Flight by Mills Publishing Inc.

SEASON SPONSOR

JONATHAN DOVE & APRIL DE ANGELIS’

FLIGHT

JANUARY 15, 17, 19, 21, 23, 2022 JANET QUINNEY LAWSON CAPITOL THEATRE

GAME OF ROMANS. WATCH IT HAPPEN LIVE. PUCCINI’S

TOSCA MARCH 12–20, 2022

JANET Q. LAWSON CAPITOL THEATRE

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FLIGHT 13 PG.

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Melissa Robison The UTAH SYMPHONY | UTAH OPERA program is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106. Phone: 801.467.8833, Email: advertising@millspub.com, Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. © COPYRIGHT 2022

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4 WELCOME 6 BOARD OF TRUSTEES 7 SEASON SPONSORS 8 JET-AGE PILGRIMS ON A SMALL PLANET 14 CAST / ARTISTIC STAFF 20 LIMINAL SPACES 25 THE STORY OF FLIGHT 27 COMPOSER AND LIBRETTIST 28 UTAH SYMPHONY 30 DONORS 43 ADMINISTRATION 49 CRESCENDO & TANNER SOCIETIES 50 PLANNED GIVING 52 HOUSE RULES 54 ACKNOWLEDGMENTS

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WELCOME

Steven Brosvik President & CEO

Thomas M. Love Board of Trustees Chairman

On behalf of the board, staff, artists, and musicians of Utah Symphony | Utah Opera, it is our pleasure to welcome you to the Janet Quinney Lawson Capitol Theatre for this presentation of the simultaneously comical and deeply human opera Flight by composer Jonathan Dove and librettist April de Angelis. To witness together the experiences of the characters stranded at an airport during a storm through this live theatrical blend of music, poetry, and stagecraft allows us a powerful opportunity to gain empathetic understanding of others. By experiencing, live and synchronously, the emotions of the situation in the heightened way that music allows, we are all connected— audience, cast, and orchestra—in a truly meaningful way. If you’ve attended past Utah Opera productions, you’ve likely noticed performances by our Resident Artists, who are among the best and brightest young singers and pianists beginning their operatic careers. Today we are thrilled to feature the return of former Resident Artist Abigail Rethwisch (2016-18) and current Resident Artist singers Julia Gershkoff, Edith Grossman, Daniel O’Hearn, and Evan Hammond on the stage as well as the work of pianist Natasha Talukdar Elam in the musical preparation of this opera. In addition to their featured work in our mainstage productions, these professional artists tour the state (virtually and in person), presenting age-appropriate educational and musically inspiring programming in Utah schools and community spaces. Their performances are just a few of the many programs we offer to every public school in the state of Utah over a three-to five-year cycle. Much credit goes to the Utah State Legislature, which values these programs and provides over one-third of the support toward their cost. The remainder of that credit goes to our many individual donors, corporate sponsors and foundation sponsors who cumulatively match the state’s support. Thank you for attending today’s performance. We hope you will join us throughout the season for memorable productions of musical storytelling and that you will help us thank our legislators and the many generous sponsors (pp. 7 and 30–42 ) who made this production and our education programs possible.

Christopher McBeth Artistic Director 4

Sincerely,

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BOARD OF TRUSTEES ELECTED BOARD Thomas M. Love* Chair Doyle L. Arnold* Brian Greeff* Joanne F. Shiebler* Vice Chairs Annette W. Jarvis* Secretary John D’Arcy* Treasurer Steven Brosvik* President & CEO Austin Bankhead Dr. Stewart E. Barlow Judith M. Billings George Cardon-Bystry

Gary L. Crocker David L. Dee* Barry L. Eden Senator Luz Escamilla Dr. Julie Aiken Hansen Daniel Hemmert* Stephen Tanner Irish Thomas N. Jacobson Abigail E. Magrane Brad W. Merrill Robin J. Milne Judy Moreton Dr. Dinesh C. Patel Frank R. Pignanelli Gary B. Porter Jason Price Shari H. Quinney Miguel R. Rovira Stan Sorensen Dr. Shane D. Stowell Naoma Tate

Thomas Thatcher W. James Tozer David Utrilla Kelly Ward Dr. Richard B. Williams Kim R. Wilson Thomas Wright* Henry C. Wurts

Herbert C. Livsey, Esq. David T. Mortensen Scott S. Parker David A. Petersen Patricia A. Richards*

Harris Simmons Verl R. Topham David B. Winder

John Bates Howard S. Clark Kristen Fletcher

Richard G. Horne Ron Jibson E. Jeffery Smith

Lisa Eccles Spencer F. Eccles Dr. Anthony W. Middleton, Jr. Edward Moreton Marilyn H. Neilson O. Don Ostler

Stanley B. Parrish Marcia Price Jeffrey W. Shields, Esq. Diana Ellis Smith

MUSICIAN REPRESENTATIVES Kathryn Eberle* Hugh Palmer* EX OFFICIO Doyle Clayburn Utah Symphony Guild Jennifer Webb Onstage Ogden

LIFETIME BOARD William C. Bailey Kem C. Gardner* Jon Huntsman, Jr. G. Frank Joklik Clark D. Jones

TRUSTEES EMERITI Carolyn Abravanel Dr. J. Richard Baringer Haven J. Barlow

HONORARY BOARD Jesselie B. Anderson Kathryn Carter R. Don Cash Bruce L. Christensen Raymond J. Dardano Geralyn Dreyfous

*Executive Committee Member † Deceased

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SPONSORS

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OPERA SEASON SPONSOR

CAROL FRANC BUCK FOUNDATION DIRECTOR SPONSOR

EMMA ECCLES JONES FOUNDATION OPERA ARTISTIC DIRECTOR SPONSOR

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JET-AGE PILGRIMS ON A SMALL PLANET By Michael Clive

The Glyndebourne Festival Opera, which commissioned Flight, is something unusual in the opera world—unabashedly traditional, but also boldly progressive. Musical and production values have been uncompromising since its founding in 1934. And so has the dress code: On summer afternoons, London office workers can be seen hurrying from their jobs wearing strictly formal attire—black or white tie, long evening gowns—headed for Victoria Station to catch the train for Lewes on the Brighton line. There they disembark for the local bus to the Glyndebourne opera house, where there are also special accommodations for limousines and their drivers alongside the stately home where the Festival is located.

Flight’s composer Jonathan Dove and librettist April De Angelis also saw: This is an environment that is totally operatic. There the most intense extremes of human behavior—humorous and tragic, political and personal, raucous and reflective— play out every moment of every day. And, happily for us operagoers, the creators of Flight and The Magic Flute have something else in common: a brilliantly matched pairing of composer and librettist. For British audiences, of course, the latent presence of another masterpiece almost goes without saying: Geoffrey Chaucer’s Canterbury Tales, in which the chance encounters of travelers on the road reveal the richness of human existence.

And yet, if the past seems alive at Glyndebourne, so does the future of opera. It’s no place for stick-in-the-mud orthodoxy. In fact, in 1998, when the Festival mounted the premiere production of Flight, it was not the first time an opera set at an airport had been seen on the Festival stage; three years earlier, the director Peter Sellars had presented his updated version of The Magic Flute there, a production set at Los Angeles International Airport. (Your fearless annotator was in attendance, covering the occasion for the now-defunct magazine Opera Monthly.)

In creating Flight, Dove and De Angelis took as their inspiration the experience of Mehran Karimi Nasseri, an Iranian refugee whose ambiguous immigration status—his identity documents had been lost or stolen—left him stranded at Charles de Gaulle Airport in Paris for 18 years, prohibited from leaving the terminal building and dependent upon airport staff and his own will and good humor for survival. Nasseri’s story also provided the basis for the 2004 Spielberg feature The Terminal, starring Tom Hanks. The film was conceived more than six years after the opera and has no connection to it.

In the literal and symbolic crossroads of a major airport, Sellars recognized what

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FLIGHT JANUARY 15–23, 2022 JANET QUINNEY LAWSON CAPITOL THEATRE

Composed by Jonathan Dove Libretto by April De Angelis Based on true story of Mehran Karimi Nasseri Sung in English with English supertitles First performed: 1998 Glyndebourne Festival Opera Utah Opera Premiere CAST

Refugee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Holiday Controller . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abigail Rethwisch** Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel O’Hearn* Tina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julia Gershkoff* Older Woman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deanne Meek Stewardess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Edith Grossman* Steward . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Evan Hammond* Minskwoman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Elise Quagliata Minskman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stephen Pace Immigration Officer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seth Keeton

ARTISTIC STAFF

Conductor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Robert Tweten Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kristine McIntyre Set Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . R. Keith Brumley Costume Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Knipscher Wig/Makeup Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marnee’ Porter Lighting Design . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . James Sale Chorus Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Michaella Calzaratta Guest Coach . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Natasha Talukdar Elam* Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gina Hays Assistant Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amber Bielinski Video Designer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barry Steele

Runtime: Approximately 2 hours, 40 minutes including two intermissions.

*Current Utah Opera Resident Artist **Former Utah Opera Resident Artist UTAHOPERA.ORG

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CAST John Holiday (Texas)

Refugee

Utah Opera Debut Recently: Euridyce, Metropolitan Opera, Los Angeles Opera; We Shall Not Be Moved, Opera Philadelphia Upcoming: Agrippina, Bayerische Staatsoper; A Midsummer Night’s Dream, Des Moines Metro Opera Abigail Rethwisch (Iowa)

Controller

Most Recently at Utah Opera, Silent Night Recently: Die Zauberflöte, Dallas Opera; Die Fledermaus, Lucia di Lammermoor, Utah Opera Upcoming: La bohème, Columbus Symphony; Akhnaten, The Metropolitan Opera Daniel O’Hearn (Illinois)

Bill

Most Recently at Utah Opera, La tragédie de Carmen Utah Opera Resident Artist Recently: A Midsummer Night’s Dream, Eugene Onegin, Santa Fe Opera Upcoming: Tosca, The Pirates of Penzance Utah Opera

Julia Gershkoff (Rhode Island)

Tina

Most Recently at Utah Opera, The Barber of Seville Utah Opera Resident Artist Recently: Messiah, Utah Symphony Sweeney Todd, Cendrillon, Wolf Trap Opera La tragédie de Carmen, Utah Opera Upcoming: The Pirates of Penzance, Utah Opera

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CAST Deanne Meek (Washington)

Older Woman

Most Recently at Utah Opera, Regina Recently: Giulio Cesare, Florentine Opera Gloria, Seattle Symphony

Edith Grossman (New York)

Stewardess

Most Recently at Utah Opera, La tragédie de Carmen Utah Opera Resident Artist Recently: La voix humaine, The Barber of Seville, Utah Opera Upcoming: The Pirates of Penzance, Utah Opera Evan Hammond (Alabama)

Steward

Most Recently at Utah Opera, The Barber of Seville Utah Opera Resident Artist Recently: Il barbiere di Siviglia, Opera Louisiane; Man of La Mancha, Shreveport Opera; Candide, Des Moines Metro Opera Upcoming: The Pirates of Penzance, Utah Opera Elise Quagliata (Florida)

Minskwoman

Most Recently at Utah Opera, Carmen Recently: As One, Opera Orlando Carmen, Pensacola Opera Upcoming: Dead Man Walking, Opera Idaho; A Thousand Acres, Des Moines Metro Opera

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CAST Stephen Pace (Utah)

Minskman

Most Recently at Utah Opera, Silent Night Recently: Roméo et Juliette, Utah Opera

Seth Keeton (Utah)

Immigration Officer

Most Recently at Utah Opera, Die Zauberflöte Recently: Roméo et Juliette, Utah Opera Elijah, Salt Lake Choral Artists

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ARTISTIC STAFF Robert Tweten (New Mexico)

Conductor

Most Recently at Utah Opera, Silent Night Recently: Rigoletto, Calgary Opera Faust, Opera San Antonio Turandot, Lyric Opera of Chicago Upcoming: La Calisto, New England Conservatory Don Giovanni, Opera San Antonio Kristine McIntyre (Oregon)

Director

Most Recently at Utah Opera: La voix humaine/Gentleman’s Island Recently: Sweeney Todd, Des Moines Metro Opera Semele, Pittsburgh Opera Upcoming: Trouble in Tahiti/Seven Deadly Sins, Madison Opera Rusalka, Pittsburgh Opera R. Keith Brumley

Set Design

Most Recently at Utah Opera, Die Fledermaus Recently: Billy Budd, Turandot, Des Moines Metro Opera Dead Man Walking, Lyric Opera of Kansas City Upcoming: Porgy and Bess, Des Moines Metro Opera Carmen, Pittsburgh Opera

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ARTISTIC STAFF Jonathan Knipscher (New York)

Costume Design

Recently: Central City Opera, Des Moines Metro Opera, Atlanta Opera Upcoming: Merlin’s Island, The Emperor of Atlantis, Wolf Trap Opera Marnee’ Porter (Utah)

Wig/Makeup Designer

Most Recently at Utah Opera, La tragédie de Carmen Recently: The Secret Garden, Cincinnati College-Conservatory of Music Silent Sky, Hale Center Theatre James Sale

Lighting Design

Recently: La bohème, Opera Omaha

Michaella Calzaratta

Chorus Master

Most Recently at Utah Opera, The Barber of Seville Recently: Candide, Silent Night, La traviata, The Human Voice, Gentleman’s Island, Utah Opera Upcoming: Tosca, The Pirates of Penzance, Utah Opera

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LIMINAL SPACES By Jeff Counts

For its 1998-1999 season, Glyndebourne Opera asked composer Jonathan Dove to create nothing less than “a Marriage of Figaro for the 1990s”. No big deal, right? Just be the Mozart of our decade. Simple. Of course, it meant writing a comedy. This made a lot of sense, in Dove’s opinion, since comedy was something he felt was “in short supply in twentieth-century opera”. He knew this new work couldn’t just be funny though, not if old master Wolfgang was to be truly and honorably invoked. It needed to be darkly funny—an incisive study of manners, morals and class, set against recognizable, relatable backdrops. For this, Dove chose his setting and subject matter well. Mehran Nasseri was right in the middle of his 18-year stint as a refugee at Charles de Gaulle airport when Dove used his plight as a loose inspiration for his opera Flight. The story would eventually get a mildly successful Hollywood treatment in 2004, thanks to Steven Spielberg and Tom Hanks, but Dove definitely got there first. He instinctively knew that an airport gate, especially one populated by frustrated travelers, would be an ideal location to explore the fragility of our modern social contracts. Flight, like the best works of Mozart, is an ensemble piece. It was purposely built to showcase interactions over monologues and supports a stage full of “main” characters whose charms and foibles conflate in every possible way. Though the unnamed Refugee’s story might seem most important, given that it was drawn

from an actual occurrence, it is but one of the interlocking comic dramas that make up Flight. Everyone’s issues get equal weight. That said, the choices Dove made in his characterization of this trapped man does invite deeper exploration. Why, for instance, does the Refugee exist at a such remove from the other members of the cast? It can’t just be his stateless status that sets him so apart. They do notice him, his temporary terminal-mates, when it suits them. But why is he an oracle one minute and an inert prop the next? And why does Dove further confirm the Refugee’s nebulous outsider status by writing his part for opera’s most fascinating and arresting voice type? Countertenors have been having a bit of a moment since the last decades of the 20th century. Audiences and marketing departments adore them. And why not? With juicy parts like the title role in Philip Glass’ Akhnaten and iconic characters in works by Thomas Ades, Harrison Birtwistle, Nico Muhly, and Hans Werner Henze, male falsetto singers are clearly no novelty. Distinct from the castrati and the lurid curiosity that surrounds their history, countertenors have been around since at least the 17th century, where they extended the range of all-male church ensembles without resorting to the knife. Their participation in pre-20th-century opera, however, was infrequent at best and almost never prescribed. How, then, did countertenors become the most interesting men in opera? Well, they have two people

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LIMINAL SPACES to thank. The contemporary resurgence of this unique vocal category owes much to Sir Alfred Deller and the rising popularity of Renaissance and Baroque song he championed in the 1940s and 1950s. But it was his 1960 collaboration with Benjamin Britten on the role of Oberon in A Midsummer Night’s Dream that really put his voice type on the path to celebrity. It’s impossible to imagine Glass or any of the others would have made use of it later had Britten not loosed his otherworldly Fairy King on the world. What makes Oberon so mesmerizing is the how coolly he diverges from expectation. None of the traditions of masculinity, or humanity for that matter, find much purchase in the sound of his voice. His place in the world is oblique to ours. He is unknowable, beyond our ken. As a mechanism for projecting Oberon’s creepy “otherness,” Britten’s choice of Deller was a brilliant gamble. Dove made a similar bet on his Refugee in Flight. He’s neither a god nor a ghost, but like both he can easily embody the indeterminate liminality of an airport. He’s almost like Cherubino in the aforementioned Marriage of Figaro. Almost. That character is also a subversion

of sonic norms in that, as a “pants” role, his behavior pits the hallmarks of the overstimulated scamp against a voice we don’t typically associate with one. This is why I don’t believe Mozart simply intended him to sound young by writing for a soprano. I think he was looking for some of that remove, that moral or existential distance. Just like with our Refugee. I know, I know. Cherubino moves through his plot like a noisy dog, while the Refugee mostly lingers and bestows questionable gifts in his. They are different. But their voices, they both just grab your eyes and hold them. Flight accurately breaks down the various ways we exasperate each other by turning up the mitigating factors of confinement and delayed resolution. No setting symbolizes this better than an airport terminal and no voice type exemplifies the Refugee’s isolation from the rest of the (temporarily) imprisoned ensemble than that of the countertenor. They might all be stuck in the same web for a night, but he’s not the same kind of fly. Even if they warm to him, the Refugee won’t be able to break free with them. He’s too odd, too peripheral. And that’s never clearer than when he’s singing.

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MEET THE CHARACTERS Refugee has been living in the airport for weeks. He cannot leave the airport because he does not have a passport or other documents to allow him to enter the country legally. Controller is an omniscient presence at the airport who sees everything going on. Bill and Tina are a married couple going on holiday to try to rediscover romance in their relationship. Older Woman is waiting for a young man she met in Mallorca, her fiancé. Immigration Officer has been searching for the Refugee, who is constantly dodging the authorities. Stewardess and Steward, when not serving the customers, enjoy a vibrant physical relationship. Minskman is an Eastern European diplomat who is moving for an assignment. Minskwoman, the diplomat’s wife, is heavily pregnant.

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THE STORY OF FLIGHT

DMMO Flight, 2018; photo Duane Tinkey ACT I

At a typically bustling international airport of unspecified location, travelers are hurriedly crossing paths. But not everyone is trying to get somewhere else, and we soon encounter three who have nowhere to go. Two work at the airport: its Controller and an Immigration Officer. The third is the Refugee, unable to leave the airport because he does not have a passport or other documents to allow him to enter the country legally. The Immigration Officer is trying to find the Refugee and arrest him. More characters join the scene. Bill and Tina, a married couple on holiday, are hoping to revive their stale relationship with the help time off, a change of scenery, and a sex manual. Traveling incognito, an Older Woman is also in the terminal awaiting her “fiancé” — a younger man who has promised to meet her. A couple from the Belarussian city of Minsk (noted in the cast as the Minskman and Minskwoman) are relocating for the husband’s latest diplomatic assignment. The very pregnant

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Minskwoman seems ready to deliver at any moment. There are also a Stewardess and Steward, who — by all appearances — share a useful understanding and dynamic sex life. At the last minute, Minskwoman is afraid to fly, and the frustrated Minskman leaves without her. The Flight Controller warns of approaching storms. The Older Woman’s fiancé is nowhere to be seen, and Bill and Tina prepare to depart. As the act closes, the stormy weather overtakes the airport, forcing the cancellation of all travel plans. ACT II

It is a desolate night at the airport. Planes are not arriving or leaving. Passengers sleep anywhere they can find space to lie down, or seek another way to pass the time. Bill, attempting to break out of his “predictable” nature, tries making a pass at the Stewardess, or so he thinks; to his surprise, his target turns out to be the Steward, and the two men decide to

THE STORY OF FLIGHT make their way to make their way to the airport control tower as an adventure. The Flight Controller, frustrated by the general paralysis and grounded flights, explodes in a tantrum that he directs at the storm outside the tower. These actions are punctuated at various points by the Refugee’s attempts to charm the women who cross his path; he offers each a “magic stone” that he says will cure their troubles. The women toast their good fortune and drink with him. Eventually, as the storm and the women’s intoxication build, they discover that the Refugee has given them all the same stone and angrily turn against him, knocking him unconscious and concealing him in a suitcase. But alone in the intimate confines of the tower, Bill and the Steward’s adventure has turned sexual. ACT III

Dawn has come to the airport. The violent weather has subsided, and the dazed characters are chagrined as they contemplate their actions of the previous night. Soon the Controller is relieved to announce the arrival of a plane; Minskman,

feeling that he cannot continue his mission without his wife at his side, has returned on it. Signs of normal life begin to resume throughout the terminal. Tina, enraged to learn of Bill’s sexual encounter, angrily strikes him with their sex manual, knocking him unconscious; Minskwoman goes into labor and delivers her baby; the Refugee awakens from the trunk. Confronted with their actions in the face of newborn life, the travelers reflect on their lives and offer forgiveness to each other. When the Immigration Officer finally catches up with the Refugee, some passengers demand his arrest, while others try to persuade the Officer to “review the situation.” At first The Immigration Officer is implacable, citing the need to observe the rules. But when the Refugee explains why he lacks documentation, his listeners are touched— including the Officer. His decision: although the Refugee cannot leave the terminal, The Officer will “turn a blind eye” and not arrest him.

Thank you to the state of Utah and the CARES Act for supporting Utah’s cultural community.

COMPOSER AND LIBRETTIST Jonathan Dove Jonathan Dove’s music has filled opera houses with delighted audiences of all ages on five continents. Few, if any, contemporary composers have so successfully or consistently explored the potential of opera to communicate, to create wonder, and to enrich people’s lives. Born in 1959 to architect parents, Dove’s early musical experience came from playing the piano, organ, and viola. Later he studied composition with Robin Holloway at Cambridge and, after graduation, worked as a freelance accompanist, repetiteur, animateur and arranger. His early professional experience gave him a deep understanding of singers and the complex mechanics of the opera house. Opera and the voice have been the central priorities in Dove’s output throughout his subsequent career. Jonathan Dove Composer

Starting with his breakthrough opera Flight, commissioned by Glyndebourne in 1998, Dove has gone on to write almost thirty operatic works. Flight, a rare example of a successful modern comic opera, has been produced and broadcast many times, in Europe, the USA, and Australia. Jonathan Dove was made a Commander of the British Empire (CBE) in the Queen’s 2019 Birthday Honours for services to music.to be re-interred in the church of Santa Croce in Florence.

April De Angelis Librettist

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April De Angelis April De Angelis is an English dramatist of part Sicilian descent. A graduate of Sussex University and trained at East 15 Acting School, she is an acclaimed writer whose extensive theatre works often include historical figures. Playhouse Creatures and A Laughing Matter are set in 17th and 18th century London. Wanderlust examines Victorian colonialism and Iron mistress is a verse play exploring Lady Charlotte Guest’s factory ownership. In addition to Flight, De Angelis also wrote the libretto for Errollyn Wallen’s opera, Silent Twins, based on the real life case of June and Jennifer Gibbons.

UTAH SYMPHONY Thierry Fischer, Music Director

The Maurice Abravanel Chair, endowed by the George S. and Dolores Doré Eccles Foundation Barlow Bradford

Symphony Chorus Director

VIOLIN* Madeline Adkins

Concertmaster The Jon M. & Karen Huntsman Chair, in honor of Wendell J. & Belva B. Ashton

Kathryn Eberle

Associate Concertmaster The Richard K. & Shirley S. Hemingway Chair

Bonnie Terry

Yuan Qi

Associate Principal

Elizabeth Beilman† Julie Edwards Joel Gibbs Carl Johansen Scott Lewis John Posadas Whittney Thomas CELLO* Matthew Johnson Acting Principal The J. Ryan Selberg Memorial Chair

Acting Associate Concertmaster

Andrew Larson

Claude Halter

John Eckstein Walter Haman Anne Lee Louis-Philippe Robillard Kevin Shumway Hannah ThomasHollands†† Pegsoon Whang

Principal Second

Wen Yuan Gu

Associate Principal Second

Evgenia Zharzhavskaya Assistant Principal Second

Karen Wyatt•• Sara Bauman†† Joseph Evans LoiAnne Eyring Laura Ha•† Lun Jiang# Rebekah Johnson Tina Johnson†† Amanda Kofoed†† Jennifer Kozbial Posadas†† Veronica Kulig David Langr Hannah Linz•• Yuki MacQueen Alexander Martin Rebecca Moench Hugh Palmer David Porter Lynn Maxine Rosen Barbara Ann Scowcroft• Ju Hyung Shin• Julie Wunderle VIOLA* Brant Bayless

Principal The Sue & Walker Wallace Chair

• First Violin •• Second Violin

Acting Associate Principal

BASS* David Yavornitzky Principal

Corbin Johnston Associate Principal

James Allyn Andrew Keller Edward Merritt James Stroup†† Jens Tenbroek Thomas Zera† HARP Louise Vickerman Principal

FLUTE Mercedes Smith

Principal The Val A. Browning Chair

OBOE James Hall

Principal The Gerald B. & Barbara F. Stringfellow Chair

Brooks Fisher†† Lissa Stolz

ENGLISH HORN Lissa Stolz CLARINET Tad Calcara

Associate Principal

TROMBONE Mark Davidson Principal

Associate Principal

Principal The Norman C. & Barbara Lindquist Tanner Chair, in memory of Jean Lindquist Pell

BASS TROMBONE Graeme Mutchler TIMPANI George Brown

Erin Svoboda-Scott Associate Principal

Principal

Eric Hopkins

Associate Principal

Lee Livengood BASS CLARINET Lee Livengood

PERCUSSION Keith Carrick Principal

E-FLAT CLARINET Erin Svoboda-Scott

Eric Hopkins Michael Pape

BASSOON Lori Wike

KEYBOARD Jason Hardink

Principal The Edward & Barbara Moreton Chair

Leon Chodos

Principal

LIBRARIANS Clovis Lark Principal

Associate Principal

Claudia Restrepo

Jennifer Rhodes CONTRABASSOON Leon Chodos HORN Jessica Danz

ORCHESTRA PERSONNEL Walt Zeschin

Director of Orchestra Personnel

Andrew Williams

Principal

Orchestra Personnel Manager

Caitlyn Valovick Moore

Llewellyn B. Humphreys Brian Blanchard† Julia Pilant†† Stephen Proser

* String Seating Rotates † On Leave

Jeff Luke

Sam Elliot

Edmund Rollett

PICCOLO Caitlyn Valovick Moore

Principal

Peter Margulies Paul Torrisi

Associate Principal

Lisa Byrnes

Associate Principal

TRUMPET Travis Peterson

Associate Principal

# Sabbatical †† Substitute Member

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INDIVIDUAL DONORS Utah Symphony | Utah Opera is grateful to our generous donors who, through annual cash gifts and multi-year commitments, help us bring great live music to our community. Gifts as of September 20, 2021 * in-kind donation

** in-kind & cash donations

† deceased

Alex & Debbie Dunn

Kem & Carolyn Gardner

MILLENNIUM ($250,000+) Anonymous

ENCORE ($100,000 TO $249,999) Anthony & Renee Marlon Elizabeth Solomon

George Speciale

Edward & Marelynn† Zipser

BRAVO ($50,000 TO $99,999) Judy Brady & Drew W. Browning Diane & Hal Brierley John & Flora D’Arcy Marilyn Parke

Harris H. & Amanda Simmons Norman C.† & Barbara L.† Tanner Second Charitable Trust

Jacquelyn Wentz Jack Wheatley†

OVERTURE ($25,000 TO $49,999) Scott & Kathleen Amann Doyle Arnold & Anne Glarner John & Joan Firmage Kristen Fletcher & Dan McPhun

Intuitive Funding Edward Moreton Fred & Lucy Moreton Stephen & Melina Nicolatus

Alice & Frank Puleo Schmidt Family Foundation Naoma Tate & the Family of Hal Tate Jim & Zibby Tozer

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INDIVIDUAL DONORS MAESTRO ($10,000 TO $24,999) Anonymous Fran Akita Austin Bankhead Dr. J.R. Baringer & Dr. Jeannette J. Townsend Thomas Billings & Judge Judith Billings Mr. & Mrs. Jim Blair Judy & Larry Brownstein Rebecca Marriott Champion Howard & Betty Clark Joseph & Cathy Cleary Larry Clemmensen Shelly R. Coburn Marian Davis & David Parker Pat & Sherry Duncan Dr. & Mrs. Ralph Earle Matthew B. Ellis Foundation Midge Farkas

Robert & Elisha Finney Mike Gatewood Diana George Brian & Detgen Greeff Douglas & Connie Hayes Susan & Tom Hodgson Tom & Lorie Jacobson G. Frank & Pamela Joklik Kulynych Family Foundation II, Inc. Mr. & Mrs. Christopher J. Lansing Thomas & Jamie Love Dorothy McBride† Mr. & Mrs. Charles McEvoy Carol & Anthony W. Middleton, Jr., M.D. Amanda Millerberg Harold W. & Lois Milner Terrell & Leah Nagata James & Ann Neal

Ashton Newhall Leslie Peterson & Kevin Higgins Mark & Dianne Prothro Stephen & Cydney Quinn David & Shari Quinney Patricia A. Richards & William K. Nichols Albert J. Roberts IV Richard & Carmen Rogers Ted & Lori Samuels Peggy & Ben Schapiro Sandefur Schmidt Mr. & Mrs. G. B. Stringfellow Steve & Betty Suellentrop Thomas & Marilyn Sutton James & Susan Swartz Kathleen Digre & Michael Varner Drs. Cornelia & Rasmus Wegener

INDIVIDUAL DONORS ALLEGRO ($5,000 TO $9,999) Anonymous [8] Karen & Christiane Adams Craig & Joanna Adamson A Scott & Jesselie Anderson Margaret & Grant Bagley Dr. & Mrs. Clisto Beaty Alice & Bill Bierer David Brown Carol, Rete & Celine Browning William & Patricia Child John Clukey Marc & Kathryn Cohen John D. Doppelheuer & Kirsten A. Hanson Janet Ellison Marjorie Farkas Jack & Marianne Ferraro Thomas & Lynn Fey Matthew & Wen Flatt Nash Foster Jeffrey L. Giese, M.D. & Mary E. Giese David & SandyLee Griswold** Ray & Howard Grossman Reed & Chris Halladay Don Hendricks Chuck & Kathie Horman

Sunny & Wes Howell The Right Reverend Carolyn Tanner Irish† & Mr. Frederick Quinn Margaret & Ken Jacobs Mary P.† & Jerald H. Jacobs Family Allison Kitching Thomas H. Klassen & Carolyn Talboys-Klassen George Klopfer & Joy Simeonova Gary & Suzanne Larsen Harrison & Elaine Levy Bill Ligety & Cyndi Sharp Daniel & Deena Lofgren Dennis & Pat Lombardi Nick Markosian Christopher & Julie McBeth Hallie McFetridge Michal & Maureen Mekjian Dr. Thomas Parks & Dr. Patricia Legant Stanley B. & Joyce M. Parrish Dinesh & Kalpana Patel Frank R. Pignanelli & D’Arcy Dixon

Brooks & Lenna Quinn Dr. & Mrs.† Marvin L. Rallison Joyce Rice James & Gail Riepe Kenneth Roach & Cindy Powell Brian & Janice Ruggles James & Janet Schnitz Barbara & Paul Schwartz Dewelynn & J. Ryan† Selberg Lisa & Joel Shine Mary & Doug Sinclair Charles & Sharee Sorenson Sidney Stern Memorial Trust Paul Taylor Glen Traylor Dr. Albert & Yvette Ungricht Howard & Barbara Wallack Brad E. & Linda P. Walton Susan Warshaw Douglas & Rebecca Wood John & Jean Yablonski The Christian V. & Lisa D. Young Family Foundation Kathie & Hugh Zumbro

Anonymous James & Christiane Adams Pam & Paul Apel Ian Arnold Charles Beckham Dr. Melissa J. Bentley Roger & Karen Blaylock Bill & Susan Bloomfield Charlotte & Hal Browning Neill & Linda Brownstein Mr. & Mrs. John Brubaker Kristin LaMarr Bunn Michael & Vickie Callen Dr.† & Mrs. Anthony Carter Mr. & Mrs. Lee Forrest Carter Mark & Marcy Casp Brad & Mary Ann Cassell Robert Chamberlain The Chung Family George Coleman Debbi & Gary Cook Helen Cooper

Sandra & David Cope Dr. Thomas D. & Joanne A. Coppin Thomas D. Dee III & Dr. Candace Dee Dr. Kent C. DiFiore & Dr. Martha R. Humphrey Margarita Donnelly Bonnie Donohue Carol & Greg Easton Melvin & Barbara Echols Carolyn Enenstein Muffy Ferro Blake & Linda Fisher Adele & James Forman John & Leslie Francis Mr. Joseph F. Furlong III Robert & Annie-Lewis Garda Joann Geer David & Lisa Genecov Andrea Golding Kenneth & Amy Goodman

Geraldine Hanni Dr. Bradford D. Hare & Dr. Akiko Okifuji Mary Haskins Jeff & Peggy Hatch Marian & Matt Hicks Matthew Higgins Robert & Dixie Huefner Michael Huerta & Ann Sowder Mr. & Mrs. Jerry Huffman Annette & Joseph Jarvis Diane Jenkins Chloe Johnson Maxine & Bruce Johnson Jane Jones Neone F. Jones Family Dr. Michael A. Kalm Dr. James & Carolyn Katsikas Rick & Paulette Katzenbach Marguerite Kaupp

ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999)

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INDIVIDUAL DONORS ABRAVANEL & PETERSON SOCIETY ($2,500 TO $4,999) CONTINUED Michael Kennedy Susan Keyes & Jim Sulat Jeanne Kimball Spencer & Christy Knight Howard & Merele Kosowsky Donald L. & Alice A. Lappe Herbert† & Helga Lloyd Patricia & Mark Lucas David & Donna Lyon Chuck & Crystal Maggelet Abigail Magrane Steve Mahas Keith & Vicki Maio Heidi & Edward D. Makowski Brian Mann Peter Margulies & Louise Vickerman Kathryn & Jed Marti Miriam Mason & Greg Glynnis Tom & Janet McDougal David & Nickie McDowell George & Nancy Melling

Brad & Trish Merrill Richard & Robin Milne Mr. & Mrs. Richard Mithoff Dr. Louis A. Moench & Deborah Moench David Mortensen & RoseMarie Brittner Mahyera Glenn & Dav Mosby Michael & Katie Mueller Metta Nelson Driscoll Stephen & Mary Nichols Thomas & Barbara O’Byrne Ruth & William Ohlsen S. Keith & Barbara Petersen W.E. & Harriet R. Rasmussen Mr. & Mrs. Robert Rollo Rebecca Roof & Gary Smith Mark & Loulu Saltzman Margaret P. Sargent Dru Schmitt Shirley & Eric Schoenholz

William G. Schwartz & Jo Ann Givan Sheryl & James Snarr Spitzberg-Rothman Foundation Christine St. Andre & Cliff Hardesty Mr. Jeffrey Starr Ray & Ann Steben Richard & Janet Thompson Denise Torrisi Caroline Tucker John & Susan Walker Gerard & Sheila Walsh Kelly Whitcomb Cindy Williams Barry & Fran Wilson E. Woolston & Connie Jo Hepworth-Woolston Gayle & Sam Youngblood** Laurie Zeller & Matthew Kaiser

Kevin Burdette Michael S. Butler Michael Carnes Frederick & Nancy Carter Beatrice & Po Chang Michael & Beth Chardack Blair Childs & Erin Shaffer Jay D. & Patricia Clark Jeremiah Clawson James & Elizabeth Cobb Kenneth Colen William J. Coles & Joan L. Coles Dr. & Mrs. David Coppin David & Carol Coulter Dorothy B. Cromer James Dashner Charles Deneris Michael & Sheila Deputy Dr. Paul Dorgan Alice Edvalson Eric & Shellie Eide

Eugene & Charlotte England William Fickling Thomas Fuller Heidi Gardner Sheila & David Gardner Mr. & Mrs. Eric Garen** Traci & Scott Garmon Dave Garside Larry Gerlach Bob & Mary Gilchrist Ralph & Rose Gochnour Mr. Keith Guernsey John & Ilauna Gurr Emily & Chauncey Hall Dr. Elizabeth Hammond Kenneth & Kate Handley Scott W. Hansen David Harris Jonathan Hart Lex Hemphill & Nancy Melich

FRIEND ($1,000 TO $2,499) Anonymous [6] Alan, Carol, & Annie Agle Jim Alexander Ryan Aller & Natasja Keys Christine A. Allred Robert & Cherry Anderson Drs. Crystal & Dustin Armstrong Curtis Atkisson, Jr. Fred & Linda Babcock David Bailey Marlene Barnett Thomas & Carolee Baron Tina & John Barry Mr. & Mrs. Lawrence R. Barusch David Bateman Jennifer Beckham Karen Bennett Francine R. Bennion Dr. Ann D Berghout Austin Richard & Suzanne Burbidge 34

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INDIVIDUAL DONORS FRIEND ($1,000 TO $2,499) CONTINUED Barbara Higgins Richard & Ruth Ann Hills Thomas Hogan Connie C. Holbrook Caroline & David Hundley Jennifer Horne-Hunstman & Scott Hunstsman Stephen Tanner Irish Gordon Irving Eldon Jenkins & Amy Calara Nick Johnson Bryce & Karen† Johnson Chester & Marilyn Johnson Jill Johnson Barbara Jones Catherine Kanter Umur Kavlakoglu Randy King Carl & Gillean Kjeldsberg Robert & Karla Knox Mr. & Mrs. Bruce M. Lake Jeffrey LaMora Tim & Angela Laros Grace Lin Ms. Susan Loffler Aragon McCarthey Charitable Trust Mary Pat McCurdie Michael & Julie McFadden Jerilyn McIntyre & David Smith

Warren K. & Virginia G. McOmber David Merrill David B. & Colleen A. Merrill Joanne Mitchell Dale Moses Barry & Kathy Mower Dan & Janet Myers Dr. & Mrs. Richard T. O’Brien Timothy & Lisa O’Brien Lee K. Osborne O. Don & Barbara Ostler Stephanie Pappas Robert & Linda Pembroke Rori & Nancy Piggott Arthur & Susan Ralph Dr. Barbara S. Reid Frances Reiser Gina Rieke Marie Rosol F. Jayne Roth Glenn & Susan Rothman Rachel Sabin Philina Saltas Gerald† & Sharon Seiner Daniel & Angela Shaeffer Sheri Shepherd Dennis & Annabelle Shrieve Allen & Karen Sims

Barbara Slaymaker Elliot Smith & Neylan McBaine Gibbs† & Catherine W. Smith Dr. & Mrs. Michael H. Stevens Shane & Stacey Stowell Shannon & Richard Straight Jonathan & Anne Symonds Tim & Judy Terrell Jeff Tolk & Astrid Tuminez Ralph & Judith Vander Heide David & Barbara Viskochil Kerry Vogt Susan Wagstaff & Phill Osbourne Sharon Walkington Dr. James C. Warenski Rochelle Warner Renee Waters Erik Watts Frank & Janell Weinstock Charles & Ellen Wells Betsey & Scott Wertheimer Glenn & Connie Wimer David & Jeralynn Winder Margaret & Gary Wirth Paul Wright Dean & Jean† Zobell

INDIVIDUAL DONORS ANDANTE ($500 - $999) Anonymous [7] John C. Abercrombie Marco & Christine Andrei Nancy Baker Laurie & Matt Barnson David & Rebecca Bateman Richard N. Beckstrand Mr. & Mrs. Jay Bjorklund Reverend James Blaine C. Kim & Jane Blair Michael Blum & Abigail Rose Jed Boal Carolyn Bransford MacDonald James & Marilyn Brezovec Kenneth N. & Karen Buchi Marjorie Budd John Burger & Mary Lou Jones-Burger Kirsten Butcher Susan Cashman Laura Certain Paul & Ruth Cherecwich John & Patricia Clay Phillip & Gail Coleman William J. Coles & Joan L. Coles Martin & Elinor Colman Ralph M. & Sheryl L. Costanzo James Cottrell Sina Dalley David & Donna Dalton Darrell & Sharon Child Jennifer Dawson & Phillip Purdom Patrick De Freitas Drs. Pilar & Christopher Dechet Ashby & Anne Cullimore Decker Carleton Detar & Laurel Casjens Mary Dillon

M.G. Durrant Robert P.† & Mary H. Evans Drs. Norman L. & Carol M. Foster Margo & Harry† Franta Wayne & Aileen Freckleton Carolyn C. Fredin Candace Garcia Dennis & Sherrie Gardner Dr. Martin I. & Sheila G. Gelman David & Ann George Richard & Carolyn Greene Paul & Janet Griffin Keith Guernsey Mr. & Mrs. Theodore Gurney, Jr. Loree and Scott Hagen Sarah Stevens Hammond Joseph Henry Barbara Higgins Laurie A. Hofmann & David Classen Steve Hogan & Michelle Wright Ron and Marsha Houston Jonathan Jensen Dr. Joseph & Karen Jensen Robert Johnson Dale & Beverly Johnson Umur Kavlakoglu John Kidd Robert & Karla Knox George Koch Michael & Peg Kramer Guttorm & Claudia Landro Ted & Carol Levy Franklin Lewis Grace Lin Bill & Sarah Lindsay Jennifer Majersik James & Kate Marshall Sumiko Martinez David McDaniel

Clifton & Terri McIntosh Dan McKnight & Deanna Donaldson Heather McMaster Jeffrey McNeal Sanford & Lynn Meek John & Marjorie Meikle Robert & Dianne Miner Ashley Spatafore Mirabelli Bill & Jane Moore Kaye D. Murdock Sara Lee Neill Nicola Nelson Dr. John C. & Karen Nelson President Russell M. & Wendy Nelson Phillip & Alice Newberry Dr. & Mrs. John H. Newton Jonathan Niedfeldt Kevin and Lisa Ninow Ruzena Novak William C. & Jan M. Olpin June Anne Olsen Maura & Serge Olszanskyj Mr.† & Mrs. James Patterson David & Elodie Payne Michelle Peterson & Richard Scott Jerry & Nancy Pitstick Renee Y. Plumb Glen† & Dorothy Purdie Vedran Radocjic Jana Ramacher Michael & Alexandria Range Jean Rapaport Hildegard & Angela Rayner Carolyn Rich-Denson Dr. Robert Fudge Theresa Rollins James & Anna Romano Gerry & Ginny Rothstein Nathan Royer

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INDIVIDUAL DONORS ANDANTE ($500 - $999) CONTINUED Edwin & Carolyn Rutan Mr. August L. Schultz Sebastian Schunert Kent & LaRae Scott Brent Sessions Mr. Jeffrey W. Shields & Ms. Mary Ross Shirley Wood Mary Siciliano Margaret M. Simmons Cynthia Sinclair

Scott & Karen Smith Diana Major Spencer Gordon Steyaert William & Lori Stratton Annie & Cory Strupp Briant Summerhays JoAnn Svikhart Steven Taylor Ronald W. Tharp & Kate F. Little Janet Theiss

Brent & Lissa Thompson Kara & Sean Vansted Amy Wadsworth Patrice Wagman Lee Walker Carl & Martha Wankier Bruce & Leigh Washburn Frederik Weller Elizabeth Whitney Floyd C. Williams Gregory Williams

Vicki & Robert Bourns Thomas Bowen & Martha Brace Jeremy Boyd Shane Brogan Eric Brown Susan Burdett Marianne Burgoyne Christopher J. Burke and Diane Forster-Burke John & Kathryn Burnham Fred & Debbie Burr Dale Caldwell Dr. & Mrs. George H. Cannon Carlos Cardon Angie Carter Margaret & Dale Chapman Elizabeth Chicado Clark & Gwen Christian Nathan Christian Aloysius Church Zack Clark Mary & Perry Clausen Janet Coit Dr. & Mrs. Hal S. Cole Sarah Collins John Conner Charles A. & Carla Coonradt

Dr. Thomas D. & Joanne A. Coppin Susan Cox Frank & Joyce Crandall Coleen Cronin Dr. Christopher & Cindy Cutler Kevin Damon & Kathy Calhoun-Damon Mr. & Mrs. John Davison Peter & Suzanne Dawson Paul & Kitty Bons Robert & Gaye DeLange Karen DelPriore Charles Deneris Tim Dick Angela Doyle Paul A. Driggs Abby Duran Judith A. Eagan Tamar & James Economides John D. Emmett Chandler Evans Gina Fabbro Parker & Laurelle Fillmore James Fire Gene & Kathy Fitzgerald Beth Foley John Forsberg

CHORALE ($150 - $499) Anonymous [16] Lila Abersold Drew J. Adams Nancy Y. Aird Maureen Aitken Carol Anderson Christopher & Elizabeth Apgar Bryce Ashdown Kenneth C. Ashton Mr. Gaylen Atkinson Petras & Liuda Avizonis Amy Bach Sandra Ball Amy Baron Greg Barrus Jean Barton George E. & Marghi Barton Julianne Basinger Maxine Beckstead Michael Behring & Debra Marin Heather B. Belnap Patricia Bender Barry Bergquist Stephanie Bertin Cynthia & Mladen Bestvina Sue Bhanos Brent Bogden David E. & Ursula M. Bohn UTAHOPERA.ORG

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INDIVIDUAL DONORS CHORALE ($150 - $499) CONTINUED Luce Forte Purjes Foundation John & Leslie Francis Dr. Elizabeth L. Frank Anne Froerer Julianne Galligan Ashley Gardner Smith Katharina Gerstenberger Raymond & Harriett Gesteland Pete Giacoma William Giauque Calvin J. Gibbs Dr. & Mrs. William R. Gray Mr. & Mrs. Lawrence Green Warren Gregory Paul R. Gustafson Lou Hamill Harlan & Julia Hammond David Hampshire Barbara Hanson Michael Harris Dixie L. Harris Virginia Harris Doug Hattery Charles & Annette Haws Peter W. Hayward Rebekah Heath Barta Heiner Susan Hendry Robert Hessler Frank Heyman Ned C. Hill Patricia Hinkle Linette Hlavaty Derek S. Hoff Eric Holley Elizabeth Holyoak Callie Hood Nancy Huntsman Barbara Huppe Mary T. Hurley Nina Ivanova Pam L. Iwasaki Colin Jackson Eric & Becky Jacobson Dr. Richard & Helene Jaffe 38

Brian & Michele Jahne Matthew & Paige Janzen James & Jeanne Jardine Brent & Maren Jensen Bryan Johnson Kimberly Johnson Rodney Johnson Jones & Associates Kimberli Jones Zara H. Juillerat Stacey Justice Richard Kanner Kristin Karner Sylvia Katzman Stephanie Kawamura Andrew Keller Lisa Keller Peggy Kerby Judy Kiefer Karin Kirchhoff Louise Knauer Kathy & Joseph† Knowlton Heidi Kunzler Christian Lalor Gary Lambert Val E. & Dominique C. Lambson Paolo & Patricia Lamponi Lloyd & Christina Larsen Annmarie Last Frank & Barbara Layden James Lether Marilyn Levitt Lisa & James Levy Gina Lewis Lisa & Sean Lindberg Thomas Lindley Gary & Sandra K.† Lindstrom Bryan Lloyd Mira Locher & Takauki Murakami James Lockey Uri Loewenstein & Elizabeth Tashjian Richard & Connie† Loomis Shane & Jennifer Lowe

Gregg & Karen Lund Dennis Luxion Ralph R. & Sylvia S. Mabey Mira Blue & Mark Machlis S. Reid & Kathryn B. Madsen Melanie Malinka Michael Manfull Brenda Mann Jan Manning Sarah Marshall Penelope Mathews & David Horner Tom & Mary Mathewson Dianne May Bea Mayes Jennifer Mazur Christine McDonough Jean & Bruce McMullin Jack & Patsy McNamara Steve & Shelli Mecham Erika Messenger Joel Millard Elizabeth Miller Scott & Megan Miller Robert L. Miller Kenny Mizel Gerald R. Moffit Christine Monnat Donald Monson Brittany Montrone Stephen & Sandra Morgan Pat & Jim Morgan William & Janice Mosby James Moyer Janene Muller Jenny Nicholas Kathleen Nielsen Paola Nix Craig Sparrow Ogan Patti O’Keefe Clive Oliver & Norma French-Oliver Fredrick and K. Kristine Olsen Vicki Olsen Michael & Lauren O’Malley

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INDIVIDUAL DONORS CHORALE ($150 - $499) CONTINUED John Steven Ott Kathy Pachucki Mike Padovich Brent Palfreyman Adrian S. Palmer Jeffrey G. Paris Nettie & Charles Pendley Scott Peppler Dale Ann Petersen Janis Peterson Joan C. Peterson Kelvin Peterson & Liqin Qiu Kristina B. Pierce Thomas B. Pilger Keith & Linda Poelman James A. Potter Dr. Glenn Prestwich Matthew & Maria Proser Angelica Putnam James Quan Jeff & Melissa Quigley Craig Reece Delia & Craig Reece Ronald Rencher Mistyamber Reynolds Alison Richman Dr. & Mrs. Delbert G. Ririe Michael Risley Jim & Bonita Robertson Lousje & Keith Rooker Robert Rosenberg Brent Rowland Haley Rowland Dean Rudy Gail T. Rushing Troy A. Salley Dan & Kris Sampson Xiomara Sanchez Bill & Beth Sanders Michael Sanders Juergen & Cheryl Sass Laura Scholl Krista Schonrock John Schumacher Ellen Schwede Leslie Scopes-Anderson Howard & Audrey Seares UTAHOPERA.ORG

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Ross Seely Steve & Sonni Senkfor Karen F. Shepherd Erik Sherwood James Sherwood Jim Short Glenda & Robert† Shrader Kathleen Siegfried Randy Silverman Jordan Sim Dr. Bernard J. Simbari Jennifer Simons Stuart & Suzanne Slingerland Linda Smith Julia M. Smith Allison Smoot John & Geraldine Snow Benjamin Sokolow John D Sonnenberg Kathy Sorensen Diane Soule Robert & Darlea Stack Stephanie & Brian Stagg Michael Stahulak & Shannon Mullins Stephen Stanczyk Joseph & Kathleen Stanford Edward & Marilou Steffen Suzanne S. Stensaas Laura Stetler Ronald W. Strahan Samuel C. Straight William Strickler Sharon Strong David Suehsdorf Catherine Sullivan Barbara & Jim Svoboda Mrs. Gaylia Tanner George S. Tate Ranae S. Taylor Isabella Tcaciuc & Thomas Bosteels Susannah Thomas Susan Thompson Nye Thuesen

Sam Todd Renae Trask Schwartz William & Patricia Tueting Nancy Umemura Marilyn Valentine Shirley Van Wagenen Mark E. Vernon Steven Vigil Rosalie & David Kimball Bonnie Walsh Amanda N. Walter Perry & Margie Walters Nolan W. Warby Nicholas & Nancy Ward Evy Warmbier Ardean† & Elna Watts Kathleen Allen-Weber Werner & Dorothy Weixler John Welch Ryan J. Welch Wayne Wells Paul Wetzel Elizabeth H. Wheeler Elizabeth Whitaker Henry O. Whiteside Van P. Whitfield Reatha & Charles M. Whiting Judy Whittlesey Olivia Wilkinson Charles W. Williams Brook & Mel Williams Jody L. Williams Steven Winitzky Robert Wolfarth Michael and Judith W. Wolfe Dr. and Mrs. Harry C. Wong Mrs. Barbara Wood Nancy Wood Janet Wyatt Hilary Coon and Jim Yehle Matthew Young Tolford Young Pamela M. Zeberlein Laura Zemp Kevin Ziperstein 39

ENDOWMENT DONORS TO UTAH SYMPHONY | UTAH OPERA ENDOWMENT Utah Symphony | Utah Opera is grateful to those donors who have made commitments to our Endowment Fund. The Endowment Fund is a vital resource that helps the long-term well-being & stability of USUO, & through its annual earnings, supports our Annual Fund. For further information, please contact 801-869-9015. Anonymous Edward R. Ashwood & Candice A. Johnson Gael Benson Estate of Alexander Bodi The Elizabeth Brown Dee Fund for Music in the Schools Lawrence T. & Janet T. Dee Foundation Thomas D. Dee III & Dr. Candace Dee Hearst Foundation Roger & Susan Horn

The Right Reverend Carolyn Tanner Irish† and Mr. Frederick Quinn Loretta M. Kearns Vicki McGregor Edward Moreton Estate of Pauline C. Pace Perkins-Prothro Foundation Kenneth† & Jerrie Randall The Evelyn Rosenblatt Young Artist Award Bill & Joanne Shiebler

Steven P. Sondrop Family Trust James R. & Susan Swartz Clark L. Tanner Foundation Norman C. and Barbara L. Tanner Charitable Trust O.C. Tanner Company Frederic and Marilyn Wagner M. Walker & Sue Wallace Jack & Mary Lois Wheatley Family Trust Edward & Marelynn† Zipser

GIFTS MADE IN HONOR Frances Darger Anne & Ashby Decker

Paula Fowler Leslie Peterson

Joanne Shiebler

GIFTS MADE IN MEMORY Jay Ball Donald A. Basinger Jan Bennett Robert H. Burgoyne, M.D. Adrienne Coombs

Andrea Lane Jamila Janatova Glade & Mardean Peterson J. Ryan Selberg Dorotha Smart

Barbara Tanner Rachel Varat-Navarro

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INSTITUTIONAL DONORS We thank our generous donors for their annual support of Utah Symphony | Utah Opera. * in-kind donation

** in-kind & cash donation

$100,000 OR MORE Alternative Visions Fund The Church of Jesus Christ of Latter-day Saints Foundation Crocker Catalyst Foundation Lawrence T. & Janet T. Dee Foundation George S. & Dolores Doré Eccles Foundation Marriner S. Eccles Foundation The Florence J. Gillmor Foundation

Emma Eccles Jones Foundation LOVE Communications** The Tony & Renee Marlon Charitable Foundation Larry H. & Gail Miller Family Foundation O.C. Tanner Company Salt Lake County Zoo, Arts & Parks Shiebler Family Foundation Sorenson Legacy Foundation State of Utah

Summit County Restaurant Tax / RAP Tax Utah Department of Cultural & Community Engagement Utah Division of Arts & Museums / National Endowment for the Arts Utah State Legislature / Utah State Board of Education Zions Bank

Frederick Q. Lawson Foundation League of American Orchestras Moreton Family Foundation

John & Marcia Price Foundation Harris H. & Amanda P. Simmons Foundation

The Kahlert Foundation The John C. Kish Foundation McCarthey Family Foundation Northern Trust Charles Maxfield & Gloria F. Parrish Foundation Perkins-Prothro Foundation Promontory Foundation S.J. & Jessie E. Quinney Foundation

Schmidt Family Foundation Struck* Joanne L. Shrontz Family Foundation Simmons Family Foundation Summit Sotheby’s TIAA Nora Eccles Treadwell Foundation William Randolph Hearst Foundation

$50,000 TO $99,999 Anonymous Dominion Energy Grand America Hotel & Little America Hotel* Janet Q. Lawson Foundation

$25,000 TO $49,999 Arnold Machinery Brent & Bonnie Jean Beesley Foundation BMW of Murray/BMW of Pleasant Grove Cache Valley Electric Carol Frank Buck Foundation C. Comstock Clayton Foundation Joseph and Kathleen Sorenson Legacy Foundation

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INSTITUTIONAL DONORS $10,000 TO $24,999 The American Gift Fund HJ & BR Barlow Foundation B.W. Bastian Foundation R. Harold Burton Foundation Marie Eccles Caine Foundation-Russell Family Caffé Molise* Cranshaw Corporation Cultural Vision Fund Discover Greenberg Traurig

Richard K. & Shirley S. Hemingway Foundation Kulynych Family Foundation II, Inc. Park City Chamber / Visitors Bureau Regence BlueCross BlueShield of Utah The Joseph & Evelyn Rosenblatt Charitable Fund Salt Lake City Arts Council

St. Regis / Deer Crest Club** Teoma The Swartz Foundation The Clark L. Tanner Foundation WCF Insurance W. Mack & Julia S. Watkins Foundation

Fanwood Foundation Goldman Sachs & Co. LLC Grandeur Peak Global Advisors The Val A. Green & Edith D. Green Foundation Victor Herbert Foundation Holland & Hart Hotel Park City / Ruth’s Chris Restaurant* Hyatt Centric Park City J. Wong’s Thai & Chinese Bistro* Lee’s Marketplace* Millcreek Coffee Roasters* Ray, Quinney & Nebeker Foundation Raymond James Financial Reliable Controls

Rocky Mountain Power Foundation Ruth’s Chris Steak House* Snell & Wilmer Snow, Christensen & Martineau Foundation Sidney Stern Memorial Trust Swire Coca-Cola* Squatters Pub Brewery* Utah Autism Foundation Utah Symphony Guild Y2 Analytics*

$1,000 TO $9,999 Anonymous [2] Altabank Bertin Family Foundation Berenice J. Bradshaw Trust Rodney H. & Carolyn Hansen Brady Charitable Foundation Castle Foundation CBRE City Creek Center City of Orem David Dee Fine Arts Deer Valley Resort* Spencer F. & Cleone P. Eccles Family Foundation Every Blooming Thing* Henry W. & Leslie M. Eskuche Charitable Foundation The Fang Family Foundation

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ADMINISTRATION ADMINISTRATION Steven Brosvik

Robyne Anderson

David Green

Senior Vice President & COO

DEVELOPMENT Leslie Peterson

Executive Assistant to the CEO

Jessica Proctor

President & CEO

Julie McBeth Ellen Lewis

Executive Assistant to the Senior V.P. & COO & Office Manager

OPERA ARTISTIC Christopher McBeth Opera Artistic Director

Carol Anderson

2nd Assistant Stage Manager

Vice President of Development Director of Institutional Giving

Heather Weinstock

Director of Special Events & DVMF Donor Relations

Katie Swainston

Individual Giving Manager

Lisa Poppleton Grants Manager

Principal Coach

Dallin Mills

Michelle Peterson

Development Database Manager

Director of Production

Michaella Calzaretta Opera Chorus Master

Ashley Tingey

Production Coordinator

Erin Marr

Donor Engagement (DVMF) & Special Events Coordinator

Ellesse Hargreaves

Stewardship & Event Coordinator

OPERA TECHNICAL Kelly Nickle

COSTUMES Cee Cee Swalling

Dusty Terrell

Verona Green

Properties Master

Scenic Charge Artist

Costume Director

Costume Stock & Rentals Manager

SYMPHONY ARTISTIC Thierry Fischer

Amanda Reiser Meyer First Hand

Symphony Music Director

Milivoj Poletan

Vice President of Artistic Planning

Tiffany Lent

Symphony Chorus Director

Donna Thomas

Director of Orchestra Personnel

Nyssa Startup

Robert Neu

Barlow Bradford Walt Zeschin

Tailor

Cutter/Draper

Milliner & Crafts Artisan

Andrew Williams

Wardrobe Supervisor & Rentals Assistant

Lance Jensen

Rentals Assistant

Orchestra Personnel Manager Executive Assistant to the Music Director & Symphony Chorus Manager

SYMPHONY OPERATIONS Cassandra Dozet Director of Orchestra Operations

Melissa Robison

Program Publication & Front of House Director

Chip Dance

Production & Stage Manager

Jeff F. Herbig

Properties Manager & Assistant Stage Manager

Lyndsay Keith

Artist Logistics Coordinator

LisaAnn DeLapp

MARKETING & COMMUNICATIONS Jon Miles

Vice President of Marketing & Public Relations

Meredith Kimball Laing

PATRON SERVICES Faith Myers

Director of Patron Engagement

Merry Magee

Marketing Manager - Patron Loyalty

Mara Lefler

Sales Manager

Janae Graham

Patron Services Assistant Manager

Genevieve Gannon

Group Sales Associate

Alicia Ross Val Tholen

Sales Associates

Lorraine Fry Naomi Newton Ian Painter Ananda Spike Ticket Agents

ACCOUNTING & INFORMATION TECHNOLOGY Steve Hogan Vice President of Finance & CFO

Mike Lund

Director of Information Technologies

Melanie Giles Controller

Alison Mockli

Payroll & Benefits Manager

Jared Mollenkopf

Patron Information Systems Manager

Kyle Siedschlag

Accounts Payable Specialist

Zac Cameron Payroll Clerk

EDUCATION Paula Fowler

Director of Education & Community Outreach

Kyleene Johnson

Symphony Education Manager

Anna Atkinson

Opera Education Assistant

Paul Murphy

Symphony Education Assistant

Director of Communications

Kathleen Sykes

Content & Social Media Manager

Robert Bedont

Marketing Manager - Audience Development

Nina Starling

Website Content Coordinator

We would also like to recognize our interns and temporary and contracted staff for their work and dedication to the success of utah symphony | utah opera.

UTAHOPERA.ORG

(801) 533-NOTE

CONTRIBUTE TO UTAH SYMPHONY | UTAH OPERA

DID YOU KNOW THAT TICKET SALES ONLY SUPPORT 33% OF OUR ANNUAL OPERATING COSTS?

As a 501c(3) non-profit, Utah Symphony | Utah Opera relies on a combination of private and public support to fulfill our mission to connect the community through great live music. Now more than ever we are witness to the power of music to help lift our communal spirit and bring us joy. A contribution in any amount supports USUO in providing music education in every school district in Utah, achieving artistic excellence on stage, and making music accessible to all to ensure that the power of music will continue to play a vital role in our community.

MAKE A DONATION ONLINE AT USUO.ORG/GIVE OR BY CALLING 801-869-9001

JOIN ABRAVANEL AND PETERSON SOCIETIES With a $2,500 tax-deductible contribution, you can enjoy the benefits of our exclusive Utah Symphony Abravanel Society or Utah Opera Peterson Society. A $5,000 contribution provides access to both societies. FIND OUT MORE 801-869-9001 | USUO.ORG/SUPPORT-LIVE-MUSIC/DONOR-BENEFITS

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STAGE ARTS

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UTAH FESTIVAL OPERA

SCENE CHANGE

JANUARY 2022

UNIVERSITY CREDIT UNION

New name, same great service

Federally Insured by NCUA.

STAGE ARTS

Our 2022 Season June 20 – October 8

SHAKESPEARE FESTIVAL

THE ENGELSTAD SHAKESPEARE THEATRE

THE RANDALL L. JONES THEATRE

ALL’S WELL THAT ENDS WELL

THE SOUND OF MUSIC

By William Shakespeare

Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Howard Lindsay and Russel Crouse

By George Stevens Jr.

KING LEAR

THE EILEEN AND ALLEN ANES STUDIO THEATRE THE TEMPEST THURGOOD

By William Shakespeare

SWEENEY TODD

TROUBLE IN MIND

By Stephen Sondheim and Hugh Wheeler

By Alice Childress

CLUE Based on the Screenplay by Jonathan Lynn Written by Sandy Rustin Additional Material by Hunter Foster and Eric Price

STAGE ARTS

Left to right: Emelie O’Hara as Richard in The Conclusion of Henry VI: Parts Two and Three, 2019; Quinn Mattfeld as Nathan Detroit in Guys and Dolls, 2017; Betsy Mugavero as Nerissa in The Merchant of Venice, 2018; Wayne T. Carr as Macbeth in Macbeth, 2019; Michael Elich as Long John Silver in Treasure Island, 2017; and Sarah Hollis as a Witch in Macbeth, 2019.

800-PLAYTIX bard.org #utahshakes

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CRESCENDO AND TANNER SOCIETIES “YOU ARE THE MUSIC WHILE THE MUSIC LASTS.”~T.S. Eliot

Utah Symphony | Utah Opera offers sincere thanks to our patrons who have included USUO in their financial and estate planning. Please contact Leslie Peterson at lpeterson@usuo.org or 801-869-9012 for more information, or visit our website at usuo.giftplans.org.

CRESCENDO SOCIETY OF UTAH OPERA Anonymous Mr. & Mrs. William C. Bailey Judy Brady & Drew W. Browning Dr. Robert H.† & Marianne Harding Burgoyne Shelly Coburn Dr. Richard J.† & Mrs. Barbara N.† Eliason Anne C. Ewers Edwin B. Firmage

Joseph & Pat Gartman Paul (Hap) & Ann† Green John† & Jean† Henkels Edward R. Ashwood & Candice A. Johnson Clark D. Jones Turid V. Lipman Herbert C. & Wilma Livsey Richard W. & Frances P. Muir Marilyn H. Neilson

Carol & Ted Newlin Patricia A. Richards & William K. Nichols Mr.† & Mrs. Alvin Richer Jeffrey W. Shields G.B. & B.F. Stringfellow Norman† & Barbara† Tanner Dr. Ralph & Judith Vander Heide Edward J. & Marelynn† Zipser

TANNER SOCIETY OF UTAH SYMPHONY

Beethoven Circle (gifts valued at more than $100,000) Anonymous (3) Doyle Arnold & Anne Glarner Edward R. Ashwood & Candice A. Johnson Dr. J. Richard Baringer Haven J. Barlow Dr. Melissa J. Bentley Marcy & Mark Casp Shelly Coburn Raymond & Diana Compton

Mahler Circle

Anonymous (3) Eva-Maria Adolphi Dr. Robert H.† & Marianne Harding Burgoyne Mr. & Mrs. Kenneth E. Coombs Paul (Hap) & Ann† Green Robert & Carolee Harmon Richard G. & Shauna† Horne Virginia A. Hughes Ms. Marilyn Lindsay†

Anne C. Ewers Flemming & Lana Jensen James Read Lether Daniel & Noemi P. Mattis Anthony & Carol W. Middleton, Jr., M.D. Robert & Diane Miner Glenn Prestwich Kenneth A.† & Jeraldine S. Randall

Mr.† & Mrs. Alvin Richer Patricia A. Richards & William K. Nichols Sharon & David† Richards Harris H. & Amanda P. Simmons E. Jeffery & Joyce Smith G.B. & B.F. Stringfellow Norman† & Barbara† Tanner Mr. & Mrs. M. Walker Wallace

Turid V. Lipman Herbert C. & Wilma Livsey Dianne May Jerry & Marcia McClain Jim & Andrea Naccarato Stephen H. & Mary Nichols Mr. & Mrs. Scott Parker Mr. & Mrs. Michael A. Pazzi Richard Q. Perry Chase† & Grethe Peterson

Glenn H. & Karen F. Peterson Thomas A. & Sally† Quinn Dan & June Ragan Mr. Grant Schettler Glenda & Robert† Shrader Mr. Robert C. Steiner & Dr. Jacquelyn Erbin† JoLynda Stillman Joann Svikhart Edward J. & Marelynn† Zipser †Deceased

UTAHOPERA.ORG

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Leave a Legacy. Ensure the future. MAKE A PLANNED GIFT TODAY Utah Symphony | Utah Opera is grateful to all those who help provide for the future of great live music in our community by including USUO in their financial and estate planning. If the pandemic has caused you to think about your legacy and instilled a desire to share what you love with generations to come, please join USUO’s Tanner and Crescendo Societies. Contact our development department or go online for more information about how to quickly and easily designate USUO as a beneficiary of your will, retirement account, life insurance policy, or if you have any other questions.

Find out more: 50 801-869-9012 | usuo.giftplans.org

UTAHOPERA.ORG

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HOUSE RULES

Photo Credit: Austen Diamond

ASSISTIVE LISTENING DEVICES Assistive Listening Devices are available free of charge at each performance on a first-come, first-served basis at Abravanel Hall. Ask at the Coat Check for details. WHEELCHAIR SEATING Ample wheelchair seating is available. Please inform our ticket office representative when making your reservation that you require wheelchair space. Arrive 30 minutes before curtain time to obtain curbside assistance from the House Manager. LATECOMERS In consideration of patrons already seated in the hall, reserved seating will be held until curtain, after which alternate seating

will be used. During some productions late seating may not occur until an intermission after which time you may be seated by an usher in an alternate section. When traveling to performances, please allow ample time for traffic delays, road construction, and parking. COPYRIGHT ADHERENCE In compliance with copyright laws, it is strictly prohibited to take any photographs or any audio or video recordings of the performance. EMERGENCY INFORMATION In the event of an emergency, please remain seated and wait for instructions. Emergency exits are located on both sides of the house. Please identify the exit closest to your location.

UTAHOPERA.ORG

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ACKNOWLEDGMENTS UTAH SYMPHONY | UTAH OPERA 123 West South Temple Salt Lake City, UT 84101 801-533-5626 EDITOR

Melissa Robison HUDSON PRINTING COMPANY www.hudsonprinting.com 241 West 1700 South Salt Lake City, UT 84115 801-486-4611 AUDITING AND ACCOUNTING SERVICES PROVIDED BY

Tanner, llc LEGAL REPRESENTATION PROVIDED BY

Ballard Spahr Andrews & Ingersoll, llp Holland & Hart, LLP Jones Waldo ADVERTISING MEDIA & WEBSITE SERVICES PROVIDED BY

Love Communications, Salt Lake City

ADVERTISING CREATIVE & BRANDING SERVICES PROVIDED BY

Struck, Salt Lake City / Portland

The organization is committed to equal opportunity in employment practices and actions, i.e. recruitment, employment, compensation, training, development, transfer, reassignment, corrective action and promotion, without regard to one or more of the following protected class: race, color, religion, sex, national origin, age, disability, family status, veteran status, sexual orientation, gender identity and political affiliation or belief. Abravanel Hall and The Janet Quinney Lawson Capitol Theatre are owned and operated by the Salt Lake County Center for the Arts. By participating in or attending any activity in connection with Utah Symphony | Utah Opera, whether on or off the performance premises, you consent to the use of any print or digital photographs, pictures, film, or videotape taken of you for publicity, promotion, television, websites, or any other use, and expressly waive any right of privacy, compensation, copyright, or ownership right connected to same.

Photo Credit: Austen Diamond

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HOURS: Monday - Friday 8:30am - 8:00pm Saturday 8:30am - 8:00pm Sunday Closed