arc August/September Issue 111

LIGHTING IN ARCHITECTURE

111 AUG/SEP 2019

www.arc-magazine.com

#111 AUG/SEP 2019

Middle Eastern Treasures dpa lighting consultants expand Dubai portfolio with series of beautiful new projects

MIDDLE EAST PROJECT FOCUS • SAKINA DUGAWALLA-MOELLER • [D]ARC ROOM PREVIEW ILLUMINATED RIVER • ECOLED EYECONIC REVIEWED • RED DOT AWARDS

innovations.

specialtylightingindustries.com

Dingo.

The DINGO spotlight impresses not only by its technical value, but also by its clean and straight Finnish design, which provides the compact spotlight with a timeless elegance. During development, LIVAL put great effort in energy efficiency, glare control, good thermal management with good cooling properties and a minimal eco-footprint with low weight and a small form factor.

The cylindrical spotlight DINGO is equipped with the ultra-slim GA-016 adapter driver which disappears in the power track and thus allows a barely visible installation. This product is available with on/off, Dali or wireless Casambi driver.

Dingo will be delivered with the unique 3-D reflector as standard – to generate an even and fine-tuned beam of light

Watch our video at www.lival.com

ANOLIS ANOLIS ARCHITECTURAL ARCHITECTURAL PRODUCT PRODUCT LINE LINE

EMINERE

TM TM

The highest quality LED architectural and architainment fixture Eminere is designed by Robe for a wide range of exterior and interior applications. The various available lens options cover all possible uses from Flood Lighting, Wall Grazing, Wall Washing and Accent Lighting. Robe’s unique 18-bit colour mixing resolution ensures extra fine colour tuning as well as smooth dimming at low level intensity.

The new Eminere linear range was designed in our state-of-the-art R&D facility by industry experts with over 20 years experience in the field.

Our fixtures are IP 67 rated and therefore they are extensively tested to withstand extreme conditions.

Available in 1, 2, 3, and 4 foot sizes (300 / 600 / 900 / 1200 mm) with RGBW or RGBA single chips as standard. Easy to control, 1 pixel per foot.

Fixtures can be used for both permanent and temporary installations, including various architectural and architainment applications such as outdoor and indoor illumination of commercial buildings, hotels, offices, residences, historic buildings, assorted venues and for events, festivals and concerts.

www.robe.cz

Arc-adv-jun-juli V3.indd 1

05-06-19 15:16

ANOTHER PERSON’S DARK SPACE IS OUR BLANK CANVAS. AN IALD PROFESSIONAL LIGHTING DESIGNER SEES THE POSSIBILITIES IN EVERY ENVIRONMENT. LEARN HOW AN IALD LIGHTING DESIGNER CAN TURN YOUR VISION INTO REALITY. VISIT IALD.ORG AND CLICK ON "FIND A LIGHTING DESIGNER" TO REFINE YOUR SEARCH.

PUBLIC PASSAGE | MUNICH, GERMANY | LIGHTING DESIGN, PFARRÉ LIGHTING DESIGN | © ANDREAS J. FOCKE

ROADSHOW

Place Jean Jaurès, Tours, France Photo: Caroline Gasch Partner: MW MarvalWay

NEW SPOTLIGHT SERIES

CENTUM°°

by WIBRE

LIGHT UNDERWATER. REDEFINED.

TH

NG

CTRICAL, L L, ELE IGH MA TI ER

GEPRÜFT CERTIFIED IN S

BK

E

L

ED

TIT U T

D R. U W E

SLA

4.0052 4.0102 4.0292

4.0050

4.0100

4.0202

NEW DEVELOPMENT – 12 V-DC-STANDARD – 166lm/W – OPTIMIZED HEAT MANAGEMENT – WIBRE QUALITY – REDUCED COSTS More information about CENTUM°° can be found at www.wibre.de.

PIONEERS IN IP68-LIGHTING UNTERWASSERBELEUCHTUNG | AUSSENBELEUCHTUNG

Anzeige_236x333.indd 1

Made in Germany. Since 1919. www.wibre.de WIBRE Elektrogeräte GmbH & Co. KG · Leingarten/Germany +49(0)7131 9053-0 · info@wibre.de

25.04.19 09:17

PROLED FLEX STRIPS OPAL The PROLED FLEX STRIPS OPAL are perfect for outline illumination or homogenous light lines (e.g. for fair or shop applications, ...).

Due to their shallow design and the individually adaptable lengths the PROLED FLEX STRIPS OPAL offer a wide spectrum of application possibilities.

PHOTO: FLEX STRIP OPAL BERLIN

FLEX STRIP OPAL HAMBURG Installation with aluminum profile or special glue.

FLEX STRIP OPAL BERLIN Installation with clamps or special glue.

FLEX STRIP OPAL LIVERPOOL MONO / RGB Installation with aluminum profile or special glue.

ACCESSORIES FOR FLEX STRIPS OPAL

MOUNTING CLIPS

PROFILES 3 cm

PROFILES 2 m

END CAPS

END CAPS

MBN GmbH Balthasar-Schaller-Str. 3 86316 Friedberg · Germany Phone +49.821.60099-0 Fax +49.821.60099-99 info@proled.com

proled.com

August 2019 Mondo_PRINT.indd 1

15/08/2019 09:59:30

T RAT T O

nex ol uce. com

046 Sakina Dugawalla-Moeller This issue’s Women In Lighting focus sees Sarah Cullen discuss the growing Middle Eastern lighting community with the Dubai-based designer.

Contents

AUG/SEP 2019 022 024 026 028 034 042 044 114 134 144 146

018

Editorial Comment Headlines Eye Opener Drawing Board Spotlight Snapshot Briefing Dark Source Stories Case Studies Event Diary Bucket List

www.arc-magazine.com

055 Home Sweet Home: Healthy Residential Illumination Asst. Prof. Dr. Karolina M. Zielinska-Dabkowska turns her attentions a bit closer to home, looking at the importance of having healthy residential lighting schemes.

116 [d]arc awards As entries continue to come in for the 2019 [d]arc awards, we take a look at some of the projects submitted so far.

118 [d]arc room Preview With the event now just around the corner, we fill you in on what we’ve got in store for this year’s [d]arc room, from the workshop and speaker programmes, to the exhibitors that will be on show.

130 David Morgan Product Review David Morgan casts his eye over the latest updates to Ecoled’s Eyeconic range of LED downlights, due to be on show at [d]arc room this September.

132 Red Dot Awards On 8 July, 1,200 international designers and manufacturers attended the Red Dot Awards ceremony in Essen, Germany. Out of more than 5,500 entries, we honour some of the architectural lighting products to gain plaudits.

062 Illuminated River, UK The first phase of the Illuminated River project was unveiled this summer, with illuminations for the first four bridges of the fifteen-bridge scheme finally switched on.

Projects

AUG/SEP 2019

070 dpa in Dubai, UAE Over the past two years, dpa lighting consultants has expanded its Dubai portfolio with an influx of new projects, from high end hotels to smaller exhibition spaces.

082 KAPSARC, Saudi Arabia Lighting designers at OVI worked closely with Zaha Hadid Architects on the stunning King Abdullah Petroleum Studies and Research Centre, opened in Saudi Arabia last year.

092 National Museum of Qatar, Qatar Licht Kunst Licht has created a subtle, yet significant lighting scheme to accentuate the stunning architecture of the Jean Nouvel-designed National Museum of Qatar.

104 Bluewaters Island, UAE The Bluewaters Island in Dubai is a vibrant new destination that combines architectural, entertainment and theatrical lighting, designed by neolight.

020

www.arc-magazine.com

kreon

purity in light

kreon nuit, the ideal kreon light profile for residential, high end office and edgy hospitality projects.

Its basic form draws minimal attention and can easily be used in combination with other kreon tools of light, creating an artistic yet responsible use of light sources in a recessed, surface mounted or suspended installation, making it a highly versatile and performing linear lighting system. kreon.com

advertentie Mondo_juni 2018_2_2.indd 1

29/04/19 14:01

EDITORIAL

Front cover: Al Shindagha Museum, Dubai Pic: Alex Jeffries Photography Group

Editorial

Managing Editor Helen Ankers h.ankers@mondiale.co.uk Editor Matt Waring m.waring@mondiale.co.uk Assistant Editor Sarah Cullen s.cullen@mondiale.co.uk

Commercial

Managing Director Paul James p.james@mondiale.co.uk Head of Business Development Jason Pennington j.pennington@mondiale.co.uk Media Sales Manager Andrew Bousfield a.bousfield@mondiale.co.uk Media Sales Executive Isaac Lorenzo i.lorenzo@mondiale.co.uk Subscriptions / Marketing Manager Moses Naeem m.naeem@mondiale.co.uk

Design

Design Manager David Bell d.bell@mondiale.co.uk Production Mel Robinson m.robinson@mondiale.co.uk

Corporate

Chairman Damian Walsh d.walsh@mondiale.co.uk Finance Director Amanda Giles a.giles@mondiale.co.uk Credit Control Lynette Levi l.levi@mondiale.co.uk [d]arc media Strawberry Studios, Watson Square Stockport SK1 3AZ, United Kingdom T: +44 (0)161 476 8350 www.arc-magazine.com arc@mondiale.co.uk Printed by Buxton Press Annual Subscription rates: United Kingdom £30.00 / Europe £50.00 / ROW £65.00

Yesterday is gone...

Tomorrow has not yet come.

We have only today. Let us begin...

After twenty years as editor of arc, the time has finally come for

me to hang up my editorial boots and to pass on the baton to the

talented team we have here at [d]arc media. Helen Ankers, editor

of darc, will take on the role of Managing Editor of both titles with Matt Waring taking on responsibility of Editor of arc and Sarah Cullen moving up to Assistant Editor.

We have changes to our commercial staff too. We welcome new members Andrew Bousfield and Isaac Lorenzo into Media Sales

with Jason Pennington becoming Head of Business Development.

I will not be heading off into the sunset, however. As Managing Director of [d]arc media, I will be responsible for further

developing the commercial aspect of the business. In truth I have been spending more and more time directing our events and

leaving the editorial in the capable hands of Matt and Sarah. They

will continue to create dynamic and interesting features for you all to enjoy in both the printed and digital formats as well as creating engaging content for our [d]arc awards and [d]arc room events.

It’s been a long journey and, initially, a steep learning curve. I’m the first to admit that when I started as editor I didn’t know my

Artemides from my Zumtobels (or Zumbotel as I printed in 1999!) and Speirs + Major was the only lighting design practice I was

really familiar with due to their work in the entertainment sector from where I came (arc began life as a supplement to mondo*dr magazine, our publication for technology in entertainment). It

was through the encouragement of key players in the profession

such as Jonathan Speirs and Mark Major that we have thrived and have now reached a position where our next issue will be exactly

twenty years since we started (where has the time gone?!). Expect to see a celebration of this in our Oct/Nov issue.

Print is still the foundation of our business and, unlike many other media companies, we will continue to produce regular bi-monthly

printed issues of this publication that we know you enjoy so much.

It’s been a pleasure to be arc editor for all this time. I am as

excited about the future as I am proud of the past. Here’s to the next twenty years!

To subscribe visit www.arc-magazine.com or call +44 (0)161 476 5580 arc, ISSN

17535875, is published bi-monthly by Mondiale Publishing, Strawberry Studios, Watson Square, Stockport, Cheshire, SK1 3AZ. Subscription records are maintained at Strawberry Studios, Watson Square, Stockport, Cheshire, SK1 3AZ. Spatial Ltd is acting as our mailing agent.

022

www.arc-magazine.com

Paul James Editor

Bring the lines to the forefront TRACELINE reggiani.net

NEWS

Headlines Signify acquires 51% stake in Klite Lighting (China) - The acquisition strengthens Signify’s strategic position in the LED market.

Contrac Lighting appoints new Managing Director (UK) - New Managing Director Richard Hunt hopes to boost the growth of Contrac Lighting.

A.C. Special Projects appoints new Business Development Manager (UK) - AC-SP expands its team to develop and implement new business.

Studio Drift bring drone artwork to NASA (USA) – Studio Drift collaborated with Duran Duran on Franchise Freedom presentation.

[d]arc room: live and workshop line-ups announced (UK) – The programme will feature 32 presentations from leading lighting professionals, alongside a full schedule of insightful and interactive workshops and panel discussions.

More information at www.darcawards.com

Performance in Lighting launch space research (Italy) - Performance in Lighting has partnered with Argotec to develop research into LED lighting in space.

Seoul Semiconductor to use Casambi wireless technology in SunLike Series (Finland) - Casambi and Seoul Semiconductor to showcase collaboration at [d]arc room in September.

Future Designs launches Lightography photography competition (UK) - The Instagram-based competition invites entrants to imagine a world without artificial light.

Recolight recommend changes to WEEE System (UK) - Nigel Harvey, Recolight CEO, believes there are three areas in the WEEE directive in need of change.

TechLED acquires Ambience Lighting (UK) - The acquisition sees TechLED opens up its operational reach to encompass two new avenues of business.

Harvard LED business acquired by Gallant Lighting Group (UK) – Global group Gallant Lighting has recently formed Harvard Power Systems Limited, following the purchase of UP and related assets of Harvard Technology Limited.

Read more at www.arc-magazine.com

024

www.arc-magazine.com

iF Design Awards to move to Berlin (Germany) - After eight years in Munich, the iF Design Awards the UNESCO City of Design will host the 2020 awards.

OFFICIAL SPONSOR

ENTRY

Pic: Frederik Waneck Borello

026

www.arc-magazine.com

EYEOPENER

TRACKS Copenhagen, Denmark TRACKS is a permanent, site-specific light art installation situated across two passageways at Blågårds Square in Copenhagen.

Considered as one of the Danish capital’s roughest areas, the passageways were formerly very dark and felt unsafe, as any lighting previously in place was continuously vandalised by criminal groups. In a push to make the area feel more secure, welcoming and attractive, a competition regarding light art in the passageways was issued. This was won by artist Karoline H. Larsen, in association with ÅF Lighting.

TRACKS takes inspiration from the history of Blågårds Square and the local residents. In the past, the area housed an iron foundry, leading to the nickname “The Black Square”. Bearing this in mind, the installation uses black metal tracks shaped like squares, which refer to the harsh neighbourhood while creating a brutal sculpture in the passageways.

On a single wall, the tracks constitute an invisible square, as a representation of the Square itself.

The tracks on surrounding walls and columns are intended to symbolise the different routes taken through the passageways, and also to the wealth of

diversity in the area; it is home to residents from a range of nationalities, each of which has followed their own journey to Copenhagen.

The light behind the tracks is a counterpoint to the neighbourhood’s tough story and the massive black exterior of the tracks. It symbolises life behind the solid façades, and reminds that there is always hope, even in dark times. The tracks are mainly backlit in glowing orange, referring to the history of the iron foundry and the hot, liquefied metal. As a tribute to the human diversity in the area, the light cycles through a range of static coloured scenarios.

The old function lighting has been replaced with well-shielded downlights, and the light distribution is used to create scenographic effects, resulting in a simple contrast of light and shadow as black squares on the ground.

The perspective of the installation shifts when moving around the square, resulting in exciting visual changes, meaning that TRACKS can be enjoyed from a distance all around the square, defining it in a beautiful and inspiring way. www.creativeactions.com www.afconsult.com

www.arc-magazine.com

027

DRAWING BOARD

111 Piccadilly UK A 200ft innovative lighting installation powered by advanced photovoltaics will be the centrepiece of what is set to become Manchester’s smartest new workspace.

Part of a major refurbishment project at Bruntwood Works’ 111 Piccadilly building, the installation has been created in partnership with creative lighting design consultancy, Artin Light. Illuminating three sides of the iconic building, it will be visible from across the city centre, while a striking new ‘gem’ structure will also be added to transform the shape of the entrance.

The lighting concept will incorporate LEDs throughout and will be powered by sustainable energy via photovoltaics. The photovoltaics will also support the power generation for the ground floor of the building.

It is just one of the smart features planned for 111 Piccadilly. Advanced technology also includes sensors monitoring air quality, space utilisation and energy usage.

Customer health and wellbeing will also be improved via a new cutting-edge circadian lighting system, which is designed to create a natural environment regulating a 24-hour cycle of sleep, wake, hunger, alertness, hormone release, and body temperature.

Expected to complete in March 2020, 111 Piccadilly is set to become the first co-working space in the UK, and one of the first in Europe, to achieve Platinum standard WELL certification.

Ciara Keeling, CEO for Bruntwood Works, said: “We’re extremely excited to progress our plans for 111 Piccadilly. From amazing cutting-edge technology to sustainable features and a new stunning illuminated exterior, it is set to make a major impact on Manchester.

“All of the new features, from the 200ft interactive lighting scheme to the impressive community space in the Gem, are designed to innovate and improve our customers’ experience. The health, wellness and community aspects of a building are vital and this is just the first of many of our properties to receive such a revolutionary makeover.”

Luke Artingstall, founder of Artin Light, added: “111 Piccadilly is one of Manchester’s most iconic buildings, positioned at one the busiest

028

www.arc-magazine.com

pedestrian gateways into the city. We wanted this to be a landmark project, which embodied the city’s vivid, colourful and incredibly diverse culture, celebrating its community and progression. The building will become a canvas for dynamic visual art, giving it the ability to morph in both organic and geometric formations, twisting the geometry of the building with light.

“The nature of the building’s architecture draws you to the vertical and horizontal axes. These elements provide the canvas for the dynamic lighting system, utilising a combination of digital pixilation to the horizontal axis, and RGBW colour gradient lighting to the vertical columns. In unison these will flow and complement each other, delivering the dynamic visual content across the building’s façade.

“We cannot wait to get started and help make the building a real landmark for the city.”

A key element to the building’s transformation, which is part of Bruntwood Works £50m Pioneer refurbishment project, is a new sculptured feature, the ‘Gem’, which will provide a stunning art exhibition and seating space for people to gather and socialise.

Built from glass and copper panels assembled at angles to create a ‘gem’ effect, the space will create a captivating entrance area designed to attract attention from passing commuters.

A new independent café and lounge open to the public will also be introduced on the ground floor to create a welcoming arrival experience, as well as a vibrant co-working area, meeting and event space. The community spaces will host a regular programme of inspiring events bringing together businesses from across the city to network and collaborate.

Biophilic design will be incorporated to create a healthy, productive workplace. Internal planting and greenery will be displayed throughout, as well as enhanced natural lighting and extensive use of natural materials. www.artinlight.co.uk

www.lamp.es

#Worktitudeforlight

Oxxeo Office Building, Madrid, Spain Architect: Rafael De La Hoz Lighting Designer: ALS CO-CREATION PROJECT

DRAWING BOARD

Oman Across Ages Museum Oman Oman Across Ages Museum in the Wilayat of Manah is being constructed under the supervision of the Royal Court Affairs (RCA) of Oman. Located in Nizwa, the museum is set to evoke the past history of Oman, acknowledge the sustained period of development under the leadership of His Majesty Sultan Qaboos and to anticipate future opportunities for Omanis and visitors alike. The museum will aim to enhance interactivity between the youth of Oman and to shed light on the country’s achievements from both a historic and political perspective.

This iconic superstructure, which has been sculpted out of its site environment, will undoubtedly be a Middle Eastern architectural masterpiece, designed to inform, engage and immerse all visitors into the past history of Oman; with particular focus on the renaissance period from 1970. Through various aspects of design, the narrative of both past and present Oman will be unravelled through a series of innovative and interactive design elements, with a supporting comprehensive lighting strategy, developed by LDP International, throughout.

The museum will transition into an illuminated structure at night, with particular attention to the large structural copper façade and geometric landscape infrastructure that surrounds the building’s core. The lighting will enhance the interactivity of all visitors during the transition of day to night, as well as providing illumination for wayfinding to all external water bodies, event spaces and landscape features.

The museum will be a cultural and educational landmark for all Omanis and visitors coming to the country. The lighting narrative throughout will enhance sensory change, memory and help navigate users through their unique journey. www.ldpinternational.com

030

www.arc-magazine.com

®

TTC-ADO_AZ__Mondo_1907_RZ.indd 1

18.07.19 16:28

DRAWING BOARD

Eco Cremation Solar Crematorium USA Margot Krasojević Architects has revealed designs for a unique new eco-friendly crematorium to be located in Santa Monica, California.

The proposed design takes inspiration from the piers, boardwalks and dynamic coastline, attempting to create and reflect a dialogue with the experimental and progressive vibe of the area.

Its natural, neon-lit horizon is intended to juxtapose and connect the old and new, while becoming a liberal canvas to explore diversity - the project offers a new typology mirroring the environment, people and the transient or ephemeral character of Los Angeles.

The concept for the crematorium is seen as an event production, with a stream of projections customising the ceremony itself to reflect the individuality of the deceased.

As the ways of memorialising the dead become more varied, this crematorium offers three unique services: turning the ashes into a tattoo, a concrete reef, or fireworks.

The design scheme for the crematorium consists of a landscape-choreographed series of oblique arches that act as a bridge between the architectural elements and programmes. The oblique arch construction is a selfsupporting structure as a result of its geometry. It has an origin and a displacement, and the fractal-like nature echoes a birth and an end, a beginning and a conclusion.

This geometry reflects the nature of the typology as a selfreplicating, self-referential geometry, altered by direction, dimension and scale of the undulating zoetrope landscape.

The arches, as a continuation of the looping landscape and substructure, mimic the undulating landscape that

032

www.arc-magazine.com

surrounds and becomes part of the design circulation infrastructure.

Per the design, it is important for the ground, the earth and the substructure to relate to the deconstructed arches, as the scheme is part of its immediate environment; it slowly morphs along its section from foundation to take off. The cantilevered canopy leaves subtle traces of its origin, the primary structure, whose weight and presence are still experienced.

The primary energy for cremation comes from solar energy, and parabolic reflectors surrounding the crematorium chamber can be angled to obtain the strongest solar concentration.

As the intention is to provide an ecologically friendly pyre, the solar chamber uses combined layers of dichroic and Fresnel glass to concentrate on the sun’s rays. The dichroic panels give the illusion of a burning fire - an aesthetic used in ceremonial cremations, if requested.

The landscape is punctuated with solar cells to provide an ever-luminescent landscape around the solar chamber crematorium, where each light is dedicated to a passed loved one. Ashes are temporarily stored beneath a helicoid landscape, and digital projections of virtual beings of the cremated are reanimated onto the landscape at night.

The garden of remembrance loops around the solar cremation chamber, acting as an animated gallery whose geometry creates a linear animation on the landscape.

The chapel is embedded within the self-supporting oblique arches that float over the gently sculpted concrete landscape. www.margotkrasojevic.org

Eggboard

Pierpaolo Ferrari, 2018

Progetto CMR - Giacobone & Roj

106 Great Russell Street, London WC1B 3NB Tel. 020 7631 5200 info@artemide.co.uk

ADV2018 UK.indd 4

26/04/18 13:26

Pics: James French

Hard Rock Hotel UK Designers at Nulty have recently completed the lighting scheme of London’s new Hard Rock Hotel and Hard Rock Café.

On entering, visitors are immediately met with a cacophony of sensory stimulation in the portal leading to the hotel lobby; a series of brass rods, pendants, mirrors and rectangular light sheets indicate to guests that they are leaving the old world behind and entering a space bursting with rock and roll attitude.

The Nulty team co-ordinated closely with the project’s interior designer Scott Brownrigg to install 120 Applelec light sheets of various sizes, and as many Reggiani Yori pendants, amongst the fractured graphics of the space.

In the main lobby, past Freddie Mercury’s first ever piano, is a wall of eighteen glass cases full of impressive music memorabilia. These are lit with XAL’s Nano adjustable spot and halo lights, creating a vibrant space of interest, while wall-mounted artwork is illuminated by Buschfeld’s Shop spots. Another 60 or so lit pieces of memorabilia are sprinkled amongst the hotel lobby and café.

By using troughs in the ceiling to house Linea Light Group’s Creek track system, fitted with Pound 2 spotlights, Nulty avoided populating the vast lobby with an abundance of downlights. These troughs

034

www.arc-magazine.com

successfully break up the broad expanse of the ceiling. Meanwhile ramps and stairs throughout have integrated lighting installed, and as the light levels in the space get very low, floor lighting provides safe passage without affecting the mood.

The eye-catching reception desk is lit by a custommade installation from Nulty Bespoke. Highlighting the humble drumstick, the installation consists of 135 fibre optic cables encased by handmade, 600mm long ‘drumsticks’. The maple drumsticks appear to have light emanating from their tips, suggesting that music is escaping from the drumstick itself. Each of the cables is hung at different lengths, giving the overall impression that the installation represents a large sound wave.

The main hub of the space is a commanding circular bar, dividing the hotel from the adjacent Hard Rock Café. The ceiling light installation dramatically demarks the space with a series of 7-metre brass fins radiating from the centre. 2000 Philips Color Kinetics iColor Flex MX gen2 LED nodes, provided

by Architainment, are mounted between the fins to provide both illumination and a type of messaging in the bar. Each of the LEDs are individually addressable, so the installation can be programmed as patterns of sparkling stars, pulsing chevron, a clock face or even seasonally-inspired moments, such as a

SPOTLIGHT

rainbow colour during Pride, or all green for St. Patrick’s Day. These are all centrally controlled by staff from an iPad. Hidden behind the reception is the VIP Rock Royalty lounge, featuring a ceiling scene of faceted mirrored panels. The Nulty team’s intention was to ramp up the glamour aspect of this exclusive space by installing frosted globe pendants with brass arms. These pendants are then reflected in the mirrors, providing the illusion of lots of shimmering light. On the ground, either side of the mirrored ceiling, are intimate recessed banquettes, encouraging low-key moments. Nulty installed dimmable frosted globes with brass circular back panels, linking with the materiality of the corresponding pendants in the room.

Nulty utilised its experience in retail lighting in the Rock Shop, a small retail concession with several layers of light throughout. Flos Tracking Magnet and Spot lights in matte black allow for easy adjustments according to what merchandise needs highlighting. The bold red turntable-shaped cash desk is highlighted with a strip of Osram’s Linearlight Flex at the desk’s base, while the top part of the walls is flooded with halo lighting above the merchandise.

Elsewhere, the lighting in the café requires versatile solutions, with different moods and illumination requirements throughout the day.

Tuneable white lighting in the coffered ceilings provide warm light during breakfast, and brighter, cooler light temperatures later in the day.

Banquette seats have built-in table lamps, providing a sense of cosiness and a large contemporary pendant positioned in a ceiling rose, offering a striking visual feature.

A series of thin, brass low wattage pendants at the concierge desk and lift lobby echo the drumstick installation at the reception. These delicately suspended lights draw the eye to lifts and the concierge, acting as a type of wayfinding while boosting the light levels.

Emilio Hernandez, Director at Nulty, said of the project: “We really enjoyed the energy and creativity of the Hard Rock team. They have a dedicated position of ‘Vibe Manager’, who oversees the overall feeling of the space. As light is a key part of creating a mood, it was really exciting to work with a team who understands its importance in a space.” www.nultylighting.co.uk

www.arc-magazine.com

035

SPOTLIGHT

Wartski UK The new interior for the Wartski boutique in London is inspired by the brutalist architecture of the antique jewellery’s former location and the National Theatre; the contrasting environment creates a surprise for customers once they walk through the doors of the ornate, classical façade.

Illuminationworks developed the lighting for the new boutique, utilising museum quality lighting elements throughout, especially in the wall vitrines, where sources are concealed. The precision and intensity of the lighting makes the merchandise the clear focus throughout.

Surface mounted adjustable spotlights from Lucifer Lighting provide general lighting - the minimalist cylindrical fittings balance strong geometry and reinforce the heavy slab and beam appearance of the ceiling. The spotlights are used for accent lighting throughout, and highlight the retractable display shelves at each wall vitrine, where objects are closely inspected by customers.

Refined over a series of mock-ups, the wall vitrine lighting operates with great precision, and is comprised of three distinct elements. Four highpowered, adjustable 3000K and 4000K TM Lighting Art Point spotlights are the primary source of object lighting in each case. Warm 3000K lighting accentuates precious gemstones, gold and other warm metals, while the cooler 4000K emphasises diamond clarity and silver pieces. Powered via monopoints, these spotlights can be reconfigured with the different CCT options to reflect specific merchandise being displayed.

Next, a bespoke linear washlight from Lightgraphix

036

www.arc-magazine.com

with alternating 3000K/4000K sources is located at the front of each case to evenly wash displays and minimise shadows. Positioned above the proscenium, all accent lights are unseen.

Finally, a reveal detail outlines the back panel, adding depth to the displays, while accentuating object silhouettes and limiting shadows caused by accent lights. The overall effect is a focused, shadow-free intensity, with the precision normally associated with museum gallery lighting.

The vertically oriented vitrines form the focal point of the boutique, acting as a beacon to draw customers into the back of the shop. A reveal detail in the front panels emphasises the geometry of the space, and creates a striking, jewel-like profile.

In front of the sales area, integrated linear LED adds localised light and lessens shadows in the long table vitrine. Silver objects displayed in the vitrines with mirrored backs have adapted lighting details to prevent visibility of the sources.

On the façade, the Wartski logo is backlit to accentuate the ornate, cursive signature. Surface mounted downlights are located over each door for balance and depth. The window display lighting, also provided by TM Lighting, follows the interior vitrines - 3000K and 4000K alternating spotlights, with a high output version of the mixed CCT front washlight, and a reveal detail to wash the back panel.

With more than 150 years as an antique jeweller, Wartski’s new boutique enhances the brand’s storied past, while carrying it into the future. www.illuminationworks.co.uk

arc_111_climarlighting_final.indd 1

08/08/2019 15:39:19

SPOTLIGHT

ENTRY

Until The Day You Feel Good UK When the new Royal Papworth Hospital opened to its first patients in April this year, they were greeted by a powerful installation aimed at both welcoming patients and staff to the hospital while simultaneously creating a positive, life-affirming atmosphere from the moment they arrive.

Created by Adam Ball after being appointed as consultant artist by architects HOK International, the permanent installation, entitled Until The Day You Feel Good, is an integral part of the building’s design and has assisted the architects in realising their goal of providing visitors with a positive, easy to navigate environment that helps reduce stress and anxiety.

Over the last eight years, Ball worked closely with HOK to create the 3x16-metre light installation that forms the exterior wall of the hospital next to the main entrance.

The work was initially created from white fabric, hand-cut into eleven sections. It was then photographed, before being screen-printed onto glass, and backlit by a bespoke LED lighting system utilising fixtures from Studio Due, designed to gradually change colour over the course of the year.

To ensure the work reflected the endeavours of the highly skilled team of professionals at the hospital, Ball collaborated with surgeons and staff from various departments, even witnessing thoracic surgery first hand, while at the same time investigating and researching source material for his work. This means that the artwork is directly influenced by the people who work at the hospital, and is reflective of their ongoing medical advancements.

“This work has been a long time in the making, and was underpinned every step by the firm belief in the importance of art in the recovery of patients,” said Ball. “While I have

038

www.arc-magazine.com

always believed this to be the case, I gained a much greater appreciation of its importance when my daughter fell ill and we found ourselves in and out of hospital with her.

“Hospitals can be intimidating environments, so I wanted my work to be welcoming for patients and their families as they arrive, and to create a less clinical, optimistic feel and a brief distraction from their circumstances.”

In creating Until The Day You Feel Good, Ball enlisted in the help of French colour expert, author and designer Jean Gabriele Causse.

The impact of colour on wellness has been well documented in scientific and medical journals internationally. Incorporating this knowledge, the illuminated colour panels transition through the seasons to mark the passing of time. Tones of yellow and orange warm the winter months, while cool, calming and relaxing blues and greens fill the panels in summer.

According to Causse, author of The Power of Colours: “The gradually changing colour in Ball’s piece reflects the hospital as a dynamic place, evolving day after day. Colour offers comfort and subtly enhances trust, which in a project like this is crucial in the wellness and healing journey.”

Ian Fleetwood, Lead Designer at HOK’s London studio, added: “Adam was a logical and intuitive choice for the entrance piece at the Royal Papworth Hospital. He worked closely with the design team at the early stage of the design process. His enthusiasm and collaborative approach perfectly illustrates the symbiotic relationship between art and architecture, which, as ever, is rich and rewarding.” www.adamballonline.com

Featured lights: Yuma 300

astrolighting.com

SPOTLIGHT

ENTRY

Rothy’s at Fillmore USA Located on San Francisco’s iconic Fillmore Street, in a beloved former neighbourhood shoe-repair shop, the 600sqft flagship Rothy’s retail store maintains its historic charm with a clean and modern design update.

Made from recycled plastics, along with a proprietary 3D knitting, Rothy’s approach is to significantly reduce waste while creating sustainable and stylish footwear.

This approach is echoed in the lighting design, created by Electrolight.

Central to the Rothy’s brand, the colour blue is symbolic of the source of the knit material, and is showcased on the heel of each shoe. Blue LEDs therefore reinforce this brand identity, creating an underwater atmosphere that evokes the water bottle concept, as well as bringing attention to ocean habitats that suffer through improper waste disposal.

However, the footwear comes in a myriad of colours, which meant that an outstanding CRI was paramount. The controls were programmed to display coloured lighting solely during promotional events and as a late night feature. The new store, with its new product concept, will experience numerous promotional events in the future, and the lighting will contribute towards a memorable branding experience.

The lighting team at Electrolight was tasked with finding solutions to make the small store feel spacious, while reinforcing Rothy’s brand, utilising innovative technology and design.

The luminous membrane ceiling provides a daylight-like ambience throughout the store, courtesy of Newmat’s stretch ceiling lighting, while Litelab’s integrated spotlights with high colour rendering highlight all the colour choices available. Through the use of irregular quadrilateral forms, lines of the ceiling plane converge to shift human visual

040

www.arc-magazine.com

perspective, creating the illusion of a larger space.

With the lighting system encompassing the entire ceiling-plane, comprehensive coordination with the team from interior designers Steven Volpe Design, and MEM Architecture, was paramount. Metal troughs housed not only lighting, but sprinklers, air-conditioning, smoke detectors, speakers, alarms and daylight sensors; all of these elements have been painted matte black to reduce visibility. During construction, the lighting team worked closely with contractors to ensure proper execution of the design team’s vision.

Stringent code requirements resulted in minimal lighting behind the ceiling membrane, requiring mindful consideration of luminous efficacy and diode density. Likened to building a tri-dimensional illuminated puzzle, every detail of the membrane ceiling and metal troughs were meticulously designed and engineered to perfection. Sharp edges of the slants were another challenge that required a unique design solution, with LEDs strategically placed in narrowing corners avoiding unevenness on the membrane ceiling.

While the white lighting was designed for uniformity, the blue feature was intended to be read as geometric waves. LED strip-lights mounted sideways along each membrane perimeter created the desired fluidity here.

Magnetic boards integrated into wood panelling allow displays to evolve in order to accommodate new merchandising. To facilitate lighting adjustments, the track system utilised LED lamps with field changeable lenses to adjust beam spreads, combined with honeycomb louvres for glare control and visual comfort. www.electrolight.com

Magnetic attraction OZ’s ultra-thin 48V power-track runs freely in the space both on ceilings and walls. Its two conductive stainless steel tracks “attract� the magnets placed on the lighting units allowing an easy and immediate toolfree installation in every point of the system.

By the use of special connectors it is possible to create infinite combinations. The lighting units, fixed or adjustable, are available in three different optics and four color temperatures; absolute freedom and precision for your design. Equipped with special profiles OZ can be installed either recessed or suspended.

Experience the OZ freedom and its magnetic appeal.

targetti.com

Ponctuelle Light Design The Parisian lighting design studio celebrates its 20th anniversary this year. Boasting an extensive, worldwide portfolio that spans across many different areas of expertise, Ponctuelle has grown from its beginnings in the entertainment world into a diverse studio that can cater to a broad spectrum of architectural lighting needs.

TimeVallée Shenyang, China Located in downtown Shenyang, the K11 Art Shopping Mall hosts the largest TimeVallée store in the world; eighteen prestigious Haute Horlogerie firms are represented inside the same 1000sqm boutique. Ponctuelle created a specific light atmosphere to each of the five new common spaces: The Lady Salon VIP space for women; the Heritage Lounge for male customers; the Customer Service Room, where a watchmaker works; and the Showroom.

For this concept, Ponctuelle collaborated with formalighting to develop a selection of lighting fixtures, allowing adaptation to curves and volumes, to create the many different atmospheres throughout.

The Chauvet Cave Pont-D’Arc, France The Chauvet Cave re-opened to the public on April 25th 2018, and for Ponctuelle, it was the completion of an exceptional project; Five years of studies, exchanges with the designers, architects, scientists, project managers, led to the creation of a work of light design that sought to match as closely as possible the feeling of the original painted cave.

The semi-darkness contributes to the stage direction of this cave. Every detail, whether artistic, or mineral or paleontological, revealed at each station of the visit, serves to recreate the emotion of the discovery. Ponctuelle used 1500 carefully hidden light sources, to create a homogenous, coherent lighting scheme that was both significant and touching, highlighting the phenomena on show.

042

www.arc-magazine.com

SNAPSHOT

Meurice Hotel Paris, France Ponctuelle created the lighting design for two suites of the Meurice Hotel, an establishment that has been operating in the pure classical French traditions of the sixteenth century in Paris: In 2015, the Pompadour suite, which through its tribute to the Marquise de Pompadour (favourite of Louis XV), reminds guests of the splendor and magnificence of Versailles; and then in 2018 the 210sqm Belle Etoile suite, with its panoramic terrace overlooking the entire capital. In this suite, full of materials and moldings, the light integrates discreetly, while the lighting cove becomes a graphic element of space.

On the adjoining terrace, touches of light disseminated on both sides reveal foliage, a trunk, a subtle play between shadow and light.

Columbus, An Organic Design New Jersey, USA Interior designer Noé Duchauffour-Lawrance designed a project inspired by nature, for the common spaces at 90 Columbus, an 80-floor building in Jersey City.

The landscape architect Bas Smets supported him in the realisation of the urban gardens. Ponctuelle has distilled its lights to create a calm oasis away from the effervescence of the city, and realised luminous ambiances for the different common spaces.

Cartier Peking Road Hong Kong, China For the extension of the Cartier Hong Kong store, which now covers three floors in Tsim Sha Tsui, Ponctuelle developed the lighting design for the interiors, as well as the remarkable façade. The new-look store has been designed to provide a novel and enchanting shopping experience for visitors.

Designed by Bruno Moinard and executed

by AT Zero Design, the remarkable façade of the shop is inspired by the roof tiles of traditional houses. Reinterpreted “tiles” are structured with onyx, bronze and calacata, exuding golden tones that are complemented by the elegant lighting design. The façade also embodies a fusion of traditional elements and modern style, echoing Hong Kong’s diversity and vitality.

Ponctuelle Light Design Created in 1999 by Philippe Mombellet, lighting designer for live shows, Ponctuelle Light Design brings together personalities and skills from architecture and the world of entertainment. Each project in the studio’s portfolio combines talent: lighting designer, architect, scenographer, design office, control room, and technical team, allowing Ponctuelle to respond creatively and operationally to all types of request.

Ponctuelle collaborates with creators from all horizons to provide a range of skills in terms of advice, personalised studies, expertise and designs.

Combining innovation and creation, the studio offers tailor-made solutions, taking into account the constraints and objectives of each project. www.ponctuelle.com

www.arc-magazine.com

043

BRIEFING

Mark Needham Global group Gallant Lighting has recently formed Harvard Power Systems Limited following the purchase of IP and related assets of Harvard Technology Limited. arc spoke to Harvard’s new Managing Director Mark Needham about the deal and what the future holds for the company.

Explain your journey of how you got to your position as Managing Director of Harvard Power Systems?

Like many in this industry, lighting was never a burning ambition. Out of IT and Electronics college, eager to be employed, I got a position as an office junior in the technical office of W.J. Parry, a wire-wound ballast manufacturer based near the Derbyshire/Nottinghamshire border.

It was simply the first job offer and was grasped with both hands.

Lighting quickly became the major interest, passion and the route of career progression. The Parry ballast business was acquired by a USA corporate who also owned the Venture lamps business. As Parry became Venture Lighting, a role in the commercial side of the business became the focus and there began the direct involvement in lighting component sales. Lighting technologies evolved, as did the focus and target, from HID ballasts, ignitors and lamps, through electronic control gear and controls, to today’s LED technology power supplies, drivers and light-sources. In more recent years I held the position of Sales Director for Venture Lighting Europe and Vice President EMEA for Fulham Company Lighting. Following discussions with Gallant Lighting and the previous close working relationship from roles within the Venture Lighting business, earlier this year I was appointed as Managing Director to head the newly formed Harvard Power Systems business.

How will being part of Gallant Lighting Group benefit Harvard Power Systems?

Above and beyond the benefit of low cost manufacturing, the Venture Lighting India group of factories and test facilities bring a number of sales opportunities to the wider global markets. The Indian factories, now within the Gallant Lighting group of companies, each have notable proven histories producing high quality components and systems, 100% focused and dedicated to lighting. This vast experience forms a great synergy with the retained design and engineering skillset of Harvard to stand well within this tough marketplace.

How did the Gallant Lighting Group acquisition of Harvard Technology come about?

Aligned to a larger global deal, Gallant Lighting also acquired the complete Venture Lighting India group of factories and test facilities. The purchase of the IP and related assets of the former Harvard Technology business allows the continuation of the respected Harvard branded, high quality LED drivers and light engines whilst benefiting from the highly capable and well established low cost manufacturing facilities in India.

Do you have new product development planned or are you concentrating on existing products?

There is a healthy mix of existing products retained, legacy products withdrawn and of course new products in development. The group of senior engineers retained from the former Harvard Technology business are now supported in the Harvard Power Systems business by a wealth of experienced and highly educated design and development engineers and technicians throughout the Venture Lighting India group. There are already a number of exciting projects in the pipeline.

Can you shed some light on the problems that Harvard Technology suffered?

Not being involved with, or connected to the now closed Harvard Technology business, it would be incorrect to make an unqualified comment or judgement. However, there is no hiding away from the issues that face all businesses in the lighting industry today; low cost imports and price erosion along with marketplace & overall economic uncertainty to name just a few.

Solid state and digital technology creates a wide diversity of product requirements for lighting components such as LED drivers and LED light sources along with lighting control/monitoring systems and devices.

Maintaining such large product portfolios to expertly service all areas of these requirements is incredibly costly.

What does the future hold for the lighting industry?

Significant change brought about by solid state and digital technologies has completely reshaped the lighting industry to such an extent that light bulbs, tubes and lamps quickly became the legacy, whilst ‘fit & forget’ light fittings became the norm and the expected.

Energy saving and light efficiency remain at the forefront whilst the demand for best light quality, connectivity, control and monitoring as well as human centric lighting, such as automated colour tuning, will become more widely specified. Integration with other building services such as HVAC, safety, security and interoperability with such building management systems is the natural evolution in lighting. www.harvardpowersystems.com

044

www.arc-magazine.com

Will there be a new strategy with Harvard Power Systems moving forward?

The strategy moving forward is to remain focused on what the business is good at: providing high quality, specification-rich lighting components, from our UK sales, technical and distribution base.

The whole IOT, connectivity, communication, monitoring and control business is becoming a fundamental requirement of all that is lighting.

Strategic partnerships with the leading providers in this arena, the experts and those who are equally good at what they do, will also feature in our plans.

046

www.arc-magazine.com

women in lighting

Creating a Community Building a lighting society in the Middle East and Africa, Sakina Dugawalla-Moeller is a beacon of light in the desert.

F

ounder and Principal of Light.Func,

to democratic state, and quality education was hard to

the Middle East ambassador for

“My parents sent me away to boarding school in

Sakina Dugawalla-Moeller is also

Women in Lighting (WiL).

Declaring herself the ‘Funny One’

in her company bio on her website, it is fair to say after our brief

encounter with her on paper, it is clear she has a vibrant personality that has allowed her to shine brightly in the lighting industry.

“My fascination with light started before I even knew

it had. My father had a very old camera that came in a

leather case, which he used at every family function,” reflected Dugawalla-Moeller.

“Weekends were spent pouring over old photographs of picnics in Tanzania, where the family always sat in the

shade of huge mango trees. I remember when I was about eight, talking to him about how the white light behind

my mother really made her look a lot slimmer. I bought

myself a camera as soon as I could afford it, a DSLR, and

still spend a lot of time trying to capture light in different ways.

“It never ceases to amaze me that with a slight variation of settings, anything you photograph can appear a

multitude of different ways. This is what lighting design is for me as well.”

Right from the start, Dugawalla-Moeller was fortunate to have a strong family behind her to support her through the educational system in Tanzania.

“Tanzania was still undergoing changes from a socialist

come by,” she explained.

northern Tanzania where I studied the IGCSE system

and then eventually onto another in Nairobi, Greenacres School, eventually finishing my 4th form at Dar es Salaam Independent School.”

With certain expectations from her father to become a doctor clashing with her loathe for the sight of

needles, they both settled on her pursuing a career in

architecture. She secured a scholarship to undertake her A-Levels at Kensington Sixth Form College in the UK

when she was seventeen. Dugawalla-Moeller then went on to start a degree in Architecture at the University of Nottingham.

“A journey of self-discovery made me realise that what I really aspired to do was design for people, to enhance their lives in some way, and therefore architecture did

not satisfy that need. I was convinced it had to be Interior Design, but my A-Levels did not allow for enrolment

in a BA programme, and I didn’t want to spend another

year learning just Art, which was the only avenue open to me,” she explained.

“As a result, my father played a role when he advised me, due to my political involvement in the state of

Tanzania, I should consider studying Law. After sitting an exam, I was accepted at Holborn in London. On my way there in 2005 I stopped to stay with my uncle in Dubai

and was fascinated by the East meets West skyline and society. With my uncle’s assistance, I enrolled at the

www.arc-magazine.com

047

Manipal University with a partial scholarship and graduated with a

After completing three years with the firm, it was time for

module in my second year. My professor convinced me to intern at

Light.Func.

BA in Interior Design. During this time, I studied a lighting design

Erco, because she felt I had an unconscious eye and feel for light. I

followed in many other great lighting designers’ footsteps and took a chance, which paid off. My first day at Erco was the start of a journey that when I look back, I think was always inevitable; it was here that I learned the key fundamentals of qualitative lighting design,” she elaborated.

Just two weeks after graduating, Dugawalla-Moeller was called in for a support role at iGuzzini, thanks to the impressions she had made during her internship.

“At iGuzzini, I learnt everything about business and lighting as

a framework, working on mostly retail and residential projects. I

stayed for four years, at which point I realised I wanted to grow more creatively.”

Dugawalla-Moeller went on to enrol in a Master’s degree in

Scenography but was recruited by Linea Light Group before pursuing her Masters. She quickly got promoted to Global Lighting Design

Leader, where she held multiple conferences with fellow lighting designers from around the world.

“This time allowed me to really teach design and create an open

platform to exchange information, discuss challenges as well as learn new things.

“During this time, I worked on my first independently designed lighting project, the Eden Beach Club, with a client who I have retained when I moved on with my career,” she explained.

048

www.arc-magazine.com

Dugawalla-Moeller to take the leap to open her own design firm, “A few mentors inspired me to take the chance, and my manager was very kind and incredibly supportive in convincing me that it was the right choice in moving forward,” she reflected.

“On the 4th April 2016, Light.Func was born in Dubai. Light.Func had already been registered in Tanzania in February that year, because I

wanted to have the name reserved just in case I finally took the leap.”

The beginning of Light.Func allowed Dugawalla-Moeller the chance to work towards her personal ambitions of sharing lighting design across the UAE.

“The UAE is known for great buildings, great design and great

concepts – which are very accessible because we live here and are privy to luxuries many around the world cannot fathom.

“However, I found there was a disconnect in the accessibility to

lighting design for some projects and clientele. I wanted it (lighting design) to be accessible to those that could not afford to pay large

sums of money (mostly due to there already being a stringent project budget), whose projects were too small to garner interest, whose

timelines were so constricted that it was impossible to get a lighting designer on board who was already so busy, as well as those who did not come from a professional background where they were privy to

what lighting design was, its benefits and of course its importance.”

Dugawalla-Moeller also felt it was very important to give back to

the community that had supported her during her career journey, by

creating initiatives that would nurture and breed the next generation

women in lighting

Far Left The Eden Beach Club venue is illuminated with a mixture of theatrical and architectural lighting to create a modern and luxurious feel to the space. This was also Dugawalla-Moeller’s first independent lighting design project she managed as Global Lighting Design Leader with Linea Light.

Above Left and Left The A capella restaurant is an example how Dugawalla-Moeller persuaded the client to use coloured light to enforce the brand’s identity and create a dynamic dining experience.

Above Jones The Grocer, Dubai Mall. “I believe it is one of the first Jones franchises to have taken on an independent lighting designer.

It is owned by Al Futtaim Group, and we worked closely with the client to ensure there was a balance of light, considering their portfolio is mostly retail. Located on the Ground Floor of the Dubai Mall, LXA Dubai worked closely with us to achieve a perfect balance between the feel of a café by day to fine dining by night,” explained Dugawalla-Moeller.

of lighting designers in the Middle East and Africa.

projection of protrusions.

did not seek employment at other much more established studios

still created not only ambience and focused light but required a very

“My passion to have a lighting community was the reason why I

– because the lighting culture here is not as involved as the UK, for example.

“When I established Light.Func, there was no platform where

lighting designers could come together, create, mentor, teach, learn, envy and respect each other,” she explained.

When asked about her approach to lighting projects, it was clear

there was no one size fits all approach, and Light.Func’s open and all-inclusive approach dictates the team’s portfolio of work.

“Light for us always starts with daylight, and there are many things that determine how daylight plays a role: the time of year, the

materials used, the orientation of the building, the list is endless.

“We do not design for the project or to build a portfolio or to

achieve fame. I just believe that no project is too small, no client too

demanding and no contractor too shifty – you still have to give it your absolute best. I think one of the reasons we stand out is because of our never give up attitude.

“We give back to the industry as much as it gives us. We actively promote the role a lighting designer plays in each project, by

working hard to get this message out to society, both in industry and education,” she explained.

The first project the team completed as Light.Func was Molecule in

D3, Dubai. The restaurant, bar and gallery with a take on bistronomy, embodied the client’s creativity in numerous aspects, from an

undulating 3D-effect ceiling to partitions and walls that become a

“The lighting concept we worked on balanced the different areas and technical solution for precise lighting on tables. The project also has

a catwalk leading to the toilets upstairs, and to enhance brand image, light in a molecule pattern leads the way through this contrasting space to the bathrooms.

“Most importantly, it is the first project that I completed at Light.

Func and was also shortlisted at the Light Middle East 2017 awards in the Restaurant and Bar category .”

Following on from her beginner’s success, Dugawalla-Moeller set out to fulfil a personal project just over three years ago. Light.ication was

a pro bono project with the aim to create a platform of dialogue where independent lighting design studios mentor university students that are pursuing architecture/engineering/interior design and create lighting installations.

“In the UAE, the majority of graduates lack in this process because in this region the educational workload (having experienced it myself) is quite demanding and the opportunity for work experience is

limited. Naturally, project timelines would not allow for graduates to really understand how an idea can go from sketch to realisation.

“The basis of Light.ication is to teach and experience the process

of conceptualisation to reality by the next generation of designers.

It also gives the studios a chance to teach and give back to the community.”

When working on new projects, Light.Func’s rule of thumb is to

harness as much daylight as possible. The majority of spaces they

www.arc-magazine.com

049

provide lighting for tend to be occupied from sunrise to beyond

space that he is very proud of. So, going back to what I was previously

in for comfort and practicality needs as well as bearing in mind

about lighting design, its accessibility and that through constant

sunset, so it’s important for the design to factor these working hours reducing energy consumption at different times of the day. Keeping

an open channel of communication is also vital with everyone that’s

describing, it’s a right old challenge to change the way people think technical detailing, aesthetical intent can be achieved.”

As the Middle East ambassador for Women in Lighting, Dugawalla-

involved in the project.

Moeller has set out to spread the word of lighting and encourage the

space and how we can enhance it, firstly through vertical lighting and

Establishing herself as a designer in the Middle East, we asked

“We also map out a scope where we imagine the function of that

then subsequently filling it in with horizontal lighting,” explained Dugawalla-Moeller.

“This allows us to ensure that the intent we put forth looks beyond the project typology, its spatial characteristics and unique design

elements. It looks at how we can enhance the experience of anyone in that space, temporary or permanent.

“We then consider the cultural language, environmental aspects, our dos and don’ts, carbon footprint and ultimately the budget.

“Working on A cappella, for example, the client didn’t want to spend too much as it was a risk they were taking to open an F&B tapas bar

in a market that was economically uncertain at the time. The client, a

restaurateur, didn’t like coloured light. We were able to convince him that the project typology meant that the use of some colour would benefit the space to bring in patrons, as well as add to the brand’s identification.

“The result was a budget he was almost shocked by and a beautiful

050

www.arc-magazine.com

confidence of young female designers to stand up for recognition. whether it differed to other experiences women may have had in other nations.

“You get two opposite reactions in the Middle East as a female

designer – one is that people feel it’s the norm to have a woman working as a lighting designer. The second is immense respect, but only after initial shock – I get this mostly when I venture to

site meetings. Engineers are often impressed that female lighting designers would have so much technical knowledge. In fact, they

resorted to calling me Engineer Sakina, which is quite amusing.”

After establishing herself as an avid promoter of lighting design in the Middle East at Messe Frankfurt’s Light + Building, Dugawalla-

Moeller was responsible for assisting in four different events at the show. It was here, in 2018, that she ran into Sharon Stammers and Martin Lupton of Light Collective and Women in Lighting, at the

Light Middle East Awards.

“When the initiative was launched, I was not only honoured to be

women in lighting

Far Left Molecule restaurant, bar and gallery. “The lighting concept we worked on balanced the different areas and still created not only ambience, focus light, etc, but required a very technical solution for precise lighting on tables,” explained Dugawalla-Moeller.

Far Right Joint winning light art installation, as part of Light.ication 2018, by DTS and Prince Salman University.

Above Left, Left and Above The By Symphony retail store is lit with simple and elegant fittings that create a chic environment for the high-end products on display.

asked to be the WiL ambassador, but extremely excited because

She has recognised that nearly every person she has come in contact

platform that allows our community to communicate with the rest of

her career, whether intentionally or not. “When I was sixteen, I

all the work I had been doing had paid off; now we have another the world,” she remarked.

“I am hoping that more women come out of hiding and take charge

of their careers. It is not that lighting design has gender inequality, it is that women do not put their hands up, as I have, to actively go out and promote lighting as profession.

“More and more men, or as some of us like to call them WiLS –

Women in Lighting Supporters – are also consciously helping their

colleagues, family members and industry in support of the cause.”

Using her role to promote gender balance in her own practice is something Dugawalla-Moeller is working hard towards.

“We are trying to take Light.ication global, so that it shows the

variety of creativity and technical acumen that each team can bring, and the teams can be gender balanced, with one of the leads as a

woman. This means that in studios where there is no woman in a

decision-making role, it creates the perfect opportunity to step up.

“I would like it to really change the way people see WiL, that we are

not delicate flowers that sit and sketch beautiful lighting intent, we are as competent as any male lighting designer.”

As an ambassador, Dugawalla-Moeller is working to lead by example and promote the movement through being open about her own experiences, both successes and failures.

with throughout her career has left an impact on her and informed

went to build low cost housing in a village in Tanzania, and we built them side by side with the villagers. At night, there was not much

electricity, so the sky was our light. It sounds a little romantic, but

what it made me realise is that people should always inform who we

become, and the spaces we inhabit inform our actions, functions and emotions. I embarked on a journey that started in the wilderness of Africa, but took me through the disciplines of architecture, interior

design and ultimately to lighting design, because it was lighting that

informed me mostly about how people function and feel. Hence, why at Light.Func we say, ‘Everyone has a journey, ours is light’.”

Taking a lesson from each encounter has let her develop a full

understanding of who she is and who she wants to be as a leader

to those she teaches. Coming from a humble background has led

her to dedicate her conscientiousness and achievements solely to honour her family’s legacy for their hard work, and to her team

at Light.Func that work with her through all hours of the day. “To

achieve excellence through design is to set the bar higher for myself and the work we produce every day. To inspire my children and the next generation of designers to always excel to their own ability is important.

“I constantly talk to fellow WiL members, getting their feedback,

www.arc-magazine.com

051

women in lighting

“It is a challenge to change the way people think about lighting design.”

Sakina Dugawalla-Moeller, Founder and Principal, Light.Func.

Left Sakina Dugawalla-Moeller posing with lamps at a Women in Lighting event this year.

As Middle East Ambassador, she is setting out to inspire young and current female designers to gain more confidence in themselves as female designers and to put themselves out their to celebrate and promote the wolrd of lighting for everyone.

supporting those that change roles and taking on ideas for future

I actively promote the dark sky, and though we love to beautify

because there are a lot of ambassadors that are isolated because their

pollution and energy conservation studies when auditing our own

events. I have also created a Facebook page for WiL-MEA, especially

community is very small, as opposed to the UAE community. By

including them, they are then able to grow their own communities for the future.

“We are also now planning to host WiL evening events every month, inviting a presenter or speaker who is female, whose role in life

somewhat touches the subject of lighting, construction, architecture, design or entrepreneurship.

“The UAE has a huge group of women who are successful in their

own right; Emirati and expat women who have made massive and

milestone contributions to a sector of the community. My aim is to bring them together to inspire our community.”

Looking forward, Dugawalla-Moeller is firstly wanting to look at

Africa. Raising more awareness for lighting and its benefits is key

and time-sensitive: “The time is now for Tanzania and East Africa.

052

www.arc-magazine.com

hospitality and commercial projects, constantly carrying out light design is important.”

Teaching is also a high priority: “I learn every day and expect that I will keep learning every day until I retire. What I would also like to do is teach lighting design, beyond the approach of qualitative and quantitative lighting design, that the process is unique to

each project. I have had the good fortune, through Light.ication,

to have met many educators who invite me to do guest lectures at

universities, but I cannot teach full-time or part-time because of the demands of Light.Func and outing off an MA of MSc.

“The next thing is to take my energy to Africa, really promote the

value of good lighting design and then slowly start to find a balance between being a lighting designer and a lighting educator.” www.lightfunc.org

C

M

Y

CM

MY

CY

CMY

K

The Middle East’s Premier Exhibition, Conference & Awards for Lighting Design and Technology

15 – 17 October, 2019 Dubai World Trade Centre, UAE

Switch on your potential with radiant opportunities Explore the next generation of smart lighting technologies by pioneering global brands and stay ahead of the latest trends with free conference sessions and training workshops.

Register now! www.lightME.net

research

Home Sweet Home Connecting the dots for healthy evening residential illumination In this issue, Asst. Prof. Dr. Karolina M. Zielinska-Dabkowska IALD, IES, CIE, MSLL, RIBA, turns her attentions a bit closer to home, looking at the importance of having healthy residential lighting schemes.

Figure 1 A crucial challenge facing lighting professionals today who design residential lighting schemes, is to provide LED lighting that is both visually safe and harmless to general health.

Pic: Light.iQ

D

uring the twentieth century, lighting designers

excessive exposure to visible light can cause phototoxicity related

sources for residential homes as they provided

more thoroughly researched and taken into account in residential

would commonly use incandescent light

a visual comfort, with high quality colour

rendering properties, along with relaxing

ambient atmosphere. Unfortunately, it’s now difficult to buy incandescent light sources

because they have been banned in many countries

(https://bit.ly/2GwN2Wv). This article addresses some of the

challenges in regards to health, brought about by the changeover

to new LEDs and other related technologies, and tries to offer some context on how to keep up with these rapid transformations.

While we know it’s necessary to limit blue-rich light at night (as it

prevents melatonin production and impaires nocturnal sleep), and

that it’s important to maximise exposure to the blue wavelength of

light in the morning (to trigger circadian timing, increase alertness),

there are other issues that are misunderstood and often ignored. This includes flicker from LEDs and electromagnetic fields (EMFs), which can be produced by smart home lighting technology.

To begin, it’s difficult to quantify the impact LEDs have on the

human body because not only is this complex, it’s also challenged by the fact there are currently no worldwide accepted, health-related standards or metrics in use with LED lighting products that can

adequately guide consumers and specifiers. Although studies confirm

damage to eye tissue, there are three variable factors that need to be applications. Namely, the levels of retinal irradiance (dose rate); the

specific wavelength of light; and the duration (length of exposure). In retail outlets today, most customers are only able to buy light sources according to their wattage, lumen output, voltage, lamp life, CRI,

and/or the CCT, which indicates their perceived colour, measured in Kelvin, listed on the packaging.

Unfortunately, the CCT metric is limited. It only tells the customer how warm or cool a light source appears to the human eye, and it

fails to show the visible light spectrum generated by the light source which reveals how much blue light content it emits. This means two different LEDs with the same CCT can produce different amounts of blue wavelengths of light. Ideally, all packaging should provide the

spectrum of light of LED lamps, using a metric called Spectral Power Distribution (SPD) but they don’t, and without this information,

consumers are kept in the dark about what they’re buying (Lighting professionals have the opportunity to acquire more information

directly from lighting manufacturers or they can measure the light source themselves with available tools).

While we know that the spectral composition of blue enriched light at home in the evenings negatively affects circadian physiology

(https://bit.ly/2Ys5aLw), a possible alternative metric for residential

www.arc-magazine.com

055

research

lighting that could be included on packaging is the spectral

detect it, as it responds to light at frequencies up to, and

Joint Research Centre (https://bit.ly/2JTVIZk). It defines the

various unpleasant symptoms such as headaches, visual

G-index, introduced in 2019 by the European Commission’s amount of short wavelength light in a light source relative

to its visible emission. LEDs with a higher colour CCT have

more blue or violet content, and will therefore usually have lower G-index.

As recent research also indicates that removing the blue

component of light significantly decreases retinal damage after high intensity exposure (https://bit.ly/30ZpDVu), it would be interesting to confirm the G-index of products

that use violet, blue-violet or purple LEDs instead of blue.

Some medical researchers warn that blue-violet light

has a much higher irradiance (photon energy) compared

to standard blue-rich LEDs and might be linked with the

development of age-related macular degeneration (AMD) (http://bit.ly/2YOawkx) and 415-455 nm are the most harmful to retinal pigment epithelial cells (https://bit.ly/2ZfHIOK).

beyond 120Hz (https://bit.ly/2GKkMjB). Flicker can cause fatigue and annoyance, as well as reduced task performance.

Some individuals may also experience migraines and even worse, epileptic seizures (https://bit.ly/2CgiK90,

https://bit.ly/2MktXdU, https://bit.ly/2SNAKxV).

Alas, today we will not find flicker-free retrofit LED lamps if they are powered from 110-220V AC, as the space available

in such lamps means the LED drivers are not sophisticated.

This is why it’s recommended that new homes have Cat6A

structured cabling (https://bit.ly/2Yb3iYg) so luminaires can be plugged in like computers or wireless hubs. It’s also best for older homes to replace their cabling, but for many, this may be economically unsustainable.

There are simple devices such as a flicker wheel that can be

purchased to examine if a light source in the home is flicker free. It should be tested when the LED is at full brightness and also when the light source is dimmed

Although human centric lighting (HCL) or circadian lighting

(http://bit.ly/2Kn4WNP, https://bit.ly/2JYEGtb,

light on human physiology is complex and it requires far

use an Illuminating Engineering Society (IES) approved

has been promoted in recent years, the impact of artificial more investigation, research and testing (https://bit.ly/2K4Q7Q2).

Another concern is a flicker created by rapid fluctuations in the voltage of power supply or a dimming type called pulse

width modulation (PWM). Although the flicker is often not consciously perceived by our eyes, the human brain can

https://bit.ly/2GfL5zZ). Professional lighting designers can flicker meter, which is integrated within a spectrometer (https://bit.ly/32TnMn5).

Smart Home Lighting Another aspect worth mentioning that can impact

residential spaces is the introduction of smart home

technology, which connects devices to the Internet of

Things (IoT) to automate and monitor in-home systems

(https://bit.ly/2xhqepf). It’s possible to connect lighting

to this system as well, instead of using standard analogue switches. A smart home often uses two forms of wireless connection: Bluetooth and Wi-Fi, as part of a Wireless

Local Area Network (WLAN). Both will produce EMF as

data is constantly exchanged. Some scientists still have

reservations about the safety of this technology, as new

studies reveal there may be adverse health effects from EMF (https://bit.ly/2LJdSyT, https://bit.ly/2YkBcJt,

https://bit.ly/2GAU5xr, https://bit.ly/2OneT1M).

Also, there are risks involving cyber security, including

the invasion of privacy and easy access to sensitive data

(https://bit.ly/2rCVLyw). Urgent improvements are required before the technology is rolled out.

To measure Wi-Fi and Bluetooth, professional lighting

designers can use Radio Frequency and Microwave meters (https://bit.ly/2Yrh1FE). At night, it’s a good habit to

switch off and unplug all electronic devices so our DNA gets the opportunity to repair itself, but in the case of smart

home lighting, this might not be possible as the system is interconnected and is constantly operating to collect data Figure 2 In the early evening, the rule for living room, kitchen and bedroom should be warm white lighting with a colour temperature below 3000K, containing as little blue light in the spectrum as possible. © Shutterstock

and then process and analyse it.

How do we minimise the negative impact of light at night?

During the day, we should aim to have natural light via

windows and skylights and only supplement with artificial light where there is insufficient daylight available, for

056

www.arc-magazine.com

Gotta jump?

The all-new Vode ulo. Move and it moves with you. ulo is a 7-in-1 light you can use practically anywhere: tables, walls, shelves, wherever you need it. A magnetic ball connects the light bar to an ingenious system of mounts and anchors. Touch-less sensors will allow you to adjust color temperature and intensity with a wave of your hand. 2700-5000K CCT, 94 CRI and 77 lumens give Vode ulo the jump on every other kind of light.

research

instance on gloomy overcast days, after sunset and during winter. In the early evening, the rule should be warm

white lighting with a colour temperature below 3000K and it should contain as little blue light in the spectrum as

possible. Ideally, at night, artificial lighting should be kept to a bare minimum with a recommendation of light with a

spectrum greater than 600nm (amber, amber-red colour).

All forms of this lighting at night should be indirect,

preferably positioned at a low level, flicker-free and also

dimmable. It’s also good to have the option of dim, diffused, warm white/amber coloured lighting in the bathroom that can be turned on when getting ready for bed. And a soft

amber/red nightlight for the hall and toilet are a great idea if there’s the need to get up throughout the night. Remember

Figure 3 Even with all the latest lighting technology, dinner by candlelight cannot be matched. It creates at ambient atmosphere of warmth, beauty and magic. © Shutterstock

too, that a bright LED bedside reading light can cause

the base type, and it’s prudent not to go over 100W. In

Another aspect of lighting that is often overlooked are

lighting, with 20-40W for desk/bedside lamps. Also

insomnia as well if not properly specified.

LED lit screens. While there is research regarding their

disruption to circadian health (https://bit.ly/2KaZVGW),

there are no standards regarding their use. Preferably, we should put devices away at least two hours before sleep.

This is especially important for children as the healthy development of their brain and body requires human

growth hormone, which is only produced during the phase

of deep or slow wave sleep, also called Rapid Eye Movement (REM). Generally, this phase occurs about 90 minutes after falling asleep. Exposure to any source of artificial lighting

with blue light content such as mobile phones, iPads, TVs, as well as general lighting, delays this stage, resulting in fewer cycles of the REM phase and less growth hormone (https://bit.ly/2WDaH1L, https://bit.ly/2Ys5aLw).

A positive update is that exposure to bright natural light during the daytime seems to prevent sleep disturbances related to two hours use of blue-light emitting self-

luminous tablets and the effects it might have on the

suppression of the sleep promoting hormone melatonin

(https://bit.ly/2SSPgEB). This highlights the importance of respecting the natural cycles that we have evolved with.

It’s also important to recognise that there are critical

immune and repair processes that can only occur when

we sleep in complete darkness, and whilst this benefits

everyone, it’s absolutely critical for cancer patients in order for their body to regenerate and their immune system to fight the disease. The following study shows that even a

most situations 60W will be more than enough for general Himalayan rock salt lamps that use incandescent light

sources can be used as night lights for bedrooms, children’s rooms, hallways and toilets.

My favourite light source for food illumination is still a

simple wax candle, although I would recommend it only for special occasions. Even with all the latest lighting

technology, dinner by candlelight cannot be matched for an ambient atmosphere of warmth, beauty and magic.

Candlelight is very similar to the spectrum of sunset and with a high CRI, it provides a beautiful warm quality of illumination that’s flattering to skin tones. Plus, food

served under this light will also look natural and healthy.

There are also vintage-style “Edison” incandescent lamps

with a visible filament, often used as light sources for highend restaurants and bars, which can add some sparkle to a room.

Although energy efficient, most vintage-style “Edison” LED lamps (with fake filaments comprised of tiny LEDs

arranged to look like the real deal), still have drawbacks

and they cannot replicate the quality of light and properties of incandescent lamps. But saying that, they may be an

acceptable compromise if a low CCT is chosen, for instance

2200K, with a coloured coating to make their light warmer.

Be aware though, these factors can vary depending on the brand.

cancer treatment (https://bit.ly/2BiYhhY). A dark bedroom

Back to basics - two useful lighting design concepts

rich lighting at night has a negative impact on hormone

When designing human friendly home illumination, not

little light at night can negate the effectiveness of certain is also vital for those with diabetes and obesity as blue-

and metabolic function. For these reasons, ensure no light

invades your room from outside, especially if your street has energy efficient cool white LED street lighting, as the light they emit will have the same detrimental effects (https://bit.ly/2Ft1FqM, https://bit.ly/2JVoSqM, https://bit.ly/2Y4qUh4).

only do the light sources matter, there are also two key

design concepts to consider for quality lighting practice. The first I like to call the “layers of light” or “layering” for space

perception. It was developed in the last century by American lighting designer Richard Kelly. This approach integrates three distinct types of lighting: ambient luminescence,

focal glow and play of brilliants. Each type serves a different

Your best option for now?

If possible, it’s best to use an incandescent light source in your home. These can still be bought online in clear and

frosted versions. Do check the wattage allowance (there should be a sticker on the luminaire near the base) and

058

www.arc-magazine.com

purpose and creates a different effect, all of which can be found in nature (https://bit.ly/2YozFBT).

“Ambient luminescence is the uninterrupted light of a

snowy morning in the open country. It is fog light at sea

in a small boat, it is twilight haze on a wide river where

shore and water and sky are indistinguishable. It is in any

art gallery with strip-lighted walls, a translucent ceiling,

www.osram.com/flex

Light is modular Spectacular wall grazing that breathes new life into outstanding structures LINEARlight Rigid FINESSE brings out the character of buildings with powerful wall grazing and wall washing. Various lenses and covers allow for maximum exibility to showcase facades and highlight wall structures. The slim modular LED building blocks blend almost invisibly into the architecture to create fascinating visual effects.

Light is OSRAM

02633_OSR_ADV_FINESSE_236x333.indd 1

13.08.19 11:38

research

and white floor. (...) Ambient light produces shadow-

residential lighting to support user needs and preferences.

professionals might use pendant, credenza or standing

positioned lighting equipment (in the form of downlights

less illumination. It minimises form and bulk.” Lighting

lamps made of diffused material or cove lighting to create general, background lighting in residential applications.

“Focal glow is the follow spot on the modern stage. It is the

pool of light at your favourite reading chair. It is the shaft of

sunshine that warms the end of the valley. It is candlelight

on the face, and a flashlight on a stair... Focal glow draws

attention, pulls together diverse parts, sells merchandise,

separates the important from the unimportant, helps

For all of these reasons, well-chosen and carefully

in the ceiling, pendant luminaires, standing and credenza lamps, and reading lights, as well as hidden lighting

integrated within furniture and indirect cove lighting etc.), coupled with quality light sources and scene settings can

create human-friendly lighting, that supports health while also adding a visual comfort to residential spaces.

people see”. Focal glow is used to keep our attention where

Worth The Wait

or kitchen table, highlighting a favourite painting, etc.

The crucial challenge facing lighting professionals today

crystal chandeliers and many candle flames. It is sunlight

provide LED lighting that is both visually safe and harmless

it needs to be, creating pools of light for example on a dining

“Play of brilliants is the eighteenth century ballroom of

on a fountain or a rippling brook. It is a cache of diamonds

in an opened cave. It is the rose window of Chartres... Play

of brilliants excites the optic nerves, and in turn stimulates

the body and spirit, quickens the appetite, awakens

curiosity”. This form of lighting adds sparkle and it can be introduced as a decorative pendant lamp above the dining table or in a hall.

regarding designing residential lighting schemes, is to

to general health. This is difficult as there’s still a wide lack of knowledge about the shortcomings of the technology,

coupled with an absence of lighting products with clearly

labelled characteristics such as SPD and flicker. Plus, in the case of smart lighting, EMF levels need to be considered.

Unless people stock up on incandescent light sources

(which, while less disruptive to health and life quality, are not as energy efficient), the main option is to buy LEDs,

even though this technology requires far more testing and

development before it can be considered fit for purpose and appropriate for residential lighting.

Light, be it natural or artificial, has a profound impact on

our biology and the environment, so we need metrics that

provide information relevant to this to enhance the existing practice of lighting design.

While the lighting industry has finally acknowledged the issue of blue-rich light disrupting the circadian clock,

and numerous new metrics have been developed to help

market “circadian lighting” such as circadian action factor,

melanopic sensitivity, melatonin suppression index - these are very new, as is the field of chronobiology, which is still

considered an emerging science. Without proper, repeated, Figure 4 A bright blue-rich white LED bedside reading light can cause insomnia, if not properly specified. © Shutterstock

The second concept is that “light follows its function”

where a lighting professional considers how each room will be used (to support the illumination based on the function

long-term research and investigation, these metrics might not deliver either, so as lighting professionals it is our

responsibility to push for unified science-based answers from the lighting industry and standard committees to address existing challenges.

of the room), and ensures there’s enough light so the

people who use the space can easily perform their tasks.

This system uses different light levels based on analogue

switching or dimming, which can be activated by built-in

wall controls with pre-set lighting scenes or a touch screen lighting control panel (https://bit.ly/2QvNMSZ,

https://bit.ly/2QZ1qNK, https://bit.ly/2SNVTH2).

People require different light when performing visual tasks such as reading, watching TV, having dinner or relaxing on a sofa – and these are defined in lighting standards

and guidelines. Unfortunately, these documents do not

consider the ageing process, and as we mature we require more light to see at night. Also, these standards are very

static and do not adjust for changing conditions such as a

sunny summer’s day versus a gloomy winter’s morning or evening. Let’s hope this improves in the near future as we all often have a need for individualised lighting.

Both concepts are required to create pleasing, coherent

060

www.arc-magazine.com

Asst. Prof. Dr. Karolina M. Zielinska-Dabkowsa is a chartered RIBA architect and award winning practicing lighting designer. She is also an Assistant Professor at the Faculty of Architecture, Gdansk University of Technology, Poland, and co-founder of GUT LightLab, where she conducts research on various aspects of light and lighting in the built environment. She is actively engaged in the work of international organisations such as the International Association of Lighting Designers (IALD), the Illuminating Engineering Society (IES), and International Dark-Sky Association (IDA), providing guidelines and sharing best practice for nighttime illumination in the built and natural environment. She has participated in a number of international conferences, and has written articles for national and international publications. Karolina joined Woman In Lighting (WIL) in March 2018 as an Ambassador for Poland.

Not random at all Creating a secondary ceiling has never been so elegant.

Random lighting system is created to enhance the look of modern open ceilings, turning them into something dynamic!

Visit us at the new Intra lighting showroom in Germany Industriering Ost 72, 47906 Kempen info@intra-lighting.com +49 160 33 56 561 Work with us! www.intra-lighting.com/hrd

Take Me To The River After speaking with Illuminated River Foundation Director Sarah Gaventa in arc 110, we take a look at the first phase of the project, as the new illuminations were finally switched on.

PROJECT DETAILS Illuminated River, London, UK Client: Illuminated River Foundation Light Artist: Leo Villareal, USA Lighting Design: Atelier Ten, UK Architect: Lifschutz Davidson Sandilands, UK Photography: James Newton (unless stated otherwise)

062

www.arc-magazine.com

PROJECT

www.arc-magazine.com

063

PROJECT

F

ollowing more than two years

on and around the Thames, including the Port of

the Illuminated River project

for London, Network Rail, London Wildlife

of planning, the first phase of

London Authority, Historic England, Transport

was finally unveiled in July.

Trust, the Zoological Society of London and

The project - an ambitious new art commission

Cross River Partnership, alongside the seven

bridges along the River Thames bathed in new

permissions and eighteen listed building consents.

collaboration between London-based and

up in unison, with sequenced LED patterns subtly

and partners. Free to view, and accessible to

artwork replaces outdated and inefficient lighting

for London’s creativity, ambition and spirit.

sustainable solution for lighting the Thames.

and heritage of London’s historic bridges, and

direct light spill onto the river and reduce energy

and the riverside at night. Artwork for the

night, from dusk until dawn, Illuminated River’s

Southwark and Millennium – is expected

supplier Signify will be switched off at 2am.

year, by Londoners and visitors alike.

generations of artists who have been inspired

Leo Villareal alongside architectural practice

lighting to ‘paint with light’, drawing on colours

River is a philanthropically-funded initiative

and English Romantic painters. With shifting

by the Illuminated River Foundation. Working

moonlight and sunrise, and gently kinetic

River is the biggest single planning application

social activity of the river, Villareal’s artwork

the first time that the bridges along the Thames

The artwork has also been sensitively developed,

The Foundation, led by Director Sarah Gaventa,

the location of each bridge, respecting and

collaboration with more than 50 organisations

architectural features. The dynamic public

for London that will eventually see up to fifteen

local authorities, who have granted 30 planning

light installations - is the result of an unparalleled

The first four bridges of the scheme are now lit

international creative talent, local authorities

unfolding across each unique structure. Villareal’s

all, Illuminated River hopes to act as a symbol

on the bridges, providing a more long-term,

The artwork aims to celebrate the architecture

Designed by Atelier Ten, the lighting will minimise

will encourage more people to enjoy the river

consumption. While the former lighting ran all

first four bridges – London, Cannon Street,

connected LED lighting from official lighting

to be seen more than 60 million times each

Villareal’s artwork continues in the footsteps of

Conceived by internationally-acclaimed artist

by the Thames, using Signify’s connected LED

Lifschutz Davidson Sandilands, Illuminated

influenced by the palettes of Impressionist

supported by the Mayor of London and delivered

hues that mimic the London sky during sunset,

with seven different local authorities, Illuminated

patterns that are inspired by the natural and

ever made without an act of Parliament, and is

celebrates the Thames as London’s living artery.

will have been cohesively and artistically lit.

paying attention to heritage, wildlife and

developed the project in consultation and

revealing their individual histories and

064

www.arc-magazine.com

Previous Page The completed first phase of the Illuminated River, as seen from One Blackfriars. The first phase of the scheme sees London, Cannon Street, Southwark and Millennium Bridges adorned with new lighting schemes, created by artist Leo Villareal, alongside architects Lifschutz Davidson Sandilands and lighting designers Atelier Ten. Above Millenium Bridge; the project will eventually see fifteen bridges along the Thames, ranging from pedestrian bridges to railway lines, bathed in new lighting schemes.

Sunlight Spectru

m

Conventional

Sunlight Spectru

m

info.europe@seoulsemicon.com

“The Illuminated River will celebrate the unique architecture and heritage of our bridges, showcase creativity, boost life at night and transform the way we think about the Thames.�

Sadiq Khan, Mayor of London

Pic: Matthew Anderson/PA Newswire

066

www.arc-magazine.com

PROJECT

www.arc-magazine.com

067

“This project will transform a snake of darkness into a ribbon of light, threading art through the heart of the city.””

Hannah Rothschild, Illuminated River Foundation Trustee

Pic: Matthew Anderson/PA Newswire

artwork refocuses attention on the

which will include Blackfriars Road,

compositions have captured the character

architectural landmarks, and celebrates

Westminster and Lambeth bridges.

orchestra, and others using spoken work

Thames bridges as social, historical and their role in London’s global identity.

Signify’s Color Kinetics LED luminaires

have been used to illuminate the bridges.

Colour Kinetics Graze luminaires have been

employed to light up the sides of the bridges, while the underneath features Colour

Kinetics Reach Elite fixtures. Elsewhere,

Colour Kinetics Blast luminaires have been used to light the bridge piers. These are all

controlled using Signify’s Interact Landmark

system, which will centrally manage the new connected lighting for all fifteen bridges.

Once completed, the project is expected to feature more than 22,000 LED

light points, all monitored remotely by the Signify control system

Site works for the first phase of the

project began in January 2019; two years after the winning team was announced

by Mayor of London Sadiq Khan, and

closely following the granting of planning permission. The Foundation is on track

to complete phase two by Autumn 2020,

068

www.arc-magazine.com

Waterloo, Golden Jubilee Footbridges, Once completed, Illuminated River will span from Albert Bridge in the west to Tower

Bridge in the east. At 2.5 miles in length,

along 4.5 nautical miles of the Thames, it will be the longest public art commission in the world, and is anticipated to be viewed over

a billion times during its ten-year lifespan.

Coinciding with the launch of the first

phase, the Illuminated River Foundation also announced an extensive, UNESCO-

endorsed public programme. From boat

and walking tours to exhibitions and new music commissions, the initiatives have

been devised to celebrate the bridges and help reconnect people with the river.

At the centre of the engagement programme is a collaboration with Guildhall School

of Music & Drama. Composers from both the Composition and Electronic Music

Department of Guildhall School have been commissioned to create original scores inspired by the heritage, architectural context and Villareal’s artwork. The

of each bridge, with some arranged for poetry, found sound and electronica to tell the story of the structures.

Listening to the pieces, audiences will be transported to past eras, to the

time of Medieval candle makers of

Candelwrichstrete (Cannon Street), or to the hustle and bustle of London’s frenetic Victorian streets. All the

pieces act as an homage to the ebb and flow of the river, and the bridges that have enabled the city to thrive.

With each piece responding to one of the

bridges, the Illuminated River Foundation has worked with various partners across

London, including VocalEyes, who produce audio descriptions for blind and partially

sighted people, to make the compositions

accessible and available to the general public.

Hannah Rothschild originated the idea of

lighting the bridges, and is a trustee of the

Illuminated River Foundation. A supporter

of the project throughout, on the launch of

the first phase, she said: “The River Thames

PROJECT

is London’s liquid history and its beating heart,

truly unique, inspiring and poetic character

north, south, east and west. But at night these

history of London for the last three years

and the bridges are the arteries connecting

extraordinary structures, each with a unique

history and style, evanesce into darkness and

obscurity. This project, one of the world’s longest and most ambitious cultural commissions, will transform a snake of darkness into a ribbon of

light, threading art through the heart of the city.”

Sadiq Khan added: “From the Fourth Plinth

to art on the Underground, our city has a rich heritage of showcasing public art, and I am

delighted that Illuminated River is bringing

more free and accessible artwork to Londoners.

The Thames has played a key role in the growth and development of our capital for centuries, and this unique artwork will help Londoners and visitors see it in a whole new way. The

Illuminated River will celebrate the unique architecture and heritage of our bridges,

showcase creativity, boost life at night and

transform the way we think about the Thames.”

Leo Villareal continued: “With Illuminated

River, the largest artwork I’ve ever conceived, I’m hoping to follow in the footsteps of

Monet, Turner and Whistler and reveal the

of the Thames. Studying the river and the was a fantastic experience that changed me and allowed me to grow as an artist.

“The integrated nuances and motions

across the bridges create a unified piece

that celebrates and enhances the river as a

continuous living entity. I’m both delighted and humbled by the completion of this

initial phase, and I can’t wait for the public to experience the first four bridges.”

Finally, Alex Lifschutz, Founding Principal of Lifschutz Davidson Sandilands, exclaimed:

Previous Page London Bridge; the project utilises LED fixtures from official connected lighting supplier Signify to illuminate the bridges. The connected lighting allowed Villareal to ‘paint with light’, drawing on colours influenced by the palettes of Impressionist and English Romantic painters when creating his designs.

Above Left Southwark Bridge; alongside the new light artwork, the Illuminated River Foundation has announced an extensive, UNESCO-endorsed public programme, featuring boat and walking tours, exhibitions and new music commissions, intended to complement the new lighting.

Top Right Artist Leo Villareal believes that Illuminated River can reveal the “truly unique, inspiring and poetic character of the Thames”.

Above Right Cannon Street; phase two of the Illuminated River project, due for completion in Autumn 2020, will include Blackfriars Road, Waterloo, Golden Jubilee Footbridges, Westminster and Lambeth bridges.

“This arts project will illuminate not just the

river but also the history and architecture of our wonderful city by revealing its iconic bridges in a new light. The art subtly reveals their

beauty and in some cases their muscularity,

transforming even the humblest railway bridges into iconic forms. Of particular interest to me is that transformative quality – with literally the lightest touch, the art alters our view of

our city and unites the river as never before.” www.villareal.net

www.atelierten.com

lighting specified Color Kinetics Graze Color Kinetics Reach Elite Color Kinetics Blast Signify Interact Landmark control system - all supplied by Signify

www.arc-magazine.com

069

Pic: Alex Jeffries Photography Group

070

www.arc-magazine.com

PROJECT

dpa in Dubai In the past two years, dpa lighting consultants has expanded its Dubai portfolio with an influx of new projects, from high end hotels to smaller exhibition spaces.

www.arc-magazine.com

071

PROJECT

ENTRY

PROJECT DETAILS Mandarin Oriental Jumeira Client: WASL Group Architect: Design and Architecture Bureau (DAR), Dubai Interior Design: DesignWilkes, Malaysia; Silverfox Studios, Singapore

Pic: Alex Jeffries Photography Group

Pic: Alex Jeffries Photography Group

S

Pic: Ales Vyslouzil, courtesy of Preciosa Lighting

ince establishing its Dubai studio

came courtesy of 40North and Cracknells.

has steadily grown its portfolio in

conception stages, ensuring that the lighting

in 2004, dpa lighting consultants the Middle East, with a number

of high-profile cases to add to an already

dpa worked with all parties from initial

design is cohesive throughout the hotel, as well as integrated within the interior design and

impressive array of projects; from the Palm

architecture. By following the project through the

New York University in 2008, the Capital Gate

presence on site, dpa ensured that the designs were

Memorial - The Constellation, unveiled last year.

contractors, suppliers, consultants and site teams.

Jumeirah Masterplan in 2006, to Abu Dhabi’s

and Central Market in 2012 and the Founder’s This portfolio has been extended further in

the past eighteen months, with the addition

construction stages and maintaining a regular

fully understood, and coordinated with the various Whilst all spaces are special in their own way, the most impactful moments within the hotel occur

of five new projects in and around Dubai.

in the Main Lobby and the Netsu Restaurant.

is the beautiful Mandarin Oriental Jumeira - a

first impression for arriving guests; at twelve

Of these new projects, perhaps the most notable newly constructed, 5-star resort-style hotel located on Dubai’s Arabian Gulf shoreline.

The Main Lobby is essential in creating a lasting metres tall, it provided a challenge to ensure that

the lighting was sufficient to adequately illuminate

Over a period of four years, dpa worked in

the space during daylight hours, with the dimming

WASL Group, Mandarin Oriental Hotel Group

A discreet system was designed and specified,

close collaboration with the client and owner,

range to provide subtlety and ambience after dark.

and architects DAR to design the lighting

featuring high output linear downlights from

the hotel, both internally and externally.

downlighting components to be integrated

areas and ballroom facilities was undertaken

orientated to match the rhythm of the architecture

provided the interior design for the Spa and

the downlights were designed to provide emphasis

The Bay, Tasca and Netsu. Landscape design

seating groups. Wall washers and more ambient

solutions for all public front of house areas of Interior design for the guest rooms, public

by Design Wilkes, while Silverfox Studios

Fitness Centre and the specialty restaurants,

072

www.arc-magazine.com

iGuzzini. The System 53 allowed all of the

within a series of elegant, recessed shadow lines,

and the ceiling. The beam angles and positions of along the central spine of the space, and at

Previous Page The Story of the Creek at the Al Shindagha Museum consists of main galleries and an interactive cinema experience that helps to retell the story of Dubai Creek and its people.

Top Left At the Mandarin Oriental Jumeira, the Netsu restaurant is staged around a central Robata kitchen, framed as a stage.

This is illiminated via a series of suspended lighting trusses, mounted with Vision’s linear RGBW floodlights and projectors.

Above Left Additional illumination in the Netsu restaurant comes via ETC’s Source Four Mini LED fixtures, as well as GenLED’s recessed ceiling downlights and linear LED tape.

Above Right The main lobby of the Mandarin Oriental Jumeira is dominated by a colonnade of fourteen ‘Light Trees’, designed by Design Wilkes and Preciosa.

These are complemented by LED Linear’s XooLine Hydra White, providing linear grazing uplighting, while GenLED’s Neonflex adds concealed linear details around water features.

C r e a t i v e

L i g h t i n g

S o l u t i o n s

Design: Lighting Design International Project: Four Seasons Astir Palace Hotel, Athens, Greece Product: LD10238, LD151, LD56, LD51, LD38, LD42A, Custom LD47 Photography: Gavriil Papadiotis (www.gavriilux.com)

LightGraphix was specified by Lighting Design International to provide an extensive range of products for the Four Seasons Astir Palace Hotel in Athens, Greece. Light fittings supplied included high powered in-ground spotlights,

Visit us at

miniature wall lights, exterior and interior linear wall grazers and custom designed surface mounted wall lights.

For more information visit www.lightgraphix.co.uk

Booth No. 045

PROJECT

Above Within Netsu, interior designers Silverfox Studio produced an industrial aesthetic, with a combination of rugged and natural materials. This was complemented by the lighting products selected by dpa.

downlighting were also incorporated within the same system.

At ground level, there is a colonnade of fourteen ‘Light Trees’,

designed by Design Wilkes and Preciosa, while dpa provided technical

and aesthetic input. The Trees feature approximately 900 individually addressed LED light points, illuminating hand-blown glass leaves.

The leaves are programmed to produce dynamic ripples of light, individually varying their brightness to create differing effects.

The colonnade is arranged to lead the eye along the

central water feature, and through to the landscaped, beach-adjacent courtyard and lap pool.

Additional illumination in the Main Lobby comes courtesy

of LED Linear, whose XooLine Hydra White provides linear grazing uplight, while GenLED’s Neonflex adds concealed

linear details around the water features. Elsewhere, VANN

decorative wall and floor lamps are complemented by further

illumination from Linea Light’s Archicove, KKDC’s Tana 504 S

Line, iGuzzini’s Laser Blade and LightGraphix’s LD spotlights.

Within Netsu, a signature restaurant on the ground level,

lighting specified ETC Source Four Mini LED GenLED ARX Mini GenLED GLL-Ribbon GenLED GRA68 GenLED NeonFlex iGuzzini Laser Blade iGuzzini System 53 KKDC Tana 504 S Line LED Linear XooLine Hydra LightGraphix LD41 LightGraphix LD71 Linea Light Group Archicove Vision V-Colour Bar Vision VPC180 RGBW

074

www.arc-magazine.com

Silverfox Studios produced an industrial aesthetic, with a combination of rugged and natural materials.

The brief was to create a theatrical dining experience, and to use the central open Robata kitchen as a ‘stage’. In response to this,

dpa implemented a series of suspended lighting trusses, mounted

with Vision’s linear RGBW floodlights and projectors with variable beam angles and focusing. These projectors were used to provide warm white intensity at the points where food is displayed and

served, and create dramatic coloured accents around the space.

The linear floodlights mounted on top of the trusses provide a coloured wash of light to the MEP service at high level,

accentuating the height and industrial aesthetic of the space.

This is further emphasised by ETC’s Source Four Mini LED

fixtures, while additional general illumination is provided by GenLED’s recessed ceiling downlights and linear LED tape.

Castelfranco Veneto, Italy The Castle of Castelfranco Veneto, in the splendid Treviso territory, is a symbol of Giorgione’s birth city. Linea Light Group designed the relamping of the castle lighting, restoring prestige and value to the fort.

Products: Archiline PRO, Vuelta

linealight.com

PROJECT DETAILS Al Shindagha Museum Client: Dubai Municipality Exhibition Design: GSM Project, Dubai Photography: Alex Jeffries Photography Group

ENTRY

Top Left The subtle integration of spotlights and recessed uplights helps to highlight the architecture of the Al Shindagha Museum.

Top Right A combination of Felio Sylvania Beacon Muse track lighting, alongside LightGraphix and iGuzzini downlights, provides the main illumination to the exhibition spaces.

Above Left As impressive as the exhibits within the Al Shindagha Museum are, the building itself acts as a canvas upon which the exhibition is cast. dpa sought to highlight and enhance the contemporary exhibitions among the more traditional building fabric.

Elsewhere, dpa worked with Dubai Municipality

Project developed a blend of traditional and

Al Shindagha Museum: The Perfume

spaces that delight the senses while delivering

to create two remarkable exhibits at the House, and The Story of the Creek.

Located within the dynamic and ever-evolving

Shindagha district, the museum is a new addition to Dubai’s renowned cultural quarter, and both The Perfume House and the Story of the Creek represents a valuable insights into Dubai’s

historic and contemporary story, alongside wider Emirati culture, social rituals and heritage.

The Perfume House sees a re-appropriation of its building, consisting of one main covered gallery

with smaller galleries and an external courtyard, which helps to trace and define the narrative of scent and perfume making through the ages.

Individual galleries tell the story of the

region’s complex and personal relationship with scent and perfume, whilst detailing

the geopolitical and demographic impact

lighting specified Concord Beacon Muse Concord DALI track iGuzzini Laser downlight iGuzzini Lightup Orbit LED Linear VarioLED profile LightGraphix LD72 downlight

076

www.arc-magazine.com

associated with the inevitable trade routes

that developed and strengthened over time.

The Story of the Creek, meanwhile, consists of main galleries and an interactive cinema

experience, that helps to retell the story of Dubai Creek and its most important asset, it’s people.

For both locations, exhibition designers GSM

contemporary, unique, interactive and immersive a strong educational and heritage message. dpa responded to this brief through the

development of a robust yet flexible lighting concept that enabled all aspects of the

museum experience to develop at an individual level. Traditional exhibits such as vessels

and stonework, maps and chandlery were illuminated to enhance their tactile and

material qualities, while more contemporary exhibits - such as interactive screens and

models, history and scent stations - demanded a less intensive approach to illumination.

As impressive as the exhibitions are, the

building itself acts as a canvas upon which the exhibition is cast. Extensive use of existing

architectural features have been highlighted to enhance the contemporary exhibition against

the more traditional building fabric, whilst still revealing colour, contrast, form and texture.

This helps to complement and reinforce the sense of heritage within the building.

A combination of Felio Sylvania Beacon Muse track lighting, alongside LightGraphix and iGuzzini

downlights, provides the main illumination in

PROJECT

Far Left Erco’s Pollux spotlights and Logotec projectors, with interchangeable lenses and local dimming potentiometers, allow for accurate illumination of every piece of artwork on display.

Left In the main atrium space, ambient lighting is created by three custom-made squares, developed alongside No Grey Area, fitted with NGA’s Fusion Flex linear LED. Below Left The squares are seamlessly combined with Erco track, allowing for the arrangement of any configuration of spots.

Below dpa worked with the foundation team, and Rahoul Sing of RLDA Architecture, to develop a flexible, modern lighting scheme across the gallery’s two floors.

PROJECT DETAILS Ishara Art Foundation Architect: RLDA Architecture, India Photography: Ismail Noor/ Seeing Things, Ishara Art Foundation

the exhibition spaces. This is complemented by

conceptualise and develop a flexible and modern

and LED Linear’s VarioLED profile lighting.

As the art pieces and gallery layout will change

the addition of iGuzzini’s Lightup Orbit uplights, Technology has formed a significant part of

the realisation of this project; a sophisticated,

dedicated architectural lighting control system

forms the backbone of the scheme, ensuring the

correct operation of the system whilst delivering flexibility, along with costs and environmental

benefits. Conservation also played a major role

when it came to illuminating certain spaces and

artefacts within the exhibition. dpa worked closely with the curators to deliver precise amounts of illumination to specific sensitive exhibits.

Following its work at the Al Shindagha

Museum, dpa lighting consultants was invited to design the exhibition lighting for the

newest gallery space in Alserkal Avenue.

Ishara Art Foundation is a non-profit

contemporary art space centred on South Asia, established by Smita Prabhakar, collector

and UAE resident, and curated by specialist in South Asian art, Nada Raza. The current

exhibition, Altered Inheritances, is a collection of work from artist Shilpa Gupta and Zarina.

dpa worked closely with the foundation team, and architect Rahoul Sing from RLDA Architecture, to

lighting scheme for the two floors of the gallery. from time to time, the lighting needed to be

flexible in design to allow for all eventualities,

yet at the same time be uncluttered, elegant and identifiably different from other galleries.

A carefully considered arrangement of recessed track under the mezzanine level allows for

multiple luminaire mounting positions, together with Erco’s versatile Pollux spotlights and

Logotec projectors, with interchangeable lenses and local dimming potentiometers, so that every art piece can be correctly addressed.

For the atrium space, the ambient and iconic

lighting is created by three diminishing custommade squares, suspended from the structural

ceiling. Developed alongside No Grey Area (NGA), each square is fitted with the manufacturer’s Fusion Flex linear LED, creating an unbroken line of light. This is seamlessly combined

with Erco track, giving the ability to arrange

any configuration of spotlights, allowing the

gallery to tailor the ambient and direct lighting exactly as required by the exhibiting artists.

More recently, in January of this year, dpa

completed lighting for the new Lutetia of Paris

lighting specified Erco Pollux Contour spotlights Erco Logotec projectors Flos Easy Kap downlights Lutron control system No Grey Area Fusion Flex Single 3000K Linear LED Osram Linear LED

www.arc-magazine.com

077

PROJECT

PROJECT DETAILS Lutetia Clinic of Paris Client: Lutetia of Paris Interior Design: Kinnersley Kent Design, UK Photography: Lutetia of Paris

beauty clinic, located in Dubai Festival City. dpa

gold panelling and pastel pink leather walls.

Kent Design (KKD) to develop the lighting concept

as dark blue leather-clad walls offset against

A sense of opulence is inherent within the

Lighting enhances the sense of luxury and quality

calm elegance and the use of high specification

The use of Lutron’s sophisticated control

stone, lends itself well to this aesthetic.

feeling of quality through selective use of

park, so privacy and discretion were always

Shortly after the completion of Lutetia of Paris,

illumination from LED Linear’s VarioLED Flex

Views area of Dubai. Located in one of the city’s

high level of detail given to each area, while

carefully reflects its position, appearing as an

female customers lends an air of calm within

relaxed, informal luxury. This is accentuated by

corridor spaces contain concealed and integrated

distil the best attributes of its surroundings.

Treatment and waiting/consultation

space, helping to promote the high energy and

character, creating an incredible challenge

Spaces are functional with an emphasis on quirky

Le Barbier and Le Salon offer unparalleled

and giant folded paper aeroplane structures.

grooming markets. This is highlighted in the

decked out with lush greenery that creates

lighting in the mirrors, helping to maintain

Club dining area, designed to appear vibrant

Le Barbier follows a traditional ‘masculine’

darkness. Here, decorative lighting elements are

while Le Salon counters this with rich hues of

Palco LV spotlights and Led C4’s Multidir Surface

worked closely with interior designers Kinnersley

The VIP area follows through on this theme,

for both the landscape and the clinic interiors.

natural white stone and rich metallic accents.

design; the narrative for the clinic suggests

through high levels of integration and detailing.

materials such as wood, leather and natural

systems for each area further adds to the

Lutetia of Paris has a private underground car

dimming and scene-set technology.

paramount within the design. Concealed

Zabeel House was opened in the Greens &

range, whenever possible, helps to define the

more diverse residential areas, Zabeel House

lighting to the waiting areas for both male and

urban oasis with a fresh, contemporary take on

the dynamic DFC environment. Meanwhile the

the lighting, which serves to both amplify and

lighting within grey leather clad walls.

On entering, the large lobby acts as a transitional

rooms exist side by side and differ in

vibrancy of this new development and its clientele.

for lighting such defined spaces.

objects such as oversized ants, vintage cameras

levels of luxury and service within the personal

The lobby space diffuses into the main bar,

individual stations, each fitted with integrated

dappled and diffuse hiding spaces, and the Social

the high levels of privacy required.

by day, and more opulent during the hours of

material palette of dark metal, stone and glass,

complemented by a combination of iGuzzini’s

078

www.arc-magazine.com

Above A combination of architectural and decorative elements creates a feeling of opulence throughout the Lutetia of Paris beauty clinic. Concealed illumination from LED Linear’s VarioLED Flex range, wherever possible, helps to define the high level of detail given to each area within the clinic.

lighting specified Ares Emma Ares Lotta Ares Yama Flos Kap Surface iGuzzini Reflex KKDC Tana 504 LED Linear VarioLED Flex Hydra LED Linear VarioLED Flex Venus LED Linear Xoolight Hydra L&L Luce&Light Bright 1.6 L&L Luce&Light Bright Mini 1.0 L&L Luce&Light Kleo 1.0 L&L Luce&Light Rondo 1.0 Lucent Prospex Lutron control system

The Science Gallery, London

Photograph: Peter Landers

Sponsors

Shanghai 2019

PROJECT

PROJECT DETAILS Zabeel House Client: Onyx Line/Jumeirah Group Interior Design: LW Design, Dubai Photography: Natelee Cocks

lighting specified Dynalite control system iGuzzini LV Track iGuzzini Palco LV spotlight LED C4 Multidir Surface S LightGraphix LD40 LightGraphix LD51 LightGraphix LD56 Lucent Plus Square Wallwash trim Lucent Prospex Micro 40 Lucent Prospect Single Focus Trim Lucent Prospex Twin focus trim Osram Linearlight Flex Shortpitch

Top In the Social Club dining area, decorative lighting elements are complemented by a combination of iGuzzini’s Palco LV spotlights and Led C4’s Multidir Surface downlights, providing subtle illumination while adding vibrancy to the greenery.

Above The lighting at Zabeel House is intended to accentuate the project’s fresh, contemporary take on relaxed, informal luxury by both amplifying and distilling the best attributes of its surroundings.

downlights, providing subtle illumination

“dpa’s work in the Middle East goes back to 1976,

Guestrooms and corridors are treated simply,

on the Sheraton Hotel on The Creek in Dubai, and

while adding a vibrancy to the greenery.

with focus maintained on quality of materials

and textures, while the Business Centre offers a sophisticated and flexible environment in which network and conference go hand in

hand. Softer illuminated spaces rub shoulders with large-scale glass-clad meeting rooms

offering a more functional approach to light.

The gym, Health Club and treatment rooms

are all versed in the same narrative, employing natural wood tones that contrast and

complement with the more robust materials of wire mesh, breeze block and brick.

Lah Lah, the edgy Pan-Asian kitchen/bar brings

this design language to its logical conclusion. Lush greenery again helps to break up the playful use

of semi-industrial materials, while the lighting, controlled via a Dynalight control system,

responds through varied states during the day

and night, helping to create a vibrant space that is equally adept at hosting raucous after work drinks, relaxed dining or long, lazy lunches.

Speaking of the new projects, and dpa’s ongoing work in the Middle East, Nick Hoggett, Director of dpa lighting consultants’ Dubai studio, said:

080

www.arc-magazine.com

working in collaboration with Howard Brandston we have been active in the region ever since.

“We established a studio in Dubai in 2004

because of the level of work we were being asked to undertake there, and this has been incredibly

successful for the practice as a whole, attracting numerous commissions covering a wide variety

of project types. Work in Dubai remains exciting,

and in recent times has seen a number of cultural projects come into the practice, as well as all the

normal impressive hotels, retail and commercial developments, which adds a nice balance.

“Residential work is also significant, with both locals and ex-Pats wanting their

properties to have high quality, well thought out lighting solutions, responding to the architecture and the family needs.

“Besides Dubai, the rest of the UAE and the whole region has a lot of interesting developments, some small and some incredibly huge and

ambitious, which is very exciting for the future of dpa, both in Dubai, but also our Edinburgh, London and Oxfordshire studios, which are all also active with Middle East projects.” www.dpalighting.com

Beacon Muse Tune

Warm white

Show it off, make it great

Neutral white

Concord architectural lighting by Sylvania

Cool white

Beacon Muse Tune is part of the award winning Beacon range which lights up some of the most prestigious museums across the world. Our innovative spotlights do it all because they are customisable and flexible to enhance and inspire. We understand the importance of colour temperature and beam control that your lighting needs to accentuate your display. Using the latest technology combined with SylSmart lighting controls the possibilities are endless. sylvania-lighting.co.uk Tel: +44 (0) 800 440 2478

JB0934_SYL_Concord_Beacon_Muse_Tune_333x236mm_Ad_UK.01.indd 1

16/05/2018 10:25

Hive Mind Lighting designers at OVI worked closely with Zaha Hadid Architects on the stunning King Abdullah Petroleum Studies and Research Centre, opened in Saudi Arabia last year.

Pic: HG Esch

082

www.arc-magazine.com

project

PROJECT DETAILS King Abdullah Petroleum Studies and Research Centre, Riyadh, Saudi Arabia Client: Saudi Aramco Lighting Design: Office for Visual Interaction, USA Architect: Zaha Hadid Architects, UK

www.arc-magazine.com

083

Pic: Julian Faulhaber / Esto

E

arly last year, Zaha Hadid

creative and interactive,” said OVI. “ZHA

vast interior. Outside, rather than overall

Abdullah Petroleum Studies and

incorporate into its designs. For this reason

the project’s sustainable design intent and

Architects unveiled the King

Research Centre (KAPSARC), a

sprawling, multi-building, 500,000sqm micro city in Riyadh, Saudi Arabia.

In keeping with the architecture firm’s signature aesthetic, the complex is

remarkable in its form; an irregular, angular, beehive-like structure that stretches across the Saudi desert. Its interlocking, cellular structure includes an office building,

conference centre, library, IT centre and

place of worship, as well as shaded outdoor spaces, courtyards and gardens, woven together by an open-air central plaza.

Lighting for the expansive complex came

from New York’s Office for Visual Interaction (OVI), long-time collaborators with Zaha

Hadid Architects (ZHA), having worked with the firm on projects dating back over the past 20 years.

“We have a long history of working with

ZHA, and the collaboration is always very

084

www.arc-magazine.com

values our early lighting design input to we were involved very early in the competition stage.”

Because of the architecture studio’s unique designs, creating a lighting scheme is not

always a straightforward process, with the

firm preferring not to issue a specific design brief, instead “setting out points and

program parameters”, as OVI explained.

“It is the work of the design team to

translate a ‘technical wish list’ of square metres and light levels into something

amazing. Knowing the parametric designs of ZHA, a brief is not a fixed catalogue of requirements for them.

“As you look at their work, you will see there is not a ‘one solution fits all’ for any project.

The same is true for the lighting design,

which becomes a fourth dimension and gives

architecture emotion and presence at night.”

With KAPSARC, OVI developed the lighting

scheme for both the exterior spaces, and the

floodlighting, which would not comply with LEED Platinum certification targets, a

strategic lighting vocabulary was developed that harnessed the use of internal glow,

balanced series of lighting layers and the precise use of contrast and silhouette to

articulate the dynamic architectural forms.

As illuminating all sides of the façade would have flattened out the shape’s beauty, OVI

instead opted to sculpt the volumes at night to enhance the sharp, angular geometry;

Hoffmeister’s Hi-Vertical in-grade linear luminaires are positioned strategically to anchor specific façades, while Erco

floodlights are placed out of sightlines

within the skylight apertures to emphasise entrance volumes, keeping in mind distant viewing angles and the cohesiveness of the overall design of the complex. In respect of the sculptural effect sought after by the

architects, the lighting design ensured no

penetrations of the folded façade in any way.

project

Pic: Hufton + Crow

Pic: HG Esch

Pic: HG Esch

Each building profile of the architectural dune-like

and shade strategically at different times of day.

no right angles or identical sections, resulting in

and interior space beneath, while at night, the

forms has a different height and contour; there are highly atypical façades. As such, OVI carried out

detailed 3D lighting calculations for each condition to determine specific lighting locations.

The lighting design plays a critical role in

establishing the project’s night time identity, as OVI explained: “From a birds-eye view, lighting

emanates from the centre, radiating out into the

landscape. The heart of the complex is the Place of Icon, which glows magically at night. To

complement this, it was important to articulate

and enhance the angular geometry of the façades to accentuate their faceted form, which could be appreciated from a pedestrian view.”

The various buildings are connected by 10,000sqm of canopies that unify the campus while providing

shading by day. Vertical illumination of the interior façades, uplit canopy ‘hoods’ and downlighting

create a harmony of light, adding to its landmark status at night.

The buildings and canopies are oriented to work

naturally with the sun’s path, providing both light

Surrounding buildings shade the central canopies internal lighting activates the apertures, creating

an illuminated centrepiece that anchors the project and provides its visual character.

In the complex’s central courtyards, Hoffmeister’s Hi-Vertical in-grade linear luminaires illuminate the façades, while Erco luminaires highlight columns and provide general illumination,

alongside iO Lighting’s linear LED strips, which

accentuate the stretched textile canopies. This is complemented by stake-mounted, adjustable

lighting in the courtyard planters, provided by iGuzzini’s Woody fixtures.

A lighting masterplan of energy efficient and

sustainable solutions throughout the complex, as well as smart design and cooling strategies as an

Previous Page The 500,000sqm King Abdullah Petroleum Studies and Research Centre (KAPSARC), a sprawling, interlocking micro-city, stretches across the Riyadh desert.

Far Left In the vast complex’s central courtyards, façades are illuminated by Hoffmeister’s Hi-Vertical in-grade linear luminaires, while Erco luminaires highlight columns and provide general illumination alongside iO Lighting’s linear LED strips.

Top Right Skylight apertures allow natural sunlight to filter through into the complex.

Above Right The large skylights that permeate the site are accentuated by Erco floodlights. Placed out of sightlines within the skylight apertures, these emphasise entrance volumes while keeping in mind distant viewing angles and the cohesiveness of the overall design of the complex.

Above Left The linear unification of the interiors can be seen in the offices and seminar rooms, which each feature a custom ceiling system of recessed miniature LED bands that incorporate accent lighting, speakers, AV, fire points and many other services in one clean solution, along with Zumtobel’s Supersystem to accent feature walls.

integral part of the design logic, enabled the

project to meet LEED Platinum specifications, making it the first of its kind to do so in Saudi Arabia.

This unique, integrated design is energy efficient

and balances the quality and brightness of artificial

www.arc-magazine.com

085

project

“Lighting design becomes a fourth dimension, giving architecture emotion and presence at night.”

Office for Visual Interaction (OVI)

Pic: Hufton + Crow

Left The Musalla, the spiritual centre of the site, is a symbolic embodiment of light, and the illumination acts as a transformative element in generating emotion and an experiential journey for worshippers. A serene glow of white light emanates from behind screens in the large, organic structural web, by use of Philips Color Kinetics’ ColorBlast Powercore fixtures, setting a contemplative tone in the worship hall.

lighting in relation to usage and natural daylight, achieving an

And for OVI, it was key that the lighting helped to link these different

environmental credentials.

each building has a very different function. For this reason a lighting

objectives while meeting all technical and energy requirements,”

to each different building.

changing from conventional sources to LED at the time, and the

interior lighting. In some buildings with open spaces this meant

and just as effective as what they were accustomed to.

others we used segmented linear bands to work with smaller scaled

this project was awarded the first LEED Platinum rated building in

recessed based on angled ceilings. There are a lot of subtle variations

Throughout all interior spaces, the modular design generates

The linear unification of the interiors can be seen in the offices and

employed lighting elements: full height atria are filled with daylight

recessed miniature LED bands that incorporate accent lighting,

precisely tuned floodlights provide the primary layer of illumination.

solution, along with Zumtobel’s Supersystem to accent feature walls.

notion of the hexagonal character to a comprehensive interior night

continuous linear luminaires to provide illumination through an

general circulation paths, embedded with iO Lighting linear LED

As a spiritual centre, the Musalla is a symbolic embodiment of light,

light finished spaces for intuitive wayfinding.

and an experiential journey for worshippers. The interior is

architectural system, recessed linear light bands follow the angular

panels fill the openings of each frame, and a serene glow of white

linearity visually dissolves into segmented layouts to accommodate

Kinetics’ ColorBlast Powercore fixtures, setting the contemplative

The installation of these linear bands helped in unifying the many

Downlights are precisely aligned with the screen detailing, piercing

uncompromising architectural aesthetic with ambitions

structures. “It was important for the complex to be unified, however,

“We always approach our work in a way that optimises design

design language and logic was developed for the project and tailored

said OVI. “Achieving this was challenging as technologies were

“For example, reinforcing the cellular geometry was key for the

client needed to be reassured the ‘new’ technology would be reliable

continuous linear bands that wrap throughout the building, for

“It was a lot of extra effort during the design process, but as a result

spaces, or staggered patterns instead of straight, or pendant vs

the region.”

that can happen within a single concept.”

consistent organisational logic and spatial strategies that drive all

seminar rooms, which each feature a custom ceiling system of

from central skylights, while at night a skylight perimeter detail of

speakers, AV, fire points and many other services in one clean

Selected vertical surfaces are washed to translate the prismatic

In offices with raked ceilings, OVI turned to RSL’s pendant-mounted

time identity. Dark finishes of solid architectural railings along

‘all-in-one’ integrated appearance.

handrail luminaires, create a strong visual contrast throughout the

and the illumination is a transformative element generating emotion

To further infuse the interior experience with the directionality of the

characterised by a large, organic structural web. Delicate screen

contours throughout the interior spaces. On upper levels this

light emanates from behind the screens, by use of Philips Color

the shaped ceiling profiles.

tone in the worship hall.

different interlocking structures, each with their own specific uses.

through to provide sparkle and the required illumination at floor

086

www.arc-magazine.com

OFFICIAL SPONSOR

Pic: HG Esch

088

www.arc-magazine.com

project

“It was important to articulate and enhance the angular geometry of the façades to accentuate their faceted form, which could be appreciated from a pedestrian view.”

Office for Visual Interaction (OVI)

www.arc-magazine.com

089

project

Pic: HG Esch

Previous Page Instead of illuminating all sides of the façade, something that OVI feel would have flattened out the beauty of the various shapes of the exterior, the lighting designers opted to sculpt the volumes at night, enhancing the sharp, angular geometry.

Above From above, light appears to emanate from the site’s centre, radiating out into the surrounding landscape.

Right To further infuse the interior experience with the directionality of the architectural system, recessed linear light bands follow the angular contours throughout the interior spaces. On upper levels, this linearity visually dissolves into segmented layouts to accomodate shaped ceiling profiles.

Far Right Full height atria are filled with daylight from central skylights, while at night, a skylight perimeter detail of preciesly tuned floodlights provide the primary layer of illumination.

Pic: Hufton + Crow

Pic: Hufton + Crow

level, with no visible hotspots or shadowing. In

that’s what makes it challenging and ultimately

colour of the lights shifts from white to a soft,

“One of the reasons why we enjoy our

addition, based on different times of day, the golden hue.

While the Musalla was designed without any

natural daylight, other areas used the abundance of natural light as an inspiration for the architectural

lighting design, in the way that it sculpts the facets and forms of the architectural volumes.

“In this part of the world, natural light also means

heat, so it was also important to find creative ways of shielding it,” said OVI. “The Place of Icon in the

central part of the building complex is a wonderful example – the surrounding buildings are slightly

higher, which helps shade (and cool) the centre. In addition, the scoop-shaped openings are oriented for wind flow and to bring light in and keep light out during different times of day.”

Although the task of working on such an unusual

design could have caused some difficulties for OVI,

the practice said that, owing to its years of working with ZHA, it is used to working on projects that are out of the ordinary.

“We are accustomed to breaking convention and

working with unusual shapes and structures,” OVI explained. “Every project has constraints, but

090

www.arc-magazine.com

results in a unique, one of a kind solution.

collaborations with ZHA is the truly open design

dialogue. During our work sessions, architecture

and lighting design really develop in parallel and always result in unique solutions that are fully integrated and tailored to the architecture.

“It is always a fascinating journey to work with

them to discover a unique architecture and lighting story that emerges.”

In the case of KAPSARC, the collaborative approach resulted in a remarkable architectural

achievement, where OVI’s lighting design serves to support and accentuate all of the buildings and

their faceted forms and volumes, while elevating

the cultural dimension of the project, reflected in the geometric motifs, materials and mesh elements.

OVI said: “This project is a good example of having a very strong fundamental idea that was carried through all design stages. Accordingly, we

established a clear lighting design language that responded directly to this design.” www.oviinc.com

lighting specified Electrix L125 Series Erco Tesis Focal Point Verve I Hess Pasadena Hess Vigo G Hoffmeister Hi-Vertical iGuzzini Woody iO Lighting Line 2.0 iO Lighting Luxrail Kim Lighting Warp9 LED Litelab Glow Line Lumiere Monaco 2001 Philips Color Kinetics ColorBlast Powercore RCL Director DR2 RCL Director DR7 RSL Custom Solutions We-ef PFL240 Series Zumtobel Supersystem

E

Sophisticated light for high rooms Atrium double focus

With high lumen output and good glare control, Atrium double focus luminaires are particularly suitable for use in high rooms. Spacious foyers in public buildings or sacred spaces require high visual comfort and sufficient brightness. The cylindrical housing of the surfacemounted and pendant luminaires gains a striking design accent with the light-tight ventilation gap. The lighting

technology with collimators and Spherolit lenses creates narrow downlight light distributions and thus provides precise illumination from large heights. The pendant luminaires also have versions with indirect light distribution for illuminating ceilings.

All Atrium luminaires have a black anti-glare cone for particularly high visual comfort. The in-house developed control gear provides uniform

operating behaviour of luminaire groups and dimming values down to 0.1% via DALI - an important criterion in the typical areas of application. The colour of the housing can be individually matched to your architecture. www.erco.com/atrium-df-pendel

Light is the fourth dimension of architecture

190716_EN_atrium_236x333.indd 1

16.07.19 13:14

The Desert Rose Instead of overshadowing the incredible architecture of the Jean Nouvel-designed National Museum of Qatar, Licht Kunst Licht’s subtle, yet significant lighting design accentuates the building’s form, helping to create a lasting, sensory experience for visitors.

092

www.arc-magazine.com

PROJECT

ENTRY

PROJECT DETAILS National Museum of Qatar, Doha, Qatar Client: Qatar Museums Authority Lighting Design: Licht Kunst Licht, Germany Architect: Jean Nouvel, France Museography: Renaud Pierard Studio, France Scenography: Ducks Scéno, France Photography: Danica O. Kus

www.arc-magazine.com

093

PROJECT

A

fter more than ten years of design and

its flora and fauna, and illustrates the country’s

National Museum of Qatar opened its

nomadic tribes and pearl divers of the past towards

construction, the breath-taking doors in March of this year.

Designed by Pritzker Prize laureate Jean Nouvel, the

rapid development from a loose affiliation of

the technology savvy and affluent society of the

present. Throughout, it focuses on archaeological

museum was inspired by the desert rose - a crystal

findings and craftsmanship, as well as recent

naturally occurs in the Gulf state - and the unique

commissioned artworks from renowned local and

connection of the once nomadic people of Qatar

For the eleven galleries of the permanent

structure formed by sand, salt water and wind that architecture is intended to reflect the deep

with the desert, flora and fauna of the country.

Characterised by large convex disks, intersections

economic and political developments, while international artists are also on display.

exhibition, Licht Kunst Licht developed an

architecturally integrated light narrative that

and cantilevering canopies, the museum’s form is

accompanies the visitor in a scenic and

for visitors.

of natural and cultural history of the Gulf state.

spatial and sensual, providing shade and refuge

Inside, volumes of great expression emerge, with

room sequences of both crouching and cathedral-

suspenseful manner through the 700 million years Because of the building’s unique design, the

lighting designers at Licht Kunst Licht were asked

like heights, sometimes evoking the intimacy of

in their initial design brief to “establish a lighting

firmament. Daylight filters in through gaps,

architectural volume”, according to Martina Weiss

nomadic tents, sometimes the vastness of the

scheme that would not interfere with the

apertures and spandrels in carefully selected

and Stephanie Grosse-Brockhoff, Directors at

region had to be tamed to fulfil conservation-

Deputy Project Lead respectively.

spatial room shapes, yet maintains a respectful

and the fittings as unobtrusive as possible. It was

The exhibition itself takes the visitor on a 2.7km-

Indirect lighting or a purposeful illumination of

in the Qatari peninsula’s distant past, introduces

that we were looking into a more object-focused

locations, as the powerful, harsh sunlight of the related requirements. The natural light reveals the distance to the mostly sensitive exhibits.

long course that spans across the geological history

094

www.arc-magazine.com

Licht Kunst Licht who were Project Lead and

“We were asked to keep both the light atmosphere even a request to make the luminaires ‘disappear’. the envelope was not desired. In turn, this meant

Previous Page The National Museum of Qatar, designed by renowned architect Jean Nouvel, was inspired by the desert rose - a crystal structure formed by sand, salt water and wind that naturally occurs in the Gulf state.

Top The exhibitions of the museum span across the geological history of the Qatari peninsula, examining the country’s flora and fauna, before moving on to its rapid development into the tech-savvy and affluent society of today.

Above Left Lighting designers at Licht Kunst Licht were instructed to create an “unobtrusive” lighting scheme, avoiding purposeful illumination of the envelope, and instead opting for a more “object focused and introverted” approach.

Above Right General spotlight illumination in the exhibit spaces came from RCL, and their Custom DR7 glare-controlled, adjustable luminaires.

Fabio Bonanni

Apparecchio a doppia emissione con distribuzione diffusa del fascio luminoso Dual emission lighting device with diffuse distribution of the light beam

MERIDIAN MERIDIAN 2.0

Apparecchio per interno ed esterno Indor and Outdoor luminaires 250x150x110 cm 1270 lm max - 18 W - IP65

MERIDIAN 2.1

Apparecchio per interno ed esterno Indor and Outdoor luminaires 250x120x100 cm 1390 lm max - 18 W - IP65

MERIDIAN 2.2

Apparecchio per interno ed esterno Indor and Outdoor luminaires 250x120x100 cm 1410 lm max - 18 W - IP65

AUGENTI LIGHTING S.R.L. Via Francesco Lana, 31 - 25065 Lumezzane (BS) Italy tel: (+39) 030 7282524 - fax: (+39) 030 7281879 - info@augentilighting.it

www.augentilighting.it

PROJECT

Left The building’s unique geometry, characterised by large convex disks, intersections and cantilevering canopies provides shade and refuge for visitors.

Daylight filters into the museum through gaps, apertures and spandrels in carefully selected locations, as the powerful sunlight had to be tamed to fulfil conservation-related requirements.

“We were looking into a more object-focused and introverted lighting approach, thus making the architecture appear through reflected light.”

Martina Weiss & Stephanie Grosse-Brockhoff, Directors, Licht Kunst Licht

and introverted lighting approach, thus making the architecture appear through reflected light.”

The exhibition is characterised by a sequence of artefacts, models and reproductions in a variety of display cases, complemented by video projections and screens. The visitor moves between visual

realms that barely overlap. The lighting concept had to take this

progression into account, requiring a powerful orchestration of the exhibits and spaces.

For this reason, Licht Kunst Licht developed a two-layered lighting concept: general illumination provided by RCL’s Custom DR7 glare-controlled adjustable luminaires in the ceiling, and the

emphasis of individual exhibits in the display cases by means of

integrated and mostly invisible miniature luminaires, courtesy of XAL and corporate friends.

“The aim was to illuminate the exhibits rather than the space,”

Weiss and Grosse-Brockhoff explained. “The approach using two

layers was largely determined by two driving factors: first of all we tried to perforate the ceiling only where necessary. Secondly, we

tried to minimise reflections of ceiling luminaires in the showcases.

This motivated us to integrate lighting in display cases wherever

possible. However, we didn’t use integrated lighting in display cases with glass ceilings.”

As part of their aim to “establish a lighting layout with as few ceiling apertures as possible”, adjustable RCL spotlights were recessed into the sculptural suspended ceiling. Light emanates through a small

pinhole opening in a larger, flush mounted trim ring matching the ceiling colour.

The wide-ranging spatial geometries and extremely diverse exhibit proportions required varied photometric properties for the

adjustable spotlights. Three different beam angles were used - spot, medium and flood - combined with optical accessories if and when

096

www.arc-magazine.com

ILLUMINATING THE POSSIBILITIES Characterised by a slim profile and created to bespoke requirements, LED Light Sheet is a versatile backlighting unit suitable for architectural, retail and commercial lighting applications.

Visit our new lighting showroom in Clerkenwell at: The Old Trading House, 15 Northburgh Street, London EC1V 0JR www.ledlightsheet.co.uk ledlightsheet@applelec.co.uk +44 (0)1274 774 477

LED Light Sheet is manufactured in the UK by Applelec

arc Advert August.indd 1

09/08/2019 14:52:49

098

www.arc-magazine.com

PROJECT

“The spatial envelope becomes a luminous surface that blends into the sequence of projections.”

Martina Weiss & Stephanie Grosse-Brockhoff, Licht Kunst Licht

www.arc-magazine.com

099

PROJECT

Previous Page The exhibition is characterised by a sequence of artefacts, models and reproductions in a variety of display cases, complemented by video projections and screens.

Top Left In an exhibit highlighting the marine life of the area, projections developed by multimedia consultant Ducks immerse the life-sized models in sunlight-infused seawater, with softly rolling waves, as seen by scuba divers in the reef. This is complemented by hidden iGuzzini framing projectors, precicesly accentuating the models without disturbing the light effect of the rippled, moving water surface.

Top Right Because of the building’s unique architecture, the lighting designers were asked in their initial design brief to “establish a lighting scheme that would not interfere with the architectural volume”.

Left Licht Kunst Licht developed a two-tier lighting concept, comprised of RCL’s Custom DR7 spotlights providing general illumination, while individual exhibits and showcases are lit up by integrated and mostly invisible luminaires, courtesy of XAL and corporate friends.

required. These included sculptural lenses for an elliptical light

Concealed in the upper and lower cavity is a group of XAL’s Nano+

inclinations.

vibrant colours of the wings.

distribution near walls, or honeycomb louvres for strong ceiling The showcases in the National Museum of Qatar are as diverse as the exhibition spaces themselves. Some rooms become displays in their own right, other configurations intertwine showcases with walls or

floors, or the displays become large magazines of shelving that house a multitude of differently sized exhibits. Each lighting solution is therefore carefully adapted to its location and contents.

The path through Gallery 2, for instance, leads into the underwater realm of the marine habitat. A projection, designed by multimedia

consultant Ducks, immerses the life-sized sea creatures in sunlightinfused seawater with its softly rolling waves, as seen by scuba divers in the reef.

Invisible to the observer, iGuzzini framing projectors are concealed in the overhead space of the display, precisely accentuating the

models without disturbing the light effect of the rippled, moving water surface.

While freely positioned, dematerialised glass cases are solely

illuminated through the ceiling-recessed spotlights, all displays that form an interface with the architecture contain hidden light sources.

Such detail is found in the wall-integrated Arthropod display. Here, the country’s native butterflies are lined up in a splendid array.

100

www.arc-magazine.com

Just 26 Focus miniature spotlights that detail the delicate texture and The biodiversity wall, by contrast, functions like an oversized

cabinet. Species of various sizes coexist in modular compartments,

which integrate their own concealed linear illumination. It creates a

soft breath of light while the accent lighting comes from the ceiling.

Elsewhere, the Al Zubarah Trench shows burial objects in a floor

cavity enclosed with glass. Hidden in small coves in the display’s cross-section are XAL’s small, pivotable Nano+ Turn linear LED elements that emphasise the exhibits on the floor. While, like

mannequins in a shop window, the historic festive dresses and

jewellery are displayed in a full height showcase. Invisible to the

observer, corporate friends’ C1-STS 2.0 accent lights are mounted in a channel in the case’s ceiling, eliciting manifold textures and colours from the fabrics despite the low illuminance levels.

The highlight of the exhibit, however, is the Baroda carpet,

embroidered with the finest pearls and gemstones. It is displayed on a sloping surface and protected by a surrounding vitrine that pierces into the ceiling surface. Following its sides are rows of very small

spotlights, from corporate friends. These apply a layer of discretely

overlapping light cones on the precious carpet, allowing its materials to sparkle brilliantly in the directional light.

PROJECT

While the building stands out for its unique shape,

and vistas, and create a level of radiance.

challenges for the designers, as Weiss and Grosse-

intertwine, walls become carriers of photographs,

the distinct geometry of the space caused some

Brockhoff elaborated: “There are no orthogonal angles, no horizontal ceilings or vertical walls.

Intersections and cantilevering elements create

barriers that potentially shield light sources from exhibits or pick up scallops.”

As such, each zone, exhibit and associated ceiling

integrated lighting had to be verified in a virtual 3D BIM model. The goal here was to maintain a sense of order in the ceiling layout, and to align fittings with gridlines and special reference points wherever possible.

“The virtual 3D BIM model was very helpful to

coordinate not only the architecture, museography and lighting, but also the light fittings among all other building service elements in the ceiling,” Grosse-Brockhoff and Weiss continued.

Although intended as one continuous journey,

differentiation occurs through the varying exhibits and displays, according to Grosse-Brockhoff and Weiss. “Mostly, the atmosphere of the spaces is

rather introverted and object-focused,” they said.

“The image projections seem to open up ‘windows’

102

www.arc-magazine.com

“In some spaces, the showcases and walls

or include displays. In these instances, the spatial envelope becomes a luminous surface that blends

Above The location of luminaires throughout the museum followed a complex, coordinated set of densification and dissolution rules, as all light sources had to maintain a specific distance from projections and screens so as not to diminish the effect of the imagery.

into the sequence of projections. This succession of focused display cases, projections and wall

displays creates a lively variety of introspection and extroversion.”

The wealth and diversity of the exhibits

throughout the National Museum of Qatar

addresses visitors with a wide field of interest. The quality, sequence and presentation of the exhibits create ever-changing themes, and involve all the

senses of the visitors, who are practically absorbed

by the exhibition, and the quality and abundance of impressions.

The lighting plays a subtle, yet significant part in

this. The finely tuned interplay of all components, such as the sparse but spatially defining daylight, the accentuating ceiling light, the differentiated

display case illumination and the wall projections, creates a sensory experience, that resonates with the visitor long past their visit. www.lichtkunstlicht.com

lighting specified Corporate Friends C1-STS 2.0 iGuzzini Palco iGuzzini Track RCL Custom DR7 XAL Nano+ Just 26 Focus XAL Nano+ Just 32 Focus XAL Nano+ Turn

darc room @ London Design Fair

19-22 September 2019 The Old Truman Brewery • Shoreditch • London www.darcroom.com • www.londondesignfair.co.uk

ENTRY

PROJECT DETAILS Bluewaters Island, Dubai, UAE Client: Mirage Leisure and Development Lighting Design: neolight, Global Architect: WSP, Dubai; Atkins, Dubai Photography: neolight, Global

104

www.arc-magazine.com

PROJECT

Cool Waters The Bluewaters Island in Dubai is a new vibrant destination that combines architectural, entertainment and theatrical lighting by neolight.

www.arc-magazine.com

105

PROJECT

B

luewaters is an artificial island along

something that stands out as different for us.

between the two distinct palm beaches

(residential, hotel, retail, souk) meant that the

Dubai’s elegant coastline, nestled

Dubai is so well known for. The iconic

destination is also home to the tallest Ferris wheel

Additionally, the range of sectors involved

lighting had to link and unify these spaces, whilst

providing a differentiation between them all at the

in the world, the Ain Dubai, along with one of the

same time,” explained Thornton.

exclusive shops and restaurants.

Wharf, creating a vibrant atmosphere, whereas

Development Managers Mirage Leisure and

hotel lighting. Key focal points, such as the

most famous hotels, Caesars Palace and 200 Back in 2014, neolight teamed up with

Development, to create a lighting scheme suitable for the desired experience. Gary Thornton, Senior

Dynamic and fun lighting was used for the Retail lower level resort-like features were used for the conference centre entrance, were highlighted using direct and brighter fixtures, to give a red carpet

Project Designer at neolight, discussed the starting

feeling for guests upon entering.

the overall project (not necessarily the lighting),

and budgets were challenging. Four years sounds

process of the initial designs: “The initial brief for was for the destination to become a ‘world-class

entertainment zone’ that encompassed a range of

Thornton added: “As they so often are, timescale like a long time, but the sheer scale of the project meant that managing the size of the all-

sectors, including two hotels, residential space,

encompassing project was a huge challenge.

(completed by others).”

consultants compared to a typical project, and a lot

retail and entertainment, including the Ain Dubai

“There was even more coordination with all other

The design approach for neolight was to establish a

more site supervision and hand-holding with the

different zones, aesthetics and feelings within the

integration of light fixtures. We deployed additional

connecting areas but also differentiate spaces

this.”

lighting theme designed for the use of that space.

landmark symbols for the island, adding vibrancy

before, but the sheer scale of this project was

“The mushroom-like canopies are a huge structural

scheme that created a narrative between the

unique island setting. The lighting is used to unite across the island, as each zone has a considered “We’ve worked on large resort-style projects

106

www.arc-magazine.com

contractor on site to manage the detailing and

staff through our Dubai office in order to manage Large canopy light structures have become to the retail areas.

Previous Page The Bluewaters Island hotel complex exudes elegance with soft wall washing illumination on the hotel building and chic outdoor lighting creating an elegant atmosphere.

Top The Ain Dubai is the tallest Ferris Wheel in the world. Pathways are illuminated with a variety of Linea Light Group’s fixtures, including Alcor steplights.

Above Left Uplighting the palm trees surrounding the pool areas gives the hotel and residential complexes an exotic and elegant vibe.

Above Right Specially selected Admiral fixtures from Linea Light Group complete the feel of elegance in the pools. Reflecting off the tiled flooring, the water appears to sparkle in the evenings.

PROJECT

Left The mushroom-like domed structures have become a symbol for the island, which can be seen from across the water. Numerous exterior fixtures were used across the Bluewaters Island complex, including from Martin Lighting, LED Linear, Linear Light Group, iGuzzini, Neri, Technilum and Vexica.

“[The mushroom-like canopies] had to be a visual feature from across the water to the Bluewaters Island and carefully managed for their size and lighting functionality.”

Gary Thornton, Senior Project Designer, neolight

feature and were a huge coordinated effort between multiple

consultants and suppliers to design and implement bespoke items, (including visits, tests and staff from the UK, Paris, Spain and Dubai),” explained Thornton.

“These had to be a visual feature from across the water to the

Bluewaters Island and carefully managed for their size and lighting functionality,” he added.

Achieving the integration, performance and control of full colour change lighting, gobo projection and sparkle points were also essential factors of the mammoth installation.

The gobo lighting adds a theatrical element with a hint of colour that

softens the hardscapes of the pedestrian avenues that link the hotels.

These lighting elements also encouraged the use of pathways, giving them an interesting distinction that distracts from using cars in a normally vehicle-heavy environment.

Linea Light Group’s Alcor steplights with anti-glare effect were used for these connecting pathways, and its Admiral immersion uplights

(with AquaStop anti-suction system technology for the power cables), were used to create the elegant pool lighting, adding to the overall opulence of the space.

Each of the buildings within the wharf are lit with a unique identity

that combines several illumination techniques. However, overall the

different lighting schemes work together collectively and coherently.

Caesars Palace was lit using mostly an ad hoc selection of Linea Light Group’s fixtures to highlight and emphasise its elegant,

contemporary architecture. Paseo bars, Portik ceiling lights and

Quantum and Warp downlights were installed to bring out details and

108

www.arc-magazine.com

Adobe

A versatile pendant light inspired by the simple forms of adobe architecture, crafted and manufactured with pride in New Mexico. Functionally robust while exceptionally minimal, Adobe’s multiple sizes, light outputs, and luxe finishes allow it to seamlessly blend into an environment while still making a bold statement. insightlighting.com/adobe

Insight_Arc_June-July_2019.indd 1

5/15/2019 1:19:24 PM

110

www.arc-magazine.com

PROJECT

“Integration for the architectural lighting was an overall consideration that we strived to achieve at each stage, from cove and slot details to light fixture containment.�

Gary Thornton, neolight

www.arc-magazine.com

111

PROJECT

Previous Page A close up of the hotel building’s façade with the Ain Dubai in the background highlights the stark contrast in varying architecture on the Island. Varied colour temperatures create differentiation in areas and zones across the island but also work as part of an overall lighting scheme.

Illuminating the façades of the residential areas are the Vedette wall fixtures by Linea Light Group.

The square shape has a minimal contemporary design, which is ideal for creating great visual impact.

Left The carefully designed pathways connecting the retail and residential spaces draw the eye upwards, using uplights for the palm trees, bringing the design elements all together in a coherent scheme.

Above Bright floor illuminations along the staircases add a glamorous note to the entrances of residential spaces on the island, giving guests the red carpet experience that is fitting with the elegance of the island’s whole design and opulence.

create evocative night scenes.

achieve it, as well as conversations with the client

lit with a warmer white light that offers a

for the overall vision of the project,” he added.

retail spaces. Residential areas are softer again,

Arabic culture creates a vibrant environment that

In contrast, the lower level hotel resort spaces are welcoming respite to the more vibrant and busier

and architects about achieving the look and feel

A combination of western lighting principles with

creating a further distinction between uses, with

is warm, welcoming, dynamic and exciting to

With absolute control of the lighting elements, it

“Our final impressions actually exceeded our

were designed with balance and are as sustainable

Thornton.

soft washes to the balcony soffits on the façades.

was important for the team to ensure the schemes and energy efficient as possible.

Unfortunately, due to budget constraints, the

experience.

initial expectations, and the client’s,” reflected “This was in part thanks to the evolution of the

brief compared with the very first concept ideas

team had to cut back on dimming controls for the

we discussed, as it became a more entertainment-

ability to shift the intensities throughout the

appealing and exciting.

residential and hotel façades, which halts the evening and nighttimes.

“Integration for the architectural lighting was an

centric design, which is much more immediately “This project was immensely enjoyable to work

on, with the final results showing the rewards of

overall consideration that we strived to achieve at

hard work and one that everybody is extremely

fixture containment,” explained Thornton.

through to the developer and client. Off the back

each stage, from the cove and slot details to light

happy with, from us and the other consultants,

“There was also the need to use lighting to help to

of this project we have commenced design on

from residential to retail.

Leisure and Development, called The Island,

aspects of the projects in the way we did were the

apartments, a multi-purpose venue and large

help other consultants understand the lit effect

www.neolightdesign.com

create a distinction between the different areas

“Lots of decisions on how and why to illuminate outcome of coordination meetings, working to

we were after and the concealed detail needed to

112

www.arc-magazine.com

another large project in Dubai, with Mirage which features three hotels, residential entertainment plaza.”

lighting specified iGuzzini Albero iGuzzini Linealuce iGuzzini Trick iGuzzini Woody LED Linear Flex Skylla LED Linear Hydra LED Linear Phobos LED Linear VarioLED Flex Venus Linea Light Chim Linea Light Custom Vedette Linea Light Halle Linea Light Paseo Linea Light Suelo Linea Light Traddel Cu-Flex Linea Light Vigilant Martin Lighting ME Custom Exterior Projection 500 Martin Lighting ME Custom Pixiline Martin Lighting ME Exterior 400 IP Martin Lighting ME VC-Dot Neri Custom light poles Technilum Custom totem elements Technilum Custom streetpoles with gimbal Vexica Custom Vex Linear Vexica Vex Maxi Spot Vexica Vex Spot

www.hacel.co.uk

Chyme

ÂŽ

P e n d a n t

Presenting the new slim, contemporary Chyme Pendant designed and manufactured in the UK

by Hacel. Offering Cylo and Accent etched design features, the Chyme is available in three lengths with a maximum size of 1050mm and delivers lumen outputs up to 1137 lumens and efficacies of 95 lm/W. Distinctive powder coat finishes establish the Chyme as an elegant choice; used as a single focal point or in a cluster arrangement to create an exceptional, artistic statement in surrounding architecture.

Our stunning Product Portfolio and Catalogue presents a dynamic range of architecturally inspired, class leading LED luminaires with superior performance.

Request your high quality catalogue at marketing@hacel.co.uk or Download Now at www.hacel.co.uk/downloads

114

www.arc-magazine.com

114

www.arc-magazine.com

STRUCTURES - High Sun Life Building, Canada Lighting Design: CS Design, Canada This exterior lighting project was commissioned to mark the 100th anniversary of the Sun Life Building. Looking out onto one of the most prominent urban squares in Montreal, the 26-storey Sun Life Building was the largest in the British Empire for more than 50 years. Playing upon the metaphor of the rising sun, and the existing clarion sound system that has been in use since Expo 67, the lighting design rises dynamically from the base to the crown of the building, in tandem with any number of acoustic accompaniments. To increase the perceived height of the building, the design accentuates the vertical elements of the building composition, such as the columns and balconies on the main façades.

PLACES – Low Zela London, UK Lighting Design: BMLD, Spain Japanese/Mediterranean fusion restaurant Zela London is situated in a prominent corner on the ground floor of the ME London Hotel, situated in the city’s West End. The remodelled 300sqm restaurant retains its original charm, complete with its original ceiling heights, and two arched window façades, alongside two solid black walls.

Keeping these elements in mind, lighting designers BMLD, alongside architects Studio Gronda, targeted three key design elements; the arches, the centre ceiling and the black walls. The lighting scheme throughout the restaurant accentuates these key features, creating a luxurious, yet inviting, atmosphere throughout.

ART – Low Organs, Iceland Lighting Design: Kristján Kristjánsson, Iceland Following the commencement of a new legislation in Iceland that requires every Icelandic resident to be an organ donor, an exhibit, entitled Organs, was realised to promote awareness and educate the importance of such donations.

Lighting design for the exhibit was conceptualised by working with the interaction of light with colour, form, texture and transparency of materials. By examining the anatomy of each organ, fabricated in glass, the variations in form, in terms of surface curvature, edges and thickness were utilised as optics to attenuate light, in order to emphasise and delineate the glass organs displayed at the exhibit.

116

www.arc-magazine.com

[d]arc awards

Since opening the floodgates for the 2019 [d]arc awards, we’ve been incredibly impressed with the high standard of entries that have come pouring in, with a huge, diverse range of entries already submitted.

From beautiful light art installations, to stunning interior lighting designs and remarkable exterior scenes, alongside an abundance of the latest product innovations in the industry. Entries for the awards will be open until 27th September, but we recommend

submitting your projects, products, events or light art installations for this year’s awards as early as possible to see the benefits of the global exposure that comes with entering one of the world’s only peer-to-peer lighting design awards.

Head to www.darcawards.com for more information on how to enter, and to check out all of our current entries.

EVENT Light Up Poole, UK Event Organiser: Audacious CIC, UK Light Up Poole, a three-night light art festival in February 2019, explored and reflected the UK town’s heritage, town centre and waterfront, enhancing its identity while reinforcing its unique distinctiveness, and binding diverse communities.

Doubling audiences from 20,000 in February of last year to more than 40,000 this year, light artists created a range of interactive public spectacles and intimate installations, responding to the theme Tides.

Audiences followed a journey along and under imaginary shorelines, blending art and science, illuminating the enduring magic of the sea to explore navigation, the stars and the gravitational attraction between the Earth, moon and sun.

PLACES – Low Tonkotsu, UK Lighting Design: Foundry, UK Tonkotsu Ealing is a fusion of Japanese design inspiration. In collaboration with STA Architecture, they created a lighting solution that plays with the key role in setting the mood of the restaurant and emphasises STAC’s vision of contrast. Traditional Japanese versus Contemporary Japan.

STRUCTURES - Low Prokhorov Field Belfry, Ukraine Lighting Design: V-Art Studio, Ukraine During the renovation of Prokhorov Field Memorial Complex in 2019, Ukrainian lighting design firm V-Art Studio was invited to develop a creative vision concept and lighting design for the Belfry and Memorial Park.

The location of the Battle of Kursk - the largest tank battle of the Great Patriotic War - V-Art Studio sought to convey the depth and memory of the events that took place at the site through light. By developing a threestage scenario, in which artificial lighting was integrated with the natural lighting atmosphere, designers were able to create a fantastic, dramatic effect during sunset and dawn.

www.arc-magazine.com

117

the [d]arc timeline Taking place for its third year, [d]arc room is now in partnership with London Design Fair, and has moved to its new home in Hall 13 of the Old Truman Brewery in Shoreditch, the heart of design in London. The four days are jampacked with live talks and workshops, and is completely free to attend.

Register at www.darcroom.com.

Following on from last year’s exceptional programme of speakers and workshops, we’re delighted to welcome in the return of both [d]arc room: live and [d]arc room: workshops for the 2019 edition of the show.

Sponsored by Delta Light, [d]arc room: live will feature 32 quick-fire, 15-minute presentations from leading lighting professionals.

As with last year, all talks are free to attend, and will also be live streamed across the internet.

The [d]arc room: workshops programme, sponsored by Ecoled, will feature an array of interactive workshops and in-depth panel discussions addressing the latest lighting technology topics and design trends, covering topics such as wellness in design; sustainability; acoustic lighting; decorative lighting & interiors; and the future of the lighting profession.

Registration for the full workshop programme is now open. Anyone wishing to attend can register for free at www.darcroom.com

[d]arc room : workshops THURSDAY 19TH SEPTEMBER 11:00 – 12:00 Elevating the power of light in the architectural environment Host: Ecoled

14:00 – 15:00 Purple Reign - Practical application of violet based LED sources in Health & Wellness Lighting Host: Soraa

12:30 – 13:30 Evolution in lighting control and performance Panellists: Stephen Jackson, Casambi; Saara Guastella, Casambi; David Kriebel, LensVector

15:30 – 16:30 The Third Age of Lighting Host: Benz Roos, Speirs + Major

14:00 – 15:00 Stepping out of the shadows - Women In Lighting Hosts: Katia Kolovea, Urban Electric; Greta Smetoniute, Michael Grubb Studio Guests: Ariana Ghezzi, Lighting Design International; Neil Knowles, Elektra Lighting; Aiman Shah, Isometrix; Paulina Villalobos, DIAV / NocheZero; Jess Gallacher, Institution of Lighting Professionals; Emilio Hernandez, Nulty 15:30 – 16:30 Optimum White LEDs – Finding the right fluence and spectrum for lighting plant walls Host: Xicato, Amardeep M. Dugar and David Gilbey 17:00 – 18.00 Daylight & Experience - How To Be Brilliant Hosts: Arfon Davies, Arup; Nicola Rigoni, Arup

FRIDAY 20TH SEPTEMBER 11:00 – 12:00 Finding purpose when none is apparent: Design for the planning process Host: Richard Taylor, Graphic Strategy 12:30 – 13:30 Acoustic Lighting in Hospitality and Commercial Design Moderator: Helen Ankers, darc magazine Panellists: Daniel Verlooven, Buzzispace; Sabrina Voecks, JOI Design; Kate Sweater, Dwaal Lighting Design

118

www.arc-magazine.com

17:00 – 18:00 Must read parts - SLL Handbook Host: Paul Ruffles, Lighting Design and Technology

SATURDAY 21ST SEPTEMBER 12:00 – 12:30 Decorative lighting and interiors Moderator: Helen Ankers, darc magazine Panellists: Sarah Colson, Ian Clarke, dpa lighting; Sofia Hagen, DH Liberty; Karen Taylor, Design LSM 13:00 – 13:30 Wellness in Design Moderator: Matt Waring, arc magazine Panellists: Sanjit Bahra, Design Plus Light; Vanessa Macedo, MSLD 14:00 – 14:30 Sustainability and Design Moderator: Matt Waring, arc magazine Panellists: Milo Mcloughlin-Greening, product designer; Kevan Shaw, KSLD; Matt Waugh, MGS 15:00 – 15:00 The Beauty of Bespoke Moderator: Helen Ankers, darc magazine Panellists: Jenny Bland, light.iQ; Saleem Khattak, Archilume

[d]arc room

[d]arc room : live THURSDAY 19TH SEPTEMBER

FRIDAY 20TH SEPTEMBER

11.40 Magdalena Gomez, Elektra How Dark is too Dark when Living in a Wold of Overly Lit Areas?

11.40 Virginie Nicolas, Concepto Designing Black Infrastructures in Urban Lighting Masterplans

12.00 Moritz Waldemeyer Maximising the Minimal

12.00 Julie O’Reilly, Ariona Bilo and Marijn van de Geer, Sutton Vane Associates The Language of Light

12.20 Eleanor Bell James Turrell - Chasing the Twilight 12.40 Kerem Asfuroglu, Dark Source and Odiri Ighamre, The Vessel UK The Vessel 13.00 Fabiana Nery Pardhanani, Chapman BDSP UCL Student Centre - Creating Diversity with Light 13.20 Lora Kaleva, BDP Lighting Effect in Mental Health Sector 13.40 Sacha Abizadeh, WSP My Lighting Journey in Railway Stations

12.20 Iben Winther Orton, Lightscapes Good Lighting Makes Us Better People 12.40 Paola Jose, SOMBRA Blue - The Evolution of Colours 13.00 Kael Gillam, Nulty Crafting Office Culture: Good Practice for Design Practices 13.20 Eve Gaut and Sarah Cull, Parrot PR and Marketing How to Light Up Your Marketing!

13.40 John Williams, Space Invader Q+A with Helen Ankers, darc magazine Radius Payment Solutions Case Study

15.00 Clementine Fletcher-Smith, Speirs + Major Microdosing Light Therapy in the Built Environment

15.20 Jo Littlefair, Goddard Littlefair Q+A with Helen Ankers, darc magazine Restaurant & Bar Lighting

15.20 James Poore, JPLD Artistic Light-Sense

15.40 Daria Helonek and Huajing Liu, Jason Bruges Studio Lights in Movement

15.40 Neil Tomkinson, SBID / Lumen Architects Circadian Lighting vs Increased Flux vs Faux Sky Panels

16.00 Zerlina Hughes and Carolina Sterzi, Studio ZNA Hierarchies of Light

16.00 Sabrina Vooecks, JOI Design The importance of Lighting in Hotel Design: The Effect on Atmosphere and Emotions

16.20 Lee Painter, BDP Lighting the Way

16.40 Paulina Vilalobos, DiaV The Value of The Night and the Poetry of Darkness 17.00 Kim Riley and Kenny Cliffe, Light 4 Cundall The Death of the Eraser 17.20 Richard Cuthbert and James Hall, GDS Adding Value with Light: The Inspiring Spaces Handbook

16.40 Siobhan Kelly, David Collins Studio Q+A with Helen Ankers, darc magazine Residential Lighting Focus 17.00 Ruxandra Dascalu and Agata Tyburska, Lighting Design International Quality of Daylight & Effects on Circadian Rhythm in Urban Spaces 17.20 Maria Katsarou-Vafiadis, MKV Design Q+A with Helen Ankers, darc magazine Lighting Trends in Interior Design

www.arc-magazine.com

119

[d]arc delights This year, [d]arc room will feature 75 exhibitors across both architectural and decorative lighting brands. Here we take a look at some of the architectural brands that will be on display.

Visit www.darcroom.com for more information and to register for the event.

Brought to you by arc and darc magazines and Light Collective, the team behind the [d]arc awards, [d]arc room is a curated lighting exhibition for specifiers and designers.

Returning for its third year, in a new venue in the centre of London, [d]arc room is different because it understands that the lighting industry is a creative one, and therefore we need to present it to an extended design audience in a creative way. The creativity in lighting design is brought to life by the way that [d]arc room presents products to visitors as part of the London Design Fair.

Taking place on 19-22 September, this year [d]arc room will have its very own hall at the Old Truman Brewery, home to London Design Fair, which is part of London Design Festival. www.darcroom.com

Ecoled Ecoled produces original discreet designs with an unrivalled level of premium finishes, distinctively bridging the gap between architectural luminaires and decorative light fittings. The evolution of the Eyeconic range of miniature fittings, combines beauty and functionality, yet is discreet and powerful, with never before seen levels of flexibility.

As the lighting industry changes and evolves, Ecoled are announcing an exciting bold new range of their own at this year’s [d]arc room.

Stand 26 • www.ecoledlight.co.uk

120

www.arc-magazine.com

Radiant Lighting Radiant Lighting’s Centura is a flexible, modular LED interior linear lighting system, designed to make complex designs simple.

An innovative design offers the flexibility to follow curved surfaces, encircle columns and domes, and make irregular shaped pendants, all whilst offering excellent lighting control and uniformity. It is available in uplight and downlight solutions, surface-mounted or suspended, and with a light output of up to 5000 lumens per metre, making it ideal for a range of applications including architectural, hospitality, leisure and retail.

Stand 25 • www.radiantlights.co.uk

formalighting Moto-Ola’s curvaceous motorised light head rotates (350°) and tilts (90°) effortlessly to show-off a high performing LED light beam that illuminates with excellent visual comfort.

Moto-Ola is compatible with LensVector’s Dynamic Beam Shaping technology, which turns liquid crystal molecules into a series of modifiable micro-lenses, delivering precision beam changing and dramatic effects.

Controlled by a Casambi powered app, Moto-Ola’s beam angle can be adjusted in a continuum range from 10° to 50°, flowing fluidly through all the all points in between.

Stand 30 • www.formalighting.com

Casambi Evolution, a major release of firmware, increases the number of Casambi devices in a network to up to 200, delivering better performance, with extra features and high levels of security among other benefits.

Evolution can be enabled across most luminaires, drivers and lighting control devices across the Casambi ecosystem. The new optional software upgrade joins the company’s existing Classic firmware, which continues to be supported.

Stand 61 • www.casambi.com

[d]arc room

Acclaim Lighting Cylinder One HO is an exceptional, six-inch, high output cylinder fixture delivering up to 12,000 lumens and 99,000 maximum candelas for more than 20-foot ceiling height downlight applications. Ideal for airports, convention centres, theatres, houses of worship and civic buildings, Cylinder One HO is available in multiple colour temperatures (2700K, 3000K, 3500K and 4000K) and beam angles (15, 22, 40 and 70-degrees), with several quick-change reflectors for customer applications.

Stand 35 • www.acclaimlighting.com

Megaman Megaman’s patented Dual Beam Technology (DBT) allows LEDs to have both a narrow and wide flood setting, catering for any lighting plan and changeable at a moment’s notice.

The technology is currently available as part of Megaman’s extensive LED reflector lamp range as GU10 PAR16 Dimmable, AR111 GU10 and AR111 G53 Dimmable lamps as well as Megaman’s 24W MARCO MIDI integrated LED white tracklight.

Stand 4 • www.megamanuk.com

Lumenpulse LITE Architectural Lighting will be showcasing Lumenpulse’s award-winning Lumenbeam inground luminaires at [d]arc room.

Designed to solve a range of indoor and outdoor lighting challenges, the Lumenbeam family is rich in options, with a choice of outputs and optics; colour temperatures and colours; mounting options and accessories; and dimming control. Built with robust, highquality materials, the Lumenbeam family delivers L70 LED lifetimes from 79,000 to 370,000 hours. A 3G rating, for use on bridges, is also available.

Stand 22 • www.lumenpulse.com

LightGraphix The new LD155 in-ground adjustable uplight from LightGraphix will be launched at this year’s [d]arc room. Featuring a lockable 360˚ rotation and 25˚ tilt, together with a range of light engines and accessory options, the LD155 offers a huge scope of flexibility for lighting projects. In addition, LightGraphix will also be showcasing its new LD70 ultra shallow downlight range and the updated LD71 and LD72 miniature downlights, which have both been reduced in diameter and can now be specified in a low glare, black baffle version.

Stand 45 • www.lightgraphix.co.uk

TLS International TLS MediaPix is a low-resolution media system capable of individual pixel control for both colour and intensity, based on TLS International’s award-winning Tension LED System. A substrate-free solution requiring only point-to-point anchoring creates modular, large-scale LED matrix with minimal effort. Integrated drivers and controllers require only two connections: an electrical and a network cable, while LED Boards are available in different horizontal pixel pitches and vertical pitches are customisable. The low number of components makes for easy installation, maintenance, and creates a 98% see-through media wall.

Stand 34 • www.tls-led.com

Proled Founded in 1988, Proled is not only active in the general lighting sector, but has specialised exclusively in LED technology since 2005. The company’s passion and enthusiasm is LED, as it combines experience, accuracy, technological progress and constant quality control in accordance with the latest standards to offer innovative and high-quality products at an excellent price and quality level. From its product range, it will present its new Opal Strips and Digital Strips in combination with profile and black cover.

Stand 50 • www.proled.com

www.arc-magazine.com

121

[d]arc room

Arkoslight Present for the first time at [d]arc room, Arkoslight will be exhibiting Plus. Designed

by Product Manager Rubén Saldaña. Plus is a spotlight that offers the ability to expand or focus the opening of the beam of light, through a gentle manual movement. Also being displayed, the entire new 48Vdc track system and our spotlights that configurates a huge range of low voltage luminaries for solving any project, alongside technical luminaries such as Art, Black Foster and Spin.

Stand 9 • www.arkoslight.com

Tryka At this year’s [d]arc room, Tryka LED will be majoring on its Pixel Node offering as used so dynamically at Jaguar Land Rover in Birmingham. Other Tryka Pixel products being shown include Pixel Bar, currently successfully installed at Light Box in Media City Salford and Box Park in Croydon, and about to be revealed adorning a high profile project in Algeria. Also being displayed at [d]arc room will be Pixel versions of Tryka Contineo and Boa Flexistrip.

Stand 20 • www.tryka.com

Performance in Lighting At [d]arc room, Performance in Lighting will present five highly technical and innovative lighting solutions: Liquid, Mimik 10 B, Mimik 20 Flat, SL764LED and SL787LED. The luminaires are characterised by their optical control and design aesthetics, where consideration is focused on their UGR levels to achieve a comfortable lit environment.

The lighting of internal spaces BS EN124641-2011 where wellbeing and human aspect is paramount.

Stand 65 • www.performanceinlighting.com

Lumino Lumino will be exhibiting on stand 55, where visitors will be able to explore several solutions from the portfolio. Lumino will be showcasing one of its newest innovations, alphaHELIX. This IP67, 11x18mm flexible linear luminaire can be surface mounted or recessed and is available for both interior and exterior applications. With a unique design allowing complete end to end illumination, and specifiable in increments of 50mm up to a maximum of six metres, alphaHELIX is bound to make a strong impression on designers and specifiers.

Stand 55 • www.lumino.lighting

CLS The Ruby Series will be on show on the CLS stand partnered with A.C. Special Projects.

It offers unmatched possibilities for lighting designers. The fixtures are available in a pendant- surface- bracket and a track mount version. Designers can choose for White light, Tunable White light and RGBW or RGBA colour changing versions.

22-30-45-60- and 110-Watt versions can be chosen. Control options are endless: Mains dim, Casambi Bluetooth dim, 1-10V, DMX512 and wireless DMX512. The fixtures offer a accessories holder as standard and beam angles can be changed fast due to the easy interchangeable reflector.

Stand 41 • www.cls-led.com

Aria Mesh Lighting will be showing Aria’s Trentacinque 35 at [d]arc room. With 360-degree distribution, configurable miniature spotlights and a multitude of colour finishes and options, from hidden to revealed, Trentacinque 35 creates concealed details or becomes the centrepiece of a breath-taking installation. The linear system has three different types of light: indirect diffused uplight, direct diffused downlight, and accent lighting. Trentacinque linear profile is a cylindrical element that can create diffused uplight and/or diffused downlight.

Stand 66 • www.aria.lighting

122

www.arc-magazine.com

ENTTEC Founded in Australia 20 years ago as a small enterprise based around its invention of the DMX USB interface, ENTTEC has grown into a global market-leader as a designer and manufacturer of industry-standard lighting controllers and LED solutions, with offices in the UK and USA. Making its [d]arc room debut this year, you can expect to see a spectacular display showcasing their popular Pixel Dots and revolutionary 12V single-pixel-control LED strips, driven by the new 8-Universe Pixel Octo controller.

Stand 37 • www.enttec.com

ADO Lights Showing at this year’s [d]arc room is the LED-LightLine from ADO Lights. Luminous lines when darkness falls are sometimes an eye-catcher, at other times they show the way. The LED-LightLine accentuates entrance areas or emphasises architectural contours. It is suitable for public spaces, façades or entrance areas, the LED-LightLine can be integrated into façades and floor spaces, creating an optical highlight with perfect homogenous lighting.

Stand 80 • www.ado-lights.com

Insta At [d]arc room, Insta will be showcasing the Il 1060 in-ground light line. IP68-rated, with V4A stainless steel construction and IK10 approval, the fixture is available in 230V monochrome, with no additional power supplies, or 28V RGBW for multimedia light installations, while custom versions are also available. With hundreds of colour controllable segments, this luminaire suits various indoor and outdoor applications.

Stand 67 • www.insta.de

Madrix Madrix is the ultimate LED pixel mapping system. The award-winning control software made in Germany features powerful yet simple tools for professional lighting control in 2D or 3D. It supports all major communication standards and protocols for input and output. Controlling your LEDs has never been simpler or more creative. Madrix will be showcasing its latest system, Madrix 5, on stand 28 at this year’s [d]arc room.

Stand 28 • www.madrix.com

Vexica Designed and manufactured in the UK, FlexiLine RGB DYNAMIC is available in a side or top bend profile and features pixel control per 100mm via a Vexica remote DMX or Artnet driver. The product uses 100 Nichia tri-chip LEDs per 1000mm for a smooth homogeneous output. Available in lengths up to 4.8m and manufactured using robust and resistant polyurethane resin components for durability and flexibility. IP67-rated, UV stable, accreditations include Arizona and Florida tests; CE and UL approved.

Stand 31 • www.vexica.com

Pharos Pharos Architectural Controls will be exhibiting at [d]arc room for the first time this year. Independent of any lighting manufacturer, Pharos Control systems are running everything from simple indoor lighting to the façade lighting of an entire city, including both coloured and white lighting.

They will be showing how Pharos Cloud, the new remote management service, can make real-time control and monitoring simple, with minimal set-up. Used in conjunction with the I/O modules, the controllers can integrate with other system utilised within the building and allow triggering and monitoring of these systems via the Pharos Cloud service.

Stand 21 • www.pharoscontrols.com

124

www.arc-magazine.com

[d]arc room

Orluna Using bespoke LED technology, Orluna renders reds accurately, making all colours more vibrant, and whites truer, enhancing interior designers’ creations by showing full colour within fabrics and materials.

Orluna’s Richer Reds technology gives an exceptionally high average colour rendering (CRI: 98) and the best red rendering available (R9: 99). As reds are important in accurate representation of many colours, including true whites, the Origin engine makes colours look as intended. Orluna has a full range of downlights, uplights, and surface mounted lights to help create the perfect beautiful lit effect for any space.

Stand 38 • www.orluna.com

Specialty Lighting Industries Specialty Lighting Industries marks its European market launch at [d]arc room this year. A highly respected, independent and family owned supplier of flawlessly designed and engineered architectural lighting in the USA, Specialty Lighting will be exhibiting its comprehensive Graffiti downlights range, as well as some industry leading solutions incorporating wirelessly controlled beam shaping, aiming and more.

Stand 6 • www.specialtylightingindustries.com

unonovesette The Slash is designed for outdoor in-ground or surface mounted applications. It is available with four different optics including wall washing and wall grazing. The internal optical system is tiltable +/- 20° from the outside of the fixture, minimising light pollution and optimising the light effect.

Glare control is further enhanced by the unique linear anti-glare louvre, which is especially designed for wall washing and grazing applications providing exceptional uniformity.

Stand 24 • www.unonovesette.it

Targetti Targetti returns to [d]arc room with OZ, its new, innovative magnetic system for compact light modules. Built around a 48V power track just 5mm thick, a range of light modules can be easily placed in position, making it simple for anyone to create, vary and adapt light configurations immediately, providing maximum design freedom.

Stand 10 • www.targetti.com

Seoul Semiconductor SunLike is an LED light source that combines the latest optical and compound semiconductor technology to lower the blue light peak similar to the sunlight spectrum, contributing to maintaining a stable human circadian rhythm and enhancing the colour clarity of objects. Its LED technology closely matches the spectrum of natural sunlight.

This natural spectrum of light is achieved by combining Seoul Semiconductor’s LED chip technology with Toshiba Materials’ TRI-R technology, a leading global phosphor compound.

Stand 39 • www.seoulsemicon.com

Nicolaudie Nicolaudie Architectural offers innovative and advanced lighting control solutions for architectural lighting applications, including residential, commercial, building facade, monuments and fountains. The solution is based on stand-alone DMX controllers, programming software and mobile apps.

Nicolaudie will be exhibiting for the second consecutive year at [d]arc room, and will be presenting its latest products for coloured, white and dynamic lighting control: new ESA Pro 2 software, STICK-CW4 touch panel.

Stand 40 www.nicolaudie.com

www.arc-magazine.com

125

[d]arc room

GDS GDS will showcase the Alundra Zoom exclusively at [d]arc room, an adjustable beam angle spot light, milled from a single piece of aluminium. Designed with German glass custom optics, the Alundra Zoom delivers a better quality of light and a uniform beam. Ideal for museum, art gallery and hospitality installations, the Alundra Zoom has DALI dimming protocol as standard and includes a modular front end for interchangeable accessories and gel filters.

Stand 5 • www.gds.uk.com

UFO Lighting Founded nearly 30 years ago, UFO Lighting is the only UK-based manufacturer of glass fibre for fibre optic lighting systems, and since its inception has steadily built up a reputation as one of the world’s premier manufacturers of complete LED and fibre optic lighting systems. Working hand in hand with designers, UFO Lighting designs, manufactures and installs complete systems, pushing for constant innovation both in its range of products and services and within the wider lighting industry.

Stand 32 • www.fibreopticlighting.com

Luminus Smaller, warmer, and healthier are the focuses for Luminus at [d]arc room this year. Creating 4-5° beams is finally possible with Luminus’ Pico COBs, which enable luminaire manufacturers to deliver more centre-beam-candle-power and shrink luminaire size. Luminus makes linear and spot “dim-to-warm” lights simple and cost effective with LED module solutions that work with a standard dimmer and single channel driver. And Luminus is creating healthier light with its new SALUD broad spectrum LEDS engineered for high Melanopic/Photopic (M/P) ratio.

Stand 14 • www.luminus.com

Feelux The magnetic Monorail track system features a super slim linear form with easy installation, offering a comprehensive long run track installation with a single power supply point. By installing Monorail 2 Pro in a row, spot free concepts can be continuously displayed. Various different extrusions such as Surface, Recessed, and Trimless are great solution for specific required installation conditions. Additional accessories and touch sensor dimming function on Monorail 2 Spot with 2200-6000K may bring a more special atmosphere in areas applied, such as in retail shops and hotels.

Stand 23 • www.feelux.com

Traxon Traxon e:cue will be presenting brand new products and solutions that help to create smart cities with unforgettable lighting.

Of Traxon e:cue’s hardware and software portfolio, SymphoCity manages and monitors all city-wide lighting infrastructure from one central platform. While in harsh outdoor environments, the Sympl Pro Node control device offers impressive performance, with its extended operating temperature range and surge protection. New to Traxon’s portfolio is the Allegro Range, representing the next generation of intelligent media dots, linear and wash luminaires.

Stand 46 • www.traxontechnologies.com

Linea Light Group Linea Light Group will be returning to [d]arc room for a third year running this year. The Italian manufacturer will be showcasing a range of its lighting products, including the INK System. A versatile solution for any surface in any environment, the INK System revises the concept of the lighting fixture, disassembling and reassembling it, transforming light into a re-imagined feature so that users can express themselves in a completely new way.

Stand 53 • www.linealight.com

126

www.arc-magazine.com

Total exibility with our range of LED solutions.

Sizes, outputs and LED colour formats to suit every project.

Visit us on stand 31 vexica.com

[d]arc room

AlphaLED & Xicato Coinciding with a workshop on Optimum White LEDs, also held during [d]arc room, LITE will be presenting the collaborative efforts of AlphaLED and Xicato, as they seek to find the optimum lighting of plant walls by testing white LED light sources of different Spectral Power Distributions.

‘Optimum’ lighting here means fluence and spectrum that is biologically effective to keep plant walls healthy and maintenancefree, as well as visually effective to provide them with the most natural appearance.

Stand 27 • www.alphaled.co.uk www.xicato.com

Reggiani Reggiani’s Traceline, on show at [d]arc room, has reinvented linear lighting by using the latest technology to deliver the most flexible system ever created. Traceline can be deep recessed, recessed, surfacemounted, pendant or deep pendant mounted with the ability also to insert Yori spotlights. Built-in wireless controls and a variety of finishes and optical options: Opal, for soft and diffuse lighting; Microprismatic, for more visual comfort; Dark Performance or Dark GRID with UGR <15 and <19, to reduce glare; PMMA Lenses, for general illumination or grazing lighting.

Stand 58 • www.reggiani.net

Axalight Axalight SkyLine linear luminaires are available in a vast array of bespoke options, from the highly efficient, beautiful warm 2000K Ember-White through to dynamic colour mixing models. Lens optics include 12°, 24°, 36° and 15x60° with lengths from 100 to 2000mm. SkyLine features Pre-Sure airtight and watertight enclosure validation.

Control options include our Cloud-Drive wireless system, DMX/RDM, DALI or standalone with mains or SELV power supply.

Stand 42 • www.axalight.com

EPS EPS and Elumeros Lighting are based in the United Kingdom, with a global network of partners and distributors. EPS focusses primarily on indoor commercial, architectural and retail applications whereas Elumeros specialises in outdoor architectural illumination systems covering flood, graze, wash, image projection, media façade and moving head LED systems. Their portfolios are industry toolboxes designed from the ground up to furnish any project.

Stand 57 • www.epslighting.com www.elumeros.com

Soraa Lighting professionals desire versatility and control when designing spaces. Even the smallest nuance can have great impact on the overall effect of a space. Soraa Aerial addresses these needs, boasting minimalistic, symmetrical and stylish product design details with precision and beautiful light quality. The luminaire portfolio features a unique, completely removable light module that can be switched out without disrupting existing construction, and features fully integrated toolless on-board dimming.

Stand 60 • www.soraa.com

Delta Light Returning once again as sponsors of the [d]arc room: live programme, featuring 32 quick-fire presentations from leading lighting professionals, Delta Light will be bringing a vast selection of products from its portfolio to illuminate the [d]arc room: live speaker area. Alongside this, Delta Light have some special surprises planned for the show. Keep your eyes peeled for further announcements closer to the event. [d]arc room: live • www.deltalight.com

128

www.arc-magazine.com

Visit us at [d]arc room 2019 on booth #21 Pharos provides dynamic lighting control solutions for iconic landmarks worldwide.

See how we can help Architects and Designers unleash their creativity with our award winning controllers.

pharoscontrols.com sales@pharoscontrols.com +44 (0)20 7471 9449

LIQUID

design Walter de Silva

PIL_ADV_ARC.indd 1

www.performanceinlighting.com

04/03/19 10:52

Small & Mighty David Morgan casts his eye over the latest updates to Ecoledâ&#x20AC;&#x2122;s Eyeconic range of LED downlights, due to be on show at [d]arc room this September.

S

mall is beautiful, the phrase used by E. F.

Schumacher as the title of his influential 1970s book on sustainable development, can also

be used to describe the latest versions of the

Eyeconic range of LED downlights from Ecoled.

In 2013, Ecoled was spun out as a separate

lighting company from its parent company,

the Cadisch Group, who specialise in shaping and finishing metals with a particular expertise in meshes for use in automotive and

architectural applications. The Cadisch Group was originally founded in 1883 and has expanded into the architectural market, leading to

the introduction of lighting products to complement their cladding materials. Their experience in metal finishing also adds value to

Ecoled, who can offer an exceptionally wide range of finishes on their luminaires.

The extensive Eyeconic range, designed, manufactured and

assembled in the UK, is one of the smallest diameter, adjustable angle high-power downlights available. Originally launched in

2016, the range has been recently upgraded with new light engines

and optics. At the core of the Eyeconic range is the patented eyeball concept designed by Simon Cadisch, the Group Chairman, who has

also been awarded several patents for other inventions. The eyeball design allows up to 28-degree adjustment and incorporates twin O rings, which it is understood provides IP65 rating on all versions.

The O rings allow the eyeball to be snapped into the ceiling bezel,

providing both adjustment friction and the IP seal. An additional O ring seals the lenses into the eyeball to achieve full IP65 rating for

the downlights. An integral intumescent ring mounted on the eyeball ensures that the downlights comply with the 60-minute fire-rated standard. The range is also acoustic-rated to comply with Part E.

In the development of the original Eyeconic range, a decision was

made to not base the dimensions on an MR16 lamp, the default size for most downlights before and during the transition from halogen

to LED light sources. Ecoled was able to develop the new range with an eyeball diameter of only 45mm, which allows a ceiling cut out

diameter of just 56mm and 62mm bezel diameter for the smallest adjustable type.

Despite the small size of the eyeball, the optics are changeable

from below the ceiling with the aid of a very neat custom designed

tool that forms a key element of one of the five patents filed for the Eyeconic range. This tool allows the threaded lens holder baffle to be easily removed and replaced. Without the tool it would prove

impossible to remove the lens baffle or eyeballs for servicing from the trimless housings as the available space is so limited.

The lens holder baffle provides some degree of glare control as its depth recesses the lens into the eyeball. For higher levels of glare David Morgan Associates, a Londonbased international design consultancy specialising in luminaire design and development and is also MD of Radiant Architectural Lighting.

Email: david@dmadesign.co.uk Web: www.dmadesign.co.uk

130

www.arc-magazine.com

control an additional honeycomb louvre accessory is available.

The black honeycomb louvre holder is moulded in silicone rubber,

allowing easy insertion and removal from the eyeball. Where glare

control is not the key issue the lens holder baffles are available in a wide variety of powder coated and anodised finishes.

DAVID MORGAN

The latest versions of the Eyeconic range have recently been

includes dim to warm versions with a beam angle of 30-degrees

as adjustable or fixed, single or twin, trimless or with bezel, all

to-warm light engine ranges are available, from 2700K to 1800K and

launched after several years of engineering development. Available featuring an interchangeable optic, the range is extensive.

One of the major design changes was an upgrade to the light engine

based on the Cree XPH 35. This small multi die LED array allows high lumen outputs to be achieved even with very narrow beam angle

optics. However, because the size of this Cree array is larger than

single die LED emitters, a variety of beam quality issues can arise when narrow beam lenses are used such as colour over angle and non-uniform distributions. It is understood Ecoled worked very

closely with their lens suppliers to develop custom versions and

enhancements to overcome these potential problems. The samples I was shown of the 10-degree version produced a very clean beam

when used for close offset wall grazing without any obvious colour over angle or beam quality issues.

When run at 1.0 amp the downlights consume around 14 watts and provide a lumen output of over 800 lumens giving an efficiency of

around 59 lumens per watt allowing for thermal, optical and driver losses.

If the downlights are run at 350 mA, the lumen output is around 350 lumens with an efficiency of over 67 lumens per watt. For the lower

drive currents, a shorter extruded aluminium heat sink can be used, thus reducing the overall height. When run at 1.0 amp the overall

void depth required to accommodate the deeper heat sink is 116mm.

In addition to the fixed colour temperature types, the range also

based on a 10 watt Bridgelux two colour temperature COB. Two dim3000K to 1800K.

As well as the eyeball versions, the Eyeconic 2.0 range also offers fixed downlight types that match the overall dimensions of the adjustable eyeball versions. A very effective wall wash, fixed

downlight version, is also available, which when demonstrated in our offices gave a smooth wash with light output up to the ceiling. The wall wash also matches the diminutive fixed and adjustable types,

with a ceiling cut out diameter of 56mm and 62mm bezel diameter.

A variety of trimless housings and other bezel designs are available, including squares, larger diameter round bezels and multiple

aperture types. With the metal finishing expertise support from the Cadisch Group, a wide variety of decorative finishes can be applied

to the bezels, giving the Eyeconic range huge appeal for the designer market as the range offers plenty of choice and design freedom.

The original version of Ecoledâ&#x20AC;&#x2122;s Eyeconic range was warmly received by the lighting design community. To date the fittings can be found

in a plethora of high end residential, hospitality and leisure projects

around the world, with the hope of continued growth with the recent complimentary additions to this range.

It seems likely that the light engine and optical enhancements

incorporated in the new versions will boost sales of this small and rather beautifully designed range. www.ecoledlight.co.uk

www.arc-magazine.com

131

Red Dot Award: Product Design

t: Do d e R st of Be est B the

Aperture Circles Fluxwerx Aperture Circles is a linear LED pendant luminaire featuring a series of circular voids that allow clear views through the luminaire to the architecture. The minimalist design delivers outstanding optical and energy performance. Its ocular anidolic optic technology provides a precisely controlled batwing light distribution with no view of the LED point source, integrating it easily with modern architectural designs. The luminaireâ&#x20AC;&#x2122;s wide-angle indirect distribution allows for greater spacing with a uniform, ceiling plane for maximum illumination efficiency and lower energy density. www.fluxwerx.com

Small Line Performance in Lighting Small Line consists of three LED-equipped aluminium profiles joined to form a slim, translucent pendant luminaire. The suspension, which has no visible power cord, lends the luminaire an elegant appearance.

Developed for use in offices, the luminaire is available in different versions: with individual lenses for optimal light distribution or with high-gloss reflectors for maximum efficiency.

Both provide both glare-free direct light and pleasant indirect room lighting. www.performanceinlighting.com

Philips Hue Outdoor Lightstrip Signify In a visually effective way, the Hue Outdoor Lightstrip can be used to differentiate individual garden areas and illuminate them in numerous colour shades. The compact strip can be flexibly bent to emphasise the contours of flower beds, terraces, façades and fences. Thanks to its matte finish, it offers a perfectly even, all-around glow. The subtle light strip is waterproof and connects to the power supply via safe low volt cables. www.signify.com

One-And-Only Delta Light The objective in the design of One-AndOnly was to create a linear luminaire profile that catches the eye even with the power switched off. The cross-shaped profile of the distinctive body allows up to five lines of light: three for direct and two for indirect illumination above bar counters, reception desks or conference tables. In addition to other models, the lamp is available with anodised metal sides in gold champagne colour and black end caps. www.deltalight.com

Qbini Modular Qbini offers a miniaturised LED lighting solution for living rooms, hospitality venues and boutiques. The modular design allows the realisation of diverse concepts: the ceiling light is available in a variety of frames, shapes, colours and accessories and combines this selection with high-quality technology. Different lamp configurations complement the concept. www.supermodular.com

Claris Evolution Zumtobel With a width of 128mm and a visible height of only 26mm, this pendant luminaire appears particularly light and slim. Claris Evolution is available in 24 colour combinations, allowing a harmonious integration into the interior. Its lighting effect can be influenced by a choice of glossy or matt reflectors. The combination of double-sided LED printed circuit board, light chamber, micro-prismatic optics and free-form reflector provides workplaces with light which always conforms to EN 12464. www.zumtobel.com

132

www.arc-magazine.com

red dot design awards

On 8 July, 1,200 international designers and manufacturers attended the annual Red Dot Awards ceremony, held at the glamorous Opera House in Essen, Germany. Out of more than 5,500 entries into this yearâ&#x20AC;&#x2122;s awards, 80 were presented with the highest award in the competition, the Red Dot: Best of the Best.

Here, we pay tribute to some of the architectural lighting products to gain recognition at the awards.

Facet Light Point The idea behind the design of the Facet Collection was to create a lamp with a reduced and functional design language.

Combining an asymmetrically extruded profile with a square back, this wall luminaire spreads light over the wall in a visually appealing manner. Made of aluminium, it intelligently merges industrial objectivity with handcrafted details. Facet is manufactured in two sizes, both available in black or white. www.light-point.com

Grado Twin Oktalite The Grado Twin track-mounted spotlight ensures, with its two luminaire heads, a focused illumination of goods in supermarkets. In order to illuminate the entire height of a shelf, the luminaire heads can be tilted by 110° to either side. Equipped with a glare-suppressed rectangular reflector and thanks to its well-balanced light distribution, it offers great visual comfort.

The double spotlight allows installations with a reduced number of luminaires in the shop, thus supporting an unobtrusive ceiling appearance. www.oktalite.com

Space B Nordlux The design concept of Space B followed the objective of creating a pendant luminaire reduced to the essentials. Its tubular contour opens downwards to form a luminaire body, which confines the light angle to the sides. A discreet, laterally placed switch allows intuitive operation. The pendant luminaire offers a choice between 2200K, 2700K and 3000K, which allows setting the lighting mood to satisfy different illumination requirements. www.nordlux.com

Oyamo Trilux The ring-shaped, surface-mounted luminaire has been designed for the stylish illumination of prestigious areas and is suitable for wall and ceiling mounting. Its spatial contour catches the eye while its homogeneous light creates a pleasant atmosphere. With its direct and indirect, glare-free light, the Oyamo achieves high lighting quality and a lighting effect for wellbeing. The attractive surface-mounted luminaire can be dimmed digitally. www.trilux.com

Chameleon Opple Chameleon is a versatile spotlight series, the modular design of which allows flexible configuration. It offers a choice of six different anti-glare devices. An integrated sensor allows the precise adjustment of the desired light colour from the RGB space. The series is complemented by a variety of accessories and the housing of the spotlights is available in different colours to match their respective environment. www.opple.com

Catch Simes Catch is a range of weatherproof downlights designed for outdoor installation.

Depending on the number of integrated LEDs, the luminaires are available in square or rectangular housings of different sizes.

Their high ease of use is based on the fact, that the optical bases can be tilted at various angles. Thanks to their innovative lighting system, the downlights enable the realisation of versatile, glare-free illumination concepts. www.simes.it

www.arc-magazine.com

133

CASE STUDY

First Class Honours At Dresden’s Gymnasium Tolkewitz school complex, L&L Luce&Light has provided intelligent artificial lighting designed to answer the specific needs of an academic setting, helping to improve student wellbeing and performance.

I

n addition to teaching and educating

area – comprising a secondary school, a primary

being recognised as places where

layouts with associated open areas – was built

young people, schools are increasingly they learn to live collectively, and

develop a sense of citizenship and the ability to

share. Such is the case at Gymnasium Tolkewitz in Dresden. This new school complex is a large

educational centre with classrooms, laboratories,

open spaces for recreational and sports activities,

and relaxation and rest areas, where students meet and experience everyday situations within their community.

The project for the new-build campus was

overseen by an architectural collective called

ARGE DD-TOL, made up of the Architekturbüro Raum und Bau, Fuchs und Rudolph Architekten Stadtplaner, and Architektengemeinschaft

Zimmermanne architectural practices, and the construction company Stesad.

The driving concept behind the project is

the separation of academic functions from

extracurricular activities, achieved by distributing the buildings around the site in such a way that

the possibilities for resuming or continuing social

interactions are maintained. The entire 11,400sqm

134

www.arc-magazine.com

school, a sports hall with two- and four-court up with a focus on optimising orientation and minimising environmental impact.

All the elements can be clearly distinguished

but are also fully integrated into the overall built fabric. Lighting plays a key role in the project: intelligent artificial lighting that answers the

specific needs of an academic setting helps to

improve student performance and, by using LEDs, reduces energy consumption. Thanks to the LED solutions from L&L Luce&Light, not only does

the new lighting system make the environment brighter, it also contributes to wellbeing

and comfort in a space used for learning and

concentration, creating an optimal atmosphere.

L&L’s Turis 3.0 and Turis 7.0 downlights with

diffuse light – 4000K colour temperature, the

closest to natural light – and a white finish were

used throughout the school building, recessed into the ceilings of the corridors and the undersides of

the central staircases, in combination with Cube C 1.3 and Teko 7.0 fixtures. www.lucelight.it

CASE STUDY

Spot-On Simplicity Zurich-based architects Santini Santoni harnessed Erco’s Spot-on series to create a clean, elegant lighting scheme for Milan’s new flagship D.A.T.E. sneaker store.

L

ocated in the narrow alleys of Milan’s Brera district,

of the flagship store, the three-metre-high original ceiling was

for Italian sneaker label D.A.T.E. The store, designed

all cables could be concealed in the intermediate gap. Above the

home to Italy’s design scene, is the flagship story

by Zurich-based architects Santini Santoni - Serena

Santini and Filippo Santoni - features an elegant, minimalist layout, complemented by light fixtures from Erco’s Spot-on series.

“We wanted to create a scenography in which spatial architecture

and lighting combine with the historical urban architecture”, said Santoni when discussing the design concept for the linear 40sqm

sales space, a former butcher shop that now invitingly opens up onto Via Ponte Vetero via its large window front.

“The store is intended to function as a public place without a visible threshold to the outside world.”

In the new store, the hip world of sneakers presents itself with

cool understatement, clear and straightforward, as in a white cube.

The only décor comes via shelf cubes in clear primary colours, an

elaborately structured mirror wall, a continuously installed concrete plinth that can be used either as seating or an exhibition area, and the sneakers themselves.

Since the retail space is relatively small, Santini Santoni designed

a lighting concept that draws attention to all the products. Without

visible light sources, a warm, shadowless, bright spatial atmosphere is created, which corresponds to the highly minimalist interior and emphasises accents.

The two young architects see modern lighting design as “the right light in the right place”, with lighting adopting a central role,

especially in retail applications. Bearing this in mind, the front area

136

www.arc-magazine.com

suspended downwards using a thin plasterboard ceiling, so that

load-bearing wooden beams, fine wave-shaped strips are installed, which accommodate the individual track. A total of fifteen Oseris

spotlights, which can be aligned quickly and precisely via the semi-

spherical hinge, characterise the friendly, bright atmosphere in the store. A further four spotlights ideally accentuate the display in the shop window.

“The interior should be flexible and easy to convert and rebuild,” explained Santoni. Simple and quick adjustability of the light

sources was therefore a prerequisite. Luminaires for track are the

ideal solution here for flexibly adapting light to the prevailing room situation and constantly changing products.

In the rear of the store, where a window front opens onto Milan’s typical courtyards and its so-called “Case di ringhiera”, the

architects adopted a different lighting approach, in order to visually

divide the room, installing Starpoint directional spotlights directly in the ceiling.

The two architects define their design approach as “identifying

contemporary responses to everyday needs and implementing these with simple means and clear concepts”. With their intelligently

thought-out design at the Milan D.A.T.E. store, they have succeeded with casual ease, and simultaneously in a boldly experimental way, in creating a winning contemporary showroom for high-fashion streetwear.

www.erco.com

Coralarium, Maldives by Mushroom Lighting â&#x20AC;&#x201C; 2018 Winner, Structures (Low Budget)

[d]arc awards, MC Motors, London 5 December 2019 Entries are now open for the [d]arc awards. You can enter projects and products online at www.darcawards.com.

All entries will displayed online and each company that enters will receive a free profile page in the [d]arc directory. [d]arc night, the spectacular and creative awards party, will take place at MC Motors in London on 5th December 2019.

www.darcawards.com

Partners

Organised by

In collaboration with

CASE STUDY

Live & Learn The campus of Mariënburg University in the Netherlands has recently undergone a renovation, with lighting from Intra helping to bridge the gap between contemporary design and the historic architecture.

D

uring a recent renovation of the Jheronimus Academy

continuous, homogenous illumination, forming flowing lines of light

of ‘s-Hertogenbosch’s scenic Mariënburg University

both upwards and downwards, highlighting the heritage and volume

of Data Science University (JADS) in the Dutch city

through the space that cast equal illumination on the architecture

campus, architects BiermanHenket and lighting

of the space.

suppliers at Pop Light, in collaboration with Intra Lighting, sought to

The continuous shape of the light line extends the outside space

While the whole Mariënburg University campus has, since 2016,

purposes: guiding students between classrooms and residential

monastery, dating back to 1897, and its structure remains untouched.

Its clean, modern look gives the historic column and pavement

solution” that brings together learning, working and living within

rhythm throughout the campus. Alongside keeping a balanced

Throughout different stages and functions of the renovation, lecture

“daylight effect” after dark.

part of a wider effort to achieve the best possible conditions for those

an eclectic grace and charm. With capacity for 180 people, the chapel

There are three main areas of the campus where Intra Lighting

with switchable furniture designed by the architects themselves.

illuminating the endlessly connecting corridors; and finally in

time bringing in enough light via Intra’s specially designed clustered

In illuminating the atrium space, Pop Light adorned the glass

enough light to work under. All controlled via DALI, the luminaire

composition helps to create localised areas of informal study spots

metaphorical translation of the columns, while mirroring their tones

to prolong the day, not only inviting people in but also in gently

The cohesive design scheme throughout the Mariënburg campus

evenings of autumn and winter. While from a structural point of

the present, preserving the monumental heritage on site while

geometric structure, it also helps to bring down the height of the

the forefront of the architectural design choices, the lighting

This functionality extends to the corridors, where there’s an

different requirements, from studying and research, to everyday

areas, with the lighting complementing this connectivity. By using

www.intra-lighting.com

pay tribute to the site’s abundant heritage.

to the inside of the building and through various multi-functional

grown out of a national monument, the site itself is a former

units, the more relaxed cafeteria atrium, research and office spaces.

The renovation of the campus centred on creating a “smart building

structures a well-balanced juxtaposition, connecting their repetitive

the same premises, but remains strong in its educational ambition.

illumination throughout the day, the lighting system creates a

and study rooms, offices and a coffee shop were also improved, all as

One of the landmarks of the campus – the central chapel – features

utilising the campus.

serves as a multi-functional space for different types of gatherings,

played a significant role: to open up the grand space of the atrium;

Its lighting plays a role in obtaining a uniform look, but at the same

lighting the striking chapel.

Pipes. These create a beautifully illuminated ceiling, while casting

ceiling with three phase tracks of Intra’s Gyon luminaires. Their

clusters play up the vertical rhythm of the central nave, acting as a

or hangout areas at the campus’ café. Gyon’s warm light helps

and shapes.

influencing people to stay longer, especially during the darker

echoes the University’s approach of connecting the past and

view, the creative composition of the Gyons creates an original

promoting creativity. With sustainability and wellbeing at

atrium, creating a pleasant yet functional second ceiling.

complements this. The human-centric scheme serves a number of

abundance of natural light. The corridors connect each of the campus

living and relaxing.

more Gyons, this time in solid lines, the modular design creates a

138

www.arc-magazine.com

Hintze Hall, Natural History Museum, UK by DHA Designs â&#x20AC;&#x201C; 2018 Winner, Places (High Budget)

[d]arc awards, MC Motors, London 5 December 2019 Entries are now open for the [d]arc awards. You can enter projects and products online at www.darcawards.com.

All entries will displayed online and each company that enters will receive a free profile page in the [d]arc directory. [d]arc night, the spectacular and creative awards party, will take place at MC Motors in London on 5th December 2019.

www.darcawards.com

Partners

Organised by

In collaboration with

CASE STUDY

House of the Holy Spanish lighting manufacturers Lamp worked closely with UMAYA Lighting Design to develop the lighting scheme for the majestic Al Azizia Mosque, in Mecca, Saudi Arabia.

A

l Azizia Mosque is a majestic,

that form the outer skin of the building,

high columns that frame the main entrance

than 23,000sqm, located just

architectural volumes can be recognised in

The aim of the interior lighting is to generate

in Mecca, Saudi Arabia, which is capable of

icon within Mecca’s nocturnal landscape.

purpose of the space, surrounding the

The scope of the lighting for this project,

texture of the arabesques, as well as of the

perceive and highlight architectural details.

Islamic-style building of more minutes away from Al-Haram

accommodating up to 25,000 worshippers. implemented by UMAYA Lighting Design, using products from Lamp, included

respecting their hierarchy and ensuring the the nighttime, turning the building into an It was also important to highlight the

architectural details and other ornaments,

so that the experience of those who observe

are illuminated by Gap 3000K uplights.

an atmosphere that transmits the spiritual visitors and offering sufficient levels to

Direct and indirect lighting creates different implementation planes and focus points,

the illumination of the façades, the

the mosque from the proximity is unique,

highlighting the geometric set of the space,

gardens surrounding the mosque, and the

its architectural concept.

The interior of the domes is illuminated by

continuity and dialogue favoured among

elements that acquire a special focus within

warm white to cool white and back to warm

illumination of the landscaping of the

illumination of the interior space, with a

revealing all the subtlety that emanates from The five domes, as well as the minarets, are

which combines double and single heights. a dynamic white system, changing from

these three aspects.

the lighting project. The choice of a uniform

during the course of the day. Once the prayer

was based on three strategies which, as

cohesion of the entire ensemble; it respects

colour, reinforcing the spiritual connection

Because of this, the concept of the lighting layers, make up the final result; architectural volume and plan wall washing; accent

colour temperature of 3000K achieves the

the neutrality of the white stone used in the façade, while favouring the perception of

is called, the domes change to a soft blue with the visitor.

The Lamp team carried out certain

lighting; and minimising light pollution.

the golden brocade yamur that adorns each

customisations and adaptations to the

design is based on the need to understand

The domes are illuminated by projection,

achieving the maximum satisfaction for

The final result of the exterior lighting

that the architectural complex must be visible from two different dimensions: from long distances and also from the

surroundings, understanding the different requirements this implies.

Firstly, it is necessary to correctly

understand and illuminate the shapes

140

www.arc-magazine.com

dome.

combining Lamp’s Flut models with

symmetrical optics, and the Mini Flut models with asymmetrical optics, both in 3000K,

achieving a uniform luminous degradation

from the base and enhancing its volume. The minarets were punctually enhanced with the Micro Shot spotlight, while the 15-metre-

lighting equipment, with the aim of

all parties, carrying out everything from product changes with special finishes

to customisations in the reflectors and

adaptations of electronic equipment to the generation of certain specific technical requirements. www.lamp.es

Skalar, Germany by Christopher Bauder and WHITEvoid, Germany â&#x20AC;&#x201C; 2018 Winner, Art (High Budget)

[d]arc awards, MC Motors, London 5 December 2019 Entries are now open for the [d]arc awards. You can enter projects and products online at www.darcawards.com.

All entries will displayed online and each company that enters will receive a free profile page in the [d]arc directory. [d]arc night, the spectacular and creative awards party, will take place at MC Motors in London on 5th December 2019.

www.darcawards.com

Partners

Organised by

In collaboration with

CASE STUDY

Kwerk It Linea Light Group has installed a selection of its products at the Kwerk offices in Paris, France, to complement the company’s goal of creating ‘Wellworking’ envrionments.

L

inea Light Group was selected by Kwerk

mounted version, which are reminiscent of the red

the 10th and 11th floor of the tallest

Bookshelves, niches and furnishings were

to illuminate the business spaces on

skyscraper in France, the Tour First in La

Défense, Paris.

Nitum flush mounted spotlights and the Pound

floodlights, elegant and minimal with extremely high

artistic and innovative character, thanks to architect

For the wellness area, the Vos downlights with

Lawrence Knights, the duo that conceived it.

variation of intensity and colour temperature, from

and designer Albert Knight, and entrepreneur

400 work stations tailored to human proportions,

arranged in a space created ad hoc, midway between

performance.

Warm Tune technology were used: the simultaneous the classic white-warm, all the way to the softest

shades that are reminiscent of the beautiful candle

a decoration showroom, with designer furniture and

effect, allow different atmospheres than those of

plaster animals and objects in display windows. In

ambience.

walls in coloured cork, and a Museum of Culture, with addition, there is a wellness space with yoga classes, fitness room with cardio machines and a wellness

the other spaces, creating a much more relaxing

Other Vos family items in the swivelling version were

positioned along all the corridors to direct the lighting

area where you can recharge from work stress.

towards the desired spots, taking advantage of all the

Light Group, while demonstrating the great versatility

pinhole optics compartment for total control of the

The 360-degree lighting design operation by Linea

great visual comfort and the set-back source with

of the products, highlighted the distinctive aspects

direct glare.

statues placed in the walls, resting on the ground and

internal side emission was used, perfect for taking a

Eyelet spotlights were used, because of their compact

Linea Light Group also characterised the outdoor

A distinctive element in all the common areas are

enhance the vegetation with beams of accent lighting.

of the Kwerk sites, namely the white decorative

positioned in display windows. To illuminate these,

dimensions and their extremely versatile application. the Oh! Mars spheres in the custom-made ceiling

www.arc-magazine.com

highlighted thanks to the precision lighting of the

Kwerk is the new definition of work space sharing in a luxury co-working environment, with a decidedly

142

planet, thanks to their characteristic colour scheme.

To light up the bistro area, Linea Light’s Tour with break under the sign of wellness and taste.

area, installing the Iris_67 and Periskop floodlights to www.linealight.com

Lichtkompetenz is a Swiss lighting design company with a broad portfolio of national and international projects. For our expanding project horizon we are looking for talented, self-motivated and hands on lighting enthusiasts to join our ZĂźrich team of professional lighting designers and our new branch office in Munich.

We are currently looking for following positions:

Senior Lighting Designer / Project Leader for our branch office in Munich You are an enthusiastic, proactive communicator with a minimum of 5 years of relevant working experience, an independent lighting consultant, capable of handling projects from concept to handover and close out. International travel may be required.

Excellent standards of written and spoken German and English is mandatory.

Junior Lighting Designer for our headquarter in Zurich You are passionate about light and design and have just finished your university degree. You will be highly creative, a proactive mind and a fair team-player. The ability to express your ideas and concepts in Auto-CAD & freehand drawing, Adobe Suite, Relux and MS Office as well as literacy in German and English is essential.

Senior Lighting Designer for our headquarter in Zurich You are an enthusiastic, proactive communicator with a minimum of 5 years of relevant working experience, an independent lighting consultant, capable of handling projects from concept to handover and close out. International travel may be required.

Excellent standards of written and spoken German and English is mandatory.

Competitive salary will be commensurate with ability and experience. Please note that due to current Swiss legislation, we can only consider applicants with an EU passport or Swiss passport / working permit.

Send your application including CV and portfolio of projects you have significantly contributed to and your salary requirements to Joerg Krewinkel on info@lichtkompetenz.com LICHTKOMPETENZ GmbH I Binzstrasse 23 I 8045 Zurich I Switzerland I 0041 43 888 07 07

ADVERTISERS INDEX ADO Lights .................................................. 31

IALD ............................................................. 10

Osram .......................................................... 59

Alto............................................................... 45

IBL .............................................................. 123

Performance in Lighting.......................... 129

Applelec....................................................... 97

Insight Lighting ......................................... 109

Pharos Architectural Controls ................ 129

Artemide ..................................................... 33

Intra Lighting .............................................. 61

Precision Lighting ....................................... 25

Astro Lighting ............................................. 39

KKDC ............................................................ 79

Proled .......................................................... 13

Augenti Lighting ......................................... 95

Kreon ........................................................... 21

Radiant Architectural Lighting ................ 145

Clear Lighting............................................ 135

Lamp ............................................................ 29

RCL ............................................................... 87

Climar .......................................................... 37

LED Linear ................................................. 148

Reggiani ....................................................... 23

CLS-LED ..........................................................6

Lichtkompetenz........................................ 143

Ricoman ...................................................... 15

Colors .......................................................... 11

Light Middle East ........................................ 54

Robe............................................................ 4,5

Concord ....................................................... 73

LightGraphix ............................................... 73

Seoul Semiconductor ................................ 65

Erco .............................................................. 91

Linea Light Group ...................................... 75

Specialty Lighting Industries ........................2

Feelux .......................................................... 19

Lival .................................................................3

Studio Due ................................................ 145

Firefly Point of View ................................. 143

Luminus .................................................... 101

Targetti ........................................................ 41

formalighting .............................................. 53

Madrix ....................................................... 135

Unilamp ..........................................................7

Fuhua Electronic............................................8

Neri ............................................................ 107

Vexica Group ............................................ 127

Guangzhou Lightfair .................................. 14

Nexo Luce ................................................... 17

Vode............................................................. 57

Hacel Lighting ........................................... 113

Nicolaudie ......................................................9

Wibre ........................................................... 12

Huda Lighting ............................................. 16

Nordic Light .............................................. 147

ADVERTISING ENQUIRIES SHOULD BE MADE TO JASON PENNINGTON. TEL: +44 (0) 161 476 8350 EMAIL: J.PENNINGTON@MONDIALE.CO.UK

Event DIARY

Event Diary Industry events where you’ll find arc in the months ahead INTERLIGHT MOSCOW 10-13 September Moscow, Russia

TRENDS IN LIGHTING 24-26 September Bregenz, Austria

HONG KONG INT’L LIGHTING FAIR 27-30 October Hong Kong, China

www.interlight-moscow.ru.messefrankfurt.com

www.forum-trends.lighting

www.hktdc.com/fair/hklightingfairae-en

BIEL 11-14 September Buenos Aires, Argentina

LIGHTSHOW WEST 25-26 September Los Angeles, USA

LUX LIVE 13-14 November London, UK

www.biel-light-building.ar

www.lightshowwest.com

www.luxlive.com

ISTANBULLIGHT 18-21 September Istanbul, Turkey

IALD ENLIGHTEN AMERICAS 3-5 October Albuquerque, USA

ILLUMINOTRONICA 21-22 November Bologna, Italy

www.istanbullight.com

www.iald.org

www.illuminotronica.it

[D]ARC ROOM 19-22 September London, UK

LIGHT MIDDLE EAST 15-17 October Dubai, UAE

CIBSE BUILD2PERFORM 26-27 November London, UK

www.darcroom.com

www.lightme.net

www.build2perform.co.uk

LED SYMPOSIUM + EXPO 24-26 September Bregenz, Austria

PLDC 23-26 October Rotterdam, Netherlands

[D]ARC AWARDS 5 December London, UK

www.led-professional-symposium.com

www.pld-c.com

www.darcawards.com

144

www.arc-magazine.com

graphics: Vilfredo Maria Ricci - © 2019 Studio Due

“ light is the instrument to enrich and valorise architecture “

Truong Tien Bridge (Hue City, Vietnam)

STUDIO DUE light s.r.l.

01100 Viterbo (Italy) t. +39.0761.352520 f. +39.0761.352653

www.studiodue.com marketing@studiodue.com

Wednesday 18th - Sunday 22nd September 2019 The Truman Brewery, London. Stand number 25

The Bvlgari Spa, Dubai Lighting design by Delta Lighting Solutions, Dubai Winner of Hotel Lighting Project of the year - Light Middle East Awards 2018

3D LED Flex 40 System IP66 4 x high power LEDs with elliptical lenses per module Up to 3,500 Lumens per Mtr

www.radiantlights.co.uk | +44 ( 0 ) 208 348 9003 | david@radiantlights.co.uk | All products designed by arc ad August 2019.indd 1

08/08/2019 16:24:49

THE BACK PAGE BUCKET LIST

#11 Archifos / Katia Kolovea

Curated by

“I experience light as a powerful inspiration. It makes me feel limitless. It drives me towards my tomorrows.”

Katia Kolovea

What: Sunset in Greek: Η Δύση του Ηλίου/ Ηλιοβασίλεμα.

Where: Any beach on a Greek Island as long as it faces West - for example: Elafonisi beach, in Chania, Crete.

How: As the Greek sun sets over the Mediterranean Sea, the light phenomenon termed ‘scattering’ affects the water molecules and dust particles in varying ways. The density and size of these diffract the shorter blue light rays away from you, leaving the longest visible wavelengths: Gold, Turner’s Yellow, Mandarin Orange, Levant Red and Tyrian Purple….

When: This transformation of the sky happens every day - always at a slightly different time. It is dependant on the season, the temperature, the sky conditions, the level of humidity, cloud coverage and air quality, but it will always be an exceptional light experience.

Why: The breathtaking sunsets of Greece hold a special power that every lover of light must experience. Is it the poetic lyre of Apollon - the Greek god of Sun and Light - or is our golden sun remarkable because of our Hellenic latitude? .

Photo © Gavriil Papadiotis (www.gavriiLux.com)

146

www.arc-magazine.com

www.archifos.com

LINK LINK