Woyzeck Brass/Percussion
Songs and Lyrics by Tom Waits and Kathleen Brennan Based on the Play by George Büchner Original Direction, Design and Visual Concept by Robert Wilson
©2002 St. Rose Music Publishing, Inc.
Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6
III.1 III.2 III.3
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell
12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.) Coney Island Baby (Conc.) Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine
27. 28. 29. 30. 31. 32. 33. 34.
Shiny Things (Inst.) Everything Goes to Hell (Inst.) All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.) Misery Reprise
Brass/Percussion
1. Ouverture
Tb, Log Drum
Tom Waits/Kathleen Brennan (2000)
Free tempo, gradually building
# $! % % % & "
%
G
Tacet (Piano Solo)
5
#$ &
&
#$ *
D7
%
% %
9
G
&
+
13
% % %!
% )
#$
#$ % % %
21
C
#$ %
B #$ &
25
* %
#$ *
29
D7
33
C
#$ % # $ "!
37
%
" "
%
%
%
A
*!
%
G
! % "
G/D
%
G7
%
C
% %
! % "
&
&
%
" "
*
%
%
%
*
%
together
*
*
% %
&
%
G7
%
% ,%
G
*!
% % G/D ! % * "
" " D7
%
$% )
% %
&
D7
G
%!
%
D7
C
% D
% %
*
G
%
% %
&
%
( % % % &
% % ' )
Bass in, still out of sync
% ,%
G/D
. /
%
+
G
*!
"!
&
+
G
*
' % % %
% %
% %
more together
% % &
all except Bass in, out of sync G
G
' $%)
17
%
( ' % % % %) &
D7
%
G
%
G7
%
% ,% "!
%
drumroll & curtain
BASS DRUM & CYMBAL
+
announcer speaks & starts the band
0
0
1111
42
# 11 11
% ,% 1% ,% 1% % 1% ,% % ,% % ,%
Fm Strong Slow Waltz
% ,% 1% ,% 1% %
% , % % , % , %% 1, %% 1,%% 1, %% 1 %% 1%% ,% 1%% ,%% , %% ,%% 1, %% 1 % , % # 11 1 % 1
45
% ,% 1 % ,% , # 1 1 % 1 % ,% 1 % 11
48
1 %%
1%%
,%%
1%%
,%%
, %%
% ,% ,% 1 %
attacca no. 2 Misery's the River
Brass/Percussion
2 Misery's the River
Tb, Log Drum
!=72
Tom Waits/Kathleen Brennan (2000)
Trombone Dm6 VAMP until cue
$ !##! &% '% ( &% '% % ( &% '% % &% '% ( &% '% % ( ) "
## $ &&&& #" %
Cue (Spoken 3x): "Misery's the river of the world . . . ."
% '% &% '% &% % % ' % % ' % % ' % & % ' % & % % '% % % ' % % ' % % ' % $ && & " &# Fm
5
% '% & % '% &% % % % '% % '% % '% & % '% &% % % % '% % '% ' $ & & % & % '% & % % &% '%%&% '% % '% & % ' % & % '% & % % &% '%%&% '% % '% & % ! &&
9
13
$ && & ! &
* '**
+++
Fm
CARNIVAL ANNOUNCER
(ratchet) % ( ,% % %% % % % % ( ( , %. % % % % Cm
To Log Drum
The high - er that the mon - key can climb,
the more he shows his
$ && % ( ( % % % % %%% % ( % % % %% % % %% % ( ) &&
18
tail.
23
Fm
(bird)
Cm
Call no man hap - py 'til he dies. There's no milk at the bot - tom of the pail.
+ Log Drum
Dm
$ && & '% % % % , % % % % % % '% % % '% % % % % % % % & . God builds a church,
the dev - il buildsa chap - el like the this - tles that are grow - ing round the
26
$ && & '% % % % , % % '% % % % % % % % % % % '% , % '% % % % & . .
trunk of a tree. All the good of the world you could fit in - side a thim - ble, and still have room for
(bird) (ratchet . . . . . .)
Fm Dm / a tempo & + $ & & '% % + % , % '% % % % % '% % % % % % % % % && .
30
rit.
you and me.
If there's one thing you can say a - bout man - kind, there's no - thing kind a - bout
$ && & '% ( ( % '% % % % % % % % % ( % '% % % & Fm
35
man.
You can drive out na - ture with a pitch - fork
but it
To Trombone
% % % % % % % % ++
Fm
39
$ && & % % % ( &
% % %
al - ways comes roar- ing
% % % % % % % % ++
)
)
back a - gain.
Play Trombone
$ && & % % % % % % % % ++ &
44
50
Cm
$ && & + &
+
+#
Fm
)
Cm
% +
)
% % +
Fm
+
Cm
+
+
+#
Fm
%
Fm %% &' %% & % ' % & % % '% % % ' % % &' %% ' '% & % % 0% %0% % % '% % % #"
% ' % & % ' % & % % % %' % % ' % % ' % & % ' % & % % % %' % % ' % ' $ && & % & % '% & % %0% '%%0% % % '% & % ' % & % '% & % %0% '%%0% % % '% & % ! &
55
& & !#!To Log Drum & 2 1 & "#
59
VAMP until cue:
* * ' * ! $ && & ##! &"
Fm
2
"The commencement of the commencement will start immediately"
+ ++
(
## $ CHORUS %
2
, %- ## $ % % % % % % % % The
Play Log Drum
high - er that the mon - key can
$ && % ( ( % % % % % % ( ( % % % % %%% % ( % % && Cm
62
climb,
Fm
the more he shows his
tail.
Cm
Call no man hap - py 'til he dies. There's no
ANNOUNCER
Dm
67
$ && & % % % % % % % % ( ( '% '% % % % % % % % % & milk at the bot - tom of the pail.
% , '% .
God tem - pers all the winds forthe new - shorn lambs, the
$ & & % % % % % % % % % % % %- , '% '% % % % % % % &&
71
Am
Fm
dev - il knows the bi - ble like the back of his hand.
All the good of the world you could
$ && & % % % % % % , % % % % % '% % + & . Cm
74
fit in - side a thim - ble,
C7
and still have room for
you and me.
To Trombone Fm
% % % % %% %
One thing you can say a - bout
$ && & + % , % % % % % % % ( ( '% '% % % % % % % '% % ( %'% & . Cm
78
Dm
man - kind, there's no - thing kind a - bout man.
83
C
$ && & % % &
% % %
You can drive out na - ture with a pitch - fork but it ANNOUNCER
MARIE & MARG.
% % % , %. % % % , % % % % % , %.
C7
Fm
al - ways comes roar - ing back a - gain.
ANNOUNCER
DOCTORS
want of a nail,
a shoe was lost.
For want of a bird, ANNOUNCER
the sky was lost.
For
ANDRES, D.M., CPTN.
$ && & % % % % , % % % % , %- % % % % , % % % % , % & . . .
87
Cm
ANNOUNCER
91
Cm
$ && & % &
want
a
For want of a life,
toy,
, % '% . a
a knife was lost.
For
ANNOUNCER & CHORUS
ALL
% % % of
Fm
%
child was
% lost.
(
Fm Play Trombone
% % % % % % % %
Mis - er - y's the riv - er
of the
+ $ && + &&
94
Cm
% % % % % % % %
)
world.
Mis - er - y's the riv - er
ANNOUNCER
97
Fm
& 1 & && % % % % % % % % +
)
Mis - er - y's the riv - er of theworld.
$ && & % &
CHORUS
row!
(
)
++
% % % %
of the world.
Ev - ry - bod - y
Cm
)
% % % % % %% % +
Mis - er - y's the riv - er of theworld.
%% %%% % % %%% ( (
%% %%%(
Ev - ry - bod - y row!
Ev - ry - bod - y row!
$ & & !## % % % % % % % % ++ && " Play little Wah/Growl fills
101
CHORUS
Fm
Mis - er - y's the riv - er of the world.
)
Ev - ry - bod - y row!
% % % % % % % % ++
last time MARGRET only
Mis - er - y's the riv - er of the world.
)
## $ %
attacca no. 3 Misery Ending
Brass/Percussion
3 Misery Ending--Monkey
Log Drum (Play reggae rhythm)
Tom Waits/Kathleen Brennan 2000
swung rhythm Dm
Am
## " # # ! %$ $ $ $ & $' $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $
God builds a church The de - vil builds a cha - pel like the thist - les that are gro wing'round the
4
# " # ##
Fm
Cm
' & %$ $ $ $ $ $ $ $ $ $ $ $ $ & $' $ $ $ $ $ $ $ $ %$
trunk of a tree
All the good in the world you can put in - side athim - ble
and still have roomfor
PIANO
8
C7
# " # ## %$ $ (
13
break
)
)
22
' $ &$
One thing you can say a - bout Man - kind, There's
Fm
Dm
$ * * %$ %$ $ $ $ $ $ $ %$ $ * $ %$
no - thing kind a - bout man.
# " # ##
$ $ $ $ $$ $ (
you and me.
# " # ## $ $ $ $ $
17
Fm
C
$ $
You can drive out na - ture with a Pitch - fork,
C7
$ $ $ $ $ $
*
al - ways comes roar - ing back a - gain.
Fm
# " # ## $ $ $ $ $ $ $ $ ((
Mis - er - y's the riv - er of the World
+
Fm
( $ $ $$ $ $$$ (
+
but it
)
Mis - er - y's the riv - er of theWorld
Fm
$ $ $ $ $ $ $ $ ((
Mis - er - y's the riv - er of the World
$$ , $$
CYMBAL
Brass/Percussion
4 More Murder NY
Tb w/Harmon mute
Tom Waits/Kathleen Brennan 2000
Trombone Tacet A cue: Woyzeck points to the Captain
A Play 8 Times & & # !!"! $ % % $ ' ( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% !! !! ' % %
)% ! ! ! % % ! !% +
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " arco
# !! $ %& %& $ '
4
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
% % )% *% !! !! '
( !! % % '
% )% *% ! ! %! ! ! + '
!!
)%
% !! % % )% ! % % ! +
!! !! % % % % % % !!
!! !!", )% % )- !
!!
Play until cue: Captain: Compose yourself, Woyzeck!
% ! !, % % ! !" .!
)% ! !, . ! % % ! !" + .! , !! !! % % % % % % !! !!"
% )% *% ! ! %! ! ! + '
)%
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !!
Play
Cue: Woyzeck returns to shaving the Captain
B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "
!! !! $ %& %& $ '
( !!! arco " % % % % % % !! !! % % '
!!
( !!! %! "
)% % !! !! % ! % +
& & ! # !!" $ % % $ '
11
Play 4 Times
( !!! ' "
)%
( !!! %! "
Play 2 Times
!! !! '
%)%*% !! + '
!! !! $ %& %& $ '
)% ! ! ! % % ! !% +
, # !!" )%
Play 2 Times
( !!, .! " ! ( !!, . " ! ( !!, . "
%
)- !
%
' ' ' '
' !!
!! !! $ %& %& $ ' )%
!!
% ! % % ! )% ! % % ! +
!! !! % % % % % % !!
'
!!
' !! ' !!
% )% *% !! !! %! +
!!
% ' !!
Play 2 Times
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " 14
)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",
Play 2 Times
% ! ! % % ! !'
!! !!", )% % )- !
Play 2 Times
Play until cue: Captain: Makes me melancholy.
!!"! $ !!"! '
!! !!"! %!
'
!!
)% % % +
!!
& & $ % % )%
% % %
!! !!"! % % % % % %
!! !!
Play squeals/glissandos
Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood. Play 8 Times Play 4 Times
C & & # !! $ % % $ '
16
( !! '
!! !! $ & & $ ' % %
% ! ! % % ! !'
)%
( !! %!
% % )% *% !! !! '
)% !! !! % ! % % +
( !! % % % % % % !! !! % % ' arco
# !! $ %& %& $ '
19
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
)%
% )% *% !! !! %! + '
!!
% ! % % ! )% !! % % +
!! !! % % % % % % !!
Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue! Woyzeck: Yes, Captain.
!! !!", )% % )- !
% ! !, % % ! !" .!
)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"
% )% *% !! !! %! + '
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
Sneak in (free improvisations) when Captain's face turns green
Woyzeck: . . . we'd have to help with the thunder. Cue: blackout
D Play 8 Times & & ! # !!" $ % % $ '
22
( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% ! ! % % ! !'
)% !! !! % ! % % +
% % )% *% !! !! '
( !!! % % % % % % !! !! % % ' " Arco
# !! $ %& %& $ '
25
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
% )% *% !! !! %! + '
!!
% ! % % ! )% !! % % +
!! !! % % % % % % !! Arco
!! !!", )% % )- !
Play until lights up
% ! !, % % ! !" .!
)% , . ! % !! !!" % + Arco .! , !! !! % % % % % % !! !!"
% )% *% !! !! %! + '
)%
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
Brass/Percussion
5 Skinned Knee Trombone
Tom Waits/Kathleen Brennan 2000
Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"
& & ' ' $$$ $$$ $ $ % $ $ $ $ $ $ % $ $ $ $ $ 7 ppp & ### & # " %! $ $ $ $ $ $ $ $ ( $ 11 & ##& # # $ " $ $ $ $ $ $ ( % $ % Clarinet Solo
# #! "# # !
Cue E: trombone and sax play squeals and glisses after Andres breaks stick. Stop after Woyzeck stops running. Cue F: Play cue D again as Andres moves downstage; fade into next cue Cue G: play until tree moves
) *** "!! ( #
Trombone
(
(
(
Cue H: sound effect as tree moves
%! $ (
% %
$ $ # $ ! $ $ $ $ !% 3
Brass/Percussion
6 Diamond in Your Mind
Tuba, Sing
Tom Waits/Kathleen Brennan 2000
cue: Woyzeck: It's all quiet, like the world was dead. ANDRES:
A
' $ %%% !" ' # & & &' & & & & & &! tacet
Zer - lel - da
Sam - u - els said she ain't
)!
' & & (!
& & *
ne - ver prayed.
'til
her
$ %%% & & & & & & & & & & & ! ) ! ) ! ) &* & &* + & & & &' ) &' * *
3
right arm was blown off in a Pink - er - ton raid.
$ %%% & ! & &' &! ) !
6
"Three - Fing - ered Dave,"
Now she's a hund - red and two, drink - ing
' $ %%% ' ' & & & & & &' & & , ! E7
Al - ways keep a dia - mond in your mind.
13
$ %%%
A7
D
ju - leps in the shade.
' ' & & & & & &' & &* ( ! & ! ) &*
A
A7
D
WOYZECK:
Al - ways keep a dia - mond in your mind.
' ' & & & ! & &' & & & & & * * &&
A
to a wind - mill with
& & & & & & &! & ' ' (! " ' & & && &
A
9
They lashed her
Where
& & & & &' & & & &' ' & & * * *
ANDRES:
A
E7
ev - er you may wan - der,wher - ev - er you may roam you've got to al - ways keep a dia - mond in your
16
$ %%%
A
,!
mind.
' ' + & & & & & (! & & & &
A
Sis - sy's
A7
)!
& &*
han - ging laun - dry down by the brook.
Pen - field
$ %%% & & & & & ! & & & ! ) ! + & & & & & & ! + & & & &' ) &' * * *
19
D
Mor - gan's ta - king more than a look.
F#m
If it weren't for the squawk
C#m
of the rock - er
that's
' &! )! $ %%% & & & &' &! & & & & &* & & & & & &' ! & & & * *
22
F#m
C#m
F#m
C#m
E7
2
kept out in the rain, there would be no - thing to com - plain a - bout ex - cept for the trains.
1x Instrumentalists Sing Along, 2x Play Tuba
' $ %%% #!! A ' ' ' & ,! $& & & & & & &
25
Al - ways keep
$ %%% ( !
28
mind.
31
$ %%% &
' &
A
$ %%% & al
-
a dia - mond in your
A7
D
& & & * *
Wher - ev - er you may wan - der,wher - ev - er you may roam you've got to
E7
& & *
al - ways keep
33
Al - ways keep
' ' & ' & & & ! & &' & & & & & * * & & A
' & &
A
A
a dia - mond in your mind.
&! )
D
' ' & & & & & &' & &*
E7
a
&
ways keep
' & &
dia - mond in
& * a
E7
&
' & &
' &
,!
your mind.
' &
dia - mond
&
in
' !% & !&
ANDRES (last time)
A
(You've got
' &
your
A
,!
mind.
to)
Brass/Percussion
7 Misery March
Tuba
(Snare Drum)
" !#
!
#
% #&
#
( ' ( (( "" ) ) ) ) ) ) ) ) ) *
+
" #
#
Tuba play marching bass line Tpt. w/ Harmon mute, 7 Picc. Fm
11
Am
(( ' ( ( ,) ) ) ) ) ) ) ) ) *
+
$
#
% #&
#
$
% #&
# !
+
))) ) ) ) ) ) ) * ,) ) ) ) ) ) ) ) ) *
(Snare Drum)
( " ( (( # $ # % #& # $ !
15
!
$
#
$
4
$
$
Tom Waits/Kathleen Brennan 2000
#
$
#
+
$ % & # # !
" ""
crossfade into Overturned Pot
Brass/Percussion
8 Overturned Pot (Marie)
Trombone
Tom Waits/Kathleen Brennan 2000
A MARIE
" ### ! !
5
A/E E7/G# A
C#7 C#7/F F#m
%
&
A/E E7/G#
'
A
C#7C#7/FF#m
No - thing's ev - er
& " ###
13
&
D
If
I
die
%
%
A/E E7/G#
be
-
&
A/E E7/G#
yours to keep.
%
A/E
" ### $
fore
& " ### If
21
" ###
%
A/E
I
die
%
A/E E7/G#
be
-
fore
&
A
you wake,
A/E E7/G# A
C#7 C#7/F F#m
No - thing's ev - er tacet to end
as
it seems.
&
A/E
don't you cry;
&
D
as it seems,
&
D
&
D
&
C#7C#7/FF#m
&
A/E
Close your eyes,
&
you wake,
+ Waterphone (as Woyzeck enters)
&
D
A
'
A
No - thing's ev - er
17
A/E
E7sus E7
A
(humming)
" ### $
9
D
A/E
climb the
&
D
lad - der
&
A/E
&
E7sus E7
go
to sleep.
%
%
A/E E7/G#
don't
&
E7sus E7
&
A
to yourdreams.
%
%
A/E E7/G#
don't
D
E7sus
E7
go
to
Close your eyes,
&
A
you weep.
don't you cry;
A/E
&
A
&
A
you weep.
spoken: Is that you, Franz?
(
Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")
B
Toy Piano & Cello, playing severely out of tune
% &
A/E E7/G# A
25
" ### %
%
tacet to end
29
%
A/E E7/G#
" ### %
%
A
%
% % A/E % % # " ##
33
D
% % % " ### %
37
A/E E7/G# A
% % A/E % % # " ##
41
D
% &
% % % %
C#7 C#7/F F#m
%
&
%
C#7 C#7/F F#m
%
% %! % %
A/E E7/G#
A
D
$
% &
C#7 C#7/F F#m
%
% %! % % $
A/E E7/G#
A
D
A/E
%
A/E
&
% % A/E &
D
% % % %
D
A/E
% % A/E &
D
E7sus E7
A
% % &
E7sus
%
%
&
E7
A/E E7/G#
A
A
% %! % %
E7sus E7
A
% % &
A/E E7/G#
A
% %! % % $
$
Brass/Percussion
9 God's Away On Business Tom Waits/Kathleen Brennan 2000
Log Drum
A
!#! # " "#!
Dm
stop on 2nd doorslam (waterphone continues)
## $ %
cue: doorslam
B cue: W: But the call of Nature, Doctor. 3 Dm ! " # "## % # $ "
5
Bac
-
C !# & "#
## $ % ## $ %
cue: Doctors: Woyzeck philosophizes! stop after Cello and Doctors improvise on "bacteria" theme "God's away on business."
$#
te
-
-
-
-
D cue: W: ". . . dissolve like spider webs!" 8 Dm Play 2x ! ) " # "## 10
stop on "Couldn't hold it in!" (waterphone continues)
% '$ ri
(
-
a!
## $ %
DOCTORS
*
$#
There's
$ a
Dm
" # $ $ $ $ $ $ $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ + $% one - eyed man in the po - ker pit. They're dig - ging up the dead with a shov - el and a pick.
The
14
" # $ $ $ + $% $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ * sunwent down, the moon wept blood,
18
"#
,
)
*
a blood - y jack of dia - monds and a plague and a flood.
Dm
$ $
There's a
B¨
$ $ $ $ $ $ $ $ $ + $%
leak, there's a leak, in the boil - er - room,
the
22
Dm
" # $#
poor,
26
% $ $#
the lame,
B¨
% $ &
Dm
A7
Dm
God's a - way on
busi - ness,
B¨
Dm
" # $ $ $ + $% $# boil - er - room,
38
the Poor,
B¨
"# $ $ $ * left
42
in charge?
Dm
A7
"# $ $ $ * God's
46
a - way,
Dm
A7
"# $ $ $ * God's
a - way,
! % " # "## & $ # '$ (
50
Play 2x and stop
te
-
*
$ $
ri - a!
$
$
the Lame,
There's a
% $ &
)
Thieves, and Whores?
Dm
A7
a - way
Dm
on
A7
$ $ $
God's
a - way
,
on
$ $ $ *
busi - ness,
$ $
God's
*
busi - ness,
) * $ & $ # '$% ( Bac - te
-
ri - a!
a - way,
Dm
)
$ $
Dm
$
$ $ $ *
God's
Dm
$
Dm
)
&
Kil - lers,
God's
$ $ $ $ $ $
Who are the ones that are
B¨
$ $ $
leak, there's a leak in the Dm
the Blind;
$
a - way,
$ $ $ $ $ $ $ $
B¨
$ $ $ $
God's Dm
* *
Dm
A7
$ $ $ *
a - way,
busi - ness!
in charge?
Dm
$ $ $ *
God's
% $ $#
left
Dm
Thieves, and Whores?
"# $ $ $ $
34
$ $ $ $ $ $ $ $ $ *
)
&
$
B¨
Who are the ones that are
B¨
"# $ $ $ $
30
)
the blind;
Dm
Kil - lers,
Dm
$
$
busi - ness!
,
a - way,
*
& Bac
-
) * $ ## $ % Bac
E "#
cue: Woyzeck: "Yes, sir." Dm
B¨
Dm
+ % % % $ $ $ $ $ $ $ $ $ $ $ $ $# $ $# $ &
There's a leak, there's a leak in the boil - er - room,
65
Dm
B¨
"# $ $ $ $ $ $ $ $ $ * Who are the ones that are left in charge?
70
Dm
A7
"# $ $ $ * God's
74
a - way,
Dm
God's
a - way,
!# & # " "#
$#
78
te
-
-
$#
82
te
Dm
God's
-
-
a - way
Dm
God's
% '$
ri -
)
$ &
Dm
on
$ $
$ $ $ *
Dm
$
on
$ $
busi - ness,
God's a - way,
Dm
)
$ $ $ *
busi - ness,
God's
*
$
$
a - way,
*
Bac
)
*
a!
( a!
&
busi - ness!
,
(
ri -
% '$
a - way
Dm
Kil - lers, Thieves, and Whores?
A7
$ $ $
B¨
$$$ $
$
)
the Poor, the Lame, the Blind;
Dm
A7
$ $ $
A7
"# $ $ $ *
"# &
B¨
-
$ Bac -
,
)
*
$ Bac -
## $ %
F
cue: Doctors: " . . . immortal."
. . # * * "
86
" # $#
the Lame,
"# $
$
left
in
"#
$ $ $
are
$ $ $
$
Kil - lers,
$
Thieves, and
$ $
the ones
B¨
that are
)
&
Whores? FEMALE DOCTOR
,
)
*
$ Bac -
Dm
Dm
"# $ $ $ * God's
"# & te
100
Who
, MALE DOCTOR
96
$
Dm
charge?
the
Dm
Blind;
*
$
leak, there's a leak in the boil - er - room,
)
&
the
B¨
+ % $ $ $ $ $ $ $ $ $ $ $ $
B¨
% $
B¨
Dm
There's a
% $ $#
Poor,
93
. - * *
percussion hits
Dm
90
DOCTORS
a - way,
$#
-
-
Dm
"# $ $ $ * God's a - way,
"# & te
$ $ $ *
God's
% '$ (
a - way,
Dm
A7
Dm
$ $ $ $
God's
a - way
on
$ $
)
busi - ness,
,
)
*
$
ri - a!
Dm
Bac -
A7
$ $ $ *
God's a - way,
$ # '$% (
-
A7
ri - a!
Dm
A7
$ $ $ $
God's a - way on
,
Dm
* $ $ $
busi - ness,
)
Dm
&
Bac - te
* *
$ # '$%
-
$ $ $ *
God's a - way,
ri -
Dm
105
"# (
A7
Dm
A7
Dm
,
Dm
)
* $ &
a!
Bac - te
"# $ $ $ * $ $ $ $ $ $ ) God's a - way,
111
"#
Dm
God's a - way on busi - ness,
Dm
,
$ $ $ *
God's a - way,
"# $ $ * $ busi - ness,
116
Bac - te
Dm
"# $ $ $ * God's a - way,
"# & te
& Dm
$ $ $ *
God's a - way,
$ # '$% (
-
A7
ri - a!
-
God's a - way,
Dm
A7
$ $ $ *
God's a - way,
A7
Dm
A7
,
ri - a!
$ $ $ *
$ # '$% (
-
$ # '$% (
Dm
$ $ $ * $ $ $ $
God's a - way,
Dm
A7
God's a - way on
Dm
$ $ $ $
God's a - way on
,
$ $
)
busi - ness,
)
* $
ri - a!
Dm
Bac -
A7
$ $ $ $
God's a - way on
,
Dm
$ $
*
busi - ness,
$ $
busi - ness,
$
$
$
$
* )
busi - ness!
*
busi - ness!
* )
Brass/Percussion
10 Coney Island Baby
Trombone w/bucket
!
Tom Waits/Kathleen Brennan 2000
% % $% ( % % % $% ( % &' & ' % % & %% % % % &' &'
Fragile D7
% %
# $! "
G
tacet 1x, 2x
1x: +Cello 2x: +Sax, B Cl, Tbn
#$ % ) % ( ) G
7
D7
*
% % % ) %%
+
Ev - ery night
G
14
#$ %
% )
, , % ) &% % % % &%
G
D7
she comes
to take me out
G % % % % % %! ( $ % % % % ) &% % % &' ' D7
+
dream - land.
When I'm with her,
I'm the rich - est
man
in
to
)
the town.
D ! G % % % % %%% % % % ) ) ) ) '
1x +Sax, Tbn G % % %
20
#$ +
She's the rose,
26
D7
#$ % ) stars
31
#$
% % % % %
(
% %
ba - by,
she's my
C
*
+
!% "
G/D
Co - ney
Is
% % (!
She's my
(
(
% -
(! % ) %%
prin - cess
my world.
All the
% % " G% % G7% % -% ) "
her eyes.
D7
D7
She's a
she's the spin on
G $% (! & '
make their wish - es on
#$ %
36
she's the pearl,
) ) % %
G
in a red
G
(!
land
% )
Co - ney
(!
girl.
Is - land
" % %#
To Coda
(tacet)
Em D7/C % % ( %% ( %
dress. She's themoon
in the mist
to
9 Coney Island Baby
44
#$
(!
G/B
G % % "% "
G
+
me.
She's my
# $! % "
48
G/D
(
Co - ney
Is
"
#$ %
D7
tacet
#$ %
D7
%
Co - ney
(
D7
%
& $%'
-
(
& $%' (
%
G7
%
% -%
Is - land
%
G
land
girl.
C
%
ba - by,
(!
% & '
G
% & '
G
%
%
% % ! "
(
She's my
%
D.S. al Coda
+
%
(whistle melody)
%
)
& % % % %
(
%
%
) to Log Drum
Brass/Percussion
11 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000
Log Drum, Darbuka
Play Log Drum
## !##! # " "!
Latin Feel
Cm VAMP under dialogue until Marie sings
6
# "# #
$
$
$
%
3 ## $ ' & ( ' ' ' ' ' ' ' ' %
Why be
G7
sweet, why be care - ful, why be
Fm
3 * * ( ( ' ' ' ' ' ' ' ' '( ' ' ' ' ' ' ' +' ' ) ' +' )
kind?
10
# "# # )
"please?"
## , # " )
14
lieve:
A man has on - ly one thing on his mind.
Why ask po - lite - ly? Why go light - ly? Why say
Cm
G7
& ( '* & ' ' ' ' '' ' ' ' ) ' ' ' ' ' ' ' +' ' They on - ly want to get you on yourknees.
, '# A
* '
Cm
' ' ' ' '
There are few things that I nev - er could be
(
( * * ' ' ' ' ' ' '
wo man when she weeps,
a
Fm
17
Cm
MARIE
mer - chant when he swears,
a
Cm
## * # " ' ' ' ' ' ( ' ' ' ' ' ' ( '* ' ' ' ' ' ( '* thief who says he'll pay,
20
# "# #
a
law - yer when he cares,
a snake when he's sleep - ing,
G7
-'' ' ' ' ' ' ' ' +' ' ' ' ' '
drunk - ard when he prays.
23
## 3 # " '' ' ' ' )
Ev - ry - thing goes to hell,
' )
a
%
I don't be - lieve you go to heav - en when you're good.
G7+
G7
)
)
a
-
ny
.... -
C#m
'
way.
& %
%
DRUM MAJOR
& ' '
Laiss - ez
3 .... * ( " ' ' ' ' ' ' ) ( '* ' ' ' ' ' ' ' ' ' ) ( ' ' ' .'
C#m
27
G#7
faire, mon a - mour, c'est la vie. Shall I re - turn to shore or swim back out to sea? The world don't
F#m . . "..'
31
C#m
' ' ' ' ( ' .' ) & ' ' ' ' ' ' ' ' ' ' ) & -' ' ' 3
care what a sol - dier does in town.
.... "
35
It's all hang - ing in the win - dows by the pound.
G#7
' ' ' ' ' ' .'
%
' )
3
'' ' ' ' )
lieve you go to heav - en when you're good.
!# & % # " "# '
39
Dm
%
51
)
)
I on - ly
#
a - ny -
3 ( '* ' ' ## $% ' ( '' ' ' ' ' ' )
want to hear you purr and hear you moan.
( '* ' '
There is a -
MARIE
A7
noth - er man who brings the mon - ey home.
"#
G#7
DRUM MAJOR
"# ' ' ' ' ' ' .' ' ) %
47
G#7+
VAMP under dialogue until D. M. sings Dm
way.
43
Ev - ry - thing goes to hell,
I don't be
Gm
3 * ( / / / / / (/ / / & & /
I don't want dish - es
in the sink.
/
Please don't
MARIE & DRUM MAJOR A7
, , * & & ' ' ' ' ' ' ' ' .' ' ) ' # ' / / / / / / / / /
Dm
tell me what you feel or what you think.
There are few things that I ne - ver could be lieve: a
Dm
Gm
* " # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( ' wo - man when she weeps,
a
mer - chant when he swears,
a
thief who says he'll pay,
a
Dm
54
" # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' - ' ' ' law - yer when he cares,
57
a snake when he's sleep - ing,
A7
"# ' ' ' ' ' ' .'
%
' )
a drunk - ard when he prays.
3
'' ' ' ' )
lieve you go to heav - en when you're good.
Ev - ry - thing goes to hell,
I don't be
A7+
A7
)
)
a
-
ny -
To Darbuka 61
Dm
A7
way.
'
"# '
# # # !# # " # # "#
64
Dm
'
&
Play Darbuka Flute Solo
E¨m
$
Dm
' B¨7
$
A7
Dm
&
'
' B¨7
$
Dm
A7
' E¨m
' $
Dm
' ## $ %
&
Cluster
'' & % ''
######
Brass/Percussion
12 A Good Man (Is Hard To Find) Trombone w/ plunger
!=100
" #! $ #!
Tom Waits/Kathleen Brennan 2000
$
B¨
$
$
$
$
$
tacet to m. 5
& " # !## #"
MARIE 1.
Play B¨
5
7
" ##
&
%
lit (2.) al (3.) F long
-
&
a
-
-
%
let lette out
it in
B¨
13
" ## '
"# #
21
in the from the to the
$
burn my the
$ rule; black war,
&
B¨
wind; gutter, meadows,
$
% man
&
)&
$
%
the how scare
trees far off
*
are all from the all the
bare. pew, crows.
$
+
to
ad lib.
To Coda (Third Time)
Cm/G
is hard
There's no How Go
MARIE sings, MARGRET hums
but why to for - get and nothing
Bb7
'
down. red. name.
'
F7
Life's mean as a need - le, I'll al - ways re - mem - ber It does no - thing but rain here,
good
%
Eb
'
3
" ## '
I've It's No one re -
I've wrecked it all and twen - ty - nine no one re - mem - bers his
C7 ad lib.
Bb
'
I russian rou looks
down. head. frame;
'
I
'
match; play soldier
%
& & #B¨7 $
%
words far out
en
(&
from
bro - ken ev - ry sev - en - teen mem - bers his
17
wood ways dead
F
$
%
all
" ## & % & %
9
&
%
find.
should I a - bout will
Care? you. grow.
$
A
G7
+
On - ly
"#+ #
Bb
" ## '
sleep in
-
vo
-
Cm
" ##
rite
-
rite
$
My
G7
+
words
+
are "Good - bye"
$
is
and my
)$
Bb
co - lor
+
Cm/G
+
fa - vo
37
'
bed.
Bb7
F7
"#+ #
my
*
&
%
fa
33
F7
3
strang - ers
29
$
3 & & & & & &
Cm
25
$
)$
red.
)$
$
MARGRET
2.
MARIE 3.
39"
Bb
" ## '
good
41
Cm/G
" ## +
Ab
45
" ##
bed.
is
hard
+
sleep
$
($
Bb
My
Fa
F7
&
3
On - ly stran - gers
$
to
& 3&
& & &
Cm
+
find
#*
Bb7
man
G7
I A
*
&
%
## $ %
)$
vo
my
Bb7
' -
in
+
-
rite
words
are "good
11 A Good Man (Is Hard To Find)
49
Cm/G
&
Cm
G7
"#+ #
+
bye," 53
"# #
&
Cm
and my
fa - vo 57
" ##
$
Bb
red.
&
$ -
rite
)$
&
F7
&
$
fa - vo
$
-
&
Cm
%
co - lor,
my
$
rite
-
$
%
co - lor,
&
$
fa - vo
)$
&
F7
rite
&
F7
my
$
co - lor
*
% is
Brass/Percussion
13 Knife Chase
Trombone w/Harmon mute
Tom Waits/Kathleen Brennan 2000
cue: Marie: "Look, the Angel of Sleep . . ."
A MARIMBA !# ! # " "# ! $ # # # $# # # # # # # %
#
tacet 1x, 2x
5
" # # # %
#
9
#
" # # # %
13
" # # #
)
% # $#
) # $ # # $# #
& #' (# % #
$ # # # $# # #
#
2x Play Tbn w/ Harmon mute
% # # $#
#
# $# # # # $# #
#
# # $ # # # $# #
stop after: Marie: "What am I - a whore?"
$#
B . !# ! # # # # " "# ! # $# ,# # -
## + # . ! -
)
## $ %
. # -#
## $ %
* # !
# # # # $# $ # # #
cue: Woyzeck: "See you tonight, Marie."
tacet
#
% # $#
-
Brass/Percussion
14 Starvin In The Belly Inst. (under scene change) Tom Waits/Kathleen Brennan 2000
BANJO Cm
#! " # #!
$
'#!& & & & # #! TUBA
Cm
## !## # " )
5
Eb
# "# # *
*
' ## & & & & # Eb
& & & &
& % (
)
&
'# & & & & ## Cm
Eb
# "# # *
Eb
'# & ##
* & & &
%
& &
& & &
&
%
*
&
&
%
&
*
& & & & &
& & & &
&
G7
&
& & & &
&
%
(
& & & & &
Dm7b5
%
& &
& & &
%
& &
& & &
& %
)
Dm7b5
&
G7
Dm7b5
& & & &
& & &
&
)
& &
%
%
& & &
Dm7b5
& & & &
Cm
# "# # )
17
& & & &
&
' ## ## & & & & #"
13
$
Cm
Cm
9
$
& &
& & & & G7
G7
&
$ & & &
## $
## %
Placeholder for 15 Knife Chase Opera
Brass/Percussion
16 All The World's Green Tom Waits/Kathleen Brennan 2000
Tacet
cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."
## ! " !
Bm
## "
7
I
A7
D
' ' ' ' ' '
$
)
when you be - came my wife. oh the things that sum - mer brings. F#7
Bm
# " # & '( ' ' ' ' ) $ A7
D
## "
Bm
)
$
$
%
kings. green.
## " ) D
25
green.
# "#
29
D
)
green.
& ( ' ' ' ' '
Gmaj
the sea for.
Em
( ' ' ' ' ' %
F#7
F#7
& ( ' ' ' ' ' ' ' ' # '( ' ' ' ' ' You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is
' # '* ' ' ' ' ) ' ' G
3
D
( & '( '# ' ' # '( A7
and all
the world is
( ' ' ' ' ' ' ' ' ' ' & '( '# ' ' # ( ' ' ' G
3
D
Let's pre - tend we can bring back the old days a - gain,
$
( ' )
'#
I risked it all a - gainst It's a love you'd kill
Let's pre - tend that you owe me no - thing
%
F#7
Ma - rie, you are the wide blue sky. He is balancing a dia - mond
And men do fool - ish things. on a blade of grass.
20
Gmaj
% & ( '# ' ' '
life. green.
Em
fell in - to the o - cean moon is yel - low sil - ver,
Bm
)
to have a bet - ter And all the world is
15
Bm
$
## " & '( ' ' ' '
11
! ( % & ( "## '# ' ' )# ' ' '
$
%
## $ %
Bm
' '
2. When the
A7
and all
the world
is
Brass/Percussion
17 Starvin In The Belly Of A Whale Tom Waits/Kathleen Brennan 2000
Tuba
# !# ! # " # "# !
Cm
$
$
' ## !## ! & & & & #" !
$
5
# "# # )
whit
-
-
'# & & & & ## 9
Eb
# "# # *
fid
* -
dle
' ## & & & & # Eb
13
&
'# & & & & ## Eb
# "# # *
*
mis
-
Eb
& & &
'# & ##
take
& & & %
that
& it
%
& &
and the
& & & & *
all
%
& & & & ) rid
-
-
& & &
& Dm7b5
& & & &
breaks
Cm
& &
Time's a
*
&
day
%
tled,
Cm
# "# # )
17
&
& & & &
& & & & &
&
day
& & & &
&
Earth
%
(
& &
man's a
%
& &
When the
G7
& & & &
quakes,
& & & &
## $ %
& & &
& %
)
&
dle,
on.
Dm7b5
Dm7b5
& %
&
plays
is
& % (
G7
)
## $ %
& & &
Your life
Play Tuba (two-beat pattern) Cm
%
& &
life's
a
& & & & G7
$
long.
& & & & &
Dm7b5
G7
& & & &
Cm
21
# "# # *
Fm
& &
Who
& & & + , & & & & & &
gives a
good god damn?
Tuba Play as written
' ## # 25
*
& &
Cm
mean
-
*
Cm
&
-
%
ing;
Play two-beat pattern
' ## & & & & #
& &
don't go
Cm
& & & &
Cm
Fm
# "# # & & & & man must test
his
Cm
Fm
Cm
Cm
dream
-
-
ing.
& & & &
Fm
crook - ed old
&
(
&
A
*
(
Cm
! ! & %
(
world.
! & % ! $
& & &
&
%
Cm
! *
& & &
There's no
& %
$ &
& &
Fm
Starvin' in the belly of a whale!
' # !## & & & # #"
%
*
)
a
&
G7
G7
& & (
$
*
& & ! & & .&
in
G7
a - live.
G7
met - tle
' ## & & & & # ## !## # " "
Cm
& & %
Cm
33
You'll ne - ver get out
& & & %
Fm
Cm
# # " #)
29
Cm
(
$
## $ %
& & & $ ## & %
Brass/Percussion
18 Coney Island Baby (with Stops) Tom Waits/Kathleen Brennan 2000
Trombone tacet cue: Woyzeck: "You are beautiful."
A $! # "% %
5
$
G
% & % D7
# )
D7
%
%
% & '
% % % D7
+!
# % %
% % ! $%( +
% % +!
%
&
G
% ' % % * G
&
%
& ' ( % % % ' ( % % %
% % %
Trombone tacet pause after A, then continue
B $
G
% &
% % +
Em
Trombone tacet cue: Woyzeck: "It stinks enough to smoke the angels out of heaven."
C D7 G Woyzeck: G $ # % % % & % % % & ' %( % % % ' %( % Ev - ery night
she
comes
to take me out
$
D7
G
with her,
$% # D
28
I'm the rich - est
% %
&
pearl,
32
$
D7
# %
stars
she's the
&
%
man
in
( %
% % %! spin on
%
make their
&
)
the town. G
%
&
%
%
wish - es
on
G
% % % & % %
She's the rose,
&
&
% %
When I'm
Marie:
&
&
my world.
%
)
to dream - land.
( % % % % % ! & ' ' % + $ % # % * % % %
22
%
she's the
% %
All the
'
+!
( $%
G
her
eyes.
Play Trombone cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."
D $
WOYZECK
G
D7
# % % % & %% Ev - ery night
%
she comes
G
& ' ( % %% ' ( % % % to take me out
( + % % % % % ! & ' ' % $ % # % * % % %
41
$
D7
G
with her,
I'm the rich - est
man
in
&
%
)
% %
to dream - land.
&
)
the town.
When I'm
MARIE & WOYZECK G
% % % & % %
She's the rose,
she's the
$ % & % % % % %! ( % & & & & ( +! % % & % % ' % $% # % % % % D
47
G
pearl, she's the spin on
accel.
D7
my world.
All the stars make theirwish - es on
G/D # & % % "" % % % %,% % + % % "! % +
54
$
G
She's my
$ # +!
61
D7
prin
G7
C
Co - ney Is land
& % % +! %
ba - by, she's my
G
-
cess
in a
red
% % + & %
dress.
She's the moon
$& % % "% % # % % ,% % + " G
She's my
Co - ney
Em
savagely, screaming
68
G
G7
Co - ney Is - land
C
ba - by,
D7
+
% +! G
+
Is - land girl.
% %
She's a
+!
% % D7/C +
%
G/B
in the mist
to
me.
G/D
D7
Co - ney
Is - land
% % !% + "
she's my
her eyes.
+
%
blackout; attacca no. 19
Brass/Percussion
19 All The World's Green (Instrumental)
Trombone
Tom Waits/Kathleen Brennan 2000
cue: play on lights up, continue under dialogue, through black out, and stop at next lights up
## ! " !
!# % % "# $ $# $ $ & # $ $ Bm
Gmaj
## "
9
Bm
$# $ $
F#7
## ( $ $ $ $ $ " * ## "
+
## " & D
21
# "#
25
$#
G
D
&
'
( $% $ $ $ $
$ #$ & D
$ &
3
$ $ $ $ $ $ 3
'
D
$ &
'
& Bm
#$ $ $ $ $
G
'
D
F#7
% $ $ $ $
) ( % $
&
A7
F#7
'
&
% ( $ $#
$ $# *
% $
% ( $ $#
$ $# *
% $
A7
A7
)
$
(tacet)
# "#
27
Bm
'
&
Bm
( % $ $ $ $ $
% $ $ $ $ $ )
Gmaj
17
F#7
$# $% &
D
$$ $ $ $ $
Em
Play Trombone
13
A7
tacet
## ( % " $ $ $ $ $
5
Em
$
## $ %
Brass/Percussion
20 Coney Island Baby (Conclusion) Trombone
Tom Waits/Kathleen Brennan 2000
cue: play several moments after lights up; Woyzeck speaks lyrics
$! # "% %
Ev - ery
G
%
&
%
night
$
G
# %
%
)$
*
$ # G
&
)$
( %
to
take me out
When I'm with her,
% % % &
+ *
I'm the rich - est
*
G
&
to
% % ! $%(
man
in
*
D
% % % & she's the pearl,
-
&
( %
*
% & ' % ' % % , % % % % % %
+
'
% % %
D7
She's the rose,
*
%
' *
*
&
town.
comes
&
*
dream - land.
9
%
she
) $ ! Trombone " *
4
D7
*
% % % % %! she's the spin on
-
the
&
( % my
-
spoken: I saw him, Marie.
Brass/Percussion Tuba
A
!# ! # "# " ) !## ! ""
5
C
# '
just
21 Just The Way We Are
C
& ' ' ## $% '
%#
$
C
## $ %
Cause it's
Tuba play two-beat pattern
( F ' +
' ' *
the way
we
F
& '* '
are.
just
Tom Waits/Kathleen Brennan 2000
( ' '
the way
( ' '# C
we
C
' ' *
Don't ev - er try
to
'
are,
( ' '
change
( '
boys, it's
( ' '
us
' '
'cause it's
) '( & & ' ' ' ' & & '( & & ( & & ' ' ' '( & & ( & & * ' ' 9
C
# '
just
G
( ' '
the way
C
G
we
17
C
C
# ' ' ' ' '' ' )
%#
F
% ' '
'
There There
' ' ' ' ' '# C
who re - marked"They say big - a - my's nice. whose bullocks was made out of brass.
' '
'
( #$ ' #%
%
!# "#
( ' & & %#
was a young sol - dier named Dice was a young fel - low named Cass
F
$
are. continue two-beat pattern
# ' ' ' ' ' ' '# )
C
( ' +#
) '( & & ( & & ' 13
!# "#
C
C
G
## $ %
& ' ' E - ven Whenthey
C
' ' ' ' ' ' ' ' +#
two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink - led to - gether, they played "Stor - my Weather" and light -ning shot out of his ass!
Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool. Said the doctor, a cynic, "Get out of my clinic! Just wipe of the lipstick, you fool!"
B
21
# ' '
Cause it's
)
26
'
just
( ' '# C
( ' '
the way
we
are,
C
'
( ' '
boys, it's
just
' ' *
the way
( F ' + we
& ' *
are.
Don't
play two-beat pattern
F
# '
' ' *
ev - er
)
C
try
( '
C
to
change
'
( ' '
us
C
' ' '
'cause it's just
G
( ' '
the way
( '
we
C
+#
are.
Brass/Percussion
22 Shiny Things (Karl)
Trombone w/ Harmon Mute
! ## # ! $ " #!
Ab
!# "# &
Ab
KARL
%
&
The
# #! $ # " " #!
!# "# &
&
Ab
4
&
&
al - ways things light you cast things are bound
## # " " #
&
! ## # ( " #
Bbm
7
find crows, thing
### # ( "" ! ## # ( " #
Cm
10
tine; know, eyes;
### # " "
(
&
&
Ab
&
& he is to
&
&
) &* & &
Eb7
a shi - ny 'cause if it I want that
) &+ & & Fm
) &* & &
(
dime, glows, shines
Bbm
(
(
& &
+ &
& &
a sil - ver you're dressed to is to be
Eb7
) & & & *
-
the shi - ny to shi - ny ly shi - ny
) + & & &
)
(
) &* )
(
The crows all bring You'll al -ways cling to be your on
) + & & &
Db
Ab 1.2.
(
things. things.
(
&
) &* & &
best. ar. Though
(
' &
&
(
-
&
his nest, they're ol' moon. The to - night. But
Eb
(
&
Ab7
&
' &
&
&
&
that shine a li a - round,
&
&
&
in big here
&
finds just turn
Ab
a crow puts a - lone you not dan - cing
molto vibrato
! ## "# # &
&
&
things me I'm
play 2x, 3x
%
Tom Waits/Kathleen Brennan 2000
Bbm
+ & & &
Eb7
(
) & && &
twine, go, king
)
( % &
Leave Well
%
Some - how they'll You're like the the on - ly
&
from a val - en you guessed, I here in your
+ &
& &
## $ , % Ab 3.
## $ %
thing.
,
Brass/Percussion
23 It's Over Tom Waits/Kathleen Brennan 2000
Trombone w/plunger, Log Drum
#! "
% $ & $ % $ & $ $ %$ $ %$ $ $ % $ $ % $ & $ % $ & $ $ %$ $ %$ $ $ % $ $
5
" '" #" "
9
-
(
-
(
-
)
%-
You
B7
-
E7
E7
Am
must have brought the bad wea - ther with you. Thesky's the col - or tacet to m. 25
#
F
C
left me
E7
is a feath - er
on an
* $ $
of lead.
$ $! %$ $ &$ ! ' $ $ $ $ $ $ $ $ $ $ $ , ,
13
+ %$,
*
$ $ &$ $ $ $ $ * * + $ $! $, $ $ $ $ . , $
Am
$ ' %$ #
(
MARGRET
All you
* + $,
)
un - made bed.
It's
$ $ $ $ $ $%$ $ $ $ ! * ! $ $! $, $ $ $ $ . ' , ,
17
# 21
Am
al - ways me
F
' $! #
B7
ring,
E7
E7
when - ev - er there's trou - ble.
$ $ $ $ $/ $ ! , 3
it fell off my
C
fin - ger.
Am
* $ $
Theworld does no - thing but turn.
E7
+ $ $ $ $! 0$, . ,
)
And the
*!
I guess I'll nev - er learn.
$ $ But it's
(
25
$ $ $ $ $ $ .
Am
A7
$! $ $ + * ' $ $ $ $ $ $ , , o - ver, it's o - ver, it's
o
-
ver.
Dm
*!
I'm get - ting dressed in the dark.
slow slide $ $ 111111111111111111 % -111111111111111111111111111111111 . 1111111 $ $ # * $ play, sloppily
/ $
Our
)
$ $ $ $! $ $ $ $ $ $ ! 0$ $ $ $ 0$ $! 0$ $ $ $ 0$ $ ! $ , ' , , ,
29
Dm
G7
sto - ry ends
# .
.
C7
F7
be - fore it be - gins.
0.
.
/ ' $ $ $, 0$ $
A7
# .
.
-
" ' #!!
(
33
G7
C7
42
' #
B7
al - ways con-fess
0.
And it's o
to
.
-
Db^
ev - ry - one's sins.
0.
ver,
.
E7#5
E7
Am
let
it
go.
.
The
.
-
fills ad lib.
VAMP under scene until Margret sings +Waterphone
Am
Ab7
Dm
.
(
play Log Drum # "!! ( #
I
Eb7
$ $ $ $! $ ) ,
nail gets ham - mered down.
38
Bb7
( E7
( ( E7
)
+ $, $ $ 0$ So don't go and
(
!! $ % !! $ %
Am
0$ $ $ &$ 0$ $ %$ $ $ * * $ $ $ $ $ $ $ $ $ * * $ $ make a big deal out of no - thing. to Trombone, tacet to next chorus
Well,it's just a storm on a dime.
And I've
46
F
C
E7
$ ' $ $ $ $ $ $ $ $ * #
50
' # 54
3
al - ways found that there's no - thing
Am
B7
that
mo - ney
E7
+ $!
)
can't buy.
I've
E7
Am
$ $ $ $ $ $ %$ $ $ $! * * + $ $ $ $ $ $ . ,
al - read - y gone to the place I'm go - ing.
F
' * $ $ #
$ $$ $ $ $
3
$
C
There's no place left to fall.
E7
2 )
* $ $
no - thing at all...
2 )
and it's
3 $ $ $ $ * $ $ $ $ $ 0$ .
And there's some - thing to be said
)
3
for say - ing
)
58
'
Am
0$ $ $ 3
&$ $ $ * + $ $! $ $ $ $ $$$$ $ $ , , 3
A7
3
o - ver, it's o - ver it's o play, sloppily
- ver. slow slide
Dm
3
It's done, for - got - ten andthrough.
$ $ $ -1111111111111111111111111 % -11111111111111111111111111 . $ $
# *
)
Dm G7 C7 F7 Bb7 Eb7 Ab7 Db^ "! $ $ $! $ $ $ $ ! $ 0$ $ $ $ $ 0$ ! 0$ $ $ $ 0$ 3 * + $ , ' #! , ,
62
No - one cares what it's all for, you'll be bur - ied in the clothes that you ne - ver wore,
# "!! . #
66
G7
' $
keep
.
$ 0$ *
$ your
#
0.
+ $/ $ $ $ the door.
Am
.
Dm
It's
o
let
it
go.
(
. -
fills ad lib.
(
-
.
$
-
E7
(
.
A7
by
.
.
0.
suit - case
E7#5
' .
.
C7
# .
69
0.
( $4 $4
Last time ad lib on cue:
(
ver,
(
( )
so
(
!! $ % !! $ %
Brass/Percussion
24 Cuba Tom (Monkey Scene Change)
Tom Waits/Kathleen Brennan 2000
Tacet
+Cuba Tom Tape Play Twice
"! $ !
$
E¨m
" $
5
E¨m
$
B¨7
$
A¨m
B¨7
$
B¨7
$
E¨m
$
E¨m
## ! "
Brass/Percussion
25 More Murder II Tom Waits/Kathleen Brennan 2000 Trombone plays squeals and glissandos with plunger at A and B
A ! # !!" $ ( !!! ' "
cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."
arco
( !!! %! "
& %
& % )%
$
'
%
%
%
% +
%
)%
cue: Andres: "Drink some schnapps . . ."
B stop after Drum Major enters !! !! $ %& %& $ ' !! !! '
arco
!! !! % !
%
%
)%
*%
% +
)%
*%
!! !! !!
Brass/Percussion
26 Another Man's Vine
# $ $ !## ! % # $$ ""
Play 2x only
Tuba
Fm
# $$ $ !## ( $"
Fm
5
Bou Gold
-
# $$ $ ( $
9
Fm
care left 13
-
Dm
# $$ $ ( $
Dm
vil Wil
-
(
%
ful, his
mind young
the wife
(
and to
(
climb stead
-
ing fast
o ev
Am
&%
(
the lie's
oth far
(
%
bees long
will the
find way
their her
% est er
ev reads
le the
-
-
(
% -
ry what
ho let Gm
(
time. Wil -
The Will
(
ver ry -
blind day? C/G
(
% -
Gm
(
vines. shore. C/G
%
-
% lie
er a
-
side. way. C7
% ters
-
C7
%
sends.
Be He
%
(
Eb
(
Cm
-
) %'
C7
%
stran on
## $ %
(#
Db7
wind. war.
Gm
(
%
-
bloom gone
&%
Cm
sweet nev
%
(
Eb
Fm
# $$ $ ( $
C7
(
Am
on Wil
Fm
&% $% &% '
Gm
leas lie's
is en
-
# $$ ( $$
25
-
Fm
%
%
&%
sun Gold
(
Cm
is be
# $$ $ ( $
21
gain en
&%
rose she 17
Cm
%
%#
(#
Db7
&% $% &% '
Tom Waits/Kathleen Brennan 2000
% % 'cause the While
% The A -
(
%
ney end.
the She
% % % ) ' A - round a I see a
# $ $ (# $$
29
! Fm
Db7
(
red red
# $$ $ % $
33
37
% '
)
rose; rose;
Fm
(
red read
rose rose
I I'll
%
Db7
Db7
%
2. # $$ $ ( $
on on
a a
Db7
(
red red
&C7%
$%
%
A A
(
%
1. Fm
man's man's
vine.
## $ %
&( # Db7
%
%
%
% %
rose; rose;
an - oth - er an - oth - er
Fm
*
40
see pick
% %
bloom - ing bloom - ing
# $$ ( $$
% % (
Fm
%
Fm
vine.
41
# $$ $ ( $
Db7
%#
Fm
*
" Fm
# $$ $ ( $
Db7
%
(
&% '
%#
Fm
*
vine.
# $$ $ % # $
Fm rit.
&% '
$%
&%
$%
(#
Db7
&%
(#
Db7
&% $% &% ' (( ## ((( ###
Db(#11)
D.S. al Coda
(#
Db7
## $ %
Brass/Percussion
27 Shiny Things (Instrumental) Trombone w/Harmon tightly closed
Tom Waits/Kathleen Brennan 2000
cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28
! # #! "# # ! $
Ab
& &
Trombone
%
! ## # " # &
&
&
&
( ## # & " #
&
&
&
4
Ab
! ## # * " # 7
+ &, & &
Bbm
Eb7
( ## # & & & " # ! ## * "# # 10
Cm
( ## % " ##
%
Fm
+ &, & &
&
*
&
&
&
## & "
&
&
&
Ab
%
( ## # ! $ " # !
!# #&
Ab
&
&
*
&
&
*
Ab7
Db
*
+ &,
& &
% #& *
Bbm
%
' &
&
&
& )
Eb
& &
+ &, & &
* *
$
Bbm
Eb7
*
+ & & & ,
&
&
+ & & & &
% & *
Eb7
*
&
Ab
*
Ab
*
%
&
*
%
&
## $ ## %
Brass/Percussion
28 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000
Darbuka cue: Karl: "Mirror, mirror . . ."
Latin Feel
Cm start piano, crescendo to savage & out of tempo
# " # # !!
$
$
$
3 # !# # ( " # "# ' ' ' ' ' ' ' )
5
9
Cm
Fm
# "# # '
11
15
# "# #
17
'
'
'
'
'
'
'
'
'
'
'
'
'
'
(
3
&
)
' +' '
'
' +'
'
'
'
'
'
'
'
Fm
'
Cm
# "# # '
21
'
Cm
# "# # '
19
( '* ' ' ' ' ' ' +' ' )
)
&
)
'#
G7
# "# # '
(
' ' ' '
'
(
* '
'
'
'
'
'
(
* '
'
'
'
'
'
* '
' '
' ' '
G7
# "# # '
'
'
'
'
&
G7
Cm
# "# # '
13
%
'
+'
'
)
' ' ( '* ' ' (
* '
'
' * '
(
* '
(
* '
, ' ' ' %
## $ %
Attacca "All The World's Green"
Brass/Percussion
29 All The World's Green (Duet) Tom Waits/Kathleen Brennan 2000
Trombone w/Bucket
Bm
## ! " !
$
+ ## ! !
$
%
+ ##
A7
when you be - came my
F#7
+ ##
I
to have a bet - ter
%
F#7
I risked it all
Bm
Ma - rie, you are
$
Gmaj
%
And men do fool - ish things.
$
) ( ( ( ( ( &
Now the shadows are getting longer
the wide blue sky.
&
$
F#7
&! ( ( ( ( ( ( (
It is colder than I remember
You turn kings in - to
$
the sea
$
Winter's moving in
*
a - gainst
)* (
Em
& ' ) (! ( ( (
D
(!
$
Bm
life.
o - cean
We lay down in a shady grove
' ) ( ( ( ( (
wife.
*
the
$
Gmaj
$
$
in - to
$
With the yellow buds of May
A7
fell
Call back yesterday
*
) ( ( *!
(! ) ( ( (
$
# " # ' () ( ( ( (
13
D
$
+ ##
'
$
## ' ) " ( ( ( ( (
9
&
WOYZECK
## " ' () ( ( ( (
5
MARIE (spoken Em over Woyzeck): Let me lie about it all.
Bm
$
beg - gars
$
) (
and
29 All The World's Green (Duet)
## "
17
+ ##
F#7
Bm
that it's ever been
( ( ( ( (
beg - gars
in - to
+ ##
*
no - thing
&
$
) ' () (! ( ( !
D
%
A7
and all
$
the world
$
+ ##
D
A7
old days a - gain,
$
! " - ---- ( ( (
29
Ebm
(!
face for - gives
+ --- ( ( ---
and all
D
) ( * is green.
$
Abm
( ( *! , ( ( *! ,
the mir - ror.
is green.
( ( ( ( , 3
that you owe me
$
G
&
D
the world
Let's pre - tend
$
## ( ) (! () ! ) ' ( ( ( " ( ( * (
25
(!
( (
kings.
$
# "#( *
21
%
G
WOYZECK
( ( ( ( ( (
( (
$
3
Let's pre - tend we can bring back the
/A
%
$
/D
%
/D MARIE
& ' -() -----The
$
%
' () ( ( ( (
Db7
The worm for - gives the
( ( ( ( ( ' ,
& ' -(, ------
Gb
*
%
plow.
*
%
29 All The World's Green (Duet)
-) ) " - - -- ' ( ( ( ( ( ( ! ( *
33
Cbmaj
Bb7
+ - - - ' ( ( ( ( ( (! ( * --- , , The ques - tion begs the
an - swer:
Bb7
Ebm
' () ( ( ( ( ' () * ' (, ( ( ( ( ' (, *
can you for - give me, some how?
--- ( ! ( ( ( ( ' () ( ( ( ( ( * " - ( ( , when our sto - ry's o - ver go where it's al - ways spring. (! ( ( ( ( We'll ( ( ( ( ( ( * + -- - - ( ( , ' , --
37
41
Ebm
Abm
Cbmaj
-) " - - -- ' ( ( ( ( ( ( + -- - - ' (, ( ( ( ( ( --
Db7
Bb7
Gb
Bb7
) ( ( (! ' ' ( ( ( ( ( ( ( (! ' ' ( ( ( ( ( ,
The band is play - ing our song a - gain
And all the world is
Ebm
*
green.
*
& ( (
May - be
& ( (
% %
% %
29 All The World's Green (Duet)
45
-" - - -- % + -- - - % --
( ( ( ( * & ( ( (! (, 3 Let's pre - tend that you owe me no - thing, (! ( ( ( ( ( * , & ( ( Cb
3
Gb
49
" - ---- *
&
+ -- - --
&
*
green.
Gb
51
- ( " - ---+ -- - --
54
(
old
" - ---- % + -- - -## "
57
+ ##
A7
Gb
Let's
( (a - gain, (
days
(
(
(
(
we
(
can
(
(
(
bring
back
(
the
( ' ,
all
.( (
When the
( ( ( ( ( ( oh * the things that sum * - mer
(!
Db7
and
D
* *
brings.
( (! ,
##
Bm
##
moon
(
( (
) (
( (! ,
(!
%
the world
3
(
3
) ' (
WOYZECK
$
(
( (! (, ( ! ( ' , , and all
(
pre - tend
(
( ( (
&
(
Db7
(
Cb
(
) ) ' ( ( ! (, (! (
the world
(!
(
is
yel
$
-
Gb
is
( ,
green.
) (
Em
low
*
/
% *!
(
sil - ver,
%
Gmaj
&
%
*
F#7
( ( ( (
It's a love you'd
*
) (! ( * for. #kill /
is
29 All The World's Green (Duet)
## ' ) ( ( " ( ( ( And all the world is # * * + ##
61
F#7
## " & ( ( ( ( / on a blade of + ##
65
green.
*
D
D
## " ( *
no - thing
D
%
Bm
* green. *
%
Gmaj
%
&
' () (! (, ( !
D
) ( * ) ( *
) ( (! ( (! ,
the world
% D
( (
(!
Let's pre - tend
"
( ( ( ( , 3
)( ( ( (
that you owe 3 me
G
&
is green.
(!
G
$
the world
## old days a - gain, ' and) all(! ( " ( ( ( (
' ) ( ( ( ( ( ( ( ( ! () / The dew will set - tle #on/ our grave when
%
) ' () (! ( ( !
A7
F#7
%
A7
and all
Em
( ( ( ( ( ( ( ( & ( ( ( ( He is bal - anc - ing a dia - mond *! /
( (
# " # ( ( ( ( ' () (!
77
Bm
%
* grass. *
F#7
## " ( *
73
*
A7
# "# ( ( ( ( ( all the world is # * + ## *
69
Bm
( (
( ( ( ( ( ( 3
Let's pre - tend we can bring back 3 the
) ( * is green. ) ( *
( ( ( ( ( (
%
$
%
$
Brass/Percussion
30 Red Room !
The Murder
!
+Waterphone random Tpt and Sax wails
# $$""" $"
# " $" $$ ""
mp
%
# " " ""
%
p
Attacca "Woyzeck's Woe"
Brass/Percussion
31 Woyzeck's Woe
Trombone
tacet to m. 13
" ## ! $ #!
The
5
" ## ' #
Ab $ & % $ $ $
Eb Bb7
" # '( ##
morn.
' $
& %!
It
fav - orite thing you've worn.
is
Play
$
$ $ $
my
$
$
$
$
$
$
and
we
won't
go
$
$ (
Ab
$
$
Bb7 Eb
& $ %
Eb
Bb7
a - gainst your skin that's pale as bone;
Ab
Ab
Eb
Ab $ $ $ $
Eb
$ $ $
song,
13
Eb
rib - bon round your neck,
"# & ## (
9
Tom Waits/Kathleen Brennan 2000
Eb
Eb
$
The
& (
$
Bb7
home,
$
$ $ $ $ $
Eb
band
is
play -ing our
%
)
'til
( (
Eb
( (
Brass/Percussion
32 Overturned Pot (Karl) Glockenspiel
Tom Waits/Kathleen Brennan 2000
KARL
# " # # !!
Eb/Bb Bb7/D Eb
$
$ %
Sun
5
is
$
$
$
No - thing's ev - er
Ab
9
Eb/Bb
# "# # $ $ $ $ If
13
I
die
$ $ $ $
No - thing's ev - er
Ab
17
Eb/Bb
# $ $ $ # " # $ If
21
I
die
$ $ $ $
No - thing's ev - er
G7/B Cm
$
yours to
Eb/BbBb7/D
%
keep.
Eb
& $ $! $ $
G7
$
as
Ab
$
Eb/Bb
$
%
Close your eyes,
Ab
Eb/Bb
$ $ %
it seems,
Eb
you wake,
$ %
it seems.
Eb/Bb
$ $ $ $
climb the
Ab
lad - der
Eb/Bb
$ $ %
com - ing back.
Bb7sus Bb7
Eb
$
%
$
go
to
Eb/Bb Bb7/D
don't
Bb7sus Bb7
Eb
$ $
%
to
your dreams.
Eb/Bb Bb7/D
Eb
& $ $! $ $
Ab
Bb7sus Bb7
Close your eyes,
Eb
you weep.
don't
$ $ %
sleep.
& $ $! $ $
don't you cry;
Eb/Bb
Eb
$ $ %
Dad - dy's nev - er
Ab
$ %
Bb7sus Bb7
$ $ $ $
G7/B Cm
G7 G7/Cb Cm
$
Eb/Bb
don't you cry;
& $ $! $ $
as
Ab
you wake,
Eb/BbBb7/D
be - fore
Eb/Bb Bb7/D Eb
# "# #
$
be - fore
Eb/Bb Bb7/D Eb
# "# #
moon is cracked;
G7
$
$ %
$
red;
Eb/Bb Bb7/D Eb
# "# #
G7 G7/B Cm
$
go
you weep.
E¨
$ %
to
sleep.
Brass/Percussion
33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000
Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise
Clarinet in Bb
# " # # !!
Trombone
& ## ! #!
Violoncello
Double Bass
# "# #
Tbn.
&# ##
Vc.
Db.
$%
$ %
$ $ $
$$ $
$ $ $ $ $ $ % $$$ $$ $$ $ $ %
$) $$$ & ## ! $ $ $ + $ #$ $ $ * $ $ $ $ $ $ ( $ $ #! $ $ $ $ $ $$ & ## ! $ $ $ #!
5
Cl.
$ '
$ '
$ $
$
+
$ ($ $ +
$ %
$ $ $ $$ $
%
%
$ $ %
%
%
$ $ %
$$$ $$$ % $
$ $
$) $$$ & ## $ * $$ $$$ $ $$ # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ $ &# ## $ $ $
+
$ ($ $
+
%
%
$ $ %
9
Cl.
Tbn.
# "# # $ $ $ & ## #
$ $ $
$ $
Vc.
& ## $ $$ #$ $
Db.
&# ## %
13
Cl.
# "# #
Tbn.
& ## #
Vc.
Db.
$ '
%
$ $
$ $! $ $
$ $! $ % $ %
$
$
$
+
$ $ %
$$$$
% $$
%
$ %
$ % $ $ $ $$ $
$
$ %
$
$ $ $ $
+ $ $! $ $ $ $ $! %
% , $
% %
$ $ %
$$$ $$ $$ $ $ %
$ $$$ & ## $ $ $ )* $ $ ( $ $ # $ $$ $$$ $ $$ # $ $ $ $ $ $ $ $ &# ## $ $ $
+
$ ($ $
+
%
%
%
%
17
Cl.
Tbn.
# "# # $ $ $ & ## #
$ $ $
$ $
$ $! $ %
Vc.
& ## $ $$ #$ $
$
Db.
&# ## %
$ $
21
Cl.
# "# #
Tbn.
& ## #
Vc.
Db.
$ '
%
$ $
$
$ $ %
+ $ $! $ $
$
$ $ $ $
$$$$
%
$ $$ %
$
$
%
%
%
$$$
$
$
$
$$$
$
$
$! $ $ +
$
$
$! $
%
% , $
$
$
$$$$ %
% %
$ % %
$ $$$ & ## $ $$ $ $ % # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ ) * &# ## $ $ $
+
$ ($
$
+
%
%
%
%
Brass/Percussion
34 Misery Reprise Log Drum
Tom Waits/Kathleen Brennan (2000)
MARGRET & CHORUS
!#! " "# # # # # # # # # %$$ Fm
Fm
# # # # # # # # %$$
&
Mis - er - y's the riv - er of the world.
5
Am
$ " # # # # # # # # $
&
Mis - er - y's the riv - er of the world.
9
Fm
" # # # # # # # # %$$
Mis - er - y's the riv - er of the world.
&
&
Mis - er - y's the riv - er of the world.
Am
## $ %
continue to repeat as Chorus and Leads enter slowly and create tableau
$ # # # # # # # # $
&
Mis - er - y's the riv - er of the world.
# # # # # # # # %$$
Mis - er - y's the riv - er of the world.
&
( ' MARGRET, spoken: "Misery's the river of the world!"