Brassperc

Woyzeck Brass/Percussion

Songs and Lyrics by Tom Waits and Kathleen Brennan Based on the Play by George Büchner Original Direction, Design and Visual Concept by Robert Wilson

©2002 St. Rose Music Publishing, Inc.

Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6

III.1 III.2 III.3

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.)

Coney Island Baby (Conc.)

Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine

27.

28.

29.

30.

31.

32.

33.

34.

Shiny Things (Inst.)

Everything Goes to Hell (Inst.)

All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.)

Misery Reprise

Brass/Percussion

1. Ouverture

Tb, Log Drum

Tom Waits/Kathleen Brennan (2000)

Free tempo, gradually building

# $! % % % & "

%

G

Tacet (Piano Solo)

5

#$ &

&

#$ *

D7

%

% %

9

G

&

+

13

% % %!

% )

#$

#$ % % %

21

C

#$ %

B #$ &

25

* %

#$ *

29

D7

33

C

#$ % # $ "!

37

%

" "

%

%

%

A

*!

%

G

! % "

G/D

%

G7

%

C

% %

! % "

&

&

%

" "

*

%

%

%

*

%

together

*

*

% %

&

%

G7

%

% ,%

G

*!

% % G/D ! % * "

" " D7

%

$% )

% %

&

D7

G

%!

%

D7

C

% D

% %

*

G

%

% %

&

%

( % % % &

% % ' )

Bass in, still out of sync

% ,%

G/D

. /

%

+

G

*!

"!

&

+

G

*

' % % %

% %

% %

more together

% % &

all except Bass in, out of sync G

G

' $%)

17

%

( ' % % % %) &

D7

%

G

%

G7

%

% ,% "!

%

drumroll & curtain

BASS DRUM & CYMBAL

+

announcer speaks & starts the band

0

0

1111

42

# 11 11

% ,% 1% ,% 1% % 1% ,% % ,% % ,%

Fm Strong Slow Waltz

% ,% 1% ,% 1% %

% , % % , % , %% 1, %% 1,%% 1, %% 1 %% 1%% ,% 1%% ,%% , %% ,%% 1, %% 1 % , % # 11 1 % 1

45

% ,% 1 % ,% , # 1 1 % 1 % ,% 1 % 11

48

1 %%

1%%

,%%

1%%

,%%

, %%

% ,% ,% 1 %

attacca no. 2 Misery's the River

Brass/Percussion

2 Misery's the River

Tb, Log Drum

!=72

Tom Waits/Kathleen Brennan (2000)

Trombone Dm6 VAMP until cue

$ !##! &% '% ( &% '% % ( &% '% % &% '% ( &% '% % ( ) "

## $ &&&& #" %

Cue (Spoken 3x): "Misery's the river of the world . . . ."

% '% &% '% &% % % ' % % ' % % ' % & % ' % & % % '% % % ' % % ' % % ' % $ && & " &# Fm

5

% '% & % '% &% % % % '% % '% % '% & % '% &% % % % '% % '% ' $ & & % & % '% & % % &% '%%&% '% % '% & % ' % & % '% & % % &% '%%&% '% % '% & % ! &&

9

13

$ && & ! &

* '**

+++

Fm

CARNIVAL ANNOUNCER

(ratchet) % ( ,% % %% % % % % ( ( , %. % % % % Cm

To Log Drum

The high - er that the mon - key can climb,

the more he shows his

$ && % ( ( % % % % %%% % ( % % % %% % % %% % ( ) &&

18

tail.

23

Fm

(bird)

Cm

Call no man hap - py 'til he dies. There's no milk at the bot - tom of the pail.

+ Log Drum

Dm

$ && & '% % % % , % % % % % % '% % % '% % % % % % % % & .

God builds a church,

the dev - il buildsa chap - el like the this - tles that are grow - ing round the

26

$ && & '% % % % , % % '% % % % % % % % % % % '% , % '% % % % & . .

trunk of a tree. All the good of the world you could fit in - side a thim - ble, and still have room for

(bird) (ratchet . . . . . .)

Fm Dm / a tempo & + $ & & '% % + % , % '% % % % % '% % % % % % % % % && .

30

rit.

you and me.

If there's one thing you can say a - bout man - kind, there's no - thing kind a - bout

$ && & '% ( ( % '% % % % % % % % % ( % '% % % & Fm

35

man.

You can drive out na - ture with a pitch - fork

but it

To Trombone

% % % % % % % % ++

Fm

39

$ && & % % % ( &

% % %

al - ways comes roar- ing

% % % % % % % % ++

)

)

back a - gain.

Play Trombone

$ && & % % % % % % % % ++ &

44

50

Cm

$ && & + &

+

+#

Fm

)

Cm

% +

)

% % +

Fm

+

Cm

+

+

+#

Fm

%

Fm %% &' %% & % ' % & % % '% % % ' % % &' %% ' '% & % % 0% %0% % % '% % % #"

% ' % & % ' % & % % % %' % % ' % % ' % & % ' % & % % % %' % % ' % ' $ && & % & % '% & % %0% '%%0% % % '% & % ' % & % '% & % %0% '%%0% % % '% & % ! &

55

& & !#!To Log Drum & 2 1 & "#

59

VAMP until cue:

* * ' * ! $ && & ##! &"

Fm

2

"The commencement of the commencement will start immediately"

+ ++

(

## $ CHORUS %

2

, %- ## $ % % % % % % % % The

Play Log Drum

high - er that the mon - key can

$ && % ( ( % % % % % % ( ( % % % % %%% % ( % % && Cm

62

climb,

Fm

the more he shows his

tail.

Cm

Call no man hap - py 'til he dies. There's no

ANNOUNCER

Dm

67

$ && & % % % % % % % % ( ( '% '% % % % % % % % % & milk at the bot - tom of the pail.

% , '% .

God tem - pers all the winds forthe new - shorn lambs, the

$ & & % % % % % % % % % % % %- , '% '% % % % % % % &&

71

Am

Fm

dev - il knows the bi - ble like the back of his hand.

All the good of the world you could

$ && & % % % % % % , % % % % % '% % + & .

Cm

74

fit in - side a thim - ble,

C7

and still have room for

you and me.

To Trombone Fm

% % % % %% %

One thing you can say a - bout

$ && & + % , % % % % % % % ( ( '% '% % % % % % % '% % ( %'% & .

Cm

78

Dm

man - kind, there's no - thing kind a - bout man.

83

C

$ && & % % &

% % %

You can drive out na - ture with a pitch - fork but it ANNOUNCER

MARIE & MARG.

% % % , %. % % % , % % % % % , %.

C7

Fm

al - ways comes roar - ing back a - gain.

ANNOUNCER

DOCTORS

want of a nail,

a shoe was lost.

For want of a bird, ANNOUNCER

the sky was lost.

For

ANDRES, D.M., CPTN.

$ && & % % % % , % % % % , %- % % % % , % % % % , % & . . .

87

Cm

ANNOUNCER

91

Cm

$ && & % &

want

a

For want of a life,

toy,

, % '% . a

a knife was lost.

For

ANNOUNCER & CHORUS

ALL

% % % of

Fm

%

child was

% lost.

(

Fm Play Trombone

% % % % % % % %

Mis - er - y's the riv - er

of the

+ $ && + &&

94

Cm

% % % % % % % %

)

world.

Mis - er - y's the riv - er

ANNOUNCER

97

Fm

& 1 & && % % % % % % % % +

)

Mis - er - y's the riv - er of theworld.

$ && & % &

CHORUS

row!

(

)

++

% % % %

of the world.

Ev - ry - bod - y

Cm

)

% % % % % %% % +

Mis - er - y's the riv - er of theworld.

%% %%% % % %%% ( (

%% %%%(

Ev - ry - bod - y row!

Ev - ry - bod - y row!

$ & & !## % % % % % % % % ++ && " Play little Wah/Growl fills

101

CHORUS

Fm

Mis - er - y's the riv - er of the world.

)

Ev - ry - bod - y row!

% % % % % % % % ++

last time MARGRET only

Mis - er - y's the riv - er of the world.

)

## $ %

attacca no. 3 Misery Ending

Brass/Percussion

3 Misery Ending--Monkey

Log Drum (Play reggae rhythm)

Tom Waits/Kathleen Brennan 2000

swung rhythm Dm

Am

## " # # ! %$ $ $ $ & $' $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $

God builds a church The de - vil builds a cha - pel like the thist - les that are gro wing'round the

4

# " # ##

Fm

Cm

' & %$ $ $ $ $ $ $ $ $ $ $ $ $ & $' $ $ $ $ $ $ $ $ %$

trunk of a tree

All the good in the world you can put in - side athim - ble

and still have roomfor

PIANO

8

C7

# " # ## %$ $ (

13

break

)

)

22

' $ &$

One thing you can say a - bout Man - kind, There's

Fm

Dm

$ * * %$ %$ $ $ $ $ $ $ %$ $ * $ %$

no - thing kind a - bout man.

# " # ##

$ $ $ $ $$ $ (

you and me.

# " # ## $ $ $ $ $

17

Fm

C

$ $

You can drive out na - ture with a Pitch - fork,

C7

$ $ $ $ $ $

*

al - ways comes roar - ing back a - gain.

Fm

# " # ## $ $ $ $ $ $ $ $ ((

Mis - er - y's the riv - er of the World

+

Fm

( $ $ $$ $ $$$ (

+

but it

)

Mis - er - y's the riv - er of theWorld

Fm

$ $ $ $ $ $ $ $ ((

Mis - er - y's the riv - er of the World

$$ , $$

CYMBAL

Brass/Percussion

4 More Murder NY

Tb w/Harmon mute

Tom Waits/Kathleen Brennan 2000

Trombone Tacet A cue: Woyzeck points to the Captain

A Play 8 Times & & # !!"! $ % % $ ' ( !!! ' "

)%

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% !! !! ' % %

)% ! ! ! % % ! !% +

)% *% ! ! % % ! !'

( !!! % % % % % % !! !! % % ' " arco

# !! $ %& %& $ '

4

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

% % )% *% !! !! '

( !! % % '

% )% *% ! ! %! ! ! + '

!!

)%

% !! % % )% ! % % ! +

!! !! % % % % % % !!

!! !!", )% % )- !

!!

Play until cue: Captain: Compose yourself, Woyzeck!

% ! !, % % ! !" .!

)% ! !, . ! % % ! !" + .! , !! !! % % % % % % !! !!"

% )% *% ! ! %! ! ! + '

)%

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !!

Play

Cue: Woyzeck returns to shaving the Captain

B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "

!! !! $ %& %& $ '

( !!! arco " % % % % % % !! !! % % '

!!

( !!! %! "

)% % !! !! % ! % +

& & ! # !!" $ % % $ '

11

Play 4 Times

( !!! ' "

)%

( !!! %! "

Play 2 Times

!! !! '

%)%*% !! + '

!! !! $ %& %& $ '

)% ! ! ! % % ! !% +

, # !!" )%

Play 2 Times

( !!, .! " ! ( !!, . " ! ( !!, . "

%

)- !

%

' ' ' '

' !!

!! !! $ %& %& $ ' )%

!!

% ! % % ! )% ! % % ! +

!! !! % % % % % % !!

'

!!

' !! ' !!

% )% *% !! !! %! +

!!

% ' !!

Play 2 Times

)% *% ! ! % % ! !'

( !!! % % % % % % !! !! % % ' " 14

)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",

Play 2 Times

% ! ! % % ! !'

!! !!", )% % )- !

Play 2 Times

Play until cue: Captain: Makes me melancholy.

!!"! $ !!"! '

!! !!"! %!

'

!!

)% % % +

!!

& & $ % % )%

% % %

!! !!"! % % % % % %

!! !!

Play squeals/glissandos

Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood.

Play 8 Times Play 4 Times

C & & # !! $ % % $ '

16

( !! '

!! !! $ & & $ ' % %

% ! ! % % ! !'

)%

( !! %!

% % )% *% !! !! '

)% !! !! % ! % % +

( !! % % % % % % !! !! % % ' arco

# !! $ %& %& $ '

19

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

)%

)%

% )% *% !! !! %! + '

!!

% ! % % ! )% !! % % +

!! !! % % % % % % !!

Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue!

Woyzeck: Yes, Captain.

!! !!", )% % )- !

% ! !, % % ! !" .!

)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Sneak in (free improvisations) when Captain's face turns green

Woyzeck: . . . we'd have to help with the thunder.

Cue: blackout

D Play 8 Times & & ! # !!" $ % % $ '

22

( !!! ' "

)%

( !!! %! "

!! !! $ & & $ ' % % Play 4 Times

% ! ! % % ! !'

)% !! !! % ! % % +

% % )% *% !! !! '

( !!! % % % % % % !! !! % % ' " Arco

# !! $ %& %& $ '

25

Play 4 Times

( !! '

( !! % !

!! !! $ %& %& $ ' Play 8 Times

)% *% ! ! % % ! !'

( !! % % '

)%

% )% *% !! !! %! + '

!!

% ! % % ! )% !! % % +

!! !! % % % % % % !!

Arco

!! !!", )% % )- !

Play until lights up

% ! !, % % ! !" .!

)% , . ! % !! !!" % + Arco .! , !! !! % % % % % % !! !!"

% )% *% !! !! %! + '

)%

!! !! $ %& %& $ ' Play 4 Times

% ' ' ' '

!! !! !! !!

Brass/Percussion

5 Skinned Knee Trombone

Tom Waits/Kathleen Brennan 2000

Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"

& & ' ' $$$ $$$ $ $ % $ $ $ $ $ $ % $ $ $ $ $ 7 ppp & ### & # " %! $ $ $ $ $ $ $ $ ( $ 11 & ##& # # $ " $ $ $ $ $ $ ( % $ % Clarinet Solo

# #! "# # !

Cue E: trombone and sax play squeals and glisses after Andres breaks stick.

Stop after Woyzeck stops running.

Cue F: Play cue D again as Andres moves downstage; fade into next cue Cue G: play until tree moves

) *** "!! ( #

Trombone

(

(

(

Cue H: sound effect as tree moves

%! $ (

% %

$ $ # $ ! $ $ $ $ !% 3

Brass/Percussion

6 Diamond in Your Mind

Tuba, Sing

Tom Waits/Kathleen Brennan 2000

cue: Woyzeck: It's all quiet, like the world was dead.

ANDRES:

A

' $ %%% !" ' # & & &' & & & & & &! tacet

Zer - lel - da

Sam - u - els said she ain't

)!

' & & (!

& & *

ne - ver prayed.

'til

her

$ %%% & & & & & & & & & & & ! ) ! ) ! ) &* & &* + & & & &' ) &' * *

3

right arm was blown off in a Pink - er - ton raid.

$ %%% & ! & &' &! ) !

6

"Three - Fing - ered Dave,"

Now she's a hund - red and two, drink - ing

' $ %%% ' ' & & & & & &' & & , !

E7

Al - ways keep a dia - mond in your mind.

13

$ %%%

A7

D

ju - leps in the shade.

' ' & & & & & &' & &* ( ! & ! ) &*

A

A7

D

WOYZECK:

Al - ways keep a dia - mond in your mind.

' ' & & & ! & &' & & & & & * * &&

A

to a wind - mill with

& & & & & & &! & ' ' (! " ' & & && &

A

9

They lashed her

Where

& & & & &' & & & &' ' & & * * *

ANDRES:

A

E7

ev - er you may wan - der,wher - ev - er you may roam you've got to al - ways keep a dia - mond in your

16

$ %%%

A

,!

mind.

' ' + & & & & & (! & & & &

A

Sis - sy's

A7

)!

& &*

han - ging laun - dry down by the brook.

Pen - field

$ %%% & & & & & ! & & & ! ) ! + & & & & & & ! + & & & &' ) &' * * *

19

D

Mor - gan's ta - king more than a look.

F#m

If it weren't for the squawk

C#m

of the rock - er

that's

' &! )! $ %%% & & & &' &! & & & & &* & & & & & &' ! & & & * *

22

F#m

C#m

F#m

C#m

E7

2

kept out in the rain, there would be no - thing to com - plain a - bout ex - cept for the trains.

1x Instrumentalists Sing Along, 2x Play Tuba

' $ %%% #!! A ' ' ' & ,! $& & & & & & &

25

Al - ways keep

$ %%% ( !

28

mind.

31

$ %%% &

' &

A

$ %%% & al

-

a dia - mond in your

A7

D

& & & * *

Wher - ev - er you may wan - der,wher - ev - er you may roam you've got to

E7

& & *

al - ways keep

33

Al - ways keep

' ' & ' & & & ! & &' & & & & & * * & & A

' & &

A

A

a dia - mond in your mind.

&! )

D

' ' & & & & & &' & &*

E7

a

&

ways keep

' & &

dia - mond in

& * a

E7

&

' & &

' &

,!

your mind.

' &

dia - mond

&

in

' !% & !&

ANDRES (last time)

A

(You've got

' &

your

A

,!

mind.

to)

Brass/Percussion

7 Misery March

Tuba

(Snare Drum)

" !#

!

#

% #&

#

( ' ( (( "" ) ) ) ) ) ) ) ) ) *

+

" #

#

Tuba play marching bass line Tpt. w/ Harmon mute, 7 Picc.

Fm

11

Am

(( ' ( ( ,) ) ) ) ) ) ) ) ) *

+

$

#

% #&

#

$

% #&

# !

+

))) ) ) ) ) ) ) * ,) ) ) ) ) ) ) ) ) *

(Snare Drum)

( " ( (( # $ # % #& # $ !

15

!

$

#

$

4

$

$

Tom Waits/Kathleen Brennan 2000

#

$

#

+

$ % & # # !

" ""

crossfade into Overturned Pot

Brass/Percussion

8 Overturned Pot (Marie)

Trombone

Tom Waits/Kathleen Brennan 2000

A MARIE

" ### ! !

5

A/E E7/G# A

C#7 C#7/F F#m

%

&

A/E E7/G#

'

A

C#7C#7/FF#m

No - thing's ev - er

& " ###

13

&

D

If

I

die

%

%

A/E E7/G#

be

-

&

A/E E7/G#

yours to keep.

%

A/E

" ### $

fore

& " ### If

21

" ###

%

A/E

I

die

%

A/E E7/G#

be

-

fore

&

A

you wake,

A/E E7/G# A

C#7 C#7/F F#m

No - thing's ev - er tacet to end

as

it seems.

&

A/E

don't you cry;

&

D

as it seems,

&

D

&

D

&

C#7C#7/FF#m

&

A/E

Close your eyes,

&

you wake,

+ Waterphone (as Woyzeck enters)

&

D

A

'

A

No - thing's ev - er

17

A/E

E7sus E7

A

(humming)

" ### $

9

D

A/E

climb the

&

D

lad - der

&

A/E

&

E7sus E7

go

to sleep.

%

%

A/E E7/G#

don't

&

E7sus E7

&

A

to yourdreams.

%

%

A/E E7/G#

don't

D

E7sus

E7

go

to

Close your eyes,

&

A

you weep.

don't you cry;

A/E

&

A

&

A

you weep.

spoken: Is that you, Franz?

(

Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")

B

Toy Piano & Cello, playing severely out of tune

% &

A/E E7/G# A

25

" ### %

%

tacet to end

29

%

A/E E7/G#

" ### %

%

A

%

% % A/E % % # " ##

33

D

% % % " ### %

37

A/E E7/G# A

% % A/E % % # " ##

41

D

% &

% % % %

C#7 C#7/F F#m

%

&

%

C#7 C#7/F F#m

%

% %! % %

A/E E7/G#

A

D

$

% &

C#7 C#7/F F#m

%

% %! % % $

A/E E7/G#

A

D

A/E

%

A/E

&

% % A/E &

D

% % % %

D

A/E

% % A/E &

D

E7sus E7

A

% % &

E7sus

%

%

&

E7

A/E E7/G#

A

A

% %! % %

E7sus E7

A

% % &

A/E E7/G#

A

% %! % % $

$

Brass/Percussion

9 God's Away On Business Tom Waits/Kathleen Brennan 2000

Log Drum

A

!#! # " "#!

Dm

stop on 2nd doorslam (waterphone continues)

## $ %

cue: doorslam

B cue: W: But the call of Nature, Doctor.

3 Dm ! " # "## % # $ "

5

Bac

-

C !# & "#

## $ % ## $ %

cue: Doctors: Woyzeck philosophizes! stop after Cello and Doctors improvise on "bacteria" theme "God's away on business."

$#

te

-

-

-

-

D cue: W: ". . . dissolve like spider webs!"

8 Dm Play 2x ! ) " # "## 10

stop on "Couldn't hold it in!" (waterphone continues)

% '$ ri

(

-

a!

## $ %

DOCTORS

*

$#

There's

$ a

Dm

" # $ $ $ $ $ $ $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ + $% one - eyed man in the po - ker pit. They're dig - ging up the dead with a shov - el and a pick.

The

14

" # $ $ $ + $% $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ * sunwent down, the moon wept blood,

18

"#

,

)

*

a blood - y jack of dia - monds and a plague and a flood.

Dm

$ $

There's a

B¨

$ $ $ $ $ $ $ $ $ + $%

leak, there's a leak, in the boil - er - room,

the

22

Dm

" # $#

poor,

26

% $ $#

the lame,

B¨

% $ &

Dm

A7

Dm

God's a - way on

busi - ness,

B¨

Dm

" # $ $ $ + $% $# boil - er - room,

38

the Poor,

B¨

"# $ $ $ * left

42

in charge?

Dm

A7

"# $ $ $ * God's

46

a - way,

Dm

A7

"# $ $ $ * God's

a - way,

! % " # "## & $ # '$ (

50

Play 2x and stop

te

-

*

$ $

ri - a!

$

$

the Lame,

There's a

% $ &

)

Thieves, and Whores?

Dm

A7

a - way

Dm

on

A7

$ $ $

God's

a - way

,

on

$ $ $ *

busi - ness,

$ $

God's

*

busi - ness,

) * $ & $ # '$% ( Bac - te

-

ri - a!

a - way,

Dm

)

$ $

Dm

$

$ $ $ *

God's

Dm

$

Dm

)

&

Kil - lers,

God's

$ $ $ $ $ $

Who are the ones that are

B¨

$ $ $

leak, there's a leak in the Dm

the Blind;

$

a - way,

$ $ $ $ $ $ $ $

B¨

$ $ $ $

God's Dm

* *

Dm

A7

$ $ $ *

a - way,

busi - ness!

in charge?

Dm

$ $ $ *

God's

% $ $#

left

Dm

Thieves, and Whores?

"# $ $ $ $

34

$ $ $ $ $ $ $ $ $ *

)

&

$

B¨

Who are the ones that are

B¨

"# $ $ $ $

30

)

the blind;

Dm

Kil - lers,

Dm

$

$

busi - ness!

,

a - way,

*

& Bac

-

) * $ ## $ % Bac

E "#

cue: Woyzeck: "Yes, sir."

Dm

B¨

Dm

+ % % % $ $ $ $ $ $ $ $ $ $ $ $ $# $ $# $ &

There's a leak, there's a leak in the boil - er - room,

65

Dm

B¨

"# $ $ $ $ $ $ $ $ $ * Who are the ones that are left in charge?

70

Dm

A7

"# $ $ $ * God's

74

a - way,

Dm

God's

a - way,

!# & # " "#

$#

78

te

-

-

$#

82

te

Dm

God's

-

-

a - way

Dm

God's

% '$

ri -

)

$ &

Dm

on

$ $

$ $ $ *

Dm

$

on

$ $

busi - ness,

God's a - way,

Dm

)

$ $ $ *

busi - ness,

God's

*

$

$

a - way,

*

Bac

)

*

a!

( a!

&

busi - ness!

,

(

ri -

% '$

a - way

Dm

Kil - lers, Thieves, and Whores?

A7

$ $ $

B¨

$$$ $

$

)

the Poor, the Lame, the Blind;

Dm

A7

$ $ $

A7

"# $ $ $ *

"# &

B¨

-

$ Bac -

,

)

*

$ Bac -

## $ %

F

cue: Doctors: " . . . immortal."

. . # * * "

86

" # $#

the Lame,

"# $

$

left

in

"#

$ $ $

are

$ $ $

$

Kil - lers,

$

Thieves, and

$ $

the ones

B¨

that are

)

&

Whores?

FEMALE DOCTOR

,

)

*

$ Bac -

Dm

Dm

"# $ $ $ * God's

"# & te

100

Who

, MALE DOCTOR

96

$

Dm

charge?

the

Dm

Blind;

*

$

leak, there's a leak in the boil - er - room,

)

&

the

B¨

+ % $ $ $ $ $ $ $ $ $ $ $ $

B¨

% $

B¨

Dm

There's a

% $ $#

Poor,

93

.

- * *

percussion hits

Dm

90

DOCTORS

a - way,

$#

-

-

Dm

"# $ $ $ * God's a - way,

"# & te

$ $ $ *

God's

% '$ (

a - way,

Dm

A7

Dm

$ $ $ $

God's

a - way

on

$ $

)

busi - ness,

,

)

*

$

ri - a!

Dm

Bac -

A7

$ $ $ *

God's a - way,

$ # '$% (

-

A7

ri - a!

Dm

A7

$ $ $ $

God's a - way on

,

Dm

* $ $ $

busi - ness,

)

Dm

&

Bac - te

* *

$ # '$%

-

$ $ $ *

God's a - way,

ri -

Dm

105

"# (

A7

Dm

A7

Dm

,

Dm

)

* $ &

a!

Bac - te

"# $ $ $ * $ $ $ $ $ $ ) God's a - way,

111

"#

Dm

God's a - way on busi - ness,

Dm

,

$ $ $ *

God's a - way,

"# $ $ * $ busi - ness,

116

Bac - te

Dm

"# $ $ $ * God's a - way,

"# & te

& Dm

$ $ $ *

God's a - way,

$ # '$% (

-

A7

ri - a!

-

God's a - way,

Dm

A7

$ $ $ *

God's a - way,

A7

Dm

A7

,

ri - a!

$ $ $ *

$ # '$% (

-

$ # '$% (

Dm

$ $ $ * $ $ $ $

God's a - way,

Dm

A7

God's a - way on

Dm

$ $ $ $

God's a - way on

,

$ $

)

busi - ness,

)

* $

ri - a!

Dm

Bac -

A7

$ $ $ $

God's a - way on

,

Dm

$ $

*

busi - ness,

$ $

busi - ness,

$

$

$

$

* )

busi - ness!

*

busi - ness!

* )

Brass/Percussion

10 Coney Island Baby

Trombone w/bucket

!

Tom Waits/Kathleen Brennan 2000

% % $% ( % % % $% ( % &' & ' % % & %% % % % &' &'

Fragile D7

% %

# $! "

G

tacet 1x, 2x

1x: +Cello 2x: +Sax, B Cl, Tbn

#$ % ) % ( ) G

7

D7

*

% % % ) %%

+

Ev - ery night

G

14

#$ %

% )

, , % ) &% % % % &%

G

D7

she comes

to take me out

G % % % % % %! ( $ % % % % ) &% % % &' ' D7

+

dream - land.

When I'm with her,

I'm the rich - est

man

in

to

)

the town.

D !

G % % % % %%% % % % ) ) ) ) '

1x +Sax, Tbn G % % %

20

#$ +

She's the rose,

26

D7

#$ % ) stars

31

#$

% % % % %

(

% %

ba - by,

she's my

C

*

+

!% "

G/D

Co - ney

Is

% % (!

She's my

(

(

% -

(! % ) %%

prin - cess

my world.

All the

% % " G% % G7% % -% ) "

her eyes.

D7

D7

She's a

she's the spin on

G $% (! & '

make their wish - es on

#$ %

36

she's the pearl,

) ) % %

G

in a red

G

(!

land

% )

Co - ney

(!

girl.

Is - land

" % %#

To Coda

(tacet)

Em D7/C % % ( %% ( %

dress. She's themoon

in the mist

to

9 Coney Island Baby

44

#$

(!

G/B

G % % "% "

G

+

me.

She's my

# $! % "

48

G/D

(

Co - ney

Is

"

#$ %

D7

tacet

#$ %

D7

%

Co - ney

(

D7

%

& $%'

-

(

& $%' (

%

G7

%

% -%

Is - land

%

G

land

girl.

C

%

ba - by,

(!

% & '

G

% & '

G

%

%

% % ! "

(

She's my

%

D.S. al Coda

+

%

(whistle melody)

%

)

& % % % %

(

%

%

) to Log Drum

Brass/Percussion

11 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000

Log Drum, Darbuka

Play Log Drum

## !##! # " "!

Latin Feel

Cm VAMP under dialogue until Marie sings

6

# "# #

$

$

$

%

3 ## $ ' & ( ' ' ' ' ' ' ' ' %

Why be

G7

sweet, why be care - ful, why be

Fm

3 * * ( ( ' ' ' ' ' ' ' ' '( ' ' ' ' ' ' ' +' ' ) ' +' )

kind?

10

# "# # )

"please?"

## , # " )

14

lieve:

A man has on - ly one thing on his mind.

Why ask po - lite - ly? Why go light - ly? Why say

Cm

G7

& ( '* & ' ' ' ' '' ' ' ' ) ' ' ' ' ' ' ' +' ' They on - ly want to get you on yourknees.

, '# A

* '

Cm

' ' ' ' '

There are few things that I nev - er could be

(

( * * ' ' ' ' ' ' '

wo man when she weeps,

a

Fm

17

Cm

MARIE

mer - chant when he swears,

a

Cm

## * # " ' ' ' ' ' ( ' ' ' ' ' ' ( '* ' ' ' ' ' ( '* thief who says he'll pay,

20

# "# #

a

law - yer when he cares,

a snake when he's sleep - ing,

G7

-'' ' ' ' ' ' ' ' +' ' ' ' ' '

drunk - ard when he prays.

23

## 3 # " '' ' ' ' )

Ev - ry - thing goes to hell,

' )

a

%

I don't be - lieve you go to heav - en when you're good.

G7+

G7

)

)

a

-

ny

....

-

C#m

'

way.

& %

%

DRUM MAJOR

& ' '

Laiss - ez

3 .... * ( " ' ' ' ' ' ' ) ( '* ' ' ' ' ' ' ' ' ' ) ( ' ' ' .'

C#m

27

G#7

faire, mon a - mour, c'est la vie. Shall I re - turn to shore or swim back out to sea? The world don't

F#m . . "..'

31

C#m

' ' ' ' ( ' .' ) & ' ' ' ' ' ' ' ' ' ' ) & -' ' ' 3

care what a sol - dier does in town.

.... "

35

It's all hang - ing in the win - dows by the pound.

G#7

' ' ' ' ' ' .'

%

' )

3

'' ' ' ' )

lieve you go to heav - en when you're good.

!# & % # " "# '

39

Dm

%

51

)

)

I on - ly

#

a - ny -

3 ( '* ' ' ## $% ' ( '' ' ' ' ' ' )

want to hear you purr and hear you moan.

( '* ' '

There is a -

MARIE

A7

noth - er man who brings the mon - ey home.

"#

G#7

DRUM MAJOR

"# ' ' ' ' ' ' .' ' ) %

47

G#7+

VAMP under dialogue until D. M. sings Dm

way.

43

Ev - ry - thing goes to hell,

I don't be

Gm

3 * ( / / / / / (/ / / & & /

I don't want dish - es

in the sink.

/

Please don't

MARIE & DRUM MAJOR A7

, , * & & ' ' ' ' ' ' ' ' .' ' ) ' # ' / / / / / / / / /

Dm

tell me what you feel or what you think.

There are few things that I ne - ver could be lieve: a

Dm

Gm

* " # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( ' wo - man when she weeps,

a

mer - chant when he swears,

a

thief who says he'll pay,

a

Dm

54

" # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' - ' ' ' law - yer when he cares,

57

a snake when he's sleep - ing,

A7

"# ' ' ' ' ' ' .'

%

' )

a drunk - ard when he prays.

3

'' ' ' ' )

lieve you go to heav - en when you're good.

Ev - ry - thing goes to hell,

I don't be

A7+

A7

)

)

a

-

ny -

To Darbuka 61

Dm

A7

way.

'

"# '

# # # !# # " # # "#

64

Dm

'

&

Play Darbuka Flute Solo

E¨m

$

Dm

' B¨7

$

A7

Dm

&

'

' B¨7

$

Dm

A7

' E¨m

' $

Dm

' ## $ %

&

Cluster

'' & % ''

######

Brass/Percussion

12 A Good Man (Is Hard To Find) Trombone w/ plunger

!=100

" #! $ #!

Tom Waits/Kathleen Brennan 2000

$

B¨

$

$

$

$

$

tacet to m. 5

& " # !## #"

MARIE 1.

Play B¨

5

7

" ##

&

%

lit (2.) al (3.) F long

-

&

a

-

-

%

let lette out

it in

B¨

13

" ## '

"# #

21

in the from the to the

$

burn my the

$ rule; black war,

&

B¨

wind; gutter, meadows,

$

% man

&

)&

$

%

the how scare

trees far off

*

are all from the all the

bare. pew, crows.

$

+

to

ad lib.

To Coda (Third Time)

Cm/G

is hard

There's no How Go

MARIE sings, MARGRET hums

but why to for - get and nothing

Bb7

'

down. red. name.

'

F7

Life's mean as a need - le, I'll al - ways re - mem - ber It does no - thing but rain here,

good

%

Eb

'

3

" ## '

I've It's No one re -

I've wrecked it all and twen - ty - nine no one re - mem - bers his

C7 ad lib.

Bb

'

I russian rou looks

down. head. frame;

'

I

'

match; play soldier

%

& & #B¨7 $

%

words far out

en

(&

from

bro - ken ev - ry sev - en - teen mem - bers his

17

wood ways dead

F

$

%

all

" ## & % & %

9

&

%

find.

should I a - bout will

Care? you. grow.

$

A

G7

+

On - ly

"#+ #

Bb

" ## '

sleep in

-

vo

-

Cm

" ##

rite

-

rite

$

My

G7

+

words

+

are "Good - bye"

$

is

and my

)$

Bb

co - lor

+

Cm/G

+

fa - vo

37

'

bed.

Bb7

F7

"#+ #

my

*

&

%

fa

33

F7

3

strang - ers

29

$

3 & & & & & &

Cm

25

$

)$

red.

)$

$

MARGRET

2.

MARIE 3.

39"

Bb

" ## '

good

41

Cm/G

" ## +

Ab

45

" ##

bed.

is

hard

+

sleep

$

($

Bb

My

Fa

F7

&

3

On - ly stran - gers

$

to

& 3&

& & &

Cm

+

find

#*

Bb7

man

G7

I A

*

&

%

## $ %

)$

vo

my

Bb7

' -

in

+

-

rite

words

are "good

11 A Good Man (Is Hard To Find)

49

Cm/G

&

Cm

G7

"#+ #

+

bye," 53

"# #

&

Cm

and my

fa - vo 57

" ##

$

Bb

red.

&

$ -

rite

)$

&

F7

&

$

fa - vo

$

-

&

Cm

%

co - lor,

my

$

rite

-

$

%

co - lor,

&

$

fa - vo

)$

&

F7

rite

&

F7

my

$

co - lor

*

% is

Brass/Percussion

13 Knife Chase

Trombone w/Harmon mute

Tom Waits/Kathleen Brennan 2000

cue: Marie: "Look, the Angel of Sleep . . ."

A MARIMBA !# ! # " "# ! $ # # # $# # # # # # # %

#

tacet 1x, 2x

5

" # # # %

#

9

#

" # # # %

13

" # # #

)

% # $#

) # $ # # $# #

& #' (# % #

$ # # # $# # #

#

2x Play Tbn w/ Harmon mute

% # # $#

#

# $# # # # $# #

#

# # $ # # # $# #

stop after: Marie: "What am I - a whore?"

$#

B . !# ! # # # # " "# ! # $# ,# # -

## + # . ! -

)

## $ %

. # -#

## $ %

* # !

# # # # $# $ # # #

cue: Woyzeck: "See you tonight, Marie."

tacet

#

% # $#

-

Brass/Percussion

14 Starvin In The Belly Inst. (under scene change) Tom Waits/Kathleen Brennan 2000

BANJO Cm

#! " # #!

$

'#!& & & & # #!

TUBA

Cm

## !## # " )

5

Eb

# "# # *

*

' ## & & & & # Eb

& & & &

& % (

)

&

'# & & & & ## Cm

Eb

# "# # *

Eb

'# & ##

* & & &

%

& &

& & &

&

%

*

&

&

%

&

*

& & & & &

& & & &

&

G7

&

& & & &

&

%

(

& & & & &

Dm7b5

%

& &

& & &

%

& &

& & &

& %

)

Dm7b5

&

G7

Dm7b5

& & & &

& & &

&

)

& &

%

%

& & &

Dm7b5

& & & &

Cm

# "# # )

17

& & & &

&

' ## ## & & & & #"

13

$

Cm

Cm

9

$

& &

& & & & G7

G7

&

$ & & &

## $

## %

Placeholder for 15 Knife Chase Opera

Brass/Percussion

16 All The World's Green Tom Waits/Kathleen Brennan 2000

Tacet

cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."

## ! " !

Bm

## "

7

I

A7

D

' ' ' ' ' '

$

)

when you be - came my wife. oh the things that sum - mer brings.

F#7

Bm

# " # & '( ' ' ' ' ) $ A7

D

## "

Bm

)

$

$

%

kings. green.

## " ) D

25

green.

# "#

29

D

)

green.

& ( ' ' ' ' '

Gmaj

the sea for.

Em

( ' ' ' ' ' %

F#7

F#7

& ( ' ' ' ' ' ' ' ' # '( ' ' ' ' ' You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is

' # '* ' ' ' ' ) ' ' G

3

D

( & '( '# ' ' # '( A7

and all

the world is

( ' ' ' ' ' ' ' ' ' ' & '( '# ' ' # ( ' ' ' G

3

D

Let's pre - tend we can bring back the old days a - gain,

$

( ' )

'#

I risked it all a - gainst It's a love you'd kill

Let's pre - tend that you owe me no - thing

%

F#7

Ma - rie, you are the wide blue sky.

He is balancing a dia - mond

And men do fool - ish things. on a blade of grass.

20

Gmaj

% & ( '# ' ' '

life. green.

Em

fell in - to the o - cean moon is yel - low sil - ver,

Bm

)

to have a bet - ter And all the world is

15

Bm

$

## " & '( ' ' ' '

11

! ( % & ( "## '# ' ' )# ' ' '

$

%

## $ %

Bm

' '

2. When the

A7

and all

the world

is

Brass/Percussion

17 Starvin In The Belly Of A Whale Tom Waits/Kathleen Brennan 2000

Tuba

# !# ! # " # "# !

Cm

$

$

' ## !## ! & & & & #" !

$

5

# "# # )

whit

-

-

'# & & & & ## 9

Eb

# "# # *

fid

* -

dle

' ## & & & & # Eb

13

&

'# & & & & ## Eb

# "# # *

*

mis

-

Eb

& & &

'# & ##

take

& & & %

that

& it

%

& &

and the

& & & & *

all

%

& & & & ) rid

-

-

& & &

& Dm7b5

& & & &

breaks

Cm

& &

Time's a

*

&

day

%

tled,

Cm

# "# # )

17

&

& & & &

& & & & &

&

day

& & & &

&

Earth

%

(

& &

man's a

%

& &

When the

G7

& & & &

quakes,

& & & &

## $ %

& & &

& %

)

&

dle,

on.

Dm7b5

Dm7b5

& %

&

plays

is

& % (

G7

)

## $ %

& & &

Your life

Play Tuba (two-beat pattern) Cm

%

& &

life's

a

& & & & G7

$

long.

& & & & &

Dm7b5

G7

& & & &

Cm

21

# "# # *

Fm

& &

Who

& & & + , & & & & & &

gives a

good god damn?

Tuba Play as written

' ## # 25

*

& &

Cm

mean

-

*

Cm

&

-

%

ing;

Play two-beat pattern

' ## & & & & #

& &

don't go

Cm

& & & &

Cm

Fm

# "# # & & & & man must test

his

Cm

Fm

Cm

Cm

dream

-

-

ing.

& & & &

Fm

crook - ed old

&

(

&

A

*

(

Cm

! ! & %

(

world.

! & % ! $

& & &

&

%

Cm

! *

& & &

There's no

& %

$ &

& &

Fm

Starvin' in the belly of a whale!

' # !## & & & # #"

%

*

)

a

&

G7

G7

& & (

$

*

& & ! & & .&

in

G7

a - live.

G7

met - tle

' ## & & & & # ## !## # " "

Cm

& & %

Cm

33

You'll ne - ver get out

& & & %

Fm

Cm

# # " #)

29

Cm

(

$

## $ %

& & & $ ## & %

Brass/Percussion

18 Coney Island Baby (with Stops) Tom Waits/Kathleen Brennan 2000

Trombone tacet cue: Woyzeck: "You are beautiful."

A $! # "% %

5

$

G

% & % D7

# )

D7

%

%

% & '

% % % D7

+!

# % %

% % ! $%( +

% % +!

%

&

G

% ' % % * G

&

%

& ' ( % % % ' ( % % %

% % %

Trombone tacet pause after A, then continue

B $

G

% &

% % +

Em

Trombone tacet cue: Woyzeck: "It stinks enough to smoke the angels out of heaven."

C D7 G Woyzeck: G $ # % % % & % % % & ' %( % % % ' %( % Ev - ery night

she

comes

to take me out

$

D7

G

with her,

$% # D

28

I'm the rich - est

% %

&

pearl,

32

$

D7

# %

stars

she's the

&

%

man

in

( %

% % %! spin on

%

make their

&

)

the town.

G

%

&

%

%

wish - es

on

G

% % % & % %

She's the rose,

&

&

% %

When I'm

Marie:

&

&

my world.

%

)

to dream - land.

( % % % % % ! & ' ' % + $ % # % * % % %

22

%

she's the

% %

All the

'

+!

( $%

G

her

eyes.

Play Trombone cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."

D $

WOYZECK

G

D7

# % % % & %% Ev - ery night

%

she comes

G

& ' ( % %% ' ( % % % to take me out

( + % % % % % ! & ' ' % $ % # % * % % %

41

$

D7

G

with her,

I'm the rich - est

man

in

&

%

)

% %

to dream - land.

&

)

the town.

When I'm

MARIE & WOYZECK G

% % % & % %

She's the rose,

she's the

$ % & % % % % %! ( % & & & & ( +! % % & % % ' % $% # % % % % D

47

G

pearl, she's the spin on

accel.

D7

my world.

All the stars make theirwish - es on

G/D # & % % "" % % % %,% % + % % "! % +

54

$

G

She's my

$ # +!

61

D7

prin

G7

C

Co - ney Is land

& % % +! %

ba - by, she's my

G

-

cess

in a

red

% % + & %

dress.

She's the moon

$& % % "% % # % % ,% % + " G

She's my

Co - ney

Em

savagely, screaming

68

G

G7

Co - ney Is - land

C

ba - by,

D7

+

% +!

G

+

Is - land girl.

% %

She's a

+!

% % D7/C +

%

G/B

in the mist

to

me.

G/D

D7

Co - ney

Is - land

% % !% + "

she's my

her eyes.

+

%

blackout; attacca no. 19

Brass/Percussion

19 All The World's Green (Instrumental)

Trombone

Tom Waits/Kathleen Brennan 2000

cue: play on lights up, continue under dialogue, through black out, and stop at next lights up

## ! " !

!# % % "# $ $# $ $ & # $ $ Bm

Gmaj

## "

9

Bm

$# $ $

F#7

## ( $ $ $ $ $ " * ## "

+

## " & D

21

# "#

25

$#

G

D

&

'

( $% $ $ $ $

$ #$ & D

$ &

3

$ $ $ $ $ $ 3

'

D

$ &

'

& Bm

#$ $ $ $ $

G

'

D

F#7

% $ $ $ $

) ( % $

&

A7

F#7

'

&

% ( $ $#

$ $# *

% $

% ( $ $#

$ $# *

% $

A7

A7

)

$

(tacet)

# "#

27

Bm

'

&

Bm

( % $ $ $ $ $

% $ $ $ $ $ )

Gmaj

17

F#7

$# $% &

D

$$ $ $ $ $

Em

Play Trombone

13

A7

tacet

## ( % " $ $ $ $ $

5

Em

$

## $ %

Brass/Percussion

20 Coney Island Baby (Conclusion) Trombone

Tom Waits/Kathleen Brennan 2000

cue: play several moments after lights up; Woyzeck speaks lyrics

$! # "% %

Ev - ery

G

%

&

%

night

$

G

# %

%

)$

*

$ # G

&

)$

( %

to

take me out

When I'm with her,

% % % &

+ *

I'm the rich - est

*

G

&

to

% % ! $%(

man

in

*

D

% % % & she's the pearl,

-

&

( %

*

% & ' % ' % % , % % % % % %

+

'

% % %

D7

She's the rose,

*

%

' *

*

&

town.

comes

&

*

dream - land.

9

%

she

) $ ! Trombone " *

4

D7

*

% % % % %! she's the spin on

-

the

&

( % my

-

spoken: I saw him, Marie.

Brass/Percussion Tuba

A

!# ! # "# " ) !## ! ""

5

C

# '

just

21 Just The Way We Are

C

& ' ' ## $% '

%#

$

C

## $ %

Cause it's

Tuba play two-beat pattern

( F ' +

' ' *

the way

we

F

& '* '

are.

just

Tom Waits/Kathleen Brennan 2000

( ' '

the way

( ' '# C

we

C

' ' *

Don't ev - er try

to

'

are,

( ' '

change

( '

boys, it's

( ' '

us

' '

'cause it's

) '( & & ' ' ' ' & & '( & & ( & & ' ' ' '( & & ( & & * ' ' 9

C

# '

just

G

( ' '

the way

C

G

we

17

C

C

# ' ' ' ' '' ' )

%#

F

% ' '

'

There There

' ' ' ' ' '# C

who re - marked"They say big - a - my's nice. whose bullocks was made out of brass.

' '

'

( #$ ' #%

%

!# "#

( ' & & %#

was a young sol - dier named Dice was a young fel - low named Cass

F

$

are. continue two-beat pattern

# ' ' ' ' ' ' '# )

C

( ' +#

) '( & & ( & & ' 13

!# "#

C

C

G

## $ %

& ' ' E - ven Whenthey

C

' ' ' ' ' ' ' ' +#

two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink - led to - gether, they played "Stor - my Weather" and light -ning shot out of his ass!

Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool.

Said the doctor, a cynic, "Get out of my clinic!

Just wipe of the lipstick, you fool!"

B

21

# ' '

Cause it's

)

26

'

just

( ' '# C

( ' '

the way

we

are,

C

'

( ' '

boys, it's

just

' ' *

the way

( F ' + we

& ' *

are.

Don't

play two-beat pattern

F

# '

' ' *

ev - er

)

C

try

( '

C

to

change

'

( ' '

us

C

' ' '

'cause it's just

G

( ' '

the way

( '

we

C

+#

are.

Brass/Percussion

22 Shiny Things (Karl)

Trombone w/ Harmon Mute

! ## # ! $ " #!

Ab

!# "# &

Ab

KARL

%

&

The

# #! $ # " " #!

!# "# &

&

Ab

4

&

&

al - ways things light you cast things are bound

## # " " #

&

! ## # ( " #

Bbm

7

find crows, thing

### # ( "" ! ## # ( " #

Cm

10

tine; know, eyes;

### # " "

(

&

&

Ab

&

& he is to

&

&

) &* & &

Eb7

a shi - ny 'cause if it I want that

) &+ & & Fm

) &* & &

(

dime, glows, shines

Bbm

(

(

& &

+ &

& &

a sil - ver you're dressed to is to be

Eb7

) & & & *

-

the shi - ny to shi - ny ly shi - ny

) + & & &

)

(

) &* )

(

The crows all bring You'll al -ways cling to be your on

) + & & &

Db

Ab 1.2.

(

things. things.

(

&

) &* & &

best. ar.

Though

(

' &

&

(

-

&

his nest, they're ol' moon. The to - night. But

Eb

(

&

Ab7

&

' &

&

&

&

that shine a li a - round,

&

&

&

in big here

&

finds just turn

Ab

a crow puts a - lone you not dan - cing

molto vibrato

! ## "# # &

&

&

things me I'm

play 2x, 3x

%

Tom Waits/Kathleen Brennan 2000

Bbm

+ & & &

Eb7

(

) & && &

twine, go, king

)

( % &

Leave Well

%

Some - how they'll You're like the the on - ly

&

from a val - en you guessed, I here in your

+ &

& &

## $ , % Ab 3.

## $ %

thing.

,

Brass/Percussion

23 It's Over Tom Waits/Kathleen Brennan 2000

Trombone w/plunger, Log Drum

#! "

% $ & $ % $ & $ $ %$ $ %$ $ $ % $ $ % $ & $ % $ & $ $ %$ $ %$ $ $ % $ $

5

" '" #" "

9

-

(

-

(

-

)

%-

You

B7

-

E7

E7

Am

must have brought the bad wea - ther with you.

Thesky's the col - or tacet to m. 25

#

F

C

left me

E7

is a feath - er

on an

* $ $

of lead.

$ $! %$ $ &$ ! ' $ $ $ $ $ $ $ $ $ $ $ , ,

13

+ %$,

*

$ $ &$ $ $ $ $ * * + $ $! $, $ $ $ $ . , $

Am

$ ' %$ #

(

MARGRET

All you

* + $,

)

un - made bed.

It's

$ $ $ $ $ $%$ $ $ $ ! * ! $ $! $, $ $ $ $ . ' , ,

17

# 21

Am

al - ways me

F

' $! #

B7

ring,

E7

E7

when - ev - er there's trou - ble.

$ $ $ $ $/ $ ! , 3

it fell off my

C

fin - ger.

Am

* $ $

Theworld does no - thing but turn.

E7

+ $ $ $ $! 0$, . ,

)

And the

*!

I guess I'll nev - er learn.

$ $ But it's

(

25

$ $ $ $ $ $ .

Am

A7

$! $ $ + * ' $ $ $ $ $ $ , , o - ver, it's o - ver, it's

o

-

ver.

Dm

*!

I'm get - ting dressed in the dark.

slow slide $ $ 111111111111111111 % -111111111111111111111111111111111 .

1111111 $ $ # * $ play, sloppily

/ $

Our

)

$ $ $ $! $ $ $ $ $ $ ! 0$ $ $ $ 0$ $! 0$ $ $ $ 0$ $ ! $ , ' , , ,

29

Dm

G7

sto - ry ends

# .

.

C7

F7

be - fore it be - gins.

0.

.

/ ' $ $ $, 0$ $

A7

# .

.

-

" ' #!!

(

33

G7

C7

42

' #

B7

al - ways con-fess

0.

And it's o

to

.

-

Db^

ev - ry - one's sins.

0.

ver,

.

E7#5

E7

Am

let

it

go.

.

The

.

-

fills ad lib.

VAMP under scene until Margret sings +Waterphone

Am

Ab7

Dm

.

(

play Log Drum # "!! ( #

I

Eb7

$ $ $ $! $ ) ,

nail gets ham - mered down.

38

Bb7

( E7

( ( E7

)

+ $, $ $ 0$ So don't go and

(

!! $ % !! $ %

Am

0$ $ $ &$ 0$ $ %$ $ $ * * $ $ $ $ $ $ $ $ $ * * $ $ make a big deal out of no - thing. to Trombone, tacet to next chorus

Well,it's just a storm on a dime.

And I've

46

F

C

E7

$ ' $ $ $ $ $ $ $ $ * #

50

' # 54

3

al - ways found that there's no - thing

Am

B7

that

mo - ney

E7

+ $!

)

can't buy.

I've

E7

Am

$ $ $ $ $ $ %$ $ $ $! * * + $ $ $ $ $ $ . ,

al - read - y gone to the place I'm go - ing.

F

' * $ $ #

$ $$ $ $ $

3

$

C

There's no place left to fall.

E7

2 )

* $ $

no - thing at all...

2 )

and it's

3 $ $ $ $ * $ $ $ $ $ 0$ .

And there's some - thing to be said

)

3

for say - ing

)

58

'

Am

0$ $ $ 3

&$ $ $ * + $ $! $ $ $ $ $$$$ $ $ , , 3

A7

3

o - ver, it's o - ver it's o play, sloppily

- ver. slow slide

Dm

3

It's done, for - got - ten andthrough.

$ $ $ -1111111111111111111111111 % -11111111111111111111111111 . $ $

# *

)

Dm G7 C7 F7 Bb7 Eb7 Ab7 Db^ "! $ $ $! $ $ $ $ ! $ 0$ $ $ $ $ 0$ ! 0$ $ $ $ 0$ 3 * + $ , ' #! , ,

62

No - one cares what it's all for, you'll be bur - ied in the clothes that you ne - ver wore,

# "!! . #

66

G7

' $

keep

.

$ 0$ *

$ your

#

0.

+ $/ $ $ $ the door.

Am

.

Dm

It's

o

let

it

go.

(

.

-

fills ad lib.

(

-

.

$

-

E7

(

.

A7

by

.

.

0.

suit - case

E7#5

' .

.

C7

# .

69

0.

( $4 $4

Last time ad lib on cue:

(

ver,

(

( )

so

(

!! $ % !! $ %

Brass/Percussion

24 Cuba Tom (Monkey Scene Change)

Tom Waits/Kathleen Brennan 2000

Tacet

+Cuba Tom Tape Play Twice

"! $ !

$

E¨m

" $

5

E¨m

$

B¨7

$

A¨m

B¨7

$

B¨7

$

E¨m

$

E¨m

## ! "

Brass/Percussion

25 More Murder II Tom Waits/Kathleen Brennan 2000 Trombone plays squeals and glissandos with plunger at A and B

A ! # !!" $ ( !!! ' "

cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."

arco

( !!! %! "

& %

& % )%

$

'

%

%

%

% +

%

)%

cue: Andres: "Drink some schnapps . . ."

B stop after Drum Major enters !! !! $ %& %& $ ' !! !! '

arco

!! !! % !

%

%

)%

*%

% +

)%

*%

!! !! !!

Brass/Percussion

26 Another Man's Vine

# $ $ !## ! % # $$ ""

Play 2x only

Tuba

Fm

# $$ $ !## ( $"

Fm

5

Bou Gold

-

# $$ $ ( $

9

Fm

care left 13

-

Dm

# $$ $ ( $

Dm

vil Wil

-

(

%

ful, his

mind young

the wife

(

and to

(

climb stead

-

ing fast

o ev

Am

&%

(

the lie's

oth far

(

%

bees long

will the

find way

their her

% est er

ev reads

le the

-

-

(

% -

ry what

ho let Gm

(

time.

Wil -

The Will

(

ver ry -

blind day?

C/G

(

% -

Gm

(

vines. shore.

C/G

%

-

% lie

er a

-

side. way.

C7

% ters

-

C7

%

sends.

Be He

%

(

Eb

(

Cm

-

) %'

C7

%

stran on

## $ %

(#

Db7

wind. war.

Gm

(

%

-

bloom gone

&%

Cm

sweet nev

%

(

Eb

Fm

# $$ $ ( $

C7

(

Am

on Wil

Fm

&% $% &% '

Gm

leas lie's

is en

-

# $$ ( $$

25

-

Fm

%

%

&%

sun Gold

(

Cm

is be

# $$ $ ( $

21

gain en

&%

rose she 17

Cm

%

%#

(#

Db7

&% $% &% '

Tom Waits/Kathleen Brennan 2000

% % 'cause the While

% The A -

(

%

ney end.

the She

% % % ) ' A - round a I see a

# $ $ (# $$

29

! Fm

Db7

(

red red

# $$ $ % $

33

37

% '

)

rose; rose;

Fm

(

red read

rose rose

I I'll

%

Db7

Db7

%

2. # $$ $ ( $

on on

a a

Db7

(

red red

&C7%

$%

%

A A

(

%

1. Fm

man's man's

vine.

## $ %

&( # Db7

%

%

%

% %

rose; rose;

an - oth - er an - oth - er

Fm

*

40

see pick

% %

bloom - ing bloom - ing

# $$ ( $$

% % (

Fm

%

Fm

vine.

41

# $$ $ ( $

Db7

%#

Fm

*

" Fm

# $$ $ ( $

Db7

%

(

&% '

%#

Fm

*

vine.

# $$ $ % # $

Fm rit.

&% '

$%

&%

$%

(#

Db7

&%

(#

Db7

&% $% &% ' (( ## ((( ###

Db(#11)

D.S. al Coda

(#

Db7

## $ %

Brass/Percussion

27 Shiny Things (Instrumental) Trombone w/Harmon tightly closed

Tom Waits/Kathleen Brennan 2000

cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28

! # #! "# # ! $

Ab

& &

Trombone

%

! ## # " # &

&

&

&

( ## # & " #

&

&

&

4

Ab

! ## # * " # 7

+ &, & &

Bbm

Eb7

( ## # & & & " # ! ## * "# # 10

Cm

( ## % " ##

%

Fm

+ &, & &

&

*

&

&

&

## & "

&

&

&

Ab

%

( ## # ! $ " # !

!# #&

Ab

&

&

*

&

&

*

Ab7

Db

*

+ &,

& &

% #& *

Bbm

%

' &

&

&

& )

Eb

& &

+ &, & &

* *

$

Bbm

Eb7

*

+ & & & ,

&

&

+ & & & &

% & *

Eb7

*

&

Ab

*

Ab

*

%

&

*

%

&

## $ ## %

Brass/Percussion

28 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000

Darbuka cue: Karl: "Mirror, mirror . . ."

Latin Feel

Cm start piano, crescendo to savage & out of tempo

# " # # !!

$

$

$

3 # !# # ( " # "# ' ' ' ' ' ' ' )

5

9

Cm

Fm

# "# # '

11

15

# "# #

17

'

'

'

'

'

'

'

'

'

'

'

'

'

'

(

3

&

)

' +' '

'

' +'

'

'

'

'

'

'

'

Fm

'

Cm

# "# # '

21

'

Cm

# "# # '

19

( '* ' ' ' ' ' ' +' ' )

)

&

)

'#

G7

# "# # '

(

' ' ' '

'

(

* '

'

'

'

'

'

(

* '

'

'

'

'

'

* '

' '

' ' '

G7

# "# # '

'

'

'

'

&

G7

Cm

# "# # '

13

%

'

+'

'

)

' ' ( '* ' ' (

* '

'

' * '

(

* '

(

* '

, ' ' ' %

## $ %

Attacca "All The World's Green"

Brass/Percussion

29 All The World's Green (Duet) Tom Waits/Kathleen Brennan 2000

Trombone w/Bucket

Bm

## ! " !

$

+ ## ! !

$

%

+ ##

A7

when you be - came my

F#7

+ ##

I

to have a bet - ter

%

F#7

I risked it all

Bm

Ma - rie, you are

$

Gmaj

%

And men do fool - ish things.

$

) ( ( ( ( ( &

Now the shadows are getting longer

the wide blue sky.

&

$

F#7

&! ( ( ( ( ( ( (

It is colder than I remember

You turn kings in - to

$

the sea

$

Winter's moving in

*

a - gainst

)* (

Em

& ' ) (! ( ( (

D

(!

$

Bm

life.

o - cean

We lay down in a shady grove

' ) ( ( ( ( (

wife.

*

the

$

Gmaj

$

$

in - to

$

With the yellow buds of May

A7

fell

Call back yesterday

*

) ( ( *!

(! ) ( ( (

$

# " # ' () ( ( ( (

13

D

$

+ ##

'

$

## ' ) " ( ( ( ( (

9

&

WOYZECK

## " ' () ( ( ( (

5

MARIE (spoken Em over Woyzeck): Let me lie about it all.

Bm

$

beg - gars

$

) (

and

29 All The World's Green (Duet)

## "

17

+ ##

F#7

Bm

that it's ever been

( ( ( ( (

beg - gars

in - to

+ ##

*

no - thing

&

$

) ' () (! ( ( !

D

%

A7

and all

$

the world

$

+ ##

D

A7

old days a - gain,

$

! " - ---- ( ( (

29

Ebm

(!

face for - gives

+ --- ( ( ---

and all

D

) ( * is green.

$

Abm

( ( *! , ( ( *! ,

the mir - ror.

is green.

( ( ( ( , 3

that you owe me

$

G

&

D

the world

Let's pre - tend

$

## ( ) (! () ! ) ' ( ( ( " ( ( * (

25

(!

( (

kings.

$

# "#( *

21

%

G

WOYZECK

( ( ( ( ( (

( (

$

3

Let's pre - tend we can bring back the

/A

%

$

/D

%

/D MARIE

& ' -() -----The

$

%

' () ( ( ( (

Db7

The worm for - gives the

( ( ( ( ( ' ,

& ' -(, ------

Gb

*

%

plow.

*

%

29 All The World's Green (Duet)

-) ) " - - -- ' ( ( ( ( ( ( ! ( *

33

Cbmaj

Bb7

+ - - - ' ( ( ( ( ( (! ( * --- , , The ques - tion begs the

an - swer:

Bb7

Ebm

' () ( ( ( ( ' () * ' (, ( ( ( ( ' (, *

can you for - give me, some how?

--- ( ! ( ( ( ( ' () ( ( ( ( ( * " - ( ( , when our sto - ry's o - ver go where it's al - ways spring. (! ( ( ( ( We'll ( ( ( ( ( ( * + -- - - ( ( , ' , --

37

41

Ebm

Abm

Cbmaj

-) " - - -- ' ( ( ( ( ( ( + -- - - ' (, ( ( ( ( ( --

Db7

Bb7

Gb

Bb7

) ( ( (! ' ' ( ( ( ( ( ( ( (! ' ' ( ( ( ( ( ,

The band is play - ing our song a - gain

And all the world is

Ebm

*

green.

*

& ( (

May - be

& ( (

% %

% %

29 All The World's Green (Duet)

45

-" - - -- % + -- - - % --

( ( ( ( * & ( ( (! (, 3 Let's pre - tend that you owe me no - thing, (! ( ( ( ( ( * , & ( ( Cb

3

Gb

49

" - ---- *

&

+ -- - --

&

*

green.

Gb

51

- ( " - ---+ -- - --

54

(

old

" - ---- % + -- - -## "

57

+ ##

A7

Gb

Let's

( (a - gain, (

days

(

(

(

(

we

(

can

(

(

(

bring

back

(

the

( ' ,

all

.( (

When the

( ( ( ( ( ( oh * the things that sum * - mer

(!

Db7

and

D

* *

brings.

( (! ,

##

Bm

##

moon

(

( (

) (

( (! ,

(!

%

the world

3

(

3

) ' (

WOYZECK

$

(

( (! (, ( ! ( ' , , and all

(

pre - tend

(

( ( (

&

(

Db7

(

Cb

(

) ) ' ( ( ! (, (! (

the world

(!

(

is

yel

$

-

Gb

is

( ,

green.

) (

Em

low

*

/

% *!

(

sil - ver,

%

Gmaj

&

%

*

F#7

( ( ( (

It's a love you'd

*

) (! ( * for. #kill /

is

29 All The World's Green (Duet)

## ' ) ( ( " ( ( ( And all the world is # * * + ##

61

F#7

## " & ( ( ( ( / on a blade of + ##

65

green.

*

D

D

## " ( *

no - thing

D

%

Bm

* green. *

%

Gmaj

%

&

' () (! (, ( !

D

) ( * ) ( *

) ( (! ( (! ,

the world

% D

( (

(!

Let's pre - tend

"

( ( ( ( , 3

)( ( ( (

that you owe 3 me

G

&

is green.

(!

G

$

the world

## old days a - gain, ' and) all(! ( " ( ( ( (

' ) ( ( ( ( ( ( ( ( ! () / The dew will set - tle #on/ our grave when

%

) ' () (! ( ( !

A7

F#7

%

A7

and all

Em

( ( ( ( ( ( ( ( & ( ( ( ( He is bal - anc - ing a dia - mond *! /

( (

# " # ( ( ( ( ' () (!

77

Bm

%

* grass. *

F#7

## " ( *

73

*

A7

# "# ( ( ( ( ( all the world is # * + ## *

69

Bm

( (

( ( ( ( ( ( 3

Let's pre - tend we can bring back 3 the

) ( * is green. ) ( *

( ( ( ( ( (

%

$

%

$

Brass/Percussion

30 Red Room !

The Murder

!

+Waterphone random Tpt and Sax wails

# $$""" $"

# " $" $$ ""

mp

%

# " " ""

%

p

Attacca "Woyzeck's Woe"

Brass/Percussion

31 Woyzeck's Woe

Trombone

tacet to m. 13

" ## ! $ #!

The

5

" ## ' #

Ab $ & % $ $ $

Eb Bb7

" # '( ##

morn.

' $

& %!

It

fav - orite thing you've worn.

is

Play

$

$ $ $

my

$

$

$

$

$

$

and

we

won't

go

$

$ (

Ab

$

$

Bb7 Eb

& $ %

Eb

Bb7

a - gainst your skin that's pale as bone;

Ab

Ab

Eb

Ab $ $ $ $

Eb

$ $ $

song,

13

Eb

rib - bon round your neck,

"# & ## (

9

Tom Waits/Kathleen Brennan 2000

Eb

Eb

$

The

& (

$

Bb7

home,

$

$ $ $ $ $

Eb

band

is

play -ing our

%

)

'til

( (

Eb

( (

Brass/Percussion

32 Overturned Pot (Karl) Glockenspiel

Tom Waits/Kathleen Brennan 2000

KARL

# " # # !!

Eb/Bb Bb7/D Eb

$

$ %

Sun

5

is

$

$

$

No - thing's ev - er

Ab

9

Eb/Bb

# "# # $ $ $ $ If

13

I

die

$ $ $ $

No - thing's ev - er

Ab

17

Eb/Bb

# $ $ $ # " # $ If

21

I

die

$ $ $ $

No - thing's ev - er

G7/B Cm

$

yours to

Eb/BbBb7/D

%

keep.

Eb

& $ $! $ $

G7

$

as

Ab

$

Eb/Bb

$

%

Close your eyes,

Ab

Eb/Bb

$ $ %

it seems,

Eb

you wake,

$ %

it seems.

Eb/Bb

$ $ $ $

climb the

Ab

lad - der

Eb/Bb

$ $ %

com - ing back.

Bb7sus Bb7

Eb

$

%

$

go

to

Eb/Bb Bb7/D

don't

Bb7sus Bb7

Eb

$ $

%

to

your dreams.

Eb/Bb Bb7/D

Eb

& $ $! $ $

Ab

Bb7sus Bb7

Close your eyes,

Eb

you weep.

don't

$ $ %

sleep.

& $ $! $ $

don't you cry;

Eb/Bb

Eb

$ $ %

Dad - dy's nev - er

Ab

$ %

Bb7sus Bb7

$ $ $ $

G7/B Cm

G7 G7/Cb Cm

$

Eb/Bb

don't you cry;

& $ $! $ $

as

Ab

you wake,

Eb/BbBb7/D

be - fore

Eb/Bb Bb7/D Eb

# "# #

$

be - fore

Eb/Bb Bb7/D Eb

# "# #

moon is cracked;

G7

$

$ %

$

red;

Eb/Bb Bb7/D Eb

# "# #

G7 G7/B Cm

$

go

you weep.

E¨

$ %

to

sleep.

Brass/Percussion

33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000

Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise

Clarinet in Bb

# " # # !!

Trombone

& ## ! #!

Violoncello

Double Bass

# "# #

Tbn.

&# ##

Vc.

Db.

$%

$ %

$ $ $

$$ $

$ $ $ $ $ $ % $$$ $$ $$ $ $ %

$) $$$ & ## ! $ $ $ + $ #$ $ $ * $ $ $ $ $ $ ( $ $ #! $ $ $ $ $ $$ & ## ! $ $ $ #!

5

Cl.

$ '

$ '

$ $

$

+

$ ($ $ +

$ %

$ $ $ $$ $

%

%

$ $ %

%

%

$ $ %

$$$ $$$ % $

$ $

$) $$$ & ## $ * $$ $$$ $ $$ # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ $ &# ## $ $ $

+

$ ($ $

+

%

%

$ $ %

9

Cl.

Tbn.

# "# # $ $ $ & ## #

$ $ $

$ $

Vc.

& ## $ $$ #$ $

Db.

&# ## %

13

Cl.

# "# #

Tbn.

& ## #

Vc.

Db.

$ '

%

$ $

$ $! $ $

$ $! $ % $ %

$

$

$

+

$ $ %

$$$$

% $$

%

$ %

$ % $ $ $ $$ $

$

$ %

$

$ $ $ $

+ $ $! $ $ $ $ $! %

% , $

% %

$ $ %

$$$ $$ $$ $ $ %

$ $$$ & ## $ $ $ )* $ $ ( $ $ # $ $$ $$$ $ $$ # $ $ $ $ $ $ $ $ &# ## $ $ $

+

$ ($ $

+

%

%

%

%

17

Cl.

Tbn.

# "# # $ $ $ & ## #

$ $ $

$ $

$ $! $ %

Vc.

& ## $ $$ #$ $

$

Db.

&# ## %

$ $

21

Cl.

# "# #

Tbn.

& ## #

Vc.

Db.

$ '

%

$ $

$

$ $ %

+ $ $! $ $

$

$ $ $ $

$$$$

%

$ $$ %

$

$

%

%

%

$$$

$

$

$

$$$

$

$

$! $ $ +

$

$

$! $

%

% , $

$

$

$$$$ %

% %

$ % %

$ $$$ & ## $ $$ $ $ % # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ ) * &# ## $ $ $

+

$ ($

$

+

%

%

%

%

Brass/Percussion

34 Misery Reprise Log Drum

Tom Waits/Kathleen Brennan (2000)

MARGRET & CHORUS

!#! " "# # # # # # # # # %$$ Fm

Fm

# # # # # # # # %$$

&

Mis - er - y's the riv - er of the world.

5

Am

$ " # # # # # # # # $

&

Mis - er - y's the riv - er of the world.

9

Fm

" # # # # # # # # %$$

Mis - er - y's the riv - er of the world.

&

&

Mis - er - y's the riv - er of the world.

Am

## $ %

continue to repeat as Chorus and Leads enter slowly and create tableau

$ # # # # # # # # $

&

Mis - er - y's the riv - er of the world.

# # # # # # # # %$$

Mis - er - y's the riv - er of the world.

&

( ' MARGRET, spoken: "Misery's the river of the world!"