STANFORD STADIUM
EMIRATES OLD TRAFFORD
JAMES BUDD
LIGHTING FOCUS
Meyer Sound provide a state-ofthe-art audio system at Stanford University’s athletics stadium.
Pioneer Group upgrade the visuals at Lancashire Cricket Club’s ground using Samsung and ChyronHego technology.
KSS’ Director discusses the company’s history, Wimbledon, Premier League training grounds and much more.
We take a closer look at innovative products and eye-catching projects from the world of sports lighting.
ISSUE 08 - OCTOBER | NOVEMBER 2019
THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES
ISSUE 08 - OCTOBER | NOVEMBER 2019 WWW.MONDOSTADIA.COM
Bukit Jalil National Stadium – Kuala Lumpur, MY
RAPID ROI
SOUND SOLUTION FOR SPORTS VENUES
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08 WELCOME
ur cover story in this issue is the 2019 Vitality Netball World Cup, for which Adlib completely transformed Liverpool’s M&S Bank Arena, integrating incredible audio, lighting and visual technology. The final result was spectacular, with the project setting up for an action-packed tournament. Over in California, we’ve taken a closer look at the work Meyer Sound have done on Stanford University’s campus, with Stanford Stadium being just one of the venues given a new, state-of-the-art audio system. At Emirates Old Trafford, the visual technology had undergone a huge upgrade - we’ve spoken to Pioneer Group, Samsung and ChyronHego to find out more about the impressive project. We’ve also been over to Finland to check out Aura Audio’s project at Kivikylän Areena, with the ice hockey venue also given an audio revamp. For our interview, we spoke to James Budd, Director at KSS, who discussed the work his company have been involved with in sporting venues including No. 1 Court at Wimbledon. Turn to page 27 to find out more. We were fortunate enough to fly out to Madrid in September for the World Football Summit and Industry Awards - during which we presented the award for the Best Venue - so, be sure to check out our report on page 108. Finally, for those with a subscription to MONDO | STADIA, you may have noticed our new packaging - it’s plasticiser-free, thermoplastic material derived from potato starch, meaning that it’s completely biodegradable.
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Sam Hughes Editor
26-27November201 9 Gl asgow, UK|
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+44( 0) 2036759530
STANFORD STADIUM
EMIRATES OLD TRAFFORD
JAMES BUDD
LIGHTING FOCUS
Meyer Sound provide a state-ofthe-art audio system at Stanford University’s athletics stadium.
Pioneer Group upgrade the visuals at Lancashire Cricket Club’s ground using Samsung and ChyronHego technology.
KSS’ Director discusses the company’s history, Wimbledon, Premier League training grounds and much more.
We take a closer look at innovative products and eye-catching projects from the world of sports lighting.
ISSUE 08 - OCTOBER | NOVEMBER 2019
08 INSIDE…
THE INTERNATIONAL PUBLICATION FOR TECHNOLOGY IN SPORTING VENUES
ISSUE 08 - OCTOBER | NOVEMBER 2019 WWW.MONDOSTADIA.COM
Cover image courtesy of Steve Sroka Editor Sam Hughes s.hughes@mondiale.co.uk
Deputy Editor Emma Bilardi e.bilardi@mondiale.co.uk
Editorial Assistant Emma Davidson e.davidson@mondiale.co.uk
Digital Editorial Assistant James Robertson j.robertson@mondiale.co.uk
Senior Account Manager Jamie Dixon j.dixon@mondiale.co.uk
Account Manager Laura Iles l.iles@mondiale.co.uk
Production Zoe Willcox
TEAM TALK
006 Andy Rice, Major Events International
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m.capper@mondiale.co.uk
Managing Editor Rachael Rogerson-Thorley r.rogerson-thorley@mondiale.co.uk
Finance Director Amanda Giles
ar@mondiale.co.uk
012 MRV Arena | Belo Horizonto, Brazil
England & Var, France
014 Nuovo Stadio Milano | Milan, Italy
SMART STADIUM 086 Generali Arena | Vienna, Austria ARCHITECTURE
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092 Lord’s Cricket Ground | London, England
016 Lighting
AUGMENTED REALITY 096 Signal Iduna Park | Dortmund, Germany SEATING
INTERVIEW
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100 Ferco Seating Systems | Safe Standing
028 James Budd, KSS
EXTRA TIME THE FULL PITCH 040 Stanford Stadium | California, USA 046 2019 Vitality Netball World Cup | Liverpool, England 054 Emirates Old Trafford | Manchester, England
Printed By Buxton Press
072 Levi’s Stadium | Santa Clara, USA
080 ADI Round-Up | Watford, Worcester, Birmingham,
Group Chairman Damian Walsh MONDO | STADIA is published by Mondiale Media Limited, Strawberry Studios, Watson Square, Stockport, SK1 3AZ, UK Tel: +44 161 476 8340
VIDEO
076 Arrowhead Stadium | Kansas City, USA
a.giles@mondiale.co.uk
Credit Control
062 Kivikylän Areena | Rauma, Finland
010 Estadio León | León, Mexico
CEO Justin Gawne j.gawne@mondiale.co.uk
AUDIO
070 Johan Cruijff ArenA | Amsterdam, Netherlands
z.willcox@mondiale.co.uk
Mel Capper
VENUE FOCUS
104 Meyer Sound 105 TSL 106 Marshall Electronics 108 World Football Summit & Industry Awards 112 Host City 2019 113 Event Diary 114 Full Time
ANDY RICE, MAJOR EVENTS INTERNATIONAL How do you recoup a £1billion investment?
Images: Major Events International & Populous n the surface, the investment
to feed the voracious financial appetites of
rights, sponsorship and additional match day
of £1billion on a new stadium
the world’s most gifted footballers - and their
revenue income combining to generate almost
could have been better timed.
ever-greedy agents.
£100m per year), but the bottom line will
Tottenham Hotspur’s main source
Jon Babbs is the Stadium Director at the
really be boosted with the opening of the new
of income is TV rights - a combined figure
Tottenham Hotspur Stadium and, at the recent
hotel, plus the residential and commercial
of approximately £210m per year (assuming
Sports Ground Safety Association (SGSA)
developments that will become part of the
Champions League football) is undoubtedly on
conference, he gave an indication of where the
complex.
the decline. As traditional advertising revenues
rest of the money is coming from to improve
The new stadium has a capacity of 62,214 and
continue to shrink, Sky and the multiplicity of
the bottom line of Spurs Inc. Assuming the
is sold out every other week. The stadium
overseas channels that have cut deals with Mr.
squad is retained, as, obviously, the main
will undoubtedly also be buzzing on European
Scudamore (the timing of whose retirement
assets of the club are those running around
nights - when the 42,000 season ticket
now seems impeccable) and his band of rights
after the ball.
holders are expected to re-buy their seats.
agents in the past, cannot possibly continue
The state-of-the-art stadium is only the
Saracens are set to make Tottenham Hotspur
to justify the eye-watering billions that have
beautifully-crafted centrepiece of the overall
Stadium the base for their annual ‘Big Game’
been spent on TV rights.
development. On the footballing side, the
Gallagher Premiership Rugby showpiece and
And so, the paradigm shift begins.
site will soon also host a new performance
the impressive South Stand (the largest single
On the other hand, perhaps Mr. Levy has been
centre and a medical centre. These will help
terrace in Europe with a capacity of 17,500)
exceptionally smart, as traditional revenue
Mauricio Pochettino and his team continue
will be bouncing to the sounds of Rock and
streams shrink, new ones need to be created
to generate Champions League income (TV
Hip Hop from the summer of 2020. Along with
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TEAM TALK
007
TEAM TALK
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ticketing revenue, all is grist to the mill of
year deal with the NFL, which begins with
the markings of a 5G NFL grid. There can be
food and beverage and merchandise revenues.
a minimum of two NFL games per season
little doubt that the cost of this magnificent
Speaking of which, Spurs have been super-
and may develop over the decade to the re-
engineering would not have been on the basis
smart to team up with the Beavertown micro-
homing of a full franchise. Everything in the
of simply twenty games and the odd concert -
brewery, combining the economic benefits of
stadium is seemingly based on the NFL: the
we can look forward to much more Grid Iron
home-brew with the longest bar in Europe
dedicated changing rooms to house the army
in North London in the near future.
(65-metres), 15-second self-filling pints and
that makes up each team; the design of the
One of the more adventurous money-spinning
a cashless environment to ensure that at least
new hotel (which will have NFL-size corridors
additions soon to arrive at WHL is an O2-
50,000 pints of beer are consumed by the
and beds) and, of course, the ‘pitch below the
esque roof walk - going one step further
faithful at any home game. To credit Spurs,
pitch’- the innovative design, which allows
on the adrenaline rankings by finishing the
prices have not been inflated and the five
the soccer pitch to be divided into three for the
tour with an abseil down from the roof. For
pound ‘Burger and Pint’ deal has forced local
outside two edges to disappear under the East
Tottenham Hotspur, the sky really is the limit
pubs to reduce their pricing to compete.
and West stands, and for the middle section
for revenue generating opportunities.
Perhaps the most innovative partnership
to disappear under the North Stand, and the
secured by Levy and his board is the 10-
fan zone outside of the stadium - to reveal
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T24i | T12i United players for the games. TWAUDiO.COM
the hornloaded price-performance point source solution >> cutting-edge high-SPL sound for modern arena entertainment and emergency evacuation
MADE IN GERMANY
ESTADIO LEÓN León, Mexico
Renderings: HKS Architects he new football stadium of León is to be built along the Boulevard Francisco Villa in the north-eastern part of the Mexican city. Six major bidders took part in the design competition, with teams representing the finest of Mexican, American and Spanish stadium designers. HKS Architects were selected as the winners, making it the biggest success for the company’s Mexican branch. The designed stadium offers 35,000 seats altogether, however - in
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line with Mexican custom - it boasts no less than 300 private boxes, as well as major lounges and other corporate hospitality options. The auditorium has only one regular tier of seating encompassing the field, and above it, various facilities are planned, topped by ‘laola’ sections of regular seats on three sides. In the north, a major pavilion is planned with hotel rooms overlooking the field. A spacious and partly translucent canopy hovers above three sides of the stadium, supported by four primary and 13 secondary
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pylons. It’s designed to collect rainwater for internal use, one of many sustainability features of the design. In aesthetic terms the stadium is rather conventional, however, it offers acknowledgement to the city’s longstanding leather tanning industry. Thin strips of brown-coloured metal that will adorn the stadium, will resemble pieces of drying leather. In order to make the stadium a week-long destination rather than a weekend only, the stadium will not only be joined by a hotel, a major
shopping centre is also planned along its west side, along with Club León’s museum and hall of fame, football university and other leisure uses. This is all accompanied by 3,500 parking spaces in the east of the stadium. In total the complex is expected to cover over 124,000 sq metres. The stadium is looking to face completion in 2023 and will be an extremely unique, multifunctional complex in the city of León, Guanajuato.
011
MRV ARENA Belo Horizonto, Brazil
Renderings: Farkasvölgyi Arquitetura he brand new private stadium of Atlético Mineiro will be built in western Belo Horizonte, Brazil. The club acquired a lucrative plot of land from MRV Engenharia, lying beside a major avenue near the ring-road connection. Inspired by the team colours, the new arena comes as the first stadium ever designed by Bernardo Farkasvölgyi, a local architect who privately is an ardent supporter of Galo. Before designing, he visited numerous stadiums in Brazil and Europe getting inspiration from some of the most impressive venues across the world. The outer skin will be divided into two kinds of vertical segments that will vary in translucency, ensuring that regardless of the lighting and weather, there is always an impression of ‘alvinegro’ mix.
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With the building’s peak reaching 11 floors, inside, the capacity will reach 46,000 people. Due to differing height, fans will be entering from different levels. In the west, where a large public plaza is planned, access will be possible from field level. Meanwhile in the east fans will approach the stadium at the height of the middle tier. The arena will also feature 3,304 parking spaces, 50 bars and 60 cabins. There will also be a VIP space with a capacity of 2,782. The new field of the Rooster could be more modern with a retractable roof. The most sophisticated and efficient stadiums in the world have a retractable roof and if this were deployed at the MRV Arena, the Rooster would be more likely to try again for an unprecedented title such as its participation in the 2013 FIFA Club World Cup.
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NUOVO STADIO MILANO Milan, Italy
Renderings: Manica Architecture alled ‘The Rings of Milano’, this vision for a new stadium emphasises the unique bond between AC Milan and FC Internazionale. Each of the clubs is represented by one of two interlocking rings creating the outer wrap. They’re interlocked, opposed to one-another on one hand, and bound together on the other. The rings are to be illuminated in club colours of each team during derby night, while on other occasions they would both take on the colour of whichever club plays host. By day, up to 17,000 images of supporters could be etched into the facade. Despite the capacity of 60,000, the auditorium would be divided into just two tiers, which in some way associates the stadium to San Siro, where the two lower levels hold similar numbers. Contrary to many new stadiums, there would be no hospitality areas behind goals, each ‘curva’ would be dedicated to fans of one of the two host teams. One more recognition of the beloved San Siro would be placed outside, east of the new stadium. In the location of demolished San Siro, even if rebuilt atop commercial and leisure facilities, there would be an open playing field, created exactly where the current pitch is. Both presented variants of the future stadium would see it built beside San Siro, which would then be demolished and replaced with mixed-
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use development. The stadium itself would be surrounded by a vast podium, elevated two-metres from ground space, releasing 127,000 sq metres of space on ground level for various uses. The field itself would be seven-metres below ground level so that the stadium doesn’t become too imposing in size. While analysed between 55,000 and 65,000, the official listed capacity is 60,000 and should meet the demand of both FC Milan and FC Internazionale. Contrary to San Siro’s under 4,000 premium seats, a new stadium would provide up to 12,500 such seats, depending on demand, while also providing a bowl that would not emit much noise to neighbours, limited at 60dB.
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KICK OFF | LIGHTING A closer look at products and projects from the world of lighting...
KOBE MISAKI STADIUM SIGNIFY Signify has installed LED lighting in Kobe Misaki stadium, one of the stadiums used for the world’s biggest rugby tournament, which takes place from 20 September to 2 November in Japan. The Philips ArenaVision LEDs that have been installed are controlled by Signify’s Interact Sports connected lighting system, creating spectacular light shows and allowing for the programming of multiple light scenes to adjust lighting standards to the different sports that are played in the stadium. The new LED lighting system in the 30,132 capacity stadium was commissioned via an innovative method using robotic measurement and includes video aiming and laser scan. The stadium is also the venue for the Premier Japanese Professional Football league. A total of 404 Philips ArenaVision LEDs were installed. The multiple light scenes in the Interact Sports system can be played back to meet different lighting standards that are required by rugby, as well as football associations. It creates stand-out fan experiences that wow audiences before, during and after the match, making Kobe stadium a more attractive multipurpose venue to host other major events. The new energy-efficient LED lighting also uses less electricity compared to conventional lighting, saving 45% in electricity costs. “We’re very proud to light up Kobe Misaki stadium for the world’s biggest rugby tournament held in Japan,” said Thierry Jean Baptiste Chapiteau, Global Sub Segment Manager Sports and Arenas at Signify. “The players get perfect lighting on the field and the legion of rugby fans 016
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around the world, watching a match on TV, can see every detail in the highest definition. Fans in the stadium can enjoy light shows, adding to the incredible atmosphere.” By introducing Signify’s robotic measurement method, laser scanning and a video aiming system, the installation time was drastically shortened, and accuracy and quality were improved. The whole process from dismantling the HID luminaires to the installation of the upgraded LED system was completed in only 65 days. In addition, higher protection of the grass pitch was guaranteed during installation due to the robotic measurement. “We were impressed with Signify’s commissioning and engineering methods, which were very new to us. The new technologies were very useful and necessary to complete our project smoothly. We’re very happy to work together on this project and would like to thank the project members within Signify,” said Mr. Nakamoto, from Kinden Corporation, one of the largest M&E Contractors in Japan who were appointed by Kobe City for this project. Besides Kobe Misaki stadium, Signify is also responsible for the lighting of Aichi’s Toyota stadium where another four matches of the rugby tournament will be played. Toyota stadium and Kobe stadium are the first two outdoor stadiums in Japan using robotics to install the connected lighting system, Interact Sports, in combination with high performance Philips ArenaVision LEDs. www.signify.com
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PROGRESSIVE FIELD AVOLITES Aspiring baseball players call the major leagues ‘the show’ but in recent years all sports have incorporated more entertainment elements as games, and even former backroom transactions like player drafts, have been transformed into full-fledged events. Major League Baseball’s 90th annual all-star game, recently held at Cleveland’s Progressive Field is a perfect example of this shift. Adding to the high-production ambience was Greensboro, North Carolina-based SE Systems, which provided lighting and audio services for the weekend’s worth of events around the game itself, and Avolites technology was on hand to make it a truly memorable show. Working in concert with Select Artists Associates, the technical producer for the on-field musical entertainment during the 2019 All-Star Game, SE Systems deployed an Avolites Sapphire Touch lighting console to operate the park’s installed lighting systems. The desk was connected to the house fibre by a pair of Avolites Titan Network Switches through their optical ports, allowing the Sapphire Touch to seamlessly and faultlessly control the venue’s off-field scenic lighting elements, including a DJ spinning atop the park’s Sky Bridge. Down on the field, an Avolites Quartz console was running the ground-based lighting and ‘flash and trash’ effects for all of the on-field entertainment, including a pitcher’s mound stage performance by Joan Jett & The Blackhearts, as well as for introducing players as they entered the stadium for the Celebrity Softball Game and in between batters during the Home Run Derby. “As sports events become more complex productions, we find that we have to rely more than ever on the Avolites equipment,” said SE Systems’ Lighting Designer, Nehemiah ‘Nemo’ Grubbs. “They needed a lot of eye candy and flash and trash to make the event really pop, and the Avolites systems let us do that.”
Nemo is referring to more than the consoles’ industry-leading features, such as the huge workspace area offered by the Sapphire Touch’s two wide-screen touch monitors and Saturn Ring, giving simultaneous X-Y-Z axis control, or the Quartz’s super-compact footprint, measuring only 42.5cm wide and making it unobtrusive yet incredibly powerful on the field. He also cites the systems’ reliability and the capability of the Titan software to let lighting designers like himself, who ran the Sapphire Touch desk, and Ted Atwell on the Quartz console create the desired effects quickly and accurately despite virtually no rehearsal and under intense time constrictions. “There was a lot going on and the field was constantly occupied, so we had to pre-programme for many different aspects of the production,” he explained. “The Titan software on the Sapphire Touch let me pre-set macros for a lot of effects in a very short amount of time, and know that when I reached for those effects, they’d come back perfectly every time. And the Titan Network Switches gave us the same kind of time advantage: just set the IP addresses on the network and then it’s just plug and play.” As a result, he said, the lighting and effects looked great, both in the stadium and on television. “We’re under a lot of pressure, and the Avolites consoles help us with that by their ease of use. For instance, I can do things on the Sapphire Touch with a single button that on another console I’d need to go through three different menus to do. When you’ve only got 30 minutes to do a run-through before the cameras go on, reducing the number of keystrokes is a huge advantage. It’s why SE Systems has been an all-Avolites house for over 20 years now,” Nemo concluded. www.avolites.com
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LUMADAPT SYSTEM EPHESUS LIGHTING Ephesus lights leverage the most advanced solid-state lighting technology available to provide arenas with a lighting system that’s more than just a series of fixtures. The Lumadapt system gives the user greater visibility, control, and flexibility than has ever been possible in sports lighting. The Lumadapt system applies today’s technologies and a digital approach for greater economy, efficiency, and future adaptability to accommodate clients changing needs. With the only multi-feature LED sports-lighting system that has remote upgrade capability, Lumadapt gives users more control over a venue than ever thought possible. A Lumadapt system will make a venue more effective, more flexible, and most importantly, better lit. Engineered for the most efficient LED production and fit for HD through 8K broadcasting, minimising glare, while maximising output and placement. Users can apply a digitally based systematic approach to lighting and save money. The intelligence hub enables the system’s adaptability, keeps lighting top-of-the-line, and provides instant access to new features and firmware for system upgrades as needed meaning that lighting stays current year-after-year and makes sense economically. Colour-temperature can be changed at the touch of a button, so whatever 018
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game is being played, the perfect setting is always available - without having to install a second system. Ephesus’s user interface provides real-time system monitoring of individual fixture health and status to give users proactive, predictive information before problems arise, for seamless control across all venues. The Lumadapt system will warn users before something goes wrong, avoiding downtime while saving time and money on repairs. Ephesus lights are optimised for HD, 4K, and even 8K broadcasts to deliver super-slow-motion replays without flicker and reproduce colour more accurately, optical-beam tuning for precision light placement - fill the entire venue as fans arrive, then just light the game once the action starts. A smart-cloud data approach provides connectivity to the entire system, and stores health and performance data to help venues run more efficiently year after year, while near-field communication (NFC) ensures that the system is programmed to shine light only where it’s supposed to - making installation as fast and precise as possible. www.ephesuslighting.com
AVIVA STADIUM MUSCO LIGHTING Athletes, spectators, and fans watching any of the broad array of international events staged at Aviva Stadium are in store for an even greater entertainment experience, thanks to a state-of-the-art LED lighting system installed at the venue. Recognised globally for hosting everything from rugby, football, and American football, to world-class concerts and major international business conferences, Aviva has always prided itself on delivering the best possible stadium experience. As one of 12 venues for EURO 2020 next year, the stadium’s board determined that it needed an advanced new floodlighting system for the international tournament. The new lighting would also need to meet the distinctive lighting requirements for the various other events at the stadium, such as those set forth by UEFA, FIFA, and World Rugby. “Aviva Stadium is a unique international venue with a rich history and longstanding commitment to providing exceptional experiences,” said Stadium Director, Martin Murphy. “As we continue to evolve the stadium and stay at the forefront of sports and entertainment, it was vital to install a lighting system with the most advanced technology, capable of providing the best possible experience for players and spectators, meet the enhanced light levels required for a variety of sanctioning bodies, and produce exciting new special effects scenes and light shows.” Aviva Stadium operations and project managers conducted research into a range of potential options from a variety of manufacturers. They ultimately found the Total Light Control-TLC for LED system designed by Musco Sports Lighting to be the best stadium lighting solution on the market. Musco installed the original lighting system at Aviva when it was built in 2010, which utilised a high intensity discharge (HID) light source. While that system was still performing well, the advanced technology of Musco’s system using the LED light source offers a number of key new benefits, including the ability to turn the stadium’s lighting on and off instantly, improving match 020
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continuity and efficiency. The system also features patented fixture visoring that greatly improves light control and minimises the impact of glare, as well as innovative lighting controls by StadiumFX, providing an exciting range of cutting-edge special effects scenes and light shows with light-to-sound synchronisation. Installation was handled by McSherry Electrical, which also installed the stadium’s original HID lighting, allowing for a unique depth of knowledge of Aviva’s structural environment as well as Musco’s technology and team. “We’re very familiar with Musco and its exceptional reputation for designing stadium lighting systems,” Project Director, Michael Greene, said. “They bring proven expertise when it comes to LED technology, minimising glare, and managing the many different challenges of this project. In addition, the longterm warranty means we won’t have to concern ourselves with maintenance costs well into the future. Once again, they proved to be an ideal partner.” The new lighting at Aviva is Musco’s same system-based LED technology that’s been installed at other iconic venues throughout Europe and around the world, including Tottenham Hotspur’s Stadium, Emirates Stadium, Manchester Arena, Twickenham Stadium, and Wimbledon’s Centre Court. It’s backed up by a long-term warranty that includes all parts and labour, which will eliminate maintenance costs for stadium ownership well into the future. “Aviva Stadium hosts all kinds of different sports and entertainment events throughout the year, many of which are international in scale and draw a global audience,” said Jeff Rogers, President of Musco World. “We worked closely with their team and our partners at McSherry Electrical and StadiumFX to deliver a customised LED system that will meet the unique lighting needs for all of those events and provide an unforgettable entertainment experience for fans.” www.musco.com
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ONYX GRIVEN LIGHTING Featured in many important projects, ONYX has rapidly become an unmissable solution within GRIVEN’s lighting portfolio. While the Ultra Spot and XQ versions with their long shot beam have been specifically developed for long-range visibility, recent project requirements have demanded a wider wall washing distribution effect, supported by the usual extraordinary performance in terms of lumen output of the ONYX series. Responding to these increasing lighting design needs, a newly developed ONYX version with ultra-wide optics is now capable of delivering a 120° widespread distribution angle of uniform light with a bright, intensive light output even at a very close distance. ONYX UW performance is maximised by roto-symmetrical batwing optics, which can provide the maximum light distribution for flat-field illumination, evenly enlightening walls, façades or large surfaces without a central hot-spot. Designed to improve evenness of illumination, the used batwing optics, owing to their special configuration and square shape, pushing the emitted light to the borders, allow for high efficiency, uniform wide-angle light distribution on large surfaces. Moreover, their special effect has been further preserved by a specifically developed crankcase with engraved square holes. www.griven.com
AEON SPORTS LUMINAIRE AEON LED LIGHTING Designed specifically for municipal, high school, collegiate and professional indoor arenas and outdoor stadiums, the AEON Sports Luminaire has an incredibly long life span of over 100,000 hours. Available in five different LED delivered lumen packages: 33,100 lumens, 44,100 lumens, 62,100 lumens, 73,500 lumens and 105,000 lumens. The AEON Luminaire has multi voltage options: 100-227VAC and 347-480VAC. The light is fully enclosed, protecting sensitive electronic components from any external elements, and is suitable for use in corrosive environments that can withstand extreme conditions. Using AEON’s propriety and patented thermal management system, AEON allows for continuous airflow, keeping critical electronic components cool. Revolutionary patented Aerodynamic Design allows maximum wind resistance, reducing vibration and subsequent flickering of light. With CRI>85, the AEON Sports Luminaire has the highest CRI in its class with 140 lumens per watt delivered, permitting for precise optics for 4K/HD broadcasting and photography. The AEON Sports Luminaire maintains a UGR <19, similar to the nominal glare that you would receive through indoor lighting. AEON is adaptable to various intelligent lighting controls, wired or wireless. Available in various NEMA Beam Spreads, the AEON Sports Luminaire also incorporates field changeable lenses and drivers, integrated on an easy-to-use Quick Connect / Disconnect System, making it optimal for different sports and class of play. www.aeonledlighting.com 021
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MANDEMAKERS STADIUM AAA-LUX The Mandemakers Stadion is a multi-use stadium in Waalwijk, Netherlands. Home to RKC Waalwijk, a relatively young, professional club, the stadium has a capacity of 7,500 and was built in 1996. Over the past 20 years very little maintenance has been carried out on the stadium, until a complete renovation in 2018. General Director of RKC Waalwijk, Frank van Mosselveld, takes up the story: “RKC Waalwijk has converted its stadium to major Eredivisie league level, we wanted this to show in all facilities and therefore also in the stadium lighting. With the old lighting we often experienced faults due to age, it was simply out of date and clumsy to operate.” The club called on Netherlands based, stadium lighting specialist, AAA-LUX for a complete overhaul of the aging stadium’s lighting. The existing masts in the stadium could be reused, providing the load would not increase. “LED luminaires are usually larger and heavier than conventional luminaires because a larger surface area is required for heat transfer,” Raymond Wiggers of AAA-LUX explained. “For many LED manufacturers this leads to more mass and makes the reuse of existing masts a difficult task. AAA-LUX are the only manufacturer in the world that can reuse the existing masts with an all-in product in 90% of the cases, including power supply.” AAA-LUX installed 80 WS-STAD Stadium LED luminaires. “These LED fixtures produce a high light output, allowing us to achieve good light values. In short, the required light level is achieved with fewer and lighter luminaires. This works to the advantage of RKC Waalwijk, as it allowed the old stadium masts to be retained,” said Raymond. ‘This saved us from having to make extra investments in new or extra stadium masts,” added Frank. “Thanks to the low weight of the WS-STAD stadium LED luminaires, it is even possible to install more luminaires later on, without exceeding the mast capacity,” continued Raymond. With the renewed stadium lighting, RKC Waalwijk is ready to compete. “The KNVB sets lighting requirements for professional soccer clubs. The 022
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requirement for the Keukenkampioen Divise is 800 lux horizontal. With the switch to LED stadium lighting, RKC meets this requirement,” Raymond said. The KNVB has not set any strict requirements for the vertical light values. “The stadium masts at RKC are perfect for vertical light, even if there are no concrete requirements. Now the stadium amply meets the vertical lighting requirements of UEFA Level D. In the Mandemakers Stadium, FOX Sports and photographers already obtain high quality images, the TV images speak for themselves.” An upgrade to UEFA Level C is also within easy reach. As soon as clubs become more successful and operate at a European level, there are higher requirements on the vertical light values. More vertical light ensures better HDTV recording. Mandemakers Stadium consciously uses the smart control system. The 80 LED luminaires are controlled wirelessly using pre-programmed dimming modes. “During a match, the lighting is 100% on. During training courses, we simply set a lower lighting setting,” explained Frank. As a result, RKC Waalwijk always illuminates its stadium at the right time, at the desired level. This minimises energy consumption and light emissions to the immediate surroundings. “The quality of the lighting is excellent, and we can already see that we are using less energy. These are exactly the reasons we chose AAA-LUX,” said Frank. “The possibility to always select the desired light level of LED lighting also offers a nice contribution to reducing CO² emissions and thus improves our carbon footprint as a club.” Since the installation was done at the beginning of season 2018-2019, things have gone well for RKC, as they managed to win the playoffs for promotion to the Dutch Major League Eredivisie season 2019-2020. “What a first season under the LED light it was,” said Raymond. “But of course it could also be a coincidence”. www.aaa-lux-lighting.com
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KICK OFF LIGHTING SYSTEM GOAL LIGHT TECHNOLOGY Goal Light Technology (GLT) is a simple, but ingenious lighting system that lets the spectators in the stadium - as well as those at home watching on television - know whether or not a penalty, conversion or drop goal attempt has been successful. The LED light on each upright crossbar turns green when a kick is successful or red if missed - giving the visual effect of the posts lighting up. GLT have developed the technology with the purpose of increasing the sporting experience and fan engagement within the event. The intention is to aid and engage the fans with a quick, obvious indicator of the outcome of the kick attempt. The system is operated by an encrypted signal switch that is activated manually when the linesmen or referee indicate a successful kick. This then gives the fans almost instantaneous feedback on the outcome. The technology is especially useful for those fans sitting at the opposite end of the stadium or those with an obstructed view. The LED strips are completely programmable, so a variety of colours and light combinations can be used. The system is attached to the post by a lace system that will tie at the back of the post, allowing 95% of the post to be covered. The system is powered by rechargeable battery packs housed within the back of the post protectors, so there is no need for wires under the turf. Looking forward to potential future implementations, there is the opportunity for the system to be used to further engage supporters – this could be through indicating tries, potential foul play or even on a simple brand identity level, opening up commercial opportunities for clubs and stadiums. The technology was successfully trialled by World Rugby at the Hong Kong Sevens in April. It was also used at WRU’s Judgement Day event at Principality Stadium where Cardiff Blues took on Ospreys after Scarlets faced defeat by the Dragons in the Guinness Pro14 league. www.goallighttech.com
TERA 2.0 SMART ARENA Smart Arena, developed and produced by the Austrian company soft-LED System, is an intelligent and flexible new LED-floodlight for large area lighting. The unique combination between proven reflector technique and highperformance LED-point light sources allows high lumen-output and perfect uniformity without light scatter or glare. The results of an official photometry test carried out in an recent project - a soccer and American Football pitch in Austria - show a ratio of uniformity of illuminance G1 (min/medium) of 0.85 and a ratio of uniformity of illuminance G2 (min/max) 0.75. No other stadium in Austria will outmatch the new lighting in this respect. Due to the different requirements of projects any optic between 10° and 120° can be chosen. This means high flexibility for planners of sport and event facilities as nearly any lighting requirements can be met. Smart Arena is completely flickerfree and meets all standards for modern TV-technique as HD, UHD/4k and super slow motion. Colour Rendering Index amounts to Ra 97 and Television Lighting Consistency Index (TLC) scores with 95. There are two dimming solutions available: DMX/RDM - dimming smoothly and zero flicker - and switch dimming offering up to five dimming scenarios programmed individually due to customers’ needs where no extra cabling is necessary. Smart Arena is elegant, compact in size and it’s smart - as controlled by microprocessors any requirement and standards needed by the customer will be implemented: active heat management, daylight control or integration into event lighting system. www.smart-arena.com
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08 INTERVIEW
“One of the main projects when the company was founded was Chelsea Football Club, but it was more that those who were part of the formation of KSS were very passionate about sports, participation and spectating - and it’s always a positive when your passion is your work. I think a lot of our success is down to that, as we love watching sport as much as designing the venues.” James Budd Director KSS
JAMES BUDD Director, KSS
INTERVIEW
Firstly, tell us a little bit more about your background… I’ve been with KSS since we started just over 28 years ago. Throughout these years we’ve been working on a wide range of different sporting venues in different countries with Chelsea Football Club being our very first client with the masterplan for the redevelopment of Stamford Bridge. Over the years, we’ve developed significant expertise, putting us at the very forefront of sporting architecture, as well as interiors and graphics. We consider the whole venue as a holistic design, from the business case and masterplan right through to the experience and the setting of the environments created - this can be right down to tablesettings and menus, for example. The scope of support we provide really depends on the individual client, frequently this evolves and develops through the course of the project as together we both see, develop and optimise opportunities created during the design stages. It’s always about listening to exactly what
“The most important aspect is listening and not having any preconceptions about what the project may be. Every client has a different vision, business plan and idea of what the project will turn out to be.”
they’re looking for and then customising our service and the project to suit rather than a prescriptive exercise, however, drawing on the wealth of our knowledge and experience. In addition to architectural design, we also undertake significant specialist sports consultancy work – we’re brought in as experts in sports venue architecture to advise clients on opportunities and technical aspects of sporting venue design.
How does a sporting venue project begin for KSS?
Personally, my main interest is the excitement and collaborative aspects
There is no real standard start-up or way in which we initially
of the delivery of sporting venues as part of a wider client, consultant
get involved in projects – some are from design competitions,
and contractor team. This includes both the proactive management
from sports consultation work or tendering, however, particularly
and forward planning, but also the reactive process of dealing with
though recommendation from clients. The type of project also varies
important live qualitative, cost and programme decision making.
significantly from large-scale new-build stadiums, right through to smaller interventions in existing venues, this often leads to more work
Was sporting venue design the main focus for KSS from the beginning,
further down the line as we explore opportunities with our clients.
or was that something that just naturally happened over time?
That’s down to the strength of our relationship with our clients, the
Although when the company was founded, one of our key clients was
clubs and organisations that we’re working with. In that respect
Chelsea Football Club, it was the particular passion of the key founders
we are very much a company that focusses on relationships and the
of KSS in sport and particularly football, that developed our primary
collaborative project journey.
focus in sports architecture. Most of us are very passionate about sports - both participation and spectating – and it’s always a positive when
Each project is, of course, different, but are there certain things that
your passion is your work. I think a lot of our success is down to that,
you have to take into consideration each time when it comes to a
as we love watching sport as much as designing the venues, particularly
stadium or sporting venue project?
watching sport in venues we have designed!
The most important activity is listening, of not having any preconceptions about what the project may be but helping guide our
Image: Black Edge Productions
clients based on our experience and knowledge. Every client has a
then evolve our thoughts and ideas with them, testing options and
different vision, business plan, fan-base and expectation and idea
alternatives and overlaying key legislative and technical constraints.
of what the project will comprise. Every club and organisation has a
It’s frequently a long journey with a client, from the initiation of the
different position within the overall sports sector, whether national,
project through to the planning – particularly when it’s a more complex
international or within leagues or sporting divisions, so, I think what’s
site – through to when the doors of a new venue are finally opened. In
fundamental to us is to really work with them to understand that,
parallel, it’s a long voyage for us, too, often over a number of years and
allowing us to tailor and customise our services. I think that’s where we
sometimes with changing client personalities or representatives and
have been incredibly successful over the years.
sometimes associated sporting performance! We all have to understand that – it’s certainly going to be part of key project individuals’ lives for
What is the design process like when working with a client?
a number of years, so the quality of relationships is absolutely vital. This
Evolution of designs with clients is very much a collaborative process
time really opens up dialogue, allowing us to delve more deeply into
– firstly of understanding ambitions, constraints and vision and
nuances and subtleties that are specific to organisations – what is the
subsequently working closely with a customised iterative development
ethos, lineage, history and soul. It’s all hugely important to us and a
approach to the specific project design. Obviously, the first part is that
very enjoyable process responding to these factors.
initial briefing in which we also get to know our clients. Typically, we
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INTERVIEW
Are there any difficulties that you experience on a regular basis when
What stadiums or sporting venues have you been working on recently?
it comes to sporting venue projects?
For me, personally, I’ve just finished our work on the redevelopment
The perennial issue – which I’m sure is the same in every industry – is
of No. 1 Court at Wimbledon – a great client and great team; both
cost. Clients frequently have concepts of what the costs ‘should’ be and
consultant and contractor and there’s the Twickenham East Stand
clients talk to each other about what their own, or other venues cost.
extension, which was a very fast project that had to be completed by the
What often gets lost in translation, are the peripheral costs around or
Autumn 2018 Quilter International Rugby Series.
associated with the project. One of the key objectives for us is close working with cost managers and consultants, so between ourselves, we
How did the Wimbledon project begin?
can really help the client and educate them – giving them appropriate
We were brought in by The All England Lawn Tennis Club in January
and clear benchmarking of similar schemes to inform them on why
2015 for the delivery of No. 1 Court. Grimshaw developed the design
things cost what they do. Invariably we look at value engineering,
for planning as part of the masterplan – and we took over the detailed
different ways of construction, pre fabrication, spatial efficiency – all
design development and delivery stages. This meant keeping the venue
those sorts of things. But we still need to keep to the design criteria
operational throughout The Championships in 2017, 2018 and then 2019.
and the quality of the project we’re delivering firmly in mind which will
A very complex piece of construction, but we had a great contracting
remain long after our involvement.
team in Sir Robert McAlpine.
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WWW.MONDOSTADIA.COM Image: KSS
Image: Bircan Tulga
Image: Gareth Gardner
INTERVIEW
Tell us a little bit more about the work on training centres. They’re obviously different to working on a stadium or sporting venue in a lot of ways… I think the critical thing factor with training centres is that the players and staff spend more time there than they actually do at the stadium or event. It’s essentially the players’ office – where they go five days a week to train, to be motivated, to improve fitness, strength and stamina, to rehabilitate from injuries and also to study tactics, practice set pieces and undertake the best preparation for competition. Therefore, it’s an absolute fundamental part of the club’s activity. It might be the stadium or arena that is the key driver of revenue, but it’s the training ground that arguably is the engine that delivers the quality and the results – which, of course then cyclically, makes a significant contribution to revenue generation! In the design process, we’ve got to assist in looking for those marginal improvements - focussing on every touchpoint within the environment
“It might be the stadium or arena that drives the revenue, but it’s the training ground that delivers the quality and the results - which, of course, is a huge part of the revenue generation.”
and, with the players and coaches in mind, forensically looking at how through the design of the internal and external environments and circulation, you can inspire. Balanced with this, designs need to fundamentally capture the soul, character and aspirations of the club or organisation to create a sense of place and belonging. arenas and also training centres. Are there any other projects coming up in the near future for KSS? Yes… naturally, we can’t divulge too much information! However, it’s an
What has been your favourite stadium or sporting venue project so far?
exciting future with some great opportunities both in terms of stadiums,
That’s a very good question! It’s really difficult one. The Tottenham
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Image: KSS
INTERVIEW
Hotspur training ground is one that comes to mind. We were working
You’ve got to create a great atmosphere for the players, but that comes
on a very complex and large greenbelt site in north London with few
from creating the perfect environment for the spectators. You need to
similar facilities to refer to and it’s now an exemplar training centre –
achieve that in the event time available or look at ways to extend the
arguably, it’s currently the best training centre in Europe. The project
experience timeframe.
took some time between inception and delivery with lots of planning,
I think it’s going to be a very interesting over the next 10 years or so
land ownership and site related hurdles to deal with. My involvement in
in terms of where the sports market goes and how to keep a place in
that experience, going back a number of years ago, was much wider, so
an ever expanding and competitive entertainment market. There is a
personally it remains very important to me.
great interest in specific players or sports personalities - for example, you now get a lot of people following and tracking the progress of star
What is the next big thing in stadium and sporting venue design?
players rather than following actual teams. It’ll also be interesting to see
Anything that architects have to be taking into consideration a lot
how the advances in technology and the requirement for immediacy, the
more?
interest in personalities and also importantly ‘first-person’ spectator
I think a key consideration now is that many people are cash rich and
involvement/integration evolves.
time poor, how you spend your time and having a valued experience is frequently more important than the final cost. How do you therefore make a sporting experience as good as it possibly can be, with changing in demands, technology and connectivity. Obviously, ensuring that there is a really good quality spectator experience is of vital importance - the atmosphere that the fans at the stadium or arena influences the professional athletes that they watch – it’s very much a circular concept.
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THURSDAY 13 TH FEBRUARY ISE, RAI AMSTERDAM
INTERESTED IN AGORA 2020? CONTACT SAM (S.HUGHES@MONDIALE.CO.UK)
DELEGATE TICKETS NOW AVAILABLE WWW.MONDOSTADIA-AGORA.COM The first MONDO | STADIA presents AGORA was held at ISE in 2019, with the sporting venue conference focussing on technology, the latest developments in the industry and future projects. Through panel discussions, case studies and expert keynote speakers, AGORA explores the benefits of the latest technology, trends and techniques - analysing the impact it has and will have at modern stadiums and sporting venues around the globe. From enhancing the fan experience and modernising stadium infrastructure, through to the planning of ceremonies and events, AGORA provides valuable insight that will help to increase knowledge and performance for future stadium and sporting venue projects. AGORA will return as a full-day conference at ISE 2020, offering sporting venue managers and event organisers the chance to network with technology innovators and industry experts.
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Foto Stadion Beijing: © Arup, Chris Dite
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08 THE FULL PITCH
040 Stanford Stadium | California, USA 046 2019 Vitality Netball World Cup | Liverpool, England 054 Emirates Old Trafford | Manchester, England
THE FULL PITCH
STANFORD STADIUM California, USA
Images: Steve Jennings
L
ocated in California’s Bay Area, Stanford University (Stanford) is one of the world’s leading research universities. The legacy of its founders, Jane and Leland Stanford, and
its relationship to Silicon Valley make the educational institution well known for entrepreneurial character. After being established in 1885, and opening in 1891, today, Stanford is home to seven different schools Business, Earth, Energy and Environmental Sciences, Education, Engineering, Humanities and Sciences, Law and Medicine - more than 16,000 students, 2,100 faculty and 1,800 postdoctoral scholars. In addition to the leading scholar courses, Stanford is considered an athletics powerhouse, boasting 36 varsity sports, 32 club sports and state-of-the-art recreational facilities and fitness programmes. And it’s some of these sporting venues that have received an audio upgrade in recent months to ensure the school remains at the top of its game. With more than 20
THE FULL PITCH
042
different venues, it’ll come as no surprise that the upgrade
sports venue consulting firm, WJHW providing oversight
is taking place in stages. The first three in line for the
and guidance on the football stadium. The in-house tech
renovation treatment were Stanford Stadium, used for
team at Stanford also assisted with the installation to
football games, the Boyd and Jill Smith Family Stadium,
ensure a smooth project delivery.
which hosts softball and the Avery Aquatic Center.
Assistant Athletics Director of Technical Operations at
The original Stanford Stadium was built in 1921 with a
Stanford, Mackenzie Haynes said: “My knowledge of the
seating capacity of 85,000, but when the new dual-deck
venues and technical insight of professional audio gave me
stadium was built in 2005 - completed in 2006 - a decision
the experience to take on this project. While the Stanford
was made to decrease the capacity to 50,000 to create an
Stadium project was vast, my experience in the industry
intimate atmosphere during matches - a more up-close
was the crux between project management and technology
fan experience. Furthermore, as the sporting campus grew,
that was needed to execute this.”
extra space was needed to erect other buildings to cater for
The brief for the new PA was that it must be aesthetically
the expanding sports teams. The stadium has been host to
pleasing, as well as offer consistent and intelligible sound
a number of Olympic tournament games and World Cup
for each visitor at any sporting event. “We discussed
games in its time, as well as the Super Bowl back in 1985.
multiple design options with our consultant, WJHW. With
With the old PA having been in place since the new stadium
a limited budget, we needed to make sure we could get the
was completed, it was time to upgrade, the offerings from
best product for our stadium,” Mackenzie continued. “At
audio have significantly changed over the years, as well as
one point, we discussed a point source solution from one
the requirements of the PA. Most sporting venues are now
of our videoboards. But, after stepping back to focus on the
not only used for sporting events, but also music concerts,
end-user experience we talked through a design that was
so many such facilities look for a flexible and powerful
the best solution instead of focussing on cost. From that
audio system, nowadays.
point, we found that utilising the existing infrastructure
Stanford Stadium - home to Pac-12 Cardinal football - was
could give us enough locations to create a seamless
designed, engineered and installed by Diversified, a global
listening experience for each of our fans.”
technology solution provider. Meyer Sound Design Services
With a clear brief in mind, the design team decided to
collaborated during the design phase, with prominent
rethink what was possible using the newest digital beam-
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TECHNICAL INFORMATION AUDIO STANFORD STADIUM: 10 x Meyer Sound CAL 96 column array loudspeaker | 16 x Meyer Sound CAL 64 column array loudspeaker | 54 x Meyer Sound CAL 32 column array loudspeaker | 84 x Meyer Sound UPJXP loudspeaker | 10 x Meyer Sound UP4XP loudspeaker | 6 x Meyer Sound Galileo Galaxy 816 processor | 8 x Meyer Sound MPS-488HP power supply | 1 x DiGiCo SD9 console | 1 x DiGiCo D2 audio distribution rack | 8 x BSS Soundweb London BLU 160 digital signal processor AVERY AQUATIC CENTER: 2 x Meyer Sound CAL 96 column array loudspeaker | 1 x Meyer Sound CAL 64 column array loudspeaker | 9 x Meyer Sound MM-4XP loudspeaker | 2 x Meyer Sound UPJ-1XP loudspeaker | 1 x Meyer Sound Galileo Galaxy 408 processor | 2 x Meyer Sound MPS-488HP power supply BOYD AND JILL SMITH FAMILY STADIUM: 2 x Meyer Sound CAL 64 column array loudspeaker | 4 x Meyer Sound UPJunior-XP loudspeaker | 1 x Meyer Sound Galaxy Galileo 408 Processor | 1 x Meyer Sound MPS-488HP power supply
shaping technology as incorporated in Meyer Sound’s self-
loudspeakers enables discreet coverage of problem
powered column array loudspeakers. A total of 80 column
areas of upper decks between lighting structures. “With
array loudspeakers were installed at the stadium, using all
conventional solutions cross-firing into those areas you can
three models in the series: the 10ft high CAL 96 - with 96
have horrible problems with time arrivals. But with these
individually processed and amplified loudspeakers - as well
column arrays, we simply add a small pole, which is fairly
as the smaller CAL 64 and CAL 32 models.
inexpensive and unobtrusive architecturally, and you can
“The beam steering technology lets you put a loudspeaker
steer sound right down into that area.”
in what otherwise wouldn’t be an optimal vertical
Although presenting a slender profile, the column array
location,” said Peter O’Neil, Director of Engineering at
loudspeakers have ample power to punch through crowd
Diversified. “Horizontally it needs to be set in the right
excitement, according to Meyer Sound Director of Business
place, but in the vertical dimension you can use the beam
Development, John Monitto. “Besides distributing the
steering to successfully cover the seating plane in a way
sound in an even, well-controlled manner, the CALs
often not otherwise possible.”
also give you very high peak output to deliver excellent
The extraordinary pattern control avoids problems
intelligibility over crowd noise, even at high points of the
often encountered in large stadium sound systems,
game.”
explained WJHW Associate Principal Mark Graham. “One
To cover seating areas where a column array solution was
problem with distributed systems when using long throw
not appropriate, Stanford Stadium system also incorporated
loudspeakers at shallow angles, is that if they don’t
84 UPJunior and 10 UP-4XP loudspeakers.
have the vertical control of the Meyer Sound column
Mackenzie is extremely pleased with the end result of the
arrays, you can have sound from one side of the stadium
Meyer Sound CAL system. He highlighted the ability to steer
reaching the opposite side. If it’s loud enough it will
each beam of sound, so that the audio can focus on the
degrade intelligibility of the spoken word. With the CALs
exact seating area in front of each loudspeaker, as one of
configurable vertical pattern we can pretty much dictate
the reasons for selecting the CALs for this project. The fact
exactly which seating areas each loudspeaker will cover and
that all Meyer Sound loudspeakers are active and powered
minimise that problem.”
was also a huge benefit because it reduced the previous rack
Mark also noted how the slender profile of the column
space footprint from 21 full sized racks to just six racks.
043
044
For processing a series of BSS Soundweb London BLU-
several years. It holds up to the elements, and it also holds
160 DSPs are used for minor processing and distribution
up to football games where you need the horsepower.”
throughout the stadium. After each BLU-160, the signal is
Next up for an audio renovation was the Avery Aquatic
distributed into a Meyer Galaxy 816 processor that is on
Center, here, two Meyer Sound CAL 96 loudspeakers and
the closed audio network and can be monitored during all
one CAL 64 loudspeaker centred above the scoreboard
games. For mixing requirement, an upgrade also took place,
provide an elegant point source solution for grandstand
with the stadium moving from an analogue to a digital
seating accommodating up to 2,480 spectators.
console - a DiGiCo SD9 with the D2 Rack was selected.
“This was an interesting challenge because it’s an open
Mackenzie continued: “The customisation of a digital
facility with other pools around it, with practices scheduled
console is something that was very much overdue for this
at the same time as events,” continued John. “They
venue. Additionally, the simplicity of use from the DiGiCo
don’t want to be disturbed by what’s happening in the
has been a great addition for our A1 on game days.”
competition arena. So here CAL was a great point source
Broadcasting from the stadium is also easy and
solution, targeting a majority of the audience with only a
straightforward with the truck dock being capable of
minimum number of outfill loudspeakers needed.”
handling two or three 53ft OB trucks with an uplink. The
The fill systems comprise nine Meyer Sound MM-4XP
stadium is fitted with triax, fibre, and audio connections in
and two UPJ-1XP loudspeakers. For events - such as
dozens of locations throughout the stadium, which all run
synchronised swimming - that require high fidelity, full-
back to the truck dock I/O.
bandwidth music, the system provides controlled deep bass
Despite the sophisticated digital technology, Diversified’s
through three 750-LFC low frequency control elements
Peter is fully confident in the new system’s long-term
deployed in a cardioid configuration.
reliability. “It’s a proven solution,” he noted. “With
For the softball Boyd and Jill Smith Family Stadium, which
a working base in other outdoor stadiums, including
features a scalable capacity from 1,500 up to 3,500, the new
Memorial Stadium in Berkeley, which has been in use for
Meyer Sound system includes two CAL 64 column array
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THE FULL PITCH
loudspeakers along with four UPJunior-XP loudspeakers. Mackenzie furthered: “I worked directly with Meyer Sound and discussed the simplest and most efficient use of the seating areas. After visualising options using EASE modelling, we found the ideal locations for each loudspeaker. Once we had that, I worked with an electrical and installation group for cable pathway and specifications to ensure the system as a whole would function as needed.” “Another great thing about a CAL solution is you have flexibility to deal with scalable seating scenarios,” added John. “If you need to redistribute the sound, you can simply program another preset to steer it into a tighter or broader coverage pattern to fit the new seating configuration.” Another factor favouring a comprehensive Meyer Sound solution, John furthered, was proven product longevity. “Several of the outdoor facilities here had installed MSL-3 systems more than 25 years ago and they are still working well. It shows what we put into weather protection research back then, and we continue to evolve that technology to further extend the life of products with exposure to the elements.” Future phases of the facility upgrading programme are set to include new Meyer Sound systems for Laird Q. Cagan Stadium at Maloney Field that will be used for soccer and lacrosse, and Klein Field at Sunken Diamond for baseball.
CONSULTANT: WJHW | INSTALLERS: Diversified, Stanford University | BRANDS: Meyer Sound, DiGiCo, BSS | WEBSITES: www.wjhw.com, diversifiedus.com, gostanford.com, meyersound.com, digico.biz, bssaudio.com 045
THE FULL PITCH
2019 VITALITY NETBALL WORLD CUP Liverpool, England
Images: Steve Sroka
A
dlib was incredibly proud to supply full technical production to the 2019 Vitality Netball World Cup, staged at the 11,000 capacity M&S Bank Arena in Liverpool.
Adlibâ&#x20AC;&#x2122;s rental departments implemented a fully integrated video, lighting and audio package linking in with broadcast elements for BBC and Sky. The spectacle took place over 10 glorious days of top sporting action, which delivered world class netball to an international TV audience and many thousands packing into the court-side seats which were sold out for the duration. This quadrennial event featured two distinctive criteria. Firstly, a spectacular Opening Ceremony, which wowed the crowds and
THE FULL PITCH
048
Opening Ceremony, directed by the Culture Liverpool team,
content.
was a pacey collage of music, dance, aerialists, projections
Adlib’s video crew dealt with all the screen management
mapped on the arena floor, complete with a parade by the
and the playback materials being sent to the various sports
16 competing nation teams.
presentation screens within the arena.
Adlib worked with Illuminos who produced the large format
The complex setup enabled control of individual screens
projection content. They supplied the six Panasonic RZ21K
in the gondola and courtside LED elements. The system
laser projectors, which projected onto both courts plus a
allowed for multiple keyed overlays of timers, scores,
fibre data control system that hooked them into Iluminos’
graphics, information and systems all to be called up at a
media servers programmed with all the content.
moment’s notice from the data fed graphical replay system.
A main video element was the central flown video cube
Additionally, they managed the incoming broadcast feeds
in the middle of the arena, which displayed IMAG footage
from Televideo and all the playback content streams
from parts of the match relay and beamed information all
simultaneously via a RossVideo Carbonite 2ME switcher
around the arena. The flown position of the four screens
operated by Tom Wearing, working in conjunction with
started off in the middle of the two courts, which then
John Haggart, who was co-ordinating all the screen
became the overall centre of the arena when in one court
information.
mode.
Adlib also had two playback operators – Dan Brown and
The four sides each measured seven by four-metres and
James Williams - running QLab video and audio playback
were made up of Adlib’s 3.9mm pitch Unilumin product.
systems, plus one RF camera operator covering the crowd
They were flown in a diamond orientation - at 45º to centre
interaction and sports presentation sections. They took
- to provide the best arena-wide viewing angles. As with
inputs from these sources, plus a clean (broadcast) feed
lighting and audio, Adlib also supplied all the necessary
from the Televideo truck and also a dirty feed (what
screen rigging for this and collaborated closely with the
everyone was seeing onscreen in the arena) and distributed
house riggers.
these around the venue.
Around the sides of the courts at ground level five five-
Televideo also gave Adlib’s arena visual mix team a beauty
metre strips of 6mm LED were deployed down each side
camera shot for the wide angles to output to screen and
of the two courts, a layout that transformed to having the
bring a sense of scale, which could also be used as a safety
five-metre LED banners around three sides of the single
shot when required.
court. The positions were calculated carefully so the LED
In addition to the six strong video crew, Adlib installed a
was always in camera shot and, therefore, ideal for sponsor
full wired and wireless Riedel communications package that
logos, branding, messaging and for relaying entertainment
tied all technical departments in with the broadcast crews
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got everyone in the mood for the matches to follow.
courts and branding for which Adlib supplied courtside LED
Adlib’s technical team worked closely with curators of the
screens.
ceremony Culture Liverpool and Iluminos. Adlib provided
Working with Red Sky at Night Events, the on-site team
six Panasonic RZ21K 20,000 lumen laser projectors
implemented a complex video playback system, controlling
mounted vertically to project the visuals created by
a large ‘gondola’ style LED cube, plus a courtside LED
Iluminos onto the courts below. Lighting and video effects
branding system and many break-out areas around the
combined to produce the spectacle enjoyed by the live
arena.
audience and TV viewers alike.
Red Sky at Night events’ team designed a schedule that
On-court drama followed, produced by sport presentation
kept crowds in the arena constantly engaged, featuring
specialists Red Sky at Night Events Ltd, this saw 16 nations
MCs, live response games and interviews, alongside many
compete for the coveted Vitality Netball World Cup 2019
commercial, sponsorship and inspirational messages.
trophy.
When it came to lighting, the initial brief was to create
Adlib worked with both clients closely, providing one
a lighting design to cover the audience and produce the
point of contact so they could enjoy Adlib’s famous gold
required on-court Lux levels.
standard service in providing an efficient and imaginative
This became a balancing act of providing the correct levels
technical solution, that served both ceremonial and sport
of light for the players without any glare or lights in
presentation demands.
distracting places, while also delivering good levels for the
Adlib’s overall Project Manager was Dave Eldridge. He
broadcast team’s camera systems. In addition to that, the
worked with a highly talented and experienced crew
design highlighted important branding around the room
onsite, and closely with host broadcasters Televideo and
and could create dynamic effects for the sports presentation
several other contractors to ensure delivery of a world class
sequences.
sporting event to a hugely enthusiastic audience worldwide.
Adlib’s crew worked closely with the house riggers from UK
An additional logistical detail was that the sports
Rigging on this and all the other aspects of the event which
presentation started off as a two court set up, as the first
required flying, roof access and working at height.
round of matches took place, and teams were whittled
Around 200 Martin MAC Viper Wash DX and Viper Profile
down to the final eight, culminating in the exhilarating
intelligent moving lights were used to cover the Opening
Australia vs New Zealand final.
Ceremony and the dual court configuration, later morphing
Adlib’s technical design had this change of court layout
into the on court setup.
at its heart; greatly influencing the choice of intelligent
To assist with the of demands of the overall lighting, with
moving lights over standard generic fixtures. The change
a particular focus on the sporting action, Adlib worked
of layout happened overnight with a complete moving of
alongside Dominic Main to create a production lighting
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THE FULL PITCH
design. As an expert in lighting sporting events like this, his knowledge and experience was invaluable, and gained over many years working on other major and high profile sporting events such as ATP Tennis. In addition to lighting the matches, he programmed numerous other lighting sequences used for entrances, exits, team presentations and other key moments related to the competitions. Adlib supplied a full trussing and rigging package to help create all the lighting positions in exactly the right places. All the data and power distribution was positioned in the arena roof and fed down from the gantries and catwalks onto the trusses. This kept the overall look of the event very clean, allowing full focus on the sports without technology ever distracting from the action. Adlib supplied a pair of ChamSys MQ500 consoles for complete and redundant lighting show control. A custom specified Luminex network backbone ensured all the lighting technology on show didnâ&#x20AC;&#x2122;t miss a beat. Adam Nicholls â&#x20AC;&#x201C; Lighting Designer for the Opening Ceremony â&#x20AC;&#x201C; programmed from the same console, really highlighting its ability to handle a wide range of show environments. Adam had access to the entire house rig to light the Opening Ceremony and added a few well positioned specials - in the form of eight MAC Viper Performances in pairs on the deck in the four corners of the arena. Their shutting capabilities were used to pick out the artists and performers from these low corner positions, which looked dramatic and bold, working well with the overheads and the arena floor projections. The eye-popping, high-energy choreographed 45-minute
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THE FULL PITCH
on one master talkback loop.
journey from the lift into the appropriate roof areas is via
Adlib co-ordinated and designed the audio system for this
stairs, so every little helped.
event, which included multiple flown loudspeaker arrays,
As with lighting and video, the sound design was
together with a control package to cater for various audio
multifunctional and dynamic to deal with the demands of
sources during the event along with Opening and Closing
the sporting action and the OC.
Ceremonies.
FOH control was a DiGiCo SD11 located at the back of one
A CODA Audio system – ViRAY and AiRAY - was chosen to
of the long end seating areas, and the show was run from
fill the arena with crisp, clear high-clarity sound.
there. The backup audio console – for full redundancy -
The small physical size of these loudspeakers made it easy
was set up in video world backstage, along with the I/O
to keep sightlines clear to the central video screens, while
racks and RF distribution.
keeping the audio coverage consistent throughout the
Most of the audio feeds were taken directly from the
arena. The system was designed to cover all seating areas
video. This consisted of stings, music tracks, and recorded
around the arena bowl including a temporary stand at the
announcements. Added to that were Shure Axient handheld
standard stage end of the hall.
microphones to look after the live announcements between
There were seven main hangs. Two hangs of eight AiRAY
games.
were at the ‘D’ end of the arena along with one more six
For the Opening Ceremony, audio was generated from the
AiRAY hangs at the ‘stage’ end. Four further hangs of ViRAY
video content so it was synched up with the rest of the
covered the long sides of the arena, with two hangs of nine
choreographed visual elements. As part of this show there
loudspeakers each side.
was a solo singer and choir, which made use of additional
This system was then zoned so that audio could be played
Shure RF handheld microphones and Sennheiser IEM
in either half of the arena if needed (to coincide with
systems for their monitoring.
the two-court setup), and then both halves when the
Kenny Perrin and David Grimes looked after the audio for
configuration moved to one court.
the 11 day event run, joined by Fabrizio Colucci for the
Four CODA SCV-F subwoofers made up each of the two
Opening Ceremony, with Max Taylor assisting on the two
subwoofer hangs flown centrally in the arena.
day load-in and set up.
All the amplifier racks and distro were installed into the
Dave Eldridge commented: “It was great to be supplier to
arena roof, to allow maximum ground space for the sports
such a high-profile sports event locally, in home territory
action, so this was another plus for using CODA.
for us. It was really exciting to break new ground as a full
The smaller ViRAY loudspeaker for example is a passive box
tech service provider for World Cup level sporting events.
and only needs a single channel of amplification, reducing
It’s been a busy summer with festivals, tours and events
the number of amplifiers needing to be set up in the roof,
and this was a great, unique challenge, of which we were
saving on rig time. Especially useful as the final part of the
proud to be involved.”
CONTRACTORS / INSTALLERS: Adlib | BRANDS: Panasonic, Martin by HARMAN, Chamsys, Riedel, CODA Audio, DiGiCo, Shure, Sennheiser, Unilumin | WEBSITES: www.panasonic. com, www.martin.com, www.chamsyslighting.com, www.riedel.com, www.codaaudio.com, www.digico.biz, www.shure.co.uk, www.sennheiser.com, www.unilumin.com 052
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THE FULL PITCH
EMIRATES OLD TRAFFORD Manchester, England
Images: Pioneer Group & ChyronHego
L
ancashire Cricket, one of the leading 18 first-class counties within the domestic structure of England and Wales, was formed in 1864 and is based at the award-winning 23,500 capacity Emirates Old
Trafford, England’s second oldest Test venue. The club has made significant investment to redevelop the stadium and become industry leaders, since losing Test status in 2009. Over the last decade, the club has undergone a £60m transformation, making it one of the most desirable international and domestic cricket, conference and events venues in the north west. There’s little denying that cricket has been the sport of the summer this year. Despite a reputation of being slow pace and attracting a generally older audience, this ceases to be the case. Whilst the play of new, faster T20 and 100 ball games, have drawn in a younger crowd, the excitement of both the recent Cricket World Cup win and Ashes Test Match have had an undoubted influence on the sport’s renewed popularity.
056
As hosts of the ICC Cricket World Cup, Lancashire Cricket
the club’s own marketing strategies.
needed to maximise the viewing experience for fans,
The system needed to have total connectivity, so as to
and with information and stats vital to the game, their
develop fan engagement through web applications and
displays had to be second to none in time for the match.
mobile phones and as part of this, the club also invested in
The club’s existing screens and technology were out of
a £750,000 stadium wide Wi-Fi project.
date, so new LED infrastructure was the latest stage in the
The project needed to fit within budget and the screens
redevelopment.
installed ahead of the first ICC Cricket World Cup fixture,
As part of the redevelopment, Lancashire Cricket partnered
the biggest in global sport, India vs Pakistan, on 16 June.
with Samsung to provide the club with a new, integrated
This level of digitalisation was also new to the club, so they
video display system, which pioneered the digital
needed to understand how best to make it work for them
experience for fans and set the benchmark for other UK
have it easy and manageable to use.
cricket stadia.
As experts in stadium LED, Pioneer Group were chosen for
Justin Hopwood, Sales and Marketing Director at Lancashire
best understanding the needs of the project and, therefore,
Cricket said: “Over the past 10 years we’ve invested £60m
developing the most appropriate solution. Software was key
in re-developing the stadium. We already had some large
to the infrastructure of the mid-tier and two jumbo screens
screens in place, but they were old and technology wise out
- the system needed to be fully integrated and have the
of date.”
ability to support all assets.
Integration, information and revenue were key for the new
Justin explained the importance of effective digital signage
solution, as it needed be fully integrated with connectivity,
within a stadium environment: “The challenge with live
capability and scalability. Clear display of information
sport is to make sure that the experience is commensurate
related to the game was of integral importance, to enhance
with what people expect from being at home.”
match-day experience and engage fans around the ground.
Clear display of relevant information is therefore key. This
Justin continued: “When we looked at the longer term, we
is especially true for cricket, where facts and figures are
knew the giant screen and LED ribbon was going to benefit
integral to the understanding of the game. On the previous
to a match day experience. The challenge with live sport
display solution, Justin added: “We already had some large
is to make sure that the experience is matched with what
screens in place, but they were old, tired and out of date
people expect from watching it at home.”
technology-wise.”
In addition to enhanced experience, the club also wanted
After reviewing options, investment in new jumbo and
to look at ways technology could increase revenue and the
mid-tier LED was decided as the most effective solution
role it would play in sustaining the stadium’s long term
to enhance viewing experience for fans. Justin continued:
business plan, not only by attracting more visitors, but also
“When we looked at the longer term, we knew that the
through sponsorship, advertising and implementation of
giant screens and LED ribbon were going to bring value and
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THE FULL PITCH
benefit to match day experience.”
the screens can be flexible on what content is displayed
To increase fan engagement, Pioneer integrated the latest
whether it is the scoreboard, live TV or marketing / club
ultra-high bright LED technology from Samsung for high
messages, keeping spectators up to date both on and off
definition visibility, even in direct sunlight. The latest
pitch. Previously, the screens were only used to show the
ultra-high bright LED technology from Samsung was
scoreboard so already this is a great new advantage to the
used to build the screens. This included 16mm pixel pitch
club, providing fans with an informative and engaging
LED configured into 10x7 cabinet arrangements, to create
experience,” Damon added.
two 60 sq metre jumbo displays located in the vicinity
However, hardware was not the only instrumental factor
of the point and tram areas of the ground. Pioneer’s
contributing to the display, as Justin highlighted: “The
engineers utilised Samsung LED technology to design and
other thing that is equally important to the infrastructure
manufacture a bespoke interface frame for the cabinets,
of the screens and the ribbon is software.”
working within the stadium’s existing infrastructure. For
Paul Childerhouse, Managing Director at Pioneer Group,
the mid-tier, Pioneer designed and manufactured custom
explained further: “The message from Lancashire was that
brackets to interface each of the two Samsung Prysm View
they wanted a fully integrated system.”
16mm pitch LED screens to stands B and C. A universal rail
After taking inspiration from the US, ChyronHego’s Click
system was also built, so as to aid speed of install of both
Effects was specified for its ability to quickly and easily
56 x 0.956m screens to the existing stands.
display content.
“We installed our Outdoor LED XAF range for the two
Content is generated via a HX Server (Blaze), which runs
jumbo screens, offering the ultimate in high definition
the underlying graphics to both Jumbos and mid-tier, as
display even in direct sunlight - which for cricket is highly
well as controlling and creating show content. To safeguard
important. These products were chosen because they were
the system, and to avoid the risk of failure on match-
able to seamlessly fit with the existing infrastructure
day, Pioneer built an exact replica in mirror display for
as well as being a huge technology and specification
backup. An 8x8 Matrix Switcher is central to the system,
improvement from what Emirates Old Trafford had
transporting all the video images that are to be layered
previously,” explained Damon Crowhurst, Head of Display
and making them available to view/preview, which are
at Samsung Electronics (UK) Ltd. “For the mid-tier LED,
all routed to outputs independently. Outputs 1, 2, 3 4
we installed our Prismview range, featuring 16mm pitch
and are responsible for delivering background graphics,
LED screens which is a completely bespoke model that is
score-boards and advertising to both Jumbos and Mid-
made to measure for the environment.”
Tier ribbons. Outputs 6 and 7 are interchangeable inputs
“The mid-tier screens have a great impact on improving
to the jumbos, allowing for the screens to switch to video
the overall fan experience as they have enabled the venue
via any IPTV STB box, digital signage platform, pc or even
to engage with the fans more through the big screens. Now
DVD. Output 8 is routed to the control room and can be
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THE FULL PITCH
used as a confidence or preview monitor for any of the
definition display, even in direct sunlight. Cricket fans can
inputs available to the system. To combine the output from
now enjoy the game in the most informative and engaging
the Click Effects servers with the video content of choice,
way, as well as audiences from other events hosted by the
Analog way scalers prepare the graphics so they are joined.
stadium - such as music concerts - benefitting from a
Paul added: “At a press of a button, we can play a particular
better experience.
showreel, a particular competition, and it’s very fast and in
Justin concluded: “We’ve been extremely pleased with our
real-time.”
choice of software and hardware that we have put in place,
Olivier Cohen, Head of Commercial Strategy at ChryonHego,
and this will only benefit the club further over the next
explains why ClickEffects was the perfect choice for
few years, where we welcome back another exciting set of
Emirates Old Trafford: “The brief was to provide a more
international fixtures.”
immersive experience to the audience, while, at the
Emirates Old Trafford has been digitally transformed and
same time, providing a cost-effective solution that could
now boasts one of the most advanced LED infrastructures
be up and running within minutes - combined with
within a UK stadium, as well as being the first cricket
minimal operational experience, full redundancy and,
ground in the UK with a LED mid-tier. With Pioneer
thus, providing an incredibly intuitive solution incredibly
Engineers commencing work at the end of March, the
intuitive by any user.
whole project was delivered by the beginning of May in
“The nature of Click Effects Prime itself allows a huge
time for the ICC Cricket World Cup.
amount of flexibility and ease of use in terms of providing
“We’re delighted to partner with Lancashire Cricket to
real time 3D graphics or clips to any number of outputs, in
revolutionise the match day experience. The LED screens
any resolution to any canvas size, while being able to data
we have installed will create a more welcoming and
bind to the visual displays. It is extremely easy to create
engaging connected customer experience at this historic
moments of exclusivity in the arena through creating visual
venue and deliver eye-catching, large-scale viewing
events by the click of one button. In short, the investment
experiences for fans,” said Damon.
allows Emirates Old Trafford to scale up the fan experience
Paul is proud of all the contributing elements which made
within the stadium as and when adoption becomes a
the project a success: “If people were to ask me what’s
reality.”
really special about the project, it’s that we had Lancashire
“One of the most significant factors that came out of
Cricket on one side and Pioneer Group on the other and
the American model was that their investment in screen
we’ve all joined in our common goal to provide the latest
and ribbon infrastructure delivered not only a better fan
technology to a cricket ground. It’s resulted in the latest
experience with engaging graphics, but also supports the
LED technology from Samsung, the first mid-tier LED to
stats that are integral to understanding the sport,” Justin
be installed in a UK cricket ground, a control system from
explained. “Pioneer have continued to support us as we
America which has never been tried in the UK before and
start to learn how to best use the software.”
we’ve brought these three elements together to make it a
The Samsung LED is the perfect match to support the
massive success.”
vast potentiality for content, offering the ultimate in high
SYSTEM INTEGRATOR: Pioneer Group | BRANDS: Samsung, ChyronHego | WEBSITES: www.pioneergroup.co.uk, www.displaysolutions.samsung.com, www.chyronhego.com 058
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08 VENUE FOCUS
AUDIO
ARCHITECTURE
062 Kivikylän Areena | Rauma, Finland 070 Johan Cruijff ArenA | Amsterdam, Netherlands
092 Lord’s Cricket Ground | London, England
VIDEO
AUGMENTED REALITY
072 Levi’s Stadium | Santa Clara, USA 076 Arrowhead Stadium | Kansas City, USA 080 ADI Round-Up | Watford, Worcester, Birmingham, England & Var, France
096 Signal Iduna Park | Dortmund, Germany
SMART STADIUM
SEATING
086 Generali Arena | Vienna, Austria
100 Ferco Seating Systems | Safe Standing
AUDIO
KIVIKYLĂ&#x201E;N AREENA Rauma, Finland
Images: MONDO | STADIA
T
he quaint town of Rauma, Finland, pays homage to the traditional ways of Finnish culture. The old shacks of shops and houses are built up like the on-screen set
of a Wes Anderson film, with pastel pinks and yellows illuminating the narrow roads that wind around the unique settlement. Located in this eccentric village is the Kivikylän Areena, home to local ice-hockey champions, Lukko. The 5,400-capacity venue has recently been equipped with a brand-new sound system, installed by Finland-based loudspeaker
064
manufacturer, Aura Audio.
The design process, for the team at Aura Audio, proved
With ice hockey being Finland’s most popular sport, the
to be an extensive process of continuous visitation and
arena’s audio had to pack as much of a punch as the
implementation, as its mantra is that products can only
players at the heart of the fans roaring cheers. Aura Audio’s
be considered when they’re shown in action, in a practical
Managing Director, Mika Isotalo, explained how the project
environment. “It’s tough to sell loudspeakers through
ended up in his hands: “We first heard about the project
photographs – you can’t just look at them, it doesn’t
through our dealer, F-Pro, and we were really excited about
tell you anything,” explained Mika. “After the brief, we
it! This was the first sports arena we had been involved
used EASE simulation which allowed us to simulate the
with. The Kivikylän Areena has also been serviced by an
acoustical performance of the complete sound system
old customer of mine, so Aura Audio already helped design
to find the optimal setup in the arena, which needed to
some of the rental event systems in there, which meant I
be perfect when combined with multiple audience areas
was pretty familiar with the set-up.”
and curved, inclined seating. We provided the team with
Aura Audio was brought in to fulfil the clients dreams of
three different options, based mainly on the SPL that they
a venue that was equivalent to an American NHL stadium,
wanted. After the demonstrations, they chose the second
that could be comparable to some of the best in the world.
option, mainly down to the preferred SPL.”
With such a large and competitive brief, it was essential
Cost was a big thing for both the team at Aura Audio and
that Mika visited the arena and drew inspiration from his
those re-designing the stadium, as well as something
ice hockey hobbies outside of the audio industry. “Luckily,
that has been a driving force for Mika throughout the
I have been to see a couple of NHL games, so I knew what
journey with his company. “The loudspeakers that we
they wanted. The Aura Audio idea was that it needed to
manufacture take as little amplifier channels as possible,
be as loud as the loudest place in Finland!” he explained.
something completely different to the usual self-powered
“The guys at the Kivikylän Areena working on the brief
ideologies. This is mainly to make sure we can use our
were willing to spend a little bit more to get bigger bass
budget elsewhere. In places like the Kivikylän Areena, a
and muscle to revive the sound system that was already in
lot of cabling is needed, and that is expensive. We ran
place. They also had recently installed a brand-new LED
around 10km of cable around the arena and that in itself
screen in the centre of the rink, and they needed a good
took two weeks, so when you combine that with 100 plus
sound system to compliment that.”
loudspeakers, the challenge is avoiding any inconveniences
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AUDIO
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AUDIO
TECHNICAL INFORMATION AUDIO: 2 x Aura Audio D80DSP amplifiers, 3 x Aura Audio D80 amplifiers, 1 x Aura Audio D120 amplifier, 24 x Aura Audio A2 line arrays, 20 x Aura Audio C12 coxial point source monitors, 32 x Aura Audio i3 fill loudspeakers, 2 x Aura Audio XQ48 subwoofers, 1 x Allen & Heath Qu-16 mixing console.
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and cutting costs as best we can.”
bought in a brand-new Allen & Heath Qu-16 mixing desk
The main audience areas are equipped with Aura Audio’s
from Aura Audio’s distributor, “the reason behind the Allen
line arrays and 20 Aura Audio C12 12-inch coaxial point
& Heath mixing console was for the amount of control it
source monitors were supplied for the ice rink and lower
could give in a space this size,” furthered Mika.
ceiling side audience. In the balcony areas, Aura Audio
The audio configuration in the arena is centred around the
i3 fill loudspeakers create dynamic sound with limitless
middle where the subwoofers are placed, this placement
possibilities. “Aura Audio loudspeakers are highly efficient,
gave Aura Audio the ability to add delays to more remote
and we have that passive approach which makes our
locations with ease. Mika said: “We avoid shooting
loudspeakers a great match for these type of arenas. Our
anything to the ceiling or floor apart from the ice. It has
approach is to concentrate on areas where we can use less
one virtual source in the middle and, in this case, putting
quantities, therefore, saving on quality.” The arena is also
the loudspeakers in the centre would create too many
using Aura Audio’s D80 and D100 OEM amplifiers, some
reflections, so we decided to put them as close to the
using DSP and some without, that are supplied by UK based
audience as possible.
company mc2-audio alongside the internal XTA processing
“The loudspeakers that are the furthest away are roughly
at the venue. The subwoofers are the XQ48, giving the
20-metres and still, because of the acoustic character
biggest punch with the smallest footprint. The arena also
of these type of places, it creates a lot of indirect sound
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AUDIO
as well. The clarity is problematic too because of the
loudspeakers were our main challenges but as we had
reverberation. We overcame this with very careful aiming of
approached these issues in the design process, we were
the line arrays. Even the subwoofers are arrayed vertically.”
always thinking about how we could execute the project
The Kivikylän Areena is a place where skills are put to
in the best way possible, right from the beginning, so we
the test. Whether that be with the players involved with
quickly fixed any issues we faced,” concluded Mika.
the intense game, the competitive chants rallied back and
The installed Aura Audio system has proved to be a newly,
forth between competitors, or the sound system that is
electrifying element of the Kivikylän Areena. An iconic
as integral to the end result as the force and fitness of
venue in Finland’s fanatical sporting world, Kivikylän is
the team, everything needs to be agile and work the best
now ready to take on some of the cities bigger games with
it can. Even with a project like this, Aura Audio faced
the roaring sound to match.
some difficulties, however, it was nothing that could not be overcome, “the acoustics and the placement of the
INSTALLER: F-Pro | BRAND: Aura Audio, Allen & Heath | WEBSITES: www.auraaudio.fi, www.f-pro.fi, www.allen-heath.com 068
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JOHAN CRUIJFF ARENA Amsterdam, Netherlands
Images: Harmonic Design
P
reviously known as the Amsterdam ArenA, the
A Harmonic Design audio system was chosen for the skybox
Johan Cruijff ArenA - named after legendary
as it is able to deliver a high-quality sound that supports
Dutch footballer, Johan Cruijff, who died in
and enhances the matchday experience. The system
March 2016 - is the main stadium of the
comprises of the hd PL-Series, which is the perfect fit in
Amsterdam since opening in 1996 at a cost of â&#x201A;Ź140m.
terms of aesthetics, due to the elegant design of the column
The stadium is home to European football giants, AFC Ajax,
loudspeakers.
and has also been used as a venue during Euro 2000, as
With the one way design, comprising of three-inch full-
well as the 1998 Champions League and 2013 Europa League
range drivers, the system achieves an high-end sound, with
finals. It has been announced that the stadium will also be
a pure natural resolution above 20kHz. The hd PL-Series
used as a host venue for three group stage matches and one
range is specifically designed for the reproduction of speech
match in the round of 16 at Euro 2020.
and music, as well as for simple, fast installation. A perfect
Away from sport, Johan Cruijff ArenA has hosted both
integration into the existing room architecture or stage
Dutch and international acts, with the likes of David
design is achieved by the slim and inconspicuous design
Bowie, Coldplay, Take That, Celine Dion, Madonna, AC/DC,
of the column speaker and are therefore the first choice of
BeyoncĂŠ, Rihanna and The Rolling Stones, among others, all
system integrators in spaces such as the skybox.
playing concerts at the stadium.
For earth shaking subwoofer sounds and effects, a hd
The stadium, which has a fully retractable roof, has a
Sub12i is hidden under a side table within the skybox. Due
total capacity of 54,990 for football matches and 68,000
to its single roll rubber surround, the chassis is capable
for concerts, though, depending on the setup, this can be
of delivering extreme low frequencies down to 28Hz
reduced to 50,000 or 35,000.
depending on the preset. The hd Sub12 subwoofer is a very
When it comes to a VIP experience for an Ajax match
compact and powerful subwoofer in bass reflex tuning.
or concert, a skybox is one of the most spectacular and
The specially-designed 12-inch long excursion chassis
luxurious options at Johan Cruijff ArenA, allowing business
with three-inch voice coil and single surround allows a
and pleasure to naturally flow into one another. Much
large linear excursion. Excellent dynamics and dry bass
like the sky rooms and sky lounges, a skybox is a hugely
reproduction at incredible pressure is the result.
effective marketing tool - and one that is very popular with
Overall, the result is a high-end, sought-after VIP area that
businesses and corporate clients.
offers comfort and an incredible seat for football matches
The atmosphere is, of course, somewhat different to the
and concerts, as well as an impressive space for business
usual matchday experience, with the time before and
meetings. With the Harmonic Design system in place, the
after the game or concert also needing to be taken into
experience in the skybox is improved even further.
consideration. With this in mind, the audio system within the skybox was of vital importance, as it contributes to the overall atmosphere - whether it be an event or corporate meeting.
BRAND: Harmonic Design | WEBSITE: www.harmonic-design.com 071
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LEVI’S STADIUM Santa Clara, USA
Images: Levi’s Stadium
T
he San Francisco 49ers and Foxconn industrial internet (Fii) have announced a major, multi-year partnership that immediately rebrands several prominent locations within Levi’s Stadium and sets forth a multi-year
plan to integrate ground-breaking technologies that will keep the venue at the forefront of fan-centric innovation. While the 49ers and Fii are working to become the first partnership in the NFL to utilise 8K video production in the near future, the Fii brand will be omnipresent for fans at Levi’s Stadium beginning with Sunday’s home opener. “The 49ers and Levi’s Stadium continue to strive to be one of the most innovative teams and venues in the world and courtesy of our partnership with Fii we will have the ability to be the first stadium to roll out 8K to our fans in a prominent fashion,” said Brent Schoeb, 49ers Chief Revenue Officer. “Their suite of brands
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and industry leading products will enable us to build on our innovative vision.” Following updates completed during the offseason, the Fii name will serve as the presenting sponsor for the 49ers Museum presented by Fii, the 49ers Press Room presented by Fii, and the Fii Club which was previously known as the East Field Club. The Fii brand will also be integrated into signage located on the main Levi’s Stadium videoboards located on the north and south ends of the stadium, the
“The 49ers and Levi’s Stadium continue to strive to be one of the most innovative teams and venues in the world.”
microphone flags in the 49ers Press Room presented by Fii, and wayfinding signage throughout the venue. “The Fii team is passionate about the technologies we
their dedicated fans through high-performance computing.
develop and the product we create that make everyone’s life
The 49ers will begin leveraging Fii 8K technology this
more enjoyable,” said Fii Wisconsin President Foo-Ming
weekend when they record the team’s post-game press
Fu.
conferences using the most-advanced Fii 8K camera
“By adding our 8K and High Performance Computing
available.
expertise to the partnership, we now have the opportunity
Both organisations have prioritised collaboration on the
bring this experience directly to the 49ers fans.”
development of 8K video technology to provide 49ers
As a sponsor, Fii joins the 49ers as two organisations
fans with the highest quality video content possible. The
with winning brand histories looking to merge football
award-winning 49ers Studios team will play a lead role
knowledge with advanced technology expertise to enhance
in that effort by testing Fii 8K technology throughout
the fan experience. Fii has a rich history in the development
the development phase and share its expertise and best
and application of 8K imagery, high-performance
practices for capturing 49ers team content in 8K.
computing and 5G connectivity in diverse markets. The partnership with the 49ers organisation creates an opportunity for Fii to enhance the game day experience for
BRAND: Fii | WEBSITE: www.fii-foxconn.com 074
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ARROWHEAD STADIUM Kansas City, USA Images: Daktronics & Keywest Technology
H
ome to the Kansas City Chiefs (NFL), Arrowhead Stadium is located in Kansas City, Missouri. Part of the Truman Sports complex, with neighbouring Kauffman Stadium (home of Major League Baseball team, Kansas
City Royals). Arrowhead Stadium has a seating capacity of 76,416, making it the 27th largest stadium in the United States and the sixth largest NFL stadium in the world. Built in 1968, the two-stadium concept was the first of its kind. Initially designed by Denver architect, Charles Deaton and Kansas City Chiefs’ General Manager, Jack Steadman. Charles’ design was implemented by the Kansas City architectural firm, Kivett & Myers. Construction was completed in time for the 1972 season and, the following year, the stadium was the first in the NFL to include arrows on the yard markers to indicate the nearer goal line. This practice would eventually spread to the other NFL stadiums throughout the 1970s, becoming mandatory league-wide in 1978. In 2009, Arrowhead Stadium completed the installation of a multi-million dollar integrated system from Daktronics. Two high definition video displays were retrofitted into the existing footballshaped displays in both end zones. Approximately 1,625ft of digital ribbon board was also installed. A decade later The Kansas City Chiefs have returned to Daktronics for an upgrade to the west end zone video display. The installation brings the first High Dynamic Range (HDR) video display to professional football, replacing the 16HD technology with 10mm Surface-Mount Device (SMD) technology that increases the resolution by more than 2.5 times for the 2019 season. “We continuously look at ways that we can improve the fan experience at Arrowhead Stadium, and adopting new technology is one of the avenues we can use to accomplish that,” Chiefs President Mark Donovan said. “Daktronics has been an important long-term partner for us at Arrowhead Stadium for game days and nonfootball events. The updates their team has made to our video board and control room mean that our new scoreboard will provide our fans and guests with the best display quality for live video replays and other content while maintaining the iconic size and shape of our original video board.” The new display fits into the same footprint as the previous display in the west end zone and measures 37ft high by 150ft wide. It features more than five million LEDs and is HDR capable to increase the contrast for better overall image quality shown to Chiefs fans inside the stadium. “There are few displays in the league with 10mm technology, putting the Kansas City Chiefs at the forefront of this new wave of upgrades. They will also have full HDR capability with the
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with exceptional products, services and support. Their fans
Keywest provided a total of 42 displays and 14 players for
will certainly see the difference in this new display and the
eight stands. “The displays are all multi-head displays,”
experience at Arrowhead Stadium will be better than ever.”
Koytt O. Nichols, President of Keywest Technology said.
Much like the previous display, this new installation is
“We provided a turn-key installation and low power cabling
capable of variable content zoning to provide live video,
runs. We also provide the content creation and editing
instant replays, statistics, graphics, sponsor messages and
software as well as support staff during events.”
any combination thereof during Chiefs games and special
The project took less than two weeks to complete, from
events.
demolition, fabrication, cable runs, display installation,
It wasn’t just the scoreboard that was due an overhaul, the
testing and deployment.
voters of Kansas City granted the city around US$250m to
“Each quick service is different in layout and quantity of
bring the ageing sports complex into the 21st Century. A
displays – so we had to take each one into consideration.
significant amount of the improvements went to enclosing
Additionally, location of equipment and environment were
the entire centre at club level. This meant that the premium
factors – heat and air quality needed to be considered.”
seat holders could enjoy the game, whatever the weather.
The project has had a positive impact on fan experience at
Along with the carpeting and the air conditioning, came
the stadium, guests can now see the menus from the back
better food options and more control over the menu items
of the line and make a quick decision, helping to keep lines
themselves.
moving at a faster pace, which means happier customers
Before the digital menus were installed, the club was open
with reduced wait times and higher volume for the quick
air, except for the private suites that ring the venue. All the
service restaurants.
menus at the 16 food locations were push letter style signs,
The menus are updated in real-time when items are out
which were difficult to change, down to the old-school
of stock so that people aren’t ordering something that is
boards that were prone to misspellings and letters. Yearly
unavailable. This further increases order efficiency, and
maintenance and update costs for the static boards were
in turn, volume. The imagery and motion on the screens
expensive and provided little flexibility for other events that
help customers notice new items they were previously
might require extensive menu changes.
unfamiliar with, inventory preferred items and specials.
Keywest Technology engineered and proposed a system
Koytt concluded: “The two main things we pay attention
using its Breeze digital signage system, which allows for
to in this sort of installation are perceived wait times, and
secure access from anywhere. Given the Chiefs premium
actual wait times. In this case, both metrics are currently
brand, the new stadium refurbishment and premium ticket
down and the stadium is very pleased with the efficiency
pricing, they wanted this level to have a more upscale
gains.”
aesthetic to complement its new look.
BRANDS: Daktronics, Keywest Technology | WEBSITES: www.daktronics.com, www.keywesttechnology.com 078
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VIDEO
ADI ROUND-UP Watford | Worcester | Birmingham, England Var, France
Images: ADI
H
aving designed, developed, manufactured and installed display technology in stadiums and venues for over 20 years, ADI have a reputation for visually enhancing sporting events - and 2019 has been no different. The leading British stadium technology specialists have helped clubs, venues, leagues and federations
create exceptional experiences for fans that also deliver on a commercial level. Against a backdrop of bustling stadiums, packed out grandstands, and crowded courses, ADI has been front and centre for many of sport’s standout moments. MONDO | STADIA has taken a closer look at the whole host of projects completed by ADI recently. Vicarage Road With the installation of two new giant, super-wide LED screens, Watford Football Club transformed their Vicarage Road in readiness for the 2019/20 Premier League season. The 80 sq metre screens, positioned at either end of the stadium, tower above the pitch to provide fans with a crystal clear view of the action. As well as helping fans to get a better perspective of the match, the 10mm high resolution displays, will screen replays, match stats, pre-match build up and, crucially for the 2019/20 season, VAR decisions. Its super-wide format means the screens can simultaneously deliver live video, score information, sponsor branding and match stats, creating a multifunctional display that enhances the match experience for fans and creates a powerful platform for brands. Watford Football Club partnered with ADI to install the new displays. In addition to manufacturing the high-resolution LED screens, ADI undertook the entire project delivery, which involved lifting the screens over the stadium roof and into location using specialist equipment. Commenting on the new installation, Watford Football Club’s Chairman and Chief Executive, Scott Duxbury, said: “ADI’s new giant screens are a great way to help kick off our new Premier League season. We continue to make a number of improvements to the stadium infrastructure here at Vicarage Road, and this innovative solution - given our ambitious stadium development plans - meant that we can continue to deliver a great visual experience to our supporters. “Having worked with ADI for a number of years, we were confident in their ability to deliver the right solution and we’re delighted with the result.” ADI’s CEO, Geraint Williams, added: “This has been a major construction and engineering project involving road closures and consideration for local residents. Lifting a 10 tonne screen, the length of two double decker buses, over houses and the stadium roof is not without its challenges. However, in overcoming those challenges, and achieving what most would consider to be impossible, this has been one of the most rewarding projects we’ve delivered in recent years.” “Credit must be given to the club for trusting in our vision for the project, and we’re looking forward to seeing the screens in action for years to come.” Sixways Stadium Worcester Warriors’ Sixways Stadium will undergo a digital transformation ahead of the 2019/20 Gallagher Premiership Season. Warriors have partnered with ADI to install two new giant LED screens and digital ribbon, taking over the South Stand to transform the matchday experience for fans. The displays bring the latest high-resolution LED technology to Sixways, creating a highimpact, creative platform through which the club can interact with fans. As well as installing the new display technology, ADI will connect the stadium to its remote production facility in Preston where a team of producers, editors and graphics operators will
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create and manage the live matchday content delivered into
French Formula One Grand Prix
the stadium.
ADI was also the LED screen supplier to the French Formula
“We can’t wait to welcome fans back to their new-
One Grand Prix, as part of a multi-year agreement with
look home at the start of the season. The new display
Circuit Paul Ricard.
infrastructure won’t just transform the appearance of
Following a 10-year absence from the Formula One
the stadium, though - it will revolutionise the way fans
calendar, the French Grand Prix made a come-back in
experience the game,” said Worcester Warriors Operations
2018 and celebrated its 60th edition in 2019, with 18 of
Director, Peter Kelly.
ADI’s LED screens amplifying the circuit experience for
“We’re working closely with ADI to deliver a fan-first
motorsport fans during the four-day event.
content strategy that will enhance the matchday experience
ADI’s iCONIC mobile and modular LED screens were
whilst also creating a valuable platform for our partners.
delivered as part of a venue-wide solution for Circuit Paul
“We want to create one of the best experiences in live sport
Ricard, including the giant super-wide iCONIC 120SW,
- not just in rugby. So, it’s important to us that the new
unique multi-level iCONIC H and multiple high resolution
displays are used to create a highly interactive experience
4mm modular displays. An ADI team of 20 operational and
for fans. That means bringing together the best of social
technical staff will also manage the fibre connectivity to
media, match stats, and creative video content to create a
every LED screen at the circuit.
meaningful experience that feels new and exciting every
A member of the Circuit Paul Ricard team commented:
week.
“After an extensive process of due diligence we selected
“The team at ADI have helped us at every stage of the
ADI because of their outstanding range of screens and
process - they’ve provided the answers to every technical,
experience in high-profile motorsport and European
commercial and content question we’ve had to define
Formula One. ADI have the knowledge and products to
a really strong solution. The end result won’t just look
help us integrate the best LED technologies into Circuit
incredible but, thanks to ADI’s guidance, we’re confident it
Paul Ricard for the Grand Prix, allowing us to deliver
will deliver on key fan engagement and commercial goals.”
greater coverage to spectators on larger, higher resolution
The digital infrastructure will also bring new opportunities
screens.”
for Warriors’ commercial partners, who will be able to
Nick Robinson, Director of Screen Rental at ADI, added:
interact with fans in a far more creative and dynamic way.
“The agreement marks another major contract win for ADI
Warriors will launch a range of new commercial
in France and we’re thrilled to secure supplier status for
opportunities to help regional and national partners
one of the biggest events in European motorsport. We’ve
utilise the new digital infrastructure, and have worked
used the expertise we’ve gained at venues like Silverstone
with ADI to develop a new Business Club scheme which
and Spa Francorchamps to devise a solution that will
offers opportunities for businesses large and small. “We
enhance the live experience at Circuit Paul Ricard.”
absolutely love projects like this, as they draw on the best
ADI also supply a number of other European Formula One
of our talents. Working in collaboration with Worcester
races, in addition to the electric racing series the ABB FIA
Warriors we were able to help the club not only choose
Formula E Championship.
the best technology to meet their needs, but also to create
082
engaging content, whilst offering insight into the best way
DW Stadium
in which the club can provide value for brand partners,”
ADI installed a new 60 sq metre, high-resolution LED
said ADI CEO, Geraint Williams.
screen for Wigan Athletic and Wigan Warriors at the DW
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Retractable roof over No.1 Court at Wimbledon (c)AELTC/Bob Martin
A winning double at Wimbledon Retractable pitch at Tottenham Hotspur (c)THFC
We are proud to have worked alongside the All England Lawn Tennis Club to engineer and install our second retractable roof at Wimbledon, this time over the iconic No.1 Court. May play continue, whatever the weather. We also created and installed the world-first dividing retractable pitch – and grow lights – at Tottenham Hotspur’s stunning new stadium, the pivoting seats at Wembley, the removable crossing at Ascot, and much more besides…
Pivoting seats at Wembley
Find out more at scxspecialprojects.co.uk Removable course crossing at Ascot
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Stadium ahead of the new season. The new display is a
supporters engage with live sport. So this is great news on
significant upgrade to the matchday experience, creating
the whole.
a platform through which the clubs can connect with their
“We have a very passionate and knowledgeable fan-base
fans and partners.
here at the Warriors, a fan-base we are always looking
EFL football team, Wigan Athletic, and Super League side,
to grow. By having the screen, we are hoping that we can
Wigan Warriors, which share the DW Stadium, will both
continue to entertain our existing fans and hopefully draw
benefit from the new display. Fans of football and rugby
more people to our sport to make a day out at the DW
will be able to experience fan-rousing content, live match
Stadium a more immersive and entertaining experience.”
feed and replays of key action on the big screen.
ADI’s Client Engagement Manager, Claire Fitzgerald-Firth,
Offering further flexibility for how the two clubs can use
added: “The clubs came to us with a clear brief - to deliver
the screen to engage and inform fans, ADI provides a
a quality stadium display that will help transform the
pitchside camera infrastructure that can be relayed to the
matchday experience. Thanks to our new high resolution
big screen. It means fans can get a different perspective on
LED technology, combined with our understanding of how
the match and see interviews from players, managers and
to use content to engage fans, we really feel we’ve achieved
pundits live in the stadium.
that.”
The screen itself uses ADI’s new 10mm pixel stadium LED
“Because the DW Stadium is a multi-sport venue, we’ve
technology, which offers better viewing angles and richer
designed a solution that provides a flexible platform to
contrast compared to more traditional forms of stadium
engage fans of both football and rugby league and we’re
LED. It is one of the highest resolution displays in any UK
looking forward to working with the clubs to help them
stadium, giving fans a superior viewing experience.
deliver an exciting matchday experience.”
Wigan Athletic’s, Jonty Castle, Head of Business Development and Customer Experience, commented:
Edgbaston Cricket Ground
“We’re committed to delivering the best possible experience
With 2019 having been a massive year for cricket in the
for our fans, which is why we appointed ADI to provide the
UK, Edgbaston, as one of England’s tier-one venues, asked
solution for our new stadium LED screen. They not only
ADI to upgrade its display technology to ensure fans in the
offer industry leading display technology, but they really
stadium wouldn’t miss a second of the action.
understand how to engage fans through content.”
The ADI team installed a new 10mm 34 sq metre scoreboard
“We’re excited for the start of next season. We’ve got some
and LED screen ahead of the Cricket World Cup, The Ashes,
big ideas for how we can use the screen to bring the club,
T20 Finals and a series of international Test Matches.
our fans and our commercial partners all closer together on
Also, as part of the Cricket World Cup, ADI were heavily
a matchday”.
involved in the fan zone areas, having delivered on similar
Warriors Community and Marketing Director, Martin
projects during the FIFA World Cup in 2018.
Mcloughlin said: “We’re delighted to announce this news
ADI provided screens at various ICC World Cup grounds to
in conjunction with Wigan Athletic, in what we believe is
welcome fans as they arrived to soak up the atmosphere for
another example of the town’s teams working together to
cricket’s pinnacle event.
great effect. Both organisations are laying the foundations at the DW Stadium to evolve the way in which our
BRAND: ADI | WEBSITE: www.adi.tv 084
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SMART STADIUM
GENERALI ARENA Vienna, Austria
Images: ABB & FK Austria Wien
T
he Generali Arena is located in the south of Vienna, Austria, with the football stadium having been FK Austria Wienâ&#x20AC;&#x2122;s home since 1973. Built in 1925 for Sloven Wien, a football team,
which consisted of players from Viennaâ&#x20AC;&#x2122;s Czech immigrant community, the stadium was largely destroyed during the Second World War, and each of the four stands has been reconstructed several times since. In 1973, the stadium was renamed Franz-Horr Stadium in honour of Franz Horr, the president of the Vienna Football Association, who had extensively lobbied for a new stadium before his death. Plans were made for redevelopment, however, they were consistently delayed - and it took until 1982 for the first new stand to get built. The newly-built North Stand complemented an extensively renovated South Stand and four years later, in 1986, a new covered terrace was opened on the western end of the stadium. The stadium remained unchanged for the next decade, until a new Main Stand replaced the renovated South Stand. In 2008, the East Stand was built. In 2011, the stadium was renamed Generali Arena, as part of a sponsorship deal between FK Austria Wien and the insurance group Generali. Since UEFA does not recognise sponsored stadium names, the venue is referred to as Viola Park in European competitions. In the summer of 2016, a complete renovation of the arena began, the stadium closed for two years while two new connecting stands were built, forming a whole with the twotiered East Stand. The main stand remained standing, resulting
SMART STADIUM
in a capacity of 17,500.
an intelligent, welcoming space, that is easy and efficient to
The stadium appointed ABB to transform the Generali
control but also lessens its impact on the environment.”
Arena into an intelligent, future proofed venue during this
The stadium’s entire electrification value chain - from
closure.
medium voltage distribution to each individual socket - has
The plan was to incorporates the latest in smart building
088
been raised to an advanced level.
technology and energy efficient power distribution, so that
ABB’s SafePlus (10Kv) compact switchgear provides safe
the arena is more intuitive to control and better suited to
power distribution in the arena, the medium voltage
the needs of the visitors.
system is completely gas insulated and encloses all live
These IoT solutions were part of a unified, cross-industry
parts with a steel capsule, optimising both reliability and
digital offering, ABB Ability, which extends from device
personal safety. For more power in the electrical system,
to edge to cloud and combines deep domain expertise
ABB provided two 1,000k VA dry transformers, which
with proficiency in web-enabled connectivity to optimise
comply with the latest energy efficiency standards of the
operational performance and efficiency.
European Union. Instead of oil, the transformers use a
Generali Arena is now the first sustainable football venue
vacuum casting resin technology developed by ABB for
in Austria, retrofitted in cooperation with the Austrian
enhanced cooling. This minimises the risk of fire and is
Sustainable Building Council, who helped with planning the
ideal for the likes of stadiums, offshore drilling rigs or
design and implementation. This included a photovoltaic
other confined spaces. Extra safety and energy savings have
system the roof of the north stand.
also been achieved with the inclusion of ABB components
Oliver Iltisberger, Managing Director of ABB’s Smart
such as the Emax two circuit breakers and InLine II fuse
Building Business Line said: “Our mission is to write
switch disconnectors. To ensure reliable low-voltage mains
the future of safe, smart and sustainable electrification
distribution, 21 ABB TriLine E series switch cabinets were
and the transformation of Generali Arena is a fantastic
installed. The modularly expandable system ensures low
representation of that vision brought to life. We were
operating costs with high reliability and long maintenance
delighted to work with FK Austria and the Austrian
intervals.
Sustainable Building Council to deliver a stadium which
The ABB i-bus KNX system used for the control of the
embraces the latest in smart building technology to create
intelligent stadium, allows all components of lighting,
WWW.MONDOSTADIA.COM
Real-time networks for video, audio & communication
INFRASTRUCTURE
MEDIORNET
COMMUNICATION
BOLERO
FOR ANY
Radio & intercom
NETWORKS
INTELLIGENT
See us at IBC booth 10.A31
CCTV & accreditation
SECURITY
CCTV
FORMAT
www.riedel.net
SMART STADIUM
shading, heating, air conditioning and ventilation in the
Alexander Munda from the stadium said: “We wanted to
stadium to be networked and work together bidirectionally.
set a new benchmark for stadium modernity and comfort
Combined with integrated load management, this means
with our new Generali Arena. In order to achieve this
maximum energy savings.
ambitious goal, we needed to work with the best companies
ABB 2gang DALI (digital addressable lighting interface)
in all areas. In ABB we found an ideal partner in terms
gateways are also used for lighting control so that the
of building technology and infrastructure. The feedback
complete floodlight system is now integrated into the KNX
from our fans, VIP guests and employees who come into
system and can be controlled from an easy to use app.
contact with ABB’s solutions is extremely positive. ABB has
For an enhanced visitor experience, ABB installed a
installed its new and innovative technologies throughout
comprehensive range of intelligent and energy saving
the stadium, making the Generali Arena what it is today -
building control solutions. Including Busch-Presence
the most modern and beautiful stadium in Austria.
Detectors for light and climate control, which have a broad
ABB’s connected safety and energy efficiency initiatives,
and sensitive detection range, allowing the much-improved
coupled with expanded seating capacity to 17,500 and
VIP areas to be controlled via integrated Busch-SmartTouch
plans to re-design the training ground and build a new
panels.
regional youth centre, means it now meets the standard of
For an extra personal touch, light switches in the VIP area
a UEFA four-star arena, which even permits the staging of
and other strategic points around the stadium have been
Champions League semi-finals.
designed in the club’s famous violet colours and fans can
Costing around €42m to re-build, the north stand holds
even purchase them in the club shop to install at home.
4,100 spectators and includes 28 VIP boxes, two sky boxes
After two years of construction, the 24 time national
and two boxes for dignitaries, plus an underground car park
champions have now delivered a new intelligent and
370 VIPs. The east stand holds 5,050 spectators and houses
sustainable football stadium, which has boosted the club’s
the fan shop, museum and a restaurant, while the west
profile and made competing with local rivals Rapid Vienna
stand seats 5,600 spectators.
much easier.
BRAND: ABB | WEBSITE: new.abb.com 090
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Simplify your signage • Switching and distribution over the network • Use existing infrastructure when upgrading • PoE for centrally managed endpoint powering • Add Atlona’s VelocityTM networkbased control for advanced video wall management
See our Lucas Oil Stadium Case Study to learn more atlona.com/lucas
TOP 10! Stadium's Jewel
Protouch specializes in Turn-Key projects, formation of the concept, developing multimedia products and designing customized integration systems, innovative AV systems, installation and management. https://www.protouch.tech Mobile: +972-54-8351566 marketing@protouch.co.il
Kinetic Sculpture
Waking the walls of Jerusalem
LORD’S CRICKET GROUND London, England
Images: WilkinsonEyre
O
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wner of Lord’s Cricket Ground, Marylebone
second phase includes a two-year redevelopment of the
Cricket Club (the MCC) was founded in 1787,
Compton and Edrich stands, increasing the capacity of the
and has been based at the world-renowned
ground by 2,600.
ground since the early 19th century. With more
The two new three-tiered stands will be positioned either
than 100 years of history under its belt and numerous
side of the J.P. Morgan Media Centre. In addition to the
upgrades and renovations having taken place over time,
new stands that will increase the capacity of the ground to
the most recent such announcement was made by the
31,000 and will include 400 Debenture seats, there will be
MCC back in 2013. The plan set out is to improve facilities
associated dining facilities, 12 food and beverage outlets
through phases, while allowing the ground to continue to
and two hospitality restaurants.
be operational.
“MCC is committed to ensuring Lord’s remains the best
‘The Masterplan’ as the redevelopment is known as, will
place in the world at which to watch and play cricket,
preserve the character of the ground, through an evolving
said MCC Chief Executive & Secretary, Guy Lavender. “It’s
scheme, which will reflect the club’s priorities and needs,
very exciting to see this project underway following an
financial circumstances and the changing landscape of the
incredible summer of cricket at Lord’s. The redevelopment
game. The first phase - the construction of the new Warner
of the Compton and Edrich stands are integral in MCC’s
Stand - was completed in 2017, and the major work for the
plans to continually develop, innovate and future-proof the
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ARCHITECTURE
club, the ground and the game. “The distinctive design, which is heavily focussed on the spectator experience, will preserve the charm and special character of the ground, while ensuring that Lord’s remains the best place to the world to watch cricket.” After receiving permission from Westminster City Council earlier this year, the design and construction can commence. Design for the new stands has been carried out by double Stirling Prize winners WilkinsonEyre - an architect firm with a portfolio of award-winning projects built up since its inception in 1983. The stands will be built by ISG. The global construction services company was responsible for building the London Velodrome ahead of the 2012 Olympic Games, and the new grandstand at Ascot Racecourse. Steven McGee, Managing Director for ISG’s Construction South Division, commented: “MCC is responding to rising demand for seats at one of the most famous cricket grounds in the world. This redevelopment will enable an additional 2,600 spectators to experience the thrilling atmosphere and spectacle of world-class sporting endeavours at the home of cricket. “We’ll be using our experience of delivering iconic sporting venues across the UK and applying this directly to a complex scheme that will have an enduring legacy for cricket fans for many generations to come.” The ground and visitors alike will benefit from a number of advantages with this second phase. The project will vastly
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ARCHITECTURE
improve the sightlines and drastically reduce the amount of restricted view seats; will provide wheelchair positions and amenity seats at all levels of the stands, as well as toilets and changing facilities for spectators with accessibility needs; and will improve the crowd circulation at the back of the stands. The three-tier stands will accommodate around 11,500 members of the public with a connecting walkway between the two stands overlooking the Nursery Ground - this will enable spectators to move between the stands aiding circulation. The project is supported by principal partners, J.P. Morgan. Vis Raghavan, CEO - Europe, Middle East & Africa commented: “Every great institution evolves and it is hugely exciting, as a long-term partner, to see Lord’s undertake the next step in its history with yet more stateof-the-art facilities surrounding the J.P. Morgan Media Centre. Such an iconic ground, producing the kinds of exciting sporting moments we saw this summer, deserves stands like these that will inspire future generations of cricketers.” Construction of the second phase is due to be complete in time for the 2021 season and following that the next stage will commence. ‘The Masterplan’ has another four phases to run, taking the full completion date to 2032.
GROUND OWNER: MCC | ARCITECT: WilkinsonEyre | CONSTRUCTION: ISG | PRINCIPAL PARTNER: J.P. Morgan | WEBSITES: www.lords.org, www.wilkinsoneyre.com, www.isgplc.com, www.jpmorgan.com 094
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SIGNAL IDUNA PARK Dortmund, Germany
Images: Supponor
V
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irtual advertising technology has gathered
developments in virtual advertising technology for many
increased momentum and technological
years. One early influence was LaLiga in Spain, that has
sophistication over the past decade. Forward-
been monetising its global audience since 2013, using
thinking federations, clubs and marketing
Supponor’s Digital Board Replacement (DBR) virtual
agencies collaborate to replace physical content on in-
advertising technology.
stadium LED perimeter boards with targeted messages for
As virtual advertising exists only on TV, it must be
international broadcast TV signals. One such pioneer is
integrated into extremely valuable live broadcast content.
Bundesliga Giants, Borussia Dortmund (BVB). Through a
Therefore, before virtual ads can be sold, the priority has
long-standing partnership with Lagardère Sports, BVB’s
to be the proven quality of the virtual technology. The DFL
international advertising inventory has grown significantly,
worked closely with its production team at Sportcast, who
along with increased local market relevance, and broadened
manage the broadcast signals for every Bundesliga rights
fan engagement within Signal Iduna Park.
holder. Together, they assess any potential technology for
As the premier competition in the German football league
approved use within the league.
DFL, the Bundesliga has a keen international fan base.
The DFL and Sportcast, with the expert guidance of BVB’s
Increased international broadcaster interest has translated
commercial partner, Lagardère Sports, initiated tests
into 70% of its target audience now lying outside of
on both static and animated LED boards in 2016, with
Germany.
Supponor taken forward to use its award-winning DBR
With innovation at its core, the DFL has monitored
solution at live Bundesliga events later that year.
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AUGMENTED REALITY
These ‘virtual showcase’ events, organised by Lagardère
Head of International & New Business, Borussia Dortmund.
Sports and attended by DFL officials and Bundesliga clubs’
“We could see that Supponor’s virtual advertising
personnel including Hamburg and Frankfurt, demonstrated
technology would provide us with an opportunity to target
reliable and authentic virtual ads on LED boards supplied by
our communication towards certain markets for our clients
ADI, one of Supponor’s solution partners.
and partners, without disturbing the stadium atmosphere
“It was at one of these showcase events that BVB saw the
and experience.”
potential of using this new technology at Signal Iduna
Supponor’s industry leading virtual advertising solutions
Park- and was keen to learn more. Together with Lagardère
use advanced technologies to accurately replace physical
Sports, they modelled how the DBR solution could benefit
advertising - and place virtual objects in open spaces to
BVB and Supponor was introduced to deploying at the
maximise advertising opportunities in live sports. This is
ground in early 2018,” said Ross Hair, Managing Director at
achieved using an ensemble of technologies, including near
Supponor.
infrared (IR) light, chroma/luma-keying and powerful GPU
“Borussia Dortmund was founded in 1909 and since then
backed algorithms that perform highly accurate masking
has been deeply rooted in the arena. When we began looking
and tracking in real-time.
at new ways to grow, it was crucial to retain and strengthen
“DBRLive is our light based system which uses infrared
the stadium experience and atmosphere. For example, Signal
emissions embedded into the physical surfaces to be
Iduna Park is known all over the world for its ‘yellow wall’
virtually replaced (e.g LED boards). Although invisible to
and we never want to touch this,” said Benedikt Scholz,
fans and TV viewers, these infrared emissions are captured
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by our optical equipment and fed into our video processing
grounds.
platform to generate ‘masked’ areas of the TV picture, that
Lagardère’s focus on finding and building relevant brand
can then be replaced with alternative advertising graphics.
partnerships for BVB quickly enjoyed a significant boost.
This approach allows us to replace the physical advertising
“Brand and marketing communication will become
regardless of its colour, motion or the objects that appear in
increasingly personalised as the costs for advanced
front of it,” explained Ross.
technology drop,” suggested Lasse Wolter, Senior Director,
“NSA is our state-of-the-art chrominance/luminance based
Marketing Development, Lagardère Sports. “Virtual
system which allows us to place virtual objects (such as
advertising allows brands to display products and services
2D or 3D carpets or logos) onto surfaces of semi-uniform
in highly localised and targeted ways, again leading to more
colour such as grass, clay or indoor flooring, while still
consumer relevance. Consumer relevance should always
allowing for players and other objects to appear on top of
be at the core of a state-of-the-art brand and marketing
and in front of them. In areas without such obstructions,
communication. Virtual Advertising allows brands to
we can place virtual objects directly on top of most physical
achieve this.”
areas of a TV signal.”
An example of successful targeting is Evonik Industries, a
The extensive test phase provided the confidence in the
global chemicals company. A long-time main sponsor of
technology that the DFL, Sportscast and Bundesliga clubs
BVB, the company knew the club had a significant following
were looking for. In March 2018, Supponor became the
in Asia. When Evonik needed to attract new scientific talent
first technology company to pass the DFL’s rigorous
in the region, it used BVB digital advertising to target a
quality check, allowing its DBR solution to be used for live
recruitment message to the Chinese audience.
international broadcasts of Bundesliga and Bundesliga 2
BVB were also able to reach brand new partners who
matches.
might not have previously seen the marketing benefits of
With this permission, BVB was the very first club in the
working with the club. “The communication package we
Bundesliga to adopt the solution. From August 2018, it has
can now offer has opened up new opportunities for us,”
been used for all BVB home matches as well as selected
said Benedikt. “There are some German brands in China,
away matches, thanks to the 240-metres of mobile LED
for example, that wanted to strengthen their position
boards that can be transported and installed at other club
within that market. They came on board because of the
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AUGMENTED REALITY
virtual advertising opportunity to be seen on TV, inside the
explanation in certain markets, we have received very
stadium, and close to the game itself.”
positive feedback and it has achieved specific outcomes.”
BVB is also mindful of its fans overseas and uses the
BVB is just beginning to exploit the potential of the
Supponor technology to communicate in a targeted way
system and has plans to do more. “In the future, we can
to fan clubs around the world, with specific messages in
individualise and target more and more - right now we’re
different languages.
at four international feeds, and this is something we would
While all this is happening for the global TV audience, those
like to expand,” Benedikt said.
local fans who have actually spent the time and effort to
By embracing this new DFL-approved technology, BVB is
attend a match can be rewarded with more dynamic and
able to communicate effectively with its fan base around
varied content on the displays in the stadium, such as live
the world, retain the unique atmosphere of its stadium, and
social media feeds, statistics from the game or the league,
increase revenue streams at the same time.
or specific local information.
“What’s clear is that Supponor technology and its crew
As an early adopter of this new technology in the
are extremely well regarded and respected by all involved
Bundesliga, BVB has already seen how Supponor’s
in the delivery of virtual advertising. The technology is
technology is enabling the club to provide better services
clearly delivering in terms of performance expectations
to its partners and clients, and better communication to its
and the teams involved in deployment and operations
global and local fans.
have proven themselves as a trusted partner of the live
“Previously, we were unable to provide our regional
production teams. As well as delivering reliable and high
partners with promotion and communication within the
quality virtual advertising technology, the Supponor crew
stadium right to the pitch. We can now commercialise our
are always engaging, flexible and highly skilled in working
offering in a far more relevant and targeted way, and build
collaboratively alongside the Sportcast, Lagardère and
long lasting partnerships in key international markets,”
BVB teams. These services continue to generate new and
added Benedikt. “While it’s a product that needs some
valuable returns for the club,” concluded Ross.
SYSTEM INTEGRATOR: Sportcast | BRANDS: Supponor, ADI | WEBSITES: www.sportcast.com, www.supponor.com, www.adi.tv, www.lagardere-se.com 099
FERCO SEATING SYSTEMS | SAFE STANDING Glasgow, Scotland | Shrewsbury, England
Images: Ferco Seating Systems
F
100
or the first time ever, football clubs with all-
It is designed with a modern aesthetic and conforms to
seater stadia have received correspondence
Green Guide specifications for seats incorporating barriers.
from the SGSA to suggest they consider
It features a self-tipping, moulding seat with a unique
installing rail seats in their grounds.
100mm closed depth, making it the slimmest seat on the
Persistent standing in all-seater stadia is an issue familiar
market.
to all safety officers and operations directors. Now, the
It leaves clearway space of at least 0.21 sq metres, the
SGSA has advised them in a note accompanying their new
Green Guide requirement for standing spectators, even
stadium licence that in such areas they ought to consider
on row depths of no more than 60mm. The seat has the
using rail seats to enhance spectator safety.
strongest seat-base of any on the market and the highest
With the requirements of Premier League and EFL clubs
level of protection against vandalism.
specifically in mind, UK-based seating specialists, Ferco
The robust and durable construction from quality materials
has further developed its range of products to include the
means low levels of maintenance and replacement and
RailSeat 100.
reduced whole life costs to the club. The high strength
The RailSeat 100 enables stadium operators to address the
continuous metal rail acts as a protective barrier, which
existing issue of persistent standing, while simultaneously
makes surging or crushing physically impossible.
preparing for formally permitted standing in the future.
The RailSeat 100 has a number of added safety features
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SEATING
built into its design, including the absence of leg or finger
completed by Ferco in time for the 2018 season.
traps through having a fully enclosed hinge at the very back
Now, the 2019/2020 season is the start of a new era in the
of the seat.
Premiere League. It’s the first season to kick off with areas
Strength is key in areas occupied by boisterous fans. Seats
of rail seating in place in the top flight.
made of single sheets of flimsy plastic easily break, and are
When Tottenham Hotspur and, more recently,
especially susceptible to damage on areas where fans stand.
Wolverhampton Wanderers installed seats incorporating
The RailSeat 100, with its metal back and double-skinned,
barriers in their stadia they were following guidance
blow moulded seat base is much more robust and resistant
contained in the new Green Guide published last November
to rough treatment.
and now repeated in the SGSA’s note to all clubs with all
Space is a key requirement, as standing fans need more
seater stadia. In essence the Guide states that if clubs have
of it. If seats incorporating barriers eat too much into the
areas in their ground where fans habitually stand, they
space along the row, there is a risk of fans spilling out into
must either make those fans sit down or look at installing
the aisles and the imposition of a capacity reduction. Where
rail seats in order to ‘mitigate the risks arising from
legislation permits, the 100mm closed depth facilitates an
persistent standing’.
increase in standing capacity on any row 800mm deep or
Ferco continues to work with clubs at all levels, to create
more, as already provided for by the Green Guide.
areas of seats incorporating barriers and to design seating
Ferco worked with Scottish football club, Celtic, in 2016
solutions, which enhance safety and maximise return of
to successfully introduce an almost 3,000-capacity safe
investment.
standing section and, a year later, Shrewsbury Town
The company is also responsible for providing seats for
Football Club and their Supporters Parliament crowdfunded
projects as diverse as the London 2012 Aquatic Centre, all
the first rail seat installation in England - a combination
seating at Arsenal’s Emirates Stadium and VIP seats at
of the all-metal RailSeat and the RailSeat ARC, which was
Headingley Cricket Ground.
BRAND: Ferco | WEBSITE: www.fercoseating.com 101
WE THINK YOUâ&#x20AC;&#x2122;RE THE PERFECT MATCH UK SPORTS & VENUES SUMMIT will take place at the London Stadium on the 21st November 2019 & weâ&#x20AC;&#x2122;d love you to join us!
With an exciting line-up of events and competitions coming to the UK in the forthcoming years, this Summit takes an in-depth look at the challenges and complexities of running stadia and venues. An excellent opportunity to get off the bench and get involved with key stakeholders and suppliers, share ideas and best practice, and understand upcoming procurement opportunities.
Find out more about the programme & speakers now! +44(0)20 77092350 summit@majoreventsint.com
08 EXTRA TIME
PRODUCT FOCUS
EVENT DIARY
104 Meyer Sound
113 Conferences & Exhibitions
105 TSL 106 Marshall Electronics
EXPO
FINAL WHISTLE
108 World Football Summit & Industry Awards
114 Bas Schatner, Freelance Marketing Intelligence Consultant & Digital Analyst, TMG
112 Host City 2019
Meyer Sound | ULTRA-X40 eyer Sound has recently began shipping the most innovative redesign of its point source loudspeakers since the introduction of selfpowered systems more than two decades ago. Designated ULTRA-X40, the new loudspeaker series features a concentric driver configuration, new amplifier and processor technologies drawn from the LEO Family of line array loudspeakers, a rotatable horn, an extraordinary power-to-size/ weight ratio, and a wide selection of versatile rigging options. These features contribute to making the ULTRA-X40 ideal for distributed sports applications. The need for distributed sound systems in stadiums continues to be the best solution for syncing sound and video as advertisements and talking heads are shown on the ever-growing video displays being installed into large-scale sporting venues. This was something that was taken into consideration from the outset of the design process of ULTRA-X40. The mechanical design, breadth of accessories and the ability to field-rotate the horn allow for the product to be installed vertically or horizontally into a distributed system, providing high intelligibly for spoken word and commentary, while also packing the power necessary for music. Full weather protection and custom colour finishes make ULTRA-X40 a fit for stadiums as well. Drawing from the proven design approach of the LEO Family loudspeakers, the ULTRA-X40 employs a concentric driver configuration with dual eight-inch neodymium magnet cone drivers coupled to a low-mid waveguide surrounding the single three-inch diaphragm high frequency compression driver. The 110° x 50° Constant-Q high frequency horn is easily field rotatable and working in concert with the concentric design it ensures that the full bandwidth coverage pattern will be uniform with either horizontal or vertical orientation. The ULTRA-X40 also incorporates a newly designed and
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highly efficient three-channel class D amplifier that produces a total peak output power of 1950W with very low power consumption thanks to its highly efficient design. The new amplifier design also contributes to a total system weight of 55 pounds (25 kg), a reduction of more than 20 pounds relative to the UPA-1P. Preliminary performance specifications include an operating frequency range of 60Hz to 18kHz, with linear peak SPL of 130.5dB measured with M-Noise, free-field at four-metres and referred to one-metre. Highly refined signal processing with advanced phase alignment methods results in phase response of ± 45° from 100Hz to 16kHz. Another variant in the ULTRA-X40 family, the ULTRA-X42, offers the same performance but with the coverage pattern defined by a narrower 60° x 50° Constant-Q high frequency horn. The rear-panel features a female XLR three-pin input connector with a male loop output. The optional RMS remote system monitoring module provides comprehensive monitoring of loudspeaker parameters from a host computer running Compass software. In addition, the optional XLR five-pin connectors version of the input board accommodates both balanced audio and RMS signals. AC line power is furnished via loop-through powerCON 20 connectors. Housed in a premium multi-ply birch enclosure with textured finish, ULTRA-X40 loudspeakers measure 12.51-inches (318mm) wide, 22.31-inches (567mm) high and 14-inches (356mm) deep. An integral handle for portable applications is standard, but it may be quickly removed for permanent installation. Flexible mounting and rigging is facilitated by 11 integral M8 points as well as an integral 35mm pole mount receptacle with an M20 threaded insert socket for added stability.
www.meyersound.com
EXTRA TIME
TSL | SAM-Q-SDI he SAM-Q-SDI is the first audio monitor to realise the benefits of TSLâ&#x20AC;&#x2122;s new SAM-Q audio platform, designed to provide a new approach to audio monitoring. SAM-Q users, regardless of their audio knowledge, can finally choose how they wish to control and visualise their audio content based on application, environment or personal preference. Key features that differentiate the SAM-Q platform from traditional audio monitoring solutions on the market include, customisable system behaviour and expandable capabilities with optional software licenses. The SAM-Q-SDI demonstrates exactly how customers can maximise operational efficiency and reduce operational error by simply choosing their preferred method of interaction. SAM-QSDI customers can add MADI functionality at any time, enabling SDI, AES, analogue and MADI sources to be monitored and mixed simultaneously. SAM-Qâ&#x20AC;&#x2122;s agile approach to audio monitoring, has been designed to address customers changing technical requirements, and help future-proof their investment. Also new to the SAM-Q line is the addition of new modes of operation that go beyond those operator-focused modes with which the platform initially launched. The SAM-Q is the first
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audio monitoring platform of its kind with the ability to expand its functionality based on the requirements and preferences of the user. Especially beneficial for sound engineers who need to accurately measure and guarantee audio delivery. These new modes will include audio phase measurement, audio peak value and peak latch monitoring, as well as the ability to perform loudness measurement on multiple program sources. Audio phase and peak value modes will be available as free of charge software upgrades, with customers able to purchase the loudness probe modes as a license option. The SAM-Q platform is the only audio monitor that can be configured specifically to address the needs of different applications, skillsets and workflows. Using a PIN code, engineers and supervisors can restrict specific audio sources, operational modes and front panel control functions to help speed up operation, reduce user error, and to meet the personal preference of operational staff. The SAM-Q, provides customers with both a flexible and powerful audio monitoring platform whose feature set can grow and adapt over time.
www.tslproducts.com 105
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Marshall Electronics | CV506 he Marshall CV506 full-HD miniature camera offers performance and flexibility, with simultaneous 3GSDI and HDMI options, and value in a tiny form factor. It is designed to capture detailed shots, while maintaining an ultra-discreet miniature point-ofview perspective. The CV506 offers a powerful professional video solution for users working across multiple broadcast applications. As a frontrunner of Marshall’s new line of point-ofview cameras and an upgrade to the popular Marshall CV505, the CV506 incorporates new technology including a sensor that is 30% larger for better picture, colour depth and low light performance, along with an improved housing design. Users will notice a true step-up in colour and clarity, as well as improved signal strength and ultra-low noise output. The CV506 delivers ultra-crisp, clear progressive HD video up to 1920 x 1080p at 60/59/50 fps and interlaced 1920 x 1080i at 60/59.94/50 fps. With interchangeable lenses and remote adjustability for matching with other cameras, the CV506 can capture detailed shots, while maintaining an ultra-discreet point-of-view perspective without sacrificing versatility or convenience. The CV506 offers all frame rates in one model. In addition, newly added stereo audio inputs and 23.98 fps for TV and cinema production is now standard on all models. The design of the CV506 demonstrates Marshall’s commitment to providing high-quality solutions for users calling for discreet yet powerful image capture capabilities. Measuring in at just a few inches, the CV506 allows for camera placements that many traditional broadcast cameras simply cannot offer. It features a new body
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style with locking I/O connections, and the addition of white clip and pedestal control, with remote image adjustment capability. It is also field-upgradeable, as new firmware is released, for added value. Performance-wise, the CV506 continues Marshall’s trend of providing impressive image quality. Featuring a next generation 2.5 megapixel sensor, the CV506 delivers ultra-crisp, clear progressive full-HD video. The CV506’s threaded M12 lens mount offers a wide range of prime and varifocal lens options, allowing users a versatile set of shot angles. The CV506 also comes with an impressive array of picture adjustment settings including white balance, gain control, white clip, exposure, gamma and more, all of which can be adjusted through an OSD menu joystick. Sporting full-sized BNC and HDMI outputs and a locking I/O power connection, its Hirose breakout cable triples as a power, control and stereo audio input port. The camera’s rear panel offers easy and reliable connections, while maintaining a concise housing unit. The CV506 features industry-leading low power consumption and ultra-low light technology to offer the lowest noise ratio on the market today, allowing users to capture sharp, vivid colour images in all sorts of light conditions. It also offers focal length and field-of-view flexibility with interchangeable lenses, remote control over RS485, and the convenience of full-size 3G/HD-SDI and HDMI outputs to maintain broadcast-level standards for point-of-view camera applications.
www.marshall-usa.com
Europe’s Leading Premium Seat Conference & Exhibition:
ALSD INTERNATIONAL October 28-29, 2019 Croke Park Stadium • Dublin, Ireland
ALSD INTERNATIONAL - Europe’s one and only event dedicated to the Premium Seat & Hospitality sector - is coming to Croke Park Stadium, Europe’s third largest stadium, in Dublin, Ireland, this October 28-29. This industry-leading event will see experts from across Europe and North America sharing insights on how to increase revenues through new builds, renovations and service expansions, as well as via the latest F&B and technology offerings. Benefit from two-days of unrivalled networking, knowledge-sharing and business opportunities for just €800 / £700 / $900. Contact Katie McIntyre at: katie@alsd.com to discuss delegation rates, plus exhibitor, speaker and sponsor opportunities.
Michele Kajiwara SVP, Premium Sales and Service STAPLES Center/ AEG
Steve Sayer Vice President & General Manager The O2 London/AEG Europe
Nathan Kosky Vice President, UK AEG Global Partnerships
Jonas Dijan Venue Manager Stade de France
Marie Smyth, Suite & Hospitality Manager Croke Park
Ros Robinson Head of Club Wembley Development The FA
Presented by:
I N T E R N AT I O N A L Leading the Premium Seat Industry Since 1990
For more information and to register, go to ALSDInternational.com
Brian Mahony Head of Commercial & Marketing Connacht Rugby
Andy Price Head of Commercial - Arenas NEC Group
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WORLD FOOTBALL SUMMIT & INDUSTRY AWARDS T
he fourth edition of World Football Summit (WFS) once again turned Madrid, Spain into the capital city of the football industry and confirmed WFS as an international reference for the global football
business. Held from the 24th to 25th September 2019, the event brought together over 150 speakers and 2,000 attendees from more than 100 different countries, making it the biggest to date. More than 200 journalists from all over the world covered over 45 panels, key notes and conferences, as well as five specialist workshops. The industry’s hottest topics, such as the plans to transform European competitions, the new media and broadcasting
landscape created by the emerging new technologies, the challenge of digital transformation and internationalisation, the growth of football in North America, the blooming of the women’s game and the latest strategies to increase fan engagement through digital tools we’re all discussed by some of the industry’s leading decision makers. Teatro Goya’s Main Stage was packed to hear from leaders such as Peter Moore, CEO of Liverpool; Miguel Ángel Gil Marín, CEO of Atlético de Madrid; Ronaldo Nazario, President of Real Valladolid; Javier Tebas, President of LaLiga and Charlie Marshall, Managing Director for ECA, some of the staring names in the lineup. Many other panels sparked interest among the attendees 109
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resulting in very interesting debates over the two days. Both speakers and attendees agreed that the game and the industry are experiencing a crucial moment in time for the industry - one that is both very challenging in many aspects, but, at the same time, full of opportunities that can positively change the game and surrounding industry. As well as the WFS Summit, the third WFS Industry Awards were held on the first evening. The Industry Awards rewarded the work done by professionals in the football industry who, beyond the 90 minutes of the game, have contributed significantly to make the sport a real economic engine. The event is to recognise the achievements of the worldâ&#x20AC;&#x2122;s leading venues, managers, agencies, sponsors, press, associations and NGOs. Overall, there were an incredible 100 candidacies from 35 different countries.
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As part of the Industry Awards, MONDO | STADIA was delighted to present the Best Venue Award to the impressive Mercedes-Benz Stadium. MONDO | STADIA was part of the judging panel, too tasked with the tough decision based on strong candidacies from Leviâ&#x20AC;&#x2122;s Stadium and the National Soccer Hall of Fame, as well as the eventual winning venue. From the awards through to the conferences, WFS 2019 was a huge success, offering a platform for the industry to meet, discuss and learn. And there will be more opportunities, too, with the first WFS Africa to be held in Durban from 11th to the 12th February 2020 and the second edition of WFS Asia in Kuala Lumpur from 1st to the 2nd July 2020.
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HOST CITY 2019 L
eading venue operators, regulators and experts share some thoughts ahead of their participation in Host City 2019, under the conference theme: Innovate; Reformulate; Co-Create.
John Langford, COO, AEG Europe “I’m delighted to be joining the Host City conference in Glasgow this year. This is a great opportunity to share my thoughts on the industry and meet fellow representatives of sports, business and cultural events from across the globe. I look forward to discussing the challenges of hosting major event at our venues as well as discovering new opportunities and learning from industry leaders. “There are a number of important considerations venue planners should bear in mind to maximise commercial opportunities around entertainment facilities. “Firstly: know your market. Understanding consumer needs allows venues to match their capabilities with the expectations of customers. Providing a product and service that customers want is the foundation upon which volume and margins can be maximised. “Secondly: flexibility. Entertainment venues cater for multiple different audiences. Every night, our arenas see a different crowd from the night before. Facilities need to be able to flex from champagne at Andrea Bocelli to burgers and beer at ZZ Top - and everything else you can imagine in between. “Thirdly: adaptability. Customer expectations change over time, particularly as new generations spend more in the entertainment sector. Flexibility in spaces, premium experiences, food and beverage options, access and add-ons all mean that venues need to adapt quickly to market changes.” David Tunnicliffe, Commercial Director, GL events UK “Host City will bring together excellent people for open, frank discussions that will allow us to share experience and best practice. The event combines a formal daytime structure with a more relaxed evening format, meaning there will be plenty of opportunity to network with new and existing contacts. “Are venue owners fully informed of the opportunities available to them in terms of temporary infrastructure? Yes and no this really depends on the venue, as well as the culture and approach of its team. General awareness can be an issue; while some venues can be so focussed on their permanent USPs, or under so much pressure to deliver prices-per-head, that they
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overlook the many exciting creative possibilities presented to them by temporary infrastructure. “Other venues - Hampton Court Palace is an excellent example, frequently innovate; enhancing and adapting their offering with temporary infrastructure and overlay. “At GL events we’re no stranger to all kinds of requests and the possibilities for venues are endless. We’ve created entire temporary venues to support refurbishment works, as well as creating everything from additional kitchens to ballrooms, reception spaces and exhibitions on behalf of all kinds of venue. Temporary swimming pools, ice-rinks, cinemas… working with venues is a great opportunity for event infrastructure suppliers to showcase their creativity.” Ken Scott, Head of Inspectorate, Sports Ground Safety Authority “A pressing concern for organisers is what we call ‘Zone Ex’ the area outside the stadium that spectators must pass through when arriving or leaving an event. Stadium and event operators can no longer think about the stadium in isolation. When considering safety, the sum of all parts is critical to creating as safe an environment as possible for everyone at the ground. “We’re looking forward to attending Host City 2019 to discuss this and other safety issues with colleagues from across Europe.” Cyril De Greve Managing Director, European Stadium & Safety Management Association (ESSMA) “We’re expecting more and more from stadium management today. Besides a range of new threats (terror, drones, cyberattacks), it is not only delivering a safe and secure event; people are looking for unforgettable experiences. Training staff to deliver these experiences is definitely a challenge, as well as the demand for a more multifunctional use of the venues. “Our aim at Host City 2019 is to share knowledge, expertise and exchange best practice with all delegates linked to the stadium industry.”
Host City 2019 takes place in Glasgow on 26-27 November, organised with support from EventScotland. For more information visit www.hostcity.com
EVENT DIARY 2019/20
ALSD International 28th - 29th October, Dublin, Ireland www.alsdinternational.com
ESSMA Summit 21st - 22nd January, Budapest, Hungary www.essmasummit.eu
The Stadium Business Summit 21st - 22nd April, Manchester, England www.stadiumbusinesssummit.com
Coliseum Summit MENA 30th - 31st October, Abu Dhabi, UAE www.coliseum-online.com
WFS Africa 11th - 12th February, Durban, South Africa africa.worldfootballsummit.com
Coliseum APAC May 2020, Beijing, China www.coliseum-online.com
FSB 5th - 8th November, Cologne, Germany www.fsb-cologne.com
Integrated Systems Europe 11th - 14th February, Amsterdam, Netherlands www.iseurope.org
Football Innovation Forum 29th May, Istanbul, Turkey fif.worldfootballsummit.com
UK Sports & Venues Summit 21st November, London, England www.majoreventsinternational.com
MONDO | STADIA presents AGORA 13th February, Amsterdam, Netherlands www.mondostadia-agora.com
International Sports Convention 17th - 18th June, London, England www.internationalsportsconvention.com
The Stadium Business Design & Development Summit 25th - 27th November, London, England www.stadiumdesignsummit.com
Coliseum Summit Europe 25th - 26th March, London, England www.coliseum-online.com
WFS Asia 1st - 2nd July, Kuala Lumpur, Malaysia asia.worldfootballsummit.com
FutureSPORT 26th November, London, England www.svgeurope.org Host City 26th - 27th November, Glasgow, Scotland www.hostcity.com
Prolight+Sound 31st March - 3rd April, Frankfurt, Germany www.pls.messefrankfurt.com NAB Show 18th - 22nd April, Las Vegas, USA www.nabshow.com
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Who? Bas Schnater. Job title? Freelance Marketing Intelligence Consultant & Digital Analyst, TMG. Favourite stadium or sporting venue? Johan Cruijff ArenA. Why? I like the innovative mindset the arena has and its drive for sustainability. Theyâ&#x20AC;&#x2122;ve been one of the first stadiums in The Netherlands to adopt Wi-Fi, light shows and hologram imagery. The stadium actively seeks collaboration with companies and services in the surrounding area. Life motto? Shoot for the stars and land on the moon.
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