The Promise of Three Moments | SATB/Pno | Robert Cohen | MusicSpoke

Page 1

The Promise of Three Moments for SATB Chorus & Piano

Music by Robert S. Cohen Lyrics by Ronald W. Cadmus Piano/Vocal

Leapfrog Productions 303 Upper Mountain Ave. Upper Montclair, NJ 07043 Ph: (973) 783-9192 bob@robertscohen.com www.robertscohen.com

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


The Promise of Three Moments The future is so near As each approaching second Brings “tomorrow” into "now" Then steps into the “past.” Moments, each that birth a dream, come true, remembered: Eternity, imagination, the chronicles of time. All live and move in thoughts we breathe, inhaling innovations in the whispers of an instant. Time speaks to us in silent thoughts stirs the mind to gaze at stars and blaze a trail upon the constellations. In just three moments we seek the dawn that breaks with new discoveries that leads us to conceive

Fresh dreams and passions, surprising myst’ries like wings unfolding in a chrysalis Things unimagined reveal their secrets and vow their sweet betrothal with a kiss. Learn from the lessons of the past to make the world a better place. Then shape your visions to inspire all the human race. and live, and live, and live, The promise of three moments: Eternity, imagination, the chronicles of time!

what life can be. Within our mind, our soul, our heart, is bursting the brilliant light so we might see what yet can be. Light lives and moves in thoughts we breathe, inhaling innovations in the whispers of an instant. Time speaks to us in silent thoughts stirs the mind to gaze at stars and blaze a trail upon the constellations. In just three moments This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


The Promise of Three Moments Adagio 

Soprano

Alto

Tenor

Bass

   

   

        

 Adagio 

Piano

5

S

A

T

B

             

     

 (semplice)

 

   

  

        

        

 

          

      

   

            

           Pno.

                  

             

            

 

            

         

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


2

8

S

A

T

B

Pno.



       

T

B

Pno.

as

each

 

 

  

The

   

fu - ture

is

so near

ap - proach - ing

 

sec - ond

    

 

 

      

  

 

 

  

9

    

  

     

 

   

   

    

brings “to - mor - row” in - to "now" then steps in - to the “past.”

A

11

S

9

  

   

     

     

 

        

  

 

    

Mo - ments, each that birth a dream,

  

  

     

Mo - ments, each that birth a

dream,

 



     

Mo - ments,

  

Mo - ments,

             

come

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

come

  


3

    

      

14

S

come true, re - mem - bered E - tern - i - ty,

A

T

B

         



come true, re - mem-bered

    

 

  

live

A

T

B



  

and

    

 

chron - i - cles of time;

 

im - ag - i - na - tion,

chron - i - cles of time, of time; all

   

in

move

 

thoughts

in

we

breathe,

im - ag - i - na - tion,

in



chron - i - cles of time;

-

ha - ling

in

-

ha - ling

in

 -

no

 -

-

va

-

no

- va

 -

thoughts

in

-

ha - ling

in

- no

- va

-

tions

live

in

thoughts

in

-

ha - ling

in

-

- va

-

tions

no

tions

in

 



live



tions

  

 



 



 



                                     

  



all

 

17

Pno.

   

           

17



all

        

E - tern - i - ty,

 



chron - i - cles of time;

         

          

 

the

the

    

true,

   

S

  

E - tern - i - ty,

 

true,

Pno.

 

    

  

                                    simile 3 6

6

3

6

3

                3

6

6

6

6

6

                3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3


4

 

19

S

A

in

 

in

T

the

  in

B

A

whis - pers

of

an

in

 



 



 -

the

stant.

whis - pers

of

an







stant

whis - pers

of

an

in

-

stant

the

whis - pers,

-



in - stant.

in

 



Time

an

 

of

in

                                 

6

6

6

               3

3

3

3

  

 

speaks to

us

in

si - lent thoughts,

  

 

to

   

us

in

 

in

    

speaks

in

21

Pno.

whis - pers

speaks

B

the

speaks

T

 

21

S

whis - pers



6

Pno.

the

si - lent

  

  

si - lent

thoughts;

si - lent thoughts;

6

6

               

stirs

6

3

3

  

thoughts;

6

stirs

stirs

 

stirs



3

3

 

the mind

to

gaze

at

stars and blaze

a

the

mind

to

gaze

at

the

mind

to

gaze

 

the

mind

to

gaze

 

stars and

blaze

 

at

stars and blaze

a

 

at

  

a

stars and blaze

a



                                                               6

6

6

6

6

6

6

6

6

3 3                                           3

3

3

3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3


5

      

 









blaze

a

trail,

23

S

          trail,

A

trail

T

        

and

B

         

Pno.

 

and

B

6



at

stars









at

stars

stars

gaze

at

stars

to

gaze





to

gaze

at

and

blaze

a

gaze

trail

6

6

3

3

     

  

Div.

          

Pno.

 

to

to

6

6

 

 

 







to

gaze

at

gaze

at

to

and

blaze

and

3

3

trail

T



and

blaze

a

                                            

trail,

A

a

6

6

6

                                        25

S

blaze

a

trail,

blaze

a

trail,

3

     stars

3

 

 

  

stars



and blaze

trail

u - pon

the

u - pon

the

 

a

 

and blaze

a

  

trail

 

at

stars and blaze a

  

trail

u - pon

 

the

at

stars and blaze a

trail

u - pon

the

 

 

      

  

3

3

       

                                                   6

6

6

6

                    3

3

3

3

6

6

6

6

6

3                       3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3


6

 Unis.  

dim. poco a poco

           

27

S

con

A

      

stel dim. poco a poco



con

-

stel - la

-

      

B

        

Pno.

 

con stel - la dim. poco a poco



 

con

-

-

6

6

tions,

6

                     3

3

3

           

 

-

 

    In



                         6 6  3 3                  

just three

  

 

                  stel - la

-

6

6

-

6

tions,

6

 

                3

3

  

 

3

   

30 A Tempo

mo

-

ments!

3



  

 

stel - la - tions..

  

 



tions.



 -

-

      

stel - la

  

stel - la - tions,

 

 



  -

tions.



      

-

  

stel - la - tions.

 

stel - la

tions,

-

stel - la

 

rit. poco a poco

6

con

Pno.

tions.



dim. poco a poco

con

B

-

                -

con

T



  



29

A



con

con

3

S

con



dim. poco a poco

T



rit. poco a poco

30 A Tempo

  

  

                   

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 


7

   

32

S

A

T

B

  

  

 

 Pno.

A

T

B



            

        35

S



    

 

  

 

 

  

mo - ments

 

 

      

  

   

       

three

           

     

       and leads us to con - ceive

            

and leads us to con - ceive

   

 

 

 

  

 

     

three mo - ments

  

that breaks,with new dis-cov - er - ies

    

  

that breaks with new dis - cov - er - ies

We seek the dawn that breaks,

  

   



We seek the dawn that breaks,

     

Pno.

          

  

  

    

  

three

mo - ments

 

             

 

 

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

 

 

three


8





38

S

A

T

B

Pno.

S

A

    

Pno.

In

    

In our mind, our soul, our heart,

   

mo - ments

our mind, our soul, our heart,

       

what life can be.

       

In our mind, our soul, our heart,

   

three mo-ments

In our mind, our soul, our heart,

  a

  

light is burst

-

ing,

       a light is

burst

-

a

burst

- ing,

     light is

     a

light is burst

-

ing,

ing,

                                                                                        41                                 a bril - liant light, so we might see what yet can be. see what yet can be; Light might                                    bril - liant light, so we might

           a

B

       

what life can be.

a

T

       

    

 

bril - liant light, so

we might

       a

bril-liant light, so we might

see what yet can be;

     

might

see what yet can be;

might

     

see what yet can be.

see what yet can be;

        

     

see what yet can be;

  

          

  

see what yet can be;

 Div.        

might

                                                                 

Light

                                

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


9 44

S

     

 

lives

A

T

    

 

         

and

moves

A

T

in

-

breathe,

ha - ling

 

-

tions

o - va

-

tions

in thoughts

in

-

ha - ling

in -

tions

n - va

lives

-

tions

in

 

va

in - no - va

ha - ling



-

 

-

 

in - no

in

-

-

 

                                                       simile  3 3 3 3 3 3 3 3                                     6

    

6

in

the

in

the

         

6

whis - pers

of

an

in

-

whis

 

the

 the

6

6

 

in

whis

-

whis

-

 -

pers

the

pers

6

pers

of

stant.

whis - pers

in

6

6

of

an

in - stant.

stant.

an

in

-

Time

-

 

   

stant.

                                              6

6

Pno.

ha - ling

in thoughts

in

B

we



 

-

lives

46

S

in

         44

Pno.

 

in thoughts

Unis.

B



6

6

                    3

3

3

3

6

6

6

6

              3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3




10 48 S

A

T

B

  



speaks to

us

in

si - lent thoughts,

 

speaks

       48

 Pno.



to

us

in

speaks

 

to

B

  

stirs

thoughts.

stirs

  

stirs

6

6

 

the mind

to

gaze

at

stars and blaze

a

 

  

the

mind

to

gaze

at

stars and blaze

the

mind

to

gaze

at

stars and blaze

a

the

mind

to

gaze

at

a

 

stars and blaze

a

 

 

6

6

6

6

6

6

                                          3

3

      

3



     



    

 

   

blaze



and

blaze

a

trail

and

a

3

3

  

      

    Pno.

 

                                             6

trail

T

us.

trail

A

50

S

stirs

thoughts.

si - lent

speaks

in

si - lent

 

  

3

3

  

and

blaze

a

3



to

gaze

at

stars









to

gaze

at

stars

trail

to

gaze



at



stars

to

gaze

at

stars

and

3

blaze

a

    

 

                                                6

6

6

6

6

6

6

6

                                      3

3

3

3

3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3

 


        



    

52

S

Div.

  



 

and

blaze



trail

A

B

trail,

u

and

blaze

 a



    

 

    

a

trail

and

blaze

 

trail

and

trail

T



a



a

trail

-

u





pon

the

-

pon

the

u

-

pon

the

-

pon

the

a

trail

blaze

a

trail

u

11

     

 

 

                                    6

Pno.

     

S

A

T

B

    

 

3

         

53

6

6

-

stel

-

-

dim. poco a poco

 

  

 con

con dim. poco a poco

stel - la

-

con

stel - la

-

      

-

dim. poco a poco         con

 

3

 Unis.    

dim. poco a poco

con

 

3

6

-

 

 

stel - la

-

6

6

con

-



-

stel - la

-

tions.

  tions.



tions.

con

-

  

stel - la

-

6

6

     

tions.

 



stel - la

-

3

   

 -

 

3

rit. poco a poco

tions.

 

6

 

tions.

                                                           6

Pno.

   

6

dim. poco a poco

                3

6

6

rit. poco a poco

3

3

3

                  3

3

3

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

3


12

   

S

A

            

con

T

-

con

Pno.

           con

B

-

    

stel - la

-

tions.

  

stel - la - tions,

-

A

T

B

-

 

       

         

-

poco rit.

 

 

la - tions..

             

    

 

          

 espress.    

Fresh dreams

the chron - i - cals of time!



 

 

  

(spoken)

                         

i - ma - gi - na - tion!

     

      

56 Molto meno mosso 



la - tions.

e - ter - ni - ty!



   

-

-

     

(spoken)

     

con - stel

(spoken)

58 Cantabile 

Pno.

stel

                         6 6    3      3               

  

 

58 Cantabile 

S

  

56 Molto meno mosso 

poco rit.

55

 

  

    

and pas - sions,

             

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


13





61

S

A

T

B

Pno.

sur - pris

    

-



A



T

 

B

Pno.

chry - sal-is

 

 

 

   

   

 espress.     Things un

the chron - i - cles of time!

the chron - i - cals of time!

ord.

         

  

 

 

         

a

  

  

e - ter - ni-ty!

           

(spoken)

     

in

     

64

S

like wings un - fold - ing

    

  

ing myst’-ries,

                

   

i - mag-i - na - tion!

     

-

i - mag - ined

  

ord.

   

re - veal

   

 espress.   

Things re - veal

                   

their se - crets

 

se - crets

             

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


14

   

67

S

   

and vow their sweet be - tro - thal

A

       

and vow their sweet be - tro - thal

T

B

Pno.

with a kiss.

A

B

with a kiss.

 

Learn from the

les - sons

                

            

Learn from the

les - sons of the

 

 

         

past

 

les - sons of the

of the

  

to make the world

 

    

 

            

     

ord.

  

       

ord.

               



to make the world



Learn from the

Pno.



past

T

   

70

S

  

  

a

bet - ter place.

 

  

a

bet - ter place.

past

              

     

     

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.




    

    



73

S

A

T

15

Then shape your vi - sions to

Pno.

     

   



        

allarg.

 

  

race.

T

race.

B

Pno.

race.

all

hu - man race.

all

   



   

in - spire

all

all

the

hu - man

           

 

        

         

         

    

    

and live,

   

and live,



and live, The

     

   



  

and

live,

and live,

             

the

hu - man

live,

and

             allarg.

in - spire

the

    

 

hu - man race.

all

77 A Tempo

the

    

        

      

all

in - spire

      

race.

A

your vi - sions to

your vi - sions to

76

S

        

     

    

in - spire

Then shape your vi - sions to

B

  

and live,

77 A Tempo

   

     

and live, The

Pro - mise of Three Mo

    

Pro-mise of Three Mo

   

-

-

 

ments: e -

 

ments: e -

Pro - mise of Three Mo - ments!

   

Pro - mise of Three Mo - ments.

  

  

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

          

  


16

  

79

S

ter

A

   ter

T

B

Pno.

-

-





n-ity,



  



    

      

  

  

chron - i - cles of time;

the chron - i - cles of time;

im-ag - i - na

-

i-mag-i - na

-

tion,

  

tion,

    

chron - i - cles of time;

    

  

    

  

chron - i - cles of time;

  

  

        

     

        

     

  

B

Pno.



   

   

 

live,

  

and live,

  

  

      



  

      

 

to in - spire

all the hu-man race.

all the hu - man race.

               

  

 

    

and

  

all the hu - man race.

    

        

and live,

  

to in - spire

    

live,



shape

shape

and

   

  

  

     

Pro - mise of three mo - ments.

Pro - mise of three mo - ments.



  

all the hu-man race.



and live, The

  

  



and live,

and live, The



Pro-mise of Three Mo - ments, then shape your vi-sions

T

and live,

   

     

Pro - mise of Three Mo - ments, then shape your vi - sions

A

   

     

     

82

S

the

ni-ty,

 

      

        

                 

     

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

  

  

  


17

        

   

85

S

A

T

    

     

live,

B

    

live,

Pno.

A

T

B

and live,

 

The

live,

and

live,

 

ments: e - ter - ni - ty,

Pro - mise of Three Mo

 

Pro - mise

of Three Mo

 

of Three Mo

  

  

  

     

  

              

time;

   

and

and

       

ments.

-

 

ments.

and live,



live,

 live,

and live, The

  

and live, The

and live,

  

and live,

                

  

   

  

  

im - ag - i - na - tion,

  

i - mag - i - na - tion

   

the

the

   

  

  

and live,

 

-

          

time;

 

-

  

chron - i - cles of

   

Pro - mise

     

      

ments: e - ter - n - ity,

  

chron - i - cles of time;

 

-

    

Pro - mise of Three Mo

     

chron - i - cles of time;

      

       

and

chron - i - cles of

Pno.

and live, The

                       

88

S

    

and live,

    

  

   

Pro - mise

of Three Mo

 

 

 

-

ments, then

Pro - mise

of Three Mo

-

ments, then

Pro - mise

of Three Mo

-

ments.

  

  

 

Pro - mise of Three Mo

 

 - ments.

         

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.


18 91

S

A

T

B

Pno.

  

A

  

 

shape yourvi - sions

 

    

 

    

shape your vi-sions



 

    

  to

in - spire

shape

shape

to

in - spire

shape

to

in - spire

  

  

  

    



   

  

Three

Mo - ments!

 

   

 

   

 

Pro - mise of

 Div.        

   

      

of Three

    

 

Mo - ments!

   

 

         



 

                    

in - spire The

    

  

  

  

   



  

  

to

Mo

Unis.            

Mo - ments!

shape

Three

Mo - ments!

of Three

     

Mo - ments!

Mo - ments!

Pro - mise

 

in - spire The

 

  

Mo - ments.!

   

to

  

Mo - ments!

 

 

shape



shape your vi - sions

in - spire

Div.

Pno.

to

Pro - mise

B

shape your vi - sions

 

   

    

shape your vi - sions

Pro - mise of Three

T

    

shape

    

    

shape your vi - sions

  

94

S

     

Div.

Div.

Three

Mo



Three

Mo



Div.

Three

                           

  

Mo

 

  -

ments!

-

 

ments!



-

ments!

-

  

   

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

ments!

 



   

 


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.