SMUT OR
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… ANDTHAT TURNEDMEON
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SMU SMU SMU SM SMU SMU S SMU SMU
T UT SMU SM UT T UT
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( G E N E R A L C O N T E N T WA R N I N G ) THIS IS A WORK OF FICTION. EVENTS AND INCIDENTS ARE EITHER THE PRODUCTS OF THE AUTHOR’S IMAGINATION OR USED IN A FICTITIOUS MANNER. HOWEVER, ALL NAMES AND CHARACTERS ARE REAL AND ANY RESEMBLANCE TO ACTUAL PERSONS, LIVING OR DEAD,WAS DONE PURPOSEFULLY AND WITH PLEASURE.
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ART HO CAME
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HE IS WEARING HIS GREEN PULLOVER SWEATER OVERTOP A PLAID BUTTON DOWN. HE SHUFFLES AROUND IN SLIP-ON WATERPROOF SHOES. HE GOES HOME TO HIS BEAUTIFUL, YET E Q U A L LY N E R D Y, W I F E . S H E I S WAITING FOR HIM NAKED ON THEIR BED. HE SLOWLY TAKES OFF HIS CLOTHES, TELLING HER WHAT HE IS GOING TO DO TO HER. SHE DOES NOT MOVE UNTIL HE TELLS HER WHAT TO DO. HE IS IN TOTAL CONTROL, AND THEY BOTH LOVE IT. THEY MAKE LOVE. CORRECTION: THEY FUCK. HE DOMINATES HER. HE FEELS STRONG AND SEXY AND POWERFUL. WHEN THEY ARE DONE, THEY SPOON AND HE TELLS HER IDLE PROFESSOR GOSSIP. THEY COORDINATE SCHEDULES. EVERY TIME SHE SEES A MAN IN A PULLOVER SWEATER SHE IMAGINES HIM INSIDE OF HER.
ACE ( SLOW PLACE SLOW RUN
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I PULL INTO MY DRIVEWAY AND SEE A FAMILIAR CAR. HE IS STANDING BY T H E F R O N T D O O R , WA I T I N G . WORDLESSLY, I UNLOCK THE DOOR AND LEAD HIM DOWNSTAIRS INTO MY ROOM. THE DOOR IS BARELY SHUT BEFORE HE SHOVES ME AGAINST THE WALL AND KISSES ME HARD, HANDS GOING UP MY SHIRT AND DOWN MY PANTS. I PUSH HIM ONTO MY BED. WE B O T H U N D R E S S H U R R I E D L Y, FUMBLING, YEARNING. I STRADDLE HIM, TAKING HIM INSIDE ME, AND WE START TO FUCK. HE GRABS MY BREASTS, SMACKS MY ASS. WE CLIMAX TOGETHER. EXHAUSTED, I REST MY WEIGHT ON HIS CHEST. HE TRAILS HIS FINGERS ON MY SKIN, MAKING DRAWINGS. WE KISS TENDERLY, HIS HAND PULLING MY HAIR SLIGHTLY. SORRY FOR NEVER TEXTING YOU, HE SAYS.
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AX IC
TAXI LICK KEN
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I AM WALKING DOWN A NEW YORK CITY STREET AT NIGHT. I HEAR MY NAME CALLED BY A DISTANTLY FAMILIAR VOICE. I TURN AND SEE HIM. WE SMILE, AND HUG EACH OTHER STRANGELY, AND GO INTO A CLOSE COFFEE SHOP TO TALK. I SAY THAT I HAD A CRUSH ON HIM DURING COLLEGE. HE REACHES FOR MY LEG U N D E R T H E TA B L E , N O T M Y PROFESSOR ANYMORE. HE PROPOSES WE GO SOMEWHERE. I AM NAKED ON HIS BED. HIS TONGUE IS ON MY CLIT AND I CAN FEEL EACH OF HIS FACIAL TICKS INSIDE ME. HE ENTERS ME, AND HE IS ROUGHER THAN I IMAGINED HIM TO BE. I FEEL HIS STUBBLE AS HE B I T E S M Y N E C K . H E S TA R E S UNBLINKINGLY INTO MY EYES AS WE FUCK. I KNOW HE WILL TAKE COPIOUS NEAT NOTES ABOUT THIS AFTER I LEAVE, AND THAT MAKES ME WET.
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KNIGHTLY CRANE ARRIVAL
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YOU ASK ME TO COME HOME WITH YOU AFTER THE PARTY. WHEN WE GET BACK TO YOUR ROOM, YOU ARE TENDER AND AWKWARD AS YOU LEAN IN TO TO KISS ME. YOU ASK IF YOU CAN EAT ME OUT, THE KINDEST PROPOSITION. WHO AM I TO SAY NO? IT IS TORTUROUS IN THE BEST WAY. WHEN YOU’RE DONE, I BLOW YOU BECAUSE I WANT TO GIVE SOMETHING TO YOU IN RETURN. MAKE YOU FEEL SEXY, WANTED. AFTERWARDS, WE HAVE SEX. YOU TAKE ME FROM BEHIND, AND YOU SURPRISE ME WITH YOUR DOMINANCE. TWO ORGASMS LATER, WE FALL ASLEEP IN YOUR BED. WAKING UP THE NEXT MORNING, N A K E D , Y O U H AV E Y O U R L E G S WRAPPED OVERTOP MINE. WE BOTH WAKE AND BEGIN A SLOW MORNING FUCK. YOUR HOUSEMATE OVERHEARS, BUT WE DON’T CARE.
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OVA AMMO IRIS
YOU TELL ME TO WAIT AFTER CLASS. EVERYONE FILES OUT, THEN YOU SHUT AND LOCK THE DOOR. I ASK WHAT THIS IS ABOUT. YOU WALK TOWARDS ME UNTIL I HAVE BACKED INTO THE TABLE, THEN YOU KISS ME. HARD. YOU RIP OPEN MY BLOUSE AS I PULL UP MY SKIRT. WE ARE BOTH FRANTIC. YOU’RE UNBUTTONING YOUR CORDUROYS. I TAKE OFF MY PANTIES. THEN WE ARE FUCKING, ME BENT OVER THE TABLE, BUT I WANT TO SEE YOUR FACE. WE CHANGE POSITIONS AND I’M ON TOP, RIDING YOU. YOU CUP MY BREASTS AND I RUN MY HANDS ALL OVER YOUR CHEST, THROUGH YOUR CHEST HAIR. WE ARE BOTH CLOSE. I WHISPER TO YOU, THINK OF ALL THE PEOPLE THAT COULD BE WATCHING, AND WE BOTH CLIMAX. I CLIMB OFF YOU AND START TO REDRESS. YOU GRAB MY PANTIES FROM ME, PUT THM IN YOUR BRIEFCASE, AND UNLOCK THE DOOR.
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LLA Z Y ’ N ’ DYKE AZYLAZY ’ N ’ DYK ’ N ’ DYKE L A Z Y ’ N ’ LAZY LAZY DYKE DYKE NDYKE ’ LA’N’ ’ N ’ Z Y LAZY’NDYKE ’ L A Z Y DYKE DYKE L A Z Y DYK ’ N ’ L A Z Y ’ N ’ ’ N ’ DYKE LAZY ’N’
I’VE GIVEN YOU A RIDE HOME. WE’VE BEEN SIPPING WHISKEY AND TALKING, BUT NOW IT’S TIME FOR ME TO LEAVE. YOU ASK, DO YOU HAVE TO? I SAY NO. YOU CARRY ME TO YOUR CRAMPED BEDROOM. MY BACK AGAINST THE WA L L A N D M Y L E G S W R A P P E D AROUND YOU, WE KISS FEROCIOUSLY. YOU WALK TO THE BED AND WE FALL, STILL KISSING. CLOTHES COME OFF. YOU ARE HOVERING OVER ME, NUDE AND EXCITED, YOUR HAIR FALLING AROUND MY FACE. THEN WE ARE MAKING LOVE. YOU ARE SWEET AND TENDER AND LOOK AT ME THE WHOLE TIME AS THOUGH YOU’VE NEVER BEEN SO HAPPY. I HOLD YOUR HAIR BACK SO THAT I CAN SEE YOUR EYES. WE FINISH, AND I GET UP TO GO, BUT YOU PULL ME BACK INTO BED. UNDER THE COVERS, YOU PULL ME CLOSE TO YOU. WE WAKE THE NEXT MORNING, YOUR HAIR OVER MY FACE.
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T H E R E A L FA N TA S Y
IT IS VALENTINES DAY AND I AM NOT THE ONLY ONE INTERESTED IN ME AND MY VAGINA.