Play by
Mike Bartlett
KING CHARLES III pre-print cover
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PIONEER THEATRE COMPANY
The resident professional theatre of the University of Utah The Roy W. and Elizabeth E. Simmons Pioneer Memorial Theatre C. Lowell Lees Stage
Karen Azenberg Artistic Director
Chris Lino Managing Director
presents
King Charles III By Mike Bartlett
J. TODD ADAMS
LARRY BULL
SAMANTHA EGGERS
JOHN FORD-DUNKER
MONIQUE FOWLER
GRANT GOODMAN
JESS NAHIKIAN
MAX ROBINSON
JOHN HUTTON
BEN ABBOTT TYSON BAKER SUSANNA FLORENCE ISABELLA REEDER BAILEY WALKER
ROGER DUNBAR SARAH SHIPPOBOTHAM BENJAMIN YOUNG
Scenic Design GARY M. ENGLISH
Costume Design ALEX JAEGER
Lighting Design DAVID NEVILLE
Sound Design JOSHUA C. HIGHT
Dialect Coach ADRIANNE MOORE
Hair and Makeup Design AMANDA FRENCH
Dramaturg ISABEL SMITH-BERNSTEIN
Composer GREGG COFFIN
Production Stage Manager TANYA J. SEARLE
Director DAVID IVERS Casting by Bob Cline KING CHARLES III is presented by special arrangement with Dramatists Play Service, Inc., New York The video and/or audio recording of this performance by any means whatsoever are strictly prohibited. *The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
From surgical suites to patient rooms to conference rooms. In scrubs, suits, or sneakers. With stethoscopes, computer code, or mops. We are all caregivers.
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CAST of characters KING CHARLES III King Charles III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Hutton* Camilla, Duchess of Cornwall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Monique Fowler* William, Duke of Cambridge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grant Goodman* Catherine, Duchess of Cambridge. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Samantha Eggers* Prince Harry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Ford-Dunker* Tristan Evans, Prime Minister . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Larry Bull* Mark Stevens, leader of the opposition. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . J. Todd Adams* James Reiss, Press Secretary to King Charles III. . . . . . . . . . . . . . . . . . . . . . . . . . . Max Robinson* Jess. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jess Nahikian* Spencer/Nick/Sir Gordon/Paul/Archbishop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ben Abbott Cootsey/Terry/Sir Michael/Speaker of the House. . . . . . . . . . . . . . . . . . . . . . . Roger Dunbar Sarah/Ghost/TV Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Susanna Florence Free Newspaperwoman. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sarah Shippobotham Roberts, butler to King Charles III. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tyson Baker Bar Dancers, Protestors, Servants, Journalists, Members of Parliament, Ensemble. . . . . . . . . . . . . . . . . Ben Abbott, Tyson Baker, Roger Dunbar, Susanna Florence, Isabella Reeder, Sarah Shippobotham, Bailey Walker, Benjamin Young UNDERSTUDIES
Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.
Camilla. . . . . . . . . . . . . . . . . Sarah Shippobotham William. . . . . . . . . . . . . . . . . . . . . . . . . Tyson Baker Catherine. . . . . . . . . . . . . . . . . . . . . . Bailey Walker Prince Harry. . . . . . . . . . . . . . . . . Benjamin Young
Mark Stevens. . . . . . . . . . . . . . . . . . . . Tyson Baker James Reiss . . . . . . . . . . . . . . . . . . . . . . Ben Abbott Jess. . . . . . . . . . . . . . . . . . . . . . . . . . . Isabella Reeder
This production will be performed with one fifteen-minute intermission. * Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
8 | KING CHARLES III
DRAMATURGICAL NOTE
United Kingdom Fusion and Separation of Powers Elected Legislature The House of Commons
The Executive HM Government The majority party in the House of Commons then forms
ď §
Primary Role: Creates/designs laws Scrutinizes/approves laws
The House of Commons and House of Lords constitute Parliament.
Represents: The will of the people
The minority party forms the Opposition.
Primary Role: Puts forward laws Runs government
The Crown
Represents: The will of the majority
The Monarch
Primary Role: Represents the UK Signs bills into law Represents: Ceremony and tradition
The House of Lords
The UK Courts of Law
Primary Role: Scrutinizes/approves laws Acts as a safeguard
Primary Role: Upholds the law
Represents: The unwritten constitution
Represents: The rule of law
Judiciary
Appointed Legislature
10 | KING CHARLES III
L-R: John Hutton (King Charles III), Monique Fowler (Camilla)
DIRECTOR’S NOTE
I
’ve always had a love for what I call the “gigantic-intimate-play.” Having spent most of my studies and subsequent career getting “intimate” with the classics, this may make sense. These are big plays, yes. And, yes, they can be wordy, too. But my goodness are they thrilling. The classic repertoire owes much of its genius to those who have come before (thanks, Shakespeare) and that, I hope, is a never-ending cycle.
So, imagine my delight when extraordinary playwright Mike Bartlett comes along with a searing new play, written almost entirely in iambic pentameter (thanks again, Shakespeare) which is billed as a “future history play” about the living Royal Family. Make no mistake: King Charles III is a modern masterpiece. In its vastness, Bartlett asks unimaginable what-ifs as he inks the future of England’s monarchy after the death of Queen Elizabeth II. He dares to contemplate what a shift in power might look like when Elizabeth passes on. We know (think we know?) these people. My mother, born and raised in England, still wells with tears when she sees the Queen on television; others, including myself, have literally grown up with a lens trained on Diana, Prince William, Prince Harry and Camilla. And while this is one of those “gigantic” plays, the intimacy at its center reveals a familiar, jolting family drama. It unfolds with such shocking relevancy it’s astounding. Here, during the first hours of Charles’ reign, the play demands decisions be made about the freedom of the press, the power of government, the value of tradition, the transfer of power… wait… I said this was set in England, didn’t I? There’s more: soaring poetry, plenty of laughs, a ghost and a push against the status quo as Bartlett’s narrative hurls this political thriller toward a powerful, compelling and tumultuous conclusion. Never have I worked on a play that grows more and more relevant to our current political climate as every hour of each day goes by. Thanks to these fine artists and to Karen Azenberg and PTC for having the guts to nourish Utah with this kind of work. So happy to be back. -David Ivers L-R: John Ford-Dunker (Harry), Grant Goodman (William)
12 | KING CHARLES III
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WHO’S WHO IN THE COMPANY J. TODD ADAMS (Mark Stevens, leader of the opposition) returns to PTC after playing Reverend John Hale in The Crucible. His other credits include: Three seasons at the Utah Shakespeare Festival, including The Three Musketeers (Athos), Henry V (Pistol), Much Ado About Nothing (Don John) and Sherlock Holmes: The Final Adventure (Sherlock Holmes); five seasons at the Great Lakes Theater and Idaho Shakespeare Festival, including Much Ado About Nothing (Benedick) and The Tempest (Caliban); DCPA Theatre Company, South Coast Repertory, Mark Taper Forum, Ahmanson Theatre, Shakespeare Santa Cruz, PCPA, San Diego Repertory, Arizona Theatre Company, A Noise Within, ACT (where he received his M.F.A.) and the Washington Opera (as an acrobat in I Pagliacci, directed by Franco Zeffirelli). Film/ Television: “Gilmore Girls,” “The West Wing,” Flyboys and Warriors of Virtue. LARRY BULL (Tristan Evans, Prime Minister) is delighted to be making his debut here at PTC. Broadway: Lincoln Center (The Coast of Utopia). Off-Broadway: Cherry Lane Theatre (Nora), The Peccadillo Theatre Company (Rocket to the Moon). NYC: 78th Street Theatre Lab (Kenneth - What is the Frequency?). Regional: Utah Shakespeare Festival (Much Ado about Nothing, Richard II, Henry IV Parts 1 & 2, Henry V, King Lear, Amadeus, Sense and Sensibility, Twelve Angry Men and Peter and the Starcatcher), Actors Theatre of Louisville (Appropriate, Mystery of Irma Vep, A Christmas Story), Cincinnati Playhouse in the Park (Dracula), DCPA Theatre Company (The Trip to Bountiful, A Christmas Carol), Shakespeare Theatre (Twelfth Night),
Huntington Theatre Company (Amphitryon), Trinity Repertory (The Music Man), Geva Theatre (On Golden Pond). TV: “Madam Secretary,” “Law & Order: SVU.” SAMANTHA EGGERS (Catherine, Duchess of Cambridge) is thrilled to be making her Pioneer Theater Company debut! Recent regional credits include: A Midsummer Night’s Dream (Kingsmen Shakespeare Company), Pride and Prejudice (La Mirada Theater), What the Butler Saw (Mark Taper Forum), Hero! (Asolo Repertory Theater), The Fox on the Fairway (Saint Michael’s Playhouse), The Glass Menagerie (American Repertory Theater) and The Lily’s Revenge starring Taylor Mac. Broadway & National Tour: Mamma Mia! Film/Television: Get Happy!, Racing Colt, “Jane the Virgin,” “Deadly Sins.” Training: M.F.A., American Repertory Theater Institute at Harvard University. Proud member of AEA, SAG-AFTRA. www.samanthaeggers.com JOHN FORD-DUNKER (Prince Harry) Red (Geva Theatre), The Glory of the World (BAM), That High Lonesome Sound, So Unnatural a Level, Dracula, A Christmas Carol (Actors Theatre of Louisville). Other theatre: Hands on a Hardbody (Park Playhouse), Our Voices Project (New Ohio Theatre), Macbeth (Old Hat Theatre Company), Wonderful Town (Quisisana Resort), Thoroughly Modern Millie, The Producers, Next to Normal, Big Love, The Importance of Being Earnest, The Normal Heart, Stags & Hens, Spring Awakening, Almost, Maine, Sunday in the Park with George, Soldiers Circle (UWSP). Training: B.F.A. in musical theatre from University of
PIONEER THEATRE COMPANY | 17
WHO’S WHO IN THE COMPANY Wisconsin-Stevens Point, Actors Theatre of Louisville Professional Training Company.
Theatre (Chicago), PlayMaker’s Repertory, Shakespeare Theatre of New Jersey, Indiana Repertory, Syracuse Stage and the Illinois MONIQUE FOWLER (Camilla, Shakespeare Festival, among many others. Duchess of Cornwall) has Film & Television: “As the World Turns,” performed leading roles in “Sex and the City.” Training: NYU. Later this classic and contemporary works spring, Goodman will appear in Heartbreak on Broadway, off-Broadway and House directed by Tony Award Winner Darko in many regional theatres across the US. Her Tresnjak at Hartford Stage. appearances in television and film include “Law and Order” for NBC, “The Skin of our JOHN HUTTON (King Charles Teeth” and “The House of Mirth” for PBS and III) King Charles III is his debut Woody Allen’s Celebrity. She is the author of with Pioneer Theatre Company. three plays adapted from historical letters, Other regional credits include including one on the American poet Elizabeth 23 years at DCPA Theatre Bishop, which she took to Brazil in 1999. Company, Great Expectations at Portland She is an associate artist of the Old Globe Center Stage, Our Town at Northern Stage Theatre in San Diego and artistic director of and Equivocation and Cymbeline at The the Bagaduce Theatre in Brooksville, Maine, Colorado Shakespeare Festival. In New York: where she will direct Anton Chekhov’s The You Will Remember Me at Hudson Stage Cherry Orchard this summer. Company and Yours Unfaithfully at The Mint. Film and television: The Dwarves of Demrel, GRANT GOODMAN (Prince Distance, Who Would Think of a Flaming William, Duke of Cambridge) Trumpet?, “Power,” “Time After Time,” is delighted to return to the Murder of a President and Nobel. Beehive State, having performed at the Utah Shakespeare JESS NAHIKIAN (Jess) After Festival on several occasions — appearing spending the last four years in as Petruchio in The Taming of the Shrew, the UK, Nahikian is thrilled to Orsino in Twelfth Night, Colonel Brandon be making her debut at PTC. in Sense and Sensibility and as the title role She holds an undergraduate in Macbeth, among others. National Tours degree in acting from the Royal include: The Merchant of Venice starring F. Conservatoire of Scotland and additional Murray Abraham. Off-Broadway: Antony and degrees from Interlochen Arts Academy and Cleopatra, The Merchant of Venice (Theatre Dell ‘Arte International School of Physical for a New Audience); King Lear, The Iliad Theatre. Recent theatre credits: Alithea (Lincoln Center); Richard II (Pearl Theatre); (The Country Wife), Virgilia (Coriolanus), Pericles (Red Bull). Regional: Yale Repertory, Catherine (A View from the Bridge), Antigone Shakespeare Theatre Company (Washington, (The Thebans), Margaret (The 39 Steps), D.C.), Chicago Shakespeare Theater, The Mustardseed (A Midsummer Night’s Dream) Old Globe, Actors Theatre of Louisville, and Audrey (Charlie Sonata). Cincinnati Playhouse in the Park, Milwaukee Repertory, Arizona Theatre Company, Court 18 | KING CHARLES III
MAX ROBINSON (James Reiss, Press Secretary to King Charles III) was last seen at Pioneer Theatre Company as Msr. Morrel in The Count of Monte Cristo. He has also appeared here in Outside Mullingar, The Music Man, One Man, Two Guvnors, Much Ado About Nothing, Noises Off, My Fair Lady, The Producers, A Midsummer Night’s Dream, Les Misérables (Thénardier), Disney’s Beauty and the Beast, Amadeus, The Importance of Being Earnest and nearly 100 other productions at PTC. Robinson played Oscar Wilde in Gross Indecency: The Three Trials of Oscar Wilde at the Studio Theatre in Washington, D.C., which earned him a Helen Hayes Award nomination. He has also appeared in four seasons at the Utah Shakespeare Festival, Salt Lake Acting Company, The Grand Theatre and in regional theatres from Seattle to New York. Film and TV credits include Other People’s Money, “All My Children,” “One Life to Live,” “Touched by An Angel” and Woody Allen’s Shadows and Fog. BEN ABBOTT (Spencer/ Nick/Sir Gordon/Paul/ Archbishop/Ensemble/U.S. Reiss) Pioneer Theater Company: Music Man, Fiddler on the Roof; Utah Shakespeare Festival: Julius Caesar; Hale Centre Theatre: Peter and the Starcatcher, Beau Jest, The Nerd, Is He Dead?; Other theaters: Indiana Festival Theatre, PCPA Theaterfest, Cardinal Stage Company, The Great American Melodrama.
PIONEER THEATRE COMPANY | 19
WHO’S WHO IN THE COMPANY TYSON BAKER (Roberts, butler to King Charles III/ Ensemble/U.S. William/U.S. Mark Stevens) PTC debut! Local credits: Booksmart, RUFF!, Different=Amazing (Plan-B Theatre); Mockingbird (Pygmalion Productions); Closer (Wasatch Theatre Co.); The Crucible (The Grand Theater); The 39 Steps, The Musical of Musicals: The Musical, A Funny Thing Happened on the Way to the Forum (Old Lyric Rep.); R + J: Star-Cross’d Death Match, SLAC Lab 2017 (Salt Lake Acting Co.). Other fun stuff: Eight seasons at the Jackson Hole Playhouse playing various roles. ROGER DUNBAR (Cootsey/ Terry/Sir Michael/Speaker of the House/Ensemble) returns to PTC after playing Thomas in A Philadelphia Story. He has appeared locally as Paul Lebby in Poor Bastard (Riot Act); Joe Hill in One Big Union (Plan-B Theatre and Utah Shakespeare Festival’s Words3); Doubt, Amadeus (Utah Repertory); Art, The Comedy of Errors, Boeing Boeing, Betrayal (Pinnacle Acting Company); Hedda Gabler, The Winter’s Tale and Waiting for Godot (The Sting and Honey Company). SUSANNA FLORENCE (Sarah/Ghost/TV Producer/ Ensemble) is thrilled to be returning to Pioneer Theatre Company. She has appeared previously in Fiddler on the Roof and One Man, Two Guvnors, as well as in several Play-by-Play readings including Speculator Spirits, A March Tale, Honor Killing, and i. Other Utah credits include Kings’ Men with The Sting and Honey Company, and Pilot Program and Kingdom of Heaven
with Plan-B Theatre, as well as Mary Poppins and Much Ado About Nothing with Utah Shakespeare Festival. Florence holds an M.F.A. from the National Theatre Conservatory. Deep gratitude to Karen and David and to GK, always. ISABELLA REEDER (William & Kate’s Butler/ Ensemble/U.S. Jess) is thrilled to be returning to PTC after having been recently involved in An Inspector Calls. Recent credits include Jolene in Self Defense or Death of Some Salesmen and Masha in Three Sisters. She is a current student in the University of Utah’s Actor Training Program. Much love and thanks to my friends and family! SARAH SHIPPOBOTHAM (Free Newspaperwoman/ Ensemble/U.S. Camilla) is a full professor at the University of Utah. She was last seen at PTC as Anne Putnam and Sarah Good in The Crucible. Earlier this season, she dialect coached The Last Ship and Oliver!. She also works as the resident voice and dialect coach for the Shaw Festival in Canada. She was the additional dialect coach on The Hobbit films. BAILEY WALKER (Ensemble/U.S. Catherine) is a senior in the Musical Theatre Program at the U. Some of her recent roles include: Peggy/ Suzette in Dogfight, Daytona in Self Defense or Death of Some Salesmen, Cheerleader #2 in Saturday’s Voyeur 2016 (SLAC) and Clover in Animal Farm. She would like to thank her family and her fiancé Christian for their support.
20 | KING CHARLES III
WHO’S WHO IN THE COMPANY BENJAMIN YOUNG (Ensemble/U.S. Harry) is a sophomore in the Actor Training Program at the University of Utah. Previous credits include Algernon in Climbing With Tigers with Flying Bobcat Theatrical Laboratory and a reading in Plan-B Theatre Company’s Script-in-Hand Series. DAVID IVERS (Director) returns to PTC after directing One Man, Two Guvnors. He is one of two artistic directors of the Utah Shakespeare Festival where he has acted and directed in nearly 50 productions spanning 20 seasons. He has appeared on stage and as a director at some of our country’s most prestigious theatres, most recently directing productions for Berkeley Repertory Theatre, Guthrie Theatre, Oregon Shakespeare Festival, South Coast Repertory Theatre, and multiple seasons on stage with the DCPA Theatre Company, Portland Rep. (Associate Artistic Director) Portland Center Stage, Alabama Shakespeare Festival and others. He holds a B.F.A. from Southern Oregon University and M.F.A. from the University of Minnesota. He is a proud member of SDC and AEA. Many thanks to PTC. GARY M. ENGLISH (Scenic Designer) is the founding artistic director of Connecticut Repertory Theatre and served as artistic director and dept. head in dramatic arts for 15 years. Recent major directing credits include The Miracle Worker and American Primitive, produced at the Berkshire Theatre Festival in Stockbridge, Mass. As a designer, his work includes scenery and costumes for off-Broadway, television and over 70 productions at many of America’s leading repertory theatres. Some design credits include The Fantasticks at the Repertory
Theatre of St. Louis; One Man, Two Guvnors, The Light in the Piazza and the world premiere of The Ladies Man, by Charles Morey, at Pioneer Theatre Company. He is currently on the Board of Directors serving as immediate past president for U/RTA. He served as commissioner of scene design for the United States Institute for Theatre Technology, USITT and as a panelist on the Connecticut Commission on the Arts. He is currently a member of the National Theatre Conference. ALEX JAEGER (Costume Designer) returns to PTC after having designed One Man, Two Guvnors. Off-Broadway: Two Sisters and a Piano (Public Theater); Wiesenthal (Tour); Regional: Mr. Burns (Guthrie); Dr. Seuss’ The Sneetches (Children’s Theatre Co.); The Nether, The Paris Letter, Eclipsed (Center Theatre Group); Amadeus, Zealot and others (South Coast Repertory); The Servant of Two Masters, Man of La Mancha and the upcoming How to Fight Loneliness and Shakespeare’s Long Lost First Play (Utah Shakespeare Festival); The Hard Problem, Major Barbara, Arcadia, Once in a Lifetime, Maple and Vine (A.C.T. San Francisco); A Wrinkle in Time, A Streetcar Named Desire, Cat on a Hot Tin Roof, Romeo and Juliet (Oregon Shakespeare Festival); A Lie of the Mind, Buried Child, Annapurna, Bruja, Oedipus El Rey, Mauritius (Magic Theatre, San Francisco); Lombardi (Cleveland Playhouse); The Habit of Art, Grey Gardens, Caroline or Change and others (Studio Theatre, D.C.). DAVID NEVILLE (Lighting Designer) is very excited to be at Pioneer Theatre Company. He has designed lighting for over 300 productions for various regional theatres, including Music Theatre Wichita,
22 | KING CHARLES III
WHO’S WHO IN THE COMPANY Ordway Theatre, Paper Mill Playhouse, Walnut Street Theatre, 5th Avenue Theatre, Portland Center Stage, Pioneer Theatre Company, North Carolina Theatre, North Shore Music Theatre, Arkansas Rep., Theatre Under the Stars, Music Theatre West and Santa Barbara Civic Light Opera. Other projects include designs for off-Broadway, National Tours and International Tours. This year includes designs at Music Theatre Wichita, Wichita Symphony, Arkansas Rep. and California Music Circus. GREGG COFFIN (Composer) Previously at Pioneer Theatre Company, Coffin music directed One Man, Two Guvnors. Elsewhere he has composed, directed, arranged or orchestrated the music for productions in theatres throughout the U.S. and Canada, including the Minetta Lane Theatre and The Duke on 42nd Street (off-Broadway), the Stratford Festival of Canada, the National Arts Centre, and Canadian Stage (Canada), Alley Theatre, American Players Theatre, Arena Stage, Berkeley Rep., Geva Theatre Center, The Guthrie Theatre, South Coast Rep., DCPA, and the Oregon, Utah, Santa Cruz, Alabama, California, Great River and St. Louis Shakespeare Festivals. He is a member of the Dramatists Guild of America and the American Federation of Musicians, Local 12. ADRIANNE MOORE (Dialect Coach) is the head of the theatre department at Utah State University and a freelance accent coach and director. Her work as a dialect and vocal coach for Pioneer Theatre Company includes productions of Dracula, My Fair Lady, The Heiress and Pride and Prejudice. She has also served as dialect and text coach for the Utah Shakespeare Festival, working on productions of Two Gentlemen
of Verona, Sherlock Holmes, Boeing Boeing and Dracula. She coaches regularly for the Salt Lake Acting Company; credits there include Streetlight Woodpecker, Tribes, Good People, Venus in Fur, Bloody Bloody Andrew Jackson, Red, Angels in America, Charm, The Caretaker, Skin in Flames, I Am My Own Wife, Polish Joke and Memory of Water. She is the resident dialect coach for the Lyric Repertory Company and has recently taken on the role of artistic producer for the company. Film dialect coaching includes The Redemption of Sarah Cain and the AMC pilot Galyntine. Moore is a member of the Voice and Speech Trainers Association. JOSHUA C. HIGHT (Sound Designer) A graduate with distinction of London’s Alchemea College of Audio Engineering, Hight comes to PTC with many years of experience in professional audio systems repair and design and has established himself as an exceptional live sound engineer in both London and Salt Lake City. Hight is looking forward to a successful fourth season working in theater design with Pioneer Theatre Company. His other projects of note include working with Sommerset House for the 2012 Olympic Games, and PTC’s Much Ado About Nothing, Deathtrap, Sweet Charity, The Rocky Horror Show, One Man, Two Guvnors, Alabama Story, The Crucible, I Hate Hamlet, The Music Man, Fiddler on the Roof, Outside Mullingar, It Happened One Christmas, Two Dollar Bill, An Inspector Calls, Cowgirls, The Count of Monte Cristo, The Last Ship, The Glass Menagerie, Oliver!, Fences, Women in Jeopardy! and Chess. AMANDA FRENCH (Hair and Makeup) has been a makeup and hair designer for over 25 years. She has worked for
24 | KING CHARLES III
WHO’S WHO IN THE COMPANY Montana Shakespeare in the Parks, the Utah Shakespeare Festival, Utah Opera, Egyptian Theatre Company and the University of Texas at Austin. She is a contributing writer in the tenth edition of Stage Makeup by Corson, Glavan and Norcross, and her work can also be seen in The Costume Technician’s Handbook by Ingham and Covey, and Wig Making and Styling: A Complete Guide for Theatre and Film by Ruskai and Lowery. She attended the College-Conservatory of Music at the University of Cincinnati where she studied with Hair and Makeup Designer Lenna Kaleva. She is a member of the United States Institute for Theatre Technology (USITT) and a current University of Utah adjunct professor of wigs and makeup. ISABEL SMITH-BERNSTEIN (Dramaturg) This is her first show with Pioneer Theatre Company. She has worked previously as a dramaturg with the Utah Shakespeare Festival (Much Ado About Nothing, The Three Musketeers, Amadeus, Charley’s Aunt), Lean & Hungry Theater (The Scarlet Letter, The Comedy of Errors, Alice’s Adventures in Wonderland), Empty Chair Theatre Company (Titus Andronicus, Hamlet), Underling Productions (Measure for Measure), and as an assistant dramaturg with the Oregon Shakespeare Festival (Pericles) and the Folger Theatre (Richard III). Publications include an article in the Pennsylvania Shakespeare Festival’s The Quill. She holds a B.F.A. from Carnegie Mellon University and is an M.A. candidate at UC Boulder. TANYA J. SEARLE (Production Stage Manager) has returned for her second season at Pioneer Theatre Company. Searle has worked at the Utah Shakespeare Festival, the Alabama Shakespeare Festival, the Orlando Shakespeare Festival, Houston
Grand Opera and the Atlanta Ballet. She holds an M.F.A. in stage management from the University of Alabama/ASF and an M.A. in food studies from Chatham University in Pittsburgh. Searle is a proud member of Actors’ Equity Association. MARY P. COSTELLO (Stage Manager) is with Pioneer Theatre Company for her sixth season! Other PTC credits include: Chess, Women in Jeopardy!, Oliver!, Sting’s The Last Ship, The Count of Monte Cristo, An Inspector Calls, It Happened One Christmas, Fiddler on the Roof, The Music Man, The Crucible, Peter and the Starcatcher, The Rocky Horror Show, The 25th Annual Putnam County Spelling Bee, Sweet Charity, Much Ado About Nothing, Elf—The Musical, Other Desert Cities, Something’s Afoot, Les Misérables, The Odd Couple, The Philadelphia Story, A Christmas Carol: The Musical, In the Heights, Man of La Mancha, Emma, Annie, The Tempest, Next to Normal and Rent. Other stage management teams include Indiana Repertory Theatre, Connecticut Repertory Theatre, Boston Theatre Works, Grand Valley Shakespeare Festival and the Utah Shakespeare Festival. Proud Equity member. ANALYSHA MULCOCK (Assistant Stage Manager) is excited to return for her second season in this position with Pioneer Theatre Company, and recently worked on Women in Jeopardy!. Some of the shows she has enjoyed working on here are Fences, Oliver!, The Glass Menagerie, The Last Ship, The Count of Monte Cristo, It Happened One Christmas, The Rocky Horror Picture Show, The Music Man, The Crucible, Alabama Story, Peter and the Starcatcher, One Man, Two Guvnors, Sweet Charity, A Few Good Men and Something’s Afoot. Some of her other credits include A Flea in Her Ear and Rare Bird (Babcock
26 | KING CHARLES III
WHO’S WHO IN THE COMPANY Theatre), Sylvia and Songs for a New World (Pacific Conservatory of the Performing Arts). She would like to thank her family and loving wife for their love and support! MIKE BARTLETT (Playwright) is currently associate playwright at Paines Plough. In 2011 he was writer-in-residence at The National Theatre, and in 2007 he was Pearson Playwright in Residence at the Royal Court Theatre. His play Love, Love, Love won Best New Play in the 2011 Theatre Awards UK, and his play Cock won an Olivier Award in 2010 for Outstanding Achievement in an Affiliate Theatre; he won the Writer’s Guild Tinniswood and Imison prizes for “Not Talking” and the Old Vic New Voices Awards for Artefacts. Theatre credits include: Love, Love, Love, 13 (National Theatre), Decade (co-writer), Earthquakes in London, Cock, Contractions, Artefacts and My Child. Radio credits include: “The Core,” “Heart,” “Liam,” “The Steps,” “Love Contract,” “Not Talking” and “The Family Man,” all on BBC. Screen credits include “Earthquakes in London” and “Hometown.” Directing credits include Honest by DC Moore. He is currently under commission from Headlong
pioneer theatre company gratefully acknowledges the following businesses and individuals for their contributions to this production:
Theatre, Liverpool Everyman and Playhouse, Hampstead Theatre and The Royal Court Theatre. BOB CLINE (Casting) is the founder of Bob Cline Casting in New York, and Broadway World recently named him one of New York’s ten best. He has cast film, TV, commercials, over 70 national tours and numerous regional theaters across the country. Independently, or in his association with Rich Cole since 1994, he has cast for Pioneer Theatre Company, the Fulton Theatre, Maltz-Jupiter Theatre, The Repertory Theatre of St. Louis, and many, many others. Bob has also been a proud faculty member in Pace University’s Theatre program in charge of the senior B.F.A. musical theatre majors for the last 10 years. Nights when he is not directing shows, he can be found directing students in one of the two audition classes he teaches weekly, for the last 18 years, through The Actor’s Loft. ACTORS’ EQUITY ASSOCIATION (AEA) founded in 1913 represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFLCIO, and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
Delvies Plastics Kathie Horman Utah Shakespeare Festival Xmission
28 | KING CHARLES III
(in)divisible Our country feels more divided than ever before. People increasingly feel their voices are being ignored. It seems we’ve collectively lost the ability to listen. Please join us for a non-partisan evening of new work drawn from real-life stories - equal parts liberal and conservative - some you’ll agree with, some you won’t, all from people just like you. Featuring short plays by Utah playwrights: Austin Archer Matthew Ivan Bennett Carleton Bluford Rachel Bublitz
Elaine Jarvik Julie Jensen Jennifer A. Kokai Melissa Leilani Larson
Jenifer Nii Eric Samuelsen Morag Shepherd Debora Threedy
Tickets are free but all patrons are encouraged to contribute to The Children’s Center while at the theatre.
June 8-18
Free tickets at planbtheatre.org
FOR YOUR INFORMATION Emergency Exits are indicated to your right and left in the theatre. Please identify the exit closest to your seat location in case an emergency occurs. The videotaping, photographing or other video or audio recording of this production is strictly prohibited. This includes photos taken by phone. CELLULAR PHONES, CAMERAS AND PAGERS ARE NOT ALLOWED IN THE THEATRE. Even if set to silent or vibrate, they may disrupt wireless sound equipment. Please either leave your phone in your car or check it at the coat check. TEXTING is disturbing to the actors and your fellow audience members. Please refrain. If you might need to be reached during a performance, leave your exact seat location with the box office. The number for emergency calls is 801-581-6963. We have a hearing assistance system that allows our hardof-hearing patrons to sit in any seat in the house. Collateral required; inquire at the coat check. We welcome disabled persons. Those with special requirements should request assistance in advance. Refreshments are not permitted in the auditorium, but are available in the main floor lobby during intermission and pre-show.
Bottled water is allowed. Smoking is not permitted in University buildings. Please ask ushers for smoking locations. Evening performances are at 7:00 p.m. Monday through Thursday, 7:30 p.m. Friday and Saturday; Saturday matinees at 2:00 p.m. Please avoid arriving after curtain time. To avoid disturbing other patrons, latecomers will be seated at the discretion of the House Manager. This policy has been instituted at the request of many of our patrons. Season ticket holders may exchange their tickets for another performance of the same play by returning tickets to the box office at least 48 hours prior to the performance date. Tickets are non-refundable. You may donate your tickets, helping yourself and Pioneer Theatre Company. If you are unable to attend a production, make a tax-deductible gift of your tickets to the Theatre so that we may re-sell them. Call the box office 48 hours prior to the performance date. The Patron Services staff will serve you from 10:00 a.m. until 6:00 p.m., Monday through Friday. During the run of a show, the box office is open Monday through Saturday from 10:00 a.m. until 8:00 p.m. No children under age 5 admitted to performances.
32 | KING CHARLES III
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FRIENDS OF PIONEER THEATRE COMPANY Pioneer Theatre Company Board of Trustees Harris H. Simmons, Chair Co-Budget Chair Mark Capone Stan D. VanderToolen Karen Azenberg Gregory N. Barrick Sandi Behnken Colleen Larkin Bell G. Marsden Blanch, M.D. Nate Boyer Doyle Clayburn Fred Esplin
Dan Lofgren, Vice Chair and Development Chair
Marketing Chair Todd Wolfenbarger
Nominating Chair Kevin R. Murray
Christian Gardner David H. Green Pat Hemingway Christopher Lino Matthew L. Moore Gregory D. Phillips Lamont R. Richardson Carolyn Schubach
William Stern Raymond Tymas-Jones, Ph.D. Ruth V. Watkins, Ph.D. Gage Williams Emeritus A. Scott Anderson Edward F. Bates William H. Child
Long Range Planning Chair Linda Leckman, M.D. Paul M. Durham Spencer F. Eccles David E. Gee Kathie Horman James Macfarlane Peter D. Meldrum Bruce T. Reese J. Douglas Whisenant
Pioneer Theatre Guild Officers Doyle Clayburn, President Caprene Thompson, President-Elect Peggy Stanley, Vice President Carol Gibson, Secretary Kris Burton, Treasurer For information regarding PTC Guild membership, call Heather at 801-554-3071.
Corporate, Foundation, and Public Support Pioneer Theatre Company is pleased to recognize the many businesses, foundations, public institutions, and corporate sponsors that support our mission. Thank you for your generous contributions. Season Sponsors Salt Lake County Zoo Arts and Parks Fund George S. and Dolores Doré Eccles Foundation
Presenting Sponsors ($50,000 and above) Harris H. and Amanda P. Simmons Emma Eccles Jones Foundation
Zions Bank
Family Foundation
Meldrum Foundation
Executive Producers ($25,000 – $49,999) MediaOne + Questar Corporation
The Shubert Foundation Simmons Family Foundation
Anonymous Donor R. Harold Burton Foundation College of Fine Arts Art Pass Program
L. T. and Janet T. Dee Foundation Marriner S. Eccles Foundation Richard K. and Shirley S. Hemingway Foundation
Cowboy Partners Durham Jones & Pinegar Holland & Hart, LLP
Megadyne Medical Products, Inc. Myriad Genetics, Inc.
Anonymous Donor American Express Matching Gifts Spencer F. and Cleone P. Eccles Family Foundation Goldman Sachs & Co.
Larry H. and Gail Miller Family Foundation George Q. Morris Foundation — In Memory of Gabrielle M. Woods Parr Brown Gee & Loveless
Ancestry Anserfone + Boyer Company Delvie’s Plastics, Inc. +
Deseret Mutual Benefit Advisors Ernst & Young Gastronomy, Inc. + Hamlet Homes
Anonymous Donor ADP Foundation Bank of American Fork Beans & Brews + Boeing Buds Sandwiches + Cambia Health Solutions Corner Bakery Café + EnergySolutions +
Fidelity Charitable Gift Fund GE Foundation IBM International Foundation I.C. Group + Richard H. and Joann O. Keller Family Foundation KeyBank The Leonardo + Massage Center +
Steiner Foundation, Inc. Utah Division of Arts and Museums
Producers ($10,000 – $24,999) The Robert D. Kent, Jr. Trust Pioneer Theatre Guild W. Mack and Julia S. Watkins Foundation
Wheeler Foundation Wells Fargo
Benefactors ($5,000 – $9,999) Charles Maxfield and Gloria F. Parrish Foundation Phillips Ryther & Winchester
S. J. and Jessie E. Quinney Foundation Salt Lake City Arts Council Tesoro
Directors Club ($2,500 – $4,999) PwC Robert and Barbara Patterson Family Memorial Foundation John and Marcia Price Family Foundation
Riverton Music The Jennifer Speers Family Trust The Summit Group U.S. Bank Foundation
Associates ($1,000 – $2,499) Love Communications Snow, Christensen & Martineau Foundation Craig and Connie Thatcher Foundation
Thompson Michie Associates LLC Travelers Matching Gifts University Federal Credit Union WCF Insurance
General Partners (up to $999) Microsoft Matching Gifts Program The Natural History Museum of Utah + Real Salt Lake + Red Butte Garden + Spitz + State Farm Insurance Cos. Strong & Hanni, Law Firm Thanksgiving Point + The King’s English +
PIONEER THEATRE COMPANY | 37
Utah’s Hogle Zoo + Utah Museum of Fine Arts + Utah Shakespeare Festival + Wilcox-Smith Foundation The Williams Companies, Inc. Xerox Corporation XMission L.C. +
FRIENDS OF PIONEER THEATRE COMPANY Special Gifts Gifts to capital projects, artistic programming, and endowments secure the future of Pioneer Theatre Company. The donors listed are recognized for their important contributions to sustaining and enhancing artistic excellence. Planned Gifts Sally Boynton-Murray • Normon S. • and Grace R. Higson • Chris Lino and Colleen Lindstrom Diane L. Parisi The Estate of Margot L. Shott • deceased Play-By-Play Anonymous (3) Barbara Margaret Bannon Bireley Endowment Mary L. Barnes Devin Calcut Leslie Calvert David L. Click Scott Eckern On behalf of Equality Utah
Goldman Sachs Matching Gifts Matthew L. Moore William Stern Michael and Donna Weinholtz Mark A. Fossen Dennis Gardner Helen Harbold Mary Heers Jason L. Hoggan Lee and Audrey Hollaar Linda Leckman, M.D. Doralee D. Madsen Harriet Mazer Michael and Jan Pazzi Carolyn Rich-Denson Sarah Shippobotham Harris and Amanda Simmons Cynthia Spoor
Richard Lee Wailes, Jr. Ruth Weisman Wells Fargo Matching Gifts Special Projects Lawrence T. and Janet T. Dee Foundation Tom Jepperson Meldrum Foundation The Jennifer Speers Family Trust Mattsson Memorial Fund William and Donna Vogel
PTC True and Quasi Endowments Roger and Sara Boyer Kem and Carolyn Gardner Francis and Joan Hanson Laurel J. Hart In Memory of Shannon Elizabeth and Amanda LaRae Maxwell Steve and Alisa Parks Questar Corporation In Memory of Mars Spafard Spoor Endowment Chris Lino
Meldrum Foundation Endowment The Peter and Susan Stevens Fund Endowment Meldrum Foundation Susan Dolan Stevens and Peter Stevens
Annual Fund Support From Individuals Individual Sponsors ($5,000 and above) Most individual donors to PTC choose to support the general work of the company. There are also opportunities to contribute gifts of $5,000 or more to specific productions or projects. For more information call 801-581-6960. Anonymous Donor Judy Brady and Drew W. Browning
Hank and Pat Hemingway
Estate of Grace R. Higson
Roger and Mary Lowe
Directors Club ($2,500 – $4,999) The Directors Club is a giving level recognizing donors who make an annual contribution of $2,500 or more to PTC. Members of the Directors Club receive exclusive benefits throughout the theatre season. For more information call 801-585-3196. Gregory N. Barrick Alice Beaumont* Bonnie Jean and H. Brent Beesley Sandi Behnken Colleen Larkin Bell Lynette and Marsden Blanch Kristina and Kenneth Burton Mark and Kelly Capone Ezekiel R. Dumke, Jr.
Paul and Maren Durham Susan F. Fleming David E. and Sherrie Gee Kathie and Chuck Horman Tom and Carol Jepperson * Dale A. and Rachel B. Kimball Linda J. Leckman, M.D. Robert Lence Lofgren Family
Anonymous Donor (2) In Memory of Stephen W. Barlow C. Kim and Jane C. Blair Art and Rita Brothers Michael and Alison Brown Robin and Marion Campbell Margaret Cragin-Masarone
Tim and Candace Dee In Honor of The Richard K. and Shirley S. Hemingway Foundation Elizabeth Terry Dunning Ann W. Floor + Dennis and Sherrie Gardner Bob and Mary Gilchrist
Anonymous Donors (3) Christine A. Allred John and Linda Ashton Karen Azenberg and Augie Mericola Reed and Jeanne Benson Mary Anne Berzins In Memory of L. Sue Biederman Kenneth and Karen Brewster Michael M. Brock Randall J. and Suzan S. Buchmiller * Bruce and Lynn Cohne Philanthropic Fund Morlene Dangerfield
Craig and Stephanie Darrow Al Davis Ashby and Anne Cullimore Decker Michael D. Drews Robert and Liz Ence Jeannine Engel Chesley and Amy Erickson Dorothy Foster* Glen and Elizabeth Gerner Bob and Mary Gilchrist Doris and David Gillette In Honor of Ruth Hale Bonnie Hedman* Jennifer Hedman*
James L. and Carol C. Macfarlane Peter and Catherine Meldrum Kevin R. and Deon Murray Michael and Jan Pazzi Gregory D. and Cynthia Phillips Edna Firmage Richards Richard Koehn and Sheryl Scott Harris H. and Amanda Simmons James M. Steele
Kevin and Alice Steiner Billy Stern Julie and Val Stokes R. Eric and Michele Thompson * Karen Salzman and Craig Turner Stan and Jill VanderToolen * Chris and Heather Watkins + Todd and Michelle Wolfenbarger
Associates ($1,000 – $2,499) Devon M. and Julie H. Glenn David H. Green Cindy Spoor and Doug Howard David and Linda Jolley Sheldon R. Furst and Ellen Liu Doralee Madsen Nickie and David McDowell Nancy and George D. Melling
Matthew L. Moore * Brenda Mueggenborg John Netto and Catherine PutnamNetto Lou Ann Stevens Tom Whitney + Wood Whitney +
Angels ($500 – $999) Nancy Melich and J.Alexander Hemphill Larry and Tina Howard Maria and Andrew Hunt Elise Hutchings Brent and Eve James Greg Hatch and Terry Kogan + Chris Lino David and Donna Lyon Ronald and Danece Mangone Mary McCarthey James and Karen Nelson Oren and Liz Nelson Diane L. Parisi John and Susanne Parsons
38 | KING CHARLES III
Karen F. and Leon Peterson Wayne and Robyn Petty In Memory of Suzann Pyper Amy Wadsworth and David Richardson Zoe and Lon Richardson, Jr. Brian and Janice Ruggles Harold and Debbie Rust In Memory of Darlene Sackett Tom and Marsha Swegle Marsha Tadje Julia and Hugh West Barbara Wheat David and Jeralynn Winder
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FRIENDS OF PIONEER THEATRE COMPANY Patrons ($125 – $499) Anonymous Donors (7) Mons Aase Kjersten Adams Craig and Joanna Adamson Jon K. and Darlene Alley Susan Allred Gloria and Irwin Altman Carol A. and James A. Anderson Eric and Judy Anderson Robert and Lois Archuleta George J. Ator Sandra and Marc Babitz Brett Backman Bryan and Tina Bagley Jim and Martha Bale Linda K. Ballard Don Barlow Lynn and Diane Barnett Lonnie and Jill Baskett Beth Q. Beck Eric Biederman John S. Bolinder Jerry and Marcella Borrowman Maxine and Junior Bounous Drs. Glen and Anneli Bowen Tom and Sally Bowen John P. and Andrea M. Burke Christine and Devin Calcut Kenneth M. and Barbara L. Calney Doug and Barbara Campbell Art and Luana Casper Martin Cathey Robert and Barbara Cherrington Edward and Carleen Clark Robert R. Clark Amalia L. Cochran Kathie and Marshall Coopersmith Dr. and Mrs. Leland B. Cowan Emily Crane Debbie Davis Steven and Celia Demman Jerry Diana Anne and Sandy Dolowitz David Dolowitz Wilma and Willie Dolowitz Carrie and Randy Drown Mark and Laurie Eliason
Robert and Liz Ence Drs. Richard C. and Ann W. Engar James and Ruth Ewers Leah B. Felt Kathy and Dane Finerfrock Kathy and Craig Fineshriber Larry and Shirley Florence Sarah George and Richard Ford Jan and Stan Foutz John and Cathey Frederick Camille Fung Dennis C. Gassman Pat and Donna Gavura Dietrich and LaDon Gehmlich Marian Green Clair and Vivian Hadley Scott A. and Loree D. Hagen Beth C. and Peter T. Hanlon Ken and Gerry Hanni Frank Heath Ross Owen and Larry Herndon Susie and Mark Hindley Kenny and Janeal Hodges Jason Hoggan Ervin R. and Jennifer Holmes Barry N. Holmstead John and Carol Huffman Randy and Nikki Huizenga Dan Humiston and Jackie GianniniHumiston Karen Hyde Gilbert H. and Thelma P. Iker Amy Haselhorst and Richard Irons Bruce and Rhonda Irvine Barbara H. and C. Gresham Ivey Danelle and Paul Jensen Randy and Liz Jensen Michele and Dave Jenson Bruce and Maxine Johnson Mark Johnson Ben and Jenn Kalm Jim and Maggie Kearns Dr. Robert and Julie Kessler The Kohlburrn Family The Kraiss Family Joan M. and Douglas S. Lake Guttorm and Claudia Landro
Anonymous Donors (6) Carolyn Abravanel Susan and Ken Albrecht John and Sheryl Allen Natalie Allen-Williams Kathy Aller Bob and Eleanor Anderson Diane Anderson Kirk M. Anderson Jeanine Andrews James M. Anjewierden Dawn Aoki In Memory of Mary G. Asson Robert L. Backman
Enid Baker Charles Ball Laura Ballantyne Almina Barksdale Joyce and John Barnes Mary L. Barnes Casey Barnett Robert Kyle Barnett Douglas and Jill Barnhart Brett and Janeen Bawden Randy Tillery and Rachel Benator Henri Berry Jean Ann Bills Margaret Jill Bowman
Richard and Connie Larrabee Frank and Barbara Layden Darryl and Bonnie Lee James L. Moore and Kathryn Lindquist Bradley P. Rich and Dr. Erika Lloyd Helga and Herbert Lloyd Donald and Louise Lochhead Uri Loewnstein Peggy P. McElvain Gary and Ruth Manville Dan and Debbie Markosian Sue Marquardt David and Virginia Martin J. Michael and Mary Mattsson Karen McArthur John M. and Christine McCullough Frank and Diane McElwain Walter Merrill Dr. and Mrs. Corey Miller Cyndy and Louis Miller Cyndee Miya Stephen and Sandy Morgan James Moss Michael E. Nash Sara Lee Neill Tim and Peggy J. Newman Brenda Nibley Patti O’Keefe William D. Ohlsen Carol M. Oliver Maura and Serge Olszanskyj Kristi and Jeff Oritt Ted and Kay Packard James and Bonnie Parkin Dinesh and Kalpana Patel Helen Patterson Lewis Boynton and Sonja Penttila Joe Perrin Fred Lowell Petersen Frank and Patrica Pignanelli Nancy Pitstick Gary Pitts Laszlo and Sandra Preysz Karen and James Pugmire Roger and Susan Pyper George C. Rackham, Jr. Beth and Marv Rallison
Kay and Richard Randle Barbara Reid Joan Rice Carolyn Rich-Denson David E. Richmond Kathleen and Michael Rodman Christopher and Kori Russell Leonard and Alene Russon Irene Cannon Salahor Mr. and Mrs. James Schnitz Michael Scott and Loretta Falvo-Scott Sheryl A. Scott David and Julianne Seal Thomas and Joan Shreeve Stuart and Mary Silloway Ralph and Kayleen Simmons Patricia and Homer Smith Sharon and Terry Smith Marvin E. and Kathryn T. Smullen Charles and Janice Sparrer Robert A. and Julie A. Sperling Mary O. Stanley Martin D. and Lynda P. Steed * Russell T. and Sandra Strauss George Sumner and Tina Hose-Sumner Bangs and Fran Tapscott Guy L. and Elaine Thompson Julienne Thompson Scott and Lisa Verhaaren Cindy and Mark Vernon Stefanie Voigt Alison Walker Gwen and Clare Wardle Richard and Karla Webb Mike and Jeanne Weber Wayne and Carol Welninski Tina R. Whitehead Beverly Wilcox P. Yogman and D. Walker Tod and Mary Young
Contributors ($50 – $124) Steve and Joan Brinton Julie H. Brown Lora Beth Brown Tom and Debra Burdett Jonathan Call Brad and Leslie Campbell Gina Caruso-Flynn Katherine Ann Chadey Chiyoko Chiba Blake and Tonya L. Christensen Cathay N. Christiansen Michele Christiansen Ray and Bobbie Christiansen Geraldine Clark
40 | KING CHARLES III
Carlyle and Shanna Clarke Patricia and John Clay Patti and Scott Clements Florencia Coletes Kay Conder Dennis W. Coon Joshua J. Cummings Laura D’Anna James Dabakis Earl C. and Linda R. Dallon William Daniloff Michael and Rebecca Davis Ryan D. Davis Verlie G. Delange
FRIENDS OF PIONEER THEATRE COMPANY Dana L. Denton Kathy and Lawrence Derrick Thomas J. Devereux James R. Dickson Bob and Sue Dintelman Jack and Joyce Dolcourt Robert Doran Suzanne H. Doutre Polly Drolett Rebecca D. Duberow Nalene P. Dunkley Natalia Efros Kathryn Egan Steve Eklund Walter and Gloria Elston Lars and Susan Erickson Brent Evans Kenneth Ryan Falkner Barbara Fasenmyer Ralph and Patricia Faulkner Kent Fawcett Shirley Felt Denise W. Ferguson Robert M. Finlayson Kevin Flannery Lou Jean Flint Clynn and Katherine Ford Cecelia H. Foxley Carolyn C. Fredin Cara Galleni Jean Gardner Marc and Carol Gentner Jaimie Glauser Ralph L. Gochnour Jerry and Linda Good Lewis and Ceselie Goodwin John E. and Anabel W. Greenlee Leslie H. Greenwood Judy Grow Jeanne Gunter Maxine R. Haggerty Patricia K. Hall Francis and Joan Hanson Cozette and Michael Hardy Virginia Harris Alan and Rosena Heal Patti Hendricks Robert C. Heitkamp Duane Hill Randy and Susan Hollis Robert and Virginia Huber Robert N. Imhoff Vince Iturbe Scott Jackson
Elaine Jensen Jill Johnson Karen Johnsen Alana Jonat Kathy Jorgensen Beverly Joseph David Jubelirer Frank and Dorothy Karras Carolyn Kelley Shirley and Robert Knox Tatyana Koshevaya Stan and Sophie Kouris Carolyn Kowalchik Bonnie Lantz Allie Lechtenberger Howard and Nancy Lemcke Steve and Karin Liimatta Joan Lind Colleen R. Lindstrom Diane Luke Elaine Lyon Sheena C. McFarland Bonnie R. Macfarlane Ralph R. and Sylvia S. Mabey Cleo and Max Malan Darcia Mallory-Gordon Randy Eugene Mann Ted and Shirley Marakis John David Marks, Sr. Sue S. Martin Jerry G. and Marcia C. McClain Dr. Johanna and Jack McManemin Richard R. and Jean H. Miller Robert Miller Kathy Moore Paul and Marilyn Moore Nick Morgan Sue and Fred Morris Julie Morriss Patricia Mortensen Robyn Raybould and Ross Mosier Joni Moss Robert C. and Carol S. Moss Henny Muldowney Sharon Murphy Denis and Leona Muskat Maura K. Naughton Bonnie Nell Dalmas H. Nelson Timothy E. Nielsen Rosalie Notarianni Jean and Ralph Nuismer Michael and Marlene O’Hara Tracy O’Keefe
Patrick F. O’Neal Sharon Odekirk Linda B. Purcell Ogden Julie Olson Tim Orton Winnifred and John Ospital Nathan L. and Jennifer A. Pace Kollin Packer Linda D. Page Amy Palmer Kirsten Park Nancy Parker Ron and Mage Parker Paula Paterson Robert W. Payne Megan B. Pedersen Linda S. Pembroke Alecia Peterson Ian Peterson Wendy W. Phippen Colleen Pierce James and Barbara Pierson Van Pilkington Carol Prince Tom Quam Elaine Randolph Dr. Robert L. Rayburn Tammy Richards Barbara R. Miller Ridges Ben and Kathy Roa Susan J. Roberts Thomas A. and Maria E. Roberts J. Kyle and JoAnn K. Robertson Julie Robideau Dr. John and Mary Jo Robinson Michael B. Robinson Keri and L. Clark Romney Mark and Mary Ellen Rosen Thom and Shirley Rossa Alan Rowley Rosellee Rowley Mike Roylance Rachel and Andrew Sackett Howard Safran Jane and Kent Sakashita Steven Schimmelpfennig C. Duwayne and Alice C. Schmidt Larry P. Schumann Kent and LaRae Scott Madalyn S. and James Seaman Matthew Seely Tina Seferos Harry and Becky Senekjian Sara Sexton-Lewis
Michal Shorten Wesley Sine Cathy Cornell and Karen Skinner A.J. and Leah Smith Deborah Smith Julie Spelman Luann Spendlove Stuart Stanek Sharon and Robert Steensma N. Kay Stevenson Tamara Stevenson Elizabeth B. Stewart Thomas L. Stewart William and Susan Stillgebauer Shannon and Richard Straight Annie and Cory Strupp Kirk Stueber Richard and Carlyn Sweet Jennifer E. Swenson Irene Tannenbaum Robert and Carol Tayler Jen Taylor Laila Tedford Anne Carson Thompson Joel and Pamela Thompson Denis P. Tillman Kathy D. Van Orman Cari VandeVeegaete Liz and Joseph Veltri Nona Vernon Bill and Heidi Vriens Christopher William Wade Jan D. Wall In Memory of Carleen A. Wallace Stephen Jeffrey Watson Mary Jean and Robert Weber David and Shauna Weight Jeff Weight David Felt and Lynda Wendel David and Dixie West Sam and Kate Wheatley Charles T. White Henry O. Whiteside Elizabeth Williamson Patty J. Willoughby Ben Wilson Kyle S. Witt Jody Wong Wendy Woodbury Nancy G. Woodward Arriann Woolf Sally Wyne Betty and Frank Yanowitz Andrey Zharkikh
The donors acknowledged above made gifts and pledges between February 20, 2016 and March 10, 2017. +In-Kind Donation * This donor is recognized at the gift level equal to their donation plus a corporate match. Make your gift go further: Check to see if your company has a matching gift program. If you have any changes or questions regarding your program listing, please call 801-585-3196.
42 | KING CHARLES III
OUT ON ON THE THE TOWN TOWN OUT
dining guide guide dining
THE THENEW NEWYORKER YORKER60 60West WestMarket MarketStreet. Street.SLC’s SLC’s premier premierdining diningestablishment. establishment.Modern ModernAmerican American MARTINE 22 East 100 South. Exceptional ambience, cuisine cuisineisisfeatured featured ininrefined refined dishes dishes and andapproachable approachable located infood. a historic brownstone. Martine offers comfort comfortfood. From Fromclassic classictotoinnovative, innovative, from fromSalt Lake City a sophisticated experience kept– simple. contemporary contemporary seafood seafoodtodining toAngus Angus Beef Beefsteaks steaks –the the Consistently Rated Rated“Tops” “Tops”–Zagat –Zagat Conveniently located onfor First South around the corner • anConsistently american contemporary café • menu menuprovides provides options options for every every taste. taste. Served Served ininaa Consistently Rated “Tops” –Zagat from theelegant Eccles Theater. Extensive bar andservice. wine service. 6060W.W.Independent Market MarketStreet Street• •801.363.0166 801.363.0166 casually casually elegant setting settingwith withimpeccable impeccable service. Local, Chef Owned 60 W. L, Market Street 801.363.0166 martinecafe.com D, T, corporate LL, RA,•CC, VS. 801-363-9328 22 East 100 South Private Privatedining dining rooms rooms for for corporate and and social socialevents. events. Phone • 801.363.9328 www.martinecafe.com Lunch Lunch&&Dinner. Dinner.No Nomembership membershiprequired. required.L,L,D,D,LL, LL,AT, AT, RR, RR,CC, CC,VS. VS.801.363.0166 801.363.0166 THE NEW YORKER 60 West Market Street. SLC’s MARTINE 22 East 100 South. Exceptional ambience, MARKET MARKET STREET STREET GRILL GRILLModern DOWNTOWN DOWNTOWN 48 premier dining establishment. American48 located in a historic brownstone. Martine offers Salt Most MostPopular Popular Restaurant Restaurant West West Market Market Street. Street. Unanimous Unanimous favorites favorites for for seafood seafood cuisine is featured in refined dishes and approachable Lake City a sophisticated dining experience kept–Zagat simple. –Zagat dining, dining, providing providing exceptional exceptional service service and and award award winning. winning. comfort food. From classic to innovative, from Conveniently located on First South around the corner The The contemporary contemporary menu menu features features the the highest highest quality quality 48 48 W. W. Market Market Street Street (340 (340 South) South) contemporary seafood to Angus Beef steaks – the from the Eccles Theater. Extensive bar and wine service. available. available. Select Selectoptions from froman anfor abundant abundant offering offering ofoffresh fresh 801.322.4668 801.322.4668 menu provides every taste. Served in a martinecafe.com L, D, T, LL, RA, CC, VS. 801-363-9328 seafood seafood flown flown in in daily, daily, Angus Angus Beef Beef steaks, steaks, and and a a variety variety casually elegant setting with impeccable service. ofPrivate ofnon-seafood non-seafood dishes. dishes. Open Open 7 7 days days a a week week serving serving dining rooms for corporate and social events. breakfast, breakfast, lunch, lunch,dinner, dinner, Sunday SundayBrunch. Brunch. B,B,L,L,D, C,C,LL, AT, AT, S,S, Lunch & Dinner. No membership required. L,D,D, AT, To advertise in the LL, LL, CC, CC, VS. VS. 801.322.4668 801.322.4668 RR, CC, VS. 801.363.0166 OUT ON THE TOWN GUIDE, MARTINE MARTINE22 22East East100 100South. South.Award Awardwinning winningambience, ambience, please contact located locatedininaahistoric historicbrownstone. brownstone.Martine Martineoffers offersSalt SaltLake Lake • •An Anintimate intimate euro eurocafé café• • City Cityaasophisticated sophisticateddining diningexperience experiencekept keptsimple. simple.Locally Locally Free FreeValet Valet Parking Parking Mills Publishing Inc. 801.467.8833 22 22 East East 100 100 South South sourced sourced ingredients, ingredients, pre-event pre-event $25 $25 three threecourse courseprix prixfixe. fixe. Top Photo: Image licensed by Ingram Image Phone Phone• •801.363.9328 801.363.9328 www.martinecafe.com www.martinecafe.com Extensive Extensivebar barand andwine wineservice. service.martinecafe.com martinecafe.com Top TopPhoto: Photo: Image Imagelicensed licensed bybyIngram IngramImage Image L,L,D,D,T,T,LL, LL, RA, RA,CC, CC,VS. VS. 801-363-9328 801-363-9328 B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre
Salt SaltLake LakeCity’s City’s#1 #1
LL-Liquor Licensee Required Accepted CC-Credit Menu Cards VS-Vegetarian Selections B-Breakfast B-Breakfast L-Lunch L-LunchRR-Reservations D-Dinner D-DinnerS-Open S-Open Sunday SundayRA-Reservations DL-Delivery DL-DeliveryT-Take T-Take Out OutC-Children’s C-Children’s MenuAccepted SR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre LL-Liquor LL-LiquorLicensee LicenseeRR-Reservations RR-ReservationsRequired RequiredRA-Reservations RA-ReservationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections
Our 2017 Season
Shakespeare in Love • Romeo and Juliet Guys and Dolls • A Midsummer Night’s Dream William Shakespeare’s Long Lost First Play (abridged) Treasure Island • The Tavern • As You Like It How To Fight Loneliness
The Greater Escape. 800-PLAYTIX • bard.org #utahshakes
PIONEER THEATRE COMPANY STAFF ARTISTIC STAFF Artistic Director. . . . . . . . . . . . . . . . . . . . . . . Karen Azenberg Resident Scenic Designer. . . . . . . . . . . . . . . . . . . . . George Maxwell Resident Fight Choreographer. . . . . . . . . . . . . . . . . Christopher DuVal Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . Joshua C. Hight PRODUCTION STAFF Production Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Reed Rossbach Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Mack Production Stage Manager . . . . . . . . . . . . . . . . . . . Mary P. Costello* Charge Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Jensen Scenic Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda McMall Painters . . . . . . . . . . . . . . . . . . . . . . . . Cara Pomeroy, Shane Rogers Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barbara Nelson Stage Technicians. . . . . . . . . . . . . . . . . . . . . . . . . . . . Michael Begue, Tori Howsden, Megan Koretz Audio Technician. . . . . . . . . . . . . . . . . . . . . . . . . . . Matthew Bashaw Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . . Phillip R. Lowe First Hand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K.L. Alberts Asst. Costume Shop Manager. . . . . . . . . . . . . Wendy Schow-Massine Drapers/Cutters. . . . . . . . . . . Misty Reubens, Wendy Schow-Massine Margo Seamons Master Tailor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Pesek Stitchers. . . . . . . . . . . . . . . . . . . . . . . Colleen Pierce, Kirsten Watkins Magdelina Workman Wig Master. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda French Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Costume Rental Coordinator. . . . . . . . . . . . . . . . . . . . . . . . Do’nel Ault Master Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek 1st Assistant Master Electrician . . . . . . . . . . . . . . . . . . Naomi Wager 2nd Assistant Master Electrician. . . . . . . . . . . . . . . William Peterson, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Graham Melton Electricians. . . . . . . . . . . . . . . . . Jenifer Christensen, William Hadden, Jennifer Hairr, Lee Hollaar, Jacob Hunt, Graham Melton, William Peterson, Naomi Wager
ADMINISTRATIVE STAFF Managing Director. . . . . . . . . . . . . . . . . . . . . . . . . . Chris Lino Box Office/Patron Services Manager. . . . . . . . . . . . Colleen Lindstrom House Manager/Asst. Patron Services. . . . . . . . . . . . Matthew Quigley Patron Services. . . . . . . . . . . . . . . . Jenifer Christensen, Uaea Masina, . . . . . . . . . . . . . . . . . . . . . . . . . Sasha Pinegar, Elisabeth Schmeling, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Marlen Flores-Regalado, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Caprice Schulte, Breean Taylor Business Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Llenares Asst. Business Manager . . . . . . . . . . . . . . . . . . . . . . . . . Matt Bennett Managing Associate/Company Manager. . . . . . . . . . . John Geertsen Concessions. . . . . . . . . . . . . . . . . . . . . . . . Lizzy Anderson, Amanda Bowen, Nathan James, Emelia Mericola, Gwen Porter, Emily Smith, Whitney Stephens, Emily Turner Director of Development. . . . . . . . . . . . . . . . . . . . . . . . Diane L. Parisi Director of Annual Giving . . . . . . . . . . . . . . . . . . . . . . . . . Kaitlin Spas Development Assistant . . . . . . . . . . . . . . . . . . . . . . . . Amanda Bowen Director of Marketing & Communications . . . . . . . . . . . . Kirsten Park Publicity Manager. . . . . . . . . . . . . . . . . . . . . . . . . Madeleine Gail Rex Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brent Uberty ADDITIONAL STAFF FOR KING CHARLES III AEA Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . Mary P. Costello* Assistant Stage Manager. . . . . . . . . . . . . . . . . . . . . Analysha Mulcock Light Board Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek Spot Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alicia Carlson Deck/Rail Crew . . . . . . . . . . . . . . . . . Emily Griffith, Graham Melton, . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kelsey Peterson, Shane Rogers Sound Crew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Naomi Wager Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Wardrobe Running Crew. . . . . . . . . . . . Amanda Andrews, Hope Bird,. Andrew Cortes, Brigitte Cramer, Haley Nowicki, Amber Rolfe, Madiline Slack, Carly Taylor, Jacob Weitlant
*The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
PTC Advertising by Modern8 • Cover Art by Cary Henrie MILLS PUBLISHING STAFF Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Advertising Representatives; Jessica Alder, Office Assistant, Ruth Gainey, Administrative Assistant. The Pioneer Theatre Company program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2017.
44 | KING CHARLES III
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