Musings...
NEWSLETTER FALL/WINTER 2023
ISSUE HIGHLIGHTS
TSHERIN SHERPA
MARK STEVEN GREENFIELD
SACRED ENCOUNTERS
NOCTURNES
ARTIST HIGHLIGHT
COLLECTION HIGHLIGHT
UPCOMING EVENTS
Monterey Museum of ArtISSUE HIGHLIGHTS
TSHERIN SHERPA
MARK STEVEN GREENFIELD
SACRED ENCOUNTERS
NOCTURNES
ARTIST HIGHLIGHT
COLLECTION HIGHLIGHT
UPCOMING EVENTS
Monterey Museum of ArtMusings is a seasonal publication from the Monterey Museum of Art.
The Monterey Museum of Art cultivates curiosity in the visual arts and engages community with the diversity of California art—past, present, and future.
The Monterey Museum of Art is a collaborative center where art and community engage.
Thomas Donnelly
President
John A. Greenwald President Emeritus
Lisa Rheinheimer
Treasurer
Adriana Hayward, Psy.D. Secretary
Monika Campbell
Laura Gamble
Kristen Huston
Heidi Quinn
Caroline Scott Low
DeBorah Silguero, Ph.D.
Eric C. Smith
Lila Thorsen, Ph.D.
William G. Hyland
Trustee EmeritusCraig L. Johnson
Trustee Emeritus
©Monterey Museum of Art, Published September 2023
To report a misprint or error, please contact pr@montereyart.org
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Visit montereyart.org for tickets and more information.
Vacations often provide not just an escape but an opportunity for introspection. This summer, while driving across France with my son, from Brussels to iconic regions such as Champagne and the Loire Valley, a thought consistently lingered in my mind: Why does American culture, with its boundless wonders, also possess such staggering inconsistencies?
France, with its majestic pre-Christian sites, medieval cathedrals, and 19th-century chateaus, presented a canvas of consistent beauty. A poignant moment was my visit to Carnac in Brittany. Here, ancient stones, likely positioned for spiritual reasons, stretch over four miles, bearing testament to a civilization long gone. I was struck by the realization of how conquest and religion have undeniably sculpted the art and culture I was experiencing.
Reflecting upon France’s history, it's evident that for 1700 years post the Roman conquest, the Catholic church had its reins tightly wound around the country's artistic expression. It took secularism, formalized in 1905, to liberate French art, allowing for movements such as Impressionism and Cubism to flourish. In stark contrast, America’s foundational principles of religious freedom and free expression have been in place for nearly 250 years, acting as a catalyst for our unique cultural evolution.
Returning to the U.S., I became acutely aware of the profound significance our democratic foundations and their ripple effects have had on global art and culture. The Monterey region, historically a hub for artists and spiritual seekers, exemplifies this dynamic confluence. With influences from indigenous art to Asian aesthetics, Thoreauvian transcendentalism, and 20th-century global revolutions, California's artistic tapestry is dazzlingly diverse.
MMA's Fall Season is a testament to this diversity. We proudly present a curated collection of exhibitions, capturing art's intersections with spirituality. Artists such as Tsherin Sherpa, with his inventive renditions of Buddhist imagery, showcase how tradition and globalization can meld to create thought-provoking art.
As we embark on the Fall Season at MMA, I extend this invitation to engage, to reflect, and to explore one's own spiritual and creative journey. The displayed artworks beckon every viewer to delve deep to appreciate the intertwined tales of art, history, and spirituality – not just of California but of our global heritage.
In this evolving dance of art and spirituality, our collective responsibility is clear: to honor and ensure that diverse voices, both past and present, continue to shape our shared artistic culture, dialogue, and heritage.
Looking forward,
Corey Madden Executive Director, Monterey Museum of Art Photo: Patrick Tregenza PhotoThis season, we present an extraordinary journey through four new exhibitions exploring spirituality, cultural identity, and the interconnectedness of human experience.
September
Tsherin Sherpa: Different Worlds invites viewers to embark on an extraordinary voyage through the creative vision of master artist Tsherin Sherpa (b. 1968). Set against the backdrop of California's contemporary art scene, this exhibition unveils a realm where traditional and modern aesthetics seamlessly intertwine, narrating a captivating tale of artistic heritage bridging two contrasting worlds.
Born in Nepal, Tsherin Sherpa emerged as a prodigious talent, drawing inspiration from his deeprooted heritage and profound spiritual connections to craft his artistic tapestry. Fueled by rigorous training in thangka painting techniques and Buddhist philosophy, his artistic odyssey took an unforeseen twist upon his relocation to the United States in the early 2000s. Different Worlds chronicles Sherpa’s pivotal creative transformation, triggered by his
encounter with the vibrant world of contemporary art and diverse cultural influences. Straddling the different cultural spheres of the Bay Area and Kathmandu, Sherpa developed a distinctive artistic approach, adeptly merging the age-old with the contemporary.
Through vibrant portraiture and multi-layered symbolism, Sherpa invites viewers to delve into the universal facets of existence while celebrating the kaleidoscope of cultural diversity. The exhibition is a testament to the power of artistic evolution and cultural harmony, reminding us that even in this vastly diverse world, there is a shared thread that connects us all.
Tsherin Sherpa: Different Worlds will travel to the Sonoma Valley Museum of Art in January 2024.
Mark Steven Greenfield: Hagiography invites audiences to experience the intersection of racial identity, artistic mastery, and cultural heritage unfold in vivid and thought-provoking ways. This exhibition features works by Los Angeles native, Mark Steven Greenfield (b. 1951), who for over five decades has embraced his role as an artist to tell the stories of marginalized voices, particularly African Americans and those of African descent. His commitment to addressing racial inequities, dismantling stereotypes, and shedding light on acts of oppression has given birth to bodies of work that challenge conventions and elevate the discourse on Black identity.
The exhibition features a carefully curated selection from Greenfield's renowned Black Madonna and Halo series. Black Madonna reshapes historical representations of the Virgin Mary and Baby Jesus by infusing them with contemporary relevance. The artist's interpretation transforms the Madonna into a symbol of strength and maternal love, while also confronting the backdrop of white supremacists, positioning them as victims rather than oppressors. The result is an arresting composition that challenges preconceived notions and sparks conversations around alternative perspectives.
The Halo series continues to captivate viewers
with a gallery of remarkable Black figures, once legendary and mythic, now revitalized by Greenfield's deft brush. These often-overlooked characters are adorned with halos, honoring their significance, and shining a light on their stories, which history has often obscured. With each halo,
Greenfield reclaims narratives, encouraging us to question our understanding of history's events as seen through predominantly white lenses.
Greenfield's intricate artworks challenge us to engage in crucial conversations, embrace nuance,
and open our hearts to new perspectives. Through his art, the past is reexamined, the present redefined, and the future reimagined.
"Human beings have always asked big questions. We ask in order to understand the meaning of life, the nature of reality, the reasons for evil, the cause of aging and death. Such questions lay at the heart of human experience, and shape the core of who we are. They give rise to our desire for connection to something greater than ourselves. In our quest for answers we develop rituals and belief systems, we build monuments and create cultures. We discover what has meaning and what we hold sacred."
—Guest Curator, Helaine GlickSacred Encounters is an enlightening exhibition that explores the very essence of human existence and what we hold sacred. Transcending the boundaries of time, space, and belief, this exhibition beckons us to embark on a visual pilgrimage, tracing the evolution of our profound inquiries about humanity and the creative responses they elicit.
In partnership with the Monterey Museum of Art, curator Helaine Glick compiled an extraordinary collection of photographic treasures that span eras and perspectives from both the Museum’s permanent collection and a carefully selected group of California photographers. These captivating images offer a mosaic of interpretations, as diverse
in technique as they are in the photographers' explorations of the sacred. Each photograph presented is not only a visual masterpiece, but a testament to the photographer's personal journey in pursuit of understanding. Through the lens of a camera, the sacred becomes tangible, unfolding in myriad ways.
Sacred Encounters harmoniously weaves together the threads of human curiosity, spirituality, and creative expression. The exhibition encapsulates the ways that these artists have found solace, meaning, and connection through their art, forging a profound bridge between the sacred and the visual.
Ansel Adams
Morley Baer
Martha Casanave
Linda Connor
Edward Curtis
Eduardo Fujii
J.M. Golding
Michael Kenna
Roman Loranc
Tom Millea
Richard Murai
Nadezda Nikolova
Manuello Paganelli
Kenneth Parker
Franco Salmoiraghi
John Marion Wimberley
September 7 — December 17, 2023
The Monterey Museum of Art proudly presents In the Still of the Night: Nocturnes, a captivating exhibition that transports audiences through an exploration of nighttime scenes. These works, selected from the Museum’s permanent collection, showcase the evolution of artists' interpretations of the night, revealing the captivating mysteries and serenity that have been both a muse and a challenge to generations of creative minds. Through the eyes of masters like Charles Rollo Peters, Will Sparks, and Jules Tavernier, we rediscover the moonlit landscapes, ethereal constellations, and tranquil nightscapes they experienced during the late-nineteenth century. However, this exhibition is not just a glimpse into the past—it's a revelation of the present and future, too.
The passage of time has brought new illuminations and challenges. Twentieth century artists like Barry Masteller and Roland Petersen navigate urban lights and artificial colors in cityscapes dancing with unnatural hues. From painters to printmakers and photographers, creatives like Gene Kloss, Jeanette Maxfield Lewis, Anne Brigman, and Ansel Adams capture the night's enigmatic theatricality and pristine tranquility, each with their unique approach.
In the Still of the Night: Nocturnes illuminates the timeless, yet evolving, bond between artists, nature, and the skies that have captured their imaginations throughout time.
This October, our Currents gallery is set to showcase the Nest Portraits series by the Los Angeles-based artist, Abira Ali. Drawing from the meticulous craftsmanship of bird nests, Ali weaves a tale of nature’s individuality, creativity, and serendipity. As she eloquently states, "Birds build with what they find, artists find with what they build." Each portrait, according to Ali, is an intimate portrayal — a reflection not only of various urban bird species but also of the profound connection she feels to these structures. The series resonates deeply with Ali's personal journey as an 'empty nester' with a passion for nesting. Through her work, she attempts to encapsulate the intricate dance of twigs, grass, and tiny debris that make up these nests, resulting in a touching tribute to the underrated beauty of birds’ common handiwork.
Mark your calendars for MMA’s inaugural presentation of Iluminado on December 1, 2023, for which Abira Ali will serve as creative director. This annual holiday program is an interactive public art installation celebrating a blend of themes, namely, community, reflection, light, and memory. Iluminado is an invitation for artists across all skill levels to converge, culminating in a vibrant Winter Art Market, a Winter Solstice Party, and a plethora of memorable events.
It would be difficult to overstate the significance of Henrietta Shore (1880-1963) to the arthistorical narrative of the Monterey Peninsula. In her time, she was spoken of in the same breath as groundbreaking artists like Georgia O’Keeffe (with whom she studied and exhibited in New York), and her close friendship with renowned photographer Edward Weston is said to have helped set the course for his legendary career. Yet despite her reputation, Shore was not a great self-promoter, and today very little of her work is to be found
on the open market. So, it was with great excitement that in the course of research we discovered and have happily since acquired the masterful drawing, Rocks, Point Lobos (ca. 1930) from a prominent East Coast gallery. The drawing is one in a series of works (mostly since lost) the artist made upon relocating to Carmel from New York, via Mexico, around 1930. Having been enchanted by the dramatic images of the rocky Point Lobos coastline that Weston shared with Shore prior to her arrival in Carmel, and which they subsequently explored together
by car, she captured their essence and imbued them with something like a spiritual inner life. In a rare quote from 1933 cited in the Museum’s catalogue, Shore said “To be true to nature one must abstract. Nature does not waste her forms. If you would know the clouds – then study the rocks.”
The resulting drawings were said to represent the culmination of her unique personal style and its near anthropomorphic rendering of the natural world, and we are truly fortunate to be able preserve this rare example of her work for our community.
June 1 – September 21, 2023
Thank you so much to the individuals, foundations, corporations, and organizations that have generously supported the Museum over the past several months. We are honored by your trust in us and your belief in our mission, and we are grateful to you all for making our work possible.
Thomas and Judith Archibald
Brian and Sandra Berris
Martha Casanave
Michael and Soraya Cayen
Diane and Jim Coward
Duda Farms Fresh Food
William G. and Nancy Doolittle
Jeannette and Don Fowler
Lynn and Michael Hayford
Noelle Hetz
Valera Lyles
Monterey Peninsula Volunteer Services in Memory of Helen Bruton
William and Susan Montgomery
M. Power
Suzanne Taunt
Lila Thorsen, Ph.D.
Rolf and Darleen Trautsch
Corinne Whitaker
Laura and John Gamble
John and Carol Greenwald
Adriana and Bill Hayward
Lila and James Thorsen
Craig and Christine Johnson
David and Linda Keaton
Caroline Scott Low and Graham Low
Jana and Steven Magginetti
Blink Optometry, Carmel Clifton, Larson, Allen, LLP
Jaqueline Adams Homes, Sotheby’s International Realty
Albatross Ridge
East Village Café, Monterey
Judith and Frank Marshall
KAZU
KSBW 8
Middlebury Institute of International Studies
Tsherin Sherpa
Alta Med Health Services
Arts Council for Monterey County
Richard Carr and Barbara Schilling
Jacalyn June Horton
Greater San Fernando Valley Chamber of Commerce
Manitou Fund
Monterey Peninsula Foundation
Pebble Beach Company Foundation
Yellow Brick Road Benefit Shop
To learn about how you can support MMA or to make a gift, visit montereyart.org/support/donate/, email us at advancement@monterey.org, or call us at 831.372.5477 x104.
Please visit montereyart.org for tickets and important updates.
Sept 24
Oct 1
Oct 6
Oct 7
Oct 8
Oct 14
Oct 15
Oct 22
Oct 27
Oct 28
Oct 29
Nov 3
Nov 5
Nov 12
Nov 18
Exhibition Insights Tour
2:00 – 3:00 pm
Exhibition Insights Tour
2:00 – 3:00 pm
First Friday 5:00 – 7:00 pm
Free Family Fun Day: Different Worlds 11:00 am – 3:00 pm
Exhibitions Insights Tour
2:00 – 3:00 pm
Afternoon with the Artist: Mark Steven Greenfield
2:00 – 3:00 pm
Exhibitions Insights Tour
2:00 – 3:00 pm
Exhibitions Insights Tour
2:00 – 3:00 pm
La Mirada Halloween Bash
6:00 – 9:00 pm
Free Family Fun Day: Spooktacular
11:00 am – 3:00 pm
Exhibitions Insights Tour
2:00 – 3:00 pm
First Friday
5:00 – 7:00 pm
Exhibition Insights Tour
2:00 – 3:00 pm
Exhibition Insights Tour
2:00 – 3:00 pm
Afternoon with the Curator: Helaine Glick + Photographers
1:30 – 3:00 pm
Nov 19
Nov 26
Exhibition Insights Tour
2:00 – 3:00 pm
Exhibition Insights Tour
2:00 – 3:00 pm
Dec 1 First Friday
5:00 – 8:00 pm
Dec 2 Free Family Fun Day: Iluminado 11:00 am – 3:00 pm
Dec 3
Arts and Healing Program
9:30 – 11:00 am
Exhibition Insights Tour
2:00 – 3:00 pm
Dec 7
Dec 8
Dec 10
Christmas in the Adobes with Luminaria Decorating
2:00 – 5:00 pm
Christmas in the Adobes with Luminaria Decorating 11:00 am – 1:00 pm
Arts and Healing Program
9:30 – 11:00 am
Exhibition Insights Tour
2:00 – 3:00 pm
Dec 16
Dec 17
Winter Market and Artist Workshop Demo 11:00 am – 2:00 pm
Arts and Healing Program
9:30 – 11:00 am
Exhibition Insights Tour
2:00 – 3:00 pm
Dec 21
Dec 22
Mini Ornament Painting 11:00 am – 5:00 pm
Iluminado Winter Solstice Celebration
5:30 – 7:30 pm
Please visit montereyart.org for tickets and important updates.
Exhibitions opening January 2024 will explore aspects of identity, migration, and cultural reclamation through the scope of diverse and talented artists. Our winter season will feature selections from the Duron Family Collection—a private collection of multimedia works made by Chicana/o/x artists in Southern California—and photography showcasing the works of Joe Ramos (b. 1949) and Dorothea Lange (1895-1965). Additionally, we will showcase artworks from our permanent collection that rage from the Works Progress Administration era to the present day. These pieces capture scenes of agriculture, ranching, and labor that hold deep resonance with the local area.