WHO’S WHO: ARTISTIC STAFF

the Westside Theatre; many shows at the Irish Rep, York Theatre, Directors Company, Cape Playhouse, et al. Toured internationally in Fiddler on the Roof starring Topol, then Harvey Fierstein and Theodore Bikel. A proud member of Actors Equity Association. Love to Lisa.

MIRIAM HYFLER (Assistant Stage Manager) is excited to work with the Mint again! Recent credits: The Rat Trap, Chains (Mint Theater), Twelfth Night (Music Theatre Wichita), hang, Time Stands Still (Shakespeare & Company), Shanghai Sonatas (Master Players Concert Series), In The Heights (Park Playhouse), Death of a Driver (Urban Stages), On Blueberry Hill, Maz and Bricks (Origin Theatre/Fishamble), Three Small Irish Masterpieces, It’s A Wonderful Life, Woman and Scarecrow (Irish Rep), The Dingdong (Pearl Theatre), author Directing author (La Mama), How to Break (HERE), Henry V (New York Classical Theatre), Cymbeline, Capsule 33 (Barrow Street Theater), I Call My Brothers, The Sonic Life of a Giant Tortoise, Ludic Proxy (The Play Company), several seasons with Phoenix Theatre Ensemble, Pan Asian Rep, and New Century Theatre. Love to @orangefreddyg.

JEFF MEYERS (Production Stage Manager) was in a play once. He played the Captain in the Grand Junction, Colorado, high school production of Carousel. He then turned to stage management. He is very pleased to be continuing his collaboration with Mr. Bank having previously worked on fifteen Mint productions including The Rat Trap, Chains, The Daughter-in-Law, Conflict, Hindle Wakes, Fashions For Men and

Ernest Hemingway’s The Fifth Column. His New York highlights also include Beyond Therapy and Happy Birthday (TACT), Painting Churches and Marry Me A Little (Keen Company), Amazons and their Men (Clubbed Thumb), Orange Flower Water and Adam Rapp’s Stone Cold Dead Serious (Edge Theater Company), Hamlet (CSC), Critical Darling (New Group) and Greg Kotis’ Eat The Taste (Barrow St. Theatre). Regional highlights include Dracula (Triad Stage) and ten summer seasons with The Theater at Monmouth. His union of choice is AEA, and he dedicates this and every performance to his Mom and Dad.

BRITT BERKE (Director) Off-Broadway directorial debut. Recent projects: Anne Carson’s Antigonick (Torn Out Theater), watch me (New York Theatre Workshop, Adelphi Residency), DOGS (Ground Floor at Berkeley Rep), Promenade in Concert (The Public Theatre’s Fornés Marathon), Liberian Girl in Brooklyn (Mabou Mines), and Round Room (Origin Theater’s 1st Irish Festival - Best Director nom). Assistant directing credits include The Skin of our Teeth (Tony nom) and Mud/ Drowning (Obie Award). She is a member of the Roundabout Directors Group and an alumna of the MTC Directing Fellowship. Britt holds a BA from Barnard College of Columbia University, where she received the Kenneth Janes Prize for Outstanding Intellectual and Artistic Achievement. Associate Member, SDC. brittberke.com.

VICKI DAVIS (Sets) USA 829. Previously at the Mint: The Rat Trap, The Mountains Look Different, The Price of Thomas Scott, Suitcase Under the Bed, The