Design Report Final Project by nadia.suvorova

Design Report

Design Report Studentsâ&#x20AC;&#x2122; Anti-Stress Centre Angel

by Nadezda Suvorova

NS. 1

ASCA

ÂŠ Nadezda Suvorova Interior Architecture and Design Student ID: 15073550 Module title: Final Project (IAD) Module Code: 6CTA1101-0905 Tutors: Erica Liu, Marek Szubert University of Hertfordshire Sep 2019 - May 2020

Design Report

CONTENTS

01 Project Brief

Design Concept

Brief/Objective/Aim/ Location/ Brief history/ Site model/ Existing drawings/ Programme & Client/

Cubism/ Neo-cubism/ Design strategies/ Concept sketches/

Environmental Strategies

69 Construction

19 Design Development

06 73

07 107

GA plans/ Section AA/ All areas/ ISO/

Presentation Boards

Design approach & strategy/ Accommodation & Interactive spaces/ Concept Idea to Development/ Space planning & setting out plan/ Branding/ Zone sketches & Finals/ Decor & Fittings/

Materials/ Details/

New proposed roof & heat control/

Renderings

Key Technical Drawings

09 137

Models

141

Concept models/ Test models/ Felt interior facade models/ Final model/

10 Evaluation

151

Critical design reflection/ Evaluation/

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Design Report

Introduction Scientists have long discovered that “stress pill”, alas, does not exist. Research has shown that students are no less stressed than other groups of people and that can have an effect on their well-being, behavior, mental health, studies and daily life. A huge amount of studies, personal problems, relationships and much more affect people’s well-being and mental health . The Students’ Anti Stress Center Angel has been created to help students deal with stress. This center is not aimed to be a clinic, but rather an engaging place to relax with different activities, calm down, even have some fun and put your thoughts in order. Collaboration with a brand such as Instagram will help to achieve the fun factor in the project and attract students to the center.

ASCA

Design Report

Brief/Objective/Aim/ Location/ Brief History/ Site Model/ Existing Drawings/ Programme & Client/

Project Brief

ASCA

The Mall 359 UPPER STREET, THE ANGEL, ISLINGTON, LONDON N1 PD

01 Project Brief

Design Report

Project Brief

Project Objective

ANTI- STRESS CENTER for students

Other than therapy, the lesser serious activities that is common way to de-stess are going to a spa, doing yoga exercises, playing sports, video games, reading, eating, watching movies & many more as it varies to each individual. The anti-stress center will include active (GF) & passive (basement) spaces for different type of activities that each student or group may feel more comfortable with to de-stress.

This program is aiming to create a space where students can relax and de-stress through different activities other than the normal counseling sessions, that some are not confident in attending due to the nature of how serious it seems. By creating this antistress space for students, they can feel a sense of freedom & openness, which allows the mind to feel at ease.

Project Aim To create an open plan space with various functions and fun activities for students, with the intention to help with improvement of stress levels and mental health.

ASCA

Location Islington

01 Project Brief

Design Report

RE E 29

ST ER UP P

EE T

25 24

ST R

ST RE PE UP

St J RC ohn E Pr im vang ary e Sc list ho ol

ET ST RE

GT ON

21 to 22

LI N

HIG H

25m

50 to 54

to4

50 to 54

6 to 3

to 2

scale 1:500

10m

BLOCK PLAN

scale 1:1250

TCB

to4

Tunnel

LOCATION PLAN

TCB

Shelters

38 to 36

Islington

20m

30m

40m

TCB

Shelters

35 7

GT ON

TCB

IS LIN

to 18

She

lte

11 11 6 8

TCB

21 to 22

35 4

TCB

elt

15 13

rre

Pie

35 7

7 PA

35 4

MDE

It contains many fashionable shops, pubs, restaurants and theatres, including the now closed Granita restaurant where Tony Blair and Gordon Brown were said to have made their deal on the future leadership of the Labour Party.

35 9

Upper Street is the main shopping street of the Islington district of inner north London, and carries the A1 road. It begins at the junction of the A1 and Pentonville Road and City Road, and runs roughly northwards past Angel Underground station, then past the Business Design Centre, then splits at Islington Green (where Essex Road, formerly named Lower Street, branches off), then past the Screen on the Green cinema, the town hall, ending at Highbury & Islington tube station on Highbury corner, where the A1 carries on as Holloway Road. The southernmost 500 metres (0.31 mi), from the junction to Islington Green, also carries the historical name of Islingtonâ&#x20AC;&#x2122;s High Street.

Location

50m

Block Plan

Location Plan

50m

75m

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Upper Street

Brief History

The site is at The Mall, 359 Upper Street, with facades also found at adjacent Islington High Street, Duncan Street, and Gateway arcade. It was built in 1905-6 as an electricity transformer station and tram depot, because of the electrification of trams at the beginning of the 1900s.

In 1979 the building was converted internally into an antiques market with individual retail units to the existing ground and basement floors. At one time the Antiques Market housed over 35 dealers. The mezzanine was created during this renovation to provide a restaurant.

The building was built by E.Vincent Harris of the London County council architects, with details inspired by George Dance IIâ&#x20AC;&#x2122;s Newgate Prison.

In 2008 most of the individual retail units were empty, so site was sold by London & associated properties (LAP) to PRUIPIM and in 2009 the site was refitted into a single retail unit.

In approx. 1933 the ownership of the substation was passed to the London Passenger Transport Board but as transport evolved the trams were replaced by buses in the early 1960s, and there was no longer a requirement for the electricity substation and tram depot and the building was left derelict for nearly 20 years.

01 Project Brief

Until 2016 the site was allocated for Superdry store. From February it was redesigned for Sofa.com, which is a current occupier of the building.

Design Report

Site Model

ASCA

Existing Plans

Drawn by: P r o j e c t: D a t e:

BASEMENT existing plan Scale: 1:200 01 Project Brief

GF existing plan Scale: 1:200

Design Report

Elevations

1350

2050

43.86

42.50

(33.82)

UPPER STREET

0 (33.65)

ELEVATION A

1350

2050

43.86

2050

42.50 1350

42.50

1957

359 (33.82)

ISLINGTON HIGH STREET

0 (33.65)

ELEVATION B (33.82)

UPPER STREET

ELEVATION C

R e v i s i o n n o t e s: Rev:

Date:

Drawn by:

P r o j e c t:

Client:

D r a w i n g T i t l e:

D a t e:

Notes: 43.86

Scale

42.50 42.50

Page n

1957

359 359

(33.82)

ISLINGTON HIGH STREET

UPPER STREET

0 (33.65)

ELEVATION C

42.50

ELEVATION D

Drawn by:

P r o j e c t:

Client:

D r a w i n g T i t l e:

D a t e:

S c a l e @ A3:

Page no: 1957

359

0 (33.65)

UPPER STREET

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Programme ANTI- STRESS CENTER for students Students are one of the groups that is highly affected by stress. Large volumes of work, deadlines, personal problems and more greatly affect our well-being and daily life. According to FORTH (fothwithlife.co.uk) statistics young adults struggle with stress over 12 days per month, on average. Stress has a longer effect on our physical and mental health. Many of the Universities provide professional medical help, but donâ&#x20AC;&#x2122;t have a place where students can go any time when they feel stressed. This program is aiming to create a space where students can relax and de-stress through different activities other than the normal counseling sessions, that some are not confident in attending due to the nature of how serious it seems. By creating this anti-stress space for students, they can feel a sense of freedom & openness, which allows the mind to feel at ease. Other than therapy, the lesser serious activities that is common way to de-stess are going to a spa, doing yoga exercises, playing sports, video games, reading, eating, watching movies & many more as it varies to each individual. The anti-stress center will include active (GF) & passive (basement) spaces for different type of activities that each student or group may feel more comfortable with to de-stress.

01 Project Brief

Design Report

CENTER for students Fun, engaging space to relax with varieties of activities, divided into two zones with active and passive (calm) de-sress zones suitable to every taste. Activities can be changed weekly or monthly, so students can socialize, get involved and therefore relax from studies and reduce stress using facilities provided.

CLIENT, City, University of London City, University of London is main client that is aimed at investing at their students mental health and well-being providing a place to relax and destress. Also can be used by students from other universities. City, Uni of London students get earlier access and discounts. Proposed site is located 5 mins walk from the Uni Campuses.

SPONSOR 1 UCL Partners UCLPartners is a unique academic health science partnership that brings together people and organisations to transform the health and wellbeing of the population. One of their key interests of research is mental health and how to improve it. Sponsoring the project will give UCL Partners a research base on how to improve students well-being in particular.

SPONSOR Instagram is the most popular and used social media nowadays, which makes them a good candidate as the investors for the project. Also, showing interest in improving students mental health is good PR drive. It would stimulate & lure visitors, giving a FUN factor (understanding that itâ&#x20AC;&#x2122;s not a clinic, but a fun space to get rid of stress).

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Cubism/ Neo-Cubism/ Design strategies/ Concept Sketches/

Design Concept

Design Report

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Design Concept

Design Concept Proposal The concept of this project is to achieve best performance of anti-stress center through the use of cubism and some supportive design strategies.

02 Design Concept

Design Report

Cubism

Minimalist design techniques will be developed in this project to minimize cluttering in the space, keeping it more simple, light and clean . Also, some techniques of biophilic design will be applied as natural elements have a positive affect on humans mental health.

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Research

NEO-Cubism* Neo Cubism is the most graphic trend we have to show you. It is full of colors and art. This particular style derives from the pioneer of the Cubist avant-garde, Pablo Picasso. With cool colors and extravagant abstract lines, this trend presents the room from multiple points of view and completely distorts the idea of perspective as we know it. There is no doubt that it is a sigh for your eyes. This trend is currently inspired by graphic geometries, figurative forms and the revolt of primary colors in abstract art. Neo cubism is a visual and almost shocking trend that keeps much of the aesthetics that we love to see about furniture. Geometric shapes like circles, rectangles and polygons can create structure and clarity. These forms are balanced and easily recognizable. They usually suggest structure, order and efficiency. Wavy lines, dynamic curves and powerful arches contrast with the more functional geometric style, creating unique, captivating objects and drawing attention to the compositions. Neo-Cubism is also distinguished by the fact that it is more minimalistic, simple, less rectangular and the colors used in this movement are often softer, lighter and pastel. Many confuse neocubist paintings with minimalism, interiors with avant-garde. Simply put, neo-cubism came to us from the merger of cubism itself and some techniques of minimalism.

Tom Pigeon

* NOTE: this is NOT a concept, but the strategies that will be applied to support the concept (CUBISM) and help to create desired atmosphere in the building. 02 Design Concept

Design Report

ASCA Beppe Brancatoâ&#x20AC;&#x2122;s photographps show a wide variety, as he works for many magazines, designand architecture studios with an emphasis on Interior Photography, Fashion and Advertisement in general, and love how he works with color which is the main reason we are featuring him . You see, Italian Style has a clear signature when it comes to color combining. They work often with up to three primary colors but in several and more muted shades. Interior photography by Beppe Brancato is another great example of neo-cubism interiors. Where the shapes and lines are more relaxed, yet are organized, more pastel and minimalist.

02 Design Concept

INTERIOR PHOTOGRAPHY WITH BEPPE BRANCATO Cubist living

Design Report

THE POTENT STYLE OF CHARLIE SCHUCK FOR BOWER When cubism and minimalism perfectly work together.

Charlie Schuck’s images are minimal but with and intensely grand look built on selected textures and surface, like sumptuous curtains, perfectly brushed carpets and mirrored elements. The restricted color tones also work to increase these highly readable and yet dramatic pictures. The palette of pinks, light and teal blues and dark greens plays a central role underlying the sophistication of the whole set, particularly in their juxtaposition to the darkness walnut surfaces and marble marquetry. The surprising presence of a beautiful peacock adds a touch of surrealism to the web and captures our full attention when we see it moving around the virtual space. The bird’s presence brings a unique and unexpected element to the series and appears as a perfect parallel to the Bower‘s work that “through a free, experimental process want to bring unique and unexpected objects into people’s lives”.

ASCA

Terzo Piano designs attractive atmospheres, inspiring interiors for various material brands (Graniti Fiandre, Fondavalle, Ragno, etc) and furniture (Former, Busnelli, etc). Their wise eye makes it possible to highlight one or more products by anchoring them in a perfect universe to communicate their strengths and their advantages. Their creations are and make the trends as much as they use to stage skillfully, and give credibility or even sustainability to an object.

TERZO PIANO: Indoor Styling version 3.0 ‘Here is a brand new way of presenting trends and novelties’.

The work of Terzo Piano is one more great example of neo-cubism. Linear, using many different shapes, minimal, but bright at the same time. ‘The work for Graniti Fiandre (left bottom) is exceptional, and it is to wonder where perfection comes from: Is it always the eye of the stylist, or the 3d modeling that makes it possible to erase any irregularities? Without any doubts both, technology bringing here a way to get to the bottom of things and to master them entirely’ (Valette C., 2017). Main elements that form that unique space are: The materials, the shapes, and the colors. Perfectly co-existing and cooperating with each other they create that unusual, almost like an image atmosphere.

02 Design Concept

Design Report

ASCA

Alexis Christodoulou creates dream-like architectural spaces for Instagram

‘I make the spaces because I think I like the idea of going there and escaping for a while,” said Christodoulou. “They’re just extensions of my day dreams’ (Christodoulou, A., n.d.).

02 Design Concept

‘The renders he develops often feature tiled and terrazzo surfaces, bringing together indoor and outdoor spaces with water pools, arches, curved furniture and globe-like objects or circular openings. Some are animated, featuring morphing objects like vases that changes shape. His current series, called Imagined Architectural Spaces, began in January 2017. It has helped him accumulate over 30,000 followers on Instagram, where he posts as @teaaalexis’ (Winston A., 2018). Recent trends have changed and many prefer extra realistic renders, but Christodoulou’s works show that he wanted to get completely different effect, more arty, not very real. All the architectural elements are selected to create different effects with light. Despite the fact that it is all 3D renders not the real projects it gives us clear understanding of what is neo-cubism in architecture and interior design.

Design Report

ASCA

The design is to be represented by graphic geometries, figurative forms and simple pastel colors to keep the space organized and simple. Neo-cubist furniture and combination of different techniques will provide much of the aesthetics. Geometric shapes like circles, rectangles and polygons can create structure and clarity. These forms are balanced and easily recognizable. They usually suggest structure, order and efficiency. Wavy lines, dynamic curves and powerful arches contrast with the more functional geometric style, creating unique, captivating objects and drawing attention to the compositions.

02 Design Concept

Design Report

Design Strategies to be applied

Concept: CUBISM

Simple lines (forming unusual forms when intersect with each other) Strict line geometry

partially influenced by neo-cubism

‘Unfolding’ the building and drawing/ applying cubist painting on all planes, then folding it back again creating lines continuing from floor to walls and ceiling. Salvador Dali’s paining as a base for lines Repetitive line geometry through all floors and roof

Minimalism

Neutral color palette

supporting with some design strategies

Flexibility Clean lines Natural materials and textures Light & Bright space

Biophilic design

Natural materials & textures (such as wood) (natural analogues)

supporting with some design strategies

Visual connection with nature (nature in the space in some of the areas) Prospect, open-plan space, mezzanine, skylight (nature of a space) Mystery* (nature of a space)

+ * visitors interest in tracking lines all over the space, finding Salvador Dali’s painting. 31

ASCA

Concept Sketches

Simple geometric shapes can be applied to form interior space and joinery forms

02 Design Concept

Design Report

SHAPES Following the design strategies developed from the concept and combination of different techniques, simple geometry can be used as blocks for creating joinery and bespoke furniture. Some of basic shapes can be extruded or embedded from or into the walls creating different levels, at the same not blocking the space in the middle

LINES One of the Cubist design strategy which is unfolding the building will create a unique space when applying lines and shapes on it. It divides space into different shapes and zones, but at the same time unites it due to continuation of lines. These lines can be thick and thin to create different effect. In the current project combining cubism with minimalism will give thin lines as a result and provide better space performance for chosen programme.

SHAPES & LINES

Combining both lines and shapes will give the building more unusual look, making it to look quite simple, but arty at the same time. The lines can be used as thin leading shapes to divide zones and materials, and basic shapes can be used for creating joinery.

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03 Design approach & strategy/ Accommodations & Interactive spaces/ Concept Idea to Development/ Space Planning & setting out plan/ Branding/ Zone Sketches & Finals/ Decor &Fittings/

Design Development

Design Report

ASCA

Design Approach Creating a space to de-stress by:

CONNECTING

SEPARATING

LEVELS LIGHTNING COLORS

THE SPACE ART

VISITORS

MENTALLY & PHYSICALLY

NOISY & QUIET ACTIVITIES & ZONES

ACTIVITIES

INDIVIDUALS & GROUPS

PROVIDING ACTIVITIES (FUN & ENGAGING) RELAXING ZONES (QUIET & CALM) INTERACTIVE SPACES

Activities can be changed weekly or monthly to stimulate visitors involvement therefore providing stress relief and improvement of well-being keeping interest of the visitors. Interactive art zone to be created to stimulate the interaction of the visitors with the space and each other.

03 Design Development

Design Report

Design Strategy

RELAX

not a spa

REFRESH RECHARGE not a clinic Providing a fun and unusual space to relax, which combines varieties of activities suitable for every taste. The space will act as an important place that will help students feel better during hard times and improve their well-being. It is important to understand that it is rather collection of activities aimed at stress relief in the aesthetic space, than a mental clinic or a spa center!! That center will also be more of an experimental project which will provide a research basis for improving mental health and building environment for students.

but active & fun relaxing & clam

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LIST OF

The idea is to create active and passive relaxation zones and divide them on different floors with different colour tones and lightning, which will provide facilities suitable for all types of students accordingly to their preferences. Entering the centre visitors have to take the shoes off, therefore it will create more welcoming and warm atmosphere.

Accommodations

M GF - light and active B - darker and passive

MEZZANINE Soft terrain sitting area

GROUND FLOOR

Reception

Step sitting

BASEMENT

Voting

Sitting area

Activities area

Coffee bar

Interactive art

03 Design Development

Sand therapy Light therapy Individual relaxation pots

Sitting area Pillow fight room

Individual consultation

Design Report

Interactive spaces Sensory stimuli To make space more fun and provide visitors interaction with the space and the centre, improving their mood application of interactive features can be beneficial for the project. Interactive art space to be added to the centre, where visitors can interact with the installations and objects, that will boost the mood and energy. Installations in the space can be provided by different instagram artists helping them to evolve and get known and involved, or visitors themselves during activities and workshops. That will bring fun factor to the space that will be provided by Instagram. That will also help students to socialize, interact with each other and the space. This idea also follows the idea of one of the biophiic patterns.

Interactive areas will not be limited to only one part of the building, but will be located throughout the whole space. Thus, in the basement there will be interactive floor projections and interactive lights to be installed throughout all floors. Touch them and they will turn off or on. Simple and fun!

ASCA

Concept idea

Taking the painting as a reference Extracting main lines.

From the lines creating zones and main shapes of the floors and joinery.

03 Design Development

Applying lines to the floor plan and interior elevations to create continuous pattern.

Adding furniture and details accordingly to the shapes and lines.

Design Report

to Development

(33.82)

The lines will continue from the floor to all walls on the ground floor, making the space look unique. The lines will be thin therefore not distracting the eyes. Same lines will be forming the zones. That will allow to separate the activities without the walls. Some of the lines to be repeated on all the floors.

(33.82)

R e v i s i o n n o t e s: Rev:

Date:

Drawn by:

P r o j e c t:

Client:

D r a w i n g T i t l e:

D a t e:

Notes: S c a l e @ A3:

Page no:

(33.82)

Lines applied to the walls R e v i s i o n n o t e s: Rev:

Date:

Drawn by:

P r o j e c t:

Client:

D r a w i n g T i t l e:

D a t e:

Notes: S c a l e @ A3:

Page no:

Sketch showing general shapes and lined in the space.

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Space Planning BLOCK PLANNING The block diagram helps with organizing zones accordingly to the lines and create visitors flow through the space. It also helps with dividing activities by levels and allocation them accordingly to visitors needs and requests.

03 Design Development

Design Report

Visitors movement Open-planned space, void and construction of a mezzanine level provides observation of the whole space making it open, light and bright. Such allocation of a zones accordingly to the lines together with long and narrow shape of a building create a flow through all zones making visitors to explore all the areas.

Notes:

ASCA

Setting out plan 3298

3153

WCS 8.8 SQM

INTERACTIVE ART SPACE 14 SQM

1513

19 SQM

BACK EXIT

3327

08 3624

4049

3476 CORRIDOR

10 02

STORAGE/ STAFF ROOM 13 SQM

4421

SAND THERAPY

1139

2337

SITTING AREA 26.4 SQM

1373

1574

645.5 2145.5

4066

1600

1014 1011

7.5 SQM

500

1371 1336 201

05 Drawn by:

Client:

COFFEE BAR

INDIVIDUAL RELAXATION AREA

43.4 SQM

101.4 SQM

11066

MAIN ACTIVITIES AREA 46.8 SQM

9179 2786 3416

INDIVIDUAL CONSULATATION ROOM 12.1 SQM

2850

3330

RECEPTION 8.8 SQM

3142.5

1540

1738

LOCKERS 6.2 SQM

D a t e:

S c a l e @ A3:

Page no:

3913

Setting out plan Basement Scale 1:200 @ A3 03 Design Development

2863

PILLOW FIGHT ROOM 36.2 SQM

4072

7418

27.5 SQM

35.7 SQM

3435

3330

SOFT BALL POOL SITTING AREA

3898

3575

P r o j e c t:

D r a w i n g T i t l e:

8050

SITTING AREA 26.7 SQM

6114

LIGHT THERAPY 22.2 SQM

1685

Setting out plan Ground Floor Scale 1:200 @ A3

02 3243

Design Report

MEZZANINE 01. Lift to all floors 02. Soft terrain sitting area

MEZZANINE SITTING AREA 67.8 SQM

3955

2753

02 13405

GROUND FLOOR 01. Lift to all floors 02. Fire exit from the basement 03. Soft ball pool 04. Lockers 05. Sitting area 06. Coffee bar 07. Main activities area 08. Step sitting area 09. Interactive art space 10. Back exit 29342

5496

VOID

23609

BASEMENT

2964

6380

01. Lift to all floors 02. Storage/ Staff room 03. WCs 04. Sand therapy 05. Individual relaxation pots 06. Sitting area 07. Pillow fight room 08. Fire exit 09. Individual consultation room 10. Light therapy

SCULPTURE

Setting out plan Mezzanine Scale 1:200 @ A3 45

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Branding The design concept is Cubism and the intention is to make it more minimal and simple. Basic general shapes are to form the logo. Circle and square which are main shapes that are used in the building design when intersecting create the lines which represent the lines that are used in the space. Basing on that the name for the centre was simplified as well.

Color Scheme Deep Grass Green

F3F0E9

A7C584

EAE3C0

The colour scheme is chosen in a way to keep it simple and minimal, related to the natural environment. According to the dissertation study, colours and materials are some of the biophilic design techniques that improve mood and can help in stress relief via relating it to nature. Mostly white interior on ground floor will provide bright space for active tasks, and darker green area in the basement will create more muffled atmosphere that sets up for rest. Strokes of deep coral together with the shapes will make it outstanding from other buildingsâ&#x20AC;&#x2122; interior.

6B8A47

Whinter Wheat

Deep Sea Coral

F5C265

03 Design Development

Design Report

ASCA

Anti Stress Center Angel

ASCA Anti Stress Center Angel info@mysite.com 00 01234 567890 website.com

ASCA

The Mall 359 Upper St, The Angel, London N1 0PD

Anti Stress Center Angel

Logo Business card

HOME

ABOUT US

OUR SERVICES

CONTACT

ASCA Anti Stress Center Angel

Welcome

ASCA

Since our opening, we have become masters of our craft. Our commitment to quality products, exeptional services and incomparable customer care keep our community coming back again and again.

Welcome Since our opening, we have become masters of our craft. Our commitment to quality products, exeptional services and incomparable customer care keep our community coming back again and again.

Anti Stress Center Angel

info@mysite.com 123-456-7890

Website

Phone website ver.

Business card ver 2

Tote bag

ASCA

Overall

03 Design Development

Design Report

Accordingly to the concept, the lines will be dividing the zones , but not separating the space by walls. Replacing the roof will allow more natural light into the space therefore making it more bright and light. To make the concept stronger the decision was made to create a wow factor that will represent cubist idea. That will be represented through the creating of the hanging pedant LED lights. When entering the space they look massive blocks floating in the middle. But when coming closer it can be seen that they are actually hollow inside and have only the frame, which automatically make them look lighter. Using deep coral colour will give an extra brightness to the design and will attract the eye.

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Reception Reception. Quite simple white and green design of the reception reflects the whole design of the space with main colours and simple cubist shapes. Curved counter surface to be repeated and reflected in some other areas of the building. As the idea is to take off the shoes there is drawer with warm socks and other small items that visitors might need in the centre if they would like to purchase some for a small fee. There are also smart screens that show the whole area, activities provided where visitors can sign up, book individual consultation or individual pot in the basement.

03 Design Development

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1 2 3 4 5 6

FEELIN YOU G RE

I f I t ’s

Voting polls. As one of the centres’ sponsors in UCL partners that invest in mental health research, these kind of polls can be used to track overall visitors mood, well-being and self esteem and analyse the reasons of stress of individuals and groups, providing information for further research in mental health. 10 different tokens to be different in colors providing a numbers 1-10 that visitors can use to vote for their mood etc. On the back of the token visitors can also anonymously write why they feel good or why they are happy today, which will help with the research.

Design Report

h at w e c

nce in o ur c

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ASCA

Sitting area

The walls will be covered with clay lime coating and will be textured to give an extra aesthetics to the space and represent original building fabric.

Neon sign and wall texture

03 Design Development

Sitting area Sitting area with individual seats is just to chill and simply relax, alone or with friends, reading a book, listening some talk or discussing something with friends or professionals. Some talks, workshops, small presentations, introduction to activities can be held there. Concept lines to form the semicircle shape of a zone dividing it from the rest of a space. Most of the GF floor will be covered with white bolon tiles, however sitting area will be covered with soft beige carpet.

Design Report

Soft ball pool Soft ball pool A pool filled with soft balls is fun, unusual activity to relax and boost the mood with biophilic green wall on one side. Where interactive lights are located. If to touch it will turn on or turn off. From the entrance green wall cannot be seen, only when going deeper in the space it can be seen. It is made out of white-beige terrazzo with strokes of green and peachy pink color to represent main colors and bright lamps. Stairs and top to be covered with light oak veneer. Existing glazed brick walls to be partly covered and partly re-glazed white. Structural columns to be painted white. Soft ball pool, bar counter and planter frame to be covered with oak veneer.

Green wall To be fully covered with artificial vegetation

Interactive lights

soft ball pool

ASCA

Coffee Bar There are two parts of a bar: lower and higher. Both sides of a bar repeat the shape of the lines from the floor forming two triangles. On the lower side of a bar there are two screens that can be used before going down or up the stairs to another areas. Lower bar provides a space for disabled people, as chairs are not fixed and can be moved aside. Two parts of the wall is remained uncovered and bricks to be re-glazed showing the original materials of the building. Bar counters tops are covered with oak veneers and sides are covered with curved Meganite tiles. The top of the lower bar is made with artificial grass . The colours are white, beige and pastel green that reflect the whole atmosphere of the centre. The bar area is located near existing exit so coffee and other supplies can be delivered from there. Windows are remain existing with frames painted white. The lights above both bar counters reflect the shape driven by the lines as well. There are some plants hanging from the horizontal beam bringing the nature in the space applying biophilic design techniques.

03 Design Development

Design Report

Main activities area Main activities zone is an open planned space right in the centre of the ground floor providing some sitting spaces and intended to conduct varieties of activities, for example art therapy, life drawing, yoga or creation of installations for the centre. They can be changed weekly or monthly. One of the massive square lamps is located in this zone looking as a floating cube , but hollow in the middle providing enough natural light coming from the glass roof.

ASCA

Steps Sitting area Step sitting area is another area for chilling and relaxing located near the main activities area under the mezzanine floor. Shape of a step sitting area is designed in a way to provide great observation on both of the areas nearby and keep the walkway to and from lift & art zone clear at all the times. Due to its higher position all activities that are being held in the main area can be observed. Steps of the area are mostly facing interactive art space where different interactive exhibitions can be installed.

03 Design Development

Design Report

Interactive art space Interactive art space is located at the very end of the building near disabled lift in the corner. This location is stimulating visitors to go through all the space observing all the areas. There is a permanent interior facade made out of felt with interactive lights. The area is deigned in a way to provide space for art exhibitions and installations bringing the fun factor to the space. Installations are to be interactive for visitors to get in contact with it, touch, sit, observe, take pictures etc, which will provide visitors positive changes in mood and encourage them to use the space, its facilities and come for workshops and activities. This space as well as the whole centre to be featured by Instagram, creating a feeling of unusual and fun place to relax, rather than a mental institution. Installations can be provided by Instagram artists or created by visitors during the workshops.

ASCA

Interactive art space Materials Plywood

Materials

Main wall and facade base Easy to cut and drill wholes, cheap and easy to assemble. Plywood Two layers attached to each other with screws.

Main wall and facade base Easy to cut and drill wholes, cheap and easy to assemble. Two layers attached to each other with screws.

Gold anod. aluminium striples Glued to plywood (to each panel) on the top and bottom of Gold anod. aluminium the facade.

Felt is very flexible material which can be made in almost every shape. Different thickness can provide variable light passage which can create diverse effects. Texture of felt create ‘warm’ feeling in a space. Felt is very flexible material which can be made in One of the most advantageous is sound almost everyproperties shape. Different thickness can provide absorption. Using felt on thelight interior facade variable passage whichand can create diverse layering it can provide better sound contol and feeling in a space. effects. Texture of felt create ‘warm’ absorption and minimize noise coming One ofunwanted the most advantageous properties is sound absorption. from the outiside of the building.Using felt on the interior facade and

striples Glued to plywood (to each

panel) on the top and bottom of Beige Felt the facade.

Used for 3 layers (refer ro detail 8 on pageBeige 6 ) Felt First layer covers all panel glued Used for 3 layers (refer ro detail to the plywood. 8 on page 6) Second layer is folded felt that panel glued glued toFirst the layer firstcovers layer.allForms the the plywood. the shapeto for top layer and Second layer is folded felt that helps to hold in on place. glued to the first layer. Forms Top layerthe glued to second, forms shape for the top layer and ‘spikes’ and for helpsopens to holdupin space on place. light to come through Top layer glued to second, forms

layering it can provide better sound contol and absorption and minimize unwanted noise coming from the outiside of the building.

‘spikes’ and opens up space for light to come through

LED light x $ per LED panel.light Energy efficent, can be easily replaced due to x $ per panel. Energy efficent, easily replace panel can be easily replaced due to

Acousic properties of felt compaired with carpet Acousic properties of felt compaired

easily replace panel

with carpet

R e v i s i o n n o t e s:

Visulas Rev:

Date:

Notes:

Drawn by:

R e v i s i o n n o t e s: Rev:

Date:

Nadezda Suvorova

Notes:

Client:

Close up look at the texture and shape

Look at the facade from the side

ASCA

Drawn by:

Nadezda Suvorova Client:

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P r o j e c t:

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Facade materials

P r o j e c t:

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Facade materials

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N/A

Page no:

NS. NS.NS.

LED lights are NOT to be always light in one position. They will light up in different parts of the wall, as if creating the feeling that they are moving along the facade. NOTE: Color of the LED light bulbs can be changed to create different atmospheres accordingly to different exibitions or events.

Elevation showing human side in relation to the facade

03 Design Development

General view

Design Report

Felt Facade Located in the interactive art space area. As well as installations facade is aimed at stimulating peoples movement through the space and also reduces the amount of noise coming from the outside. Flashing LED lights to be installed under the felt layer therefore will create a look of moving interactive light.

Date:

R e v i s i o n n o t e s:

Rev: Notes:

Each of the panles is fixed to the plywood wall with screws and can be easily removed for replacement or giving acces s to the LED ligths. Thus it will provide not only fast and easy access to the lights but also easy assembly and durability. Each of the panels provides access to 4 LEd lights at the same time.

Led light Drawn by:

Client:

Screw

Detail 7 panel attachment to the wall Scale: 1:5 @A3

Deepings in main plywood wall provide space for LED light to be attached or replaced. There are 4 deepings accordingly to 4 LED lights per panel (24 per whole facade).

For panel sizes and technical details refer to Details 2,3,4 and 5 on pages 2, 4 and 5 accordingly 1

Main wall plywood layer with deepings and LED lights

D r a w i n g T i t l e:

P r o j e c t:

6 panles x 4 squares each 1126 mm X 1126 mm each

2 2

Screws

Plywood with drilled wholes Light beige felt with wholes

D a t e:

S c a l e @ A3:

Page no:

Folded felt pieces to form a shape and support top layer to keep the shape (x16)

Elevation showing position of panles Scale: 1:50 @A3

Date:

Mounting method: 1 - attched with screws (can be taken out and replaced) 2 - glued

Detail 8 Isometric panel construction (layers) Scale: 1:20 @A3

R e v i s i o n n o t e s: Rev: P r o j e c t:

Drawn by:

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Isometric drawing showing panel assembly/replacement Scale: 1:20 @A3

Top felt layer , light beige

Notes:

Nadezda Suvorova

Date:

Notes:

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D a t e:

09.03.2020 S c a l e @ A3:

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D r a w i n g T i t l e:

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Drawn by:Drawn by:

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D r a w i n gDTri at lwe:i n g T i t l e:

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S c a l e @ A3: S c a l e @ A3: Client:

Construction and assembly details

1:50; 1:20; 1:5 Page no:

NS. 59

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Mezzanine Mezzanine sitting is intended to provide extra chilling zone away from main area and is supposed to be a huge soft surface that can be used by all visitors including disabled people. The access is provided by lift to all areas including mezzanine. There is a special parking slot for wheelchairs. The shape of the mezzanine is fully reflecting one of the lines . Whole floor and all seating area to be covered in corn fabric, environmentally friendly material based on cellulose derived from corn starch. It is durable flexible and not wrinkling. To be designed as a terrain to represent natural landscape. Roof will cover half of the space and other part to be opened to the sky with glass roof.

03 Design Development

Design Report

From the mezzanine whole building can be seen. Balustrade designed in a way to represent green wall located at the soft ball pool area with green wavy branches and same interactive lights. They will prevent people from coming close to a balustrade, and also people can touch them to turn on or off when passing by.

Sculpture 1225 1477 50

1592

1620

1592

50 1175

1180

S/steel railing painted white

Railing / Scale 1:50 @ A3 layer 1

On the same height as a mezzanine level, but on the opposite side of a building the cubist sculpture to be allocated. The sculpture to be 3D representation of Salvador Dali's painting that has been driving the concept. FROM 2D to 3D the sculpture will represent the idea of the concept, and to be made in main colors of the centre.

Welded pattern painted green P r o j e c t:

Drawn by:

P r o j e c t:

1120

Date:

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Interactive lights

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Sand therapy Basement is represented with the same color scheme as ground floor, but overall atmosphere is darker with muffled light as it is more of a quiet and passive relaxation area. There are two screens located near the staircase where individual pot or individual consultation can be booked. Sand therapy with the seating, way to the lift (where all other floors can be accessed), WCs, storage and fire exit. Sand therapy to be made out of the same materials as soft ball pool on GF. Lines on the floor in the basement repeat some lines from the GF. Floor materials the same, white bolon hexagon tiles, beige carpet and green carpet in addition. Individual pots to be separated from the staircase and other areas with gold chain curved curtain partition. Lights to be the same as in the main area to give full look to the space and additionally merge all levels of the building together.

03 Design Development

Design Report

Individual relaxation pots Main relaxation area with individual pots to be darker with muffled light to provide relaxation atmosphere in the area. There are total eleven individual pots. As they are not fixed to the floor the position can be re-organized. Through this area pillow fight room, light therapy and individual consultation room can be accessed which are located at the back of the basement. There will be projectors installed on the ceiling to create projections of the grass when people are waling through the space. Therefore, due to visual projection and soft green carper there will be feeling of waling on the grass.

Individual pots to be fully made out of felt to create warm and soft feeling. Milky white on the outside and pastel yellow on the inside. The same material as used for interior facade in the interactive art space. Intended for individual use. To relax, sleep, read a book etc. The shape and construction in designed in a way that the walls can be opened and closed around the perimeter. So person inside can either open or fully isolate. There is an opening at the very top to provide some natural ventilation. LED light will be also installed around the top hole perimeter. There also will be some plugs to charge personal devices. Existing ventilation grills to remain existing and uncovered. LED lights on the floors and walls are representing the idea of lines moving from the floor to the walls and repest the shape og woooden cladding on the GF.

ASCA

Sitting area Sitting area Passing by individual relaxation pots there is a quiet sitting area to chill or wait for friends or individual consultation. The furniture is the same as on the GF, but totally green. Sitting area is also separated from the main area with metal chain gold partition, which is zoning a space but creates a semitransparent look. As pillow fight room is located right behind the wall and might be quite noisy, it will be insulated on both sides to minimise the noise coming from the room. Insulation wall to be repeating the same shape as the wall near the staircase and texture in the bar and main reception on GF.

03 Design Development

Design Report

Pillow fight, Light therapy & Individual consultation rooms Pillow fight room

Light therapy room

Pillow fight room is the most fun space in the area and place to actively relieve stress or anger alone or with your friends. The floor, walls, and ceiling is fully covered with super soft pillows, so visitors can lye down on it, jump etc, even if they hit the walls they will be soft and therefore safe.

Light therapy is one of the sensory therapy that helps to relax. This room will be simply white with bean bags, which visitors can use or just sit on the floor. Varieties of light projections can be used in a room starting with natural landscapes ending up with art projections. That can be controlled from the room itself and also from the reception.

Individual consultation room This room is aimed to provide professional help for those who need to talk with specialist, that can be also done anonymously.

Light therapy room

Pillow fight room

Individual consultation room

ASCA

Decor & Fittings Wall lining (e.g FC sheet) Stud Frame

57,00 25,00 Timber batten

Plan V

25,00

25x25mm Mounting Track Screw fixing and wedge

Section View

Timber Click-on batten section detail Wall lining (e.g FC sheet) Stud Frame

57,00 25,00

R e v i s i o n n o t e s: Rev:

Date:

Timber batten

Notes:

Plan View

25x25mm Mounting Track Screw fixing and wedge

Drawn by: 25,00

57,00

P r o j e c t: 25x25mm Mounting Track

Scale @

25,00

Client:

Timber Batten

D r a w i n g T i t l e:

100,00

Screw fixing and wedge

Timber cladding Section View

Date:

S c a l e @ A3:

Notes:

R e v i s i o n n o t e s:

Date:

Client:

Date:

D a t e:

R e v i s i o n n o t e s:

Rev:

Timber Click-on batten top section detail

P r o j e c t:

Notes:

Rev:

Date:

Notes:

Rev:

R e v i s i o n n o t e s:

Rev:

Drawn by:

R e v i s i o n n o t e s:

D r a w i n g T i t l e: Notes:

Page no:

Timber click-on battens (provided by sculptform. com.au). The angle can be adjusted

Client:

D r a w i n g T i t l e:

D a t e: S c a l e @ A3: S c a l e @ A3: Page no:

D r a w i n g T i t l e: Page no:

03 Design Development

D a t e:

S c a l e @ A3:

Client:

P r o j e c t:

Drawn by: Notes:

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Notes:

Page no:

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S c a l e @ A3:

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n n o t e s:

i o n n o t e s:

Basement

D r a w i n g T i t l e:

P r o j e c t:

D a t e:

S c a l e @ A3:

Page no:

Section DD NTS

Client:

Drawn by:

P r o j e c t:

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Drawn by:

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Section CC NTS

Key plans NTS

D a t e:

Ground Floor

Mezzanine

Page no

Design Report

Partition with planter

Concept lightning

Entrance door handle i nviting visitors inside

Bespoke chair

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Design Report

Environmental strategies

New proposed roof & heat control/

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New roof Date:

R e v i s i o n n o t e s:

Rev: Notes:

Existing roof blocks a lot of sunlight during the day, therefore it will be replaced. Such intention will not affect historical appearance of the building, as is it not important feature of an existing design. New proposed roof will not dominate over the. The new roof will be constructed with timber frame and solar control glass.

Timber frame

Existing slanted roof

Solar control glass roof

Client:

Drawn by:

D r a w i n g T i t l e:

P r o j e c t:

Section BB

P r o j e c t:

D a t e:

S c a l e @ A3: D r a w i n g T i t l e: Page no:

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Roof plan 04 Environmental Srategies

Design Report

Solar control glass Solar control glass is a hi-tech product developed by the glass industry to allow sunlight to pass through a window or faĂ§ade while radiating and reflecting away a large degree of the sunâ&#x20AC;&#x2122;s heat. The indoor space stays bright and much cooler than would be the case if normal glass were used. Solar control glass is not necessarily coloured or mirrored glass, although such finishes can be applied for aesthetic purposes if desired. It incorporates invisible layers of special materials on the glass which have the dual effect of allowing sunlight in, while repelling solar heat. Solar control glass units are typically doubleglazed, which means they also insulate well. Solar control is a key issue in terms of energy saving: In hot conditions, or for buildings with high internal loads, it is used to minimise solar heat gain by rejecting solar radiation and help control glare In more temperate conditions it can be used to balance solar control with high levels of natural light.

ASCA

Design Report

Construction

Materials/ Details/

ASCA

Floor materials selection As the idea for visitors to take the shoes off when entering the space all the floor areas will be covered with warm and soft materials such as carpets, fabric or bolon tiles. Item of Used Materials SYMBOL

IMAGE

DESCRIPTION

TOTAL AREA

LOCATION

SUPPLIER

67.8 sqm

Mezzanine

Jacksons Fencing

326,6 sqm

Ground Floor & basement

The Andrews Group

14.2 sqm

Ground Floor & basement

Afloor carpets

Burmatex Lateral carpets perform to a high standard in terms of durability appearance retention with good anti-static properties satisfying the ISO 6356 KV √¢‚Ä∞_2.0 heavy contract requirements. Burmatex Lateral carpets are an 85% Polypropylene 15% Nylon blend.

88 sqm

Ground Floor & basement

Afloor carpet tiles

DESCRIPTION Col: Beige

TOTAL AREA

LOCATION

SUPPLIER

20 sqm

Existing Gf entrance & back exit

Period Property Store

1 sqm

Ground Floor entrance

Leader floors

24 sqm

Ground Floor

Mortex mineral skin

162.5 sqm

Basement

Afloor carpets

7.5 sqm

WCs (Basement)

Walls and Floors

Standard paneled oak HEIGHT: 38mm WIDTH: 190mm LENGTH/DEPTH: 1830mm

White bolon hexagon tiles Size: 307mm x 532mm Area(s) of Use: Floors, Walls Colour(s): White Tiles Per Carton: 25 Categories: Floor Finish(s): Matt Tiles Per Metre: 24.04

Light green carpet Burmatex Lateral carpets perform to a high standard in terms of durability appearance retention with good anti-static properties satisfying the ISO 6356 KV √¢‚Ä∞_2.0 heavy contract requirements. Burmatex Lateral carpets are an 85% Polypropylene 15% Nylon blend. Col: green Light beige carpet

SYMBOL

IMAGE

Black and white square floor tiles EXISTING Matt Glazed, fully vitrified and frost resistant.

Light brown laminate Effect Oak Color: Soft Light Brown Oak Bevelled Edge Product type Plank Dimensions: 1380mm (l) x 190mm (w) x 8mm (t) Flooring grade AC5 (Class 33) Water-resistance Yes PEFC Yes

Mortex mineral skin (col BM 51) Impermeable Hard-wearin Adherent Flexible Fine thickness

Dark green carpet Desso Frisk carpet tiles perform to a high standard in terms of durability, appearance retention with good anti-static properties satisfying the ISO 6356 KV â‰_2.0 heavy contract requirements Col: 223 green White hexagon ceramic tiles Product ID 13829 Material type Porcelain Suitability Floors, Walls, Internal Size 335x292x4mm Sheets Per Sqm 10.25 Weight 1.5 kg Finish Gloss Grade 4

05 Construction

Rev: Date:

Date:

R e v i s i o n n o t e s:

Rev:

R e v i s i o n n o t e s:

Design Report

Notes:

Floor finishes plan

STORAGE/ STAFF ROOM BACK EXIT

VOID MEZZANINE SITTING AREA

INTERACTIVE ART SPACE

SAND THERAPY

STEP SITTING AREA

Drawn by:

Client:

Drawn by:

MAIN ACTIVITIES AREA INDIVIDUAL RELAXATION AREA

COFFEE BAR

VOID

P r o j e c t:

D r a w i n g T i t l e:

P r o j e c t:

LIGHT THERAPY

SITTING AREA

SITTING AREA SOFT BALL POOL

INDIVIDUAL CONSULTATION ROOM

Floor, walls and all surfaces to be covered with pilows RECEPTION

D a t e:

Basement

S c a l e @ A3:

Page no:

D a t e:

PILLOW FIGHT ROOM

VOID LOCKERS SCULPTURE

Ground floor

Mezzanine

ASCA

Surfaces and joinery materials White glazed bricks. Existing brickwork ti be restored and re-glazed white near the bar area.

Durat. To be used for reception counter top

White oak veneers. To be used for soft ball pool, bar counters tops and sand therapy top.

Green velvet. To be used for furniture

Mortex mineral skin. Natural coating that provided non slip surface for flooring and create plain but at the same time textured look.

Terrazzo. To be used for soft ball pool and sand therapy sides.

Meganite semi-circle tiles. To be used for reception and bar facades providing durability, keeping it quite simple and plain at the same time.

Green felt. To be used for acoustic wall construction

Clay lime coating in color light pastel pink will be used on some of the walls in the space. Will keep the walls simple and give walls a velvet look.

Corn fabric in col light green. To be used as covering for mezzanine terrain seating surface and step seating. Provides great durability and flexibility.

Beige felt. To be used for interactive area facade, step seating sides and individual relaxation pots.

Beige velvet. To be used for furniture.

Brass to be used for stripes on floors, walls and for details on joibery and fittings. 05 Construction

Design Report

Mezzanine construction detail New mezzanine level is to be constructed between the existing beams , to minimize damage to the historical fabric of the building and keep the height of the space.

DECK SURFACE: -PLYWOOD - ADVANTEK - BAR GRATING - DIAMOND TREAD -OTHERS AVAILABLE 1#2

"x2" J429 GRADE 5 BOLTS, 4 PER END OF 6" BEAM 5 PER END OF 8" BEAM 6 PER END OF 10" BEAM 8 PER END OF 14" BEAM 9 PER END OF 16" BEAM 10 PER END OF 18" BEAM

1#2

CORRUGATED B-DECK SUB-SURFACE

"TH STEEL END PLATE

STEEL I-BEAM "x2" J429 GRADE 5 BOLTS, 4 PER END OF BEAM

1#2

STEEL I-BEAM 1#2

"TH STEEL CONNECTION PLATE NOTE: This drawing is to be used only for conceptual purposes. Each Mezzanine-Built mezzanine is custom designed and may or may not incorporate all of the features shown and all materials shall be sized appropriately.

STRUCTURAL STEEL COLUMN 5"x5"x 3#16 " 1#2 "x4 1#4 " WEDGE ANCHORS, 4 PER BASE PLATE

12"x12"x 5#8 "TH STEEL BASE PLATES

PANEL-BUILT BEAM & BEAM MEZZANINE SYSTEM

I N C

BEAM & BEAM MEZZANINE SYSTEM DATE: 10/26/2005

Metal chain curtain partition In the basement it is necessary to divide individual relaxation pots from the entrance and sitting area at the same time keeping space one whole. Metal chain curtain partition provide flexibility and semi transparency for the space. Thus it creates a feeling of separation and uniting at the same time.

Metal chain curtain partition detail Provided by kriskadecor NTS

ASCA

Wall coverings

Section CC NTS

Section DD NTS existing I beam

Wall coveting type 1

Drawn by: Drawn by:

Client:

clay lime coating P r o j e c t:

D a t e:

P r o j e c t:

D a t e: S c a l e @ A3:

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Client:

S c a l e @ A3: Page no:

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plywood 20 mm timber baton 40 x 50 existing wall

Page no:

Wall coveting type 2 Wall coveting type 1 Scale 1:10 @ A3

Some of the walls to be covered with plywood to preserve the historical layers of the building and not damage Drawn it in any way. To create aby:difference in levels accordingly to the concept there will be two types of coverage: beam : to beam and on top ofClient the beam. This will also hide some imperfections of existing walls and create more linear and simple look.

clay lime coating existing I beam

P r o j e c t:

D a t e:

timber baton 40 x 150

S c a l e @ A3: D r a w i n g T i t l e: Page no:

Wall coveting type 2 Scale 1:10 @ A3

05 Construction

plywood 20 mm

existing wall

Design Report

Individual relaxation pots Individual pots will provide a personal spaces to relax. Each pot to be fully made out of felt which will create soft texture and look and provide a great insulation at the same time. Natural ventilation to be provided through the opening in the middle. LED lights to be placed there as well. The walls can be opened and closed giving the visitors an opportunity to decide what they want.

Outer felt layer in col. milky white 7mm thick

Felt Insulation

S/Steel Flexible frame

Sections

Inner felt layer in col. light pastel yellow 3mm thick

folded felt insulation

interior felt 3 mm light pastel yellow

Base cusion Exterior beige felt 7 mm

Layers

Insulation detail 824

438

706

824

588

1050

Drawn by:

P r o j e c t:

Client:

D r a w i n g T i t l e:

D a t e:

S c a l e @ A3:

Front

LeftD a t e:

P r o j e c t:

277

Drawn by:

490 Page no:

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ISO

1056

Right

Back

can be opened and closed

Dimensions

Drawn by:

P r o j e c t:

D a t e:

S c a l e @ A3:

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Key Technical Drawings

Design Report

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DRAWING SCHEDULE EXISTING DRAWINGS

page no.

Drawing Code

Drawing Title

84 85

SLP-01 EX- LP-B-01 EX-LP-GF-02 EX- FEL-03

Site location plan Existing layout plan basement Existing layout plan ground floor Existing facade elevations

DEMOLITION PLANS page no.

Drawing Code

Drawing Title

DP-B-01 DP-GF-02

Demolition plan basement Demolition plan ground floor

CONSTRUCTION PLANS page no.

Drawing Code

Drawing Title

CP-B-01 CP-GF-02 CP-M-03

Construction plan basement Construction plan ground floor Constructoin plan mezzanine

SETTING OUT PLANS

page no.

Drawing Code

Drawing Title

SO-B-01 SO-GF-02 SO-M-03

Setting out plan Basement Setting out plan Ground floor Setting out plan mezzanine

page no.

Drawing Code

Drawing Title

GA-B-01 GA- GF-02 GA-M-03 GA-R-04 GA-CU-A-B-01 GA-CU-B-B-02 GA-CU-C-GF-03 GA-CU-D-GF-04 GA-CU-E-M-05

GA plan Basement GA plan Ground Floor GA plan mezzanine GA roof plan Close-up basement A Close-up basement B Close-up Ground Floor C Close-up Ground Floor D Close-up Mezzanine E

GA PLANS

91 92 93

FLOOR FINISHING PLANS

06 Key Technical Drawings

page no.

Drawing Code

Drawing Title

FF-B-01 FF-GF-02 FF-M-03

Floor finishing basement Floor finishing Ground floor Floor finishing mezzanine

Design Report

REFLECTED CEILING PLANS page no.

Drawing Code

Drawing Title

RCP-B-01 RCP-GF-02 RCP-M-03

Basement RCP GF RCP Mezzanine RCP

SECTIONS, ELEVATIONS AND RELEVANT DETAILS page no.

Drawing Code

Drawing Title

ELEVATION A ELEVATION B ELEVATION C ELEVATION D SECTION-A-A SECTION-B-B SECTION-C-C SECTION-D-D

SECTION-E-E ED-A-01 D-TCB-01 D-TCB-02

SECTION-E-E Elevation A Timber click on batten detail Timber click on batten top section detail

100

ED-C-03 D-TxW-04 D-WC-1-05 D-WC-2-06 D-IF-02 /D-IF-05 /

Elevation C Textured wall Detail wall covering type 1 Detail wall covering type 2 Interior faรงade details

97 98

101-102

BESPOKE JOINERY DETAILS page no.

Drawing Code

Drawing Title

103 104 105

D-SS-44 D-B-45 D-IRP-52 / D-IRP-I-53

Step seating detail Balustrade detail Individual relaxaton pots details

Notes:

Date:

s i o n n o t e s:

ASCA

Date:

R e v i s i o n n o t e s: Rev:

Notes:

SITE LOCATION PLAN Scale 1:500 @ A3 Drawn by:

Client:

Drawn by:

P r o j e c t:

Drawn by: D r a w i n g T i t l e:

Nadezda Suvorova

Client:

P r o j e c t:

D a t e:

S c a l e @ A3:

P r o j e c t:

Page no:

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e: SLP-01 Site location plan

D a t e:

S c a l e @ A3:

11.05.2020

D a t e:

1:500

S c a l e @ A3:

Page no:

NS.

06 Key Technical Drawings

Design Report

Client: Page no:

Drawn by:

2456

Drawn by:

P r o j e c t:

Client: P r o j e c t: 1130

D a t e:

Notes:

S c a l e @ A3:

D a t e:

Existing layout plan Basement Scale 1:200 @ A3

D r a w i n g T i t l e:

Date:

R e v i s i o n n o t e s: Rev:

1321

4269

5640

2497.5

983

2836

967

4879

500

2337

1186

3008

441

Existing layout plan Ground Floor Scale 1:200 @ A3

Nadezda Suvorova

Drawn by:

Client:

1050

322 1040

D r a w i n g T i t l e:

1864

1905

3268

3013

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

P r o j e c t:

10840 EX- LP-B-01 Existing layout plan basement EX-LP-GF-02 Existing layout plan ground floor

1829

12610 1957

355

1050

1025

1017 1050 347

11.05.2020

D a t e:

1:200

S c a l e @ A3:

Page no:

1981 1050 415

4294

7891

2440

7638

2440

10831

1245

2041

1177

6601 6433 6431 6435 6427 4603

1245 1387 3723 1218

1050 1990 9527 4497 8807 4546 9543 1983 1048

9171

1726 9255 3929 1701 3539 5732 2329 1465 4841 847 1262

19689

3954 5097 6359 5810 575.5 4378 2581 4912 500 7502

NS.

t e:

: no

85 D r a w i n g T i t l e: Page no:

S c a l e @ A3:

ASCA

42.50

0 (33.65)

2050

ELEVATION A

42.50

(33.82)

Notes:

Rev:

43.86

Date:

R e v i s i o n n o t e s:

Existing facade elevations Scale 1:200 @ A3

ELEVATION B

Date:

R e v i s i o n n o t e s: Rev:

Date:

R e v i s i o n n o t e s: Rev:

Notes:

ISLINGTON HIGH STREET

Key plan NTS

UPPER STREET

Drawn by:

Client:

P r o j e c t:

D r a w i n g T i t l e:

D a t e:

Electrical switches

S c a l e @ A3:

Page no:

ISLINGTON HIGH STREET

UPPER STREET

43.86

2050

P r o j e c t:

D r a w i n g T i t l e:

42.50

(33.82)

42.50

0 (33.65)

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

P r o j e c t:

Drawn by:

Nadezda Suvorova

Drawn by:

D r a w i n g T i t l e:

1350

Client:

EX- FEL-03 Existing facade elevations

D a t e:

S c a l e @ A3:

1957

359

1957

359

NS.

ELEVATION D

ELEVATION C

11.05.2020

1:200

S c a l e @ A3:

Page no:

UPPER STREET

06 Key Technical Drawings

1350

Design Report D r a w i n g T i t l e:

Client: P r o j e c t: D r a w i n g T i t l e:

Drawn by: Client: Page no: S c a l e @ A3:

P r o j e c t:

Drawn by:

S c a l e @ A3: D a t e:

Date:

R e v i s i o n n o t e s: Rev:

Demolition plan Basement Scale 1:200 @ A3

Notes:

Demolition plan Ground Floor Scale 1:200 @ A3 Drawn by: Nadezda Suvorova

Client:

P r o j e c t:

Rev:

Notes:

DESCRIPTION

Existing walls

Walls to de demolished

Objects to be removed

Drawn by:

D r a w i n g T i t l e:

P r o j e c t:

NS.

Client:

Floor slab to be demolished

Page no:

1:200

S c a l e @ A3:

11.05.2020

D a t e:

LEGEND

Date:

R e v i s i o n n o t e s:

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e: DP-B-01 DEMOLITION PLAN basement DP-GF-02 DEMOLITION PLAN ground floor

D a t e:

S c a l e @ A3:

Page no:

Page no: D a t e:

ASCA

Client: Drawn by: P r o j e c t:

Client: Page no:

Drawn by:

Construction plan Ground Floor Scale 1:200 @ A3

D r a w i n g T i t l e:

P r o j e c t:

Notes:

Construction plan Basement. Scale 1:200 @ A3

Date:

R e v i s i o n n o t e s: Rev:

Drawn by:

Nadezda Suvorova

Client:

Construction plan Mezzanine Scale 1:200 @ A3

P r o j e c t:

VOID

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

Construction plan basement Construction plan ground floor Constructoin plan mezzanine

D r a w i n g T i t l e: CP-B-01 CP-GF-02 CP-M-03

D a t e:

11.05.2020

S c a l e @ A3:

1:200

Page no: 8

Floor slab to be filled with concrete Mezzanine to be constructed (refer to page 61) Windows to be covered

Walls to be covered with ply

Objects to be constructed

Walls to be constructed

LEGEND DESCRIPTION

NS.

t e:

D r a w i n g T i t l e: Page no:

S c a l e @ A3:

D a t e:

S c a l e @ A3:

D a t e:

o: en

06 Key Technical Drawings

Design Report

STORAGE/ STAFF ROOM

WCS 8.8 SQM

: SAND THERAPY 7.5 SQM

2337

1373

1574

2786

Client:

SITTING AREA 26.4 SQM

Drawn by: P r o j e c t: SITTING AREA 35.7 SQM

P r o j e c t:

3142.5

LOCKERS 6.2 SQM

3298

BACK EXIT

3153

INTERACTIVE ART SPACE 14 SQM

3243

1540

500

1738

RECEPTION 8.8 SQM

645.5 2145.5

MAIN ACTIVITIES AREA 46.8 SQM

Drawn by:

3416

LIGHT THERAPY 22.2 SQM

3898

3435 INDIVIDUAL CONSULATATION ROOM 12.1 SQM

D r a w i n g T i t l e: Page no:

Setting out plan Ground Floor Scale 1:200 @ A3

3624

1371 1336 201

COFFEE BAR 43.4 SQM

SOFT BALL POOL 27.5 SQM

Setting out plan Mezzanine Scale 1:200 @ A3

D r a w i n g T i t l e: Page no:

D a t e:

Rev:

SO-B-01 SO-GF-02 SO-M-03

VOID

MEZZANINE SITTING AREA 67.8 SQM

5496

6380

SCULPTURE

Setting out plan Basement Setting out plan Ground floor Setting out plan mezzanine

D r a w i n g T i t l e:

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

P r o j e c t:

2753 3955

13 SQM

1139

INDIVIDUAL RELAXATION AREA 101.4 SQM

9179

1685

4421

3476

1600

CORRIDOR 19 SQM

1139

SITTING AREA 26.7 SQM

3330

PILLOW FIGHT ROOM 36.2 SQM

3913

Drawn by: Nadezda Suvorova

Client:

13405 23609 2964

6114 3575

4049 1513 3327 4066 11066 8050

1014 1011 2863

2850 4072

Client:

Notes:

Setting out plan Basement Scale 1:200 @ A3

Date:

R e v i s i o n n o t e s: Rev:

7418

29342

D a t e:

11.05.2020

1:200

S c a l e @ A3:

Page no:

NS.

t e:

Date:

89 S c a l e @ A3:

D a t e:

S c a l e @ A3:

R e v i s i o n n o t e s: Notes:

ASCA

Client: SITTING AREA

STORAGE/ STAFF ROOM

SAND THERAPY

INDIVIDUAL RELAXATION AREA

LIGHT THERAPY

RAMP UP

BACK EXIT

STEP SITTING AREA

MAIN ACTIVITIES AREA

SITTING AREA

INTERACTIVE ART SPACE

P r o j e c t:

RAMP UP

COFFEE BAR

SOFT BALL POOL

Drawn by:

GA plan Mezzanine Scale 1:200 @ A3

MEZZANINE SITTING AREA

VOID

P r o j e c t: SCULPTURE

P r o j e c t:

D r a w i n g T i t l e: Page no:

S c a l e @ A3:

D a t e:

GA plan Basement GA plan Ground Floor GA plan mezzanine GA roof plan

D r a w i n g T i t l e:

VOID

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

P r o j e c t:

Drawn by:

RECEPTION

Drawn by: Nadezda Suvorova

Client:

INDIVIDUAL CONSULTATION ROOM

LOCKERS

Drawn by:

PILLOW FIGHT ROOM

GA plan Ground Floor Scale 1:200 @ A3

Client:

D r a w i n g T i t l e:

Notes:

GA plan Basement Scale 1:200 @ A3

Date:

R e v i s i o n n o t e s: Rev:

Client:

GA-B-01 GA- GF-02 GA-M-03 GA-R-04

Solar control glass roof

NS.

Roof plan Scale 1:200 @ A3

11.05.2020

D a t e:

1:200

S c a l e @ A3:

Page no:

Existing slanted roof

t e:

: no

06 Key Technical Drawings Page no:

Notes: S c a l e @ A3:

D a t e:

D r a w i n g T i t l e:

Page no:

S c a l e @ A3:

D a t e:

Design Report

Key plan Basement NTS

R e v i s i o n n o t e s:

Rev:

Acoustic wall refer to page 57 for dimensionss and details

ate: UP

Unisex toilet refer to page 40 for details

S c a l e @ A3:

D r a w i n g T i t l e: P r o j e c t:

Drawn by:

Metal chain curtain refer to page 39 for dimensions and details

+350

Page no:

o t e s: SITTING AREA

INDIVIDUAL RELAXATION AREA

LIGHT THERAPY

Notes:

S c a l e @ A3:

D r a w i n g T i t l e:

P r o j e c t:

Drawn by:

PLANTER

Drawn by:

Page no:

S c a l e @ A3:

P r o j e c t:

D a t e:

PLANTER

NS.

Refer to page 38 for dimensions, elevations and details

Walls to be painted white, floor to be covered with green carpet, to be equipped with bean bags and light projectors which will be translationg different pictures on the floor and walls

D a t e:

INDIVIDUAL CONSULTATION ROOM

Drawn by:

Client:

+700

FIRE EXIT

STORAGE

Client:

Disabled toilet refer to page 41 for details

refer to page 57 for dimensions and details

Step sitting refer to page 39 for dimensions and details

Acoustic wall refer to page 57 for dimensions and details

Room ceiling, floor and all walls to be covered with soft pillows.

PILLOW FIGHT ROOM

11.05.2020

D a t e:

R e v i s i o n n o t e s:

SAND THERAPY

STORAGE/ STAFF ROOM

+350

Standing screen refer to page 53 for dimensions and details Metal chain curtain refer to page 39 for dimensions and details

D r a w i n g T i t l e:

Individual relaxation pot refer to page 56 for dimensions and details

GA Close-up B Basement Scale 1:100 @ A3

P r o j e c t:

1:100

S c a l e @ A3:

Date:

Notes:

Client:

Standing screen refer to page 53 for dimensions and details

PLANTER

INDIVIDUAL RELAXATION AREA

Drawn by: Nadezda Suvorova

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e:

Page no:

Rev:

Date:

Client:

Notes:

GA Close-up A Basement Scale 1:100 @ A3

Date:

R e v i s i o n n o t e s: Rev:

Client:

GA-CU-A-B-01 Close-up basement A GA-CU-B-B-02 Close-up basement B

Key plan Basement NTS

t e:

: A3

D r a w i n g T i t l e: Page no:

Notes: D a t e:

S c a l e @ A3:

D a t e:

PLANTER

Page no:

Key plan Basement NTS

Rev:

Notes:

Wall lights Refer to pages 22-26 for building sections

Client:

RAMP UP

+630 +200

BACK EXIT

INTERACTIVE ART SPACE

RAMP UP

PLANTER

To be kept as existing, painted white, new ramp to be constructed

Interior facade Refer to pages 30-36 for dimensions and details Partition with planter refer ro page 53 for dimensions and details

For furniture details refer to pages 49-50

MAIN ACTIVITIES AREA

PLANTER

SITTING AREA

COFFEE BAR

SOFT BALL POOL

Refer to page 48 for high bar counter dimensions and details

Drawn by:

Wooden cladding Refer to page 27 for dimensions and details

Existing bearing columns

P r o j e c t:

Client: Drawn by:

Client:

D a t e:

Drawn by: P r o j e c t:

PLANTER

D r a w i n g T i t l e:

Page no:

NS.

Main netrance to be kept as existing, painted white

Reception Refer to page 45 for dimensions and details

Green wall Refer to page 37 for dimensions and details

Refer to page 46 for dimensions and details

Existing beam

S c a l e @ A3:

Standing screen refer to page 53 for dimensions and details Coffee bar Refer to page 47 for lower bar counter dimensions and details

LOCKERS

Client:

PLANTER

Voting polls and lockers Refer to page 54 for dimansions and details

GA Close-up D Ground Floor Scale 1:100 @ A3

Notes:

+510

+310

+600

MAIN ACTIVITIES AREA

: S c a l e @ A3:

P r o j e c t: D a t e:

11.05.2020

D a t e:

Date:

P r o j e c t:

+310

+800

STEP SITTING AREA

+800

PLANTER

+1000

+1380

PLANTER

P r o j e c t:

1:100

S c a l e @ A3:

R e v i s i o n n o t e s:

Drawn by:

Refer to page 51 for dimensions and details

Covered walls Refer to page 29 for details

GA Close-up C Ground Floor Scale 1:100 @ A3

Drawn by: Nadezda Suvorova

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e:

Page no:

Rev:

Date:

R e v i s i o n n o t e s: Rev:

Client:

GA-CU-C-GF-03 Close-up Ground Floor C GA-CU-D-GF-04 Close-up Ground Floor D

Wooden cladding Refer to page 27 for dimensions and details

Key plan Basement NTS

Reception drawer Refer to page 28 for dimensions and details

t e:

Notes:

D r a w i n g T i t l e: S c a l e @ A3:

D a t e:

06 Key Technical Drawings

R e v i s i o n n o t e s:

ASCA

Page no:

D r a w i n g T i t l e: Page no:

S c a l e @ A3:

D a t e:

Design Report Client:

Date:

o n n o t e s:

Drawn by:

Wall lights Refer to pages 22-26 for building sections

Covered walls Refer to page 29 for details

MEZZANINE SITTING AREA

Rev: Date:

P r o j e c t:

R e v i s i o n n o t e s: Notes: S c a l e @ A3:

D r a w i n g T i t l e:

Client:

P r o j e c t:

Drawn by:

Notes:

GA Close-up E Mezzanine Scale 1:100 @ A3

Notes:

Date:

R e v i s i o n n o t e s: Rev:

Existing beam

Parking slot for wheelchair Design allustrade with interactive lights Refer to page 52 for dimensions and detais

Existing window to be covered with glass balustrade 1200 mm high to prevent it from collision and impact

Key plan Basement NTS

Nadezda Suvorova

Drawn by:

Client:

P r o j e c t: ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e: GA-CU-E-M-05 Close-up Mezzanine E

Mezzanine sitting is intended to provide extra chilling zone away from main area and is supposed to be a huge soft surface that can be used by all visitors including disabled people. The access is provided by lift to all areas including mezzanine. There is a special parking slot for wheelchairs. Whole floor and all seating area to be covered in corn fabric, environmentally friendly material based on cellulose derived from corn starch. It is durable flexible and not wrinkling. To be designed as a terrain to represent natural landscape.

NS.

Balustrade designed in a way to represent green wall located at the soft ball pool area with green wavy branches and same interactive lights. They will prevent people from coming close to a balustrade, and also people can touch them to turn on or off when passing by.

D a t e:

11.05.2020

1:100

S c a l e @ A3:

Page no:

t e:

93 D r a w i n g T i t l e:

Page no: S c a l e @ A3:

D a t e:

Page no:

D a t e:

ASCA

Client: Drawn by: P r o j e c t: SITTING AREA

STORAGE/ STAFF ROOM

SAND THERAPY

INDIVIDUAL RELAXATION AREA

LIGHT THERAPY

BACK EXIT

STEP SITTING AREA

MAIN ACTIVITIES AREA

LOCKERS

INTERACTIVE ART SPACE

RECEPTION

COFFEE BAR

SOFT BALL POOL

D r a w i n g T i t l e:

Nadezda Suvorova

Drawn by:

SITTING AREA

P r o j e c t:

INDIVIDUAL CONSULTATION ROOM

Page no:

Floor finishing plan Ground floor Scale 1:200 @ A3

Drawn by:

PILLOW FIGHT ROOM

Client:

Notes:

Floor finishing plan Basement Scale 1:200 @ A3

Floor, walls and all surfaces to be covered with pilows

D r a w i n g T i t l e:

Date:

R e v i s i o n n o t e s: Rev:

Client:

Floor finishing plan Mezzanine Scale 1:200 @ A3

P r o j e c t:

MEZZANINE SITTING AREA

VOID

SCULPTURE

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e: FF-B-01 Floor finishing basement FF-GF-02 Floor finishing Ground floor FF-M-03 Floor finishing mezzanine

VOID

11.05.2020

D a t e:

1:200

S c a l e @ A3:

Page no:

Legend

Description

While bolon hexagon floor tiles

Beige carpet

Light green carpet

Dark green carpet (bottle green)

Ceramic hexagon floor tiles

Existing entrance glazed tiles

White oak laminate

Green mortex

Standart paneled oak (to be covered with corm fabric to form seating) Brass stripes

NS.

06 Key Technical Drawings

Page no:

S c a l e @ A3:

D a t e:

S c a l e @ A3:

D a t e:

Design Report Client:

Rev: Date:

Basement RCP Scale 1:200 @ A3

R e v i s i o n n o t e s: A

Notes: A

Drawn by: B

P r o j e c t: D r a w i n g T i t l e: B

GF RCP Scale 1:200 @ A3

S c a l e @ A3:

D r a w i n g T i t l e:

D a t e:

ENTRANCE

VOID P r o j e c t:

D a t e:

Drawn by:

R e v i s i o n n o t e s:

Client:

P r o j e c t: B

Notes:

Date:

R e v i s i o n n o t e s:

Client:

Page no: B

Rev:

Drawn by:

Notes:

Rev:

Notes: D a t e:

Date:

R e v i s i o n n o t e s: Rev:

Drawn by:

Mezzanine RCP Scale 1:200 @ A3

Nadezda Suvorova

Client:

B B

P r o j e c t:

E E E E

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel 359 Upper st, Angel, London

D r a w i n g T i t l e: RCP-B-01 basement rcp RCP-GF-02 gf rcp RCP-M-03 mezzanine rcp

Legend

11.05.2020

D a t e:

1:200

S c a l e @ A3:

Page no:

Description

Quantity

Bespoke rectangulatr pedant lightning with LED stripes Smoke detector

Spot lightning to be mounted to beams and columns Cluster pedant lightning

LED stripe lightning

Track spot lightning

Bespoke globe pedant lightning

Recessed lightning dia 60 mm

Bar pedant lightning

67.60 m

293

Recessed lightning dia 250mm 62 same lamp Recessed lightning dia 250 mm type emergency Reception pedant globe lightning 2

Flashing alarm light

ceiling mounted extractor fan (toilets) Projector

NS.

D r a w i n g T i t l e: Page no: S c a l e @ A3: S c a l e @ A3:

Page no:

42.50

43.86 EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

2955

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE CONTRACTOR

1721

High level - 3D built up metal green s/steel letters. Illuminated pin mounted onto exterior brickwork. Depth of letters 65 mm

3641

UPPER STREET 3D built up non illuminated metal letters. Green Depth of letters 50mm

2050

Rev:

Date:

R e v i s i o n n o t e s:

3641

Notes:

359

1957

Key plan NTS EXISTING FLAGS TO BE REPLACED - SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

15 12

Drawn by:

Client:

42.50

U PPER STREET (33.82)

C 696

43.86

(33.82)

120

Page no:

2973

S c a l e @ A3:

2050

A B C

3641

A 43.86 42.50 42.50

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

BE HUNG FROM EXISTING FLAG POLES

0 (33.65)

696

800

1957

2055

3641

0 (33.65)

SIGN E - NEW NON-ILLUMINATED PROJECTING SIGN

800

1957

2055

1971

3641

2050

C B

800

696

950

2055

800

696

950

C B

ISLINGTON HIGH STREET

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY 42.50 STRIP OUT WORKS

SIGN C: NEW NON ILLUMINATED 1971 PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

2973

11 10

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE CONTRACTOR

800

1721

(33.82)

11 10

696

800

120

1957

359

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

11 10

1957

359

2050

02.02.16

696

950

43.86

DATE

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

42.50

EXISTING FLAG TO BE REPLACED - SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

800

696

(33.82)

0 (33.65)

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGN C: NEW NON ILLUMINATED SIGNAGE CONTRACTOR PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING 2050 SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

revision

Existing bollards to be remained the same EXISTING BOLLARDS TO BE MADE coveredAND by new entrance opening boards GOOD REDECORATED

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

800

1957

2055

1971

1957

42.50

3641

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

3641

EXIS REPLACE FLAG EXI

2055

ELEVATION

2055

scale 1:100

SIGN C: NEW NON ILLUMINATED 1971 PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

0 (33.65)

SIGNAGE KEY

scale NTS

800

696

EXTERNAL SIGNAGE

SIGNAGE KEY

scale NTS

INITIAL DRAWING ISSUE - SIGNAGE APP

SIGNAGE APPLICATION

ISSUE

696

EXTERNAL SIGNAGE

White suspended metal signage NEW NON boxSIGN withC:3D built upILLUMINATED non illumonated PROJECTING METAL SIGNAGE letters. DepthWHITE of sign 50mm BOX WITH C. BLACK ACRYLIC LETTERING Signage TO BOTH SIDES

SIGN E - NEW NON-ILLUMINATED PROJECTING SIGN

2973

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

SOFA.COM ISLINGTON

43.86

800

cad reference

UPPER STREET

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING DATE:

EXISTING LEAD TO BE RETAINED

02.02.2016

ISSUE

INITIAL DRAWING ISSUE - SIGNAGE APP

696

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

SIGNAGE APPLICATION

ISLINGTON HIGH STREET

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

PROJECT:

SOFA.COM E ISLINGTON

PROJECT NO.:

SHEET TITLE: ~

800

PROPOSED SHOPFRONT A ELEVATIONS

BY: SB

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

UPPER STREET DRAWN

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING

SCALE: 1:100 @ A1

ISLINGTON HIGH STREET SHEET NUMBER NO.: TO BE RETAINED IN EXISTING LOCATION

ALUMINIUM POWDER COATED

NO.

EXISTING LEAD TO BE RETAINED

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING DATE:

BLACK SIDE RETURNS 10MM NONWITH ILLUMINATED CUT THROUGH LETTERS FIXED BACK TO SIGN

02.02.2016

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE

WHITE METAL PROJECTING ALUMINUM POWDER COATEDSIGN WHITE WITH GREEN LETTERING FORMING METAL PROJECTING SIGN WITH FRET ASCA LOGO. CUT INDIVIDUAL BLACK LETTERING LOGO TO BE FIXED TO BOTH SIDES FORMING SOFA.COM LOGO. OF THE SIGN. 50 MM DEEP LOGO TO BE FIXED TO BOTH SIDES OF THE SIGN. SIGN 50MM DEEP.

W: quadrantdesign.co.uk

NEW ASCA BRANDEDSIGN TO BRANDED PROJECTING T: 0118 9591 581 PROJECTING SIGN TO BE BE SUSPENDED FIXING. E: FROM studio@qdesign.co.uk SUSPENDED FROM FIXING

EXISTING TRADITIONAL STYLEREADING METAL FIXING BRACKET TO BERG1 3AR RETAINED. NEW SOFA.COM

SIGNAGE 23 KINGS ROAD APPLICATION

J000474_A4_00

2050

PROJECT:

696

SOFA.COM ISLINGTON

PROJECT NO.:

J000474

SHEET TITLE:

800

~ 02.02.16 PROPOSED SHOPFRONT ELEVATIONS

DRAWN BY: SB

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

UPPER STREET SCALE: 1:100 @ A1

PROJECT:

T: 0118 9591 581 E: studio@qdesign.co.uk W: quadrantdesign.co.uk

23 KINGS ROAD READING RG1 3AR

J000474_A4_00

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING SHEET NO.: NUMBER TO BE RETAINED IN EXISTING LOCATION

10m

ISLINGTON HIGH STREET

INITIAL DRAWING ISSUE - SIGNAGE APP

ISSUE

02.02.16

DATE

3641

ALUMINUM POWDER COATED WHITE EXISTING FLAGS TO BE METAL PROJECTING REPLACED - SIZES APPROX. NEW SIGN WITH FRET FLAGS BE HUNG FROMBLACK LETTERING CUTTOINDIVIDUAL EXISTING FLAG POLES FORMING SOFA.COM LOGO. LOGO TO BE FIXED TO BOTH SIDES OF THE SIGN. SIGN 50MM DEEP.

10m

ELEVATION D

scale 1:100

11.05.2020

NO.

10MM NON ILLUMINATED CUT THROUGH LETTERS FIXED BACK TO SIGN

LOGO TO BE FIXED TO BOTH SIDES OF THE SIGN. SIGN 50MM DEEP.

0 (33.65) UPPER STREET

11 10

scale 1:100

ELEVATION D

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

KEY PLAN scale 1:200

NOTE: E ALL EXISTING SIGNS TO BE REMOVED BY SUPERDRY - AFFECTED SURFACES TO BE MADE GOOD.

696

EXISTING FLAGS TO BE REPLACED - SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

800

1957

J000474 NO. DATE

10MM NON ILLUMINATED CUT THROUGH LETTERS FIXED BACK TO SIGN

ELEVATION C

1:100

EXISTING TRADITIONAL STYLE METAL FIXING BRACKET TO BE RETAINED. NEW SOFA.COM BRANDED PROJECTING SIGN TO BE SUSPENDED FROM FIXING.

ELEVATION B

3641

scale 1:100

50MM

2050

PROJECTING SIGN DETAIL KEY PLAN

3D built up non illuminated meta SIGN B: NON ILLUMINATED 3D METAL letters. Green LETTERS FIXED TO EXISTING FASCIA. Depth ofTOletters SIGNAGE HAVE 50mm WHITE FRONT FACE WITH BLACK SIDE RETURNS SIGN C: NEWmetal NON ILLUMINATED White suspended signage SIGNAGE BOX boxPROJECTING with 3D builtMETAL up non illumonated WITH BLACK LETTERING letters. Depth of ACRYLIC sign 50mm Signage C.

800 D

CONTRACTORSIGNAGE BOX WITH WHITE SUSPENDED METAL FRET CUT BLACK ACRYLIC LETTERING TO LOGO DEPTH OF SIGN 50MM

A: B:

scale 1:10

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

3D BUILT UP NON ILLUMINATED METAL LETTERS. WHITE FRONT FACE WITH BLACK SIDE RETURNS. DEPTH OF LETTERS 50MM

HIGH LEVEL - 3D BUILT UP METAL BLACKENED STEEL LETTERS. NON ILLUMINATED2050 PIN MOUNTED ONTO EXTERIOR BRICKWORK. D DEPTH OF LETTERS 65MM

EXISTING EMBOSSED HOT ROLLED (33.82) STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

42.50

WHITE SUSPENDED METAL SIGNAGE BOX WITH FRET CUT BLACK ACRYLIC LETTERING TO LOGO DEPTH OF SIGN 50MM

A: B:

WHITE FABRIC FLAG WITH BLACK SOFA.COM LOGO TO BOTH SIDES. FABRIC FLAG WITH PRINTED UNION JACK TO BOTH SIDES.

2 No. FLAGS - FIXED ONTO EXISTING FLAG POLES

696

scale 1:10

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

Scale 1:20 @ A3

NOTE: E ALL EXISTING SIGNS TO BE REMOVED BY SUPERDRY - AFFECTED SURFACES TO BE MADE GOOD.

359

PROJECTING SIGN DETAIL FLOOR MOUNTED 3D BUILT UP LETTERS,

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

White suspended metal signage INTERNALLY ILLUMINATED. WHITE NEON FRONT box with 3D builtC:up non illumonated SIGN NEW NON ILLUMINATED SIGN C: NEW NON ILLUMINATED 800 PROJECTING letters. Depth of signWHITE 50mmMETAL SIGNAGE FACE WITH BLACK SIDE RETURNS. DEPTH OF PROJECTING METAL SIGNAGE BOX SignageBOX C. WITH BLACK ACRYLIC LETTERING WITH BLACK ACRYLIC LETTERING LETTERS 100MM TO BOTH SIDES

2055

High level - 3D built up metal green s/steel letters. IlluminatedTO pin BOTH SIDES. SIGN A: HIGH LEVEL BLACK 3D BUILT UP 696 mounted onto exterior brickwork. INDIVIDUAL LETTERING. SIGNAGE TO BE 1721 3641 Depth of letters 65 mm FLOOR MOUNTED 3D BUILT UP LETTERS, NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTERNALLY ILLUMINATED. WHITE NEON FRONT C: NEW NON ILLUMINATED INTO THE MORTARSIGN JOINTS - DETAILS BY 800 PROJECTING METAL SIGNAGE SIDE RETURNS. DEPTH FACEWHITE WITH BLACK OF SIGNAGE CONTRACTOR BOX WITH BLACK ACRYLIC LETTERING White suspended metal signage LETTERS 100MM TO BOTH SIDES boxC:with built up non illumonated SIGN NEW3D NON ILLUMINATED letters. Depth of sign 50mm PROJECTING METAL SIGNAGE BOX EXISTING ROLLER SHUTTER BOX & Signage WITH BLACKC. ACRYLIC LETTERING SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

1:200 @ A3 C PROJECTING SIGNScale DETAIL

WHITE FABRIC FLAG WITH BLACK SOFA.COM LOGO TO BOTH SIDES. scale FABRIC FLAG WITH PRINTED UNION JACK

2 No. FLAGS - FIXED ONTO EXISTING FLAG POLES

42.50

BE HUNG FROM EXISTING FLAG SIGN A: HIGH LEVEL BLACK 3D BUILT UP SIDE RETURNS. DEPTH OF LETTERS POLES INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE

3D BUILT UP NON ILLUMINATED METAL EXISTING FLAG TO BE REPLACED - SIZES APPROX. NEW FLAGS TO LETTERS. WHITE FRONT FACE WITH BLACK

3290 HIGH LEVEL - 3D BUILT UP METAL BLACKENED STEEL LETTERS. NON ILLUMINATED PIN MOUNTED ONTO EXTERIOR BRICKWORK. 696 D DEPTH OF LETTERS 65MM C

UPPER STREET

scale 1:200

scale 1:10

ISLINGTON HIGH STREET

(33.82)

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY 2955 3641 SIGN C: NEW NON ILLUMINATED SIGNAGEBOX CONTRACTOR PROJECTING METAL SIGNAGE WITH BLACK ACRYLIC LETTERING SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

1957

359

A B 43.86

696

EXTERNAL SIGNAGE

SIGNAGE KEY

1957

UPPER STREET

scale NTS

EXTERNAL SIGNAGE

SIGN E - NEW NON-ILLUMINATED PROJECTING SIGN

ELEVATION B scale 1:100 ELEVATION C

scale 1:100

D a t e:

ELEVATIONAB ELEVATION scale 1:100 scale 1:100

P r o j e c t:

EXISTING FLAG TO BE REPLACED SIZES APPROX. NEW FLAGS D r a w i nTO g T i tBE l e: HUNG FROM EXISTING FLAG POLES

0 (33.65)

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

SIGN A: HIGH LEVEL BLACK 3D BUILT3641 UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S SIGN JOINTS C: NEW-NON ILLUMINATED INTO THE MORTAR DETAILS BY PROJECTING SIGNAGE BOX SIGNAGEMETAL CONTRACTOR WITH BLACK ACRYLIC LETTERING

ISLINGTON HIGH STREET

2050

B 42.50

EXISTING LEAD TO BE RETAINED SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

SIGN B: NON ILLUMINATED 3D METAL LETTERS TO EXISTING FASCIA. SIGN C:FIXED NEW NON ILLUMINATED SIGNAGE TO HAVEMETAL WHITESIGNAGE FRONT FACE PROJECTING BOX WITH ACRYLIC BLACK SIDE RETURNS WITH BLACK LETTERING

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

696

800

EXISTING ROLLER SHUTTER BOX & 3290 SIGN C: NEW NON ILLUMINATED SHUTTER TO BE POWDER COATED RAL PROJECTING METAL SIGNAGE BOX 7021 WITH THE BOTTOM VISABLE RAIL 800 WITH BLACK ACRYLIC LETTERING TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

0 (33.65) UPPER STREET

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

UPPER STREET

2050

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING ISLINGTON HIGH STREET NUMBER TO BE RETAINED IN EXISTING LOCATION

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTINGSIGN FASCIA. C: NEW NON ILLUMINATED SIGNAGE TO HAVE WHITE FRONT FACE PROJECTING METAL SIGNAGE BOX WITH BLACK SIDE RETURNS WITH BLACK ACRYLIC LETTERING

696

EXISTING LEAD TO BE RETAINED SIGN C: NEW NON ILLUMINATED 696 PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING 800

359

SIGNAGE KEY scale NTS

EXISTING EMBOSSED HOT ROLLED 0 (33.65) STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

HIGH LEVEL - 3D BUILT UP METAL BLACKENED STEEL LETTERS. NON ILLUMINATED PIN

DEPTH OF LETTERS 65MM

D a t e: ONTO EXTERIOR BRICKWORK. MOUNTED

NS.

SOFA.COM ISLINGTON

DATE:

02.02.2016 20

PROPOSED SHOPFRONT ELEVATIONS

SHEET TITLE:

J000474

PROJECT NO.:

1350

600

A A

3641

465

External Signage 3641

ISLINGTON HIGH STREET 1957

250

696 1721

UPPER STREET

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

1957

3641

EXISTING FLAGS TO BE REPLACED - SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

High level - 3D built up metal green SIGN A: letters. HIGH LEVEL BLACK 3D s/steel Illuminated pinBUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON mounted onto exterior brickwork. ILLUMINATED AND MOUNTED ONTO Depth of letters 65PIN mm EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE CONTRACTOR

2050

ELEVATION D scale 1:100

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE CONTRACTOR

White suspended metal signage box with 3D built up non illumonated letters. Depth of sign 50mm

43.86

C 2955 800

696

1721

359

EXISTING ROLLER SHUTTER BOX & 3290 SHUTTER TO BE POWDER COATED RAL 120 800 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

3641

EXTERNAL SIGNAGE

P r o jAe c t:

3D BUILT UP NON ILLUMINATED METAL LETTERS. WHITE FRONT FACE WITH BLACK

SSIDE c a RETURNS. l e @ A3: DEPTH OF LETTERS 50MM

1:200, 1:20

WHITE SUSPENDED METAL SIGNAGE BOX WITH FRET CUT BLACK ACRYLIC LETTERING TO LOGO

WHITE FABRIC FLAG WITH BLACK SOFA.COM LOGO TO BOTH SIDES. FABRIC FLAG WITH PRINTED UNION JACK TO BOTH SIDES.

20 FLAGS - FIXED ONTO EXISTING FLAG POLES 2 No.

DEPTHno: OF SIGN 50MM Page

665

42.50

50 50

A B

C B

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

950

696

800

SIGN C: NEW NON ILLUMINATED 3641 PROJECTING WHITE METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING TO BOTH SIDES EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

EXISTING 'SUPERDRY' SIGNS TO BE REMOVED AS PART OF SUPERDRY STRIP OUT WORKS

800

0 (33.65) UPPER STREET

UPPER STREET EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

135

ISLINGTON HIGH STREET

ELEVATION C scale 1:100

2050

1957

2055

ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel B Upper st, Angel, London 359

800

A: B:

600

3441

1140

4940

SIGN A: HIGH LEVEL BLACK 3D BUILT UP INDIVIDUAL LETTERING. SIGNAGE TO BE NON ILLUMINATED AND PIN MOUNTED ONTO EXTERIOR BRICKWORK. FIXING'S EWINTO NONTHE ILLUMINATED MORTAR JOINTS - DETAILS BY METAL SIGNAGE BOX SIGNAGE CONTRACTOR K ACRYLIC LETTERING SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

(33.82) 0 (33.65)

D A

ISLINGTON HIGH STREET

D C B

696

950

800

SIGN C: NEW NON ILLUMINATED PROJECTING WHITE METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING TO BOTH SIDES

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

665

Drawn by:

665

600

357

3717

ELEVATION B A ELEVATION

2050

42.50

1957 High level - 3D built up metal green s/steel letters. Illuminated SIGN A: HIGH LEVEL BLACK 3Dpin BUILT UP mounted onto exteriorSIGNAGE brickwork. INDIVIDUAL LETTERING. TO BE Depth of letters 65 AND mm PIN MOUNTED NON ILLUMINATED 359 ONTO EXTERIOR BRICKWORK. FIXING'S INTO THE MORTAR JOINTS - DETAILS BY SIGNAGE CONTRACTOR

50 signage White suspended metal box withSIGN 3D C: built upNON nonILLUMINATED illumonated NEW letters. Depth of sign 50mm PROJECTING METAL SIGNAGE BOX Signage C.BLACK ACRYLIC LETTERING WITH

0 (33.65)

2050

Scale 1:200 @ A3

scale 1:100

EXISTING FLAG TO BE REPLACED SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

42.50

1957

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED I S L I IN N EXISTING G T O N LOCATION HIGH STREET

ELEVATION D

2050

EXISTING FLAGS TO BE REPLACED - SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

D r a wCi n g T i t l e:

696

ELEVATION A ELEVATION B ELEVATION C 2055 D ELEVATION D

1971

600

465

600

465

Nadezda Suvorova

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING EXISTING LEAD TO BE RETAINED

127

465

127 60

600

665

4860

1350

DRAWN BY: SB

465

600

357

90 1350

665

scale 1:100

Client:

800

696

127

600

scale 1:100 scale 1:100

EXISTING FLAG TO BE REPLACED SIZES APPROX. NEW FLAGS TO BE HUNG FROM EXISTING FLAG POLES

42.50

696

120

White suspended metal signage 359 SIGN NEWup NON box with 3DC:built nonILLUMINATED illumonated PROJECTING SIGNAGE BOX letters. Depth ofMETAL sign 50mm WITHC.BLACK ACRYLIC LETTERING Signage

(33.82)

ELEVATION B scale 1:100

Scale 1:200 @ A3

1957

250

1350

127

FLOOR MOUNTED 3D BUILT UP LETTERS, INTERNALLY ILLUMINATED. WHITE NEON FRONT FACE WITH BLACK SIDE RETURNS. DEPTH OF LETTERS 100MM

252

TED 3D METAL STING FASCIA. E FRONT FACE SIDE RETURNS

N ILLUMINATED SIGNAGE BOX LIC LETTERING

3290 SIGN C: NEW NON ILLUMINATED 120 PROJECTING METAL 800 SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

0 (33.65) UPPER STREET (33.82)

800

696

ELEVATION B scale 1:100 ELEVATION A ELEVATION C scale 1:100

GN B: NON ILLUMINATED 3D METAL TTERS FIXED TO EXISTING FASCIA. NAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

3290

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

0 (33.65) UPPER STREET

ELEVATION C scale 1:100

AFFECTED SURFACES TO BE MADE GOOD.

800

252

127

1350

3416

SCALE: 1:100 @ A1

250

1350

Electrical switches

465

Electrical switches

127 600

250

3717

250

600 3112

465

357

3717

665

127 1350 600 600

600 127

1209 5205

465

665

4860

3416

600

1140

3055

600

3441

3112

600

127 600

127

1350

252

1350

3112

1350

600

3441

600

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

127

465 357

600 600 4940

1350 600

3037

250

600

3416

127

250

1350 90

600

1350

1140 4940

359

252

665 4860

600 600 250

3717

3112

465 357 3717

90 600

465

SIGNAGE KEY

357

3717

600

3416

250

1350 127

465

06 Key Technical Drawings

600

3441

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

465

3112

1350

127

3416 600

scale NTS

1350

127

Electrical switches

UPPER STREET

250

3416

357

1350

3112

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

252

465

3055

600 3441

127

665 4860

665

3037 3055 250 3717

1350 90

Notes:

1350 600

127

250 696

1350

465

EXISTING ROLLER SHUTTER BOX & SHUTTER TO BE POWDER COATED RAL 7021 WITH THE BOTTOM VISABLE RAIL TO BE CLAD IN HOT ROLLED STEEL. EXISTING SHUTTER TO BE SERVICED

600 3037 600

357

465

3441 1350

250

SIGN E: SOFA.COM FLOOR MOUNTED SIGNS TO WINDOWS

127

R e v i s i o n n o t e s: Date:

950

696

800

127

600 3416

1350 90

3112

600

3112

3416

1350 600 3416

1209 5205

4860

EXISTING BOLLARDS TO BE MADE GOOD AND REDECORATED

250

1350

600 357 3717

Rev:

1957

359

600

600 3037

SIGN B: NON ILLUMINATED 3D METAL LETTERS FIXED TO EXISTING FASCIA. SIGNAGE TO HAVE WHITE FRONT FACE WITH BLACK SIDE RETURNS

120

1350

SIGN C: NEW NON ILLUMINATED PROJECTING WHITE METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING TO BOTH SIDES

EXISTING EMBOSSED HOT ROLLED STEEL BUILDING NUMBER TO BE RETAINED IN EXISTING LOCATION

127

357

600

1209 800

127

3416

5205

696

357

250

3717

SIGN C: NEW NON ILLUMINATED PROJECTING METAL SIGNAGE BOX WITH BLACK ACRYLIC LETTERING

3290

3717 600 3416

127

665

3717

600 3441 1350

127

600 3037

250 3717

0 (33.65) UPPER STREET

3416

600

600 3441

357

600 3112

465 250

600

3037

600

3112

ASCA

Design Report

1176 Green wall Refer to page 37

2828

250

4777

3266

2945

250

Timber roof frame

Mezzanine balustrade Refer to page 52

9160

Notes:

S c a l e @ A3:

R e v i s i o n n o t e s:

Basement

Rev:

Date:

Notes:

Client:

Drawn by:

Client:

Drawn by:

D r a w i n g T i t l e:

P r o j e c t:

Mezzanine

P r o j e c t:

D r a w i n g T i t l e:

S c a l e @ A3:

D a t e:

5673

4446 800

500 300

3410

Basement

Metal chain curtain partition Refer to page 39

Ground Floor

Coffee bar Refer to page 48 Covered with Meganite tiles

Mezzanine

Ground Floor

Notes:

550

2200

3710

Page no:

NS.

R e v i s i o n n o t e s:

Date:

Key plans NTS

Rev:

D r a w i n g T i t l e:

P r o j e c t:

Drawn by:

Felt design facade Refer to pages 30-36

Clay lime coating light pastel pink Clay lime coating dark green

810.5

D a t e:

S c a l e @ A3:

S c a11.05.2020 l e @ A3:

Client:

Existing bricks to be re-glazed white

Rectangle hanging lamps Refer to page 55

Back walls to painted white

Entrance doors

Suspended ceiling Metal chain curtain partition Refer to page 39

Accordion door to pillow fight room

Section BB Scale 1:100 @ A3

P r o j e c t:

Date:

1796

Section AA Scale 1:100 @ A3

Drawn by:

P r o j e c t: ASCA - Studentsâ&#x20AC;&#x2122; Ansti-stress center Angel

Drawn by: Nadezda Suvorova

Page1:100 no:

Rev:

1333 Existing bearing columns to be painted white

Ground Floor

Light therapy walls to be painted white

Basement

Notes:

359 Draw i n gUpper T i t l e:st, Angel, London

D r a w i n g T i t l e:

Page no:

R e v i s i o n n o t e s:

464

Date:

R e v i s i o n n o t e s: Rev:

Date:

R e v i s i o n n o t e s: Rev:

Client:

Section-A-A Section-B-B

D a t e:

Page no:

S c a l e @ A3:

D a t e:

ASCA

06 Key Technical Drawings

Design Report

ASCA

06 Key Technical Drawings

Design Report

101

ASCA

06 Key Technical Drawings

Design Report

103

Notes:

Side

1050

Top

824

LED light stripe

490

1623

Drawn by:

Rev:

R e v i s i o n n o t e s:

Basement

Rev:

Date:

Notes:

Client:

Drawn by:

Client:

Drawn by:

D r a w i n g T i t l e:

P r o j e c t:

Key plans NTS

R e v i s i o n n o t e s:

Date:

P r o j e c t:

2375

P r o j e c t:

D r a w i n g T i t l e:

S c a l e @ A3:

D a t e:

Mezzanine

1100

960 277

2242

Notes:

D r a w i n g T i t l e:

Page no:

S c a l e @ A3:

D a t e:

Page no:

S c a l e @ A3:

D a t e:

D r a w i n g T i t l e:

P r o j e c t:

interior felt 3 mm light pastel yellow

folded felt insulation

Ground Floor

Notes:

277

588

Individual relaxation pot insulation detail Scale 1:50 @ A3

1050

11.05.2020

D a t e:

varies

S c a l e @ A3:

Page no:

Drawn by:

NS.

Individual relaxation pot insulation detail Scale 1:2 @ A3

Exterior beige felt 7 mm

Client:

706

490

1056 can be opened and closed

P r o j e c t: ASCA Ansti-stress center Angel D a- tStudentsâ&#x20AC;&#x2122; e: 359 Upper st, Angel, London

D r a wSicnagl eT @ i t l A3: e:

Page no:

D-IRP-52 individual relaxation pot D-IRP-I-53 individual relaxation pot insulation detail

Date:

1623

2076

438

Left

Right

Drawn by: P r o j e cSuvorova t: Nadezda

Client: D r a w i n g T i t l e:

Notes:

Rev:

2715

1565

824

Front

Back

Drawn by:

Date:

R e v i s i o n n o t e s:

Front

Notes:

Individual relaxation pot Scale 1:50 @ A3

ISO

Individual relaxation pot section Scale 1:50 @ A3

130

Date:

Client:

Rev:

R e v i s i o n n o t e s:

Client:

06 Key Technical Drawings

970

Rev:

R e v i s i o n n o t e s:

1100

ASCA

2715

Page no:

Design Report

105

ASCA

Design Report

GA plans/ Section AA/ All areas/ ISO/

Renderings

107

ASCA

GA plans

Storage/ staff room Lift to all floors

WCs Fire exit

Sand therapy

Individual pots

Light therapy Sitting area Individual consultation room

Fire exit

Pillow fight room

Basement

07 Renderings

Design Report

Lift to all floors

Back exit

Lift to all floors

Fire exit from the basement Interactive space

art

Mezzanine soft terrain sitting Step sitting area

Coffee bar Main activities area

Soft ball pool

Sitting area

Fire exit from the basement

Lockers

Sculpture

ENTRANCE Ground floor

Mezzanine

109

ASCA

SECTION A-A

07 Renderings

Design Report

111

ASCA

General view at the whole space

Overview at the whole space from the entrance area 07 Renderings

Design Report

113

ASCA

Overall

Overview at the whole space from the entrance

07 Renderings

Design Report

Overview at the main area and mezzanine

115

ASCA

Entrance & Reception

Main entrance

Reception

07 Renderings

Lockers

Design Report

View at the main area from the entrance.

View at voting polls and part of sitting area. 117

ASCA

Sitting area & Soft ball pool

View at the coffee bar from sitting area

07 Renderings

Design Report

Sitting area

View at the sitting area from coffee bar

Soft ball pool

119

ASCA

Coffee bar

Main high bar counter.

07 Renderings

Design Report

Lower bar.

General view at the Coffee bar area.

121

ASCA

Main activities zone

Art therapy in the main area

Sitting in the main area and view at the lift and back exit

07 Renderings

Design Report

General view at main area and sitting.

123

ASCA

Main area

General view at main area, part of a bar, staircase and mezzanine. High position of the roof allows enough daylight into the space. Open plan space not obstructed by any walls or high furniture provides overview at the whole space from all areas. Roof to be made out of solar control glass to control the temperature inside and prevent overheating.

07 Renderings

Design Report

General view at main area. Central area walls to be covered in arch shape. This render is intended to show clearly how concept lines are forming zones and leading people through the space transferring from floor to walls.

125

ASCA

Step sitting area

View at the staircase to mezzanine from sitting area.

View at the whole space from sitting area. 07 Renderings

Design Report

Step sitting area.

View at interactive art space from sitting area. 127

ASCA

Interactive art space

Interactive art space empty.

Interactive art space with interactive art installation ver 1.

Interactive art space with interactive art installation ver 2.

07 Renderings

Interactive art space installation ver 3.

with

interactive

art

Interactive art space installation ver 4.

with

interactive

art

Design Report

Mezzanine sitting area

Relaxing mezzanine area.

View at the whole space from the mezzanine.

View at the mezzanine area.

Staircase leading to mezzanine floor and basement.

129

ASCA

Basement

Individual consultation room. View from lift in the basement. View from the stairs. Screen and acoustic wall. WC.

Sand therapy.

07 Renderings

Design Report

View at the staircase, green area and metal curtain partition.

Acoustic wall and way leading to the lift.

131

ASCA

Individual relaxation basement

Individual pots.

Overview at the main basement area with individual pots. 07 Renderings

Design Report

Sitting area, pillow fight room

Acoustic wall at the sitting area

Pillow fight room

Sitting area 133

ASCA

Exploded Isometric

Showing existing facade, existing structure, new proposed roof, relation of the floors to each other, location of all areas and main design features of the building.

07 Renderings

Design Report

135

ASCA

Presentation Boards

Design Report

137

ASCA

Relax Refresh Recharge A space for students to relax with varieties of activities suitable to every taste, that intends to improve students overall well-being, mental health and relief stress.

Students’ Anti-Stress Centre Angel

site

project brief

CUBISM

concept

- simple & clear lines

The project is aimed to help students with stress and pressure relief, improving overall well-being and mental health.

- strict line geometry

The aim is to create a space for students to relax with varieties of activities and to be a place where students can socialize, get involved, therefore relax from studies and reduce stress using facilities provided.

CLIENT:

- ‘unfolding’ a building to a picture plane Taking the painting as a reference Extracting main lines

illustration by natkacheva

SPONSORS & COLLABORATORS:

Instagram to provide exiting and fun atmosphere with promoting the centre and creating a feeling of an engaging space rather than a hospital.

The centre to be made mainly for students from CITY, but can be easily accessed by students from other universities as well.

+ minimalist & biophilic design techniques

Was built in 1905-6 as an electricity transformer station and tram depot.This is an grade II listed which has its importance to a local history. Due to that fact building facade to be preserved to keep its historical, cultural importance and aesthetics.

From the lines creating zones and main shapes of the floors and joinery

scale 1:200

MEZZANINE M

GF - light and active

01. Lift to all floors 02. Soft terrain sitting area 02

GROUND FLOOR

B - darker and passive

MEZZANINE Soft terrain sitting area

01. Lift to all floors 02. Fire exit from the basement 03. Soft ball pool 04. Lockers 05. Sitting area 06. Coffee bar 07. Main activities area 08. Step sitting area 09. Interactive art space 10. Back exit

GROUND FLOOR 05 Sitting area

-neutral pastel colours -open plan space -flexibility -natural materials

Adding furniture and details accordingly to the shapes and lines

GA plans

The idea is to create active and passive relaxation zones and divide them on different floors which will provide facilities suitable for all types of students accordingly to their preferences. Entering the centre visitors have to take the shoes off.

Voting

- repetitive geometry on all floors

THE MALL. 359 UPPER ST, THE ANGEL, ISLINGTON, LONDON, N1 PD

UCL partners to invest into research and improvement of students’ mental health.

programme

Reception

Applying lines to the floor plan and interior elevations to create continuous pattern

Step sitting

Activities area

Coffee bar

Interactive art

BASEMENT

Sand therapy

Light therapy

Individual relaxation pots

Sitting area

Pillow fight room

Individual consultation

BASEMENT

10 06

05 03 09

Furniture sketches

materials

08 07 04

white oak veneers

mortex meganite mineral skin semi-circle tiles

white bolon hexagon tiles

clay lime coating pastel pink

light green carpet

beige carpet

UNIVERSITY OF HERTFORDSHIRE

felt green & white

light green corn fabric

Ground floor

Mezzanine

brass

BA (HONS) INTERIOR ARCHITECTURE AND DESIGN

08 Presentation Boards

Sculpture

ENTRANCE Basement

velvet green & beige

NADEZDA SUVOROVA 15073550

Design Report

perspectives

NADEZDA SUVOROVA 15073550

01 Sitting area

02 Coffee bar

03 Step sitting area

This area is located near entrance and provides individual seating. Can be used for relaxing or varieties of talks and presentations.

The shape of a bar is designed accordingly to concept lines. Located in the centre of the building and has two parts: higher and lower. Second one can be used by visitors with disabilities.

Located between main area and interactive art space. Provides different levels of sitting from where all other areas can be observed.

07 03

05 & 06

04 Reception Located at the very entrance, here visitors have to take the shoes off, get socks if needed and use a screen to observe whatâ&#x20AC;&#x2122;s in the centre.

06 Main activities area Central area of the building is intended to be open and flexible where different activities can be held. Concept lines continue from floor to the walls.

08 & 10

entrance

05 Main area

exploded perspective 09

07 Mezzanine terrain seating

GF is bright and light space intended to provide active relaxation. Rectangle lamp is floating above. Mezzanine follows same shape as the concept line.

This floor is designed to be one whole soft sitting area as a huge pillow representing natural landscape.

08 Basement sand therapy

09 Individual relaxation pots

10 Staircase

Basement is darker, quiet area intended on providing passive relaxation. Sand therapy is one of the areas where visitors can reduce stress playing with sand and light.

Central area of the basement provides individual relaxation. Pots are made out of soft beige felt that provides great sound insulation. Grass like projection to be translated on the floor, which creates a feeling of walking on the grass.

When entering the basement staircase is divided from the main area with metal chain curtain partition. It separates zones, but creates a half translucent atmosphere, therefore not obstructing the view too much.

section A-A NTS

Relax Refresh Recharge

139

ASCA

Design Report

Concept models/ Test models/ Felt interior facade models/ Final model/

Models

141

ASCA

Concept models Same principle was applied for next concept model which is intended to show main lines extracted from the painting (process of extracting was shown on previous page) to see how they relate to each other and to a space as a whole. Similar to previous model it cam be folded to see how the lines will be continuing from floor to walls

Applying Salvador Daliâ&#x20AC;&#x2122;s Stereoscopic Painting to a floor plan. The model is divided into three parts, two of which are symbolizing walls. It can be folded to see how shapes and lines will continue from floor to the walls

09 Models

Design Report

Third model is more detailed showing the position of lines in the space in relation not only to each other and all of the surfaces but also to windows and all curved surfaces (as walls are not one big strait walls, but they have some deepening s). It is also aimed to show how lines will intersect windows, columns, doors etc. Model at the bottom is aimed to show construction of mezzanine floor and roof angles developed from three angles idea.

Clay test model of mezzanine terrain sitting area. Walkway to be located in the middle and sides to be soft seating, therefore the terrain will always change.

143

ASCA

Test models

Extra walls to be constructed in a way that opens up an entrance and welcoming the visitors into the space. At the same time that will provide merging between the old historical facade and modern cubist interior.

09 Models

Design Report

Testing different patterns and structures for individual pots insulation. As the whole thing will be made out of felt which is quite flexible it is needed to understand what is the best option for it. Two different structures have been tested: honeycombs and classic insulation structure. The first one provides more thick structure, the second more flexible, which is crucial factor for closing and opening the walls of the pot.

145

ASCA

Felt interior facade models

Concept models Paper Scale 1:20 Clay NTS

09 Models

Design Report

147

ASCA

Final model

09 Models

Design Report

149

ASCA

Design Report

Evaluation

Critical design reflection/ Evaluation/

151

ASCA

Critical design reflection Programme

Working with the site

As the problem of stress among students is taking on more severe scale, I wanted to make a special space for students to simply get distracted and relax. The idea was made to work around it in a different way rather than usual spa centers on mental clinics. Taking a survey helped me a lot to understand what students want and how they want it to be. It also has helped me to create different zones and activities, at the same time i understood that there is no such thing as 'too many sitting spaces'. The challenging part was to work it with the concept and the building together that will make all the aspect one whole thing. However, i think i have achieved the balance between all with applying some techniques to biophilia which reflects the whole idea of the chosen programme toward improving mental health and stress rates, also making the space to look warm and welcoming.

During the concept and design development I found challenging to work with that kind of building due to its narrow and long shape. The main problems were in creating staircase and positioning is in the building in a way that not blocks already narrow space, and trying to make it as compact as possible. Also, while designing the mezzanine, due to the existing slanted ceiling and the beam halfway through it was hard to shape the staircase that will work with the existing structure in the area i was proposing it. But further later, i found the solution for this and all these problems were solved. At the same time listed walls and facade had to be preserved and working with the concept, the solution was found for that as well: covering some walls and leaving some hirtorical details, showing the difference between old classic and new.

Clarification of Concept During the design development process, I found out that design concept is needed to be taken further than just lines to fully reflect the idea. It was challenging to combine techniques that were proposed to work together and make sense. But working on this further the design went more toward neo-cubism. It has developed from plain sharp surfaces into more soft biophilic, but at the same time quite simple and minimal space. I am glad that all of that actually resulted the space to look and feel quite minimal but 'full'/finished at the same time with no blank areas.

10 Evaluation

Design Report

Evaluation The report has shown the whole journey of designing this project. From the initial idea to the actual physical design and application of concept. I think this project is not only aimed at providing an aesthetic space, but is also aimed at turning the attention into students stress levels and how it can be improved, especially when students are not likely to ask for professional help. I am truly happy and proud to present the not only the design idea, but also, the idea behind this project. This project inspires me to explore more in biophilia and neo-cubism, which are both not very popular yet, and especially in the integration between well-being and the environment. The project enabled me to challenge myself, to get out of my comfort zone, to explore myself more as an interior architect and designer. During this project, I have applied all the skills i have learnt throughout all the years, not only in terms of using professional software and creating drawings up to standard, but also in terms of design and critical thinking and challenging myself. I have also learnt so many things from another areas such as understanding laws, some economy and business strategies, graphic design skills and i have also managed to built my own design character in a way.

153

ASCA

Acknowledgments With thanks to my studio module leader Erica Liu who has supported me for over the years with keenness in making a difference, helping to find my way, understand many aspects and some of the problems interior designer profession faces. Thanks to Marek Szubert, Simon Knight and Giuseppina Giuffrida, their continuous support and willingness to help in all of the aspects and making me look at things from different angles, to Ian Owen and Silvio Carta for their support and providing opportunities to learn new skills from different areas. Many thanks to my C&CS tutors Thomas Trail and Rosa Ainley for their guidance, support all the way through, help to acuminate my interest towards studying biophilia and role in initiating this study.

Design Report

THANK YOU !

155

ASCA

NS.