ogu Italia
FEB 2019 N.822 â‚Ź5.00
Una su un milione di Fiori
By Michelle Laursen
silk shirt with lace details, Celine. Cotton shirt, CALVIN KLEIN.
Michelle Selch Laursen. CWK2. BA Fashion marketing& communication, Level 6, 6FAMK003C Visual Arts, CWK2 Chiara Legittimo, Gina Ripoll, Anna Mary Rowe Wordcount: 1100
Cotton shirt with embroidered details, Isabel Marant. Cotton dress, Cos. white dress with ribbon, Chloe. Lace necklace, courtesy of stylist. Braided Ring, Line og Jo.
This page: ruffle dress, True Deca& dent.Opposite page: Rose dress, Bir-gitte Herskind. lace bra, Goose-berry intimates. Delicate Lace top, Valentino.
silk shirt with lace de& tails, Celine. Cotton shirt, CALVIN KLEIN. Stud Earrings, Maria Black.
In an ocean of flowers
Creative direction: Michelle Laursen Models: Zenia Lundgren, Sidsel Lundgren. Hair: Hanne Laursen. Stylist: Michelle Laursen. Stylist Assistant: Emilie Laursen. Photography: Michelle Laursen. Make up artist: Olivia Maria Bach. Flower courtesy: ScandFlor
Concept The editorial is built on an interpretation in Hitchcock’s piece Vertigo from 1958. The concept developed and explored in this editorial is an extension of CWK1 where the theme of split identity was investigated. Therefore, the core of this editorial is to highlight the theme of diverse personalities while maintaining the same appearance. This is clearly linked to the movie where the main character Madeleine and Judy is facing a personality crisis attempting to decide whether to be the ideal woman that is desired by the other protagonist Scottie or to be herself or to stay true to herself. The multifaced identity in this editorial visualised by the casting of the models that are twins. These identical twins at the first sight appear aesthetically identical but on a close
look, it is discovered that the twins are individual that is not necessarily the same person. It is desired to communicate that the girls are interlinked and the ideal beauty that is innocent, girly and �pure� while having a mystical unexplainable glimpse in the eye that enables the audience to connect the dots and leave the questions of the story unanswered by leaving it to the fantasy. Flowers are a key symbol in Vertigo as mentioned in CWK2 which is why this component is the main focus in the editorial. The concept is further based on the use of flowers that symbolizes the ideal beauty that comes in different formats and colours. Each flower is beautiful in its own way but is aesthetically not similar only in the monochromatic
Figure 1: Flowers, Michelle Laursen, 2019
colour scheme of red with a hint of Rosa. The flower types range from traditional red roses that stand for love, passion and desire mixed with unconventional flowers being unique in its own way as the chilis in bright orange, the white Dianthus, baby’s breaths, the pink Gerberas all having different “personalities” and meanings , but all come together as a beautiful sight and a perfect symbol of that beauty comes in different formats and have different personalities, not just one. Furthermore, fake roses are mixed into the background as it is desired to the contrasting reality against illusions as a main theme in the original movie Vertigo. The girls are portrayed in a mystical way and catching the audience’s attention by the look unpredictable look in the eyes. It is desired to create a plot that is open to interpretation and give the audience a feeling of uncertainty and illusion that leaves the editorial up to the imagination and personal interpretation. The colour scheme of the setting is kept in a strong red colours with hints of green from the leaves in order to link the colour palette to the characteristic colours in Vertigo and to emphasize on the strong colour of red that also symbolizes love, passion and mystery opposed to the girls dressed as pure ”angels” dressed in contrasting the background of flowers to the girls. Furthermore, On the cover, one of the twins is selected to be portrayed with a white rose. The white roses between all this red ocean of emotion symbolize innocence and purity where the look in the eye symbolizes the mystery and unexplainable behind the picture leaving it up to the imagination. The title is ”Una Su Un Milione di Fiori” which means ”One in a million flowers” the essence of the editorial, to highlight the uniqueness and beauty of individuality.
Visual references
Figure 2: Girls with heads resting, Front Cue SS 13 Figure 3: Girls in white shirts, What she said, u.d.Figure 4: Flower, 2018. Figure 7: Girl with flower, Model Citizen Magazine Issue 24, Figure 8: Olsen Twins, WWD, Nigel Parry u.d. Figure
, Wonderland Magazine, 2017 Figure 5: Girls holding, Vogue Australia 2013, Figure 6: Girl with pink dress, WSJ Magazine, e 9: Girl with hand, Vogue Germany, 2005
Vogue Italia The editorial is alethically suited for Vogue with the rather elegant and yet feminine styling and a concept where the traditional beauty is shown. The target audience of Vogue Italia is a traditional woman with a passion for fashion, style and beauty ranging and targeting broadly various age groups from the early teens to the late 50s. Therefore, it is key to respect the visual language of the magazine, which this editorial does by using two commercial models and the aesthetics around the editorial. However, as it is Vogue Italy Vogue Italia has previously been famous for playing with controversial and boundary-pushing images, which is why the touch of mystery and leaving the reader to imagine the story is added to the editorial. (Bauck, 2017) Furthermore, it can be argued that the reader is identifying with them and desires to be persuaded as a unique individual, whereas the title works as attracting people to the magazine. Vogue Italia is known for its play with colours and fonts, which is why the cover plays with fonts in different colours. (Armstrong, 2017) Furthermore, Vogue Italia is known for having a simple cover with only the title on the cover without further promotions.
Figure 10: Vogue Italia, March issue 2018
Figure 11: Vogue Italia, September issue 2018
Setting & Photography The concept is constructed in a �home studio� where flowers were brought in and made into a wall. The photography focuses on combining Close-ups (CU) and Medium shot (MS) in order to focus on the identical facial features. The images are highly focused on the composition of the two girls to create balance, peace and harmony in the pictures while leaving the mysterious in the expression rather than in the photographing techniques. The shooting plan is attached in the annex without the personal visual references used for the shoot.
Figure 12: Rose, Michelle Laursen, 2019
Figure 13: Girls laughing, Michelle Laursen, 2019
Figure 2
Figure 14,15: Flower background, Michelle Laursen, 2019
Figure 16: Blue flower studio, Sam Bisso, 2016. Figure 17: Beyonce for Vogue, 2018 Tyler Mitchell. Figure 18: Girl in red flower roo of flower wall, Spring Box, 2018. Figure 22: Girl outside in red, Mario Testino, u.d. Figure 23: Girl blue wall, Dior, 2014
Inspiration for setting
om, Chen Man, u.d. Figure 19: Dior girl, Dior China, 2012. Figure 20: Girl in Blue flower studio, Sam Bisso, 2016. Figure 21: Girl in front
Styling
Figure 24: Girls holding, L’Officiel Brasil, 2015
The styling was decided to be focused on monochromatic white and rose colours that contrast the flower wall. On the wall several flowers branch out in white or rosa colours, therefore the styling is matched to fit with this background and create harmony in the pictures. The idea behind the editorial was to create two different personalities as mentioned above, which is underlined through the clothing. The twins are wearing the same colours in order to link them together, however, the twins are wearing different styles to show the different personalities. Mainly texture and colour are what are the main components of this styling. The styling is aimed to subtly indicate the differences between the models The styling is however matched to the selected publication Vogue and is therefore focused on elegance, sophistication and feminine by the use of lace, ruffles, ribbons and accessories. Furthermore, jewellery is subtly used to give an edge to the feminine and elegant outfits. However, accessories are excluded from this editorial as it is desired to maintain a minimal and elegant styling in order to highlight the facial features. All clothing for this editorial is selected from stylists own and acquaintances wardrobe.
Figure 25: NumerĂł Editorial, 2016
Inspiration board
Figure 26: Cos shirt, Cos.com 2019
Figure 29: ChloĂŠ popelin shirt, Net-A-porter, 2019
Figure 27: Jill Sander dress, Net-a-porter, 2019
Figure 30: True Decadence, Asos, 2019
Figure 28: Zimmermann shirt, Zimmermann.com, 2019
Figure 31: Isabel Marant dress, NetA-Porter, 2019
Runway Inspiration
Figure 32: Yves Saint Laurent fashion show, SS 2018. Figure 33: Three girls in white, Philosophy Di Lorenzo S shirt, Michael Kors, 2015 Figure 37: Girls waiting backstage, Cecilie Bahnsen, SS18 Figure 38: Rose dress, Va
Serafini, 2015 Figure 34: Cecilie Bahnsen, FW 17. Figure 35: Cecilie Bahnsen, SS18. Figure 36: White collar alentino FW, 2005 Figure 39: Cecilie Bahnsen Runway, FW17. Figure 40: Rodarte Runway SS 2018
Figure 41: Girl in white shirt, Cecilie Bahsen 2018. Figure 42: Beyonce for Vogue, Tyler Mitchell, 2018. Figure 43: Girl in s Two girls standing, Maggie Marylin Resort 2019. Figure 46: Girls from the back, Cecilie Bahnsen Cruise 2019 Figure 47:G
Styling inspiration from editorials
studio, Cecilie Bahnsen pre fall 2018. Figure 44: Girl with red hair, Johan Sandberg for ELLE Sweden, 2018. Figure 45: Girl with pink dress, WSJ Magazine, 2018. Figure 48: Girl in white dress, Stella Magazine, 2017
Streetstyle inspiration
FIgure 48: Blonde shirt, Vogue ES, 2017 Figure 49: Streetstyle girls, Vogue ES, 2017. Figure 50: Girl with clutch, Veronica 2 fit, Vogue ES, 2017. Figure 54: Girl walking, Vogue ES 2017. Figure 55: Girl in summer dress, Luella & June, 2014
2015 Figure 51: Leandra Medine, Popsugar, u.d. Figure 52: Girl on the streets in dress Jushua, u.d. Figure 53: Suit out-
Makeup & Hair The hair and makeup focus on a natural styling with straight hair and makeup that emphasizes on a “messy� brow, the natural skin with a touch of glow and a pink natural lip to make it stand out and the makeup in this editorial is used to complement the natural beauty.
Figure 56: Tamara Williams, 2019
Figure 57: Sidsel Lundgren, Scoop Models, 2016
Models The two twin models are previously professional models with Scoop models and fit perfectly with the theme of a split personality. The girls are identical twins and are used to pose together alongside with having an innocent yet mysterious touch to the look. Figure 58,59 : Sidsel & Zenia Lundgren, Scoop Models, 2016
Bibliography
Armstrong, L (2017) Emanuele Farneti, editor of Italian Vogue, on succeeding Franca Sozzani and the state of the magazine industry [Online] Available at: https://www.telegraph.co.uk/fashion/people/emanuele-farneti-editor-italian-vogue-succeding-franca-sozzani/ [Accessed 3rd Jan 2019]. Bauck, W (2017) The first Vogue Italia Cover Under Emanuele Farneti [Online] Available at: https://fashionista.com/2017/03/vogue-italia-emanuele-farneti-first-cover [Accessed 3rd Jan 2019]. Franca: Chaos and Creation (2016) [Film] Francesco Carrozinni et al. US. Disarmed Films Friedman, V (2017) At Italian Vogue, a New beginning [Online] Available at: https://www.nytimes.com/2017/09/19/fashion/emanuele-farneti-italian-vogue-milan-fashion-week.html [Accessed 3rd Jan 2019]. Legittimo, C (2018) Fashion Styling Lesson 1 The style note (2013) Styling 101: Color Combinations [Online] Available at: http://thestylenote.com/2013/04/09/styling-101-color-combinations/[Accessed 3rd Jan 2019]. Vertigo (1958) [Film] Alfred Hitchock. US. Paramount Pictures Images Figure 1: Flowers, Michelle Laursen, 2019 Figure 2: Girls with heads resting, Front Cue SS 13 [Online] Available at: https://www.pinterest.com/pin/483011128780684506/?lp=true [Accessed 3rd Jan 2019]. Figure 3: Girls in white shirts. U.d. [Online] Available at: http://whatshesaidcollective.com/model-behaviour/30/6/2017
[Accessed 3rd Jan 2019].
Figure 4: Flower, Wonderland Magazine, 2017 [Online] Available at: https://www.wonderlandmagazine.com/2017/06/23/anna-2/
[Accessed 3rd Jan 2019].
Figure 5: Girls holding. Vogue Australia, 2013[Online] Available at: http://www.chicmanagement.com.au/blog/2013/page/6/
[Accessed 3rd Jan 2019].
Figure 6: Girl with rose dress. WSJ Magazine, 2018. [Online] Available at: https://awake-smile.blogspot.com/2018/04/shanelle-nyasiase-in-wsj-magazine-may.html [Accessed 3rd Jan 2019]. Figure 7: Girl with flower. , Model Citizen Magazine Issue 24, [Online] Available at: https://issuu.com/modelcitizenapp/docs/issue.24 [Accessed 3rd Jan 2019]. Figure 8: Olsen Twins, WWD, Nigel Parry u.d. [Online] Available at: https://wwd.com/fashion-news/designer-luxury/gallery/wwd6-the-row/ [Accessed 3rd Jan 2019]. Figure 9: Girl with hand, Vogue Germany, 2005 [Online] Available at: https://www.pinterest.dk/daiiaraujo16/lips/?lp=true [Accessed 3rd Jan 2019].
Figure 10: Vogue Italia, March issue 2018 [Online] Available at: https://www.designscene.net/2018/03/remington-williams-vogue-italia.html [Accessed 3rd Jan 2019]. Figure 11: Vogue Italia, September issue 2018[Online] Available at: https://www.artandcommerce.com/artists/photographers/Willy-Vanderperre/Print/Trouble-in-Paradise-%E2%80%93-Vogue-Italia%3Cbr%3E3-September-2018 [Accessed 3rd Jan 2019]. Figure 12: Rose, Michelle Laursen, 2019 Figure 13: Girls laughing, Michelle Laursen, 2019 Figure 14,15: Flower background, Michelle Laursen, 2019 Figure 16: Blue flower studio, Sam Bisso, 2016. [Online] Available at: https://www.fashiongonerogue.com/lily-nova-sam-bisso-flower-exclusive/ [Accessed 3rd Jan 2019]. Figure 17: Beyonce for Vogue, 2018 Tyler Mitchell. https://www.vogue.com/article/beyonce-behind-the-scenes-vogue-cover-shoot-video [Accessed 3rd Jan 2019]. Figure 18 Girl in red flower room, Chen Man, u.d. F [Online] Available at: http://angiolettonerocarbone.tumblr.com/image/132171124161 [Accessed 3rd Jan 2019]. Figure 19: Dior girl, Dior China, 2012.[Online] Available at: http://vikepicx.pw/Ward-Ivan-Rafik-Captures-Actress-Ni-Ni-in-Dior-Haute-Couture-for.html [Accessed 3rd Jan 2019]. Figure 20: Girl in Blue flower studio, Sam Bisso, 2016. [Online] Available at: https://www.fashiongonerogue.com/lily-nova-sam-bisso-flower-exclusive/ [Accessed 3rd Jan 2019]. Figure 21: Girl in front of flower wall, Spring Box, 2018. [Online] Available at: https://www.mesheallynn.com/products/spring-romance-box?utm_campaign=Pinterest%20 Buy%20Button&utm_medium=Social&utm_source=Pinterest&utm_content=pinterest-buy-button-017a2d8b2-4f7b-406a-9dac-139a4412be88 [Accessed 3rd Jan 2019]. Figure 22: Girl outside in red, Mario Testino, u.d. [Online] Available at: https://www.pinterest.com/pin/358669557794572022/?lp=true [Accessed 3rd Jan 2019]. Figure 23: Girl blue wall, Dior [Online] Available at: https://mymodernmet.com/christian-dior-raf-simons-autumn-winter-show/ [Accessed 3rd Jan 2019]. Figure 24: Girls holding, L’Officiel Brasil, 2015 [Online] Available at: https://francinamodels.com/ca/model/woman/unique/594-giane-alves [Accessed 3rd Jan 2019]. Figure 25: Numeró Editorial, 2016 [Online] Available at: http://thefashionography.com/amalie-moosgaard-cecilie-moosgaard-numero-february-2016/2/ Figure 26: Cos shirt, Cos.com 2019 [Online] Available at: https://www.cosstores.com/en_eur/women/dresses/product.long-tunic-dress-white.0729738001. html
Figure 27: Jill Sander dress, Net-a-porter, 2019 [Online] Available at: https://www.net-a-porter.com/es/en/product/1098431/Jil_Sander/cutout-canvas-maxi-dress [Accessed 3rd Jan 2019]. Figure 28: Zimmermann shirt, Zimmermann.com, 2019 [Online] Available at: https://eu.zimmermannwear.com/tempest-pleat-lace-shirt-buff.html?utm_source=Rakuten&utm_medium=affiliate&utm_campaign=CPA&sid=J84DHJLQkR4&siteID=J84DHJLQkR4-m8yAWZObzY.UjFbROfKSuQ [Accessed 3rd Jan 2019]. Figure 29: ChloĂŠ popelin shirt, Net-A-porter, 2019 [Online] Available at: https://www.net-a-porter.com/es/en/product/1084954/Chloe/ruffle-trimmed-silk-georgetteblouse [Accessed 3rd Jan 2019]. Figure 30: True Decadence, Asos, 2019 [Online] Available at: https://www.asos.com/au/true-decadence-tall/true-decadence-tall-cami-strap-maxi-dresswith-ruffle-layered-pleated-skirt/prd/7467494 [Accessed 3rd Jan 2019]. Figure 31: Isabel Marant dress, Net-A-Porter, 2019 [Online] Available at: https://www.net-a-porter.com/es/en/Shop/Search?colourFilter=White&keywords=isabel%20 marant&dScroll=NaN&pn=1&npp=60&image_view=product&pScroll=2407.77783203125 [Accessed 3rd Jan 2019]. Figure 32: Yves Saint Laurent fashion show, SS 2018 [Online] Available at: https://www.vogue.com/fashion-shows/spring-2018-ready-to-wear/saint-laurent [Accessed 3rd Jan 2019]. Figure 33: Three girls in white, Philosophy Di Lorenzo Serafini, 2015 [Online] Available at: http://www.zimbio.com/pictures/HDacXng9vit/Backstage+Philosophy+Di+Lorenzo+Serafini/0tJTrtzeg0O [Accessed 3rd Jan 2019]. Figure 34: Cecilie Bahnsen, FW 17. [Online] Available at: https://www.vogue.com/fashion-shows/copenhagen-fall-2017/cecilie-bahnsen [Accessed 3rd Jan 2019]. Figure 35: Cecilie Bahnsen, SS18 [Online] Available at: https://www.vogue.com/fashion-shows/copenhagen-spring-2018/cecilie-bahnsen [Accessed 3rd Jan 2019]. Figure 36: White collar shirt, Michael Kors, 2015 [Online] Available at: https://www.vogue.com/fashion-shows/fall-2015-ready-to-wear/michael-kors-collection/slideshow/details#101 [Accessed 3rd Jan 2019]. Figure 37: Girls waiting backstage, Cecilie Bahnsen, SS18 [Online] Available at: https://www.pinterest.com/pin/337488565819402044/?lp=true [Accessed 3rd Jan 2019]. Figure 38: Rose dress, Valentino FW, 2005 [Online] Available at: https://www.pinterest.com/pin/700098704550726802/?lp=true [Accessed 3rd Jan 2019]. Figure 39: Cecilie Bahnsen Runway, FW17 [Online] Available at: https://www.vogue.com/fashion-shows/copenhagen-fall-2017/cecilie-bahnsen [Accessed 3rd Jan 2019].
Figure 40: Rodarte Runway SS 18 [Online] Available at: https://www.nytimes.com/slideshow/2017/07/02/fashion/runway-couture/rodarte-fall-2017/s/ rodarte-fall-2017-couture-slide-CIQG.html?smid=pin-share [Accessed 3rd Jan 2019]. Figure 41: Girl in white shirt, Cecilie Bahsen 2018. [Online] Available at: https://www.pinterest.com/pin/486740672220080050/?lp=true [Accessed 3rd Jan 2019]. Figure 42: Beyonce for Vogue, 2018 Tyler Mitchell. [Online] Available at: https://www.vogue.com/article/beyonce-behind-the-scenes-vogue-cover-shoot-video [Accessed 3rd Jan 2019]. Figure 43: Girl in studio, Cecilie Bahnsen pre fall 2018 [Online] Available at: https://ceciliebahnsen.com/pre-fall-2018/ [Accessed 3rd Jan 2019]. Figure 44: Girl with red hair, Johan Sandberg for ELLE Sweden, 2018 [Online] Available at: https://www.lundlund.com/johan-sandberg/gallery/elle-sweden-12568/[Accessed 3rd Jan 2019]. Figure 45: Two girls standing, Maggie Marylin Resort 2019 [Online] Available at:. https://www.vogue.com/fashion-shows/resort-2019/maggie-marilyn [Accessed 3rd Jan 2019]. Figure 46: Girls from the back, Cecilie Bahnsen Cruise 2019 [Online] Available at: https://www.businessoffashion.com/fashion-week/cruise-2019/cecilie-bahnsen/collection/ look/7 [Accessed 3rd Jan 2019]. Figure 47: Girl with rose dress. WSJ Magazine, 2018. [Online] Available at: https://awake-smile.blogspot.com/2018/04/shanelle-nyasiase-in-wsj-magazine-may.html [Accessed 3rd Jan 2019]. Figure 48: Girl in white dress, Stella Magazine, 2017 [Online] Available at: https://fashioneditorials.com/stella-magazine-may-2017-julia-jamin-by-olivia-frolich/ [Accessed 3rd Jan 2019]. Figure 49: Blonde shirt, Vogue ES, 2017 [Online] Available at: https://www.vogue.es/moda/streetstyle/galerias/street-style-new-york-fashion-week-dia-4-victoria-beckham/13830/image/1285086 [Accessed 3rd Jan 2019]. Figure 49: Streetstyle girls, Vogue ES, 2017 [Online] Available at: https://www.vogue.es/moda/streetstyle/galerias/street-style-new-york-fashion-week-dia-4-victoria-beckham/13830/image/1285086 [Accessed 3rd Jan 2019]. Figure 50: Girl with clutch, Veronica 2015 [Online] Available at: https://www.bloglovin.com/blogs/veronica-loves-archie-2430736/photo-4163192171 [Accessed 3rd Jan 2019]. Figure 51: Leandra Medine, Popsugar, u.d. [Online] Available at: https://www.pinterest.ca/pin/538743174164284238/?lp=true
[Accessed 3rd Jan 2019].
Figure 52: Girl on the streets in dress Jushua, u.d. [Online] Available at: http://joshuamshelton.com/ [Accessed 3rd Jan 2019]. Figure 53: Suit outfit, Vogue ES, 2017.[Online] Available at: https://www.vogue.es/moda/streetstyle/galerias/street-style-new-york-fashion-week-dia-4-victoria-beckham/13830/image/1284802 [Accessed 3rd Jan 2019].
Figure 54: Girl walking, Vogue ES 2017. [Online] Available at: https://www.vogue.es/moda/streetstyle/galerias/street-style-new-york-fashion-week-dia-4-victoria-beckham/13830/image/1284802 [Accessed 3rd Jan 2019]. Figure 55: Girl in summer dress, Luella & June, 2014 [Online] Available at: https://luellajune.com/shopping-list-little-white-dresses/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+luellajune+(Luella+%26+June)&crlt.pid=camp.iPglmMuN2us4 [Accessed 3rd Jan 2019]. Figure 56: Tamara Williams, 2019 [Online] Available at: https://www.instagram.com/tamarawilliams1/ [Accessed 3rd Jan 2019]. Figure 57: Sidsel Lundgren, Scoop Models, 2016 Figure 58,59 : Sidsel & Zenia Lundgren, Scoop Models, 2016
Annex
Shooting plan Photographer: Michelle Laursen
SHOT #
LOCATION SHOT TYPE INT (STUDIO) MS
1
INT (STUDIO) 2
INT (STUDIO)
CU
3
INT (STUDIO)
CU
CU
Flower shot - showing the details of the flowers in a close up No clothing needed
CU
6
INT (STUDIO) 7
INT (STUDIO)
Complete white outfits - lace top in the front focusing on the neckline and giving importance to the person in focus. Complete white outfits Volume dress on one of the girls, neckline showing on TWO GIRLS: Closed eyes the other girl (with details on - leaning on one another the neck) Rosa ruffled dress that adds ONE GIRL: Dress in front texture and is see through of the face to indicate the so the audience is able to mysterious and unknown see through and see some identity behind (Vertical) facial feautures
MS
CU
5
INT (STUDIO)
STYLING
White shirt matching the flower and linking it to picture number two. The shirt has details and ribbons to add ONE GIRL: Holding a contrasting flower in front some movement in the of the background picture Open neckline to emphasize on the lace details on the ONE GIRL: Cover shot. neck. Dress should not be Holding a flower in front of bounded and should look the face / eye (Vertical "natural" and more casual Rosa ruffled dress contrasted against a pale very light rosa dress. Contrasting volumes against TWO GIRLS: Holding a slim silhuotte again to hands and looking into emphasize the different the camera to show the personalities. The lace top is connection between complemented to add them. (vertical) texture
4
INT (STUDIO)
DESCRIPTION TWO GIRLS: Introducing the faces, one is behind the other to show that one is shadowing the other (Horizontal) Giving focus to the flower wall
Date: 26/12 - 2018
8
CU
TWO GIRLS: Extreme shot of the girls close up (horizontal)
The white combination from picture 1- lace blouse against the plain cotton shirt. Studded earrings against pearl earrings to show the different personalities
INT (STUDIO)
MS
CU
Flower shot - showing the details of the flowers in a close up No clothing needed
7
INT (STUDIO)
Contrasting volumes against a slim silhuotte again to emphasize the different personalities. The lace top is complemented to add texture
TWO GIRLS: Holding hands and looking into the camera to show the connection between them. (vertical)
6
8
CU
INT (STUDIO) 9
INT (STUDIO)
MS
ONE GIRL: White background dressed in red
CU
TWO GIRLS: Laying down Creme coloured clothing with on the flowers taken from a pearl ribbon around the above - Horizontal neck
MS
TWO GIRLS: Heads resting on one anothers shoulder
MS
TWO GIRLS: Sitting down back to back and leaning Same white styling as picture up against each other 2
10
INT (STUDIO) 11
INT (STUDIO)
TWO GIRLS: Extreme shot of the girls close up (horizontal)
The white combination from picture 1- lace blouse against the plain cotton shirt. Studded earrings against pearl earrings to show the different personalities
12
Red dress that complements the red flowers
Same styling as on picture 10