靜水蕩漾 菲律賓女性藝術家聯展 | Casting Stones into Still Water

靜水 盪漾

序 Foreword 李政勇 Andre Lee

4 策展論述：落腳觀點 Curatorial Statement: Aspects of Settling In Patrick D. Flores

6 圖版 Plates

10 策展人與藝術家簡歷 Brief Biography of the Curator and Artists

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3

序 李政勇

安卓藝術很榮幸再一次邀請到知名策展人 Patrick D. Flores 博士，以女性 藝術為題策劃「靜水蕩漾」菲律賓女性藝術展，從空間與分配的角度多元地 介紹菲國豐富的女性藝術發展。參展的 16 組藝術家，她們橫跨多個世代與 多樣媒材的表現，尤讓觀者對菲律賓女性藝術家們的強大留下深刻印象。 從 2007 年我開始關注與收藏東南亞當代藝術以來，菲律賓女性藝術家的 創作就經常打動我，包括 Elaine Navis, Geraldine Javier, Nona Garcia, Patricia Eustaquio, Marina Cruz, Hanna Pettyjohn... 等中生代到年輕藝術家的作品都令 我印象極深。因此在 2016 年與 Patrick 合作過「諸海各島」後，我即拋出邀 請 Patrick 為安卓策劃一檔菲律賓女性藝術展的想法，我們很開心在兩年後完 成了這個迷人的展覽項目，並透過策展人的學術觀點，進一步理解菲國女性 藝術家的豐富面貌。 台灣和菲律賓的距離和關係很密切，安卓很開心能從藝術的領域展開與菲 律賓的多項交流，並且在過往多年的累積中，逐漸地生產出美好的成果。不 論是將菲律賓優秀的藝術介紹到台灣，或是將台灣優秀的創作者與作品推薦 至馬尼拉，在我們多年的努力下，這份果實正逐步長成，也令人期待未來更 多美麗的火花和果實在兩地繼續地發生。

Foreword Andre Lee

Mind Set Art Center is honored to invite Dr. Patrick D. Flores to curate Casting Stone into Still Water, a female-themed art exhibition featuring 16 Philippine artists from different generations and different art background. The diverse creativity in their artistic practice and presentation has made a strong impression in viewers’ hearts.

Since I started to follow and collect Southeast Asian contemporary art in 2007, the art work of Philippine female artists always moved me. From mid-generation to younger generation, Elaine Navis, Geraldine Javier, Nona Garcia, Patricia Eustaquio, Marina Cruz and Hanna Pettyjohn, just to name a few, all left great deal of impression in my mind. Therefore, after the collaboration with Patrick in the exhibition: Every Island from Sea to Sea in 2016, I came up with the idea of our second collaboration at once. After two years of preparation, we are very pleased to have him curate such a fascinating female-artist themed exhibition for Mind Set Art Center and walk us through the perspectives of Philippine female artists from an academic point of view.

Taiwan and Philippines are close in many different ways. We are glad that Mind Set Art Center can start the communication and cultural exchange from the art field and create beautiful things based on the accumulation of efforts. Either introducing amazing Philippine art to Taiwanese audience or promoting Taiwanese art work to Manila, our efforts have gradually grown into a prosperous tree in the garden of art. We hope the chemistry between both places can generate infinite sparks of inspiration in the upcoming future.

5

落腳觀點 Patrick D. Flores

這次在安卓藝術所展出的作品，聚焦於跨世代女性藝術家與藝術家 Ileana Lee 作品的對話。該作品為 Ileana Lee 於七〇、八〇年代在馬尼拉與福岡 進行的創作，她將未切齊的膠帶當作虛線貼在地上、牆上和天花板的白方框， 在現存的空間中勾勒出新的空間。這樣畫出女性藝術家在藝術圈的空間，在 概念上非常聰明、敏銳。這些虛線一開始看起來只是微弱的邊緣標記，但它 們最終融入女性藝術家的作品中，轉變為全面的氛圍，瀰漫在藝術的差異與 結構中。本次參展的藝術家被要求回應這項作品，並反映出各種僵化的內外 二元結構，進而達成 Lee 突破框架的終極目標。為了完成這項任務，她們得 融入空間並為自己畫出界線或是主權，讓他人能夠穿梭其中。 本次展覽的標題取自 Lee 的一則關於《池塘》作品的訪談，《池塘》是以 旋轉的竹竿做成，作者表示：「池塘是一個結合觀眾互動的動態雕塑裝置， 在觀眾的參與下，雕塑在某種程度上將活化畫廊……讓我不禁思考創作者如 何考量固定物質在三維創作的表現？我們有時候會以巨大的基礎穩定它，但 我想問的是，如果我們將基礎縮小成為一個點，我們是否仍可以稱之為雕 塑？我試著在工作室中耍弄一根棍子、一條線與陶土間的不同組合，結果將 陀螺與竹棍支撐，再以魚線拉緊固定於頂點，產生非常有趣的結果。」這兩 件作品都表現 Lee 的在空間中搖搖欲墜卻也堅如磐石的創造力。 Ileana Lee 是活躍於七〇年代早期馬尼拉藝術圈的版畫藝術家，同時身 為 藝 術 家 與 策 展 人 的 菲 律 賓 文 化 中 心 的 總 監 Raymundo Albano 曾 書 寫 過 Lee 作品的相關文章，他形容這項作品的展出為「高端工藝與視覺表述的限 制」也創造「一道觸及深刻能見度的幻覺，引領我們對版畫意義的哲學性反 思。」Lee 的作品在本次台北的展覽中作為楔子和策展的號召，於女性藝術 與當代藝術的羽翼之下，召集女性藝術家齊聚一堂，大展身手。

這些菲律賓女性藝術家的作品形成一場從七〇年代到現在的跨世代藝術興 趣調查。各種形式的作品因為 Lee 的作品而產生連結，闡述女性藝術家的能 動性，進而思考女性藝術家身處於藝術社交環境的現況並且促進她們採取行 動，而背後的動力值得我們思考。 首先，是挑戰界線和侵犯禁地的欲望與焦慮，舉例來說，家庭的故事通常 以穩固的方式表達，同時蘊含充沛的情感記憶，但在外顯與內藏之間，仍舊 存在差異與衝突；大自然也是，在期盼之下被重新喚起，重拾生命的資源與 廢墟的基礎。在這些情境下，家庭與自然的氛圍凝聚成力量，藝術家意識到 這份力量，因為它規範著外在、能見度與可視性的空間與時間。 第二點，是將前述欲望付諸具體實踐的決定。女性藝術家了解也能夠回應 規範性的要求與批判，她們創作中實驗、再造、改變、奪回，加深自我對於 繪畫、版畫或是攝影等影像工作的投入，她們質疑紀錄式的直觀思維，修復 再現中的脆弱，她們探索窗戶與地面等空間，將媒介削減成碎片，打破油畫、 童話故事公式和房舍建築的枷鎖。 最後，是努力面對規範性別、性取向與主體性的社會結構的勇氣。作為女 性藝術家，她們孕育出能讓感知困境的環境，讓女性藝術家被看見。同樣的， 在向穩定的藝術圈中投入震撼時，她們以個人生命為基礎創造無盡的漣漪， 同時也樂於連結不同的聲音。

7

Aspects of Settling In Patrick D. Flores

This exhibition for Mind Set Art Center in Taipei focuses on the work of Filipino women artists of various generations in conversation with the work of the artist Ileana Lee done in the seventies and eighties in Manila and in Fukuoka. The said work involved the process of placing dotted lines, carefully culled from strips of tape uniformly cut, onto the floor, wall, and ceiling of a white cube to delineate space within space. It is a conceptually sharp and at the same time sensitive claiming of space for the woman artist in the art world. The dotted lines seem to be at first marginal, faint indicia of peripheral presence. Ultimately, however, they transform into an all-over atmosphere, with the work of the woman pervading both interstice and structure.

The artists for the exhibition were asked to respond to this work and reflect in different registers on the unproductive rigidity of the inside/outside binary and fulfill the promise of Lee to finally comprise. In doing so, they may be able to settle in and create a realm or domain for themselves and for others across and within themselves.

The title of the exhibition is taken from an interview of Lee about another work titled Pond (2013)1 composed of spinning bamboo poles. According to her: “Pond is an installation of kinetic sculptures with audience participation. The sculptures animate the gallery space when moved by the viewer…These pieces came about with a question in my mind at one time. Thinking about how one has to consider the element of stability to hold a three-dimensional work, we sometimes have to create a massive base or support to hold it down. So my question was, what if you reduce that base to a

《池塘》Pond｜2013｜錄像、展覽紀錄｜Video, exhibition archive

1. "Ileana C. Lee: Pond, Artist Statement," Ektopia, 13 August 2013, http://www.ektopia.us/ektopia-artist.html.

single point—will it still work as a sculpture? I was

robustly articulated, infused with affective memory,

toying with a stick, string, and clay in my studio. I

but also nuanced with violence from within and

came up with the interesting result of spinning poles

outside. Nature, too, is evoked quite wistfully to the

that are held by string on the top with the stick

degree that it is gleaned as ominous, at once source

resting on a nail.”

of life and basis of ruin. In all this, the atmosphere

These two works of Lee speak of the creative

that is homely and natural is charged as a force.

agent in the act of being in space, precariously, and

The artist is conscious about this force because it

yet decisively.

ordains both space and time of appearance, of both

Lee (b. 1951) is a printmaker who was active in the Manila art world beginning in the 1970s. Writing

visibility and visuality.

Second is the decision to flesh out the aforemen-

about Lee’s exhibition at the Cultural Center of

tioned desire with commensurate materiality. In this

the Philippines (CCP) in 1980, then CCP director

regard, the women artists are at once astute and

and artist-curator Raymundo Albano described

responsive to the requirements of the discipline and

her work as exhibiting “high craftsmanship and

the critique of the discipline. They experiment and

restraint of visual statement” and providing “an illu-

reinvent; they refunction and repossess. They deep-

sion which, upon reaching deeper visibility, brings

en their vocations in image making through paint-

us to a philosophical questioning of what print-

ing, printmaking, or photography. They question the

making is all about.” Lee is seen in this exhibition

documentary instinct and recover frailty in light of

in Taipei as a cipher and as a curatorial method of

the capture of representation. They explore spaces

gathering women artists under the aegis both of

like windows and floors. They pare down medium to

women’s art and the Philippine contemporary.

particles. They dismantle the armature of painting,

2

The works of these Filipino women artists form an inter-generational survey of artistic interests

the telos of fairy tales, the architecture of the house.

Finally come the effort and the nerve to face

from the seventies through the present. It is around

social structures that have so decisively forged

Ileana Lee that these forms coalesce, elaborating on

the norms of gender, sexuality, and subjectivity. As

the agency of the woman artist to think through and

women artists, they nurture the conditions for these

act on the difficulties of being present in the social

predicaments to be felt, to make them palpable. And

world of art. There are tendencies to consider here.

in the same breath, they are generous in holding out

First there is the desire, as well as the trepidation,

a different universe of relations as they cast stones

to test the boundaries, to encroach on hitherto

into still water and plot out more lines on the foun-

forbidden territories. The home, for instance, is

dations of a very personal and very political life.

2. "Ileana Lee: Impressions, then Illusions," in Raymundo Albano: Texts (Quezon City: Philippine Contemporary Art Network and Vargas Museum, 2017), 74.

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11

13

A Gabi Nazareno

《暫息與預言》 Lull & Presage 炭筆、石墨、畫布

Charcoal and graphite on canvas 121.92×91.44cm, 2017

B Gabi Nazareno

《入地》 Into Place

壓克力彩、石墨、木板

Acrylic and graphite on wood panels 26×38×1.5cm, 50 pieces, 2018

A

B

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Gabi Nazareno

《糊化二進制》 Blurring Binaries

壓克力彩、石墨、炭筆、圓形畫布

Acrylic, graphite and charcoal on round canvas Φ 121.92 cm, 2018

Gab Ferrer

《樹成紋》 Tree to Waves 切割橡膠

Cut rubber sheet

76.2×76.2cm, 2018

17

Michelle Dizon and Camilo Ontiveros

《窗簾》 Curtains 攝影

Photograph

84.5×125cm, 2010

同左

Same as on the left

19

Marina Cruz

《曬床單》 Drying the Sheets 壓克力、畫布

Acrylic on canvas

152.4×121.92cm, 2010

Marina Cruz

《擺桌》 Table Setting 刺繡於亞麻布

Embroidery on linen

121.92×152.4cm, 2018

21

Lee Paje

《外星人！外星人！頑強的聖戰》 Alien? Alien! The Crusade of General Bigote 壓克力彩、羊皮紙、黑板、尺、童書、剪紙與木板

Acrylic on vellum, blackboard, meter stick, children’s books and paper clips mounted on wood 27.9×22.6×45.5cm, 2013

Lee Paje

《從此之後她就過著幸福快樂的日子》 And She Lived Happily Ever After 壓克力彩、紙、童書與木板

Acrylic on paper and children’s book mounted on wood 17.78×22.86×19.3 cm, 2016

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Adjani Arumpac

《旁聽》 Audit

監視器影像 CCTV

4 hours loop, 2018

Nathalie Dagmang

《洪水》 Floodwater 錄像

Video

2015 – 2018

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Henrielle Pagkaliwangan

《新空間的肖像》 Portrait of A New Space 筆、水彩、紙

Pen and ink and watercolor on paper 91.44×152.4cm, 2018

Henrielle Pagkaliwangan

《新空間的地景》 Landscape for A New Space 筆、水彩、紙

Pen and ink and watercolor on paper 114.3×114.3cm, 2018

27

A

A Nana Buxani

《Jason Roxas / 大理石工人》 Jason Roxas / Marble Worker 攝影、噴印於ILFORD相紙

Photography printed on ILFORD paper 50.8×60.96cm, 2010

B Nana Buxani

《椰乾農場工人 / 手》 Copra Farm Workers / Hands 攝影、噴印於ILFORD相紙

Photography printed on ILFORD paper 50.8×60.96cm, 2010

C Nana Buxani

《年輕的礦工/ Diwalwal Goldmine》 Young Miner / Diwalwal Goldmine 攝影、噴印於ILFORD相紙

Photography printed on ILFORD paper 60.96×50.8cm, 1995

B

C

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Katherine Rose Medina

《理解映射與異同》 Reflection and difference as understanding 尼龍網、燈光

Nylon net, light 尺寸可變

Dimensions variable 2018

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Jem Magbanua

《蹤跡：手繪 I&II》 Traces: Hand Drawn I&II 石墨、和紙

Graphite on washi paper

21.1×14.7cm (each), 2017

Jem Magbanua

Jem Magbanua

水彩、鉛筆、紙

水彩、鉛筆、紙

12.05.2016

Gouache and pencil on paper 20.32×15.24cm, 2016

19.05.2016

Gouache and pencil on paper 20.32×15.24cm, 2016

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Nona Garcia

《反覆》 Recurrent 燈箱燈片

Duratrans

121.92×243.84cm 2018

35

Francesca Enriquez

《居家管理藍色》 Home Management Blues 油彩、木板

Oil on board

182.88×182.88cm, 1986

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Sandra Palomar

《現場圖片的構成單位》 Elements of a Living Image 雷射印刷、紙

Laser ink, paper Postcard size:

9×13.2cm, 2000

andra Palomar

《現場圖片的構成單位》

Elements of a Living Image

2000

雷射印刷、紙

aser ink, paper

Postcard size:

9×13.2cm

Sandra Palomar

《彌撒樂曲：織品研究》 Benedictus: Study in Drapery 紙、鳳梨、血液、膠帶

Paper, piña, blood, tape 105×90cm, 2018

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A Issay Rodriguez

《沼澤蜂蜜木炭森林》 Swamp Honey Charcoal Forest 氰版藍曬、石墨、紙

Cyanotype, wine, and paraffin wax on 425gsm paper 22.9×30.5cm, 6 pieces, 2018

B Issay Rodriguez

《紅酒蠟雨系列》 Wine Paraffin Rain series 氰版藍曬、紅酒、巴拿芬蠟、紙

Cyanotype, wine, and Paraffin wax on paper 13.97×19.05cm, 10 pieces, 2018

A

B

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Ileana Lee

《場域 /花束》 Terrain / bouquet 單刷版畫、拼貼

Monotype, collage

38.1 ×55.88cm, 2012

Ileana Lee

《靛藍場域 /火炬薑》 Indigo Terrain / Ginger 單刷版畫、拼貼

Monotype, collage

38.1 ×55.88cm, 2012

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Patrick D. Flores Ileana Lee Adjani Arumpac Nana Buxani Marina Cruz Nathalie Dagmang Michelle Dizon Francesca Enriquez Gab Ferrer Nona Garcia Jem Magbanua Kat Medina Gabi Nazareno Henrielle B. Pagkaliwangan Lee Paje Sandra Palomar Issay Rodriguez

簡介

簡介

策展人

策展人 藝術家

藝術家

策展人 簡介

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Patrick D. Flores Patrick D. Flores 為 菲 律 賓 大 學（University of the Philippines） 教 授， 任教於該校藝術研究系，曾於 1997 年至 2003 年間擔任系主任，他同時是 馬 尼 拉 Vargas Museum 策 展 人， 以 及 新 加 坡 國 家 美 術 館 副 策 展 人。 曾 參 與 2000 年《 建 構 進 行 中： 亞 洲 藝 術 新 角 度 》（Under Construction: New Dimensions in Asian Art） 及 2008 年 光 州 雙 年 展《 立 場 文 件 》（Position Papers） 的 策 展 工 作。 他 在 1999 年 以 訪 問 研 究 員 的 身 份 前 往 華 盛 頓 國 家 藝 廊， 2004 年 為 亞 洲 公 共 知 識 份 子 學 人 (Asian Public Intellectuals Fellow)。Flores 出 版 的 著 作 包 括 Painting History: Revisions in Philippine Colonial Art（1999）、Remarkable Collection : Ar t, Hi stor y, and th e National Museum（2006） 及 Past Peripheral: Curation in Southeast Asia（2008）。2010 年 獲 亞 洲 文 化 協 會 獎 金。2011 年 擔 任 卡 爾 斯 魯 厄 藝 術與媒體中心舉辦之展覽《全球當代：1989 後的藝術世界》（The Global Contemporary: Art Worlds After 1989） 顧 問 委 員 會 成 員， 以 及 古 根 漢 美 術館轄下亞洲藝術協會成員。同年，他與奇廷泫（Joan Kee）為《第三文本》 （Third Text）合編東南亞專輯。2013 年，獲邀代表克拉克學院和菲律賓大 學藝術系， 在馬尼拉召開一個名為「東南亞藝術史發展」（Histories of Art History in Southeast Asia） 的 學 術 研 討 會。2014 年，Flores 為 洛 杉 磯 蓋 提 研究中心客座學者，並於 2015 年擔任威尼斯雙年展菲律賓國家館策展人。 2019 年擔任新加坡雙年展藝術總監。

Patrick D. Flores is Professor of Art Studies at the Department of Art Studies at the University of the Philippines, which he chaired from 1997 to 2003, and Curator of the Vargas Museum in Manila. He is Adjunct Curator of the National Gallery Singapore.

He was one of the curators of Under Construction: New Dimensions in Asian Art in 2000 and the Gwangju Biennale (Position Papers) in 2008. He was a Visiting Fellow at the National Gallery of Art in Washington, D.C. in 1999 and an Asian Public Intellectuals Fellow in 2004. Among his publications are Painting History: Revisions in Philippine Colonial Art (1999); Remarkable Collection: Art, History, and the National Museum (2006); and Past Peripheral: Curation in Southeast Asia (2008). He was a grantee of the Asian Cultural Council (2010) and a member of the Advisory Board of the exhibition The Global Contemporary: Art Worlds After 1989 (2011) organized by the Center for Art and Media in Karlsruhe and member of the Guggenheim Museum’s Asian Art Council (2011 and 2014). He co-edited the Southeast Asian issue with Joan Kee for Third Text (2011). He convened in 2013 on behalf of the Clark Institute and the Department of Art Studies of the University of the Philippines the conference “Histories of Art History in Southeast Asia” in Manila. He was a Guest Scholar of the Getty Research Institute in Los Angeles in 2014. He curated the Philippine Pavilion at the Venice Biennale in 2015.

He is Artistic Director of Singapore Biennale 2019.

47

Ileana Lee

Ileana Lee是一名活躍於1970年代的版畫製作者。 她曾是菲律賓版畫協會的成員之一，於1981年被選為會長。 1976年曾獲 菲律賓文化中心十三藝術家大獎(CCP Thirteen Artists Award)受獎人之一， 其獎項旨於嘉獎藝術家『盡心盡力找尋各種機會且勇於冒險，去重組、增強 與再創藝術創作方式與思維……賦予菲律賓藝術源源不斷的活力。』 她也參與了1980年於福岡亞洲美術館舉行的「Festival:當代藝術展」，菲 律賓文化中心（Cultural Center of the Philippines，簡稱CCP）館長、同時 也是藝評的Raymundo Albano如此評論ILeana Lee於CCP的個展：『精湛 工藝、理性節制的視覺陳述』並提出了『一種超越可視深度的描述，帶我們 在哲理上質疑並思索版畫製作的核心關懷是什麼』。 Ileana Lee is a printmaker who was active in the 1970s. She was a member of the Philippine Association of Printmakers. In 1976, she was one of the recipients of the CCP Thirteen Artists Award, an award given to “artists [who] were viewed to have sought in their time the chance and risk to ‘restructure, re-strengthen, and renew art making and art thinking… that lend viability to Philippine art’.” She was part of the Philippine delegation to Festival: Contemporary Asian Art Show at the Fukuoka Art Museum in 1980 and reprised her masking tape series done in the 1970s.

Writing about Ileana Lee’s solo exhibition at the Cultural Center of the Philippines (CCP) in 1980, then CCP director and artist-critic Raymundo Albano described her work as exhibiting “high craftsmanship and restraint of visual statement” and providing “an illusion which, upon reaching deeper visibility, brings us to a philosophical questioning of what printmaking is all about.”

Ileana Lee

《無題》 Untitled 文獻照片

Archival photo Installation shot, CCP Second Annual for the Visual Arts, End Room, Cultural Center of the Philippines (1977)

1977

Ileana Lee

《無題》 Untitled 文獻照片

Archival photo Installation shot, Festival: Contemporary Asian Art, Fukuoka Art Museum (1980)

1980

49

Adjani Arumpac

1982

Born in Hagonoy Bulacan of the Philippines Currently lives and works in Bulacan of the Philippines

Education 2008

MA in Communication/Media Studies (12 units. 2008- ), College of Mass Communication, University of the Philippines, Diliman

2006

BA in Film and Audio Visual Communications, C0ollege of Mass Communication, University of the Philippines, Diliman, Quezon City, Philippines

Selected Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

2016

War is A Tender Thing, Installation, as part of From Bandung to Berlin: The Guest and The Ghost, in the frame of the exhibition South by Southeast: A Further Surface, curated by Patrick Flores and Anca Mihulet, Guangdong Times Museum, China

2015

War is A Tender Thing, Installation, as part of Breeding Ground Vargas Museum, University of the Philippines, 2015, Quezon City, Philippines War is A Tender Thing, Installation, as part of the ongoing exhibit From Bandung to Berlin: A Social Fiction, in the frame of the exhibition South by Southeast, curated by Patrick Flores and Anca Mihulet, Osage Art Foundation (Hong Kong) War is A Tender Thing, Open-air screening in the context of the First Lucban Assembly: PAMUMUHUNAN (Waiting for a capital), Curated by DiscLab | Research and Criticism, 2015, Lucban, Quezon Province

2014

War is A Tender Thing, as part of the ongoing exhibit From Bandung to Berlin, curated by Brigitta Isabella and Renan Laru-an, in the frame of 89plus-Google Cultural Institute’s, Nouvelles ExpÊriences en Art et Technologie (NEAT), Fondation Cartier Pour L'art Contemporain, Paris, France

2013

Aapuyan, AGAINST THE CURRENT: Contemporary Social Realist Art in the Philippines, vMeme Contemporary Art Gallery, 2013, Visayas Avenue, Quezon City, Philippines

51

Nana Buxani

1966

Born in conflict ridden region of Mindanao

Selected Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Known Unknown Solo Exhibition, Crucible Gallery, Megamall, Philippines Art Fair Philippines: Provocations: Philippine Documentary Photography

2017

Escape from Marawi, 17 day shoot in Marawi, for Channel News Asia, Singapore, a documentary on war and displacement at the height of the siege in Marawi, Mindanao, Philippines

2016

Present Progressive, Visual Narratives on Morphosis, Vetro Gallery, Philippines Daloy, Project Bakawan, UP Vargas Museum, Philippines

2015

Cinematographer to document child trafficking and prostitution, Cebu, Philippines

2014

MET OPEN, Metropolitan Museum Manila, Philippines Group Exhibition IMPETUS, Reflex at Play, Now Gallery, Makati, Philippines

2013

Photographs on Mining Works as cinematographer , six months documentary shoot in Tondo, Manila for Al Jazeera English, The Slum, six part documentary 2013-2014 (Nominated for Prix Prictet 2013)

2012

Works in collaboration with Aba Lluch Dalena, Transform, NCCA Gallery, Manila, Philippines Participates in Group Exhibition Filipino Photographers Showcase, IPA, Singapore Participates in Group Exhibition HANDUMAN, UP Vargas Museum , Philippines Photographic Exhibition CrossOver, Denmark, Samtidskunst, Fra Fillippinen/Sydoslaten

2010

Published photographs in monograph form

2009

Works on doing portraits as fund raiser for Breast Cancer Awareness, Dept of Surgery, East Avenue Medical Center, Quezon City, Philippines Works on a continuing documentary Workers-Manual Labour Works on commissioned photo assignment, This Day of Change, published by Kodansha, Japan, 100 photographers ,2 books, Pictures of Hope on the occasion of President Obama’s inauguration Permanent Collection, Metropolitan Museum, Manila, The Contemporary: The past, and the Possible, curated by Dr. Patrick Flores, Colour Photograph, OFW (Overseas Filipino Family, Father and Daughter)

2008

Group Exhibition Swarm in the Aperture, National Museum, Manila, Philippines

2007

Mujeres Filipinas Exhibition Madrid with published photograph in a book catalog

2006

The Aftermath Project Auction, group show for the benefit of photographers documenting aftermath of war, New York, USA

2005

Group Exhibition Asian Cultural Artists ( ACC- Manila), Retroactive, CCP Main Gallery, Philippines Photographic Exhibition Children In Prisons, University of the Philippines, Cinema Lobby, Philippines

2004

Photographic Exhibition Life on the Tracks, University of the Philippines, Cinema Lobby, Philippines

2001

Solo Exhibition, Paintings+Drawings, Dreams, Rituals and Musings, Blind Tiger, Quezon City, Philippines Group Exhibition PictureTrip, Filipinas Heritage Library, Makati, Philippines Continues photographic work in Payatas Dumpsite, Quezon City, produces black and white prints as fundraiser for a Japanese NGO, Philippines SALT to benefit child workers in the dumpsite Solo Exhibition 40 B/W works on Child Labour: Little Feet Big Work, Small Hands, Heavy Load 2001, Manila, Philippines Group Exhibition with 4 Women Painters, Sands Gallery, Quezon City, Philippines

1997

Group Exhibition B/W works Third World Café, Malate, Manila, Philippines

1996

Solo Exposition of Black and White Photographic Prints on Child Labour Kasal Café, Quezon City, Philippines

1995

Dreamscapes and Origins with Poet, writer, Painter Tita Lacambra Ayala, Davao City, Philippines

1992

Images and Colours of Our Roots (traveling group show with regional artists) Cultural Center of the Philippines 53

Marina Cruz

Education 2003

B.F.A. Major in Painting, University of the Philippines.

Best Thesis and cum laude College of Fine Arts, University of the Philippines

Selected Exhibition 2019

Read between the Lines…, Galerie Ernst Hilger, Vienna, Austria

2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

2017

Material Maternal, Mind Set Art Center, Taipei, Taiwan Breathing Patterns, Solo Presentation and Book Launch, A3 at ASIA NOW, Paris, France

2016

Mend and Amends, A3, Berlin, Germany Memory of the Mundane, DKS Deutsche Bank Knowledge Services: Appreciating Art Exhibition, BGC, Taguig, Phillipines

2015

Loose Threads, 1335MABINI, Manila, Philippines Wear and Tear, Artissima, Turin, Italy Wear and Tear, Mind Set Art Center, Taipei, Taiwan Meditations on Unearthed Landscapes, West Gallery, Manila, Philippines

Award 2012

Winner of the 2012 Thirteen Artists Award

2008

Grand Prize Winner, Philippine Art Awards, Philip Morris One of the 3 Winners Ateneo Art Awards: Zones of Influence Shortlisted for 3 Exhibits Ateneo Art Awards

2007

One of the 10 Finalist for NCR National Capital Region Philippine Art Awards Philip Morris

2006

Shortlisted Ateneo Art Awards: Outbound

2004

Juror’s Choise GSIS Painting Competition

2003

Semi-Finalist Philippine Art Awards, Philip Morris

2000

Semi-Finalist Metrobank Young Painter’s Annual Art Competition Finalist, Shell Student Art Competition Semi-Finalist Nokia: Modern Art Asia Pacific [National Level]

Residency 2008

Asian Fellowship Grant, Sponsored by Freeman Foundation Vermont Studio Art Center, USA

2008

Artist Residency Grant From La Trobe Visual Arts Center La Trobe University, Bendigo, Australia 55

Nathalie Dagmang

1993

Born Based in Manila, Philippines

Education 2017

Master of Arts in Anthropology, College of Social Sciences And Philosophy, University of The Philippines Diliman (Present)

2015

Bachelor of Fine Arts Major in SculptureCollege of Fine Arts (Magna Cum Laude), University of The Philippines Diliman

Selected Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Hakos, Tin-aw Art Gallery, Makati, Philippines Beyond Myself: Filipino migrants’ investments in Philippine futures, Vargas Museum, Quezon City, Philippines Himmel über them lonesome cities, 1335 Mabini, Makati, Philippines Beyond Myself: Filipino migrants’ investments in Philippine futures, The Hive, Hong Kong, China

2017

I’m Coming Home to Stay, Grace Room, Liverpool Hope University, United Kingdom Dissident Vicinities, Bulwagan ng Dangal, University of the Philippines, Quezon

City, Philippines Drop Off Point, Gallery Orange, Bacolod City, Philippines Beyond Myself, Goldsmiths University of London, United Kingdom 2016

Ateneo Art Awards 2016, Shangri-la Mall, Mandaluyong City, Philippines Ateneo Art Awards 2016, Ateneo Art Gallery, Quezon City, Philippines

2015

Plot the Riles: A Forum and Interactive Installation on the Philippine Railway System, Project Bakawan, University of the Philippines Diliman, Philippines Finders Keepers, Upstairs gallery and video room, Finale Art Gallery, Makati, Philippines Volume 3, Issue 4, Tin-aw Art Gallery, Makati, Philippines

2014

Identity/Place/Fantasy, Galeria Duemila, Pasay City, Philippines Meditations and Musings, West Gallery, Quezon City, Philippines 8 Minutes, Shift Project Art Space, Fort Bonifacio, Philippines Condemned, University of the Philippines College of Fine Arts, Quezon City, Philippines SPOT Art 2014, The ARTrium@MCI, Singapore

Award 2016

Ateneo Art Awardee, Ateneo Art Gallery, 2016 Department Of Studio Arts Outstanding Thesis Awardee, College of Fine Arts, University of the Philippines Diliman

2013

Finalist, Deutsche Bank Excellence in Art Award for 2013

Residency 2018

Artesan Gallery, Singapore, May 2018

2017

Liverpool Hope University, United Kingdom, April 2017

57

Michelle Dizon

Education 2011

Ph.D., Rhetoric, University of California, Berkeley Designated Emphasis in Film and Women, Gender, and Sexuality Dissertation Title: Vision in Ruins (Chair: Professor Trinh T. Minh-ha)

2008

MFA, Art, Interdisciplinary Studio Program, University of California, Los Angeles Thesis: Civil Society (Chair: Professor Mary Kelly)

2005

MA, Rhetoric, University of California, Berkeley

1999

BA, History of Art and English, High Honors, University of California, Berkeley Minor in Creative Writing

1997

Santa Monica Community College

Selected Exhibition 2019

Motions of this Kind, Brunei Gallery, University of London, London, England

2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan City of LA Master Artist Exhibition, LA Municipal Art Gallery, LA, CA, USA White Gaze, California Institute of Integral Studies Gallery, SF, CA, USA Manifesto Show, Pitzer College Art Galleries, Claremont, CA, USA

2017

Tiempos Migratorios, VIII Bienal Salasab, Bogota, Colombia I Can Call This Progress to Halt, Los Angeles Contemporary Exhibitions, LA, CA, USA The Past is Not Post, Edith-Russ-Haus, Oldenburg, Lower Saxony, Germany Ours is a City of Writers, Los Angeles Municipal Art Gallery, LA, CA, USA

2016

Joy Syringe, Practice NYC, New York, NY, USA Republic, Vargas Museum University of the Philippines, Diliman, Manila, Philip-

pines Restless Debris, UAG Galleries, University of California, Irvine, CA, USA 2015

d’ici et d’ailleurs, Centre d’art Contemporain de Quimper, France Rewriting Histories, Fotografisk Centre, Copenhagen, Denmark Michelle Dizon: Drifting Islands, Oakland Museum of Art, Oakland, CA, USA

2013

Women, War, and Industry, San Diego Museum of Art, San Diego, CA, USA Home Away, Armory Center for the Arts, Pasadena, CA, USA The Documentation Show, ZN (Zinc) Gallery, Manila, Philippines Migrating Identities, Yerba Buena Center for the Arts, SF, CA, USA In the Good Name of the Company, For Your Art, LA, CA, USA inToAsia, Queens Museum of Art, Queens, NY, USA Dear Curator, Curate Me, Selasar Sunaryo Art Center, Jakarta, Indonesia Picturesque, Vargas Museum, Manila, Philippines,

2012

Perpetual Peace, 18th Street Gallery, Santa Monica, CA, USA Made in L.A., Barnsdall Art Park, LA, CA, USA Dear Curator, Curate Me, La Casa Ensendida, Madrid, Spain

Selected Festival and Screening 2017

Cines Migratorios, Barcelona, Spain Private Screening, t.i.c.t.a.c., Migratory Times, Jeju, South Korea

2015

International Southeast Asian Film Festival, San Francisco, CA, USA La Vidéoshop, Paris, France

Selected Publication 2018

White Gaze, with Viet Le, Candor Arts and Sming Sming Books

2016

“Eyes Drawn: Asian American Femininity in Tran T. Kim Trang’s Operculum,” in More Than Meets the Eye: The Videos of Tran T. Kim-Trang, LA: Scaler “Institutions, When Will You Open Your Doors,” The Brooklyn Rail, February 3 “On Sanctuary,” Visual Anthropology, Special Double Issue on Southeast Asia

2012

“A Conversation on Transnational Identity” Gina Osterloh and Michelle Dizon, ArtBound “The Work of War in Times of Art,” Metta World Peace, September “Perpetual Peace,” in Casualty: Special Issue of the Massachusettes Review, Vol. LII, Nos. 3 & 4 59

Francesca Enriquez

1962

Born in Manila

2000

Currently residing in San Francisco, USA

New Works, Finale Art File, Makati, Philippines

1999

Recent Works, Finale Art Gallery, Manila, Philippines

Education 1987

1998

Center, SM Megamall New Works, Finale

University of the Philippines with a Bachelor’s Degree in Fine Arts, Major in Paint-

Illumined Pleasures (group show), Art Art Gallery, Manila, Philippines

1997

ing

The Interior World: Francesca Enriquez, Valentine Willie Fine Art, Kuala Lumpur, Malaysia

1996

Selected Exhibition 2018 2004 2003 2002 2001

ippines 1995

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

Interiors, Finale Art Gallery, Manila, PhilWorks from England, Finale Art Gallery, Manila, Philippines

1992

Destination: Southeast Asia, Canada

New Works, Finale Art Gallery, Manila,

The Filipino Woman: Myth and Reality, a

Philippines

Kasibulan-CCP, Philippines

Five (group show), Art Center, Manila,

Exhibition Project, Cultural Center of the

Philippines

Philippines, Manila, Philippines

Oils, Finale Art Gallery, Manila, Philip-

1991

Stepping Stones, Cultural Center of the

pines

Philippines, Manila, Philippines

Guilty Pleasures (group show), Art Cen-

From the Artists, For the Artists, Kanlun-

ter, Manila, Philippines

gan ng Sining Gallery, Manila, Philip-

pines

1988

Fifty Years of Philippine Abstract Art, Cultural Center of the Philippines, Manila, Philippines

pines 1987

lay Diwa Gallery, Manila, Philippines

File, Makati Art Manila 91, Philamlife Lobby,

Side A, Side B, Cultural Center of the Philip-

Knowledge of the Simple, Ayala Museum,

1989

Just a Thought I’d Stop for a Bottle of Beer, Ku-

Four Generations-New Paintings, Finale Art Manila, Philippines

1990

6 x 6, 8 x 12, Finale Art File, Makati, Philip-

pines, Manila, Philippines 1986

Recent Paintings, Finale Art File, Makati, Phil-

Makati, Philippines

ippines

Chairs, Ayala Museum, Makati, Philippines

Young Art, Cultural Center of the Philippines,

Italian Mail Art Exchange, Int’l Mail Art Ar-

Manila, Philippines

chive of Pisa, Italy in conjunction With Kulay

Paintings, Faculty Center, University of the

Diwa Gallery

Philippines, Quezon City, Philippines

The Best of Two Worlds: A Festival of Arts &

Inauguration, Kulay Diwa Gallery, Manila,

Culture, Phil. Int’l Convention Center, Manila,

Philippines

Philippines

Art Association of the Philippines – Rotary

Four Generations, Finale Art File, Makati, Phil-

Open Art Competition,Museum of Philippine

ippines

Art, Manila, Philippines

Homage to Van Gogh, Alliance Francaise of

Bahaghari 1, Phil. Int’l Convention Center,

Manila, Philippines

Manila, Philippines

Women & Ecology, Cultural Center of the

Young Art, Cultural Center of the Philippines,

Philippines, Manila, Philippines

Manila, Philippines

Women Artists, Art Lab Gallery, Manila, Phil-

Small Works, La Tasca Gallery, Makati, Philip-

ippines

pines

Paintings, Alliance Francaise of Manila, Philip-

V-Day, Penguin Cafe, Manila, Philippines

pines Walong Salita/Eight Words, Tin Sheds Gallery, Australia Signed, Sealed, Delivered, Performance Space

Award and Achievement

Gallery, Australia

1994

the Philippines

Metro Manila, Australian & Regions Artists Exchange,The Gallery, Australia

1990 1988

Conferred a 1988 Cultural Center of the Philippines Project Grant

New Works, Finale Art File, Makati, Philippines

Conferred a 1990 Cultural Center of the Philippines Venue Grant

China Crisis, Pailou Plaza Gallery, Australia Four Artists in Iloilo, Museo Iloilo, Iloilo City

Thirteen Artists Awardee, Cultural Center of

1986

Second Prize, Art Association of the Philip-

Vision and Values, The First ASEAN Travelling

pines Rotary Open Art Committee on Culture

Exhibition of Paintings, Photography and

and the Arts

Children’s Art

1985

banan Gallery, San Juan,Manila, Philippines

1994

Banaag, Cultural Center of the Philippines,

MFA in Painting, Joint Scholarship of UNESCO and Norwich University of England

Sikat, Cultural Center of the Philippines, Manila, Philippines

Finalist, ASEAN Festival of Arts Grants & Scholarships

Sunset and other Vanishing Acts, Pinagla-

1983

Scholar, University of the Philippines Fine Arts Alumni Foundation

Manila,, Philippines

61

Gab Ferrer

1993

Born in Philippines

Education 2013

University of the Philippines, Diliman (Fine Arts major in Painting) Philippine Women’s University, Taft (Fine Arts major in Painting)

2012

Philippine High School for the Arts

2009

Manila Waldorf School

Selected Group Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Tirada: 50 Years of Philippine Printmaking 1968-2018, Cultural Center of the Philippines, Pasay City, Philippines Close Quarters, Vinyl on Vinyl Gallery, Makati City, Philippines We Do Everything We Can To Avoid Trying, Blanc Gallery,Quezon City, Philippines

2017

Ctrl + Alt, Parasite Projects, Las Piñas City, Philippines

2016

So Let’s Sink Another Drink ‘Cause It’ll Give Me Time To Think, Underground Gallery, Makati City, Philippines Short Span, Post Gallery, Cubao, Philippines

2015

Working Order, Underground Gallery, Makati City, Philippines Content May Vary, Tin-Aw Gallery, Somerset Olympia Bldg, Makati Avenue, Makati City, Philippines

2014

A Quick Bite Between Dreams and Memories, Art4s Gallery,Alabang Town Centre, Philippines

2013

Bloom Arts Festival, Kanto Gallery and Vinyl on Vinyl, Philippines To Whom It May Concern, Art for Space Gallery, Alabang Town Center, Philippines

2012

Lieutang, Thesis Exhibit, Tin-Aw Gallery, Somerset Olympia Bldg, Makati Avenue, Makati City, Philippines Lieutang, Thesis Exhibit, HRF Gallery, National Arts Center, Mt. Makiling , Philippines

2011

Anobayani, Bulwagang Juan Luna, Cultural Center of the Philippines

Curatorial and Teaching Project 2018

“Periphery� with Para://Site Projects, held at Tanauan, Batangas

2017

Sama Sama Summer Camp held at Lake Merritt, Oakland CA , USA

63

Nona Garcia

1978

Born in Manila, Philippines Currently lives and works in Baguio City, Philippines

Education 2000

University of the Philippines, Diliman, QC College of Fine Arts, BFA, Major in Painting

Selected Solo Exhibiton 2016

Fall Leaves after Leaves Fall, Silverlens, Makati City, Philippines Before the Sky, Special Projects, Art Fair Philippines, Philippines

2015

Hallow, Blanc Gallery, Quezon City, Philippines Unearth, ARDNT, Berlin, Germany

2014

Recovery, Bencab Museum, Baguio City, Philippines

2012

Before the Sea, West Gallery, West Avenue, Quezon City, Philippines False Apparitions, Valentine Willie Fine Art, Singapore Somewhere Else, Finale Art File, Makati City, Philippines

2010

Fractures, West Gallery, Quezon City, Philippines

2009

Synonyms, Finale Art File, Makati City, Philippines

2008

Planted Landscapes, Podium, Mandaluyong City, Philippines

2007

Point of Departure, West Gallery, SM Megamall, Mandaluyong City, Philippines

2006

Weather, Magnet Gallery, ABS-CBN, Quezon City , Philippines

Strange Familiarity, West Gallery, Megamall, Mandaluyong City, Philippines After a While, You Get Used To It, Finale Art File, LaO Centre, Makati City, Philippines 2005

Scene of the Crime, West Gallery, Megamall, Mandaluyong City, Philippines

2004

New Paintings, Galleria Duemila, Megamall, Mandaluyong City, Philippines

Selected Group Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

2016

Every Island from Sea to Sea: Recent Philippine Art, curated by Patrick D. Flores, Mind Set Art Center, Taipei, Taiwan WASAK! Filipino Art Today, ARDNT, Berlin, Germany Asla Now, Espace Pierre Cardin, Paris, France Nondisclosure, The Solo Project, Basel, Switzerland

2015

ReVision: MSAC 5th Anniversary Special Presentation, Mind Set Art Center, Taipei, Taiwan Melted City 3, Blanc Gallery, Quezon City, Philippines The Last Dog Show, Finale Art File, Makati City, Philippines I Went to the Forest to Live Deliberately, Art Informal, Mandaluyong City, Philippines

2014

Re:View 2014, Bencab Museum, Baguio City, Philippines Markets of Resistance, Baguio City Market, Baguio City, Philippines What Does It All Matter as long as the Wounds Fit, Cultural Center of the Philippines Space and Two Points, Silverlens, Makati City, Philippines

2013

The Midnight Marriage, Silverlens, Makati City, Philippines The Link, Ayala Center, Makati City, Philippines

2012

The Porous Border, G23 Gallery, Bangkok, Thailand

Award 2010

Shortlisted, Ateneo Art Awards

2007

Shortlisted, Ateneo Art Awards

Residency 2004

Residency, CROSS CURRENTS, Bangkok, Thailand

2003

Recipient, CCP 13 Artists Award

2000

Grand Prize, ASEAN Art Awards Juror’s Choice, Philippine Art Awards Finalist, Metrobank Young Painter’s Competition

65

Jem Magbanua

1992

Born in Manila, Philippines

Education 2014

LASALLE College of the Arts Singapore, in Partnership with Goldsmiths’ College, University of London BA(Hons) Fine Arts, First Honors

2012

Singapore American School, High School Diploma

Selected Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Art Fair Philippines 2018, The Link, Makati, Philippines

2017

Itonami Daisen Art Festial 2017, Daisen, Tottori Prefecture, Japan As Far As Near As Wide As Tall, Gallery Roberto, Philippines Inner Weather (Solo Exhibition), ARTERY Art Space, Philippines July: A Drawing Show, Underground Gallery, Philippines Garden, City or Wilderness (Solo Exhibition), Underground Gallery, Philippines To Be You, Light Grey Art Lab, United States Zines of Publication, co-published by Hardworking Goodlooking and Artbooks.ph, Printed Matters’ LA Art Book Fair

2016

So Let’s Sink Another Drink ‘Cause It’ll Give Me Time to Think, Underground Gallery, Philippines Unsan Musho, Mabuya Community Center Gallery, Tottori, Japan

Ways of Being, Knuckles and Notch, Singapore Between Departing and Arriving, Studio Kura,

Award 2013

The Winston Oh Travel Practice Award, Singapore

Fukuoka, Japan Jem Magbanua, Buy Some Damn Art, online gallery based in Brooklyn, New York, USA Binding, Blanc Gallery, Philippines Occuppied, Underground Gallery, Philippines Periphery, ARTERY Art Space, Philippines 2015

HOHOL: Zine Festival, Post Gallery, Philippines Print Lab 2015, Grey Projects, Singapore

Residency 2017

Itonami International Art Festival, Tottori Japan, September - November 2017

2016

Daisen Animation Project, Tottori Japan, October - November 2016

The Days That We Wonder, DECK Gallery, Sin-

Studio Kura, Fukuoka Japan, May - June 2016

gapore Enormous Tiny Art Show, Nahcotta Gallery, New Hampshire, Porstmouth, USA 2014

From the Ground Up, BA Fine Arts Level III Grad Show, LASALLE College of the Arts, Singapore

Selected Publication 2018

Watch,

The Machine Contemplating the Body, Singapore General Hospital Museum, Singapore 8 Festival Increible: Graphic Publications Fair,

Written by Patricia Chong, March 2018 2017

Emil Hofilena, August 2017

na

Philippine Star SUPREME, Blank Space, Writ-

Life Carnival, LASALLE College of the Arts, Sin-

ten by Kara Ortiga, November 2017

gapore

Kanto, Wabi Sabi, Written by Patrick Kasings-

Impetus, BA(Hons) Fine Arts Level II, LASALLE

ing, August 2017

College of the Arts, Singapore

L’Officiel Philippines, Taking Root, Written by

Belfry’s Wall; Voices, LASALLE College of the

Marie Annabelle Marquez, June 2017

Arts, Singapore

Mabuhay Magazine, Philippines, Spatial Ca-

The Winston Oh Travel Award, LASALLE College of the Arts, Singapore Young Artists, Buy Some Damn Art, online gallery based in Brooklyn, New York, USA Criss Cross, The Arts House at the Old Parlia-

Works in Progress: Three Artists Show Us the Messiness of the Creative Process, Written by

Plaza Alsina San Isidro, Buenos Aires, Argenti2013

Rogue, Say My Name: Rogue’s Artists to

det, Written by Jam Pascual, March 2017 2014

Obscure, Singapore, Heaven and Earth to Peace Beguile, Written by Vanessa, December 2014

ment, Singapore 2012

Beyond Limits, Earl Lu Gallery, LASALLE College of the Arts, Singapore

67

Katherine Rose Medina

1984

Makati, Philippines

Born in Manila, Philippines 2013

Common Subscriptions, The Drawing Room, Makati, Philippines Home Spun, Blanc Art Space, Makati,

Education 2018

Diploma in Archaeology, University of

Philippines 2012

2007

It’s Hard Being a Being, Artist’s own residence, Quezon City, Philippines

the Philippines, Quezon City (Present) Bachelor of Fine Arts, Far Eastern University, Sampaloc, Manila

Selected Group Exhibition Selected Solo Exhibition 2018

2017

2016

2015

2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

Transmission Sustained (but it was still

Soft Pockets, Sampaguita Projects, Que-

comprehensible), The Drawing Room,

zon City, Philippines

Makati, Philippines

The Game Of The Real, Mono8, Manila,

Seeing Green From The Sound Of The

Philippines

Ground, Underground Gallery, Makati,

110/220, Project 20, Quezon City, Philip-

Philippines

pines

Forever Folding To Temper A Window To

The Earth Has Wet Dreams, Baler, Aurora,

A Siphon or A Knife, The Drawing Room,

Philippines

Makati, Philippines

Mani Obra, Mabini 1335, Mabini, Ma-

The Solution Before Itself, ESC Project,

nila, Philippines

98B, Escolta, Manila , Philippines

Yielding Nodes, Para Site Projects, Silang,

Twice Removed, The Drawing Room,

Cavite, Philippines

2017

New Works, The Drawing Room, Makati, Phil-

Curved House, Blanc Compound, Mandaluy-

ippines

ong, Philippines

1, 2, 3, 4, 20, 21, 22, 231, Kalawakan Space Digging For Fire, Art Anton, Conrad Hotel Ma-

Magnum Asupre, Light and Space Contem-

nila, Pasay City, Philippines

porary, Fairview, Philippines

New Works, The Drawing Room, Makati, Phil-

We are not Aimless, Manila Contemporary,

ippines

Makati, Philippines

2014

Love 2010, Heima Cubao Expo, Cubao, Philippines

Traffic, Articulate Project Space, Sydney, Aus-

Siren’s Hall, Mo_Space, Fort Bonifacio, Philip-

tralia

pines

Elephant In The Room, Salon, Madrid, Spain

His and Hers, Blanc Compound, Shaw, Man-

Delikado Peligroso, Matadero Madrid, Ma-

daluyong, Philippines 2009

Saturday Fun Machine, Finale Art File, Pasong

Collective Memory, Artery Art Space, Cubao

Tamo, Philippines

Small Span, Post Gallery, Cubao, Philippines

Tutok Sena, Manila Contemporary, Pasong

Art Fair Philippines, The Drawing Room

Tamo, Philippines

booth, The Link, Makati, Philippines

Boxed 2009, Blanc Compound, Shaw, Man-

Ganggo, PAN/// 98BCollaboratory Ground

daluyong, Philippines

Floor, Panpisco

Caminiamo, Shangri-La, Mandaluyong, Phil-

Building,246 Escolta St. , Manila, Philippines

ippines

The Harvest, Gusaling Escuelapia : Sentrong

Pottymouth, Blanc Art Space, Makati, Philip-

Pangkultura ng Lucban , Lucban Quezon,

pines

Philippines

If We Only Walk Long Enough, Studio 83, Sin-

Taipei Art Fair, The Drawing Room Exhibition

gapore

Booth (D24), Taipei, Taiwan

Welcome To The Jungle, Art Informal Art

Kamias Triennale, Kamias St., Quezon City,

Space, Greenhills, San Juan, Philippines

Philippines

Imagination Is An Overused ClichĂŠ, Paseo Gal-

Destroy 3000 Years of Culture, Post Gallery,

lery, SM Megamall, Philippines

Cubao, Quezon City, Philippines

Magnum Asupre II, Blue Wings Art Space,

Powers that Be, The Drawing Room, Gillman

Quezon City, Philippines

Barracks, Singapore 2013

2010

colta St. , Manila, Philippines

drid, Spain

2015

Munnyfestation, Blanc Compound Shaw Dia de los Miertos, Secret Fresh, San Juan

A Picture Of A Thousand Sunsets, The Hub, Es-

2016

2011

Time, Quezon City, Philippines

2008

Still, Blanc, Katipunan, Philippines Rugbees, Green Papaya Projects, Quezon City

Out Two Tow Wot, Bigskymind, New Manila, Quezon City, Philippines

2007

Delayed Craftification, Gallery Ana, Megamall,

The Black Station Of The Colored Train, Whitebox Studio,Cubao Expo, Philippines

Mandaluyong, Philippines Psychotropics, The Drawing Room, Gillman Barracks, Singapore 2012

Pulp Fiction, Art Informal, Connecticut St., San

Residency

Juan, Philippines

2017

El Ranchito Cuba, Filipinas, Japon, Programa

Olfactory Pussy Presents Fishnet Strangling

De Residencias

She-Male Acupuncture Bitch Fest or THE Y2K

Matadero Madrid - AECID, Madrid, Spain on

BABES, Finale Art File, Makati, Philippines

October to November 2017

69

Gabi Nazareno

Education 2017

Bachelor in Fine Arts in Studio Arts (Painting), University of the Philippines - Diliman, Quezon City, Metro Manila

2012

Studied Bachelor in Fine Arts in Studio Arts, University of the Philippines - Cebu College, Lahug, Cebu City

2011

Bachelor of Arts in Mass Communication, University of the Philippines - Cebu College, Lahug, Cebu City

Selected Group Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Close Quarters, Vinyl on Vinyl Gallery, 2214 Chino Roces Ave., Makati City, Philippines FOUR BETTER, FOUR WORSE, START101 Gallery, Quezon City, Philippines

2017

Attachments, Tin-aw Art Gallery, Makati City, Philippines Green Go Home, U.P. Vargas Museum, U.P. Diliman, Quezon City, Philippines Just Add Water, Mono8 Gallery, Mabini St., Malate, Metro Manila, Philippines Art For Everyone, SM Megamall Fashion Hall, Mandaluyong, Metro Manila, Philippines The Undercurrent: 30 Artists Under 30, Pineapple Lab Creative Hub, Makati City,

Philippines Panimula: Studio Arts Theses Exhibit, Corredor Gallery, College of Fine Arts, U.P. Diliman Quezon City, Philippines Diwa: What Is It To Be Human?, Printmaking Studio, College of Fine Arts, U.P. Diliman Quezon City, Philippines Upcfa Annual Students Exhibition, Corredor Gallery, College of Fine Arts, U.P. Diliman Quezon City, Philippines 2016

Dreamscapes, START101 Gallery, Quezon City, Philippines Metrobank Art & Design Excellence (Made) Semifinalists Exhibit Le Pavillon, Metropolitan Park, Pasay City, Philippines (X, Y), National Commission for Culture and the Arts (NCCA) Gallery, Manila, Philippines What I Wanted To Say, Hear And See, Meranti Hotel, Quezon City, Philippines Simultaneous Contrast, START101 Gallery, Quezon City, Philippines Platform, Erehwon Center for the Arts, Quezon City, Philippines Layers, Corredor Gallery, College of Fine Arts, U.P. Diliman, Quezon City, Philippines Upcfa Annual Students Exhibit, Corredor Gallery, College of Fine Arts, U.P. Diliman, Quezon City, Philippines

2015

Highlights: 48Th Shell National Students Art Competition, Ayala Museum, Makati City, Philippines

2014

Light It Up Lantern Exhibit (Collaborative Work), Ayala U.P. Town Center, Quezon City, Philippines

2013

U.p. Lantern Exhibit (Collaborative Work), Ayala U.P. Town Center, Quezon City, Philippines

2012

Jose Joya Annual Students Exhibit, S.M. Art Center, Cebu City, Philippines Freshman Year Exhibit, Jose T. Joya Gallery, U.P. Cebu College, Lahug, Cebu City, Philippines

Award 2017

Dominador Castañeda Award for Outstanding Thesis for 2017 Department of Studio Arts, College of Fine Arts, U.P. Diliman

2016

SEMIFINALIST – Metrobank Art and Design Excellence Award

2015

FINALIST – 48th Shell National Students Art Competition Oil/Acrylic Category

2007

President Gloria Macapagal Arroyo Award of Outstanding Achievement in Culture and Arts 71

Henrielle B. Pagkaliwangan

1994

Born in Cavite, Philippines

Education 2015

Bachelor of Fine Arts in Studio Painting, University of the Philippines, Diliman, Quezon City

2011

Major in Visual Arts, Philippine High School for the Arts, Mt. Makiling, Los BaĂąos, Laguna

Solo Exhibition 2017

Inventory, Tin-aw Gallery, Makati City, Philippines

2016

Tiempo Galing, Kapitana Gallery, Talisay, Negros Occidental, Philippines

Selected Group Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan Tirada: 50 Years Of Philippine Printmaking Cultural Center Of The Philippines, Pasay City, Philippines Kada Adlaw Art Fair Philippines 2018 (Tin-aw Art Gallery), Makati City, Philippines

2017

Traversals/Trajectories: Expansive Localities, Vargas Museum, Philippines University of The Philippines, Diliman, Quezon City, Philippines Dissident Vicinities, Bulwagan ng Danga l, University of The Philippines, Diliman, Quezon City, Philippines Vessel: Island Hopping - Revisiting Imperialism (Philippines), VT Artsalon, Taipei City, Taiwan

2016

Hidlaw, Tin-aw Art Gallery, Makati City, Philippines Papers and Layers, Cultural Center Of The Philippines, Pasay City, Philippines Paper Trails, Sangkring Art Space, Yogyakarta, Indonesia Transmission, Tin-aw Art Gallery, Makati City, Philippines Begin, Art Informal, Mandaluyong City, Philippines

2015

Volume 3, Issue 4, Tin-aw Art Gallery, Makati City, Philippines Finders Keepers, Finale Art File, Makati City, Philippines Content May Vary, Art Fair Philippines, 2015 (Tin-aw Art Gallery), Makati City, Philippines

2014

Meditations and Musings, West Gallery, Diliman, Quezon City, Philippines

2013

Eyes of Gauze: Trails and Mists of Santiago Bose’s Vision, Tin-aw Art Gallery, Makati City, Philippines

Award 2017

Don Papa Rum Art Competition Grand Winner

2015

Magna cum Laude (Bachelor of Fine Arts in Painting) University of the Philippines, Diliman Outstanding Thesis (Department of Studio Arts) College of Fine Arts, University of the Philippines, Diliman

Residency 2016

Kapitana Gallery, Talisay, Negros Occidental, Philippines 73

Lee Paje

1980

Born in Manila, Philippines

Education 2009

Bachelor of Fine Arts Major in Studio Arts in Painting, University of the Philippines, Diliman, Quezon City, Philippines (Magna Cum Laude) Department of Studio Arts Outstanding Thesis Awardee, University of the Philippines, Diliman, Quezon City, Philippines

2002

Bachelor of Arts Major in Communication Arts, Miriam College, Quezon City, Philippines

Solo Exhibition 2017

Diin, San-O, Sin-O (Where, When, Who), Kapitana Gallery, Talisay City, Negros Occidental, Philippines

2016

Unexpurgated, Tin-aw Art Gallery, Makati City, Philippines

2014

Somewhere Beyond Right And Wrong, There Is A Garden. I Will Meet You There., Art Taipei: Young Artist Discovery, Taipei, Taiwan

2013

Bigoted, Manila Contemporary, Makati City, Philippines

2011

Mater Potestatem, Tin-aw Art Gallery, Makati City, Philippines

Selected Group Exhibition 2018

Small World, Tin-aw Art Gallery, Makati City,

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan TIRADA: 50 Years of Philippine Printmaking 1968-2018, Association of Pinoy Printmakers

Philippines 2011

City, Philippines 2010

Smokescreen, Tin-aw Art Gallery, Makati City,

ippines

Philippines

LAWAS: Public art projects for the UP Diliman

32010, Kaida Art Gallery, Quezon City, Philip-

Festival of Culture and the Arts, University of KADA ADLAW, Art Fair Philippines – Tin-aw

pines 2009

NATURE-NURTURE,

Association

of

Atat, Tin-aw Art Gallery, Makati City, Philip-

Pinoy

pines

Printmakers Annual Exhibition, Cultural Cen-

Occurences, Art19b, Quezon City, Philippines

ter of the Philippines

Department Of Studio Arts Degree Show, Uni-

Walls, Art Fair Philippines – Tin-aw Art Gallery

versity of the Philippines – Diliman, Quezon

Booth, Makati City, Philippines 2016

City, Philippines

HIDLAW, Tin-aw Art Gallery, Makati City, Phil-

Implicit Psalm, Rotech Gallery, Pasig City, Phil-

ippines

ippines

Our Kitchen Counter, Art Kaohsiung Interna-

Dig It Too!, Whitebox Gallery, Quezon City,

tional art fair, Kaohsiung, Taiwan

Philippines

Base Camp: Maximus X Tin-Aw, Maximus

Subliminal Cosmos, Blueline Gallery, Makati

Athlete’s Shop Café, Mandaluyong City, Philippines Transmission, Tin-aw Art Gallery, Makati City,

City, Philippines 2008

Obra, Big & Small Gallery, Manila, Philippines Weather & Emotion, Tam-awan Village, Bagu-

Philippines

io City, Philippines

Mrs. Sprout & The Gamekeeper, Tin-aw Art

Symposium Series, University of the Philip-

Gallery, Makati City, Philippines

pines – Diliman, Quezon City, Philippines

Art Fair Philippines, Galerie Stephanie Booth,

Assortment, University of the Philippines –

Makati City, Philippines 2015

Pangatawanan Mo Nah!, UP Vargas Museum, Quezon City, Philippines

Art Gallery Booth, Makati City, Philippines 2017

Pull D String 2 Stop, Galerie Anna, Pasig City, Philippines

Annual Exhibition, Cultural Center of the Phil-

the Philippines, Diliman, Quezon City

Munnyfestation, Blanc Compound, Quezon

Diliman, Quezon City, Philippines

Ing @ 25: Klomp/Art ( A Charity Art Auction

Letras, University of the Philippines – Diliman,

In Celebration Of Ing Bank’s 25Th Anniversary

Quezon City, Philippines

In The Philippines), Manila Peninsula, Makati City, Philippines Regarding Views, Tin-aw Art Gallery, Makati City, Philippines Manufacturer’s Advice: Content May Vary, Art Fair Philippines – Tin-aw Art Gallery Booth, Makati City, Philippines 2013

Childhood Games, People Play, Galerie Sogan & Art, Singapore

2012

Residency 2018

Art Omi Artist Residency, Ghent, New York, United States of America

2017

Kapitana Gallery Artist Residency, Balay Ni Tana Dicang, Negros Occidental, Philippines

Jose Rizal: Through The Looking Glass, Manila Contemporary, Makati City, Philippines

75

Sandra Palomar

Selected Exhibition 2018

Casting Stones into Still Water, Mind Set Art Center, Taipei, Taiwan

2013

Working Artists Group (W.A.G.), Guggenheim Global Map Art Initiative

2012

Quand les Nymphes parlent des Nymphes, que disent t’elles, Artboretum, France

2011

Fabrication, Museum of Contemporary Art & Design, CSB-SDA Manila

Professional Experience & Affiliation 2015

2015 - present Member of Association des Décorés des Arts et des Lettres, Paris.

2012 - 2015 Museum Director, Metropolitan Museum of Manila - responsible for over-all operations, programs, budget, human resource and art collections, represents the institution in local and international partnerships.

2014

2014 - present Director and board member, Legaspi Towers Inc., a mutual-benefit nonprofit corporation, Manila.

2012

1998 - 2012 Master Printer / Trainer, responsible for the execution and quality control of hand-printed textiles for highend interiors at Sabina Fay Braxton studios in France, Ireland, and the Philippines.

2010

2010 - present Managing Director, Palomar Fine Arts Services (PFAS), consults for private and public institutions. Past assignments include the organization of art galleries (Gallery NOVA, 2009 & Archivo 1984 Gallery, 2015in Makati City),management of workshops and art projects (Sabina Braxton, Manila, 2010 & Durado, 2015), co-curation of exhibitions (KM 0 & KM 1, Quezon City and Manila, in collaboration with the French Embassy, 2011-2012).

2006

2006 - present Founding member and President, non-profit organization, San-

likha; facilitated cultural missions supporting Filipino artists in France through curated exhibits at the Philippine Embassy in Paris (2006), organization of the first official Franco-Filipino community participation at the Fete de la Musique, Paris (2007), liaising Filipino artist residencies between UP-CFA Diliman and ENSBA Paris (2008-2010).

2003

2003 - 2004 Publisher, Gallery Guide, Manila.

2000

2000 - present Lecturer/Academic Adviser. Selected topics: On Walter Benjamin, Philosophy Dept., Ateneo de Manila, Quezon City / The sustaining system in art, College of Fine Arts, U.P., Quezon City / Aesthetics according to Mauss, UPCFA, Baguio City and Arts & Comm. Dept, UP Manila. / Increasing Civic Responsibility through Proactive Disinterested Management, Arts Management Dept., St. Benilde School of Design and Arts, Manila.

Award 2013

Knight of the National Order of the Legion of Honour civil merit award, France.

2012

Ministry of Culture grantee, Museum Program Courants, France.

1999

Art residence grantee, Cité Internationale des Arts, Paris, France.

1998

Ministry of Culture art residence grantee, Ecole Régionale de Beaux-Arts Nantes, France.

1997

Ensb-a Foundation Prize for multimedia, Ecole Nationale Supérieure des Beauxarts Paris, France.

77

Issay Rodriguez

1991

Born in Manila, Philippines

Education 2013

University of the Philippines Diliman, Diliman, Quezon City, Bachelor in Fine Arts

2008

St. Scholasica’s Academy Marikina City High School

Solo Exhibition 2017

..., Silverlens Galleries, Philippines

2016

Capitol Gains, First United Building Community Museum, Philippines Blueprints, 20Square | Silverlens Galleries, Philippines

2015

She Dug A Well So Well, 1335 Mabini Gallery, Philippines

2014

Observatory, Art Informal Gallery Mise En Abyme, Light and Space Contemporary THE FORT, Philippines

Selected Group Exhibition 2018

TIRADA: 50 Years of Philippine Printmaking 1968-2018, Cultural Center of the Philippines Conversations/ Positions/ Gary-Ross Pastrana: to eat is to survive to be hungry, Mabini Projects Space, Philippines Vanishing in the Process, PAN// Project Space, Escolta Manila;2017Asia Now Paris

Asian Art Fair, 9 Avenue Hoche, New York City, USA parle pas français,merci, UP FINE ARTS Gallery , Philippines Manila: Hidden in Plain Sight, Metropolitan Museum of Manila// Different Universities in Manila, Philippines Making Waves, Bellas Artes Projects Open Studio in Bataan, Philippines CTRL + ALT, Para://Site Projects, Philippines 2016

Indescribable Figure 2.0, 靜慮藝術 Jing Lü Gallery, Taiwan Art Dubai: 10th MARKER Exhibition (PH Artist-run spaces; 98B) Madinat Jumeirah Impact Through Design, JMI M.F. HUSAIN Art Gallery, New Delhi, India Restorative, UP Bulwagan ng Dangal, Philippines

2015

Rapid Cycling, Project Space Pilipinas, Lucban, Quezon, Philippines Re: Tracings, First United Building Community Museum, Philippines World Photography Day, JMI M.F. HUSAIN Art Gallery, New Delhi, India Nonfiction, PROJECT 20 Repulse, Makna Seni, Jakarta, Indonesia Four Generations Of Up Fine Arts Graduates, Corredor Gallery, UP College Of Fine Arts, Philippines I Went To The Forest To Live Deliberately, Art Informal Gallery, Philippines

2014

Refrain, 1335 Mabini Gallery, Philippines Luminiscence, BSP Gallery, Metropolitan Museum of Manila, Philippines Objection, PAN/// Project Space, Escolta Manila, Philippines Dusted, NCCA Gallery, Philippines

2013

Dark Side Of The Sun, Art Informal Gallery, Philippines Dinner Party, Blanc Gallery, Katipunan, Philippines College Of Fine Arts|Degree Show, UP Vargas Museum, Philippines

2012

Mental Jungle, Cour Chimay, ENSBA Paris, France Souterrains De Paris: Priere Et Repose, Amphitheatre d’ Honor, ENSBA Paris, France

2011

Art By The Squarefoot, Vietnam University of Fine Arts, Hanoi City and Ho Chi Mihn City, Vietnam What A Pillow Is Not: Unconscious, Mag:net Katipunan, Philippines

Award 2017

Patnubay ng Sining at Kalinangan

2013

Tanglaw ng Sining

2013

Outstanding Thesis Award

2013

Ecole Nationale Superieure des Beaux-Arts, Paris Scholarship Exchange Student Program, Fall 2012-2013

2010

Jose “Pitoy” Moreno Scholarship, 2009-2010 Semi-Finalist: Everyone’s VISION Petron

2012

Print Making Category

2009

Finalist: Environmental Management Bureau-DENR On-the-Spot Poster Making Contest 79

靜水蕩漾：菲律賓女性藝術家聯展 Casting Stones into Still Water 2018/10/27-12/08 作者

Patrick D. Flores

發行人

李政勇

主編

朱倢瑢

校訂

郭朝淵、葉彥廷

設計

Marco Liu

翻譯

劉冠伶

發行處

安卓藝術股份有限公司 106 台北市大安區和平東路一段180號7樓 tel: +886-2-23656008 fax: +886-2-23656028 www.art-msac.com / info@art-msac.com

印刷

崎威彩藝有限公司

定價

新台幣500元

出版日期 中華民國109年2月 版權所有，未經許可不得刊印或轉載 Author Patrick D. Flores Publisher

Andre Lee

Mind Set Art Center 7F., No.180, Sec. 1, Heping E. Rd., Da’an Dist., Taipei City 106, Taiwan tel: +886-2-23656008 fax: +886-2-23656028 www.art-msac.com / info@art-msac.com Editor

Queena Chu

Proofreader Designer

Dean Kuo, Tony Yeh

Marco Liu

Translator Amy Liu Printed by Kiwi Printing Co., Ltd. Price

NTD500

Copyright © 2019 Mind Set Art Center.

All images © of the artist.

All essays © of the authors.

All rights reserved.

Printed in Taiwan, February 2020.

ISBN 978-986-98820-0-2