Missa Brevis | Mark Templeton | MusicSpoke by MusicSpoke

MTN012

US $6.99

for SATB, a cappella

Composed by

ÂŠ 2011 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

REX, REQUIEM……………………………………………………………………………………….5 Rex, requiem Ricardus da, pater atque pius rex.

O King, give Richard thy rest, Father and King.

Lex, legume vitam aeternam ilida, quia tu lex.

O Law, give him the eternal life of law, For thou art Law.

Lux, lucem semper concede illi, bona qui es lux.

O Light, give ever unto him thy light, For thou art Light.

Pax, pacem illi perpetuam dona, es quoniam pax.

O Peace, give unto him eternal peace, For thou art Peace. Angilbert (c. 740-814)

II.

KÝRIE……………………………………………………………………………………………..……8 Kýrie eléison Chríste eléison Kýrie eléison

III.

PSALM 23……………………………………………………………………………………………..11 1. 2. 3. 4. 5. 6.

IV.

Lord have mercy Christ have mercy Lord have mercy

The Lord is my shepherd; I shall not want He maketh me to lie down in green pastures: he leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me. Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord for ever.

SÁNCTUS……………………………………………………………………………………..………14 Sánctus, sánctus, sánctus, Dóminus Déus Sábaoth. Pléni sunt coéli et térra glória tùa. Hosánna in excélsis. Benedíctus qui vénit in nómine Dómini Hosánna in excélsis.

Holy, holy, holy, Lord God of Hosts. Heaven and earth are full of thy glory. Hosanna in the highest. Blessed is He who comes in the name of the Lords Hosanna in the highest.

A PRAYER OF ST. BENEDICT…………………………………………………………………….18 O Gracious Holy Father, give us Wisdom to perceive thee, Diligence to seek thee, Patience to wait for thee, Eyes to behold thee, A heart to meditate on thee, And a life to proclaim thee; Through the power of the Holy Spirit, Of Jesus Christ Our Lord, Amen. St. Benedict of Nursia (c. 480-547)

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VI.

VII.

AGNUS DÉI………………………………………………………………………………..………….21 Agnus Déi, qui tóllis peccáta múndi: miserére nóbis.

Lamb of God who takest away the sins of the world, have mercy upon us.

Agnus Déi, qui tóllis peccáta múndi: miserére nóbis.

Lamb of God who takest away the sins of the world, have mercy upon us.

Agnus Déi, qui tóllis peccáta múndi: dóna nóbis pácem.

Lamb of God who takest away the sins of the world, grant us peace.

THE CHORISTER’S PRAYER……………………………………..………………………...…….25 Bless, O Lord, us Thy servants who minister in Thy temple. Grant that what we sing with our lips we may believe in our hearts. And what we believe in our hearts we may show forth in our lives. Through Jesus Christ our Lord. Amen. T he Choristers' Prayer is attributed variously to Sir Sydney Nicholson (1875-1947), the RSCM's founder, or to Cosmo Lang, Archbishop of Canterbury (1928-42)

The term Missa brevis translates as “short mass.” It is derived from the mass of the ordinary (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei) but with some movements removed. Many composers from the renaissance to the modern era have composed settings of “short masses.” The nucleus of my setting, the Kyrie, Sanctus, and Agnus Dei, is taken from the Missa XVII Adventus et Quadragesima (Mass for Advent and Lent – found on the following page). Each of these three movements includes an incipit (intoning chant) before each phrase mirroring the original chant. Regardless of differing performance practices, the diamond shaped notes of the incipits should be sung slightly faster than the round notes. All three movements contain changing meter but the measures have no written time signatures. This should help to visually create fluid chant-like phrases without always feeling a strong beat at the beginning of each measure. The bookends of the mass, Rex, Requiem and The Chorister’s Prayer, are identical musically except for the Amen section of the latter. Both movements were composed in memory of a mentor and dear friend of mine, Dick Young. The text Rex, Requiem, originally titled Epitaphium Angilberti (The Epitaph of Angilbert), was written by Angilbert (c. 740-814) for his own headstone. I have substituted the name Angilberti for the Latin translation of Richard, Ricardus, to pay homage to my friend. Although this mass was not intended to be a requiem, the first movement lends itself to that genre. One can personalize the Rex, Requiem by replacing a different name as I did, or the movement can be omitted altogether. The Anglican-chant style of Psalm 23 and the anthem, A Prayer of St. Benedict, compliment the overall ethos of the mass. All the movements are quiet reflective settings that can be sung individually but are best performed together. This Missa Brevis is suited well for a liturgical service and equally for a concert performance. The vocal lines are fluid, and the ranges are conservative making this an easily accessible work. Your choir will thoroughly enjoy singing this reverent setting. This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Missa XVII Advéntus et Quadragésima

Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templeton’s music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request.

Image on front cover: back door to St. John’s Episcopal Church, Charleston, WV.

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In loving memory of Dick Young

I. Rex, Requiem Text: Angilbert (c. 740-814) Epitaphium Angilberti

Mark D. Templeton

for SATB, a cappella

Slowly h = 50

Soprano

## 4 P & 2 w

Tenor

Bass

## 4 P & 2 w

Rex,

˙-

# & # 42 ww P ? # # 4 w˙ 2

# # F˙ . &

## F & ˙. pa

F ## ˙ . V ˙. pa

? ##

- em

˙-

˙˙

ww ..

˙ ˙

œ œ

˙-

˙ ˙

œœ œ œ

˙w

œ œ œ œ

P ˙

œœ ˙œ œ ˙ ˙

˙- . ˙ œ ww ˙

P w

P ˙

œ œ ˙

pa - ter

œ œ que

œœ ˙œ œ œ œ œ˙

œ œ œ ˙ œ ˙

˙-

rex.

us rex.

pi - us

w w

a tempo

pi - us

ter at - que

car

ter at - que

car

rex.

poco rit.

˙˙ ˙.

˙˙ w œ ww

˙˙

˙ ˙

˙-

Lex,

dus,

˙ ˙˙

œœ ˙ ˙

n ˙-

car - dus

car

˙-

n ˙w

˙ œ œ ˙ ˙

dus

car - dus

˙ ˙

œ œ n˙

˙ ˙

˙˙

œ œ ˙-

˙ ˙

œ-

ae - ter - nam

˙-

œ œ

œ œ ˙-

ae - ter - nam

˙-

œ œ

˙-

le - gum vi - tam

ae - ter - nam

˙-

œ œ

le - gum vi - tam

˙˙

œ œœ œ

n˙ ˙

œ œœ ˙ œ ˙

œ˙

˙˙

œœ œœ

˙ ˙

˙˙

a tempo

˙w P w˙

dus,

le - gum vi - tam

Lex,

car - dus,

œ œ

œ œ œ ˙

˙-

ter at

pi - us

œ œ

que

˙-

car

P w

poco rit.

œ œ

˙ w

˙ ˙

re - qui - em

œ ˙

# ˙ & # ˙˙ ... F ? ## ˙ . œ œ ˙ 5

re - qui

˙-

œ œ

re - qui - em

? # # 42 P˙

Rex,

## 4 P V 2 w

Rex,

Organ optional

˙-

re - qui - em

Rex,

Alto

˙-

ae - ter - nam

2010 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance.© Please visit MusicSpoke.com to purchase performance copies.

˙˙

I. Rex, Requiem

# & # ˙.

# & # œ œ ˙ -

il - li

# V # ˙.

? ## ˙

& &

## ##

œ œ

qui - a

˙-

œ œ

qui - a

œ œ

li da,

da,

qui - a

œœ œœ œ œ œ œ

œ ˙ ˙

con

œ œ

con

? ## w

per

# & # ww ..

con

œ œ

w˙

˙-

lex.

œ œ

w˙

œ œ ˙

˙. w

de.

, ,

con

œ œ

con

de,

, ,

con

n ˙-

œ ˙ w

˙-

ce - de

˙-

? # # w˙

˙ ˙

œ œ œ œ

w˙

w w

˙ ˙˙

˙ œ œ

, ,

ce - de

n ˙w

˙˙

˙ ˙

w ww

lu - cem sem -

˙-

˙˙

˙ ˙

lu - cem sem -

˙˙ p ˙˙

ce - de

lu - cem sem -

a tempo

˙ ˙

˙-

Lux,

, p

˙-

Lux,

œœ œœ

, p

Lux,

lex.

œ ˙

ce - de,

Lux,

poco rit.

w w

lex,

œ œ -

lex,

, p

lex,

œ œ

per

˙-

da,

lex.

œ œ

lex,

qui - a

per

a tempo

œ œ w

œ œ œ œ ˙.

# V # ˙

œ ˙-

li da,

œ ˙-

˙œ . œ ˙ œ ˙˙

? # # ˙˙ .

, p ˙

poco rit.

F ˙.

œ ˙

œ œ

li,

F ˙.

bo - na

qui es

li,

F ˙˙ . .

bo - na

œ œ œ ˙ œœ œw œ ˙

œ œ ˙

bo - na

˙˙ . ˙ .. F ˙. œ œ ˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

œ œ

qui es

œœ ˙œ œ œ œ œ˙ œ œ œ œ ˙ œ œ ˙

I. Rex, Requiem

poco rit.

qui

Pax,

lux.

? ## w

es lux.

Pax,

f˙

lux.

Pax,

rit. U # # poco w & ˙˙ œ œ www 17

? # # w˙

w Ó f

a tempo

˙-

cem

pa - cem

˙- .

˙˙ .

˙ œ

## P & aw -

# # P˙-

# rit. & # a ww P ? # # w˙

˙-

n˙

˙ w˙

˙˙

˙-

na,

b ˙-

˙-

pax.

˙-

pax.

˙˙

na,

˙ ˙

˙˙-

˙˙

quo - ni - am

˙˙

b ˙˙

˙˙

˙w

- li

per

quo - ni - am

P ? # # ww

˙-

decresc.

˙˙

˙˙ ˙

˙w w

ww ˙˙

p W p W W

pax.

˙-

per - pe - tuam

pe - tuam

, , ,

per - pe - tuam

pax.

il - li

quo - ni - am

˙-

na,

˙-

na,

pe - tuam

quo - ni - am

per

p W

˙-

cem

il -

˙-

rit.

## P & w

˙˙ .

˙ ˙˙

˙- .

f˙

decresc.

pa - cem

Pax,

˙ œ w

˙-

f ˙

# ˙. V # ˙ qui

f w

lux.

a tempo

W W p W W W

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n ˙˙

˙˙ ˙˙

For Roger Wolfe and Bob Morris

II. Kyrie # # Freely V œ œ œ œ ˙.

Cantor or Small Section

Ky - ri

## p & ˙ ˙ ˙ 2

## p &

˙ ˙ ˙

## p˙ ˙ ˙ V Ky - ri -

Ky - ri -

p ? # # ˙ ˙w..

Ky - ri -

˙ ˙

œ ‚‚‚œ ‚ œ œ œ œ w ‚

# # Freely œ ˙ V

˙ -

i - son.

w e

˙ œ œ œ œ œ œ œ ˙- ˙ ˙ ˙

˙ ˙

œ œ œ ww-

# & # ˙ ˙˙ ˙ ˙˙ ˙ p œ œ œ ? # # ˙w . ˙ . 2

Organ optional

for SATB a cappella

Slowly h = 60

Ky - ri -

Mark D. Templeton

e -

˙w n ˙

e -

ww w w

˙˙

œ aœ ˙ -

wœ œ ˙

- le -

œ w- . le

- le -

- i

˙ ˙ - i

n ˙-

- le -

son.

œ ˙ ˙ n ˙ n ˙˙

œw œ œ œ œ˙ œ œ ˙ ˙ œœ a œœ ˙ œœ w˙ n ˙ w ˙

ww w w

n˙

œ w-

- i - son.

W W

- i - son.

˙w . ˙ ˙ n ˙˙ w˙ ˙ ˙ n ˙˙ n ˙˙

n W˙ w . U wW w W u

Can.

Chri - ste

Slowly

e -

h = 60

## F ˙ w& 8

œ ‚‚‚œ ‚ œ œ œ œ w ‚

œ œ ˙ w

Chri - ste

˙- ˙

Chri - ste

˙- œ œ w

## F & ˙ w#F V # ˙ w

˙ œœ˙

Chri - ste

F˙ ? # # ˙ ˙-w œ œ w˙ ˙ # & # 8

- le

i - son.

p ˙ œ œ œ œ œœ ˙ ˙ ˙ ˙ œ e - le i p ˙ ˙ ˙ ˙ œ w. - - n ˙i e - le p œ aœ ˙ œ w ˙ w ˙ ˙ e -

Chri - ste

˙˙˙ F˙ ? ## ˙

nw.

son.

˙ ˙ ˙ ˙

n ww-

i - son, e - le - i - son.

p˙ n ˙ œ w w œ ˙ œ ˙ ˙ n ˙ n ˙˙ e -

www ˙˙ ˙œ œœ ww˙ ˙ ˙ œ œ ˙ ˙ w w w

˙˙ ˙˙ ˙-˙ ˙˙

n w-

i - son, e - le - i - son.

˙˙ œw œ œ œ œ˙ œ œ ˙w . ˙ ˙ n ˙˙ p˙ n ˙˙ œ a œ œw œ ˙˙ œœ w˙ w˙ ˙ n ˙˙ n ˙˙˙

n Ww .

˙˙ ˙˙ ˙˙ ˙˙ ˙ ˙ ˙ ˙

n Ww n ww

w U ww w

II. Kyrie 14

Can.

## P & ˙ ˙ ˙ w Slowly

œ œ w

# #P˙ w

Ky - ri

w˙ ˙˙ ˙ ˙ w

wœ œ ˙

œw œ ˙ wwœ ˙ œ

(e)

˙.

œ w

œ œ w

w -

F˙ ? ## ˙

˙ ˙ w

# & # ˙ F˙ ? ## ˙

w˙ ˙ w

Ky - ri

œw œ ˙ œ ˙ ˙ n ˙ n ˙˙

˙˙

wœ œ w˙˙ n ˙˙

e -

p˙ n ˙ w

œ œ œ˙ œ œ œœw a œœ ˙ œ ˙ œ

˙w . w˙

- son.

n ˙-

son.

W W

i - son.

˙ n ˙˙

n W˙ w . U wW w W u

˙ ˙ n ˙˙ n ˙˙

œ œ ˙ œ ‚‚‚œ œ œ ˙ ‚‚ œ œœ œ w

i - son.

p ˙ œœœ œ œœ ˙ ˙ ˙ ˙ ˙ w œ e - le - i p œ œ ˙ ˙ ˙ ˙ ˙ œ w. n˙ e - le - i p œ aœ ˙ œ w œ ˙ œ w ˙ ˙ -

Ky - ri

˙ œ œ ww

w˙ ˙

h = 60

Ky - ri

# # F˙ V

Ky - ri - e

## F & ˙

œw œ ˙ ww

˙ œ œ ˙ œ œ œ

Slowly

Ky - ri

Freely

## F & ˙ 22

P˙ ˙ ? # # ˙ w ˙ œw œ ˙ ˙ P ˙ ? ## ˙

˙ œ w

Can.

## P & ˙ ˙ ˙ ˙. Ky - ri

œ ‚‚‚œ ‚ œ œ œ œ w ‚

h = 60

Ky - ri

œ œ ˙

œ œ œ ˙

Ky - ri - e

Freely

w œ œ ˙ œ ˙

w œ ˙ œ

p ˙

(e)

p ˙

p œ w.

(e)

- le

i - son.

˙.

œ w

œ œ w

w œ œ ˙ œ ˙

(e)

œw œ ˙

˙˙ w˙˙ œ œ ˙ w œ ˙ œ

p˙ ˙ w.

w œ ˙ œ

œw œ ˙

ww˙

œw œ ˙ wwœ ˙ œ

(e)

ww˙

wœ œ ˙

wœ œ ˙ ˙ w˙ p wwœ ˙ œ w˙ ˙ .

˙˙ w˙˙ œ œ ˙ w œ ˙ œ

wœ œ ˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

II. Kyrie

# & # ˙

e -

œ œ œ œ œ œ œ ˙ -

e -

## w

e -

n˙ ? # # w˙ 26

? ##

e -

˙˙

œw œ ˙ -

œw œ œ œ w˙˙ n ˙˙ wœœ a œœ

le -

œ w- .

œ w-

œ ˙

˙ n˙

œ aœ ˙ -

œ˙ œ œ ˙˙ œœ

le -

˙w . w˙ ˙

son.

˙-

- i

˙˙

- son,

˙˙

˙˙-

˙˙

˙ ˙

W ˙ ˙˙ ˙

˙ ˙˙ ˙

n˙ ˙˙ ˙

- i

n ˙˙

W ˙ n ˙-

˙ n˙

W ˙

- i

le -

n ˙˙

- son,

e - le - i

˙˙ ˙

n w-

son.

W w

son.

nW W

U U

son.

n Ww

W W

nW -

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

W W

For Brenda Vanderford

III. Psalm 23 Mark D. Templeton

for SATB a cappella

In the style of Anglican Chant

S. A.

˙ ˙

˙˙

1. The Lord is my

T. B.

? ##

w w

## p & ww

˙˙

3. He re - storeth my

w w f

? ##

w w F

˙˙

˙w ˙

shall

not

˙˙

soul:

w w p

## F & w w ? # # ww F

He lead - eth

˙˙ ˙˙

œœ œ œ

˙˙ . . P

˙˙ ˙˙

w w F

˙˙ ˙ ˙

˙ ˙ ˙ ˙

œœ

˙˙

œœ

˙˙

˙ ˙˙

œ˙ ˙ . # ˙

for his

name's sake.

˙ ˙ ˙ ˙

F ˙ ˙˙ ˙˙ wœ ˙ .

(normal time)

˙˙ ˙˙ ˙˙

, F ˙˙ ..

for thou art with me;

me be - side the still waters.

He leadeth me in the paths of righ - teous - ness

, p ww w w p

œœ

ww P

I will fear no evil:

w w

˙˙ ..

4. Yea, though I walk through the valley of the sha-dow of

? ##

want.

(normal time)

P ww

## p & N ww

(chanting)

F ww

w w

˙˙ P

œœ ˙˙ ..

in green pas - tures;

? # # ww p # & #

˙œ œ ˙˙

(normal time)

2. He maketh me to lie down

f w

shepherd;

˙˙

F ww

w w

˙w F

˙ poco rit.

œœ

thy rod and thy

˙˙ . . F

death,

œ œ

˙˙ ˙˙

staff they com - fort

˙˙ ˙ ˙

˙ ˙

ww me.

poco rit.

2010 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. © Please visit MusicSpoke.com to purchase performance copies.

˙ ˙

III. Psalm 23

f w

˙˙

w w

˙˙

5. Thou preparest a table before me in the presence of mine enemies:

w w f

? ## ## F & ww

œœ

, œ œ

Thou anointest my head with oil; my

w ? ## w F

## P & ˙˙ ..

˙œ œ ˙˙ cup

˙˙

(normal time)

run - neth

˙ ˙

œœ ww

˙˙

p ww

for

˙ ˙

rit.

˙˙ ˙˙

œœ ˙˙ œ ˙ œ ˙

˙ ˙ ˙ ˙ rit.

˙˙ ˙˙

Glory be to the Father and to the

w ? ## w f

œ ˙. ˙ ˙

˙˙ ˙˙

life:

˙˙ ˙˙ ˙˙

And I will dwell in the house of the Lord

## f & w

ov - er.

˙ ˙˙ ˙˙ wœ ˙ .

œ ww œ

? # # ˙˙ . . P

˙ ˙

œœ ˙˙ ..

(normal time)

6. Surely goodness and mercy shall follow me all the days of

## P & ˙˙ ..

˙˙

˙w

ww -

er.

w w

F ww

˙œ œ ˙˙

Son,

And

w w F

(normal time)

˙ ˙

the

˙˙

˙ ˙˙ œ˙ ˙ . # ˙ Ho - ly

˙ ˙ ˙ ˙

Spi-rit.

˙ ˙

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˙ ˙

III. Psalm 23

## P & N ww

(normal time)

˙˙ ˙˙ œœ ˙˙ ..

As it was in the be-gining is now and ev - er

? ##

w w P

## F & ˙˙ ..

œœ

World with - out

? # # ˙˙ . . F

œ œ

˙˙ end.

˙˙

, ,

˙˙ ˙˙

shall be,

˙˙

PU ww

rit.

˙˙ A

˙ ˙ rit.

w˙ -

w w

˙ -

men.

U w

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

For Wes Rickard and Don Gardner

IV. Sanctus # V # ˙ ˙ œ w

Cantor or Small Section

San

## p w. &

## Ó p & ˙ ˙˙ Sanc ## Ó p V w ˙ Sanc

Sanc -

p ? ## Ó w . 5

Organ optional

? ## 12

# & #

Sanc -

? ## &

San

? ##

˙ ˙ w

w w w

tus,

˙ ˙

˙ w.

- tus,

W˙ w . w W

Do - mi - nus

˙ ˙ -

mi - nus

Ó ˙ ˙ ˙˙ F Ó ˙ ˙˙ w

Sanc -

˙˙ ˙˙

- us

De -

˙ -

Sanc -

fœ - ˙ ˙ ˙

- us

Sa -

˙- .

˙˙ ˙ œ .

˙ ˙ w

˙ -

˙-

˙˙ ˙w ˙ ˙˙ f w ˙ œ˙ œ ˙˙ ˙

w w w

tus,

˙ ˙

- tus,

˙. œ

- tus,

˙ ˙

- tus,

˙w ˙ w˙ ˙

w w

˙. œ ˙ ˙

pU œœ ˙ ˙ w poco rit.

˙-

ba - oth.

w. Ó ˙ ˙ ˙˙ p Ó ww . ˙

œœ˙

- us

œ œ ˙œ œ ww

œ˙ œ w˙

˙- ˙

p Ó w.

f ˙- w

Sanc -

- tus,

p Ó ˙ ˙˙ Sanc p Ó w ˙

Sanc

˙ ˙ U w

f ˙- ˙ ˙

œ œ œ œ w-

De -

w˙

- tus,

- us

œ- œ w ˙-

tus,

De -

˙ ˙œ œ ˙˙ w˙ ˙ wÓ ˙ w˙ u P w w œ ˙ . ˙ ˙ w Ó ˙ w

w˙-

˙ ˙ w

P˙ Ó w

U w

F Ó ˙- ˙ ˙

˙ ˙

p w.

Sanc -

w W

˙. œ ˙ ˙

Do - mi - nus

W˙ w .

Do - mi - nus

˙w ˙ w˙ ˙

Do-mi-nus De - us Sa

ctus

œœ˙ ˙ ˙ ˙ w Sanc - tus, P U w Ó ˙ ˙. œ w

F Ó ˙- ˙ ˙ w

˙ ˙

Sanc

sanc - tus,

- tus,

sanc-tus,

P w

˙. œ

San

sanc - tus,

- tus,

F Ó ˙ - ˙ ˙

˙ w.

ctus,

œœ œ œ œ ˙ œ ˙ œ œ ‚‚ œ œ w

˙ ˙ œ w

w w

# V # w

ctus,

w. Ó ˙ ˙ ˙˙ p Ó ww . ˙

sanc - tus,

˙ œ w œ œ

Slowlyh = 60

Mark. D. Templeton

for SATB a cappella

Freely

˙.

œ œ ˙ ˙

˙˙ .

pU œ ˙. œ w ba

oth.

pU w

oth.

pU w

- ba

oth.

w -

oth.

œ œœ ˙˙ ˙ œ ww . pU œ˙ œ ˙ w ww ˙ w

2014 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. © Please visit MusicSpoke.com to purchase performance copies.

IV. Sanctus 17

œ œ œ œ œ œ ‚‚ œ œ œ œ œ œ w œ œ œ œ œ œ œ œ ˙

Ple-ni sunt

## P ˙ &

## P & w

Ple - ni

Ple

# # P˙ . Ple

Pw ? ##

Ple

# & # w˙ P ˙. ? ## 20

## F & w

cae - li et

ter - ra

glo-ri - a

tu - a.

sunt

˙.

ni sunt

sunt

˙.

œ w˙

cae

œ œ ˙

ple - ni

˙.

n˙

sunt cae - li,

œ w -

cae - li,

˙ œ

ple -

œ œ sunt

cae

li,

˙˙

œœ œœ ˙˙

w˙

# & # Ó

F ˙

? ## Ó F ˙

glo

# & # w Ó F ? ## Ó

- a

ri -

nœ œ

glo - ri -

glo

- a,

san - na

in ex - cel - sis.

glo - ri -

- a,

tu -

œ œ

˙.

˙w ˙w

nœ œ

˙˙

w˙

sunt

cae

œ œ œ

ter

˙˙

W˙ w .

w˙ .

œ ˙œ œ

f ˙-

- a.

˙œ œ

œ˙ œ ˙˙

˙.

tu - a.

˙˙ . ˙ ˙

˙ œ ww ˙ ˙

tu - a.

ter - ra

ter

œ œ ˙ ˙

li et

glo - ri

˙w

˙.

- ra

˙˙ . ˙ œ ˙ a ˙˙

suntcae - li

cae

n w˙

œ ˙ a˙

glo - ri - a

ter -

œ w

glo - ri

- ni

œ œ

œ œ œ œ‚‚ œ œ œ œ ˙ ‚‚ œ œ œ œ œ œ w

h = 60

Slowly

Freely

˙˙ .

˙ f œ Ho

˙ œ

f ˙-

˙-

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

˙-

œ œ ˙

˙ -

˙ ˙w

˙˙ f w ˙

˙-

˙˙

œ˙ œ ˙˙

IV. Sanctus

# & # ˙ 28

œ œ ˙ -

san

œ w

## œ œ ˙

˙.

? ## ˙ -

# ˙ & # ˙. 28

w san

˙.

san

Slowly

na,

œPw

w˙ .

œ œ ˙

˙.

ho - san -

ho - san - na,

na,

œ œ ho

˙w

˙ œ

˙˙ .

P œ ˙w ˙

w˙

## Ó P ˙ V ? ## Ó # & # w Ó P ? ## Ó

œ ˙ aw

cel

- na in

˙.

san

P˙

dic

nœ œ

w ˙w ˙w

Be - ne

nœ œ

dic - tus

˙ -

tus

a˙

tus

dic - tus

˙w ˙˙

˙ w˙

˙ a˙ ˙

qui

cel

in ex - cel

w˙ .

sis.

˙˙ . ˙ œ ˙ a ˙w ˙

cel - sis.

œ œ

W˙ w .

œ œœ œœ ww

U w

œ œ œ œ ‚‚ œ œ œ œ ˙ ‚‚œ œ œ œ œ œ w -

san - na

˙ -

nit

ve - nit

œ œ

qui

nit

qui

nit

qui

˙œ œ ˙˙ w ˙

w˙

w w

in ex - cel - sis.

F w

œ œ ˙

œ˙ œ

- sis.

˙˙

in ex

œ œœ n w˙

œ œ œ

san - na

œœ œœ ˙˙ ˙.

n˙ -

h = 60

## Ó P & ˙

P ˙ ˙

Be-ne - dic - tus qui ve - nit in no - mi - ne Do - mi-ni.

na,

œ œœ w˙

Be - ne

œ œ ˙

œ œ œ œœ œ œ œ œ œ ˙ œ œœœœœ œ œ ˙

P ˙.

Freely

## P & w 35

san

œ œ ˙ ˙ ? ## ˙ 32

P ˙ ˙ ˙

nœ œ

F ˙

F˙

˙w

Ów F Ó

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

no - mi -

˙w

nœ œ

IV. Sanctus 39

# & # ˙ -

˙ -

œ˙ a œ ˙˙

œ œ ˙

˙.

# ˙ V #

˙ ? ## w

œ œ

œœ œœ ˙˙ ˙

œ œ

˙˙ wf ˙

œ ˙ a˙

cel

- na, ho - san - na

˙.

san - na,

san

w˙ .

˙w

œ œ˙ œ

W˙ w . ww.

w ˙

w˙ .

na,

cel

n Ww

˙w . w .

pU sis.

W pU W sis.

pU W -

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

ho -

˙ ho -

˙˙ . ˙ œ P œ ˙w ˙

sis.

na,

w. -

P œ w

- san

P ˙

˙.

P ˙. na,

- san

œ œœ ˙w

˙ -

- san

œ˙ œ ˙ ˙

œ w

˙ ˙.

- san

˙ ˙

˙˙

˙-

ho-san-na

˙.

P ˙ ˙ ˙

œ œ ˙

œ˙ œ ˙˙

˙-

œ œ ˙ ˙

œ œ œ w.

˙˙ . ˙ œ ˙ a ˙˙

n w˙

˙-

˙ œ

Ho -

˙˙ .

w -

f œ

˙ œ ww ˙ ˙

f w-

˙.

n˙ ˙

˙ ˙

ho - san -

# & # w˙

˙˙ .

˙œ œ

? ## w

Do - mi - ni.

˙˙

œ w

mi - ni.

# & # ˙

san - na,

f ˙-

˙-

Do - mi-ni.

œ œ ˙

san - na,

˙.

mi - ne

? # # ww

mi - ni.

# & # ˙˙ ˙˙

œ œ

œ aœ ˙ ˙

mi - ne

? ## ˙

f ˙-

sis.

W W p U W W

For Bob Kelly

V. A Prayer of St. Benedict for SATB a cappella

Text by St. Benedict (480-547 C.E.)

With Devotion h = 66

## 4 P & 2 w

Soprano

## 4 P & 2 w O

Alto

& &

˙-

cieve thee,

# # ˙V

cieve thee,

? ## ˙

# & # ˙˙

cieve thee,

˙ ? ## ˙

˙-

˙˙ ˙˙

˙˙

˙˙ .. ˙ ˙

Di - li - gence

Di -

P ˙

˙. -

˙-

Fa - ther

œœ ˙˙

œ œ œ to

œ ˙

seek

give

F Ó ˙ F w-

wseek

˙-

thee,

li-gence

seek

œ ˙

œ ˙ œ ˙

œ œ ˙

˙w

#˙. w

˙w

œ w w

˙- .

˙. us

˙.

˙ œ

˙˙.

F ˙- w

Pa - tience

F˙

˙˙ F ˙ w

˙.

to per -

œ œ œ

wis - dom

to per -

œ œ

wis

dom

to per -

wis

dom

to per -

˙˙. ww

œ œ

˙ . œ ˙ œ œœ œœ ˙˙ œœ œœ

œ œ œ w- . to

wait

for

wait

for

tience to

wait

for

w˙ . w

dom

˙ -

˙-

œ œ

Pa - tience

œ ˙

wis

F ˙ ˙ -

thee,

˙˙

thee,

seek

˙˙

thee,

œ w

œ œ #˙. -

œœ œ˙ œ

give

F Ó w

˙˙

˙-

F Ó ˙

˙˙

F ˙

give

œ ˙

- li-gence to

œœ œœ ˙˙ .. ˙. ˙.

˙ ˙

˙-

Fa - ther

ho - ly

P œ- œ ˙ .

P Ó œ- œ ˙ . P ˙-

œ ˙- ˙ ly Fa - ther

˙-

ly Fa - ther,

ho - ly

˙ ˙

P Ó ˙- .

œ ˙-

˙- .

gra - cious

# & # 42 ww P ? # # 4 ww 2

˙-

gra - cious

P ? ## 4 w 2

Organ optional

˙-

˙- .

gra - cious

Bass

gra - cious

# # 4P V 2 w

Tenor

˙-

Mark D. Templeton

œ œ w

œ œ˙ œ ˙

˙ œ œ

2010 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. © Please visit MusicSpoke.com to purchase performance copies.

ww.

w w

w ˙ ww

V. A Prayer of St. Benedict

# & #

P w- .

Eyes

thee,

˙-

thee,

Eyes

# V # w

thee,

P w-

˙-

œ œ

˙-

to be - hold thee,

œ œ

Eyes

˙.

be - hold

thee,

˙.

? ## W # & # W W ? # # wW

œ œœ ˙w . w P œ N˙. w œ ˙. w

thee,

Eyes

˙-

# & #

poco rit.

# V # w

# & # w ˙ ? # # ww

nw.

thee,

p ˙ b˙ thee,

? ## w 15

p nw

thee,

w. w.

thee,

P œ œ ˙and a

œ œ ˙

w- .

Heart

f˙

Heart

œ a

˙˙ f ˙ . ˙ œ w

n ww . . ww ..

Life,

and a

Life,

n w˙ w n ˙

˙œ œ

w. w

me - di - tate

Heart

˙ ˙

˙-

life

Life,

˙w ww

˙ a

P œ œ w œœ œœ P œœ œœ

˙ a˙

P œ œ w-

a tempo

ww p n w˙ b ˙

n ˙-

œ œ w-

and a

poco rit.

˙˙ nw ˙

Heart

n˙

me - di - tate

˙˙

˙ ˙

˙˙ ˙˙

a tempo

p w

be - hold thee,

f ˙ a

œ n w-

P w-

to be - hold thee,

N˙.

f ˙

life

˙˙ ˙ a˙ ˙˙ ˙˙

w˙ ww

˙ to

˙˙ ˙˙

w- .

˙-

œ œ w

˙˙

ww . ˙ w

w ˙

pro - claim

˙ ˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

œ œ w w

V. A Prayer of St. Benedict

# & #

thee.

# V # w

thee.

F ˙- .

# & # w w

n w-

# & # Ó V

the

pow'r

ww ˙ w

œœ œ œ

the

˙.

the

˙˙

˙˙.

pow'r

˙.

˙ œ

ww .

œ ˙

œ œ œ

˙. -

œ œ

P ˙

spi - rit,

P -

sus

n˙

P ˙

˙-

Je - sus

˙-

P ? ## Ó n˙

# & # nw Ó

˙-

spi - rit,

˙ . œ ˙ œ œœ œœ ˙˙ ˙

n w-

our

Lord.

n w-

Christ

our

nw.

Christ

Je - sus

˙-

Je - sus

Christ

our

˙˙ ˙˙

Lord.

A -

Lord.

? ##

˙ n˙

˙w ˙ ˙

˙ ˙ ˙

n ww w w

ww w w

W W

aW W

W Ó

pU W

- men.

nw.

- men.

A -

n Ww .

- men.

pU W

n˙

spi - rit,

rit.

œœ

F ˙Ó .

? # # ww

pow'r

Through the

Through

œ œ wThrough the pow'r F Ó œ œ ˙- ˙

? ## w

thee.

Through the

thee.

F œ

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W W p W W

Ó ˙ P Ó

For Rob Psurny and Daniel Newman

VI. Agnus Dei # V # ˙ œ œ œœ w

Cantor or small section

A - gnus De

Slowly

## P V w. A

Organ optional

gnus

˙ ˙

gnus

P ? ## w .

# & # ww . P ? # # ww .. 4

## P & w A

qui

tol - lis pec - ca - ta

h = 60

## P & w. 4

œ ˙ œ œœ œœ œ œ w ˙ œ œ

gnus

˙˙ ˙˙

# & # ˙ ˙ ˙ ˙

˙ ˙ ˙

De -

˙ ˙ ˙

˙˙

œ œ ˙

W˙ w . w W

## -

˙. œ w

# V # w -

? ## w -

mun - di:

mun-di,

˙ œ œ

mun-di:

mun - di, mun - di:

# & # ˙˙ . ˙ œ ˙w ˙ ww w ? ## w

˙ œ œ

# W˙ w . ww ˙˙

œœ œœ

˙w . w

ww ..

˙w.

P Ó w

P ˙- w ˙

# ˙- w .

˙w ˙

w Ó ˙ F Ó ˙

œ œ ˙- ˙

pec

f˙.

œ w-

- lis

pec

lis

pec

tol

˙˙ ˙˙ ˙w ˙ f œ ww w˙ .

œ œ ˙w ˙ ˙

˙ ˙ ˙

se - re - re

Ó ˙ P Ó

œ œ œ œ w-

˙ ˙ ˙

P Ó w P

lis

f ˙- ˙ w-

˙ ˙

se - re

˙ -

˙˙

˙ ˙ ˙ -

bis.

˙-

no -

œ œ w-

- bis.

˙˙ ˙˙ ˙˙

˙˙ ˙˙ ˙

w˙ ˙ ˙˙

no -

˙ ˙ ˙

se - re - re

w˙ ˙ ˙ ˙

bis.

f ˙- ˙ ˙ ˙

˙œ œ ˙œ œ ww

pec

tol -

qui

- lis

œ ˙

qui

- i,

tol

F ˙- w Ó

tol -

F Ó ˙- ˙ .

mi-se- re - re

qui

- i,

De -

- i,

œœ w

De -

F Ó ˙- w

˙ w.

˙˙

qui

œ œ œ œ œ œ œœ w

mun-di:

˙ ˙

- i,

De -

Mark D. Templeton

for SATB a cappella

Freely

2010 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. © Please visit MusicSpoke.com to purchase performance copies.

- bis.

œ œ ˙

bis.

W˙ w . U w w W u

VI. Agnus Dei

# #Freely V œ œ œ œ œ œ w 17

Can.

A - gnus De

De -

tol - lis pec - ca - ta

## P V w

# & #

gnus

De -

P ? ## w

- i,

˙ ˙ ˙

qui

- i,

œœ w

De -

œ w

˙ ˙

˙w ˙ P ? # # ww

˙œ

# & # ˙ ˙ ˙ ˙

˙˙

œ ww

qui

tol -

FÓ ˙ w

œ œ ˙

w W

## -

˙. œ w

# V # w -

mun - di:

? ## w -

mun-di,

w w

˙ œ œ

mun-di:

mun - di, mun - di:

# & # ˙˙ . ˙ œ ˙w ˙

˙ œ œ

w ? ## w

# W˙ w . ww ˙˙

P ˙- w ˙

# ˙- w .

œœ œœ

˙w . w

ww ..

˙w ˙

Ów ˙ F ˙ Ó

˙w.

P w

œ œ ˙- ˙

f˙.

pec

œ w-

- lis

pec

lis

pec

tol

œ œ ˙w ˙ ˙

˙ ˙

˙ ˙ ˙

se - re - re

se - re

˙ -

˙ ˙ ˙

se - re - re

w˙ ˙ ˙ ˙

˙˙

˙˙ ˙˙ ˙˙

w˙ ˙ ˙˙

pec

˙˙ ˙˙ ˙w ˙ f œ ww ˙ w.

˙ ˙ ˙

Ó ˙ P Ó

lis

˙ ˙ ˙

P Ó w P

˙œ œ ˙œ œ ww

bis.

f ˙- ˙ ˙ ˙

- lis

œ ˙

f ˙- ˙ w-

tol

qui

W˙ w .

œ œ œ œ w-

˙˙

tol -

˙- w

- i,

mi-se - re - re

qui

œ œ œ œ œ œ œ œ w

mun-di:

F Ó ˙- ˙ .

- i,

De -

˙ w.

A - gnus

qui

˙ ˙ ˙

A - gnus

Slowly h = 60

## P & ˙ ˙ ˙ A - gnus P # & # w ˙ 20

œ ˙ œ œ œ œ œ œ œ w œ œ ˙

˙ ˙ ˙ -

U -

bis.

˙-

no -

œ œ w-

- bis.

˙˙ ˙˙ ˙

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

- bis.

œ œ ˙

bis.

W˙ w .

w W u

U w

VI. Agnus Dei

#Freely V # ˙ œ œ œ œ w 33

Can.

A - gnus De

Slowly

## p & w A

## p V w. p ? ## w . A

gnus

˙ ˙

gnus

# & # ww . p ? # # ww .. 36

qui

tol - lis pec - ca - ta

h = 60

## p & w. 36

œ ˙ œ œ œ œ œ œ œ w œ œ ˙

˙˙ ˙˙

# & # ˙ ˙ ˙ ˙

˙ ˙ ˙

De -

- i,

˙ ˙ ˙

De -

˙˙

w W

## -

˙. œ w

# V # w -

mun - di:

? ## w -

# ˙- w .

mun -di,

w ˙ œ œ

mun-di:

mun - di, mun - di:

# & # ˙˙ . ˙ œ ˙w ˙

? ##

# W˙ w . ww ˙˙

œœ œœ

p ˙

˙- w

mun - di, mun - di:

w ˙ œ œ

tol -

w˙ . w

ww ..

Ó Ó ˙ p Ó

p w

do -

p w

˙w ˙ ˙w.

pec

œ œ ˙- ˙ F˙- .

œ w-

- lis

pec

lis

pec

lis

˙ -

˙œ œ ˙œ œ ˙ œ œ ˙ ˙

˙˙ ˙˙ ˙w ˙ F œ ww w˙ .

˙w ˙

no - bis

˙ ˙ ˙

no - bis

˙ ˙ ˙

pa -

no - bis

pa -

œœ -

- cem.

˙ ˙ ˙

no - bis

˙˙ ˙˙ ˙˙

˙˙ ˙˙ ˙

do -

˙w ˙ ˙˙

pec

F ˙- ˙ w-

˙ ˙ ˙

do -

tol

˙ ˙ ˙ -

- cem.

F ˙- ˙ ˙ ˙

- lis

œ ˙

qui

tol

P˙- w Ó

Ów ˙ P ˙ Ó

œ œ œ œ w-

qui

W˙ w .

do-na no - bis

tol -

˙- w

- i,

œ œ ˙

˙ ˙

P Ó ˙- ˙ .

mun-di:

qui

- i,

œœ w

De -

qui

˙ w.

De -

œ œ œ œ œ œ œ œ w

˙˙

w˙ ˙ ˙˙

˙ ˙ ˙ -

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cem.

- cem.

œ œ ˙

cem.

W˙ w .

w w.

P˙ A-

P w˙

VI. Agnus Dei

P ˙

# & # Ó 49

A -

# & # Ó

˙P ## Ó ˙. V

A -

? ## ˙ -

# & # Ó

pU W

molto rit.

˙ w

W-

˙ -

- men,

n w-

˙.

men,

œ ˙-

˙- .

œ ˙ -

A -

˙-

w -

A -

˙.

- men,

˙- . ˙-

- men.

œ w

pU W

men.

˙ -

œ w

men,

œ œ

men,

? ## ˙

˙˙.

˙w

˙. œ ˙ œ

n Ww ˙˙ .

wœ ˙

˙œ œ

˙W.

˙˙ .

œ w

˙ œ ˙w

pU W

men.

˙˙

men.

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W W p U W W

In loving memory of Dick Young

VII. The Chorister's Prayer Text attributed variously to Sir Sydney Nicholson (1875-1947) or Cosmo Lang (1864-1945)

(Bless, O Lord, Us Thy Servants)

Mark D. Templeton

for SATB a cappella

Slowly with Devotion h = 54 Soprano

## 4 P & 2 w

˙-

Bless,

Alto

## 4 P & 2 w. ## 4 P V 2 w.

Bass

# & # 42 Organ otpional

# # F˙ .

˙ ˙

œ ˙

œ œ

ni - ster

in thy

œœ ˙œ œ œ œ œ œ

? ## F œ œ ˙

ni - ster

# ˙ & # ˙˙ ... F ? ## ˙ . œ œ ˙

œ ˙ œœ œœ œ œœ œœ

mi - ni - ster

˙-

Lord,

w ww ..

˙ w

in thy

œ œ in thy

œ œ œ œ œ œ œ ˙

ple.

˙- . w ˙ ˙ œ w

ple.

tem

ple.

poco rit.

w˙ ˙. w˙

˙ œ www ˙

œ œ

œœ œ œ

˙w

˙ ˙

thy ser

œ œ œ œ

P ˙

œ œ

˙-

n ˙-

œœ

ser

thy

˙ œ œ

vants, thy

˙ ˙

˙-

Grant

P w

that whatwe

Grant

P ˙

Grant

˙-

œ œ

˙-

œ œ

˙-

œ œ

˙˙

œ œœ œ

that whatwe

a tempo

˙w P ˙w

˙ ˙

˙˙

œœ œœ

vants, who

˙-

who

˙-

n ˙w

ser - vants,

˙ ˙

œ œ

who

ser - vants,

vants, thy

ser - vants,

vants, thy

w w

˙ ˙

a tempo

ple.

tem

œ œ

P w

tem

˙ ˙

Lord,

˙˙

us thy ser - vants,

poco rit.

œ œ œ œ œ

Lord,

ni - ster

Bless,

F # # ˙˙ . . V

## F & ˙. mi

ww . P ? # # 4 w˙ . 2

œ œ

us thy ser

Lord,

Bless,

? # # 4 P˙ 2

Bless,

Tenor

n˙

who

˙˙

w w

œ œ ˙-

sing withour lips

˙ ˙

œ- œ we

œ œ ˙-

œ œ

n˙ ˙

œ œ ˙ œ œ ˙

sing withour lips

˙-

sing withour lips

˙ ˙

2010 by Mark Templeton at www.MTchoralmusic.com This score is not licensed for performance. © Please visit MusicSpoke.com to purchase performance copies.

œ œ ˙˙ œ œ

˙ we

œ˙ œ ˙ ˙

26 VII. The Chorister's Prayer

poco rit.

# & # ˙. 9

œ- œ ˙ ˙.

? ##

œ ˙-

be-lieve

may

˙-

may be - lieve

may

be-lieve

may

? ## ˙ 9

œ ˙-

˙-

be - lieve

˙œ . œ ˙ œ ˙˙ ˙˙ .

œ ˙˙

œ œ

˙.

in our

hearts,

œ œ

in our hearts,

w˙ w w

œ œ œ œ

˙-

œ œ

in our

lieve

ww ..

˙ w

˙ ˙

our

w- .

œœ œ œ

w˙

w w.

˙-

be -

˙-

be -

˙-

be -

˙˙

, p

And what we

œ ˙

, p ˙ ˙

our hearts.

And what we

, p

And what we

And what we a tempo

œ œ

our

˙ ˙

hearts

˙-

w- .

our

˙ œ œ ˙ ˙

hearts

œ ˙ w

hearts

˙. w

n ˙-

our

our hearts.

w˙

our

our hearts,

œ œ œ œ

œ œ

œ œ œ œ w

hearts,

œ œ

hearts.

hearts,

hearts.

a tempo

poco rit.

œ œ

in our

œ œ œ œ

œœ œœ

œ œ

hearts,

? ## w

? ##

in our

# V # ˙

# & #

hearts,

lieve

# & # w.

in our

œ œ

lieve

œ œ

, p ˙

˙ w.

hearts

n ˙w

˙˙ ˙ ˙

˙˙ p ˙˙

˙˙ ˙ ˙

˙ ˙

be -

˙ ˙

F ˙.

œ ˙

œ œ

F ˙.

may

show forth

in our

F˙ . ˙.

may

show forth

may

show forth

œ œ œ ˙ œœ œw œ ˙

œ œ ˙

˙˙ . ˙ .. F ˙. œ œ ˙

œœ ˙œ œ œ

may

show forth

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œ œ ˙

œ œ

in our

œ œ˙ œ œ ˙ œ œ

27 VII. The Chorister's Prayer

poco rit.

Through

our

lives.

# ˙. V # ˙

˙ œ w

? ## w

rit. # # poco w & ˙˙ . ˙ œ

ourlives.

? # # ˙w

## P & w21

## P & a wA

# # P ˙V

? ## # & # 21

P wA

a ww P ? # # w˙

˙- .

f ˙

˙-

poco rit.

w Ó f Ó

a tempo

www

men,

poco rit.

p W

Ó Ó

men

U w

Lord.

˙-

˙ our

w˙

our

˙˙

ww ˙˙

˙˙

˙-

˙˙ -

w w

A - men,

men.

b ˙-

Lord.

˙-

A - men,

˙˙ -

W p Ó

˙˙ ˙˙

ww w w

W Ó

b ˙˙ ˙˙

Ó Ó

men.

fw.

˙ ˙

w w

men.

b ww w w

˙ ˙˙ ˙ ˙

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˙˙

f ˙-

a tempo

n ˙˙

, , ,

Lord.

decresc.

n˙

˙-

Christ

˙ œ

men,

˙˙ .

˙˙

sus

Lord.

a tempo

men,

our

Christ our

Christ

˙-

˙˙ .

sus

˙- .

f˙

Christ

Through Je

lives.

Je - sus

Through Je - sus

decresc.

Through Je

˙-

f ˙

lives.

f w

w ˙

a tempo

A -

f ˙-

f˙

f w. Ó

˙ -

˙˙

28 VII. The Chorister's Prayer

# & # ˙

# & # ˙ -

˙-

# # œ œ ˙V -

? ## ˙ -

# & # ˙˙ 25

? ##

œ œ ˙

œ˙ œ ˙w

# & # Ó

˙w

œ œ

˙.

˙-

men,

w˙

œ œ ˙ ˙

& V

## ##

b ww-

? ## W Ó

men,

# & # Ó 29

? ## W Ó

p AW Ó

men.

W w

w men.

poco rit.

˙ œ

˙˙ . P œ ˙w

Ó Ó

men,

˙ ˙

men,

men.

b wA

w- . Ó

W W

w -

π W

men.

w -

men.

π W π

W W

rit.

b www

˙˙ ˙

˙˙

. Ów

b www w

www .

W W

n˙

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W Ó

n˙

men,

w w

a tempo

rit.

A - men,

w˙ .

men,

A - men,

a tempo

P œ w

men,

poco rit.

- men.

P˙

˙.

men,

œ œœ

A -

P ˙- .

˙ ˙.

w -

P ˙

W W W π W W

men,

men, -

men,

www

˙˙ ˙