REBECKA SOFIA AHVENNIEMI: An Imaginary Composer Home by Musikkforlagene

rebecka sofia ahvenniemi

An Imaginary Composer Home

Et imaginært komponisthjem 2022 SCORE * DEMO

DEMO

NMO15165A

rebecka sofia ahvenniemi

An Imaginary Composer Home

Et imaginært komponisthjem

2022

Four separate works:

NMO15165A

1. Frühlingstraum 2. Vocalise for Voice and Double Bass 3. Consert for Triangel and Orchestra in a Box

SCORE * DEMO

4. Dream of Spring

Materialet er vernet etter åndsverkloven. Uten uttrykkelig samtykke er eksemplarfremstilling, som utskrift og annen kopiering, bare tillatt når det er hjemlet i lov (kopiering til privat bruk, sitat o.l.) eller avtale med Kopinor (www.kopinor.no).

Utnyttelse i strid med lov eller avtale kan medføre erstatningsog straffeansvar.

This material is protected by copyright law. Without explicit authorisation, reproduction is only allowed in so far as it is permitted by law or by agreement with a collecting society.

NMO15165A

ISMN 979-0-065-17270-5

Grafisk produksjon/trykk: Norsk Musikforlag A/S. www.musikkforlagene.no

This work is published in the following editions:

Score (B4) (NMO15165A / ISMN 979-0-065-17270-5) for sale Set of parts (NMO15165B / ISMN 979-0-065-17271-2) on hire

Commissioned by KODE, Art Museums and Composer Homes of Bergen

DEMO

Instrumentation:

Soprano

Piano

Percussion (triangle, china cymbal, and thunder sheet)

Violin

Double Bass

Orchestra in a box (mixed sound files played through a speaker)

Instrumentation for each work individually:

Frühlingstraum:

Soprano, piano, percussion, violin, and double bass

Vocalise for Voice and Double Bass/ Vokalise for stemme og kontrabass:

Soprano (sings low), and double bass

Concert for Triangle and Orchestra in a Box/ Konsert for triangel og orkester i en boks:

Percussion, violin, double bass, and orchestra in a box

Dream of Spring:

Soprano, piano, percussion, violin, and double bass

DEMO

Work notes:

Et imaginært komponisthjem was world premiered in Bergen in 2022, as part of the engagement of Rebecka Sofia Ahvenniemi as the house composer of KODE, Art Museums and Composer Homes. These composer homes belonged to Edvard Grieg, Harald Sæverud, and Ole Bull. As part of the engagement Ahvenniemi created a new, imaginary composer, Gesine Sofie Reimers, and made a “portrait concert” in her memory. The concert consisted of four separate works.

An overall question that Ahvenniemi engaged in through the the year was how “composer identities” come to exist outside of the composers themselves. They may be based on romanticized ideas, and the composers may be mythologized based on what the audiences want to hear, and what they want to know.

By presenting the work of the imaginary composer, Reimers, Ahvenniemi explores composition as an interpretative activity, where one engages in dialogue with history, musical practice, and society. This, as opposed to an the often naïve understanding of composition as mere “self expression”.

The four works can also be performed individually, isolated from this concept. In future context they are defined as individual compositions, not parts of a larger work. They are also defined as works of Ahvenniemi, not the imaginary composer Reimers.

DEMO

Information about the performance of the work Concert for

Triangle and Orchestra in a Box:

The percussionist, who plays the triangle, stands in the front as a soloist. The “orchestra in a box” is played through a mono speaker that stands next to the percussionist. The “orchestra” consists of two sound files that are played from the beginning of the rehearsal marks B and D, as the score shows. This could be done for example by the percussionist with a pedal, or a sound technician who reads the score and has eye contact with the percussionist. The strings stay slightly in the background.

DEMO

NMO15165A

For voice, piano, violin, and double bass

col legno battutto

ricochet, random pitch

Air sound, no pitch: muting strings, bowing in circles

Rebecka Sofia Ahvenniemi

string I

col legno battutto

ricochet, random pitch

Oslo. ISMN 979-0-065-17270-5 NMO15165A                                                                                                                      = 38         Piano Violin Double Bass    string I

 A                                                                                                                                                Pno Vln D. B.    (6th bt.) (2nd bt.) (4th bt.)    5

Frühlingstraum

DEMO

NMO15165A 10                                                                                                           - - Ich träum te vonbun   ten Blu men,                   Vc. Pno Vln D. B.      8                                                                                                                                    - So wiesie wohl blühen inMai,   Ich                   Vc. Pno Vln D. B.     10 2 DEMO

NMO15165A 11                                                                                                                                             - - -

VonlustigemVogelge Vc. Pno Vln D. B.   (4th bt.) (6th bt.)    12                                                                                                                                                                                                                         - schrei VonlustigemVogelgeschrei. Vc. Pno Vln D. B.     15 3 DEMO

träumtevongrünenWiesen,

NMO15165A 12                                                                                                                                                                                                 Pno Vln D. B.             18                                                                                                                                                            Und = 82           Vc. Pno Vln D. B.            21 4 DEMO

arco ord.

NMO15165A 13                                                                                                   sul tasto sul tasto  alsdie Häh   nekrähten,   Da                                     Vc. Pno Vln D. B.

          B 24                                                                                     -  sul tasto sul tasto   ward mein Augewach;Da   ward mein Au   gewach.Da war   es                                             Vc. Pno Vln D. B.               28 5 DEMO

NMO15165A 14                                                                                          gliss. gliss. - -  ord. ord.  kaltund�n ster Esschrien die RabenvomDach   schrieen die                   Vc. Pno Vln D. B. 32                                                                                                                                  gliss. gliss. gliss. gliss. gliss.  sul pont. sul tasto gliss. gliss. sul tasto sul tasto  RabenvomDach. m m           Vc. Pno Vln D. B. 36 6 DEMO

maltedieBlätterda? IhrlachtwohlüberdenTräumer,

NMO15165A 15                                                                                        gliss. gliss. -  ord. ord.  m aschrie   endieRabenvomDach.                                       Vc. Pno

D. B.

             40                                                   - Dochan   denFensterscheiben Wer                   Vc. Pno Vln D. B. poco ped.    C 45                                                                - - - 

      Vc. Pno  48 7 DEMO

Vln

poco vib. poco vib.

NMO15165A 16                                       Der   Blu men im Win   tersah?                     Vc. Pno  52                                      - - - Blu men im Win   tersah Blu   men im Win   tersah                         Vc. Pno     56                                                                            sul pont. ord. gliss. sul pont. pizz. = 38        

Vln

half pressure, sounding with less pitch  D 60 8 DEMO

Pno

D. B.

Lieb’umLiebeVoneinemschönenMaid,VonHerzenundvonKüssen,Von

NMO15165A 17                                                                                  sul pont. ord. sul pont. ord. Ichträum   tevon                   Vc. Pno Vln D. B.           65                                                                          - - - -sul pont. pizz.

          Vc. Pno Vln D. B.           69 9 DEMO

NMO15165A 18                                                                                                                                          ord. Won neundSe lig keit           Vc. Pno Vln D. B.               74                                                                                                             -  sul tasto arco sul tasto  Und als = 82   die Hö   nekähten,   Da                                   Vc. Pno Vln D. B.           E 79 10 DEMO

NMO15165A 19                                                                                          -  sul tasto sul tasto    wardmeinHerzewach,Da   warmeinHer   zewach;Nunsitz’   ich                                   Vc. Pno Vln D. B.           84                                                                                   gliss. gliss. - -  hierallein Undden   kedemTraumenach.Denkedem                             Vc. Pno Vln D. B. 88 11 DEMO

NMO15165A 20                                                                                                                                     gliss. gliss. gliss. gliss. gliss. gliss. gliss.   sul pont.

gliss. gliss. ord. sul tasto gliss. gliss.

sul tasto gliss.

m           Vc. Pno

Traumenach.m a

92                               gliss.  a Die Au genschliess’ ich Vc. Pno  F 97                                                                  - - wieder,NochschlägtdasHerzsowarm. WanngrüntihrBlätteram

Pno  99 12 DEMO

Vln D. B.

Vc.

NMO15165A 21                                                              -sul tasto ord. sul tasto ord.  Fen ster? Wannhalt’   ich mein Liebchen im Arm?                   Vc. Pno Vln

 103                                                        sul tasto sul tasto Wannhalt’     ich mein Lieb                                     Vc. Pno Vln D. B.      106                               - chen im Arm? lieb chen im Arm? lieb chen im Arm?       Vc. Pno poco ped.     109 13 DEMO

D. B.

Double Bass espress. poco vib. al �ne

NMO15165A 22                   Tempo Rubato      

  A                             sul pont.    = 92 accelerando = 130   Tempo Rubato   D. B. 4                          sul tasto ord.  = 92 a   a       V. D. B.    7                             m     V. D. B.   10 Vocalise for Voice and Double Bass Rebecka So�a Ahvenniemi DEMO

NMO15165A 23                              pizz.  a Tempo Rubato   dm           V.

spitting out 'd', long 'm'  B 12                              ord. arco sul pont. ord.   a = 110         V. D. B.  14                                    gliss. pizz.  m   dm           V. D. B. overpressure 16                                             arco pizz. arco sul pont. ord.          V. D. B. undef. pitch string I, II III, IV  C 18 2 DEMO

D. B.

NMO15165A 24                                        a   a   V.

20                        accel. a     V. D. B. 23                                                                       = 38 a     V. D. B. poco sul pont. 25                                                                  a a     V.

26 3 DEMO

D. B.

D. B.

NMO15165A 25                                                                  pizz.          dm   = 54 dmdmdmdmdmdmdm       V. D. B. spitting out 'd', long 'm'   D 27                                                                            dmdmdmdmdmdmdmdmdmdmdmdm V. D. B. 29                                                                       dm accel. dmdmdmdmdmdmdm = 100 dm   dmdm       V.

31                 ord.  a = 92 a Tempo Rubato a   V. espress. E 33 4 DEMO

D. B.

NMO15165A 26                                      arco sul tasto ord. pizz.  a = 92 m dm     V. D. B.       35                                       arco gliss. gliss. gliss.    a a = 110   a a       V. D. B. III, IVIII, IV I,II  38                                       sul pont. gliss. pizz.    aaa   a   Tempo Rubato     V. D. B. I,II    F 40               ord. arco   a = 110 V. D. B. 43 5 DEMO

NMO15165A 27                                        a accel.   V.

44              a     V.

47                                                                       = 38 a     V. D. B.

48                                                                    a a     V. D. B. 49 6 DEMO

D. B.

D. B.

poco sul pont.

NMO15165A 28                                                  ord.           a   = 110 a       V.

50              a     V.

D. B.

53                                                                           = 38 a a     V. D. B. poco sul pont. 54                                                                    a a V.

D. B.

55 7 DEMO

D. B.

Tempo Rubato

very slowly, expressively

NMO15165A 29                                                    rit.rit.   D. B. 56               

  D. B.

57 8 DEMO

Concert for Triangle and Orchestra in a Box

Random, �uick �nger movement� adding �echo effects� to the triangle, but only a �avour.

Until bar 21, but not in every bar

Random, �uick �nger movement� adding �echo effects� to the triangle, but only a �avour. Range not too far from the violin.

Until bar 21, but not in every bar

NMO15165A 30                             l.v. = 38   Tri. A                      Tri. 5                          sul pont. legato Tri.

Ac. Vln

 9                            sul pont. legato Tri. Ac. Vln Ac. D. B.

 11

SCORE, tringle, violin, double bass, speaker

DEMO

Rebecka Sofia Ahvenniemi

NMO15165A 31                     Tri. Ac. Vln Ac. D. B. 14                                                                                                  Tri. Ac. Vln Ac. D. B. Fl. 1 Fl. 2 Fl. 3 Ob. 1 Ob. 2 Cl. in A 1 Vln 1    B 18 2 SCORE, tringle, violin, double bass, speaker DEMO

Hn in E 1

NMO15165A 32                                                                                                                                                                                                                                                                                                                                                       l.v. pizz. arco pizz. arco pizz. arco                                                                                                                                                                                                         Tri. Fl. 1

Ob. 1 Ob. 2

Eng. Hn

Fl. 2 Fl. 3

Cl. in A 1 Cl. in A 2

Vln 1

Vln 2 Vln 2-2 Vla Vla 2 Vc. Vc 2. D. B. D. B. 2 23 3 SCORE, tringle, violin, double bass, speaker DEMO

Vln 1-2

Cl. in A 1

Cl. in A 2

NMO15165A 33                                                                                                                                                                                                              pizz. arco pizz. pizz. arco Tri. Fl. 1 Fl. 2 Fl. 3

Ob. 1

Vln 2 Vla Vc. D. B. 32                                                                                                   pizz. pizz. pizz. Tri. Fl. 1 Fl. 2 Fl. 3 Ob. 1 Cl. in A 1

Eng. Hn Vln 1 Vln 2 Vla Vc. D. B. 36 4 SCORE, tringle, violin, double bass, speaker DEMO

Eng. Hn Vln 1

Cl. in A 2

NMO15165A 34                                                                                                                                    cresc.                       Tri. Fl. 1 Fl. 2 Fl. 3 Ob. 1 Cl. in A 1 Cl. in A 2 Eng. Hn Vla Vc. D. B. 40                                                                                                            pizz. arco arco arco                                     Tri. Hn in F 1 Hn in F 2 Bsn 1 Bsn 2 Vln 2 Vla Vc. D. B.  44 5 SCORE, tringle, violin, double bass, speaker DEMO

Hn in F 1

Hn in F 2

Vln 1 Vln 2

NMO15165A 35                                                                                                                           dim. cresc. dim. cresc. dim. Tri.

Bsn 1

Vla Vc. D. B. 49                                                                                                           dim.                                         Tri. Bsn 1 Bsn 2 Bsn 3 B. Cl. in A Vln 1 Vln 2 Vla Vc. D. B. 53 6 SCORE, tringle, violin, double bass, speaker DEMO

NMO15165A 36                                                                                                   l.v. dim. cresc. dim. cresc. dim. dim.               Tri.

Vla Vc. D. B.   58                                                                                                                             sul pont. sul pont. Tri. Ac. Vln Ac. D. B. Vln 1 Vln 2 Vla Vc. D. B. random random       61 7 SCORE, tringle, violin, double bass, speaker DEMO

B. Cl. in A Vln 1 Vln 2

NMO15165A 37                                                                                                                                l.v. cresc. cresc. Tri. Ac. Vln Ac. D. B. Hn in F 1 Bsn 1 Bsn 2

S. Vc. Vc. D. B.    63 8 SCORE, tringle, violin, double bass, speaker DEMO

B. Cl. in A Vln 1 Vln 2

Ac. Vln

Ac. D. B.

Eng. Hn

Hn in F 1

Hn in F 2

Hn in E 1

Hn in E 2

B. Cl. in A

NMO15165A 38                                                                                                                                          Tri.

Bsn 1 Bsn 2

D. B.      66 9 SCORE, tringle, violin, double bass, speaker DEMO

S. Vc. Vc.

Hn in F 2

minor 2nd up on gliss., suggestive pitches

Hn in E 1

Hn in E 2

NMO15165A 39                                                                                                      ord.                                 Tri.

Ac. Vln Ac. D. B. Eng. Hn Hn in F 1

    68 10 SCORE, tringle, violin, double bass, speaker DEMO

minor 2nd up

random, I, II

Ac. Vln

Ac. D. B.

Eng. Hn

Hn in F 1

Hn in F 2

Hn in E 1

Hn in E 2

B. Cl. in A

NMO15165A 40                                                                                                                                                                                                          sul pont. ord. cresc.                               Tri.

Bsn 1 Bsn 2

Vc. Vc 2. D. B.

S. Vc.

      71 11 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B.

Eng. Hn

Hn in F 1

Hn in F 2

Hn in E 1

Hn in E 2

random, strings I and II

sul pont. sul pont.

minor 2nd up on gliss., suggestive pitches

NMO15165A 41                                                                            

Tri.

    75                                                Tri. Ac. Vln Ac. D. B. random, III, IV     78 12 SCORE, tringle, violin, double bass, speaker DEMO

random, II, III

sul pont.

Ac. Vln

random, I, II

minor 2nd up

sul pont.

Ac. D. B.

NMO15165A 42                                                                 

sul pont.

   80                                         ord. = 50 Ac. Vln

minor 2nd up molto vib.    C 82                            non vib. sul pont. ord. ord. Ac. Vln Ac. D. B. molto vib. molto vib.   87                   Ac. Vln Ac. D. B.    90 13 SCORE, tringle, violin, double bass, speaker DEMO

Ac. D. B.

Ac. Vln

Ac. D. B.

NMO15165A 43                                  sul tasto   Ac. Vln Ac. D. B.     93                                   sul pont. ord.  

Ac. Vln

     98                                          ord. sul tasto ord.   

molto vib.   102                                            ord.                Ac. Vln Ac. D. B. molto vib.     107 14 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ob. 1

Cl. in A 1

Cl. in A 2

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

Vln 1

Vln 1-2

Vln 2

Vln 2-2

NMO15165A 44                                                                                                                                                                                                                                                     = 50                                      

S. Vla Vla S. Vc. Vc. Vc 2. D. B. 2 molto vib.  D 112 15 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B. Ob. 1

Cl. in A 1

Cl. in A 2

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla Vla

S. Vc. Vc.

Vc 2.

D. B.

D. B. 2

NMO15165A 45                                                                                                                                                                                                                                                                                                                 sul tasto

                 Tri.

non vib.

 115 16 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B. Ob. 1

Cl. in A 1

Cl. in A 2

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla Vla

S. Vc.

NMO15165A 46                                                                                                                                                                                                                                                                                                                       

Tri.

Vc. D. B. D. B. 2   117 17 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. in A 1

Cl. in A 2

Eng. Hn

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla Vla

S. Vc. Vc.

Vc 2.

D. B.

D. B. 2

NMO15165A 47                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          

Tri.

   119 18 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B.

Cl. in A 1

Cl. in A 2

Eng. Hn

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

NMO15165A 48                                                                                                                                                                                                                                                                                                            Tri.

Fl. 1 Fl. 2

Ob. 1 Ob. 2

Vc. Vc 2.  122 19 SCORE, tringle, violin, double bass, speaker DEMO

Vla S. Vc.

NMO15165A 49                                                                                                                                                                                 Tri. Ac. Vln Hp Vln 1 Vln 1-2 Vln 2-2 Vla Vc. Vc 2. D. B. 2   124 20 SCORE, tringle, violin, double bass, speaker DEMO

NMO15165A 50                                                                                                                                                                      ord.                 Tri. Ac. Vln Ac. D. B. Hp Vln 1

Vla Vc. Vc 2. D. B. 2 126 21 SCORE, tringle, violin, double bass, speaker DEMO

Vln 1-2 Vln 2-2

NMO15165A 51                                                                                                                                                                                                   Tri. Ac. Vln Ac. D. B. Hp Vln 1

Vla S. Vc. Vc. Vc 2. D. B. 2  128 22 SCORE, tringle, violin, double bass, speaker DEMO

Vln 1-2 Vln 2-2

Cl. in A 1

Cl. in A 2

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla

Vla

S. Vc.

Vc.

Vc 2. D. B. D. B. 2

NMO15165A 52                                                                                                                                                                                                                                                                                                                                              

Tri. Ac. Vln

Ac. D. B. Ob. 1

  130 23 SCORE, tringle, violin, double bass, speaker DEMO

Ac. D. B.

Ob. 1

Cl. in A 1

Cl. in A 2

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla

NMO15165A 53                                                                                                                                                                                                                                                                                                              

Tri. Ac. Vln

Vla S. Vc. Vc. D. B. D. B. 2  132 24 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. in A 1

Cl. in A 2

Eng. Hn

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

S. Vla

Vla

S. Vc. Vc.

Vc 2.

D. B.

D. B. 2

NMO15165A 54                                                                                                                                                                                                                                                                                                                                                                                              

Tri.

   134 25 SCORE, tringle, violin, double bass, speaker DEMO

Ac. Vln

Ac. D. B.

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Cl. in A 1

Cl. in A 2

Eng. Hn

Hn in F 1

Bsn 1

Bsn 2

Bsn 3

B. Cl. in A

S. Vln

Vln 1

Vln 1-2

Vln 2

Vln 2-2

Vla

Vc. Vc 2.

D. B. 2

NMO15165A 55                                                                                                                                                                                                                                                                     

 136 26 SCORE, tringle, violin, double bass, speaker DEMO

poco vib.

Ac. Vln

poco vib.

Ac. D. B.

NMO15165A 56                                                                                                          

    = 38 Tri.

sul tasto sul tasto

 E 138                                                          ord. sul tasto sul tasto Tri.

Ac. Vln

  143                Tri. 148 27 SCORE, tringle, violin, double bass, speaker DEMO

Dream of Spring

Random, �uick �nger movement, strings I and II (from the top)

Delicately with �ngers

varying dynamics and including small breaks

Random, �uick �nger movement, strings I and II (from the top)

varying dynamics and including small breaks

NMO15165A 57                            -  I = 70 DReamtofBRight �o wers Flowers     Voice China Cymbal

  A                                                                      sul pont. sul pont. l.v. soBRight. I I V. Vln D.B. Ch. Cym. freely

 5                                                     sul pont. sul pont.  o   hadadream ofGReen              

Ch. Cym. random, I, II random, I, II 9

V. Vln D.B.

Rebecka Sofia Ahvenniemi DEMO

Cluster: with both arms in the lowest 4th of the keys

NMO15165A 58                                                                                                                                              - -         medows andmerrybirdCalls o                         V. Pno Vln D. B.

Ch. Cym.

slightly higher with piano cluster soft mallets   11                                                                                                                               nanana o nanana             V. Pno Vln D. B. Ch. Cym. lowest 4th random, II random, I, II with piano cluster with piano cluster    14 2 DEMO

when = 62 myeyesawoke:

NMO15165A 59                                                                                                    l.v.   And                       To Th. S. V. Pno Vln D. B. Ch. Cym. random, II 17                                          

itwas             V. Pno B 20 3 DEMO

Coldanddarknanana o

minor 3rd up

not squeaky with �ngers or carefully with mallets

random, II

NMO15165A 60                                                                                                           

ord. gliss. gliss. gliss. sul pont. sul pont. gliss. gliss. gliss.

accel.            

V. Pno

"weirdo", showing teeth

Th. S.

Vln D. B. Th. S.

  21                                                                                       sul pont. gliss. gliss. gliss.    myeyes awoke: = 70 Ra = 62 vensCawed To Ch. Cym. V. Pno Vln D. B. Th. S. minor 3rd up    23 4 DEMO

fromtheroof.

random, IV, timbre close to Ch. Cym.

sul pont.

RavensCawedontheRRRoof.

Ch. Cym.

�ngers

Ch. Cym.

But

there,on wind

dowpanes,whohadpaintedthe

poco ped. non ped.

NMO15165A 61                             -



     

V. Vln

26                                                                -

 

                  To Th. S. V. Pno Vln

  C 28                                                                                 -sul pont. ord. 

V. Pno Vln minor 2nd up   31 5 DEMO

= 86

Ch. Cym.

leaves? Areyoulaughingatthedreamer?nanananathe

NMO15165A 62                                                            -ord. sul pont. ord. dreamer whosaw�o wersinthewinter V. Pno Vln high energy, fast minor 2nd  35                                                                               sul pont. gliss. gliss.  = 66 I DReamt Th. S. V. Vln D. B. Th. S. random, III, IV

D 39                                                                           gliss. gliss.  oflove,oflove Alo velymaiden V. Vln D. B. Th. S. random, II, III 44 6 DEMO

timbre close to Th. S. delicately, timbre close to Th. S. rubber mallet, very softly

with �ngers, extremely delicately, almost not audible

NMO15165A 63                                                                                                                sul pont. I m V. Pno Vln D. B. Th. S. freely lowest 4th ord. tremolo, two mallets (with piano)  48                                          sul pont.  I I hadaDReamoflove, To Ch. Cym. Ch. Cym. V. D. B.

random, III, IV timbre close to Ch.Cym.

Ch. Cym.

 51 7 DEMO

NMO15165A 64                                         sul pont. o nanana o V. Vln D. B. Ch. Cym. random, III, IV timbre close to Ch.Cym.  55                                  V. Vln

Ch. Cym. random, I, II (2nd beat) 57                                                     l.v.   Andwhen = 54 myheartawoke: itwas           V. Pno Vln Ch. Cym. E 60 8 DEMO

D. B.

NMO15165A 65                                                                                                       ord. gliss. gliss. ord.   Coldanddark oh   myeyes awoke:                                   V. Pno Vln D. B.

lowest 4th soft mallets           62                                                                                                                                                   - -     gliss. gliss. gliss. gliss. gliss.  now Isitherealone   and   Re�ectuponmy                                 V. Pno Vln D. B. Ch. Cym. directional pitch directional pitch       65 9 DEMO

Ch. Cym.

NMO15165A 66                                                                                                                                    gliss. gliss. gliss. l.v.   dream Re �ect   uponmyDRReam   nananana                                 V. Pno

Ch. Cym. spooky slightly higher de�ned pitch   68                                                                                                                                            gliss. gliss. gliss. gliss. gliss. ord. na                         V. Pno Vln D. B. Ch. Cym.

  71 10 DEMO

Vln D. B.

lowest 4th directional pitch de�ned pitch

poco sul pont.

closemyeyes,

Iclosemyeyesagain, my

heartstillbeatssowarmly. Leavesonmywindow,when

NMO15165A 67                                                    gliss. gliss. gliss. gliss. gliss. sul pont. gliss.                     Pno Vln

D. B. Ch. Cym.

   73                                                                               gliss. l.v. mute

= 86

 

                  V. Pno Vln Ch. Cym. poco ped. non ped.   F 75                                                                        - -

V. Pno   79 11 DEMO

NMO15165A 68                                                                                    sul tasto sul tasto will accel. youturngrean? = 92 I = 86 closemyeyes, V. Pno Vln D. B. 83                                                                                               ord. vib. sul tasto senza vib. ord. vib. sul tasto senza vib. Myheartstillbeatssowarmly. Leavesonmy V. Pno

freely   87 12 DEMO

Vln D. B.

NMO15165A 69                                                                            ord. vib. sul tasto ord. vib. sul tasto window, whenwillyouturngreen? V. Pno Vln D. B.   91                      WhenshallIholdmylove inmy V. Rubato  95                                                                     sul pont. sul pont. l.v. arms? o nanana V. Vln D. B. Ch. Cym. random, I, II random, I, II Delicately with �ngers 99 13 DEMO

DEMO

NMO15165A ISMN 979-0-065-17270-5

DEMO