INTERACTION an interactive museum by : mikinna mcgerr
intention and trends
The design intention is to provide a space that is both interactive and focused on the user experience, experience because current museum culture is lacking individual input and noninclusive to a majority of users. The idea is to increase opportunities for personal preference from users, providing moments of feedback and collaboration. In other words, the user becomes an integral part of the museum itself, itself enhancing the space through their actions. Strategies to achieve this include blurring the lines between the interior and exterior and integrating design at a human scale throughout the user’s interaction with the art, the museum, and themselves in order to further and encourage their experience.
project statement and trends
user-experience. The target audience is unknown, as the experience is based on the individual The project is intended to be a museum that is created and based on enhanced user-experience that comes through the museum. By addressing the typical tensions within a museum, it can become a space that is informed by the users themselves rather than designed and intended for a specific group or for specific works of art. Interior design is poised to address this problem because it is inherently user driven and human based. Flexibility and variety have become important parts of designing in the current time period, however, this space will be incorporating interaction with the user as well as these terms. The focus is on the experience and how that can be emphasized using flexibility and variety. The project concept thus becomes: interaction throughout every part of the experience. This will allow for an individual journey for each user in the museum.
museum interaction types and trends
object based
interpretation based
experience based
eidetic museum
no interaction
begin interacting
interactive museum
current issues and trends
technology integration
diversification of users
diversification of exhibitions
current issues
TECHNOLOGY INTEGRATION “Mass Mass personalization requires lots of data, which is a challenge for museums individually and collectively... Many museums are just beginning to collect even basic data on how individual users interact with the organization.” “Thus our focus is not on the technology per se, but on the way the technology may enhance the user experience.” experience
DIVERSIFICATION OF USERS “They’ve begun catering less to the already artistically-inclined and more to the masses of people eager to learn about art and cultures they’ve never encountered.”
DIVERSIFACTION OF EXHIBITS “But as communities surrounding or visiting museums become more divers in culture, experiemce and interests, museums need to offer a range (in type and depth) of experiences to fit the interests of those most likely to visit.” innovation “Environments that provide opportunities for direct creation or production, take-away experiences, interactive experiences, and innovation.”
precedents and trends
mass moca
museum of icecream
storefront for art and architecture
site analysis central east austin commercial strip
building
colorado river
residential streets main circulation interstate 35
site 1800 E 4th st. 78702 central east austin austin, texas
STR
ICO
N S TR EET
EET
CH
4TH
culturends central east austin gender
education
household
male 50.9% female 49.1%
no highschool
associate’s degree
10.84%
3. 47%
some highschool
bachelor’s degree
29.07%
24.97%
familes
some college
graduate degree
53.23%
19.31%
12.34%
race
age
non-family 46.77%
career
< 10 year
65+ year
12%
7%
hispanic
asian
25-34 year
18-24 year
44%
2%
blue collar
29%
13%
white
two or more
13.62%
10-17 year
35-44 year
38%
2%
6%
13%
white collar
african american
55-64 year 7%
45-54 year 11%
13%
86.38%
culturends central east austin
blanton museum of art
paramount theatre
austin art garage
umlauf sculpture garden
art museums
galleries
blanton museum of art
canopy
the contemporary austin
volcom garden
elisabet ney museum
yard dog art gallery
harry ransom center
mondo gallery
visual arts center
austin art garage
umlauf sculpture garden & museum
old bakery & exporium
performing arts
annual art events
long center for performing arts
austin symphony orchestra
zach theatre
the vortex
paramount theatre
teatro vivo conspirare
buildingnds sq ft : 8,400 apertures
circulation
volumetric
structural
programsnds green : core pieces gray : functional white : amenities Galleries
rest rooms
offices
food or drink performance social lounge storage
entry
shops
process diagramsds
zoning
grid
conceptual
spatial strategy
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building exterior
white polycarbonate sheets
fluid
80%
semi fluid
50%
static
20%
semi fluid
50%
fluid
80%
journey maP eidetic
hands on interaction if wanted different ways to experience the space, based on individual preference
solo or group visitors encouraged technology integration
unique interior and exterior conditions amenities provided, such as social opportunities
entrance to museum
performances as part of the interactions in the space
process section eidetic
CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL CALL
TO TO TO TO TO TO TO TO TO TO TO TO TO TO TO TO
ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS ARTISTS
CALL TO ARTISTS t i m e l i n e june 1st - july 15th 2020 e n t december
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e s 15th
n o t i f i c a t i o n phone call or email r e q u i r e d art must be interactive with the users of the space, must connect with the space itself. interaction defined as something users can add to / take away from or participate in the art. p o t e n t i a l technology usage indoor or outdoor or combination of both d e l i v e r y museum location at specified time p by
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TO THE LEFT IS AN EXHIBIT CALLED ‘STRING THEORY’ BY BOKA POWELL. TO THE RIGHT IS AN IMMERSIVE EXPERIENCE BY MEOW WOLF IN SANTA FE.
TO THE LEFT AND RIGHT ARE INTER ACTIVE INSTALLATIONS CREATED BY ARTIST FELIX G O N Z A L E Z IN CHICAGO, I L L I N O I S .
TO THE LEFT IS A POP-UP EXIBIT CREATED BY WONDERSPACES . TO THE RIGHT IS ‘THE WEATHER P R O J E C T ’ BY OLAFUR E L I A S S O N .
TO THE LEFT IS A ROOM IN THE MUSEUM OF ICECREAM BY TO THE RIGHT IS THE SPACE TITLED ‘STOREFRONT FOR ART AND ARCHITECTURE’ BY STEVEN HOLL.
TO THE LEFT IS AN IMMERSIVE EXPERIENCE BY MEOW WOLF.
TO THE LEFT IS AN EXHIBIT CALLED ‘THE EVENT OF A THREAD’ BY ANN HAMILTON.
TO THE RIGHT IS AN INTERACTIVE I N S TA L L A T I O N BY TEAMLAB IN KANAZAWA.
TO THE RIGHT IS AN EXHIBIT W I T H I N MASS MOCA.
experience and trends
welcome, USER #ANNEMARIE6
interactive museum guide
1. check-in
home
yours
notifications
art search
map
photos
2. receive device
3. exhibit
experience conâ&#x20AC;&#x2122;t. and trends
4. social core
5. studio
6. digital interaction
floor plans A
DN
configuration one configuration two storage
RR
DN
social core
2
B
B
4 installation
1
entrance
exhibit
A
level one
12 18
6
floor plans A
configuration one configuration two
RR
open to below 5
B
B 3
DN
DN
studio
lecture
A
level two
12 18
6
floor plans A
DN
configuration one configuration two
offices DN
open to below B
B
gallery
gallery
A
level three
12 18
6
floor plans A
configuration one configuration two
shop
open to below B
B
DN
DN
lecture
VR lab
A
level four
12 18
6
floor plans A
DN
configuration one configuration two
plaza 6 DN
B
B
exhibit
open to below
pop-up
A
level five
12 18
6
reflected ceiling plan
1
linear light track curtain track linear light track 2 12
â&#x20AC;&#x2DC;typicalâ&#x20AC;&#x2122; rcp 18
1
vode lighting zip one
2
usai lighting beveled block
6
configuration one
level three
configuration one
level four
configuration two
level one
configuration two
level five
section
fluid (pop-up)
semi fluid (VR lab)
static (gallery)
semi fluid (lecture)
fluid (installation)
12
AA section 18
6
section
fluid (pop-up)
semi fluid (VR lab)
static (gallery)
semi fluid (lecture)
fluid (installation)
12
BB section 18
6
level one entrance
DN
DN
1
level one social core
DN
DN
2
level two atrium
DN
3 DN
level one gallery
4
level two studio
5 DN
DN
level five installation
DN
6 DN
furnishings
1
steelcase silq task chair
2
bolia graceful dining table
3
nooi sled chair
4
coalesse together bench
5
color scheme
finishes
1
concrete
2
bendheim okapane channel glass insulation
english national ballet
nelson atkins museum
curtain kit of parts
key
vescom formoza curtain
baumann sinfonia cs vI
baumann dimmer III
baumann laser varia p
level of transparency
20%
50%
80%
level of rigidity
panel
sturdy
loose
acoustic (aw)
0.8
0.3
0.1
steelcase workspaces
1
groupwork screen
2
roam mobile stand
3
team cart
1 2
3
DN
4
mackinac foundation with tower
DN
level two DN
6
5
shroud
6
mackinac work surface
7
move series seat
DN
5
7 4
level three
THANK YOU. an interactive museum by : mikinna mcgerr