Mohanad F Al-Mashat Portfolio / KAUARCH

Mohanad Faisal Al-Mashat

002

003

CONTETNT

PERSONAL

E D U C AT I O N A L

00 CV 006-007

01 02 03 04 05 06 07 08

Alula Museum Urban Design Architecture School Residential Building Multi Purpose Micro House Working Drawing Renewable Energy

010-039 040-057 058-085 086-095 096-107 108-117 118-135 114-131

Competitions 09 10 11 12 13

Rowat Alhadith Museum (1) Rowat Alhadith Museum (2) Fish Lake Tunnel Design F. I . U S o c i a l P a v i l i o n

Experience 138-155 156-181 182-195 196-209 210-221

14 Villa Heime 766 15 Moutasim Villa 16 Interior Design Project

224-231 232-237 238-245

MOHANAD FAISAL ALMASHAT INTERN ARCHITECT

Born in Jeddah, Kingdom of Saudi Arabia 10th February, 1997 Phone: (+996) 569525773 Email: mohanadfam@gmail.com

ABOUT ME

I am an intern architect, an gradute from King Abdulaziz University in Jeddah, Saudi Arabia together. i’ve always had a passion for visual art, which led me to the field of architecture.I am a genuine fan of keeping my eyes open, being inspired by a wide range of places, sources and people, learning and giving structure to new ideas. I find that my enthusiasm towards creativity is constantly balanced by my meticulous approach to any task at hand.I tend to execute ideas and tasks with precision, attention to details, and most importantly care.I am an exceptionally hard-working. responsible with an open-mind to work on a team as well as individually in different concept. I am motivated and have a desire to keep learning and sharing the knowledge through the design experience.

EDUCATION BA in Architecture GPA (4.26/5) Second Honors

2019

Jeddah - King Abdulaziz University - Faculty of Environmental Design

2014

High School Certification

Jeddah - Al-Andalus Private School

EXPERIENCES

EXHIBITIONS

Ahmad. F. Banaja Firm for architecture

2019 Capstone Design Project Marsam 2

and interior design.

2017

Internship

2018 Architecture School Project Marsam 1

2018

Internship

At Bojer Basyouni for Architecture

and Construction.

SOFTWARES

COMPETITIONS & INITIATIVES

- Revit

- Rhinoceros

2019

- Autocad

- Grasshopper

- Illustrator

- Photoshop

Rwat Al-Hadeeth Design Competition Al-Madinah Region Development Authority

2019

Falastin Street Development Iniative Jeddah Municipality

- Communication

- Leadership

- Initiative

- Adaptability

- Craftsmanship

- Coordinator

2018

LANGUAGES

Al-Andalus Tunnel Jeddah Municipality

- Arabic (Native)

2017

Pavillion Design Competition Florida International University

- Lumion -In Design

TRAITS

Obhur Fish Lake Design Competition Jeddah Municipality

2018

- Office

- Teamwork - Responsible

- English (Modest)

- Multitasker

E D U C AT I O N A L 01 02 03 04 05 06 07 08

008

Alula Museum Urban Design Architecture School Residential Building Multi Purpose Micro House Working Drawing Renewable Energy

010-039 040-057 058-085 086-095 096-107 108-117 118-135 114-131

1

2 5.00

2

2

2.30

2

2

009

01

MUSEUM OF ALULA

ART

HISTORY

010

011

VISION

WHAT IS THE PROBLEM?

PROBLEM APPROCH

Heritage areas in saudi arabia are abandoned and unknown to the people

The museum aims to enable the visitor to experience the building industry and the history of ula to connect people in the region and increase the awareness of the community.

‫ﺍﻟﻤﻨﺎﻃﻖ ﺍﻟﺘ�ﺍ�ﻴﺔ ﻓﻲ ﺍﻟﻤﻤﻠﻜﺔ ﻣﻬﺠﻮﺭﺓ ﻭﻏﻴﺮ ﻣﻌ�ﻭﻓﺔ‬ ‫ﻟﻠﻨﺎﺱ‬

‫ﻣﺘﺤﻒ �ﻬﺪﻑ ﺍﻟﻰ ﺗﻤﻜﻴﻦ ﺍﻟ�ﺍﺋﺮ ﻣﻦ ﺧﻮﺽ ﺗﺠﺮﺑﺔ‬ ‫ﺻﻨﺎﻋﺔ ﻋﻤﺎﺭﺓ ﻭﺗﺎ��ﺦ ﺍﻟﻌﻼ ﻟﺮﺑﻂ ﺍﻟﻨﺎﺱ ﺑﺎﻟﻤﻨﻄﻘﺔ‬ ‫ﻱ‬.‫ﻭ��ﺎﺩﺓ ﻭﻋﻲ ﺍﻟﻤﺠﺘﻤﻊ ﺑﻬﺎ‬ Initiatives of the national transformation program in the field of tourism and heritage

The adoption of the TOURISM AND NATIONAL HERITAGE sectors as one of the most important elements in the vision of the Kingdom 2030, and one of the most prominent alternatives to the post-oil economies

WHY IS IT A PROBLEM?

A

The weakness of internal tourism ‫ﺍﻟﻤﻨﺎﻃﻖ ﺍﻟﺘ�ﺍ�ﻴﺔ ﻣﻬﺠﻮﺭﺓ‬ ‫ﻭﻏﻴﺮ ﻣﻌ�ﻭﻓﺔ ﻟﻠﻨﺎﺱ‬

LOCATION

SAUDI ARABIA AL-ULA Riyadh

Medina

B

Weak scientific research

JEDDAH

‫ﺿﻌﻒ ﺍﻟﺒﺤﺚ ﺍﻟﻌﻠﻤﻲ‬ MADAIN SALEH

Reviving the heritage sites of the national, Arab, Islamic and ancient heritage and registering them in the World Heritage List, and to enable everyone to access them as a living witness to our long-standing heritage and active role

‫ﻣﺪﺍ�ﻦ ﺻﺎﻟﺢ‬

ALATHEEB

C

‫ﺍﻟﻌﺬﻳﺐ‬

Weak cultural awareness

‫ﺍﻟﻤﻌﺘﺪﻝ‬

‫ﺿﻌﻒ ﺍﻟﺴﻴﺎﺣﺔ ﺍﻟﺪﺍﺧﻠﻴﺔ‬

AL-ULA

29,261

SQM POPULATION 55,010

012

ALMUTADIL

‫ﺍﻟﻌﻼ‬

SITE SELECTION CRITERIA ALHIJR

‫ﺍﻟﻬﺠﺮ‬ MADAIN SALEH

‫ﻣﺪﺍ�ﻦ ﺻﺎﻟﺢ‬

-1 Accessability ( Near main axis ) -2 Airport Distance ( 55 min / 50 km ) -3 Heritage Area -4 Contour Height ( Topography ) -5 Altitude -6 Recriation Area -7 Open Flat Area for Avtivities -8 Avoid Unisco Buffer Zone -9 Shorter Distance From Unisco ( Madain Saleh )

OPEN FLAT AREA FOR ACTIVITIES 5KM TO SITE

UNISCO BUFFER ZONE

ALATHEEB

‫ﺍﻟﻌﺬﻳﺐ‬ SITE

ALMUTADIL

‫ﺍﻟﻤﻌﺘﺪﻝ‬

‫ﺍﻟﻤﻮﻗﻊ‬ ACCESSABLE FROM MAIN AXIS

AL-ULA

‫ﺍﻟﻌﻼ‬

Recreation Resort Heritage area

MAIN AXIS CIRCULAR ROAD AIRPORT

‫ﺍﻟﻤﻄﺎﺭ‬

55 MIN 50 KM

013

ZONING CONCEPT 01.

FUNCTION FORMS Open-Air Museum

EXHIBITION

WORKSHOP

EXPERIENCE ALULA AUDITORIUM

Shade

ENTRANCE

Centered Museum

Museum Within a Park

MULTI PURPOSE

ADMIN.

FIRE ESCAPE

UTILITIES

Echo

Connectivity with context

02.

CORE

8,4

00

SQ

M

Simple shape

Farm

First step: a cube filled with functions Second step: Substraction to provide out door spaces

03.

SE

MI PR PUBL IV I PU ATE C BL IC

PU B

LIC

Devided the function by floors

014

Valley

Hiking

015

CONCEPT The concept is to explore the relationship of spaces through the addition and subtraction of voids within a cube.

01.

02.

Negative Architecture

negative architecture is de-objectifying the landscape of the surrounding location of the building by fitting itself into the fabric of the surrounding landscape so that the building will merge to the frame of view or point out from the surrounding

The building is influenced by the contours and nature of the al-ula

016

Al-Nabte'aen used negative architecture in their homes, and it enflected on the building

03.

The mountains been used in the building to create an interior pathway by using the mountains outlines (Al-Mizhem)

04.

The height of the entrance has been used to reflect Al-Ula nature on the building

017

FUNCTION MODULET

018

Function

Space

Foyer Entrance

966

10

Temp.Exhibition

240

2.5

Exhbition

3220

32.5

Workshop

94

1

Administration

500

5

Auditorium

640

6.5

Mod ules

Sqm

BUILDING USES Museum Second Floor

Admin.

Temporary Exhibition

Workshop

First Floor

Auditorium

Temporary Exhibition

Upper Ground Floor

Services Ground Floor

Lobby Parking

019

C

Ground Floor Plan 01-MAIN ENTRANCE 02- Parking entrance 03-Visitors parking 04-Staff parking 05-Auditorium 06-water tank 07-utilities 08-hvac 09-auditorium

A

07

+0.0

06

07 07

05

06

07 07

03

04 08

01

MAIN EN.

07 07

+0.0

07

B

07

B

07 +0.0

02

07

07

07

03

020

03

C

A

PARKING EN.

Upper Ground Floor Plan

A

+0.0

07

07

06

07 07 09

05

09

06

20

21

07 07

TEMP. EX EN.

10

MAIN EN.

+4.0 REST. ENT

04 +4.0

08

03

AUDI. ENT

WORKSHOP ENT

22

+4.0

+4.0

07

+0.0

07

B

07

26

24

18

23

27 17

15

19 07

25

B

PARKING EN.

14

25

07

C 03

13 02

+0.0

19

07

07

MAIN EN.

12

11

16

19 19

16

VIP. ENT

07 07

01

M U LO SE BB UM Y

07-UTILITIES 09-auditorium 10-center area 11-LOBBY 12-CAFFE 13-RECEPRION 14-BACK OFFICE 15-TICKET MACHINE 16-WAITING AREA 17-MUSEUM START POINT 18-VIP LOUNGE 19-W.C 20-MUSEUM END POINT 21-TEMPORARY EXHIBITION 22-OUTDOOR EXHIBITION 23-ADMIN ENTRANCE 24-GIFTSHOP 25-PRAYER 26-RESTAURANT 27-RESTAURANT KITCHEN

C

A 03

021

First Floor Plan 19-W.C 21-TEMPORARY EXHIBITION 28-DIRECTOR 29-MEETING ROOM 30-OFFICE SPACE 31-RECREATION 32-STORAGE 33-WORKSHOP 34-CLASSROOM 35-WORKSHOP EXHIBITION

C

A

19

19

34

34

33

32

33

33

21

33

35

+8.0

29

+8.0

28

B

B 19 30 19 32

31

C

022

A

Second Floor Plan 07-UTILITIES 12-CAFFE 19-W.C 17-MUSEUM START POINT 20-MUSEUM END POINT 21-TEMPORARY EXHIBITION 32-STORAGE 36-HISTORY MUSEUM 37-RECREATION SPACE 38-CONTEMPORARY MUSEUM

C

19

A

19

07

07 +12.0

20

21

32 38

38

12

38

37

32

B

36

07

36

+12.0

B

17

07

C

A

023

DAYLIGHT

12%

SQM

FUNCTION PROGRAM

FUNC. 10% FOYER FACILITIES 400 20 30 30 12 100 20 30 24 24 6 400 50 80 140

Entrance Lobby Back Office Reception Tickets Sales Information Help Desk Museum Shop Shop Ontermedia Storage Cloackroom WomanToilets Men Toiltes Accessibility Toiltes Restaurant Serving Kitchen Foyer Favilities VIP Lounge

PUBLIC 980 SQM

10.5%

2.5% TEMP. EXHIBITION 900 Multipurpose Room 20 W,C 50 Storage

33% EXHIBITION 2500 Exhibition 600 Facilities for Changing Exhibition 120 Collection Exhibition Facilities 50 Painting and Picture Storage 200 Media Room 20 Art Museum Showcase 60 Handling Room 80 Storage Space

9% WORKSHOP ARTIFIICAL

44.7%

700 400 20 180 180 10

Workshop Workshop Storage Equipment Room Setting Room Loading Room Service Room

5.3% AMINISTRATION 70 300 40 20 40 10 100 25 25 100 40 50 50

Director Office Space Meeting Room 1 Meeting Room 2 Kitchen Copying Room Storage Woman Toilets Men Toilets Staff Rest Room Security Monitoring Room Server Room Storage

SEMI-PUBLIC 3650 SQM

38%

7% AUDITORIOM 1150 Auditoriom 600 Backstage

7% OTHER

DAYLIGHT + ARTIFICIAL

14.3%

20 20 100 100 50 150

Cleaning Room Waste Other Facilities Maintenance Janitor Room HVAC Room PRAYER ROOM

OUTDOOR 30 140

Staff Parking Visitors Parking Dropoff Loading Area

024 TOTAL AREA 27,800 SQM

PRIVATE 2247 SQM

22.5%

ISOMETRIC

025

EXPERIANCE

MAIN ENTRANCE VIEW

INDOOR

OUTDOOR

EXPERIANCE

Ent. Spot

EXPERIANCE

ACCESS & ENTRANCE

SPACE AND OBJECT

REST AREA

Complexity

Original

Zone of apperception Familiar

The form in which information is presented must strike a balance between originality and familiarity.

Area for relaxation (short duration).

Ground-plan. Areaconnecting with the exhibition circuit.

There is no need for an object to understand the history when it can be illustrated by real space which enable visitors to experience the event.

Experience 026

Space

Exhibit

VISITORS SCENARIOS

VISITOR-EXHIBIT RELATIONSHIP

Rhythmic intercalation

Special sector-in proximity to the exhibits

Circular showcase witch can be viewed frop all side

Close contact with the exhibit is no longer possible without disturbing other members of the group.

The smaller the ratio of visitors to exhibits the more opportunity for concentration and for each individual.

Large number of visitors viewing an exhibit. The contact with the exhibits decreases with each succeeding semi-circle of viewers.

Viewer

Information area

Partition

Flow

'Real things' (Man-made objects, Specimens of nature)

Exhibit

Lower intensitv

Higher intensity

Division of groups among several exhibits by means of copies.

027

SECTION A-A

028

SECTION B-B

029

ENTRANCE As shown, the experience of Al-Ula starts from the entrance to make the user feel one with the bulding & environement

CENTER AREA As shown, the curves of the buildings mimic the mountains of Al-Ula creating a unique experience for the user.

32

33

EXTERIOR PERSPECTIVE As shown, the experience of Al-Ula starts from the entrance to make the user feel one with the bulding & environement

34

Museum Lobby

35

MUSEUM BRIDGE VIEW As shown, the curves of the buildings mimic the mountains of Al-Ula creating a unique experience for the user.

36

37

MUSEUM LOBBY As shown, the curves of the buildings mimic the mountains of Al-Ula creating a unique experience for the user.

38

39

02

STREET DESCRIPTION

BRINGING

Falastin Street is a long , important , collecter street which play also as a commercial street acording to municipality of JEDDAH.

LIFE BACK TO

STREETS

STREET PARAMETER LENGTH: 1.3KM

Group Project Urban Design

Group Work 1-Arch. Abdullah Jaran 2- Arch. Faisal Abdrabu 3-Arch. Khalid Al-Amiri 4-Arch. Mohanad Al-Mashat

WIDTH: 26m LANES: 5 CLASSIFICATION: Colecter

Project Brief

lus nda d Roa

d Roa

Medina

iche

42

Riyadh

n Cor

Adopting the concept of companions around Prophet Mohammed, shared facilities are organized around an atrium dominating the ground floor plan, whereas, exhibition spaces are organized in a more pure mass reflecting the solidarity of Al-Hadith due to the effort of the narrators.

SAUDI ARABIA

Al-A

The design of Al-Hadith Narrators Museum is based on an in-depth analysis of the process of collecting and investigating Al-Hadith Al-Sharif, thanks to the effort of the narrators as well as the Al-Jarh wa Al-Taadeel specialists.

Location

Aljam -joom eet

ast

tr in S

Fal

JEDDAH

Holistic Approach A new approach to street design Our approach is to confront the selected site from 4 point of view (Walkability, Quality of Arch. Urban design, Quality of life, Increased Density) in response to our problem statement.

Optimization ATTRACTION POINTS LAYOUT Attraction points are created by considering all ages of the visitors, so the distance between an attraction to another is 300 meters.

WALKING PACE

BRISK PACE

4-6 MINUTES

4-6 MINUTES

3-5KM\H

300 M TEMPORAL EXPERIENCE

ATTRACTION: Added attraction points to enhance the walkability within an appropriate walking distance TEMPORALITY: All activities and events that happening within street context BALANCED DENSITY: All that overlooking the street (land and property and uses)

5-7KM\H

450 M User At Rest

The user impacts the space in two ways through his motion and position which translates to two variations for the use (User at rest - User at motion).

Direction

USER’S MOTION - POSITION

Visual Reach

Elevation Of Sight

User At Motion

User at rest: Time duration for users at rest depends activites he/she can witness.

User at motion: Time duration for users depends upon interest/path

Stop (Transition)

Uniformity Time Varitation

INCREASED DENSITY Increasing density by creating a balance between buildings and open spaces, providing good public services starting with distributing density all over the place.

43

Analysis and Concept Nodes Nodes distributed in the site according to walkability radius of 300m

Parking Parking are distirbuted in the site according to the walkibility radius of 600m

0

Social LESS SOCIAL

MORE SOCIAL

ACTIVITY

ACTIVITY

LESS SOCIAL

MORE SOCIAL

ACTIVITY

ACTIVITY

Minimal Path

M

30

Optimization

PARKING PARKING

PEDESTRIAN

LOOP

PEDESTRIANT BRIDGE

44

SITE EXPERIENCE

CONNECTION POINTS

Isometric Landscape and Shading Device

Shading device Green area Water feature

Shared Street Section

Sidewalk

Landscape Parklets

Street

Street

Landscape Parklets

Sidewalk

45

Site Plan

46

47

MAIN NODE As shown, aljamjoom is in the back as the main building with a value to locals.

50

51

MAIN NODE As shown, the public space is used to interest users to visit the street through various activities

52

53

SHARED STREET As shown, King Fahad Fountain is in the back and shared street is created to put pedestrians as a priority.

54

55

CONRNICHE BRIDGE As shown, there is a bridge on the right side to encourage users from the conriche to falastin street

56

57

03

ARCHITECTURE

SCHOOL SEQUENCE

SPACE

THE CONCEPT IS FOR THE VISITORS TO EXPERIENCE WHAT THE ARCHITECTURE STUDENTS GO THROUGH STARTING FROM THE STUDENTS FINAL PRODUCT AND GOING THROUGH A SEQUENCE THAT SHOWS EACH STEP THE STUDENT HAS TAKEN SINCE THEIR FIRST DAY IN THE ARCHITECTURE SCHOOL AND VICE VERSA

FOCAL

CONCEPT

ARCH STUDENT PROJECT PROCESS STUDIO

STUDENTS

Medina

JEDDAH 60

PIRIORITY CIRCULATION

Riyadh

WORKSHOP AUDITORIOM

STUDENTS 2

EXHIBITION

CAFE

LIBRARY O. SEMINAR

1

RECREATION

END OF SEMESTER

SAUDI ARABIA

RESEARCH

FIRST OF SEMESTER

LOCATION

VISITORS 3

4

5

6

P

1

2

3

4

5

6

P

13

1

3

8

7

5

4 6

4

12

2

1

10

10

3

2

11

5

9

8

6

9

7

WORKSHOP EXHIBITION

VISITORS

EXHIBITION

VISITORS

AUDITORIUM

RECREATION

CAFE

AUDITORIUM

WORKSHOP

RECREATION

CAFE

RESTAURANT RESTAURANT

LIBRARY

LIBRARY RESEARCH

CLASSES RESEARCH

STUDIO

EXHIBITION

WORKSHOP

AUDITORIUM

RESTAURANT

CAFE

RECREATION

RESEARCH

LIBRARY

STUDIO

CLASSES

LECTURE HALL

LECTURE HALL

STUDIO

STUDENTS

LECTURE HALL

STUDENTS

SCENARIO

61

PU B.

Co n

Stu .

.

MASS DEVELOPMENT

Set The Site Boundaries

4

Extruded The Academic Part

2

Divided The Site Into Three Parts (Students, Conncetion, Public)

3

Extruded The Visitors Part Which Contains (Gallery, Exhibition) To Attract Visitors

Wind

1

62

5

Merged The Two Buildings By A Conncetion That Provides Proper Visual Communication An Conncets Between The Visitors And The Students

6

Carved The Academic Part To Provide Natural Light And Used The Roof Of The Connection Mass To Provide An Out Door Garden

ISOMETRIC

Garden

Al ad

m

am oh

M iy

Burger King

ah

id

5

Za

Al

Garden

ri

sa

An S E Q U E N C E

My Clinic

Water Company

Al

Mo

PR

INC

ES

ha

mm

ad

iya

h2

UL

TA

NR

OA

D

MASS DEVELOPMENT

AREAL PROGRAM Sqm

Per Student

64

%

Student

CIRCULATION Space

Sqm

Mod ules

STUDIO:

5.00 100 1300 30

CLASS:

2.00 85

680

09

LECTURE:

0.70 25

100

02

AUDITORIUM:

0.70 100 400

05

LIBRARY:

3.00 30

720

05

WORKSHOP:

11.0 15

710

10

PRAYER:

0.85 25

100

02

W.C:

0.00 05

100

02

ADMIN:

0.00 00

400

06

RECREATION:

1.00 00

270

05

Academic

Service

Service

Student

Visitors

Admin

65

Ground Floor Plan 25

30m

15

20

5

10

0

0

2

7

8

Private Entrance

-3.0

9

11

+0.6

5

1

3-M

+0.6

10 +1.8

+2.9

+0.60

Main Entrance

+0.15

0

ch Road

ch Road

First Floor Plan 15

5 +3.7

10

10-Gallery 12-Studio 13-Library 14-Outdoor Garden 15-Exhibition

0 12 +5.0

+4.2

15

+3.3

12

12

12

13

14

ch Road

ltan Bran

Prince Su

ltan Bran

Prince Su

20

-3.0

3-A

ltan Bran

25

6

5

4

16

4

6 +0.6

Prince Su

30m

16

3

16

2

16

1

16

0

16

9

16

8

15

7

15

6

15

5

Entrance

15

15

3

2

15

1

15

0

15

9

15

14

+0.15

7

6

14

5

14

3

14

2

14

1

14

0

14

9

14

8

13

7

13

4

13

6

13

5

13

4

13

13

1-Entrance 2-Recreation 3- Workshop -Machinary -Assembly 4-Lecture Hall 5-Classes 6-Prayer Room 7-Resturant 8-Cafe 9-Lounge 10-Gallery 11-Auditorium

10

+5.0

Second Floor Plan

12

076

072

071

070

081

080

075

074

073

069 068 067

078

089 093

092

120

119

115

114

113

109

108

107

103

102

101

097

096

095

124

123

118

117

116

112

111

110

106

105

104

100

099

098

11

132

125

094

090

085

084

083

082

-3.0

121 126 127 128

Basement Floor Plan

18 12 16 17

+7.2 +6.3 13

+8.2 +5.0

15

10

10-Gallery 12-Studio 13-Library 15-Exhibition 16-Admin 17-Teachers Room 18-Presentation Area

079

129 130 131

-3.0

0

19

065 064 063 062 061

060 059 058 056 053

023

024

025

029

030

031

035

036

037

041

042

043

047

048

049

015

016

020

021

022

026

027

028

032

033

034

038

039

040

044

045

046

055

052 051

019

014

050

018

003

004

005

006

007

008

009

011

013

017

133

11-Auditorium 19-Parking 20-MEP

5 15 25

10 20 30m

5 15 25

0 10 20 30m

20

EXTERIOR STREET VIEW As shown, there are different levels of the building and the direct view to Prince Sultan street

68

69

CENTRAL OUTDOOR AREA As shown, the outdoor garden is provided so users can have a relief space close to them

70

71

04

RESIDENTIAL

BUILDING

PROJECT INFORMATION

PROJECT BRIEF Mixed-use development is a type of urban developmentthat blends residential, adminstrator or cultural, institution al, or industrial ,commercial,uses, where those functions are physically and functionally integrated, and that provides pedestrian connections.

-ALMadinah Road : 50X50 -Site Area : 2500 SQM -FAR: 5.1 -Max Stories: 12 -GF Buildup Area: 60% -Max Buildup Area: 12750 SQM

PROBLEM STATEMENT - With people expanding on a horizontal surface instead on a vertical surface which causes extensive expansion towards the north and south of jeddah while expanding on a vertical surface is more space efficient than expanding on a horizontal surface especially when it comes to units with a small area.

SCENARIO APARTMENT:

RECREATION:

-ENTRANCE

DAY-CARE:

RELAXING AREA:

GYM:

-LIVING AREA

-OFFICE

-LIBRARY

-CLASS ROOM

-SALOON

-INDOOR

-KITCHENETTE

-WEIGHT ROOM

-KITCHEN + DIRTY

-OUTDOOR

-OUTDOOR SPACE

-TREADMILL

SERVICES:

-DINING AREA

-W.C

-W.C

-SAUNA

-PARKING

-STEAM

-EMERGNCY

-CHANGING ROOM

-ELEVATORS

-W.C

-MEP

-W.C -MASTER ROOM -BEDROOMS -LIVING AREA 74

CAFE: -SEATING AREA

-STORAGE

-KITCHEN

-CASHIER

CONCEPT

CONCEPT DIAGRAM

-The Concept is to provide as much units as we can in a certain space by going vertical with providing the same spaces/are in a horizontal compound of units and with the same activities in a compound of units.

1

- 12 units layed out horizontally on 2500 sqm site

2

- Stacked double the amount of units in a 2500 sqm site to form a building compound

3

- Added The same amount of green/outdoor spaces to end up with a building compound

4

- Distributed the vertical building compound on the 2500 sqm site 75

MASS DEVELOPMENT

42

50

1 76

36

50

-Stareted with simple shape With 1500 SQM Related to FAR

2

-Cintralized the core so all the apartments have equal views.

3

-Assigned uses to each floor.

-Replaced the double height area to add another floor

-Residential Unit

UNIT

+1

4

-Divided the floor into 6 residential units each floor.

5

+1

Added the floor to use all the FAR. Divided the floor useage (Residential and recreation)

6

-Added stairs in the main elevation for commerical purpose

77

BUBBLE DIAGRAM ADMIN

GYM

LOUNGE

PARKING LAUNDRAY

LOBBY DAY-CARE

DIRTY ENTRANCE

VILLAS GUEST ROOM

W.C

PUBLIC SEMI-PUBLIC PRIVATE 78

HALL

MASTER ROOM TOILET

DINING

W.C

CAFE

TOILET

KITCHEN

LIVING

LIVING

BEDROOM

BEDROOM BEDROOM TOILET

UNITS

(B)

Second Floor

Second Floor

7.2

7.2

(A)

STRUCTURAL MODULAR

First Floor

51.8 SQM

First Floor

Architectural Modular

Unit 3D Section

Unit 3D Section

1.2

1.2

1.44SQM

79

Ground Floor Plan 15

5

10

First Floor Plan 15

0

5

10

0

A A Second Entrance

Main Entrance

A

80

A

Second Floor Plan 15

Section A-A

5

10

0

81

EXTERIOR As shown, the apartments are two levels which are connected with a staircase in the center of the apartment.

82

83

INTERIOR UNIT (A) Interior perspective shows the two levels and living spaces.

84

85

05

MULTIPURPOSE HALL

PROJECT BREIF

ARCHITECTURAL PROGRAM

Multi-purpose hall located in alandalus park, aims to serve the park users in diffirent events with recreation areas and educational area.

Location

120 Sqm

10X12

Lobby

40 Sqm

6.5X6

Cafe

40 Sqm

6.5X6

Services

36 Sqm

12X3

Kitchen

6 Sqm

2.5X2.5

Multi-purpose Hall

SAUDI ARABIA

Riyadh

Medina

JEDDAH

CONCEPT

1

Divided each function according to needed area

4

2

We distributed the element according to the connectivity between each element

We transformed the shape to circular to get more wider view range.

5

3

Elevated the multi-purpose hall to provide people with some shading.

Added circular ramp to attract the users in the park and passing by vehicle by showing the circulation inside the building.

Ground Floor Plan

First Floor Plan

EN

B

B

A +0

A

+2.5

+2.5

-0.5

A

A

B

B

90

Section A-A +7.7

+6.1

+2.75 +2.5

+0.8 0

0

-0.5

-0.5

-1

-1

Section B-B +6.2

+6.3 +5.6

+2.75 +2.5

+2.75 +2.5

+1 0

0

-0.5

-0.5

91

DETAILED SECTION B A

C

A

B

C

D

E

F

D

E

92

Reinforced Concrete

Sand

Concrete

Brick

Water insulation

East Elevation

South Elevation

West Elevation

North Elevation

93

EXTERIOR

-0.5

As shown, the curve is a round-ramp gallery with perfect exterior lighting and transpercy to the outdoor

94

95

06

MICRO HOUSE THE UNITS

PROJECT BREIF

CONCEPT

LOCATION

A micro house is a small house that is often energy-efficient and designed strategically to maximize usable space while minimizing the home's footprint.

The cocept is based on the idea of building blocks.

SAUDI ARABIA

Each unit can be used either separately or linked together with the other units creating a larger unit ‘Building’

A micro house is usually suitable as a living space for one to two people.

Micro house are designed to be minimalist structures, but they are not lacking in normal features such as kitchens and bathrooms.

Designed specially for an Artist and a Painter.

One of the main issues of micro housing is the limited space, this problem has been solved by creating a multifunctional space.

Riyadh

Medina

A living room would serve as a bedroom, dining room, dining and working space.

The built in components of the bedroom can be lifted and hidden in the ceiling when a working space is needed.

JEDDAH

It includes a work space and a showroom to serve as a gallery to showcase the art pieces.

ARCHITECTURAL PROGRAM

KITCHEN

2 x 0.6 1.2 SQM

98

GALLERY

LIVING AREA

BATHROOM

30% Of Area

4x3

1.83 x 1.83

8.819 SQM

12 SQM

3.3489 SQM

BEDROOM

3.5 X 3.5 12.25 SQM

99

A

UNIT GROUND FLOOR PLAN 0.2 M 1M

0.9M

1.4M

1.1M

A

4.1M

0.7M

A

0.2 M

FIRST FLOOR PLAN 12M

0.2 M 0.7M

1.5M

0.42M 0.8M 1.4M

0.6M

0.9M

0.55M 0.77M

0.75M

0.75M

1.4M

0.7M

A 100

A

0.2 M

4.1M

+7

SECTION A-A

+3.5

±0

+7

+3.5

NORTH

±0

EAST 101

B

UNIT GROUND FLOOR PLAN

1M

2M

0.4M 0.5M

1M

1.5M

0.65M

0.3M 1.35M

0.6M

0.2 M

0.7M

0.45M

0.55M

0.9M 0.4M 0.8M

0.9M

1.2M

0.6M

0.4M

0.75M

3.8M

0.6M

0.75M

1.75M 1.6M

A

A 0.4M 0.4M

0.63 M

0.6M

1.47MM

0.7M

0.2 M 4.8M

3.3M 12M

102

SECTION A-A

+3.5

±0

SOUTH +3.5

±0

EAST

+3.5

±0

103

UNIT (A) EXTERIOR A single unit in Al-Balad

104

105

EXTERIOR UNITS As shown, multiple unites joint together to create a community.

106

107

07

WORKING DRAWING

1

3

2 5.00

3.00

2

Ceramic 030-1150 15x15x0.1 cm

2

2.30

Ceramic 030-1150 15x15x0.1 cm

2

2.30

Ceramic 030-1150 15x15x0.1 cm

0.48

2

0.38

2

PROJECT BREIF The main focus for this project is to design a house and produce working drawing sheets, construction, electricity, plumbing, detailed sections and etc..

GENERAL INFORMATION Area:

121 SQM

Programs:

Autocad Revit

110

DETAILS SCHEDULE

Doors And Windows CATEGORE

Doors

SYMBOL

D1 D2 D3 D4

TYPE

WIDTH

Steel

1.2 0.6

2.3 2.1

0 0.2

Almnashi

0. 9 1

2. 3 2.3

0 0

Almnashi

2 2.22 2 1.8 1.1 5

2.15 2.15 0.8 0.8 0.8 2.15

0.15 0.15 1.5 1.5 1.5 0.15

Wintk

2.8 2.4

2.3 2.3

0 0

Wintk

Steel Wood Wood

W1 W2 W3 W4 W5 W6

Aluminium

Windows Door

WD1 WD2

Aluminium

CATEGORE

SYMBOL

Windows

Aluminium Aluminium Aluminium Aluminium Aluminium

Aluminium

HEIGHT

FOOTING

COMPANY

Almnashi

Almnashi

Wintk Wintk Wintk Wintk Wintk

Wintk

QUANTITY

2 1 6 1 1 1 2 4 1 1 1 1

Finishings TYPE

WIDTH LENGTH

H.D.F

0.2 0.15

1.3 0.15

0.4 0.15 0.3 0.15

0.4 0.15 0.3 0.15

0.01 0.005 0.005

1.3 1.3

0.2 0.2

0.09 0.09

8388210 8388210

0.3 0.15 0.15 0.15

0.3 1.3 0.6 0.15

0.03 0.009 0.01

42071327 170-1380

1

Mozayko

2 3 4 5 6 7 8

Borsalen

THICKNESS

SERIAL NO#

0.009 0.01

5965

COMPANY Alsorayee Almodayfer

* Mozayko is under the H.D.F

Floors

Wzrat

9 1 2 3 1

Walls

2 3

Ceiling

Ceramic Ceramic Mozayko

170-1380 030-1150 030-1450

Saudi Ceramic Saudi Ceramic Saudi Ceramic Almodayfer

Concrete H.D.F H.D.F Cement H.D.F Borsalen Mozayko

AlSorayee Saudi Ceramic SMC Saudi Ceramic Saudi Ceramic Almodayfer

SA500N

Plastic White Paint

Joutin

* 2cm Fenishing undr the paint

Ceramic

0.15

0.15

0.005

030-1150

Saudi Ceramic

* 2cm Fenishing undr the Ceramic

Ceramic

0.3

0.3

0.005

030-1450

Saudi Ceramic

* 2cm Fenishing undr the Ceramic

3

Concrete

1 2

Plastic White Paint

SA500N

Joutin

Concrete

111

SECTION A-A 5 × 30 5081

1

3

2

4

60X10X0.5 CM

2

5081

15x15x2 cm

5.00

3.00

2 15x15x2 cm

5.00

15x15x2 cm

15x15x2 cm 2

2

6,5

6,5 2

7

7

5

5

2

2

12

12 2

500

2

0.05

500

Call-Out 4 0.86

0.36

2 2

Ceramic 030-1150 15x15x0.1 cm

500

030-1150

15X15X0.5 CM

030-1150

15X15X0.5 CM

2

5965

15X103X0.9 CM

5965

20X103X0.9 CM

2

2

2.78

2

15 2

0.22

2 2

7 12

Ceramic 030-1150 15x15x0.1 cm

2.78

Ceramic 030-1150 15x15x0.1 cm

2

500

2

Call-Out 3 0.32

2.30

500

12

2

1،5 × 30 × 30 2

3 CM

5

Ceramic 030-1150 15x15x0.1 cm

0.38

7

2

15

0.22

2.30

500

2.30

12

15 × 30 × 60

Call-Out 1

15 × 30 × 60

500

2

2 170-1380

15X40X0.1 CM

170-1380

40X40X0.1 CM 2

0.39

2.30

2.78

0.48

2

0.38

2

0.60

12 2

0.30

15 60 CM 30 CM

Call-Out 2

112

SECTION B-B 5 × 30 5081

60X10X0.5 CM

D

2

C

A

5081

2

15x15x2 cm

15x15x2 cm

3.00

15x15x2 cm

6.00

15x15x2 cm

2

2 6,5

0.05

6,5

0.12

2 12

7 5

2

2 12

2

5965

15X103X0.9 CM

5965

20X103X0.9 CM 2

30X30X0.5 CM

030-1450

30X30X0.5 CM

030-1450

30X30X0.5 CM

1.00

2 15

2

2

30X30X0.5 CM

2.79

2.78

7 12

12

2

500

2

1.50

2.68

2.78

0.80

Call-Out 2

2

2

2

1.38

2.78

2.78

3 CM 7

1،5 × 30 × 30

0.48

0.22

0.22

2

500

0.38

0.22

0.31

500

030-1450

2

0.22

1.00

2

2

30X30X0.5 CM

0.22

500

2.78

Call-Out 4

030-1450

0.05

Call-Out 3 0.20 2.10

500

0.22

5

1.83

7

5 15

12 2

0.90

2

15 × 30 × 60

2.78

0.22

0.22

15 × 30 × 60

Call-Out 1

0.30

0.60

2

0.39

500

113

BASEMENT FLOOR PLAN 1

3

2

4

13.20 0.10

5.00

3.00

5.00

0.10

0.10

0.10

0.32

B

A

A 7.56 0.32

5.68

9.20 0.20

0.32

9.20

6.00

6.00

LIVING

6.00

0.32

1.10

A

2.40

0.20 1.00

0.32

0.20 4.12

3.00

3.27

0.26

0.30

C

STORAGE 2.68

0.32

D4

D2

1.15

2.56

3.00

1.15

C

4.68

A

D 0.10

0.32

0.32

0.10

D

B

NORTH Ceiling 0.10

Wall

5.00

3.00

Wzrat

5.00

0.10

13.20

Floors

1

114

2

3

4

GROUND FLOOR PLAN 1

3

2

4

13.20 5.00

3.00 1.20

0.60 0.12

2.0

5.00 0.60

2.40

0.10

0.20

1.74

0.06

B

W2

2.00

2.40

PAVEMENT 0.35

0.40

0.10

W1

0.35

0.10

STREET

A 0.30

0.60

0.20

3.68

A

2.10

DW1

2.10

0.30

2.80

1.52 2.80

0.10

0.30 0.30

1.52

0.20

3.00

6.00

0.35

0.35 4.80

0.20 1.20

9.20

4.24

3.30

9.20

1.20 0.20

6.00

6.00

6.00

1.74 2.40

GALLERY 5.80 0.60

1.10

0.90

1.53

A

2.40

1.53

1.10

1.61

0.32

C

D3

0.30 1.10

2.56

3.20

3.00

D1

3.00

C

6.20

0.45

0.12 1.20

4.80

A

W.C

D 0.10

0.10

D

B

NORTH Ceiling 0.10

Wall

5.00

3.00

Wzrat

5.00

0.10

13.20

Floors

1

2

3

4

115

FIRST FLOOR PLAN 1

3

2

4

13.20 0.10

5.00

3.00

5.00

0.10

2.80

0.20

4.80

2.00

W3

5.80

9.20 6.60 3.00

1.90

0.90

W.C

C

0.90

0.60 1.10

1.73

1.61

1.53

A

2.40

1.10

1.10

D3

0.60

LAUDNRY

W.C

0.63

0.30

D3

1.53

2.56

0.20

5.70 3.00

0.32

0.90

D3

0.20

7.08

D3

BEDROOM

0.60

0.32

0.90

2.50

9.20

O FFIC E

6.00

2.00

2.00 6.00

W3

BED RO O M

C

0.10

A 0.20

2.00

0.20

1.30

1.50

4.80

0.40

A 0.20

0.60

0.20

0.10

0.20

0.20

B

A

D 0.10

W4

B

NORTH 6.00

Ceiling 0.10

Wall

0.20

0.20

0.32

0.10

D

1.80

5.00

5.40

3.00

Wzrat

5.00

0.10

13.20

Floors

1

116

2

3

4

SECOND FLOOR PLAN 1

3

2

4

13.20 0.10

5.00

3.00

0.35 1.05

5.00

1.50

11.80

1.40

0.15

A

A

7.18

BALCONY

LLIVING

0.40

0.20

0.20

0.20 2.80

0.20

0.20

4.80

1.20

0.32

4.80

9.20

9.20

8.81

DINING

6.00

5.00

W6

5.80

6.00

1.10

KITCHEN

C

WD2

1.83

0.90

0.20

0.20

0.32

D

W4

0.20

A

W.C

0.10

3.00

2.40

1.10

D 0.10

1.53

1.61

2.40

0.60

1.53

0.30 1.10

1.10

A

LIVING

D3 0.26

0.32

1.15

2.56

3.00

1.15

C

B

NORTH 6.00

Ceiling 0.10

Wall

0.10

0.20

0.20

0.10

W5

0.20

B

1.80

5.00

5.40

3.00

Wzrat

1.40

5.00

1.50

14.60

Floors

1

2

3

4

117

08

RENEWABLE

ENERGY

Group Work 1-Arch. Faisal Abdraboh 2-Arch. Mohanad Al-Mashat 3-Arch. Mulham Hariri

Location: Victoria, Seychells Altitude : -4.566692 Longitude : 55.4540 118

119

General Information

DESIGN DEVOLOPMENT

The main concept of this project is to create an energy efficient home with two functioning occupants, keeping in my mind everyday activities, energy gain and loss calculations and indirect natural light with shading over the year

WINTER

SUMMER

120

Ground Floor Plan 25

30m

15

20

5

10

0

1-Living Area 2-Kitchen 3-Bedroom

BUBBLE DIAGRAM A

Kitchen

Living Room

Bedroom Master Bathroom

Core

Bathroom

B

3

2

B

1

Entrance

Main Entrance

A

121

Sunpath Study Daylight Time December : 12:23 hours Daylight Time June : 11:51 Hours

-10

N

10

-20

20

-30

30

10

-40

40 20

-50

50

30 40

-60

60 SUMMER 21 JUN SOLSTIC

50 A

-70

70

60 70

-80

80 80

B

B

W

E

-100

100

-110

110

A

WINTER 21 DEC SOLSTIC

-120

120

-130

130

-140

140 -150

150 -160

160 -170

122

S

170

SUN STUDY

21\ JUNE SUMMER 12:00 PM

21\ JUNE SUMMER 10:30 AM

S

W

E

N

S

S

N

W

E

N

E

21\ JUNE SUMMER 3:00 PM

W

123

SECTION A-A

NORTH SUMMER

SOUTH WINTER

Level 2 4.60

62O

70O

Level 1 0.60 Level 0 0

124

SECTION B-B

WEST

EAST

48O

52O

125

PHOTOVOLTIC Photovoltaics (PV) is the conversion of light into electricity using semiconducting materials that exhibit the photovoltaic effect, a phenomenon studied in physics, photochemistry, and electrochemistry.

A photovoltaic system employs solar panels, each comprising a number of solar cells, which generate electrical power.

126

PV SYSTEM

Name

Unit

Photovoltaics

Yield Photovoltaics AC Self-Consumption To External Grid From External Grid Battery Discharging Energy Total Fuel and/or Electricity Consumption Total Electricity Consumption

kWh kWh kWh kWh kWh kWh kWh

14,039 12,499 1,398 1,670 3,555 -2,680 11,850 127

CLOUDY, SUNNY DAYS 30 25

DAYS

20 15 10 05 00 JAN

FEB

MAR APR MAY JUNE SUNNY

JUL

PARTLY CLOUDY

AUG

SEP

OCT

NOV

DEC

OVERCAST

WATTAGE CALCULATION Average day Hours

Average Month Hours

Wh (Day)

Wh (Month)

TV

240

1.4

336

3

2160

1008

30240

AC

230

8.6

1,978

12

8640

23736

712080

Microwave

-

-

1,250

1

720

1250

37500

Lamp

250

0.2

50

0.1

72

5

150

Phone Charger

240

0.15

36

5

3600

180

5400

Laptop

13.5

9.25

125

3

2160

374.625

11238.75

Living room Lamp

250

0.2

50

4

2880

200

6000

Refrigerator

-

-

200

24

17280

4800

144000

Kettle

230

13

2,990

0.1

72

299

8970 Total

946608.75kWh

128

Equations: Watt X Hour = Wh Volt X Amber = W

Extra Electricity going to the grid comparing with electricity taken from the grid Electricity from the grid

Consumers self consumption are lower than the income from the Photovoltics

Extra Electricity

Differential

Photovoltics electric production is higher than self consumption as showen in the month of december

the income ffrom the external grid is really low comparing to the incrome of energy from the pv system

129

EXTERIOR The exterior perspective shows that the house is on a beach and the design approach is simple and modern

130

131

BEDROOM As shown, the bedroom is perfectly lighted.

132

133

LIVING AREA As shown, the living room view is directly to the sea with indirect natural lighting.

134

135

Competitions 09 10 11 12 13

136

Rowat Alhadith Museum (1) Rowat Alhadith Museum (2) Fish Lake Tunnel Design F. I . U S o c i a l P a v i l i o n

138-155 156-181 182-195 196-209 210-221

137

09

MUSEUM OF ROWAAT AL-HADITH

‫رﺟﺎل ﺣﻮل اﻟﺮﺳﻮل‬ COMPETITIONS

138

Group Work

Supervisors

Type: Architecture Competition.

Duration: 2 Weeks.

Location: Al-Madinah Al-Monawarah, Saudi Arabia.

1-Dr. Mohammed Al-Amoudi 2-Dr. Khalid Yousif

139

PROJECT BRIEF The design of Al-Hadith Narrators Museum is based on an in-depth analysis of the process of collecting and investigating Al-Hadith Al-Sharif, thanks to the effort of the narrators as well as the Al-Jarh wa Al-Taadeel specialists.

Adopting the concept of companions around Prophet Mohammed, shared facilities are organized around an atrium dominating the ground floor plan, whereas, exhibition spaces are organized in a more pure mass reflecting the solidarity of Al-Hadith due to the effort of the narrators.

LOCATION

PROBLEM STATEMENT

SAUDI ARABIA

Medina

Riyadh

CITY

JEDDAH

AL-MADINAH Airport

Site

Al Haram

GENERAL INFORMATION Competition Type : Duration: Location:

Architecture 2 Weeks Al-Madinah Al-Monawarah, Saudi Arabia

Masjid Quba'a Abyar Ali

Museums are usually located in the center of the cities due to the easing of accessibility for museum visitors, yet in this case Rwaat Al-Hadith museum is far from the city center thus it is an opportunity to be considered as an essential seed for the next city urban context development.

TOWN MUSEUM

CONCEPT

AL-HADI ALNABAWI

‫رﺟﺎل ﺣﻮل اﻟﺮﺳﻮل‬

‫اﻟﻬﺪي اﻟﻨﺒﻮي‬

COMPANIONS ‫اﻟﺼﺤﺎﺑﺔ‬

THE FOLLOWERS OF THE FOLLOWERS ‫ﺗﺎﺑﻌﻲ اﻟﺘﺎﺑﻌﻴﻦ‬

THE FOLLOWERS ‫اﻟﺘﺎﺑﻌﻴﻦ‬

CONCEPT DEVELOPMENT

1

The Heart of the mass represents the Prophency beacon and the connection to the sky.

2

Cubes are aligned together to represent the companions of the Prophet Mohammed, providing the grid on which the plans can be organized.

MODERN

CODE

TRADITIONAL

CODE STONE

3 142

Ground floor cubes are organized around the central Atrium (Prophency Beacon) in three layers; representing Al-Sahaba, Al-Tabeen and Tabeen Al-Tabeen.

4

WHITE COLOR THE DOMINANT COLOR OF AL-MASJID AL-NABAWI

Modern code, being manifested in a pure mass, represents Al-Hadith after Al-Jarh and Al-Tadeel process. Traditional code represents the urban fabric of the traditional city.

DESIGN APPROACH The Design Approach is to develop a unique form derives it's characteristics from the process of collecting and classifiying Al-Hadith. The base of the form is influenced by the urban fabric of Traditional Cities. The top part of the form is a pure form reflecting the solidarity of Al-Hadith contributed to by the narrators.

-Responding to the topographical context of the site, minimal cut and fill is promoted. Further, the use of the site during the work-off hours is supported, best utilizing outdoor spaces.

BUILDING USES ‫اﻟﻬﺪي اﻟﻨﺒﻮي‬ AL-HADI AL-NABAWI

ATRIUM

IN\OUT

CAFE HADITH

EXHIBITION ADMIN

OFFICES AUDITORIUM

VIP

LOUNGE

LIBRARY

SPACE OUT-DOOR

PUBLIC

TEMPORARY

EXHIBITION SERVICES

AND

UTILITIES

STAFF PARKING

GENERATION OF FORM VISITORS PARKING

143

Ground Floor Plan 1

1-MAIN ENTRANCE 2- VIP ENTRANCE 3-RECEPTION 4-TEMPORARY EXHIBITION 5-CAFE 6-atrium 7-MOSQUE 8-ADMIN 9-auditorium 10-VIP AREA 11-LIBRARY

2

3

4

5

6

7

8

9

10

11

12

13

14

15

A

A

7 7

8

B

B

11

+7.0

C

6

5

C

3

A D

D

MAIN EN.

1 +5.0

E

E

9 +5.0

F

F

A

5

2

G

G

10

+3.8

4

+3.0

VIP EN.

H

H

I

I

USES AND CIRCULATION

VIP LOUNGE

GATHERING

AREA

GATHERING AREA COMMUNITY CENTER

MAIN ENTRANCE

AUDITORIUM

LIBRARY

MOSQUE

ADMIN

GATHERING

AREA

EDU.

VIP ENTRANCE

144

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

First Floor Plan 12-HADITH EXHIBITION 13-CAFE 14-HADITH LOBBY 15-seating area

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

A

A

12

7 12

12

12 8

B

12

12

12

7

12

11

12

15

12

12

12

C

12

B

12 12

12

+7.0

C

12 6

5

3 D

D

14

1

13

15

+5.0

E

E

12

12 9

12

12 +5.0

F

F

12

A

5

2 G

10

12

15

12

+3.8

G

4

+3.0

15 12

12

12

12

12

12

12

H

H

I

I 1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

USES AND CIRCULATION EXPERIENCE 3

EXPERIENCE 2

CAFE

GATHERING

AREA

EXPERIENCE 1

145

SECTION A-A

146

ISOMETRIC

147

SOUTH ELEVATION

148

WEST ELEVATION

149

ENTRANCE WAITING AREA As shown, the focal point is the high ceiling entrance with an indoor amphitheatre to increase social interaction between users.

150

151

VIP ENTRANCE As shown, the traditional code is on the lower level, and the modern code is on the upper level

152

153

EXTERIOR The facades at the bottom indicate the historical architecture and the upper part represents the contemporary architecture and this fact for the Prophet’s Hadith, it keeps pace with all the ages.

154

155

10

MUSEUM OF ROWAAT AL-HADITH

COMPETITIONS

156

Group Work

Supervisors

Type: Architecture Competition.

Duration: 2 Weeks.

Location: Al-Madinah Al-Monawarah, Saudi Arabia.

1-Dr. Ahmad Khan 2-Dr. Adel Al-Zahrani

157

PROJECT DESCRIPTION AlMadinah AlMunwwarah, often referred to as "Enlighted city" or the "shining city" is the first embrace of the message place of Islam, which came to our Prophet Muhammad (peace be upon him), The city is the second of the two holy mosques in Islam. Madinah Region Development Authority MDA organizes a limited ideas competition for designing the "Hadith Narrators" Museum.

LOCATION

SAUDI ARABIA

Medina

Riyadh

JEDDAH

AL-MADINAH Airport

Site

Al Haram

Masjid Quba'a Abyar Ali

CONCEPT The Concept revolves around the Narrators of the hadith, They are the preservers of the Hadeeth and AlHadi AlNabawi.

The Concept started with three parts the source of the AlHadi AlNabawi the Prophet (Peace Be Upon Him). then we represented the journey of the Narrators of the Hadeeth to preserve AlHadi AlNabawi, Finally, we represented AlHadi AlNabawi as their destination.

Source Hadith Narrators Journey

Al Hadi Al Nabawi

160

MASS DEVELOPMENT Building Area

1

75 x 135 meters of space.

Holy Paths

2

Subtraction

5

Subtracting different bulks to define the main concept.

Defying the main three axises pointed to the three holy mosques.

Repetition

3

Connection

6

Connecting the two bulks to create exhabition area.

Repeating axises to create a multi-modular grid system.

Main Mass

4

Reforming

7

Reforming the two bulks to create a sustainable space by decreasing air-flow.

Extruding the main mass.

Shifting

8

Shifting the exhabition area to create more spaces for show rooms.

161

Ground Floor Plan 01. Main Entrance 02. VIP Entrance 03. Temporary Exhibition 04. VIP Area 05. Auditorium 06. Exhibition Room 07. Library 08.Library Entrance 09.Library Administration 10. Loading Path 11.Car Parking 12.Bus parking

06

05 +0.15m

+1.5m

09

+1.65m

06

10 +1.5m

07

06

04 08 06 06

Library Entrance

03

06

+1.5m

VIP Entrance

02

01

+1.05m

+0.15m

+2.1m

Main Entrance +1.05m

+2.1m

11

12

162

First Floor Plan 13. Exhibition Room 14. Praying Area 15. Auditorium 16. Cafe

13 06

05

13

+0.15m

+1.5m

09

13

+1.65m

06

10

13 15

16

+1.5m

07

06

13

04 08

13

13 06

06

Library Entrance

03

13 06

+1.5m

VIP Entrance

02

14 01

+1.05m

+0.15m

+2.1m

Main Entrance +1.05m

+2.1m

11

12

163

ISOMETRIC

164

165

SITE SKETCH

166

SECTION SKETCH

167

EXTERIOR This perspective shows the combination of the tradition architecture and the modern design approach.

168

169

ENTRANCE The exterior perspective shows that the house is on a beach and the design approach is simple and modern

170

171

LOBBY This shows the different levels and the main lobby of the museum

172

173

MUSEUM EXTERIOR The exterior perspective shows that the house is on a beach and the design approach is simple and modern

174

175

MUSEUM This perspective shows the different museum spaces to create a unique user experience

176

177

LIBRARY EXTERIOR Very strong mass for the library to make seen by the visitors.

178

179

LIBRARY Library with a very high ceeling, gives a comfort feelings which support reading and relaxing.

180

181

11

FISH LAKE

COMPETITIONS

PROJECT DESCRIPTION

Group Work

Design of a park in Jeddah, Saudi Arabia for a competition hosted by Jeddah Municipality.

Type: Architecture Competition.

182

Duration: 4 Days.

Supervisors

Location: Jeddah, Saudi Arabia.

1-Dr. Mohammed Al-Amoudi

Group Work 1-Arch. Abdulah Jaran 2-Arch. Eyad Al-Hazmi 3-Arch. Faisal Abdrabu 4-Arch. Khalid Al-Amiri

5-Arch. Mohammed Al-Hamdan 6-Arch. Mohanad Al-Mashat 7-Arch. Mulham Hariri

183

GENERAL INFORMATION

CONCEPT

Fish park was established in 2005 and it's considered a land mark, but it was neglected and it got polluted over time.

This competition is a reinvention of fish park and to bring the value it had before to jeddah locals.

To increase the interaction between users and the fish sculpture by creating 3 bridges to bring life back to the area, history and to conserve the value of fish sculpture.

LOCATION

BRIGDES CONCEPT:

SAUDI ARABIA

Riyadh

Medina

JEDDAH

First Bridge: Create an experience from the fish park to al-conriche passing by the fish sculpture.

Second Bridge: Ease the accessibility between the two banks of the site.

Third Bridge: Create an experience for the user between the park and fish sculpture.i

The world is now aware of the reckless exploitation of natural resources and is now consciously trying to move towards a sustainable future.

Within this endeavor, it has become very important to think about intelligent solutions to building materials and to mitigate traditional solutions.

Freight containers are one of the best quality construction solutions that can be easily recycled and are available globally as there are nearly two million unused containers in ports around the world.

We would like to use them so that they help make the project more efficient in terms of sustainable sources.

ISOMETRIC

First Bridge Create an experience from the fish park to al-conriche passing by the fish sculpture.

Second Bridge Ease the accessibility between the two banks of the site.

Third Bridge Create an experience for the user between the park and fish sculpture.

Fish Sculpture Due to the importance and value of the fish sculpture, we abstracted it in a way to let light through the sculpture and views too.

Landscape Provide trees to the northern and southern side of the park with palm trees.

‫‪SUSTAINABILITY‬‬

‫‪Using of waste containers‬‬

‫‪03‬‬

‫‪2‬م‬ ‫‪.5‬‬

‫‪02‬‬

‫‪6‬م‬

‫ﻣ‬ ‫ﺴ ﺎﺣ‬

‫ﺔ ﺗﺄ‬

‫‪2‬م‬ ‫‪.5‬‬

‫‪ 2.6‬م‬

‫ﺷﺒﺎ‬

‫كﻣ‬

‫ﺔ‪1‬‬

‫ﺷﺒﺎ‬

‫كﻣ‬ ‫ﺴﺎﺣ‬

‫ﺔ‬ ‫ﺗﺄﺟ‬ ‫ﻴﺮﻳ‬

‫ﺔ‪2‬‬

‫‪1‬‬ ‫ﻣ‬ ‫ﺴﺎ‬ ‫ﺣﺔ‬

‫‪3‬م‬

‫ﺗﺄﺟ‬ ‫ﻴﺮﻳ‬ ‫ﺔ‪2‬‬

‫‪3‬م‬

‫‪06‬‬

‫ﺴﺎﺣ‬

‫ﺔ‬ ‫ﺗﺄﺟ‬ ‫ﻴﺮﻳ‬

‫ﺟﻴ‬ ‫ﺮﻳﺔ‬

‫‪01‬‬

‫‪05‬‬

‫ﻣ‬

‫ﺴﺎ‬ ‫ﺣﺔ‬

‫ﺗﺄﺟ‬ ‫ﻴﺮ ﻳ‬ ‫ﺔ‪1‬‬ ‫ﻣ‬ ‫ﺴ ﺎﺣ‬

‫ﺔ ﺗﺄ‬

‫ﺟﻴ‬ ‫ﺮﻳﺔ‬

‫‪2‬‬

‫‪04‬‬

‫‪Section‬‬

‫‪186‬‬

MATER PLAN

187

3 BRIDGES As shown, there are different levels of bridges, connecting from one sider to another, from the park to conrcihe and from on side of the park to another.

188

189

SEATING AREA + BRIDGES This perspective shows the bridges and the fish lake statue

190

191

CONTAINERS This perspective shows the kisoks to keep the park self sustained.

Reusing the containers as a rental area per month, with seats around it.

192

193

FISH SCULPTURE As shown, the statue of the fish is kept as old but with new design approach to renew its value

194

195

12

AL-ANDALUS

TUNNEL INVITATION

PROJECT DESCRIPTION

Group Work

Invitation to design Interior facade for Al-Andalus Tunnel in Jeddah, Saudi Arabia for Jeddah Municipality.

Type: Architecture Competition.

Duration: 4 Days.

Location: Jeddah, Saudi Arabia.

196

Supervisors

Group Work

1-Dr. Mohammed Al-Amoudi 2-Dr. Ahmad Khan

1-Arch. Abdulah Jaran 2-Arch. Eyad Al-Hazmi 3-Arch. Khalid Al-Amiri 4-Arch. Mohammed Al-Hamdan 5-Arch. Mohanad Al-Mashat 6-Arch. Mulham Hariri 197

General Information

Abstract

Al-Andalus tunnel is a 1500m long tunnel connecting Falastin Road and Al-Hamra.The initiative is to redo the interior facades of the tunnel with an islamic pattern

The circle is the point all islamic pattern start from, The circle is a symbol for al-islam and symbolizes that al-kaabah is the center for muslims.

Pattern Proccess Al-Madinah

Jeddah

Location

Makkah

SAUDI ARABIA Makkah Riyadh

Medina

JEDDAH

Al-Madinah

‫ﺟﺪﺓ ﻫﻲ ﺍﻟ�ﺍﺑﻂ �ﻴﻦ ﻣﻜﺔ ﻭ ﺍﻟﻤﺪﻳﻨﺔ ﻭﻫﻲ ﺑﻮﺍﺑﺔ‬ ‫ﻟﻠﺤﺠﺎﺝ ﻭﺍﻟﻤﻌﺘﻤ��ﻦ ﻭﺿﻴﻮﻑ �ﻴﺖ ﺍﻪﻠﻟ ﺍﻟﺤ�ﺍﻡ‬

‫‪ALMADINAH‬‬

‫ﺍﻟﺪﺍﺋﺮﺓ ﻭ ﺍﻟﻨﻘﻄﺔ ﺍﻟﺘﻲ ﻓﻲ ﻣﺮﻛﺰﻫﺎ ﺗﺒﺪﺃ ﺟﻤﻴﻊ ﺍﻷﻧﻤﺎﻁ‬ ‫ﺍﻹﺳﻼﻣﻴﺔ‬

‫‪MAKKAH‬‬ ‫‪JEDDAH‬‬

‫ﺗﺠ��ﺪ ﺍﻟﺸﻜﻞ‬

Pattern Transformation

200

01

02

03

04

05

06

07

08

Pattern Transformation

Average speed in in seconds: 20 m/s

Average speed is 75 km/h

60 meter for every changing point in the pattern

60m

60m

60m

Pattern Transforms in 3 seconds

60m

60m

60m

60m

60m

60m

60m

201

Pattern Transformation

202

Detailed Section Light Spaces

Light Spaces

Concrete Wall

GRC Board Pattren (GRC)

Concrete Wall GRC Board Pattren (GRC)

Light Spaces

Light Spaces

Steel Hooks

203

TUNNEL VIEW This perspective shows how the pattern on the walls is.

204

205

LIGHTING The lighting one one of the poerful experince elements in the project espicially in the columns area

206

207

PATTERN TRANSFORMATION As shown, pattern tranforms from simple square to an islamic complex patterns

VIDEO LINK youtu.be/mss42eqbhkM

208

209

13

F.I.U SOCIAL

PAVILION COMPETITION

210

Group Work

Supervisors

Type: Architecture Competition - Furniture Duration: 7 Days.

Location: Florida, USA

1-Arch. Mohammed Al-Jehani

Group Work 1-Arch. Eyad Al-Hazmi 5-Arch. Mohanad Al-Mashat 2-Arch. Faisal Abdrabu 6-Arch. Mulham Hariri 3-Arch. Khalid Al-Amiri 7-Sultan Al-Zubaidi 4-Arch. Mohammed Al-Hamdan 211

General Information The project is a social pavilion placed around Florida International University campus to serve as street furniture, which was formed by a transformation in movemement phases

Design Concept The transformation was inspired from the 7 movement phases which muslims do in prayer, which serves a purpose in rasising awareness about islam religion.

Transformation

Pavilion Section

FURNITURE RENDERS The furniture design is inspired from the transformation fill.

214

215

INTERIOR The smooth design gave peace and comfort

216

217

MULTI PURPOSE HALL As we can see it can be use by so many functions and uses.

218

219

INTERIOR The stripe lights describe how is the design, which gave a unique experince.

220

221

Experience 14 Villa Heime 766 15 Moutasim Villa 16 Interior Design Project

222

224-231 232-237 238-245

223

14

VILLA HEIME 766 Group Work 1-Arch. Eyad Al-Hazmi 2-Arch. Mohanad Al-Mashat

225

PROJECT BREIF This villa has a unique challenge, the client is a birds collector, so the main goal was how to interact directly with the birds without being annoyed of them.

LOCATION

LOCATION

SAUDI ARABIA

There are many solutions but we choose the optimum, which that he can interact with the birds inside a place we define as an inoutdoor space.

Second Floor 100 SQM

First Floor 180 SQM

Riyadh

Medina

Ground Floor 205 SQM

JEDDAH

226

CONCEPT

01.

Site Bondraies Lot Area

02. Setbacks

15m

4m 2m

11m

2m

30m 24m

INDOOR LOT AREA 450 SQM

3m

03.

Architectural Spaces

04.

Placed the garden in/out space +parking

P

OUTDOOR

In/Outdoor Visual

Living Areas Visual

IN/OUTDOOR

227

Ground Floor Plan

228

First Floor Plan

Annex Floor Plan

Isometric Section

229

230

231

15 Architecture & Interior Firm

Ahmed.F. Banaja

Jeddah . N . Obhur . Prince Meshal Bin Majid St.

Moutasim

Villa

233

Ground Floor Plan

234

First Floor Plan

235

236

237

16 Architecture & Interior Firm

Ahmed.F. Banaja

Jeddah . N . Obhur . Prince Meshal Bin Majid St.

Interior Design

Project

239

Ground Floor Plan

240

First Floor Plan

241

ANNEX

01. RedBrick 02. BlackMarble 03. Wood 04. Steel 05. Epoxy 06. SteelMesh

242

04

01

05

06

243

GROUND FLOOR

01. WhiteMarble 02. GrayPaint 03. Wood 04. WhiteStones 05. GrayMarble

244

02

03

04

04

05

01

245

Mohanad Faisal Al-Mashat Intern Architect

E: mohanadfam@gmail.com P: +966 569525773