Avignon Round 525
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CONTENTS ISSUE 100 HOTEL REVIEWS
110
052
The Dubai Edition
052
One & Only Portonovi
058
The Carlyle
064
Canopy by Hilton
073
Hotel Bohinj
080
Hotel Indigo
087
Dubai
Montenegro
New York
London City 080
Slovenia
Dubai Downtown
Leven 092 © Ziga Intihar
© Natelee Cocks
058
Manchester
H15 Palace
098
Rosewood Villa Magna
105
Middle Eight The Guardsman
110
Krakow
Madrid
London
Yours 115 Valencia
003
CONTENTS ISSUE 100 FEATURES
092
Meeting... Tristan du Plessis
034
Meeting... Ksenia Starikova
042
Build Back Better
120
Having picked up a number of projects in his first few years of business, South Africa’s rising star continues to flourish, prioritising collaboration and the promotion of his fellow countrymen in every design.
In the changing face of travel, the Vice President of Brand Experience at Design Hotels talks purposeful projects, positive impact and putting sustainability centre stage.
© Mariell Lind Hansen
034
115
As the hotel sector strives towards more efficient and eco-friendly development solutions, modular construction could be on the rise.
AHEAD 135
From a luxury cabin in the Tuscan hills to a Swedish lighthouse-turned-boutique-hotel on a remote rocky islet, originality reigned supreme at AHEAD Europe’s 2021 awards.
Spotlight... Gessi
144
Combining technology, craftsmanship and art, Gessi’s Venti20 collection honours the classic Art Deco forms of the 1920s.
© Alfonso Calza
073
147
REGULARS Check-In 020 Drawing Board
022
The Lobby
045
Business Centre
126
Floorcoverings 147 Specifier 153 Check-Out
004
162
New Résonance collection Fabric : Sculpture
FR Fabrics and custom-made contract fabrics - Made in France London Showroom - Chelsea Harbour Design Center - London SW10 OXE | + 44 20 7352 4798
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RH.COM/CONTRACT Park Hyatt Niseko Hanazono, Hokkaido, Japan Winner of 2 2021 AHEAD Asia Awards: Lobby & Public Spaces, Spa & Wellness
THE REVIVAL OF THE ROARING YEARS
CASA GESSI LONDON Old Sessions House 4 Farringdon Ln EC1R 0DU London – UK
Download Gessi APP
gessi.com
SOMETHING EXCITING IS COMING INSPIRED BY OUR RETAIL PRODUCTS, THE NEW DUX HOSPITALITY COLLECTION WILL BE LAUNCHED IN 2022 AND WILL DELIVER A NEW LEVEL OF COMFORT FOR HOTEL GUESTS.
FROM THE GLOBAL LEADER IN SLEEP EXPERIENCE
FOLLOW @DUX_OFFICIAL DUXIANA.COM
INTERCONTINENTAL LYON – HOTEL DIEU. FRANCE Studio Jean Philippe Nuel.
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WELCOME
ON THE COVER The Dubai Edition © Natelee Cocks
100 Issues of Hospitality Experience & Design
I
t was Autumn 2004 when Issue 1 of Sleeper dropped through
of hotels, with memorable guest experiences now at the heart
letterboxes with a thud. Having started life some five years
of every project.
earlier as a slender trade journal reporting on the hotel
Sleeper too has evolved and expanded since those early
sector, the new, weightier edition came as a fully fledged
days, spawning sister publications and innovative events,
magazine, with its glossy pages showcasing a new breed of
as well as extending its reach through the global roll-out of
design-led hotels.
AHEAD. 99 issues later and the brand remains at the forefront
At the time, hotels were differentiating themselves through
of the hospitality design sector, previewing forthcoming
design while travellers were taking more of an interest in
developments, reviewing the most interesting openings
where they lay their weary heads. In the welcome letter, the
around the world, and profiling the creators and collaborators
incoming Editor (now our Editor-in-Chief) ushered in a new
responsible for bringing these projects to life.
era of Sleeper, with the magazine broadening its remit to
On this issue’s cover, The Dubai Edition is the newest
include the input of owners, developers and architects – all
opening from the lifestyle hotel brand envisioned by Ian
equally vital to the creation of new hotels – in addition to
Schrager. The legendary hotelier is no stranger to Sleeper, with
operators, interior designers and suppliers, an approach that
everything from Morgans to Mondrian gracing these pages. It
continues to this day. Inside, we covered IHG’s launch of the
was in our 50th issue that we announced him as recipient of
Hotel Indigo brand, as well as the very first 25hours Hotel.
the Outstanding Contribution accolade as part of the European
We previewed a revolutionary new concept known as Yotel
Hotel Design Awards (prior to the AHEAD rebrand) and it was,
and featured openings from Grace Leo, Olga Polizzi and David
in part, his creation of the boutique hotel category that sparked
Collins Studio. And as further proof that some things don’t
the very need for such a publication in the first place, so it
change, we announced the inaugural Sleepover event and
seems fitting that his new offer takes pride of place.
highlighted the forthcoming European Hotel Design Awards, the predecessor to AHEAD. Yet so much has changed. In the years since that debut issue, the sector has experienced its share of highs and lows, from
Despite the challenges of the past two years, Sleeper has continued to publish, supporting the sector we’ve long been here to serve. In the current climate, that feels like reason to celebrate. We hope you enjoy this 100th issue of Sleeper.
peak performance and record investment to global recessions, travel bans and public health crises. Operators have come and gone, countless new brands have emerged to cater to the next generation of guest and a shift in the way we work, rest and play has had a lasting impact on the design and development
Catherine Martin • Managing Editor
015
Showrooms
London
Paris
Culemborg
Los Angeles
arte-international.com
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GUEST BOOK
064
115
092
© Alfonso Calza
073
Split between New York and London, Timothy Griffin’s career includes a stint managing The Hoxton’s US portfolio and redefining its branding, to a leadership role at Manhattan’s iconic Waldorf Astoria. Now, the entrepreneur has co-founded a new lifestyle hotel concept that takes its name from the Dutch phrase ‘to live’. In line with its ethos, the brand’s debut – a 42room boutique in Manchester – builds on the former life of a 20th-century building first used as a cotton warehouse.
115 Daphne Kniest and Kouter Kock Having run a small B&B in Valencia for almost five years, Dutch couple Daphne Kniest and Wouter Kock embarked on a hunt for a building that would match their expansion plans. Five years into their search, the pair took a leap of faith on a long-abandoned laundrette in the city’s Russafa district, transforming the site into a 12-room retreat with the help of local architecture studio Eseiesa. For most it would have been a no-go, but for the fearless first-time hoteliers, it became the perfect spot for their new venture.
© 44
© Mike Prior
092 Timothy Griffin
073 Friedrich Ludewig
064 William Paley
As founder of Acme, Friedrich Ludewig is well-known for his contemporary architecture, so when 4C Hotel Group and Hilton Worldwide asked him to design Canopy’s London debut within a nondescript ‘80s office block, his response was to clad the entire structure – along with an adjacent newbuild portion – in handsome bronze fins that rise rhythmically to create a three-dimensional façade. The result is a glistening beacon for East London, with interiors taking inspiration from the surrounding neighbourhood.
“The whole philosophy was invisible design; design that can’t be seen,” says William Paley, Creative Director at tonychi studio on his light-touch transformation of The Carlyle – an iconic New York institution that has welcomed celebrities, politicians and royalty since opening in 1930. Having visited the hotel as a boy to watch live performances and celebrate his grandfather’s birthday, Paley was well aware that any change would be carefully scrutinised by the ghost of the hotel, “a ghost resistant to change” in his words.
017
FRONT DESK @SleeperMagazine
EDITORIAL
DESIGN
FINANCE
Editor-in-Chief Matt Turner
Design Manager David Bell
Finance Director Amanda Giles
Production Dan Seaton
Group Financial Controller Sarah Healey
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Assistant Editor Ben Thomas
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Editorial Assistant Eleanor Howard
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Content & Research Olivia Mavers o.mavers@mondiale.co.uk
Editor-at-Large Guy Dittrich
PORTFOLIO
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CHECK-IN
Yannis Bellonias Having made waves in his native Santorini with a trio of boutique hotels, the founder of Vora Villas sails to a private paradise in the Ionian Sea for a fanstasy break, where the setting, soundtrack and seafood take centre stage.
Where are you?
Describe the hotel, your room and the view...
sea salt. The only thing I care about is the food
Skorpios, a private island in the Ionian Sea that
Our room looks out onto a perfect sandy beach
and the skill of the master who cooks it.
was previously owned by Aristotle Onassis and
with the endless blue of the sea beyond, while
was his own oasis.
the design is contemporary and minimalist in
Would you like something to drink with that?
style with thoughtful details of local architecture
A glass of Assyrtiko - the finest white wine to
How did you get there?
reflected throughout. The hotel is elegant,
complement fish.
On board a private yacht.
extremely well maintained – as if it’s the first day it opened – and totally private.
Who is there to greet you on arrival?
What’s in the mini-bar for a midnight snack? Handmade chocolates.
The dedicated staff that take care of the
Who designed it?
island. They live here all year round and know
Konstantinos Dekavallas – one of Greece’s
What’s on your nightstand at bedtime?
everything there is to know about the place.
greatest architects.
My phone or tablet to play music.
And who’s at the concierge desk?
What’s the restaurant and bar like?
What’s your essential travel companion?
Thomas, the wonderful concierge who looks
It has a relaxed beach vibe with an understated
Music and my son, Vangelis.
after guests at Bellonias Villas, my beachside
design of muted colours, low lighting and
property in Santorini.
handcrafted wooden furniture enhanced by
Would you like a newspaper or magazine in
views of the sand and sea. There’s a great
the morning?
playlist in the background, of course.
A newspaper with a good sports section and
Who are you sharing your room with?
plenty of my favourite design magazines.
My family, no question. Who are you dining with this evening? Is there anything you would like waiting for
American film director Woody Allen, Israeli
What toiletries would you like to freshen-up?
you in your room?
musician Avishai Cohen, singer-songwriter Bob
Aesop.
A bottle of Merlot – preferably Kokkinomylos by
Dylan and Barack Obama. Onassis is here too. Early morning alarm call or late check-out?
Tselepos – as well as local delicacies to snack on. I’d also like a good sound system for my
Who’s manning the stoves?
playlists, and information detailing the history
Lefteris Lazarou, the Greek master of fish! He
of the island. Oh and a good coffee machine too!
cooks whatever the ocean has to offer using
Bath or power-shower?
fresh ingredients and traditional techniques.
Power-shower with a sea view.
And what’s on the menu?
Full English, continental or something
I choose only a Negroni infused with cherry
different?
tomato and thyme. I will let Lazarou take care
A Greek breakfast! Simply the best.
NOTABLE HOTEL PROJECTS Vora Villas, Bellonias Villas, Hotel 28 – Santorini, Greece www.voravillas.com
Late check-out.
of the rest, he always finds the best way to serve his catch. After all, it’s not a fancy restaurant; it
Swimming pool, spa or gym?
is on the beach so I’m barefoot and covered in
If I’m in my dream hotel, the gym can wait!
021
DRAWING BOARD
DRAWING BOARD
Gran Melia LOMBOK
Meliá Hotels International has revealed plans to expand its footprint in Indonesia, with Gran Meliá Lombok set to open in 2024. Located at Torok Bay in the south of the island, the resort comprises 22 villas on the beachfront and a further 105 accommodation units nestled in the mountainside, all with private infinity pools and ocean views. Utilising natural materials such as locally-sourced bamboo, the structures will recognise indigenous architecture and blend seamlessly with the environment, allowing guests to fully immerse themselves in their surroundings. The entire resort has been conceived as a sanctuary for wellbeing and incorporates a fitness centre and YHI Spa offering relaxing rituals and treatments. In keeping with the Gran Meliá brand, it will also feature world-class dining options, where local ingredients and techniques combine for an authentic Indonesian experience. Marking Meliá’s 12th property in Indonesia, Gran Meliá Lombok is owned by Invest Islands, a real estate company committed to exploring ecological solutions, whether through the use of native materials and local craftsmen or its organic farm and plastic recycling centre. “Gran Meliá Lombok is a huge milestone for Invest Islands,” comments co-founder Jack Brown. “We are extremely proud to be working with a world leader in hotel operations and one of the key parallels we have with the Meliá brand is a focus on low-carbon developments. Gran Melia Lombok has a very low density of building and a lot of natural green space. Hopefully this is the start of a great relationship that can continue for many years to come and we look forward to bringing Spanish luxury to Lombok, while respecting the natural environment.”
DRAWING BOARD
DRAWING BOARD
Six Senses
The first interior renderings of The Whiteley,
The Six Senses Spa is set to play an integral part
a landmark development that houses the UK
in the hotel’s offering and will feature a fitness
LONDON
debut from Six Senses, have been revealed.
studio, 20m swimming pool, an Alchemy Bar
EXPRESS CHECK-OUT Investor: MARK, CC Land Development Manager: Finchatton Operator: Six Senses Hotels Resorts Spas Architecture: Foster + Partners Executive Architect: EPR Architects Interior Design: AvroKO www.sixsenses.com
Formerly home to a luxury department store,
and a relaxation area beneath vaulted ceilings.
the site in Bayswater is being redeveloped by
Reminiscent of an old Underground station,
real estate firm Finchatton in collaboration
the facility will mirror the different energies of
with Foster + Partners, while EPR Architects
urban life, from the sensory stimulation of the
is working with AvroKO on the design, which
city to the stillness of a quiet park.
includes the preservation of an original Grade
Occupying over 1.1 million ft2, the wider
II-listed façade, central courtyard and glass
development will include a large-scale public
dome, together with a statement staircase
courtyard lined with a mix of destination
modelled on Milan’s La Scala.
shopping and dining experiences, as well as a
Inside, the new flagship will feature 110
cinema and gym. There are also 139 residences
guestrooms and suites, 14 branded residences,
available for purchase, ranging from one to five
and 1,300ft2 of public space centred around a
bedrooms with spacious outdoor terraces.
biophilia-inspired ground floor with a lobby
Originally named William Whiteley Limited,
bar, lounge and all-day dining restaurant.
the iconic building – which opened its doors in
There will also be a private members’ social and
1911 – has been carefully preserved, with the
wellness club – an entirely new offer from Six
façade’s famous clock and sculptures set to
Senses – with its own dining facilities, lounges
take pride of place once more, showcasing the
and co-working spaces.
building’s original craftsmanship and heritage.
© The Whiteley
024
Amanu armchairs & table by Yabu Pushelberg Discover more at tribu.com
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DRAWING BOARD
Muckno Estate
Architecture firm Scott Brownrigg has revealed
ice – which dominate the area’s topography. A
its vision for a sustainable tourist hub in
selection of accommodation options include a
IRELAND
County Monaghan, Ireland. The concept has
lakeshore wellness hotel, a dispersed hotel with
been developed for the partnership between
bedrooms spread across the estate in a variety of
Monaghan County Council and Fáilte Ireland,
settings, and rooms in local guesthouses, pubs
together with Professor Terry Stevens of Stevens
and restaurants. The proposals are designed to
& Associates as key facilitator of the study into
reflect a shift in interest, particularly since the
tourism research and concepts.
pandemic, towards more boutique locations
The proposal, which is currently out to
026
with fewer keys and a focus on the locale.
public consultation, identifies how land on
Scott Brownrigg is also aiming for the
Muckno Estate in Castleblayney could become
development to be carbon neutral with each of
an innovative destination that will act as a
the domes supported by rammed earth walls
catalyst for regional tourism growth. Built
made from materials excavated from the site.
with significant community involvement, the
Locally-sourced timber is used to construct
proposal will deliver benefits that harness the
lattice roofs while passive environmental
regenerative and wellbeing power of connecting
techniques control the internal climate, utilising
adventure with nature, heritage and culture.
water from Lough Muckno.
Taking cues from its glacial surroundings,
This new vision for the estate fully integrates
the project comprises a series of glazed domes
with the town and wider countryside to ensure
inspired by Ireland’s drumlins – hills of rock,
multiple benefits for local people and providing
sand and gravel that form under moving glacier
guests with an authentic cultural experience.
WWW.GOMMAIRE.COM
DRAWING BOARD
Studio City Phase 2
Following a topping-out ceremony, Zaha Hadid
The towers are made up of three different
Architects (ZHA) has revealed design details for
gradations of insulated glass with external
MACAU
Phase 2 of Studio City in Macau.
fins that delineate their verticality and serve
EXPRESS CHECK-OUT Operator: Melco Resorts & Entertainment Architecture: Zaha Hadid Architects www.zaha-hadid.com
028
Appointed by Melco Resorts & Entertainment
to provide shading to reduce solar heat gain
in 2017 to expand the development, ZHA has
and glare. Furthermore, the orientation and
designed a new 250,000m2 wing comprising two
configuration of the elliptical towers has been
towers with 900 guestrooms and suites, and
calculated to facilitate natural ventilation within
additional leisure, entertainment and hospitality
and around the resort. The project’s ecologist
facilities including one of Asia’s largest water
also developed preservation measures for the
parks and a six-screen cinema together with
site’s existing flora together with compensatory
extensive conference and exhibition spaces.
planting of species compatible with the region.
The design concept is informed by the
“Zaha Hadid Architects and Melco share
existing resort’s cinematic references, with
the same vision and determination to push
a contemporary reinterpretation of the rich
boundaries,” comments Viviana Muscettola,
detailing, bold geometries and craftsmanship
Director of ZHA. “Studio City Phase 2 continues
of the Art Deco period.
our 10-year collaboration with Melco that
Across the development, significant attention
includes the Morpheus Hotel at the City of
has been paid to sustainability and the
Dreams in Macau. Extending the thriving Studio
environment, with a high-performance building
City resort, the highly adaptable spaces of Phase
envelope as well as highly efficient services and
2 have been developed by a truly global team of
systems to reduce energy demand.
professionals.”
W W W.V I N C E N T S H E P PA R D.C O M
DRAWING BOARD
Moxy
Having previously announced plans to open a Moxy in Tromsø in 2023, Marriott International
reception and communal areas on the 11th floor.
TROMSØ
and Core Hospitality have revealed that
This allows all our guests to enjoy the wonderful
construction is now under way.
view while they have a meal and cocktails from
Certified by BREEAM as a sustainable building
EXPRESS CHECK-OUT Owner / Developer: Daimyo Eiendom Operator: Core Hospitality www.corehospitality.dk
030
Tromsø is evident, so we decided to locate the
the bar.”
and by Green Key for sustainable operations, the
Denker Sørensen, who collaborated with
200-key property will look to immerse travellers
Marriott International on Moxy Copenhagen
in the landscape by elevating its public spaces.
and the recently-opened Moxy Bergen, adds:
“We are delighted to have begun construction
“We are very pleased to be launching yet
on this project,” says Anne Aubert, Project
another Moxy in Norway. Moxy Tromsø will be
Manager at Daimyo Eiendom, a Norwegian
truly unique compared to the other hotel chains
investment firm that backs sustainable
in the city. We are looking forward to operating
companies and properties across Scandinavia.
Marriott’s northernmost property.”
“Moxy Tromsø is no exception, with high
Moxy currently has 109 hotels in the pipeline,
ambitions for sustainability and double
including outposts in Düsseldorf, Bangkok and
certification from BREEAM and Green Key.”
Los Angeles set to open in 2022; Berlin, Sydney
Per Denker Sørensen, CEO of third-party
and Mumbai in 2023; and Venice, Montreal and
management company Core Hospitality,
Warsaw in 2024. The brand’s newest opening
comments: “We are eager to open a unique
landed in Manchester in December, bringing 146
hotel in Norway that differs from the market’s
guestrooms, a living room-style lobby and a bar
saturation of local brands. The natural beauty of
to the Spinningfields district.
DRAWING BOARD
Dream Miami at Riverside Wharf MIAMI
EXPRESS CHECK-OUT Owner: Driftwood Capital Developer: MV Real Estate Holdings Operator: Dream Hotel Group Architecture: Cube3 Landscaping: Savino Miller Design Studios www.dreamhotelgroup.com
Dream Hotel Group has announced plans to
and one-of-a-kind experiences sought by local
open a 165-key hotel at Riverside Wharf – a
residents, as well as business travellers and
200ft2 development along the Miami River.
pleasure seekers from across the globe. We are
Scheduled to open in 2025, the project is being led by Miami-based developer MV Real
thrilled to take part in this extraordinary project and can’t wait to open our doors in 2025.”
Estate Holdings in conjunction with Driftwood
The hotel will be a centrepiece of the US$185
Capital, while Cube3 is responsible for the
million mixed-use development, which
architecture and Savino Miller Design Studios
reinterprets the Miami River into a vertical
for the landscaping.
composition of flowing concrete forms that
Located on 600 linear feet of water frontage in
are carved by the movement of water. Multiple
the heart of Downtown, Dream Miami features
podium levels will offer unique vantage points
six dining and nightlife venues, a 30,000ft2
of both Downtown and the river, and also serve
rooftop pool deck and nightclub with skyline
to draw the urban entertainment facilities
views, as well as a 10,000ft2 event hall, health
out to the water’s edge, enriching the public
and wellness facilities and a private marina
promenade. Materials inside and out – including
capable of accommodating mega yachts.
a Corten steel façade on the street side – pay
“There is a natural synergy between Dream Hotel Group and the city of Miami,” says CEO
homage to the rustic fishing vessels that once worked these waters.
Jay Stein. “Our leading lifestyle brand continues
The announcement follows the recent
to expand quickly, just like Miami, offering
signings of Dream Louisville, Dream Oklahoma
international hospitality, vibrant entertainment
City and Unscripted Oklahoma City in the US.
© Riverside Wharf
032
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08/12/2021 15:49
Meeting… Tristan du Plessis Having picked up a number of projects in his first few years of business, South Africa’s rising star continues to flourish, prioritising collaboration and the promotion of his fellow countrymen in every design. Words: Guy Dittrich
C
onversations with Tristan du
Hell’s Kitchen was Studio A’s first foray –
Plessis are always convivial –
a prohibition-style bar in the Johannesburg
he’s clearly enjoying himself.
suburb of Melville. With a refreshing naivety,
And why not? The designer is on
du Plessis felt no pressure. “I was getting paid
a roll having won no less than
so little that no one expected anything great,
eight projects in his first year
so I had fun,” he quips. There he goes again,
of business – momentum that has continued
having fun! But here’s the inside track. “I knew
through Covid times. Undeterred by the travel
that my friends and I would be drinking there, I
restrictions in his home country of South Africa,
wanted to make sure they were impressed,” he
du Plessis’ order book still bulges. Many in
continues, “So I did what I thought was cool.”
southern Africa and the Middle East but also
And cool meant a suitably dark and
Europe; he will be in Salzburg soon for the first
secretive space with speakeasy doors hidden
site inspection of a development he has been
in bookshelves, meat cleavers on walls and
working on virtually up until now. You can feel
artwork depicting various characters who lived
the excitement in his anticipation of the trip. “I
fast and died young. Subdued, dimly lit spaces
can’t wait,” he confirms.
are a throwback to du Plessis’ earlier nightclub
Du Plessis’ success is based on early ventures
and bar work. “I’m attracted to a dark, moody
in the nightclub sector. “At the time, being in
ambiance that you can feel as soon as you walk
my early-2os, designing nightclubs was the
through the door,” he notes. “In my world
ultimate dream,” he enthuses. He set up Studio
currently it’s a differentiator, coming from a
A in 2015, “with the goal of picking up one or
more masculine perspective.”
two projects in the first year”, but the orders
Coming from an artistic background – his
kept coming. You feel he is almost pinching
great uncle, Hannes du Plessis, is a well-known
himself in disbelief.
artist in South Africa – he found himself drawn
MEETING…
© Giulia Venanzi
to design books featuring the work of Dirand – “I
Pierneef’s artwork on the wall are delicately picked out
think he’s a genius”– Starck, Dixon et al. Embarking
in the pair of rose upholstered chairs beneath. The club
on a marketing degree, little did he know he would be
also has a prime sunset view and the whole becomes
following in their footsteps, having quit the course six
“a beautiful moment”, du Plessis notes.
months in. He then planned to study architecture and
Alongside his current fascination with dark spaces,
design, but the internship got in the way. Initially a
this idea of juxtaposition is strong for du Plessis, with
week-long, it got extended and extended. “I didn’t get
the designer stating: “I think two extremes together
the chance to study,” recalls du Plessis, “but I did get
pulls out the best in both.”
a lot of hands-on practical experience that I took with me through my career, and still use today.”
At Chapter Roma in the Italian capital, the play on old and new led du Plessis to set emerald velvet headboards against exposed brick
036
At Alice & Fifth, a luxury dining and supper club experience in the windowless basement of
Next up was a project where du Plessis had the
Johannesburg’s Sandton Sun Hotel, he contrasts
opportunity “to carve out a niche, a style and
ideas of modernity with nostalgia. “It is a theme
aesthetic” that he believed in. Mesh was to be the first
that I explore often,” explains du Plessis. “There’s
luxury business members’ club in Johannesburg and
something cool about reinventing elements from the
with it came a reasonably high budget. Drawn to the
past and making them new again.”
rough luxe aesthetic, du Plessis mixed concrete with
Meanwhile at Chapter Roma, a 47-room boutique in
luxurious textiles. “An investor in Mesh has one of the
the Italian capital, the client gave du Plessis free rein
largest art collections in the country so I put one of
to be rebellious within the context of the space. In an
his prized art pieces on a concrete wall,” he explains.
interesting back story, he recounts how the project
“I think that kind of contrast is unexpected and I like
came about through a chance exchange on Instagram
it because it’s rebellious.”
with the now owner. Here, the play on old and new
The pinks of an African sunset in Jacobus Hendrik
takes a different tack, with emerald velvet headboards
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MEETING…
“Collaboration plays a central role in how I’d like to be seen as a designer; bringing people into a project and engaging a team, not making it solely about me.”
set against exposed brick. “The bricks were
just two of those South African creatives, the
300-years-old, and as a South African, to
playfully whimsical crocodile swing chair by
uncover that heritage was phenomenal. I
Porky Hefer and the guestrooms murals by
wanted the history to be exposed.”
David Brits. “Collaboration plays a central role
Hell’s Kitchen sees a slightly different take
in how I’d like to be seen as a designer; bringing
on contrast, with rather expensive Moooi Rabbit
people into a project and engaging a team, not
table lamps having their “shades ripped off”
making it solely about me,” he continues, the
to be repurposed as pendant lamps suspended
greater idea being the promotion of a South
from the ceiling. Another rebellious move.
African spirit, likening Gorgeous George to a
Ideas of differentiation come again at
platform showcasing local design talent at
Gorgeous George in Cape Town. This is a
an international level. “Nearly everything is
seminal work for du Plessis, as it is where he
bespoke, handmade and handpainted, from
“fell in love with hospitality design”. The urban
the tabletops to the walls to the ceramic coffee
oasis sees the combination of Art Deco and
tables outside,” he enthuses of contributors that
Edwardian buildings, with interiors that place
include Gregor Jenkin, Southern Guild Gallery,
handmade designs and luxurious materials
Lucie de Moyencourt and Jana + Koos.
against structural concrete elements and exposed pipework.
The interiors at Gorgeous George in Cape Town blend sumptuous handmade designs and luxurious materials with structural concrete elements and exposed pipework
And it was Jana + Koos that helped Gorgeous George scoop the Visual Identity category at
Art is also part of the package, with du Plessis
AHEAD MEA in 2019. The hotel collected three
commenting that “the power of collaboration
other trophies – for Renovation, Restoration
through artists is very important in all my
& Conversion, Suite and the overall win as
projects”. Take, for example, the work of
the region’s Hotel of the Year. Not a bad haul,
© Claus Brechenmacher & Reiner Baumann
038
MEETING…
© Natelee Cocks
Following his earlier work with the Peruvian-Japanese restaurant in Bahrain, du Plessis has designed a second Nikkei-style eatery for Clay, this time in Dubai’s JBR district
040
particularly when a shortlisting in the Bar, Club and
yet-to-be-disclosed Accor luxury brand, this time in
Lounge category for Alice & Fifth is included. Du
Jeddah, where he will cover F&B components and a
Plessis was subsequently invited to join the judging
series of penthouses.
panel in 2021. “Being a judge for AHEAD has been
Despite his early success, in fact possibly because
an amazing experience,” he explains. “I was happy
of it, du Plessis has a disarming charm and humility
to exchange and hear the differing viewpoints of my
about him. “I started off with nothing, no investment.
peer group and better appreciate the great openings
I called up one of my friends and set up my office from
in the region. It really hit home to me how important
his boardroom,” he relates about the establishment of
hospitality experience and design is.”
Studio A, the business name used for his South African
Of the order book, du Plessis lists current projects
portfolio. “I never thought I would be doing any
in Dubai: the African-inspired San Beach Club at
international work, which is why I had to change the
Palm Jumeirah, which recently broke ground; the
name to Tristan du Plessis Studio. There are dozens
Peruvian-Japanese, Nikkei-style eatery Clay; and
of Studio As all over the world!”
Loren, an Italian-inspired restaurant. Du Plessis also
Du Plessis has a loyal social media following too,
shares a pair of “lockdown babies” in Johannesburg
he was named GQ’s Designer of the Year in 2019 and
– the already trading Tang, a Pan-Asian dining
was recently accepted to endorse Courvoisier brandy.
destination with a hint of nightclub – and Kōl – an
This could go to your head, in more ways than one!
izakaya-inspired restaurant that he “threw himself
However, a grounded naivety and the importance he
into head-first during lockdown as source of much-
attaches to collaboration and the promotion of his
needed escape”.
fellow countrymen make him human. The power of
His first large-scale luxury hotel project will open in Abu Dhabi in 2023 and is a full scope remit for one of Accor’s lifestyle brands. He also has another for a
his design makes him one to watch. And you can bet he’ll still be having fun.
JUNG-GROUP.COM
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MADE TO TOUCH. DESIGNED TO CONTROL. LS ZERO – FLUSH-MOUNTED.
13.10.21 11:43
Meeting… Ksenia Starikova In the changing face of travel, the Vice President of Brand Experience at Design Hotels talks purposeful projects, positive impact and putting sustainability centre stage.
PROFILE Ksenia Starikova Vice President, Brand Experience Design Hotels
Tell us about your role and what it involves?
as a traveller for many years so it has been a
I joined Design Hotels in 2019 to lead brand,
smooth journey getting to know the inner world
digital and the creative sides of the business.
and creative forces, from the Originals behind
Having developed marketing strategies for a wide range of global clients as well as emerging lifestyle brands and start-ups, Ksenia Starikova joined Design Hotels as Vice President of Brand Experience in 2019. With a strong desire to generate cultural change, her vision has manifested in the implementation of a Sustainability & Social Impact agenda for Design Hotels members, as well as the successful roll-out of the ‘Promadic Travel’ concept, conceived in collaboration with The Future Laboratory. Meanwhile her penchant for story-sharing is reflected in the expansion of content on the brand’s platforms, which now serve as hubs for cross-cultural conversation across a range of topics.
Day-to-day, my role is incredibly multifaceted; I
our hotels to their architecture and design
oversee all marketing and creative streams across
teams. From a brand perspective, my aim so far
content, public relations, design, production,
has been to further elevate the sense of creative
digital marketing and overall community growth.
community through a mix of new content
Now that we are seeing the gradual revival of
streams, stronger digital experience and a greater
the travel landscape, I am increasingly on-the-
focus on advocating for purposeful travel.
Design Hotels Members by Continent: Africa and Middle East – 9 hotels Americas – 54 hotels Asia Pacific – 34 hotels Caribbean – 4 hotels Europe – 183 hotels Oceania – 2 hotels
go again and visiting our partners across the globe. This includes everything from site visits
What skills have you brought from your
of current and future projects to hotel market
previous roles that are helping you shape
launch planning and just being present as much
brand experience at Design Hotels?
as possible for our hoteliers and creative partners.
I have experience in strategic and design
There are also the Design Hotels’ publications,
consulting and having lived in many countries,
from the Directions magazine to the annual
cities and cultures, I bring a truly global
Design Hotels Book, which we are working on at
perspective as well as an understanding of the
present with a focus on the themes of food and
constant innovation required to stay ahead in
sustainability. On a broader level, I am fascinated
today’s market. The intense and multifaceted
by the future of travel and living, and how further
environments I worked in before joining Design
innovations can put sustainability centre stage
Hotels have helped me to orchestrate the many
as opposed to it being an afterthought. As such
diverse forces of the brand’s ecosystem. It’s rare
I have been developing new programmes within
to have such a large in-house creative team these
the brand that drive and promote improved
days, but it brings unique focus and a brand voice
representation, conscious design and social
that is a privilege to lead. The next step for me is
impact in the context of hospitality and beyond.
in converting creative pilots into real products, services and moments of connection for our
042
What has been your primary aim since joining
community – this has become a double challenge
Design Hotels?
given the pandemic, but we are on a good track
I’ve been part of the Design Hotels community
and much stronger as a result.
MEETING…
“We believe travel can be a force for good. Our hotels and community are on this journey with us, step-by-step, to move into a future where we’re all making more conscious choices.”
How closely do you work with owners and
Tell us about the Sustainability & Social Impact
What does ‘travel with purpose’ mean to you?
designers to ensure new hotels are designed
agenda you have implemented at Design
For me it’s about taking time to really think
for positive social impact?
Hotels?
about the reasons for travel, the means as well as
It has always been a highly collaborative
We believe travel can be a force for good. Our
learning opportunities within that journey. Do I
process and often one of co-creation with our
hotels and community are on this journey with
need to travel? Can I design my trip in a way that
hotels, but in the last few years particularly,
us, step-by-step, to move into a future where
I have time to explore, read about the place and
social impact topics have become a constant
we’re all making more conscious choices. There
find lesser-known stories, talk to local people
on the agenda so we like to get involved as
is a lot of ambiguity around the topic, so our role
and connect with creative projects? In short, a
much as possible. For example, we always try
is to demystify the challenges and opportunities
mix of true cultural immersion and the right pace
to give extra exposure to our leading conscious
connected to sustainability; in other words to
to delve a little deeper.
hotels together with the various organisations,
make it as simple as possible, ideally with a
local partners and producers connected to our
dose of inspiration through our storytelling.
Which forthcoming member hotels are you
events and experiences. When hotels are still in
With that in mind, we’ve spent quite a bit of
most excited about?
their development phase, we aim to work very
time figuring out the best way to not only talk
We have a host of truly innovative properties
closely with owners, architects and local supply
about this, but to provide our partners with the
on the horizon, each of which stands out for
partners to share best practices and insight; we
right tools and insight. One element is the ‘10
its exciting balance of design, responsibility
are often a connector between various forces
Conscious Hotel Principles’ framework, which
and local immersion. Hotelito by Musa is a
and take the time to make those connections
helps us measure our progress as we move
forward-thinking creative community concept
happen in a meaningful way. We also consult
towards more environmentally and socially
in Guerrero, Mexico, combining 11 rooms with
with our existing member hotels to identify more
conscious practices. The principles are there
a completely self-sustaining village geared
effective ways to connect them with their local
to guide our hotels as they develop their own
towards regeneration. Nous Santorini will set a
communities, whether that be through carefully
approaches, taking into consideration everything
new benchmark in a destination that we know
curated cultural programming, artist-in-
from architecture, design and new construction
very well, with a culinary concept linked to local
residency support, or simply by figuring out the
materials to energy, water and transport, not to
cuisine, organic produce and wine culture. And
right type of sustainable partnerships for each
mention the people side of the hotel business.
on the Indonesian island of Sumba, I’m looking
project. To facilitate these services, we recently
From a guest perspective, we have developed
forward to Cap Karoso – a beautifully designed
created a new portal within the platform where
‘The Good Traveller’ manifesto, which details
concept with an overarching commitment to eco-
our hotels can find and connect with vetted,
how we can all become better travellers going
conscious travel and community engagement
sustainability-minded partners along their
forward; I personally aspire to keep striving
through local craft support and regenerative
journey to improve.
towards these values.
practices. There’s lots to look forward to.
043
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THE LOBBY
Float With Us An overwater living concept wins the grand prize at the annual Radical Innovation design competition. As travellers continue to seek out one-of-a-kind experiences,
concrete foundation, each pod offers 800ft2 of living space
developers and designers are pushing boundaries to come
across 2.5 floors and comprises a master bedroom, spacious
up with ever-more inventive hospitality concepts that offer
bathroom, kitchen, lounge and patio. Having successfully
more than solely a place to stay. Driven by this very challenge,
trialled the concept off the coast of Thailand – where the
Ocean Builders have spent years researching and testing their
structures also served to restore a marine ecosystem beneath
overwater living concept, and now the team have won the
the surface – the first SeaPod community is now under
grand prize at Radical Innovation.
construction at Linton Bay Marina in northern Panama and is
The annual competition, which invites bold thinkers to
expected to debut later this year.
submit groundbreaking innovations that will change or
“Radical Innovation discovers and spotlights creative
enhance the future of travel and hospitality, announced its
thinkers from around the world with ideas to propel the
winner in December following assessment by a panel of judges
hospitality industry forward,” explains John Hardy, founder
and a virtual audience vote. Taking home the US$10,000 grand
of Radical Innovation and CEO of The Hardy Group. “We are
prize, Float With Us is made up of a community of SeaPods
excited to congratulate the winner of this year’s competition,
that rise out of the ocean and enable people to experience
acknowledge their innovative design and follow their path. We
the beauty of living on the water. Perched 7.5ft above the
have watched winners propel their ideas after participating
waves and constructed from a fibreglass shell atop a steel and
in Radical Innovation, truly turning ambition into reality.”
© Francesca Pagliai
The Demo Hotel Teamwork Hospitality enlists 14 architects to transform a former guesthouse into a permanent showroom hotel.
046
Trade shows have become an opportune spot
Comprising nine suites, a lobby and co-
to showcase hospitality design in recent years,
working, each space has its own identity and
with immersive room sets and installations
theme. The Tropicana Club suite (pictured) by
an increasingly popular format. Following the
Rizoma Architetture, for example, is an explosion
success of their Rooms exhibit at SIA Hospitality
of shape and colour with industrial materials and
Design – wherein several architects each designed
bright nuances. The living area has a kitchenette
a guestroom to reflect their personal idea and
modelled as a corner bar while a canopy over
understanding of the hotel sector – Italian
the bed imitates nightclub signage. By contrast,
consultancy Teamwork Hospitality decided to
Circle Room is a harmonious space based on
take it one step further by creating a permanent
curving forms in pastel shades; Into The Cloud
showroom hotel.
is an ethereal experience featuring elements of
To make the concept a reality, the firm’s CEO
nature; and In a Light Wave is a fully accessible
Mauro Santinato enlisted the help of 14 hotel
suite centred around the fluidity of water. And
designers and 90 partner companies to transform
the creativity doesn’t stop; there’s also an Italian
a disused guesthouse in Rimini into The Demo
opera-themed public bathroom designed by
Hotel. “Demo is a hub of experimentation both
Laura Verdi, as well as a playful laundry named
for the architects involved and for the partner
Spin The Wheel by Ovre Design.
companies, a creative laboratory where the
“The designers were enthusiastic about the
novelties of hospitality are being concentrated,”
initiative as it was an opportunity for them to
explains Santinato. “It is a strong message not
express themselves freely,” Santinato concludes.
only for the city but for the entire hospitality
“Staying in the hotel is an emotional and
industry. There is a need for renewal.”
experiential adventure, it is a unique attraction.”
THE LOBBY
Clubhouse Chronicles
© Ronald Smits
The Clue’s in the Name No matter how much the hospitality sector
or disguised as something else, be it a fairytale
innovates, a comfortable bed, hot shower and
castle or a secret bookcase.
good lighting will undoubtedly remain at the top
“When my fellow artists and I were asked to
of any traveller’s wishlist, with speedy internet
create unique designs for Hotel Not Hotel, no idea
climbing the ladder in more recent times. For
was too crazy,” says Coenen, who is best known
Netherlands-based brand Hotel Not Hotel
for his striking Cornucopia mural at Rotterdam’s
however, a room isn’t just a room, but a work
market hall. “We designed a cuckoo clock, which
of art with its own creator, story and identity.
functions as the façade of several rooms, as well
Following a successful debut in Amsterdam,
as the Candy House and a vertical swimming pool
Hotel Not Hotel has taken its artful approach to
that adorns one of the courtyards. Our creations
Rotterdam, designing an exuberant escape with
invite guests to embark on a voyage of discovery
the help of Dutch creatives Arno Coenen, Hans
through the building.”
Bentem, Sander Wassink and Jelle Mastenboek.
“Rulers and royals rest their weary heads (or crowns) here when affairs of state bring them to New York. Titans of industry, entertainment and society consider it their second home. Meanwhile, for generations of Manhattanites, The Carlyle has been a part of the fabric of everyday life – a clubhouse as well as an oasis,” pens James Reginato, Writer-at-Large for Vanity Fair, in the all-new edition of The Carlyle – a written tribute to the rich past and vibrant present of the worldfamous hotel. Commemorating its 91st anniversary, the volume explores the building’s storied history and its status as an enduring icon through neverbefore-seen photographs from the archives up to today’s most talkedabout parties. Published by Assouline, the 208-page hardback features over 200 illustrations including the cover created by artist Kera Till, exclusive interviews from well-known patrons, as well as a foreword by musician Lenny Kravitz as he recounts what the Upper East Side institution means to him. The new edition also details The Carlyle’s recently completed threeyear renovation carried out by tonychi studio, which involved new guestrooms, suites and spa, in addition to the debut of the property’s signature restaurant, Dowling’s at The Carlyle.
According to co-owner Bruno Bont, the concept
As the name suggests, the property does not
promises a “museum-worthy” experience thanks
conform to tradition. Whilst it does feature two
to the exhibition-style living spaces that use art
social courtyards and a Mexican restaurant and
to create a one-of-a-kind sleepover.
cocktail bar named after folklore hero Jesús
“Rotterdam was a logical place to open our
Malverde, there are no anonymous corridors
second hotel,” adds co-owner Tijmen Receveur.
here, rather each of its 36 rooms – including
“The city’s striking architecture and stubborn
three suites with an in-room Jacuzzi – is hidden
character fits seamlessly with our concept.”
047
THE LOBBY
Move to Zero Built with the environment in mind, a new West London retreat raises the bar for sustainable hospitality.
At a time when reducing the impact of climate
parent company’s Net Zero Roadmap by 2030,”
change is more important than ever, the
says Robert Godwin. “Responsibility falls on us
hospitality sector must play its part in creating a
all to build a more sustainable future and keep
greener planet for the generations to come.
the Paris Agreement’s target within reach.”
Setting out a blueprint for others to follow,
Using advanced hardware and software
brothers Robert and Stuart Godwin of Lamington
technology, as well as some developed in-
Group have launched Room2 Chiswick – billed as
house, the hotel maximises its renewable energy
the world’s first net zero hometel, which fuses
through solar and ground source heat pumps,
elements of home and hotel while encouraging
which convert 100% of that needed for heating,
guests to embrace a sustainable lifestyle.
cooling and hot water. Two lab rooms collect data
Proving
that
taking
environmental
on water and energy use, along with air quality,
responsibility doesn’t mean sacrificing style,
and learn from guest habits to refine the process.
convenience or comfort, the West London retreat
The building also features ultra-low-pressure
forecasts using 89% less energy per square-
showers and occupancy sensors for lighting and
metre than typical UK hotels, and is thought to be
appliances, while a blue roof reduces flooding
the first globally to account for its entire carbon
by slowly discharging up to 50,000 litres of
footprint. Being ‘whole life net zero’ means both
rainwater. To increase biodiversity and absorb
embodied and operational carbon have been,
CO2, a green roof boasts 200 tonnes of soil and
and will continue to be, rebalanced throughout
wildflowers, in addition to beehives and bug
the property’s lifecycle, including all emissions
hotels, while an independently-run café by day
associated with its construction, maintenance
and cocktail bar by night specialises in locally-
and refurbishment – even its eventual clearance
sourced organic food, coffee and wine.
will equal zero.
The eco-conscious ethos feeds into the design
“Taking accountability for our carbon footprint
too, which takes inspiration from Chiswick’s 19th
is our baseline commitment and aligns with our
century arts heritage, valuing craftsmanship over mass production. As such, 86 rooms have been curated in collaboration with local artisans, who provided everything from marbled print wallpaper to handcrafted mirrors. All loose furniture has been produced within 10 miles and made using Forest Stewardship Council timber, while fabrics and materials were selected to promote a circular economy. Upholding its zero-waste policy, Room2 also designed and manufactured its very own 3-in-1 recycling bin, which ensures that 100% of waste from the guest quarters is reused or converted into energy off-site. “We place huge emphasis on our connection to the locale,” concludes Godwin. “With carbon emissions being the biggest threat to our planet, and with devastating impacts across the world, we believe it is our responsibility to ensure that our presence doesn’t contribute further to the problem. We’ve done the hard work, so the guest has the full experience without the footprint.”
048
LONDONER Collection The Art of Hospitality
Hotel Hair Dryers Cosmetic Mirrors Bathroom Accessories Kettles & Trays Luggage Racks Ironing Centers Scales
GERMAN HOSPITALITY TRADITION Since 1985
www.aliseo.de
© Zac Wolff
W
ith the climate crisis rising ever further
The AHC’s hometown of Manchester – converting
up the global agenda and COP26
a 20th century warehouse into 42-room urban
reinforcing the need for governments
retreat – Griffin emphasised the responsibility
to take swift action, the hospitality sector is
of the private sector in driving the issue of
racing to reduce its carbon emissions and waste.
climate change: “At Wellbrook Hospitality and
So how can brands overcome the challenges
Leven, we’ve taken that to heart and are focused
of re-using existing building stock? How can
on making sure that each of our decisions is as
strategies support the conversion of buildings
sustainable as possible, from the way we run the
not originally planned as hotels? And is it the
business from an operational perspective right
owner, operator, designer or guest who should
through to the interior design and the fit-out.”
take responsibility and drive change? These were
Goddard Littlefair has echoed this approach
just some of the questions asked at The Annual
since its inception in 2012, working with like-
Hotel Conference (AHC) in November.
minded suppliers to breathe new life into a
The AHC has had its finger on the pulse of
number of historic buildings, from Mandarin
the sector for the past 18 years and the latest
Oriental Vienna to Villa Copenhagen. “Just
conference upheld that tradition, with more
because it’s an existing structure, it doesn’t
Re-Inventing Hospitality Industry leaders explore the best practices for sustainable hospitality development during The Annual Hotel Conference.
than 100 industry experts speaking on a variety
mean we can’t make it work like a newbuild,”
of topics – from ESG to labour shortages – all
explained Goddard, who also pointed to the
under the theme ‘Change for Good’.
importance of designing interiors that can stand
On the subject of sustainable hospitality, a
the test of time. “If we create something that’s
trio of panellists – Daniel Johansson, Director
overly fashionable, it dates so quickly and soon
of Development and Acquisitions at serviced
gets ripped out, which just isn’t sustainable.”
apartment brand Cheval Collection; Martin
For Johansson meanwhile, being informed
Goddard, co-founder and Director at interior
and using real-time data will be crucial as
design studio Goddard Littlefair; and Timothy
Cheval Collection looks to expand its portfolio
Griffin, Principal at Wellbrook Hospitality and
beyond London and Edinburgh: “We work with
co-founder of lifestyle hotel concept Leven –
an organisation called Considerate Group, who
shared details of their latest conversion and
provide us with figures on the gas, electricity and
adaptive reuse projects, as well as the challenges
carbon emissions of our properties. That way we
in pulling them off and the creative solutions
can monitor the improvements year-on-year and
needed to deliver successful transformations.
make tweaks through our BMS, switching things
Hosted by Sleeper’s Editor-in-Chief Matt
050
off rather than leaving them on standby.”
Turner, the session focused on the built
As the hospitality industry navigates the road
environment, which contributes around 40% of
ahead, there’s something to be said for the
the UK’s total carbon footprint, with a significant
owners, operators and designers who are already
chunk of the building stock being energy-hungry
taking sustainability seriously, implementing
hotels that operate around the clock. Having
processes and practices in every project by
recently launched the very first Leven property in
necessity rather than as an option.
Designer Uniform Crafted with Passion C O L L E C T I O N : G R E AT S C O T L A N D YA R D H O T E L STUDIO-104.COM
The Dubai Edition DUBAI In a city known for its extravagance, LW Design gives rise to a new hotel that favours minimalist sophistication. Words: Nicola Chilton • Photography: © Natelee Cocks
2
021 was a big year for Dubai’s hotel industry, with
Sensory elements, from a Black Tea fragrance by Le Labo
towering monoliths, seaside palaces and urban lifestyle
to the lobby playlist, as well as landscaping and abundant
properties all opening their doors to capitalise on the
foliage by American garden designer Madison Cox, also
influx of visitors to Expo 2020. But one new addition towards
052
contribute to the element of surprise.
the end of the year brought a sense of calm, simplicity and
The seeming simplicity of the lobby’s soaring lines belies
minimalism to the city more often known for its superlatives.
their complexity. “We went through about 15 iterations of
The 275-room Dubai Edition landed in November just off
the space,” Shah-Mulani confirms. “At the time, curves
Downtown’s buzzy Sheikh Mohammed bin Rashid Boulevard,
weren’t really a thing, and LW isn’t typically known for
a prime spot lined with palm trees, restaurants and cafés
organic shapes. We’re very architectural with clean lines
located a few steps from Dubai Mall and the Burj Khalifa.
and a linear approach to design.” For this project however,
While many of the city’s hotels feature grand entrances
the team decided to take a risk and presented the concept
with sweeping driveways, arrival at the Edition’s low-slung,
of the arch to owners Bhatia & Co. The risk paid off, and the
softly-lit porte cochère comes with a sense of the unexpected.
design was further developed into the dramatic dome-like
Pooja Shah-Mulani, Design Director at LW Design, has
space that is now emblematic of the property, with dark oak
worked on the project from concept to delivery and describes
wood panelling ensuring that the vaulted venue doesn’t feel
the experience as being punctuated by “moments of wow”,
too ecclesiastical.
from the first glimpse of the three-storey spiral staircase to
Sharing the lobby yet separated by three steps and a
the 15m cathedral-like arched ceiling with a dramatic Czech
false façade, is Italian restaurant Duomo. The overall
crystal chandelier hanging from its centre.
design language here is unchanged, though the space is
“As you look through the double doors from the porte
differentiated by mustard-yellow Chesterfield sofas lining
cochère, only the first spiral of the staircase is visible,” says
the perimeter and a mesmerising artwork by Barcelona-
Shah-Mulani. “Guests don’t actually know what it is. When
based studio Onionlab. Projected onto the ceiling at night,
they come through and see that it rises up and up, that’s
it creates an ambient yet dynamic display that progresses
the first wow. Then they see the chandelier, so there’s an
from abstract patterns to scenes reminiscent of the works
architectural wow in the volume.”
of the Old Masters.
This sentiment is echoed by General Manager, Daniel
Out on Duomo’s cosy terrace, olive trees in large terracotta
Kingston. “The moment guests step through the door, they
planters divide seating areas that feel private yet connected
get a sense that we are not a typical property,” he explains.
at the same time. Rather than facing out to the street, Shah-
053
Sharing the lobby yet separated by three steps and a false façade, Italian restaurant Duomo is lit up by night thanks to an immersive ceiling installation by Onionlab
Mulani explains that the terrace is designed as
York-based photographer Landon Nordeman.
an inward-looking experience, with seating
Its design is also warmed with the use of walnut,
facing towards the building. And while the Burj
rattan and parlour palms, complemented by
Khalifa is clearly visible in the distance, it is also
teak chairs and an acacia chef’s table, while
reflected in the large picture windows, creating
the individual large-scale components of the
a layered effect against the backdrop of the
terrazzo floor have been deliberately sized to
dining room and light projection.
create a sense of differentiation, yet remain
Aside from Duomo, the hotel’s other food and beverage outlets – Leon, Jolie and Thia – each
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homogenous in colour so as not to distract from the overall aesthetic.
have their own distinct visual narrative. The
Thia meanwhile flips the concept of a pool
unexpected is key at Leon, a speakeasy-style
terrace on its head. Rather than being an
bar located just off the lobby. Pops of colour,
extension of the pool with a daytime focus,
from pink bar stools to teal sofas, contrast with
the brief was for an evening venue with a full-
a dark stone mosaic floor, while in the low light,
service bar. “The key when starting on a space
scalloped oak walls look like the drapes of black
is firstly understanding what we’re designing
curtains, providing a completely different
it for,” says Shah-Mulani. “When we began
energy from the rest of the property.
thinking in that way, we forgot about the
On the mezzanine level, French brasserie
day function because people will come to the
Jolie intentionally moves away from the all-day
pool and use it as they need to. They won’t
dining concept. Anchored by a large bar topped
necessarily visit a pool bar they have been to in
with marble and flanked by moss green leather
the day if it’s not designed to be a bar at night.”
stools, the high-energy restaurant has been
At dusk, Thia’s poolside cabanas and recliners
enhanced by a series of fashion shots from New
cleverly convert into sofa seating, while the
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lighting goes down and the music pumps up to
nature of the guestrooms, all of which share
add to the ambience. The walls are also covered
a uniform design based around light oak
in natural-look artificial greenery for that
wood and travertine, along with the hotel’s
Instagram moment, and to cope with summer
supremely comfortable beds, leads to a blissful
temperatures that top 45 degrees Celsius, the
sleep experience. Unusually for Dubai, where
bar and furniture are made from weather- and
hotel rooms are more likely to feature marble,
temperature-resistant teak.
leather wall panels and wallpaper, those at
Equally considered for the climate, the 100m
Edition are entirely clad in timber, imparting
tower’s façade was envisioned by Cristina
a sense of warmth, intimacy and cosiness with
Wakamatsu, Design Director and Partner at
a look that is much more minimalist than
LW, who combined a glass frontage with bronze
most of the city’s other accommodations. “The
screens, textured grey cladding, natural stone
guestrooms have three-metre ceilings and
and timber – all set at a 45-degree angle to the
full-height windows that provide spectacular
base podium.
views, so the architectural volumes, spaces and
According to LW’s Founding Partner Colin Doyle, this angling of the building has a clear
of simplicity,” says Shah-Mulani.
intent. “The planning principles are derived
It’s a refreshing change in a city where less
from the desire to capitalise on the Burj Khalifa
doesn’t always mean more. Judging from the
views,” he explains, adding that the orientation
number of guests already snapping photos in
of the lobby and the triple-height Duomo ceiling
the public spaces, the hotel seems to be striking
are also designed to maximise the vista.
a chord with an audience hungry for a taste of
Bedding down for the night, the uncluttered
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envelopes create a good base for adding a layer
minimalist sophistication.
EXPRESS CHECK-OUT Owner: Bhatia & Co Developer: Sol Properties, Jarvis Investment Management Operator: Marriott International Architecture and Interior Design: LW Landscaping: Madison Cox Main Contractor: Bhatia Company www.editionhotels.com
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21/12/2021 13:14
One & Only Portonovi MONTENEGRO Jean Michel Gathy and HBA dream up One & Only’s first European resort, where the coastal setting takes centre stage. Words: Lauren Ho • Photography: Courtesy of One & Only Resorts
L
et’s begin with that indoor pool. Sensually clad in grigio marble with copper and antique bronze accents, it’s the arched alcoves that are the wow factor here. Inside each
niche, glass mosaics in a spray of ombré sunset tones produce a warm glow that is further intensified by lighting that contours the arches, which also creates a mirrored reflection on the pool’s surface. The result is certainly dramatic and unsurprisingly a favourite space for Paula O’Callaghan. As a Partner at HBA and lead designer on the project, O’Callaghan was inspired by the Basilica Cistern in Istanbul to “capture a similar temple-like nuance”. This is especially notable at the spa’s dazzling arcaded entry, which she says is “the perfect way to initiate guests into the spa’s holistic, transformative treatment experiences”. The architecture and initial concept design for One & Only Portonovi was, in fact, spearheaded by Jean Michel Gathy of Denniston, while HBA collaborated to craft the interiors and bring the space to life. “One & Only is a playful brand, but always with a sophisticated offering and here, we have a fantastic spa managed by Chenot,” says Gathy. Indeed, in a bid to elevate its health and fitness offering while establishing itself as a year-round destination, the hotel has joined forces with Swiss health and wellness brand Chenot to unveil Chenot Espace – a sprawling 4,000m2
sanctuary with 28 treatment rooms and a pioneering menu. This starts with advanced diagnostic tests, which are followed by a tailored programme of treatments that covers everything from medical needs to human performance, aesthetics and fitness.
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The resort’s collection of restaurants and bars includes Japanese eatery Tapasake (above) and intimate bar Caminetti (bottom right), both designed by Social F+B
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From its position at the entrance of the Adriatic
and create a design befitting of the enigmatic views,”
Sea’s fjord-like Boka Bay, One & Only Portonovi – the
she continues. “The spaces within the hotel tell a
brand’s first outpost in Europe – is at the heart of
background narrative for this special place without
Montenegro’s charming coast, sculpted by brooding
becoming the primary focus.”
mountains and rolling emerald hills that are dotted
And so, the lobby is an ode to Montenegro’s
with perfectly-preserved walled medieval towns. More
national flower, the mimosa; the marble walls are
precisely located in Portonovi, a luxury destination
swathed in sheer embroidered drapery with a mimosa-
featuring a collection of residences and a 238-berth
inspired floral motif, while beneath dramatic barrel-
marina for yachts and superyachts, the resort provides
vaulted ceilings, a standout handblown glass canopy of
an anchor with its fine-dining offering, summer
smoky amber tones is fixed to a frame of intertwining
beach-club vibes and destination spa.
branches that form the shape of a mimosa tree. This
The hotel itself is a tumble of red-roofed buildings
sits above a striking boulder sculpture mirroring the
defined by arched windows and geometrical columns
region’s jagged cliff edges and jutting rocks, while
that take their cues from the monastic architecture of
fireplaces bookend either side of the lobby to complete
the region and its rich Venetian and Ottoman history.
the grand castle aesthetic.
“You’re in Montenegro, you’re not in Miami Beach
Fireplaces are a running theme throughout. In the
or Bangkok,” says Gathy when asked about the brief.
hotel’s intimate bar, Caminetti – which means ‘little
“It’s an underlying rule in our business that you
fireplaces’ in Italian – a wall of fireplaces separates
should always have a sense of place.”
the outdoor balcony from the indoors. Here, under
O’Callaghan adds: “One merely has to look at
the soft glow of flickering flames are a collection of
the surrounding terrain and bays to understand the
leather armchairs and sofas, marble and copper tables,
location is truly magical and breathtaking. The key
Maya Romanoff marquetry wallcoverings and a burnt
objective was to capture the essence of the region
terracotta bar offering barrel-aged cocktails.
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In each of the guestrooms, a circular fireplace
in neutral oatmeal tones that is amplified by a
sits between the spacious balcony, bedroom, and
handblown glass light fixture containing grains
bathroom, creating a relaxed boundary between
of sand that hangs above the bar. Also designed
the three areas. “Traditional Montenegrin
by Social F+B, Tapasake – the brand’s Japanese
dwellings had fireplaces in the centre, where
restaurant, which can be found at some of the
family members would gather to tell stories,”
other One & Only properties too – comes in the
explains Gathy. The ample bathrooms, which
form of a chilled poolside beach club, where raw
are the same size as the bedrooms themselves,
finishes explore the Japanese idea of imperfect
pull double duty as a space to relax – or as
beauty while still capturing a sense of place.
the designers call it, a ‘library lounge’ - with
Shortlisted for a number of AHEAD accolades
a chaise lounge as well as a bathtub that
including in the Landscaping & Outdoor Spaces
transforms into a daybed, making it the ideal
and Spa categories, the resort, in true Gathy
indoor spot from which to recline and absorb
style, is a timeless and solid offering that has
those mesmerising mountain views.
been brought to life by HBA, who executed the
This is rounded out by the resort’s collection
design with attention to detail. “Every trip to
of restaurants, including La Verandah, which
this region is a treat,” shares O’Callaghan. “After
serves a European menu with Montenegrin flair
a long journey through remote mountain passes
in a relaxed and open setting that is enhanced
from Podgorica, as soon as the Kotor shoreline
by a Mediterranean palette of indigo blue
appears, I always feel a sense of escape and
hues, antique bronze details, and dove grey
adventure to somewhere truly enchanting and
furnishings. In Sabia, Michelin-starred chef
special.” Gathy concludes: “As I often say, what
Georgio Locatelli, together with Social F+B – a
counts for me is when a guest wants to return
department of HBA – created an elegant space
to the hotel.” That’s certainly the case here.
EXPRESS CHECK-OUT Owner / Developer: Azmont Investments Operator: Kerzner International Architecture: Denniston Interior Design, Lighting Design and Art Consultant: HBA Interior Design: Social F+B Landscaping: Cem Botanic (resort), Star Landscape (private homes) Main Contractor: Impresa Pizzarotti www.oneandonlyresorts.com
NEBULA RUG by Esti Barnes in collaboration with Gianluca Franzese www.topfloorrugs.com +44 20 7795 3333
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The Carlyle A Rosewood Hotel NEW YORK For its latest collaboration with Rosewood, tonychi studio transforms a Manhattan landmark with only the lightest touch. Words: Guy Dittrich • Photography: © Durston Saylor
I
t’s not unusual to see a dog or two passing through the lobby of a hotel now and then, but the canines roving past the check-in desks at The Carlyle looked very much at
home, their paws clicking across the black-and-white Deco geometry of Dorothy Draper’s marble flooring that welcomes guests – and dogs – to the iconic property. Designed by architects Bien & Prince in the Upper East Side neighbourhood of Manhattan, a block to the east of Central Park, The Carlyle was completed in 1930 – the same year as the Chrysler Building – and its immediate environment is quintessentially New York; the shopping experience of Madison Avenue is right on the doorstep, as is the Museum Mile of The Met and Guggenheim fame, while under canvas awnings, uniformed doormen wait to open the yellow cab doors for their returning apartment residents. The Carlyle is like this too. Guests and dogs are greeted with equal appreciation, welcomed with genuine warmth and familiarity. There’s no doubt that many locals also see The Carlyle as theirs. And that is not to miss the good and the great who have stayed there. Every US President since Truman has visited, along with celebrities and royalty. The Carlyle is a cooperative building with 29 residences – each of whose owners is a shareholder – spread throughout the building rather than on dedicated floors. After becoming the management company in 2001, Rosewood Hotel Group
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In the Lower Gallery at Dowling’s, dramatic, high-sheen tortoiseshell patterned panels curve across a wall that is fronted by supersize mirrors and red leather banquettes
waited over a decade before enlisting New York-based
who crafted the whimsical wall illustrations of Central
tonychi studio to begin a sensitive refurbishment,
Park scenes – and is a major crowd-puller, often with
having worked with the internationally acclaimed
a substantial queue at the door. And only minimal
practice on Rosewood London and the flagship in
intervention has been required at Café Carlyle, a
Hong Kong.
cabaret and supper club experience whose minor
Being every inch a neighbourhood hotel, albeit an
upgrades – set to be revealed soon – will complement
expensive one, The Carlyle epitomises Rosewood’s
the existing musical-themed murals by French artist
mantra of ‘a sense of place’. Fitting then, that
Marcel Vertès, the Oscar-winning art and costume
leading the refurbishment for tonychi studio was
director behind the 1952 version of Moulin Rouge.
William Paley, who remembers visiting the hotel as
Additional to the redesign of 155 of the 189
a boy to watch live performances and celebrate his
guestrooms and suites, some of which feature private
grandfather’s birthday. Hyperlocal indeed. Paley
terraces thanks to the set back nature of the 35-floor
knows the ghost of the hotel – “a ghost resistant to
tower’s upper stories, the remit for tonychi studio
change” – and like many grand dame properties, any
included the Lower Gallery and restaurant. In keeping
change to The Carlyle is carefully scrutinised.
with the idea of a sense of place are themes driven by
“We touched each space lightly, but it was still a
the building and Draper’s Art Deco touch, the French
transformation,” he explains, citing the replacement
Forties design style that was very popular in the
of all windows with new ones in the original style
Upper East Side, and the idea of minimal, noticeable
thanks to the permission of local heritage authority
intervention. But as is frequently the case, less is often
the Landmark Preservation Commission. Inside, too,
more complicated to achieve.
certain elements of the public spaces are little altered to protect the legacy of the hotel.
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Take the guestrooms and suites, for which there is around a 50:50 split across the hotel. The greatest
The lobby and lift foyer see the drama of Draper’s
issue faced was the structural elements. “Many rooms
Hollywood Regency style of bold contrasts, Rococo
have the same footprint, but all have different, oddball
and Baroque touches untouched. Several other areas
column and beam junctions,” Paley explains. Such
of the property are also “sacred” per Paley, including
intrusions were overcome by a variety of panels and
the Upper Gallery, an intermezzo space linking the
open shelving. “The whole philosophy was invisible
lift lobby with a second street entrance on Madison
design; design that can’t be seen,” adds Paley. This
Avenue, as well as the hotel’s bar and restaurant,
gives the rooms a heritage feel that is also new. The
where the Ottoman style created by set-designer Renzo
feeling of an extremely well cared for original.
Mongiardino and based on Istanbul’s Topkapi Palace
The panelling took two directions. On the one
has been retained. The Bemelmans Bar also remains
hand unique, white mouldings. Clean, sometimes
unchanged. Opened in 1947, the space takes its name
reversed but each drawn several times to get the right
from Austrian-born polymath Ludwig Bemelmans –
proportions. A process applied numerous times in every
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In the guestrooms, gold-coloured panelling is reflective of the ceiling treatment at Bemelmans Bar, while bespoke pieces by tonychi studio nod to Italian designer Ico Parisi
room. Less is more indeed. The other panels are golden,
“These were made by Côté France and designed by us
reflective of the ceiling treatment in Bemelmans and
in the style of, and in homage to, Ico Parisi, who made
lined with hammered nickel. Offsetting the gold sheen
so many great sofas in the ‘50s that fill Upper East Side
and elevating the suite experience are soft and sensual
apartments to this day,” Paley confirms.
waxed linen wall panels, while small art pieces and books are arranged on shelving in living spaces.
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Artwork on the walls was kept deliberately sparse to allow focus on the views, though there are several
There is constancy too in the marble-clad
artistic interventions, including table lamps with glass
bathrooms, which feature Lefroy Brooks brassware
box bases, into which sculptures by Christopher Flach
and beaten silver sinks by Waterworks. Underfloor
and teacups by Eleonor Boström are placed. All the
heating is yet another luxury, as are amenities like Etro
decorative lighting was designed by David Singer,
hand soaps, Kiehl’s lotions and Diptyque toiletries.
Principal in charge of lighting at tonychi studio,
And in the bedrooms, Frette linen sees guest’s initials
while occasionally lining the walls are wallpapers
monogrammed onto their pillowcase, while remote-
with vignettes of Central Park that echo the style
control powered blinds glide up to reveal sweeping
of Bemelmans. Some feature a bunny, which Paley
views of the city that never sleeps.
refers to as the “spirit guide of the hotel” – an
Seeking to focus on those views, suites overlooking
imaginary benevolent presence. Each guestroom door
Central Park come with soaring picture windows.
also features a small, shiny metal leaf marker that
High-back Heritage chairs by Frits Henningsen
references the park, tying the theme together and
for Carl Hansen & Søn alongside chrome pharmacy
reinforcing the feeling of connectedness.
reading lamps by RH Contract add to the opulent feel.
The other major area of work was the restaurant.
Most other furnishings, from bedside tables to circular
“This had become tired,” says Paley, adding that Sonia
ottomans and sweeping asymmetric sofas, were
Cheng, CEO of Rosewood, “wanted it to become a
designed by tonychi studio specifically for the project.
neighbourhood favourite again”. Renamed Dowling’s
after a former owner of the hotel, business is now
were replaced for a softer look, while walls
going gangbusters, with guests dropping down
covered in artwork retain their original Fortuny
into the high-ceilinged volume via a short flight
fabric. “It wasn’t in great shape but it’s pretty,”
of steps that lead first to the Lower Gallery. This
says Paley. “We layered the ebonised, French
antechamber sees the greatest intervention.
polished walnut panels to our own design and
Dramatic, high-sheen tortoiseshell patterned
then layered the artwork over the panels.”
panels curve across a wall that is fronted by
Working with art curator Nat Choy of Rare
supersize mirrors, between which are red
Phenomenon, pieces from scores of artists,
leather banquettes. “Drawn, prototyped and
New York-based and global, with meticulously
adjusted to perfection,” describes Paley of these
selected frames, were hung, one-by-one, along
items loosely inspired by some early Draper
with five Bemelmans paintings recently acquired
settee profiles.
at auction over the course of three weeks.
In the main 80-cover restaurant, chairs by
Paley is justly proud of what has been
Artistic Frame are dressed in fabrics by Raf
achieved at The Carlyle, a project as close to his
Simmons for Kvadrat amongst others, while
heart as it is to its Manhattan neighbourhood,
brown leather banquettes are stitched with a
while in a written tribute to the world-famous
geometric pattern that references the carpet.
hotel recently published by Assouline, Cheng
Tabletops on the other hand are beautifully
comments: “Around the world, there are just
patterned in laser etched leather by Steve Sparks
a handful of properties that have this kind
of Capricorn Leathers, who also collaborated on
of legacy. I can’t think of any other property
the upholstery of a central banquette feature.
that speaks to a sense of place more than The
The existing chandelier, fireplace and wall sconces were retained and only some lamps
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Carlyle.” A tradition respected and now brought up to date.
EXPRESS CHECK-OUT Owner / Operator: Rosewood Hotel Group Interior Design: tonychi studio Art Consultant: Rare Phenomenon Main Contractor: Humphrey Rich www.rosewoodhotels.com
THE URGE TO EXPLORE SPACE
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Canopy by Hilton LONDON CITY Hilton’s lifestyle brand lands in London, with designers Acme looking to the surrounding neighbourhood to craft the interiors. Words: Catherine Martin Photography: © John Athimaritis
W
hen Hilton Worldwide announced its
office block wasn’t particularly in line with the
entry into the lifestyle segment with
brand, so an innovative solution was required to
the launch of Canopy back in 2014,
create a more pleasing aesthetic. “We had many
London came high on the wish-list of cities in
discussions with 4C about the design of the hotel
which to plant its flag. Described as locally-
and they wanted a firm who could transform the
inspired with one-of-a-kind design features,
look and feel of the entire building, not only
the brand positions each property as a natural
the interiors,” explains Christopher Webb, Vice
extension of its neighbourhood. But, like all
President of Architecture & Design EMEA at
hotels that are defined by their surroundings,
Hilton. “This hotel is about being brave, doing
location was key, and in a city as diverse as
something new, exciting and unexpected, so
London, the right spot wasn’t so easy to come
they came up with Acme.”
by. So when it transpired that 4C Hotel Group
The multi-disciplinary studio founded by
were developing a site in East London – in close
Friedrich Ludewig is behind a number of
proximity to the eclectic neighbourhoods of
landmark developments, from shopping malls,
Shoreditch, the city, Spitalfields and Whitechapel
educational facilities and cultural institutions
– it was deemed the ideal opportunity for
to entire district masterplans, but at the time,
Canopy’s London debut.
they had never before designed a hotel. Acme’s
The Minories masterplan, which includes
appointment as both architect and interior
office and residential components as well as
designer could be seen by some as a risk, but for
a landscaped park and smaller urban squares,
Webb, it was an opportunity. “If someone has
required the adaptive re-use of an existing
designed 300 hotels, they know the formula,”
building, a move that supports both 4C and
he explains. “By using a firm that is relatively
Hilton’s sustainability goals, however the 1980s
new to the sector, different ideas come up. We
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Public spaces feature artwork curated by Muzeo and Dais, while Elegant Clutter collaborated with the Hilton team to source an extensive collection of styling pieces
knew that Acme were really creative in other fields so they
they awaited slaughter; as well as contemporary influences
just applied their expertise to a hotel.”
from the likes of Brick Lane, Whitechapel Art Gallery and
The team may have required additional guidance through
Spitalfields Market.
the planning stages of the hotel’s design, but it seems the
“The challenge was to find interesting ways to take those
risk has paid off. The façade in particular is standout, a style
stories and turn them into something contemporary for a
that Hilton might not have had the confidence to take on if
hotel setting,” explains Ludewig, who spent weeks delving
it wasn’t for Acme’s track record. “It would have been really
into the archives in search of inspiration. “Some references
easy to do something constrained and expected, but Acme
are subtle, while others are more fun,” he continues, adding
are well-known for their façades,” points out Webb. “Their
that although a selection of finishes carry through multiple
idea was to clad the entire building to make it a glistening
spaces, “there’s enough difference in materiality for each to
beacon in East London – it’s completely transformed it.”
have its own identity”.
It is indeed a transformation. The former office block
On arrival, check-in is a low-key affair with the Canopy
still stands to house the majority of the hotel, though its
brand favouring an inviting welcome table rather than
nondescript exterior is now cloaked in a handsome bronze
the typical unwieldy counter. Here, it takes the form of a
façade that extends to an adjacent building and newbuild
haberdashery cabinet in homage to the East End’s historic
portion, harmoniously joining the structures to appear as
textile industry, with open shelves displaying a selection of
one. The new skin is made up of 1,900 aluminium fins, based
retail items as well as curios sourced in collaboration with
on just three modules that are rotated and repeated to create
Elegant Clutter. The wider lobby, known as Canopy Central,
a three-dimensional pattern that rises rhythmically to the
is an open-plan space comprising a lounge and café, which,
upper floors to dramatic effect.
in line with the brand aesthetic, naturally flow into one
For the interiors, Acme were tasked with developing a
another and feature plenty of natural daylight. Where it does
scheme that reflects the rich history and culture of the
differ from other properties in the Canopy portfolio is in the
surroundings, aligning with Canopy’s brand identity of being
design; once again, interiors take cues from the history of
an extension of its neighbourhood. From their nearby studio,
the surrounding neighbourhood. The inset carpet at check-
the team – led by Ludewig together with project lead Eleni
in for example is inspired by a floral pattern handwoven by
Meladaki – set out in search of the tales and traditions that
the Huguenots, while Freedom Café – which also serves as a
characterise the area. “Neighbourhood and partnerships are
local hang-out – takes its identity from the Freedom Press,
key to Canopy,” explains Webb. “Acme’s studio is based in
an anarchist publishing house and bookseller on Whitechapel
Shoreditch so it couldn’t be better placed. They spent a lot of
High Street. Materials and finishes, both in the café and
time researching and created an amazing narrative; there’s
throughout the hotel, follow a ‘raw meets refined’ approach
a different story to every space.”
in which exposed concrete and textured plaster sit alongside
Acme’s research unearthed countless stories from across
glossy walnut and polished brass.
the surrounding neighbourhoods, some dating back to the
Though the lobby is open-plan, Acme have used a selection
15th and 16th centuries, others relating to the present day.
of furniture to effectively create zones that are equally
There’s the silk weaving skills of the Huguenots, who
suited to work and socialising; a curving sofa upholstered
settled in East London having fled religious persecution in
in emerald velvet defines the outer perimeter, while clusters
their native France; and nearby Butcher’s Row and Blood
of armchairs occupy the central lounge, accompanied by
Alley, where livestock would be herded and held in pens as
leather sofas, communal tables and bar seating. There’s
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For the brand’s signature over-bed canopy, Acme created a pleated headboard that rises and curves over the bed, mirroring the aluminium fins on the façade
also pockets of quiet where guests can hide
represent the penny squares that were once
away from the activity of the public spaces. Up
stitched together to form a quilt. Look close
on the mezzanine, a row of two-seater tables
enough, and there’s some playful references to
provide a spot to work, while, partitioned from
the hotel and its designers too. Embroidery also
the lobby by a double-sided bookcase, The
covers the backs of the banquettes, adding a
Retreat is a cosy lounge. According to Ludewig,
softness to the otherwise industrial palette of
the design concept here takes inspiration from
weathered copper, antique bronze and powder-
the Young British Artists, a group of creatives
coated metal cladding.
from the 1980s including the likes of Damien
In credit to Acme, every space has been given
Hirst, Rachel Whiteread and Angus Fairhurst. A
the same level of care and attention, with the
romantic interpretation of taxidermy and tattoo
interiors telling enough stories to fill a book.
art pairs with honest materials such as wool,
The ground-floor lift lobby draws inspiration
linen, brass and walnut, complemented by the
from the former Church of Holy Trinity; built
warmth of an open fire.
on the same site as an abbey occupied by the
Rounding out the public spaces, the hotel’s
Minoresses – the nuns from which Minories
main restaurant weaves in – quite literally –
takes its name; Acme’s interpretation sees
further influences from the textile industry.
a chamber-like space clad floor-to-ceiling
Named Penny Squares after the pieces of fabric
in tactile velvet, with an ecclesiastical light
that were used to teach girls how to sew through
installation hanging overhead. Even the lengthy
the 1800s, the 120-cover dining room primarily
corridors upstairs have added interest thanks
speaks of working with yarn. Occupying one
to painted portraits of the diverse mix of locals
wall, sheer drapes embroidered with historic
observed at Spitalfields Market.
motifs, scenery and patterns in a bold red yarn
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Local details too can be found in the 340
guestrooms and suites, a rare find for such a
confirms Ludewig. Being more accustomed to
large key count. “We asked ourselves how we
residential projects where only small quantities
could design interiors that talk to the building
of furniture are specified, Acme particularly
and their surroundings,” says Ludewig, adding
enjoyed the scale of the project and being able
that he wanted to create something special for
to design everything bespoke – including the
the brand’s signature over-bed canopy. “Rather
open wardrobe that neatly combines storage
than a generic feature, we made a canopy that
space and mini-bar amenities. Ludewig also
feels like it’s for this particular hotel,” he
commends the creative freedom given by 4C
continues, pointing out the pleated timber
and Hilton. “When we were appointed, there
headboard that curves over the bed, mirroring
was only Canopy Reykjavik open, so the brand
the aluminium fins just outside the window.
book was just a few pages,” he quips. “We knew
Guestrooms come in many forms owing to the
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we could have fun with it.”
adaptive re-use of the building, with interiors
For Hilton, the success has been in the narrative
bringing together a variety of influences seen
that Acme has brought to the scheme, through
throughout the hotel: exposed concrete ceilings
their research and connections to local artists
feed into the raw-meets-refined aesthetic; a
and makers, whose works and craftsmanship
faded-effect floral wallpaper and abstract rug
can be seen in every space. “We’re blessed with
reference the textile patterns of the Huguenots;
the most amazing stories from this corner of
a fur throw speaks of Butcher’s Row; and a
East London,” concludes Webb. “Just by looking
shelving unit framing the television is dressed
to the surrounding neighbourhood, Acme have
with curios such as old metal letters that
been able to draw so much inspiration and find
relate to the printing press. “They don’t come
creative ways to showcase it in the hotel; that’s
from nowhere, everything has a relationship,”
what Canopy is about.”
EXPRESS CHECK-OUT Owner / Developer: 4C Hotel Group Operator: Hilton Worldwide Architecture and Interior Design: Acme Lighting Design: Nulty Art Consultants: Dais, Muzeo F&B Branding: Gorgeous Group Procurement: Blue Moon Landscaping: Gillespies, Spacehub Main Contractors: Radford Group, X Construct www.hilton.com
Ona Collection
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AAFF_Ona Campaign_Sleeper Magazine.indd 1
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Hotel Bohinj SLOVENIA Ofis Architects channel the spirit of adventure to transform an alpine resort in Slovenia’s Triglav National Park. Words: Abby Lowe • Photography: © Ziga Intihar
O
n 27 August 1778, eight years before the first recorded ascent of Mont Blanc, four men from the small lakeside town of Bohinj in the northwest of
Slovenia scaled its highest peak for the very first time. Led by surgeon Lovrenc Willomitzer and fellow adventurers Matevž Kos, Luka Korošec and Štefan Rožič, the courageous and ultimately victorious ascent to the 2,864m summit involved scaling vertical rock while faced with dense fog and high winds. For many, it’s one of the first examples of modern alpinism and for that reason alone, is a feat held in high esteem by all Slovenians. A statue of these four inspiring men now resides over the newly renovated Hotel Bohinj, formerly Hotel Kompas, and it is their intrepid spirit that has fuelled the transformation by native firm Ofis Architects. The project spanned structural reinforcement, interior refurbishment and sustainable renovation, but crucially remained loyal to local traditions and the location overlooking the picturesque Lake Bohinj, the jagged peaks of the Triglav National Park in the distance, and the nearby church of Janez Krstnik. “We all have a close relationship with this region, so we wanted to stay harmonious with the environment,” explains Rok Oman, Head Architect at Ofis. “The project was twice as difficult as a newbuild because we didn’t plan for the existing state of the building; I was sitting there one day and thought the best option would be to make changes to the existing façade.” As such, the basic volume of the space
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In the hotel’s new restaurant, coniferous timber conjures warmth, while a distinctly Bohinj thread nods to the region’s history
082
has been preserved yet aesthetic renewal has come in
‘hayracks’, or the typical architectural structures and
many forms, from the exterior’s larch wood cladding
monuments of Slovenian craftsmanship that pepper
and a double-height lobby to bespoke interiors and a
the Bohinj region. That doesn’t mean they are immune
brand-new restaurant.
to artistic interpretation however. “The spatial
The results are striking. From the outside, the
contrast from large to small and two-dimensional
sandy grey pillars of larch soar skywards like the
to three-dimensional perspective is a David Lynch-
peaks surrounding the hotel, and over time, they too
inspired provocation from our point of view,” Oman
will take a battering from the elements, morphing
quips. “We looked to create an irony of space, almost
and changing shade with each passing day. Inside,
a hallucinogenic effect!”
the same coniferous timber takes on an entirely
Fortunately, terra firma is easily rediscovered in
different feel, conjuring warmth amid the alpine stage,
each of the 69 guestrooms, most of which feature
especially with the backdrop of a brightly burning
balconies, and where the ubiquitous larch wood takes
fire at the centre of the remodelled foyer. It’s all tied
centre stage once more, providing a neutral, restful
together with a distinctly authentic Bohinj thread that
space for relaxing. Every chair, bench, bed, light
with each step further into the building reveals the
and soft furnishing is entirely bespoke, a move that
region’s history, practices and traditions.
is repeated across the space. “Everything was made
“With the interiors, we wanted to present the Bohinj
uniquely for this hotel,” Oman explains. “We had an
story as well as the techniques and crafts that concern
emotional attachment to it and didn’t want anything
the region,” Oman confirms. “So the design is about
to go wrong, so all the furnishings were done by our
the synergy between conceptual art and design in
broader family. Nothing was outsourced.” It’s an
relation to the vernacular.” That box has been ticked
approach that reaps rewards, not least in its lofty
many times over but nowhere more visibly than in the
design ambitions but also in maintaining a deep
long, communal corridors, which serve as an ode to
connection to the local area and its people.
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This is echoed in the hotel’s sustainability
retire to their room to gaze up at stars, made
efforts too, which include measures like making
clearer thanks to the hotel’s refined approach
use of a pre-existing space and reducing energy
to lighting, or “nothing flashy” as Oman puts
usage, but more integrally, as Oman points
it. And if that wasn’t enough, the spa features
out, its commitment to place and people. “We
Finnish and Turkish saunas, a relaxation room
aimed to preserve this energy in which guests
with a salt wall, and a heated outdoor whirlpool
are responsible to the local community,”
that is a welcome reprieve for those who don’t
he ponders. “It’s important to respect local
want to swim in the lake and reaffirm their
identity. Vernacular architecture and all that
connection to nature.
encompasses – that’s what was crucial for us
Speaking to Oman, one gets the sense that
to follow. It’s not generic sustainability but it
architecture and design in Slovenia is, like the
is common sense.”
rest of the country, still uncovering its sense of
The locale is felt vividly across all areas of
meaning and identity, or at least, that’s how it
the hotel. In the refreshed restaurant, for
seems from within Slovenia itself – perspective
example, diners are served a hearty feast from
is always the most beneficial of tools. But it’s
the surrounding region. After a day of trekking
felt strongly here, inside the walls of Hotel
the newly opened Juliana Trail, which weaves
Bohinj, a place that is utterly in tune with its
through the snowcapped peaks of the Julian
surroundings. “This is a monument to the four
Alps, guests are presented with a menu plumped
guys who conquered Triglav – their spirits,
full of pumpkin, beetroot, trout and chicory,
hearts and vision,” he concludes. And, some
alongside glasses of rich red wine sourced
would say, to all that Slovenian architecture is
from Slovenia’s exemplary wine regions. From
now and yet to become.
here, they can warm their feet by the fire or
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EXPRESS CHECK-OUT Owner: Merlak Investicije, Alpinia Architecture and Interior Design: Ofis Architects Graphic Design: Futro Design Landscaping: Radivoj Oblak Lighting Design: Arcadia www.hotelbohinj.si
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Hotel Indigo DUBAI DOWNTOWN For its Middle Eastern debut, Hotel Indigo journeys from Dubai’s past as a trading post to its present as a hub for art, fashion and design. Words: Matt Turner Photography: Courtesy of IHG
tories of Emirati culture and heritage, past
S
The respect for local arts and culture is
and present, are interwoven throughout
apparent on arrival. In the lobby, a digital
Hotel Indigo Dubai Downtown. Interior
artwork by Turkish-American designer Refik
design consultancy Dsgn has fused traditional
Anadol entitled ‘Wind of Dubai’ stretches along
references with contemporary influences in
the wall behind the reception desks, with an
a fitting response to the property’s location,
algorithm based on the city’s weather patterns
at the point where the historic Dubai Creek
creating an ever-changing, data-driven
meets the Business Bay and Design District
backdrop. Even the reception desks themselves
neighbourhoods that increasingly define the
reference local culture; one is carved in deep
city’s future.
walnut, conjuring images of the large wooden
Like the rest of IHG’s Hotel Indigo portfolio,
gates in the Emirati homes of Nad el Sheba.
the brand’s Middle Eastern debut doesn’t
Another has a metal lattice pattern inspired
subscribe to a cookie-cutter design aesthetic,
by the facecoverings worn by Emirati women,
instead priding itself on individuality and
whilst one more has a mother-of-pearl inlay
leaving no doubt as to the location where guests
as a nod to the pearl-diving industry on which
are resting their head.
Dubai was founded.
Developers Sunflower FZE have also made
In the corridor leading to the Open Sesame
every effort to distinguish the hotel from its
restaurant, dhow boats, traditionally used for
glitzier, more anonymous competitors, to the
pearl-diving in the Creek, are repurposed to
extent that the Dubai Department of Tourism
function as lobby seating. Majlis fabric adorns
& Commerce Marketing (DCTM) made it one of
a bedouin-inspired chandelier overhead. Even
the only developments of its kind in the Emirate
the traditional handmade rugs underfoot have
to be awarded its ‘Boutique’ classification.
a story to tell, having come into being thanks
087
Anchored by an Instagram-worthy entrance clad in Christian Lacroix fabrics, Open Sesame is styled as a pop-up market with soukinspired stalls
to the support of the Fatima Bint Mohamed
takes cues from the nearby culturally-eclectic
Bin Zayed Initiative – a charitable foundation
district of Satwa. An installation by local artist
established to empower low-income Afghans.
Max Cramatte dominates, alongside graffiti by
The entrance to Open Sesame is perhaps the
South African-born creative Paul Bruwer and
hotel’s most Insta-worthy moment, clad in
Syrian artist Baseem Rayyes. The pan-Asian
fabrics by French fashion designer Christian
menu offers cocktails and light bites inspired by
Lacroix and framing the perfectly composed
street food and hawker markets of the Far East.
seating arrangement beyond. The restaurant
Moving up into the guestroom floors, the
itself is styled as a pop-up market, with souk-
emphasis shifts from a historic vision of Dubai
inspired stalls and embroidered abaya patterns
to a more contemporary one hooked around
in the entrance. A loose combination of furniture
the city’s future as a hub for art, design,
can also be rearranged to create alternative
fashion and jewellery. Artworks adorning
spaces, allowing for exhibits, fashion shows
the corridors include over 200 pieces curated
and all-day dining.
through associations with the Alserkal Cultural
Elsewhere on the ground floor, the Bakala
Each floor is dedicated to one artist – not only
surrounded by creative artwork, from a printed
locals such as Badr Abbas, but also Dubai-based
wallpaper commissioned by artist Daniel Wegera
expatriates like Zahra Gulraiz – a British UAE
to woven tapestry rugs. Juices are created using
resident who mixes colourful Pop Art style with
fruit and vegetables from Emirates Bio Farm,
traditional Arabic calligraphy. The carpets along
whilst guests can purchase artworks displayed
the corridors also feature subtle references such
around the hotel from the concept store.
as the iconic Burj Khalifa and hanging lanterns
In the adjacent Off The Wall bar, the design
088
Foundation, Tashkeel and XVA Gallery.
Jooos juice bar, bookshop and concept store are
imprinted into their weaves.
089
Guestroom interiors are designed according
environment: “To create a modern yet authentic
to two distinct themes: ‘art and design’ or
local look and feel, a variety of products were
‘fashion and adornment’, with bespoke rugs by
brought together in the full bathroom supply,”
Ege Carpets providing a key point of distinction
say the group. “The modern cross-handles of
between the two. All rooms feature an eclectic
a bespoke-finished bronze basin mixer blends
mix of local and international designers, artists
the lines between modern and traditional,
and suppliers. Dubai’s role as a key trading hub
contrasting beautifully against the mother-of-
for the region is playfully expressed through
pearl finish mosaics. The warm metallic tone of
elements of recycled timber, casegoods based on
the copper hammered inset basin and vintage
quirky interpretations of vintage chests, walls
bronze basins both complement the carved
stamped ‘fragile’ and headboards reminiscent
wooden stands too and emulate the sand dunes
of old-fashioned suitcases, buckled shut.
of the surrounding desert.”
Lamps based on shisha pipes provide another
Rounding out the offer, the suites provide
immediately recognisable local touchpoint.
generous spaces with added luxury thanks to
The views outside are echoed in the feature
designer furnishings by Moroso. Floor-to-
wallpapers behind the bedheads, while in the
ceiling windows overlook envy-inducing views,
Creek-facing rooms, a surrealist mural spans
be it towards the Dubai Canal, the nearby Design
the wall, depicting the cloudy sky at sunset –
District or the shimmering skyline beyond.
complete with flying camel. Bathrooms
meanwhile
Whichever way guests look at this hotel, it is were
kitted-
out by Sanipex, whose brief specified that materials needed to emulate the surrounding
090
hard to avoid a sense of Dubai’s rich past and ever-evolving future coming together.
EXPRESS CHECK-OUT Developer: Sunflower FZE Operator: IHG Hotels & Resorts Architecture: Godwin Austen Johnson Interior Design: Dsgn www.ihg.com
www.paolomoschino.com
092
Leven MANCHESTER Brothers Joshua and Ben Senior join forces with Wellbrook Hospitality to launch the first in a series of hotels designed for living. Words: Ben Thomas Photography: © Mariell Lind Hansen (unless otherwise stated)
H
aving recently been named the third best city in the world by Time Out – beaten only by Amsterdam and San Francisco, and surpassing London in 13th place
– the Northern Powerhouse of Manchester is on the up. Its hospitality scene too has seen dramatic growth in recent years, with new openings popping up left, right and centre. Many of these openings have been conversions of heritage buildings, with developers looking to preserve the region’s rich architectural history while creating urban hubs fit for the modern day. Such was the case for local entrepreneurs and brothers Joshua and Ben Senior, who – under their investment vehicle Branco Capital – purchased a 20th century building in the Gay Village nearly a decade ago with the aim of one day transforming it into a hotel. Situated on the corner of Chorlton Street and Canal Street, the structure dates back to Manchester’s industrial past and was first used as a cotton warehouse, before later taking shape as a brewery and comedy club. To reimagine the site, the brothers went in search of a partner that could help breathe new life into its walls while retaining a sense of character and charm. Enter Wellbrook Hospitality, the brainchild of industry innovators and former colleagues Timothy Griffin, PJ Kenny and Shanthan Balakrishnan, who cumulatively spent 20 years as senior leaders at Ennismore. Together, they have created design-led brand Leven, with Manchester marking the first in a global network of sites. Taking its name from the Dutch phrase ‘to live’, Leven was born out of the notion that there is nothing more important
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© Heiko Prigge
The lobby features green velvet sofas and soft leather armchairs, together with a brass-topped bar encased in emerald green scallop tiles and backed by steel shelving
than the current moment in time. So, it seems
with a canteen-style wooden table anchoring
fitting that the group’s debut builds on the
the space and a corner sofa in turmeric velvet
former life an existing property, retaining its
sitting beneath original artworks by Lillie
red brick walls, cast iron columns and timber
Bernie. And it isn’t just here that art plays a
beams while bringing it up to date through slick
key role in the visual narrative, with around 300
materials and lighting.
individual pieces displayed across the hotel.
“We crafted a design that not only honours
“The use of art was two-fold,” Griffin
the fabric of the building but has an essence that
explains. “Firstly, our selections represent the
is scalable to future Leven sites,” says Griffin.
spirit of Leven – curating spaces that welcome
“The interior space planning was informed by
a community of individuals, each unique in
the original locations of the windows, historic
who they are – meaning the artwork is eclectic,
entry points and direction of natural light.”
inspiring and at times unexpected. Secondly, its
The journey through history begins from the get-go, with guests passing through an entrance
distinctly residential, putting guests at ease.”
that occupies the loading dock of the former
This residential feel is most evident in the
warehouse before reaching the lobby. Here,
42 rooms, which are split into four types: Life
they can kick back on green velvet sofas and
Size (standard bedroom); Living Space (one-
soft leather armchairs, grab a coffee, or order
bedroom suite); Living Large (one-bedroom
a cocktail from a brass-topped bar encased in
duplex penthouse suite); and Living The Dream
emerald green scallop tiles and backed by a
(two-bedroom duplex penthouse suite).
blackened steel shelving.
094
mindful use adds a layer of atmosphere that is
Accessed via corridors clad in floor-to-ceiling
Across the hall, a walkway leads to a lounge
timber panels and painted a charming Farrow
area geared towards co-working and socialising,
& Ball Card Room Green – which complements
096
soft textured carpeting and an industrial mesh
relaxed and homely – meaning they can be
ceiling – the rooms blend the structure’s
enjoyed on guest’s terms. We embraced the
industrial bones with sleek modern amenities,
juxtaposition of raw materiality and more
bringing together calming colour palettes,
calming layers.”
tactile fabrics, and materials like natural wood
Despite the transformation, working with a
and stone to harmonise with the Victorian fabric
historic building meant the team were presented
of the former warehouse.
with a handful of unexpected challenges along
All feature oak parquet or timber floors,
the way, from the painstaking preservation
bespoke furniture and bathroom amenities
of a six-storey façade – which at one stage,
by Grown Alchemist, whilst Naturalmat has
says Griffin, required more scaffold than any
supplied its 100% natural Barle mattresses,
other project of its kind in the UK – or the
Skinny Salcombe bed base, pillows and duvets.
elaborate moisture protection required in the
Some rooms also boast freestanding bathtubs,
sub-basements given the building’s proximity
while others have fully-equipped kitchens, with
to the adjacent canal.
every appliance housed behind cabinetry. Those
Come Spring, these sub-basements will be
who would prefer to skip the cooking can even
reborn as a restaurant and speakeasy-style
hire a private chef to do the honours as they
cocktail bar with soaring ceilings, bringing yet
cosy up in their complimentary, limited-edition
another culinary hotspot to the Cottonopolis.
Leven socks and take in the views of the city
For now, however, Leven is staying true to its
through Crittall-style windows.
ethos of living in the moment by using the
“The interior design needed to be consistent
space to showcase the work of nine Manchester
with the brand pillars,” explains Griffin. “Our
creatives through a programme of subterranean
spaces are stylish and sophisticated but warm,
exhibitions. A fitting way to continue its story.
EXPRESS CHECK-OUT Owner: Branco Capital Operator: Wellbrook Hospitality Architecture: Halliday Meecham Interior Design: Timothy Griffin, Joshua Senior Lighting Design: By Form Art Consultant: Wellbrook Hospitality Procurement: Aro Procurement Landscaping: Verde Green Main Contractor: Seddon Construction Project Manager: CBRE www.liveleven.com
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The Queens Hotel, Leeds
Made in the UK | since 1997 info@curtisfurniture.co.uk | 0113 248 0605 | www.curtisfurniture.co.uk
Curtis Furniture SPACE Nov_Dec.indd 1
21/10/2021 11:10
H15 Luxury Palace KRAKÓW Hotelier Grzegorz Rygiel tasks architect Mariola Tomczak with restoring a 19th-century palace to its former glory, marrying heritage with contemporary touches. Words: Kasia Dietz • Photography: © Piotr Gesicki (unless otherwise stated)
I
n the heart of Kraków’s old town, a stone’s
marks the second H15-branded property from
throw from the Rynek Główny, sits one
Dobry Hotels – the first being H15 Boutique in
of the city’s most prestigious addresses.
Warsaw, a member of Design Hotels. While both
Dotted with a rich variety of architectural
hotels are different in their architectural styles,
styles, ranging from Renaissance to Baroque
they share the same approach in marrying
to Gothic, the neighbourhood is teeming with
heritage with contemporary touches.
national treasures and historic landmarks. Yet
“Due to the museum value of the facility as
H15 Luxury Palace tells a unique story. The
well as the interior design elements, I proposed
newly-opened hotel was indeed a palace in
a continuation of what the Lubomirski family
its heyday, having been formed by connecting
started,” explains Tomczak, who consulted with
three adjacent townhouses and occupied by the
the Bureau of Historic Preservation on every
Lubomirski family through the 1800s. Over the
architectural and interior design detail. “The
years, the property has taken on various uses.
scheme combines a respect for history with
In the 1850s it became a cultural centre, hosting
contemporary elements of architecture and art,
art exhibitions and social gatherings including
using precious materials such as natural stone,
a showcase of Polish antiquities by the Kraków
wood, metals and glass.”
Scientific Society. Following World War II, it
From the outset, historic details abound. At
operated as the headquarters for the French
the entrance, a Baroque metal gate remains
Institute, and more recently was the setting for
intact, while inside, original timber tiles were
two popular nightclubs.
carefully cut and replaced. “The floor in the
It
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wasn’t
until
2016
that
historical
lobby is a historic masterpiece of paving stones
conservation and expansion of the Lubomirski’s
made from larch. It was removed, restored and
former home began, with owner Grzegorz Rygiel
then meticulously relaid,” Tomczak confirms.
enlisting architect Mariola Tomczak to restore
Even the Baroque-era ceiling in the main hall
the mansion to its former glory. The partnership
has maintained its original luster.
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Original murals decorate the ceilings of four imperial apartments, while linen drapes open to reveal original window casements and handblown glass
Such elements blend seamlessly with modern
apartments, where original murals decorate the
furnishings, from velvet couches and reception
ceilings – some of which feature elaborately detailed
counters in brushed brass by Tom Dixon – the
wooden beams – and linen drapes open to reveal the
latter reminiscent of medieval dining benches – to
same window casements and handblown glass that the
refurbished stucco ceiling decorations accented by
Lubomirski family once looked through. “Fireplaces
gold lighting fixtures. Elsewhere, the floors on the
and chandeliers may have changed locations but all are
landing are decked with Carrara granite, while family
original,” adds Tomczak. Paintings from the family’s
busts appear throughout the space in a playful contrast
museum collection hang on the walls too, while
to vibrant paintings by artist Ivo Nikić. “The main
additional furnishings were crafted by Polish and
staircase, crafted from original black oak, is finished
European factories according to Tomczak’s direction.
with spatial abstract installations by the same artist,
The museum quality continues to the ceremonial
whose pieces also adorn the walls of all guestrooms
conference room on the first floor, where coats of arms
and corridors except the first floor,” says Tomczak.
century fireplaces stand on either side of The Crest
and suites – each of varying sizes and some with
Hall’s salon. Along with portraits of the Lubomirski
balconies – there’s glimpses into the lives of the
and Czartoryski families, one painting is also on
palace’s previous inhabitants, with family portraits
exhibit at the city’s Wawel Royal Castle, the former
and antique armoires keeping the Lubomirski legacy
seat of Polish rulers. For events, the hotel’s facilities
alive. “I had furnishings from the original palace at my
extend to a 140m2 club space below ground, and future
disposal,” shares Tomczak, adding that the bathrooms
plans include a stage for live entertainment as well as
are dressed in Italian marble to “integrate with the
a wine cellar, tasting room and landscaped gardens
colours of the rooms.”
for al fresco dining.
Accommodations also include four imperial
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from notable Polish families line the ceiling and 19th-
From the maze of hallways into the 71 guestrooms
The subterranean level is also home to a gym,
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swimming pool, sauna, steam room and
16th-century openwork backrest of the bench
three treatment areas defined by 15 -century
flanking the restaurant will draw the eye of
stone walls that required special treatment.
the visitor, while Flemish tapestries from the
“After long-term geological research, we
same period will add even more seriousness and
received a permit to strengthen the side walls
museum charm,” confirms Tomczak.
th
in the basement,” Tomczak explains. “After
Already open and equally rich in history,
reinforcement and cleaning, they can be seen
Bistro The Hours on the ground floor is set
in the spa, bar, club rooms and wine cellar.”
beneath the palace’s original vaulted ceilings
The history of Poland can also be discovered
and uses mirrors to enlarge the space. A sizeable
at the hotel’s signature restaurant, opening this
bar connects its two rooms, both of which are
Spring. Once occupied by an orangerie, the space
decorated with Fornasetti wallpaper and custom
takes guests on a journey back in time with chef
sofas. Here, guests can turn back the hours,
Mateusz Suliga, who puts a modern twist on
and the centuries, dining on local products and
historic recipes. “We will reconstruct the dishes
recipes also prepared by Suliga. “In centuries
of old Polish cuisine, little known not only
gone by, Polish cookery was enriched by the
abroad but even in Poland itself,” says Suliga.
flavours of Italian, French, Jewish, Hungarian
“This way, diners can discover the richness of
and Austrian cuisine. It was here in Kraków that
our culinary heritage.” The story being told
trade routes from the Far East led into Europe.
will fuse regional produce, Polish crafts and
This is where culinary fashions and novelties
treasures from small family farms. In addition
spread,” says Suliga. At The Hours, and the
to plants, Tomczak plans to decorate the venue
wider hotel for that matter, this mélange of
with wicker chairs from Feel Good, Carl Hansen
history and culture is brought back to life.
and Ton, as well as her own sofa designs. “The
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EXPRESS CHECK-OUT Owner: Grzegorz Rygiel Operator: Dobry Hotel Architecture and Interior Design: Mariola Tomczak www.h15palace.com
TUUCI21102021_SLEEPER_Creative_2021_cnt.indd 1
21-10-2021 13:27:18
Rosewood Villa Magna MADRID Rosewood debuts in the Spanish capital with the transformation of a beloved establishment in the Salamanca neighbourhood. Words: Agnish Ray Photography: Courtesy of Rosewood Hotel Group
I
n September 2021, a glittering collection of
of Rosewood Hotels & Resorts, marking the
over 3,000 pieces of decoration, furniture and
brand’s debut in the country.
fine art went up for sale at Spanish auction
Entering its new chapter, the refurbished
house Ansorena, including originals by artist
property has opted for smart and stylish over
Javier Solís and designer Thomás Urquijo. The
fuss and frills. Australian design practice Bar
catalogue belonged to Madrid’s Villa Magna
Studio – based between Melbourne and Madrid
hotel, a beloved establishment that has stood in
– was appointed for the makeover, producing
the swish Salamanca neighbourhood since 1972.
a sophisticated destination that houses 154
Spanish newspaper El País reported that
guestrooms, 53 of which are suites.
among the items going under the hammer were
In the Grand Premier Castellana room, the
objects used by the likes of Gregory Peck, Julio
black-and-white zigzag pattern of Alarwool’s
Iglesias, Madonna and Tom Cruise. It gives a
carpet contrasts with a deep blood-orange wall,
flavour of the guests that have passed through
which is complemented by leather touches in
Villa Magna’s doors over the decades, who also
the form of a charcoal green headboard, burnt
include royal families from Jordan, Belgium
orange chair and brown bed bench. The curved
and Holland, housed here during the wedding
edges of the bedside tables add a retro feel,
of Prince Felipe and Letizia Ortiz in 2004.
while the bathrooms – complete with toiletries
The hotel had, however, been closed ever since Spain’s first lockdown in March 2020. With the
by French beauty brand Maison Cauliéres – feature a cool and contemporary pale marble.
much-talked-about auction in the Autumn,
Downstairs, the designers wanted to create
it was out with the old and in with the new,
openness between the spaces, expanding
as Villa Magna returned the following month
previously small and partitioned areas to
in a new incarnation under the management
create visual connections from one side of the
105
In the Grand Premier Castellana room, the black-and-white zigzag pattern of Alarwool’s Axminster carpet contrasts with a deep blood-orange wall and leather furniture
hotel to the other. “One of the key elements
cocoa, nuts, berries, meringues and macaroons
was to connect indoor and outdoor,” explains
are on display in jars around the workspace,
Maria Garcia-Arribas, Director of Bar Studio’s
where chefs prepare desserts and pastries for
Madrid office. “We opened up views with glass
both hotel guests and walk-ins.
connections. Now there are layers in the hotel that guests want to explore.”
106
Across the front of the property is all-day dining venue Las Brasas, whose three sections
The practice also believed it was important
can be joined or separated by the sliding
to establish a residential atmosphere, which
partitions and retractable blinds. Floor-to-
they see as one of the defining features of the
ceiling and windows provide views of the hotel’s
Rosewood aesthetic. As such, Garcia-Arribas
front garden while diners enjoy recognisable but
explains that the team installed new fireplaces
refined Spanish favourites, from grilled Atlantic
to act as “elements of gathering”, used soothing
octopus to Iberian pork shoulder, or classics like
piedra de campaspero limestone in the entrance
ensaladilla Rusa – Russian salad, a Spanish
areas, and added petrol blue lacquered timber
staple – enlivened by the addition of prawn
wall panels for a pop of colour in the lounge and
carpaccio and dollops of fish roe.
library. Contemporary chandeliers throughout
The star attraction of the gastronomy offer
also feature stained-glass baubles hanging in
is Amós by Jesús Sánchez, whose three-
bunches from bronze stems.
Michelin-starred flagship restaurant is located
At one end of the parlour sits in-house
in Villaverde de Pontones in northern Spain.
patisserie, Flor y Nata, where dark timber
The new outpost marks Sánchez’s debut in
cabinets and crisp white marble counters reflect
Madrid and offers diners a flavour of the hilly,
the design of Madrid’s traditional pastry shops,
coastal region of his award-winning original
according to Garcia-Arribas. Baking goods like
establishment, with Esencia and Memoria
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108
tasting menus serving dishes from pigeon
Rosewood Villa Magna arrives hot on the
pâté, Cantabrian anchovies and seafood ravioli
heels of several luxury openings in the Spanish
to caramelised duck, hake loin with cockles and
capital, including Ritz Mandarin Oriental and
beef tenderloin with a Picón Bejes-Tresviso blue
Four Seasons. With Edition and JW Marriott
cheese sauce. Topping things off is a fig tart
properties on the way, the city’s surge in
named after the chef’s daughter and a crumbly
high-end hospitality is persisting despite the
almond cake with a velvety liquid inside.
pandemic, meaning competition is fierce.
Over in the Tarde.O cocktail bar meanwhile,
General Manager Charles Morris, who has
the lights are dim and romantic while the glossy,
taken charge of Villa Magna since 2011, says
reflective finish of a lacquered ceiling catches
the hotel has always been a favourite for Latin
the flicker of candles and softly shaded lamps,
American, Mexican and Hispanic travellers, and
complemented by furniture in a moody palette.
is certain that the new offering will continue
Continuing the theme, the doors are lined with
appealing to those markets. “We have a lot of
silvery embossed leather, while a large mirror
repeat clientele and we expect them to return,”
– treated with acid to create a muddy, antique
he explains. “And, of course, there’s our local
and damaged effect – spans the wall behind the
community, which I think will only blossom.”
bar. On the menu, Head Barman Carlo Proverbio
Recent openings have certainly raised the bar
has crafted several cocktail lists, including one
for the city’s hospitality scene, though Morris
devoted to the negroni. Each version pays
believes that this is just the beginning. “We
tribute to a place he has lived, from his Italian
want the luxury traveller to think of Madrid as
birthplace of Alba – a negroni infused with
a top destination, in the same way they think
truffle – to Madrid’s Salamanca neighbourhood,
of Paris and London,” he confirms. “We hope
a negroni sweetened by madrone berries.
that this is the start of something very special.”
EXPRESS CHECK-OUT Owner: RLH Properties Operator: Rosewood Hotel Group Architecture: Ramon de Arana Interior Design: Bar Studio www.rosewoodhotels.com
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Middle Eight • The Guardsman LONDON Shiva Hotels expands in the UK capital with two independent properties – one inspired by nature and the other creating the feel of a members’ club – designed by Tonik Associates. Words: Matt Turner • Photography: Courtesy of Shiva Hotels
F
ounded in 2001 by former derivatives trader Rishi
Overlooking Sycamore, The Balcony lounge area with its
Sachdev, Shiva Hotels has hitherto been best known
herringbone parquet flooring, marble-clad open fireplace
for its portfolio of UK properties operated under various
and deep curved sofas has a more tranquil library-like feel.
Hilton brands. But the lockdown of 2020 saw a change in direction, and
Here, guests can enjoy afternoon tea, browse the bookshelves or play board games.
in May 2021 it softly opened two independent properties
Middle Eight occupies the former site of music venue
in the heart of London: Middle Eight, a luxury lifestyle
Kingsway Hall, its name referencing the section often used
hotel in Covent Garden, and The Guardsman, a low-key
to break up the chorus and verse of songs. Its 12 suites
boutique offering on the doorstep of Buckingham Palace,
are each named after a well-known piece of music with
both designed by Tonik Associates.
a ‘middle-eight’ bridge and have been cleverly carved
Shiva Hotels says it has “a desire to drive a more engaged,
out of a first-floor space, which was formerly host to the
responsible and purpose-driven era,” in which its team
windowless meeting rooms of the eponymous Kingsway
will “question the status quo, push boundaries, innovate
Hall Hotel to provide light-filled volumes with internal,
sustainably, enrich employee wellbeing and have meaningful
naturally-illuminated courtyards and living walls. The 190
social impact with a small environmental footprint.”
rooms stacked above are designed to maximise space and
This ethos is evident in the design of Middle Eight,
minimise their environmental impact, with black lacquer
which takes its inspiration from nature and is brought to
mini-bars integrated into brass railed casegoods, and sofas
life through the use of organic materials such as stone and
and pouffes upholstered in soft-brushed ivory velvet, fringed
wood with a soft, tonal colour palette running throughout.
with gold accent fabrics. Silhouetted metal artworks on the
Motifs inspired by the elements are immediately visible on
walls meanwhile reference the street entertainers and artists
arrival into the atrium lobby, with its undulating feature
of the surrounding neighbourhood.
wall, curved ceiling panels and handcrafted reclaimed oak
The hotel’s connection to the building’s musical past is
reception desk. To the left of the entrance, an eyecatching
most explicit in the basement bar and event space QT – a
display with hundreds of burnished leaves is suspended over
speakeasy with its own street entrance and private cinema
the Sycamore bar. The adjacent restaurant offers an all-day
for live performances and screenings, which aims to bring
menu of Italian and Californian dishes, with live DJs adding
the spirit of Covent Garden’s famous piazza into the hotel.
to the informal and sociable ambience. Timber flooring,
Sachdev states: “At Middle Eight, we will choose to do
brass accents and geometric wall panels complete the look.
things not because they are easy, nor because it’s what
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112
everybody does. We will choose to do them
connects these spaces to a brasserie-inspired
because they represent our collective vision
restaurant and bar in the basement.
of what’s right. We will inspire guests, teams,
In the guestrooms, with square-footage at a
communities and partners to believe in and
premium in such a prestigious location, a fully
share our world view. And we will challenge our
mirror-clad bathroom enclosure enhances the
industry competitors by disrupting the status
sense of space within the rooms themselves.
quo and offering our residents a genuinely new
The six residences occupying the top three
option – a conscious choice to experience luxury
floors on the other hand are designed with
with purpose.”
longer-stay guests in mind. These sumptuous,
Though a British theme runs through both of
self-contained apartments all boast generous
Shiva Hotels’ new properties, with carpets by
living spaces, dining areas and either a kitchen
Brintons, lighting by Chelsom and bathrooms
or kitchenette, together with options such as a
supplied by CP Hart, a very different take on
private chef, a valet and 24-hour room service.
luxury is provided at The Guardsman. This
Central to the proposition is a high, yet
newbuild boutique comprises 53 guestrooms
unobtrusive, level of personal service. Guests
and six residences and has been designed to
may not quite be waited on hand-and-foot
replicate the atmosphere of a private members’
to the same degree as the residents of nearby
club, with Tonik Associates elegantly fusing
Buckingham Palace, but they can request a
old and new to “look at traditional Britishness
specific room or residence along with their
through a 21st century looking glass”.
preferred brand of drinks, menu items or
In the ground floor Drawing Room and Library, comfortable armchairs, enveloping sofas and a carefully curated art collection create a club-like feel, while a feature staircase
bathroom products, all of which will be prepared ready for their arrival.
Middle Eight (previous page and top left) mixes organic materials such as wood and stone, while The Guardsman (bottom left and above) has a members’ club feel
EXPRESS CHECK-OUT Owner / Operator: Shiva Hotels Architecture: Ray Hole Architects (Middle Eight), Dexter Moren Associates (The Guardsman) Interior Design: Tonik Associates www.shiva.co.uk
113
EVOHIDE ™
MISTRAL FRee Part of the
collection
75% sustainable content vegan leather
Less is More www.morberneurope.com
Yours VALENCIA First-time hoteliers Daphne Kniest and Wouter Kock take a leap of faith to create a minimalist retreat inspired by its trendy locale. Words: Lucy Lovell • Photography: © Alfonso Calza
W
andering through the vibrant, bohemian
To create a serene retreat in the centre of a
neighbourhood of Russafa, it’s almost
bustling barrio. “Calm and minimalistic but not
impossible to imagine a time when
cold,” continues Kniest, who had a very clear
people would fear to walk its streets. Around
idea for Yours from the start. “We wanted to
a decade ago, one of the area’s most neglected
create a cosy feeling so looked at it from the
roads, Calle de Cuba, had yet to benefit from
perspective of creating a home for our guests.”
the influx of Valencia’s creative community.
Together with Russafa-based architecture
Number 19 in particular was a building falling
studio Eseiesa, Kniest and Kock embarked on
into disrepair. Dating back to 1887, it housed the
a hunt for the perfect building. Five years into
long-abandoned remnants of a laundrette and
their search, they found number 19, but it was
was in desperate need of restoration. For most it
on a road left behind by the area’s otherwise
would have been a no-go, but for fearless first-
blossoming growth. “It was still a little
time hoteliers Daphne Kniest and Wouter Kock,
dangerous,” Kniest recalls of Calle de Cuba.
it was the perfect location for their new venture.
“But there were plans for restaurants and a
The Dutch couple had been running a small
nearby park. We saw the potential.”
bed-and-breakfast in a nearby neighbourhood
While the building ticked all the boxes, it
for almost five years, but the rented site was
wasn’t without considerable problems, all of
restricting the growth of the business. They had
which kept architect Irene Soriano very busy
big plans but needed more autonomy over the
indeed. “It’s a historic property. The restoration
building. “We had a different style in mind,”
was challenging,” she recalls. “If there’s a list
says Kniest of their former business. “We said to
of unusual things, you’ll find them all here.”
ourselves that the next step would be something
The most notable restriction was the protected
that we can design from scratch.” Their vision?
19th-century façade. But, according to Soriano,
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Interiors are softened with tactile sofas and gently scented candles, while black metal chairs and light fittings provide a colour contrast
116
there was not much to protect. With little more than
Upstairs there are 12 guestrooms, each a haven of
crumbling render to work with, the team created
neutral colours and warm lighting. For Kniest, colour
ornate plasterwork around the balconies and
was key to making the hotel feel cosy. “There’s not
constructed new French double doors to replicate
a lot of colour, but there’s no white,” she explains.
the originals and bring the frontage back to life.
Walls are light oatmeal, the dove-grey concrete
After a long construction process, drawn out by
floors are speckled with terrazzo, and fittings are
red tape and regulations, Yours opened in August
crafted from birch. The artwork too is monochrome,
2021, though the classic façade gives nothing away
accentuating the texture of the paint applied to the
of the radical changes that took place inside. With
canvas. “The decoration is minimal but it adds
the exception of the exterior, every wall in the hotel
warmth,” Kniest confirms.
was removed to make way for a new minimal layout.
What’s most striking about the property is how
Downstairs, an open-plan lounge features a coffee
structure and design blend into one. Polished
bar sculpted with stucco plaster, which doubles as an
concrete floors echo the raw finish of board-formed
informal reception. The space is softened with tactile
concrete ceilings above. Throughout the building
sofas and gently scented candles, while black metal
they are in fact one and the same, a technical detail
chairs, tables and light fittings provide a colour
that allowed the architects to save on space and build
contrast. Custom-made wooden benches run parallel
to the height restrictions dictated by the building’s
with the straight lines of the building’s structural
protected façade. “The architecture was really
beams, guiding guests inside like the markings on a
important right from the beginning,” says Soriano.
runway. Everything points towards the plant-lined
“Sometimes when you work on a project, someone
terrace, where a swimming pool and modernist
else comes in to dress the interior. With this project,
lounge chairs from Ferm Living invite guests to kick
it was necessary to consider everything about the
back and relax.
structure from the outset; light switch locations were
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planned out years in advance, emergency lights
But perhaps the best local partnership was
were hidden, and wires were tucked from view.”
with the architecture studio. The collaboration
For Kniest and Kock, it was an obvious choice
between the owners and Eseiesa was no doubt
to support local businesses. Not only would it
made easier by their location; they are practically
help the local economy, but it afforded them
neighbours. “I visited the building on a daily
easier working relationships, an invested team,
basis to measure everything and manage the
and a more sustainable supply line. In fact,
builders,” Soriano explains. “I was just glad the
nearly everything for the hotel was sourced
studio was so close.” The proximity doesn’t just
from the city itself. The owners also worked
mean more site checks, it encourages a personal
alongside Valencia-based interior designers
investment in the project.
Juanjo Pico and Jorge Soriano, who helped track
“I like this kind of work,” says Soriano
down the area’s best artisans, resulting in a
earnestly. “It’s like you’re restoring life to the
raft of stylish fittings such as cloud-like sofas
city through its buildings. What’s more, you
by furniture studio Viccarbe; elegant pendant
create a neighbourhood that’s safer, where
lighting by Arkoslight; and in the double-
people want to live.”
height loft rooms, a delicate metal staircase
As the redevelopment of Russafa continues
that resembles a piece of origami. Decorative
and Calle de Cuba is reinvented yet again, this
elements were made locally too, including
type of renovation ensures that the street retains
a modern take on Spanish botijos – or rustic
a little something of itself. By carefully sourcing
ceramic jugs traditionally used by farmers to
locally made products and working with local
keep water cool – which guests can buy at the
professionals, Kniest and Kock have not only
hotel’s boutique shop. Even the coffee is roasted
created a beautiful minimalist hotel, they have
in Valencia by Bluebell Coffee Roasters.
also created a community around it.
EXPRESS CHECK-OUT Owners: Daphne Kniest and Wouter Kock Architecture: Eseiesa Arquitectos Interior Design: Daphne Kniest, Wouter Kock, Juanjo Pico, Jorge Soriano Branding: Estudio Savage Graphic Design: Vedeyo Lighting Design: Arkos Light www.thisisyours.es
Build Back Better As the hotel sector strives towards more efficient and ecofriendly development solutions, modular construction could be on the rise in the years to come. Words: Ben Thomas
F
rom shorter lead times to lower building costs, greater quality control and reduced carbon footprints, there’s a list of reasons for hospitality brands to consider modular construction, the method in which a hotel is built room-by-room in a factory before being transported to site.
While many developers and operators have been slow to
capitalise on the use of industrial prefabrication, CitizenM has been at the forefront of the movement for over a decade; the Netherlands-based group launched its first modular hotel in Amsterdam in 2008 with the help of Dutch design studio Concrete, and since then has worked with the firm to add nine more modular properties to its portfolio, gleaning insight into the best practices along the way. “Prefabrication not only enables faster construction and easier quality control, but also guides the architectural aesthetic of our modular locations,” says Chief Development Officer Harold Reniers. “No matter how they’re assembled, CitizenM’s modular buildings are recognisable in their urban surroundings for their identifiably square units, clean lines and artwork on the façades.” Another operator exploring this method is Yotel, which marked its entry into the modular landscape with Yotel Amsterdam Noord in 2019. Having witnessed early success, the group plans to roll-out several more as part of its growth strategy, with the latest Yotel and YotelPad AnyTown models designed to allow for the adoption of the method. In addition, both assume a traditional frame and transfer structure for the
In New York, Danny Forster & Architecture has designed AC NoMad (top) – slated to become the world’s tallest modular hotel at 26 storeys – as well as Hudson Yards Autograph (bottom) in Manhattan
“Prefabrication not only enables faster construction and easier quality control, but also guides the architectural aesthetic of our modular locations.” HAROLD RENIERS, CITIZENM
ground-floor podium level, enabling flexibility
Namibia, Bacalar and AlUla last year. Having
outperform traditional techniques by 68%. The
over their front- and back-of-house spaces.
created its own factory in Mexico, Habitas is
environmental advantages extend across the
“We have always had one eye on modular
now able to manufacture rooms before on-site
construction process, with fewer truck deliveries
construction – it aligns with our brand DNA
construction has begun, standardising several
and speedier timeframes for crane work.
of efficient and forward-thinking real estate,”
modules before flatpacking and shipping them
“Consumers are driving change, demanding
reveals CEO Hubert Viriot. “It can also give our
to site, where they are assembled like Lego. As
more sustainable hotels but even if that wasn’t
hotels a unique exterior aesthetic – something
a result, the group achieves lead times of under
the case, these standards will be enforced by
guests have come to know and love about us.”
12 months – something it hopes to replicate as
incoming legislation,” explains Walsh, whose
And it’s not just future-focused brands like
it expands to new locations in Mexico, Saudi
studio employs a zero carbon and zero waste
CitizenM and Yotel pushing boundaries, as
Arabia, Costa Rica and Bhutan. “Traditional
policy. “Investors want appreciating assets
hospitality’s big guns are also making waves in
hotels follow a linear process that can take
and brands want low-cost operations, so it is
the world of prefabrication; Marriott now has
three to four years from concept to opening,”
becoming the norm rather than the periphery.”
more than 30 modular hotels – including the
explains co-founder Kfir Levy. “By designing,
For Habitas meanwhile, the aim is to tread
under-development AC NoMad New York City,
manufacturing and developing our properties
lightly without compromising design integrity
billed as the tallest of its kind in the world at 26
in-house, we’ve streamlined the process.”
and the guest experience. “We all need to
storeys – while Hilton has bolstered its modular
For British architecture firm Studio Anyo,
be more conscious of the planet – it’s our
portfolio over recent years with new openings
which uses a Modern Method of Construction
responsibility,” Levy insists. “Owners and
from Garden Inn, Home2 Suites and Hampton.
(MMC)
off-site
operators are being forced to change their
Designed by Danny Forster & Architecture and
construction with on-site techniques – faster
development practices to foster environmental
named as runner-up at Radical Innovation 2019,
build times are essential in the hospitality
consciousness and more sustainable methods.”
where it was pipped to the post by Connectic
market. “Hotels are revenue-generating assets
– a modular concept from Cooper Carry that
and every night they are closed is revenue lost,”
DECISIONS, DECISIONS
could be used to build a pop-up hotel in remote
says founder James Walsh. “MMC programmes
Notwithstanding
areas or help solve space issues in dense urban
can be up to 50% faster than conventional
environmental benefits, modular construction
cores – AC NoMad is using patented technology
methods and mean a hotel can be open and
does come with challenges, including the
that trains 3D cameras on each module at five
earning much sooner.”
front-loaded nature of the design process,
different points during the construction process,
process
–
combining
its
efficiency
and
given that complex changes are off-limits once
meaning contractors and architects, as well as
PROTECTING THE PLANET
off-site stakeholders, can keep track of what’s
Another benefit of industrial prefabrication is
creation of a unique DNA is another obstacle,
taking shape.
the more responsible use of resources, including
with operators weighing up how they can mass
a reduction of the time needed on site as well as
produce modules without taking a cookie-cutter
lower waste and noise pollution levels.
approach. In many instances, the solution is to
ACCELERATED ASSEMBLY
units have been produced. Adaptability and the
So why is prefabrication becoming such a
According to Reniers, CitizenM’s modular
ensure that while 80% of a project is repeatable,
popular method within the hotel sector? One of
approach offers plenty of sustainability rewards
the remaining 20% is characterised by creative
its key advantages is speed, as preparation and
as it uses a parametric design procedure,
elements. And then there’s site constraints to
foundation work can often be undertaken whilst
which lessens construction waste to just
consider, with modules needing to be easily
units are being prepared.
2%, down from 10-20% for a typical build.
manoeuvred into position, especially in heavily
This is certainly the case for experience-led
Shortened timeframes also lower carbon
populated cities like New York and London.
hospitality group Habitas, which built on the
emissions, and when it comes to embodied
“It’s important to flag that modular
success of its Tulum resort with openings in
carbon, analyses shows that modular methods
construction isn’t without its drawbacks,”
123
“We have always had one eye on modular construction – it aligns with our brand DNA of efficient and forwardthinking real estate.” HUBERT VIRIOT, YOTEL
says Viriot. “Our experience has taught us that
modular methods to authorities, with its next
establishing relationships with best-in-class
modular hotel, a 226-room development in
manufacturers is critical. We have also learned
London Victoria, slated to open later this year.
that modular needs to be assessed on a project-
From an architectural viewpoint, Walsh
by-project basis – not every opportunity makes
expects a well-funded manufacturer to enter
sense, with variables such as unique design and
the market with a semi-automation process
real estate constraints, financial feasibility, and
that will drive the industry forward through
transport and accessibility issues. Despite this,
lean systems. “AI tools connected to parametric
we are optimistic that with growing experience,
design are being developed to assess sites and
we will get better at assessing these needs.”
these will be tied to production software,
Walsh agrees that experience is crucial,
On a lighter note, and potentially providing
are caused by lack of know-how: “Developers
developers with a source of inspiration for their
need to appreciate that because the programme
upcoming ventures, the Lego Group will soon
is faster, design decisions are earlier and fixed,
be adding a hotel to its modular city collection.
so the risk profile is different to a typical build.”
Celebrating 15 years of sets from the line-up,
FUTURE FORECASTS
Having witnessed early success with Yotel Amsterdam Noord in 2019, the group plans to roll out more modular hotels using its Yotel and YotelPad AnyTown models
124
bringing with them new levels of efficiency.”
adding that most issues with modular projects
the three-storey model comprises over 3,000 pieces and is furnished inside and out with a
As the industry gets to grips with prefabrication,
lobby, terrace, art gallery and penthouse suite.
Levy expects to see more work done in the field
There’s also mini-figures to staff the property,
and less in a centralised factory, with pop-
including a bellboy, receptionist and barista. If
up workshops and mobile facilities reducing
Lego’s new addition is anything to go by, then
logistics and transportation needs to streamline
modular construction could be on the rise as
the process even further, while CitizenM is
the hotel sector strives towards more efficient
dedicating time to present the benefits of
and eco-friendly solutions in the years to come.
Hotel Construction Pipeline Global Despite the ongoing challenges faced by the hospitality industry, there has been little impact on the future pipeline according to research by Tophotelprojects. The data shows that there are a total of 7,231 hotels in the pipeline globally, accounting for over 1.5 million rooms – only marginally lower than early 2021 figures. Asia Pacific is once again the most active region with 2,612 projects signed, followed by North America (1,780 projects) and Europe (1,750 projects). By country, China, USA and UK lead the way, while India climbs into the top five thanks in part to significant expansion for Marriott International; W Jaipur, Moxy Mumbai and JW Marriott hotels in Agra, Chennai and Goa are all in the works. Also recording an uptick in development is Vietnam, which enters the top ten following increased interest from international operators, in addition to new offers from homegrown groups such as Wink Hotels. Honing in on the top cities, Dubai, London and New York continue their reign as the most active hotel development markets in the world, while new entries in the top ten include Suzhou (47 projects), Riyadh (45 projects) and Bangkok (43 projects).
TOP CITIES DUBAI Projects 118 Rooms 35,335
CHENGDU Projects 62 Rooms 13,709
LONDON Projects 100 Rooms 17,919
SHANGHAI Projects 59 Rooms 15,346
DUBLIN Projects 53 Rooms 7,565
RIYADH Projects 45 Rooms 10,342
NEW YORK Projects 66 Rooms 16,532
LOS ANGELES Projects 54 Rooms 11,088
SUZHOU Projects 47 Rooms 10,370
BANGKOK Projects 43 Rooms 11,397
TOP COUNTRIES
With over 500,000 rooms expected to open globally in 2022, the big question now is whether consumer demand will match the volume of new supply. Projects Rooms
Tophotelprojects is a data service to support the design, build, furnishing and operation of hotels worldwide. For more information visit: www.tophotelprojects.com
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Projects Rooms
1
2
3
4
5
CHINA 1,476 344,209
USA 1,437 277,706
UK 426 62,802
GERMANY 352 54,925
INDIA 180 28,093
6
7
8
9
10
MEXICO 130 29,953
VIETNAM 124 52,628
UAE 172 48,092
SAUDI ARABIA AUSTRALIA 159 168 29,018 69,358
BUSINESS CENTRE
CONSTRUCTION PHASE Of the 7,231 projects in the pipeline globally, 32% (2,302 projects) are in planning and 43% (3,136 projects) are under construction. A further 9% are in the final stages of fit-out and set to open imminently.
VISION
PRE-PLANNING
PLANNING
CONSTRUCTION
PRE-OPENING
Projects 164 Rooms 40,609
Projects 954 Rooms 191,049
Projects 2,302 Rooms 455,976
Projects 3,136 Rooms 714,448
Projects 675 Rooms 139,151
GROUPS AND BRANDS Marriott International has the most projects in the pipeline globally, with growth coming primarily from the Marriott and Courtyard brands. New signings for IHG’s Hotel Indigo sees it climb the rankings of most active brands while Hilton Hotels & Resorts takes top spot.
931 748 473 465 351
Projects
Projects
Projects
Projects
Projects
BRAND
PROJECTS
ROOMS
Hilton Hotels & Resorts
139
39,843
Hilton Garden Inn
123
22,730
Marriott Hotels & Resorts
118
32,889
Hampton by Hilton
99
14,312
Doubletree by Hilton
92
20,160
Hyatt Place
90
15,843
Hotel Indigo
89
15,459
Courtyard by Marriott
87
15,965
Holiday Inn Hotels & Resorts
74
19,522
Hyatt Regency
71
18,868
YEAR OF OPENING
2022 (38%)
2023 (23%)
2024 (9%)
2025 (5%)
UNCONFIRMED (25%)
127
The intelligence source for the hotel investment community
Market newcomers eye growth
in 2019. With North America trading 10% to 15%
Francis Davidson called a “stellar quarter”,
below and Europe lagging in around 20% below.
guidance was raised to an expected USD200-
Recently listed accommodation business Soho
I’d expect that there’s significant capacity to
205m of revenues for the full year.
House has reported on the pace of its recovery,
increase pricing or member fees, and I think
The company continues to innovate with
while serviced apartment group Sonder is
we can really justify that on the basis that the
its app-based guest services. The quarter saw
stalling on its planned SPAC listing in the US.
membership offering has become significantly
an improved version launched, with Davidson
richer.”
noting: “We continued to build out the operating
Soho House, under its new brand Membership Collective Group, achieved an IPO on the New
The group’s IPO left a net USD338m in
system for hospitality which we believe will
York market. Sonder, which has long trailed
proceeds, which will be used to pay down
translate into a better guest experience and
its reversal into an already listed vehicle, has
USD20m of preference shares and USD105m of
superior economics.”
moved back the completion deadline of the deal
debt facilities. Afzal said the group’s reporting
The group continues to trade in the red,
from end October 2021 to end January 2022. In
continued to roll in growth costs: “We report
however the metrics are improving. Third
addition, it has trimmed its valuation from
our adjusted EBITDA fully burdened for growth,
quarter losses were USD4m at the property level,
USD2.2bn to USD1.925bn.
meaning that we include expenses that are
an improvement of USD8m over the second
associated with the growth of our business.”
quarter. Frits van Paasschen, already a member
MCG saw revenues improve 57% year-onyear in the third quarter to USD180m. The
Soho House global president Andrew
of the Sonder board became lead independent
company declared a net loss of USD76m, and
Carnie underlined the group’s key offering:
director, while Gilda Perez-Alvarado, global CEO
adjusted EBITDA of USD9m for the quarter.
“Membership is where it starts and where it
of the hotels and hospitality group at JLL, joined
The group reopened hotels and clubs, and
finishes for us. Some people have subscribers,
the board.
launched Soho House premises in Paris and
we have members. Some people have content,
The improving performance came as a further
Tel Aviv, taking its portfolio to 32 properties.
we have houses and the more houses we open,
USD110m of investment was injected into the
Following the end of the quarter, the group
the more members we get.”
business at the end of October. The funds came
announced it has signed to take over the former
He sees no reason why the business will not
from SPAC vehicle Gores Metropoulos II, as well
NoMad hotel in Manhattan, which will become
bounce back: “Back in 2019, we were running
as Fidelity Management, BlackRock, Atreides
its second Ned-branded hotel. The 167-room
super high at 95% and that’s without any
Management and Senator Investment Group.
property is expected to launch in summer 2022,
booking engines, it’s all website and app. We
A further USD220m has been lined up by way
ahead of a previously revealed Ned planned for
see that continuing to grow throughout the
of loan notes from previous investors. “We
Washington DC. Earlier next year, Soho Houses
quarter, back to 2019 levels by Q1 as people start
strongly believe that Sonder is the hospitality
in Nashville, West Hollywood and Brighton are
to travel more.”
brand of tomorrow and have high conviction
Sonder, which has grown as a serviced
that the company will continue to grow, which
Total memberships grew by 16,663 to 144,503
apartments-meets-tech business, is now
is why we are increasing our initial investment,”
and membership revenue grew by 21% to
increasingly expanding its business by signing
said Alec Gores, CEO of Gores Metropoulos II.
USD51m, accounting for more than a quarter
hotel properties to the brand. In October, it
At the end of the quarter, Sonder’s portfolio
of total revenues. CEO Nick Jones commented:
added a Paris property, the 48-unit Sonder
stood at 6,300 units trading, with a further
“We’re still seeing strong demand for our
Atala, after hiring former Interstate and IHG
16,000 signed into the pipeline.
memberships, and with our waitlist currently
executive Jean-Charles Denis to lead its French
sitting at 66,800, we have visibility toward and
expansion. During the quarter, it also signed
HA PERSPECTIVE
confidence in our future growth.”
more than 600 units in Mexico, and opened over
By Chris Bown: Soho House feels like a business
300 units in two Dubai locations.
that’s got some tailwinds. Never mind grinding out
set to open.
The group said average occupancy is around
128
70%, while average day rates are up 35% year-
The group announced record third quarter
a loyalty programme, how about a membership
on-year. CFO Humera Afzal said the bounceback
revenues of USD67.5m, up 155% year-on-year.
programme; you charge handsomely for coming on
had been strong: “In September, the UK was
RevPAR improved to USD126, up 26% on the
board, and limit access. That’s when you really get
trading at around 10% above comparative levels
previous quarter. On the basis of what CEO
profitable; engaged members who keep on paying.
BUSINESS CENTRE
We’ve covered elsewhere the increasingly blurred
Can it do so and build a profitable scale business?
In Mumbai, this month has seen the opening
link between hotels and workspaces; Soho House is
Maybe, if it keeps vertically integrated so that the
of a first pod hotel, backed by the Indian Railway
already milking this, with both types of assets in the
real estate component is driven by the superior
Catering & Tourism Corporation. The project,
portfolio, and obvious choices for cross-selling. The
operating returns.
within the city’s central railway station, will be
Less convincing are the dalliances into things
delivered with partner Urban Pod Pvt. Initially
Having built its base, MCG would love to grow on
like Soho Home, the homewares offshoot. This can
the site will launch with 48 pods across three
an asset-light basis, as per the major hotel groups.
certainly add significant incremental revenues and
types - classic, ladies and private.
Its deal in Manhattan, taking over the former
profits but it also risks diluting the specialness of the
NoMad hotel, is indicative that it has a compelling
Soho House name.
opportunity is increasingly becoming clear.
The project has been long in the making, having first been discussed in 2018, with an
proposition for landlords; and with the eye of the
As a warning from history, Pierre Cardin went
opening date in 2020 first promised. The
public markets now able to look over the numbers,
from being a fashion icon to having articles like one
pods in Mumbai are set up with free Wi-Fi, a
the group has an opportunity to go toe-to-toe with
in 2005 in the Harvard Business Review with the
luggage room and shower rooms. The capsules
pure hotel brands, when owners are looking to
headline ‘How not to extend your luxury brand’.
themselves measure around 2x2.5m, featuring a TV, USB chargers, locker, air conditioning and
repurpose their assets. Mama Shelter or Soho House? Hmmmm. It all looks so attractive… So who’s going to challenge? It’s worth considering that Soho House has spent a good few years burnishing its brand –
Pod hotels grow appeal
smoke detectors. Railway spokesman Sumit Thakur commented: “This unique facility will be a game changer in the way passengers travel in
a would-be clubhouse rival will struggle to build a
The pod hotel, famously used by overworked
India by rail, especially those on business trips.
brand faster.
Japanese businessmen, is seeing a revival as
The pod concept is more suitable for frequent
So while MCG is all about being social, Sonder
entrepreneurs across Europe, America and Asia
travellers, backpackers, single travellers,
is, in absolute contrast, the hotel brand for people
look to build on its international appeal out of
corporate executives and study groups.”
who never want to see anyone. It’s taking on hotels,
the pandemic.
but won’t be running a front desk, it seems – everything’s done by the app.
HA PERSPECTIVE
And in the UK, 2021 saw a new pod hotel
In Spain, start-up Optimi Rooms has
launch in the coastal town of St Leonards, with
just opened its second site, in Madrid, after
16 pods of accommodation opened in a former
successfully trading from its first site in Bilbao
retail premises. The site adds to a handful
since summer 2019.
of individually owned properties across the
By Andrew Sangster: There is a fundamental flaw
“We are not a hostel, nor are we a room, but
country offering the compact format, often
at the heart of the Soho House come MCG business
we are more comfortable than some hotels,”
as an option alongside larger rooms or shared
model: its allure comes from its unobtainability. The
said founder Inaki Zabala in an interview with
hostel dormitories.
Groucho Marx crack that he would never join a club
Spanish newspaper El Pais. “We have patented
At airports, the pod hotel continues to be a
that would have him as a member sums it up.
this large capsule model in Spain and have
feature in several locations. Operator Izzzleep
brought them from China exclusively for our
has units at two of Mexico’s airport terminals,
hotels.”
while Yotel operates its larger format sleeping
Take away the exclusivity aspect and then selling Soho House membership becomes a harder problem. It can work but then you are in the more traditional territory of brands. The price premium on brands at the mass market
Building on the experience of its 48-capsule site in Bilbao, the Optimi in Madrid will be larger at 82 units.
pods at Amsterdam, Paris, Gatwick, Istanbul and Singapore airports. One issue for pod hotels is how they are
level within hotels has remained relatively modest.
Elsewhere in Spain, Fernando Constante
classified. In Spain, a lack of en-suite facilities
Brands have instead sold themselves on their
launched a capsule hotel in Puerto de la Cruz on
means authorities are inclined to mark them
distribution capabilities and access to technology
the island of Tenerife in mid-2020. Constante,
down as hostels. And authorities in many
and procurement.
who has adapted his pods for Europe, even
global cities mandate a requirement for hotel
Soho House does not have the tech or distribution
giving occupants a view, told El Pais: “Our goal
accommodation to have an external window.
or procurement capabilities of the biggest hotel
is to open new markets in a sector where it
brands and so it must retain its exclusivity edge.
seems everything has already been invented.”
129
HA PERSPECTIVE
The framework will deliver a common set of
There is also the regulatory push. Governments
By Chris Bown: A well established format in Japan,
standards for measuring hotel sustainability,
are moving to introduce new legislation, that
pod or capsule accommodation has never travelled
which can be applied equally to a single hotel
will drive improved energy efficiency in both
very well. Will the aftermath of the pandemic be its
as to the portfolio of a major group. It will sit
new and existing buildings. Siobhan Cross, a
time? Strangely, it appears that in Covid times, people
alongside a further Alliance initiative to develop
partner at Pinsent Masons, is keeping a close
are more comfortable in their own little pod than
a Pathway to Net Positive Hospitality.
eye on UK government moves as new legislation
they are sharing a bunk in a room full of strangers.
Representing around 30% of the industry via
evolves, and commented: “Landlords of non-
And with accommodation prices strengthening on
its membership, the Alliance will be combining
residential properties need to think about taking
the back of strong demand, maybe now is the time
a stepped approach with simple practical tools,
steps now if they are to achieve the minimum
for pods to really go global.
and aims to get every hotel to act on improving
Energy Performance Certificate bands targeted
its sustainability, no matter where it starts.
by the government.” Legislation is likely to
HA PERSPECTIVE
Acknowledging the need for all in the value
require building owners to report their energy
By Andrew Sangster: Although I once stayed in a
chain to act, the Alliance has launched an affiliate
use, and formulate a plan to reduce the carbon
capsule hotel in Tokyo, it’s not an experience I’m in
membership to encourage the involvement of
intensity of their properties to an agreed level,
a hurry to repeat. But there are customers who will
developers, owners, investors and franchisees
over a specified timescale.
find the convenience and price appealing.
in the sustainability process. Alliance chair Wolfgang Neumann told Hotel
awareness is concerned, I think funders are
pioneered by the likes of Yotel and easyHotel but
Analyst: “I think there’s an awakening - we’re
more aware of the direction of travel but owners
without even en suite facilities. The pricing will need
moving on. Ticking the box is no longer good
and operators less so - although key brands now
to reflect this.
enough, it’s becoming more and more of an
have well developed sustainability strategies,
issue, with customer expectations rising.”
so hopefully are travelling towards the type of
Whitbread too has its own take, ZIP, which is billed
improvements the policy and future regulation
as ‘basics done brilliantly’. This has en suites but is
Neumann said that sustainability and energy
in less desirable locations and rooms half the size of
efficiency are now high on the agenda of those
a Premier Inn.
undertaking due diligence and valuing assets.
Many improvements in building energy
With the exception of Yotel, which styles itself as a
While many understand that more efficient
efficiency do deliver a payback in reduced future
first-class airline cabin, the key consumer appeal is
buildings cost less to run, “there’s this enigma
operating costs. But a new report put together
price. And in some markets this will work. But just as
about the cost of investing in sustainability”.
by EY Parthenon and Booking.com warns the
is designed to produce.”
budget hotels in edge-of-town locations have fallen
“The Alliance is trying to guide and lead,
accommodation sector globally will require an
out of favour and the old-style Formule 1 hotels
but also to come up with tools. There are a
investment of USD768bn to achieve net zero
with shared bathrooms down the corridor have had
lot of hotels who haven’t started the journey;
by 2050. That global figure does, however,
to undergo a rebranding targeting a hostel crowd,
regardless of where you are, just start it.”
include a substantial sum required to invest in
the size of the market for the super price conscious
In addition, the WTTC has been working with
green energy supply – something that is not
customer unwilling to stay in a hostel does not look
the UN Environment Programme (UNEP), the
the responsibility of the hospitality or tourism
huge. If we see a lot more ZIP hotels I will, erm, zip it.
UN Framework Convention on Climate Change
sector directly.
(UNFCCC), and Accenture to develop a Net
Commitments to reducing carbon are
Zero Roadmap. “The Travel & Tourism sector
increasingly making their way into hotel
is taking this opportunity to be a catalyst for
funding deals. There is a green discount to be
change,” said Julia Simpson, WTTC President
had from lenders, currently worth perhaps 0.5%
With climate change on everyone’s minds
and CEO. “We have a responsibility towards
on interest costs, for certified green loans; and
as COP26 took place in Glasgow, hotel and
our people and planet. Our sector can be part of
banks are warning that it won’t be long before
hospitality organisations are stepping up their
the change that is urgently required to mitigate
the counterpart to a green discount, the brown
commitments to change. Responses have
impacts and adapt to the threats posed by
penalty, will be added for those seeking finance
included many more signatories to the Basic
climate change.”
for inefficient buildings.
Not easy being green
130
She added: “So far as the hotel sector’s
Pod hotels sit alongside the windowless rooms
Sustainability framework, a joint venture
The roadmap provides recommendations
The latest to knuckle down is Hongkong &
launched by the World Travel & Tourism
across setting baselines and emission targets;
Shanghai Hotels (HSH), which has just agreed a
Council (WTTC) and the Sustainable Hospitality
monitoring and reporting; collaboration;
HKD1.25bn refinancing package with HSBC and
Alliance, alongside major hotel groups and
finance and investment; and building awareness
Mitsubishi UFJ Financial Group, a global leader
travel partners.
and knowledge of climate change.
in ESG finance. Terms of the sustainability-
BUSINESS CENTRE
linked loan bind HSH to demonstrate continuous
that there is a problem when it comes to climate
reductions in waste, carbon intensity and energy
change but divergent views as to precisely what
use. In addition, some of the group’s properties
the problem is and even more divergent views on
are written into the loan as needing to reach
what to do about it. It is fortunate then that there
agreed performance levels under the EarthCheck
is already work being done to clarify more precisely
certification system.
what sustainability means in the context of the hotel
Jonathan Drew, Managing Director, ESG
sector, and by 14 of the biggest hotel groups globally.
Solutions, Global Banking at HSBC commented:
Being sustainable has moved beyond being
“Sustainability-linked loans are a smart and
a marketing slogan and now requires credible
effective way to incentivise positive change. It
measurement and reporting tools as sophisticated
is encouraging to see HSH set out ambitious
investors apply the forensic analysis normally
targets relating to key impact metrics for their
deployed on finance onto whether sustainability
global business and take leadership to support
targets and benchmarks are being hit by companies
the development of green and sustainable
seeking money.
finance markets in Hong Kong.”
There remains the ‘stick’ of negative publicity
And Clement Kwok, CEO of HSH, added:
and regulatory difficulties if there is gross failure on
“These sustainability-linked loans are an
these measures but the ‘carrot’ of more attractive
important milestone as we seek to integrate
financing costs is now increasingly being dangled.
sustainability in all aspects of our business, and
Hotel buildings are an obvious source of carbon
to improve the lives of our people, our guests
emissions. Savills, in its report Property and
and the communities in which we operate.”
Carbon published in April 2021, estimated 40% of the UK’s carbon footprint was attributable to the
HA PERSPECTIVE
built environment. Rapid headway is being made
By Chris Bown: The warning signs are pretty clear
to reduce carbon emissions but for hotels, the
now. Anyone owning or running a hotel needs to
operational carbon output is a particular challenge
take carbon reduction seriously - because consumers
as reducing it can also reduce perceived consumer
are becoming increasingly interested, regulators are
benefits from the stay.
ratcheting up the ante, and financiers are concerned
The big challenge is going to be air travel. Goldman
too. Anyone with a draughty, leaky old hotel is on
Sachs, in its series of reports dubbed Carbonomics,
notice - you need to start planning upgrades.
points out that airlines’ share of CO2 emissions in
And even newer buildings, too, need assessing for
Europe had double since 1990. It remains relatively
practical improvements.
small at about 4% but, as net zero initiatives gain
Owners, operators and brands need to work
traction, the share taken by airlines is set to soar.
together on this, so that sensible, practical steps are
This will create more pressure on governments to act.
implemented. As ever, in a new and fast-changing
Hotels, particularly resort hotels and gateway
field, everyone will need to be wary of taking the
city centre properties, are reliant on airlift for much
wrong advice, and wasting money on new fangled
of their business. If this airlift becomes a target for
kit that doesn’t deliver as promised.
green taxes – as it surely will – then this will create
Thankfully, there are now a growing range of
headwinds for the sector’s growth.
tools and support systems, many being developed by
The options for reducing carbon are to curtail
organisations with the broad support of the industry.
activity, make the activity more efficient in carbon
It’s time to grab a tool, and start measuring.
terms or to offset the activities emissions create through carbon sequestration initiatives. While there
HA PERSPECTIVE
are some efficiency measures available to airlines,
By Andrew Sangster: Sustainability is increasingly
such as fleet renewal by cleaner engined aircraft
an “hurrah” word. What it actually means in reality
and sustainable aviation fuels, they cannot reach net
is what matters and divining that has become
zero on these measures alone. And new propulsion
harder and harder. There is widespread consensus
technologies are some way off.
Hotel Analyst is the news analysis service for those involved with financing hotel property or hotel operating companies. For more information and to subscribe visit: www.hotelanalyst.co.uk
131
Performance Data November 2021 vs 2019*
(year-over-year % changes and absolute values)
Covid-19 Update: Fluctuations continue around the world As the world nears the two-year mark in the pandemic, hotel performance recovery continues to play out unevenly across world markets. Recovery also continues to encounter new challenges, such as the rapid spread of the Omicron variant and subsequent new restrictions at the end of 2021.
CANADA
Despite month-on-month performance declines, absolute levels inch closer to pre-pandemic figures. Room rates continue to show recovery momentum with less of a seasonal drop off than historically.
The most recent monthly data at the time of writing displays the uneven nature of global performance. US performance levels for November are lower than the previous month, but indexed comparisons with 2019 fare better. Included in the month, the country posted its best Thanksgiving week on record. In Asia, China – which was the first country to reach 2019 levels earlier in the pandemic – has seen significant fluctuations with performance declines tied to restrictions. Markets in parts of Europe also saw declines in November amid rising Covid case counts, even before the announcement of Omicron. The UAE, which has been more successful than most in reopening to international travel, has moved further ahead in recovery. And after a difficult winter in the southern hemisphere, Brazil’s occupancy is once again on the rise and ADR is exceeding 2019 comparables. Regardless of location, recovery continues to be closely aligned with pandemic restrictions. So, while the world continues to push forward, there are inevitably going to be setbacks and short-term hurdles to clear for the hotel industry.
Occupancy 18.4 % to 49.7% ADR 6.3% to CAD138.52 RevPAR 23.6% to CAD68.85 USA
On an absolute basis, US performance is its lowest since July 2021. However, this was to be expected due to seasonality, and levels come closer to pre-pandemic comparables than in the previous month.
Occupancy 6.2% to 57.6% ADR 2.4% to USD128.50 RevPAR 3.9% to USD74.03
BRAZIL
Brazil’s 58.5% occupancy is its highest of the pandemic era.
Occupancy 8.8% to 58.5% ADR 5.4% to BRL342.11 RevPAR 3.9% to BRL199.98
CHILE
ADR is the highest in the country since March 2020.
STR provides premium data benchmarking, analytics and marketplace insights for global hospitality sectors. For more information and to subscribe visit: www.str.com
132
Occupancy 6.8% to 54.8% ADR 21.5% to CLP65,034.42 RevPAR 16.1% to CLP35,655.25
BUSINESS CENTRE
UK
The UK posts its second highest ADR since September 2019. While occupancy is lower than October on an absolute basis, the indexed comparison with 2019 is higher.
Occupancy 12.7% to 68.0% ADR 5.3% to GBP99.62 RevPAR 8.1% to GBP67.74
CHINA FRANCE
November marks France’s fifth consecutive month with ADR above EUR120.00. The country’s occupancy index to 2019 is slightly lower than October.
Occupancy 14.2% to 56.8% ADR 5.4% to EUR121.17 RevPAR 9.5% to EUR68.88
Amid rising Covid cases and subsequent restrictions, China’s occupancy is its lowest since August and even lower than November 2020 (62.1%). ADR and RevPAR levels are the lowest in the country since August 2021 and January 2021 respectively.
Occupancy 32.3% to 45.8% ADR 12.7% to CNY399.42 RevPAR 40.9% to CNY182.93
UAE
EGYPT
With international tourism flows being restored, Egypt’s occupancy level is its highest since November 2018. ADR is its highest since July 2021 and pushes RevPAR to its highest point since August 2018.
Occupancy 0.3% to 73.6% ADR 17.0% to EGP1,481.06 RevPAR 17.2% to EGP1,089.50
Lifted by the much-anticipated Expo 2020, absolute ADR and RevPAR levels are the highest in the market since January 2016 and March 2015 respectively. Occupancy is at its highest point since November 2019.
Occupancy 0.2% to 82.9% ADR 32.1% to AED755.43 RevPAR 31.9% to AED625.97
AUSTRALIA
Reflecting the end of lockdown and eased travel restrictions, Australia’s absolute ADR level is its highest since April 2021, while occupancy and RevPAR are the highest since June 2021.
*Due to the steep, pandemic-driven performance declines of 2020, STR is measuring recovery against comparable time periods from 2019
Occupancy 41.4% to 45.7% ADR 4.7% to AUD183.94 RevPAR 44.2% to AUD84.06
133
SIPPING
AHEAD EUROPE
WAT C H H I G H L I G H T S O N C AT C H - U P
www.aheadawards.com
000
NoMad London scoops an impressive five awards in Europe as the industry comes together for a Blitz Kid-inspired evening to celebrate the best in hospitality experience and design.
Following a pandemic-induced hiatus, AHEAD Europe returned to Battersea Evolution in November for a New Romantics-themed ceremony held in collaboration with Global Sponsor RH Contract. In keeping with the popular ‘Black Tie With A Twist’ dress code, the community of developers, operators and designers in attendance were asked to wear their Blitz Kid attire to celebrate the best hotel designs across Europe in style. Having met and mingled with their industry peers, guests were invited into the ballroom, where Awards Director Matt Turner welcomed everyone before introducing Christopher Webb, Chair of the judging panel and Vice President of Architecture & Design at Hilton Worldwide, to share some opening remarks. “This year, we have seen breathtaking restoration and newbuild projects, as well as awe-inspiring architecture delivered with a true and bold sense of place,” said Webb to the 700-strong audience. “We have also seen emerging hospitality concepts, unique one-off projects and exquisite retreats, all awakening our spirit of wanderlust once again. There has been a continued trend for specialisation too, be that the finest theatrically-designed bars, a handcrafted cabin for two, or perhaps a once-in-a-lifetime suite with panoramic views overlooking Europe’s finest capital cities. So,
lets celebrate this wonderful and unique year of design that I know made myself and the other judges both dream and smile again.” The awards portion of the event kicked off with Michelin-starred chef Angela Hartnett MBE, who took to the stage to present the Outstanding Contibution Award to husbandand-wife Robin and Judy Hutson, founders of The Pig Group. In just ten years, the pair have taken their restaurants-with-rooms brand from one property in the New Forest to eight across the UK, changing the way designers and hoteliers view country house hotels in the process. What makes the couple so deserving of the accolade is their investment in the business, and not just from a financial perspective. Both are heavily involved in each project from start to finish – with Judy responsible for the design and maintenance of the new properties, and Robin managing renovations and long-term strategic growth. From a luxury cabin with panoramic views of the Tuscan hills to a Swedish lighthouseturned-boutique-hotel on a remote rocky islet, originality reigned supreme across the rest of the awards. Winners were announced by AHEAD’s loyal line-up of sponsors and supporters, with those victorious on the night getting their hands on a bespoke crystal glass trophy designed by Lasvit.
JUDGING PANEL Alba Biedermann – Design Hotels Chris Penn – Birch Hotels Christopher Webb – Hilton Dennis Irvine – Richmond Intl Federico Toresi – Accor Geraldine Dohogne – Beyond Design Henry Reeve – IHG Iype Abraham – Edwardian Group Annalyn Hood – Design Hotels Jason Wischhoff – Minor Intl Linda Boronkay – Linda Boronkay Design Studio Matthew Seal – Marriott Intl Richard McConkey – UDS Stefan Rier – Noa* Tina Norden – Conran + Partners
AHEAD
B A R , C LU B O R LO U N G E / V I S UA L I D E N T I T Y BERTIE’S BAR AT THE FIFE ARMS – BRAEMAR Artfarm / The Fife Arms Hotel / Russell Sage Studio Kicking off the ceremony was the Bar, Club or Lounge award, which went to Bertie’s Bar at The Fife Arms Hotel. The glamorous whiskey bar, named in King Edward VII’s honour, emulates storytelling through its authentic design with “no detail left aside, from the personalised whiskey bottle to the logo and bill slip.” Later in the evening, The Fife Arms also took home the prize for Visual Identity. According to one judge, the hotel establishes a “stunning sense of place through colour, tone and iconography that seamlessly relates to the holistic design approach”, while another praised the “playful yet classic” design concept with great attention to detail.
GUESTROOMS
VILLA COPENHAGEN – DENMARK Nordic Hotels & Resorts / Krook & Tjader / Universal Design Studio / Goddard Littlefair Villa Copenhagen won over judges with its guestrooms, envisioned by Universal Design Studio. Inspired by the building’s Neo-Baroque style, the context of local architecture and artworks by Danish master Vilhelm Hammershøi, the studio created 381 rooms across the property’s five floors. Unique for a project of its size, the hotel houses over 55 room typologies, all designed to give a sense of subtle beauty, quality and timelessness. Described by the judges as “calm, elegant and beautifully designed”, the guestrooms boast a clean aesthetic with an “effortless and exquisite” design.
HOTEL NEWBUILD HOTEL MILLA MONTIS – MARANZA, ITALY Oberhofer / Roland and Franziska Oberhofer / Peter Pichler Architecture With new projects popping up across the region, Hotel Newbuild has become an increasingly competitive category. So, what made Hotel Milla Montis stand out to the judges? Conceived by Peter Pichler Architecture, the hotel is a contemporerary reinterpretation of the region’s vernacular architecture, as well as the classic wooden barn. One member of the judging panel used the words “poetic, tactile, confident and authentic” to describe this unique newbuild, while another applauded the studio’s work as “an unbelievable piece of architecture” that interacts well with the surrounding nature.
AHEAD
H O T E L R E N O VAT I O N & R E S T O R AT I O N
OKU IBIZA – SPAIN Westfort Capital / Oku Hotels / MG&AG Architects For this renovation and restoration, Oku Hotels enlisted father-son-duo MG&AG Architects to transform the former Casa Cook building and its neighbouring plot into Oku Ibiza. Comprising a trio of low-rise grey concrete structures, the hotel eschews the all-white aesthetic synonymous with the island, instead favouring raw and natural materials. “Although they are very modern buildings, we wanted to create a natural look; when you see the architecture from a distance it doesn’t stand out,” Miguel Garcia Quetglas told Sleeper. The panel applauded the hotel’s tactility, describing it as “excellent and incredibly consistent in its clear, contemporary language.”
S PA & W E L L N E S S / L A N D S C A P I N G & O U T D O O R S PA C E S
SIX SENSES IBIZA – SPAIN Beachbox Hotelco / Six Senses Hotels Resorts Spas / Jonathan Leitersdorf / Nova Ingenieria “When people leave Ibiza, what do they need? Another holiday. So we wanted to create a place where people leave feeling recharged,” explained architect and real estate developer Jonathan Leitersdorf in the last issue of Sleeper. Successful in its mission, the ultra-luxury wellness-focused retreat deservedly took home the award for best spa and wellness facilities. And it wasn’t just the resort’s wellness focus that impressed the judges, with its landscaping and outdoor spaces also receiving an accolade for its “seamless integration of local plants and trees” and focus on sustainability.
LO D G E S , C A B I N S & T E N T E D C A M P S CASA OJALÁ – TUSCANY, ITALY Casa Ojalá / Rosewood Castiglion del Bosco / Beatrice Bonzanigo The Lodges, Cabins & Tented Camps category first became highly competitive in the AHEAD MEA awards. Now other regions have stepped-up their game, so much so that the category has been introduced to AHEAD Europe for the first time. Scooping the inaugural trophy was Casa Ojalá, a luxury cabin in Tuscany that offers a “360-degree guest experience in glamping” with a “true connection with nature”. The judges were “fascinated” and “impressed” by the unique concept’s mechanical system, which allows guests to effortlessly control their comfort and privacy with the pull of a cord.
RESORT
CERVO MOUNTAIN RESORT – ZERMATT, SWITZERLAND Cervo / Mls Architeckten / Dreimeta Following an eight-month renovation that commenced in Summer 2020, the updated Cervo is a reconceived haunt for the modern nomad where sustainability, connection to nature, and a glocal experience reign supreme. Redesigned by Dreimeta, the remodelled spaces are a modern interpretation of the Alpine lifestyle, with a decidedly more outward-looking perspective of the world. “Quirky, responsible and nestling beautifully in its landscape”, the judges concluded of the resort, which offers “a different type of luxury” that focuses on sustainability and its connection with nature.
SUITE
HERBS VILLA AT EKIES ALL SENSES RESORT – HALKIDIKI, GREECE A+P Efstathiadis / Agarch+ Architects / Fytron Landscapes / Alexandra Efstathiadou The Europe Suite category comprised a host of strong contenders, but there could be only one winner. So, how did the Herbs Villa beat off the competition? Located in the Ekies All Senses Resort complex, the suite embodies everything the hotel has to offer. Spread across two levels and accomodating up to four guests, the 80m2 villa offers an interesting mix of “local and contemporary, texture and architectural elements,” a combination that the judges perceived to be both original and authentic.
NEW CONCEPT PATER NOSTER LIGHTHOUSE – HAMNESKAR, SWEDEN National Property Board Sweden / Toplite Invest / Stylt Trampoli The judges were totally in awe of Pater Noster Lighthouse, located on the remote island of Hamneskar off the west coast of Sweden. A former home for generations of lighthouse keepers, today the historic site offers an alternative take on luxury hospitality for experience-seeking travellers. Design agency Stylt Trampoli has converted the landmark into a guesthouse that combines Sweden’s nautical beauty and unique surroundings, with the judges defining the unique and unconventional concept as “exceptional” on all levels.
AHEAD
E V E N T S PA C E S / H O T E L C O N V E R S I O N / L O B B Y & P U B L I C S PA C E S / R E S TA U R A N T / H O T E L O F T H E Y E A R
NOMAD LONDON Sydell Group / Bow St Hotels / NoMad / EPR Architects / Roman & Williams
NoMad London was the biggest winner of the night, taking home an impressive five awards including Hotel of the Year. Situated in Covent Garden opposite The Royal Opera House, the first international NoMad property takes residence in the Grade II-listed building formerly occupied by Bow Street Magistrates Court and Police Station. The landmark transformation, carried out by EPR Architects and Roman & Williams together with main contractor Beck, earned the award for best Hotel Conversion in the region. The NoMad Restaurant headed up by Executive Chef Ashley Abodeely, took the second F&B accolade for its “clever use of space, which gives guests a great arrival experience”, while the attention to detail throughout the hotel meant NoMad was also triumphant in the Lobby & Public Spaces category. Judges praised the shared areas for “providing guests with an
intriguing journey of discovery with a series of individual spaces leading to one another.” According to the panel, the interiors make the best use of the floorplan, with every area from the lobby to the library “well-appointed”. The original courtroom, now the Magistrates’ Ballroom, has been re-imagined as a formal space with two adjacent private dining rooms and a separate bar. When picking their Event Spaces winner, the panel applauded the “exceptional” décor, describing the venue as “punchy, provocative and dramatic”. The judges were so bowled over with NoMad London that it scooped the most coveted award of the evening, the AHEAD Europe Hotel of the Year. “NoMad London is a masterclass in creating a complete experience,” commented the panel. “Every space delights, delivering spectacular design and a wonderful sense of theatre.”
2022 DATES ANNOUNCED SOON
www.aheadawards.com
W I N N E R O F F I V E AWA R D S I N C L U D I N G T H E C OV E T E D AHEAD EUROPE ‘ H OT E L O F T H E Y E A R ’
Working in close collaboration with the professional team, BECK are delighted to have been the main
contractor on NoMad London. To find out more, please contact Vanessa Budd: vbudd@beckinteriors.com
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SPOTLIGHT
Reviving the Roaring Twenties Combining technology, craftsmanship and art, Gessi’s Venti20 collection honours the classic Art Deco forms of the 1920s. Words: Ben Thomas
he Roaring Twenties will always be
T
Merging form and function in equal measure,
each offering a different take on Art Deco. The
remembered for the emergence of Art
the evocative bathroom range – comprising
chromatic qualities of nickel, for instance,
Deco – a style that influenced everything
mixers, shower components, wall-hung WCs and
enhances the purity of the basin mixers, while
from architecture and interior design to fashion,
bidets, together with washbasins, coverplates
a warm bronze finish adds a modern zing to
furniture and everyday objects.
and accessories such as soap dispensers and
timeless shapes, and a brushed copper strikes
Characterised by bold geometric forms and
towel rails – takes on a linear look with refined
a balance between industrial and artisanal
lavish ornamentation, the movement continues
silhouettes, while the craftsmanship of the
craftsmanship. And then there’s matte black,
to inspire creatives to this day, with many
handles and the base of its long umbrella spouts
which rounds out the collection with its soft
looking to revive the spirit of the age in the
reimagine classic shapes for a new era.
aesthetic and subtle technical feel.
modern world. Such was the case for Italian
“Deco had the merit of being a very expansive
While reviving the Roaring Twenties was
manufacturer Gessi, whose recently-launched
style,” notes Violán. “We have never seen a
the primary ambition, Venti20 also recognises
Venti20 collection honours the signature
style flourish so quickly. For Venti20, we looked
a shift towards wellness in the hotel sector.
elements of the ‘20s – think detailing, iconic
to reproduce those precious objects.”
“The bathroom was once seen as an obligation,
This fusion of past and present is evident
whereas today it is a space that people want to
Conceived by Spanish designer-artist
across the collection, from the jewel-like high
feel comfort in,” Violán reflects. “Nowadays,
Lázaro Rosa Violán, who has worked with the
sink mixers with their reflective curves and
taking care of the bathroom is crucial as it plays
likes of Marriott International, Mondrian and
cuts, to a ceiling spout that embodies the chic
a key role in the guest experience. For me, this
Soho House since founding Barcelona-based
cleanliness of minimalist design. Three-hole,
room is everything.”
LRV Studio in 2002, Venti20 does away with
wall-mounted mixers follow the artful aesthetic
Looking ahead, Violán hopes his collaboration
nostalgic replicas in favour of carefully dosed
too, integrating the stylistic traits of the wider
with Gessi will inspire a new generation of
retro notes, blending elegantly detailed profiles
range into sleek handles and slender spouts.
bathroom designs, celebrating the best of the
style and a playful essence.
with fluted bodies and pure lines that come
Violán worked closely with Gessi to achieve
past while catering for the modern traveller. “As
together as functional, contemporary works of
this symbiosis, often stopping by the brand’s
in the 1920s, today we are talking about a new
art in the bathroom.
production facility in Italy to see his designs
cultural, aesthetic renaissance,” he concludes.
“When we took on the project, we considered
first-hand. “It was important for us to visit the
“Let’s hope that this explosion of joy and shapes
two or three aspects and the one that emerged
factory because otherwise we would certainly
will influence the response to the Venti20
as most interesting to me was the inspiration
have approached the project differently,”
collection, which, as well as being highly
of nature,” says Violán. “We wanted to create a
he confirms. “It was a surprise, like living
versatile has nuances that work in harmony
connection between nature and art, which is also
the fantasy every designer has of working
with a range of architectural environments.”
the origin of design. This is what happened in
with a company that combines technology,
the 1920s when architecture underwent radical
craftsmanship and art in a single object.”
change. Suddenly the straight line appeared at the basis of all design forms.”
Part of channelling the essence of the ‘20s also involved selecting the right finishes, with
According to Gessi, great design has emotional power and the ability to instil beauty into everyday objects. Venti20 does just that.
www.gessi.com
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We can translate any idea into a rug design! It could be your mood board, your scenery, your work of art or your scribble on a napkin. Our design team is very skilled in translating a piece of inspiration into a rug design. Our years of experience with different materials and techniques is one of our tools to create the best possible results. Look at this stunning round shaped rug that we created for Vida Hotels in Dubai. The beautiful gradation brought the public spaces magnifically to life. Curious? Let’s discuss the possibilities of what we can do for your project.
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WWW.RUGS.NL | DUBAI | NEW YORK | PARIS | ZALTBOMMEL
SPOTLIGHT FLOORCOVERINGS
From sustainable carpet tiles to antimicrobial vinyl, we take a look at the latest innovations shaping the world underfoot.
Tsar Carpets Forma Melbourne-based Tsar Carpets has launched Forma, its largest collection to-date comprising a series of high-concept, hand-tufted floorcoverings that set a new standard in rug design and manufacturing techniques. Featuring original, never-before-seen textures, colour combinations and patterns, the collection explores themes of energy and optimism, blurring the lines between applied design and fine art. www.tsarcarpets.com
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3.
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4.
1. Topfloor by Esti Matrix
2. Nanimarquina Formula Contract
3. Ice International Captured
4. IVC Commercial Imperfection
Topfloor by Esti, a luxury rug and carpet atelier based at Design Centre Chelsea Harbour in London, bridges the gap between floorcoverings and artwork; its distinctive designs combine premium materials and craftsmanship with innovative techniques to create statement pieces. The company’s latest project, Matrix, is a partnership with Italian artist Gianluca Franzese. Based on Franzese’s artwork, the collection comprises a series of limited-edition, hand-knotted and hand-tufted pieces. According to Topfloor founder Esti Barnes, transposing Franzese’s geometric designs onto rugs has been “the most challenging yet rewarding collaboration so far”. www.topfloorrugs.com
Nanimarquina has launched a new contract division to provide bespoke solutions and address the needs of architects and interior designers. To kick-start the venture, the Spanish manufacturer has unveiled the Formula Contract collection, which has been created with sustainability in mind. Handmade in India and Pakistan, the series comprises five models and 30 colours, offering more than 250 possible combinations for both indoor and outdoor settings. The collection is also crafted using local fibres and recycled materials, from Eco-sheen and Jutex biodegradable to chemical-free cleaning products and recycled plastic packaging. www.nanimarquina.com
For over 50 years, Dutch family business Ice International has specialised in creating bespoke, handmade loose rugs and wall-to-wall carpets for high-end residential and luxury hospitality clients such as Four Seasons, for whom the company is a preferred vendor and has worked on a number of projects worldwide. Its newest range, Captured, comprises soft materials such as Merino wool and silk in neutral colours with a golden touch. The design team set out to achieve a specific feeling with the new collection; the movement within the designs simulates a sparkle of luxury captured in the moment, similar to the embracing feeling of a soft breeze. www.rugs.nl
Inspired by the ancient Japanese aesthetic of wabi-sabi and acceptance of the transient, Imperfection is the newest sustainable carpet tile collection designed by IVC Commercial. A response to the current climate, the range counters the continual pressure to achieve perfection and is available in three designs – Grit, Bruut and Rupture. Grit is an all-over grain and Bruut is a raw textured design, while Rupture’s golden crack is an homage to the ancient Japanese craft of Kintsugi. Imperfection also uses Econyl yarn, a performance nylon made from fishing nets, ghost nets, old carpets and fabric scraps that are regenerated through a depolymerisation process. www.ivc-commercial.com
SPOTLIGHT
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3.
1.
4.
1. Deirdre Dyson All At Sea
2. Bolon Patricia Urquiola
3. Stone Circle Bespoke Service
4. Ege Carpets The Marmorosch
All At Sea by Deirdre Dyson is the result of the metaphorical and literal disconnect from ‘normal’ life that has taken place during the pandemic. The nine-piece collection comprises Graded Sea, which incorporates a rainbow of the hues of the ocean, as well as Golden Glints and Sunlit, for which Dyson interplays wool and silk to illustrate the reflections of the colours of the cliffs. Shallows meanwhile concentrates on the flow of water; Sun Shaft depicts the light pouring through a tunnel; and the unusually shaped Seashell demonstrates that carpets don’t have to be round, rectangular or square. Finally, Starfish is taken from a photograph of a blue starfish in shallow waters. www.deirdredyson.com
Swedish design company Bolon has collaborated with architect and designer Patricia Urquiola to launch a new flooring collection. Comprising a single design that comes in four colours – grey, beige with blue details, a clay-pink and calming green – the range contains recycled materials, has a high-performance classification of 33 Heavy commercial, and comes with a 15-year warranty. While working on the series, Urquiola found a resemblance between the weaving technique of Bolon flooring and the Japanese tradition of Sashiko stitches. By developing, experimenting and combining the two, the colours, patterns and designs emerged naturally. www.bolon.com
Stone Circle has fabricated and installed marble flooring in many of London’s most prestigious hotels. One of the techniques available as part of the company’s bespoke service is book-matching, wherein the marble’s veins are mirrored and matched. This was used to dramatic effect in one of its London projects, where the firm installed a polished Black Wave marble floor to the bathroom of a suite. To create a truly unique look, it is also possible to inlay different marbles to create patterns within the floor. This is carried out on Stone Circle’s waterjet machines, which cut stone into the required design before bonding it on to sheets to allow for accurate installation. www.stone-circle.com
Founded in 1938, Ege Carpets is one of Europe’s leading companies in the design, development and manufacturer of unique, high-quality carpets with a clear focus on sustainability. Most recently, the Danish company specified carpets to add diverse yet harmonious ambience to the spatial rooms for the newly-opened Marmorosch Bucharest hotel in Romania. To uphold the luxurious characeristics of the Autograph Collection by Marriott brand, the creative team behind the five-star property employed Ege Carpets’ Highline concept, which offers 100% freedom of design to create bespoke carpet that is carefully crafted to complement the guest experience. www.egecarpets.com
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SPOTLIGHT
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1. Creative Matters Pendry Manhattan West
2. Ulster The Art of Ulster
3. Amtico Spacia
Creative Matters has produced floorcoverings for hotels around the world for more than 25 years. Most recently, the Toronto-based company reunited with Gachot Studios for the third time to devise floorcoverings for the newlyopened Pendry Manhattan West. Gachot wished to retain a residential atmosphere amongst the lobby reception. As such, the carpet design firm recommended a handknotted rug made in Afghanistan using local Ghazni wool in cut pile to bring remarkable dynamism to an otherwise simple design. For other areas of the hotel, Creative Matters supplied rugs hand-knotted in Nepal; rugs hand-tufted in Thailand and India; Axminster carpet handdetailed in China; and rugs hand-loomed in India. Ali McMurter, Managing Partner at Creative Matters, notes: “Gachot is familiar with our process and believed our skill with the full range of construction techniques would help them achieve a cohesive look throughout the hotel.” www.creativemattersinc.com
Family-owned company Ulster Carpets continues to create what it calls The Art of Ulster with some of the world’s leading carpet designers. The concept is based around utilising the large canvas that flooring offers to create bespoke pieces that wouldn’t look out of place in an art gallery. As demonstrated in projects across the globe, the versatility and talents of Ulster’s designers results in striking schemes that leave a lasting impression. These unique design talents are combined with Ulster’s patented weaving technology to give interior designers the freedom to express their creativity, which is enhanced by a partnership approach that is key to transforming ideas into reality. The perfect combination of design and manufacturing capabilities gives Ulster a unique advantage in the market and is the reason why The Art of Ulster can be found within a number of luxury hotels, casinos and cruise liners. www.ulstercarpets.com
Four years in the making and following more than 100 hours of customer research, Amtico has revolutionised its popular Spacia Luxury Vinyl Tile (LVT) collection with a fresh look and new designs. Spacia boasts over 90 products – 46 Woods and 48 Stones – devised to help architects, designers and specifiers meet client briefs, whilst creating a sense of calm through the wellbeing benefits of biophilia. Following the trend for warmer, natural finishes in commercial interiors, Woods have been arranged into six versatile and usable palettes including cool, warm and the new golden tones to provide a variety of texture and colour. The Stones have also undergone a refresh, with products now available across seven palettes, including new trend-driven designs – marble, terrazzo and tones. As part of the enhanced collection, Spacia now comprises antimicrobial protection against MRSA and E.coli. www.amtico.com
LOBBY AREA RUG AT THE PENDRY MANHATTAN WEST HOTEL WITH GACHOT STUDIOS MADE OF 100% TIBETAN WOOL, HANDKNOTTED IN NEPAL PHOTOGRAPHY PENDRY MANHATTAN WEST
WWW.CREATIVEMATTERSINC.COM LABEL STEP PARTNER – IMPROVING THE WORKING AND LIVING CONDITIONS OF CARPET WEAVERS, AS WELL AS PROMOTING ENVIRONMENTALLY FRIENDLY METHODS OF PRODUCTION.
CM_SLEEPER MAG AD_DEC 2021_FA.indd 1
2021-12-14 2:48 PM
Book a visit to The Banking Hall, our furniture showroom in the heart of Clerkenwell! Each visit is tailored to fit you and your upcoming project, giving you full access to try our range of furniture, utilise our specifications room and even explore the old vaults. This is only the beginning, so keep an eye out for our Table Place Chairs expansion program!
Book your visit on our website today!
@tableplacechairs / +44 (0)330 1222 117 tableplacechairs.com
SPECIFIER
SPECIFIER
Il Fanale Cone A clear reference to the natural simplicity of form, Il Fanale’s Cone range comprises pendant lamps and wall lights for indoor and outdoor spaces. In creating the collection, the Italian manufacturer wanted to pay homage to elements of the earth by dressing traditional iron in organic nuances, thanks to a special burnishing process. As such, the indoor versions come in antiqued iron, Grafene and Morocco finishes, while the outdoor series features antiqued brass with a cover in white satin glass. www.ilfanale.com
SPECIFIER
DUX Hospitality Range From the iconic opulence of the Burj Al Arab in Dubai to the enigmatic charm of Pater Noster in Sweden, luxury hotels around the world rely on DUX beds by DUXIANA to provide guests with the ultimate sleep experience. Later this year, the brand will launch a five-piece hospitality range that follows its component-based design philosophy for the benefit of sustainability and economics. “We’re proud of our deep commitment to sustainability and the environment, which has led us to be pioneers in designing a beautiful new bed system, selecting fabrics and materials that are environmentally sound as well as starting us on a journey of revitalising our entire hospitality range,” says CEO Henrik Ljung. www.duxiana.co.uk
Stellar Works Space Invaders Characterised by bold forms and a sense of playfulness, the Space Invaders collection from Stellar Works blends functionality with quality materials and craftsmanship. Supported by a minimal metal frame, the Dhala rechargeable lamp is made up of a series of shapes that invade its structure and create a unique modularity of stacked elements, while Murano glass beads – seemingly resting on a ceramic base – alternate with different colours and finishes, concealing LED strips inside. A metal handle and the option of legs, in addition to a cable and rechargeable version, make Dhala a versatile lighting solution for any hospitality environment. www.stellarworks.com
Preciosa Diamond Cloud Diamond Cloud by Czech lighting brand Preciosa is inspired by the Bohemian Diamond Cut, which was created specially to emphasise a crystal’s properties in combination with light. The suspension of the components and their crafted arrangement, along with the special cut, means that Diamond Cloud excels in the refraction and reflection of light, while the combination of carefully placed triangular rods, with various surface treatments and precise cuts, gives the range its geometrically clean and contemporary composition. As the concept is one of Preciosa’s Signature Designs, interior architects and designers can choose the size, shape, component finishes and illumination methods of the piece. www.preciosalighting.com
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The worlds first super boutique hotel, The Londoner, by EE Smith Contracts
2 5 M O R R I S R D, L E I C E S T E R , L E 2 6 A L T E L : 01162 7 0 694 6 W W W. E E S M I T H .CO. U K S O C I A L @ E E S M I T H CO N T R AC T S
SPECIFIER
LZF Candelabro Designed by LZF’s co-founder and Creative Director Mariví Calvo, the Candelabro suspension light unites the finest collection of wood veneer pendants. En masse, these create a striking light show, with popular luminaires – including Agatha, Mikado, Raindrop and Totem – coming together in what the Spanish brand describes as the embodiment of its greatest hits. Hovering amid the lights are several golden birds, each conveying a magical world of wonder. Together, these birds and the various pendants stage a thrilling opus in light, a majestic piece that draws the eye at every angle. www.lzf-lamps.com
Gubi Howard When Space Copenhagen was commissioned to design the interiors for 11 Howard in Manhattan’s SoHo district, co-founders Signe Bindslev Henriksen and Peter Bundgaard Rützou wanted to create bespoke lighting that would not only withstand the heavy traffic of a hotel environment but would also develop a richer patina over time. After reaching out to longstanding collaborator Gubi, the duo developed the Howard collection, which comprises chandeliers, pendants and a wall lamp – all with sculptural silhouettes. A celebration of New York’s material palette as seen through Scandinavian eyes, the range is dominated by dark metals and industrial aesthetics that reference the urban typology and colours that surround the hotel. Constructed using the latest prototyping technology to ensure optimal design, the Howard Chandelier comprises either four or six ‘octopus’ arms that create a statement for the hotel lobby or restaurant, while the Howard Pendant features a carefully crafted spun brass shade with a gunmetal finish and brushed brass interior that adds a sense of warmth to any setting using the soft light that it casts. www.gubi.com
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SPECIFIER
LSA International Spring/Summer 2022 Designed to bring people together and enhance shared dining experiences, LSA International’s S/S 2022 collection features a range of tableware combining porcelain, mouth-blown glass and natural oak, as well as handmade glass decanters with wooden stoppers, architectural vases and modern, tall-stemmed Crystalline wine glasses. Throughout the series, the London-based design studio has sought to use tactile yet sustainable materials such as FSC-certified wood and glass. Founded in 1966 and conscious of provenance and craft, LSA’s intention is to create contemporary, relevant product ranges that endure in both quality and style. www.lsa-international.com
Studio 104 104 Collection Studio 104 has unveiled the 104 Collection, a pre-designed formal and casual uniform range that can be ordered and delivered twice as fast as its usual bespoke projects, and to a smarter budget. Specifically targeted at the luxury sector, the 47-piece series has been conceived to accommodate a wide selection of brand styles and locations, with an eclectic palette of colours and materials catering for both traditional and modern hotels in varying climates. In line with the bespoke ethos of the company, each client also has the ability to customise the uniforms to meet their individual tastes at no extra cost, meaning no two uniform designs are the same. www.studio-104.com
Morbern Evohide EvoHide Mistral Free is the latest addition to Morbern’s MorGreen collection of eco-friendly coated fabrics, which are produced without any chemical fire-resistant additives yet still achieve the European Fire Norm EN1021 required for IMO MED wheelmark certification. As well as being 100% vegan, phthalate-free and REACH-compliant, EvoHide is formulated with bio-attributed PVC resins and bio-based plasticisers derived from soya beans oil. Furthermore, the 100% recycled polyester backing fabric is made from used plastic water bottles. The appearance and properties of EvoHide can be tailored to meet designers’ expectations, from plain leather-look surfaces to textile-inspired grains. www.morberneurope.com
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England DU: 06.12.2021
11. – 15. 2. 2022 FRANKFURT / MAIN
GLOBALLY UNITED Success comes from collaboration. Ambiente presents the panorama of the consumer goods market. It is the forum that drives contract business forward. Partners come here to meet and benefit from expertise, innovative strength and trend competence. GOING. LIVE. AGAIN. New digital features support business. Information and tickets: ambiente.messefrankfurt.com/ contractbusiness Tel. +44 (0) 14 83 48 39 84 info@uk.messefrankfurt.com
73087-015_AM_Anzeigen_Contract_Business_Sleeper_242x284 • FOGRA 39 • CMYK • js |
the show
GEKKO HOUSE FRANKFURT Frankfurt am Main, Germany ARCHITECT(S): Scharnberger Architekten und Ingenieure INTERIOR DESIGNER(S): Morgen Interiors SUPPLIED BY: LAUFEN
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ADVERTISING INDEX ISSUE 100
AD Associates
044
Ligne Roset
014
Albrecht Jung
041
LSA International
057
Aliseo
049
LZF Lamps
164
Ambiente
159
Mandarin Stone
119
Arte
016
Morbern
114
Astro Lighting
002
Naturalmat
095
Beck
143
Newmor
125
Chelsom
163
Paolo Moschino
091
Creative Matters
151
Palecek
109
Curtis Furniture
097
Preciosa
077
Radical Innovation
157
DUXIANA
012-013
EE Smith
155
RH Contract
Ege
072
Riobel
071
EPR Architects
134
Roca
079
Ethimo
019
Roman
101
Sanipex
086
Gessi Get Laid Beds
010-011
006-007
117
Stellar Works
008-009
Glatz
085
Stone Circle
037
Gommaire
027
Studio 104
051
Gresham
033
Table Place Chairs
152
Hector Finch
031
Top Floor
063
Ice International
146
Tophotelprojects
160
JC Hospitality
104
Tribu
025
Kalmar
039
Tuuci
103
Kohler
069
Vincent Sheppard
029
Lelievre
005
161
CHECK-OUT
A Galactic Getaway
Disney World transports Star Wars fans to a galaxy far, far away with a cosmicinspired hotel experience.
From large-scale conventions to an official Star
even plot a secret mission. On-board experiences
Wars Day on May 4, fans of the space opera
include training on the inner workings of the
will go to great lengths to honour the legacy of
spacecraft’s navigation and defense systems
George Lucas’ iconic franchise, but never have
at The Bridge, learning the traditional art of
they had the chance to play a starring role in
wielding a lightsaber, and even jumping on a
the story themselves. That was until the launch
shuttle-pod transportation system to travel
of Star Wars: Galactic Starcruiser – a two-
to the remote terrestrial planet of Batuu – or
night hotel experience at Disney World, which
Disney’s Hollywood Studios – where the mission
allows enthusiasts to embark on their very own
continues at Star Wars: Galaxy’s Edge. And to fuel
adventure to a galaxy far, far away. Departing
passengers along the way, The Sublight Lounge
in March 2022, the inaugural voyage will see
and Crown of Corellia Dining Room will serve
guests board a launch pod before stepping inside
up a selection of extraterrestrial-inspired drinks
the Halcyon, where they will reside in a cabin
and dishes. Despite all this cosmic creativity,
or suite with an other-worldly view of space.
there have been concerns over the future of the
Throughout their stay, wannabe Jedis will be
experience, with many put off by its US$5,000
given the opportunity to interact with a series of
price tag. Given the mixed reviews since its
cosplay characters such as Rey, Chewbacca and
launch, Disney will be hoping that the force is
Kylo Ren, tuck into galactic cuisine and perhaps
with them when the journey begins this Spring.
© Walt Disney World Resort
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