The Lion in Winter

THE LION IN WINTER Cover preprint

JANUARY 4 - 19, 2019 THE LION IN WINTER

By JAMES

GOLDMAN

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PIONEER THEATRE COMPANY The resident professional theatre of the University of Utah The Roy W. and Elizabeth E. Simmons Pioneer Memorial Theatre C. Lowell Lees Main Stage

Karen Azenberg Artistic Director

Chris Lino Managing Director presents

The Lion in Winter

by James Goldman

MARYAM ABDI

AUSTIN REED ALLEMAN

CELESTE CIULLA

WILLIAM CONNELL

GRAYSON DEJESUS

ESAU PRITCHETT

DAMIAN JERMAINE THOMPSON

Scenic Designer JASON SIMMS

Costume Designer PHILLIP R. LOWE

Lighting Designer DRISCOLL OTTO

Sound Designer ALLAN BRANSON

Dramaturg CATE HEINER

Hair and Makeup Designer AMANDA FRENCH

Production Stage Manager BECKY LYNN DAWSON

Director WES GRANTOM Casting by BOB CLINE CASTING THE LION IN WINTER is presented by special arrangement with SAMUEL FRENCH, INC.

*The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

CAST

(In Order of Appearance)

Henry II, King of England . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ESAU PRITCHETT* Alais, a French princess . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MARYAM ABDI* John, the youngest son . . . . . . . . . . . . . . . . . . . . . . . . . . . AUSTIN REED ALLEMAN* Geoffrey, the middle son. . . . . . . . . . . . . . . . . . . . DAMIAN JERMAINE THOMPSON* Richard the Lionheart, the oldest son. . . . . . . . . . . . . . . . . . . . . WILLIAM CONNELL* Eleanor of Aquitaine, Queen of England . . . . . . . . . . . . . . . . . . . . CELESTE CIULLA* Philip, King of France. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . GRAYSON DEJESUS* *Member of Actor’s Equity Association

SETTING THE TIME: Christmas, 1183 THE PLACE: Henry’s Castle at Chinon, France This production is performed with one 15-minute intermission Stage Managers. . . . . . . . . . . . . . . BECKY LYNN DAWSON*, MARY P. COSTELLO*

Pioneer Theatre Company and The University of Utah have lost a very dear friend

Peter Meldrum We send our deepest condolences to his family, friends and colleagues.

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DIRECTOR'S NOTE

W

hen James Goldman wrote The Lion in Winter in 1966, he fully acknowledged he was writing fiction. He sat down to imagine a holiday weekend at the court of King Henry II and began with a handful of outlandish historical accounts like Henry imprisoning his wife Eleanor in a tower only to let her out for holiday meals. But the details of what these characters actually said and did, he just made up. In doing so, he was able to make a dysfunctional royal family in 1183 look more like our own dysfunctional families and bring us closer to them than any history book ever could.

People often say, “those who ignore history are doomed to repeat it.” Looking back to 1183, however, it’s hard to fathom that surviving historic accounts of kings and queens are accurate.

Written by the victors, these stories have traveled a ragged path to us over hundreds of years.

They’ve been repeatedly reflected and refracted through the lenses of politics and religion like this crazy hall of mirrors contorting hearsay into fact and hyperbole into legend. But upon reflection, perhaps we stand to learn as much from the fictions as the facts.

In Act II, Eleanor says to her children, “It’s 1183 and we’re still barbarians.” Each time I hear that line, it makes me reflect on the ways in which we’ve progressed as a society and the ways in which we haven’t. We can voyage to distant Mars and create cures for diseases, but we still wage morally dubious wars and commit heinous acts of violence. Hundreds of years from now, it would be fascinating to see what’s gleaned from the various contradictory accounts of recent events. Will future historians believe CNN or Breitbart, or will they simply blend the two together to write the chapter on the early years of the 21st century?

Viewing our history as this mirrored funhouse of fact and fiction perhaps makes it easier to see that the common denominator in all of our historic battles and power struggles is us. As human beings, are we hardwired for violence? Is it possible that we as a society are well aware of our history and are doomed to repeat it anyway? If yes, can anything break our cycle of treachery and greed? I suppose only time will tell.

Luckily, we have some deliciously wicked, fictionalized royals to help pass the time. Perhaps they’ll reflect back to us something about human progress or lack thereof. I like to imagine Eleanor imprisoned in 12th century France dropping wisdom from her tower with something wonderfully anachronistic like, “Hey, you out there. Yeah, you! It’s 2019. Are we still barbarians?”

Wes Grantom, Director

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L-R: Celeste Ciulla (Eleanor of Aquitaine) and Esau Pritchett (King Henry)

Pioneer Theatre Company thanks the

Lawrence T. and Janet T. Dee Foundation

for its sponsorship of The Lion in Winter

DRAMATURGICAL NOTE Timeline of Henry II and Eleanor of Aquitaine 1152 Henry Plantagenet and Eleanor of Aquitaine are married. Eleanor is 12 years his senior.

1154 Henry Plantagenet becomes Henry II, King of England.

1155 1157 1158 1166

A son, Henry, is born.

A son, Richard, is born.

A son, Geoffrey, is born.

A son, John, is born.

1168 Eleanor presides over her own court in Poitiers without her husband. She develops a culture of chivalry, literature, music, poetry and folklore.

1169 At the age of nine, Alais Capet, daughter of French king Louis VII, is betrothed to Richard. As part of this arrangement, Henry II is given French territories. Alais is sent to live in Henry II’s court until she is old enough to wed.

1170 After concern regarding the line of succession arises, Henry is prompted to crown his son Henry. His son is known as “the young king.”

1173 Henry the young king is joined by Richard, Geoffrey, John and Eleanor of Aquitaine in rebelling against Henry II. 1174 Eleanor of Aquitaine is captured and taken to Winchester. She is held prisoner by her husband indefinitely.

1176 Henry II forgives his sons for turning against him. He organizes how his lands will be divided among the four of them after his death. Additionally, Henry II’s mistress Rosamund Clifford dies under suspicious circumstances.

1180 Philip Capet – Louis VII’s son and Alais Capet’s brother – becomes King of France.

Summer Henry the young king attempts to stage another 1183 rebellion. He dies of dysentery during a revolt.

Winter Henry II hosts a large Christmas gathering. It is attended by 1183 his sons Richard, Geoffrey, John and Eleanor, who has been released for the holiday. While Christmas merriment is expected, meetings and arrangements regarding succession and the throne are also anticipated.

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WHO'S WHO IN THE CAST MARYAM ABDI (Alais) is honored to be included in this PTC production of The Lion in Winter! She is a Chicago actor, writer, educator and yoga instructor. Abdi has worked and lived abroad in Paris, Avignon, Mysore, Warsaw, Tehran and Cameroon, where she practiced Theatre for Development as a Fulbright Scholar. Chicago: Red Tape Theatre, Nanna in Round Heads and Pointed Heads (Jeff Awardnominated); Trap Door Theatre, Into the Empty Sky (Jeff Award-nominated) and Monsieur d’Eon is a Woman; and is also an ensemble member with Great Works Theatre. She will be playing the Wicked Witch in the Windy City Performs production of The Wizard of Oz in 2019. Abdi is an alumna of the University of Evansville, where she double majored in Theatre and French. She is represented by Gray Talent Group.

AUSTIN REED ALLEMAN (John) Off Broadway: The Skin of Our Teeth (Theatre For a New Audience, dir. Arin Arbus), Daniel’s Husband (Westside Theatre). Regional: Treasure Island (Cincinnati Playhouse in the Park), Nikola Tesla Drops the Beat (Adirondack Theatre Festival), Romeo and Juliet (New Orleans Shakespeare Festival), Cymbeline (New Orleans Shakespeare Festival), Spring Awakening (Southern Rep) and Miss Julie (Access Theater). Various workshops/readings with The Public, Oregon Shakespeare Festival, TFANA and Tectonic Theater Project. His music can be found on all streaming services.

Training: SUNY Purchase Acting Conservatory. austinreedalleman.com

CELESTE CIULLA (Eleanor) is so very happy to be back! Previously at PTC she appeared in Clybourne Park, A Midsummer Night’s Dream and Macbeth. Other favorite roles include: Miss Lilly in the world premiere of Duncan Sheik’s Whisper House and Tamora in Titus Andronicus at The Old Globe; The Ghost of Christmas Past at Cincinnati Playhouse and Titania with The Harford Symphony Orchestra.

Ciulla is a native New Yorker and a graduate of Northwestern and Harvard Universities. She has narrated over 50 audio books for Recorded Books – and is a proud member of SAG/AFTRA and AEA, a proud fiancée to Claude Choukrane and a proud groupie of The Raging Skillet. www. celesteciulla.com WILLIAM CONNELL (Richard the Lionheart) NYC/Regional credits include: A View From the Bridge (2010 Broadway revival), The Coast of Utopia (Lincoln Center), Nureyev’s Eyes (George Street), Alphabetical Order (Keen Co.), Hamlet (Aspen Music Festival), One Man, Two Guvnors (PTC, Berkeley Rep, South Coast Rep), The Hour of Feeling (Humana Festival of New American Plays), The Winslow Boy (Rep Theatre of St. Louis), The 39 Steps (PA Shakes. Fest.), Bell, Book and Candle (S.F. Playhouse), The Importance of Being Earnest (Gulfshore Playhouse), The Voice of the Turtle (Merrimack Rep.), Pride and Prejudice (Geva Theatre Center), The Glass Menagerie (Two River Theatre), All’s Well That Ends Well (Theatre For A New Audience), T.V. and Film: “Manhattan Love Story,” “Blindspot,” “Blacklist” “Madam Secretary,” “Bull,” MA, “Smash,” Not Fade Away, “Gossip Girl,” “Law & Order” and “Guiding Light.” BFA. UNCSA.

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WHO'S WHO IN THE CAST GRAYSON DEJESUS (Philip, King of France) Broadway Tour: War Horse, Lincoln Center Theater. Regional: Zoey’s Perfect Wedding, Denver Center. The Lion In Winter, St. Louis Rep. Picasso at the Lapin Agile, Long Wharf Theatre.

Amadeus, The Importance of Being Earnest, King Lear, Much Ado About Nothing, The Winter’s Tale, The Tempest, The Old Globe. Romeo and Juliet, All’s Well That Ends Well, Shakespeare Santa Cruz. Television: “High Maintenance” on HBO, “Sneaky Pete” on Amazon, “Conviction” and “Forever” on ABC. Film: Kate Can’t Swim, Tasmania. MFA from USD/Old Globe.

ESAU PRITCHETT (Henry II) is originally from Saginaw, MI. He earned a BA in performing arts/theatre from Oakland University in Rochester, MI in 1998. He moved to NYC shortly thereafter to pursue a professional career as a performing artist. He has worked all over the country in regional theatre playing a variety of roles ranging from many plays in the Shakespeare canon to roles written by the American titan of playwriting, August Wilson.

Previous theatrical roles include: Antony in Julius Caesar, Antony in Antony & Cleopatra, Othello in Othello, Prospero in The Tempest, Aaron in Titus Andronicus, Theseus and Oberon in A Midsummer Night’s Dream, Troy Maxson in Fences and King Hedley in King Hedley II among many others. His TV credits include: CBS’s “FBI,” NBC’s “The Blacklist,” NBC’s “Chicago PD,” HBO’s “The Night Of,” Netflix/Marvel’s “Iron Fist,” Netflix’s “Orange Is The New Black,” “Law and Order,” “Law and Order: SVU,” “Law and Order: Criminal Intent.”

DAMIAN JERMAINE THOMPSON (Geoffrey) Off-Broadway: Little Rock, The Anthem, Around the World in 80 Days, Fly, By the Dawn’s Early Light and The Madwoman of Chaillot. Regional: Hartford Stage: A Midsummer Night’s Dream, Center Stage: The White Snake, Marley (Bob Marley Musical); Northern Stage: Macbeth; Arkansas Rep: The Whipping Man; Ford’s Theatre: Fly; Portland Playhouse: The Brother/Sister Plays; Colorado Shakespeare: The Merchant of Venice, Twelfth Night, As You Like It; CATF: The Wedding Gift, Pen/Man/ Ship; Acorn Theatre: Ma Rainey’s Black Bottom, among others. Film: English Vinglish. TV: “The Player,” “The Story of a Gun,” among others.

Education: MFA, University of Delaware; BFA, University of Evansville. Facebook/Instagram: damianthompsonactor WES GRANTOM (Director) is thrilled to be back at PTC after directing last season’s A Comedy of Tenors by Ken Ludwig. Most recently, he directed world premieres of Beep Boop created with physical comedian Richard Saudek and Civics and Humanities for Non-Majors by Jeff Talbott. Other credits include Toxic Avenger

by David Bryan and Joe DiPietro at Pittsburgh CLO, Lone Star Spirits by Josh Tobiessen with Crowded Outlet and Eager to Lose by MatthewLee Erlbach at Ars Nova, as well as The Cloud

by Matt Moses, The Steadfast by Mat Smart and Mine by Bekah Brunstetter. Grantom has a number of Broadway credits as resident and associate director, working alongside James Lapine, Emma Rice, John Rando, Anthony Page and Rufus Norris. He is a recipient of multiple Drama League Fellowships, a member of Lincoln Center Directors Lab, a graduate of the University of Evansville and artistic director of Crowded Outlet, based in Queens, NY.

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WHO'S WHO IN THE CAST JASON SIMMS (Set Designer) is a designer for plays, musical theatre and opera. Simms is honored to return to PTC after designing The Glass Menagerie and An Inspector Calls in 2016. Work in other regional theaters includes: Berkshire Theatre Group, Weston Playhouse, George St. Playhouse, Philadelphia Theatre Co., People’s Light and Theatre (Philadelphia), Bristol Riverside Theatre (Bristol, PA), Denver Center Theatre Co., Chautauqua Theatre Co. (Chautauqua, NY), The Old Globe (San Diego), TheatreWorks (Silicon Valley), Two River Theatre Co. (Red Bank, NJ) and many others.

NYC venues include The Public Theatre, The Cherry Lane, 2nd Stage Uptown, Ensemble Studio Theatre, Soho Playhouse, The Juilliard School, The Wild Project, The Ohio Theater, The New Ohio Theater, The Bushwick Starr and more. MFA: NYU, Tisch School of the Arts. www.jasonsimmsdesign.com Instagram: simmsjason

DRISCOLL OTTO (Lighting Designer) has recently designed lighting and projections for Iolanta at Chicago Opera Theatre. Otto’s design work is seen frequently in NYC, regional theatre and opera & internationally. His credits include Utah Opera, Opera Omaha, Opera Philadelphia, Dallas Theater Center, Drury Lane Theatre, The Dallas Opera, The Huntington Theatre Company, Chicago Opera Theatre, Houston Shakespeare Festival, Trinity Repertory Company, Hangar Theatre, Flat Rock Playhouse, Lyric Opera Kansas City and productions of Legally Blonde and Rock of Ages for Norwegian Cruise Lines.

Highlights to his resume include projection design for Santa Fe Opera’s production of The Golden Cockerel and The Metropolitan Opera’s production of La Donna Del Lago. He received his MFA from New York University’s Tisch School of the Arts. His work can be seen at www.DriscollOtto.com

PHILLIP R. LOWE (Costume Designer) is thrilled to be making his PTC debut designing one of his favorite plays. He is an MFA graduate of Utah State University and was the Kennedy Center’s 2002 recipient of the National Barbizon Award for his costume design of The Lion in Winter. Lowe spent five seasons as Costume Director for Utah Festival Opera and Musical Theatre where his favorite credits include: Joseph and the Amazing Technicolor Dreamcoat, Oklahoma!, How to Succeed in Business Without Really Trying and Seussical. He has designed over 25 productions for Plan-B Theatre Company including, the World Premiere of The Laramie Project: Ten Years Later. Other SLC credits include: Tribes and Hand to God at Salt Lake Acting Company, La Cage aux Folles, White Christmas and Urinetown at Park City’s Egyptian Theatre, Musical of Musicals: The Musical and Xanadu at The Grand and Iphigenia in Tauris for the Classical Greek Theatre Festival.

ALLAN BRANSON (Resident Sound Designer) is thrilled to join Pioneer Theatre Company. He previously worked at The Arkansas Repertory Theatre as their resident sound designer for six seasons, where he designed such shows as Because of Winn-Dixie (world premiere), The Bridges of Madison County (regional premiere) and Memphis (regional premiere). Branson is a proud member of The Theatrical Sound Designers and Composers Association.

CATE HEINER (Dramaturg) is delighted to be involved with her first production at PTC! She just received her Master’s degree in literary and cultural studies at Carnegie Mellon University this spring and has presented research at the American Theatre in Higher Education Conference and the Comparative Drama Conference. Her work in dramaturgy has included productions of As You Like It and American Idiot (U of U Theatre) and The Wolves (Salt Lake Acting Company) and the upcoming world premiere of An Evening with Two Awful Men at Plan-B.

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WHO'S WHO IN THE CAST BECKY LYNN DAWSON (Production Stage Manager) joins Pioneer Theatre Company for her second season. She holds an MFA from Mason Gross School of the Arts and a BFA from Utah State University. Selected stage management credits include From Here to Eternity, Saturday Night Fever (Merry-GoRound Playhouse), The Spitfire Grill, Chicago, M. Butterfly (Northern Stage), The Christians (Gulfshore Playhouse), Divinamente New York 2009 & 2010 (EH Arts International). She would like to send many thanks to her family for their continuing support.

MARY P. COSTELLO (Stage Manager) has worked on over 40 productions during eight seasons with PTC. Favorites include Sting’s The Last Ship, The Will Rogers Follies, Les Misèrables, In the Heights, Next to Normal and Rent. Other stage management teams: Indiana Repertory Theatre, Connecticut Repertory Theatre, Boston Theatre Works, Grand Valley Shakespeare Festival and the Utah Shakespeare Festival.

Proud Equity member.

KALLIE ERICKSON (1st Assistant Stage Manager) is a recent grad from the University of Utah with a BFA in stage management. Recent assistant stage management credits include Sweeney Todd: The Demon Barber of Fleet Street, Miss Bennet: Christmas at Pemberley and In The Heights: Concert Version (PTC). Stage management credits include: form of a girl unknown and Stags Leap (SLAC) and You Never Can Tell and Dogfight (U of U Theatre). She is super pumped to be back at PTC this season with some of her favorite people! Love to the fam, Tim and her pup.

EMILY BEATSE (2nd Assistant Stage Manager) is excited to be joining PTC for her first show as an Assistant Stage Manager. She is currently a sophomore in the Stage Management program at the University of Utah. Beatse has served as

an Assistant Stage Manager on Our Country’s Good (U of U Theatre). She sends love to all her family and friends.

JAMES GOLDMAN (Playwright) was an American playwright, novelist and screenwriter, honored with an Academy Award for the screen adaptation of his play The Lion in Winter. He is also the author of the screenplays for Robin and Marion, Nicholas and Alexandra and White Nights; and the book for Stephen Sondheim’s stage musical Follies. Mr. Goldman was born in Chicago and was a graduate of the University of Chicago before beginning postgraduate work at Columbia University in music criticism until he was drafted into the army during World War II. In 1961, his whimsical play They Might Be Giants, about a man who believes he is Sherlock Holmes and is attended by a psychiatrist named Dr. Watson, was produced by Joan Littlewood in London and 10 years later was turned into a film starring George C. Scott and Joanne Woodward and directed by Anthony Harvey, who also directed the 1968 film version of A Lion in Winter. Mr. Goldman’s first play on Broadway was a comedy about life in the army, Blood, Sweat, and Stanley Poole (1961), written with his brother William. Other work for the stage includes A Family Affair, a collaboration with John Kander, starring Shelley Berman; Evening Primrose (1966), his second collaboration with Mr. Sondheim; Oliver Twist (1982), Anna Karenina (1985), Anatasia: The Mystery of Anna (1986), and Tolstoy (1996). Mr. Goldman’s novels include The Man from Greek and Roman (1974), Myself as Witness (1980) and Fulton County (1989).

BOB CLINE (Casting) is the founder of Bob Cline Casting in New York, and Broadway World recently named him one of New York’s ten best. He has cast film, TV, commercials, over 70 national tours and numerous regional theaters across the country. Independently, or in his association with Rich Cole since 1994, 22

WHO'S WHO IN THE CAST he has cast for Pioneer Theatre Company, the Fulton Theatre, the Malz-Jupiter Theatre, The Repertory Theatre of St. Louis and many, many others. Bob has also been a proud faculty member in Pace University’s Theatre program in charge of the senior BFA musical theatre majors for the last 10 years. Nights when he is not directing shows, he can be found directing students in one of the two audition classes he has taught weekly for the last 18 years through The Actor’s Loft.

health and pension plans. Actors’ Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. #EquityWorks

pioneer theatre company gratefully acknowledges the following businesses and individuals for their contributions to this production:

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ACTOR’S EQUITY ASSOCATION (“Equity”) founded in 1913, is the U.S. labor union that represents more than 50,000 actors and stage managers. Equity seeks to foster the art of live theatre as an essential component of society and advances the careers of its members by negotiating wages, working conditions and providing a wide range of benefits, including

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FOR YOUR INFORMATION Emergency Exits are indicated to your right and left in the theatre. Please identify the exit closest to your seat location in case an emergency occurs.

The videotaping, photographing or other video or audio recording of this production is strictly prohibited. This includes photos taken by phone.

CELLULAR PHONES, CAMERAS AND WRIST BANDS ARE DISRUPTIVE; even when set on silent or vibrate, they may disrupt wireless sound equipment. Please leave your electronics in the car, or turn them off entirely while in the theatre.

TEXTING is disturbing to the actors and your fellow audience members. Do not text during the performance.

If you might need to be reached during a performance, leave your exact seat location with the box office. The number for emergency calls is 801-581-6963.

We have a hearing assistance system that allows our hard-ofhearing patrons to sit in any seat in the house. Collateral required; inquire at the coat check.

We welcome all persons. Those with special requirements should request assistance in advance.

Refreshments are not permitted in the auditorium, but are available in the main floor lobby pre-show and during

intermission. Bottled water is allowed in the theatre.

The University of Utah is a non-smoking campus, both inside and outside all buildings.

Evening performances are at 7:00 p.m. Monday through Thursday, 7:30 p.m. Friday and Saturday; Saturday matinees at 2:00 p.m. Please avoid arriving after curtain time. To avoid disturbing other patrons, latecomers will be seated at the discretion of the House Manager. This policy has been instituted at the request of many of our patrons.

Season ticket holders may exchange their tickets for another performance of the same play by returning tickets to the box office at least 48 hours prior to the performance date. Tickets are nonrefundable.

You may donate your tickets, helping yourself and Pioneer Theatre Company. If you are unable to attend a production, make a tax-deductible gift of your tickets to the Theatre so that we may re-sell them. Call the box office at least 48 hours prior to the performance date.

The Patron Services staff will serve you from 10:00 a.m. until 6:00 p.m., Monday through Friday. During the run of a show, the box office is open extended hours Monday through Saturday.

No children under age 5 are admitted to performances.

L-R: Esau Pritchett (King Henry) and Maryam Abdi (Alais)

Pioneer Theatre Company thanks the U.S. Bank Foundation for its support of PTC’s Student Matinee Program.

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Karen Azenberg Gregory N. Barrick Sandi Behnken Colleen Larkin Bell Steven M. Brinton Nate Boyer Doyle Clayburn John A. Dahlstrom, Jr. Craig N. Darrow Fred Esplin

Marketing Chair Todd Wolfenbarger

Pat Hemingway Christopher Lino Michele Mattsson Eric Maxfield Jeff Paris Gregory D. Phillips John W. Scheib, PhD Sue Skanchy Harris Smith Janette Sonnenberg

Brandon Stringham Daniel A. Reed, PhD Amy Wadsworth Emeritus A. Scott Anderson Edward F. Bates William H. Child Paul M. Durham Spencer F. Eccles

Nominating Chair Harris H. Simmons David E. Gee Kathie Horman James Macfarlane Peter D. Meldrum Kevin R. Murray Bruce T. Reese J. Douglas Whisenant

Pioneer Theatre Guild Officers Doyle Clayburn, President Glen Clayburn, President-Elect Peggy Stanley, Vice President Heather Benson, Secretary Kris Burton, Treasurer For information regarding PTC Guild membership, call Carolyn at 801-601-8847.

Corporate, Foundation, and Public Support Pioneer Theatre Company is pleased to recognize the many businesses, foundations, public institutions, and corporate sponsors that support our mission. Thank you for your generous contributions.

Season Support Salt Lake County Zoo Arts and Parks Fund

Presenting Sponsors ($50,000 and above) George S. and Dolores Doré Eccles Foundation

Emma Eccles Jones Foundation Meldrum Foundation

Dominion Energy The Shubert Foundation

Simmons Family Foundation Steiner Foundation, Inc.

Anonymous Donor Andrea Golding Legacy Foundation R. Harold Burton Foundation

College of Fine Arts Art Pass Program Marriner S. Eccles Foundation Cowboy Partners Richard K. and Shirley S. L. T. and Janet T. Dee Foundation Hemingway Foundation

Andeavor BW Productions + Durham Jones & Pinegar George Q. Morris Foundation — In Memory of Gabrielle M. Woods

Holland & Hart, LLP Larry H.and Gail Miller Family Foundation Myriad Genetics, Inc. Charles Maxfield and Gloria F. Parrish Foundation

Anonymous Donor

Spencer F. and Cleone P. Eccles Family Foundation

Anserfone + The Boyer Company

Ernst & Young Jet Blue +

Adobe Anonymous Donor American Express Matching Gifts Bonneville Radio + Clear Channel +

Cumulus + Daria Book Club Fidelity Charitable Gift Fund The Handley Foundation Java Joe's

Harris H. and Amanda P. Simmons Family Foundation

Zions Bank

Executive Producers ($25,000 – $49,999) Utah Division of Arts and Museums

Producers ($10,000 – $24,999) Pioneer Theatre Guild W. Mack and Julia S. Watkins Foundation Wells Fargo

Benefactors ($5,000 – $9,999) Parr Brown Gee & Loveless Phillips Ryther & Winchester Riverton Music Salt Lake City Arts Council

The Summit Group U.S. Bank Foundation UWM Men's Shop

Directors Club ($2,500 – $4,999) Robert and Barbara Patterson Family Memorial Foundation

John and Marcia Price Family Foundation

Associates ($1,000 – $2,499) National Life Group Charitable Foundation PwC

Snow, Christensen & Martineau Foundation

General Partners (up to $999) Richard H. and Joann O. Keller Family Foundation KSTU + Pandora Reagan Outdoor +

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Romney Lumber Co. State Farm Insurance Cos. Strong & Hanni, Law Firm Wilcox-Smith Foundation The Williams Companies, Inc.

FRIENDS OF PIONEER THEATRE COMPANY Special Gifts Gifts to capital projects, artistic programming, and endowments secure the future of Pioneer Theatre Company. The donors listed are recognized for their important contributions to sustaining and enhancing artistic excellence.

Planned Gifts Sally Boynton-Murray • Normon S. • and Grace R. Higson • Chris Lino and Colleen Lindstrom Diane L. Parisi The Estate of Margot L. Shott • deceased Play-By-Play Bireley Endowment Susan Stoddard Heiner and Blake T. Heiner Lee and Audrey Hollaar

Special Projects Haze + Hard Nancy Melich & J. Alexander Hemphill In honor of Colleen Lindstrom

PTC True and Quasi Endowments Anonymous Eric Biedermann Roger and Sara Boyer Kem and Carolyn Gardner Wanda and Carvel Francis and Joan Hanson Mattsson Memorial Fund Elliot J. Hulet William and Donna Vogel In Memory of Shannon Elizabeth and Amanda LaRae Maxwell Meldrum Foundation Endowment In Memory of Mars Spafard Fund Meldrum Foundation

Spoor Endowment Chris Lino The Peter and Susan Stevens Endowment Susan Dolan Stevens and Peter Stevens Robin M. Woods Legacy Endowment A fund to support the advancement of women in theatre

Annual Fund Support From Individuals Individual Sponsors ($5,000 and above) Most individual donors to PTC choose to support the general work of the company. There are also opportunities to contribute gifts of $5,000 or more to specific productions or projects. For more information call 801-581-6960.

Anonymous Donor

Judy Brady and Drew W. Browning In honor of Colleen Lindstrom and Chris Lino

Hank and Pat Hemingway Kathie and Chuck Horman

Roger and Mary Lowe The Jennifer Speers Family Trust

Directors Club ($2,500 – $4,999) The Directors Club is a giving level recognizing donors who make an annual contribution of $2,500 or more to PTC. Members of the Directors Club receive exclusive benefits throughout the theatre season. For more information call 801-585-3196.

A. Scott and Jesselie Anderson Bonnie Jean and H. Brent Beesley Sandi Behnken Colleen Larkin Bell Lynette and Marsden Blanch Kristina and Kenneth Burton Mark and Kelly Capone John A. Dahlstrom, Jr.

Craig and Stephanie Darrow Paul and Maren Durham Susan F. Fleming Sandra E. Geary David E. and Sherrie Gee Susan K. Hickenlooper Dale A. and Rachel B. Kimball Linda J. Leckman, M.D.

Anonymous Donor (3) In Memory of Stephen W. Barlow Bill and Beth Beck C. Kim and Jane C. Blair In Memory of Art Brothers Michael and Alison Brown Robin and Marion Campbell Margaret Cragin-Masarone Anne and Ashby Decker

Tim and Candace Dee Elizabeth Terry Dunning Bob and Mary Gilchrist Julie and Devon Glenn David H. Green David D. Hickox Lee and Audrey Hollaar Cindy Spoor and Doug Howard Tom and Carol Jepperson *

Anonymous Donors (4) Brian Allen Christine A. Allred John and Linda Ashton Karen Azenberg and Augie Mericola Mary Anne Berzins Eric Biedermann Kenneth and Karen Brewster Marilyn and Robert Brinton Steven and Joan Brinton Darryl Butt Bruce and Lynn Cohne Philanthropic Fund Renee Christensen Jim Dabakis

Morlene Dangerfield Michael D. Drews Robert and Liz Ence Chesley and Amy Erickson Community Foundation of Utah on behalf of the Rosenbush + Zimmerman Family Fund Bob and Mary Gilchrist Doris and David Gillette John and Elizabeth Hammond In Honor of Ruth Hansen Hale Bonnie Hedman* Jennifer Hedman* Nancy Melich and J. Alexander Hemphill

Robert Lence Lofgren Family James L. Macfarlane Eric and Lara Maxfield Peter and Catherine Meldrum Jeff Paris Michael and Jan Pazzi Gregory D. and Cynthia Phillips

Margaret P. Sargent Richard Koehn and Sheryl Scott Harris H. and Amanda Simmons Kevin and Alice Steiner R. Eric and Michele Thompson * Stan and Jill VanderToolen * Todd and Michelle Wolfenbarger

Associates ($1,000 – $2,499) Bruce and Maxine Johnson Sheldon R. Furst and Ellen Liu Jayne Luke David and Donnna Lyon Doralee Madsen Nickie and David McDowell Nancy and George D. Melling Brenda Mueggenborg Steve and Alisa Parks

Linda S. Pembroke John Netto and Catherine Putnam-Netto Brian and Janice Ruggles Dr. Brent and Janette Sonnenberg James M. Steele Lou Ann Stevens Amy Wadsworth and David Richardson

Angels ($500 – $999) Larry and Tina Howard Elise and Paul Hutchings Dr. Brent C. and Eve James Richard H. Keller and Christena Ensign Greg Hatch and Terry Kogan + Chris Lino Uri Loewenstein Mary McCarthey Sue and Fred Morris James and Karen Nelson Oren and Liz Nelson Diane L. Parisi John and Susanne Parsons Karen F. and Leon Peterson Wayne and Robyn Petty

30

In Memory of Suzann Pyper Barbara and John Reid Joanne Rich Zoe and Lon Richardson, Jr. Harold and Debbie Rust In Memory of Darlene Sackett Kent and LaRae Scott William and Saundra Stone Marsha Tadje Cindy and Mark Vernon Barbara Wheat David and Jeralynn Winder

Pioneer Theatre Guild Proud Sponsor of

The Lion in Winter

L-R: Austin Reed Alleman (John), Damian Jermaine Thompson (Geoffrey), William Connell (Richard the Lionheart) and Esau Pritchett (King Henry)

The Guild invites you to become a member!

•

Meet and mingle with the actors at exclusive luncheons hosted at the prestigious Alta Club.

•

Enjoy fun and exciting fundraisers with proceeds going directly to Pioneer Theatre Company.

•

Take part in the Guild’s usher team and see all the shows.

•

Socialize with other PTC fans.

Memberships start at $35.

For more information, contact Doyle Clayburn, President at 435-630-5476.

FRIENDS OF PIONEER THEATRE COMPANY Patrons ($250 – $499) Anonymous Donors (3) Craig and Joanna Adamson Susan and Ken Albrecht Darlene Alley Eric and Judy Anderson James A. and Carol A. Anderson Johnny Anderson Sandra and Marc Babitz Bryan and Tina Bagley Jim and Martha Bale Lonnie and Jill Baskett Rachel L. Bates Beth Q. Beck Reed and Jeanne Benson Jerry and Marcella Borrowman Kenneth M. and Barbara L. Calney Doug and Barbara Campbell Art and Luana Casper Robert and Barbara Cherrington Dennis Coon Wilma and Willie Dolowitz Drs. Richard C. and Ann W. Engar In memory of Keith M. Engar Elizabeth England

Joan Erickson Lars and Susan Erickson Dane and Kathy Finerfrock Larry and Shirley Florence Jan and Stan Foutz Dennis C. Gassman Shaleane Gee Kristin Wann Gorang Marian Green Beth C. and Peter T. Hanlon Francis and Joan Hanson Richard Harper Ingo and Mary Henningsen Monika Hopper John and Carol Huffman Randy and Nickie Huizenga Dan Humiston and Jackie GianniniHumiston Amy Haselhorst and Richard Irons Bruce and Rhonda Irvine Darlene Jensen Randy and Liz Jensen Michele and Dave Jenson Tammy Jones

Dr. Robert and Julie Kessler The Kohlburn Family Dr. and Mrs. Larry W. Kraiss Guttorm and Claudia Landro Howard and Nancy Lemcke Bradley P. Rich and Dr. Erika Lloyd Helga and Herbert Lloyd Donald and Louise Lochhead Ronald and Danece Mangone Marie and Adam Martin Mary McCarthey Stephen and Sandy Morgan Tony and Mary Ann Morgan Kevin R. and Deon Murray Michael E. Nash Tim and Peggy J. Newman Karen H. Nichols Carol M. Oliver Maura and Serge Olszanskyj Dinesh and Kalpana Patel Deborah C. Perry Fred and Carolyn Petersen Bryce Peterson Kirt Peterson

Anonymous Donors (15) Mons Aase Carolyn Abravanel Vern and Barbara Adams John and Sheryl Allen Kathy Aller Susan Allred Gloria and Irwin Altman Diane Anderson Donna Andrews Dawn Aoki In honor of J. Michael Mattsson Richard and April Armstrong James C. Ashworth In Memory of Mary G. Asson Robert L. Backman Linda K. Ballard Barbara Bannon Bryce and Margaret Barker Landon Ray Barker Almina Barksdale Don Barlow Joyce and John Barnes Mary L. Barnes Rachel L. Bates Kathleen E. Bayn Nancy J. Behnken Lani Belisle Abby Bird Richard Charles Brandt Dave and Lori Buhler John P. and Andrea M. Burke Christine and Devin Calcut Brad and Leslie Campbell Martin Cathey Brian E. Chapman Margaret Chapman Cathay Nelson Christiansen Ray and Bobbie Christiansen Geraldine M. Clark Howard and Betty Clark

Patricia and John Clay In honor of A COMEDY OF TENORS – cast, crew, creatives, et al.

Jeremy Conder Donna L. Conway Kathie and Marshall Coopersmith Cathy Cornell and Karen Skinner John D’Arcy William Daniloff Debbie Davis Michael and Rebecca Davis Kathy and Lawrence Derrick Jerry Diana James R. Dickson Bob and Sue Dintelman Jack and Joyce Dolcourt Anne and Sandy Dolowitz Robert Doran Carrie and Randy Drown H. Clay Dyer Kathryn Egan Steve Eklund Susan Elder James P. Elkins, Jr. Brent Evans Kent Fawcett Kathy and Craig Fineshriber Lou Jean Flint In Memory of Gloria Forcht Sarah George and Richard Ford Norman L. and Carol Foster Brian W. and Cheryl B. Fox Carolyn C. Fredin Lynda Geddes Deter Gehmlich Marc and Carol Gentner Elizabeth Gloyn Ralph L. Gochnour Jerry and Linda Good Diana Goodell Lewis and Ceselie Goodwin

Robert and Virginia Peterson Frank and Patrica Pignanelli Nancy Pitstick Laszlo and Sandra Preysz George C. Rackham, Jr. Dr. Marvin L. and Beth Rallison Michael Scott and Loretta Falvo-Scott David and Julianne Seal Janet and David Sharp Ralph and Kayleen Simmons Patricia and Homer Smith Robert A. and Julie A. Sperling Mary O. Stanley Julie A. Stokes George Sumner and Tina Hose-Sumner Robyn Toone Peter and Adrianne Watkins Elaine B. Weis Wayne and Carol Welninski In honor of Joseph Welninski Dr. and Mrs. H. James Williams Ben Wilson and Michele Mattsson Chris R. Wood

Contributors ($50 – $249) Stefanie Voigt and James Greenbaum Dr. and Mrs. John Greenlee Dennis M. Gross Judy Grow Mr. and Mrs. Ryan Hackett Clair and Vivian Hadley Maxine R. Haggerty Gerry Hanni Justin and Kristina Hansen Justin L. Hansen Jonathan D. Hartford Don Harward Peter and Jan Haug Alan and Rosena Heal Catherine Ann Heiner Patti Hendricks Ross Owen and Larry Herndon Duane Hill James D. Hill Michael Hines Kenny and Janeal Hodges Jason Hoggan Frederick A. Hottes Virginia Huber Karen Hyde Thelma P. Iker Barbara H. and C. Gresham Ivey Colin Jackson Danelle and Paul Jensen Karen Johnsen Mark and Sheila Johnson Kathy Jorgensen Diane Julian Ben and Jenn Kalm Kathleen M. Kaufman Jim and Maggie Kearns Fonda Kersey Russel and Jane King Richard and Gene Klatt Shirlee Knell Carolyn and Peter Kowalchick

32

Robert Kraemer Paul Kriekard Joan M. and Douglas S. Lake Janice and Harvey Lansing Richard and Connie Larrabee Darryl and Bonnie Lee Keith Leonard Steve and Karin Liimatta Katy Lillquist Joan Lind Pauline Lindsay Morris and Jane Linton Susan Conniff Lockhart Diane Luke Michael W. Luskin Elaine Lyon Joel S. Macey Bonnie R. Macfarlane Ralph R. and Sylvia S. Mabey Jennifer H. Malherbe Darcia Mallory-Gordon Gary and Ruth Manville Ted and Shirley Marakis In Memory of Ralph E. & Winnifred S. Margetts Karen McArthur Pam Arnott McLeese John F. McNamara Neta McOmie Deborah Kreeck-Mendez Elliott Merrill Ronald C. Mills Dr. and Mrs. Corey Miller Richard R. and Jean H. Miller Sally Miller Bruce Miya Peggy Montrone James Moss Robert C. and Carol S. Moss James Moyer Craig Richard Nelson

PBS Kids 24/7 Channel Watch on 7.3 or Comcast 391

You can also download the free PBS Kids Video app and stream live on any device!

Download our app VIDEO

PBS Kids 24/7 provided by

FRIENDS OF PIONEER THEATRE COMPANY Dalmas H. Nelson Brenda Nibley Rosalie Notarianni Jean and Ralph Nuismer J. Nunn Michael and Marlene O’Hara Linda B. Purcell Ogden William D. Ohlsen Kristi and Jeff Oritt Julie Olson Tim Orton Elissa Oshinsky Ross Owen Chris James Oswald Ted and Kay Packard Brett Packham Linda D. Page Gigi Parke Kirsten Park Nancy Parker Ron and Barbara Parker Paula Paterson

Helen Patterson Mary Ann and William Payne Gary and Janet Peck Sheila Penrose Chris Peterson Ian Peterson Kirt Peterson Kara Pettit Colleen Pierce James and Barbara Pierson Phyllis B. Pingree Walter J. Plumb Dennis Polster Carol Prince Roger and Susan Pyper Thomas Quam Susan Reese Barbara Reid Sallie Rinderknecht Ben and Kathy Roa

J. Kyle and JoAnn K. Robertson Michael B. Robinson Dr. John and Mary Jo Robinson Kathleen and Michael Rodman J. Rogers Sid Rudolph Leonard and Alene Russon Evan Sanders Karen Sawyer Paige St. Jeor Jane and Kent Sakashita Sarah W. Scheuller Larry P. Schumann C. Duwayne and Alice C. Schmidt Madalyn S. and James P. Seaman Tina Seferos Stuart and Mary Silloway

Ann M. Simms Tani and Martin Smihula Cathy Stutz-Smith A.J. and Leah Smith Deborah Smith Kelly Smith Robert B. and Janet D. Smith In Memory of Marvin E. and Kathryn T. Smullen Stuart Stanek Drs. Barry and Connie Stults Russell T. and Sandra Strauss Annie and Cory Strupp Emily Swensen Jesse J. Suek Robert and Carol Tayler Kyle Taylor Anne Carson Thompson Joel and Pamela Thompson Guy L. and Elaine Thompson Kathy D. Van Orman Lisa and Scott Verhaaren

Nona Vernon Bill and Heidi Vriens Joan Vrtis Gwen Wardle David and Shauna Weight Jeff Weight Sylvia Weight David and Dixie West Martha J. Westman Tina R. Whitehead Henry O. Whiteside John Wiethorn Nancy G. Woodward Ron Sawdey and Cissy Wolff Sally Wyne Nancy Young Stuart and Barbara Young Tod and Mary Young Andrey Zharkikh

The donors acknowledged above made gifts and pledges between December 3, 2017 and December 29, 2018. +In-Kind Donation * This donor is recognized at the gift level equal to their donation plus a corporate match. Make your gift go further: Check to see if your company has a matching gift program. If you have any changes or questions regarding your program listing, please call 801-585-3196.

34

desert blossom LOGE GALLERY PRESENTS

WITH LINDA DALTON WALKER & CODY CHAMBERLAIN

visit the loge during the lion in winter january 4 - 19, 2019

pioneertheatre.org/loge-gallery <by cody chamberlain delicate pink rose by linda dalton walker>

PIONEER THEATRE COMPANY STAFF ARTISTIC STAFF Artistic Director. . . . . . . . . . . . . . . . . . . . . . . Karen Azenberg Resident Fight Choreographer. . . . . . . . . . . . . . . . . Christopher DuVal Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . . . Allan Branson Resident Scenic Designer. . . . . . . . . . . . . . . . . . . . . George Maxwell PRODUCTION STAFF Production Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Reed Rossbach Technical Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Mack Production Stage Manager . . . . . . . . . . . . . . . . Becky Lynn Dawson* Props Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Walters Charge Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mark Jensen Scenic Artist. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda McMall Painters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miriam Gonzalez, Brooke Morgan, Trish Whitekettle Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barbara Nelson Stage Technicians. . . . . . . . . . . . . . . . . . . . . . . . Cara Pomeroy-Allan, Michael Begue, Chris Dwan, Andrew Smith Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . . . Phillip R. Lowe First Hand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . K.L. Alberts Asst. Costume Shop Manager. . . . . . . . . . . . . Wendy Schow-Massine Drapers/Cutters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Misty Reubens, Wendy Schow-Massine, Margo Seamons Master Tailor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leah Pelz Millinery/Crafts Artisan. . . . . . . . . . . . . . . . . . . . . . . Rachel Buechele Stitchers. . . . . . . . . . . . . . . . . . . . . . . Amanda Andrews, Tyler Banks, Katrina Dransfield, Colleen Pierce Wig Master. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda French Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Costume Rental Coordinator. . . . . . . . . . . . . . . . . . . . . . . Do’nel Ault Master Electrician. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek Technical Advisor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lee Hollaar

ADMINISTRATIVE STAFF Managing Director. . . . . . . . . . . . . . . . . . . . . . . . . . Chris Lino Box Office/Patron Services Manager. . . . . . . . . . . . . . . . . Heidi Bruce House Manager/Asst. Patron Services. . . . . . . . . . . . . . . . Nikki Baum Patron Services. . . . . . . . . . . . . . . . Alexis Brinkerhoff, Erica Carvalho,. . . . . . . . . . . . Susannah Castleton, Jenifer Christensen, Luke Corkran, Mitchell Garets, J.T. Hiskey, Sasha Pinegar, Caprice Schulte Business Manager. . . . . . . . . . . . . . . . . . . . . . . . . . Jonathan Llenares Asst. Business Manager . . . . . . . . . . . . . . . . . . . . . . . . . Matt Bennett Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Bowen Concessions. . . . . . . . . Amona Faatau, Marissa Jeppson, Katina Nikols, Abigail Raasch, Tom Roche, Joanne Rowland, Emily Smith, Whitney Stephens, Emily Turner, Morgan Werder Director of Development. . . . . . . . . . . . . . . . . . . . . . . . Diane L. Parisi Director of Annual Giving . . . . . . . . . . . . . . . . . . . . . Sarah D. Young Development Assistant . . . . . . . . . . . . . . . . . . . . Jacqueline Mumford Director of Marketing & Communications . . . . . . . . . . . . Kirsten Park Publicity Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vreni Romang Photographer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . BW Productions ADDITIONAL STAFF FOR THE LION IN WINTER Stage Manager. . . . . . . . . . . . . . . . . . . . . . . . . . . . Mary P. Costello* 1st Assistant Stage Manager. . . . . . . . . . . . . . . . . . . . Kallie Erickson 2nd Assistant Stage Manager. . . . . . . . . . . . . . . . . . . . . Emily Beatse Light Board Operator. . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek Rail Head . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Graham Melton Deck Crew . . . . . . . . . . . . . . . . . . . . . . . Cade Beck, Allison Harkness, DeeDee Palmer, Kelsey Petersen, Macarena Subiabre Wardrobe Supervisor. . . . . . . . . . . . . . . . . . . . . . . . . . . Daniel Streed Wardrobe Running Crew. . . . . . . . . . . . . . . . . . . . . . . Andrew Cortes Assistant Master Electrician . . . . . . . . . . . . . . . . . . . . . . . Cade Beck Electricians. . . . . . . . . . . . . . . . . . . . . . . . Cade Beck, Nick Bellendir, . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Wesley Darton, William Hadden, . . . . . . . . . . . . . . . . . . . . Jennifer Hairr, Rachel Harned, Jacob Hunt, . . . . . . . . . . . . . . . . . . . . . . . . . . . .Chaska Johnson, Graham Melton, . . . . . . . . . . . . . . . . . . . . Alawna Sullivan-Jimenez, Trish Whitekettle Lighting Programmer . . . . . . . . . . . . . . . . . . . . . . . . . . . John Masek

*The theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

PTC Advertising by Modern8 • Cover Art by Greg Newbold MILLS PUBLISHING STAFF Dan Miller, President; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Chad Saunders, Advertising Representatives; Caleb Deane, Administrative Assistant.

The Pioneer Theatre Company program is published by Mills Publishing, Inc., 772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com. Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2019.

36

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