August 29 - September 26, 2015
Curator’s Statement
FourSquared 2015 is a unique exploration of the works of sixteen Bay Area artists. Each of the artists has produced sixteen small works, presented in sixteen clusters giving the audience the experience of sixteen micro solo exhibitions. All works are priced under $500. The exhibition is a reflection of the co-curators’ strong and abiding interest in local, affordable art represented here by some of our most talented local artists. Curators: Michael Yochum is the author of SF Art News, which maintains an exhaustive list of art events and openings in San Francisco. Matthew Frederick is founder of Art Farm, an artist collective in the Mission, where he maintains his studio. Michael and Matthew are co-founders of Arc Gallery & Studios, along with Stephen C. Wagner and Priscilla Otani.
Catalog designed by Michael Yochum Logo image by Mitchell Confer Arc Gallery © 2015
Featured Artists
Carlo Abruzzese Elizabeth Ashcroft Stacey M. Carter
Kim Frohsin
Annie Galvin Howard Hersh Carol Jessen Joseph Kowalczyk Hope Kroll Andrew Li Larry Morace Howard Munson Sarah M. Newton
Derek Nunn
Gage Opdenbrouw
Greta & Manu Schnetzler
OPENING RECEPTION: Saturday, August 29th, 7-10PM ARTIST TALK & BRUNCH CLOSING RECEPTION: Saturday, September 26th, 11AM-3PM
Carlo Abruzzese Neighborhoods My art integrates the disparate worlds of fine art and quantitative information, creating images that encourage the viewer to re-interpret the world around us. This series of drawings are translations of demographic statistical data taken from the US Census into works of fine art. Each drawing represents a different neighborhood in San Francisco and the East Bay. Each color (including white) represents a different ethnic group as defined by the Census. Every individual census block is charted and diagrammed, resulting in a ‘map’ that shows the quantities, locations and patterns of population groups within the neighborhood. (Each small square = 8 people) I use simple materials (colored and graphite pencils, rulers and drafting film) to create complex, information-rich art. My process is labor intensive. Instead of using a computer to generate layouts and designs, I sort through the numbers and graphs, collate information, sketch out designs, and then draft and color. This allows me to digest the information; the final product not only accurately describes the quantities, but the qualities of the new ‘map’ I have created. My background as an architect has greatly influenced how I approach art. An architect takes information and translates it into built form. The intent is to make a functional, beautiful object. My art uses this same process, creating images from information that evoke discourse and insight into our world.
540 Alabama Street, studio 208 phone: 415-626-0366 San Francisco, CA 94110 email: carlo@abruzzese.net website: www.abruzzese.net
EDUCATION
Harvard University Master of Architecture University of California at Berkeley Bachelor of Arts in Architecture FSU Art/Architecture History Program, Florence, Italy
SELECTED EXHIBITIONS 2015 2014 2013 2012 2011 2010 2009 2008 2006 2005 2004
Obsidere, Alterspace Gallery, San Francisco, CA Endangered Languages, Root Division, San Francisco, CA Weaving Cultures, Gaylon & Cullis Gallery, Greensboro College, Greensboro, North Carolina Catalyst, Gallery Route One Annual Juried Show, Point Reyes Station, CA Maker Faire, MONCA (Museum of Northern California Art), Chico, CA Left Brain Meets Right Brain, DG717 Gallery, San Francisco, CA Mapping Cultural Landscapes: Re-interpreting Bay Area Demographics, de Young Museum, San Francisco, CA Almost Together, David Brower Center, Berkeley, CA Introductions 2012, Root Division, San Francisco, CA DE@40, Developing Environments, San Francisco, CA traces. threads. surfaces, a.Muse Gallery, San Francisco, CA West Coast Biennal, Museum at Turtle Bay, Redding, CA The H Show, Root Division, San Francisco, CA Road Trip, 1870 Gallery, Belmont, CA Summer Exhibition, Wit Gallery, Lenox, MA Beyond Sea and Sky, a.Muse Gallery, San Francisco, CA The Last Show, Belcher Street Gallery, San Francisco, CA Reflections of the Bay, California Modern Art Gallery, San Francisco, CA Landscape/Waterscape, Global Art Venue Gallery, Seattle, WA Terrain, Studio Gallery, San Francisco, CA 20/20 - 20th Anniversary Show, Belcher Street Gallery, San Francisco, CA Winter Exhibition, Mad River Post, San Francisco, CA Contemporary Colors, Blue Tangerine Art, San Francisco, CA Ruminations, Belcher Street Gallery, San Francisco, CA, 2004
GRANTS & RESIDENCIES
H.M de Young Museum Artist-in-Residence (fall 2015) Santa Fe Art Institute Artist-in-Residence (spring 2016) Vermont Studio Center Residency and grant Center for Cultural Innovation Creative Capacity Fund Grant
TEACHING/PROFESSIONAL EXPERIENCE
Architect self-employed, 1991–present Visiting Intructor Department of Architecture, University of California at Berkeley 1986-8 Critic/Guest Juror Architecture Design Studios, (UC Berkeley, CCA, Boston Art Center, Roger Williams College)
Upper Haight colored pencil and graphite on mylar 11” x 11” $350
Marina colored pencil and graphite on mylar 11” x 11” $350
Chinatown colored pencil and graphite on mylar 11” x 11” $350
UC Berkeley/Downtown colored pencil and graphite on mylar 11” x 11” $450
Carlo Abruzzese
Castro colored pencil and graphite on mylar 11” x 11” $350
Western Addition colored pencil and graphite on mylar 11” x 11” $350
Tenderloin colored pencil and graphite on mylar 11” x 11” $450
Uptown/lake Merritt colored pencil and graphite on mylar 11” x 11” $450
Carlo Abruzzese
Noe Valley colored pencil and graphite on mylar 11” x 11” $450
Inner Mission colored pencil and graphite on mylar 11” x 11” $450
SOMA colored pencil and graphite on mylar 11” x 11” $450
Jack London Square/Downtown colored pencil and graphite on mylar 11” x 11” $350
Carlo Abruzzese
Excelsior colored pencil and graphite on mylar 11” x 11” $450
Bernal Heights colored pencil and graphite on mylar 11” x 11” $450
Potrero/3rd Street colored pencil and graphite on mylar 11” x 11” $450
West Oakland colored pencil and graphite on mylar 11” x 11” $450
Carlo Abruzzese
Elizabeth Ashcroft
Alternate Narratives I enjoy word play, random & intentional acts of creativity, and both the beauty & the absurdities of life. My pursuits have eventually led me to make these particularly sculptural pieces for the FourSquare show that dabble with the contradictory idea of an open book which can’t be read….save for those words and phrases that I’ve chosen to spill out, speckle with shadow, catch the light and, perhaps, a viewer’s curiosity. After having worked in the pre-press industry for many years, cutting and pasting books together, there is a curious irony in that I now wield my knife to disassemble the same. The process is quite intimate, not unlike the reading of a book, where every page is touched, pierced and sewn; words scanned and considered. I’ve found the literal board-paper-thread-glue-ink-word-story essence of the book offers a unique platform to cut into, build onto and burst out of in both two and three dimensional forms. The dual function of the book as a visual object as well as a conduit for ideas is a source of constant inspiration. As a whole, I refer to my ongoing altered books series as The Dissected Library.
website: http://www.artbyashcroft.com/ phone; 415-263-8959 email: eastudio@comcast.net
EDUCATION 1983
Massachusetts College of Art, Boston, MA, BFA, Printmaking
REPRESENTATION 2012 - 2010 - 2005 -
Vamp & Tramp Booksellers, North Carolina Bright Side Gallery, Hanapepe, HI Studio Gallery, San Francisco, CA
SELECTED EXHIBITIONS 2015 2014 2012-13
Bound & Unbound III: Altered Book Show, University of South Dakota, Vermillion, SD 6th Annual Altered Book Show, Marin MOCA, Novato, CA Impulse, Arc Gallery, San Francisco CA City Scape & 94109, Studio Gallery, San Francisco CA 36th Annual Mini Works on Paper Show, Jacksonville State University, Jacksonville, AL Seeing Red, Village Theater Art Gallery, Danville, CA Artspan Juried Auction, SOMArts Cultural Center, San Francisco CA Absence and Presence, SF Center for the Book, San Francisco CA In Other Words, Pop-Up Gallery @ Autobody Fine Arts, Alameda, CA Impulse, Arc Gallery, San Francisco CA Red, Russian River Art Gallery, Guerneville, CA Impulse, Arc Gallery, San Francisco CA ABZ etcetera, Sebastopol Center for the Arts, Sebastopol, CA The Dissected Library, solo show, Market Street Gallery, San Francisco CA
COLLECTIONS
Shakespeare Collection, University of Denver Library, Denver, CO McCabe Library, Swarthmore College Library, Swarthmore, PA
AWARDS 2012 2010 2009 2005
College of Arts and Sciences Award, 34th Annual Mini Works on Paper Show, Jacksonville, FL Certificate of Honor, Community Artist & Visionary, SF Board of Supervisors “Best of the Bay” Award for “Art in the Alley”, Bay Guardian Fior d’Italia Prize, North Beach Festival
OTHER PROFESSIONAL 2001-10 Founder, Organizer & Exhibitor, “Art in the Alley”, San Francisco CA 2001-04 Art columnist, The North Beach Journal FAIRS & FESTIVALS 2015 2014 2011 - 2010-12 1998 -
North Beach Pop Up Fair, San Francisco CA Street Printing Festival, Sebastopol Ctr. For the Arts, Sebastopol CA SF Center for the Book Holiday Fair, San Francisco CA Festa Italiana, San Francisco CA Polk Street Blues Festival, San Francisco CA North Beach Festival, San Francisco CA
Wink altered book, cotton cord, glass bead 6” x 10” x 5” $325
Torn altered book, cotton cord, glass bead 6” x 10” x 5” $325
Thought Cilia altered book, cotton cord, glass bead 6” x 10” x 5.5” $325
Thorns altered book, cotton cord, glass bead 6” x 10.5” x 6” $325
Elizabeth Ashcroft
Especially, The Wind altered book, cotton cord, glass bead 6” x 12.5” x 6” $325
Listen from the Heart altered book, cotton cord, glass bead 6” x 13.5” x 7” $325
Book of Secrets altered book, cotton cord, glass bead 6” x 12” x 6” $325
A Stranger, A Slow Dance Began altered book, cotton cord, glass bead 6” x 12” x 6” $325
Elizabeth Ashcroft
THE, The, the words. Oh, altered book, cotton cord, glass bead 6” x 12.5” x 6” $325
Dark Rivers, Medieval Maps altered book, cotton cord, glass bead 6” x 13” x 6” $325
This and That altered book, cotton cord, glass bead 6” x 12” x 6” $325
The Depth, The Matrix altered book, cotton cord, glass bead 6” x 12.5” x 7” $325
Elizabeth Ashcroft
Altogether Now altered book, cotton cord, glass bead 6” x 12” x 6.5” $325
A-Marching altered book, cotton cord, glass bead 6” x 12.5” x 6.5” $325
Suddenly, Curious altered book, cotton cord, glass bead 2.5” x 18” x 8” $325
Finally, The Warm Afterglow altered book, cotton cord, glass bead 3” x 17” x 7.5” $325
Elizabeth Ashcroft
Stacey M. Carter Buildings of Hunters Point Shipyard For over fifteen years I have made work that draws from the site of my studio: the Hunters Point Shipyard. Early on with my time at the shipyard, I would take breaks from ainting in the studio and walk around the grounds. I found the isolation and sadness in the surrounding buildings’ stark beauty compelling; I began taking pictures. These photographs, which began as a casual curiosity, quickly assimilated into my painting practice. I became enamored by the idea of a once thriving community of sailors and officers, dock men, and military personnel. After working on paintings based on my photographs, I serendipitously stumbled upon a collection of old glass negatives of the ships that once occupied the shipyard. My mind was transported to the time of the ships, the marvelous engineering and the heroically ordinary workers who built and operated and maintained the day-to-day activities of the giant vessels. My work became layered and compositionally rich. I had built a kinship to the place, people, and ships that I was creating work from. It is from this deeply felt enthusiasm that I continue to labor at the shipyard. I have become a voice for the Shipyard’s historic preservation with the goal of retaining the memory of the men and women who dedicated themselves to this grand and beautiful place. I continue to make work that points to the Shipyard’s curious and magnificent past as well as the tragedies that continue to affect the people near and associated with its history. It is a complicated past that I have just begun to uncover. Hopefully my work reflects the duality of beauty and horror that exists in this and other historical places in the world, while attempting to tell the stories of people that would otherwise be lost. Hunters Point Shipyard phone: 415-608-9136 Building 101, Studio 2312 email: stacey@staceycarter.net San Francisco CA website: http://www.staceycarter.net
EDUCATION 1991 1989-
B.F.A. Degree in Printmaking, Tyler School of Art, Temple University, Philadelphia, PA Temple University Abroad, Rome, Italy 1989-1990
SOLO EXHIBITIONS 2014-15 Present History: A Visual Documentation of the Changing Urban Environment, Metropolitan Transportation Commission, Bay Area Toll Authority office headquarters, Oakland, CA. 2012 Stacey Carter – SF Cityscapes and District 10”, SF Supervisor Malia Cohen’s offices, City Hall, San Francisco, CA. 2011 Stacey Carter Cityscapes, McGuire Real Estate, headquarters San Francisco, CA 2006 Mixed Media Works by Stacey M. Carter” , Lyet Gallery, Elizabethtown College, Elizabethtown, PA 2002 Introductions 2002, 2 person show, George Krevsky Fine Art, San Francisco, CA MUSEUM EXHIBITIONS 2015 Giants in the Sky – The Rise and Fall of Airships, Inaugural exhibition: New Museum of Los Gatos (NUMU), Los Gatos, CA. 2011 Play Ball”, Lancaster Museum of Art, Lancaster, PA 2005-06 Baseball as America, Oakland Museum of California, Oakland, CA 2005 My California, Views from the Golden State, National Steinbeck Center, Salinas, CA. Juror-Nathan Olivera; Trustee Award Recipient SELECTED GROUP EXHIBITIONS 2014-15 Introducing An Artful Pairing with The Christopher Hill Gallery, Peju Winery, Napa CA 2014 The Art of Baseball: A Salute to the 2014 SF Giants”, George Krevsky Fine Art at Montgomery Gallery, San Francisco, CA Celebrate the “Two’s, Christopher Hill Gallery, Heldsburg, CA 2013 Anniversary Show No 1, Christopher Hill Gallery, Heldsburg, CA REplace: Depictions of Monumental Architecture, Adaptive Reuse, and Industrial Detritus, Bayview Opera House, San Francisco, CA\ Honoring Kids At The Shipyard, Live Worms Gallery, San Francisco, CA 2011 The Fine Art Of Baseball – 14th Annual Exhibition, George Krevsky Gallery, San Francisco, CA 2010 Recycled, Reinvented: from the artists of SCRAP, Fine Arts Museums of San Francisco, Gallery at Ruth’s Table, Bethany Center, San Francisco, CA Rookies and the Pros – Annual Baseball Exhibition, George Krevsky Gallery, San Francisco, CA COMMISSIONS 2004 – NFL Team Baltimore Ravens – commissioned portraits of 14 star players & winning Super Bowl team. Paintings installed in executive offices & conference room of Baltimore Ravens training facility, Owings Mills, MD LECTURES 2005 2004 2003 2004 -
Guest Artist Lecture, Elizabethtown College, Elizabethtown, PA First Thurs Artist Lecures, “Art and Apple”, San Francisco Art Dealer’s Association & the Apple Store, San Francisco, CA Artist lecture “ARTWALK 2004”, Artspan & Boston Properties. Embarcadero Center, San Francisco, CA Guest Artist Speaker: San Francisco Art Institute, San Francisco CA Guest Artist Speaker, printmaking dept.: Academy of Art College, San Francisco, CA
Building 253 ink, pigment and acrylic on panel 11” x 8.25” $375
450 Ton Re-gunning or Gantry Crane ink, pigment and acrylic on panel 11” x 8.25” $375
Building 231 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 140 ink, pigment and acrylic on panel 11” x 8.25” $375
Stacey M. Carter
Building 363 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 253 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 253 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 411 ink, pigment and acrylic on panel 11” x 8.25” $375
Stacey M. Carter
Building 351 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 351 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 417 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 418 ink, pigment and acrylic on panel 11” x 8.25” $375
Stacey M. Carter
Building 236 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 419 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 303 ink, pigment and acrylic on panel 11” x 8.25” $375
Building 323 ink, pigment and acrylic on panel 11” x 8.25” $375
Stacey M. Carter
Kim Frohsin Portraits of Numbers For 28 years, I have worked as a singular, studio fine artist, with my interdependent interests involving primarily painting, drawing, printmaking, encaustic, collage and photography. Earlier in my career, my figurative work was often labeled as being akin to the “3rd Generation Bay Area Figurative”. Private drawing sessions with female models has been a vital practice to the gestalt of my work. This collaborative ritual, begun in 1994, is a source for inner grounding and focus; I feel that this “Practice” acts as baseline from which the rest of my oeuvre originates. I describe my work as eclectic and highly autobiographical. I define myself as a “versatile”, visual artist, continuously pushing boundaries, evolving via personal successes and challenges, to give meaning to my creative Existence.
website: http://kimfrohsin.com/
EDUCATION 1984 1988
San Diego State University, San Diego, CA Institut pour les Etudiants Etrangers, Aix-en-Provence, France The Academy of Art College, San Francisco CA
B.A. Humanities B.A. French B.F.A.
SELECT RECENT EXHIBITIONS 2015 2014 2013 2012
Group Figure Exhibit, Urban Edge Gallery, Waukegan, IL Ligne Roset, San Francisco CA Awaken, Gallerie CITI, Burlingame CA From the Heart, Epperson Gallery, Crockett CA Reaction: 30th Annual Juried Show, Gallery Route One, Pt. Reyes CA Mash Up, Hespe Gallery , San Francisco CA Works on Paper: Summer Selections, Mongerson Gallery, Chicago IL Women Painting Women, J.Cacciola Gallery, New York NY Reliquaries:Exposed, solo exhibition, Gallerie CITI, Burlingame CA 25th Annual Juried Show, Contemporary Arts Center, Las Vegas NV The Figure, A Bay Area Legacy, Gary Francis Fine Art, Alameda CA Life Live, Arc Gallery, San Francisco CA Cone Monochromacy, J.Cacciola Gallery, New York NY Heads, Gallerie Citi, Burlingame, CA Tarot: Art of Fortune, Modern Eden Gallery, San Francisco CA On Paper, Gallerie Citi, Burlingame, CA Life Live, ARC Gallery, San Francisco CA Portraits of Numbers and The White Dahlia Series,solo exhibition Paul Thiebaud Gallery, San Francisco CA 25th Northern National Juried Art Competition, Nicolet College Art Gallery, Rhinelander, WI (award winner) Expressions West 2012, Coos Art Museum, Coos Bay OR, Honorable Mention A Legacy in Continuum: Bay Area Figuration, Bakersfield Museum of Art, Bakersfield CA Figures in Abstract, Seager Gray Gallery , Mill Valley, CA Portrait Show, SFMOMA Artists Gallery, San Francisco CA Life Live, ARC Gallery, San Francisco CA
Ms. Frohsin has exhibited extensively since 1993
PUBLIC COLLECTIONS
San Francisco
The Gap Headquarters; Gordon and Rees; Eker & Van Nest; The Fifth Floor, Hotel Palomar; San Francisco CA; Hotel W, Baker & MacKenzie; Hambrecht & Quist; IN:SITE Design Build Associates; Gryphon Capital Management; imPower
Other Collections
The Coca-Cola Corporation, Hertiage Communications,Atlanta GA; The Crocker Art Museum, Sacramento CA; The San Jose Museum of Art, San Jose CA; The Bolinas Museum, Bolinas CA; The United States Department of State; Office of The Governor, State Capital, Sacramento CA; Alza Corporation, US Headquarters, Mountain View, CA; Buck Fine Arts, Laguna Hills CA; Hartnett-Hall Gallery collection, Minot State University, Minot ND; The Morgan Flagg Family Collection, Atherton CA, Wilson, Sonsini, Goodrich and Rosati, Palo Alto CA; Johnson & Johnson, New York NY; The Fifth Floor, Hotel Palomar, San Francisco CA; Hotel W, San Francisco CA; Nordstrom, Seattle WA; Hollywood Hotel, Los Angeles CA; Adobe Systems Inc., San Jose CA; The Holtze Hotel, Denver CO; Pebble Beach Press Ltd., Pebble Beach CA; Texaco Corporation, TX; Ocean Cities Entertainment, Los Angeles CA; Burns, Doane, Swecker & Mathis, Redwood Shores CA; Fidelity Investments, Boston MA
Monumental One acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Carnival Two acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Primal Three acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Drama Four acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Kim Frohsin
Carnival Five acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Jungle Six acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Submerged Seven acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Bullseye Eight acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Kim Frohsin
Emerald Nine acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Honolulu Ten acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Daytona Eleven acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Alpine Twelve acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Kim Frohsin
Highline Thirteen acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Kiterunner Fourteen acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Fabulous Fifteen acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
For Elena, Sixteen acrylic ink, dry pigment powder, gouache on panel 8” x 8” $495 (set of 16, $8000)
Kim Frohsin
Annie Galvin Locals Only In this series, I explore the graphic nature of one particular example of city signage, and how it relates to the places signified. The 49 Mile Scenic Drive sign, designed in 1955 by Rex May, is ubiquitous in San Francisco, and for those of us who see it every day, it blends into its surroundings. When I moved here from Ireland in 1989, the sign seemed to greet me several times a day, welcoming me to the City, but now I often don’t even notice it. Painting the sign taking on the icons, colors, and sights of sixteen lovely, diverse San Francisco neighborhoods, I want to force locals to take another look at the sign, and appreciate it afresh for its simplicity and beauty. As a storyteller, I aim for a strong narrative in my paintings, exploring the connection between language and image. I’m inspired by San Francisco, comic-books, textile designs, gardens, short stories, and my own dreams and daydreams. I doodle constantly.
Three Fish Studios, 4541 Irving St, San Francisco, CA
Phone: 415-242-3474
Email: annie@3fishstudios.com
Website: http://www.3fishstudios.com/
EDUCATION 1987 B.A. Graphic Design: Waterford Regional Art College, Waterford, Ireland, 1997 B.A. English: University of California, Berkeley, California, SELECTED SOLO EXHIBITIONS 2015 2015 2014 2012 2011 2010 2010 2008 2007 2007 2007
Workshop Sausalito, Sausalito, CA Zinc Details, San Francisco, CA Collage Gallery, San Francisco, CA Zinc Details, San Francisco, CA Studio 3579, San Francisco, CA Hotel Biron, San Francisco, CA Zinc Details, San Francisco, CA Louie Salon, San Francisco, CA Hotel Biron, San Francisco, CA The Salon, San Francisco, CA The Candy Store, San Francisco, CA
SELECTED GROUP EXHIBITIONS 2015 2015 2013 2012 2011 2009 2008 2006
Madrone Art Bar, San Francisco, CA Ritual Coffee Roasters, San Francisco, CA City Art Gallery, San Francisco, CA City Art Gallery, San Francisco, CA Tramore Surf Center, Tramore, Ireland 111 Minna Gallery, San Francisco CA Brown Bear, San Francisco, CA Canvas Gallery, San Francisco, CA
Annie Galvin
Bernal Heights acrylic on panel 8” x 10” $200
Chinatown acrylic on canvas 8” x 10” $200
Dogpatch acrylic on canvas 8” x 10” $200
Glen Park acrylic on canvas 8” x 10” $200
Annie Galvin
Japantown acrylic on canvas 8” x 10” $200
Noe Valley acrylic on canvas 8” x 10” $200
North Beach acrylic on canvas 8” x 10” $200
Ocean Beach acrylic on canvas 8” x 10” $200
Annie Galvin
Outer Richmone acrylic on panel 8” x 10” $200
Potrero Hill acrylic on canvas 8” x 10” $200
Presidio Heights acrylic on canvas 8” x 10” $200
Russian Hill acrylic on canvas 8” x 10” $200
Annie Galvin
Sea Cliff acrylic on canvas 8” x 10” $
The Castro acrylic on canvas 8” x 10” $200
Mission District acrylic on canvas 8” x 10” $200
Twin Peaks acrylic on canvas 8” x 10” $200
Howard Hersh Expanding Universe I am particularly happy to be included in this years “Four Squared” exhibition. I have done many grid paintings over the years, adding to the fact that most of my work is modular. While being an active observer of the world around me, my philosophy is what really informs my work. This is the belief that there is no separation in things. That everything we can observe as seemingly individual, are also connected and part of the greater whole. In my artwork, this is expressed in the combining of disparate elements, usually the organic and man-made, to create an integrated and beautiful picture. As related to the grid, what better example of visualizing the parts of the whole could there be? The title of my piece, “Expanding Universe”, relates to the fact that what we can observe as parts of a whole, belong to a self-replicating, self-referential, and infinite process of fractal expansion.
Hunters Point Shipyard email: howard@howardhersh.com Bldg. 117, Studio 3103 website: http://howardhersh.com San Francisco CA phone; 415-671-0461
HOWARD HERSH was born in Los Angeles, 1948. He currently lives and works in San Francisco SOLO EXHIBITIONS (selected) 2015 One Day at a Time: 30 years in the Studio Stanford University, Palo Alto, CA 2014 2013 2009 1999 1998
Correspondence, A collaborative exhibit with Krista Svalbonas, The Wall Gallery, Oakland, CA Two Means to an End, Addington Gallery, Chicago, IL (also 2012, 2010,2007, 2005, 2004, 2001, 1999, 1997) Dispositions of Structure, The Wall Gallery, Oakland, CA NuArt Gallery, Santa Fe, NM (also, 2010, 2008, 2006, 2004)) In My Shoes, R&F Paints, Kingston, NY Butters Gallery, Portland, OR (2007, 2005, 2003) Andrea Schwartz Gallery, San Francisco, CA (also 2006, 2004, 2002, 2000) Jain Marunouchi Gallery, New York, NY ArtWorks, Hong Kong, China
GROUP EXHIBITIONS (selected) 2015 2014 2013
Organic to Geometric: Investigations in Structure and Surface, Endicott College, Beverly, MA 10th Annual Encaustic Invitational, Conrad Wilde Gallery, Tuscon, AZ Beyond the Plane, Space Gallery, Denver, CO Absolute Abstraction, Joseph Gierek Fine Art, Tulsa, OK One + One, Gallery A, Provincetown, MA Swept Away, Hunterdon Museum of Art, Clifton, NJ Second Time Around, Museum of the Shenandoah, Winchester, VA Benefit for Ballet X, Bridgette Mayer Gallery, Philadelphia, PA Lobby Installation: ‘Sea Wall, Tuscon Museum of Art, Tuscon, AZ Swept Away, Cape Cod Museum of Art, Dennis, MA
PUBLIC COLLECTIONS
Tuscon Museum of Art, Tuscon, AZ Museum of Fine Art, Santa Fe, NM Nora Eccles Harrison Museum, Logan, UT Ashville Art Museum, Ashville, NC Wake Forest University, Winston-Salem, NC University of Florida, Gainsville, FL Loyola Marymount University, Los Angeles, CA The David and Lucille Packard Foundation, Los Altos, CA
Howard Hersh
Expanding Universe # 1 encaustic on panel 8” x 8” $395
Expanding Universe # 2 encaustic on panel 8” x 8” $395
Expanding Universe # 3 encaustic on panel 8” x 8” $395
Expanding Universe # 4 encaustic on panel 8” x 8” $395
Howard Hersh
Expanding Universe # 5 encaustic on panel 8” x 8” $395
Expanding Universe # 6 encaustic on panel 8” x 8” $395
Expanding Universe # 7 encaustic on panel 8” x 8” $395
Expanding Universe # 8 encaustic on panel 8” x 8” $395
Howard Hersh
Expanding Universe # 9 encaustic on panel 8” x 8” $395
Expanding Universe # 10 encaustic on panel 8” x 8” $395
Expanding Universe # 11 encaustic on panel 8” x 8” $395
Expanding Universe # 12 encaustic on panel 8” x 8” $395
Expanding Universe # 13 encaustic on panel 8” x 8” $395
Expanding Universe # 14 encaustic on panel 8” x 8” $395
Expanding Universe # 15 encaustic on panel 8” x 8” $395
Expanding Universe # 16 encaustic on panel 8” x 8” $395
Howard Hersh
Carol Jessen A Taste of Night Capturing the fleeting moods of cityscapes and landscapes as they are transformed by fog, rain, light and darkness is my continuing passion. With these almost nostalgic 16 vignettes, I am trying to portray a small slice of the urban experience from inside and outside various eating establishments. An illustrator at heart, my intention is to reinvent and find beauty in our day-to-day world. Watching the drama unfold in atmospheric changes as day recedes into the formless abstractions of night is my inspiration. Through manipulation of color, design, nuance and form, I strive to make the ordinary extraordinary.
Hunters Point Shipyard website: http://www.caroljessen.com/ Building 101, Studio 2113 email: carol@caroljessen.com San Franciso, CA phone: 415-822-7517
Carol Jessen was born and raised in Oakland, California. She received her BFA from San Francisco State University in journalism and biology. After graduating she donned her backpack and traveled around the world including Europe, Iran, Afghanistan, Pakistan, India and many countries of the Far East. She then attended Mendocino Art Center and the Academy of Art in San Francisco. Enticed by the far east, she moved to Kyoto, Japan for a year to learn the technique of Japanese woodblock printing and later went on to study under master printer, Toshi Yoshida. She was also tutored in design, composition and the psychology of perception by William S. Lansberg. She has lectured and performed woodblock demonstrations at Stanford University, the de Young Museum and the Asian Art Museum. She worked as a “pre-computer� graphic designer and illustrator until saving up enough money to stop working and find a studio where she could devote herself to fine art. Hunters Point Shipyard, the once abandoned navel shipyard in San Francisco, is where Carol enjoys her studio by the bay. Her primary mediums are oil painting and various forms of printmaking and collage. Her work was featured at the New York Art Expo in 2004 by Editions Limited where her original oil paintings and pastels sold out. Her work is in the permanent collections of the Cleveland Museum and the New York Public Library collection SELECT EXHIBITIONS 1995 1994 1992 1990 1988
Castle Fine Art, San Francisco, CA (solo) Stanford University, Palo Alto, CA (solo) The Verne Collection, Cleveland, OH Fort Mason Art Center Gallery, San Francisco, CA Fort Mason Art Center Gallery, San Francisco, CA
SELECTED GALLERIES & OTHER EXHIBITION VENUES 1988 -present 1987-2010 1990-1997
San Francisco Open Studios at Hunters Point Shipyard, 1988-present Sausalito Arts Festival, Sausalito, CA (1987 to 2010) Juried (1994 Poster commission) Mill Valley Arts Festival, Mill Valley, CA (1990 - 1997) Juried The Ren Brown Gallery, Bodega, CA Chemers Gallery, Anaheim, CA Studio Gallery, San Francisco, CA Joanne Chappel Gallery, San Francisco, CA Michael Thompson Gallery, San Francisco, CA
Carol Jessen
Cornelia Street Café oil on panel 11” x 11” $495
The Waitress oil on panel 11” x 11” $495
Night Cap oil on panel 11” x 11” $495
Alone Together oil on panel 11” x 11” $495
Ice Cream Love oil on panel 11” x 11” $495
The Diner oil on panel 11” x 11” $495 Carol jessen
Ice Cream Bar oil on panel 11” x 11” $495
Crepes on Cole oil on panel 11” x 11” $495
Carol Jessen
Café Europa oil on panel 11” x 11” $495
Pizzeria oil on panel 11” x 11” $495
Le Polichinelle, Paris oil on panel 11” x 11” $495
700 Columbus oil on panel 11” x 11” $495
Carol jessen
Evening Rush oil on panel 11” x 11” $495
Fast Food oil on panel 11” x 11” $495
Sushi Chefs oil on panel 11” x 11” $495
Berthillon, Paris oil on panel 11” x 11” $495
Joseph Kowalczyk Beside the Mask We Make II When I was a child around the age of 6 or so, I remember one day my father began repainting the interior walls of our home. Upon starting my room with paint roller in hand, he jokingly painted a great big smiley face on my wall… directly over my bed. It terrified me! I’m not sure why it scared me so much. The smiley face had no personality, no portrayal of maliciousness; it was just two rectangles above a simple smile. After seeing how I felt, my father immediately painted over it, but STILL I was scared. I knew that although the face was covered, that colossal smile was still there, hiding underneath this new layer of paint. Over 20 years later I still remember the event vividly, and I find it fascinating. The fear obviously wasn’t based on any legitimate threat; it was completely inside my head. I can’t help but to consider the fears I hold today and how they might influence my decisions. What fears are legitimate, and which ones are just smiley faces? And furthermore, how did they get there?
Joe Kowalczyk (Ko-väl-chick) is an award winning sculptor, painter, and illustrator that has been creating in the California Bay Area since he received his BFA in ceramics from California College of Arts and Crafts in 2006. Along with his studio practice, Joe fixes kilns, teaches ceramics, and cofounded a fine art gallery within the Oakland Art Murmur district.
FM Studios 483 25th Street Oakland, CA. 94612
website: http://www.joko.us email: studiojoko@gmail.com phone: 510-601-5053
EDUCATION 2006
California College of Art, San Francisco CA
SELECT SOLO EXHIBITIONS 2014 2012 2007 2006
New Ceramic Work, Roscoe Gallery, Oakland, CA. Millions of Colors in the Shadow, Anno Domini, San Jose, CA. Savior, Scarecrow, and Spirit of Ancient Past, FM, Oakland, CA. The Art of JoKo, Abundant Art Planet, Oakland, CA. Beside the Mask I Make, CCA - South Gallery, Oakland, CA.
SELECT GROUP EXHIBITIONS 2015 2014 2013 2012
Grand Opening, uBe Gallery, Berkeley, CA NeoCaliClay, SMAart Gallery, San Francisco, CA New Debut, ECHO II Gallery, Calistoga, CA Figuratively Speaking, SMAart Gallery, San Francisco, CA Unbreakable, Arts Benecia, Benecia, CA FourSquared V, Arc Gallery, San Francsico, CA ÉMOI, NTROPIC, San Francisco, CA. ACGA SMAart Invitational, SMAart Gallery, San Francisco, CA The Compendium of Craft, Art Attack SF, San Francisco, CA Figurative Forms, ECHO Gallery, Calistoga, CA Mythos, Warehouse 416, Oakland, CA Red Hot Chili Water, Studio Quercus, Oakland, CA Imaginarium, Arc Gallery, San Francisco, CA 3rd Totems & Plates: Ceramics Invitational & Competition, Blue Line Gallery Roseville, CA Samplings Oakland Art, MUA, Oakland, CA Figures in Clay, Skyline College Art Gallery, San Bruno, CA The Big Hurt“, Classic Cars West, Oakland, CA Stand Tall Pt.III, Old Crow Gallery, Oakland, CA Creatures, ECHO Gallery, Calistoga, CA What is a Rabbit, John Natsoulas Gallery, Davis, CA Totems & Plates 2012, Blue Line Gallery, Roseville, CA 23rd Annual California Clay Competition, The Artery, Davis, CA
RECENT AWARDS, ACCOMPLICHMENTS, & HONORS 2012 2011 2010 2008
Pat & Gene Hill Award for Excellence in Hand Building, 23rd Annual California Clay Competition 2012 Exhibit Accepted as exhibiting member into the Association of Clay and Glass Artists of California Co-Founded FM, a studios and gallery in the Oakland Art Murmour district John Natsoulos Purchase Award, 19th Annual Claifornia Clay Competition The Alpha Award: Best of Show, 19th Annual Claifornia Clay Competition
SELECTED PUBLICATIONS 2014 Smith, Nan. 500 Figures in Clay: vol. 2 New York, NY. Lark Books 2013 Eclectix Online Interview 40: Joe Kowalczyk 2011 CCA Notable Alumni: Ceramicist & FM co-founder Joe Kowalczyk
Hooded Head I Glazed Stoneware, Raku 4” x 9.5” x 6” $475
Hooded Head II Glazed Stoneware, 4” x 6.5” x 5” $475
Hooded Head III Glazed Stoneware, Luster 8” x 7” x 4” $475
Hooded Head IV Glazed Stoneware, Porcelain, Wood 6” x 10” x 6” $475
Joe Kowalczyk
Masked Marauder I Glazed Stoneware, Wood Ash, Raku 5” x 11” x 6” $475
Masked Marauder II Glazed Stoneware 6.5” x 6.5” x 5” $475
Masked Marauder III Glazed Stoneware, Luster 6.5” x 10” x 6 $475
Masked Marauder IV Glazed Stoneware, Wood Ash, Raku 8” x 9” x 6” $475
Joe Kowalczyk
Role Reversal I Glazed Stoneware, Raku, Metal 6.5” x 11” x 3.5” $475
Role Reversal II Glazed Stoneware 6” x 11” x 6” $475
Role Reversal III Glazed Stoneware 6” x 7” x 6” $475
Role Reversal IV Glazed Stoneware 7” x 8” x 5” $475
Joe Kowalczyk
Joe Kowalczyk
Harboring Hands I Glazed Stoneware 5” x 7” x 5.5” $475
Harboring Hands II Glazed Stoneware 6” x 9” x 5.5” $475
Harboring Hands III Glazed Stoneware 5” x 7” x 3” $475
Harboring Hands IV Glazed Stoneware 5” x 6.5” x 5” $475
Hope Kroll
Yellow Bird Machine Using antique books as my main source material, I have taken the images found in these books to produce my three-dimensional paper collages. Either the book covers, or the antique blank paper found in old books serve as the canvas upon which I construct these intricately cut-out assemblages. Culled from a wide range of sources, my visual lexicon is composed of diverse images gleaned from old encyclopedias, medical texts, children’s books, popular science, technical manuals, paper dolls and antique photographs to name a few. Because of the high quality of the color plates and lithography found in the actual printings I prefer to use only the original found materials. The old books and photographs are especially compelling as they each possess their own unique history, having passed through many hands before coming into my possession. The aged paper also offers a beautiful natural patina and muted palette that I find particularly attractive. In many cases, I will make use of archival form core to lift elements of my work off the page. I find that the three-dimensional effect lends additional visual drama to these mis en scene pieces and additionally serves to showcase the highly meticulous nature of my cuttings. Yellow Bird Machine was conceived as a whole collage. Each of the 16 collages is a compositional piece on its own just as each cog in a machine is a separate element creating a larger functioning unit.
2545 Adelaida Road, Paso Robles, CA
Phone: 805-400-8499
Email: hopekroll1@mac.com
Website: http://www.hopekroll.com
EDUCATION
Master Of Fine Arts - Painting - 1992, San Francisco Art Institute, San Francisco, CA Bachelor Of Fine Arts - 1990, University Of Illinois, Champaign-Urbana, IL
SELECTED SOLO EXHIBITIONS 2015 Hope Kroll: Unbound, Joseph Gross Gallery, New York, NY 2012 Paper Surgeon: The Collage Art Of Hope Kroll, Vale Fine Art Gallery, Paso Robles, CA 2011 The Intricacies Of The Heart And Its Chambers, Int’l Museum Of Collage, Assemblage & Construction, Fort Worth, TX 2009 Hope Kroll: Collage, Shasta College Of Art, Redding, CA 2007 Cut Paper Collages, Triangle Gallery, San Francisco, CA SELECTED SOLO EXHIBITIONS 2015 2014
2013 2012 2011 2010
2009 2008
Paper Cuts: Collage Exhibition, Redux Gallery, Alameda, CA Kool-Layered: The Art Of Collage, The Gabba Gallery, Los Angeles, CA Metamorphic, Converge Gallery, Williamsport, PA Unique Surfaces: A Collage, Gary Francis Fine Art, Alameda, CA Selected Works From The Int’l Museum Of Collage, Assemblage And Construction Fort Lewis College, Durango, CO Juxtaposition: The Madness Of Collage, Next Gallery, Denver, CO United Dead Artists, Arts Factory X Galerie, Lavignes Bastille, Paris, France Meaning To Glue: A Collage Invitational, Nightingale Gallery, Eastern Oregon University, La Grande, OR The Open Daybook Exhibition, Los Angeles Contemporary Exhibitions, Los Angeles, CA Collage! A Group Show, SNP Gallery, Los Angeles, Ca Lost And Found: The Art Of Collage, Fine Arts Center, Northern Kentucky University, Highland Heights, KY Triangle Gallery: 50 Years Of Artwork, North First Artspace, San Jose, CA Collage, Triangle Gallery, San Francisco, CA Old Friends New Faces 3, Triangle Gallery, San Francisco, CA Time Will Tell, Triangle Gallery, San Francisco, CA
PUBLICATIONS Journal Plus, “Hope Kroll: Art By 1000 Cuts”, By Gordon Fuglie Maintenant: A Journal Of Contemporary Dada Writing And Art, Issue 9, Peter Carlaftes & Kat Georges, Editors, Anatomy On Acid, Anna Weltner, New Times, San Luis Obispo, CA White Hot Magazine Of Contemporary Art, “The True Story Of A Mad Scientist And Her Tiny Scissors”, by Deianira Tolema Kolaj Magazine, Issue Eleven, “Broken Bodies” Exhibition In Print, Curated By Kasini Kadour Kolaj Magazine: Issue Two, “What Is It About The Patina Age?” Interview By Cory Peeke, Canada 2012 The Intricacies Of The Heart And Its Chambers: Collage Art Of Hope Kroll, Curated By Cecil Touchon, Lulu Publications Vivande De Chevet, Curated By Stephan Blanquet, France 2010 Masters: Collage - Major Works By Leading Artists, Curated By Randel Plowman, Lark Books, New York/London 2010 The Open Daybook, Curated By David P. Earle, Mark Batty Publisher, New York City 2010 AWARDS
Featured Artist: Putting-It-All-Together. Climate Gallery, Long Island City, NY 2009 Purchase Award. Permanent Collection Committee Of The California Museum Of Art California Small Works Exhibition, California Museum Of Art, Santa Rosa, CA 1997 Judge’s Artist Award - California Small Works Exhibition, California Museum Of Art, Santa Rosa, CA 1997
Yellow Bird Machine 1 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 2 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 3 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 4 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Hope Kroll
Yellow Bird Machine 5 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 6 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 7 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 8 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Hope Kroll
Yellow Bird Machine 9 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 10 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 11 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 12 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Hope Kroll
Yellow Bird Machine 13 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 14 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 15 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Yellow Bird Machine 16 hand cut paper collage, three dimensional 4 1/2” x 7” $425
Hope Kroll
Andrew Li In Motion In this series, Li encapsulates how the eye reads the urban environment; how it latches on to certain details and summarizes others; how it makes sense of all the dizzying activity encountered on a busy street. Whether drawing Mah-jong players or dolphins swimming, Li’s artwork captures the movement of the busy world around him. Andrew is one of the artists working at Creativity Explored here in San Francsco.
Creativity Explored is a dynamic nonprofit art center and gallery where artists with developmental disabilities have been creating, exhibiting and selling their art for over 32 years. Located in the vibrant cultural and dining corridor that transverses San Francisco’s Mission District, Creativity Explored provides studio workspace, materials and mentoring by a team of professional artists, and exhibition space and career opportunities for approximately 135 studio artists per year. Creativity Explored establishes studio artists’ work as an emerging and increasingly important contribution to the contemporary art world. Creativity Explored website: http://www.creativityexplored.org 3245 16th Street email: gallery@creativityexplored.org San Francisco CA 94103 phone: 415-863-2108
A true product of his native Shanghai, Andrew Li’s (b. 1965) most frequent inspirational subjects are cityscapes, modes of transportation, animals, and groups of people. These themes, like the artist himself, are almost always in motion, moving through cities rendered with a precise, selective attention to detail and perspective. Li joined the Creativity Explored, a non-profit visual arts studio for artists with developmental disabilities in 1990. There is little distinction between the form and content of Li’s work. All aspects, from ink-splattered process to finished piece, are integrated. What emerges encapsulates how the eye reads the urban environment; how it latches on to certain details and summarizes others, how it makes sense of all the dizzying activity encountered on a busy street. SELECTED EXHIBITIONS 2015 2014 2013 2012 2011 2010 2009 2008 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997
A Beautiful Place To Be, Environmental Education Center Tilden Nature Area, Berkeley, CA West Coasts, Museum of La Creation Franche, Begles, France Outsider Artists, Oakland International Airport, Oakland, CA Outside In: The Art of Inclusion, Crawford Art Gallery, Cork, Ireland ArtPadSF, Phoenix Hotel, San Francisco, CA Are We There Yet?, Creativity Explored, San Francisco, CA The Museum of Everything: Exhibition #4, Selfridges, London, UK SMALL, Creativity Explored, San Francisco, CA Fresh Flowers, Boston University College of Fine Arts - Sherman Gallery, Boston, MA The Masters, Creativity Explored, San Francisco, CA 4 Real 4 Faux Animating the Vernacular, Truman State University Art Gallery, Kirksville, MO Ritual/Habitual, Creativity Explored, San Francisco, CA Spectrum, Creativity Explored, San Francisco, CA Tiger Leaping Gold Mountain, Creativity Explored, San Francisco, CA Santos y Otros Creatures, Creativity Explored, San Francisco, CA Andrew Li, Jack Fischer Gallery, San Francisco, CA Tasty, Creativity Explored, San Francisco, CA one of these does not belong, Adobe Books Back Room Gallery, San Francisco, CA Nature Rules, Creativity Explored, San Francisco, CA Vessels, Creativity Explored, San Francisco, CA Aliens: the Green Ones, Creativity Explored, San Francisco, CA Radiant Spaces: Private Domain, Track 16 Gallery, Santa Monica, CA You Are Here, Creativity Explored, San Francisco, CA Functionable, Creativity Explored, San Francisco, CA Critters, Creativity Explored, San Francisco, CA Dialogue Project, Funabashi Cure Gallery, Funabashi, Japan Fired and Wired, Creativity Explored, San Francisco, CA Hello There Friend, Christine Burgin Gallery, New York, NY This Is My Family, Creativity Explored, San Francisco, CA New Works on Wood, Creativity Explored, San Francisco, CA Created in California, Berenberg Gallery, Boston, MA Animals, Euphrat Museum of Art, Cupertino, CA Bay Area Now 2, Yerba Buena Center for the Arts, San Francisco, CA Whipper Snapper Nerd - Bronwyn Keenan Gallery, Bronwyn Keenan Gallery , New York, NY Whipper Snapper Nerd - Mark Moore Gallery, Mark Moore Gallery, Los Angeles, CA Whipper Snapper Nerd - Yerba Buena Center for the Arts , Yerba Buena Center for the Arts, San Francisco, CA
Andrew Li
Women Resting with Umbrella mixed media on wood 11” x 11” $325
34 Fishes mixed media on wood 11” x 11” $325
24 Turtles mixed media on wood 11” x 11” $325
People Walking Dogs mixed media on wood 11” x 11” $325
Andrew Li
17 Dolphins mixed media on wood 11” x 11” $325
13 Monkeys mixed media on wood 11” x 11” $325
13 Birds mixed media on wood 11” x 11” $325
9 Horses mixed media on wood 11” x 11” $325
Andrew Li
24 Birds mixed media on wood 11” x 11” $325
Dogs Walking and Birds mixed media on wood 11” x 11” $325
33 Fishes mixed media on wood 11” x 11” $325
16 Chickens mixed media on wood 11” x 11” $325
Andrew Li
Teacher People Walking Dogs mixed media on wood 11” x 11” $325
Squirrels mixed media on wood 11” x 11” $325
10 Elephants mixed media on wood 11” x 11” $325
Chinese People Playing Mah-Jong mixed media on wood 11” x 11” $325
Larry Morace The Perfect Moment Keeps Changing The challenge of producing sixteen small works dovetails nicely into the recent artistic vein that I have been mining. In this series, I start with a specific art work, a traditional representational piece, and I rework that image on separate templates, beginning an ongoing aesthetic inquiry. The many reworked pieces become in many ways one whole work - one process of compare and contrast - that I find compelling. Print, paint, oil sticks, oil pastels, paper and cloth collage all become physical tools. Also representational variations and increasing abstraction provide conceptual approaches. It seems “I can have my cake and eat it too�.
Hunters Point Shipyard email: art.morace@yahoo.com Bldg. 101, Studio 2306 website: http://www.larrymorace.com San Francisco CA
SOLO and TWO-PERSON EXHIBITIONS 2014 2010 2009 2006 2003 2002 2001 1994 1993 1993 1991 1989
Stanford Art Spaces September/October Show, Palo Alto CA 425 Market, Public Space, San Francisco, CA Robert Allen Fine Arts, Sausalito, CA Newmark Gallery, San Francisco, CA Robert Allen Fine Art, San Francisco, CA Greenwood Chebithes Gallery, Laguna Beach, CA PARC Gallery, Palo Alto, CA Arts Benicia Gallery, Benicia, CA Dolby Chadwick, San Francisco, CA Diane Nelson Fine Art, Laguna Beach, CA A Muse Gallery, Columbus, Ohio Thomas Reynolds Gallery, San Francisco, CA Joan Roebuck Gallery, Lafayette, CA Napa Valley College Gallery, Napa, CA Arts Benicia Gallery, Benicia, CA Marathon Plaza Gallery, San Francisco CA Harleen & Allen Fine Art, San Francisco CA University Club, San Francisco CA Harleen & Allen Fine Art, San Francisco CA
GROUP EXHIBITIONS 2012 2007 2006 2005 2004 2003 2000 1999 1997 1995-96 1994 1993 1992 1991 1990 1986
Northern California Landscapes and Cityscapes, Robert Allen Fine Arts, Sausalito, CA Summer in the City, Newmark Gallery, San Francisco, CA Donna Seager Gallery, San Rafael, CA Good Enough to Eat: Still Lifes, CFA Gallery, San Anselmo, CA San Francisco Cityscapes, Newmarek Gallery, San Francisco, CA San Francisco Cityscapes, Newmarek Gallery, San Francisco, CA Greenwood Chebithes Gallery, Laguna Beach, CA Series of Three, Plaza Arts Gallery, Healdsburg, CA Artists of the West, A Muse Gallery, Columbus, OH Working From The Figure, Juried Exhibition, Arts Benicia, CA A Survey of Bay Area Artists, Fresh Paint, Culver City, CA Occupied Territories: Images of Human Presence in the Landscape, Arts Benicia Gallery, Benicia, CA Capricorn Gallery, Bethesda, MD Creativity Explored Installation, San Francisco Center, San Francisco, CA Contemporary Still Life, Lynn House Gallery, Antioch, CA Floral Visions, Gallery Viva, Kawasaki, Japan House of Cards Bay Area Greeting Card Juried Invitational, The Jewish Museum, San Francisco Selections from 1992, Open Studios Annual, San Francisco, CA In and Out: Urban and Rural Landscapes, Opts. Art Gallery, San Francisco, CA Painting and Sculpture, Vorpal Gallery, San Francisco CA Wet Paint, Southern Exposure Gallery, San Francisco CA American Artists Show, Tokyo, Japan Charlotte National, Charlotte, North Carolina Chain Reaction, Group Show, S.F. Art Commission Gallery, San Francisco, CA
Larry Morace
Broadway oil/canvas/board 12” x 9” $375
Dolores # 1 oil/canvas/board 9” x 12” $375
Dolores # 2 oil/canvas/board 9” x 12” $375
Dolores # 3 mix-media/canvas/board 9” x 12” $375
Larry Morace
Dolores # 4 mix-media/canvas/boardl 9” x 12” $375
Dolores # 5 mix-media/canvas/board 9” x 12” $375
Dolores # 6 mix-media/canvas/board 9” x 12” $375
Dolores # 7 mix-media/canvas/board 9” x 12” $375
Larry Morace
Judah oil/canvas/board 9” x 12” $375
Market 1 oil/canvas/board 9” x 12” $375
Market 2 oil/canvas/board 9” x 12” $375
Market 3 oil/canvas/board 12” x 9” $375
Larry Morace
Misssion 1 oil/canvas/board 12” x 9” $375
Misssion 2 oil/canvas/board 12” x 9” $375
Red Building 2 acrylic on panel 12” x 9” $375
Red Building 3 acrylic on panel 12” x 9” $375
Howard Munson
Construct As a book artist I tend to work from chaos, arranging and rearranging, using all sorts of mediums whether it is for artist books, videos or my environmental surroundings. Constructivism has been an interest of mind for many of the books I have designed. Working with geometric forms in pop-up books was an exploration of the break up of space. I was presented with a large box of cut wood pieces being told to do something with these materials. This opportunity was a challenge to create a series of 16 collage, sculptural works inspired by the constructivists. The elements color, shape and size play off each other, bringing order to design.
http : //www. youtube.comm/user/howardomunsoni2 415-391-4852 tellhill@aol.com Work can be viewed on the site of dealer, Vamp and Tramp Booksellers http://vampandtramp.com/finepress/m/howard-munson.htm
EDUCATION 1977 M.F.A. & B.F.A.
(Printmaking) San Francisco Art Institute
TEACHING: 1982-83 San Francisco Art Institute San Francisco Center for the Book RECENT EXHIBITIONS: 2014 2012 2009 2008 2007 2006 2005
FourSquared, Arc Gallery, San Francisco, CA San Francisco Center for the Book, San Francisco, CA International Book Art, Cheoun-ju, Korea International Book Art, Cheoun-ju, Korea Banzai/ Godzilla - Japanese Influences in America, SFMOMA Artists Gallery, San Francisco, CA The Art of the Book, Donna Seager Gallery, Mill Valley, CA Photo Books Now. San Francisco Center for the Book, San Francisco, CA Biblioteca, San Miguel de Allende, Mexico
Howard Munson has exhibited extensively since 1976
RESIDENCIES: Academia de Arte Vizuale, Cluj, Romania Mendocino Art Center The Tower, Cushendall, Ireland University of Michigan Art Department La Grande Casa, San Miguel de Allende, Mexico SELECT INSTITUTIONAL COLLECTIONS New York Public Library, Spencer Collections University of Washington, Library , Special Collections UCLA Arts Library UCLA, Young Research Library UC Berkeley, Environmental Design UC San Diego, Giesel Library, Mandeville Collections UC Santa Cruz, Special Collections UC Irvine, Special Collectons CalPoly, Kennedy Library Texas Tech University, Southwest Collections USC Doheny Library, Regiona Collection San Francisco Museum of Modern Art, Baylor University / Crouch Library Special Collections Lafayette College / Skidmore Library Special Collections Stanford Univensity / Green Library Special Collections University of Connesticut / Dodd Research Center Univercity of New Mexico I Zimmerman Library Scripps College / Denison Library, Special Collections
Howard Munson
Construct # 1 mixed media 10” x 10” $250
Construct # 2 mixed media 10” x 10” $250
Construct # 3 mixed media 10” x 10” $250
Construct # 4 mixed media 10” x 10” $250
Howard Munson
Construct # 5 mixed media 10” x 10” $250
Construct # 6 mixed media 10” x 10” $250
Construct # 7 mixed media 10” x 10” $250
Construct # 8 mixed media 10” x 10” $250
Howard Munson
Construct # 9 mixed media 10” x 10” $250
Construct # 10 mixed media 10” x 10” $250
Construct # 11 mixed media 10” x 10” $250
Construct # 12 mixed media 10” x 10” $250
Howard Munson
Construct # 13 mixed media 10” x 10” $250
Construct # 14 mixed media 10” x 10” $250
Construct # 15 mixed media 10” x 10” $250
Construct # 16 mixed media 10” x 10” $250
Sarah M. Newton Building a Dream for Tomorrow The 1968 BART promotional film “Along the Way” describes the construction process of the BART system, mentioning the highly trained workers, the noted architects who have individually designed the stations, each planned with “the spaciousness and beauty that mark all BART structures” to be a “distinct addition to each community’s particular character and environment.” The film quotes Lewis Mumford’s 1957 essay from “The City and the Highway” saying “a city exists...for the care and comfort of (people)”. In recollection of that spirit of optimism and celebration, in this series of etchings I consider ideas about public space and our decision to engage with our environment and one another. How does this stand in contrast to the conscious decision to disengage: to cease participating and to avoid interacting with others in unpredictable, unregulated, chance encounters? Is there meaning in the experience of living with strangers, or can one simply opt out? Of course “Along the Way” is a promotional film. The development of public projects serves some people at the expense of others, and that is given little acknowledgement. Nonetheless, in looking back, now some sense of expectation feels lost. This expectation is embodied in the structures themselves, once existing as models of a “contribution to the general harmony and beauty of the area”, now unevenly maintained, plastered with advertising, sometimes left in what seems to be a half-completed state of rehabilitation. It’s the expectation that this system would function in the service of the city, and that this function had a necessity and a value worth monumentalizing. In these etchings, using photographs or sketches as initial studies, I reinterpret these images as prints. Hand drawn on metal plates, the prints are created slowly, through etching, scraping, burnishing and proofing the plates repeatedly. The attention that goes into the development of the image constitutes a meditation on details and spaces that often don’t receive more than a passing notice.
EDUCATION California College of Arts and Crafts, BFA Printmaking, 1997 SELECT RECENT EXHIBITIONS 2015 2014 2013 2012 2011 2010-
The Way You Make Me Feel, A.Muse Gallery, San Francisco, CA Located Place, Kresge Gallery Lyon College, Batesville, AR Paper Jam, Bone Black Gallery, Austin, TX Urban Aces, Sixtysix Gallery, Albuquerque, NM Nexus: A Portfolio of Bay Area Etchers, Southern Graphics Conference, SFSU, San Francisco, CA California Etchers Currents, Diablo Valley College Art Gallery, Pleasant Hill, CA Urban Grit, Gary Francis Gallery, Alameda, CA After Hours, Peterson Gallery Green Library, Stanford University, Palo Alto, CA A Matter of Light, Inclusions Gallery, San Francisco. CA New Prints 2014/Autumn: Somewheres and Nowheres, IPCNY, New York, NY Retrospective 7, Inclusions Gallery, San Francisco, CA 5 Printmakers, Inclusions Gallery, San Francisco, CA Connect & Collect, San Jose ICA, San Jose, CA Retrospective 6, Inclusions Gallery, San Francisco, CA Centering the Margin, Root Division, San Francisco, CA Altered Landscapes, Workspace Gallery, San Francisco, CA Inked Surfaces, Diablo Valley College Art Gallery, Pleasant Hill, CA In Extremis, Meridian Gallery, San Francisco, CA That’s It: Liquor Beer Wine, San Francisco Center for the Book, San Francisco, CA Off the Press, Halden Art Gallery, Tahoe Community College, South Lake Tahoe, CA Selections 2010, California Modern Gallery, San Francisco, CA City Subject, Back to the Picture, San Francisco, CA Dream Day Drawing, Southern Graphics Conference, University of the Arts, Philadelphia, PA A Condition of the Spirit, Solano Community College and Fairfield Center Gallery, Solano, CA
AWARDS & RESIDENCIES 2014 2009 2007 2002 1999 1997
Fellowship Residency, Playa Residency Program, Summer Lake, OR James D. Phelan Art Award in Printmaking Honorable Mention Artspan Juried Benefit Auction, Representational Art Award, San Francisco, CA Pacific Prints, Pacific Art League of Palo Alto, CA Works On Paper, Louisiana State University, Baton Rouge, LA Delta National Small Prints Purchase Award, Arkansas State University, Jonesboro, AR,
PUBLICATIONS
New American Paintings #91, Dec. 2010/ Jan. 2011 DeWitt Chang, “Complementaries”, East Bay Express, Nov. 4, 2009
1890 Bryant Street website: http://sarahmnewton.carbonmade.com Studio 211 email: sarah@sarahmnewton.com San Francisco, CA 94110
Daly City etching 4” x 7” (image size) $350 (edition of 10)
Balboa Park etching 4” x 7” (image size) $350 (edition of 10)
Glen Park etching 4” x 7” (image size) $350 (edition of 10)
24th Street etching 4” x 7” (image size) $350 (edition of 10)
Sarah M. Newton
16th Street etching 4” x 7” (image size) $350 (edition of 10)
Civic Center etching 4” x 7” (image size) $350 (edition of 10)
Powell etching 4” x 7” (image size) $350 (edition of 10)
Montgomery etching 4” x 7” (image size) $350 (edition of 10)
Sarah M. Newton
Embarcadero etching 4” x 7” (image size) $350 (edition of 10)
West Oakland etching 4” x 7” (image size) $350 (edition of 10)
Lake Merritt etching 4” x 7” (image size) $350 (edition of 10)
12th Street etching 4” x 7” (image size) $350 (edition of 10)
Sarah M. Newton
19th Street etching 4” x 7” (image size) $350 (edition of 10)
MacArthur etching 4” x 7” (image size) $350 (edition of 10)
Ashby etching 4” x 7” (image size) $350 (edition of 10)
Berkeley etching 4” x 7” (image size) $350 (edition of 10)
Sarah M. Newton
Derek Nunn Cabinet of Wonders Each of these works started as a pattern making its own impression in my visual imagination, and then little by little their textures spontaneously emerged on their own in their own way. A texture will be paired with a non-texture, and things will balance within the borders of each work, each with its own temperament, some bold, some soothing. I don’t plan these designs out in my daily work, rather I build them up in layers on the panel of texture and color. I see them like gem stones that I find, smooth and shining inside a rough exterior. I am drawn to the challenge of contrasting both colors and textures until the work has been polished to its final form. Together they form a “Cabinet of Wonders” for me, the collected artifacts of a journey of the imagination, not to a foreign place, but upon the Earth as we all know it in the mind’s eye. There are entire cities, a few stones, even just changes of light, all glinting off each other in this unlikely and exotic collection. I imagine this cabinet sitting in the corner of a quiet room while the clock ticks and the fire glimmers and the traveler sits in reverie.
website: email:
http://www.art4lifesf.com derek@art4lifesf.com
EDUCATION:: Self-taught artist PRIVATE COLLECTIONS: As a result of showing his work over the past 12 years during the annual Spring and Fall Open Studios in San Francisco, Derek’s work is in many private collections in the USA and Europe. SELECT EXHIBITIONS: 2015 2014 2011 2010 2009 2008 2007 2006 2005
Arc Gallery, San Francisco CA Linda K. Jordan Gallery, Washington DC Chemers Gallery, Tustin CA Chemers Gallery, Tustin CA Reaves Gallery, San Francisco CA Chemers Gallery, Tustin CA Hang Art Gallery, San Francisco CA Hang Art Gallery, San Francisco CA Hang Art Gallery, San Francisco CA Hang Art Gallery, San Francisco CA
Bark Alfoat acrylic and mixed media on panel 12” x 12” $400
Winter Forge acrylic and mixed media on panel 12” x 12” $400
Lakshmi’s Veil acrylic and mixed media on panel 12” x 12” $400
Tuareg Night acrylic and mixed media on panel 12” x 12” $400
Derek Nunn
Jupiter acrylic and mixed media on panel 12” x 12” $400
Heliophilia acrylic and mixed media on panel 12” x 12” $400
Windblown acrylic and mixed media on panel 12” x 12” $400
Haveli acrylic and mixed media on panel 12” x 12” $400
Derek Nunn
Runes acrylic and mixed media on panel 12” x 12” $400
Palimpsest acrylic and mixed media on panel 12” x 12” $400
Labyrinth acrylic and mixed media on panel 12” x 12” $400
Persian Gate acrylic and mixed media on panel 12” x 12” $400
Derek Nunn
On the Cusp acrylic and mixed media on panel 12” x 12” $400
Charcoal Timber acrylic and mixed media on panel 12” x 12” $400
Burgess Shale acrylic and mixed media on panel 12” x 12” $400
Jodhpur acrylic and mixed media on panel 12” x 12” $400
Derek Nunn
Gage Opdenbrouw Interior Expanses I see my landscape paintings as grounded in the romantic tradition, with artists like Friedrich, Turner, and Rothko, and many more, providing important influences, in stripping landscape painting down to light and space. Space and light have always been the most interesting aspects of landscape painting for me--they can be very evocative, and at times I feel that the outer landscape provides a wonderful echo of the unseen spaces within us. It’s a great image for exploring how tiny, transitory and ephemeral we really are. The play of light throughout a vast expanse of land, sky, atmosphere and light, for me has always had a spiritual resonance. Vast expanses, slabs of light, pools of shadow, a pervasive radiance. These are not paintings of any particular place, they all come from imagination and memory, and are just a few aspects of some of the space I hold within, and hope, with these paintings, to share.
http://www.engageingart.com/ email: gage1027@yahoo.com phone: 415-595-8859
SOLO EXHIBITIONS 2009 Recurring Dreams of Light Through the Trees ArtZone 461 Gallery, San Francisco, CA Windows, Art Zone 461 Gallery, San Francisco, CA 2008 Recent Paintings”, 50 Fremont St, San Francisco, CA 2007 Silence & Distance, Charles Campbell Gallery, San Francisco, CA 2006 Dia de los Muertos: Paintings, Charles Campbell Gallery, San Francisco, CA Small Fires in the Distance..., MPG Contemporary, Boston, MA 2005 Small Fires…, new works, 66 Balmy Gallery, San Francisco, CA November, 66 Balmy Gallery, San Francisco, CA Strangers, new works, MPG Contemporary, Boston, MA 2004 Strangers series, MPG Contemporary, Boston, MA GROUP EXHIBITIONS 2012 2011 2010 2009 2008 2007 2006 2005 2005 2002
POV: Landscape Interpreted”, Los Gatos Museum of Art, Los Gatos, CA, Beyond Static - Gage Opdenbrouw and Ryan M Reynolds, ArtZone 461 Gallery, San Francisco, CA Cella Gallery, Los Angeles, CA San Francisco Fine Art Fair, 2010, ArtZone 461 Gallery, San Francisco, CA The Portrait Show, Giorgi Gallery, Berkeley, CA Bay Area Art Educators Invitational Exhibition, Ohlone College, Fremont, CA Dia de los Muertos, Bakersfield Musuem of Art, Bakersfield CA ArtZone 461 Gallery, San Francisco, CA Grand Opening Group Show & Benefit, ArtZone 461 Gallery, San Francisco, CA New Artists 2008, Elder Gallery, Charlotte, NC Archives with Brett Amory, Gescheidle Gallery, Chicago, IL Red Dot Art Fair, New York, New York, NY Painters of New York & California, Elder Gallery, Charlotte, NC Contemporary Works in the Plein Air Tradition, Charles Campbell Gallery, San Francisco, CA Swarm Gallery, Oakland, CA (with Michael Cutlip & Mark Sasaki) Facing West: Portrait Show, Tinhorn Public Works, San Francisco, CA Introductions, Charles Campbell Gallery, San Francisco, CA San Francisco International Art Fair, Fort Mason Center, San Francisco, CA SFMOMA Artist’s Gallery, San Francisco, CA, ongoing 375 Views, Logan International Airport, Boston, MA 375 Views, Mayor’s Office, Boston City Hall, Boston, MA Coast to Coast with Dorothy Arnold, MPG Contemporary, Boston, MA
AWARDS & JURIED SHOWS 2010 2009 2008
Texas National 2010, Juried by Judy Pfaff, Stephen F Austin State Univ., Nacogdoches, TX 23rd Annual McNeese National Works on Paper, Juried by Peter Frank, McNeese State University, LA Marin Society of Artists 2009 National Exhibition, Ross, CA Painting Large, Dominican University, San Rafael, CA 75th Annual Crocker-Kingsley Biennial, Crocker Art Museum, Sacramento, CA Painting as Presence, Creative Arts Workshop, juried by William Bailey, New Haven, CT
Interior Expanses 1 oil on panel 8” x 8” $495
Interior Expanses 2 oil on panel 8” x 8” $495
Interior Expanses 3 oil on panel 8” x 8” $495
Interior Expanses 4 oil on panel 8” x 8” $495
Gage Opdenbrouw
Interior Expanses 5 oil on panel 8” x 8” $495
Interior Expanses 6 oil on panel 8” x 8” $495
Interior Expanses 7 oil on panel 8” x 8” $495
Interior Expanses 8 oil on panel 8” x 8” $495
Gage Opdenbrouw
Interior Expanses 9 oil on panel 8” x 8” $495
Interior Expanses 10 oil on panel 8” x 8” $495
Interior Expanses 11 oil on panel 8” x 8” $495
Interior Expanses 12 oil on panel 8” x 8” $495
Gage Opdenbrouw
Interior Expanses 13 oil on panel 8” x 8” $495
Interior Expanses 14 oil on panel 8” x 8” $495
Interior Expanses 15 oil on panel 8” x 8” $495
Interior Expanses 16 oil on panel 8” x 8” $495
Gage Opdenbrouw
Manu & Greta Schnetzler
Sunset Daydream We have had a longstanding interest in night photography as reflected in the variety of subject matter and places depicted in our work. We see our night work as a good example of the continuing desire to explore our environment, to see common sights in a different way and to capture images that reveal the mystery of the everyday. We are struck by the transformative power of night lighting (whether moonlight or artificial) to create beauty and feeling in urban settings. We have an attraction to what has been left behind to be destroyed, to decay, or just to wait to be reanimated by human presence. Although our work is not documentary, we see our urban landscape transforming so quickly that we often feel a sense of urgency to photograph the scenes that we are drawn to before they fall to the steady march of progress. About this Series Sunset Daydream captures two uniquely San Francisco, uniquely Sunset District phenomenon; topiary shrubs in front of mid-century houses, and cars, covered to avoid the salty sea air. Although they ae also visually compelling in daylight, at night there is a sense of mystery and fantasy evoked by the lighting and twisted shadows, the cars hidden from view, their drapery billowing in the ocean breeze and the almost universal absence of human activity. Greta (American, born 1960) and Manu (French, born 1966) Schnetzler Address: Phone: Email: Website: facebook:
1345 Rhode Island Street, San Francisco, CA 94107, USA 415-647-8690 photography@schnetzler.com http://www.schnetzler.com http://www.facebook.com/SchnetzlerPhotography
SOLO EXHIBITIONS 2011 2008 2007 2003
Under the Golden Gate Bridge - San Francisco State University School of Law, San Francisco, CA Surreal Night - Gallery del Grotto, San Francisco, CA – Juried (Susan Tuttle) Shared Vision - Montclair Gallery, Oakland, CA – Juried (Starla Teddergreen) Dogs Have Personalities - Thinker’s Cafe, San Francisco, CA L’Ouest Américain (The American West) - Strasbourg, France
SELECTED GROUP EXHIBITIONS 2015 Annual Art Auction - Art for AIDS, San Francisco, CA - Juried Annual Art Action – Artspan, San Francisco, CA - Juried 2014 Annual Art Action – Artspan, San Francisco, CA Home – 4x5 Gallery and Dickerman Prints, San Francisco, CA – Juried Like a Tom Waits Song – Arc Gallery, San Francisco, CA - Juried 2013 Annual Art Auction – Art for AIDS, San Francisco, CA - Juried. Selected for live auction Annual Art Action – Artspan, San Francisco, CA Story of the Creative - See | Exhibition Space, New York, NY. Juried. 2012 American Photographic Artists Curator’s Voice 2012 (Un)Familiar – San Francisco, CA; Juried, 3rd place winner Renaissance Photography Prize 2012 - London, UK - Juried San Francisco International Photography Competition and Exhibition - Gallery Photographica Michelle O’Connor Gallery, San Francisco, CA - Juroed Annual Art Action – Artspan, San Francisco, CA New Images Photography Awards - Studio 17 Gallery - Silver Medal Award – Juried Annual Art Auction - Art for AIDS, San Francisco, CA - Juried. Selected for live auction 2011 Blue - The Center for Fine Art Photography, Fort Collins, CO - Juried Annual Art Auction - Artspan, San Francisco, CA - Award: first place in Photography Plastic Camera Show - Rayko Photo Center, San Francisco, CA - Juried (Ann Jastrab) Annual Art Auction - Art for AIDS, San Francisco, CA - Juried. Selected for live auction 2010 San Francisco Open Studios Selections 2010 - California Modern Gallery The Panocturnists - The Panocturnists, San Francisco, CA - Juried (Chris Faust) Pinhole Camera Show - Rayko Photo Center, San Francisco, CA - Juried (Ann Jastrab) Night/Light: Bay Area Photographers Take Aim After Dark San Francisco Arts Commission Gallery’s Art at City Hall Program, San Francisco, CA - Juried Auto-nocturne - The Nocturnes, San Francisco, CA - Juried 2009 Annuale 2009 - The Light Factory, Charlotte, NC - Invitational 2007 Not ready to make nice - The Nocturnes, San Francisco, CA - Juried Flora - The Historic Monadnock Building, San Francisco, CA - Juried 2006 Naturescapes - Montclair Gallery, Oakland, CA - Juried 2005 Embarcadero Nocturne - The Nocturnes, San Francisco, CA - Juried 2004 ArtWalk at the Embarcadero Center - Artspan, San Francisco, CA PUBLICATIONS 2009 2007
Portfolio 2009 - Black & White and Color Magazine - Juried (Annika Ladewig & Veronica Parigi) Our World Catalog - PhotoAlliance – Juried (Thom Sempere) Dogs Have Personalities – self-published
Sunset Dream - Mystery Car I digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary I digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car II digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary II digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Manu & Greta Schnetzler
Sunset Dream - Topiary III digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car III digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary IV digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car IV digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Manu & Greta Schnetzler
Sunset Dream - Mystery Car V digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary V digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car VI digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary VI digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Manu & Greta Schnetzler
Sunset Dream - Topiary VII digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car VII digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Topiary VIII digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Sunset Dream - Mystery Car VIII digital prints mounted on bamboo 8” x 8” $250 (edition 1/16)
Manu & Greta Schnetzler
http://arc-sf.com http://arcfinearts-sf.com 1246 Folsom St. San Francisco, CA
arcgallerysf@gmail.com 415-298-7969