ARTISTIC STAFF

Public Theater, Irish Rep, Trinity Rep, City Theatre Pittsburgh, Center Theatre Group, Mint Theater, Pearl Theatre, Eugene O’Neill National Playwrights Conference, Drama League, New Saloon, the cell, Partial Comfort, Keen Company, Chicago Opera Vanguard and the Metropolitan Museum of Art. Most recently, Staab recorded, mixed and designed several virtual productions and narrative fiction podcasts, and directed Bill Irwin’s On Beckett/In Screen for the camera. www.florianstaab.com

CHRIS FIELDS (Props) is excited and proud to be joining the gang at the Mint Theater for a fifth time ( Conflict, The Price of Thomas Scott, The Mountains Look Different, Chains), and so glad to be working with Vicki Davis again. He was previously Props Master at Shakespeare & Co., Barrington Stage Company, Flat Rock Playhouse, Contemporary American Theater Festival, several Off-Broadway shows, and the musical Anna Karenina at Circle in the Square. He was the Associate Props Master at the Public Theater for several years. As a craftsperson he helped create the original costumes for The Lion King and Beauty and the Beast, as well as the goat for the original production of Edward Albee’s The Goat, or Who is Sylvia?. Among his proudest accomplishments is six arrests and an Obie Award as a member of ACTUP. (If you haven’t heard of them, Google it.) So much thanks to my family and friends who make this crazy life in the theater possible.

EMMA WEISS (Music Director) is a music director, educator, and vocal coach from New York City. She holds an MA in Musical Theater Music Directing from the

Royal Conservatoire of Scotland. Emma has music directed productions, concerts, and cabarets in New York at Radio City Music Hall, Joe’s Pub, Feinstein’s 54 Below, The Django, The Duplex, and The Tank. She has worked regionally at the Weston Playhouse, Seattle Rep and Parallel 45 Theatre. Emma is currently on faculty at Friends Seminary and has music directed productions and classes at independent schools and universities throughout New York City.

CHA RAMOS (Intimacy & Fight Director) (she/ella) is a multidisciplinary theater artist with a metric montón of books, swords, and altars in her NYC apartment. She is an intimacy & fight director, dramaturg, playwright, performer, and instructor. Notable credits include: intimacy and fight direction for Dom Juan at the Fisher Center at Bard College; associate intimacy direction for COMPANY on Broadway; dramaturgy for new works by José Rivera and Leslie Ayvazian; performing with the Vixens En Garde all-female sword-fighting Shakespeare comedy troupe; teaching intimacy and stage combat in-person and online; and ongoing development of her three original plays. More info at www.CallMeCha.com

AMY STOLLER (Dialect Design & Dramaturgy) has helped Mint casts suit words to actions for nearly 40 productions—most recently The Rat Trap and last season’s Chains and The Daughterin-Law. Also this season: Twilight: Los Angeles, 1992 at American Repertory Theater (Cambridge, MA). Last season: Jodi Long’s American Jade (premiere; Bucks County Playhouse); the Scottish musical Islander (Playhouse 46, NYC);