UtahPresents Bridge
2018 2019 SEASON preprint
Nancy Peery Marriott
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D AY N E S M U S I C www.daynesmusic.com | facebook.com/daynesmusic
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The Bridge Based on “An Occurrence at Owl Creek Bridge” by Ambrose Bierce Conceived:
Andrew Maxfield & Glen Nelson
Choreography:
Michelle Nielsen,
Brendan Duggan
SALT Artistic Director &
in partnership with the dancers
Produced:
Andrew Maxfield Music:
Costumes:
Lighting:
Stuart Maxfield with Andrew Maxfield
Candice Nielsen
Jaron Kent Hermansen
Set: Cristian Bell World Premiere Commissioned by UtahPresents
Thursday, November 8, 2018 • 7:00PM Friday-Saturday, November 9-10, 2018 • 7:30PM Kingsbury Hall Please turn off all cell phones, pagers and other noisemakers. The taking of photographs, and audio or video recordings is strictly prohibited.
UtahPresents
About the Show
“A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. … He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.” — From “An Occurrence at Owl Creek Bridge,” by Ambrose Bierce The Bridge is based on “An Occurrence at Owl Creek Bridge”—a now-classic short story by Ambrose Bierce, first published in 1890—which explores the fate of Peyton Farquhar, a civilian living in the fringes of the American Civil War. On the malicious advice of a disguised enemy spy, Peyton attempts to burn down a strategic bridge, his political sympathies and pride blinding him to the dangers of his undertaking. He discovers too late that his mission was a trap; his enemies apprehend him and prepare him immediately to be hanged. In his final, surreal moments, he imagines a redemptive unwinding of time, a retracing of steps—back to all that he is about to lose. In 2005, Kurt Vonnegut lauded Bierce’s story as “a flawless example of American genius.” If the story is indeed a classic, it certainly owes some of its timelessness to Bierce’s literary skill—the text reads like the dispassionate, rapid-fire prose of a battlefield journalist— precise, punchy, and penetrating. However, the story succeeds on another account: for better or worse, the central theme of being blinded by ideology is as potent and germane today as it was in 1890. Peyton’s story is an everyman story. The Bridge isn’t simply a “retelling.” (Anyone who wants to read the story should go directly to the source—available in full text and audio at seethebridge.com—or perhaps consult derivatives like the related Twilight Zone episode.) Instead, this is a reinterpretation or reimagination of the story’s DNA through the media of dance and music, made real through the performers who inhabit the work, spinning connective tissues from Bierce’s Victorian prose to our present lived experience, the abstraction of these art forms providing a canvas also for the active imagination of the audience. What is the cost of your looking beyond the mark, of pursuing ideals to ruinous ends? In a moment of judgement, what will you regret? What—or who—matters most? What governs your affections and actions? We invite you to find your own story in Peyton’s, to examine your reflection in The Bridge. — Brendan Duggan (choreographer) & Andrew Maxfield (co-producer)
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Artists
UtahPresents ART REQUIRES ACCOMPLICES
When Andrew and I first talked about The Bridge in late 2016, we had no idea that the show would eventually make its way to Kingsbury Hall, nor could we have imagined how it would evolve along the way. But here we are—thanks to accomplices like Brooke Horejsi at UtahPresents, and no less to each member of the creative and production teams who have jumped with both feet into this massive collaborative effort. You’re an accomplice too—yes, you!—and I’m so glad that you’re voting for the arts with your patronage. Art is an opportunity to collaborate, especially true of dance and music, which necessarily creates community. And Utah is a great community in which to be making art. As SALT Contemporary Dance celebrates its sixth anniversary, we tip our hats to everyone who has made this show—and all of our other shows—possible. We hope you will continue to join SALT and savor the fresh perspective of dance. And may it add flavor to your soul. — Michelle Nielsen, Artistic Director (SALT Contemporary Dance) CAST
Eldon Johnson (Peyton), Ching Ching Wong (Florence), Natalie Border, Amy Lolofie, Logan McGill, Kaya Wolsey, and Myles Woolstenhulme (Ensemble) — with Stuart Maxfield. UNDERSTUDIES
Haley Johnson, Jon Kim, Hayley Smihula, and Sierra Frost
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Dancers
UtahPresents
Amy Gunter Lolofie
Eldon Johnson
Jon Kim
Logan McGill
Sierra Frost
Kaya Wolsey
Ching Ching Wong
Myles Woolstenhulme
Natalie Border, Apprentice
Haley Johnson, Apprentice
Hayley Smihula, Apprentice
SPECIAL THANKS
A special thank you to every member of SALT’s company, whose contributions throughout the creative process have deeply inspired and shaped The Bridge. Without their wit, humor, and sensitivity, this evening would not exist. Also a thank you to the SALT staff and volunteers who made this show possible including, but not limited to: Rachel Hellwig, Myles Woolstenhulme, Shanika Ells, and Jaimee Beard. Huge thanks to everyone who made the 2016 workshop version of The Bridge a reality, including but not limited to: Chris Clark, Jenny Barlow, Kevin Dazet, Glen Nelson, Daniel Henderson, Mark Ammons and the BYU Jazz Ensemble with BYU Jazz Voices, the cast and technical teams.
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UtahPresents
Production Team Brendan Duggan Choreographer
Brendan Duggan is a Brooklyn-based dancer and choreographer who has been creating original works since 2010. Throughout his career, he has performed with Gallim Dance, Loni Landon, Danielle Russo, Third Rail Projects, and Punchdrunk’s Sleep No More. As a choreographer, Duggan served as Co-Director of LoudHoundMovement (LHM) from 2012 - 2017 before establishing himself as an independent choreographer. His work has been presented nationally and internationally earning him a place in Springboard Danse Montréal’s Emerging Choreographers program, the winner of Western Michigan University’s National Choreographic Competition, and commissions for SALT Contemporary Dance, Whim W’Him Dance, and Western Michigan University.
Stuart Maxfield Lead Composer, Performer
Stuart Maxfield is a versatile contemporary musician and producer. Known as the co-founder/frontman of Fictionist and s2_cool, Stuart has toured and performed extensively as a singer, bassist, guitarist, and violinist. In addition to being a sought-after studio musician and cofounder of Pleasant Pictures Music Club, Stuart teaches songwriting classes at BYU and UVU as well as in group classes based on his songwriting method book.
Andrew Maxfield Producer, Co-Composer
Andrew is a Boston-based composer and producer. Comprising primarily choral, art song, and chamber works, Andrew’s compositions have been performed throughout the United States and Europe. Andrew studied music at BYU, where he was valedictorian and where he occasionally teaches as adjunct faculty. He pursued advanced studies in composition at the EAMA–Nadia Boulanger Institute in Paris, France, and The Boston Conservatory.
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Production Team
UtahPresents
Michelle Nielsen SALT Artistic Director
Michelle received her Bachelors degree in Dance Education from BYU and her Master of Fine Arts degree from University of California, Irvine. Michelle performed across the United States and internationally She has worked at all aspects of the dance world including: secondary education, children’s programs, studios, higher education, commercial and professional. She has taught in Universities and owned her own dance studio. Michelle currently serves as the Artistic Director of SALT Contemporary Dance.
Candice Nielsen Costume Designer
Candice Nielsen has worked in costume design for over a decade. She received her MFA from Sarah Lawrence College in Theatre and Costume Design. She is also earned a BA from Brigham Young University in Theatre Arts with a costume design concentration. Candice has worked extensively in costumes for theatre, tv, & film in New York City. Recently relocated to the Salt Lake area, Candice has designed costumes for SALT for various contemporary dance performances over the last two seasons. She is excited to merge the theatrical and dance worlds in her costumes for the upcoming The Bridge project. Candice presented The Bridge costumes this fall at Utah Fashion week.
Jaron Kent Hermansen Lighting Designer
Clue, Altar Boyz, Steel Magnolias, Art, RED, The Foreigner, Murder for Two (The Cape Playhouse, MA). The Music Man, Wizard of Oz, Seven Brides for Seven Brothers, Fiddler on the Roof (Sundance Eccles Theater, UT). Eleemosynary (The Brooks, CA). The King’s Men, Private Ear, Hedda Gabler, The Weird Play (Rose Wagner, UT). Bride of Frankenstein, Sonder, A Streetcar Named Desire (Found Spaces, UT). Jaron sat on the Board of Directors for the United States Institute of Theater Technology Intermountain Desert Region & is a lecturer at Utah Valley University. Jaron is a nominee of the USITT Young Professionals Rising Star award.
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UtahPresents
Production Team Cristian Bell Set Designer
Cristian Bell serves as the Operations Director for the School of the Arts at Utah Valley University where he leads a team for production support for all the performance events. His Technical Director credits include: Sundance Summer Theater, University of Maryland Baltimore County Theatre Department,1st Stage Virginia, Presbyterian College Theatre Department in South Carolina, Actor’s Repertory Theatre Ensemble, UNLV Opera, Light Opera Oklahoma, The Nevada Conservatory Theater, and Great River Shakespeare Festival. Cristian also designed sets for Signature Theatre’s production of Aida, Orson Scott Card’s production of Posing for People, and UMBC’s production of Fabulous Presto. B.F.A., Brigham Young University. M.F.A. Technical Direction, University of Nevada Las Vegas.
Lexie Corbett SALT Executive Director
Lexie graduated with her bachelors in Dance Education and masters in Arts Administration. As a performer, she traveled throughout the United States and across Europe. She has more than ten years of experience teaching preschool through adults in public schools and private studios. Lexie has served in various leadership positions and she currently runs her own arts management company while serving as the Executive Director for SALT Contemporary Dance.
Kyle Hess Stage Manager
Working in the Theatrical world for over 25 years, Kyle has worked with Disney, Universal Studios, and locally with Utah presenters: Sundance, Pioneer Theater Company, Hale Center Theatre, Utah Opera, Utah Musical Theatre, and many schools. He has also worked on tours to Croatia, Bulgaria, and Taiwan. Kyle is grateful for this opportunity to work with the creative team of The Bridge and this wonderful company. Enjoy the Show!
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SALT’s Generous Donors and Sponsors CORPORATE:
Zions Bank Adobe Systems Inc. American First Credit Union Intermountain Pilates Training Center
PUBLIC:
Salt Lake County Zoo Arts and Parks Utah Department of Arts & Museums
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PRIVATE:
George S.& Dolores Dore’ Eccles Foundation Leo & Harriet Hopf Roger & Becky Henriksen Anne G. Osborn Lucy Osborn Mark & Mary Durham Mark & Sally Deitlien Kristin Marie Raffone Vazquez Denise Chugg Joshua Tipton Natalie Callahan Penny Broussard Janalyn Memmott Mady Beighley
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UtahPresents $25,000+ $2,500-$4,999 Nancy Peery Marriott Foundation Peter and Marney Billings Salt Lake County Zoo, Arts & Parks Sarah and Matt DeVoll Analecia and Zeke Dumke, IV $10,000-$24,999 Every Blooming Thing George S. and Dolores Dore Mike Ferro Eccles Foundation Goldman Sachs Hampton Inn & Suites Salt Lake Lee and Audrey Hollaar City - University/Foothill Richard K. and Shirley S. National Endowment for the Arts Hemingway Foundation New England Foundation for the Kenworth Sales Company Arts George Q. Morris Foundation National Dance Project Mitchell, Barlow & Mansfield John and Marcia Price Family Robert and Mikelle Mansfield Foundation M Lazy M Foundation Salt Lake City Arts Council Chrissy and Kurt Micek University of Utah Guest House & Prince Yeates & Geldzahler Conference Center Reddo Capital Management Steiner Foundation $5,000-$9,999 Kyle Treadway and Greg Pedroza Peter Ashdown Western States Arts Federation Art Works For Kids Zions First National Bank Design Ink Brent Daines $1,000-$2,499 Chet and Carrie Goodwin The B.W. Bastian Foundation Kathie and Charles Horman Castle Foundation Mountain West Small Business Equality Utah Finance Robert and Mary Gilchrist Dinesh and Kalpana Patel Page and Don Juliano Foundation David and Renee Kirby Steve and Annette Suite Lori McDonald Alice and Kevin Steiner Neumont College of Computer Utah Division of Arts & Museums Science XMISSION Summit Sotheby’s International Realty Utah Humanities Council
Donors $500-$999 Laura Brick Havilah Clarke Troy and Paula D’Ambrosio Sue Ellis Marian Ingham Cosette Joesten Peter and Michelle Morgan $250-$499 Eric and Shellie Eide Hilton DoubleTree Suites Brooke and Michael Horejsi Thelma Iker David and Lisa Kieda Michael Lobb Reid Prentice Jordan Smith and Jennie NichollsSmith Krista and Jim Sorenson Randall and Susan Turpin $100-$249 Carolyn Abravanel Susan Eisenman and Thomas Barton Shanna and Aaron Hall Michele and Lawrence Holzman Karineh Hovsepian and Russell Kelly Kathleen Jones Dennis McCormack Kyle Mantas Keven Myhre and Darrin Doman Diane Schultz Jacqueline Wittmeyer and Christopher Hill Paul and Bonnie Weiss
All gifts made between January 1 and December 31, 2017.
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UtahPresents
Sponsors
Nancy Peery Marriott
Thank you to the people of Salt Lake County for supporting Zoo, Arts and Parks
The Steiner Foundation Chet & Carrie Goodwin Peter & Marney Billings Chrissy & Kurt Micek The Castle Foundation Kathryn Atwood & Jaques D’Astous Dumke Law
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R. Harold Burton Foundation M Lazy M Foundation Dinesh & Kalpana Patel Kevin & Alice Steiner Lee & Audrey Hollaar Sarah & Matt DeVoll Kathie & Chuck Horman
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Staff Advisory Board
UtahPresents Brooke Horejsi. . . . Ashley Barentine . . Dennis Busch. . . . . Calin Clifford. . . . . Brooke Day. . . . . . Janet Graham . . . . Ryan Ireland . . . . . Liz Ivkovich. . . . . . Sheri Jardine. . . . . Brian Jurena . . . . . Joe Killian. . . . . . . Keven Myhre. . . . . Josh Stier. . . . . . . Robin Wilks-Dunn. . Steve Wimmer. . . .
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Executive Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Light Technician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Development Specialist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Event Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ticket Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Finance Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Box Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Director of Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Communications Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Production Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Engineer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operations Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Event Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . Community Engagement Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager
UTAH PRESENTS ADVISORY BOARD Robert Mansfield, Chair Margaret Billings Patricia Callahan Dhiraj Chand Havilah Clarke Mike Ferro Jake Garn Don Gale
Chet Goodwin Russ Haynie Tiana Hood Marian Ingham David Kirby Swathy Mahasenan Lori McDonald Chrissy Micek
MILLS PUBLISHING, INC.
Daniel Reed John Scheib Krista Sorenson Alice Steiner Armando Tirado R. Kyle Treadway
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Dan Miller, President; Paula Bell, Regional Advertising Director; Cynthia Bell Snow, Office Administrator; Jackie Medina, Art Director; Ken Magleby, Katie Steckler, Patrick Witmer, Graphic Design; Paula Bell, Karen Malan, Dan Miller, Paul Nicholas, Chad Saunders Advertising Representatives, Caleb Deane Administrative Assistant The UtahPresents playbill is published by Mills Publishing, Inc.,772 East 3300 South, Suite 200, Salt Lake City, Utah 84106 Phone: 801.467.8833 Email: advertising@millspub.com Website: millspub.com Mills Publishing produces playbills for many performing arts groups. Advertisers do not necessarily agree or disagree with content or views expressed on stage. Please contact us for playbill advertising opportunities. Copyright 2018.
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UtahPresents Thanks NANCY PEERY MARRIOTT ALICE AND KEVIN STEINER
for supporting these performances of The Bridge
Patron Information
UtahPresents •
In the event of an emergency, please walk to the nearest exit and follow instructions given by theatre personnel and ushers. Auditorium exits are clearly marked with lighted exit signs above each door. Move away from the building to a safe place.
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Late-comers will be seated in accordance with the seating guidelines of the individual production.
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Cameras and recording devices are strictly forbidden unless permission for their use is authorized in writing by theatre management.
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Ticket office is located on the lower plaza at Kingsbury Hall, east of the main staircase. For ticket information, call 801-581-7100.
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Children under six are not admitted to performances. All patrons must have a ticket regardless of age. Lap sitting is not allowed.
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Lost and found is located in the ticket office or by asking the house manager. Please leave your name, phone number and description of the lost item with the ticket office (581-7100) or house manager.
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Disabled parking is located on the east side of Kingsbury Hall via Presidents Circle.
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Food and drink are not allowed in the auditorium.
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Please silence mobile phones, watches and any other noise-making devices.
OUT OUT ON ON THE THE TOWN TOWN OUT ON THE TOWN
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SPENCER’S 255 South West Temple, SLC. Whether it’s before or after the show or an evening dinner with friends and family—enjoy hand cut steaks, fresh seafood, locally-crafted beers, classically inspired cocktails and an award winning wine list. L, D, ST, C, LL, RA, CC, VS. 801-238-4748
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SQUATTERS PUB BREWERY 147 West Broadway SLC. Join us before and after the show for eclectic daily specials and traditional pub favorites such as bacon topped meatloaf, pizzas and a delicious array of burgers, all paired with our world-class beer and welcoming atmosphere. L, S, AT, LL, D, CC, VS. 801-363-2739
ery veryT-Take T-TakeOut OutC-Children’s C-Children’sMenu MenuSR-Senior SR-SeniorMenu MenuAT-After-Theatre AT-After-Theatre Top: Image licensed by Ingram Image ations vationsAccepted AcceptedCC-Credit CC-CreditCards CardsAccepted AcceptedVS-Vegetarian VS-VegetarianSelections Selections B-Breakfast L-Lunch D-Dinner S-Open Sunday DL-Delivery T-Take Out C-Children’s Menu SR-Senior Menu AT-After-Theatre LL-Liquor Licensee RR-Reservations Required RA-Reservations Accepted CC-Credit Cards Accepted VS-Vegetarian Selections
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Pioneer Theatre Company is a fully-professional theatre conveniently located on the University of Utah campus, with plenty of free parking.