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Vol. 29 No. 42
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Father of the dead
had a knack for making zombies on a shoestring.
What started as a brotherly joke on his sister eerily foreshadowed a fictional nightmare of epic proportions in a western Pennsylvania graveyard. “They’re coming to get you, Barbra!” Johnny says in a creepy voice, frightening her after visiting their father’s grave. If only Johnny knew the extent of this, ahem, dead-serious ambush in the cult classic Night of the Living Dead, the original masterpiece by horror master George A. Romero, who passed away in July at age 77. The 1968 shocker flick about flesh-eating corpses — which grossed some $30 million worldwide from a meager $114,000 budget — started the popular zombie genre that continues to grow today. In recent years, especially, the zombie club has exploded with highly popular series like AMC’s The Walking Dead and movies like World War Z. It is said that imitation is the highest form of flattery, but Romero expressed resentment about the modern zombie shows. He told IndieWire earlier this year that he “used to be the only guy on the zombie playground,” and that the current movies and television shows about the undead were making the zombie genre Hollywood-ized. Romero said he had hoped to do another zombie film with a modest $2 to $3 million, but the big-budget block-
are satisfied with Romero’s oldies from the ‘60s, ‘70s and ‘80s, including 1978’s Dead sequel Dawn of the Dead, with box office success that topped the original. Even if the zombie genre isn’t your thing, Romero created several other horror classics. As a child of the ‘80s, my personal Romero favorites are the campy Creepshow movies. Romero joined forces with famed horror writer Stephen King to make Creepshow (1982) and Creepshow 2 (1987). Romero’s horror anthology combines the macabre and scary with a dark, quirky sense of humor, as is typical for ‘80s campy flicks. Perhaps Romero’s most notable ability among horror creators was the underlying satire and social commentary he weaved into many seemingly simple films. In Dawn of the Dead, the zombies served as a cartoonish and gory symbol for excessive capitalism and consumption. One also can see a definite, environmentally friendly warning in Night of the Living Dead, since radioactive contamination from a space probe is speculated to have caused the massive global resurrection of evil corpses. May George A. Romero rest in peace. And if someone wants to Credit: Kevin Winter/Getty Images honor his legacy by making another low-budget undead movie, George A. Romero featuring an actor playing films does not tarnish the creative Romero’s own bodily zombie — busters ruined his chances. But a lack of modern opportu- genius’ legacy. Who needs a new well, he probably would feel honnities for more Romero zombie zombie film anyway? Retro lovers ored.
Brought to you by the publishers of ReMIND magazine, a monthly magazine filled with over 95 puzzles, retro features, trivia and comics. Get ReMIND magazine at 70% off the cover price, call 1-855-322-8784 or visit remindmagazine.com. ©2018 ReMIND magazine
MATT ROUSH: The odds are against it, since the show was produced in partnership with ABC, which would require some tricky negotiations to continue. For those who'd like to spend more time in this world, Netflix is streaming three seasons of Gran Hotel, the Spanish series that inspired it. I hear it's fun.
QUESTION: How can Yellowstone not get nominated for any Emmys? --Greg MATT ROUSH: Maybe next year, when Game of Thrones is no longer around, shows on smaller outlets like Paramount Network will get more of a chance. The stock answer is that, even with an Oscarwinning star like Kevin Costner as a beacon, there are just way too many shows competing for a small number of slots. QUESTION: The series finale of Suits was one of the best series finale of any TV show ever! --Mike MATT ROUSH: Few things are more satisfying than for a long-running show to end on its own terms and fashion a finale that gives viewers what they want, with maybe a surprise or two. Bravo to Suits for going out on a high. To submit questions to TV Critic Matt Roush, go to: tvinsider.com
Gross to date • Weeks in release • Screens
1. Joker $96.2
• 1 • 4,374
2. Abominable $37.8
• 2 • 4,248
3. Downton Abbey
Henry Winkler takes the stage in new season of “Inside The Actors Studio” By KELLIE FREEZE For over two decades, Inside the Actors Studio, the venerable acting master class created by James Lipton, has welcomed actors, directors and writers to share the secrets of their craft. After Lipton’s September 2018 retirement, the series moved to Ovation, where now rotating guest hosts will interview Hollywood notables about their works and methods. The new season premieres Sunday, Oct. 13 with current Actors Studio co-president Alec Baldwin interviewing Henry Winkler. When we talked to Winkler, the actor admitted that when he got the invitation from Ovation, “I thought, ‘See? You sit at the table long enough and all the chips come to you.’” He laughs, echoing a line from his 2018 Emmy acceptance speech after being awarded Outstanding Supporting Actor in a Comedy Series for his role of Gene Cousineau on Barry. “I thought it was swell.” In his episode, Winkler is led by Baldwin down memory lane from his boyhood — where he struggled academically due to undiagnosed dyslexia — through his early TV appearances, including an overly earnest dinner guest on The Mary Tyler Moore Show, his breakout role as greaser Arthur “Fonzie” Fonzarelli on Happy Days and his career resurgence on the HBO comedy Barry. As he reminisces, Winkler shares stories and anecdotes, but focuses his attention on explaining the skills that he’s developed throughout his career — particu-
$91.4
$5.3
• 5 • 3,163 $4.6
• 2 • 1,458
7. Ad Astra $43.3
$4.2
• 3 • 2,910
8. Rambo: Last Blood $39.9
• 3 • 2,900
9. War $2.1
$8.0 $6.4
6. Judy $9.1
$11.9
• 4 • 3,030
5. IT Chapter Two $202.2
$96.2
• 3 • 3,548
4. Hustlers
ReMIND Magazine
QUESTION: ABC canceled Grand Hotel! Will (executive producer) Eva Longoria pursue another network? --Fred
Box office top 10
$73.6
By Kellie B. Gormly
FREE
Domestic revenues Oct. 4 - Oct. 6 Rank • Film • Weekend gross (millions)
George A. Romero
WILL GRAND HOTEL MOVE TO ANOTHER NETWORK?
FREE
• 1 • 305
10. Good Boys
$3.6 $1.6 $0.9
BESTSELLERS $82.0
•8
• 1,006
SOURCE: Studio System News
HARDCOVER FICTION
1. "The Water Dancer" by Ta-Nehisi Coates (One World) 2. "The Institute" by Stephen King (Scribner) 3. "Bloody Genius" by John Sandford (G.P. Putnam's Sons) 4. "The Dutch House" by Ann Patchett (Harper) 5. "The Testaments" by Margaret Atwood (Nan A. Talese) 6. "Vince Flynn: Lethal Agent" by Kyle Mills (Atria/Emily Bestler Books) 7. "Full Throttle" by Joe Hill (William Morrow) 8. "Cilka's Journey" by Heather Morris (St. Martin's Press) 9. "A Mrs. Miracle Christmas" by Debbie Macomber (Ballantine) 10. "The Oracle" by Jonathan Cahn (Charisma House)
HARDCOVER NONFICTION
1. "Blowout" by Rachel Maddow (Crown Publishing) 2. "The Book of Gutsy Women" by Hillary Rodham Clinton and Chelsea Clinton (Simon & Schuster) 3. "The United States of Trump" by Bill O'Reilly (Henry Holt and Co.) 4. "Talking to Strangers" by Malcolm Gladwell (Little, Brown) 5. "Stillness is the Key" by Ryan Holiday (Portfolio) 6. "Inside Out" by Demi Moore (Harper) 7. "Where Do I Begin?" by Elvis Duran (Atria) 8. "Over the Top" by Jonathan Van Ness (HarperOne) 9. "Metahuman" by Deepak Chopra (Harmony) 10. "Face It" by Debbie Harry (Dey Street)
NIELSENS
Photo by Monica Schipper/Getty Images for Ovation TV
Henry Winkler and Alec Baldwin interact with an audience member during Ovation's Inside The Actors Studio at Sheen Center on April 4 in New York City. larly how he built confidence and an instinct for risk-taking when creating characters — in the hopes of inspiring the next generation of thespians. After all, Winkler points out that taking risks led to him being cast in his most iconic role. “They weren’t looking for me for Arthur Fonzarelli,” he says. “They were looking for a large Italian, and they got a short Jew. They don’t know what they’re looking for all the time. You have to show them, you have to tell them, ‘I’m who you’re looking for.’” Winkler says the best part of his Inside the Actors Studio experience was sitting on the lip of the stage and fielding questions from the audience of young actors, directors
and playwrights. “It’s one of my favorite things I’ve done in my entire career,” he shares. “I always wished somebody who had been through it would have talked to me and said, ‘It’s going to be OK.’” Now that Winkler has been a guest, he says that if his schedule would allow, he’d love to return as a guest host. His wish list of interviewees includes “Olivia Colman, Helen Mirren and Judi Dench. And since you asked, I would like to interview a lot of musicians, because they’re also actors when they sing their songs. Ryan Gosling, I think Ryan Gosling is just great. And Brad Pitt, the evolution of Brad Pitt to Once Upon a Time in Hollywood is just magnificent.”
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1. NFL Football: Indianapolis at Kansas City, NBC, 18.13 million. 2. "NFL Postgame," Fox, 17.49 million. 3. NFL Football: L.A. Rams at Seattle, Fox, 14.41 million. 4. "Sunday Night NFL PreKick," NBC, 12.89 million. 5. "NCIS," CBS, 12.52 million. 6. NFL Football: Cincinnati at Pittsburgh, ESPN, 10.81 million. 7. "FBI," CBS, 9.47 million. 8. "The Voice" (Tuesday), NBC, 9.04 million. 9. "The Voice" (Monday), NBC, 8.75 million. 10. "60 Minutes," CBS, 8.62 million. 11. "Young Sheldon," CBS, 8.35 million. 12. "Chicago Med," NBC, 7.68 million. 13. "Chicago Fire," NBC, 7.65 million. 14. "911," Fox, 7.48 million. 15. "This is Us," NBC, 7.46 million.