Searston Beach | Kathleen Allan | MusicSpoke

Page 1

Commissioned by the Quintessential Vocal Ensemble, St. John's, Newfoundland and Labrador, under the direction of Susan Quinn, for their performance at Podium, Ottawa, May 2012

I. Searston Beach From The Al Pittman Suite

Al Pittman

q. = 48

#6 9 6j & # 8 œ™ œ œ œ œ™ œ 8 œ™ - œ™ œj ‰ œ œ 8 œ œ mf easy, lilting

Soprano and Alto

Now in the mid - dle of

win - ter

#6 9 & # 8 œ™ œ œ œ œ™ œ 8 œ-

5

think

of the

#9 & # 8 Ϫ

beach

8

œ

waves

° ## 9 & 8 œ™ œ œ œ œ™ 10

Soprano

roll

they'd roll

with the

œ

j‰ j œ œ œ œ™ œ œ 98 œ ™ œ œ œ œ™ œ œ -

wind sweep - ing drifts

where last

68 œ

œ

and

watched

6 j œ ‰ œ œ 8 œ™ œ œ œ ™ œ™ œ™ all the

Alto

they'd roll

all the

sum - mer we ran hur- dles

œ

way to the old dead tree

° ## 9 6 & 8 œ ™ œ œ œ œ ™ œ œ œ 8 œ™ œ œ œj ≈ œ™j

œ

how they'd

‰ œ œ

way to the old dead tree,

## 9 8 œ ™ œ œ œ œ ™ œ j ‰ œ œ 68 œ™ œ œ & ¢ œ œœ œ ™ œ ™ œ™ roll

a - round our back door

they'd

œ œ they'd

o - ver the

Ϫ

œ-

roll

## 9 8 & ¢

dead

tree

be - fore go -ing back

to

they'd

œ œ œ œ œ™ œ œ 98 roll all the way

68 j ≈ j œ œ œ œ™ œ œ œ œ™ œ œ™ œ œ œ™ old

dead

tree

be - fore go -ing back

to

roll all the way

œ

œ ™ œ™ œ œ œ œ œ œ œ™

œ

take

an - o - ther run at it.

an - o - ther run at it.

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies. Copyright © Kathleen Allan 2012

to the

9 œ œ œ œ œ™ œ œ 8

œ™ œ™ œ œ œ œ œ œ œ™

take

98 â ä

œ

œ

14

old

I

U 98 ‰ œ œ 68 œ œ œ œ œ œ œ œ œ

j œ œ™

Sears - ton (nnn)

at

Kathleen Allan

to the

‰ Œ

j œ

and

‰ Œ

j œ

and


2

° ## j & œ œ œ œ œ™ œ œ œ

j ‰ j œ œœœ œ œœ œ œ œ œ

œ

# j & # œ œ œ œ œ™ œ œ œ

j ‰ j œ œœ œœ œœ œ œ œ œ

œ

e.

19

how

how

¢

? ##

we'd sit

off

we'd sit

off

˙ ™™ ˙

p

shore

and

# &#

bun - dles of

tired

œ™ œ œ œ œ œ œ ˙˙ ™™

° ## & œ™ œ œ

tired

27

# &#

œ

leav - ing our limbed

#œ ™ œ œ

œ

leav - ing our limbed

? ##

˙˙ ™™

j œ

œ

let the surf

j œ

j œ œ

sea- wood

˙˙ ™™

Ϫ

im - press

j œ

Ϫ

im - press

˙˙ ™™

-

-

œ œ

ions

œ

in

in

the

beach like

œ œ œ œ œ œj the

beach like

Ϫ

Ϫ

5:3 j nœ œ œ œ œ œ œj nœ

Ϫ

lie

spent

spent

˙˙ ™™

Ϫ

sand.

Ϫ

sand.

˙˙ ™™

the

nœ œ J

œ œ™

the

œ œ œ œ œ œj

œ™ ˙™

œ™ œ œ œ œ œ œ

ions

up

œ™ œ nœ œ

lie

e.

up

tum - ble us

œ nœ

where we'd

œ™ œ

e.

Ϫ

where we'd

œ œ

e.

tum - ble us

œ™ ˙™

sea - wood 4

bun - dles of

? ##

œ œ

e.

let the surf

Mmmm

23

¢

and

˙ ™™ ˙

Tenor & Bass

° ## & œ™ œ œ œ

¢

shore

e.

(slowly opening to "ah")

œ

bœ like

like

lov - ers

lov - ers

˙˙ ™™

Ϫ

Ϫ

Ϫ

j ‰ œ

œœ ™™ ah

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

mf

j œ

and

œœ ‰ J

mf

œ J

and

â ä


° ## mf & œ˙™™ 31

# &#

¢

Ϫ

Ooo

œ

# &#œ ‹

œ œ œ™ œ œ œ ™ œ œ œ œ ™

watched how they'd roll

they'd

roll

they'd roll

watched how they'd roll

they'd

roll

they'd roll

œ J

œ

? ## œ

œ œ

œ œ

° ## & œ˙™™ œ ™ 35

Ϫ

tree,

¢

# & # œ™ ‹ tree, ? ##

Ϫ

tree

° ## & œ˙™™

they'd

‰ œ œ

they'd

‰ œ œ

they'd

39

# &#

Ϫ

take

¢

# & # œ™ ‹ take ? ##

Ϫ

take

Ϫ

œ roll

œ

roll

œ

roll

Ϫ

Ϫ

Ϫ

Ϫ

98 œ™ ˙™

Ϫ

œ œ œ

9 œ œ 8œ

j œ

all the way

to the

dead tree

œ˙™™ œ œ

j œ

they'd roll

watched how they'd roll

# &#

œ˙™™

œ œ™ œ œ œ™

j œ

œ œ œ™ œ œ œ

œ

Ϫ

œ˙™™

they'd

roll

old

Ϫ

œ œ œ œ™ œ œ 98 œ ™ œ œ œ œ™

all the way

to the

old

dead tree

œ œ œ œ™ œ œ 9 8 œ ™ œ œ œ œ™

all the way

œ˙™™

Ϫ

œ™ œ œ œ œ œ œ an - o - ther run at

it.

œ™ œ œ œ œ œ œ an - o - ther run at

it.

œ™ œ œ œ œ œ œ an - o - ther run at

to the

it.

Ϫ

old

dead tree

œ™ œ™ ˙™

Ϫ

˙™

Ϫ

˙™

j œ ‰ œJ

mp

Ϫ

3

Ϫ

œ˙™™

j ‰ œ œ œ™ œ œ œ œ™ œ™ all the way

to the old dead

all the way

to the old dead

all the way

to the old dead

j ‰ œ œ™ œ œ œ œ™ œ œ™ j œ œ™ œ œ œ ‰ œ œ™ œ™

68 œ˙™™

Ϫ

Ϫ

œ

6 j ≈ j œ œ 8 œ™ œ œ œ œ™

œ

œ œ 68 œ™ œ œ œ ≈ œ™j J

œ

mf

j œ

like

be

-

fore go - ing back

to

be

-

fore go - ing back

to

be

-

fore go - ing back

to

œ œ 68 œ ™ œ œ œj ≈ œ™j

œ™ œ œ œ- œ

bun - dles of

Œ mp

mf

tired

j œ™ œ

œ œ

like bun - dles of

˙™ ooo

˙™

mp

ooo

œ

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


4

° ## j & œ œ

e.

43

sea - wood

# &#

Ϫ

œ œ œ -œ œ tired

¢

j ‰ œ e.

œ

sea- wood we'd

e.

let

the surf

# &#

e.

e.

nœ œ œ œ œ œn œ ™ up

the

e.

# & # Œ™ ‹ ? ##

e.

nœ œ œ bœ let the surf

∑

e.

Ϫ

up

the

nœ œ œ ™

p

tum - ble us

p

œ œ œ™

Ϫ

nœ ™

Ϫ

tum - ble us

tum - ble us

Œ

e.

beach

∑

p

ooo

j œ™ œ

mp

the

œ bœ œ œ œ œ nœ œ ™ e.

∑

œ bœ œ ™ œ ™ Œ™

up

∑

e.

e.

œ bœ œ œ œ œ nœ

∑

nn ˙˙ ™™

beach

e.

tum - ble us

tum - ble us

˙™

beach

e.

e.

œ nœ œ

the surf

e.

? ## ˙ ™

46

¢

we'd let

œ œ œ nœ œ œ œ

buoyantly

e.

j œ œ œ nœ œ

# & # ˙™ ‹

° ## & ˙™

e.

buoyantly

Ϫ

ooo

nœ ™

œ â ä

where we'd

Ϫ

ooo

œ œ œ™ œ™ tum - ble us

œ nœ œ œ nœ œJ nœ

like bun - dles of tired

nœ œ

sea - wood

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

œ œ

œ

where we'd


° ## nmp & ˙™ 50

S. 1

œ J

lie

# & # bœ ™ mp

S. 2

lie

# &#‰

# bœ ™ &# ‹ ooo

bœ œ

œ

œ

Ϫ

spent

mp

where

? ## œ™ ¢

nœ J

we'd

nœ J

like

lov -

nœ bœ

lie

where

we'd

œ

Ϫ

œ

spent

° ## ˙ ™ &

press

-

œ

# & # nœ ™ œ n œ

in

leav - ing our limbed

# & # nœ ™ ‹ ¢

? ## ˙™ ers

the

j œ

œ

f

œ nœ ™

like

lov -

ers

b˙ ™ f

lov - ers

im - press

‰ œ

œ

in

the

œ œ nœ sand

f

lov

œ™ œ ™

nœ ™ -

nœ ™

-

b˙ ™

Ϫ

sand

Ϫ

im -

˙™ œ

nœ œ

j œ

œ

f

bœ J

bœ œ nœ œ™

ions

nœ ™ bœ bœ

leav - ing our limbed

leav - ing our limbed im

Ϫ

lie

ers

Ϫ

53

# & # Ϫ

˙™

f

n˙ ™

œ

lie

Ϫ

spent like

Ϫ

nœ bœ

œ

5

press

Ϫ

in

the

-

-

U œ œ œ n˙ ™ -

ions in

the

sand

nœ ™

Ϫ

in

the

sand

Ϫ

U ˙™

œ nœ œ

U ˙™

in

sand

œ ™ nœ œ œ œ œ nœ

ions

-

U n˙ ™

sand

Ϫ

n˙ ™

˙˙™™

in

the

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

the

U ˙™ sand

ä â


6

° ## & 57

e = e

∑

∑

∑

Œ

Œ

mf

œ™ œ œ œ œ™ œ

œ œ

while the

surf

∑

∑

mp

∑

˙

woh

lean heavily on the first note of every bar releasing the tension on the second note

# &# ‹

∑

∑

mp

n-œ

˙

nœ-

˙

woh

nœ-

˙

nœ-

˙

woh

˙

nœ-

Woh

° ## & œ

woh

62

self

˙

## simile & ˙

woh

## simile & ˙ ‹ woh ? ## nœ

simile

woh

˙

œ

woh

Œ

j œ

to

woh

œ come

j œ ‰ Œ

Ϫ

˙™

˙™

a

-

gain

nœ ™ woh

woh

œ

œ

˙

˙™

œ

woh

woh

woh

˙

˙™ woh

Ϫ

˙™

˙

-Ϫ

œ œ œ œ™ œ

œ

woh

Ϫ

woh

œ

woh

˙

œ- ™

woh

lean heavily on the first note of every bar releasing the tension on the second note

?# ¢ # n-œ

Ϫ

Ϫ -

woh

¢

it -

lean heavily on the first note of every bar releasing the tension on the second note

# &#

mp

re - gath - ered

nœ woh

˙

˙™

˙

nœ woh

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

˙

Œ


° ## ™ 9 & œ œ œ œ œ™ œ œ 8 œ ™ œ œ œ ˙™ smooth - ing a - way all signs

Ϊ

67

# &#

98

˙™

# & # nœ ™ ‹ woh ¢

? ## nœ ™

œ™ nœ ™

Ϫ

98 Ϫ -

Ϫ

Ϫ

98 -œ ™

˙™

mp

œ™ œ ˙

œ œ

of our

nœ ™

woh

Ϫ

p

woh

nœ ™ p

woh

woh

° ## & ˙

Ϫ -

7

woh

eas

Ϫ

˙™

Ϫ

˙™

˙™

˙™

p

woh

woh

71

sum

# &#

nœ woh

# &#˙ ‹ woh ¢

? ## ˙ ™

-

-

œ

mer

˙ œ

˙™

˙™

˙™

˙™

˙™

˙™

˙™

˙™

˙™

˙™

˙™

œ

pleas

-

˙

ures

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

-

y


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