MOTS D'IMAGES MAGAZINE ISSUE 2

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MOTS D’IMAGES

OCTOBER 2011 - ISSUE #2

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i there!

What is the 2 Issue all about? Our calling has been to scour pages, profiles and trot along websites to bring you what’s new, and what’s next. Smile. “That means that we shoot for the moon and even if we missed it we land among the stars!”

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ruly, it is always intriguing to evaluate and appreciate for ourselves and so we are happy to share with you our way to look at photos and art.

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ooking at these photos and paintings, one seems more predisposed at first to search for reference, connection, and to fix it somehow in the flow of all the others. But finally it is rewarding to appreciate the work presented here as the one of good photographs, artists and not to forget “words composers”.

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njoy the Issue!

Florence Besson

COPYRIGHT & DISCLAIMER Reproduction in whole or in part without written permission by MiM is strictly prohibited. All information and credits are accurate at the time of publication, but are subject to change. WEB QUATERLY MAGAZINE - ISSUE 2 - PUBLICATION : October 2011 EDITORIAL : Florence Besson - besson.florence@gmail.com Design : Olivier Besson - besson.olivier@gmail.com COVER : Shunishi Tanabe - gengodesign.com HTP://WWW.MOTSDIMAGES.COM © 2011 MOTS D’IMAGES MAGAZINE

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Flash, light, density, a patchwork world Shunichi Tanabe About dance and light Magdalena Zeisel The fable of time Pasquale Palmieri Space of meeting Max Capponi Du Champ de Mars au musée Laure Delmas-Rouanet Topography of a soul Eric Duplan And nothing else matters.... Gina Buliga Le coeur cousu Carole Martinez Cloo Potloot Florence Besson Jeanyves Rousson ISSUE #2 | MOTS D’IMAGES | 3

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hunichi Tanabe is born in Tochigi Japan. He launches its first photo magazine in 1989 and has a very specific lens culture. His images of striding figures, emotional displays, and vivid colour are the product of a devotion to interpreting the visuals of the streets. His work has been exhibited in Tokyo, Hong Kong, Oslo,Venice.

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lash, light, density, a patchwork world

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Want to discover more

Website gengodesign.com

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agdalena Zeisel

About dance and light She is a visual artist. She defines her work as a symbiosis of visual forms. Her research in photography is to exceed the technology so that it becomes more of “art nichtgekonnten” which comes from the unconscious. Her work on the dark light is subjugating.

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Want to discover more Website http://www.facebook.com/magdalena.zeisel ISSUE #2 | MOTS D’IMAGES | 15

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asquale Palmieri

The fable of time His photos are a personal reaction to contemporary suburban structures. He walks the streets to find people caught in-between freedom and survival.

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Want to discover more Website http://www.flickr.com/photos/pasqualepalmieri/

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ax Capponi

Space of a meeting Lives in Rome and works as an architect designer and as a photographer for various magazines, including Vogue. He says: “I would describe my work as fragments of sensations and emotions that go beyond a simple image” and about his nude art he likes to mention with a smile, Louis Calaferte : “Les révoltants dessous organiques de la beauté.” His eye is sharp, sensual and lyrical. He is a provocative dreamer.

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Want to discover more Website http://www.maxcapponiphotographer.com

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aure Delmas-Rouanet

French photographer, her work is a balance of grace, surprise, economy, tension and visual wit. The formal eloquence is a tribute to human meaning that runs along lines, shape, scale.

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Want to discover more Website http://lauredelmasrouanet.com/

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ric Duplan

Topography of a soul Eric is a french artist who lives in South Africa. In 1980 he joined the Lintas Group Advertising Agency as an illustrator. He is now a freelance illustrator and over the past eight years worked for most of the major advertising houses in Johannesburg.

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udheer explores both BW and color with a rare sensitivity.

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Eric paints in oil and his paintings mix fine details and abstract architectural renderings in a technique that produces reminiscences of a Zen Garden, where a certain meditative quality is induced. His work could be most easily described as topographical landscapes, but this synthesis is certainly too simplistic.

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Want to discover more Website http://www.art.co.za/ericduplan

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ina Buliga

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And nothing else matters....

Lives in Bucarest. her portraits of children bring us closer to a magical world, like a dream within a dream, a vision that at times approaches the atmosphere of Peter Weir films with a tension to surnatural.

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Want to discover more Website http://blog.ginabuliga.com/

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WORDS

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arole Martinez

née en 1966, a été comédienne avant de devenir enseignante. Son premier roman, Le Cœur cousu (2007), a connu un grand succès de librairie et a reçu de nombreux prix littéraires

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Le coeur cousu Commença alors pour ma mère la période des fils de couleurs. Ils avaient fait irruption dans sa vie, modifiant le regard qu’elle portait sur le monde. Elle fit le compte : le laurier-rose, la fleur de la passion, la chair des figues, les oranges, les citrons, la terre ocre de l’oliveraie, le bleu du ciel, les crépuscules, l’étole du curé, la robe de la Madone, les images pieuses, les verts poussiéreux des arbres du pays et quelques insaisissables papillons avaient été jusque-là les seuls ingrédients colorés de son quotidien. Il y avait tant de bobines, tant de couleurs dans cette boîte qu’il lui semblait impossible qu’il existât assez de mots pour les qualifier. De nombreuses teintes lui étaient totalement inconnues comme ce fil si brillant qu’il lui paraissait fait de lumière. Elle s’étonnait de voir le bleu devenir vert sans qu’elle y prenne garde, l’orange tourner au rouge, le rose au violet. Bleu, certes, mais quel bleu ? Le bleu du ciel d’été à midi, le bleu sourd de ce même ciel quelques heures plus tard, le bleu sombre de la nuit avant qu’elle ne soit noire, le bleu passé, si doux, de la robe de la Madone, et tous ces bleus inconnus, étrangers au monde, métissés, plus ou moins mêlés de vert ou de rouge. Qu’attendait-on d’elle ? Que devait-elle faire de cette nouvelle palette qu’une voix mystérieuse lui avait offerte dans la nuit ? Bombarder de couleurs le village étouffé par l’hiver. Broder à même la terre gelée des fleurs multicolores. Inonder le ciel vide d’oiseaux bigarrés. Barioler les maisons, rosir les joues olivâtres de la mère et ses lèvres tannées. Elle n’aurait jamais assez de fil, assez de vie, pour mener à bien un tel projet. Elle se rabattit donc sur l’intérieur de la maison.

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miscellaneous

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y Cloo Potloot

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y Florence Besson

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miscellaneous

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y Jeanyves Rousson

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THANK YOU, SEE YOU IN 3 MONTHS COVER : SUNICHI TANABE MOTS D’IMAGES MAGAZINE ISSUE 2 - PUBLICATION : oct. 2011 EDITORIAL : Florence Besson besson.florence@gmail.com Design : Olivier Besson besson.olivier@gmail.com HTP://WWW.MOTSDIMAGES.COM © 2011 MiM

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