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CHRISTMAS AT THE LOCAL WORLD PREMIERE! NOV 29, 2022 - JAN 1, 2023 FEATURING DYLAN THOMAS’ A CHILD’S CHRISTMAS IN WALES COMPOSED BY CERYS MATTHEWS AND MASON NEELY AND “THE LONGING FOR AMAZING PEACE”* MUSIC BY CHASTITY BROWN AND LYRICS BY DR. MAYA ANGELOU DIRECTED BY LARISSA KOKERNOT AND PETER ROTHSTEIN MUSIC DIRECTION BY JASON HANSEN FEATURING PHINEHAS BYNUM, JOY DOLO, AND BRADLEY GREENWALD On a cold winter’s night, a group of locals gather to raise a glass and play a tune, calling forth the spirit of the holidays through story and song. Voices blend, memories are rekindled, and a bit of mystery hangs in the air. Theater Latté Da stages the world premiere of this rollicking new celebration of the season. RITZ THEATER • TICKETS AT LATTEDA.ORG PHOTO BY LUCAS WELLS *Copyright © 2022 Caged Bird Legacy (ASCAP)
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your passions. Strengthening your impact. MISSION Minnesota Opera changes lives by bringing together artists, audiences, and community, advancing the art of opera for today and for future generations. VISION Minnesota Opera will sing every story. VALUES Innovation, Inclusivity, Collaboration, Purpose The Anonymous Lover, 2022 © Cory WeaverMINNESOTA OPERA MNOPERA.ORG 4
AND GENERAL
to the world premiere of Edward Tulane, a brand-new opera by composer
Prestini and librettist Mark Campbell, based on the best-selling novel by Minnesota author Kate DiCamillo! We are proud to present Edward Tulane as part of our New Works Initiative, a pioneering movement in new opera that continues to invigorate the operatic art form and demonstrates our commitment to offering audiences new works that add a distinct American voice to the standard repertory. All of us at MN Opera are excited to continue our commitment to cultivating and enriching our culture of creativity throughout our 60th Anniversary Season by telling new stories in new ways and expanding the definition of opera to include a variety of diverse viewpoints and ideas. We continue our season in late November by welcoming audiences to the Luminary Arts Center with a company first, Handel’s Rinaldo. We kick off 2023 back at the Ordway with a beloved comedy from the Bel Canto period, Donizetti’s The Daughter of the Regiment In March, we will premiere the world’s very first Hmong opera, The Song Poet, based on the memoir of the same title by local author, Kao Kalia Yang, at the Luminary Arts Center. And in May, we close our season at the Ordway with a new production of Mozart’s sharp and otherworldly, Don Giovanni led by an all-female creative team. Whether at the Ordway or the Luminary Arts Center, we hope you’ll join us again this season as we celebrate 60 years of Minnesota Opera!
@MNOPERA F L X : I I CONTENTS 6 Edward Tulane 8 Synopsis 9 Director’s Notes 10 Paola Prestini, Mark Campbell, and Kate DiCamillo 11 Meet MN Opera 12 Cast and Creative Team 14 Orchestra, Chorus, and Supernumeraries 15 Meet the Artist: Jack Swanson 16 Creative and Artistic Excellence 17 Health and Safety Information 18 The Daughter of the Regiment 20 Board of Directors, Staff, and Volunteers 21 Upcoming Events 21 MN Opera Information 22 Donor Appreciation 24 Special Giving 25 Institutional Giving 26 Damien Sneed Feature LARGE-PRINT AND BRAILLE PROGRAMS ARE AVAILABLE AT THE PATRON SERVICES OFFICE. RYAN TAYLOR PRESIDENT
DIRECTOR
Welcome
Paola
FEATURES
Project Opera alum and Stillwater native Jack Swanson has become one of the most sought-after tenors in the world. Now, he’s back home debuting the role of Edward Tulane.
Love is a battlefield. A laugh-out-loud hit, Donizetti’s romantic comedy mixes hilarious snafus with vocal pyrotechnics in this witty and heartwarming production. The Daughter of the Regiment • 18 MN Opera’s multi-year workshop process ensures that artists can do their best work and that world premiere productions are worth the wait. Creative and Artistic Excellence • 16 Meet the Artist: Jack Swanson • 15 WELCOME
CREATIVE TEAM
CONDUCTOR LIDIYA YANKOVSKAYA STAGE DIRECTOR ERIC SIMONSON SCENIC DESIGN WALT SPANGLER COSTUME DESIGN VICTORIA (VITA) TZYKUN LIGHTING DESIGN MARCUS DOSHI HAIR AND MAKEUP DESIGN DAVID ZIMMERMAN CHOREOGRAPHER HEIDI SPESARD-NOBLE INTIMACY AND FIGHT DIRECTOR ALESSANDRA BONGIARDINA CHORUS DIRECTOR CELESTE MARIE JOHNSON * • MUSICAL PREPARATION MARIO ANTONIO MARRA, Head of Music & Assistant Conductor CELESTE MARIE JOHNSON * • , Principal Coach ERICA GUO + , répétiteur ERIC MCENANEY • , répétiteur ASSISTANT STAGE DIRECTOR MARGARET JUMONVILLE ‡ STAGE MANAGER JERRY K. SMITH
PELLEGRINA/OLDER DOLL ELISE QUAGLIATA ABILENE’S MOTHER/ FANCY DOLL 2/ABILENE KEELY FUTTERER+ ABILENE’S FATHER/ BRYCE’S FATHER JEREMIAH SANDERS + YOUNG ABILENE/BETTY ZULIMAR LÓPEZ-HERNÁNDEZ KING/LAWRENCE/ GRANDFATHER NICHOLAS DAVIS • PRINCE/RAT/ DOLL SHOP FATHER CHRISTIAN SANDERS • PRINCESS/LUCY/ FANCY DOLL 1 LISA MARIE ROGALI • WITCH/LUCIUS CLARKE ZACHARY JAMES EDWARD TULANE JACK SWANSON * NELLIE/FANCY DOLL 3 VICTORIA VARGAS • LOLLY/MARLENE DANIELLE BECKVERMIT • BULL/NEAL BENJAMIN SIEVERDING • BRYCE BRIAN VU SARAH RUTH JASMINE HABERSHAM in order of vocal appearance CAST WORLD PREMIERE AT THE ORDWAY CENTER FOR THE PERFORMING ARTS, OCTOBER 8, 2022 SUNG IN ENGLISH WITH ENGLISH CAPTIONS PROJECTED ABOVE THE STAGE LIBRETTO BY Mark Campbell MUSIC BY Paola Prestini BASED ON THE NOVEL THE MIRACULOUS JOURNEY OF EDWARD TULANE BY Kate DiCamillo + MN OPERA RESIDENT ARTIST * PROJECT OPERA ALUM • RESIDENT ARTIST ALUM ‡ COMPANY ARTIST 6 MINNESOTA OPERA MNOPERA.ORG
SEASON SPONSOR
ESTIMATED RUNNING TIME is two hours with a 20-minute intermission approximately 55 minutes into the opera.
This production contains theatrical haze and fog.
SUPPORT FOR THE DEVELOPMENT AND PRODUCTION OF EDWARD TULANE HAS BEEN PROVIDED BY The Aaron Copland Fund; Amphion Foundation; Mellon Foundation; National Endowment for the Arts; Ruth Easton Fund of the Edelstein Family Foundation; OPERA America’s Opera Grants for Women Composers program, supported by the Virginia B. Toulmin Foundation; and OPERA America’s Opera Fund.
60TH ANNIVERSARY SPONSORS
Ruth and John Huss Lucy R. Jones and James E. Johnson William White Margaret V.B. Wurtele
Minnesota Opera would like to recognize that we occupy land that is of great historical, spiritual, and cultural significance to the Dakota people. To learn more, visit mnopera.org/land-acknowledgment.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
The Miraculous Journey of Edward Tulane © 2006 by Kate DiCamillo Permission granted by Pippin Properties, Inc.
A MIRACULOUS JOURNEY
EDWARD TULANE 2022–23 7
A MIRACULOUS JOURNEY
ACT I
One Christmas Eve, a young girl named Abilene receives a large china rabbit from her parents as a gift. She instantly falls in love with the rabbit and calls him “Edward Tulane.” For his part, Edward is less demonstrative with his love, a quality criticized by Abilene’s grandmother Pellegrina. Not long after the evening they meet, Edward is separated from Abilene on the deck of an ocean liner. Several years go by, as Edward’s search for love takes him on various adventures: from the bottom of the sea, to the home of a fisherman and his wife, to a junkyard, and to a life on the rails with a drifter and his dog. When a young man named Bryce takes Edward home to console his ailing sister Sarah Ruth, he believes that he has at last found love again.
ACT II
Some weeks later, Bryce runs away from his abusive father after Sarah Ruth has passed away and brings Edward to Memphis where they both work as street performers. Having made enough money for a meal, they eat in a diner and order more food than they can pay for. The owner of the diner attacks Edward and damages his porcelain head. When Edward comes to, he discovers that he is in a doll shop and has been repaired by the shop’s owner, Lucius Clarke. Day after day, Edward waits on a shelf for someone to give him a good home — until a young girl and her mother walk into the shop.
SET RENDERINGS BY WALT SPANGLER | COSTUME RENDERING BY VICTORIA (VITA) TZYKUN SYNOPSIS © 2022 BY MARK CAMPBELL 8 MINNESOTA OPERA MNOPERA.ORG SYNOPSIS
We live in a day and age when some are more inclined to inspire division and hostility than encourage love. So, it comes as a welcome relief to be able to develop a new opera that is so immersed in love. Kate DiCamillo’s award-winning book, The Miraculous Journey of Edward Tulane, takes its cue from other classic children’s books like Winnie the Pooh, The Velveteen Rabbit, and the Raggedy Ann and Andy stories. It’s about an inanimate object — a stuffed rabbit named Edward — who takes on a life more akin to the flesh and blood characters that surround him. The magic of this particular story, and perhaps
the reason for its immense popularity, is that Edward goes on a journey from indifference (a quality perhaps worse than hate) to love. And he can only do that once he’s had bad luck. It’s part of the human experience to have misfortune at some point or another. Dark times force us into places from which we sometimes feel we can never return. But it’s only after adversity that we realize struggle has a way of making us wiser, stronger, and alive. More human.
Valuable lessons about love and life come from hardship. This is the journey that Edward takes as he goes from pompous stuffed rabbit to one that understands the value of getting, giving, and forgiving. And the warning
he “harrumphs” at the start of his adventure, imparted by Grandma Pellegrina, that “There can be no happy endings without love,” becomes fully realized and embraced.
Composer Paola Prestini and librettist Mark Campbell have so infused this story with understanding, nuance, and pure joy, that it has become impossible to separate their score from this beautiful, perennial story. Their artistry and Ms. DiCamillo’s classic tale are a perfect match, and something to be grateful for in an unpredictable world.
ERIC SIMONSON STAGE DIRECTOR
❝Valuable lessons about love and life come from hardship. This is the journey that Edward takes as he goes from pompous stuffed rabbit to one that understands the value of getting, giving, and forgiving. ”
COSTUME RENDERINGS BY VICTORIA (VITA) TZYKUYN
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
EDWARD TULANE 2022–23 9 DIRECTOR'S NOTES
Composer
Paola Prestini has collaborated with poets, filmmakers, and scientists in large-scale multimedia works that chart her interest in extra-musical themes ranging from the cosmos to the environment. She has created, written, and produced large-scale projects such as the largest communal VR opera, The Hubble Cantata, and the eco-documentary currently on PBS, The Colorado. As an immigrant, many identities, cultures, and values have collided and interlocked within her helping create a synthesis of both unique and universal ideas that naturally manifest into music. On a more granular level, folk melody is infused into the creation of original melodic lines that are deconstructed then supported with complex harmonies, rhythms, counterpoint, and electronic worlds. Her work incorporates improvisation, live electronics, foley, and spatial elements. It is of the moment, political, ambitious, and always curious. Prestini is a Co-Founder of VisionIntoArt, a non-profit new music and interdisciplinary arts production company in New York City. She is also a Co-Founder/Artistic Director of the non-profit music organization National Sawdust.
Librettist
Mark Campbell, whose work has received a Pulitzer Prize and GRAMMY Award, is happy to be premiering his 6th opera with Minnesota Opera; the others he has co-created for the company are Silent Night (Kevin Puts, composer), The Shining (Paul Moravec, composer), Dinner at Eight (William Bolcom, composer), The Manchurian Candidate (Kevin Puts, composer), and Memory Boy (Reinaldo Moya, composer). Mark has created 40 opera librettos, lyrics for seven musicals and text for eight song cycles and three oratorios. His many works include Sanctuary Road, The (R)evolution of Steve Jobs, As One, Elizabeth Cree, Stonewall, Later the Same Evening, A Thousand Acres, The Secret River, The Nefarious, Immoral But Highly Profitable Enterprise of Mr. Burke & Mr. Hare, The Other Room, Today It Rains, Rappahannock County, Stone Soup, Volpone, Bastianello/Lucrezia, and Songs from an Unmade Bed. Other awards include: the first Kleban Foundation Award for Lyricist, two Richard Rodgers Awards from the American Academy of Arts and Letters, a Jonathan Larson Foundation Award, a New York Foundation for the Arts Playwriting Fellowship, the first Dominic J. Pelliciotti Award, and a grant from the New York State Council of the Arts. In 2020, Mark created the annual Campbell Opera Librettist Prize, the first award in the history of opera to honor librettists; he funds the award which is administered by OPERA America. He also co-created and funds the True Voice Award to help in the training of transgender singers. Upcoming premieres include: A Nation of Others for the Oratorio Society of New York at Carnegie Hall (Paul Moravec, composer); Unruly Sun for Orchestre classique de Montréal (Matthew Ricketts, composer); Supermax for Long Beach Opera (Stewart Wallace, composer; Michael Korie, co-librettist) and All Shall Rise for the Oratorio Society of New York at Carnegie Hall (Paul Moravec, composer). markcampbellwords.com
Thetheme of hope and belief amid impossible circumstances is a common thread in much of Kate DiCamillo’s writing. In her instant #1 New York Times best seller
The Miraculous Journey of Edward Tulane, a haughty china rabbit undergoes a profound transformation after finding himself facedown on the ocean floor — lost, and waiting to be found. The Tale of Despereaux the Newbery Medal–winning novel that later inspired an animated adventure from Universal Pictures stars a tiny mouse with exceptionally large ears who is driven by love to become an unlikely hero. And The Magician’s Elephant, an acclaimed and exquisitely paced fable, dares to ask the question, “What if?” Kate DiCamillo’s own journey is something of a dream come true. After moving to Minnesota from Florida in her twenties, homesickness and a bitter winter helped inspire Because of Winn-Dixie her first published novel, which, remarkably, became a runaway best seller and snapped up a Newbery Honor. “After the Newbery committee called me, I spent the whole day walking into walls,” she says. “I was stunned. And very, very happy.” Her second novel, The Tiger Rising, went on to become a National Book Award Finalist. Since then, the master storyteller has written for a wide range of ages. She is the author of six books in the Mercy Watson series of early chapter books, which stars a “porcine wonder” with an obsession for buttered toast. The second book in the series, Mercy Watson Goes for a Ride, was named a Theodor Seuss Geisel Honor Book by the American Library Association in 2007. DiCamillo, who was named National Ambassador for Young People’s Literature for 2014–2015, says about stories, “When we read together, we connect. Together, we see the world. Together, we see one another.” Born in Philadelphia, the author lives in Minneapolis.
COMPOSER, LIBRETTIST, + AUTHOR MINNESOTA OPERA MNOPERA.ORG 10
Meet MN Opera
Minnesota Opera’s dedicated staff of artists, craftspeople, and administrators are passionate about bringing worldclass opera and opera education programs to Minnesota. Recently, we sat down with three of them to learn more about what they do at the Opera and why they’re excited for this production of Edward Tulane.
FRANKIE CHARLES
ACCESS & CIVIC ENGAGEMENT ASSISTANT DIRECTOR
What I do:
I manage internal and external community engagement initiatives. This includes events related to the current season’s offerings and the opportunity to find community connection through my own personal identities. I also work with the Tempo program and Tempo Council, facilitating meetings and activating networks for engagement. I develop the Creative Disruptions series, which serves our staff by providing professional development opportunities by giving platforms for historically underrepresented communities to speak about their experiences in the arts and beyond. I also serve as a facilitator for additional one-off programs including but not limited to technical production and LGBTQIA+ experiences in the arts. By training, I am a Technical Director and advocate for the continued improvement of artistic and production spaces.
Why I’m excited for Edward Tulane:
I was around when we had to put it on hold. I had started at MN Opera as the Resident Artist Assistant Technical Director and Edward Tulane was the first big project of my time here. I had a personal hand in drafting/planning many of the scenery pieces used along Edward’s journey, so it will be very rewarding to see those on stage with music and lights.
SALVATORE S. VASTA III ARTISTIC ADMINISTRATOR
What I do:
My primary duties include supporting the daily operations of the artistic department team, in both an administrative and artistic function. On any given day, you’ll find me preparing contracts, speaking with agents about artists, organizing auditions, preparing purchase orders, and working in other ways to support the general workflow of the department in a manner which best maximizes department efficiency.
Why I’m excited for Edward Tulane:
I love the air of anticipation and excitement that surrounds each world premiere; but this one is extra special having been cancelled days before the premiere due to the pandemic shutdown. The combination of a beautiful story, exciting music, and gorgeous design — I can’t wait to see this opera finally come to life on stage.
KERRY MASEK
ASSOCIATE PRODUCTION DIRECTOR
What I do:
I lead company-wide scheduling, building timelines for rehearsals, costume fittings, coachings, events, training programs, and overall use of rehearsal facilities at the Minnesota Opera Center. I love solving the daily puzzles of who needs to be where and when. I also manage Minnesota Opera’s rental productions, which are 12+ full packages of scenery, props, costumes, and media regularly presented on opera stages around the country.
Why I’m excited for Edward Tulane:
My favorite part of working at Minnesota Opera is bringing new works to life onstage. I love watching a piece develop through the workshop process in the year or two prior to the premiere. For Edward Tulane, our designers and production team have created an incredibly magical world for Edward to inhabit onstage and I’m excited for audiences to experience this new opera!
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
EDWARD TULANE 2022–23 11 MEET MN OPERA
DANIELLE BECKVERMIT LOLLY/MARLENE
KINGSTON, NY
Minnesota Opera Debut
La rondine, 2018
Notable Engagements
The Magic Flute, Buffalo Philharmonic Orchestra*
Così fan tutte, Finger Lakes Opera
Jenůfa, Santa Fe Opera
The (R)evolution of Steve Jobs, Lyric Opera of Kansas City
Silent Night, Minnesota Opera
ALESSANDRA BONGIARDINA
INTIMACY AND FIGHT DIRECTOR
BROOMFIELD, CO
Minnesota Opera Debut
Carmen, 2022
Notable Engagements
Vietgone, Guthrie Theater
The Tempest, Guthrie Theater
Romeo & Juliet, University of Minnesota
Airness, Park Square Theatre
Circle Mirror Transformation, Thunder River Theater Company
NICHOLAS DAVIS
KING/LAWRENCE/GRANDFATHER
PETERSBURG, TN
Minnesota Opera Debut
La rondine, 2018
Notable Engagements
Le nozze di Figaro, Knoxville Opera
All is Calm, New York City Opera
La bohème, Annapolis Opera
Salome, Tulsa Opera
Death By Life, White Snake Projects
MARCUS DOSHI LIGHTING DESIGN
CHICAGO, ILLINOIS
Minnesota Opera Debut
La traviata, 2019
Notable Engagements
The Wreckers, Houston Grand Opera*
La traviata, Lyric Opera of Chicago
Giulio Cesare, Houston Grand Opera
Les Mamelles de Tirésias, Palau de les Arts Reina Sofia, Valencia
Don Giovanni, Santa Fe Opera
Tannhäuser, LA Opera
KEELY FUTTERER ABILENE’S MOTHER/ FANCY DOLL 2/ABILENE
DOVER, AR
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Rinaldo, Minnesota Opera*
Tenor Overboard, The Glimmerglass Festival
Così fan tutte, Opera Memphis
At the Statue of Venus, Opera Memphis
The Companion, Opera Memphis
La fille du régiment, Opera Saratoga
JASMINE HABERSHAM
SARAH RUTH MACON, GA
Minnesota Opera Debut
Fellow Travelers, 2018
Notable Engagements
Rigoletto, Utah Opera*
Le nozze di Figaro, Madison Opera*
Tenor Overboard, The Glimmerglass Festival
Holy Ground, The Glimmerglass Festival
Giulio Cesare, Atlanta Opera
ZACHARY JAMES WITCH/LUCIUS CLARKE
SPRING HILL, FL
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Akhnaten, The Metropolitan Opera
Wozzeck, The Metropolitan Opera
The Perfect American, Teatro Real
The Addams Family, Broadway
South Pacific, Broadway
Law & Order: Organized Crime, NBC
CELESTE MARIE JOHNSON
PRINCIPAL COACH AND CHORUS DIRECTOR
PINE ISLAND, MN
Minnesota Opera Debut
Albert Herring, 2021
Notable Engagements
Carmen, Minnesota Opera
The Anonymous Lover, Minnesota Opera
Hänsel und Gretel, Opera Saratoga
La fille du régiment, Opera Saratoga
Tosca, Inland Northwest Opera
ZULIMAR LÓPEZ-HERNÁNDEZ
YOUNG ABILENE/BETTY
SAN JUAN, PUERTO RICO
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Roberto Sierra’s “Canciones de Amor”, Orchestra 2001*
La bohème, Royal Albert Hall
Carmen, Teatro de la Opera de Puerto Rico
Die Zauberföte, Utah Opera
Le nozze di Figaro, Utah Opera
Rappaccini’s Daughter, Des Moines Metro Opera
ELISE QUAGLIATA
PELLEGRINA/OLDER DOLL
MIAMI, FL
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
A Thousand Acres, Des Moines Metro Opera
Carmen, Kentucky Opera
Dead Man Walking, Opera Idaho
Flight, Utah Opera
Otello, Austin Opera
LISA MARIE ROGALI
PRINCESS/LUCY/FANCY DOLL 1 HAWLEY, PA
Minnesota Opera Debut
La rondine, 2018
Notable Engagements
Carmen, The Glimmerglass Festival
The Sound of Music, The Glimmerglass Festival
The Magic Flute, The Glimmerglass Festival
Flight, Minnesota Opera
Elektra, Minnesota Opera
Il cappello di paglia di Firenze, Minnesota Opera
CHRISTIAN SANDERS
PRINCE/RAT/DOLL SHOP FATHER
WESTCLIFFE, CO
Minnesota Opera Debut
La rondine, 2018
Notable Engagements
La scala di seta, Opera Santa Barbara*
Sweeney Todd, Austin Opera*
Das Rheingold, Dayton Opera*
Susannah, Opera Theatre of Saint Louis*
Flight, Minnesota Opera
The Ghosts of Versailles, Château de Versailles Spectacles
MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST
MN
OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST ALUM MINNESOTA OPERA MNOPERA.ORG 12 CAST + CREATIVE TEAM
JEREMIAH SANDERS
ABILENE’S FATHER/BRYCE’S FATHER
MARION, IN
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
The Daughter of the Regiment, Minnesota Opera*
Ariadne auf Naxos, Lakes Area Music Festival
Porgy and Bess, Des Moines Metro Opera
Three Decembers, South Bend Lyric Opera
The Tales of Hoffmann, Union Avenue Opera
BENJAMIN SIEVERDING BULL/NEAL
SIOUX FALLS, SD
Minnesota Opera Debut
Ariadne auf Naxos, 2015
Notable Engagements
Le nozze di Figaro, Madison Opera*
The Fix, Minnesota Opera
Gianni Schicchi, Tulsa Opera
Hamlet, The Metropolitan Opera
Die Zauberflöte, Northern Lights Music Festival
ERIC SIMONSON
STAGE DIRECTOR
MILWAUKEE, WI
Minnesota Opera Debut
Die Zauberflöte, 1991
Notable Engagements
The Grapes of Wrath, Minnesota Opera
Rusalka, Minnesota Opera
Silent Night, Minnesota Opera
The Shining, Minnesota Opera
Lindiwe, Steppenwolf Theatre
Lombardi, Broadway
WALT SPANGLER SCENIC DESIGN
BROOKLYN, NY
Minnesota Opera Debut
The Fix, 2019
Notable Engagements
Escape to Margaritaville, Broadway National tour*
Don Giovanni, Lyric Opera of Chicago
The Coronation of Poppea, English National Opera
The Bonesetter’s Daughter, San Francisco Opera
La traviata, Lithuanian National Opera
Tuck Everlasting, Broadway
HEIDI SPESARD-NOBLE
CHOREOGRAPHER
SHELBYVILLE, IL
Minnesota Opera Debut
La traviata, 2003
Notable Engagements
Thais, Minnesota Opera
Rusalka, Minnesota Opera
A New Brain, Artistry Theater
A Little Night Music, Theater Latte Da
Fantasticks, Cedarsummerstock
Eugene Onegin, Skylark Opera
JACK SWANSON
EDWARD TULANE
STILLWATER, MN
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
The Barber of Seville, Austin Opera*
The Daughter of the Regiment, Utah Opera*
Candide, Atlanta Opera*
The Barber of Seville, Santa Fe Opera
Così fan tutte, Opéra National du Rhin, Oper Frankfurt
The Magic Flute, Opéra National de Lorraine
VICTORIA (VITA) TZYKUN
COSTUME DESIGN
ODESSA, UKRAINE
Minnesota Opera Debut
Dinner at Eight, 2017
Notable Engagements
The (R)evolution of Steve Jobs,
San Francisco Opera*
Faust, Lyric Opera of Chicago
La favorite, Houston Grand Opera
Wozzeck, Des Moines Metro Opera
REFUGE (World Premiere), UC Davis
VICTORIA VARGAS
NELLIE, FANCY DOLL 3
NEW YORK, NY
Minnesota Opera Debut
La Cenerentola, 2010
Notable Engagements
Carmen, Minnesota Opera
Nabucco, Minnesota Opera
Luisa Miller, Chautauqua Opera
The Pirates of Penzance Opera Theater of Saint Louis
Le nozze di Figaro, Ash Lawn Opera
BRIAN VU
BRYCE
LOS ANGELES, CA
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Fedora, The Metropolitan Opera*
Don Giovanni, Sarasota Opera*
Gianni Schicchi, Hawaii Opera Theatre*
Candide, The Glimmerglass Festival
West Side Story, Houston Grand Opera
Fellow Travelers, Opera Columbus
LIDIYA YANKOVSKAYA CONDUCTOR
ST. PETERSBURG, RUSSIA
Minnesota Opera Debut
Edward Tulane, 2022
Notable Engagements
Symphony of Sorrowful Songs, English National Opera*
Rusalka, Santa Fe Opera*
Concerts with LA Philharmonic and New York Philharmonic*
Carmen, Houston Grand Opera
Don Giovanni, Seattle Opera
DAVID ZIMMERMAN
HAIR AND MAKEUP DESIGN
MT. PLEASANT, TX
Minnesota Opera Debut
Ariadne auf Naxos, 2015
Notable Engagements
Hansel & Gretel, Dallas Opera
Das Rheingold, Dallas Opera
M. BUTTERFLY 蝴蝶君, Santa Fe Opera
Tosca, Lyric Opera of Kansas City
The Shining, Lyric Opera of Kansas City
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
* Indicates Upcoming Engagements
MN OPERA RESIDENT ARTIST MN OPERA RESIDENT ARTIST ALUM MN OPERA RESIDENT ARTIST ALUM
EDWARD TULANE 2022–23 13 CAST + CREATIVE TEAM
MINNESOTA OPERA
ORCHESTRA
VIOLIN I
Allison Ostrander
Concertmaster
Julia Persitz
Asst. Concertmaster
Julia Persitz
David Mickens
Angela Waterman Hanson
Jill Olson Moser
Emily Saathoff
VIOLIN II
Laurie Petruconis*
Elise Parker+
Melinda Marshall
Emilia Mettenbrink
Mary Alice Hutton
VIOLA
Emily Hagen*
Susan Janda+ Laurel Browne Jenny Lind Nilsson
CELLO
Teresa Richardson* Sally Dorer+
Rebecca Arons
Kirsten Whitson
BASS
John Michael Smith* Jason C. Hagelie+
FLUTE
Catherine Ramirez* Bethany Summersgill, double piccolo
OBOE
Michael Dayton* Robert McManus, double English horn
CLARINET
Karrin Meffert-Nelson*, double soprano saxophone Nina Olsen
BASSOON
Coreen Nordling* Laurie Hatcher Merz
HORN
Mike Alexander* Charles Hodgson Allison Akins Jena McBride-Harris
TRUMPET
John G. Koopmann* Christopher Volpe
TROMBONE
Phillip Ostrander* John Tranter
TUBA Jacob Grewe*
TIMPANI
Kory Andry*
PERCUSSION
Joel Alexander*
Adam Rappel
Robert Adney
HARP Min Kim*
GUITAR
Christopher Kachian*, double mandolin, harmonica Jared Waln, double banjo
MINNESOTA
OPERA CHORUS
SOPRANO
Emma Arachtingi
Madeline Huss • Michelle Liebl • Maggie Lofboom Quinn Shadko • Kristie Tigges
MEZZO-SOPRANO
Cécile Crozat-Zawisza • Jennifer Eckes
Rebecca Luttio
Jill Morgan Valerie Rogotzke • Eryn Tvete
TENOR
Phinehas Bynum
Erik Carlson •
Efraín Corralejo †
Trevor Todd-Lemon • Adam Smith • Nicholas Swanson •
BARITONE/BASS
Mark Billy • Paul Gutmann • Robert Riordan • Nikolas Simmons •
Phillip Takemura Sears • Tyrie Williams
SUPERNUMERARIES
Hannah Benditt
Lois Estell (Super Captain)
Chloe Fider
Andy Flamm
Gemma Isaacson
Sophie Negrete
Michelle Schwantes
COVER SINGERS
Siena Forest Andrew Gilstrap
* Denotes Principal + Denotes Assistant Principal † Denotes MN Opera Resident Artist • Solo Ensemble Member ARE YOU 21–45? Learn more about the Tempo experience and get your tickets today! mnopera.org/tempo | 612-333-6669 THE MINNESOTA OPERA ORCHESTRA, PHOTO BY DAN NORMAN THE MINNESOTA OPERA CHORUS, PHOTO BY DARIN KAMNETZMINNESOTA OPERA MNOPERA.ORG 14 ORCHESTRA, CHORUS, SUPERNUMERARIES, + COVER SINGERS
MeettheArtist
JACK SWANSON
Q&A
Describe Edward in three words.
JS This is a tricky one as Edward is definitely one of those characters who changes a lot through the story. But I think he is by nature a good listener. He’s caring and he’s also fiercely loyal.
What are some of the greatest joys and challenges of singing this role?
JS I would say the greatest joy is the fact that no one has performed this role before, so there are no expectations from cast members, the creative team, or the audience. We all get to discover the character together and, in the end, I get to bring him to the stage for the first time ever! In the same vein, that’s a challenge. I‘m constantly trying something new during the rehearsal process. Sometimes it’ll work and sometimes it won’t, so I spend a lot of time outside of rehearsal thinking about what I want to try the next day.
of Stillwater, Minnesota, tenor Jack Swanson has been hailed as one of the most exciting and in-demand new opera stars in the world, having spent the last few years traveling the globe and singing leading roles for prestigious companies like LA Opera, Santa Fe Opera, Oper Frankfurt, and Glyndebourne. All of us at MN Opera, however, are especially excited to have Mr. Swanson here debuting the role of Edward Tulane. To us, he’s not just any young international opera star on the rise; he’s also an alumnus of Minnesota Opera’s inaugural youth training program, Project opera, and we’re so happy to have him back where it all started. Recently, he sat down with us to talk about the process of creating a new character, how his time in Project Opera has influenced his current career, and what it’s like to finally be back singing on his home turf.
Anative
Is there a particular theme in this piece that resonates with you and that you hope will resonate with audiences?
JS “When you truly listen to people, compassion becomes inevitable.” What I mean by that is it’s easy for us to see people, how they dress, or who they choose to spend their time with and jump to conclusions before hearing their stories. Edward meets all kinds of people during his “Miraculous Journey” and because he is a great listener, he becomes much more compassionate as the journey goes on.
When did you first know that you wanted to be a professional opera singer?
JS I knew I wanted to be an opera singer the first day I stepped into rehearsals for La bohème with MN Opera in 2010. I was a part of the chorus and singing the part of the Prune Seller. I’ll never forget the thrill of being on that stage, the people who were a part of that show, and
the music itself. All of those things ultimately led to me pursuing an opera career.
We’re very excited to have you here for a number of reasons, but especially because you’re an alum of our Project Opera program. What is one of your favorite memories from your time in Project Opera?
JS To be honest, some of my favorite moments were just talking with my fellow Project Opera friends about singing, technique, and our favorite operas. One memory that sticks with me was how much fun I had performing in the Opera Scenes program. I sang Tamino in a very funny duet from The Magic Flute
Are there things you learned in Project Opera that you still use today?
JS I would say that one of the biggest lessons I learned from Project Opera is to be prepared! Preparation is key when it comes to a long and fulfilling career. Another lesson I learned is to always BE ON TIME!
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
AS EDWARD TULANE
PHOTO BY DARIN KAMNETZ
EDWARD TULANE 2022–23 15 MEET THE ARTIST
PAOLA PRESTINI
creation of a new work is a major undertaking that involves a huge number of artists working over a long period of time. For the performers, it’s months of learning and memorizing for two multi-day piano workshops and one weeklong orchestra workshop before rehearsals and opening night. For the composer and librettist, it’s the culmination of around three years of work. And for the artistic team at MN Opera, the opening night of a new opera can be years in the making.
Our extensive workshop process — the road map for creating a new opera honed over years of practice — fosters creativity and artistic excellence, developing artists in the process. Thankful for the time and space to tackle a project of this size and scope, Juilliard-trained Edward Tulane composer Paola Prestini described the workshop process to Opera News as “a real opportunity to learn the ropes.”
Expressing the gratitude for the ways that the workshop process has helped her develop her own artistic language, Prestini continued, “The only way you train to write big work is by doing it. You become more attuned to your language, to timing, to all sorts of
Therhythms — rhythmic rhythm, lyric rhythm, harmonic rhythm — and they become very intuitive. The changes that you’re making tend to be more about how to evolve your sound, which is such a luxurious place to be — to be able to say, ‘I identify with my voice, but how can I grow it?’ Trust yourself that you have enough skill to attach certain frameworks. That’s the lifelong school that you’ve subscribed to if you’re going to be a practicing artist.”
MN Opera’s multi-year workshop process ensures that artists can do their best work and world premiere productions are worth the wait.
COSTUME RENDERINGS BY VICTORIA (VITA) TZYKUN | SET RENDERING BY WALT SPANGLERMINNESOTA OPERA MNOPERA.ORG 16 CREATIVE + ARTISTIC EXCELLENCE
HEALTH AND SAFETY INFORMATION
Commitment to Safety
The health and safety of our staff, guests, and artists is our top priority, and we are following public safety guidelines from the Centers for Disease Control and Prevention (CDC) and the Minnesota Department of Health.
Thanks to decreased COVID cases in the Twin Cities area and throughout the state of Minnesota, it has become easier to gather safely. Our up-to-date policies reflect these changes, but we continue to evaluate the environment, as well as the latest guidance from the Centers for Disease Control and the Minnesota Department of Health and will adjust our health and safety policies accordingly. Please do not hesitate to reach out to us with any questions or concerns.
Mask Policy
Masks will no longer be required, but are welcome and encouraged.
Guest Responsibility
Vaccination Policy
Proof of COVID-19 Vaccination and negative COVID tests will no longer be required.
We still ask that guests stay home if they are sick or exposed to COVID-19. Please contact the box office to transfer your tickets to another performance, donate your tickets, or request a refund.
For questions, comments, or more information about The Arts Partnership’s commitment to keeping you safe. Please contact Minnesota Opera’s ticket office at 612-333-6669 or hello@mnopera.org.
Air Quality
The Ordway’s air system brings in fresh air from the outside to help limit the spread of airborne viruses like COVID-19. In addition, several updates have been made to further improve air safety inside the Ordway.
• Upgrading the heating, ventilation, and air-conditioning (HVAC) filtration to high-efficiency MERV 13 filters, following Minnesota Department of Health best practices.
• Added HVAC controls and sensors to improve air velocity within the building and provide additional monitoring and control of the system by our facility engineers.
• Removed forced air hand dryers in all restrooms, which have been shown to disperse a high quantity of bacteria into the air and replaced them with paper towel dispensers.
Cleaning and Sanitizing
In addition to the robust cleaning practices that were already in place, the Ordway has:
• Increased the frequency of cleaning throughout the building for high-touch areas in the front of house and back of house areas of the Ordway.
• Added state-of-the-art practices including selfcleaning anti-microbial covers in high-touch areas where possible.
• Set up hand-sanitizing stations throughout the venue.
• Trained all employees in critical hand washing and cleaning guidelines.
• Replaced waste receptacles with open top units so guests can throw out items without touching any surfaces.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
HEALTH + SAFETY
HEALTH AND SAFETY POLICIES ARE ACCURATE AT TIME OF PRINTING AND ARE SUBJECT TO CHANGE.
EDWARD TULANE 2022–23 17
February 4–12, 2023
Love is a battlefield. Marie is no ordinary canteen girl. Adopted and raised by a squadron of French soldiers and unaware of her aristocratic lineage, this spunky young woman falls for a handsome villager. But when her past comes to whisk her away, will she fall in line or follow her heart? A laugh-out-loud hit, Donizetti’s romantic comedy mixes hilarious snafus with vocal pyrotechnics in this witty and heartwarming production.
Understand Every Word Sung in French with English captions projected above the stage. Costumes created by Washington National Opera Costume Studio.
CELEBRATING 60 YEARS OF MINNESOTA OPERA
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See what
is coming up in our 60th Anniversary Season at mnopera.org/60
STAFFBOARD OF DIRECTORS
OFFICERS
Chair | Nadege Souvenir
President and General Director | Ryan Taylor
Vice Chair | Mark Gordon Secretary | Barton Reed Treasurer | Jeninne McGee
DIRECTORS
Joelle Allen
Patricia Beithon
Meg Blake
Sharon Bloodworth Sosha Brink Jane Confer
Roma CalatayudStocks Terrance Dolan Gayle Fuguitt Dorothy Horns, M.D. Amy Hoffman Mary IngebrandPohlad Philip Isaacson Diane Jacobson, Ph.D. Deborah Jiang-Stein
Anna Kokayeff, M.D. Mary Lazarus Robert Lee Natalie Volin Lehr Rachelle McCord Fayneese Miller, Ph.D. Kay Ness James Powell Elizabeth Redleaf Cris Ross Mary Schrock Missy Staples Thompson William White Margaret Wurtele Wayne Zink
EXECUTIVE
President and General Director | Ryan Taylor Executive Manager | Andrew Sun
ADMINISTRATIVE
Vice President, Administration and Board Relations | Theresa Murray Human Resources Director | Jen Thill Luminary Arts Center Director | Julia Gallagher
Front of House Manager, Luminary Arts Center | Zachary Staads
ADVANCEMENT
Vice President, Advancement | Lani Willis
DEVELOPMENT
Associate Institutional Giving Director | Esther Blevins
Individual Giving Director | Jeremie Bur Major and Planned Giving Director | Erin Flannery Associate Individual Giving and Fundraising Events Director | Leila Keïta Development Director | Diana Konopka Development Associate | Jonathan Lundgren Associate Patron Relations Director | Kristin Matejcek Development Manager | Charlotte Summers
MARKETING AND COMMUNICATIONS
Marketing and Communications Director | Eric Broker Graphic Designer | Genie Hien Tran Marketing Manager | Essie Lash Communications Manager | Severin Lier Digital Marketing Associate | Daniel Bynum Interim Marketing and Communciations Associate | Thomas Bryant
PATRON SERVICES
HONORARY DIRECTORS
Philip Brunelle Liz Kochiras
PRESIDENT’S COUNCIL
Karen O. Bachman
John A Blanchard, III
Susan Boren King
Burton Cohen
Ellie Crosby
John Huss Ruth Huss
James E. Johnson Lucy Rosenberry Jones
Gale Sharpe
Kevin H. Smith Virginia Stringer Mary W. Vaughan
Tessitura Administrator | Kevin Beckey Patron Services Manager | Karl Annable Patron Services Coordinator | Alexis Alcala Patron Services Representatives | Carol Corich, Emma Goecks, Evy Johnson, Walid Keita, Mallory Rabehl, Emily Ross
ARTISTIC
Vice President, Artistic | Joseph Li Head of Music | Mario Antonio Marra Company Manager | Roxanne Stouffer Cruz Artistic Administrator | Salvatore S. Vasta III Principal Coach & Chorus Director | Celeste Marie Johnson Company Artist | Symone Harcum Resident Artists | Efraín Corralejo, Charles H. Eaton, Keely Futterer, Erica Guo, Christina Hazen, Jeremiah Sanders
FINANCE
Vice President, Finance | Janelle Erickson Consultant | Patty Wilber System Administrator | Tony Ngonekeo Staff Accountant | Chris Olsen
TEMPO COUNCIL
MEMBERS
Sosha Brink
Marjahn Golban
Raegan Henderson Alison Jarzyna Elijah Saiger
Jon Tollefson
IMPACT
Vice President, Impact | Lee Bynum
Equity, Diversity, and Inclusion Director |
Rocky Jones
Access and Civic Engagement Director |
Samuel A. Phillips
Assistant Director, Access and Civic Engagement | Frankie Charles
Creative Development Programs Manager | Yuanfei Chen
Equity, Diversity, and Inclusion Coordinator | Emilia Mettenbrink
Youth Programs Music Directors | Sara Sawyer, Jared Miller, Rick Hoops
PRODUCTION
Vice President, Production | Karen Quisenberry
PRODUCTION AND FACILITIES
Associate Production Directors |
Genoveva Castañeda, Kerry Masek
Technical & Facilities Director | Josh Peklo
Costume Director | Corinna Bakken
Facilities Manager | Steve Mittelholtz
Lighting Coordinator | Ray Steveson Jr. Production Operations Coordinator & COVID Safety Manager | Sarah Lockwood Tech Lighting Assistant | Ellie Simonett
STAGING STAFF
Production Stage Manager | Emily Butzi Stage Manager | Jerry K. Smith
Assistant Stage Managers | Patricia Garvey, Jes Harris, Kelani Mueller Company Artist Assistant Stage Director | Margaret Jumonville
SCENERY AND PROPERTIES
Production Carpenter | Max Gilbert
Senior Carpenter | Eric Veldey
House Technician, Luminary Arts Center | Ren Effertz
Carpenters | Grant Bowen, Ella Egan Scenic Painter | Erica Zaffarano
Properties | Leazah Behrens, Ursala Bowden, Jay Claire, Kathleen Hoffer, Rachel Kreiger, Kellie Larson, Janet Lewis
COSTUMES
Costume Administrator | Molly O’Gara Tailor | Yancey Thrift
Drapers | Katrina Benedict, Chris Bur Costume Crafts and Dye Head | Kristen Weller
First Hands | Helen Ammann, Sara Huebschen, Rebecca Karstad
Stitchers | Brigid Borka, Ann Friese, Brandi Mans
Costume Design Assistant | Amy Sutton
Hair and Makeup Supervisors | Amber Brown, Priscilla Bruce, Amanda Clark, Emma Gustafson Hair and Makeup Run Crew | Krystyana Campbell, Dominick Veldman
VOLUNTEERS
Amy Colon Andy Flamm Jessica Grams Julie Karlson Mollie Laidly
Mary Sheehy Charlotte Summers Norman Tiedmann Sarah Walker
Minnesota Opera is a proud member of The Arts Partnership with the Ordway Center for the Performing Arts, The Saint Paul Chamber Orchestra, and Schubert Club
MINNESOTA OPERA MNOPERA.ORG 20 BOARD + STAFF
Upcoming events
Rinaldo
NOVEMBER 19–
DECEMBER 3, 2022
THE LUMINARY ARTS CENTER
A spellbinding adventure. In this magical tale filled with brass fanfares and memorable melodies, our hero must save his innocent, true love from a sorcerer who will stop at nothing to gain victory. The opera sweeps the audience from laughter to heartbreak and back again in this enchanting musical fantasy where love triumphs over darkness.
The Song Poet
MARCH 9–19, 2023
THE LUMINARY ARTS CENTER
A father’s love, a family’s journey. Based on Kao Kalia Yang’s memoir, the first Hmong story adapted for the operatic stage tells the story of Yang’s family and her song poet father. With his poetry, her father inspires hope in his family, polishing their reality so that they might shine.
Minnesota Opera Patron Services
620 North First Street, Minneapolis, MN 55401 612-333-6669
Regular Hours: Monday–Friday, 10am–5pm
Performances
Weekdays — phones open at 2pm for evening performances and at 10:30am for matinee performances. Minnesota Opera staff will be available at the Ordway’s Ticket Office 90 minutes prior to curtain.
mnopera.org
Visit mnopera.org to watch behind-thescenes videos, read synopses, browse digital programs, and more. Join our e-club to receive special offers and opera news.
Ticket Policies
Refunds are currently available. Additionally, any ticket may be returned for a tax-deductible donation up until curtain by calling the Minnesota Opera Patron Services. We will send a tax receipt to you acknowledging the value of the ticket, minus any applicable fees.
Parking
Prepaid parking is available for opera patrons at the Lawson Commons Ramp. Call 612-333-6669 or visit mnopera.org to purchase passes.
The Daughter of the Regiment
FEBRUARY 4–12, 2023
THE ORDWAY
Love is a battlefield. Adopted and raised by a squadron of French soldiers and unaware of her aristocratic lineage, spunky Marie falls for a handsome villager. But when her past comes to whisk her away, will she fall in line or follow her heart? Donizetti’s romantic comedy mixes hilarious snafus with vocal pyrotechnics in this witty and heartwarming production.
Don Giovanni
MAY 6–21, 2023 THE ORDWAY
So hot, he’ll burn. Don Giovanni is an egotistical and infamous womanizer, brazen in his shameless seductions. But his betrayals soon catch up to him when divine retribution exacts the ultimate price. Mozart’s sharp and otherworldly opera seamlessly blends dark comedy with biting social commentary, all set to some of opera’s most stirring music.
Accessibility
For patrons with disabilities, wheel-chairaccessible seats are available for select performances. Please call 612-333-6669 for details and indicate any special needs when ordering tickets. At the Ordway, accessible restrooms and other facilities are available, as well as braille or large-print programs and infrared listening systems. For more information, please visit mnopera.org/access.
Ordway Policies Ordway is a smoke-free facility.
Latecomers will be seated at an appropriate break.
Please have all cell phones and pagers turned to silent mode.
Children under six are not permitted in the hall.
Cameras and recording equipment are strictly prohibited in the theater. Please check items with an usher.
Food and beverage are available for purchase prior to the show and during intermission. Water and other beverages are allowed in the theater (hot beverages require lids), but food is strictly prohibited.
The phone number for emergencies is 651-224-4222. Please leave seat locations with the calling party.
Lost and Found is located at the Stage Door. Call 651-282-3070 for assistance.
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
EDWARD TULANE 2022–23 21 UPCOMING EVENTS MINNESOTA OPERA INFO
THANK
YOU MINNESOTA OPERA RECOGNIZES
INDIVIDUAL DONORS WHO HAVE MADE GIFTS TOTALING $250 OR MORE TO OUR ANNUAL FUND, FUND-A-DREAM, OR SPECIAL
INITIATIVES BETWEEN JULY 1, 2021 – AUGUST 1, 2022. THANK YOU FOR SUPPORTING ART AND THE ARTISTS WHO CREATE IT.
Anonymous (4)
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Archana Ramaswamy Marylu Ramirez Luther K. Ranheim Rita Meyer
Carroll and Barbara Rasch Rudolph Rauch Susan Rauch Elizabeth Redleaf Lawrence M. Redmond Barton and Kimberly Reed Peter Reed Andrew W. Reeher Jane Reiman Constance and Lewis Remele Philip Rickey Professor Julia Robinson Donna Rodel and Bernie Waibel LaRae Roder Ronald Roed Thomas and Nancy Rohde Michael and Tamara Root Liane A. Rosel Jack Rossmann Daniel Roth Teresa Rothausen-Vange Ken Rothchild David and Kathleen Rothenberger Peter Rothstein Marian R. Rubenfeld and Frederick G. Langendorf Andrea and James Rubenstein Hung Russell Georgiana Ruzich
R.T. Rybak and Megan O’Hara Linda and Allen Saeks Christine Sagstetter Melville and Irene Sahyun Alexandra Sakurets Sampson Family Charitable Foundation Shirley Sampson Tom and Arlene Samsel Julia Sand Mary Savina Matthew Sawicki Bill and Janet Schaeder Mahlon and Karen Schneider Fran Schoen Mary H. and Christian G. Schrock Richard and Carol Seaberg Beatrice C. Sexton Jerald and Leona Shannon Alan E. Shapiro Celia Shapland Frank and Lynda Sharbrough Gale Sharpe Kevin Shores and Kevin Winge Cherie and Robert Shreck Juliana and Bernie Simmons Kathleen K. Simo Madeline Simon Linda and Jesse Singh Darryl Smith Kevin and Lynn Smith Mason G. Smith Linnea Sodergren Sarah Sotos Nadege J. Souvenir and Joshua A. Dorothy Robert Spikings and Jeffery Perkey Jon Spoerri and Debra Christgau Nancy Sponaugle Daniel E. Stanton
Missy Staples Thompson and Gar Hargens
Julie Steiner
Michael Stiffman
Donald and Leslie Stiles Linda Stinson
Barbara Stoll
Mr. Art Stone
Warren Stortroen
Stephen and Dana Strand Virginia and Edward Stringer William Stuckey and Kelly Baker Anne and Nick Stukas
Susan Surine
Vern Sutton
Craig and Janet Swan
Lisa Swan
Jerry Swenson Dana Swindler Charles and Marlys Taflin
Susan Tasa Ryan Taylor
Ti Chang Taylor Lester Temple Joyce Thielen
Andrew J. Thomas, MD Jenny and Dave Thomas Kay Thomas Marie J. Thomas
Dr. Norrie Thomas and Gina Gillson John and Jill Thompson James Thomson Jean Thomson Debra R. Ting Holly C. Trampe
Susan Travis Rick and Debbie Treece Josephine Trubek
Emily Turner
Paul Udris and Sylvie Orenga Wendy and Paul Unglaub Kenneth and Kathryn Valentas
Stephanie C. Van D’Elden Mary W. Vaughan
Catherine Vesley
Diedre Videen John Vilandre Cindy and Steven Vilks Daniel Vogel Natalie Volin Lehr Randall Volk H. Bernt von Ohlen and W. Thomas Nichol Bryan Walker and Christine Kunewa-Walker Michael G. Walsh Herbert and Lori Ward Constance Waterous Lily and Richard Weinshilboum Hope Wellner
Gilbert Westreich Nancy and Ted* Weyerhaeuser Deborah Wheeler Ann White Barbara White John and Sandy White William White
Jeff Wiemiller and Joe Anderson Paul and Carolynn Wiggin Barb Wildes Wendy Wildung
David and Rachelle Willey John M. Williams
Lynn Williamson James and Barbara Willis
Lani Willis and Joel Spoonheim Paul and Cara Wilson Ann P. Winchester John W. Windhorst Jr. Susan and Curt Wischmeier Jean and Ray Witter Richard and Margaret Woellner
Maureen and Christian Woeltge Eric Won
Margaret V.B. Wurtele
Dean Yohnk Debara Zahn
Wayne Zink and Christopher Schout YPO Forum 36 in honor of Daniel Prins Felix Zwiebel
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
EDWARD TULANE 2022–23 23 INDIVIDUAL GIVING
LEGACY CIRCLE
The following lists donors who, through their foresight and generosity, have included Minnesota Opera in their wills or estate plans.
Anonymous
Mrs. Mary Abbe
Paul and Valerie Ackerman
Thomas O. Allen
Dr. and Mrs. Rolf Anderassen*
Mary A. Andres
Ms. Karen O. Bachman
Thomas and Ann Bagnoli Patricia Beithon
Al Bradley
Susan S. Boren King
C.T. Bundy II Margaret M. Carasik
Debbie Carlson George and Joan Carlson Richard and Darlene Caroll Julie and Dan Cross Mary L. Davidson*
Julia W. Dayton* Charles Denny*
Ms. Susan Doty Anne P. Ducharme
Margaret E. Durham*
Dr. Mary A. Ebert and Paul Stembler
Rondi Erickson and Sandy Lewis* Mrs. Ester L. Fesler Salvatore Silvestri Franco Daniel E. Freeman Charles J. Frisch Dr. Paul Froeshl Katy Gaynor Mrs. Ellen Green Michelle Hackett Russell and Priscilla Hankins Elfrieda Hintze* Mrs. Jean M. Holten John Humleker and Cordelia Anderson Steven J. Johnson*
Dr. Charles and Sally Jorgensen Dr. Robert and Susan Josselson John and Kathleen Junek Dr. Markle Karlen Mary H. Keithahn
Patty and Warren Kelly Blaine and Lyndel King Sally and Bill King James and Liz Krezowski Dr. Robert L Kriel and Dr. Linda E. Krach Robert and Venetia Kudrie Jim Lawser and Duane Bandel Gerald and Joyce Lillquist Dawn M. Loven
David Mayo
Barbara McBurney Mary McDiarmid Mary Bigelow McMillan* Mrs. Walter Meyers Estate John L. Michel and H. Berit Midelfort Karla Miller
Kay Ness and Chris Wolohan Richard and Joan Newmark Scott J. Pakudaitis
Derrill Pankow Mrs. Sydney Phillips Ms. Phyllis Price Brian and Patricia Prokosch Mrs. Liane A. Rosel Ken and Nina* Rothchild Mary Savina
Jon L. Schasker* Josef Schermann
Mary H. and Christian G. Schrock
Dr. Frank and Lynda Sharbrough Robert Shearer and Joan Gustafson Mr. Drew Steward and Ms. Anna Hargreaves
Mr. Gregory C. Swinehart and Ms. Mitra Walter
Dr. Anthony Thein
Stephanie C. Van D’Elden Mary W. Vaughan
H. Bernt von Ohlen and W. Thomas Nichol
William White
Mr. Harvey Zuckman and Mr. Phillip Oxman
For more information on making estate plan arrangements, please contact Diana Konopka at dkonopka@mnopera.org
* in remembrance
NAMED ENDOWMENT FUNDS
The following endowment funds, created by visionary and generous donors, continue the work of Minnesota Opera for future generations.
Art of Singing Endowment Fund
To support exceptional training for resident Artists by providing learning opportunities with leading artists and experts.
Barbara White Bemis Fund for Artistic Enhancement
To enhance the quality of performances by providing funds to engage singers who have received awards through the Metropolitan Opera National Council Auditions.
Daniel E. Freeman Endowment Fund
To support Minnesota Opera’s education programs.
Dolly Fiterman Fund for New Production Opera Design
To support the creation of new productions by providing funds to engage designers and create new sets.
Founders Endowment Fund
To support new and innovative opera performances that honor the spirit, energy, and creativity of the founds in the beginning days of the Center Opera.
Joan Jacobs Rubenfeld Memorial Fund
To support the attendance of high school students at MN Opera performances.
Minnesota Opera Center Preservation Fund
To support Opera Center building improvements. The Preservation Fund recognizes the legacies of Judson Bemis and Kevin Smith, who through their leadership created the Opera Center.
Valerie and Paul Ackerman Endowment Fund
To support the attendance of youth at Minnesota Opera performances.
Virginia L. Stringer Endowment of the Minnesota Resident Artist Program
To support the Resident Artist Program. The appearance of the Resident Artists in this production is made possible by this endowment fund.
William Randolph Hearst Endowment for Education and Outreach Programs
To support Minnesota Opera’s education and outreach programs.
COMMEMORATIVE GIFTS
The following lists donors who have made gifts in honor or in memory of a loved one between July 1, 2021–August 1, 2022.
Alan Klevit Anonymous
Darlene Mueller Tamera Bisping
Daniel Gacki
Boren Family Fund
Vicki Wheeler Kurt Wheeler
Arthur and Judith Brindley Eric Brindley
Clara Osowski
John A. Michel Barbara Brown
Jon Schasker Deborah Carlson
Nancy and Clyde Gerber Patricia Cavanaugh
Robert and Barbara Kueppers Carroll Cisek
My Parents who were lovers of opera Mr. Peter Douglas
Paige Duncan
Miss Caroline Foster Duncan
Michael Birt Ms. Maria Eggemeyer
Judy Dayton Rachelle Chase and John Feldman Ruth and John Huss Christine and Jon Galloway
Jenn Maatman
Jeffrey Gigler
Elisabeth and John Heefner Elisabeth and John Heefner
Dr. Everett Vern Sutton Donald Helgeson and Sue Shepard Sean Dorsey and Kara Eliason Dorsey Brian Henry Roland Hanson I.U.P.A.T. District Council No. 5
Daniel Prins Janet Johanson
Judy Lear Barbara Kelly David Ward
Ms. Elfrieda Hintze Linda King
Neal Viemeister Virginia Kirby
Mrs. Elizabeth Kochiras Kochiras Family Fund Ruth Bader Ginsburg Ms. Liz Lew Mark Lindblad Ms. Kathleen S Lindblad
Enrique Rotstein
Timothy and Susanna Lodge
Ms. Natalie Losik
The Losik Savage Charitable Gift Fund
Lani Willis and Joel Spoonheim Katherine Magy
Jon and Anna McVittie Szafranski Frances W McVittie Coreen Nordling John and Sibylle Miller Alyda Mini
Diana Mini and David Carroll Anne Mollerus Michael and Judith Mollerus Mrs. Myrtle Grette IvaNell Monson Joan and Joe Nagle Ms. Sarah Nagle
Judy Anderson Brindley Arthur and Judith Brindley Ernest Neighbor Ruth and John Huss Sally and Thomas Patterson Marilyn Johnson Christopher Peterson Dean and Karin Phillips Jan and Janet Phillips
MN Opera Costume Department Maria Ramirez Eleanor Crosby Rudolph and Susan Rauch
Diana Whitecross
Mr. Peter William Riola, Sr
Mr. Robert E. Rocknem Ann Kristen Rocknem
Judson and Carol Bemis Sandra Roe
Joan Jacobs Rubenfeld Marian Rubenfeld
Mrs. Theresa A. Murray Schmiechen Charitable Fund
Mr. Dale A. Johnson Brian Staufenbiel
Julie Greif Anne E Susag
Wendy Mullins Anne E Susag
Mr. Gordon Ray Travis Susan Travis Eva Csathy Eva Weyandt
Eva and Peter Weyandt Michael Weyandt
Robert and Barbara Kueppers
Caroline Wilbrecht
Scott Krenz Emerson L Williams
Joy Smiley Zabala Adriana Zabala
Ms. Susan A Janda Mr. John Zelenka
Irene Browning Paul Zerby and Ann Browning Zerby Christopher Hermann and Brian Pietsch Gretchen Piper and E. Scott Rosebaum
MINNESOTA OPERA MNOPERA.ORG 24 SPECIAL GIVING
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Media Partner
Fred C. and Katherine B. Andersen Foundation Art and Martha Kaemmer Fund of the HRK Foundation
Anonymous (2) Best Buy Foundation Boss Foundation Dellwood Foundation
The Elizabeth C. Quinlan Foundation
Faegre Baker Daniels Hutter Family Foundation Margaret Rivers Fund Mayo Clinic McVay Foundation
Onan Family Foundation Pachel Foundation Peravid Foundation RBC Foundation Romanaggi Foundation
Schwegman, Lundberg, & Woessner P.A. Tennant Foundation Travelers
Minnesota Opera is a nonprofit charitable organization that relies on your support. • mnopera.org/donate
For information on making a corporate or foundation contribution to Minnesota Opera, please contact Esther Blevins, Associate Institutional Giving Director, at eblevins@mnopera.org.
MINNESOTA OPERA SEASON SPONSOR
MINNESOTA OPERA GRATEFULLY ACKNOWLEDGES ITS MAJOR INSTITUTIONAL SUPPORTERS:
EDWARD TULANE 2022–23 25 INSTITUTIONAL GIVING
join us in celebrating fall concert • 11/06 @ 2pm • orchestra hall winter concert • 02/05 @ 2pm • orchestra hall spring concert • 04/30 @ 2pm • orchestra hall ...with special guest perf mances... ...featuring past and esent alumni... ...and other fun sur ises! www.minnesotaorchestra.org | 612-371-5600 of amazing music! When you include Minnesota Opera in your will or estate plan and join our Legacy Circle, your generosity changes lives by helping bring together artists, audiences, and community, ensuring that we can impact those we serve for generations to come. For more information about planned giving and benefits, please visit: LEAVE A LEGACY AND LET YOUR VALUES LIVE ON plannedgiving.mnopera.org M–F, 10am–5pm 612-342-9580MINNESOTA OPERA MNOPERA.ORG 26
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Premiere of a New Music Drama
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