Greenwich - October 2024

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GREENWICH

contents OCTOBER 2024

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MAGGIE SIFF DIVES DEEP

She’s played pivotal roles in smash hits like Billions, Sons of Anarchy and Mad Men. As Maggie Siff was getting ready to be honored by the Greenwich International Film Festival, we sat down with the supremely talented actress to discuss life, love, acting and philanthropy.

72

FRESH ON THE SCENE

There’s a lot happening on the food front, and we’ve got the intel. Join us as we check out the newest spots offering everything from global flavors to gourmet takes on American favorites. Oh, and we can’t forget the oldfashioned candy shop with a modern twist that’s satisfying sweet tooths of all ages.

ON THE COVER: MAGGIE SIFF PHOTOGRAPH BY JOE PUGLIESE

40 G-MOM

Ready to jump on the Mahjong bandwagon? Here’s how to get started; Greenwich Moms Network rounds up some great ideas for fall fun.

GREENWICH MAGAZINE OCTOBER 2024

VOL. 77, NO. 8 GREENWICH MAGAZINE (USPS 961-500/ISSN 1072-2432) is published ten times a year by Moffly Media, Inc 205 Main St, Westport, CT 06880. Periodical postage paid at Westport, CT, and additional mailing offices. POSTMASTER: Send address changes (Form 3579) to GREENWICH MAGAZINE PO BOX 9309, Big Sandy, TX 75755-9607.

BUZZ We talk to researchers and young breast cancer survivors about the journey through a diagnosis; The G reenwich Land Trust plays a key role in protecting our town’s open spaces. Here’s what you may not know. SHOP Nili Lotan has moved into Greenwich, and she’s ready to cater to all your easy-to-wear luxe fashion needs. DO The Mitchell family joins a long and impressive list of residents honored by the Historical Society for their community impact. GO Any visit to Turks & Caicos is pretty spectacular. But stay in one of Grace Bay Resorts’ private luxe villas and you’ve reached the pinnacle of luxury.

49 PEOPLE & PLACES

Greenwich Point Conservancy Beach Ball; Greenwich Symphony Orchestra; Junior League of Greenwich Touch-A-Truck; Greenwich Police Department Scholarship Fund; Children’s Learning Centers of Fairfield County; Glass House; Family & Children’s Agency

85 CALENDAR

95 INDEX OF ADVERTISERS

96 POSTSCRIPT

An Old Greenwich tradition that does anything but get old

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GREENWICH

LIFE TO LIFESTYLE SINCE 1 9 47

vol. 77 | no. 8 | october 2024

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editor’s letter

THE STORIES WE TELL

In this issue we dive into the world of storytelling and social impact, as we celebrate the tenth anniversary of the female-founded Greenwich International Film Festival (GIFF). A decade of championing changemakers and storytellers has brought GIFF to the forefront of cultural conversations, and we’re thrilled to shine a spotlight on a compelling figure in the industry, honoree Maggie Siff.

Maggie’s role as Dr. Wendy Rhoades on Showtime’s hit series Billions captivated audiences with its complexity and nuance. In a world dominated by the high-stakes maneuvers of powerful men, Siff’s Wendy emerged as a force of empathy, intelligence and formidable strength. In the hands of a less skilled actress, Wendy could have easily become a caricature, overshadowed by the male-dominated world she inhabits.

But it’s not just Maggie’s ability to bring complexity to her characters that made her the perfect honoree at this year’s GIFF Billions tribute. The event, held at the Bruce

Museum, was a celebration of the show as well as Maggie’s contributions to the arts and her commitment to social impact. Through her work with organizations like dramaclub.org, which uses theater to reach incarcerated youth, Maggie embodies the spirit of GIFF.

Meeting Maggie in person reveals a softer, more grounded side to her fierce and complex characters. Her ability to balance the intensity of her career with the simple pleasures of family life is a reminder that strength lies in versatility (“Maggie Siff Dives Deep,” page 62).

As we celebrate GIFF’s milestone anniversary, we’re reminded that the stories we tell—and the way we tell them—have the power to shape our world. Over these years, we’ve had the privilege of partnering with GIFF and recognizing individuals who excel in their craft and use their platforms to advocate for the underserved and voiceless.

Here’s to the storytellers who inspire us to see the world differently.

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Strangely, nobody in the other cars batted an eye seeing two mice drive down Washington Boulevard

OCTOBER 2024 / DONNA MOFFLY

OF DRAMA AND DISGUISES

October, of course, is the month of Halloween, a kid’s favorite night of the year. Mine, too.

I’m the lady who flew home from London with an entire Grenadier guard uniform in my lap, except for the bearskin hat. (Busbys aren’t for sale. They’re issued.) We had to outfit Prince Charming for one of our February Grace Notes shows at Greenwich Library.

We hyped them by singing for the commuters at the railroad station at holiday time, with some of us in costume passing the hat for donations. One year it was Barbara Gallagher done up as the Green Genie of Greenwich—with bejeweled turban, pointy slippers and everything green and gold silk in between. Afterward she couldn’t resist bursting in on their pediatrician and announcing: “I am here to grant you three wishes!”

“Well, my first is that I wish you’d pay your bill,” said Dr. Ed Hecklau, ever fast on his feet. “The second is I hope you don’t have any more kids. And the third is, I wish you’d get the hell out of my office!”

Another year Jan Schmied and I were dressed as Jaq and Gus Gus, the mice in Cinderella— with grey faces, whiskered noses and furry body suits topped with blue vests with brass buttons. We were unrecognizable, as a former Princeton Triangler discovered to his embarrassment when, in rushing to catch his train, he sidestepped me and I chased him down the platform until he threw a $50 bill on my cheeseboard.

Then Jan and I decided to surprise her husband Bill, CEO of Singer, in Stamford. Strangely, nobody in the other cars batted an eye seeing two mice drive down Washington Boulevard. But the Singer people sure ran for their cameras when we crashed his staff meeting and plunked ourselves down beside him on the arms of his big executive chair.

First Soprano Libby Flinn Tracey wanted to

bring our Big Bird costume to Hobe Sound for Easter and bought a $150 seat for it when the airline told her they couldn’t box the head.

Then there was the party in Riverside where everyone had to come in costume— provided by somebody else. You had to leave two outfits and two stiff drinks in your living room for another couple, then go climb into whatever was left for you at somebody else’s house. Finally, we assembled at the Kings’ and let the good times roll—so much so that a Greenwich police officer stopped by to tell us to keep a lid on it. (Hit of the evening was past RYC Commodore Bill King dressed as Captain Hook and wife Barbar as his doxy in a tie-on plastic chest with laced bodice and enormous boobs. She was totally embarrassed.)

As a child, I always wanted to be something beautiful—like a gypsy with a multicolored ribbon skirt. But in high school, my date for a Halloween party insisted on supplying our costumes and came up with fighting cock outfits—head-to-toe white flannel bags. I was not a happy camper, especially when his car got stuck in the snow and we had to shovel it out in our rooster rags.

Later, to raise money for the Grace Notes, I’d dress up as Madame Marie, the fortune teller, for birthday parties. I’d hire a babysitter, put on a long flowing skirt, head scarf, dangly gold earrings and nose-and-mouth veil, grab my crystal ball and be on my way. Incognito for the kids, except my little Audrey who, waking from her nap, caught me leaving and said: “Hi, Mom.”

This was the same little girl who, in Sunday School at St. Paul’s, volunteered to pass the plate on All Saint’s Day dressed as—are you ready?—a Sure deodorant can.

So this Halloween please answer the door wearing something silly. Show ’em that grown-ups can have fun, too. G

Abuzz

Young Warriors

Researchers and survivors get candid about the journey through a BREAST CANCER DIAGNOSIS AT THE AGE OF 40 AND YOUNGER

breast cancer diagnosis, as scary and devastating as it is, can now be approached with more hopeful resolve because lives are being saved every day. Thanks to research, medical advances and the forward-thinking advocacy of organizations like the Greenwich-based Breast Cancer Alliance, more and more patients now end their breast cancer journey as survivors.

“The landscape of breast cancer treatment has changed dramatically over the past 20 years, and thanks to improvements in both screening and treatment, more women are alive after a diagnosis,” says Dr. Monica Morrow, chief of breast cancer Surgery at Memorial Sloan Kettering Cancer Center in New York City.

And while that’s cause for celebration, especially as Breast Cancer Awareness Month begins, there’s one small but alarming statistic that is particularly bothersome to experts surveying this otherwise encouraging landscape.

“For reasons we don’t completely understand, we are seeing more young women getting a breast cancer diagnosis,” says Yonni Wattenmaker, executive director of the Breast Cancer Alliance. “We have seen it right here in our community; and while that’s anecdotal, the numbers do seem to be increasing in a small but noteworthy way. Of course, that concerns us.”

Dr. Morrow notes the incidence of breast cancer in women younger than 40 is

still relatively rare compared to their post-menopausal female counterparts in their 50s and beyond. Yet the subset of women being diagnosed who are 40 and younger has increased from less than one percent of all breast cancer cases to a number now approaching 4 percent, with the most noteworthy uptick being found in hormone receptor type breast cancers.

Wattenmaker says the sobering statistic—along with the devastation of confronting a life-threatening illness during a women’s prime reproductive years—is among the reasons the BCA wants to focus attention on younger breast cancer patients.

“We always talk about the importance of screenings, genetic testing, research, vigilance and self-advocacy,” she says. “With younger

women, these things are even more important to emphasize. You hear so many young breast cancer patients and survivors say, “I didn’t know I could get breast cancer or I didn’t know I was at risk or that this could happen to me. Women will even say their doctors said, ‘You’re too young,’ when they had concerns. It’s why being an advocate for yourself is the best strategy you can take.”

As the BCA gets ready for its 28th Club Pink fundraising luncheon and fashion show on Wednesday, October 23, and its monthlong Go for Pink events, we spoke with experts and young survivors about the importance of the research, surgical fellowships and patient support that the nonprofit underwrites with the millions of dollars it raises through these annual efforts.

EARLY DIAGNOSIS

Dr. Kate Pawloski recently completed a breast cancer surgical fellowship supported by the BREAST CANCER ALLIANCE at New York City’s MEMORIAL SLOAN-KETTERING CANCER CENTER, where she now continues as a member of its surgical team. Her Veronica Beard Surgical Fellowship was one of many BCA has endowed as part of its ongoing efforts to increase the numbers of specially trained breast surgeons working across the country. As a young physician treating breast cancer, she gave us her perspective on the unique issues facing younger patients.

tools online. One is the Breast Cancer Consortium’s Risk Model. You can plug in demographics and family history. This should be done with a qualified physician. Depending on the results, she may be eligible for screening at an earlier age or even high-risk screening or genetic testing.

such a personal decision, but we will discuss the risks of their particular type of cancer. And we have an excellent ability to screen for recurrences. So, unless she carries the mutation or the BRACA gene, she shouldn’t automatically assume she needs both breasts removed.

DR. KATE PAWLOSKI

GM: ARE WE REALLY SEEING MORE YOUNG WOMEN BEING DIAGNOSED WITH BREAST CANCER, AND, IF SO, DO WE KNOW WHY IT’S HAPPENING?

DR. KATE PAWLOSKI: The incidence of breast cancer over the past several decades has been going up in general. When it comes to younger patients, it’s a small rate of increase, but one that’s been ticking up steadily over the last decade. The causes are still not delineated fully, but the majority of breast cancers, particularly in these younger women, are hormone positive. That makes us suspect the causes for

the increase are somehow related to hormonal exposures. It’s a function of modern society that women are having children later, and so one question we ask is, “Is this somehow related to the hormonal environment in their bodies?” And then there is the question of other environmental factors. Nothing is proven yet, and there are still a lot of unknowns.

GM: THERE SEEMS TO BE A REAL DILEMMA FOR YOUNGER WOMEN IN THAT SCREENING GUIDELINES RECOMMEND ANYONE WITH AVERAGE RISK NOT BEGIN YEARLY MAMMOGRAMS UNTIL AGE 45. WHAT’S YOUR ADVICE FOR SOMEONE YOUNGER WHO WANTS—OR NEEDS—TO BE EVALUATED?

KP: In a younger woman— especially one with a lump or any other concerns—they should ask for a diagnostic study. For younger patients, the first course of action would be an ultrasound. If they are asymptomatic or just worried because they have a family history, they should work with their primary care provider or another physician to do a risk assessment. There are actually some very good

SO, THE MESSAGE HERE IS THAT YOUNGER WOMEN NEED TO BE VIGILANT AND ADVOCATE FOR THEMSELVES?

GM: WHAT QUESTIONS ABOUT BREAST CANCER WOULD YOU LIKE TO SEE ANSWERED THROUGH FUTURE RESEARCH?

ask

Absolutely. You are always going to be your own best advocate. The reality is that breast cancer is most common in post-menopausal in their 50s and 60s, but it can happen much younger. So, while it’s rare, if you find a lump or something suspicious, I always tell people, ‘Don’t panic. The odds are it’s nothing, but ask for an ultrasound. You have to prove it to yourself that it’s nothing.’

& Q Q buzz A

LET’S TALK ABOUT WHAT HAPPENS WHEN A YOUNG WOMAN RECEIVES A BREAST CANCER DIAGNOSIS. WHAT KIND OF FEARS AND CONCERNS DO YOU SEE IN THIS DEMOGRAPHIC THAT MAY BE DIFFERENT FROM OLDER WOMEN WHO GET THE SAME NEWS?

KP: There are lots of different immediate fears for both groups of women, but in younger patients the most worrisome thing seems to be how it will impact fertility. When a woman at a young age is diagnosed, there is a strong likelihood that chemotherapy or hormonal therapy will be part of the treatment which could decrease fertility. And if they want to pursue a pregnancy, the reality is that it may be recommended that they delay it a bit.

For that reason, consultations with fertility specialists are a part of the process. The good news is that fertility preservation is almost universally covered by health insurance. As doctors, we want to preserve our patients’ abilities to live their lives as normally as possible, and having a family is part of the that. So, fertility care is almost always bundled with breast cancer care when treating a younger woman.

The other fear I hear from younger patients is that there is always a concern it will come back. They will ask: ‘Will I have to deal with this again? Should I remove both breasts?’ And that is always

KP: I’m interested in risk factors and understanding more about personalized risk beyond what we already know. I would love to know more about how we can reduce risk—whether it’s through lifestyle factors or medications. There are some medications that can reduce the risk, but they also have side effects. One is tamoxifen. We know that it can reduce the risk by half, but historically there have been side effects that have prevented a lot of women from taking it. But there is now some evidence that even when taken in baby doses tamoxifen can still very much have an impact, and that’s interesting. I would also love to know more about the interplay between these medications, breast density and risk reduction. The idea that we might be able to make inroads in prevention is exciting, and I would love to see more novel approaches to risk reduction.

GM: WHAT IMPACT DID YOUR FELLOWSHIP EXPERIENCE HAVE ON YOU AS A BREAST SURGEON?

KP: I’m extra grateful for the support of the BCA and the opportunity to have this fellowship, where I’ve learned not only how to treat breast cancer surgically, but also that breast cancer treatment is really a team sport that requires the in-depth knowledge of medical oncology, radiation oncology, psychiatry and even, as we discussed, fertility specialists. I have gained this incredible knowledge about how these teams come together to treat women in a holistic way. I think it’s so important to give women the best outcomes possible, and to do that, we have to go beyond what we’re doing over the course of one surgery. It’s made me an expert in a much broader sense, and I’m excited to bring that to knowledge to my patients here at MSK.

CLEA SHEARER

CWHEN THE HOME EDIT’S CLEA SHEARER WAS DIAGNOSED AT THE AGE OF 40, SHE TOOK ON HER MOST IMPORTANT

PROJECT EVER—SURVIVING

lea Shearer is part of the two-person team of Nashville-based home organizers/interior designers who use their abundant talents to declutter and reimagine living spaces on the Netflix Emmy-nominated series The Home Edit. Along with her business partner, Joanna Teplin, Shearer has organized and displayed Reese Witherspoon’s TV and film career memorabilia, cleaned up Khloe Kardashian’s cluttered garage and reimagined the Brooklyn basement playroom of actor Neil Patrick Harris’ twins.

Shearer’s talents for getting things done proved helpful when she was diagnosed with breast cancer in 2022 at age 40. Her treatment included a double mastectomy, chemotherapy and radiation.

We checked in with the married mother of two in anticipation of her October 23 keynote speech at Club Pink, the BCA’s luncheon and fashion show, for insights into her recovery and hopeful perspective.

GM: The Breast Cancer Alliance is devoted to supporting research, fellowships, community education and programs that directly support women going through treatment. What will your message be to the Club Pink audience?

was about to be diagnosed with breast cancer.

CLEA SHEARER: Research is the key to new and innovative treatments, therapies and hopefully, someday, even a cure. So, everything we can do to fund those efforts is potentially lifesaving. But something we can do every single day is continue to educate ourselves and others on the importance of self-exams, self-advocacy and self-care. These things are particularly important for those of us undergoing cancer treatment. Whether active or adjunct, we need to remain vigilant about our health.

GM: There has been a small but concerning increase in the number of women, like you, who were young when they received their breast cancer diagnosis. How did you discover your cancer?

CS: I was 39 the first time I felt something abnormal in my right breast, but I didn’t look into it and just figured breasts have irregularities. It wasn’t until right after my 40th birthday that I felt that area with a different lens, since I knew I was due for my first mammogram. It was a moment of crystal clarity where I asked myself, ‘Why wouldn’t this be a tumor? What else would it be?’ And I knew, I absolutely knew, in my gut that I

GM: So, you weren’t surprised?

CS: I was shocked but not surprised. Like I said, I had a gut feeling that this was breast cancer from the moment I allowed the thought to enter my head. I still couldn’t quite believe the diagnosis and having to say the words out loud, ‘I have breast cancer, I am a cancer patient.’ That is a hard thing to mentally prepare for.

GM: What were your biggest concerns?

CS: I never for a second questioned whether I would live. I knew I would beat this. My first thoughts went to my quality of life. Would I be bedridden and sick the entire time? Would I have normal moments with my family where it didn’t revolve around me having cancer? Would I be able to work? Those were the thoughts occupying my mind.

GM: How did you cope? Did any of your superior organization skills help during your treatment and recovery?

CS: I coped by having goals and milestones. There’s nothing an organizer loves more than a checklist. Sometimes my goal would be to take a walk, and sometimes my goal would be to speak about the needs of mammograms—even if you’re under 40. No goal was too big or small.

KILEY DURHAMCASTRICONE

Resilient Voices

We asked local women diagnosed with breast cancer at an early age, to SHARE SOME OF THEIR EXPERIENCES AND ADVICE FOR OTHER PATIENTS. All active supporters of the BCA’s efforts, they offer poignant insights

GM: What was your greatest fear after diagnosis, and how did you cope?

life. Having to make life-altering decisions so quickly was very difficult and terrifying. Most of my biggest fears after diagnosis were fear of recurrence, fear of not being able to have children, and of course, the fear of dying.

SURVIVOR: DANA

SHOCKER

Westchester County, N.Y. diagnosed at age 30

Being diagnosed at 30 years old changed the course of my entire

I am 33 now, and I still wake up every day terrified that it may come back. But I’ve definitely worked hard and continue to work hard to change my thought patterns and remind myself that we can only live for the now. The fears will always be there, but they are only fears. They may never happen! Cancer taught

AMANDA STERN
DANA SHOCKER

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me to live life every day like it could be my last. It taught me that we only have the now. So, that has helped me. Right now, I’m OK, and I’m alive and healthy, and that is definitely something worth smiling about. Life is too short. Go live it!

SURVIVOR: KILEY DURHAM–CASTRICONE

Old Greenwich diagnosed at 36

When I was originally diagnosed with breast cancer in 2017, I was 36 years old, and I had a five-anda-half-year-old son and a threemonth-old daughter. My initial fears mostly revolved around how I was going to keep my young family moving forward and how my illness would affect our routine and emotional health when treatment forced me to be less involved. I quickly learned to let go. Undergoing chemotherapy and recovering from a bilateral mastectomy with small children was not a time to expect perfection. It was a time to ask for help! I eventually realized that it was okay to let go of our family’s typical routine for a while and trust our friends and family to keep things moving forward.

In 2019 when my breast cancer metastasized to my spine and my prognosis became terminal, my biggest fear was not seeing my children grow into adults. I really didn’t cry much after my original diagnosis; I was laser-focused on powering through chemo, surgery and radiation so that I could get back to ‘normal life.’ But when I was confronted with the possibility that I might not live to see my children graduate or get married or have their own children, I lost it. I cried until I had no tears. I was completely devastated.

But then one morning I woke up, and the first thought that popped into my head was this: I was still alive and there was nothing stopping me from fighting for my life. Not one thing was stopping me from fighting for all of those future moments and more, so from that day forward I changed my mindset. With the help of my husband, friends, family and care team I refused to give up. I am currently cancer-free with a

thirteen-year-old and a seven-anda-half-year-old, and last year I was given the green light to go off treatment.

I adopted the most positive attitude I could possibly manage during my cancer journey, and I spent time every day in prayer and meditation to stay grounded and optimistic. I kept a very clean diet, cutting out all sugar, processed foods and alcohol, and I exercised for at least 20 minutes a day. Making an effort to take care of myself not only helped me manage the side effects of the numerous drugs I was taking, but it also felt like a small way to have a little bit of control over the chaos that my life had become.

Lastly, I made time to paint each day. Even if I only had 15 minutes (and I held my baby daughter while I did it). I made an effort to give myself a creative outlet daily. Art has always been a big part of my life, so having a moment to create was incredibly therapeutic. Plus, it was something fun to look forward to each day during an otherwise tough time.”

GM: What did you wish you had known about breast cancer before your diagnosis?

SURVIVOR: AMANDA STERN

Old Greenwich diagnosed at 29

I had not known that I was at elevated risk of breast cancer because I had an early period a age ten. The younger a girl is when she has her first period, the higher her breast cancer risk. No doctor had ever explained this to me despite knowing my medical history. I also incorrectly assumed that because I had no family history of cancer that my risk for breast cancer was low. However, I had no idea that 90 percent of breast cancers are not genetic. I am thankful that I did know how to give myself a breast exam, which in the end, saved my life.”

GM: What advice would you give to other young women facing this diagnosis and treatment?

AMANDA STERN: I tell everyone that they must bring someone to each appointment who can take notes, because your head will be spinning. I also tell women to get multiple opinions—if they can stomach it—as treatment regimens and approaches can vary widely. I had three different chemo regimens recommended to me at three different New York City hospitals. That said, this is entirely personality-dependent. I thrive with more information, but some people get very overwhelmed with choice. In the end, there is no wrong way.

The most important part of my ability to navigate my diagnosis was having a strong support system. While my family and husband were rocks, it was the women who had been through breast cancer before who provided the best advice and most comfort.

My best advice to those recently diagnosed is to find someone who has the same exact subtype/ diagnosis as you to ask questions/ get advice. Often, depending on your subtype of breast cancer, treatment regimens and challenges can be vastly different. You’ll glean the most important insights from those that have the same subtype as you. It was also important to me mentally to find someone who has gone through my subtype and survived and thrived after to serve as my hope and light at the end of the tunnel.

KILEY DURHAM-CASTRICONE:

You are stronger than you think, so don’t give up. It’s cliché, but it’s true. It’s OK if it’s not pretty or if you need lots of help to get through the day. You will get there. Find inspiration and strength in your loved ones. My children have been my inspiration and reason to keep going every single day since that first phone call confirming that I had breast cancer. I not only want to live to see my son and daughter grow up, but I also want to be an example of perseverance for them. I hope that when they grow up, they know how hard I have fought to be here with them and it inspires them to stay positive and fight for what they want as well.

GOING PINK

Club Pink

BCA’S 28TH ANNUAL LUNCHEON AND FASHION SHOW

DATE: Wednesday, October 23

TIME: 11 a.m.

LOCATION: Westchester Country Club

a keynote speech by

Luncheon is held in collaboration with fashion partners

Auction For tickets and more information visit breastcanceralliance.org/events

Since 2014, the BCA has partnered with restaurants, retailers and brands in the Greenwich area and across the United States to support its lifesaving work with its annual Go for Pink campaign. One hundred percent of Go for Pink’s proceeds are devoted to funding innovative and impactful breast cancer research. Last year, more than $1.6 million in grants came from this effort. To support the initiative and find participating businesses and brands visit breastcanceralliance.org/goforpink.

Saving Space

Our town may look a whole lot different if it weren’t for the GREENWICH LAND TRUST. Here’s why by

Greenwich’s proximity to New York City, its great schools and excellent services, have always made it a perfect target for developers, a fact that town resident Mallory Molenkamp understands all too well. It is also the driving reason why she volunteers at the Greenwich Land Trust—to help preserve open spaces so her family and future generations can experience Greenwich as it’s meant to be.

“Having grown up in Greenwich, it is so important to me that we protect the nature of this community,” she says. “The natural fields and woodlands are part of what makes Greenwich so special and beautiful, and it is the Greenwich Land Trust that protects, conserves and cares for these open spaces.”

Will Keis, GLT’s executive director, also considers his job a chance to give back to the community he has called home since birth. Currently, GLT protects 1,012 acres of land on 82 preserves, a mix of woodlands, marshlands, orchards and meadows found from the tidal marshes of Long Island Sound to backcountry open spaces. Less than half of the Land Trust’s acreage is open to the public; the remaining land is closed for various reasons, including unsafe access, busy roads, no parking, wetlands or donations that are made with a stipulation that they remain closed to the public. Each area, whether open to the public or not, has its own

management plan overseen by GLT.

The Land Trust was founded in 1976, spun off from the Greenwich Audubon Society, which identified the need to conserve local properties and dedicate lands for conservation as development became omnipresent. The mission given to the Land Trust was to conserve and steward open spaces throughout the community, a mission followed with the added charge of connecting the community with the natural world and inspiring the next generation of conservationists.

Keis cites the Youth Corps, started in 2014 in

above: Babcock Preserve

partnership with the Greenwich Department of Human Services, as a spark of inspiration for town teens. It provides 14 teens with summer internships focused on work, learning and service. “It’s often their first paid job, and it provides us with extra sets of hands,” Keis says.

Another noteworthy program is Seed-toSeed, which restores native plants to the local landscape through plant propagation, education and habitat restoration. The Land Trust holds an annual plant sale, enabling local residents to populate their properties with native plants.

“Our properties are under assault by invasives,” Keis says. He explains that native plants are of ecological importance to our environment, the foundations that support wildlife species—birds, insects, mammals— while also providing food and shelter for animals, nectar for pollinators and nutrients for plant growth.

Currently, all eyes are focused on the upcoming Go Wild event, an annual fundraiser that showcases all aspects of the Land Trust.

“It’s a lively, fun event supported by a passionate group of people, all critical for making the Greenwich Land Trust thrive,” says Keis.

National Status

EXECUTIVE DIRECTOR WILL KEIS IS EXCEPTIONALLY PROUD THAT THE ORGANIZATION HE HEADS IS AN ACCREDITED LAND TRUST

The Land Trust Accreditation Commission is an independent program of the Land Trust Alliance, which conducts a review of applicant’s policies and programs. Keis says it is an important credential because it shows prospective donors and members that GLT is committed to best practices of land conservation and stewardship.

“WE ARE A STRONG, SUSTAINABLE AND VIABLE ORGANIZATION, financially sound, with great governance,” he

adds.

“We have a lot to be proud of.”

New Kid on the Block

LCONVERSE BROOK PRESERVE, OPENED IN 2022, GIVES US ANOTHER PLACE TO ENJOY A GREAT HIKE

arge undeveloped properties are becoming very rare in Greenwich, which made the acquisition of 72 acres, now known as the Converse Brook Preserve, a reason to celebrate for the Greenwich Land Trust.

It is GLT’s largest preserve that people can visit on their own or take part in educational programming through guided walks and hikes, nature studies and family events.

“The area is now open to the public,” says Keis. “WE BUILT TRAILS, BRIDGES AND A PARKING FACILITY, MAKING IT SAFE AND ACCESSIBLE to the community.”
below: Converse Brook Preserve

GRASS ROOTS

GO WILD! IS ABOUT TO CELEBRATE 25 YEARS. HERE’S HOW IT BEGAN

Leslie Lee has been volunteering at the Greenwich Land Trust for more than two decades, including serving as cochair of the first Go Wild! event 25 years ago, president of the Board of Directors and now Honorary Director. She says that the first Go Wild! was the idea of Mariette Badger, who experienced a family field day on Nantucket and thought it would be the perfect way to raise funds for the GLT.

“A black tie didn’t seem in keeping with the personality of the Land Trust, and we all agreed the Nantucket event was more appealing,” Leslie says. “We also understood that the organization needed better awareness in Greenwich and connection to younger families. I raised my hand to put this together, met with Jane [Dunn], we talked, and I convinced her to be cochair!”

Their first charge was to figure out a location.

“It occurred to us that Peter Brant had given the Land Trust an easement over the Polo Grounds, and that this is exactly the location

More than a thousand people turn out for the ultimate fall day of food, family and fun

we needed,” she says.

They named the event Go Wild for Open Space. A friend who owned horses lent hay bales to create a maze for kids to climb over and around. In addition, there were pumpkins to paint, a falconer, face painting, petting zoo, pony rides and frisbee tossing.

The star of the event was hotair balloon rides, which continued until 2018. Although scheduled in 2019, the winds kept the balloons grounded, which had happened in the past, causing the replacement of the balloons with a Ferris wheel, an attraction that appeals to all ages.

The food at the first event— snacks and sweets—were all donated by local restaurants, as was the wine for the adults.

The committee originally thought the event would attract 400 people, but as the numbers kept growing, they were astonished when attendance reached 2,000.

“It was a financial success and that made us very happy,” Leslie says. “It gave the Land Trust the

financial boost it needed.”

It also gave the organization visibility.

“We discovered a situation years ago that many large estates, with extremely valuable land, were being passed to second, third and fourth generations who no longer lived in town and were selling land to developers for the money,” she explains. “People were also beginning to understand the need for open space preservation.

“The Greenwich Land Trust can preserve open space, and they can do it following the wishes of the donors. It is such an important part of our town.

“I saw a Realtor’s ad a few years ago that read, ‘Next to protected open space.’ I knew then that people finally understood that open space is so important to the quality of life in town,” she adds.

“It is why I am still involved with the Land Trust.”

.
The first Go Wild! cochairs, Leslie Lee and Jane Dunn

GAME DAY

JWHAT TO EXPECT AT THE DAY OF FAMILY FUN

ust the name—Go Wild!—is reason enough to check out this annual event. And what an event it is, with its giant corn maze, pony rides, Ferris wheel, rock-climbing wall, petting zoo, flag football, soccer, gaga (a form of dodgeball) courts, touch-a-truck and live music. New this year, Make-Modern, a craft store in town, is donating its expertise with a craft booth to let participants’ creative juices flow.

Event chairs Mallory Molenkamp and Jane Scaramella say they are honored to be heading such an important event and explain that what sets this event apart from others is that it is the ultimate family affair.

“There’s always a wide range of ages represented at Go Wild!” Jane says. Mallory adds: “We encourage everyone to bring their family, friends, grandparents. It’s a day to celebrate being outdoors and to learn about the Greenwich Land Trust and the important work they do.”

Event proceeds support the organization’s mission to conserve open space, connect the community with the natural world and inspire the next generation of conservationists. For more information or to purchase tickets, visit gltrust.org.

The Deets

LOCATION

Greenwich Polo Grounds

DATE

Sunday, October 20, 2–5:30 p.m.

“We

ONE AND DONE

Once you pay your admission ($35 ages 13-18; $80 adults), you never have to open your wallet again.

VIP

TICKETS

Enjoy a Friday night movie under the stars at the Polo grounds, a pizza truck, treats, beverages and a gift bag, as well as early access at 1 p.m. to the big event on Sunday.

FOOD TRUCKS

Super Duper Weenie

CT Ice Cream Truck

Garden Catering

Taco Loco

New Haven Pizza

ADULTS ONLY

Wine and Beer

encourage everyone to BRING THEIR FAMILY, FRIENDS, GRANDPARENTS. IT’S A DAY TO CELEBRATE BEING OUTDOORS and to learn about the Greenwich Land Trust and the important work they do.”— Mallory Molenkamp

shop

STYLE WATCH

EASY-TO-WEAR LUXE FASHION HAS A NEW HOME ON THE AVENUE

When fashion designer Nili Lotan was looking for the next location for her carefully curated collection of retail stores, putting her sixth namesake boutique on Greenwich Avenue made sense.

“In retail, what works for me is to create an atmosphere where I’m connecting with my clients in a more intimate way,” Lotan says.

“Greenwich is a place where I know I have a network of women who already shop the brand.”

The acclaimed ready-to-wear designer, known for her ageless, elevated, cool-meets-luxe apparel, went out on her own 2003 after leading design for brands including Ralph Lauren, Nautica and Liz Claiborne.

Three years later, Lotan slowly

began adding retail outposts, with a strategic eye on locations where her brand had strong online sales, an established following and a vibrant retail scene. In this case, Greenwich checked every box.

“I don’t want to be on every corner,” Lotan explains of her stores in New York City, East Hampton, Palm Beach and Los Angeles. “I didn’t need big stores in SoHo or on

left: Inside the new fashion hot spot right: Nili Lotan below: Romain Boyfriend Jacket, $1,495; Hollyn Sweater, $550; Beale Jean, $425
fitzpatrick
“i

come from israel, which has its own very specific taste and style. but then there’s an implied americana in everything i do. also love to add a little European flair. put it all together and i think it’s quite unique.”

above: Melanie Cropped Jacket, $1,650; Nais Denim Shirt, $495; Shon Pant, $450 below: Toussaint Trench Coat, $1,495;Haisley Sweater, $495; Corette Pant, $720

THE SEASON’S MUST- HAVES

Lotan’s line is known for its strong outerwear. This season, she recommends investing in a shearling coat or jackets in tweed or herringbone evocative of the English countryside. “That’s where I took my fall collection,” she says. “And these are things that can refresh your wardrobe, but you’ll have forever.”

Rodeo Drive. My whole philosophy is about community; and the way I see it, in Greenwich I’m coming to where my clients are living. And who has time to shop? So, I’m coming a little closer to them.”

The Greenwich Nili Lotan boutique, which opened in May, is outfitted with racks of Lotan’s refined womenswear and accessories displayed in an interior that makes its own stylish statement.

The Israeli-born designer is a fan of midcentury architecture and keeps a Croton-on-Hudson home designed by acclaimed architect Marcel Breuer. Lotan says designing her stores has become a hobby that calls on her many influences, including architecture.

“Breuer always designed with chrome and stainless steel,” she says. “So, I did my hangers that way. And then I added in some Scandinavian and French mid-century furniture, which is kind of what my own style is like.”

While decidedly classic, Lotan’s American-made fashions reflect that same edgy and multicultural perspective. “I come from Israel, which has its own very specific taste and style,” she explains. “But then there’s an

below: Alastair Denim Jacket, $595; Priya Sweater, $775;Miera Shirt, $495; Celia Jean, $395

top: Romain Boyfriend Jacket, $1,095 Carina Top, $650; Anatole Pant, $555 middle: Pascal Db Short Coat, $1,550; Gaia Slim Shirt, $550;Mitchell Jean, $450 below: Kedem Suede Parka, $2,995; Haisley Sweater, $495, Welder Jean $495

NILI’S CLOSET ESSENTIALS

When building her customer’s wardrobes, Lotan encourages them to start with high-quality basics. “When you are buying apparel really consider your lifestyle,” she advises. “While I believe in quality, I’m not about haute couture. Most of us are not living that kind of life.”

Her Staples

• A white cotton blouse

• A cashmere sweater or sweatshirt

• Great jeans

• Trench coat

• Car coat

• Blazer

implied Americana in everything I do. I also love to add a little European flair. Put it all together and I think it’s quite unique.”

If you stop by the Greenwich boutique, you may even run into the designer. “I’m so close by, and I love the town and interacting with my customers,” she says. “So, I will definitely be there from time to time.”

371 Greenwich Avenue; nililotan.com G

go

Privacy Mode

Planning an escape to TURKS AND CAICOS? Book a villa, and opt for your own island address, complete with a butler and a boat concierge.

It’s the ultimate in quiet luxury: All the on-call amenities of a hotel, without ever having to hear another guest (or compete for a prime spot at the pool). And really, when your (temporary) piece of paradise sits on one of the best beaches in the world, the soothing sounds of the Caribbean are the only soundtrack you need. But villa vacationing in Turks and Caicos is more than just having a front-row view to turquoise perfection.

Here, the pool is exclusively yours, meals happen whenever you’re hungry, and formalities like dress codes simply don’t exist. Behind the scenes, a crew of expert staffers works to craft a custom stay, restocking your fridge favorites and organizing daily excursions. Who better

to tailor those personalized experiences than the team at Grace Bay Resorts, the islandfavorite brand synonymous with five-star service? With an expanding roster of real estate in Providenciales, they have a variety of properties to choose from, whether you’re bringing the whole family or simply looking to have the entire place to yourself.

Of the eleven options in the Private Villa Collection, each has a distinct design personality. Kisiwa House takes its cues from traditional colonial architecture, with its rich hardwoods and Kenyan furniture and décor, while Villa Portofino delivers designer coastal spaces dreamed up by Thom Filicia. Clean and bright modern residences are appointed with Roche Bobois

left: Opt for a lap pool as a secondary swimming spot at one of The Ocean Estate villas. below, top: You can be out of office but work in style in one of the Private Villa Collection spaces. below, bottom: By day, the jetty at Rock House is set up for beach club lounging. At night, it can be utilized for a unique private dining experience.

pieces that complement the ocean blues, on display through walls of expansive windows. There is plenty of room to spread out—from 5,500 all the way up to 20,000 square feet— ensuring family and friends can coexist comfortably. Kids will love claiming their beds (bunks abound) and scoping out the media and game rooms.

All villas take advantage of indoor/outdoor living, with daily pool and beach setup available upon request. Arrange a morning yoga session on your deck, and end your evening with a meal prepared by a pro in your chef’s kitchen, courtesy of the crew at the nearby flagship Grace Bay Club. Celebrating a milestone birthday? Your reservation also includes a photo session to commemorate your stay, ensuring your

island escape becomes an unforgettable experience.

Head to the North Shore for a change of scenery at Rock House, where your new vantage point comes atop limestone cliffs that cascade down to the sparkling sea and the vibe captures the magic of the Mediterranean. Opened in May 2022, the secluded spot presents a more intimate approach to resort living. Among ancient trees and the native landscape, guests congregate around the largest infinity pool on the island or set up for a day on the sunbeds that line the 100-foot jetty.

There are no bad views here, but the villas take the elevated vistas to even greater heights. The largest includes five bedrooms over two floors, with a natural palette that

top: The iconic 100-foot infinity pool, the largest on the island, at Rock House middle: Indigenous foliage frames the poolside studios at Rock House bottom: Private Villa Collection living spaces expertly designed and open to unrivaled views
right: A view from above at South Bank's Lagoon Villa neighborhood below: The shoreline from the Banks Villa, which can be furnished with B&B Italia pieces

above: When you get tired of the sun, enjoy some indoor pool time. left: Rest in peace; Seascape sits behind a gated entrance. below: Reserve Villas at Rock House ensure each guest enjoys ocean views.

plays off the excavated white limestone surfaces. If you feel like venturing out to socialize, grab a table at Vita Restaurant for an alfresco Italian meal, or take a boat taxi over to Grace Bay Club, a perk that’s currently in the works.

For their latest partnership, reservations are currently being made at South Bank, a development that debuts in November. The community sits on Long Bay—a quieter part of the island—and was created for potential residents looking to level up their waterfront lifestyle. Boathouses (two to three bedrooms) boast “door to shore” private docks with access to the full-service marina (megayacht sold separately). There are also villas surrounding a manmade five-acre lagoon,

reminiscent of a Malibu beachfront neighborhood with their sun-bleached wood and glass structures, each with secluded gardens and decks for all-day lounging. But waking up in one of The Ocean Estate’s villas is most likely the strongest selling point here (and most are privately owned but made available for renting guests). Contemporary architecture captures views wherever possible, in homes that can sleep up to 12 lucky guests. There are plunge pools, Italian-designed gourmet kitchens and plenty of seats to take in Caicos Bank.

Aside from your departing flight (a short four-hour trip from NYC), the most difficult part will be deciding which oceanfront jewel to claim as your own. gracebayresorts.com G

PICK YOUR PARADISE

Choose your own (island) adventure.

PRIVATE PLAYGROUND

Seaclusion sits on Grace Bay Beach and can be combined with neighboring Seascape to create a 13 bedroom, 14-and-a-half bathroom estate.

GO NATIVE

Rock House—referred to as “the Caribbean Capri”—pays homage to the rugged landscape on its 14-acre oceanfront site.

INSIDE, OUT

The focal point at South Bank's Shoal Villa is a sheltered courtyard accessible and visible from all areas of the house.

Make Your Next Move

$5,095,000

$3,950,000

do

All in the Family

The Historical Society HONORS GENERATIONS OF PHILANTHROPY

Luxury fashion retailer Scott Mitchell is feeling honored and humbled. Honored because he and his family are this year’s recipients of the Greenwich Historical Society’s History in the Making Award. Humbled because of the high esteem he holds for the nine award winners that have come before: Allan Houston, Barbara and Ray Dalio, Indra Nooyi, Derek Boothby, Thomas Foley, Curt Welling, Marie and Charlene Von Saher and Lewis Lehrman.

“It is so meaningful to our

family that the Greenwich Historical Society is recognizing us for our commitment and contributions to Greenwich, the community where we own a business, send our kids to school, and live,” says Scott, who runs

Richards of Greenwich. “When I looked at the list of past winners I thought, we are certainly in marvelous company.”

Debra Mecky, executive director and CEO of the Historical Society, explains this

ALTHOUGH THE FAMILY IS KNOWN FOR IT'S RETAIL BUSINESS, SCOTT EXPLAINS THAT PHILANTHROPY HAS ALWAYS BEEN A KEY CONCEPT THAT THE MITCHELLS EMBRACED FROM AN EARLY AGE.

award was established in 2003 to recognize community leaders who are the history makers of our time. This is the Society’s way to acknowledge the place these remarkable people hold in a long history of Greenwich philanthropists who have made a positive impact on our world.

“Since arriving on the Greenwich Avenue retail scene in 1995, the Mitchells have had a profound impact on our town,” Mecky says, explaining the decision to honor the family. “Their dedication to this

The Mitchell family: Chris, Bob, Bill, Scott, Linda, Lyle, Jack, Tyler, Dana, Russ and Andrew

DISCOVER THE MAGIC OF WINDHAM MOUNTAIN CLUB

Nestled in the heart of the Catskills and just a short drive from New York City, Windham Mountain Club (WMC) is a sanctuary for year-round adventurers of all ages that bring families closer in every season. Standing as the preeminent destination for thoughtfully elevated and intentionally uncrowded mountain living, this premiere, publicprivate mountain community seamlessly blends world-class skiing with exclusive luxury amenities, offering an unparalleled experience for winter weekend guests and private club members.

“Our goal is to provide the best overall skiing and riding experience in the Northeast,” says President Chip Seamans. “With uncrowded slopes for the public and our members, our ski racing and development programs, and extraordinary culinary offerings, we aim to create a remarkable end-to-end experience at Windham Mountain Club.”

HONORING TRADITIONS, BUILDING LEGACY

Windham Mountain Club stands on a foundation rich in history, originating in the early 1960s with the establishment of Cave Mountain Ski Area. In 2024, the experienced luxury hospitality families of Sandy Beall and Kemmons Wilson (KWC Management) came on board as new majority owners. With over 100 years of combined industry experience, this experienced team placed emphasis on reshaping the resort into a four-season luxury destination and provided a historic investment of $70 million. Sandy Beall is Founder of Land Hospitality, a company that brings premier four-season private communities to life for unparalleled experiences, and best known as Chairman and Co-Founder of Blackberry Farm, a Relais and Chateux and Wine Spectator Grand Award property, and Blackberry Mountain, listed for Vogue’s 2024 Top 10 Best Spa Resorts in the United States.

“Our focus is creating memorable experiences, from a day on the mountain to an afternoon on the water or fairway, to summer mornings spent in holistic fitness and total rejuvenation. Windham Mountain Club will offer truly special experiences that guests will look forward to year after year,”

CELEBRATING LUXURY AND LIFE

Windham Mountain Club is a haven for those who appreciate luxury in every detail and value quality family time. Savvy skiers, diners, and outdoor enthusiasts will take note of improved, automated snowmaking and grooming, six different restaurants to choose from across the mountain (with more concepts on the way), and next up in the development pipeline, year-round luxury residences just steps away from the slopes. At the heart of Windham Mountain Club is a close-knit community that values connection, camaraderie, and shared experiences. Premiere events, social gatherings, annual mountain traditions, and members-only experiences foster a sense of belonging, making WMC not just a destination, but a second home. Whether you’re sharing stories over dinner or participating in a group hike, the spirit of community is ever-present. Children at Windham Mountain Club can embark on their own journeys of discovery, from exhilarating downhill skiing adventures to exploring forested trails and marveling at starlit skies. It’s

clear that here, young adventurers will create deep connections with nature and forge lasting friendships.

The recent developmental changes have catapulted Windham Mountain Club towards becoming a destination that is worth more than just a visit. Members and guests can embark on extraordinary journeys filled with unexpected delights–whether it’s a personalized wine or token of appreciation, every moment is curated to surprise and enchant. What will be obvious to anyone visiting Windham Mountain Club for the first time is that membership provides more than just access, it’s an investment in a lifestyle rich with memorable experiences. The transformation from charming local favorite to an elevated, world-class destination is well underway, and those in the know are eager to be a part of Windham’s storied evolution.

WINTER HERE The ultimate skiing experience without lift lines or crowds–1,600 vertical feet serviced by a fleet of high-speed chairlifts, advanced automated snowmaking, and worldclass Ski and Ride School.
LEARN MORE

community and the philanthropic causes they support have set a high bar for compassion and excellence.” The History in the Making Award will be presented at a fundraising dinner Thursday, October 24, at Belle Haven Country Club.

This family retail business began in 1958 when Ed Mitchell, tired of his daily commute from Westport to New York, told his wife, Norma, that they were opening a men’s clothing store. Ed Mitchell was born in an 800-square-foot former plumbing supply store in Westport, and according to Scott, his grandmother worked just as hard in the store as his grandfather.

“My dad [Bill Mitchell], did not grow up with any means,” Scott says. “My grandmother and grandfather could not afford their home in Westport, so every summer they moved out, stayed with family on Long Island, and rented it out.”

The second generation of Mitchells joined the store in the 1960s, the store moved in 1979 to the Post Road, and expanded in 1993 to 33,000 square feet of retail space, changing its name to simply Mitchells. Two years later they acquired Richards of Greenwich from Eddie Schachter

"WE ARE ALL INVOLVED IN SO MANY WAYS. SOUP KITCHENS. CAMP SCHOLARSHIPS. WE ARE ON THE BOARDS OF LOCAL NONPROFITS. SO ARE OUR KIDS AND SPOUSES. IT’S OUR WAY TO SAY THANK YOU.”
—scott mitchell

and his daughter, Susan Schacter, then an 8,000-square-foot luxury men’s retailer. It moved in 2000 to its present 27,000-squarefoot award-winning space that includes women’s fashion, jewelry and accessories.

There are now four generations involved in running the eight stores dotted throughout the United States that comprise Mitchell Stores. Although the family is known for its retail business, Scott explains that philanthropy has always been key and a concept that the Mitchells embrace from an early age.

“I was taught, just like everyone else in my family, that we have to spend money, time and effort to give back to the community that has been so good to us,” Scott says. “We like our communities to be strong, able to survive, and it is why we are taught from an early age to give back locally. We are all

involved in so many ways. Soup kitchens. Camp scholarships. We are on the boards of local nonprofits. So are our kids and spouses. It’s our way to say thank you.”

And thank you they do, in so many ways. On October 24, the same night of the History in the Making dinner, Pink Aid’s Pink After Dark event, a fashion show that brings light into the lives of families battling breast cancer and poverty, takes place at Mitchells of Westport.

“We are splitting up that night. There will be a big table of Mitchells at the History in the Making dinner, and there will be Mitchells in Westport,” Scott says. “It means so much to us that on one night we will be honored for being community-minded in Greenwich, while running a charity event in Westport for a much-needed organization. We are so blessed.” greenwichhistory.org

FAMILY PHILANTHROPY: HOW IT BEGAN

When Scott Mitchell’s dad, Bill, was young, he remembers that kids going back to college each fall would go door-todoor asking for a handout. One day Bill’s dad, Ed, answered the door and gave some cash to one such man. Bill asked: “Pop, what are you doing?”

Ed Mitchell’s reply, which has become the family’s mantra and commitment to philanthropy: “If you don’t give when you can’t, you’ll never give when you can.”

“Everyone in my family—my brothers, cousins, spouses, our children—have a bone-deep philosophy to give back to our communities,” says Scott.

Scott Mitchell with History in the Making committee chairs Mallory Molenkamp and Connie Anne Harris

g–mom

GAME ON!

CRACK! DOT! BAM! IF YOU'RE CURIOUS ABOUT MAHJONG, HERE'S WHERE TO START

Walk into libraries, clubs and homes and you may hear the distinct sound of game tiles being shuffled, as Mahjong is taking many towns by storm. Consider it pickleball for the mind. Developed in 19th-century China, there are more than 40 variations. Recent enthusiasm for the game may be credited to young entrepreneurs designing contemporary tiles and fresh merchandise bringing a bit of fashion to the game.

Mahjong is a great way to socialize

while challenging the mind with memorization, focus and strategy, and its intergenerational appeal makes it the perfect game for family gatherings. For younger players, it sharpens concentration, as there can be no pausing to scroll an iPhone. For aging players, it improves cognition.

Whether you’re looking for socialization or a gym for the mind, there couldn’t be more reasons to learn how to play.

Yes, it takes time to learn, but the more you play, the quicker it all comes

together. Locally, many clubs and libraries are beginning to host introduction-toMahjong opportunities. It's like open basketball night at the gym with a coach on-hand to help. Online classes are also an excellent way to begin to build Mahjong knowledge. YouTube features a rabbit hole of videos where you can learn the basics. And to put that knowledge to practice, apps are a good way to hone your skills. Many of the better apps must be purchased but are typically less than $20. Here's a primer to get you on your way.

the basics

INTRO:

THE TOOLS OF THE GAME

GAME TABLES

Game play is best on a roughly 32-inch square card table. A larger table works well for groups who are learning. Although the game is typically played with four people per table, playing as partners with open hands is a good way to learn. Specialty Mahjong tables are available online with built in slots for tiles and walls that replace racks and pushers.

MATS

A neoprene mat is ideal for moving the tiles across the table with ease. Makers such as Oh My Mahjong offer beginner mats with a few of the basic rules printed on them, a helpful tool for learning.

Mahjong is a tile game typically played with four players. For every group of four you’ll need a square table, a set of tiles, dice, racks and pushers (unique Mahjong tools used to display a player’s hand of tiles and create a “wall” from where players draw new tiles). Additional helpful tools are a neoprene mat or tablecloth that the tiles can move smoothly on.

THE CARD

What keeps Mahjong fresh is that each year the National Mah Jongg League issues a new list of winning hands on a card that’s used during game play. Each player should have an official Mahjong card for the current year. They are best purchased directly from the NMJL’s online site. Be cautious buying cards from other retailers, particularly Amazon, as they can be counterfeit or outdated. Official cards cost $14 for standard size and $15 for a slightly larger size that’s easier to read. nationalmahjonggleague.org

THE SOUTHERN SPARROW’S theme is “play beautifully” and the tiles reflect that. The Chinoiserie sets in breezy blue, polished pink, luxe lilac are lovely ($309) and deserving of the matching lucite display case ($64). The trellis design table mats match each set ($49) and large clear acrylic racks are available ($59). southernsparrow.com

where to shop

THERE ARE PLENTY OF RETAILERS THAT CAN FILL ALL YOUR MAHJONG NEEDS

OH, MY MAHJONG make play fun. There are excellent starter kits that combine tiles, racks, a mat and a travel bag (from $417 to $835). Tiles sets start at $375. You’ll be ready to hit the road with the Charleston Travel set ($419). The Aqua Pool Mat folds up for travel and floats so you can play in the pool or at the beach ($350). The Let’s Rack and Roll Bags keep racks organized ($80). From hats to totes, they offer it all. Retailer Neiman Marcus also carries tile sets and accessories from this brand. ohmymahjong.com; neimanmarcus.com

From front to back, WHERE THE WINDS BLOW tiles are attractive on both sides. The site offers personalized sets with custom jokers and monogrammed back sides ($300 to $425). Standard tile sets with sparkly backsides start at $125. Vision impaired tiles boast larger numbers and lettering ($125). wherethewindblows.com

MY FAIR MAHJONG is a small retailer that makes fun tiles with personality in limited themes and series. The Southwest theme tiles are colorful on a soft pink background with scorpions as “dragons.” Other sets sure to reflect a player’s personality are the Texas and NYC series. These sets retail for $299 and come in a slightly larger tile size. The brand also features simple colorful table mats with scalloped edges. The Mini Travel Anywhere series is travel themed and smaller so it can be packed up and brought on a trip ($210). Another simpler travel set retails for $64 and makes a great gift. Mahjong scoreboards, cups and coasters are also available. myfairmahjong.com

It’s easy to fall in love with THE MAHJONG LINE tiles including the charming dog jokers to the seahorse “dragons.” Themes come in a range of colors from Lucky Jade to Ceylon Blue. (Sets start at $375.) The Floating AquaMahj mat is $225, with slots for larger tiles; there are also waterproof travel cards that can be used in lieu of tiles for pool play ($75). Accessories include a travel bag with room for racks as well as mats and tiles that can be monogrammed (starting at $265). themahjongline.com

The famed Manhattan design house sells a Mahjong set in a signature Tiffany Blue Leather Box for $15,000. tiffany.com

Gucci gets in the game with a GG Supreme canvas case retailing for $23,000. Even at that price, this set is popular and typically back-ordered for several months. gucci.com

splurge

DESIGNER RETAILERS KNOW THEIR AUDIENCE

AUTOMATIC TABLE

We’ve seen it all …

For the player who has everything, how about letting the table do the work for you? Although part of the game is the initial mixing (“washing”) of the tiles, for those who want to get right to the action, the Automatic Mahjong Table mixes and builds the “walls” for you ($800 to $1,800). usamjtable.com

VISIT THE SITES

They’re not just one-stop shopping.

In addition to being a source of great tiles, most small businesses are passionate about Mahjong and feature websites chock-full of information on how to play the game, how to find a teacher, etc. Spend time on websites and follow them on Instagram for tips on gameplay.

TAP INTO A PRO

Every worthwhile hobby needs a good coach, right?

When learning the game, nothing beats having a teacher to guide new players and refresh rusty ones. Local Mahjong teacher Jill Baker helps groups in Riverside and throughout the tri-state area. She is available for players of all skill levels. Contact Jill at jillba@aol.com

FALLING FOR THE SEASON

WHILE SEPTEMBER WAS FULL OF ORIENTATIONS, CURRICULUM NIGHTS, CLASS COFFEES AND COCKTAILS, OCTOBER IS A TIME WHEN THESE OBLIGATIONS SLOW, AT LEAST A BIT. WE’RE FINALLY GETTING SETTLED INTO OUR NEW ROUTINES—AND IT’S THE PERFECT TIME TO CHECK OUT WHAT’S HAPPENING AROUND TOWN

No. 1

CALLING ALL GHOSTS & GOBLINS

The Greenwich community will come together once again for Greenwich Greet & Treat when Greenwich Moms brings Halloween fun to The Avenue. On Saturday, October 26 from 11 a.m. to 2 p.m there will be trick or treating, School and Kids Zones, food trucks, arts and crafts, a bubble show, DJ and more. Businesses will participate with special in-store promotions and goodies for all. greenwichmoms.com

month Layla

No. 2 A LITTLE HORSEPLAY

The Fall favorite, A Day in the Country, will be held on Saturday, October 5 The family-friendly event features a horse show, pony rides, tailgating, field day activities, petting zoo, stick-pony classes (for both adults and kids) and food trucks. It is presented by the Greenwich Riding & Trails Association, which welcomes riders and non-riders to enjoy great events throughout the year. thegrta.org

No. 3 TAKE FLIGHT

A celebration of birds of prey and their incredible migration journeys will take place at the Audubon’s annual Hawk Watch Weekend on Saturday, October 5 and Sunday, October 6 from 9 a.m. to 2 p.m. Learn all about these creatures that migrate through Connecticut each year. There will be live raptor presentations, educational workshops and more. Taco Loco Food Truck and Happiness is Back Country Market will be on hand to help when tummies start rumbling. All proceeds from ticket sales ($25 adults/$10 for kids 12 and under) will go toward conservation and outreach efforts to help ensure a better future for our birds and wildlife. ct.audubon. org/greenwich

No. 4 ONE STEP AT A TIME

The annual Walk/Run for Abilis has become the organization’s signature “friend-raising” and awareness-building event. Many of those who take part do so because they’ve been inspired by a friend or family member with a developmental disability. This year, families from all over lower Fairfield County will once again be at Tod’s Point on Sunday, October 13 for a 5K run or one-mile accessible walk. There will also be fun kid activities including face painting and ballon artists. abilis.us G

and its parent company, The Local Moms Network, shares some of her favorite things to do—from seasonal activities to can’t-miss

out the calendar at greenwichmoms.com.

Every
Lisiewski, Greenwich mom of four and founder of Greenwich Moms
events. Follow @greenwich_moms on Instagram, sign up for the newsletter and check

BOOK YOUR HOLIDAY EVENT AT

With 3 newly renovated event spaces, high-tech amenities, and awardwinning food, you won’t want to celebrate the holidays anywhere else!

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people&PLACES

For the Love of Tod’s

The annual Beach Ball is one of the most colorful and festive nights of the summer. The sounds of steel drums greet guests before they’re shuttled up to the bluff via golf cart, where rum punches await. The mission of the evening, in addition to dancing the night away, is to support our town’s natural gem, Greenwich Point. greenwichtownparty.org »

by alison nichols gray
1 Congressman Jim Himes and Mary Scott Himes 2 Lara Woolven, Melissa Denis, Laurel Fine, Kate Truesdell, Gia Burton, Nina Lindia 3 Rachel and Chris Franco 4 Lauren Phan, Vivian Tang, Tracy Beckerman, Katie O’Sullivan, Holly Barua 5 Tom and Liz Johnson 6 Maria, Leah, Alexis and Marcus Zavattarro 7 Allison Farn Leigh, Kendra Farn Finz 8 Victoria Prisco Rohrlick, Bob Capazzo
PHOTOGRAPHS BY MOFFLY MEDIA’S BIG PICTURE / BOB CAPAZZO

1 Marc and Ali Lombard, Wilson and Kendall Handler, Patrick and Elizabeth Klosterman, Heidi and James Maund, Tina and T.J. Jack

2 Marianna Sarkissova, Elena Moffly 3 Duncan and Elizabeth Bourgoin 4 Kate Maloney, Mike Maiolo 5 First Selectmen Fred Camillo, Tina and Joseph Lockridge 6 Richard and Belinda Benincasa 7 Rachel Franco, Lisa Weicker

8 Jessica and Robert Fitzsimmons 9 Ryan and Cory Phillips 10 Caitlin Brodie, Kristina Manganiello, Elizabeth Dank, Amy Siler

11 Selectwoman Lauren Rabin, Yuri Honda

12 Bill James and Shari Aser with Marco and Graci Djuranovic 13 Guests’ environmentally friendly means of transportation

GREENWICH

14 Brittany Brown, Sarah Nia, Parisania Nia 15 Frank and Laura Sabia 16 Ali Levinson, Kristina Downey, Katie Fong Biglin 17 (front) Cali Wulff, Pauline Finz, Georgia Leigh, Grace Leigh (back row) Lexi Liebowitz, Olivia Knapp, Daniela Pompa, Lauren Allen, Jillian Leigh, Jessie Hoffberge 18 John Gibbons, Debra Hess, Lyle Gibbons 19 David and Susan Bickham, Sandy and Hans Lindh

20 Roger and Roxana Bowgen

21 Super festive tablescape

22 Sharon Stone, Dorothy Cascerceri Simone, Nikki Glor, Kendra Bridelle, Emily Brahms, Susan Morenstein 23 Cameron Silver, Sarah Freeman, Chris Frattaroli, Grace Aslanian, Lydia Sussek, Amy Tambini, Matthew Goldfine, Joe Lockridge, Tina Pray Lockridge, Parker Pray, Victoria Prisco, Ian and Kim Treibick, Kristen Mickelson, Brett Mosello, Jen Danzi, Amanda Petz, Anne Friday, Andy Plunkett, Steve “Flash” Rohrlick, Cristin Marandino »

Instrumental Players

Bravo to the Greenwich Symphony Orchestra (GSO) for a fabulous evening of music and fundraising. The theme of the night was Queen’s Bohemian Rhapsody, and the musicians performed an unforgettable fusion of rock vibes and classical notes. Tony Award-winning Music Director Stuart Malina was at the helm. Guest’s contributions will support the GSO’s educational outreach programs. greenwichsymphony.org »

1 Peter Tesei, Natalie Pray, Michael Scully 2 Sadie and Kristen Craw 3 Davidde and Ronald Strackbein 4 Stuart Malina, Vivian Wu 5 Catherine Stathakopoulos, Dani Rossi, Suzanne Lio

6 Lori Meagher, Kim Aanonsen, Carolina Heflin, Marianna Sood, Claudia Gerola 7 Amy and Shaun Fletcher 8 Carolina Heflin, Jasjeet Sood 9 Kathleen Flynn, Emily O’Connor, Kati Von Knorring, Kristen Miller, Erin Flynn 10 Louise and Sam Marasso

11 Danny Miller, Melissa Westgate, Stuart Malina. Jecoliah Chen, Sami Merdinian, David Creswell

GREENWICH SYMPHONY ORCHESTRA / Bruce Museum

Unplugged.

for the first time.

at our 650-acre Vermont Campus, boys disconnect completely from their Smartphones for an entire week. What happens is truly transformative, as they see and experience each other and their world in a deeper and far more meaningful way

he Junior League of Greenwich’s annual Touch-A-Truck event had every little kiddo in town grinning from ear-to-ear. The Town Hall parking lot was packed to the brim with service vehicles, police motorcycles, diggers, food trucks, ice cream trucks, bubble machines and so much more. Parents were thrilled to have a Sunday filled with entertainment—not to mention the coffee truck. jlgreenwich.com »

1 Lucas, Sophia and Andres Moreira 2 Sheldon Kahan, Lauren and Emma Ferrucci 3 Phillip, Billy and Thomas Vikaris helping save a bear with a
volunteer 4 Laura and Emmy Beck 5 Taylor Ansel, Katie Wallis 6 Lin Lavery, Kathleen Renick 7 Michael McGann 8 Katherine Poznyakov, Kathleen Renick 9 Officer James Ketterer and Charlotte Ketterer 10 Jones and Michael Kennedy
JUNIOR LEAGUE OF GREENWICH / Greenwich Town Hall

Empower your thinking

A single thought begins a journey of exploration and can be the source for igniting passions, inspiring others, or making an impact. It’s how we think.

OPEN HOUSE

Grades N-8

October 20

Grades 9-12

November 3

The Key Successto

t was a perfect 10 of a day for the annual Greenwich Police Department Scholarship Fund Benefit Car Show at Town Hall. Classic, antique, custom and exotic cars, along with vintage fire trucks, filled the lot for car enthusiasts of all ages to explore. This family-fun event fosters a sense of unity with the law enforcement community by raising funds to invest in the education of police officers’ children.

Town Hall
1 A 1932 Ford 5 Window Coupe 2 Vicky and Jack DeLuca 3 Sam Romeo 4 Jeffery, Jacob and Jonenns Delrosario, Frank Acosta
Heavey
Izzo, Frank Solomon, Aantony D’arco 6 Jeff and Michael Deluca
Courtney Fischer, Ali Cornelius Yantorno, Gwen Freccia, Ashley Fargo

Scenic View

Dining al fresco, art and design enthusiasts celebrated the 75th anniversary of The Glass House in New Canaan with a gourmet picnic and lawn party. Ed Ruscha, the featured Summer Party artist, said his work was inspired by the property’s “reflections and shadows from glass windows and doors.” Listening to DJ Rachel Winters spinning summer tunes, attendees were treated to an art installation showcasing various artists, a Max Mara shopping experience, wine and handcrafted cocktails as well as a catered picnic by Elm. theglasshouse.org »

1 Kristin Kennedy, Lizzi Bickford Meadow, Cas Friese 2 Nikki Glazer, Shannon Bates 3 Venera Alexandrova, Kathleen Dyke, Megan Gagnon, Eileen Murphy

4 Laura and Allison Barker 5 Caitlyn Cabana-Balmer, artist Paul Balmer

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SUMMER PARTY / The Glass House

Neighborly Love

The Hyatt Regency Greenwich was the place to be for the Family & Children’s Agency (FCA) benefit co-chaired by Sean McMurtry, Rita Olson and Jen Toll. For more than 80 years, the FCA has been helping children with after-school and summer programs, foster care and adoption services, as well as assisting adults experiencing homelessness, overcoming addiction and struggling with mental health issues. Auctioneer extraordinaire Lydia Fenet led a lively auction before guests danced the night away to the tunes of Tangled Vine, five-time Best of the Gold Coast “Best Local Rock Band” winner. familyandchildrensagency.org. G

1 Rebecca Masters, Kyle Masters, Dan Swan, Julia Swan 2 Sara and Adam Alter 3 Mark and Jamie Buschmann 4 Josh and Colleen Cary Katz 5 Tony Ulehla, Laura Bavarian 6 Lucy Regalado, Ligia Masilamani 7 Jamie Delcid, Rita Olson, Rob Cashel, Katrell Clay 8 Britton Ruckman, Justin Ruckman, Kristen Forlini, Mandy Murphy 9 Rob and Carey
Gianetti 10 Angela Middleton, Emily Friendship, Caroline Nicassio, Colby Mulvey 11 John and Jackie Blair, Tony and Amber Paquette, Chris and Caroline Verron 12 Lydia Fenet 13 Kristie and Kevin Smith 14 Sunny and Taj Geter
FAMILY & CHILDREN’S AGENCY / Hyatt Regency Greenwich
Photos by Kyle Norton
Gold Sponsors

IN HONOR OF THE TENTH ANNIVERSARY OF THE FEMALE-FOUNDED GREENWICH INTERNATIONAL FILM FESTIVAL, WE CAUGHT UP WITH ACTOR MAGGIE SIFF, WHOSE PATRIARCHY-CHALLENGING PERFORMANCES

PROVE THAT WHEN IT COMES TO SWIMMING WITH SHARKS, THE ROUGHER THE WATER, THE BETTER

"Most of my film and theater work has been very femaledominated, like women writers, women directors, and I really value that," says Maggie.

There’s a jaw-dropping scene you might recall midway through the first season of Showtime’s award-winning hit Billions (2016-2023), in which Dr. Wendy Rhoades, Axe Capital’s in-house performance coach, is called to a meeting with her boss, hedge-fund billionaire Bobby Axelrod. They discuss trust, prioritizing meaning over happiness and cutting a high-stakes deal under the threat of a criminal ass-whupping. It would be just another day at the office, except that it’s night, and Wendy and Bobby are in a private, candle-lit spa pool, naked.

Now that’s rich, even for Greenwich.

In the hands of lesser actors and storytellers, the whole thing could be written off as a ratings grab. You couldn’t pick a steamier setting, and the duo’s undeniable chemistry sparks a will-they-or-won’t-they dynamic that slow-burns throughout the series. But with Maggie Siff at the helm as Wendy, nudity takes a backseat to nuance. With each eye shift and head tilt, we wonder: how far will Wendy go to keep the peace between two warring men? To whom and to what will she be most loyal? Where does her own freedom fit in? If the ends justify the means in Billions-land, will they ultimately end Wendy?

That the series was such a chess game of male egos only heightens Wendy’s importance as an empath who could also think ten moves ahead. The key was finding the right person to bring her many layers to life. “The moment we saw Maggie read the part of Wendy, we knew she had an innate understanding of her,” says Billions co-creator and Greenwich resident David Levien. “Maggie was immediately able to communicate how Wendy saw through the men she was dealing with, not in order to belittle them, but rather to help them be better versions of themselves and to be incredibly appealing while doing it. It was our goal for Wendy to ‘win’ the first season, overcoming both Chuck and Axe and their machinations, and Maggie had the presence and formability as an actor to pull that off beautifully.”

Last month, Levien and his Billions co-creator, Brian Koppelman, were honored alongside Maggie and castmember David Costabile, who played Wags on the series, at the Greenwich International Film Festival’s Billions tribute at the Bruce Museum. Against a backdrop of Hockneys and Warhols, the event was a celebration of the series’ seven thrilling seasons as well as a hat-tip to Maggie Siff, who embodies GIFF’s commitment to outreach.

“In our tenth year as a female-founded organization spotlighting changemakers at the forefront of storytelling and social impact, we couldn’t be prouder to shine a light on Maggie, who in addition to her tremendous talent, has given of herself through dramaclub. org, which nurtures incarcerated children through improv,” says GIFF’s Chairwoman of the Board, Wendy Stapleton. “Maggie carries on our tradition of strong women in the arts who champion the underserved with creativity and compassion.”

TAKING THE PLUNGE

When I first meet Maggie, I’m struck by how much softer she looks and sounds than Wendy. Gone is the coiffed, spike-heeled, blacksheathed tamer of lions, and sitting in her place is an ethereal, wavy-haired beauty in a peasant top with subtle stripes that echo the colors of the Maine coastline. It’s early July, and Maggie’s relaxing up here at her sister’s home, a cozy pause from the clip of her daily life in Brooklyn. Cut a path through the woods out back and you’ll land at her mother’s doorstep. It’s their little family compound, seemingly a million miles north of everything.

“My life up here is, you know, family and cooking and being on the beach as much as possible … we’re beach bums,” she says, smiling at her ten-year-old ponytailed daughter, Lucy, who is felting and listening to Harry Potter on

her earbuds nearby. “My goal when I’m up here is to get into a body of water every day, so we have our spots that we love to go to. Yesterday, we went to a little secret beach that we love. It’s very rocky, and the water’s freezing cold, and we like to plunge there.”

Maggie has certainly earned a vacation. She just turned fifty, wrapped a six-week run starring as a PTSD-plagued former war correspondent in the off-Broadway play Breaking the Story, and delivered the 2024 commencement address at her alma mater, The Bronx High School of Science. When I point out that all of this went down in under six days, she humbly deflects.

“When they asked me to do the commencement address, I was like, ‘That’s a joke, right?’” Maggie says, lightly raising an eyebrow. “Like, what could I possibly have to offer these kids? I mean, I went to that school, and it’s an amazing

place in an amazing community, but it’s a huge school. And a lot of these Bronx Science alums are not like me. They go on to win Nobel Prizes in physics and things like that.”

I tell her it’s apples and oranges, to which she nods and laughs, though she worried her words wouldn’t land on everyone. We come into being with others, she explains, so how does one come into being with 900 young people about to launch, plus their families, all with diverse backgrounds and ideas of what it means to be successful in the world? Stepping on a soapbox and declaiming herself is an uncomfortable place for her, which is why you won’t find her on social media. She’s a one-on-one kind of person, a giver-and-taker, an intimate interactor. But after talking to high school friends who insisted she should do it, Maggie stepped up to the challenge. »

On set with Maggie as she gets ready for a scene in the "The Owls" episode of Billions

Drawing on her creative background, she took to the podium and shared, among other universal principles about being a transformative person, a fake-it-till-you-makeit mantra she learned as an actor that is more intuitive and far-reaching than it sounds. “It’s a little trick of the mind,” she says, “that gives yourself permission to have, like, a larger container or a larger imaginative experience of who you could be in the world.”

It was a similar shape-shifting element, a performative sleight of hand, that first captivated a young Maggie. Her family lived in the Bronx, but she remembers a trip down to North Carolina while her father, a former actor and professor of Victorian literature who returned to the stage at forty, was starring in a play called The Dining Room.

“I was about eight when I went to see it, and me and this other kid, the son of one of the actresses in the play, sat in the theater and watched it every night for a week,” Maggie recalls, noting that by week’s end, they could perform it word-for-word for their parents. But what stuck with her, mesmerized her, really, was the puzzle of one particular scene.

“This woman walked on stage and dropped her keys, and then she picked them up, and I was like, Oh, it was a mistake. She wasn’t supposed to drop her keys. And then the next night, she did it again, and I realized that it was a piece of behavior that she had chosen, or maybe it was scripted,” she says. “And this thing of performing it so that you don’t know whether it’s real or not was so fascinating to me. It felt like a magic trick, you know? Like,

she could do it every night in such a way that it felt so real that you thought it was a mistake, but then it gets worked into the character.”

It wasn’t until 14 years later, after Maggie graduated from Bryn Mawr College with a degree in English in 1996, that she dove into acting. Attending an all-female school was a gift, she says in retrospect. “It definitely helped forge or define my feminism and my identity as a woman. And when I got out of college and I was doing theater in Philly, I remember just being like, Oh. I’m 22, and actors are sidling up and making little sexist comments or suggestive comments and I’m just realizing that the texture or the tenor of everyday life has so much smarminess in it for young women. I was like, Wow, I am not used to this. This is fascinating.”

Maggie as Beatrice and Jonathan Cake as Benedick in Theatre for a New Audience’s production of Shakespeare's Much Ado About Nothing, directed by Arin Arbus

MAD MOVES

It would be Maggie’s paternal grandmother, a Russian immigrant from the Lower East Side, whom she would channel in her big break as department store heiress Rachel Menken on AMC’s Mad Men in 2006. “I remember when we first got into hair and makeup when we were shooting the pilot, and I was like, Oh my God, I look like my grandmother.”

It was the same immigrant grit, Maggie says, that made up the best parts of her savvy, business-minded character. “Rachel was ahead of her time. She was trying to carve something out for herself, and nothing was going to get in the way of that. It’s part of the revelation she has the very last time you see her in that first season, where she’s like, ‘You’re a coward.’”

That coward, of course, would be Jon Hamm’s

Don Draper, catnip to just about anyone with a pulse, who wanted Rachel to run away with him to California. He was only running away from himself, that was clear, but many a woman of that time would’ve packed her bags anyway. That’s why Rachel’s chutzpah in staying put was so compelling—it wasn’t your typical response to an alpha male. Then again, Rachel was the true alpha.

“She realizes that he’s not a strong person and that there was just no going forward,” Maggie says. “She would be sacrificing too much of what had already been her life’s work, so she had to cut herself free of it.”

More than a year would pass before Maggie and the mostly New York-based Mad Men cast would shoot the first season in Los Angeles in 2007. Maggie figured her move would be

“Rachel was ahead of her time. She was trying to carve something out for herself, and nothing was going to get in the way of that.”
— MAGGIE ON HER FORMIDABLE MAD MEN CHARACTER, RACHEL MENKEN
Siff's Rachel Menken teaches ad man Don Draper (played by Jon Hamm) a thing or two about client relations in AMC’s Emmy-winning hit, Mad Men

a six-month stint, but after the tumultuous break-up of a long-term relationship as soon as she landed out west, Maggie realized she wasn’t going back to New York. And so began her abrupt transition to the City of Angels. Thanks to a Philly friend, she found herself living in a cool Craftsman-style house in Echo Park with five male roommates.

“We referred to it as the husband farm,” Maggie says, fondly. There was a film student, a future director, a landscape architect, and a cabinet maker, she tells me, which makes me wonder about the last one: a butcher or baker, perhaps? “They were all sort of strapping and eligible, and I was like, interested in none of them. I was just friends with all of them. It was this great, communal kind of very notglamorous LA.”

Maggie was still living on the husband farm, doing television and film work, when she landed her second major series in 2008, FX’s Sons of Anarchy, starring as Dr. Tara Knowles. “I think the reason I was drawn to Tara and Sons of Anarchy was because it was so different from Mad Men,” Maggie says. “The show was a very operatic, pulpy, violent, juicy, messy family drama mixed up in this biker club.”

Maggie remembers a moment early in the fourth season, when SOA’s showrunner downloaded her on what would happen to Tara next. He described how she would have an accident that would ruin her hand, and as a surgeon whose only way out was through her career, that would do something to her psychically that would complete her transformation, sucking her deeper into the muck of the story. Maggie was all in. “I knew that the rest of the show for however long I was on it would be interesting,” she says. “The escape hatch was closing, basically. Like, there’s no turning back.”

Another element that drew Maggie to the series was the love story beating through the criminality and tragedy of it all. Interestingly, not long after she’d started SOA, Maggie found her own true love with clinical therapist Paul Ratliff, whom she’d met through a mutual friend. The two had an immediate connection, and began a long-distance romance.

“He’d been living in London for seven years, but he was planning to move back to New York and I was living in LA, and so he kind of moved back to New York, and I was going back and forth, and then I just kind of took him with me to LA,” Maggie says of their nomadic beginning.

In case you were wondering, Paul did not join as the sixth man on the husband farm— Maggie had since moved—but he did become her husband in 2012. By then, the two were in a bicoastal groove, bouncing between LA and their home in Brooklyn Heights. Maggie did plays in New York during SOA’s off-season, and Paul’s career allowed him to be geographically nimble. “He loved to travel,” Maggie says. “He loved to up and go. Those years before we had my daughter, where we were going back and forth … we loved that.”

THE SANDBOX

Maggie and Paul’s daughter Lucy was born in 2014, and the family settled into Brooklyn fulltime three years later when Lucy started school. By then, Maggie was starring in Billions as a doctor of a different kind: psychiatrist Wendy Rhoades, the voice of reason holding the series and its brilliant, tortured psyches together. But being the voice of reason, even in dominatrix boots, has its narrative

Billions Buddies: Executive Producer Michael Harrop, Executive Producer April Taylor, Director Neil Burger, Dola Rashad, Asia Kate Dillon, Executive Producer and Writer David Levien, Maggie Siff and David Costabile
“I think the character worked best when there was this alternating between states of sort of moral correction or being morally correct and the slide away and the scramble back.”
— MAGGIE ON PLAYING BILLIONS' WENDY RHOADES

limits. Maggie wanted to jump in the sandbox, get Wendy’s hands dirty, just like the boys.

Sometime between the first and second season of her Billions journey, Maggie sat down with its co-creators, who liked to check in during the hiatus about where the characters had been and where they were headed.

“I said to Brian and Dave, ‘I don’t want to be the moral center. Men get to inhabit this gray area, especially in this show, that seems like more fun from a creative point of view. I want to be able to tell this story, to be part of these stories in substantive ways, you know, carry story, propagate story, create story, be responsible for story. And if we’re doing it in this world and these are the terms, then I don’t want to sit on the sidelines being the good person or the good woman,’ and I think they were interested in that and they heard that, and I think there was an arc for her that was kind of about coming back to her moral center, which I think was interesting,” she says.

Maggie recalls other collaborative conversations they had further into the series as Wendy ebbed and flowed. “I was like, ‘Wendy needs to get her mojo back. You know? Like, where did the fun go?’ And then if she got too divorced from some moral center, I would be like, ‘and now we need a little bit of that.’ I think the character worked best when there was this alternating between states of sort of moral correction or being morally correct and the slide away and the scramble back, and the messy emotional life with these two men with whom she’s in love with in different ways and this struggle to understand her own identity.”

The timing of Billions’ rollout also had an impact on Wendy’s evolution. “We started doing the show before #MeToo, before Black Lives Matter, before all of these big social and civil movements kind of shook us all,” Maggie says. “And I feel like, in a way, the story of toxic masculinity was more at the fore, and also this idea of the antihero being the thing

Asia Kate Dillon, Maggie Siff, Damian Lewis, Paul Giamatti and David Costabile on the Billions' set
“The show was a very operatic, pulpy, violent, juicy, messy family drama, mixed up in this biker club.”
— MAGGIE ON WHAT DREW HER TO SONS OF ANARCHY

we were all really interested in. But I think that over time, the antihero became a little bit less interesting. And who I wanted to be as a woman in that world kind of shifted a bit.”

What emerged, in the end, was a more actualized, autonomous Wendy. Perhaps in this newly-defined territory, unlike that amorphous night in the spa pool, meaning and happiness could finally converge on her own terms, apart from Axe and Chuck. “It’s not like either of those relationships end, but where we leave them, they are each inhabiting their own space,” Maggie says. “But the show actually ends with her and her family, which I think is also nice, that it’s kind of like the familial relationship with Chuck and with her children.”

ENDINGS AND BEGINNINGS

Behind the scenes of Billions, however, Maggie's own family was suffering. Paul had been diagnosed with brain cancer during the pandemic, while Maggie was on hiatus. When filming resumed, things got tougher. “I was taking care of him, and we were living up in Maine, and I was commuting down to Brooklyn for work,” she says, noting that thankfully, her scenes were consolidated so she could swoop in and shoot for a few days, then return to Paul and her family.

I ask if working during that time was at all cathartic for her, and she gently corrects me, saying it was more connective. “And I will say that it was always very hard to leave, but once I was there and working, it felt incredibly good to step into the world of this character that I loved,” she says. “It ended up feeling like a supportive and nurturing experience through this really painful time. And in that way, it fed me. I don’t know if that’s a correlation between Wendy feeding Maggie, I just know that for a couple of days a month, I could go be somebody else in a world that felt loving. It was like a little portal. It was an escape, and it kind of eased something in me a little bit for the time that I got to do it. And Brian and Dave and our producer, April Taylor, made it so that I could do it, which was really nice. They were unbelievable to me during that process.”

Does she miss it? The show, the character, the people?

She pauses before responding. “When we shot the pilot, my daughter was nine months old, and by the time the show ended, my husband had passed, and, you know, it’s like this whole life cycle,” she says. “The last few years of it were so hard that I was also ready to move into the next phase. But you carry the people you need with you forward.”

Right now, forward movement involves a delicate life-work balance. Maggie will be doing a short film with friends soon, and other projects are percolating. She’d love to team up with more female creators and directors. And of course, she continues to support dramaclub.org, founded by her NYU classmate, Josie Whittlesey, which brings the gift of performing, and with it a tangible freedom and levity, to young people at Rikers Island and other detention facilities. “There is something about the marriage of the work of theater and improv and transformation applied to children in the most profound constriction imaginable that just moves me,” Maggie says. “It does something in my brain and my body. I can’t think of anything that feels more important.”

Maggie is very interested in doing more theater as well, but she can’t do it all the time. The lifestyle and nighttime-ness of it makes things tricky as a single parent. She has been saying no a lot these days, especially to work that would take her too far afield, and is mostly at peace with that. But if the right project comes along, she and Lucy might go have an adventure together. “It all walks a line,” she says. “If I was in a different situation, if my husband were still here, then the calculus might be a little bit different, but it’s … yeah, it’s complicated.”

Out of nowhere, I have to ask: what did Maggie do on her 50th birthday? Somehow, it feels critical to know. Did she blow out a candle?

She blinks a bit, mentally scrolling back a few weeks—had there been a candle on the day?— and seems to enjoy arriving at the answer. It was a rolling celebration, she says, which included a small surprise party with family and neighbors that Lucy had sweetly plotted. And yes, they had a little cake for her at the theater on the night of her actual birthday, and she blew out a candle. “I felt full of gratitude and joy that I got to go on stage and perform and do what I love

with people that I really respected,” she says. “It was not a hard birthday, this one, for whatever reason, I just feel like it feels like a substantial number. I feel lucky to have made it this far.”

The celebration didn’t end there. After her performance, Maggie enjoyed a meal with a friend at Tavern on the Green. And then, further uptown, in the wee hours of the morning, Maggie found herself sitting in a pew in the Cathedral of St. John the Divine. “They have a summer solstice concert every year that starts at, like, four in the morning,” she says, describing a saxophone, a trumpet, a piano, an organ, maybe a string. “Anyway, they play in the dark,” she continues, gently lifting her hand, “until the sun comes up, and then the light comes through the windows.”

And it occurs to me, in a quietly throatknotting way, that in this little pocket of time we’ve spent together, what I’ve been seeing in Maggie isn’t a softness relative to her characters—it is a gracefulness relative to her life, as a mother, an artist, a survivor. The ability to let dark and light flow through her as needed, to remain open, stay buoyant, breathe.

Moments later, Lucy comes over and shows her mom a felt pouch she stitched for a friend, with the letter R and a purple flower. Maggie’s face blooms. Crafting is a family hobby, I’m learning. “My sister is a really big crafter, so I sometimes start to knit things when I’m up here, which I find very relaxing,” Maggie says. “I’m working on a sweater for Lucy. When I’m in the city, I don’t have the urge, but when I’m up here, I’m like, ‘Yeah, let’s try that. Let’s sew you a dress’ or things like that, that are not my natural métier or whatever, but up here, it comes out a little bit.”

We could keep chatting, and Maggie has kindly made me feel as if we have all day, but afternoon is calling. There are more secret swimming spots for mother and daughter to discover, and Maggie’s sister, the chef of the family, will likely be whipping up something delicious later, with Maggie relegated to making one of her creative salads, which suits her just fine. Plus, she has that sweater to finish. “It’s light blue, and it’s got a lot of … it’s like a lacy pattern,” she says, thoughtfully. “So, it’s pretty complicated, but I’m figuring it out.” G

10 CHANGEMAKING YEARS OF GIFF

Over the past decade, GIFF has recognized the courage and conviction of these powerful humanitarians and communitybuilders in our own backyard

SAVE THE DATE!

What’s happening?

GIFF’s 10th Anniversary Changemaker Gala

When: Wednesday, November 13, 7p.m.

Where: l’escale

Who’s being honored?

Golden Globe and Emmy-winning comedian Jerry Seinfeld and Jessica Seinfeld, founder of the Good+Foundation, bestselling author and executive producer of the award-winning documentary Daughters

What charity am I helping?

The Children’s Museum of Manhattan Family Connections Program, which reunites incarcerated parents on Rikers Island with their children to lessen trauma, strengthen bonds and reduce recidivism

Where can I get tix before it sells out?

Purchase tickets and tables at greenwichfilm.org

Maestro

top: Gazpacho Moreliano: mango, pineapple, orange and jicama salad with orange and lime dressing and Tajin seasoning.
above: Birria: slowbraised short ribs, cilantro, red onion, Oaxaca cheese, crunchy nixtamal, corn tortilla and a birria broth
left: Blackened Mahi Mahi tacos with melted cheese, jicama slaw and cranberry relish
Cantarito:
Dobel Diamante Reposado, grapefruit soda and fresh orange, grapefruit and lime juice with a Tajín rim
1930's Sunrise: Cazadores Tequila Blanco, Guyot Créme de Cassis, fresh lime juice, topped with Topo Chico seltzer

WE CATCH UP WITH SOME LOCAL RESTAURATEURS TO CHECK OUT WHAT’S NEW AND NOTABLE IN OUR CULINARY WORLD

by mary kate hogan • photography by andrea carson
El Cadi made with Cazadores Tequila Blanco, Cointreau and a Grand Marnier float; Juju Margarita

JUJU CANTINA

206 Sound Beach Avenue, Old Greenwich; jujucantina.com

Restaurateur Anshu Vidyarthi grew up in Southern California eating “some of the best Mexican on the planet,” and he loves nothing more than a true taqueria. Now he’s bringing authentic Mexican flavors to Old Greenwich. “This isn’t Tex-Mex or Cali-Mex but real Mexican from a chef who comes from Sonora,” he says.

At Juju, the décor by designer Lynn Morgan is as colorful as the cuisine. Set in a building that was once a bank, it’s a vibrant dining room with bananayellow upholstered banquettes, rattan/straw pendants, evil-eye sconces and color-block painting on the walls inspired by Mexican architect and artist Luis Barragan. “I wanted it to feel like you could be on a beach in Mexico, having tacos at a little beach shop,” Anshu says. In keeping with that concept, Juju welcomes people dropping in any time. No reservations needed. “No tablecloths, completely

Chef Héctor Eduardo Gálvez with managing partner Anshu Vidyarthi
“I WANTED IT TO FEEL LIKE YOU COULD BE ON A BEACH IN MEXICO, HAVING TACOS AT A LITTLE BEACH SHOP.”
— ANSHU VIDYARTHI

casual, have a margarita at the bar while you wait—that’s the kind of vibe.”

On the menu: Classic tacos dominate, with everything from a slowbraised short rib in birria broth and pollo al pastor to blackened mahi and a hearty vegetarian option filled with mushrooms, corn, black beans, peppers and tomatillo. Chef Héctor Eduardo Gálvez has created a lineup of ensaladas as well as snacks like tuna tostaditas, molletes and taquitos. Mains span from several seafood entrees to enchiladas, carne asada, chili relleno and fajitas. At the bar, the cocktails will be tequila-centric with 30 varieties including harderto-find sipping tequilas that come in ceramic bottles with flights for tasting.

Also catering to las familias, Juju features a kids’ menu from 4 to 6 p.m. for parents who want to get the little ones fed with quesadillas and a quick supper. Everything served will be fresh and flavorful with plenty of good juju. »

Branzino Frito with radish and cucumber salad, pico de gallo and flour tortillas

A few of our favorite things! Kids can choose the treats they love and have them mixed into a candy "salad."

SWEET

NOTES

21 Glen Ridge Road; mysweetnote.com

All your cravings for sweets and fun can be satisfied at the new ice cream and candy shop in Glenville—Sweet Notes. The brainchild of Greenwich mom Nicole Shalette, Sweet Notes joins other new eateries in the shopping center (Luca’s Pizza and Bluebird Taqueria) along with gourmet supermarket DeCicco’s opening soon.

Sweet Notes serves Longford’s ice cream, a super-premium brand that’s handmade in small batches. It’s an ice cream with local roots. The company started 30 years ago in Port Chester. Connoisseurs drive to Sweet Notes from all around to get their fix of specialty flavors such as cotton candy (a combo of blue and pink ice cream that kids love), Cookie Monster and

Peppermint Stick, pink peppermint ice cream with red and green mint candies.

Nicole also carries nostalgic and less-available candies, everything from sour gummies to Belgian chocolates as well as freeze-dried candy, Swedish candy and frozen Charleston Chews. From the colorful candy wall, kids can pick some of their favorites and have it mixed into a bowl as a “candy salad.” Being a small business, Sweet Notes can offer personalized service with Nicole catering to her many repeat customers.

“I love being so hands-on,” she says, noting that she was inspired to open the shop out of a desire for community and lifting people’s spirits. “I wanted a place that was happy. With so much going on in the world, I wanted a place where people feel good.”

To that end, her shop has also become a popular spot for kids’ parties. Families can opt for karaoke or arts & crafts, including slime, sand art or tie dye, and the staff handles all the paper décor, party favors and cleanup to make it very easy for parents. She’s also done indoor “campfire” s’mores and fondue. For presents, she creates custom candy charcuterie boards, which people also purchase for grad parties, college acceptances, etc. The shop also has a selection of small gift items, like a Candyland game made with real candy and a mini-travel Lite Bright.

“Everything my mom said no to when I was a girl and we were out shopping, I have it in here. All really fun stuff.” »

Serving
“I WANTED A PLACE THAT WAS HAPPY. WITH SO MUCH GOING ON IN THE WORLD, I WANTED A PLACE WHERE PEOPLE FEEL GOOD.”
— NICOLE SHALETTE
up Longford's decadent ice cream

Opened by town natives John Bosco and Dave Corbo, the Clubhouse is set on the scenic grounds of the Griffith E. Harris town golf course (aka The Griff) with a large stone patio overlooking the fairway.

“We want to make it a destination restaurant, even in the off-season,” says Bosco who has a three-year contract with the town and runs several Corbo’s deli locations with Dave. To attract diners beyond the post-golf crowd, the team has come up with a solid but affordable menu of American and Italian classics with daily food specials, cocktails and a lineup of

1323 King Street; griffclubhouse.com Hit the links and then enjoy French toast with fresh strawberries from the brunch menu.

CLUBHOUSE AT THE GRIFF

entertainment, from local bands playing many evenings (check out Mark Zelenz on Tuesdays) to karaoke nights.

Twice a month they bring in a portable oven for wood-fired pizzas with a $25 all-you-can-eat pizza and salad special offered over the summer. The everyday menu features burgers, a steak sandwich, ribs, classic salads like Cobb, Wedge and Caesar as well as salmon, shrimp scampi, seared tuna and chicken scarpariello. On the night we visited, the specials included steamed littlenecks and lobster rolls. For lunch, try the grilled pastrami with Russian

dressing, slaw and melted Swiss cheese. Brunch is served on Saturdays and Sundays from 9 a.m. to 1:30 p.m. The Clubhouse delivers to local businesses, and the cart can bring drinks and sandwiches right to golfers on the course. Once the weather cools, the patio tent has sides that close, and there are heaters to extend the season. John says they plan to stay open for NFL and college football season and they’re actively booking holiday parties. »

“WE WANT TO MAKE IT A DESTINATION RESTAURANT, EVEN IN THE OFF-SEASON.”
—JOHN BOSCO
right: Dave Corbo and John Bosco below: Cold brews to wash down a grilled pastrami sandwich with Russian dressing, house-made slaw and melted Swiss. below, right: Burrata, baby arugula, tomato, basil, olive oil and lemon with touch of balsamic glaze

Amid massive new development in Port Chester, one historic building has been beautifully preserved and revived by Udi and Jennifer Livne, owners of the new 1881 Kitchen Table. The restoration of 1881, which was previously Eugene’s, took nearly two years and became a passion project for the couple, who uncovered original brick walls and old steel beams in the space that was at one time a library, a speakeasy and a clothing store.

“We put in lots of love and care—down to every screw and bolt,” says Jennifer. “We wanted to elevate the experience in Port Chester.” The restaurant serving global cuisine has a creative menu with a range of flavors, inspired by the opening chef’s time in Israel and Japan.

The menu at 1881 is centered around the restaurant’s massive copper-domed French Le Panyol oven, a showstopper that turns out vegetables and meats cooked solely with wood. There’s also a hand-carved salt-brick meat aging room, allowing the culinary team to age meats in house. On the mezzanine level there’s a large wine room filled with a collection of boutique bottles; it’s a space that doubles as private dining for up to ten people. A cocktail program created by Julio Enriquez is showcased at the massive zinc-topped bar that

opposite page: Owners, Udi and Jennifer Livne; Assorted mezze dips with flatbread above: Hamachi crudo with avocado, cucumber, grapefruit, basil and smoked tomato tigers milk above, far right: Roasted portobello steak with baby spinach, crispy garlic, basil oil, caramelized parmesan and teriyaki butter below: Basbusa cake with pistachio ice cream

“WE PUT IN LOTS OF LOVE AND CARE—DOWN TO EVERY SCREW AND BOLT. WE WANTED TO ELEVATE THE EXPERIENCE IN PORT CHESTER.”
— JENNIFER LIVNE

takes up the front of the restaurant. Recent seasonal cocktails include the Poison Ivy, a mezcal-tequila, cucumber-lime blend with a kick from Thai chile (a riff on the owner Jen’s house cocktail) and Incognito, a rum drink with mango, coconut, lime and Aperol that transports you to the Caribbean. Several dishes we loved came from the woodburning oven: flatbread with a selection of mezze dips and pizza bianca with artichoke confit, arugula and burrata. The beef we tried from the salt-brick aging room—a New York strip—was outstanding. We also enjoyed an appetizer called a Moroccan cigar: wagyu beef with garlic wrapped in feuille and the Caesaresque salad with grilled little gems with fried white cauliflower. Decadent desserts to try: vanilla-laced crème brulee with raspberry sorbet and a chocolate mousse “cloud“ with ganache, candied citrus peel and hazelnuts.

The goal with 1881 was to create a nice place for people to eat and drink before heading to the Capitol Theater and a destination in its own right. Jennifer says, “It feels like you’re at a restaurant in the city without having to make the drive.” »

Rise

At Makerie Café, owner Kirsten Butler whips up homemade sandwiches and salads, great breakfast sandwiches, fresh-baked cookies and dinners to go. The Cos Cob native, who was previously a personal chef, opened the cafe and deli last year, and it has quickly become a go-to spot for coffee, breakfast, lunch and more.

“I love the people who come in, all the locals. There’s a morning coffee club— they sit and have coffee and chat,” she says. Kirsten says she envisions the place being a community hub, a space for pop-up cooking and craft classes as well as an eatery. “When this opportunity came up, I decided to go for it,” she says about the location on Valley Road. “I've always loved cooking. My grandmother started me cooking when I was little.” It continues to be a family tradition, with her daughter and other relatives pitching in at the cafe that's open seven days a week.

Kirsten named her specialty sandwiches for the neighboring streets where she grew up. Most popular? The Bible, a chicken cutlet with prosciutto, roasted peppers, mozzarella and pesto, and the Dandy, a riff on Thanksgiving with turkey, stuffing, cranberry and mayo or gravy. Also try The Grove, a take on a turkey club with Russian dressing and Swiss cheese, and the Loughlin, a spin on a Philly cheesesteak with onions and mushrooms served on garlic bread.

Kirsten does catering as well and takes special requests. Want a tray of eggplant parm for tonight? She and the Makerie team can make it happen. G

MAKERIE CAFÉ

77 Valley Road Cos Cob, 203-661-3354; themakeriecafe.com

“I LOVE THE PEOPLE WHO COME IN, ALL THE LOCALS. THERE’S A MORNING COFFEE CLUB—THEY SIT AND HAVE COFFEE AND CHAT.”
— KIRSTEN BUTLER

right: The Serenity: avocado, cucumber, hummus, red onion, lettuce, tomato below: Dynamic duo: Kirsten with her daughter, Kaia below, right: The Bible: chicken cutlet, prosciutto, roasted peppers, mozzarella and pesto

calendar

OCTOBER 2024

Howl & Prowl

ART & ANTIQUES

ALDRICH MUSEUM, 258 Main St., Ridgefield, 438-0198. Tues.–Sun. aldrichart.org

AMY SIMON FINE ART, 1869 Post Rd. East, Westport, 259-1500. amysimonfineart.com

BRUCE MUSEUM, 1 Museum Dr., 869-0376. brucemuseum.org

CANFIN GALLERY, 39 Main St., Tarrytown, NY, 914-332-4554. canfingallery.com

CARAMOOR CENTER FOR MUSIC AND THE ARTS, Girdle Ridge Rd., Katonah, NY, 914-232-1252. Caramoor is a destination for exceptional music, captivating programs, spectacular gardens and grounds, and is listed on the National Register of Historic Places. caramoor.org

CAVALIER GALLERIES, 405 Greenwich Ave., 869-3664. cavaliergalleries .com

CENTER FOR CONTEMPORARY PRINTMAKING, 299 West Ave., Norwalk, 899-7999. contemprints.org

CLARENDON FINE ART, 22 Main St., Westport, 293 0976. clarendonfineart.com

CLAY ART CENTER, 40 Beech St., Port Chester, NY, 914-937-2047. clayartcenter.org

DISCOVERY MUSEUM AND PLANETARIUM, 4450 Park Ave., Bridgeport, 372-3521. discoverymuseum.org

GERTRUDE G. WHITE GALLERY, YWCA, 259 E. Putnam Ave., 869-6501. ywcagreenwich.org

GREENWICH ARTS COUNCIL, 299 Greenwich Ave., 862-6750. greenwichartscouncil.org

GREENWICH ART SOCIETY, 299 Greenwich Ave. 2nd fl., 629-1533. This studio school offers a visual arts education program for kids and adults. greenwichartsociety.org

GREENWICH HISTORICAL SOCIETY, 47 Strickland Rd., 869-6899. greenwichhistory.org

KATONAH MUSEUM OF ART, Rte. 22 at Jay St., Katonah, NY, 914-232-9555. katonahmuseum.org

KENISE BARNES FINE ART, 1947 Palmer Ave., Larchmont, NY, 914-834-8077. kbfa.com

LOCKWOOD-MATHEWS MANSION MUSEUM, 295 West Ave., Norwalk, 838-9799. lockwoodmathews mansion.com

LOFT ARTISTS ASSOCIATION, 575 Pacific St., Stamford, 247-2027. loftartists.org

MARITIME AQUARIUM, 10 N. Water St., S. Norwalk, 852-0700. maritimeaquarium.org

NEUBERGER MUSEUM OF ART, Purchase College, 735 Anderson Hill Rd., Purchase, NY, 914-251-6100. neuberger.org

Grab your pup and join the fun for Pet Pantry Warehouse’s annual Howl & Prowl and costume contest. The event will take place behind Town Hall on Sunday, October 27, from noon until 4 p.m. Pet food samples will be available throughout the day, and donations will be collected for Adopt-a-Dog. Admission is free, although costume contest tickets are $20 and entrants must register at ppwpet.com. “Pet Parent” is also a category. Prizes total more than $600. Costume contest starts at 2:45 p.m. For more information visit ppwpet.com.

FAIRFIELD MUSEUM AND HISTORY CENTER, 370 Beach Rd., Fairfield, 259-1598. fairfieldhistory.org

FLINN GALLERY, 101 W. Putnam Ave., 622-7947. flinngallery.com

PELHAM ART CENTER, 155 Fifth Ave., Pelham, NY, 914-738-2525 ext. 113. pelhamartcenter.org

ROWAYTON ARTS CENTER, 145 Rowayton Ave., Rowayton, 866-2744. rowaytonarts.org »

Chinese Porcelain Turquoise-Glazed Lotus Leaf-Form Inkstand and Candle-Holder, 1700-50, with gilt-bronze mounts, mid-18th century

Connecticut Ceramics Circle

On Monday, October 14 from 2 to 3 p.m., the Connecticut Ceramics Circle presents Chinoiserie: The Art of the Exotic in the Royal Collection, a lecture by Nicola Turner Inman, curator of decorative arts for London’s Royal Collection Trust. The lecture will be held on Zoom and is free, but guests must register in advance. Register at cceramicsc.org

SAMUEL OWEN GALLERY, 382 Greenwich Ave., 325-1924. samuelowen.org

SILVERMINE GUILD

ARTS CENTER, 1037 Silvermine Rd., New Canaan, 966-9700. silvermineart.org

SANDRA MORGAN INTERIORS & ART PRIVÉ, 135 East Putnam Ave., 2nd floor, Greenwich, 629-8121. sandramorganinteriors.com

SORELLE GALLERY, Bedford Square, 19 Church Ln., Westport, 920-1900. sorellegallery.com

SOROKIN GALLERY, 96 Greenwich Ave., Greenwich, 856-9048. sorokingallery.com

STAMFORD ART ASSOCIATION, 39 Franklin St., Stamford, 325-1139. stamfordartassociation.org

STAMFORD MUSEUM & NATURE CENTER, 39 Scofieldtown Rd., Stamford, 977-6521. stamfordmuseum.org

TAYLOR GRAHAM GALLERY, 80 Greenwich Avenue, Greenwich, 489-3163. taylorandgraham.com

UCONN STAMFORD

ART GALLERY, One University Pl., Stamford, 251-8400. artgallery.stamford.uconn.edu

CONCERTS, FILM & THEATER

AVON THEATRE FILM CENTER, 272 Bedford St., Stamford, 661-0321. avontheatre.org

CURTAIN CALL, The Sterling Farms Theatre Complex, 1349 Newfield Ave., Stamford, 329-8207. curtaincallinc.com

DOWNTOWN CABARET THEATRE, 263 Golden Hill St., Bridgeport, 576-1636. dtcab.com

HARTFORD HEALTHCARE AMPITHEATER, 500 Broad St., Bridgeport, 345-2300. hartfordhealthcareamp.com

LECTURES, TOURS & WORKSHOPS

WESTPORT ARTS CENTER, 19 Newtown Tpke., Westport, 226-7070. mocawestport.org

YALE CENTER FOR BRITISH ART, 1080 Chapel St., New Haven, 432-2800. britishart.yale.edu

YALE UNIVERSITY

ART GALLERY, 1111 Chapel St., New Haven, 432-0611. artgallery.yale.edu

YANKELL LEGACY GALLERY, 61 Studio Court., Stamford, 610-213-2749. yankelllegacygallery.com

AUDUBON GREENWICH, 613 Riversville Rd., 869-5272. greenwich.audubon.org

AUX DÉLICES, 231 Acosta St., Stamford, 326-4540, ext. 108. auxdelicesfoods.com

BOWMAN OBSERVATORY PUBLIC NIGHT, NE of Milbank/East Elm St. rotary on the grounds of Julian Curtiss School, 869-6786, ext. 338

BRUCE MUSEUM, 1 Museum Dr., 869-0376. brucemuseum.org

CLAY ART CENTER, 40 Beech St., Port Chester, NY, 914-937-2047. clayartcenter.org

CONNECTICUT CERAMICS STUDY CIRCLE, Bruce Museum, 1 Museum Dr. ctcsc.org

FAIRFIELD MUSEUM AND HISTORY CENTER, 370 Beach Rd., Fairfield, 259-1598. fairfieldhistory.org

FAIRFIELD THEATRE COMPANY, On StageOne, 70 Sanford St., Fairfield, 259-1036. fairfieldtheatre.org

ALDRICH MUSEUM, 258 Main St., Ridgefield, 438-0198. aldrichart.org

GOODSPEED OPERA HOUSE, 6 Main St., East Haddam, 860-873-8668. goodspeed.org

The Capitol Theater

Get down with your kiddos to the classic tunes of the Beatles on Saturday, Oct 19, at 2 p.m. at Garcia’s at the Capitol eater. e family-friendly event is a good time for everyone from ages one to 100! Can’t beat that. therockandrollplayhouse.com »

GREENWICH BOTANICAL CENTER, 130 Bible St., 869-9242. gecgreenwich.org

GREENWICH LIBRARY, 101 W. Putnam Ave., 622-7900. greenwichlibrary.org

JACOB BURNS FILM CENTER, 364 Manville Rd., Pleasantville, NY, 914-773-7663. burnsfilmcenter.org

KATONAH MUSEUM OF ART, 26 Bedford Rd., Chappaqua, NY, 914-232-9555. katonahmuseum.org

LONG WHARF THEATRE, 222 Sargent Dr., New Haven, 787-4282. longwharf.com

RIDGEFIELD PLAYHOUSE, 80 East Ridge, Ridgefield, 438-9269. ridgefieldplayhouse.org

RIDGEFIELD THEATER BARN, 37 Halpin Ln., Ridgefield, 431-9850. ridgefieldtheaterbarn.org

SHUBERT THEATER, 247 College St., New Haven, 800-228-6622. shubert.com

STAMFORD CENTER FOR THE ARTS, Palace Theatre, 61 Atlantic St., Stamford, 325-4466. stamfordcenterforthearts.org

STAMFORD MUSEUM & NATURE CENTER, 39 Scofieldtown Rd., Stamford, 977-6521. stamfordmuseum.org

WESTPORT COUNTRY PLAYHOUSE, 25 Powers Ct., Westport, 227-4177. westportplayhouse.org

Bruce Museum

As the air turns crisp and spooky season approaches, people across the world are preparing for celebrations—from Mexico’s Día de los Muertos to Japan’s Obon Festival to Guatemala’s Festival de Barriletes Gigantes. Don’t be scared. It’s going to be a ball at The Bruce Museum’s Spirits and Souls Family Day: Celebrations from around the world on Thursday, October 31. Learn the different ways people welcome the otherworldly. Explore the museum and enjoy activities from noon to 4 p.m. All visitors are welcome to wear costumes. For more information, visit brucemuseum.org. »

Impact Award Winners

sponsorship info, please contact Laurie Cohen at lcohen@ctwbdc.org. www.ctwbdc.org/gala • 203-353-1750

“She sings it not as musty nostalgia but as exuberant twenty-first-century pop, with a low, mesmerizing alto that is as commanding as any pop singer today...remaking Fado’s ancient sadness into a majestic modern sound.” — Rolling Stone

Acclaimed Portuguese Fado singer

October 6 • 7 p.m.

Machine de Cirque

Ghost Light: Between Fall and Flight

October 24 • 7:30 p.m.

Perfect for the whole family! Become a Season

Bari Weiss

The Bennett Lecture in Judaic Studies

A Community Forum

October 28 • 7:30 p.m.

KIDS’ STUFF OCTOBER 2024

ALDRICH MUSEUM, 258 Main St., Ridgefield, 438-4519. aldrichart.org

AUDUBON GREENWICH, 613 Riversville Rd., 869-5272. greenwich.audubon.org

AUX DÉLICES, (cooking classes), 23 Acosta St., Stamford, 326-4540 ext. 108. auxdelicesfoods.com

BEARDSLEY ZOO, 1875 Noble Ave., Bridgeport, 394-6565. beardsleyzoo.org

BOYS & GIRLS CLUB OF GREENWICH, 4 Horseneck Ln., 869-3224. bgcg.org

BRUCE MUSEUM, 1 Museum Dr., 869-0376. brucemuseum.org

DISCOVERY MUSEUM AND PLANETARIUM, 4450 Park Ave., Bridgeport, 372-3521. discoverymuseum.org

DOWNTOWN CABARET THEATRE, 263 Golden Hill St., Bridgeport, 576-1636. dtcab.com

EARTHPLACE, 10 Woodside Ln., Westport, 227-7253. earthplace.org

GREENWICH HISTORICAL SOCIETY, 39 Strickland St., 869-6899. greenwichhistory.org

GREENWICH LIBRARY, 101 W. Putnam Ave., 622-7900. greenwichlibrary.org

IMAX THEATER AT MARITIME AQUARIUM, 10 N. Water St., S. Norwalk, 852-0700. maritimeaquarium.org

KATONAH MUSEUM OF ART, Rte. 22 at Jay St., Katonah, NY, 914-232-9555. katonahmuseum.org

MARITIME AQUARIUM, 10 N. Water St., S. Norwalk, 852-0700. maritimeaquarium.org

NEW CANAAN NATURE CENTER, 144 Oenoke Ridge, New Canaan, 966-9577. newcanaannature.org

RIDGEFIELD PLAYHOUSE, 80 East Ridge Rd., Ridgefield, 438-5795. ridgefieldplayhouse.org

STAMFORD CENTER FOR THE ARTS, Palace Theatre, 61 Atlantic St., Stamford, 325-4466. palacestamford.org

STAMFORD MUSEUM & NATURE CENTER, 39 Scofieldtown Rd., Stamford, 977-6521. stamfordmuseum.org

STEPPING STONES MUSEUM FOR CHILDREN, 303 West Ave., Mathews Park, Norwalk, 899-0606. steppingstonesmuseum.org

WESTPORT ARTS CENTER, 51 Riverside Ave., Westport, 222-7070. westportartscenter.org

WESTPORT COUNTRY PLAYHOUSE, 25 Powers Ct., Westport, 227-4177. westportplayhouse.org G

THE ENCHANTED FOREST

JUNIOR LEAGUE OF GREENWICH

SAVE THE DATE

NOVEMBER 22 - 24

Cocktail Party | Santa Photos | Holiday Boutique | Tree Auction | Children’s Giving Shop BRUCE MUSEUM

YWCA

Greenwich and Event Co-Chairs

Stephanie Kruse, Brian O’Connor & Lauren Walsh

Invite you to

THE FALL PARTY

raising financial aid for youth programs

Saturday, November 9 th 6:00pm Cocktails

7:00pm Dinner

Dancing to DJ Lina

Belle Haven Club, Greenwich, CT

NEED A RIDE?

Nothing says fall like Old Greenwich School’s Pumpkin Patch. Our social editor Ali Gray, an OG alum who now takes her own little ones to the annual celebration, captured this old-fashioned traffic jam at last year’s event. With crafts, treats, a haunted house, hay maze and, of course, pumpkins, it’s every kid’s fall highlight. This year, the festivities will be held on Saturday, October 19. See you there! G

Have a photo that captures a moment in Greenwich? Send it to us at editor@greenwichmag.com for a chance to win $100. Please write “photo submission” in the subject line.

photograph by alison nichols gray

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