoolgirls run along Arderne Gardensâ&#x20AC;&#x2122; paths during crosscountry training, and the schoolâ&#x20AC;&#x2122;s youngest pupils, including my daughter, celebrate spring with a picnic under its venerable trees. The Messrs Arderne must be smiling down. ardernegardens.org.za Arderne Gardens, Main Road, Claremont, is open daily from 9am-6pm. A brochure containing a map is obtainable from the pharmacy across the road. If you are interested in becoming an Arderne Gardens volunteer, working once a week on small, interesting projects in the garden, contact Lisa Conradie on 071-358-3321. 102
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Dicksonia antarctica tree ferns in a glade.
A cedar of Lebanon (Cedrus libani).
A huge cork oak tree (Quercus suber).
A copper beech (Fagus sylvatica, left), a Magnolia grandiflora (right) and a tree rhododendron.
The textured surface of a cork oak tree (Quercus suber).
An Egyptian goose in a camphor tree (Cinnamomum camphora).
A Norfolk Island pine (Araucaria heterophylla).
The swamp cypress (Taxodium distichum).
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pro mo t io n corobrik
After 115 years in the industry, Corobrik has earned its reputation as the leading manufacturer and distributor of clay bricks and pavers. House and Leisure has partnered with Corobrik to look at inventive ways to use pavers in urban spaces, from garden paths to poolside patios. 1. BRING IT INDOORS Clay pavers are excellent thermal insulators, making them ideal for indoor flooring. With their rustic aesthetic, they’re the perfect foundation for bucolic interior style. 2. CREATE AN ENTERTAINMENT ISLAND Pave a rectangular area on a spacious lawn to create a designated space for alfresco dining. It’s an effective way to frame your outdoor furniture.
PHOTOGRAPHS: NIC BALETA, CHAD HENNING, SUPPLIED
3. DESIGN FOR DEPTH Add character to your paved space by using different dimensions and heights. For example, build raised brick seating as a vertical extension of the flooring, and then add cushions. 4. EXPERIMENT WITH COMPLEMENTARY COLOURS Line your paved garden pathway with blooms that complement the undertone of the paver – try combinations of purple and yellow, red and green or pink and grey. 5. OPEN UP YOUR SPACE When paving a small area, one of the most effective ways to create an illusion of extra space is to use herringbone patterning – it seems to stretch on forever.
VISIT corobrik.co.za for an overview of their products. Connect on social media at Corobrik ZA
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BEST OF BARCELONA O
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TEXT LISA VAN ASWEGEN It’s easy to see why Barcelona has so much appeal. Whether you’re admiring works of art and design, swimming in the warm Mediterranean or tasting delectable flavours on a tapas walk, this seaside city pulses both day and night, and gets under your skin in the best way imaginable. Here’s our two-day guide to making the most of the metro-beach destination. DAY ONE Gaudí gazing and beachside chilling
The Sagrada Família Basilica – famous Catalan architect Antoni Gaudí’s Modernist masterpiece that is still under construction today – is synonymous with Barcelona. Gaudí took over as architect of this monumental edifice in 1883 and worked on it until his death in 1926. A visit to this church is a must: outside, the detailed stonework beggars belief, with intricate symbol-filled carvings, fantastical towers and turrets, and bright colours garnering attention. Once inside, the masses of crowds are more manageable thanks to the vast interior. It is different to any other basilica
you’re likely to have experienced: columns grow tree-like to support the ceiling, which is up to 75m high. Looking up, the columns appear almost anemone-like, as if you’re peering into an underwater world. Then there are the stained-glass windows – blue tones on the eastern side to ensure the morning sun is cool, while oranges and yellows flood the space with warm hues in the afternoon. Even if you’re not religious, the space is profoundly moving. For exceptional city views, you can take a lift up one of the towers. (Do note, however, that children under six or those with vertigo or impaired mobility are not allowed, as you will need to climb downstairs after visiting the top.) To skip the long queue and ensure only a short waiting time for your entry slot, buy a ticket online at sagradafamilia.org. Once you’ve taken in all the aweinspiring architecture you can manage for the day, head to the beach to unwind. Barcelona boasts at least nine easily accessible beaches that are right next to one another, and there are many more if you venture further along the coast.
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A dazzling starting point is Port Olímpic marina, with its 52m-long metallic sculpture ‘El Peix d’Or’ (The Golden Fish) designed by American architect Frank Gehry for the 1992 Summer Olympics. To the north lies Nova Icària Beach, a quieter stretch of sand that boasts loads of facilities such as pingpong tables and volleyball courts, as well as a good selection of bars and restaurants. If you head southwards, you’ll discover Somorrostro, a charming little bay that abuts Barceloneta, the most popular of the city’s beaches. And while it’s rather narrow and space is occupied by the chiringuitos (beach bar kiosks) dotted about on the sand, it’s a great place to people-watch. Here the sand is rougher and often pebbly as you enter the sea, but you can spend hours bobbing, splashing and swimming about in the azure Mediterranean water. For dinner, stop by a chiringuito and savour a cocktail and some seafood while you soak up the chilled vibes.
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TIPS FOR GETTING AROUND BARCELONA
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A hop-on hop-off sightseeing bus is a brilliant way to get to the Fundació Joan Miró museum of modern art, where you can easily while away a morning. Located on Montjuïc hill, it’s a heavenly spot dedicated to a comprehensive collection of work by Barcelona-born Joan Miró, showcasing art from his entire career and exploring key concepts of his evolution as an artist, including Surrealist pieces and fascinating three-dimensional triptych works. Miró’s good friend, architect Josep Lluís Sert, designed the space in a rationalist style with Mediterranean features. The building is as fascinating as the artworks it displays, and features double-spaced rooms, quiet courtyards, wonderful natural light, and delightful gardens and terraces, which offer expansive vistas of Barcelona and the Montserrat mountains in the distance.
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DAY TWO Exploring modern art and tasting tapas
EISUR
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L E I S U R E travel
PHOTOGRAPHS: ISTOCK, TURISME DE BARCELONA
About 20 minutes away from the museum you’ll find La Rambla, the tree-lined pedestrian boulevard that cuts through the heart of the city centre. If you’re strolling down towards the sea, turn left at the Christopher Columbus monument to pass Port Vell waterfront harbour, and be sure to look out for Roy Lichtenstein’s sculpture ‘El Cap de Barcelona’ (The Head) – you can hardly miss it as it stands over 15m tall. Also created for the 1992 Summer Olympics, this statue of a three-dimensional woman’s face is designed in Liechtenstein’s famous Pop Art technique with red Ben-Day dots, and the inclusion of mosaics acts as a nod to Barcelona’s trademark use of ceramics. When it comes to food, Spain’s tapas culture is a wonderful way of eating, whether it’s vermouth time (an actual time of day referring to when you drink the aperitif) or enjoying these snack-sized dishes closer to midnight. But choosing where to go and what to sample can be daunting, so why not opt for a tapas tour? Devour Barcelona Food Tours offers fun and informative trips for a perfect dinner excursion. The tapas and wine tour includes three venues: first is a traditional wine bar to savour tapas such as gooey cheese-and-ham croquettes and spicy patatas bravas, paired with small-batch vermouth. Next is the latest trendy tapas spot, with Cava (Spanish sparkling wine) and white wine, served with seafood paella and earthy spinach fritters. The last stop is at a private tasting room for cold meats, cheeses and olives accompanied by red and fortified wines. The guide is a qualified foodie, brimming with knowledge and enthusiasm – and smaller groups make for a great dynamic, too. Whether you have a weekend, a month, or just a few days, it’s possible to drink in the essence of this vibrant city and indulge in the good life, Catalan-style. Barcelona ticks all the boxes.
T H I S PAG E , C L O C K W I S E F RO M T O P Joan Miró’s ‘Woman and Bird’ sculpture graces the Parc de Joan Miró; originally designed as a community housing project, Parc Güell is one of the largest works by Gaudí, and spans 42 acres (parkguell.cat); La Boqueria is considered to be the best-known market in the city, thanks in large part to its location on La Rambla, a bustling pedestrian boulevard that was laid out in 1766 (boqueria.info).
O PP O S I T E PAG E , C L O C K W I S E F RO M T O P L E F T Experience Spain’s tapas culture and sample unique Catalan flavours on a Devour Barcelona Food Tour (devourbarcelonafoodtours.com); vibrant mosaics can be found all over the city; Barcelona is made up of numerous narrow, winding streets, making the wide 1.2km-long La Rambla boulevard a popular meeting point for locals and tourists alike; 39 food markets are spread across Barcelona and source an array of fresh produce; designed by Spanish architect Ricardo Bofill, W Barcelona hotel on the Barceloneta boardwalk forms an iconic part of the skyline (w-barcelona.com); Roy Lichtenstein’s ‘El Cap de Barcelona’ is just one of many famous artworks present in the city. PR EV IO U S S PR E A D At 172.5m high, architect Antoni Gaudí’s Sagrada Família Basilica is one of the tallest religious buildings in the world (sagradafamilia.org). D E C E M B E R 2 0 1 7 | HOUSE AND LEISURE
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PHOTOGRAPH: ISTOCK
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No matt ce, weâ&#x20AC;&#x2122;ve got everything you need to enjoy spending time in the great outdoors
COMPILED BY RESHOKETSWE MOKALE PHOTOGRAPHS SUPPLIED
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COURTYARD Make your courtyard an extension of your living area with statement lights such as these Jaima versions by Joan Gaspar for Marset. Three stands allow for various sizes of adjustable, rotating floor lamps or pendants. Available at ELDC (POR). 2
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F O C U S outdoors
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6 T H I S PAG E , C L O C K W I S E F RO M T O P L E F T 1. Bella Vista Clear Outdoor lights in Black by Selab for Seletti R4 104 (14 bulbs), Generation 2. All Black hammock R1 295 (includes bag), Weylandts 3. Large raw wooden planter R399, MRP Home 4. Recycled teak Bullet Hanging planter with galvanised-steel liner and leather hanger R1 795, Weylandts 5. Autumn Modular aluminium-and-glass sheet R285 (30×30cm, 11 sheets/m2), Douglas Jones 6. Black Double Aluminium Round 360 degree Tilt Outdoor wall light R882, K Light 7. Gulliver parasol by Davy Grosemans for Sywawa Parasols R20 807 (2.66m high), Robert Thomson 8. (from top) Hand fork, Hand trowel and Claw cultivator all with stainless-steel heads and hardwood handles R295 each, Weylandts 9. Quartz flooring in Stormy Night R849/m2 (includes installation), Quartz Carpet 10. Black Swan Garden Glory Classic garden hose in Black R2 164 (20m long), Robert Thomson; 11. Combo Insert braai and gas griller from R33 900, Beauty Fires 12. Lacquered steel Sequoia cocktail table in Black by Erwan Péron from R31 170, Roche Bobois. O PP O S I T E PAG E , C L O C K W I S E F RO M T O P L E F T 1. Audrey armchair in Black R9 100 and Audrey chair in Sand R7 300, both by Piero Lissoni, Kartell 2. Tuber planters by Haldane Martin from R17 950 each (small), Indigenus 3. Ravine Random Edge pavers in Grey R486/m2, Revelstone 4. Trex Transcend decking in Island Mist POR, Zimbo’s Trading 5. Gardening ankle boots in Black R245, tanyavisser.com.
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Style your patio as you would an extra dining room by investing in contemporary floor treatments and accessories that are as pleasing as they are practical.
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4 T H I S PAG E , C L O C K W I S E F RO M T O P L E F T 1. Tall Shade Empire pendant in Gold by Hoi P’loy R4 550, Design Store 2. Ceramic bowl R263 and plate R159 both by SRVE, Liam Mooney Studio 3. Houston bench in Orange steel R1 700 (41cm long), Patio Warehouse 4. Ceramic serving spoon in Red R140, Liam Mooney Studio 5. Multiple Species Herringbone Solid Hardwood flooring R1 539/m2 (includes installation), Zimbo’s Trading 6. Pure woven cotton Bakuba throw in Lava from R1 285 (double), Mungo 7. Moroccan tile print cork place mat R160 (set of four), Woolworths 8. Reef round place mat in Natural Sand R149 and 9. Granite Melamine servers in Dark Grey R139 (set of two), all @home 10. Vegetal chairs in Basic Dark and Brick by Ronan and Erwan Bouroullec for Vitra R6 076 each, Cube gallery 11. Genesis II E-610 gas grill R22 499, Weber 12. Pavimento Florentine tile R590/m2 (20×20cm), Italtile. 114
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POOL Because this area is exposed to the elements, go for durable finishes and quality products that are built to last. 9
11 COURTYARD HOLDING IMAGE COURTESY OF ELDC AND FEATURES JAIMA PENDANTS BY JOAN GASPAR FOR MARSET (POR), ELDC.CO.ZA. PATIO HOLDING IMAGE: LAR RATTRAY; STYLIST: NICOLA STEVENSON. POOL HOLDING IMAGE: MICKY HOYLE; STYLIST: MIA VINCENT. FOR SUPPLIERS’ DETAILS SEE THE STOCKISTS PAGE
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T H I S PAG E , C L O C K W I S E F RO M T O P L E F T 1. Steen planters by Stefan Antoni and Greg Truen of SAOTA from R3 650 each, Indigenus 2. (from top) Tempo polyethylene grass in Envy Green R288/m2 and Augusta polyethylene grass in Mint Green R571/m2, both Belgotex 3. Sirena sun lounger R11 499, Mobelli 4. (from left) Ippolito 90 light R18 073 and Ippolito 45 light R15 839, both by Alessandro Pedretti for Artimede lighting, Cube gallery 5. LotusGrill XL braai in Yellow R4 499, Mobelli 6. (from left) Casablanca cushion R299, Boho Geo woven cushion R299 and Bantry cushions R160 each, all Woolworths 7. Cat portable outdoor light by Nahtrang for Faro R2 495, ELDC 8. Milà chairs in Red, Yellow and Black by Jaime Hayón for Magis R4 773 each, Créma Design 9. Quartz flooring in Lagoon R799/m2 (internal) and R899/m2 (external, includes installation), Quartz Carpet 10. Nature Bisque Anti-Slip Glazed porcelain tile R790/m2 (1.5×12m), Italtile 11. Realstone Cardoso porcelain tile R798/m2 (120×6cm), Studio Masson.
F O C U S news
FOOD ART These Pop Art side plates by Carrol )V`LZ 9 MVY ZL[ VM MV\Y HYL most inspiring. carrolboyes.com
SURFACE LEVEL
HANDCRAFTED AFFAIR
;OL JLYHTPJ :HUN KL )VL\M IV^S I` *OYPZ[V .PSLZ 9 PZ WLYMLJ[ VU KPZWSH` VY MVY serving sumptuous salads. liammooney.co.za
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In solid oak, the Allo mortar and pestle I` *V\U[Y` 9VHK 9 ^PSS KV H MPUL job in your kitchen. woolworths.co.za
BRIGHT REDS POP AGAINST RUST TONES AND NATURAL MATERIALS IN THIS UNEXPECTED COLOUR SCHEME
ON A HIGH
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Hee Welling lifted the design of a basic bar stool for Hay (R4 452), turning it into a piece of usable art. cremadesign.co.za
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HI-TECH HOB
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Gaggenauâ&#x20AC;&#x2122;s 200 series CV 282 110 hob in a stainless-steel frame (from R72 000) boasts two flex-induction cooking areas and an integrated ventilation system. gaggenau.com
HOLDING IMAGE COURTESY OF WOMAG AND FEATURES THE PHOENIX STONE QUARTZ COUNTERTOP BY BIANCO EXTREME (R3Â 876/M2), WOMAG.CO.ZA. FOR SUPPLIERSâ&#x20AC;&#x2122; DETAILS SEE THE STOCKISTS PAGE
Functional and appealing, the Phoenix Stone quartz JV\U[LY[VW I` )PHUJV ,_[YLTL 9 Tõ THRLZ MVY H ILH\[PM\S ^VYR Z\YMHJL womag.co.za
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W RL OO A PL ANCES 1 lucky reader will win Whirlpool appliances worth over R32 000
Turn your culinary dreams into an everyday reality with Whirlpool, a brand that is globally renowned for its revolutionary appliances, designed to improve and simplify the user experience. Thatâ&#x20AC;&#x2122;s why Whirlpoolâ&#x20AC;&#x2122;s new 6th SENSE innovative technology adapts and controls your appliances intuitively to ensure perfect results, every time. This prize includes a Whirlpool Absolute oven, JetChef microwave, 9kg front-loader washing machine, 60cm iXeliumâ&#x201E;¢ gas hob, PowerDry dishwasher and Absolute hood â&#x20AC;&#x201C; six incredible additions that will revolutionise your kitchen. For more information, visit whirlpool.co.za or connect on social media. Whirlpool South Africa
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PHOTOGRAPHS: SUPPLIED
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F O C U S news
TAKE WING
SCATTER BRAIN
Add subtle detail to a room with a 100% cotton and linen Blem cushion by Country Road (R349). woolworths.co.za
A well-loved shape gets an upgrade in this Livingston wingback armchair with rattan, walnut and bronzed steel KL[HPSZ 9 eggdesigns.co.za
DOUBLE THE FUN
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With houses on one side and a geometric pattern on the other, Country Roadâ&#x20AC;&#x2122;s Harry double duvet cover (R1Â 099) is fully reversible. woolworths.co.za
EXPERIMENT WITH ILLUSIONS AND PATTERNS BY INVESTING IN A ROUND GEOMETRIC TIBETAN RUG 9 4² -964 GONSENHAUSERS. FINERUGS.CO.ZA
Die Regterhand lamp (from R680) can be hung as a pendant, hooked on a wall, placed on a surface or carried around like a lantern for complete versatility. douglasandco.co.za
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HAVING A BALL
Give a room a delightful glow â&#x20AC;&#x201C; and an eclectic touch â&#x20AC;&#x201C; with the Faro Mine table lamp PU .YL` 9 newport.co.za
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Make mealtimes fun with this childrenâ&#x20AC;&#x2122;s Caterpillar cutlery set by Kitchen Craft (R259 for set of four). yuppiechef.com
HOLDING IMAGE COURTESY OF WOODBENDER AND FEATURES ASHTON CHILDRENâ&#x20AC;&#x2122;S CHAIRS IN EGG YELLOW (R1Â 430 EACH) WITH A TABLE IN NATURAL ASH (R2Â 680), WOODBENDER.CO.ZA. FOR SUPPLIERSâ&#x20AC;&#x2122; DETAILS SEE THE STOCKISTS PAGE
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IN CELEBRATION of its 25TH YEAR AS A leader in the design arena, WOMAG PARTNERED WITH House and Leisure AND interior designer SAMANTHA LURIE OF SPROUT DESIGN to give one reader A CINDERELLA DREAM BATHROOM MAKEOVER worth R75 000
BEFORE
TIP
WOMAG DIRECTOR OREN SACHS BELIEVES THAT THE SECRET TO SUCCESS LIES IN THE DETAILS. PLAN EVERYTHING, FROM MATERIALS TO SUPPLIERS, THEN GET THE DESIGN ONTO PAPER AND TAKE IT FROM THERE.
TIP BEFORE
FOR SAMANTHA LURIE, WHO LED THE REFURBISHMENT OF THIS BATHROOM, COLOUR IS A GREAT STARTING POINT. TRENDS ARE TRANSIENT, SO STICK WITH SMART, NEUTRAL TONES THAT YOUâ&#x20AC;&#x2122;LL ENJOY SEEING FOR YEARS TO COME.
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‘The bathroom is the only place where we can enjoy complete solitude. It’s where we spend time with ourselves. At WOMAG, we believe that every bathroom should feel like a spa.’ – OREN SACHS, DIRECTOR OF WOMAG
THE CHALLENGE Robyn Galiem was the lucky winner of the WOMAG Cinderella dream bathroom makeover, but as with any renovation, her space posed challenges of its own.
PHOTOGRAPHS: MARGUERITE OELOFSE, SUPPLIED
DEALING WITH AN EXISTING STRUCTURE There are always surprises that need to be worked around, and in the case of Robyn’s bathroom, the team had no prior knowledge that the floor was partially wooden. BUDGET Working within a set costing framework is the archetypal challenge of any renovation. ‘I’m sure we could have done it cheaper, but we wanted to give Robyn an unbelievable bathroom, and that’s what we did,’ says Oren. THE PLAN VS REALITY The team was sent back to the drawing board many times when practical problems arose. The insight? Sometimes plan B can be even better than plan A.
The solution is a modern one – one that stays away from the trends and embraces the classics: neutral hues, natural textures and clean finishes. Samantha chose mixed materials within the space to add dimension and depth. Grey, marble-look tiles were used on the walls, which gave the aesthetic appeal of marble at a cost-effective price – and with zero maintenance. The practical, woodeffect tile floor was laid in a contemporary herringbone pattern that has come to characterise Samantha’s work. ‘The Grigio Argento countertop was made from a single tile. It really brings a sense of authenticity to the space,’ adds Oren.
F O C U S news
DEEP AND DARK
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SITTING PRETTY
With its slender legs and charcoal velour upholstery, this 2.5 seater Marta sofa by Malene Lillelund (from R10 599) adds a modern and exclusive look to a space. za.sofacompany.com
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LIGHT IT UP Unobtrusive and user-friendly, this Halogen floor lamp in Black and Chrome with foot dimmer (R2 445) is a practical, multi-functional and stylish lighting solution. klight.co.za
HOLDING IMAGE COURTESY OF LIMELINE AND FEATURES THE LAWRENCE SOFA FROM THE MINOTTI 2017 HOME ANTHOLOGY COLLECTION (POR), LIMELINE.CO.ZA. FOR SUPPLIERSâ&#x20AC;&#x2122; DETAILS SEE THE STOCKISTS PAGE
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Once, cubicles were the hot trend. Then it was working from home. Today, the buzzword in the workplace is co-working. Meet the company redefining the traditional office space, The Business Exchange (TBE).
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Wall Finishes Decorative and durable wall coatings that wear well over time
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Floor Finishes Both skim-on coatings and new screed floor finishes
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COMPETITION TERMS AND CONDITIONS For full competition terms and conditions, visit houseandleisure.co.za/terms conditions.
While all product information was checked before going to print, House and Leisure cannot guarantee that prices will not change or that products will be available at the time of publication. R
Manufacturers of Distinctive Decorative Coatings www.cemcrete.co.za
0860 CEMCRETE
HENDRICK’S GIN PROMOTION FEATURES: Candleholders and pewter teapot all Delos, delos.co.za; tea sets and cake stand all Home etc, homeetc.co.za; rabbit and mushroom statues both Starke Ayres Garden Centre, starkeayres.co.za. Alice wears: dress Stefania Morland, stefaniamorland.com; shoes That Shoe Lady, thatshoelady.co.za. Queen wears: dress KLûK CGDT, klukcgdt.com; shoes That Shoe Lady. Rabbit wears: epilets Hollywood Costumes, hollywoodsa.co.za.
enquiry@cemcrete.co.za D E C E M B E R 2 0 1 7 | HOUSE AND LEISURE
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STYLE PROFILE
VIKA SHIPALANA
LUXURY CONNOISSEUR. RECOVERING extrovert. Curious TRAVELLER COMPILED BY KHOLEKA KUMALO PHOTOGRAPH ON AIR ENTERTAINMENT
I was born in Mount Coke in the Eastern Cape, and grew up in Bhisho. I am the
Prestige director of Pernod Ricard South Africa. We target high-net-worth and affluent individuals in the country, and introduce them to our portfolio of brands by having them available in five-star hotels, restaurants, private members’ clubs, bars and, most recently, nightclubs. I like what I do because I love luxury, beauty, excellence and creating experiences for people to enjoy. My earliest memory of summer is when I was about three years old on the beach with my mom and brother, wearing a navy and red jumpsuit. We were playing in the sand and later rode the Smartie miniature train for kids. My favourite pieces of design at home are my Paco rugs. They were ridiculously priced, but worth it. My children and I sit on them, play with our dog Coco, have prayer evenings and sing and jump around on them. When I want to dress to impress, I wear anything by Gert-Johan Coetzee or Tuelo Nguyuza. On those days, I have to make sure my face is beat, and makeup artist Clara Banx is my go-to girl. My kitchen-cupboard staples are good, sharp knives. My go-to comfort foods are cake and jelly sweets. My favourite restaurant is Marble in Johannesburg. It’s a very inspiring space. I love the decor, views, ambience and music. Everything looks and tastes great, and the service is exceptional. 128
My summer drink is Perrier-Jouët Belle Epoque Rosé 2004/2006. I always travel with my journal. Travelling gives me the time and space to dream, think and reflect. The one place I’ve travelled to that I’ll never forget is Amsterdam, the first city I visited
by myself. I walked the streets, hopped on buses, trains and ferries, met great people in cool places, and felt like a local. From my travels, I always like to bring back tea. The taste and aromas transport me back to wonderful places. My next dream holiday is a trip to the Amalfi Coast in Italy with my husband and children. If money were no object, I’d treat myself to a walk-in closet filled with the most glorious couture gowns. I’m reading Equal But Different by Dr Judy Dlamini. I’m listening to ‘Shape of You’ by Ed Sheeran. It was our anthem on
HOUSE AND LEISURE | D E C E M B E R 2 0 1 7
a recent girls’ trip to Paris. I hate it when people are mean. It’s so unnecessary. I’m definitely not a good planner. If I could change one thing about South Africa, it would be the inequality, and ensuring that
there’s quality education and healthcare accessible to all. Don’t leave Johannesburg without trying the Absolut Elyx cocktails served in copper pineapples at Mesh Club on the Keyes Art Mile. When I was younger, I used to think that I was adopted because I looked nothing like my mother or brother. The best advice I ever got was from my mother. She said I needed to learn to be happy alone. I was such an extrovert and used to want to be surrounded by people all the time. These days, being alone with God brings me such peace and clarity of thought. Thanks, Ma. vikashipalana
Cape Town: 021 510 2846 | Paarden Eiland Johannesburg: 011 262 3117 | Sandton Durban: 031 000 1000 | Umhlanga nick@oggie.co.za www.oggieflooring.com
Pearl Valley Golf Estate. Oggie FSC European Oak Cerato Greymist. Hand Chiselled - 15/4 x 260 x 2200 Interior Design: Hotcocoa Interiors and Design. Architect: Phillips and van Jaarsveldt (Louis Phillips)
...extra-wide plank oak ďŹ&#x201A;oors from sustainable forests.