Full Fathom Five (SATB) | Paul Carey | MusicSpoke

Page 1

Full Fathom Five for SATB/Piano

Music by Paul Carey Text by William Shakespeare

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


In Act One of The Tempest, Prospero's bound spirit, Ariel, sings a song which purposely misleads Fernando into believing that his father, Alonso, died when their ship was wrecked in the storm. Ariel's words, motivated by promise of eventual release from her servitude to Prospero, certainly do convince Fernando due to their strange images. Ariel is responsible for much of the action of the play, including its happy ending. In my setting of the text there are a number of devices I have used to paint the scene. I use a piano part (encompassing full range of the keyboard) mostly in block chords in 2/2 to paint an image of the depth and weight of the ocean; on top of this voices in 4/4 skim across in various waves. The opening tonality is a deeply resonant E flat minor/E flat Dorian mode. Often there are odd dissonances in order to paint the idea that Ariel's words are so strange and actually untrue. While I do extend the sea nymphs/ding-dong-bell text into a long sea scene of its own, I would rather not have the singers exaggerate the consonants in some kind of effort to mimic bells. The ending in major implies that eventually the truth that Alonso is really alive will be found out.

Original SSAA/piano version commissioned by the 2012 ACDA Women's Choir Consortium Members and their Directors

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


SATB version commissioned for the Briar Cliff University Singers, under the direction of Dr. Sean Burton, for the 2014-15 academic year

Full Fathom Five SATB/Piano Paul Carey

William Shakespeare The Tempest Deeply Resonant

T

bb 4 V b b bb 4

B

Piano

5

T

? bbb 4 bbb 4

b & b b b b b 44 ˙˙ ˙˙ P ? bbb 4 bbb 4 w w w °

˙˙˙˙ ˙˙˙˙

˙˙˙˙ ˙˙˙˙

˙˙˙˙ ˙˙˙˙

5

Pno.

? bbb bbb w w w °

˙˙˙˙ ˙˙˙˙

simile

Ó

Œ

P ˙ œ œ œ ˙˙˙˙ ww w

œ full

˙.

˙˙˙˙ ˙˙˙˙

˙.

fa -thom five,

Œ

˙˙˙˙ ww w

Œ

P ˙ œ œ œ Full

˙˙˙˙ ˙˙˙˙

b ˙˙˙˙ b ˙˙˙

ww w °

œ œ ˙

fa -thom five,

Ó

˙˙˙˙

ww w °

˙.

Full

b & b b b b b ˙˙ ˙˙

˙˙˙˙

In general, the pulse is 2/2; yet feel free to switch back and forth from 2/2 and 4/4 patterns as needed

fa - thom five,

? bbb bbb

˙˙˙˙ ww w °

bb b b P œ œ œ ˙ V bb Full

B

q»•º

˙˙˙˙ ww w

© 2014 Paul Carey All Rights Reserved more info about this and other performance copies. This score is not licensed for performance. Please visitfor MusicSpoke.com to purchase compositions, visit www.paulcarey.net

œ b œœœœ œœœ b œœœ n œœœ

fa -thom five,


4 S

Full

œ

fa - thom five

Full

œ

fa -thom five

œ œ œ ˙ bb b b b P V b

T

Full

? bb b b ˙ . bb

B

9

Œ ˙˙˙˙ ˙˙˙˙

A

T

his

bones

are

œ

bb & b b b b ˙˙ ˙˙ ? bb b b bb w ww

˙.

Œ

full

˙.

œ œ

are

ww w

˙˙ ˙˙ Ó

˙˙˙

nw n n ww

˙

œ œ œ

Œ

n nn www

fa -thom five,

A A ˙˙˙˙

n n œœ n œ

˙.

Œ

œ œ ˙

Œ

cor - al made;

œ œ œ

cor - al made;

Œ

œ œ œ ˙ ˙˙˙˙

Œ

fa -thom five,

A ˙˙˙˙

œ

œ full

Full

˙.

Full

nœ œ œ

˙. Œ

˙˙˙˙ ˙˙˙˙

œ œ œ ˙

˙˙˙˙ ˙˙˙˙

fa - thom five,

? bb b b ˙ . bb 13

Pno.

bones

Œ

fa - thom five,

œ œ

œ œ œ ˙ b V b bbbb Full

B

his

b & b bbbb œ œ œ œ Of

fa - ther lies,

ww w

b ˙ & b bbbb œ n œ œ Of

œ œ œ Œ

˙˙˙˙

13

S

thy

˙.

fa - ther lies,

P ˙ œ œ œ Full

? bb b b bb w ww

œ

nœ œ œ

˙.

fa - thom five,

b & b b b b b ˙˙ ˙˙

œ thy

bb b b b F & b œ œ œ ˙

A

Pno.

Full Fathom Five; Carey

A q»•¢ 9 bb b b b Fœ n œ œ ˙ & b

œ œ ˙

Œ

fa -thom five,

˙.

œ œ œ ˙

Œ

fa - thom five,

˙˙˙˙ ˙˙˙˙

˙.

Full fa -thom five,

˙˙ ˙˙

nw n n ww

˙˙˙

˙˙ ˙˙ Ó

n nn www

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

˙˙˙ ˙

n n œœ n œ


Full Fathom Five; Carey

b & b bbbb

17

S

A

T

B

b & b bbbb

b V b bbbb

b & b bbbb

www w ˙

? bb b b bb ww w b & b bbbb ˙

21

S

A

T

B

Ó

b & b bbbb ˙

Ó

b V b bbbb n ˙

Ó

? bb b b ˙ bb

Ó >˙ n n ˙œœ n œ

Those

œ

are

œ.

pearls

j œ œ

that were

œ

his

ww

Those

œ

are

œ.

pearls

j œ œ

that were

œ

his

nw

Those

œ

are

œ.

pearls

j œ œ

that were

œ

his

w

œ

œ.

œ

nw

are

pearls

œ œ J

p œ

Ó Œ

p œ

p œ

Ó

? bb b b ˙ . bb 17

Pno.

Ó

p œ

Ó

Those

www w œ

5

˙.

ww w

B f œ nœ œ ˙ Full

f œ

fa - thom

Full

œ œ ˙

fa - thom

Ó F œ Full

that were

Full

Ó

œ

œ œ ˙

fa - thom five,

fa - thom

eyes:

œ thy

œ œ

eyes:

Ó

œ

five

eyes:

five

F œ

his

eyes:

˙ five,

œ Full

œ

thy

nœ œ œ fa - ther

lies,

œ œ œ

fa - ther

lies,

œ

œ œ

full

œ œ ˙

fa - thom five,

b b b b Ó˙ ˙˙˙˙ ˙˙˙˙ b & b ˙˙ ˙˙˙˙ ˙˙˙˙ ˙˙˙˙ ˙˙˙˙ Pno. f www ? bb b b w bb w ww ww w w visit MusicSpoke.com to purchase performance w > for performance. Please This score is not licensed copies. 21

˙ n ˙˙ F n ˙˙˙

fa - thom


6

Full Fathom Five; Carey

b & b bbbb

24

S

A

T

B

˙

b & b bbbb b V b bbbb ? bb b b bb

f

˙

f

˙ five,

œ Full

Ó 3

nœ bœ full

œ

fa - thom 3

nœ bœ full

œ

fa - thom

œ œ ˙

n n œœ b œ

œ œ œ b & b bbbb

are

T

œ

are

bb V b b bb ˙ ? bbb œ bbb

Pno.

fa - ther

fa - thom five,

˙˙˙ ˙

n n œœ n œ

˙ n nn www

˙

œ œ œ

j œ œ.

cor - al

cor - al

˙

Full

fa - thom five,

b & b b b b b ˙˙ ˙˙

˙˙˙˙ ˙˙˙˙

27

thy

nœ œ œ

full

œ œ

œ

his

bones

œ

œ œ œ

his

bones

‰ œ

œ.

lies;

œ œ

Full

œ

œ

fa - thom

œ œ ˙

Full

fa - thom five,

˙˙˙˙

˙˙˙˙ ˙˙˙˙

ww w Accel.

œ

five,

B

3

œ œ

œ œ œ.

˙˙˙

Of

Of

five,

˙˙ ˙˙

27

A

œ

full

˙˙ ˙˙ Ó ? bb b b n w bb n w nw

b & b bbbb œ

˙

five,

fa - thom five,

b & b bbbb

S

Ó

œ

24

Pno.

˙

œ œ

nœ œ œ

œ

œ nœ nœ

###

œ.

‰ œ nœ nœ

###

œ.

‰ Ó

###

œ.

‰ Ó

###

Ó

Ó

3

made;

No - thing of

œ

made;

œ

œ

fa - thom

˙ five,

œ full

˙˙ ˙˙ Ó nw n n ww

3

nœ bœ œ thy

fa - ther

3

lies;

3

nœ bœ œ thy

fa - ther

œ œ ˙

fa - thom five,

˙˙˙

No - thing of

lies;

˙˙ ˙˙

˙ ? bbb n n œœ b œ œ bbb w ww n nn www This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. 3

˙˙˙ 3 œ nœ nœ

### ###


S

Full Fathom Five; Carey

C Animato q»ª™ 30 ### w &

˙

him

A

### w &

˙

him

T

œ #œ œ œ

No - thing of

B

? ### Ó

œ #œ œ œ No - thing of

### w w˙ & .

30

Pno.

Œ #œ œ œ œ œ œ # ? ## œw œ

œ œ œ œ him

# œœ ..

‰ œ œ œ

N œœ ..

But

œ.

œ œ œ œ him

that doth

fade,

œœ œœ

# ˙˙˙

œ œ Ó w

3

fade,

fade,

˙˙

that doth

suf

doth

#œ.

doth

# ˙˙˙ ˙ #œ œ #œ œ œ œ

change

In - to

some - thing

rich

3 ### Œ & œ nœ nœ œ

# ˙˙ ..

change

In - to

œœ

˙.

œ œ

change

In - to

sea

-

### Œ V œ nœ nœ œ a

sea

-

? ### Œ œ n œ n œ œ 3

w 34 # # # www & œ œ Ó ? ### w a

sea

-

#˙. change

œœ œœ # œœ

œœ

œ

œ

some - thing

some - thing

œ œ #œ In - to

œ

some - thing

fer

œ

-

suf

‰ Ó

œ

sea

-

j œœ ˙˙

fer

3

œw

-

‰ Ó

œ #œ

3

B

œ œ

fade,

But

#œ ˙ J

œ.

‰ #œ œ œ

œ œ

a

T

that doth

3

˙.

3

a

A

œ.

nœ œ œ ### Œ & œ

34

S

œ œ

that doth

## V # Ó

7

rich

œœ .. œ.

j # œœ ˙˙ œ ˙

œ #œ œ œ œ œ œw œ

Œ

and

# ˙˙

strange,

œœ

˙

Œ

˙

Ó

and

œ #œ rich

and

œ

œ

rich

and

œ œ in - to

strange,

œœ œœ

in - to

strange,

#˙ strange,

Ó

# ˙˙˙ # œ ˙ œœœ # ˙˙˙ ... # œœœ œœ œœœ œœœ # ˙˙˙ Pno. œ œ œ #œ # œ œ œ # œ #œ œ œ #œ œ œ œ œ œ œ wwœ ww wwœ This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


8

Full Fathom Five; Carey

D ### œ N œ &

œ

38

S

some - thing rich

A

T

B

&

###

# œœ n œœ

œœ

some - thing rich

## V # Ó

Œ

# # # œ œœ # œœ n œ & œ œ # ? ## ww

œœœ

## & # œ Nœ

T

&

###

# œœ

n œœ

some - thing

### œ N œ V ? ### # œ

œ

some - thing

# # # œ œœ # œœœ n œœ &

42

Pno.

Œ

and

strange,

œ œ

œ

œ

œ

in - to

some - thing

œœœ

# ˙˙˙

œ

? ###

œœ œœ

# œœ n œœ

œœ

some - thing

œ

˙

rich

and

strange,

rich

# ˙˙˙ ˙

œ

˙

and

strange,

œ

ww

œ

some-thing

rich

some-thing

rich

œ œ œ œ

œ # œœœ Œ

# œœœœ

# œœœ œœ œœ œ œœ # œœ

www

Ó

#w

˙

Ó

bbbbbb

ww

˙˙

Ó

bbbbbb

rich

n œœ

ww

œ

œ

rich

and

œœœ œ

œ

rich

œ #œ œ œ

Ó # œœœ

some-thing

˙˙

œœ

and

rich,

# œœ œœ œœ œœ

bb b b b P b œ

and

œ œ œ

œœ

rich

Ó

# ww

rich

and

some-thing

Ó

œ # œœœ n œœ

œ #œ œ œ

E Trancelike q»•¢ bbbbbb ∑

œ

œœœ œ

rich,

#œ œ œ #œ œ œ œw œ w

œ

rich

some - thing

œ

œ #œ

œ œ #œ œ œ

in - to

in - to

some - thing

œ œ

œ

œ œ

Poco a poco molto dim. e rit.

some - thing

B

˙

œ

some - thing

A

œœ

in - to

? ### Ó

42

S

strange,

Œ

38

Pno.

Œ

and

# ˙˙

œ

˙˙

strange.

strange.

strange.

strange.

# ˙˙˙ ˙

˙˙ ˙

# ˙˙ ˙

œ

œ

œ

Sea - nymphs hour - ly

˙˙ ˙ P

w bb b b b ww b

bbbbbb w ww ww ww ww w w w This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Full Fathom Five; Carey

S

b & b bbbb

A

b & b bbbb œ

46

ring

T

B

b & b bbbb

46

Pno.

œœ

œœ

œœ

œœ

œ

œ

œ

œ

sea - nymphs hour - ly

œ

œ

œ

œ

œ

ring

his

˙

knell,

sea - nymphs hour - ly

P œ œ

œ

œ

sea - nymphs hour - ly

www

? bb b b b b ww w

˙˙˙˙ P ww w

˙˙˙

F

b & b bbbb

A

b & b b b b b œœ

ring

b œ V b bbbb

ring

? bb b b œ bb

ring

bb & b b b b ˙˙˙ ˙

50

Pno.

Ó

˙ P œ

Sea - nymphs hour - ly

S

B

knell,

50

T

˙

his

b V b bbbb ? bbb bbb

∑ œ

9

? bb b b b b ˙˙ ˙

œœ ˙ n˙

his

knell,

œ n˙ his

knell,

œ n˙ his

œœ

œœ

œœ

œœ

œ

œ

œ

œ

sea - nymphs hour - ly

sea - nymphs hour - ly

œ

œ

œ

œ

œœ

his

œ

œ n˙

ring

ring

œ

knell,

sea - nymphs hour - ly

ring

œ˙ œ n n ˙˙

˙˙˙˙

˙˙˙˙

n nn ˙˙˙

www

˙˙ ˙

˙˙ ˙

œœ ˙ n˙

his

knell,

knell,

œ n˙ his

knell,

nn œ˙˙˙ œ

n nn ˙˙˙

∑ œœ

œœ

œœ

œœ

œ

œ

œ

œ

sea - nymphs hour - ly

sea - nymphs hour - ly

œ

œ

œ

œ

sea - nymphs hour - ly

˙˙˙˙ www

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

˙˙ ˙


10

Full Fathom Five; Carey

b & b bbbb Ó

54

Semi-Choir

S

A

b & b bbbb

S,A

T

F œ œ œ œ œ œ

Ding - dong

b & b b b b b œœ œœ n ˙˙ b b œ œ n˙ V b b bb

his knell,

? bb b b œ œ n ˙ bb ring

b & b b b b b ˙˙˙ ˙

54

Pno.

Ó

ding,

œ œ œ œ

Ding-dong

ww w

f œ œ œ œ œ

bell,

Hark! now I hear them,

ring

B

ww w

ring his knell,

T

-

G

? bb b b b b ˙˙ ˙

his knell,

nn œ˙˙˙ œ n n ˙˙ n˙

œœ

œœ

œœ œœ

œ

œ

œ œ

sea - nymphs hour - ly

sea - nymphs hour - ly

œ œ

œ œ

œœ œœ ˙ n˙

ring his knell,

œ œ n˙ ring

œ

sea- nymphs hour - ly

ring

˙˙˙˙ F

˙˙˙˙

ww w

˙˙˙

˙˙ ˙

his knell,

œ n˙ his knell,

nn œ˙˙˙ œ n n ˙˙ n˙

œœ

œœ

œœ œœ

œ

œ

œ

sea - nymphs hour - ly

œ

sea - nymphs hour - ly

œ œ

œ

œ

sea- nymphs hour - ly

˙ ˙˙˙

˙˙˙ ˙

˙˙ ˙

˙˙ ˙

The small semi-choir should be very capable S, A, T singers. This part should come out very strongly, but take care to not assign too many singers to the soprano line. The tenor part is loco in normal treble clef.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


Full Fathom Five; Carey

b & b bbbb Ó

58

Semi-Choir

11

œ œ œ ww œ œ œ œ œ œ w

Ó

Ding-dong - ding,

S

b & b bbbb œ œ ˙

Ding-dong, bell,

A

b & b b b b b œœ œœ n ˙˙

ring his knell,

T

œ œ n˙ b V b bbbb ring

B

? b b b œ œ n˙ bbb ring

bb & b b bb

58

Pno.

his knell,

˙˙˙˙

? bb b b ˙ bb ˙ ˙

his knell,

Ding-dong

œ œ œœ œ œ Hark! now I hear

œœ œœ

œœ

sea-nymphs hour

œ œ

-

œ

sea-nymphs hour

œ œ

œ œ œ œ œ œ

œ

sea-nymphs hour

them,

Ding-dong, bell,

œœ

œœ œœ ˙ n˙

ly

œ -

ly

œ -

œ œ ˙

ly

ring his knell,

œ œ n˙ ring

his knell,

œ œ n˙ ring

his knell,

H ƒ w w w

bell,

ƒ œ nœ œ œ œ

Hark! now I hear them,

f œœ œœ

œœ œœ

sea-nymphs hour-ly

f œ œ

œ œ

sea-nymphs hour -ly

f œ œ

œ œ

sea-nymphs hour-ly

˙ nn œ˙˙˙ œ œ ˙˙˙

˙˙ ˙˙

˙˙˙˙

nn œ˙˙˙ œ

˙˙˙˙

˙˙ ˙˙

n n ˙˙ n˙

˙˙ ˙

˙˙ ˙

n n ˙˙ n˙

œ˙ œ ˙

œ˙ œ ˙

˙˙ ˙

ƒ

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


12

Full Fathom Five; Carey

œ œ œ

bb & b b bb Ó

62

Semi-Choir

S

A

ring

T

bb œ V b b bb

ring

B

? bb b b œ bb

ring

bb b b b ˙˙˙˙ & b

62

Pno.

Ding - dong,

bb ˙ & b b bb b & b b b b b œœ

? bb b b œ bb ˙ ˙

œ œ œ

œ œ œ

Ó œœ

his

knell,

œ

his

knell,

œ

his

knell,

Ding

-

œ œ ˙ œ œ ˙ œ œ ˙ dong

Hark!

now

them,

œœ

œœ

œ

œ

sea - nymphs

œ

œ

sea - nymphs

œ

œ œ

bell.

œ

sea - nymphs

œ nn œ˙˙˙ œ

˙ ˙ ˙

nœ œ œ

œ

n ˙˙

œ n n œ˙ n˙

œ œ œ

˙ ˙˙˙ œ˙ ˙

I

hear

œœ

hour

-

œ hour

ly

œ -

œ hour

œœ

ly

œ -

ly

œ

œ˙ ˙

w œœ

his

œ

œ n˙

ring

ring

œ ring

˙ ˙˙˙

˙˙˙ ˙ œ

Ó

œ˙ ˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

œœ ˙ n˙

his

knell,

knell,

œ n˙ his

knell,

> œ nn œ˙˙˙ > œ n n ˙˙ n˙


Full Fathom Five; Carey

˙

b & b bbbb

65

S

Ó

Ding - dong,

A

b & b bbbb

˙˙

Ó

13

F I A Tempo œ œ ˙

Molto Rit.

œ

bell,

F œ

Ó

œ

˙

Ding - dong,

œ

bell,

œ

˙

Ding - dong,

bell,

Ding - dong,

T

b V b bbbb

˙

Ó

B

? bb b b bb

˙

Ó

√ > nn ˙˙˙˙

œ>œœ œ n 65 b b b b n n œœœœ b œœ n œ b œ b & b Pno.

? bb b b bb

˙˙ ˙

n nn ˙˙˙

S

b & b bbbb œ œ ˙

œ œ

Ding- dong, bell,

A

T

b & b bbbb

˙

bell,

Ding-dong,

bb b b Œ F œ œ œ V bb Ding- dong,

B

Ding - dong,

œ œ

F Œ œ

? bbb Ó bbb b & b bbbb

69

bell,

˙

bell,

bell,

œ œ

œ œ

œ ˙

œ Ding

œ

œ œ œ

œœ

œ

œ ˙

œ

œ

dong, bell,

Ding

bell,

-

ww ww www

bell,

bell,

-

dong,

˙˙ ˙˙ ˙˙˙

ww wwww wwww wwww ? b b b b ww bb w ww ww ww ww w w w This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Pno.

œ œ

˙

Ding - dong,

Ding - dong,

œ ˙

Ding - dong, bell,

‰ œ

œ œ.

ding - dong, bell,

Ó

œ

Ding - dong, bell,

Ding - dong,

˙ b ˙˙˙ b ˙˙˙

wwww ww w

‰ œ œ ˙

œ œ.

œ œ

Ding - dong, bell,

Fw www ww w

ww w

>

69

˙ b˙

œ

ding-dong,

œ œ œ

Ding - dong, bell,

œ

œ ˙ bell,

˙ b ˙˙˙ b ˙˙˙

ding -


14

Full Fathom Five; Carey

Rit.

b & b bbbb œ

73

S

œ

˙

Ding - dong,

A

b & b bbbb

bell.

˙

bell,

T

B

b V b bbbb œ ? bb b b œ bb

dong,

w bb b b b wwww & b ww ww ? b b b b ww bb w ww

œ

w

bell.

w

œ

œ

w

w

Ding - dong,

bell.

œ

˙ bell,

Ding

J p b & b bbbb œ

-

dong,

˙˙˙ ˙ ˙˙˙

wwww ww w

œ

˙

Ding - dong,

A

bb b b b p & b œ b b b œp b V bb

bell,

œ

˙

Ding - dong,

T

bell,

œ

˙

Ding - dong,

B

? bb b b bb bb b b b n wwww & b w p ? bb b b bb

w n # nn wwww # n # www

www w b www

bell.

b ˙˙˙˙ b ˙˙˙

wwww ww w

bell,

œ

Ding - dong,

œ

œ

œ

Ding - dong,

Ding - dong,

œ

œ

Ding - dong,

˙

bell,

˙ bell,

œ ∫œ bell,

œ ∫œ

bell,

˙

wœ ∑

˙˙˙

œ

œ ∫œ

˙

w

bell.

˙

˙

w

˙

˙

nw

Ding - dong,

Ding - dong,

˙

˙

Ding - dong,

w n ww ww w

wwww ww w

Ding - dong,

77

Pno.

Molto Rubato

77

S

˙

˙

73

Pno.

w

œ

Ding - dong,

œ

w

bell.

bell.

ww

bell.

n www ww n ww

wwdim. w ww w

˙˙ ˙ This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

U

w

U

w

U

w

U

ww

U w

ww ww ww ww w ww w

u


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.