Available Works

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BLACK ART AUCTION AVAILABLE WORKS



BLACK ART AUCTION AVAILABLE WORKS Thank you all for making Black Art Auction’s May sale exciting and successful! The consignors of these great works have been the stewards of this art as well as the supporters of art created by African Americans. In many cases they acquired these items directly from the artists, lending support in a time when that was not always common. Everyone wants to get a good deal and we all have budgets that demand responsible decision-making. I encourage creating good deals versus looking for good deals. Please let me explain: the record price at auction for a work by Norman Lewis ten years ago (2011) was $108,000; a new record was established in 2019 for $2,780,000. What we need to keep in mind is that the person that paid the record price in 2011 was not looking for a deal—in fact, he or she paid the most ever for that work. As it turns out, that was a good deal—and became one in a very short time. Yes, there are differences in those two works, but there is little doubt the one sold in 2011 has increased in value. Artworks by many African American artists have followed the same market trend. It isn’t necessarily required to pay a low price to get an incredible deal. The consignors did their part some time ago, and we can take that baton and continue to support this market. That will make all of the works good deals in the future. —Thom Pegg, BLACK ART AUCTION

THE PRICES LISTED DO NOT INCLUDE THE BUYER’S PREMIUM. 25% WILL BE ADDED TO THE LISTED PRICE TO CREATE THE FINAL PRICE. IF YOU CHOOSE TO PAY BY CREDIT CARD, AN ADDITIONAL 3% WILL BE ADDED FOR PROCESSING. CASH, CHECK, OR WIRE ARE FREE.


13 • MAHLER B. RYDER (1932-1997) Untitled, Portrait, 1959

oil on canvas 36 x 24 inches signed; signed and dated verso Provenance: personal friend of the artist, private collection, Cincinnati, OH This rare, early work was executed shortly after Ryder graduated, and prior to moving into primarily abstraction.

$1,800

14 • JAMES W. EDWARDS (1925-1991) Untitled, Surrealist Scene, c. 1960 oil on canvas 18 1/4 x 15 1/4 inches signed

$1,800

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28 • MASON ARCHIE (contemporary) Wildflowers at Big Sur, 2006 oil on canvas 36 x 48 inches signed, dated, titled

Provenance: Private collection, Richmond, Virginia

$4,500

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29 • LAWRENCE A. JONES (1910-1996) Young Girl, 1956 casein on board 24 x 20 inches signed and dated partial label verso

Provenance: Evelia Jones, the daughter of the artist

$2,000

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34 • CLIFF JOSEPH (1924-2020) The Dead Negotiate the Peace, 1966 oil on board 20 x 16 inches signed; titled and dated verso

Illustrated: Cliff Joseph, Artist and Activist, Thom Pegg, Tyler Fine Art, 2018, pp. 54-55 Provenance: Ann Joseph, the artist's widow.

$7,000

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37 • JAMES DEWITT KING (B. 1941) Two Figures, 1992

bronze sculpture 18 1/2 inches (h) marble base, additional 4 inch cube; on a wooden, irregular-shaped base signed, dated, numbered, 2/30 (on bronze)

$2,500

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53 •RICHMOND BARTHÉ (1901-1989) Birth of Spirituals, 1986 bronze 13 1/2 x 12 x 6 inches

Provenance: The collection of Jerry Manpearl and Jan Goodman, Los Angeles. Mr. Manpearl is a real estate, civil rights, and civil litigation lawyer in the state of California. He received his B.A. from UC Berkeley and then his law degree at UCLA, where he met artists Samella Lewis, Ruth Waddy, and E.J. Montgomery. Mr. Manpearl met Barthe through Samella Lewis and they became friends. He represented the artist in dealing with copyright issues and purchased one of each image Barthe cast in 1986. Illustrated: Barthe, His Life in Art, Samella Lewis, p. 196

$26,000

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54 • RALPH ARNOLD (1928-2006) Untitled, c.1970 collage on board 15 x 17 inches signed

$1,500

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59 • PALMER HAYDEN (1890-1973) Harbor at L’Orient, 1940 oil on canvas 16 x 20 inches signed

$8,500

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60 • PALMER HAYDEN (1890-1973) Unloading Tuna at Concarneau, c. 1964 watercolor on paper 20 x 27 inches signed

$5,500

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61 •JOHN WESLEY HARDRICK (1891-1968) Brown County, Indiana Landscape, c. 1935 oil on board 14 x 18 inches signed

Provenance: Private collection, Richmond, Virginia

$1,600

62 •JOHN WESLEY HARDRICK (1891-1968) Portrait of a Man, c. 1940 oil on board 22 x 18 inches signed

$1,700

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74 • RONALD WALTON (20TH/21ST CENTURY) Mother and Child, c. 1980 mixed media on paper 16 1/2 x 13 1/4 inches signed

$1,000

83 • MITCHELL CATON (1930-1998) Untitled, African Theme, c. 1970

acrylic with collage elements to stretched canvas 24 x 18 inches signed

$2,500

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84 • MITCHELL CATON (1930-1998) Untitled, c. 1970

oil on canvas 19 1/2 x 35 inches signed

$4,000

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92 • ELDZIER CORTOR (1916-2015) Compositional Image 2, c. 1970

oil on canvas 11 x 14 inches signed additionally signed and titled on stretcher

$15,000

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95 • LOIS MAILOU JONES (1905-1998) The Bridge, 1938

watercolor and graphite on paper 19 1/2 x 15 1/2 inches signed, titled, and dated also signed and titled verso "The Bridge, Venice, Italy" Provenance: Private collection, Richmond, Virginia

$5,500

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100 • DEWEY CRUMPLER (B. 1949) Nine, 2009

mixed media construction, white and black styrofoam, acrylic, acid-etched glass 10 x 10 inches signed, titled, dated verso original frame Provenance: Meridian Gallery, San Francisco, CA to private collection, Los Angeles, CA

$1,500

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109 • RICHMOND BARTHÉ (1901-1989) African Boy Dancing, 1986 (conceived 1937)

bronze with dark patina 16 1/2 x 5 1/2 inches (diameter of round base of bronze) on a marble base, 1 1/2 x 5 x 5 inches signed and dated with A/P Provenance: the collection of Jerry Manpearl and Jan Goodman, Los Angeles. Mr. Manpearl is a real estate, civil rights, and civil litigation lawyer in the state of California. He received his B.A. from

UC Berkeley and then his law degree at UCLA, where he met artists Samella Lewis, Ruth Waddy, and E.J. Montgomery. Mr. Manpearl met Barthé through Samella Lewis and they became friends. He represented the artist in dealing with some copyright issues and purchased one of each image Barthe cast in 1986. Illustrated: Barthé, His Life in Art, Samella Lewis, p. 68 $18,000

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111 • LARRY WALKER (B. 1935) Figurative Emergence, c. 1980-90

acrylic on Arches paper 17 x 11inches (sheet) 15 x 9 inches (image showing) signed; signed, titled verso in pen by the artist; artist label verso

$1,000

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117 • JOHN BIGGERS (1924-2001) The Seed, 1983

lithograph on Arches rag paper 16 1/2 x 22 inches (image) 25 1/4 x 35 1/2 inches (sheet) signed, titled, dated and numbered in pencil AP VIII

$2,500

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137 • BENJAMIN BRITT (1923-1996) Dawn, c. 1970

oil on board 20 x 30 inches signed signed, titled, and inscribed, "Phila PA" verso

$3,000

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139 • MITCHELL CATON (1930-1998) Untitled, Guitar Player, 1968 oil on board 16 1/2 x 13 1/2 inches signed and dated

$4,000

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142 • ROMARE BEARDEN (1911-1988) The Lantern, 1979

lithograph on paper 23 3/4 x 15 1/2 inches (image) 28 1/2 x 19 7/8 inches (sheet) signed and numbered in pencil GG #89 Provenance: Private collection, Richmond, Virginia

$4,000

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145 • PALMER HAYDEN (1890-1973) Vaugirard, c. 1930

watercolor on paper 21 x 14 1/2 inches signed and titled label from Miriam A. Hayden Collection verso, #618 Provenance: Private collection, Richmond, Virginia

$8,000

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146 • WILLIAM EDOUARD SCOTT (1884-1964) Rural Scene, c. 1930 oil on board 13 x 16 inches signed

Provenance: Marie Young, San Rafael, CA; Leslie Hindman Auction, 9/26/06 lot 90; Private collection, Richmond, Virginia.

$4,000

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156 • PRENTICE POLK (1898-1984) lot of two works Henry Baker, 1932 (printed in 1981, South Light) silver gelatin print 14 x 11 inches unsigned, documented

(with) Man Reading the Bible, 1927 (printed in 1981) silver gelatin print 9 1/2 x 7 1/4 inches signed by the artist

$2,000


156 • HOWARD SMITH (1928-2021) Acrobats, 1982

screen print on canvas (laid down, original) 37 1/2 x 28 1/2 inches (image) signed, titled, dated, with AP in pencil

$1,900

158 • CHARLES SEARLES (1937-2004) Red Tail, 1992

shaped paper collage with applied acrylic on paper board 17 x 16 inches (board size) housed in a Plexiglass shadowbox, 24 1/2 x 24 1/2 inches signed, titled, and dated label from Sande Webster Gallery, Philadelphia, PA verso Provenance: Private collection, Detroit, MI

$1,200

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163 • JOHN BIGGERS (1924-2001) Untitled, Family, c. 1990 mixed media on paper 9 3/4 x 6 inches unsigned

Provenance: the artist to Eugene Foney (a friend of the artist, Houston); to Samuel's Gallery, Oakland, CA, to Joysmith Gallery, Memphis (2006), to private collection, Los Angeles, CA. Illustrated and exhibited: Masterpieces of African American Art, An African American Perspective, January 16 to March 29, 2008; M. Hanks Gallery, Santa Monica, CA, p. 56.

$3,250

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165 • WILLIS “BING” DAVIS (B. 1937) Ancestral Spirit, Dance #A-2, 1986

aquatint 19 1/2 x 16 inches signed, dated, titled, and "AP" in pencil Printed at an artist co-op on Que Mas Island, off the coast of Seattle, WA

$400

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170 • CHARLES WHITE (1918-1979) Portrait of a Man in a Green Jacket, 1934 watercolor on cream wove paper 9 1/2 x 7 1/4 inches retains Heritage Gallery, Los Angeles label verso.

$3,000

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171 •MARVIN PRENTISS BROWN (b. 1943) Partial Lift, n.d. lithograph 30 x 22 inches signed, titled, and numbered 3/10 in pencil

$600

174 • CALVIN BURNETT (1921-2007) Figure + Tower, 1948

watercolor 21 x 27 inches signed; titled and dated verso

$1,800

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179 • JOE SELBY (1893-1960) Deep Water II, c. 1935 oil on board 14 x 18 inches signed

Provenance: Private collection, Richmond, Virginia

$1,700

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198 • CLAUDE CLARK (1915-2001) Betty, Model,1935-1937 oil on board 16 3/4 x 15 3/4 inches signed and dated verso (this is typical for Clark)

$800

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203 • RAYMOND HOWELL (1927-2002) Harvest Dance, c. 1960 oil on masonite 30 x 24 inches signed original frame

$3,500

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