PORTFOLIO
MOMIN MOHAMMED FAISAL
S.S.C
PERCETAGE OBTAINED 87.40%
SKETCHUP
H.S.C
KISHANCHAND CHELARAM COLLEGE
PERCETAGE OBTAINED (SCIENCE STREAM) 82.17%
RIZVI COLLEGE OF ARCHITECTURE CURRENT CGPI :8.17
RIZVI COLLEGE OF ARCHITECTURE, MUMBAI
MS OFFICE
COMMUNICATION
TECHNICAL
TEAM WORK RESPONSIBILITY
SOFTWARE
TIMING
CONTACT faisalmomin2101@gmail.com
INTERACTION
#9892339558
CREATIVE
LANGUAGES SPOKEN ENGLISH HINDI MARATHI
Resume
PHOTOSHOP IN DESIGN
MY SKILLS
SITE VISIT NASHIK KERELA MANDANGARH
AHMEDABAD PUDUCHERRY (NASA) BELGAUM (NASA) GOA
COMPETITION/WORKSHOPS NARI GANDHI TROPHY, NASA 2017 SHORTLISTED IN TOP 10
HOBBIES
ANDC TROPHY, NASA 2018-HEAD OF THE TEAM NARI GANDHI TROPHY, NASA 2018- HEAD OF THE TEAM
FOOD
EXPLORE MUSIC
SPORTS
PHOTOGRAPHY
ICHH 2016,2017,2018
TRAVEL
ARCHITECTURE DESIGN
SEM IV : ECO VILLAGE, MANDANGARH SEM V : BIENNALE, GOA SEM VI : MEMORIAL/INSTITUTE, MUMBAI SEM VII: MASS HOUSING, TALEGAON
01 04 06 09
WORKING DRAWING
SEM VI : VILLA DESIGN G+2
11
INTERIOR N RIO IO O DESIGN E GN N
SEM III : RESIDENTIAL HOUSE SEM IV : OFFICE SPACE
13 14
SERVICES SER S SE ER C E
SEM VI : FIRE FIGHTING FOR G+24 BLDG
15
NASA
SEM IV : NARI GANDHI TROPHY SEM VI : NARI GANDHI TROPHY SEM V : ANDC TROPHY
16 17 18
V-RAY CORELDRAW
B.ARCH
AGE :21
01 0 1
AUTOCAD
HOLY CROSS HIGH SCHOOL
MOMIN MOHAMMED FAISAL
Content
SOFTWARE SKILLS
L.B.C EXPOSURE PROGRAMME (LAURIE BAKER CENTRE, TRIVANDRUM) (INTERNATIONAL CONFERENCE FOR HUMANE HABITAT)
02 2 03 03 04 0 4 05 06
PHOTOGRAPHY
19 01
558
EDUCATION
BRIEF Part 1:TO study the architectural fabric of rural communities and to develop an understanding of relationship between their way of life, the context and the built form. Part 2:To design an eco-village within the context of a rural village. What is an eco village? An ecovillage is an intentional, traditional or urban community that is consciously design locally owned, participatory processes in all four dimensions of sustainability (social, culture and economy) to regenerate their social and natural environments.
PLAN OF SADE GAON
To design an eco village within the context of a rural village. What is an eco-village? "An ecovillage is an intentional, traditional or urban community that is consciously designed through locally owned, participatory processes in all four dimensions of sustainability (social, culture, ecology and economy) to regenerate their social and natural environments' the usually Global Ecovillage Network definition of an 'ecovillage' is broad, allowing for many different kinds of communities and projects to be recognized. Because each ecovillage is designed by the people who live there, according to their vision, context, culture and interests, no two are alike. While every ecovillage is unique, GEN categorized them into three general categories Urbancommunities or eco-neighbor hoods with a common vision to reinvent life in the city to become more sustainable, collaborative and participatory Traditional - existing rural villages and communities that decide to design their own pathway into the future, using participatory processes to combine life-sustaining traditional wisdom and positive new innovation
0M
100 50
150
01
Sade is a dwelling with minimal resources and a sustainable habits . As of now it is at a juxtapose of understanding new modern techniques of construction or retaining their sustainable orthodox ways. Their humble settlement had begun with a basic few houses and started growing in radius with increased interaction between with a few basic houses and occupations or lifestyles. The local availability of materials like laterite, mud, bamboo, thatches, dried fibres made it easier and efficient for the people to construct their houses. although when asked upon a random few, Their opinion seemed too much of an anthesis due to their specific level of perception. The one who had never travelled out of sade or the possible surrounding had to say that the use of laterite and other natural materials were just more than apt. They believed in strength ad security of using these materials mentioned that they never required modifications in the house . Rather than villages learning from the cities, it is essential that we learn where our root lie and build somewhere in between and figure out what is right for the longer perpetual development.
A.C SHEET ROOF
+7.00m MEZZANINE
+5.50m
Ecovillages do not focus solely on ecology, even though many ecovillages start with a strong focus on the ecological dimension. Preservation and restoration of nature can only succeed when the social fabric is strong, cultural heritage is celebrated and people find ways to marry their love for the planet with their need to make a living. Experience has shown that given enough time, ecovillages will naturally develop to encompass all four dimensions of sustainability. "process
+4.00m
The students are required to study and understand the existing context in and around Chhatri Farmsan orchard situated in Sade village in Mandangad, Maharashtra following which they are required to create a proposal for an eco-village consisting of 11 housing units, a kitchen area, a dining-cummulti purpose area and common toilets & bathrooms
PLAN
0M
+0.45m
2 1
+/-0.00m
3
SECTION A-A’
0M
LIVING ROOM
2 1
3
01ARCHITECTURAL DESIGN
ECO VILLAGE
MANDANGARH,MAHARASHTRA SEM -IV
EAST ELEVATION ROOF PLAN
0M
2 1
3
0M
AXNOMETRIC VIEW
2 1
3
A RURAL HOUSING SETTLEMENT DOCUMENTATION
Income generation & increase in interaction
COMMUNITY
ENTRY/EXIT
Exchange of skills
Overall Development of village
PHASE 1
ECOLOGY FACTORS OF SUSTAINABILITY
ECO
When people from different Social, Cultural, Economical background take part in participatory process and live together leads -VILLAGE to formation of ECOVILLAGE.It is not an outcome but a continuos -A NEW BEGINNING process it is consciously designed through locally owned participatory process
02
ORGANIC MANURE
Aims to build economic practice and system taht contributes to sharing of resources mutual support and strong local economics
SOCIAL
VIEW OF FARMLAND, INCORPORATING VERTICAL FARMING FOR MAXIMUM OUTPUT
VIEW AND DETAIL OF VERTICAL FARMING COMPONENTS
CULTURAL
Aims to build diverse culture that supports people to empower and care each other
PLAN OF LIBRARY
SECTION A-A’ 0M FARMLAND
3.0
1.5
4.5
The lowest contour is dug and the soil is excavated the pit is used to store water and soil is used for construction
PHASE 2 FUTURE DEVELOPMENT LAKE
Space 1
COMMERCIAL
HOUSE BLOCK
SECTION
Aims to actively work to build trust, collaboration and openness between people and make sure they feel empowered seen and heard
COMMUNITY SPACE
LIBRARY
L-SUPPORT
ECONOMY
FARMLAND
LIVING
METAL FRAME
Aim to integrate human with rest of nature in ways that increase biodiversity and regenerate ecosystem
Maximizing cross ventilation within the space
Transistion space
Space 2
Creating transition space in between so as to maximize user experience
SECTION B-B’ COMMUNITY SPACE FARMLAND
Manure
N
Cotton plug
SECTION C-C’ View of community space
Using Pot Drip Irrigation System To Regenerate The Ecological Value Of Land
MASTER PLAN 0M
10 5
15
Pots are embedded within the soil and filled with water and manure. A small pin hole is made at the bottom of the pot to which cotton is attached and drips into the soil. The root sapling extends towards the pot and the trees grows faster.
SECTION D-D’
DESIGN INTERPRETATION
03
FOUNDATION
-RAMMED EARTH
The trench is dug of required dimension and the soil is rammed
The soil is then seived and larger particles are separated.
The soil is mixed with other components in definite proportion
The susequent layers are then added and rammed with hammer.
The second layer is added and rammed. It is checked that its appropiate.
First layer is poured and allowed to settle. The layer is allowed to dry and cured at intervals.
The last layer is rammed adjusting the layer and the thickness is checked.
The plinth is constructed using a suitable hard material (laterite stone).
WALLS
-ADOBE BRICK WALLS
The earth is excavated and mound with straw and sand. Dry manure is added, all the material are mixed together with bare foot stamping
ROOF
Bamboo is treated and then used. It is separated using bamboo splitter and slits of bamboo are made.
Two mats are attched using rasin applicator and sufficient thickness is achieved The bricks are dried in the sun covered with leaves or straw. They are lined in a row to allow maximum strength before using
Mats are glued together under high temperature and pressure then trimmed to corrugated sheet The walls are then constructed above and the plinth is then finished with plaster.
Cavity created provides effective thermal and sound insulation. Which maximize comfort within the structure.
RAMMED EARTH
FIRST LAYER
BAMBOO STRUT
JUNCTION DETAILS BAMBOO BEAM ROPE BAMBOO COLOUMN
FILLING WASTE MATERIAL
0.5M
The slits are then weaved by hands like mat.
The mixture is added to a wooden mould. It is checked that the mould is clean and free from cracks and impirities
ADOBE BRICK WALL
SECTION OF FOUNDATION THROUGH WALL
-BAMBOO CORRUGATED SHEET
Using rat trap bond for construction in which bricks are placed in vertical position 30%of bricks are saved and overall construction cost is reduced the bricks are placed in such a way that cavity is created within which helps in electrical conduiting.
BAMBOO CORRUGATED SHEET J BOLT
A ventilator is provided between roof so that the hot air escapes internally
MATERIAL/CONSTRUCTION TECHNIQUE
PORCH
BRIEF
PORCH
BEDROOM
A
With Rapid change of social and economic circumstances in urban areas, the requirements of urban and building spaces are changed quickly. In their life span, the urban fabric must accommodate change and adjustment, and be prepared for conservation into different functions. This can be done by either proposing new multifunctional spaces or by revitalizing historic preservation in city centers that form the identity of the particular city scape. Buildings, streets capes, and urban areas evolve and change according to the needs of their Inhabitants.
04 CAFETARIA
SEMINAR HALL KITCHEN/ TOILETS
B
LIVING ROOM
PRAYER ROOM
COURTYARD
PORCH Porch facing each other act as a interacting medium .
THEREFORE, it is important to determine the role of contemporary architecture in contributing to this change in ways that preserve and celebrate the special character and quality of the historic environment Communities. If cities are complex systems, then a key goal of urban design must be to support their complex functioning by producing a physical substrate conducive to the values of resilience, connectedness, adaptability, and equity. Semester 5 (T.Y.B.Arch) thus aims at understanding this complexity and cultural impact of the urban context enriched with existing urban form and extending it in contemporary expression
A CONCEPTUAL SKETCH OF TYPICAL GOAN HOUSE
Delayering the urban identity to derive design language The complexity of the urban context and its core heritage architecture can be analysed in form of different iff layers. s. These se layers can be broadly cla classified s ed as visual, spatial, network, social c and sensory. y. D Delayering as well De ell a as understanding ding ng the interdependence n of these layers e will help p in abstracting bss act b acti cti the he es spatiall an and a n formal ma expression mal x ess which results into arriving a at contemporary em m ssolutions nss in urban context. ext xtt.
A typical goan house consist of spaces such as Porch, Hall, Kitchen, Prayer room, bedroom. The planning is done with public space in start followed by semi-private space and then private space. The spaces are seperated using transistion elements which helps the spaces to achieve its identity. The houses depicts culture of goa blending itself through surrounding.
PRIVATE ART GALLERY
SEMI PRIVATE
PUBLIC
Central courtyard act as a buffer space between two spaces
EXHIBITION
CAFETARIA
PU
HIGHEST CONTOUR
+1.5M
C
BL
IC
SITE
PATHWAY TO AUDITORIUM
COURTYARD
IV AT E
D
CREATING TRANSISTION THROUGH SEMI OPEN SPACES
A biennale is a art exhibition centre depicting v a r i o u s f o r m o f A R T, L I K E PA I N T I N G , SCULPTURE, MUSIC, dance, etc. Its a celebration of art through depicting of various form. it facilitate movement of people and their experience while visiting. A biennale creates and maintains connectivity of it with the surrounding. Space1
BIENNALE -ART EXHIBITION CENTRE. GOA,FONTHAINAS SEM -V
+0.5M
BL
PLAN OF FONTHAINAS
PU
N
IC
SE
M
IP
R
+1.0M
AMPHITHEATRE
POSSIBLE ORIENTATION
STAGE LOWEST CONTOUR +/-0.00M
Marking the lowest and the highest contour to know the slope of water
Designing the spaces with respect to the geometry of site for optimization of space
Deciding possible orientation with respect to the wind direction to maximize ventilation.
Space2
AUDITORIUM
Space 3 All category of people visiting the BIENNALE. which makes it open for everyone.
The spaces need to be interlinked to each other and movement to be managed by creating pause points /buffer spaces
Bifurcation of people in movement reduces accumulation of people in one space and facilitate smooth movement.
Placement 1
Creek and vegetation adjacent to the site helps to maximise ventilation within the space
Creating focal element as to increase interaction of people
CREATING TRANSISTION THROUGH HIERACHY OF SPACES
Placement 2
THEATRE
CONCEPT & ANALYSIS
DROP OFF POINT
EX IT
WAITING AREA
EXHIBITION HALL
05
SECTION :A-A’
VIEW FROM AMPHITHEATRE
VIEW FROM ENTRANCE
7.0 3.5
10.5
STAGE
PASSAGE
AUDITORIUM
0M THEATRE
EN TR Y
CREEK
VIEW FROM TERRACE
CREEK
CREEK
TIOLETS
EX
IT
PASSAGE
CAFETARIA
SECTION :B-B’
SECTION :C-C’
CREEK
N
CAFETARIA
PASSAGE
WAITING AREA
ART GALLERY
AMPHITHEATRE
SEMINAR HALL
CREEK
SECTION :D-D’
MASTER PLAN 0M
16 8
24
FRONT ELEVATION
DESIGN INTERPRETATION
BRIEF Cinema act as an interacting medium for exchange of thoughts ideas and expressions. It provides a platform for various artist for various fields to express their talents. Indian cinema is the world's largest film industry in terms of film production. The Indian cinema have evolved itself over a period of time with respect to the changing society. It has an ability to communicate various thoughts, ideas to the people. Which creates an impact on the changing society. Cinema have giving various legends of their fields and acted as an influence for the coming generation.
Hrishikesh Mukherjee
Objective.
was an Indian lm director, editor and writer known for a number of lms Popularly known as Hrishi-da, he directed 42 lms during his career spanning over four decades, and is named the pioneer of the 'middle cinema' of India. He focused on middle class mentality of the society and translated this taught to the people. His attention to detail, sympathy for people who might easily have been caricature would continue throughout his careers as a director.
Over the year's various artist have contributed their efforts and excellence for the development of Indian cinema. These personalities had created a base for the development. Even if they are not with us today but they are always remembered by their works which had an impact changing mind-set of the people. This semester in architecture design we celebrate the works of such personality by creating a memorial to translate the thoughts of such personality to the current society.
06 focused on work.
AS A PERSON
For making a lm various artist of different professions contribute for a lm to get complete. One of the most important artist is a director. He envisions the scene understand the depth of it and try to depict it. It requires utmost focus, dedication and knowledge for performing the work. All aspects of lm making needs to be considered to take up the task of direction of the lm.
interactive with everyone. true learner. working on contrasting ideas of the society. empowering new talent. believed in equality.
The intent of design is to provide a platform for artist of different fields .Ameture artist are one of those who perform on streets they belong to the middle sector for the society. These people lack of space for learning and a platform for
Intent of Design.
Designing spaces to translate the philosophy and ideology of Hrishikesh Mukherjee to people. In our society there are many talented people who do exceptional work and belongs to lower o sector of the ssociety these p people lack platfo platform form fo orm for expression. To carry forward r the ideology ogy gy o off H Hrishikesh h M Mukherjee khe kh of fo ffocussing ocu c ssing on middle class society and g giving a platf platform ffor them plat hem em fo ffor or expression on na and d llearning. i Celebrate the work Cele of directorship h byy pro providing p o a platform m fo ffor or drama perf performance erf rfo rf forma ma ffor the artist r of different ent backgrounds. ss.. U Understanding r g the work o off fil film m making g by co conducting con n workshops ops on cinematography, ography, og ogra aphy hy, sett designing, sig i sign editing, ttii etc.. Exhibiting i the w work from om his films to provide pro rovid ide spaces c which hich hic h cr ccreate h human interaction, n on and exchange x e of knowledge wl between them. th them m
To create an interface for people to learn and explore which maximize interaction between eachother and promotes knowledge sharing.
Students of who are leaning needs to be well informed with various innovations of film making. Providing them a platform to learn and explore these techniques of film making. By conducting workshops based on various elements of film making.
TRASITIONAL SPACE
MAINSTREAM CINEMA
PARALLEL CINEMA
MIDDLE CINEMA
PATHS AS TRANSISTIONAL ELEMENT.
SPACES ISOLATED WITH RESPECT TO THEIR FUNCTIONS.
(Hrishikesh Mukherjee carved a middle path between .The extravagance of mainstream cinema and stark realism of art cinema.)
TRASITIONAL SPACE
Understanding peoples emotions and stuyding them in detail.
Potraying them in films with humour and drama.
Creating people connection towards the films and intent of it through movie.
MEMORIAL- A LEARNING CENTRE
SPACE
A
JOESHWARI,MUMBAI JOESHWA WARI,MUMBAI WA A SEM -VI
Transistional space should be accesible to every one acting as a buffer space .It should be flixible enough to change it self with respect to people and their functions performed.
This creates overall impact on the community. The perspective of people is changed towards the middle class society
The message potrayed have an impact on the individual.
B
C
D
Incoporating shared spaces to maximize the shared value.
CONCEPT & ANALYSIS
M
E M
S 4. AG 8
REHERSAL ROOM
0.
/-
+
0M
UP UP
POND. -1.95 M
+3.0M +/-0.0M
SECTION :D-D’
RIVEW AY.
+4.80 M
+4.80 M
IDE D 8MW +3.0M
B’
VEHICULAR ENTRANCE. +8.90M
+8.90M +8.90M
+4.80M
+4.80M
R HO I AL K LIN
+/-0.0M
+ 1.20M - 1.80M
EWAY.
EWAY. Y
IDE D
RIVEW AY. Y.
PARKING.
READING POD.
C
NARRATION ROOM.
BLOCK 1
LIBRARY.
B
DROP OFF POINT.
+/-0.0M
BLOCK 3 PARKING.
+4.80 M
SECTION :B-B’
BLOCK 2
PLAZA.
N
IDE D RIV
B’
8MW
4MW
+8.90M
+8.90M
+/-0.0M
+4.80 M
IDE D RIV
. AD RO
BLOCK 4
PASSAGE.
VIK
+3.0M +3.0M
-1.80 M
DROP OFF POINT.
I-
+3.0M
+8.90M
4MW
ROOF PLAN
15
+4.80M
FIRST FLOOR PLAN
MA ENT IN RAN C
+4.80M
0.60M
E
10
0M
20 10
30
A
BOYS DORMITORY.
+4 .8
R WA
0M
ESH
+4.80 M
+ 0.6M
COURTYARD.
JO
0M
0.
/-
+
CREATING A CENTRAL SPACE AS A TRANSISTION SPACE.
M
80
4.
+
+8.90M
PASSAGE.
VEHICULAR ENTRANCE.
POND.
DROP POINT
SERVICE ENTRANCE.
TRANSISTION SPACE
EXHIBITION SPACE.
PEDESTRIAN ENTRANCE.
PASSAGE.
A’
C’
PEDESTRIAN ENTRANCE.
UP
AMPHITHEATRE.
+ 0.45M
7 M WIDE DRIVEWAY.
GROUND FLOOR PLAN
CAFETARIA.
SECTION :C-C’
+4.80 M
AMPHITHEATRE.
12.0 X 7.0M + 0.6M
- 2.25M
STAGE.
WAITING AREA.
NARRATION ROOM 2
WORKSHOP AREA
NARRATION ROOM.
PASSAGE.
5.50 x 5.0M + 0.6M
NARRATION ROOM 1
The design proceeds with breaking the monotony by inserting an arc perpendicular to the wind direction to maximize the wind flow. The blocks are aligned with the site boundary reduce negative areas and also leads to optimization of space as shown in fig(b)
IDE D
RECEPTION
CAFETARIA.
E.
PASSAGE.
14.0X17.0M
6.0X8.0M
+ 0.6M
LIBRARY BLOCK
PASSAGE.
STAFF ROOM. +/-0.0M UP
+4.80 M
+4.80 M
GROUND FLOOR BLOCKS WITH CONNECTING PASSAGE.
+8.90M +7.34M
READING POD.
7.0 X 13.0M
NARRATION ROOM 3
+4.80 M
8MW
PASSAGE.
+4.80 M
+ 0.45M
RECREATIONAL
WAITING AREA.
RIVEW AY.
CONFERENCE ROOM
STAFF ROOM.
UP
7.70 X 11.0M
+ 0.6M
+4.0M
5.50 X 3.50M
CLASS ROOM
+ 0.6M
+ 0.6M
DIRECTORS OFFICE.
+ 0.6M
9.0
M
-0
+4.80 M
UP
TOILET. TOILET.
13. SQ.M
LOBBY
PASSAGE.
ENTRY.
CLASS ROOM
UP
UP
UP +/-0.0M
POND. -1.95 M
DIGITAL ROOM
UP
3.0
ST A .6 G
The context comprises of Joeshwari -Vikhoroli link road is mostly crowded during the peak time. The existing vegetation demarks the line between building space and parking space as shown in fig(a)
UP
UP
POND. -1.95 M
6.0
-0
ST A .6 GE M .
ST O RO RA O GE M .
SERVICE ENTRANCE.
fig(b)
PASSAGE.
UP
AMPHITHEATRE.
fig(a)
+4.80 M
POND.
-1.80 M
7.20 X 11.80M
PASSAGE.
AMPHITHEATRE.
0M
WORKSHOP SPACE.
-1.80 M
UP
CLASSROOM.
AMPHITHEATRE.
GREEN ROOM
GREEN ROOM
UP
REHERSAL ROOM 2
n
MAIN ENTRANCE
RECRETIONAL SPACE.
.3M +0
MAIN ENTRANCE
+4.80 M
5
WORKSHOP SPACE.
+4.80M
7.20 X 11.80M
EN
0M
CLASSROOM.
CLASSROOM.
STORAGE.
+8.90M
GIRLS DORMITORY.
X9
UP
POND. -1.95 M
OVERALL VIEW OF THE STRUCTURE.
0
PA S
+
.5M
UP
PARKING
+8.90M
4MW IDE RO AD
C 15 AF .0 ET X AR 14 IA + . . 4. 80 0M + 0.6M
0M
+4 .80 M
AG E UP
PA SS
COURTYARD.
ET. TO IL ITIO N.
D. OA
EXH IB
KR I LIN
+ 0.45M
0.
/-
11.5
OL
0M
0.
/-
+
ENTRY.
SPACE 2 SPACE 1
D. OA KR LIN ER I DH -AN RI WA ESH
LOBBY +4.80 M
R
SE
17.0 X 16.0 M +4.80 M
HR
17.0 X 16.0 M
-VIK
E VIC
GIRLS. DORMITORY.
RI WA
BOYS DORMITORY.
SH
CO AR O EA L .
E JO
. RIA M TA .0 FE 14 M CA .0 X +0.3 5 1
JO
4MW IDE RO AD
+/-0.0M
+
N
RECRETIONAL SPACE.
BUILDING AREA + 0.45M
A TR
SPACE 3
SPACE 5
ET.
. CE
07
SPACE 4
IL TO
G N KI O A O ARE
LIBRARY BLOCK.
STUDIO
TOILET.
C
READING POD.
STUDIO
STUDIO
PASSAGE.
STUDIO
0M
10 5
15
+0.6M - 1.80M
- 2.25M
SECTION :A-A’ :A-A
DESIGN INTERPRETATION
08
BRIEF
Development in institutional and industries in Talegaon as it the growing town of Maval district Pune. Students and labour are the growing population within the city due to its development As they are floting polulation need for temperory housing is arrived which can be acchived through rental housing.
SHELTER PRIVACY
HOUSING
TALEGAON has experienced rapid change in development in the last decade . This change can be seen through social and economical circumstances which has led to increase in the floating population . This has led to the need for housing for these occupants . The water bodies of TALEGAON act as source of tangible aspect. But due to rapid growth in construction in TALEGAON the lakes had an adverse effect on it. The consequence is the lakes has dried up. AIM: The aim of the project is to draw attention towards the lake, which have been neglected whilst the spread of built forms within the site. OBJECTIVES: 1.To provide accommodation to the growing floating population (workers, students) 2. To integrate current development and proposed development through the following Intangible and Tangible aspects: · Social · Cultural · Economical · Ecological 3. To facilitate better connectivity to the lake.
ACCESIBILITY
SITE
INTERACTION COMMUNITY
INSTITUTES FACTORIES/IND
LAKE REVIVAL LAKE
MALE
FEMALE
Open space act as a buffer space and also as a community space
TALEGAON DABADE,PUNE SEM -VII
ENERGY CONSUMPTION WATER CONSUMPTION PEOPLE WASTE GENERATION/DISPOSAL
Creating easy access so that lake becomes accessible and have a direct visuality PUBLIC SPACE
REDUCE
DIRECT ACCESIBILITY
The shift towards lake can happen through introduction of public space towards lake so that people starting moving there and lake gets focus
MALE
OCCUPANTS
FAMILY OF FOUR
NO OF UNITS PROVIDED 240
INCLUDING FAMILY
STUDENTS
DUE TO MASS OCCUPANCY..
PUBLIC SPACE
PUBLIC SPACE
90 615
TOTAL NO OF BLOCKS =24
FOR IFAMILY 10 BLOCK IN 1 BLOCK 10 UNTS FOR INDIVIDUAL 10 BLOCK IN 1 BLOCK 10 UNTS TOTAL NO OF UNITS =240
15.00
15.00
13.00
13.00
11.30
11.30
10
HORIZONTAL
VERTICAL
10.00
105^7'
76.3
11.30
131^6'
95.0
13.00
-89^2'
89.8
14.30
-77^50'
80.8
3.00
-75^3'
76.3
NW
SUN PATH DIAGRAM
NE BLOCK
W
CRITICAL TIME
E
SW S
W
WINTER
BUILDING HEATING SURFACE
TIME
N
10
HEATING SURFACE
CLIMATE ANALYSIS
N
SUN ANGLES OF MONTH OF MAY
SUN
S
REUSE
INCORPORATING SUSTAINABLE METHODS FOR SUSTAINABLE GROWTH
LABOUR TOGETHER
SUMMER
RECYCLE
REUSE
LAKE
HOUSING OCCUPANCY
MASS HOUSING
STUDENTS
INCREASE IN..
DIRECT ACCESIBILITY
LAKE
STUDENTS TOGETHER
INDIVIDUAL
RENTAL HOUSING
PUBLIC SPACE
FACTORIES
LABOUR WITH FAMILY
LABOUR
HOW?
LAKE
LABOUR FAMILY + STUDENTS(FEMALE) OPEN/PUBLIC SPACE
LABOURS
INSTITUTES
STUDENTS
ENVIRONMENT
09
E
SE
VARIATATION IN WIND DIRECTION IS GENERALLY OBRESVED FROM SOUTH WEST , NORTH WEST
+/-0.00M
-2.5M
-5.0M
-7.5M
10
TYPOLOGY- 1: FAMILY BLOCK
-10.0M
-12.5M
-15.0M
OPEN SPACE
SCHEMATIC PLAN SHOWING PLANNING ASPECT OF UNITS
FAMILY BLOCKS RESERVED FOR RECREATIONAL LAKE
LAKE
PLAN
0M
-17.5M
60.0 30.0
90.0
Connecting to other phases by open spaces in expansion of commercial zone along the lake will help to bring in density of people towards the lake
INDIVIDUAL BLOCKS OPEN SPACE COMMUNITY SPACE
FACILITATING PEDESTRIAN MOVEMENT WITH THE HOUSING PREMISES
TYPOLOGY- 2: INDIVIDUAL BLOCK
COMMERCIAL RESERVED
BLOCK DESIGN
SCHEMATIC PLAN SHOWING PLANNING ASPECT TYPOLOGY
OPE
OPEN SPACE
The Central Court Act As A Connecting Medium For Block As Well As Act As A Buffer And ATransistion Space Within
FACILITATE AIR MOVEMENT AND ALSO IMPROVE VENTILATION
CREATING POROSITY BY PROVIDING ACCESSIBILITY OF ONE BLOCK TO ANOTHER
COURTYARD USE TO MAXIMIZE VENTILATION
GROUND FLOOR 0M
FIRST FLOOR
5.0
2.5
SECOND FLOOR
7.5
Creating vehicular bypass toward the boundry for easy movement of vehicles without creating disturbance within the housing premisis
MASTER LAYOUT
0M
16.0 8.0
24.0
SECTION :A-A’ :A-A 6.0 3.0
9.0
REDUCTION IN CONSUMPTION USING SUST SUSTAINABLE APPROACH
OPEN SPACE
WATER
0M
SECTION :B-B’
Creating drain towards the slope and common drain line to minimize the cost of construction
SECTION :C-C’
ISOMETRIC VIEW OF TYPOLOGY 2 ( INDIVIDUAL)
ISOMETRIC VIEW OF TYPOLOGY 1 (FAMILY)
DESIGN INTERPRETATION
11 B
A
B’
A’
GROUND FLOOR PLAN
B
A
B’
A’
FIRST FLOOR PLAN
02 WORKING DRAWING
B
A
B’
A’
N N
VILLA DESIGN, G+2 SETTING OUT LAYOUT SEM -VI
GROUND FLOOR PLAN
SECOND FLOOR PLAN
12
WASH BASIN DETAIL
TOILET DETAIL
SECTION A-A’ EAST ELEVATION
JAM DETAIL
STRIP SECTION SECTION: B-B’
COMPOUND WALL
WATER PROOFING DETAIL
GUTTER DETAIL
LIGHT DETAIL
FRONT ELEVATION
STRIP SECTION
13
CONCEPT T.W BOARDING
T.W JOIST
T.W MEMBER
T.W FLOORING DETAIL D ETA TAIL WALKING SURFACE GLASS
STRUCTURAL JOIST
The concept is bring nature within interior. The character posses by the natural material and using them within the space to enhance the experience Using abstract depiction of elements and proposing them in various parts of spaces to maintain the theme of the interior
PRESSURE BAR
CHAIR
INSTALLATION
GLASS FLOORING DETAIL SECTION C-C’ 0M
USING CHARACTER OF NATURAL ELEMENTS B
1.0
0.5
SECTION D-D’
1.5
C TUTION ROOM 3.0X2.0M
BEDROOM 2.10X3.30
DESIGN
D’
BALCONY 1.20X5.00M
A
SECTION A-A”
SECTION B-B’
MOOD BOARD
03 INTERIOR
D
A’ BEDROOM
LIVING ROOM
2.10X3.00M
TOILET/BATH 1.60X2.10M
3.5X5.0M
KITCHEN 2.50X2.20M
SEM III,SEMIV PLAN0M
1.2 0.6
B’ 1.8
C’
RESIDENTIAL INTERIOR DESIGN
14
V.M ADVERTISING AGENCY is
based on the concept of virtual reality. Displaying advertisement through mixed from with virtual reality and augmented reality.
STORAGE SHELVES
CONCEPT : EVOLUTION OF ADVERTISEMENT
V.M ADVERTISING AGENCY
SPACE 1
SPACE 2
A
C
SCEERN TOILET
DUCT
DUCT
TOILET
B
B’
SPACE 3
DETAIL A: FOLDING TABLE/WALL
EVOLUTION ELEMENTS DEPICTED IN SP SPACES 0M
2010s
BLACK &WHITE
COLOUR FULL
DIGITAL DIGIT
I N 1 9 6 0 s ADVERTISEMENT were more musical and greyscale. This era was the begning for a d v e r t i s e m e n t . To recreate this in space vintage elements are used
1.5
SECTION B-B’ TEAM 1 WORKING SPACE RECRETIONAL
I n 1 9 9 0 s advetisement became more dramatic by use of colours.The use of colours made a shift in advertisement which is still followed today
Finally in 2000s we have reached at a stage where everything is available in our hand through cell phones. Advertisement have expanded its range due to use of cell phones. This has also expanded to use of virtual media for a better experience of product
0.5
0M
1.0 0.5
1.5
SECTION A-A”
PLAN
TEAM 2 WORKING SPACE
DETAIL DETA TA AIL C C:: W WODDEN ODDEN BENCH
D
D’
CEO OFFICE CONFERENCE ROOM
N
PLAN
A’
C 0M
DETAIL B:EXPANDABLE TABLE
SECTION N
SECTION D-D’
MOOD BOARD
1990s
PANTRY
1960s
SECTION C-C’
1.0
SHELVES
BOOK SHELVES
RECEPTION
ROLLER CHAIR
1.0 0.5
1.5
OFFICE SPACE INTERIOR DESIGN
15
FIRE FIGHTING SHAFT
N STILT LAYOUT B
04 SERVICES
COMMERCIAL BLOCK
FIRE FIGHTING G SEM -VI
A’
A
SECTION: B-B’
TYPICAL FLOOR PLAN
RESIDENTIAL BLOCK
B’
SECTION: A-A’
NARI GANDHI TROPHY 2017-2018
MARBLE FLOORING
WHAT IS COST CONCIOUS? WHAT IS COST Cost is a broad spectrum consis ng of small The understanding of this to understand what it fragments are monetary, maintenance post energy, me, nature, human HUMAN COMFORT resource /It important to understand that the use of the term to indicate that they cannot of the whole. It is important to understand that the use of the term fragment is to indicate that they cannot and alone. They are parts of the whole. When we plant a sapling, we o�en think of the benefits it PHYSICAL COMFORT MENTAL COMFORT would give us. Then we invest our me in nurturing the plant, watering it, framing it. inves ng your me and resources for il lo yield us benefits in the long run. Some mes it's not about what the plant will give us when it grows up but. what It'll give back to its surroundings viz. the earth, the air and the other plants around. What beau ful and impera ve to no ce is that we don't CULTURE HEALTH ENVIRONMENT mind the me, effort and resources we put into nurturing the plant if the benefits are manifold. similarly the same ethics apply to architecture. in the race of N ge�ng ahead we’ve got ahead of basic logic that guided our lives .money has become the primary ulterior focus pushing WIND FLOW PRECIPITATION RADIATION TEMPERATURE everything else cold heartedly aside. in a nutshell it is necessary to make through comparisons andSITE PLAN cri cal analysis to understand what is expensive and at the expense cost of what? a combined answer of these two intertwined ques ons is what one should seek for in order to build a cost conscious structure FACTORS FOR COMFORT
CRACKS NOT FORMED ON EXPOSURE OF SUNLIGHT
MORE LOAD CAN BE TAKEN
MORE MAN POWER IS REQUIRED
EASY TO CLEAN AND MAINTAIN
0M
10.0 5.0
15.0
INTENTIONS OF THE THEME: As wee hear the w word cost, t, the immediate immedia e thoughts thoughts that tha come to o mind are are low cost c t buildings by Laurie Baker; Bak affordable at HUDCO, housing boards, Nirmithi Kendra and slum dable housing by Government Gov endr (building centres) cen rese�lements; ese�lements; ese�lemen �lements; cheap private �lements; privaa construc priv truc ons; many non-descript urban commercial ommercial ommer cial buildings; rural architecture ectur and such others. and typology, other Despite all these being varied in context con on typology costt can can s ll be a common common criteria eria to compare between themHowever, tw themHowever themHow themHowev ver ver, er is cost ost merely ely a reflec flec on of money mone spent spen on construc onstruc on or does it connote deeper meanings? As a determinant determinant erminant of design, what diverse roles oles does cost play? The theme intends tends to explore cost related ma�ers, which incidentally of Nari Gandhi also, befi�ng the ma tally ally finds an expression in the architecture archit name of the trophy. tr
CRACKS FORMED ON EXPOSURE OF SUNLIGHT
LESS LOAD CAN BE TAKEN
MATERIAL ANALYSIS
LESS MAN POWER IS REQUIRED
CRACKS DEVELPOMENT
DUE TO SURFACE BECOMES POROUS IT IS DIFFICULT TO CLEAN
SHRANAM VIEWS
Though cos ng is among the most decisive decisiv factorss in architectural architectur profession, architectur ar ofession, ession, it is among the least studied tudied during the course course se work. It is hoped that tha the theme would ould highlight highligh the importance importance of the subject among students of architecture. . Cost also enables labelling of the buildings as Low Income Group archit ar chit Inc oup (LIG) house, family family bungalow or an iconic public structure. The trophy will begin with such wider and theore cal interpreta on of tructur al cost in the beginning, cost beginning later la moving on to specific projects lat ojects where monetary mone cos ost directly influenced fluenced the design, either in lowering stayed lowering the cost of construc on or in ensuring that the project pr staayed ed cost cos effec cos ec ve. v However, ever ver er ther there can be ambigui es even within this specific note. not To elaboratee the above, we cannot assume that local always local approach is always alway low cost or high cost alw c t would w mean be�er cs. Outcome er aesthe aes ome of building research r resear ch Ins tu ons might might have ha e led to to cheaper solu ons, along with costlier tlier and be�er products. COST of architecture may focus at style, chit tyle, func on, comforts, orts, materials, ma erials, structures, structur overheads, erheads, profits and such others. Costt to consump t nature may impact on resource r onsump on, energy ener demands, environmental onmen degrada on, waste genera gener ener on, greenhouse gas emissions and such others. s. It is difficult to favour one over er the other blindly, so the ideal decision towards cos ng appears t appears to o lie between between een the two tw costs. osts. ts. If so, so we mayy even ev argue gue that that the idea of cost is a major bridge and decisive well decisiv criteria eria between personal per ell being, being ecological ologic balance and economic affordability. If all these criteria are met with, hopefully, fully, there fully ther will be a 'COST CONSCIOUS ONSCIOUS
ELEVATION 0M
3.0
1.5
4.5
SECTION: A-A’ 0M
The vilages near Usteri lake were suffering from problem like a l c o h i l i s m unavailability of jobs and lack of skills. There was a lot of expliotation of construction skills
BRIEF
TERRACOTA FLOORING
SKILLED LABOUR REQIURED
SITE: SHRANAM CENTRE FOR RURAL DEVELOPMENT T Sharanam meaning 'refugees center for rural development enabling a local NGO to expand communal informa on of underdeveloped villages outside Pondicherry The buildings a designed to host communi es inac ve programs and workshops in all photos of village life
16
COMPARATIVE ANALYSIS
Shranam served to help the people find solutions to these problems. They employed approximately 300 unskilled people gave them a means to earn on their own
3.0
1.5
4.5
only one third of the total cost was used for construction purpose. The rest at the money was given as income to the villagers. This helped in increasing the economic standards of SECTION: the villages 0M
05
NATIONAL ASSOCIATION OF STUDENT OF ARCHITECTURE B-B’
3.0
1.5
NASA
4.5
NARI GANDHI TROPHY ROPHY 2018 2018-2019 “Time flies over us, but leaves its Shadow behind”
WHAT IS THE ACT OF ARCHITECTURE?
The absence of an entity makes its user require it the most. The same goes with Architecture. The impact of a space with and without a piece of Architecture is so vividly different that it is hard to imagine one without the other.
-Nathaniel Hawthorne
#$%!
@$^~2!
Arrgghh!
%*#&?
LEADS TO INCREASE IN DISPUTES
The continuum of time is an unimaginably large field of study within which we as singular entities are embedded into a network of intersecting timelines. A series of moments form a phase and a series of phases form a lifetime. Within this lifetime, the are several points which become statutory and are marked as unforgettable memories. As said, promised virtues fall prey to the passions of the moment, Architecture abides by the same. The decisions taken today will be reflected in the design of our future.
LEADS TO INCREASE IN NETWORKING
In the course of evolution of a community, certain moments in time get engraved in its history creating a defining moment standing for a particular purpose. Within these communities, these moments can be symbolised by a variety of mediums ranging from small manuscripts, books or pieces of Architecture. Our contemporary society depends on these structures to help symbolise its essence. The impact of these pieces of Architecture can range from a room in our house to a government office. The Suvarna Vidhana Soudha was completed in 2012 to institute balance between the administrative halves of Northern and Southern Karnataka. Prior to this establishment the Vidhan Sabha in Bangalore was the administrative capital of the state. It was also built to symbolise political power of the Kannadiga government over the Maharashtrian government. Belgaum has been a disputed area for several decades and this structure was made as a symbol of authority by the Kannadiga government over the city.
CONTEXTUAL ANALYSIS
THE ACT OF BUILDING A BENCH UNDER A WELL GROWN TREE
BRIEF Theme for this year NASA 18-19 – 'Untraversed' focuses on the celebra on of instances, thoughts, and ideas that set trajectories to redefine future. These instances in architecture are at mes 'talk of the town' and known world over or many a me silent and remain with in the city/region. They can be both celebrated and forgo�en but should never be ignored for they are learnings for posterity.
STRUCTURE IS PLANNED ACCORDING TO THE FUTURE FOR THE SHIFT OF THE ADMINISTRATIVE DEPARTMENT.
A for Architecture What is the act of architecture? What are its elements? It's condi ons; it's materials and it's mo ves? (SMLXL Rem Koolhaas et al) One ponders if the above can be provoca on to reflect on the condi ons and mo ves of what we produce as architecture today? Keywords – Mo ve, Context and Time There are several defining moments in the course of evolu on of a community, region, city or a country. These defining moments are founda ons of our contemporary society. Architecture constantly responds and symbolizes these instances with or without the presence and/or inten on of architects. These works of architecture do not follow the norm and stand for a moment in me. Nari Gandhi Trophy 18-19 will explore such a work of Architecture
A BALL PARK FOR THE POLITICAL DISCUSSIONS AND ASSEMBLIES.
THE STRUCTURE BECOMES A TOURIST SPOT DURING THE SESSION.
BEFORE CONSTRUCTION BANGALORE
IT EVENTUALLY LEADS TO AN INTERACTIVE PUBLIC SPACE
Timecan be used to quantify rates of change. Time can physically be defined as “What the clock reads” but is that the only way it can be? The existence of an entity like time is arguable in any sort but Architecture stands as evidence for its presence.
LEADS TO DEVELOPMENT OF AUTHORITY
SELECTION CRITERIA.
17
FACTUAL STUDY
BELGAUM
EASE IN ACCESSIBILITY REDUCING TRAVELLING TIME TO BANGALORE FOR ADMINISTRATIVE PURPOSE.
OR AN ABANDONED PUBLIC SPACE
THE EMPLOYMENT GENERATION IS BOOSTED.
THE HOTELS AND ACCOMMODATIONS GET FULLY OCCUPIED DURING THE SESSION.
PLACED ON THE OUTSKIRTS OF
ACT OF ARCHITECTURE
LEADS TO ECONOMIC GROWTH
IMPACTS THE EXISTING ECOLOGY
THE FUTURE DEVELOPMENT
STRUCTURE STANDING OUT IN CONTEXT.
HIGH LEVELS OF SECURITY ARE PROVIDED THROUGHOUT THE CITY UNTIL THE SESSION TERMINATES.
INDUSTRIAL AND COMMERCIAL SECTORS TAKING BACKSTEP TO INVEST DUE TO DISPUTE.
AFTER CONSTRUCTION
LEADS TO MORE SECURITY CHANGE IN LIFESTYLE LEADS TO MORE EMPLOYMENT
SURVEILLANCE OVER THE VILLAGERS INCREASES DRASTICALLY DURING THE SESSION. SYMBOL OF ADMINISTRATIVE CONTROL
M L A’S RESIDENCY
SITE: SUVARNA VIDHANA SAUDHA, BELGAUM
ACCOMMODATION FACILITIES FOR THE MEMBERS OF THE ASSEMBLY FOR THEIR CONVENIENCE.
The Suvarna Vidhana Soudha is the second legislative assembly in the state of Karnataka. It has been so named to commemorate the Golden Jubilee of Karnataka's formation day. The building housing the state legislation is a massive three storeyed structure spread across a massive sixty thousand four hundred square feet of area and boasts of a seating capacity of 300 legislators in the Legislative Assembly Hall and 100 Council members in the THE LINGUISTIC DISPUTE Counsellor's Assembly hall along with a 45 seating capacity Central hall with thirty eight ministerial chambers and fourteen meeting halls.
S O C I A L
E C O N O M I C A L
THE FUTURE DEVELOPMENT
P O L I T I C A L
NASA NATIONAL ASSOCIATION OF STUDENT OF ARCHITECTURE DECENTRALISATION OF POWER
S U VA R N A V I D H A N A SAUDHA is placed on a hillock
N MASTER PLAN 0M
60
30
which is about 10km away from the main city. This is the top most point in the city. It is surrounded by farmlands and villages. The two nearest villages are Halega an d Bastawad . T he site is connected to the city and Bangalore with highway 27. Belgaum receives an average annual rainfall of 1200mm per year. The site of the structure slopes downwards to reach the highway, thus forming a buffer space between the structure and
ANDC TROPHY 2018-2019 BRIEF
Architecture generate its presence when its creator does not really make a deliberate effort to do the same but modestly underlines the already present through it. Such is the power of such architecture that we do not even recognize their existence while using them. The design programme intends to explore, identify and re-interpret liminal spaces in the respective context with a vision to inform a society Liminal spaces are those thankless transitional in between spaces which remain in the backdrop to highlight or connect with the primary functional boundaries. They are not here and not there, i.e. Does not belong to any category or reference point. These are the spaces that are traversed the most but unfortunately have been the ones too neglected the most in present times. Their importance lies in the fact that they not only have the ability to inform the context for the unique/landmark architecture but also generate sense of movement within a situation/project . Their Scale may vary from simply a passage within a dwelling to a street in a public realm.
90
DESIGN INTERPRETATION The above poster depicts the liminal space that we have iden fied are SHOPFRONT SPACE. The site was located in KHAO GALI. The Gali act as a link connec ng western line to central railway line. is acted as a medium of transi on between the two points. The street was occupied by permanent shops as well as stakeholders. The street accompanied shops of eatery mostly with few commercial. The context is basically commercial with ins tutes along with it. The character of street changes with respect to the occupancy and me schedule. The street served a source of medium for ea ng for employees as well as pedestrians walking biy.
FRONT ELEVATION 0M
10.0 5.0
20.0
The idea of shop front space comes with the ac vty carried at it. A shopfront act as an important space for the customer as well as the owner for ease of carrying out the respec ve work. The available front space act a buffer space between the street and the shop. The amount of space available determines the ease with which the work between the shop and customer can be carried out In case of khao gali The street is narrow with both sides the eatery shops. Now the street is carrying out two fun on viz 1st for pedestrians 2nd for the people who stands in front of shop for ea ng. Due to this there in conges on of people created during peak hours(4-8) and there is disturbance of movement The design is done considering the following point . Movement of people and enhancing the shop front spaces . The design focus on the correc on methodology in terms of planning that can produce more posi ve response of street towards the street with maintaining the character that the street posses as well as the liminal space can be enhanced
18
19
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