2019–2020 SEASON October 5–13, 2019
2019/2020 Leila Josefowicz Plays Stravinsky Nov 1–2
Juraj Valčuha, conductor Leila Josefowicz, violin Praised by critics and audiences alike for her memorable and exhilarating performances, Leila Josefowicz returns to Orchestra Hall to perform Stravinsky’s Violin Concerto.
Keefe, Wagner and Brahms Nov 7–9
Nathalie Stutzmann, conductor Erin Keefe, violin Program includes Brahms’ Hungarian Dances, Dvořák’s Romance for Violin and Orchestra, Wagner’s Prelude and Liebestod from Tristan and Isolde and Brahms’ Symphony No. 2. The power of love weaves through all these works, and Nathalie Stutzmann sews them together with her radiant podium presence.
Vaughan Williams’ Dona Nobis Pacem Nov 14–16
South African soprano Goitsemang Lehobye joins the Minnesota Chorale for a moving program that includes an atmospheric tone poem by Sibelius and Vaughan Williams’ lush cantata.
LEIL A JOSEFOWICZ
Osmo Vänskä, conductor Alban Gerhardt, cello Goitsemang Lehobye, soprano Dashon Burton, baritone Minnesota Chorale Gauteng Choristers Singers from 29:11
Handel’s Messiah Dec 6–7
612-371-5656 / minnesotaorchestra.org / Orchestra Hall / PHOTOS Josefwicz: Chris Lee; Keefe: Nate Ryan; Minnesota Chorale: Courtney Perry. All programs, dates, artists and prices subject to change.
MINNESOTA CHOR ALE
ERIN KEEFE
Celebrate the season with the enduring power of Handel’s Messiah in a performance that features the Minnesota Orchestra, the Minnesota Chorale and a lineup of acclaimed vocalists.
GOITSEMANG LEHOBYE
Nicholas Kraemer, conductor Sherezade Panthaki, soprano Daniel Moody, countertenor Richard Croft, tenor Benjamin Bevan, baritone Minnesota Chorale
“BizRecycling is a recipe for better business.� - Cookie Cart
Recycling grants up to $10,000 available to businesses in Ramsey and Washington counties. Learn more or get started at BizRecycling.com.
#RecycleBetter
THE MISSION OF MINNESOTA OPERA Minnesota Opera changes lives by bringing together artists, audiences, and community, advancing the art of opera for today and for future generations.
THE VISION OF MINNESOTA OPERA Minnesota Opera will sing every story.
THE VALUES OF MINNESOTA OPERA Innovation, Inclusivity, Collaboration, Purpose
1,000,000
people served annually by our opera productions, education programs, and other events
44,000
annual attendees to our mainstage operas at the Ordway
22,000
people from young kids to retirees participate in our education and engagement programs
1,500 MINNESOTA OPERA MNOPERA.ORG
Students in need served per season through education programs
4
625
local and international artists working on and off stage
La Rondine, 2018 © Cory Weaver
48
new works produced
WELCOME
RYAN TAYLOR PRESIDENT AND GENERAL DIRECTOR
W
F E A T U R E S
elcome to the opening production of our 57th season, the MN Opera premiere of Strauss’ famous tragedy, Elektra. We view this season as one of our biggest and boldest yet and there’s no better way to set the tone than with an opera as gripping and powerful as Elektra. Moving forward, we’re excited to bring back one of opera’s truly timeless classics with Rossini’s The Barber of Seville, followed by Jonathan Dove’s Flight — an opera both timely in its story and meaningful in its message. In March, don’t miss the world premiere of Edward Tulane based on Kate DiCamillo’s best-selling novel, followed in May by a brand new production of Mozart’s Don Giovanni. On behalf of all of us at MN Opera, thank you for being part of our 2019–2020 season. We couldn’t be more grateful for your support, and we certainly couldn’t do this without you. Enjoy the show!
CO N T E N TS 8 Elektra 10 Synopsis 11 About the Opera 12 Director’s Notes 13 Meet MN Opera
Lights, Camera, Elektra • 12 Stage Director and Production Designer Brian Staufenbiel lays out his vision for this daring new production.
14 Cast and Creative Team 16 O rchestra, Chorus, and Supernumeraries 17 M eet the Artists: Sabine Hogrefe and Alexandra Loutsion 18 N ew Education Director: Mitra Sadeghpour 20 2019–2020 Season Preview 22 M N Opera Board of Directors, Staff, and Volunteers 23 Upcoming Events
Meet the Artists: Sabine Hogrefe and Alexandra Loutsion • 17 Our two Elektras discuss preparing for the most challenging 100 minutes in all of opera.
23 MN Opera Information 24 Individual Giving 25 MN Opera’s 2019 Gala 27 Special Giving 28 Institutional Giving
LARGE-PRINT AND BRAILLE PROGRAMS ARE AVAILABLE AT THE PATRON SERVICES OFFICE.
MN Opera Welcomes New Education Director • 18 Meet Dr. Mitra Sadeghpour, an accomplished artist, distinguished educator, and the new director of our Project Opera youth program.
@MNOPERA
F L X : I I
The SAINT PAUL CONSERVATORY of MUSIC
Join us for: Lessons, Classes, Performances The love of music!
The House of Hope Choir School Inspiring children to grow as artists and individuals in a diverse and affirming community
Register now at hohchurch.org/choir-school 797 Summit Avenue Saint Paul, MN 55105 (651) 227-6311 | hohchurch.org 1524 Summit Ave, St Paul | www.thespcm.org
Roshini Rajkumar is a show host for WCCO Radio, the creator of Real Leaders with Roshini podcast, and a regular contributor on KSTP TV and KARE TV. This executive coach, who was born in Sri Lanka, came to the US as a toddler and grew up in Edina. She’s a distance runner who loves “paddleboarding, yoga, and martinis.” “I needed glasses starting in 1st grade and never wanted to wear them. But now, lucky for me, Spectacle Shoppe offers so many designer frames that I truly want people to see my cool glasses.”
Uptown, New Brighton, and Grand Avenue
COMING SOON!
A NEW BRAIN OCT 18 – NOV 9 STARRING RILEY MCNUTT AND BRADLEY GREENWALD
THE BRIDGES OF MADISON COUNTY JAN 24 – FEB 16 STARRING JENNIFER BALDWIN-PEDEN AND ERIC MORRIS
SPONSORED BY
FOR MORE INFO + TICKETS ARTISTRYMN.ORG | 952.563.8575 | $15-$46*
Located at the Bloomington Center for the Arts, 1800 W Old Shakopee Rd., Bloomington *prices subject to change
LIBRETTO BY
MUSIC BY
Richard Strauss
Hugo von Hofmannsthal
WORLD PREMIERE AT KÖNIGLICHES OPERNHAUS, DRESDEN, JANUARY 25, 1909 SUNG IN GERMAN WITH ENGLISH TRANSLATIONS PROJECTED ABOVE THE STAGE
CAST ELEKTRA
SAB INE H O G REF E * A L EXAND RA LO UTS IO N **
KLYTÄMNESTRA JIL L G ROV E
CHRYSOTHEMIS MA RCY STO NIKAS
OREST
CRA IG IRV I N
AEGISTH
D ENNIS PET ERSE N
GUARDIAN OF OREST A N D REW G IL ST RAP +
OVERSEER
KA RIN WO LVERTON •
E L I AS GR A N DY Ruth and John Huss Chair
STAGE DIRECTOR/ PRODUCTION DESIGN BR I A N STAU F E N BI E L
COSTUME DESIGN M ATHE W L E FE BV R E
LIGHTING DESIGN N I COL E P E A R C E
VIDEO AND PROJECTION DESIGN DAV I D M U R A KA M I
HAIR AND MAKEUP DESIGN P R I SC I L L A BR U C E
INTIMACY DIRECTOR
MAIDSERVANT 2
ASSISTANT CONDUCTOR AND CHORUS MASTER
MIA AT H E Y +
MAIDSERVANT 3
VICTO RIA VA RG AS•
MAIDSERVANT 4
LISA MARIE RO G A L I +
MAIDSERVANT 5
DANIEL L E BECKVERMI T +
MINNESOTA OPERA MNOPERA.ORG
CONDUCTOR
MAIDSERVANT 1
NAD IA BENAVID E Z •
8
CREATIVE TEAM
YOUNG SERVANT
CH RIST IA N SAND ER S +
OLD SERVANT
D OU G SC HOL Z- C A R L SON
A N D R E W W HI TF I E L D
ASSISTANT DIRECTOR A DA M DA R OS +
RÉPÉTITEURS
M A RY BOX +, A L L E N P E R R I E L LO, A N D R E W SU N +
STAGE MANAGER JA M I E K . FU L L E R
ENGLISH SURTITLES SON YA FR I E D M A N
N ICH O L AS DAVI S +
FRITZ LANG
JUST IN CO OK E
CAMERA OPERATOR
BERIT A H LG RE N
CONFIDANTE
MICH ELLE H AYE S
TRAINBEARER
SAND RA PART RIDGE
*APPEARS OCTOBER 5, 10, AND 12 **APPEARS OCTOBER 8 AND 13
+ MN OPERA RESIDENT ARTIST • MN OPERA RESIDENT ARTIST ALUM
THE BRINK OF MADNESS
is 1 hour and 40 minutes with no intermission.
This production contains theatrical haze and simulated cigarette smoking. English Supertitles © 1983 by Sonya Friedman, assigned to Miriam Lewin
ELEKTRA 2019–20
ESTIMATED RUNNING TIME
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
SEASON SPONSOR
9
SYNOPSIS
PROLOGUE King Agamemnon sacrifices his daughter, Iphigenia, before he sets out to Troy to wage war. His wife, Klytämnestra, grows in hatred of him and is determined to kill him upon his return. When he comes home from war, she murders him with the help of Aegisth, her lover. However, Klytämnestra becomes weary for her safety, fearing that her three living children (Elektra, Chrysothemis, and Orest) will avenge their father’s death.
ACT I As five servants clean the palace courtyard, they gossip about Elektra’s state of being— since her father’s death, she has become wild and unpredictable. Elektra emerges from the shadows hurling a few insults and the servants take their leave. Alone, Elektra prays to her father, swearing vengeance. It was into the courtyard where her mother and Aegisth dragged the lifeless body of her father, whom they had murdered moments before while he took his bath. Elektra’s younger sister, Chrysothemis, interrupts her prayer, begging that she give up her obsession with revenge. She wants them to lead normal, happy lives, and enjoy the benefits of being princesses. The girls are startled when they hear the sound of their approaching mother. Chrysothemis quickly departs, but Elektra remains. Klytämnestra, a visible wreck, reeking of paranoia, asks Elektra for help. She wants to make another sacrifice to appease the gods, hoping they will grant her peace in return. Elektra tells her mother to sacrifice an impure woman. When Klytämnestra asks for a name,
Elektra shouts, “Klytämnestra!” Elektra swears that she and her banished brother, Orest, will kill her and put an end to her maddening dreams—only then will she find the peace she so desperately seeks. Klytämnestra begins to cower in fear, that is, until her servant and confidante approach her and whisper in her ear. After they finish speaking, Klytämnestra bursts into demented laughter. Chrysothemis returns bearing bad news. Orest has been killed. Elektra demands that Chrysothemis help her kill their mother and Aegisth, but Chrysothemis cannot commit. She runs away. Left alone in the courtyard, Elektra starts digging frantically into the earth in search of the ax that was used to murder her father. As she digs, a cloaked man enters seeking Klytämnestra and Aegisth. He tells Elektra that he has come to deliver news of Orest’s death. Elektra tells the stranger her name, and he whispers to her that Orest is actually alive. Elektra, overcome with emotion, begins to tell the stranger where he may find her mother. He interrupts her and mocks her for not recognizing her own brother. She collapses into his arms and the two are happy to be reunited. Their reunion is but a moment long as Klytämnestra calls out to Orest. The servants notified her immediately upon his arrival. Elektra waits in the courtyard as Orest enters the palace. It isn’t long until a scream is heard. Elektra smiles brightly, knowing that Orest has killed his mother. Aegisth rushes into the courtyard and Elektra happily ushers him inside the palace.
MEET THE CHARACTERS Elektra
Chrysothemis
Daughter of the murdered King Agamemnon eh-LEK-truh Soprano
Elektra’s sister kroo-ZOE-teh-mees Soprano
Implacable and possessed by an all-consuming desire for revenge, Elektra spends her days in fits of rage and mourning.
Unlike her sister, Chrysothemis longs for a normal life and to become a wife and mother.
ABOUT THE OPERA
ELEKTRA HISTORY ca. 400 BC
The Greek playwright Sophocles writes Electra, one of several plays by himself and his contemporaries Aeschylus and Euripides to explore the mythical character of Electra, who pursued revenge for the murder of her father, King Agamemnon, at the hands of her mother, Clytemnestra.
1900
While conducting in Paris, Strauss meets the young Austrian poet Hugo von Hofmannsthal, who is interested in collaborating to create a ballet. Strauss is impressed with Hofmannsthal’s scenario, but is too busy with existing projects to work with him at the time.
1903
Hofmannsthal writes the play Elektra, a free adaptation of the tragedy by Sophocles. It is mounted by the director Max Reinhardt in Berlin, where Strauss attends a performance.
1905
Strauss’s opera Salome premieres in Dresden. Its lurid subject matter and sultry atmosphere are matched by Strauss’s shockingly inventive musical setting. The opera is soon performed at all of the major European opera houses to great critical acclaim. The composer Gustav Mahler calls it “emphatically a work of genius, very powerful, and decidedly one of the most important works of our day.”
1906
Strauss and Hofmannsthal agree to work together to create an opera based on Hofmannsthal’s Elektra. Following this first joint effort, they continue to collaborate on operatic projects until the poet’s untimely death in 1929.
1909 Elektra receives its premiere on January 25 at the Court Opera in Dresden, and its
success, enhanced by the public interest in its modern, emotionally fraught plot, is soon a worldwide phenomenon.
1929
Hugo von Hofmannsthal suffers a fatal stroke and dies on July 15. Strauss is too distraught to attend the funeral, but he writes to Hofmannsthal’s widow: “This genius, this great poet, this sensitive collaborator, this kind friend, this unique talent! No musician ever found such a helper and supporter. No one will ever replace him for me or the world of music!”
1933
Although apolitical by nature, Strauss is compelled to accept an appointment by German Minister of Propaganda Joseph Goebbels to the presidency of the Reichsmusikkammer, the official organization of the Third Reich that coordinated all facets of the music industry.
1935
Strauss is forced to resign from the Reichsmusikkammer owing to his defiant insistence on working with the Jewish librettist Stefan Zweig.
1948
Strauss composes his final works, later published as Vier letzte Lieder (“Four Last Songs”), for soprano and orchestra. Though he had written songs steadily throughout his long career, these late, luminous works, set to texts reflecting on the meaning of death, are among his finest compositions.
1949
Strauss dies on September 8, having suffered from declining health for several years. At a memorial service in Munich, conductor Georg Solti leads the final trio from Der Rosenkavalier.
Klytämnestra
Orest
Aegisth
Elektra’s mother, Agamemnon’s wife and one of his assassins KLOO-tame-NES-truh Mezzo-soprano
Son of Agamemnon, exiled from a young age by Klytämnestra oh-REHST Baritone
(Aegisthus) Klytämnestra’s lover ae-GHIST Tenor
Fearsome and powerful,
Although long absent from
she is haunted by
his native land, he is a figure
nightmares; seeking relief,
of fear for Klytämnestra and
she performs sacrifices
one of hope for Elektra.
to pacify the gods.
A secondary character in the opera, he murdered Agamemnon along with Klytämnestra. COSTUME RENDERINGS © MATHEW LEFEBVRE
DIRECTOR'S NOTES
Lights, Camera, Elektra! A world in flux, brimming with the threat of violence. People traumatized by war and death, pushed to the brink of madness. Families torn apart by betrayal and mistrust. These are some of the key elements in Richard Strauss’s Elektra. They also happen to be motifs explored by expressionist filmmakers in Germany’s turbulent Weimar period, a brief flirtation with democracy that ended with the rise of Adolf Hitler. Given the overlap, it struck me that staging this Elektra on the set of a Fritz Lang film shoot in 1929 could create some fascinating interplay. (Not incidentally, Strauss’s 1909 opera itself is considered a forerunner of musical expressionism, which flowered a decade later with Schoenberg, Webern, and Berg.) The idea grew into a resonant scenario.
MINNESOTA OPERA MNOPERA.ORG
As you’ll see, Lang will be onstage throughout the performance, overseeing his latest silent movie, Elektra. He’s trying to imbue his picture with the same exaggerated emotions and stylized evocation of the human condition that characterized his 1927 masterpiece, Metropolis.
12
The cast rehearses and performs as Lang directs. The crew moves the sets in and out. Makeup and costume changes happen quickly, because the studio has imposed a tight schedule. Lang has even hired an orchestra to play live on his soundstage during the filming—a way to set the mood and inspire his actors. Well-known actress Greta Schröder throws herself into the role of Elektra and quickly loses the ability to tell the difference between the story she is telling and her own reality. Lang is unaware of Schröder’s instability and doesn’t know that she is becoming unhinged, that she believes herself to be transforming into Elektra. This being expressionism, I took some liberties with the elements of time and perspective. As a kind of prelude, you’ll see filmed scenes from The Trojan War, the story that precedes Elektra in the Greek mythological cannon. (It’s that story’s murder of Elektra’s father, Agamemnon, that sets the plot of Elektra in motion.) And at points during the performance there will be filmed projections of the actors performing the very scene they are playing live onstage, but from a different point of view.
None of this would be possible, of course, without the stellar work of my design team (the same group of artists behind Minnesota Opera’s 2016 production of Das Rheingold) and MN Opera’s artistic and production staffs. In two greenscreen shoots, media designer David Murakami and I created our own silent clips. Murakami used Forrest Gump-like editing techniques to place the actors into archival films from the period. All of this is enhanced by the costumes of Mathew LeFebvre and lighting of Nicole Pearce. Working with these artists continues to be one of the great pleasures of my life. Outside, the clanging of Berlin’s iconic U-Bahn fades into the background as a new film production gets underway. Lights, drama, action! BRIAN STAUFENBIEL STAGE DIRECTOR
PHOTO © LU ZANG
MEET MN OPERA
JOSH PEKLO TECHNICAL DIRECTOR
What I do:
Why I’m excited about Elektra:
I oversee all the Scene Shop, prop, lighting, audio, and video needs for MN Opera productions. This includes the planning, logistics, engineering, drafting, material acquisitions, and scheduling necessary to support our craftspeople as we work to build the physical production that ends up onstage.
It poses a challenge! We’re placing all of our artists, both the singers and the orchestra, onstage together amidst the physical production and action. Also, we’re using current video technology to re-create and project silent film-era effects live during the opera.
KATHERINE CASTILLE What I do:
Why I’m excited for Elektra:
I get people excited about opera! I introduce our advertising partners to the world of opera and negotiate advertising that supports MN Opera’s mainstage and community programming. Then working with many members of the incredible MN Opera staff, I put together marketing campaigns for subscriptions, individual tickets, annual giving, education, and more.
It is a commanding opera! The orchestra is huge, which means the singers must sing beautifully, of course, and also with such thrilling power. I was awestruck with the creative use of the stage for Das Rheingold, and I can’t wait to see what that same creative team does for Elektra!
NICKOLAS SANCHES DEVELOPMENT OFFICER
What I do:
Why I’m excited for Elektra:
I’m responsible for helping Minnesota Opera donors realize the joy and impact of their giving. Our donors are incredible and I feel very lucky to be part of this generous and enthusiastic opera community.
I’m very excited to experience this new and innovative production. The story of Elektra is essentially the antithesis of my personality, but it’s rare that I get to immerse myself in the rapturous intensity of Strauss’ music.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
MARKETING DIRECTOR
ELEKTRA 2019–20
Meet MN Opera
Minnesota Opera’s dedicated staff of artists, craftspeople, and administrators are passionate about bringing worldclass opera and opera education programs to Minnesota. Recently, we sat down with three of them to learn more about what they do at the Opera and why they’re excited for this production of Elektra.
13
C A S T + C R E AT I V E T E A M
MIA ATHEY
ELIAS GRANDY
HYATTSVILLE, MARYLAND
HEIDELBERG, GERMANY
MAIDSERVANT 2
Minnesota Opera Resident Artist Past
CONDUCTOR
Minnesota Opera Debut Past
Dinner at Eight, CCM Opera Studio
Rigoletto, Theater and Orchestra Heidelberg
Così fan tutte, Bethesda Summer Music Festival
Katja Kabanova, Theater and Orchestra Heidelberg
Suor Angelica, CCM Opera Studio
Die Zauberflöte, Gärtnerplatz Theater
Candide, CCM Opera Studio
Future
Future Carmen, Nikikai Opera
Flight, Minnesota Opera
Roméo et Juliette, Oper Frankfurt
DANIELLE BECKVERMIT
JILL GROVE
KINGSTON, NEW YORK
SAN ANTONIO, TEXAS
MAIDSERVANT 5
Minnesota Opera Resident Artist Past La Traviata, Minnesota Opera
KLYTÄMNESTRA Minnesota Opera Debut Un ballo in maschera, 2007
Past
The Italian Straw Hat, Minnesota Opera
Candide, Des Moines Metro Opera
Silent Night, Minnesota Opera
Verdi Requiem, New Mexico Philharmonic
Falstaff, Crested Butte Opera
Arabella, San Francisco Opera
Future The Barber of Seville, Minnesota Opera Edward Tulane, Minnesota Opera
Faust, Lyric Opera of Chicago
Future Pique Dame, Metropolitan Opera Pique Dame, Lyric Opera of Chicago
NADIA BENAVIDEZ
SABINE HOGREFE
DULUTH, MINNESOTA
BLANKENFELDE, GERMANY
MAIDSERVANT 1
Minnesota Opera Debut Roméo et Juliette, 2016
Past
ELEKTRA
Minnesota Opera Debut Past Elektra, Stadttheater Regensburg
Thaïs, Minnesota Opera
Elektra, Teatro di San Carlo
Rigoletto, Minnesota Opera
Das Rheingold, Opera Dijon
The Marriage of Figaro, Minnesota Opera
Tristan und Isolde, Theater Bremen
Maria de Buenos Aires, Des Moines Metro Opera
Future Der Rosenkavalier, La Monnaie The appearance of Sabine Hogrefe is made, in part, by the generous support of Bernt von Ohlen and Tom Nichol.
NICHOLAS DAVIS
CRAIG IRVIN
PETERSBURG, TENNESSEE
WAUKEE, IOWA
OLD SERVANT
Minnesota Opera Resident Artist Past La Traviata, Minnesota Opera
Past Faust, Opera Omaha
Silent Night, Minnesota Opera
Silent Night, Austin Opera
Fellow Travelers, Minnesota Opera
Dinner at Eight, Wexford Festival Opera
The Barber of Seville, Minnesota Opera
MINNESOTA OPERA MNOPERA.ORG
Minnesota Opera Debut Silent Night, 2011
The Fix, Minnesota Opera
Future
14
OREST
Dinner at Eight, Minnesota Opera
Future
Flight, Minnesota Opera
Silent Night, Utah Opera
Edward Tulane, Minnesota Opera
Carmina Burana, Des Moines Symphony
ANDREW GILSTRAP
MATHEW LEFEBVRE
NASHVILLE, TENNESSEE
SAINT PAUL, MINNESOTA
GUARDIAN OF OREST
Minnesota Opera Resident Artist Past Rigoletto, Wolf Trap Opera
COSTUME DESIGN
Minnesota Opera Debut Die Zauberflöte, 1991
Past
Roméo et Juliette, Wolf Trap Opera
Das Rheingold, Minnesota Opera
Pops Extravaganza: Bernstein at 100, National Orchestral Institute
La fanciulla del West, Minnesota Opera
L’italiana in Algeri, Moores Opera Center
The Music Man, Guthrie Theatre
Future The Barber of Seville, Minnesota Opera Flight, Minnesota Opera Don Giovanni, Minnesota Opera
To Kill a Mockingbird, Guthrie Theatre
Future White Card, Penumbra Theatre Company
C A S T + C R E AT I V E T E A M
ALEXANDRA LOUTSION
CHRISTIAN SANDERS
PITTSBURGH, PENNSYLVANIA
WESTCLIFFE, COLORADO
ELEKTRA
Minnesota Opera Debut Past
YOUNG SERVANT
Minnesota Opera Resident Artist Past
Il Trovatore, Central City Opera
The Ghosts of Versailles, The Glimmerglass Festival
Turandot, Tulsa Opera
La Traviata, Minnesota Opera
Tosca, Wolf Trap Opera
The Fix, Minnesota Opera
Tosca, National Symphony Orchestra
Silent Night, Minnesota Opera
Future
Future
Florencia en el Amazonas, Pittsburgh Opera
Flight, Minnesota Opera
Turandot, Palm Beach Opera
Edward Tulane, Minnesota Opera
Turandot, Austin Opera The appearance of Alexandra Loutsion is made, in part, by the generous support of Stephen and Margaret Blake.
DAVID MURAKAMI
PROJECTION AND VIDEO DESIGN LOS ANGELES, CALIFORNIA
Minnesota Opera Debut Das Rheingold, 2016
Past Singin in the Rain, McCoy Rigby
BRIAN STAUFENBIEL STAGE DIRECTOR AND PRODUCTION DESIGN SAN FRANCISCO, CALIFORNIA
Minnesota Opera Debut Das Rheingold, 2016
Past
Daphnis et Chloe, Sun Valley Summer Symphony
Dead Man Walking, Opera Parallèle
Dead Man Walking, Opera Parallèle
Das Rheingold, Opera Montreal
Scare Pair, Los Angeles Opera
Scare Pair, Los Angeles Opera
Future
Future
Flight, Minnesota Opera
Harvey Milk, Opera Parallèle
Harvey Milk, Opera Parallèle
Golden City Suite, San Francisco Jazz Center
NICOLE PEARCE
MARCY STONIKAS
LAKEWOOD, OHIO
TALLAHASSEE, FLORIDA
LIGHTING DESIGN
Minnesota Opera Debut Das Rheingold, 2016
Past
CHRYSOTHEMIS
Minnesota Opera Debut Past Aida, Seattle Opera
Das Rheingold, Opera Montreal
Der fliegende Holländer, Cincinnati Opera
Scare Pair, Los Angeles Opera
The Turn of the Screw, Seattle Opera
King Lear, Seyoisfjorour Iceland
Tosca, Arizona Opera
The Tempest, Pittsburgh Public Theater
Future
Future Hänsel und Gretel, San Diego Opera
Where There’s Form, Kampnagel International Arts Festival BUSK, Alvin Ailey American Dance Theater
DENNIS PETERSEN
VICTORIA VARGAS
WEST BRANCH, IOWA
MINNEAPOLIS, MINNESOTA
Der fliegende Holländer, 1992
Past
Minnesota Opera Debut La Cenerentola, 2010
Past
The Grapes of Wrath, Michigan Opera Theater
The Italian Straw Hat, Minnesota Opera
The Fix, Minnesota Opera
Carmen, Lyric Opera of the North
The Italian Straw Hat, Minnesota Opera
Verdi Requiem, La Jolla Symphony
Dead Man Walking, Minnesota Opera
Carmen, Minnesota Opera
Future El Amor Brujo, Rock Hill Symphony The Other Room, Arbeit Opera Theater Edward Tulane, Minnesota Opera
LISA MARIE ROGALI
KARIN WOLVERTON
HAWLEY, PENNSYLVANIA
ROSEVILLE, MINNESOTA
MAIDSERVANT 4
Minnesota Opera Resident Artist Past Rigoletto, Opera Theatre of Saint Louis
OVERSEER
Minnesota Opera Debut Lucia di Lammermoor, 2001
Past
The Italian Straw Hat, Minnesota Opera
Silent Night, Minnesota Opera
La Rondine, Minnesota Opera
Cosi fan tutte, Mill City Summer Opera
Gianni Schicchi, Cincinnati College-Conservatory of Music
Rusalka, Madison Opera
Future Flight, Minnesota Opera Edward Tulane, Minnesota Opera Don Giovanni, Minnesota Opera
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
Minnesota Opera Debut
MAIDSERVANT 3
Eugene Onegin, Opera Santa Barbara
ELEKTRA 2019–20
AEGISTH
15
ORCHESTRA, CHORUS, + SUPERNUMERARIES MINNESOTA OPERA ORCHESTRA VIOLIN I Allison Ostrander Concertmaster Natalia Moiseeva Assistant Concertmaster Julia Persitz Colin McGuire Jill Olson Moser Louisa Woodfull-Harris Carol Lebovic Troy Gardner
VIOLA I/VIOLIN IV
BASS
HORN
Emily Hagen* Susan Janda Jenny Lind Nilsson Matthew Mindeman Alastair Brown
John Michael Smith* Kenneth and Peggy Bonneville Chair Constance Martin Charles Block Jason C. Hagelie Nadja Gale Michael Watson Irving Steinberg
Mike Alexander* Allison Akins Assistant Charles Hodgson Tim Bradley Jenna McBride-Harris
VIOLA II Laurel Browne Anne Ainomae Justin Knoepfel Thomas Bandar Tamas Strasser
VIOLA III Coca Bochonko Charles Krenner Valerie Little James Bartsch Chi-Chi Lin Bestmann
VIOLIN II Laurie Petruconis* Elizabeth Decker David Mickens Stephanie Arado Mary Alice Hutton Emily Saathoff Huldah Niles Karl Braaten
CELLO I Hocheol Shin* Teresa Richardson Sally Dorer Rebecca Arons
VIOLIN III Elise Parker Angela Waterman Hanson Melinda Marshall Maisie Block Kseniya Khvashchynskaya Ian Snyder Erika Hoogeveen David Block
CELLO II Benjamin Osterhouse Diane Tremaine Ruth Marshall Jane Cords O’Hara
FLUTE Michele Frisch* Hannah Peterson double piccolo Bethany Gonella double piccolo
OBOE Michael Dayton* Robert McManus Jeffrey Marshak double English horn
TRUMPET John G. Koopmann* Christopher Volpe Martin Hodel Jonathan Brandt
BASS TRUMPET John Tranter
TROMBONE Phillip Ostrander* Larry J. Zimmerman David Stevens
TUBA
CLARINET
Jacob Grewe*
Karrin Meffert-Nelson* Paul Schimming Jennifer Gerth, double Eb clarinet
TIMPANI
BASS CLARINET
Matthew Barber* Robert Adney Joel Alexander
Nina Olsen
BASSOON Matt Bertrand* Alexandra Berndt Emma Plehal, double contrabassoon
Kory Andry*
PERCUSSION
HARP Min J. Kim* Nikki Lemire
CHORUS SOPRANO Michelle Hayes Aliese Hoesel (Maid) Sandra Partridge Lindsay Sessing Megan Wagner (Maid) Amy Wolf (Maid) MEZZO Alyssa Becker (Maid) Cecile Crozat-Zawisza Yun Kyong Lee (Maid) Jill Morgan Ashley Sievers Eryn Tvete (Maid) TENOR Erik Carlson Michael Mayer Eric Mellum Jacob Sorrells Colyn Tvete Clark Weyrauch BARITONE/BASS Alex Barnett Ben Crickenberger Steve Dahlberg Joel Mathias Pablo Siqueiros Eric Sorum
SUPERS Brandon Cayetano Cindy Johnson Adam Western Sr. Joshua Zapata-Palmer
MINNESOTA OPERA MNOPERA.ORG
KEY * principal + in memoriam
16
ARE YOU 21–45?
Tempo packages start as low as $15 per ticket!
mnopera.org/tempo | 612-333-6669
M–F, 10am–5pm
MEET THE ARTISTS
MeettheArtists
&
SABINE HOGREFE
(LEFT)
AS ELEKTRA
ALEXANDRA LOUTSION
(RIGHT)
AS ELEKTRA
SH Obsessed, vengeful, miserable AL Vulnerable, intelligent, misunderstood
What are some of the joys and challenges of performing this role? AL Elektra is truly an actor's character. The sheer emotional scope of what this woman goes through in an hour and 40 minutes is immense. It makes for a wonderful acting challenge to discover the ins and outs of her psyche, particularly considering she is highly intelligent and can turn on a dime. SH It is a challenge to have the strength to sustain these feelings from the beginning to the end, all while singing and dancing without the ability to step off the stage. There is
What is it about Elektra that makes it such an exciting piece? AL This piece is like a live action thriller or horror film happening in real time and set to some of the best music you’ll ever hear. Sometimes the music is so loud and thrilling, the hair on your arm stands on end, and the subject matter is waft with terrifying perversion. A woman is seeking vengeance for her father’s murder that was carried out by her mother and her mother’s lover!
❝
Also, it is female-driven. We don’t see any significant male characters until the end, which is a rarity for opera.” SH The fantastic music! The music
drives the story forward, and expresses the emotions of the characters. Sometimes it sounds like film music. AL Also, it is female-driven. We don’t
see any significant male characters until the end, which is a rarity for opera.
What is the strangest or most surprising thing that has ever happened to you during a performance? SH I had an accident during a rehearsal of Tristan und Isolde. It was the first technical rehearsal. The whole stage was black, and there was a gap which shouldn’t have existed at the time and I fell 2.5 meters into the depths. Luckily, I fell on my feet and had "only" some big bruises, but nothing else. After 30 minutes, I went on with the rehearsal! AL I was being chased offstage by a baritone and he accidentally stepped on the train of my gown. I was near the door, but couldn’t make it without falling, so I hurled myself into the air through the curtain and managed to faceplant offstage.
Since this is the first time in Minnesota for both of you, is there anything you’re dying to try? SH I hope to have time for sightseeing. I like water very much, so perhaps it will be possible to go to a lake! AL I’m dying to try lutefisk, (although the concept scares me a little), and I’ve been hearing for years about what an incredibly vibrant arts community you guys have. I can’t wait to experience it myself!
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
Describe Elektra in three words…
no chance to rest during the whole performance, so when it’s over, you feel like you’ve been on stage for five hours like in Götterdämmerung. You’re very surprised to see that only an hour and 40 minutes has passed!
ELEKTRA 2019–20
Elektra is one of the most intense and challenging roles in the entire repertoire, and it takes an especially powerful singer to bring her epic quest for vengeance to life. Therefore, we’re extremely lucky to have not one, but two dynamic singers—German soprano Sabine Hogrefe (left) and Pittsburgh native Alexandra Loutsion (right)—both joining us for the first time to take on this iconic role. Recently, they were kind enough to sit down with us to answer a few questions about themselves and what it’s like to prepare for the most demanding 100 minutes in opera.
17
O P E R A E D U C AT I O N
MN Opera Welcomes New Education Director, Mitra Sadeghpour!
MINNESOTA OPERA MNOPERA.ORG
Mitra Sadeghpour, opera educator and soprano, joins the Minnesota Opera education team as Education Director after a 19-year career in higher education. For five years, she was an Associate Professor of Opera at the University of Northern Iowa School of Music. At UNI, Dr. Sadeghpour directed the opera program, taught applied voice, and collaborated with the Theatre Department on musical theatre productions. Previously, she taught for 12 years at the University of Wisconsin-Eau Claire, where she was honored as a Max Schoenfeld Distinguished Professor. Most recently, she has taught at Harrower Opera Workshop at Georgia State University, La Musica Lirica and InterHarmony International Music Festival in Italy, and directed Carmen with Opera Louisiane in Baton Rouge, LA.
18
At MN Opera, Dr. Sadeghpour will serve as Music Director of Project Opera, our youth training program for talented young singers. She will also direct our summer camp program and our children’s chorus for mainstage shows, and she will be involved with Music Out Loud, our long-term, after-school music curriculum. Dr. Sadeghpour
brings with her a wealth of experience and passion that we know will engage young artists across Minnesota and we couldn’t be more excited! Recently, she sat down with us to answer a few of our most burning questions:
What about living in the Twin Cities are you most excited about? MS The vibrant and diverse
communities, and the incredible arts scene. I’ve been traveling to attend Minnesota Opera for over 15 years and now I can go to those and so many more wonderful arts events anytime I want to!
What drew you to Minnesota Opera? MS Two major factors. First, the
inclusion of American operas on the seasons, and commissioning of new works, and second, my admiration for [Chief Learning Officer] Jamie Andrews and the industry-leading work he has been doing in opera education for many years. Actually, three factors, I am a Midwestern girl, and this is an incredible company in a place I want to live!
What do you think sets this company apart from other opera companies? MS Everyone loves Minnesota Opera. Ask any artist who has worked here. Ask any audience member. Ask any kids or parents who have been involved in
the education programs. The goodwill for this company is incredible, because the people are amazing. They are talented, passionate, and kind.
As the new director of Project Opera, can you tell us a bit about this year’s Project Opera show and why you’re excited about it? MS Belongings is a poignant and beautifully conceived story of the lives of those, particularly children, who are forced to live in refugee camps. The story flashes back and forth between 1940s Europe and the present. It is chilling that so much has changed, and yet so little.
❝
The goodwill for this company is incredible, because the people are amazing. They are talented, passionate, and kind.” What show in Minnesota Opera’s 2019–2020 season are you most looking forward to and why? MS Belongings, obviously! But also Edward Tulane. American operas, and particularly new American operas, are my great passion. I love that opera keeps evolving and that we are valuing the stories of our national experience.
PHOTO (C) JAMIE ANDREWS
CO MIN G S O ON TO M N OPE RA Let Your Hair Down Next up for MN Opera is The Barber of Seville, Rossini’s beloved and irresistible romantic comedy. Figaro, Seville’s quick-witted barber, helps a young woman flee an unsuitable suitor and find true love. Naturally, nothing goes according to plan, and Figaro must think on his feet to save the day. The instantly recognizable music—from the iconic overture to the immortal aria “Largo al factotum” (aka “Figaro, Figaro, Figaro…”)—sparkles in this razor-sharp and hilarious masterpiece that’s sure to have you rolling in the aisles. The comedic structure of The Barber of Seville is based on Commedia dell’arte, an early form of professional theatre, originating from Italy, that was popular in Europe from the 16th to the 18th century. The characters of the Italian commedia tradition represent recognized social types and familiar characters, such as foolish old men, devious servants, and enraptured lovers. The characters of The Barber of Seville are inspired by those same stock characters. Learn all about them below! The Barber of Seville opens Saturday, November 9 and runs for 6 performances. Please visit mnopera.org/barber for tickets and more information.
© Karli Cadel for The Glimmerglass Festival
Harlequin (Figaro) – The Servant. Light-hearted, nimble, and astute, Harlequin often acts to thwart the plans of his master with wit and resourcefulness. Innamorati (Rosina and Almaviva) – The Lovers. Their main function, naturally, is to be in love; and in doing so, they come upon obstacles that keep them apart, but they are always united by the end. Pantalone (Doctor Bartolo) – The Miser. Pantalone is all about money and ego, for he has the highest regard for his
intelligence, but he’s always the patsy for every conceivable Il Dottore (Don Basilio) – The Doctor. A kind of trick. comic foil to Pantalone, Il Dottore is representative of the learned intellectual class, and as such is meant to playfully parody the educated elite. La Ruffiana (Berta) – The Nurse. A stealthy and gossipy “outsider” who always mixes things up and causes trouble for the rest of the characters, but deep down is actually kind.
A Miraculous Journey: Minnesota Opera’s Newest Contribution to the Operatic Canon Minnesota Opera’s commitment to creating new work over the years has resulted in a wide variety of unique stories seeing the opera stage for the first time ever. This season, we’re excited to present Edward Tulane, our next stage adaptation by composer Paola Prestini and librettist Mark Campbell, based on The Miraculous Journey of Edward Tulane by local author Kate DiCamillo. Edward Tulane will premiere on Saturday, March 21. DiCamillo’s young-adult novel is a best-selling tale of a stuffed rabbit and his humbling journey to find home after being separated from his loving family, taking him from the depths of the deep blue sea to the streets of Memphis.
A Note from the Composer I have never been as nervous as I was at the dress rehearsal of Flight in 1998. I had written the opera I wanted to see, but I had no idea how an audience would react. Unlike many operas, mine wasn’t based on a hit play or a best-selling novel or blockbuster movie (although six years later, the same true story would inspire Spielberg’s The Terminal)—and while I hoped people would relate to the experiences of a group of travelers stranded in an airport, I didn’t know if they would laugh at any of the jokes, or enjoy the music.
“It’s amazing how Kate has been able to weave this story together that talks about humanity and love and a sense of belonging, which I think is at the core of who we all are as human beings,” said MN Opera President and General Director Ryan Taylor. In speaking with MPR News earlier this year, DiCamillo talked about why it made so much sense to her when MN Opera approached her about adapting her story for the stage. “Even before the book was actually published, I always had it in the back of my head that it seemed so much like an opera to me,” she said. “It’s like a dream come true.” For more information and tickets, please visit mnopera.org/edward-tulane.
Flight is now twenty-one years old, and has traveled the world. Each new production has shone a different light on it. It is wonderful to have been given the opportunity to write the piece we wanted to see, and discover that others wanted to see it too—and that everyone finds something different in it. Jonathan Dove, Composer For more information and tickets, please visit mnopera.org/flight
NEW!
YOUTH PRICING AVAILABLE FOR AGES 6–20. Learn more at mnopera.org/youth
B O A R D , S TA F F, + V O L U N T E E R S
BOARD OF DIRECTORS OF F ICE RS Chair | H. Bernt von Ohlen President and General Director | Ryan Taylor Vice Chair | Nadege Souvenir Secretary | Sharon Bloodworth Treasurer | Terrance Dolan
DIRECTORS Vanessa Abbe
Natalie Volin Lehr
Patricia Beithon
Mike McNamara
Rebecca Bernhard
Fayneese Miller
Sharon Bloodworth
Leni Moore
Shari Boehnen
Jose Peris
Alberto Castillo
Bart Reed
Jane Confer
Mary H. Schrock
Terrance Dolan
David Smith
Sidney W. Emery
Nadege Souvenir
Mark C. Gordon
Norrie Thomas
Maureen Harms Dorothy Horns, MD
Missy Staples Thompson
Diane Jacobson
Wendy Unglaub
John C. Junek
H. Bernt von Ohlen
Anna Kokayeff, MD
Greg Waibel
Stephanie Kravetz
Craig Walvatne
Mary Lazarus
William White
Robert Lee
Margaret Wurtele
PR ES I D E N T ’ S COU NC I L Karen O. Bachman
Ruth Huss
John A. Blanchard, III
James E. Johnson
Susan Boren King Burton Cohen
Lucy Rosenberry Jones
Ellie Crosby
Kevin H. Smith
Julia W. Dayton
Virginia L. Stringer
John Huss
Mary W. Vaughan
HONO RA RY D I REC TO R S Dominick Argento* Philip Brunelle
MINNESOTA OPERA MNOPERA.ORG
22
TEMPO COUNCIL M EMBERS Marjahn Golban
Raegan Henderson
Sosha Brink
Laura Wright
Alison Jarzyna
Drew Gumlia
Elijah Saiger
Heber Diaz
Carrie Anderson Jon Tollefson Jessica Brooks
ADMI N I ST RAT IO N President and General Director | Ryan Taylor Creative Advisor | Dale Johnson Board Relations Director | Theresa Murray Chief Financial Officer | Steve Matheson Chief of Human Resources | Jen Thill Controller | Gena Holland Staff Accountant | Chris Olsen Facility Manager | Steve Mittelholtz Systems Administrator | Tony Ngonekeo
AR T I ST IC Chief Artistic Officer | Priti Gandhi Head of Music | Allen Perriello Company Manager | Roxanne Stouffer-Cruz Assistant Conductor and Chorus Master | Andrew Whitfield Artistic Department Coordinator | Jake Fedorowski Associate Conductor | Jonathan Brandani Resident Artists | Mia Athey, Danielle Beckvermit, Mary Box, Frankie Charles, Adam Da Ros, Nicholas Davis, Andrew Gilstrap, Lisa Marie Rogali, Christian Sanders, Andrew Sun
E DU C AT IO N Chief Learning Officer | Jamie Andrews Education Director | Mitra Sadeghpour Teaching Artist | Pablo Siqueiros Education Associate | Rebecca Blackwell Project Opera Accompanist | Kathy Kraulik Music Out Loud Teaching Artist | Sara Sawyer
DE V E LOPME NT
VOLUNTEERS Nina Archabal Michelle Cadieux Aiden Campbell Ann Drivas David Earp Joan Gacki Paul Good Jessica Grams Rachel Gustafson Tim Jones Emily Judge-Becker Julie Karlson Robin Keck Laura Kucera Mollie Laidly Mary Lach
Chief Development Officer | Carley M. Stuber Sr. Major Gifts and Campaign Director | John Kupris Development Director | Mallory Roberts Institutional and Major Gifts Director | Diana Konopka Associate Events Director | Anthony Diaz Development Officer | Nickolas Sanches Development Manager | Jeremie Bur Development Operations Coordinator | Jonathan Lundgren Development Coordinator | Charlotte Summers
Mary McDiarmid
MAR K E T ING /CO MMU NICAT IO NS
Michele Schluender
Chief Marketing Officer | Darby Lunceford Marketing Director | Katherine L. Castille Associate Marketing Director | Kristin Matejcek Marketing Manager | Amanda Rodriguez Relationship Marketing Associate | Paige Reynolds Senior Graphic Designer | Kristin Backman Associate Communications Director | Eric Broker Communications Manager | Rocky Jones Interim Web and Digital Associate | Severin Lier Patron Services Director | Greg Campbell Patron Services Manager | Kevin Beckey Associate Patron Services Manager | Karl Annable Patron Services Representatives | Kianna Carter, Justin Cooke, Carol Corich, Henry Dykstal, Evy Johnson, Emily Ross, Emily Sasik
Amy Sirivie
Barbara Moore Nicole Murray Doug Myhra Pat Panshin
Wendi Sott Norm Tiedemann Darcy Zimbrick
P R O DU CT IO N
Liz Kochiras
Janelle Jones
STAFF
Chief Production Officer | Karen Quisenberry Assistant Production Director | Julia Gallagher Production Stage Manager | Kerry Masek Stage Manager | Jamie K. Fuller Assistant Stage Managers | Emily Duffin-Brown, Jerry K. Smith Technical Director | Josh Peklo Resident Artist Assistant Technical Director | Frankie Charles Properties Master | Jenn Maatman Lighting Coordinator | Ray Steveson, Jr. Tech Lighting Assistant | Smaida Māra Production Carpenter | JC Amel Scene Shop Foreman/Supervisor | Mark Maurer Master Carpenters | Nate Kulenkamp, Eric Veldey Staff Carpenter | Max Gilbert Carpenter | Alicia Dvorak, Troy Dyrstad Lead Scenic Painter | Erica Zaffarano Costume Director | Corinna Bakken Assistant Costume Director | Beth Sanders Tailor | Yancey Thrift Drapers | Katrina Benedict, Chris Bur First Hands | Helen Ammann, Sara Huebschen, Rebecca Karstad Stitchers | Brigid Borka, Ann Friese, Brandi Mans Wardrobe Supervisor | Molly O’Gara Dyer/Painter/Milliner | Samantha Haddow Hair/Makeup Supervisors | Priscilla Bruce, Corrie Dubay Hair/Makeup Crew | Lianna Colestock, Emma Gustafson
Minnesota Opera is a proud member of The Arts Partnership with the Ordway Center for the Performing Arts, The Saint Paul Chamber Orchestra, and the Schubert Club. * in remembrance
UPCOMING EVENTS
M I N N E S OTA O P E R A I N F O Minnesota Opera Patron Services 620 North First Street, Minneapolis, MN 55401 612-333-6669
Upcoming events Opera Insights ONE HOUR PRIOR TO EACH PERFORMANCE
Sphinx Virtuosi: For Justice and Peace MAR. 1, 3PM
Enjoy fun, free, and informative half-hour
A chamber ensemble comprised of the
lectures, hosted by MN Opera artistic staff
nation’s top Black and Latinx classical
in the Ordway’s Target Atrium. Come early
string soloists, the Sphinx Virtuosi returns
and get an overview of the characters and
to St. Paul for the fourth time performing
music, the historical and cultural context
music that shows how justice and peace
of the opera, and highlights to watch for
find their way into music without regard
during the show.
to time and place. Co-presented by the
MNOPERA.ORG/OPERA-INSIGHTS
Arts Partnership (the Ordway, MN Opera, Schubert Club, and the SPCO). ORDWAY.ORG
The Barber of Seville NOV. 9–17 Let your hair down. A prequel to The
Edward Tulane
Marriage of Figaro, Rossini’s beloved and
MAR. 21–29
irresistible rom-com is a cut above. The
Lost hearts can find home again. Based
instantly recognizable music sparkles in
on the best-seller by local author Kate
this razor-sharp, comedic masterpiece.
DiCamillo that is perfect for the young
MNOPERA.ORG/BARBER
and the young at heart, Edward Tulane is
Regular Hours: Monday – Friday, 10am – 5pm. Performances: Weekdays — phones open until curtain. Weekends — phones open at 2pm for evening performances and at 10:30am for matinee performances. Minnesota Opera staff will be available at the Ordway’s Ticket Office 90 minutes prior to curtain. mnopera.org Visit mnopera.org to watch behind-thescenes videos, read synopses, browse digital programs, and more. Join our e-club to receive special offers and opera news. Ticket Policies Tickets are not refundable. Subscribers may make exchanges for a different performance or opera up to one hour prior to curtain. Any ticket may be turned back for a tax-deductible donation up until curtain. Call Minnesota Opera Patron Services at 612-333-6669. Parking Prepaid parking is available for opera patrons at the Lawson Commons Ramp. Call 612-333-6669 or visit mnopera.org to purchase passes. Accessibility For patrons with disabilities, wheelchairaccessible seats are available. Audio description will be available for select performances. Please call 612-333-6669 for details and indicate any special needs when ordering tickets. At the Ordway, accessible restrooms and other facilities are available, as well as braille or large-print programs and infrared listening systems.
an elegantly whimsical Minnesota original
MNOPERA.ORG/TULANE
Flight
Latecomers will be seated at an appropriate break.
JAN. 25–FEB. 2
Please have all cell phones and pagers turned to silent mode.
Make your connection. Stranded overnight at an airport, eight strangers meet a refugee forced to call the terminal
Don Giovanni
home. Inspired by a true story, Jonathan
MAY 2–16
Dove’s Flight is a touching, charming, and
So hot, he’ll burn. From the world’s most
deeply human dramedy about what it
well-known composer, Mozart’s Don
means to make a real connection.
Giovanni seamlessly blends dark comedy
MNOPERA.ORG/FLIGHT
Ordway Policies Ordway is a smoke-free facility.
with biting social commentary in this smart and otherworldly story of a man who dares to defy hell itself. MNOPERA.ORG/DON-GIOVANNI
Children under six are not permitted in the hall. Cameras and recording equipment are strictly prohibited in the theater. Please check these items with an usher. Food and beverages are available for purchase prior to the show and during intermission. Water and other beverages are allowed in the theater (hot beverages require lids), but food is strictly prohibited. The phone number for emergencies is 651-224-4222. Please leave seat locations with the calling party. Lost and Found is located at the Stage Door. Call 651-282-3070 for assistance.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
open your heart, you can find home.
For more information, please visit mnopera.org/access.
ELEKTRA 2019–20
that shows us a true miracle — that if you
23
INDIVIDUAL GIVING
I T I S W I T H D E E P A P P R E C I AT I O N that Minnesota Opera recognizes individual donors who have made gifts to our Annual Fund, Fund-A-Dream, and Opera Innovate Now Campaign between July 1, 2018 and September 1, 2019. Thank you for making exceptional art come to life.
The following lists donors who have made leadership gifts of $10,000+. For more information on Bel Canto Circle membership, please contact John Kupris, Sr. Major Gifts & Campaign Director, at 612-342-9595. PLATINUM Anonymous Julia W. Dayton Vicki and Chip Emery Ruth and John Huss Lucy Rosenberry Jones and James E. Johnson John and Kathleen Junek George and Margaret Sparks Margaret Wurtele Wayne Zink and Christopher Schout
The following lists donors who have made gifts of $2,500 to $9,999. For more information on Camerata Circle membership, please contact Nickolas Sanches, Development Officer, at 612-342-9550.
MINNESOTA OPERA MNOPERA.ORG
GOLD Vanessa Abbe Michael Birt Ann and Glenn Butterman Judith Garcia Galiana and Alberto Castillo Ralph D. Ebbott Maureen and Mike Harms Sharon Hawkins Miriam and Erwin Kelen Robert Kriel and Linda Krach Natalie Volin Lehr Harvey Thomas McLain Jose Peris and Diana Gulden Connie and Lew Remele Nadege J. Souvenir and Joshua A. Dorothy Wendy and Paul Unglaub Stephanie and Craig Walvatne
24
The following lists donors who have made gifts of $250 to $2,499. While space limitations allow us to list only those donors of $250 or more, we sincerely appreciate every gift. GOLD Anonymous (3) Emin and Britny Aklik Jane and Jamie Andrews
Kenneth and Peggy Bonneville Susan S. Boren Jane M. and Ogden W. Confer Mr. and Mrs. William Frels Beverly N. Grossman Joseph and Bette Hirsch Jeannie Holmes Kimberly and George Hudachek Diane and Paul Jacobson Kyle Kossol and Tom Becker Christl and Andrew Larson Mary Ash and Barry Lazarus Robert L. Lee and Mary E. Schaffner Leni and David Moore Jr./Moore Family Fund for the Arts of The Minneapolis Foundation Barton and Kimberly Reed Mary H. and Christian G. Schrock Greg Sullivan and Annie Frazer Ryan Taylor Dr. Norrie Thomas William White
GOLD Patricia Beithon Alexandra O. Bjorklund* Mary and Gus Blanchard Darlene J. and Richard P. Carroll Family Fund of The Minneapolis Found Terrance and Susan Dolan Sara and Jock Donaldson William I. and Bianca M. Fine Charitable Trust Mary Ingebrand-Pohlad Natalie Volin Lehr Jeninne McGee Kendrick B. Melrose Donor Advised Fund of The Minneapolis Foundation Elizabeth Redleaf Paul and Mary Reyelts Jesse and Linda Singh Mary Vaughan
SILVER Anonymous Susan Calmenson and Vince Leo Ellie Crosby – The Longview Foundation Jay and Rebecca Debertin Mr. and Mrs. Philip Isaacson Kay Ness and Chris Wolohan Allegro Fund of the Saint Paul Foundation Mahlon and Karen Schneider Missy Staples Thompson and Gar Hargens H. Bernt von Ohlen and W. Thomas Nichol
SILVER Anonymous Martha and Bruce Atwater Fund of The Minneapolis Foundation An Anonymous Fund of The Minneapolis Foundation William Biermaier and David Hanson Jan Conlin and Gene Goetz Ann Fankhanel Gail Fiskewold Dr. Richard Gregory Susanne Haas and Ross Formell Michele Harris and Peter Tanghe Janet N. Jones Patty and Warren Kelly Ilo and Margaret Leppik Fayneese Miller Karla Miller Dr. and Mrs. Alfred Moore Sandy and Bob Morris Richard and Nancy Nicholson Luis Pagan-Carlo and Joseph Sammartino Sarah and Rolf Peters Ken and Nina Rothchild Dr. Andrew J. Thomas Stephanie C. Van D’Elden Charles Allen Ward Fund of The Saint Paul Foundation
BRONZE Anonymous Richard Allendorf Dan and Martha Goldberg Aronson Michelle Blaeser Will and Margee Bracken Laurie Carlson and William Voedisch Rachelle Dockman Chase Rusty and Burt Cohen Gisela Corbett and Peter Hyman Thomas and Mary Lou Detwiler Dr. Mary Anne Ebert and Paul Stembler Joyce and Hugh Edmondson Patricia R. Freeburg Woessner Freeman Family Foundation Mrs. Myrtle Grette Alfred and Ingrid Lenz Harrison Linda and Jack Hoeschler Jean McGough Holten Dr. Arthur and Fran Horowitz Mr. J. David Jackson Hubert Joly Robert and Susan Josselson The Art and Martha Kaemmer Fund of HRK Foundation Lyndel and Blaine King
Robert and Venetia Kudrle Eric and Celita Levinson David MacMillan and Judy Krow Velia R. Melrose Betty Myers Sally and Thomas Patterson Mrs. William S. Phillips Margaret Poyner Galbraith Peter and Rita Reed John and Sandra Roe Foundation Thomas D. and Nancy J. Rohde Andrea and James Rubenstein Janet and Bill Schaeder Frank and Lynda Sharbrough David Smith Jill and John Thompson Debra R. Ting Ellen M. Wells Nancy and Frederick Weyerhaeuser
Ruth and Dale Bachman Carl and Joan Behr Barbara S. Belk Rebecca Bernhard Ed and Mimi Bohrer Drs. Eli and Jan Briones Debra Brooks and James Meunier Joan and George Carlson Steve Coleman Barb and Jeff Couture Mike and Stacey Crosby – The Longview Foundation Jean Deatrick and Eldon Feist
Cy and Paula DeCosse Fund of The Minneapolis Foundation Charles M. Denny Jr. and Carol E. Denny Fund of The Minneapolis Foundation Maureen and John Drewitz Joan Duddingston David Dudycha and Dorothy Vawter Laura and Tim Edman Salvatore Silvestri Franco Martha Gabbert Heidi and Howard Gilbert Bill and Paula Glade
Marsha and Richard Gould Jennifer Gross Thomas and Mary Gross Bruce and Jean Grussing Rehael Fund – Roger Hale/Nor Hall of The Minneapolis Foundation Marion and Donald Hall Anne Marie and Larry Halvorson Nancy A. Harris Don Helgeson and Sue Shepard Elfrieda Hintze Shirley Hogan Jill Irvine Crow H. H. Irvine
BRONZE Anonymous Karen Bachman Stephen and Margaret Blake Sharon Bloodworth and Barrett Johnson Shari and David Boehnen
M IN NES OTA O PE RA’S 2019 GALA
GALA CHAIRS HONORARY CHAIRS
CHAIR
VICE CHAIR
CORPORATE CHAIR
Lucy Rosenberry Jones James Johnson
Mary Schrock
Wendy Unglaub
Sharon Bloodworth
GALA COMMITTEE
Patricia Beithon Shari Boehnen Alberto Castillo Jane Confer Sara Donaldson Chip Emery Heber Gurrola
Mary Lazarus Jennine McGee Kay Ness Nadege Souvenir Norrie Thomas Natalie Volin Lehr Stephanie Walvatne
C O R P O R AT E S P O N S O R S
I N D I V I D U A L TA B L E S Pat Beithon, Mary and Gus Blanchard, Shari and David Boehnen, Sara and Jock Donaldson, Vicki and Chip Emery, Bonnie and Bill Frels, Ruth and John Huss, Mary Ingebrand-Pohlad, Lucy Rosenberry Jones and James Johnson, Arthur Kaemmer, Christl and Andrew Larson, Jeninne McGee, Leni and David Moore, Connie and Lew Remele, Mary and Christian Schrock, Linda and Jesse Singh, Wendy and Paul Unglaub, Bernt von Ohlen and Thomas Nichol, Stephanie and Craig Walvatne
A P P R E C I AT I O N 2019–2020 MN Opera Resident Artists, AC Hotel Minneapolis, Susan Brewster and Edwin McCarthy, Children’s Theatre Company, Guthrie Theater, Historic District Bed & Breakfast, Inflight Pilot Training, Intercontinental Hotel, Brian Jagde and Jenna Wolf, Kafe 421, Mary and Barry Lazarus, Richard Leff, Lion’s Tap, Minnesota Children’s Museum, MN Opera Board of Directors, MN Opera Production Team, Museum of Russian Art, Kay Ness, Sarah Rockler, Christian Sanders, Schubert Club, Renate Sharp, Eric Simonson, Ryan Taylor, Norrie Thomas, Missy Staples Thompson and Gar Hargens, Vestiges, Inc., Walker Art Center, The Westin Minneapolis, Wayne Zink and Christopher Schout MNOP OPENING NIGHT GALA IS SUPPORTED BY
Entertainment Partners
Hospitality Partners
Community Partner
INDIVIDUAL GIVING
MINNESOTA OPERA MNOPERA.ORG
Clayton Jelinek Barbara Jenkins Dale A. Johnson Bryce and Paula Johnson Phyllis Kahn Jane and Jim Kaufman Fund of The Minneapolis Foundation Margaret V. Kinney Andrea M. Kircher William and Sarah Kling Constance and Daniel Kunin Gail Oliver and James LaFave Kenyon S. Latham Laurence and Jean LeJeune Bill Long Reid and Ann MacDonald Margery Martin and Dan Feidt Carolyn Mayo Barbara McBurney Laura McCarten Edwin McCarthy and Susan Brewster Patricia N. and Samuel D. McCullough Kay Phillips and Jill Mortensen Thomas P. Murtha and Stefanie A. Lenway Lucia Newell and Steven Wiese Brandon and Melissa Novy Ruth and Ahmad Orandi Dede Ouren Kelly and Michael Palmer Derrill Pankow Suzanne and William Payne Mary and Robert Price Sarah Rockler Enrique and Clara Rotstein Leland T. Lynch and Terry Saario Fund of The Minneapolis Foundation Christine Sagstetter Sampson Family Charitable Foundation Mary Savina Fred and Gloria Sewell Cherie and Robert Shreck Bernie and Juliana Simmons Kevin and Lynn Smith Julie and Bruce Steiner Sharon and Thomas Stoffel Dana and Stephen Strand Ruth Stricker Dayton Carley, Bill, Kirsten, and Carolyn Stuber Jennifer and David Thomas Jean Thomson Neal Viemeister and Virginia Kirby John W. Windhorst Jr.
26
SILVER Anonymous (2) Barbara Agard Thomas O. Allen Arlene and Tom Alm Katherine Anderson August J. Aquila and Emily Haliziw Dr. and Mrs. Orn Arnar Steve and Sharon Bachman Jo and Gordon Bailey Family Fund of the Catholic Community Foundation Rebecca D. Arons and Thomas J. Basting Jr.
Mr. and Mrs. Judson Bemis, Jr. Gerald and Phyllis Benson Patricia and Martin Blumenreich Gerald Bradley Cheryl Brown Thomas and Joyce Bruckner Jimmy Burnett Katherine L. Castille Ann Marie and Jim Collins Susan and Richard Crockett Helen and John Crosson Stephen Davis and Murray Thomas Rondi Erickson and Sandy Lewis* Brian M. Finstad James and Barbara Gahlon William W. and Susan G. Gerberich Roger and Karen Hale Mark Halldorson Lowell Hanson Burton and Sandra Hoverson Ray Jacobsen Charlie Johnson Nancy Jones Beverly Kasper Michael and Sheue Keenan Mary L. Kenzie Foundation Carole and Joseph Killpatrick Robert and Barbara Kueppers Anita Kunin Cynthia and Lawrence Lee Natalie Levin and Stephen Gilberstadt William and Gloria Levin Ben Lewandowski Jonathan and Lisa Lewis Steve and Agnes Matheson Kris and Bill McGrath Deb and Jon McTaggart Judith and James Mellinger Virginia Miller Steven J. Mittelholtz Virginia Dudley and William Myers Merritt C. Nequette and Nancy Hartung James A. Payne Carol Peterson Marge and Dwight Peterson Walter Pickhardt and Sandra Resnick Lawrence Redmond Scott and Courtney Rile Bryn Roberts and Marcy Jefferson Mallory Roberts and Jonathan Lilienthal Bob Rose Liane A. Rosel Christopher Ross Marian R. Rubenfeld and Frederick G. Langendorf Richard and Carol Seaberg Doris Jean Seely Madeline Simon Clifford C. and Virginia G. Sorensen Charitable Trust of The Saint Paul Jon Spoerri and Debra Christgau Brian Staufenbiel Warren Stortroen Craig and Janet Swan Julia Swanson-Balding and John Balding
BECOME A DONOR
Robert and Shoshana Tancer Josephine Trubek Marcelo Valdes Kenneth and Kathryn Valentas Laurie Vinyon David L. Ward Elizabeth Wexler Michael Wigley Frank and Frances Wilkinson John M. Williams Barbara and James Willis BRONZE Anonymous (2) Mary Abbe Paul and Val Ackerman Carolyn M. Adams Rolf T. Anderson Kay C. Bach Susanne and Johan Bakken Jill and Thomas Barland Naren Bauer Mark Bayuk Longine Beck Sharla and Mark Beithon Bender Vocal Studio Kenneth J. Berglund John and Cindy Beukema Sharon Bigot David Bjork and Jeff Bengston Judith and Paul Brandon Roger and Ronnie Brooks Henry and Emilie Buchwald Deborah Carlson Alan E. and Ruth Carp Wanda and David Cline Herbert Colwill Jeanne E. Corwin Mary Davidson Thomas Doran Noah Eisenberg Leah and Ian Evison Steven and Mimi Fisher Jinnet Fowles Priti Gandhi Carol and Mike Garbisch Greta Garmers Nancy and Clyde Gerber Mark Giga James and Jo Glasser James Glazier Beth Glynn Laura Green Russell and Priscilla Hankins Laurie Hansen Stefan and Lonnie Helgeson Rosmarie and John Helling Cliffton and Sharon Hill Mark and Kathleen Humphrey Mark and Jeanne Jacobson Deborah and Ronald Jans Alison Jarzyna Erika Kahler Ed and Martha Karels James and Kathleen Karges Barry and Cheryl Kempton Robert Kieft Janice Kimes Nathan Kulenkamp Beatrice H. Langford Sandra Larson Darby Lunceford and Todd Wright
Holly MacDonald and John Orbison Stuart MacGibbon Dr. Joan E. Madden Anonymous Kristin and Jim Matejcek Sean McAleer Ehren McGeehan Sam Meals Mary Ann and John Mecom Adele Mehta John L. Michel and H. Berit Midelfort Eldon and Anne Miller John W. Miller, Jr. James Miner Jodi and Michael Mooney Mina Fisher and Fritz Nelson Richard and Nancy Nelson Jay and Helen Newlin Patricia A. O’Gorman Ann Ormond Fennell Scott J. Pakudaitis Julia and Brian Palmer Allen Perriello John and Margaret Perry Judith Pettit Anne and John Polta Nicole and Charles Prescott Kevin Puts Karen Quisenberry Ann Richter Philip and Mary Rickey Robert E. Rocknem Ronald Roed Michael and Tamara Root Michael Ryan Irene and Mel Sahyun Julia Sand Terry Sandven Kate Saumur Joan Semmer Jerald and Leona Shannon Emily and Daniel Shapiro Rebecca and John Shockley Kathleen K. Simo Linnea Sodergren Donna and Kenneth Speake Dr. David M. Steinhaus Charlott Taylor Joyce Thielen Thomas Bakken Marie J. Thomas Catherine Vesley John Vilandre Stephanie Wexler John and Sandra White J. Andrew and Gary S. Whitford Holey Wendy Wildung James Wire * in remembrance
and bring innovative opera productions to life. Visit mnopera.org/support to give online.
THANK YOU!
SPECIAL GIVING
generosity, have included the Opera in their wills or estate plans. Anonymous (5) Norton Hintz* and Mary Abbe Paul and Val Ackerman Thomas Allen Cordelia Anderson and John Humleker Dr. and Mrs. Rolf Andreassen* Mary A. Andres Karen Bachman Thomas and Ann Bagnoli Randolph G. Baier* Mrs. Harvey O. Beek* Patricia Beithon Barbara and Sandi Bemis* Dr. Lee A. Borah, Jr.* Susan S. Boren C.T. Bundy II Margaret M. Carasik Joan and George Carlson Robin J. Carpenter* Darlene J. and Richard P. Carroll
The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations. Art of Singing Endowment Fund
To support exceptional training for Resident Artists by providing learning opportunities with leading artists and experts.
Barbara White Bemis Fund for Artistic Enhancement
To enhance the quality of performances by providing funds to
COMMEMORATIVE GIFTS The following lists donors who have made gifts in honor or in memory of a loved one between July 1, 2018 and September 1, 2019. IN HONOR OF:
Matthew Abernathy Dale Borgeson
Susan Boren and Steve King
Rachelle Chase and John Feldman
Rachelle Chase
Luis Pagan-Carlo and Joseph Sammartino
Ann Friese
Tess Habermann
Eric John Halvorson Sandra M. LeBlanc
Dale A. Johnson
Dawn M. Loven Jamie and Jane Andrews Lisa Butcher Mark Campbell Katherine L. Castille Rachelle Chase and John Feldman Sara and Jock Donaldson Karen Finseth Brenda A Harris Ruth and A. Huss Mary Ingebrand-Pohlad Diane and Paul Jacobson Janice and William Kimes Robert and Venetia Kudrle
engage singers who have received awards through the Metropolitan Opera National Council Auditions. The appearances of Jill Grove, grand prize winner; Danielle Beckvermit, grand finalist; Lisa Marie Rogali, Christian Sanders and Victoria Vargas, regional finalists; and Alexandra Loutsion, regional finalist of the Metropolitan Opera National Council Auditions are made possible by this fund.
Daniel E. Freeman Endowment Fund To support Minnesota Opera’s education programs.
Dolly Fiterman Fund for New Production Opera Design
To support the creation of new productions by proving funds to engage designers and create new sets.
Mary and Barry Lazarus Dawn M. Loven Kristin and Jim Matejcek Leni and David Moore Theresa and Jim Murray Kay Ness Jose Peris and Diana Gulden Joel Puckett Kevin Puts Barton and Kimberly Reed Andrea and James Rubenstein Nickolas David Sanches Mahlon and Karen Schneider Roxanne Stouffer Cruz Carley and Bill Stuber Jennifer Thill Bernt von Ohlen and Thomas Nichol Andy Wilkowske Lani Willis and Joel Spoonheim Margaret Wurtele Adriana J. Zabala
James Johnson and Lucy R. Jones Anonymous Mahlon and Karen Schneider
John Junek
Susan McGowan
Velia Melrose
Kendrick B. Melrose Family Foundation
Coreen Nordling
Denise Cronin Brian and Jane Grivna
Charlotte J. Prentice
Dr. Azizollah Arabkhazaeli Faezeh and Khalid Effendi Carol Garcia Mervyn and Margiolina Hough Reza and Suzette Foroozan Yazdani
Lyndel and Blaine King Gretchen Klein* Sally Kling Gisela Knoblauch* Liz and Jim Krezowski Robert Kriel and Linda Krach Robert and Venetia Kudrle Helen L. Kuehn* Robert “Jim” J. Lawser, Jr. Jean Lemberg* Joyce and Jerry Lillquist Dawn M. Loven David Mayo Barbara and Thomas* McBurney Mary McDiarmid Mildred McGonagle* Mary Bigelow McMillan* Sheila McNally* Mrs. Walter Meyers* John L. Michel and H. Berit Midelfort Susan Molder* Edith Mueller* Kay Ness Richard and Joan Newmark Scott J. Pakudaitis Derrill Pankow Mrs. William S. Phillips Phyllis Price Brian and Trish Huberty Prokosch
Richard G.* and Liane A. Rosel Ken and Nina Rothchild Mary Savina Josef Schermann Mary H. and Christian G. Schrock Frank and Lynda Sharbrough Robert Shearer and Joan Gustafson Drew Stewart Gregory Swinehart and Mitra Walter Anthony Thein Stephanie C. Van D’Elden Mary Vaughan H. Bernt von Ohlen and W. Thomas Nichol Jean C. Wirsig* Richard Zgodava* William White Philip Oxman and Harvey Zuckman
Founders Endowment Fund
Valerie and Paul Ackerman Endowment Fund
To support new and innovate opera performances that honor the spirit, energy, and creativity of the founders in the beginning days of the Center Opera.
Joan Jacobs Rubenfeld Memorial Fund To support the attendance of high school students at MN Opera performances.
Minnesota Opera Center Preservation Fund
To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.
For more information on making estate plan arrangements, please contact Mallory Roberts, Development Director, at 612-342-9566.
* in remembrance
To support the attendance of youth at Minnesota Opera performances.
Virginia L. Stringer Endowment of the Minnesota Opera Resident Artist Program
To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible this endowment fund.
William Randolph Hearst Endowment for Education and Outreach Programs
To support Minnesota Opera’s education and outreach programs
Joel Puckett
Herbert Kahler
Scott and Courtney Rile
T. Scott Krenz
Natalie Puckett Evans Sarah L. Irwin
Mary and Christian Schrock
Mary Ash and Barry Lazarus Bernt von Ohlen and Thomas Nichol
J. & I. Zerhusen
Kirsten Zerhusen
Nicholas Butler Anonymous (3) Sara and Jock Donaldson Matthew Ericson Lisa Kay Hanson Theresa, Jim and Nicole Murray Colleen Pollack
Lance Leipold
Judith and Paul Brandon
IN MEMORY OF:
Judson and Barbara Bemis Sandra Roe
Arlene B. Bryant
Maureen and John Drewitz
Dr. Nathan H. and Blanche Camm Barbara Leslie Camm
Harold and Winnie Doran A. Brian Doran
Edward Foreman, bass Dr. Gilliam Horrocks
Gloria Gross
John and Sandra Murphy
Helen Hines
Maureen and John Drewitz
Martha Kaemmer
Cheryl Brown Art and Marther Kaemmer Fund of the HRK Foundation MAHADH Fund of the HRK Foundation Jeffrey Masco
Sara Livshitz
The Mikhailenko Family
Tom and Mary Nee Cheryl Brown
Susan Platon
Erika Kahler
Jon L. Schasker
Debbie Carlson
Audrey Stottler Lila Olson
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
through their foresight and
Julia and Dan Cross Julia W. Dayton Charles M. Denny Jr. and Carol E. Denny George* and Susan Doty Rudolph Driscoll* Anne P. Ducharme Rondi Erickson and Sandy Lewis Ester Fesler Daniel E. Freeman Dr. Paul Froeschl Katy Gaynor Nettie Grabscheid* Robert* and Ellen Green Dr. Ieva M. Grundmanis* Michelle Hackett Russell and Priscilla Hankins Julia Hanna* Frederick J. Hey, Jr.* Elfrieda Hintze Jean McGough Holten Charles J. Hudgins* Ruth Jones* Charles and Sally Jorgensen Robert and Susan Josselson Charlotte* and Markle Karlen Mary H. Keithahn Warren and Patty Kelly Margaret Kilroe Trust*
Marie Tentoni Mark Bayuk
Ruth Wallentine
Maureen and John Drewitz
Heinrich Wurdak
Barbara Jane Bloomer
ELEKTRA 2019–20
The following lists donors who,
27
INSTITUTIONAL GIVING MINNESOTA OPERA G R A T E F U L LY A C K N O W L E D G E S ITS MAJOR INSTITUTIONAL SUPPORTERS: $ 1 0 0,0 0 0 +
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
THE ANDREW W.
Art and Martha Kaemmer Fund of the HRK Foundation
MELLON FOUNDATION
$ 50,0 0 0 – $ 9 9, 9 9 9
$ 2 5,0 0 0 – $ 49, 9 9 9
$ 1 0,0 0 0 – $ 24, 9 9 9
Hardenbergh Foundation
Fred C. and Katherine B. Andersen Foundation
MAHADH Fund of the HRK Foundation
MINNESOTA OPERA MNOPERA.ORG
$5,0 0 0 – $9,999
28
The Aaron Copland Fund for Music Inc. Boss Foundation Curtis L. Carlson Family Foundation Dellwood Foundation Ernst & Young Faegre Baker Daniels Anna M. Heilmaier Charitable Foundation Hutter Family Foundation
Mayo Clinic Pachel Foundation Rahr Corporation RBC Wealth Management Schwegman, Lundberg & Woessner P.A. St. Paul Cultural STAR Travelers Foundation Twin Cities Opera Guild Xcel Energy
$ 2 , 50 0 – $ 4, 9 9 9
$ 2 50 – $ 2 , 49 9
Anonymous Amphion Foundation Kitselman Foundation Margaret Rivers Fund Peravid Foundation The Elizabeth C. Quinlan Foundation Tennant Foundation
Anonymous Ernst & Young LLP Enterprise Holdings Foundation Great River Energy McVay Foundation Onan Family Foundation Romanaggi Foundation USI Insurance Services
For more information about making a corporate or foundation contribution to Minnesota Opera, please contact Diana Konopka at dkonopka@mnopera.org or 612-342-9565.
MINNESOTA OPERA SPONSORS SEASON SPONSOR
OFFICIAL MAKE-UP PARTNER
OFFICIAL HOTEL OF MINNESOTA OPERA
IN-KIND
MEDIA PARTNER
ENTERTAINMENT SPONSOR
HOSPITALITY PARTNERS
Alexis Bailly Vineyard
hint Opera lovers are looking at their programs, right?
Join Us! Every Sunday* at 10:00 a.m. the Twin Cities Catholic Chorale with orchestra performs rarely heard Masses by the world’s great composers at the centuryold Church of Saint Agnes in St. Paul.
Free. Everyone is welcome!
Sunday, Oct. 27th, 10am Beethoven’s Mass in C
Monday, Nov. 4th, 7:30pm Mozart’s’ Requiem
For your advertising presence in Minnesota Opera programs, or with other arts partners we represent: mary-kate@artsink.org 612.791.3629
Sunday, Nov. 10th, 10am
O R D WAY M I N N E S O TA O P E R A SCHUBERT CLUB A RTI S T RY C H A N H A S S EN D I N N ER T H E AT R E S C H I L D R EN ’ S T H E AT R E CO M PA N Y CANTUS T H E COW L E S C EN T ER H E N N E P I N T H E AT R E T R U S T ’ S S P OT L I G H T ED U C AT I O N M I N N E S OTA B OYC H O I R M I N N E TO N K A T H E AT R E + MORE!
The creative agency for the arts
Sunday, Nov. 24th, 10am Haydn’s Nelsonmesse
artsink.org
Church of Saint Agnes 548 Lafond Avenue Saint Paul, MN The Twin Cities Catholic Chorale with orchestra is directed by Dr. Marc Jaros. *Except for Advent, Lent, and summer months.
www.catholicchorale.org
ELEKTRA 2019–20
PA R T N E R S
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
Dvorák’s Mass in D
29
kantorei
Axel Theimer
Artistic Director
AUDIENCE APPRECIATION (free)
Oct. 27, The Church of Christ the King, Minneapolis
CELEBRATING THE MYSTERY: CHORAL MUSIC OF ADVENT AND CHRISTMAS
Dec. 14, St. Luke’s Episcopal, Minneapolis Dec. 15, St. Paul Seminary Chapel, St. Paul
Season 32 2019-2020 Choir Concerts
SING TO ME
May 2, Gethsemane Lutheran Church, Hopkins May 3, St. Paul Seminary Chapel, St. Paul
32ND SEASON GALA
Feb. 8, Minneapolis Woman’s Club
For tickets and more information, please visit kantorei.net or call 612-21-SINGS
COMING SOON
to the ordway
CARAVAN: A REVOLUTION ON THE ROAD sat, oct 26 | 7:30pm
Terence Blanchard and the E-Collective Rennie Harris Puremovement Andrew Scott
An evening of favorites from the American Songbook, Broadway classics and a collection of stories from a remarkable career.
RITA MORENO sat, oct 26 | 7:30pm
ORDWAY.ORG | 651.224.4222
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Opera makes you happy. So does finding the perfect wealth advisor. With a $2,000,000 investment minimum our clients include Fortune 500 key executives, CEOs, closely held business owners AND opera lovers. Holding the highest professional designations, we are an independent and private fee-only firm with offices in Minneapolis and Florida.
Visit whiteoakswealth.com or call us at 612 455-6900