Matteo Ricci_Portfolio_2022

Page 1

PORTFOLIO

RICCI MATTEO

2022 2022 2022


ABOUT

Matteo Ricci 16 th April 1994 Via Filippo Sassetti 31, Milan, Italy linkedin profile

matteoricciark@gmail.com +39 333-3814904

SKILLS

LANGUAGE SKILLS

Adobe Suite

Italian - Mother toungue

Autodesk Autocad

English - Advanced

Rhinoceros

Spanish - Intermediate

VrayBridge - Cinema 4D Grasshopper - Rhinoceros Archicad

(BASIC)

QGIS Modeling Laser cutting 3D printing

(BASIC)

(BASIC)

TOEFL 81 (2018) B2 (2016)


CURRICULUM VITAE WORKING EXPERIENCES 2022

Freelancing as architect consultant

Collaborator as designer, 3D modeler and visual artist, March 2022– on going 2021–22

Asti Architetti, Milan

Full time job as architect and urban designer, September 2021–February 2022 2020

Architetto Sandro Cammilli, Florence Curricular intership, September–November 2020.

2018

Architetto Francesco Benacci, Forte dei Marmi Curricular intership, May–July 2018

EDUCATION 2018–21

Politecnico di Milano, Milan

Master Degree _ Architecture and Urban Design (IT) _ grade: 110/110

2014–18

University of Florence, Department of Architecture

Bachelor Degree _ Science of Architecture (IT) _ grade: 110/110

2008–13

Scientificgraduation

LiceoScientificoMichelangelo,FortedeiMarmi,Lucca

ACADEMIC EXPERIENCES A.Y. 2020–21

Academic Tutor

Project assistant for the Master Degree class “Architectural Design Studio”, Professor Luca Monica A.Y. 2016–17

Erasmus + Programme

International exchange programme at ETSAB Escuela Politecnica de Cataluña, Barcelona

EXPERIENCES, WORKSHOPS, PUBLICATIONS 2022

Publication of the article“Skateboarding and the city”

2020

Workshop “Nuovi porti per nuove portualità”

“THE P.O.P. THE PARADOX OF PANDA”, Architecture journal, number zero.

Politecnico di Milano _ May–June 2020 2018

AIV class V-Ray for C4D

MTSYS, Florence _ February–March 2018. 2017

LIA class Maxon Cinema 4d for Architecture and Design University of Florence _ February–March 2017

2017

LIA class Mcneel Rhinoceros 3D, Grasshopper for Architecture and Design University of Florence _ February–March 2017



CONTENTS 1.

L’UTOPIADELLAPERIFERIASTORICAVERTICAL FARMS, MILAN Academic experience, 2021

page 6

Tutors: Andrea Antonio Bassoli, Luca Bergamaschi, Giovanni Luca Ferreri, Luca Monica

2.

TOKYO ANTI LIBRARY–URBAN BONSAI, TOKYO

page 14

Academic experience, 2018

Tutor: Giovanni Bartolozzi

3.

PATCH–CIOMPI SQUARE, FLORENCE

page 22

Academic experience, 2017

Tutor: Antonio Capestro, Alberto Breschi Colleagues: E. Pupi, S. Piacentini, F. Trovatelli

4.

CASA BFF, MILAN

page 28

Work experience, 2022

Competition on invitation Studio: Asti Architetti

5.

BRACCIALINI FRONT–WALL, FLORENCE

page 32

Work experience, 2022

Competition

6.

PEOPLE, SHAPES, FORMS Photographic collection

page 38


1. L’UTOPIA DELLA PERIFERIA STORICA, MILAN A utopic city–scale masterplan: Milano Centrale and the neighborhood of Greco. Master’s thesis, 2021. Full report at: https://issuu.com/mrmatteoricci/docs/utopiadellaperiferiastorica_tesimagistrale

6


A NEW FORMAL AND FUNCTIONAL ARCHIPELAGO. THE UTOPIA OF BREAKING DOWN THE DIFFERENCES BETWEEN CENTER AND PERIPHERY, BETWEEN CITY AND COUNTRYSIDE. Social residences University research center Offices Start-up spaces Warehouses for industrial and agricultural machinery

Student residence / temporary housing

Vertical farms and green houses

Outpatient and medical spaces

Morando Morandini library archive

Commercial spaces

Food stores

Spaces for temporary hospitalization

Morando Morandini library

School of vocational training and linguistic knowledge

Emigration Museum

Co-working spaces

Emigration Museum archive 7


PLANIVOLUMETRIC VIEWS: THE NEW ARCHIIPELAGO FOCUSED ON THE URBAN AGRICULTURE SYSTEM.

8


VERTICAL FARMING: EXTERIOR AND INTERIOR VIEWS.

9


Typological plan of the laboratory spaces. L2_ Cutting and packaging workshop; L4_ VF cultivation laboratory (second phase); L6_VFcultivationlaboratory(firstphase); L8_ Laboratory of the sowing and germination process Surface: 505 m2 (of which 420 m2 used for the internal portion of the laboratory and 85 m2 for the connection and service areas of the external compartment).

VERTICAL FARM: TYPOLOGICAL PLANS.

10


Typological plan of the spaces serving the laboratories. L3_Logisticsanddistributionoffices; L5_ Agri-food storage and storage space; L7_Officesformonitoringandcontrolofcropsproduced; L9_ Storage space for agricultural nutrients. Surface: 350 m2 (of which 265 m2 used for the internal portion of the serving spaces and 85 m2 for the connection and service spaces of the external compartment)

INTERIOR VIEW OF THE LEVEL RELATED TO THE CULTIVATION PROCESS_L4. 11


A

A’

LONGITUDINAL SECTION A-A’. 12


+ 66.5 m + 61.5 m + 60.0 m + 58.5 m

+ 55.5 m + 55.0 m

+ 50.0 m + 48.5 m

+ 45.5 m + 45.0 m

+ 40.0 m + 38.5 m

+ 35.5 m + 35.0 m

+ 30.0 m + 28.5 m

+ 25.5 m + 25.0 m

+ 30.0 m + 28.5 m

+ 25.5 m + 25.0 m

+ 20.0 m + 18.5 m + 15.5 m + 15.0 m

+ 10.0 m + 8.5 m

+ 5.5 m + 5.0 m

+ 0.0 m

13


2. TOKYO ANTI-LIBRARY–URBAN BONSAI A new cultural and multifunctional building in the Shinjuku district. Bachelor’s thesis, 2018.

14


15


1. Modular spatial suddivisioninrelationtosite’s geometry and its architectural constraints.

2. Volumetric addiction process based on the parallelepiped module.

3.Groundfloorandfirstfloor emptying process: spatial permeability.

4. Volumetric subtraction in relationtotheurbancontext’s constraints.

5. Emptying process of an entire floortocreatea urban terrace.

6. Final composition of the modules in order to create an abstract BONSAI’s shape.

CONCEPT

3D PRINTED MODEL_1:500 16


L11_RESTAURANT

L10_OFFICES

L9_WORKSHOPS

L8_RAISED SQUARE

L7_STUDY ROOMS

L5-L6_LIBRARY

L3-L4_MUSEUM

L2_STREET FOOD AREA

L1_OVERHEAD WALKWAY

L0_PUBLIC SQUARE

FUNCTIONAL SUBDIVISION. 17


INTERIOR VIEW OF THE LIBRARY_L6.

INTERIOR VIEW OF THE MUSEUM_L3. 18


URBAN BONSAI: EXTERIOR VIEW. 22



B

C

PERSPECTIVE SECTION C-C’.


3. PATCH–CIOMPI SQUARE, FLORENCE Urban regeneration in the city center of Florence. Project studio, 2017.

22


23


ANALYSIS OF THE DISTRICT OF SANT’AMBROGIO. Description of the main functions that characterize the organization of one the most important and charming squares in the city of Florence.

TRIDIMENSIONAL TRANSPOSITION OF THE MAIN FUNTIONS OF SANT’AMBROGIO’S DISTRICT. 24


CONCEPT STUDY BASED ON NEW VOLUMETRIES AND NEW SPATIAL RELATIONS.

SCHEMATIC CONCEPTS OF RESTORATION. 25


GROUND FLOOR. On the ground floor the old market will be re-created, which will heavily interact with the pre-existing sides of the square and with “la Loggia del Pesce”, generating an interconnected system between between the areas of the new complex which will become an element of obscurity, ideally expanding the “Loggia” in the same space.

NIGHT’S VIEW OF THE NEW “PATCH” PROJECT. 26


TRANSVERSAL SECTION. FIRST FLOOR. On the higher levels the transformation occurs in the form of a system of elevated terraces characterized by the the theme of a newer artisanal, in which the relationship between the master and new technologies distinguishes strong separation between hand-made and industrially produced.

TERRACE’S VIEW OF THE NEW CIOMPI’S SQUARE. 27


4. CASA BFF, MILAN

Competition proposal for the heardquarter of a new bank in Milan. Asti Architetti, 2022.

28


29


PERSPECTIVE TRASVERSAL SECTION. 30


INTERIOR VIEWS OF THE ENTRANCE HALL AND OF THE OFFICES’RELATIONAL SPACES.

31


5. BRACCIALINI FRONT–WALL, FLORENCE Competition proposal for a historical leather’s factory in Scandicci, Florence. Freelance activity, 2022.

32


33


A NEW DYNAMIC AND SUSTAINABLE FAÇADE.

PERSPECTIVE SECTION. 34


LAMINATED SPRUCE WOOD, NATURAL COLOR: one type of

vertical lath; two types of horizontal laths.

LETTERING AND LOGO, PVC

LAMINATED SPRUCE WOOD, WALNUT COLOR: one type of grid panel.

BIRD’S-EYE VIEW AND EXTERIOR VIEW OF THE NEW FAÇADE. 35


36


37


6. PEOPLE, SHAPES,FORMS Research

2014–on going

A personal photography research focused on the relationship between men, the city and its geometry characterized by an uncontrollable disorder.

38


39



41


matteoricciark@gmail.com matteoricciark@gmail.com matteoricciark@gmail.com

+39 333-3814904


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