MEET THE ARTIST
Q&A MeettheArtist
SYMONE HARCUM A S L ÉON T I N E
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e’re delighted to welcome soprano and Minnesota Opera Resident Artist Symone Harcum to the Ordway stage for the first time. Harcum is in her first year as a Minnesota Opera Resident Artist where she is singing the roles of Léontine in The Anonymous Lover and Micaëla in Bizet’s Carmen. This season, she will also make her professional debut as La Contessa in Le nozze di Figaro at Virginia Opera.
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Harcum has previously performed as an apprentice artist at Des Moines Metro Opera and as a member of the 20192020 Herndon Foundation Emerging Artist Program at Virginia Opera. She was a finalist in both the Tri-Cities Opera Competition and the New York International Opera + Premiere Opera Vocal Competition and was recently named the first-place winner of the 2021 Opera Ithaca Competition.
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After receiving her bachelor’s degree in Music Education from Norfolk State University in 2012, she worked as a choral director in Norfolk Public Schools until 2016. Harcum received her Master’s of Music from Peabody Conservatory at John’s Hopkins University and continues to study in the studio of Denyce Graves and Margaret Baroody. Recently, she sat down with us to chat about her role in The Anonymous Lover and what it’s like to perform for live audiences again.
What are the themes or messages of this piece that you think will resonate most with audiences? SH Well, of course there’s the deeply operatic theme of love. However, instead of the passion and tragedy of a high stakes love affair like we get with some of the other pieces in the repertoire, the story of The Anonymous Lover focuses on the very embarrassing beginnings of romance. The entire plot is driven by the awkwardness of not being able to tell someone how you really feel and the lengths to which the two lovers would go to remain invulnerable in the process.
It’s relatable for sure and I wouldn’t be surprised if one night, during the climax of the show, some impassioned audience member were to yell at the stage, “Just kiss her, already!”, driving the rest of the crowd to passionately agree. Not likely at the opera but a girl can dream.
What are some of the greatest joys and challenges of singing this role? SH The two are the same. Léontine is not an easy role to sing. Each aria and each duet puts a different technical skill to the test. The joy is in the challenge. It has to be.
This is the first time MN Opera audiences and artists will be back together at the Ordway for live operatic performances since the pandemic hit. How does it feel to be performing for live audiences again? SH It’s the best feeling in the world. Since the start of the pandemic, every
chance to perform live is such a gift. There is a joy in just singing, online or in person but the energy you get from a live audience cannot be replaced.
Is this your first Minnesota winter? If so, are you ready? What are you excited to see or do? SH This is my first Minnesota winter. I was not ready. The snow is beautiful to behold ... from inside. But, with all due respect to the amazing Minnesotans who love the winter, I am most excited to see it go.
