WHO’S WHO: ARTISTIC STAFF

Lucky One, Women Without Men, The Fatal Weakness, Katie Roche, Rutherford and Son, Temporal Powers, Wife to James Whelan, The Fifth Column, The Skin Game, The Lonely Way, Echoes of the War, Far and Wide, The Voysey Inheritance, Miss Lulu Bett, Welcome to Our City, August Snow & Night Dance, and The House of Mirth. Off-Broadway: Adobe, AMAS, Blue Heron, HB Studio, Lincoln Center Director’s Lab, The Ontological, LaMaMa, Folksbiene, New Yiddish Rep, Henry Street Settlement, Kings County Shakespeare, Bronx Opera, Bel Canto Opera, Wings, WPA, Playhouse

91. Regional theater and opera: Laguna Playhouse, Arena Stage, The Alliance, Milwaukee Rep, Dallas Theater Center, Spooky Action, Starlight Kansas City, Madison Rep., The Barter, Capital Rep., Passages, Georgia Shakespeare, Utah Shakespearean Festival, Utah Opera, Kansas City Opera, Omaha Opera, Theater of the Stars, Boston Lyric Opera, Lake George Opera Festival, Chester Theater, and Music Theater North.

EMILEE M c VEY-LEE (Costumes) is thrilled to be making her NYC design debut working on this beautiful “found” play Becomes A Woman. Emilee’s costume associate work was seen in 24 productions at Playwrights Horizons, including the Pulitzer Prize-winning Off-Broadway production of A Strange Loop. Prior to moving to NY Emilee spent 8 years at the Santa Fe Opera as the Costumes Collections Manager. Other Santa Fe Opera credits include: Design Assistant on Don Pasquale (Laurent Pelly Design) and Griselda (Dunya Rumicova design). Selected costume design credits include Elixir of Love, Words and Music (Santa Fe

Opera Education Department). Chapter Two, Death of a Salesman, Buried Child, Our Town, American Buffalo, Trip to Bountiful, and Rabbit Hole (Iron Weed Productions). Antigone (TheatreWorks). Eurydice (SCRAP Productions). Sound of Music, Crazy for You (Little Theater on the Square). Peter Pan (Tuacahn). Emilee would like to thank her daughter Liza and husband Matthew, whom she met stage left in Neverland, for their support. As well as Jonathan Bank for this opportunity.

MARY LOUISE GEIGER (Lighting) Mint: Conflict. Broadway: The Constant Wife (American Airlines Theatre). OffBroadway: Halfway Bitches Go Straight to Heaven, Good Television, The New York Idea (Atlantic Theatre), Until the Flood (Rattlestick); X, Or Betty Shabazz v. The Nation (Acting Company); Nat Turner in Jerusalem, Forever, Oedipus at Palm Springs (New York Theatre Workshop); Kindness, Blue Door, The Busy World is Hushed (Playwrights Horizons); Mabou Mines Dollhouse, Red Beads (Mabou Mines). Regional: ACT, 5th Avenue, Goodman, Huntington, Steppenwolf, Milwaukee Rep, Guthrie, Pioneer, Cleveland Playhouse, Repertory Theatre of St. Louis, Center Theatre Group, LA Opera among others. Training: Yale School of Drama, Faculty: NYU Tisch. www.mlgeiger.com

M. FLORIAN STAAB (Sound) is a composer and sound designer based in Brooklyn NY. Staab was born and raised in Germany and received a BA from Oberlin College and MFA from UIUC/ Krannert Center. He is an associate artist with Sinking Ship Productions. His designs have been heard at the