2 0 15 MEDIA KIT
ST. CLAIRE MEDIA GROUP 644 West Iris Drive, Nashville, TN 37204 www.nashvillearts.com • 615-383-0278
National quality...locally!
READERSHIP & DEMOGRAPHICS
Nashville Arts Magazine is the most focused and relevant resource for all creative endeavors in the central Tennessee region.
Nashville Arts Magazine provides monthly coverage of the arts and culture of Nashville and the surrounding area. The visual and performing arts, antiques, collectibles, the craft of musicians, culinary, fine homes, interior design, architecture Beauty RetuRns Home to Belmont are just samplings of our monthly features. Our writers and photographers dig deep to learn what W makes the artists tick and bring the magazine alive with rich articles and vivid images, taking readers to new places and immersing them in the experience. by Stephanie Stewart Howard
ith all the beauty in Belmont Mansion, guests frequently find themselves astonished that many original pieces dating to Adelicia Acklen’s lifetime are no longer in the collection.
Fortuitously, Belmont recently celebrated the return of 190 fine objects, from furniture to art, original to the house, that had been passed down to her descendants, the Kaiser family of St. Louis, via Adelicia’s daughter Pauline and her husband, James Lockett. Their daughter, Pauline Adelicia, in turn was the mother of Franck Kaiser, latest inheritor of them. He passed away in 2000; his wife, Beverly Hurt Kaiser, has now moved to Nashville and presented this collection back to the mansion.
Nashville Arts readers are steadfast supporters of the arts. They are socially active, sophisticated in taste, and love to spend a night on the town, a day at a fund-raiser, or simply entertaining guests at home. Our readers crave inspiration and increasingly seek it in our pages and on our website every day. readership
30,000 gender
hyperrealism
comes
alive Skillful Painting Technique That Fools The Eye
H
by Catt Dunlop
yperrealism transcends the precision of photography and the materiality of painting by merging both mediums; the result is beyond real. Coinciding with the advancement of digital cameras in the early 2000s, these works amplify the crispness of the captured image to the entirety of the canvas. And much like the ubiquity of digital photography, hyperrealist painters can be found in all corners of the globe. The genre has most recently pervaded the art world, transferring real-life matters to pristine gallery walls. These artists have the unique ability to realistically present a range of photographable subjects—and then some. Working with image-altering software such as Photoshop or Illustrator, any surrealistic scenario can be imagined and reconfigured onto the picture plane. But while impeccable reproductions draw the viewer in, at the heart of these works is the search for life behind the image and its producer.
We are dedicated to bringing our readership the very best, most beautifully presented, art-
focused information and inspiration each month via our full-color print magazine, presented on top-quality heavy-gauge stock. We also deliver information every day at www.NashvilleArts.com and on Facebook and Twitter.
Hyperrealism seeks to replace the so-called “hand of the artist” with exact representation, placing an importance on the invisibility of the brushstroke rather than the use of paint as a personal trademark. This attempt to disguise the medium may at first come off as strangely conservative. Why retrogress into painting at all when photography has already rendered the real so much more accurately and efficiently? The point is that these artists are trying to do more with both art forms. While digital photography can capture a high Left: Paul Cadden, Focus, Pencil on paper, 28” x 19” Right: Juan Cossio, Source, Acrylic on panel, 67” x 43”
Why we matter
Nashville Arts Magazine is the channel through which art and culture reverberate.
In order to truly define art and culture in this area, Nashville Arts Magazine encompasses a wide array of topics and interests, and by doing so Nashville Arts Magazine appeals to a greater number of readers. There is a very rich and diverse artistic presence in the area, and Nashville Arts Magazine transforms the vast appeal of such a presence into a truly unique magazine and online presence.
Award winning design Nashville Arts Magazine was recently awarded Best Editorial Design by the AIGA (American Institute of Graphic Arts) as well as Best in Show at the Annual TENN-SHOW which included design work from all over the region.
Female Male
60% 40%
average age range
70% are ages 35-54
county of residence
Davidson Williamson Other
50% 30% 20%
average income
$100,000+ $75,000 $45,000
45% 35% 20%
education level
Bachelor’s Advanced
60% 40%
shelf life of individual copies
60% of readers keep them all 40% of readers keep them 2 months or more
ST. CLAIRE MEDIA GROUP 644 West Iris Drive, Nashville, TN 37204 www.nashvillearts.com • 615-383-0278
2015 EDITORIAL CALENDAR SPACE CLOSES ART DUE STREET DATE SPECIAL DISTRIBUTION/INSERTS JANUARY DEC. 9 DEC. 10 JAN. 2 DISTRIBUTION: ANTIQUES & GARDEN SHOW
FEBRUARY
JAN. 12
JAN. 15
JAN. 30
MARCH
FEB. 9
FEB. 12
FEB. 27
APRIL
MAR. 11
MAR. 16
APRIL 1
GALLERY GUIDE INSERT (DEADLINE FEB. 20)
MAY
APRIL 10
APRIL 15
APRIL 30
DISTRIBUTION: TENNESSEE CRAFT SPRING FESTIVAL
JUNE
MAY 11
MAY 14
JUNE 1
JULY
JUNE 10
JUNE 15
JUNE 30
AUGUST
JULY 10
JULY 15
JULY 30
DISTRIBUTION: TOMATO ARTS FESTIVAL
SEPTEMBER
AUG. 12
AUG. 17
AUG. 31
DISTRIBUTION: TENNESSEE CRAFT FALL FESTIVAL
OCTOBER SEPT. 11 SEPT. 16 OCT. 1
DISTRIBUTION: USN’S ARTCLECTIC & SOUTHERN FESTIVAL OF BOOKS
NOVEMBER
OCT. 9
OCT. 14
OCT. 30
HOLIDAY GIFT GUIDE INSERT (DEADLINE SEPT. 24)
DECEMBER
NOV. 6
NOV. 11
DEC. 1
HOLIDAY GIFT GUIDE INSERT
JANUARY 2016 DEC. 9
DEC. 14
DEC. 29
Mclaine Richards on and Master Metalsm ith Anjy Smith
Ad approval/responsibilities Every effort is made to receive approval from the client. If the client cannot be reached for approval, the last available submitted version of the ad proof OR the previous month’s ad will be run as a fulfillment of the contractual agreement. Nashville Arts is not responsible for the production of any ad material submitted that does not meet the requirements in the specification pages. We reserve the right to refuse advertising space if it does not meet our requirements or presents a conflict for Nashville Arts or its associates. Touch
MC LA IN E RI CH AR DS ON
The New Loo k at Ma rga ret Ellis Jew elry
by Karen Parr-M oody | Photog raphy
B
by Brett
Warren envenuto Cellini , the patron saint of goldsmithing, represented by a bronze bust—h is is face stern, his wild—overlook hair ing the river Arno seemingly dares in Florence, Italy. a new generation He of metalsmiths craftsman’s mantle. to take up the Mclaine Richard son accepted his dare. During her of college she senior year spent five months under Cellini’s studying at Lorenz watchful eye, o de’ Medici School in Florence. There Nashvillian learned the native to make jewelry with metalsmithing techniques that have changed little over centuries. At the time she could not know it, but such craftsm anship would
8” x 15” x Clay, 8” No. 33,
SENDING FILES
48 | Decemb er 2014
Amanda Collar - Bronze, 12” circumference, adjustable 2” tall
influence her future, for in 2013 Richard brand when she son took over a bought Margaret legacy Ellis Jewelry, the business founded Nashville-based in 1983 by Margar et Ellis. Striking between the line’s a balance heritage and the market’s demand newness—as many for Italian craftsmen have done for centuries—became Richardson’s new task. “I embody a more modern take on things, but we still have traditio nal customers,” Richardson says a recent day from on the firm’s Cummi ns Station A classic beauty studio. with glossy brown hair, Richardson wears around her neck a piece that is a Margaret
NashvilleArts.com
Hexagon Stud Earrings , Bronze, freshwa ter pearls, sterling silver, and .5” x .5” x 1”
JPG, TIFF or PDF files only
Images must be CMYK
Ad materials must be sent as a high resolution (300 dpi) digital file with fonts and images embedded. Please include your company name in the file name.
EMAIL YOUR FILE
Send attachments smaller than 20MB to your Account Manager. Include your business name in the subject line.
U ST I B E L IB D R C L AY N A S E URV EDW RAL C ARCH
ITECT
U
to 24 ober 4 stone y • Oct great sand Compan s, ent of a The Arts reminisc d tree limb athan is fossilize le the k-full of Rural Levi d up who ture choc n pieces. e’s swallowe ing aper Leviatha the sculptur with a curv n appears to have creates it along monolith atha Belbusti uming and nstituted e Levi ard cons reco e, an sam Edw t the ine and while Urb rs, in a sens mic artis and sensual at by urban skyl for as harveste t environment. and cera bral ents of an h series, pair cere cont the Touc culptor buil its s of his are both usti sees and the ly visual s art is ing form peak. Belb both the natural works that nd a pure Belbusti’ of and ant, curv beyo hues ht cs go eleg up to risti rich, clay chewing rise in heig time. The characte e viewers .A shapes and ation of the d simply encourag e striking buil ding example, forms coul pieces’ fluid the mor le sens even a up One of , as if the mon ume nt or tion of the to relish the tacti ily scaled apprecia a ty of scale es— d be read d, ambigui scal e of panes coul n courtyar the sculptur a. riva l the Window ally feel terracott sional use e in an urba mas s to e such as and actu the occa d, waxed sculptur piec by lic to ishe d s ted pub burn -size way y all punctua tabletop smoothl ty-foot-t in various ng heath. clay slab, in a rolli d as a twen e elements e, as well as the ry is the olith stan thes bula to mon ates s voca a great manipul ptures e of a piec Belbusti’ such scul his or perhaps wood. He ion, and structur and Two l . stee ents are tens of s nce, rts.com nt compon their form the bala NashvilleA explore its constitue d and clay into between woo interplay integrate essfully that succ e Sprous David
S
2014 October 76 |
Brea king Mer edit the h Ed mon Glas dso n Is s Ce Spr ead iling ing the Wo
“Chi huly of 20 ”w as the had 10, whe Na falle n scul n in it seem shville pt love bu zz ed gard ures lik with w bu the e ever ord wie ens an rsting by com ldin Cat from kinetic yone d m g of the Acr C of a unity, gian soft, vide heek glass ee ho that t w Nash team. that fe sum metal t glas os of ood’s And elin ville no s m ar tis pole g of er, on is gr th ’s glas ts ne and ow th bein glas at’s the swor s. And the en artis arly in ha sb g ds
rd
trag k ha Nash lo ye ts wh none affor s yet edy part s se t, sin xist wing Fo vi to ded o turn ent. to ot gain lle’s art en alm ce Sa rt Hous share com of it: th Co M m Loca her ever around med e level commun ost es ntisteb ton/ Wed eredith mbini unity l gl ybod an an’s ng ium fell ass of at tim ’s st gw ity y’s wo d [ther s. ar in tent e than ates it Frankl ood ar udio in the Twen rkin love tist M ion ea in g to are] six to be | ered and the blow ty-eight with stud mak unde ten. He Janu a ith -y io in ary e th people r Jo co rsta glas 2O14 is on and ndab fr ustrat mmun , Mered se in 20 g glass ear-old sblo Edmon e th in “It’s 09 ity wing ion le. dson ith di ing.” from Nash Meredith of is not tche pa lp for fe succ real Tenn ville sin able— wer glas d her has its es ly so “The sfully and fo sblowi nursin essee Te ce grad been met on hi ng mos r Cr g-sc uatin ch t fun your ng you g muc aft. Sh at the hool pl , where own, can proj h ans e ta Appa she ” ects do prop of the to m Meredith very flat ught he lachia to learn hetic Nashv e gl n rs [a gl assw illeAr elf re wh says. ass choi Cent ts.c er en] om strip pieces by ce, as ork she casting you does she s an to a of shee hersel can now— d f. tem pera t glass She stac make fu a ture in ks ha se betw a kiln lf-in d , een ch 1200 fires th em and 1400
82
ST. CLAIRE MEDIA GROUP 644 West Iris Drive, Nashville, TN 37204 www.nashvillearts.com • 615-383-0278
RESOLUTION: 300 dpi EXPORT SETTINGS: PDF/x-1a CROP MARKS: .25” offset COLORSPACE:CMYK US Sheetfed Coated v2
NON-BLEED ADS:
YOUR AD WILL HAVE A WHITE BORDER
Full Page Framed
7.85 x 10.34”
BLEED ADS:
IMAGERY EXTENDS .25” BEYOND THE EDGES OF THE PAGE/TRIM SIZE Include crop marks with an offest of .25” when exporting.
Full Page-Full Bleed Bleed Size: 9.6 x 11.38” Live Area: 7.85 x 10.34”
Keep all important text and images within the live area
Trim Size: 9 x 11.15”
1/2 Page Vertical
3.8 x 10.34”
1/2 Page Horizontal 7.85 x 5”
1/3 Page Vertical
2.45 x 10.34”
1/3 Page Horizontal
7.85 x 3.35”
1/3 Page Square
5.14 x 5.14”
1/4 Page 3.8 x 5”
1/2 Page Vertical Bleed Bleed Size: 4.55 x 11.38” Live Area: 3.4 x 10.34”
Keep all important text and images within the live area
Trim Size: 4.2 x 11.15”
1/2 Page Horizontal Bleed Bleed Size: 9.6 x 5.5” Live Area: 7.85 x 4.75”
Keep all important text and images within the live area
Trim Size: 9 x 5.38”
1/3 Page Vertical Bleed Bleed Size: 2.975 x 11.38 Live Area: 2.45 x 10.325 Keep all important text and images within the live area
Trim Size: 2.85 x 11.1425
1/3 Page Horizontal Bleed Bleed Size: 9.6 x 3.867” Live Area: 7.85 x 3.35”
Keep all important text and images within the live area
Trim Size: 9 x 3.742”
1/3 Page Square Bleed Size: 5.9 x 5.665” Live Area: 5.14 x 5.14”
Keep all important text and images within the live area
Trim Size: 5.9 x 5.54”
Double Truck Spread
1/8 page
3.8 x 2.34”
Bleed Size: 18.25 x 11.38” Live Area: 17.2 x 10.34” Keep all important text and images within the live area
Trim Size: 18 x 11.15”
ST. CLAIRE MEDIA GROUP 644 West Iris Drive, Nashville, TN 37204 www.nashvillearts.com • 615-383-0278
DIGITAL & SOCIAL MEDIA Over 14,000 readers visit www.NashvilleArts.com each month for the most vibrant visual and performing arts coverage in Nashville. WWW.NASHVILLEARTS.COM FEATURES: • An online flippable version of the magazine which gives our readers easy access to the lastest edition anytime, anywhere • Quality stories with beautiful imagery • Easy-to-navigate category tabs make it simple for readers to find the stories that appeal to their specific interests • Clickable ads take readers directly to the advertiser’s website for added exposure • Well-organized archives allow our readers a quick and easy way to find previous features and artist profiles
AD SIZE
Header leaderboard Full width banner Story leaderboard Sidebar
WIDTH/HEIGHT
728 x 90 pixels 970 x 90 pixels 468 x 60 pixels 336 x 280 pixels
RATE
$450/4 weeks $400/4 weeks $375/4 weeks $300/4 weeks
Submitted ads must be RGB and 72 dpi or less. File types accepted include: jpeg, gif, animated gif, .swf (flash)
Increase traffic and awareness of your event with an engaging and effective package of web, social media & e-newsletter campaign!
www.facebook.com/NashvilleArts
Advertise to nearly 9,000 Facebook friends of Nashville Arts Magazine
TWITTER www.twitter.com/NashvilleArts
Get your message to Nashville Arts Magazine’s 13,000 Twitter followers
NEWSLETTER e-mailed every Friday
Promote your event to Nashville Arts Magazine’s nearly 1,600 requested weekly e-newsletter subscribers
ST. CLAIRE MEDIA GROUP 644 West Iris Drive, Nashville, TN 37204 www.nashvillearts.com • 615-383-0278
“I advertise in three local publications, and I receive the best response from Nashville Arts Magazine”
Nas h
In Wunder- l and
“We feel that much of our business success is due to our advertising with Nashville Arts Magazine and we are certainly looking forward to another great year.” – Kelly Harwood, Gallery 202
“Nashville Arts Magazine has now moved to the next stage of its evolution and has become an essential part of life in Nashville, documenting the broad outreach of the arts as part of our mainstream history. In documenting the Art City part of Music City, this publication makes a case for all of the arts as part of what distinguishes great cities . . .” – Anne Brown, The Arts Company
Ring of Fire, 2011, Titanium, sterling silver, 24k gold; hand swan, soldered, constructed, cold connected with rivets, 10” x 7” x ¼”
“It is a pleasure to have such a wonderful publication available to our community.” – Mike Dreher, 2 Danes Furniture
by Stephanie Stewart-Howard
“I have sold more art through this publication than any other by far.”
– Lisa Fox, Leiper’s Creek Gallery IT’S ALL ABOUT
ATTITUDE TPAC’s Polk Theater • Feb. 13, 14 & 15
N
by Martin Brady
ashville Ballet’s Attitude, the third major program in its 2014–15 season—following Swan Lake and The Nutcracker—finds the company taking advantage of a welcome opportunity to extend the range of its gifted dancers. Here, the vision of established, wor l d - c l a s s c hore og r a phe r s m e r ge s w i t h cutting-edge and classic musicians and composers, with the ensemble’s movement enhanced in part by a uniquely complementary contribution from the world of visual art. The latest Attitude, February 13–15 at TPAC’s Polk Theater, presents three distinctive pieces to the Nashville dance audience, two of them local premieres and the third a revival of a work previously performed in Music City.
The program opener, Fanfare, features six dancers performing the choreography of Graham Lustig, an internationally recognized choreographer and teacher—and also artistic director of his own company in New Brunswick, New Jersey.
Fanfare pays homage to Lustig’s longtime f riend and fellow artist Singapore’s Choo San Goh, capturing the essence of Choo’s elegant, linear style. “Fanfare challenges the performers with its super-virtuosity,” says Sharyn Mahoney, the ballet’s director of artistic operations. “It’s difficult work, similar to dancing Stravinsky, with his wild time signatures.” This is the second time Nashville Ballet has performed one of Lustig’s works.
56 | February 2015
NashvilleArts.com
Oil lamps sparkle on burgundy wine While words of old become the words of new Poetic gestures always seem to end in perfect rhyme While shadows frame the room with a piece of mind I was born too late I’m a hundred years behind I was born too late If I could only go back in time Born Too Late – Rusty Wolfe
T
his is a verse and chorus from a song I wrote and recorded almost forty years ago. How true it is still today and how well those words have served me. I continue to be romanced by a way of life that was before my time.
Often I find damaged pieces of something old that has enough of its form left to show that it was once glorious. To many people, these remnants are considered beyond repair. I enjoy the challenge of resurrecting them and dreaming about what they might become in this new, contemporary world. While shopping at a local antique mall, I found the remains of an old printer’s cabinet from a now-defunct Tullahoma newspaper. It once housed thousands of small pieces of movable type. It had only two of its original twelve drawers. The frame was severely damaged, and none of the slanted top was intact. I had always wanted a cabinet to hold my print-block collection, and I saw an opportunity to resurrect this one-hundred-year-old gem.
“Since the start of York & Friends Fine Art, I have advertised monthly with Nashville Arts with excellent results . . . This publication, and the people connected with it, promote, support, and give back to the arts.” – Ron York, York & Friends Fine Art
The intricate rhythms and engaging themes of the music come courtesy of British composer and pianist Graham Fitkin, whose oeuvre falls broadly into the minimalist and post-minimalist categories. Fitkin is particularly known for his works for solo and multiple pianos, and here his percussively charged Flak will be rendered by four onstage pianists seated at two pianos—Bruce Dudley (a jazz pianist and professor at Belmont University), Chris Smallwood (pianist for Beatles imitation group RAIN), Elena Bennett (who has performed with Nashville Ballet multiple times), and Robert Marler (musician with the Nashville Symphony and professor at Belmont University).
Pieces & Parts
I followed the lines of the original frame, adding decorative panels on the sides to replace the missing wood. I topped those panels with metal print type, creating small, framed pieces of history.
I salvaged the one good drawer with a hundred small compartments inside to preserve the true spirit of the original piece of furniture and used it as the top drawer to this new cabinet. The rest of the wood was used to construct deeper, more conventional drawers. I utilized some period Eastlake bin pulls from my collection to dress up the fronts.
The new cabinet is a very refined piece of contemporary furniture, although I chose to leave the primitive legs to showcase the cabinet’s original, rougher style. This one detail reveals its true worn and weathered past. Normally, you would see the entire cabinet scrapped and only the drawer salvaged because it can be used as wall-hung collection storage. For more about Rusty Wolfe and Finer Things Gallery, visit www.finerthingsgallerynashville.com.
PHOTOGRAPH BY LAWRENCE BOOTHBY
– Cindi Earl, Cindi Earl Fine Jewelry
– Jim Williams, Williams American Art Galleries
Three Nashville Jewelers wiTh wildly differeNT aesTheTics creaTe The way we see accessories iN 2015
Attitude
“Everywhere I go someone comments about Nashville Arts Magazine—not only about the content, but the beautiful quality throughout the publication.”
s
by Sally Schloss
Ge m
Lily Hansen’s latest literary offering shines a light on those who shine
lle
Word of Mouth
“Through Nashville Arts Magazine, much can be learned not only from the articles, but from the advertising. As an advertiser, Williams Galleries has gained clientele from our gallery ads depicting diverse items that expand the inquisitiveness and excitement of the reader. The magazine is highly professional and is a great credit to Nashville.”
vi
– Timothy Evans, Red Feather Gallery
PHOTOGRAPH BY ANTHONY MATUL A
PHOTOGRAPH BY BRETT WARREN
ACCOLADES
34 | December 2014
NashvilleArts.com
Rusty Wolfe is a painter, sculptor, furniture designer, and entrepreneur. His works are available at fine art galleries around the country and locally at Finer Things.
DISTRIBUTION DOWNTOWN
Corvidae Collective Red Feather Gallery The Nashville Entrepreneur Center Koto The Frothy Monkey on 5th Ave. Omni Hotel Hatch Show Print Crema Tennessee State Library and Archives Creative Artist Agency Manuel ET Burk Avenue Real Estate Nashville Area Chamber of Commerce Tennessee Arts Commission TPAC TN State Museum Hermitage Hotel Nashville Public Library Panera Puckett’s The Arts Company The Rymer Gallery Tinney Contemporary Dunn Bros. Coffee First Bank Schermerhorn Metro Arts Commission TN Arts League The Frist Avenue Bank Cummins Station Plaza Artist Materials Dury’s 417 Union Street Restaurant
MUSIC ROW
Haynes Galleries Bradley, Arant, Boult, Cummings
THE GULCH
Lucchese Urban Flats Two Old Hippies Turnip Truck Carter’s Vintage Guitars Gallery Ravin
WEDGEWOOD HOUSTON Zeitgeist Gallery David Lusk Gallery Julia Martin Gallery Seed Space/Track One
FORREST HILLS
Granny White Market
GREEN HILLS
King Jewelers Paul LeQuire Gallery Williams American Art Gallery Cheeseburger Charlie’s Cumberland Assisted Living Martin Companies Zeitlin & Company Cumberland Gallery Noshville Whole Foods The Lipman Group
Richland Fine Art Uptown’s Smoke Shop Bella Linea Pilkerton Realtors 10,000 Villages Parnassus Books The Wine Shoppe Food Company Ashblue Crow’s Nest Digs Interiors J. Craighead Bud’s Liquors and Wine Fridrich & Clark Realty Gus Mayer Table 3 Junior League Bennett Galleries Kalamata’s Green Hills Public Library
BELLE MEADE
Cheekwood Gordon Jewish Community Center Le Peep Clearing House Consignment York and Friends Fine Art Gallery Bread & Co. Belle Place Cleaners Belle Meade Mansion Cindi Earl Jewelry West Meade Wine and Liquors Ibiza Belle Meade Wine and Liquor
BERRY HILL
Monell’s Restaurant Sam & Zoe’s Cafe Yellow Porch Gas Lamp Antiques NPT The Woodbine Coffee Company Finer Things Gallery
Sarratt Gallery Nashville Marriott at Vanderbilt
MIDTOWN
Mohsenin Galleries Noshville Midtown Gallery Local Color Midtown Wine & Spirits J J’s Market and Cafe
WEST END
Barnes and Noble Vanderbilt Bookstore Anderson Design Group Centennial Art Center Parthenon Tin Angel Woodland’s Indian Restaurant City National Bank Atmology Community Cafe Nashville Marriott at Vanderbilt University American Center
WHITE BRIDGE AREA
The Marquee at Belle Meade Nina Kuzina Abba’s Oriental Rugs Artifacts French King The Wine Chap Jamie Picnic Cafe Nashville Bank & Trust French C. Patterson Real Estate Belle Meade Dermatology & Skincare Beveled Edge Bella Carte Gift Shop Lumen Belle Meade Starbucks
SYLVAN PARK
Karmel Skillington Koi The M.L. Rose Pub
Fabu LeQuire Gallery Star Bagel Local Taco Nashville Ballet Nashville Opera
12 SOUTH
LEIPER’S FORK
8TH AVENUE
The Label Frothy Monkey Portland Brew
Leu Center for the Arts Nouveau Classics Chago’s Bongo Java
Embrace Studios Serenite Maison Country Boy Leiper’s Creek Gallery The Copper Fox West & Company Joe Naturals David Arms Gallery (The Barn) Yeoman’s
HILLSBORO VILLAGE
FRANKLIN
BELMONT
Fido’s Belcourt Theatre Jackson’s The Recording Academy
VANDERBILT
The Vanderbilt Eye Institute The Curb Center Vanderbilt University Art Department
Whole foods Case Wine Koi Sushi Sweet Cece’s William Powell Franklin Theatre Bob Parks Realty Pucketts Meridees Mellow Mushroom
Gallery 202 Damico Frame and Art Gallery Landmark Booksellers Artisan Guitar Southgate Studio The Factory at Franklin B. Wilker Interiors E. J. Sain Jewelers Heritage Foundation Rare Prints Gallery Walton’s Antique Jewelry Jack Yacoubian Jewelers
BRENTWOOD
Brentwood Library Fifty Forward Martin Center Mercedes Benz Jaguar Porche Audie Dabble Studio Moon Wine & Spirits Pear Tree Ave. Puffy Muffin Fridrich & Clark Realty LLC Pilkerton Realtors Local Taco
EAST NASHVILLE
Barista Parlor East Side Story Pied Piper Creamery Main Street Gallery Watanabe Restaurant Portland Brew Ugly Mugs Calypso Cafe Rumours Wine, East Wonders on Woodland Art & Invention Gallery Bongo Java Woodland Wine The Turnip Truck Marche The Red Arrow Paro South Creative Suites Grand Avenue Prema Collection Gallery
GERMANTOWN
Monell’s Lazzerolli Nashville Jazz Workshop/Jazz Cafe Gallery Simin “O” Gallery at Marathon Village Woodcuts Gallery and Framing on Jefferson Street
METROCENTER Lexus Crest Cadillac Watkins St. Thomas Metro NPR Paper and Ink Arts
DONELSON/MT. JULIET
Connie’s Frame Shop Robin’s Gallery Picture This Gallery Dance Theatre of Tennessee
SPRINGFIELD
Springfield Inn Gallery