InConcert - June 2011

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InConcert Nashville Symphony

june/july 2011


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InConcert

FrOM Here tO the Metropolitan Opera

A publication of the Nashville Symphony

Broadway Carnegie Hall

Contributors

the Grand Ole Opry

Jonathan Marx Editor

ANYWHERE

Susana Galarza Graphic Designer

School of MuSic Bachelor of Arts Major in Music

Bachelor of Music Majors in Church Music, Commercial Music, Composition, Music Education, Music with an Outside Minor, Music Theory, Musical Theatre, Performance and Piano Pedagogy Bachelor of Fine Arts Major in Musical Theatre

Master of Music Majors in Church Music, Commercial Music, Composition, Music Education, Pedagogy and Performance Minor in Music DepartMent of art Bachelor of Arts Major in Art or Art History

DepartMent of theatre & Dance Bachelor of Arts Major in Theatre Bachelor of Fine Arts Majors in Theatre with an emphasis in Performance, Directing, Production Design or Theatre Education Minor in Dance

Bachelor of Fine Arts Majors in Art Education, Design Communications and Studio Art

For more information, contact the CVPA Office: 615.460.6408 or www.BelMOnt.edu

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InConcert Nashville Symphony

JUNE/JULY 2011

For information about hosting your event at Schermerhorn Symphony Center, please contact: Lori Scholl Catering and Events Manager 615.495.5128 events@nashvillesymphony.org

NashvilleSymphony.org


june/July 2011

Table of Contents

programs

29

summer festival

Spanish Nights June 17-18

41 Trombone Festival

summer festival

June 24-25

Tour-de-Force for Cello 55

summer festival

July 8-9

departments

21

special event

Idina Menzel

June 7

8 Overture: Giancarlo Guerrero 10 High Notes 11 2011/12 Season Calendar 12 Education & Community Engagement 14 Backstage: First Violinist Isabel Bartles 15 InTune: Grand Avenue Chauffeured Transportation 16 InTune: The Memorial Foundation 18 InTune: Tennessee Arts Commission 66 Conductors 69 Orchestra Roster 70 Board of Directors 71 Staff Roster 72 Annual Fund: Individuals 80 Annual Fund: Corporations 84 A Time for Greatness Campaign 91 Legacy Society 92 Guest & Facility Information 96 Coming Soon!

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The Melting Pot Where fun is cooked up fondue style. A four course experience in a casual elegant atmosphere. 166 Second Avenue North. 615-742-4970. Reservations at meltingpot.com Open 7 days, dinner.

Nero’s Grill A locally owned Green Hills favorite! Serving crisp salads, wood grilled aged steaks, fresh seafood and traditional American fare. Free valet parking. Reservations 615297-7777. 2122 Hillsboro Drive www.nerosgrill.com

Prime 108 Prime 108, a vibrant addition to Nashville’s downtown restaurants, offers the finest steaks, fresh seafood and an extensive wine list along with a beautiful setting inside the newly renovated Union Station Hotel. 1001 Broadway, 615-726-1001.

Sheraton Nashville Downtown Come in before the show for a romantic dinner offer for two including wine for $39.95. Then, stop by after tonight’s performance with your ticket stub for one free dessert. 623 Union Street Reservations: 615-259-2000. www.sheraton.com/nashvilledowntown

Sole Mio Moved our restaurant from Italy to downtown Nashville over 16 years ago. Bringing fresh pasta and homemade specialties to all who pass through our doors. Reservations accepted 615-256-4013. Tue-Sun lunch and dinner. 311 3rd Ave. S. One block South of the Schermerhorn. www. SoleMioNash.com

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Overture It was inspiring to see how the entire Nashville Symphony family — musicians, patrons, staff, volunteers — came together to overcome the difficulties brought on by the flood. As we approach the close of the 2010/11 season, it’s amazing to reflect on everything that has happened over the last 12 months. A year ago, we were struggling to make sense of the flood. Schermerhorn Symphony Center was closed to the public, and the ventilation tubes snaking throughout the building made it look like a patient on life support. We had many months of rebuilding ahead of us. Yet in the midst of all this uncertainty, we did whatever it took to ensure that the Nashville Symphony was able to fulfill its mission of serving the community. This commitment was key to our survival and our success. It was inspiring to see how the entire Nashville Symphony family — musicians, patrons, staff, volunteers — came together to overcome the difficulties brought on by the flood. By continuing to perform concerts and provide our free education and engagement programs, we were able to help return a sense of normalcy to our organization and to our community. Today, we are back at Schermerhorn Symphony Center, and the building is better and stronger than ever. So is our orchestra, and it’s because of what we have learned during the past year. We just closed our 2010/11 SunTrust Classical Series with performances of Mahler’s Resurrection Symphony — a piece that I had programmed, interestingly enough, before the flood ever happened.

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Now when I hear this music, it sounds even more poignant and meaningful to me. It affirms the power of our own story: our determination, our resilience, our ability to transform a tremendous challenge into an opportunity for rebirth and growth. We feel profoundly grateful to the many people and institutions who helped us through the flood recovery process — in particular the incredible rebuilding team led by American Constructors Inc., and venues such as Lipscomb University, Ryman Auditorium and TPAC, who opened their doors to us when we needed a place to perform. Most of all, we have an even deeper appreciation for our beautiful concert hall and for you, our patrons. Thank you for traveling with us as we led an itinerant existence last summer and fall, and thank you for helping us to celebrate our momentous return to the Schermerhorn this year. This month we continue to celebrate with our Summer Festival and our Regions Community Concerts series. These lively, fun-filled events are the perfect run-up to our knockout 2011/12 season, which will include a Saturday-night performance at Carnegie Hall next May. I’m glad you’re with us tonight, and I look forward to seeing you here next season!

GIANCARLO GUERRERO Music Director Nashville Symphony


A passion for art fuels a greater appetite for life. For that reason and many more, we’re proud to support the arts in Nashville.


NE W S FROM T H E NAS H VILLE SYMP H ONY

Return to Forever IV

dweezil zappa

photo by Neil Zlozower

HighNotes

Return to Forever IV and Zappa Plays Zappa to stop at the Schermerhorn Get ready for one BIG night of music at Schermerhorn Symphony Center on Monday, August 22, when the legendary jazz-fusion supergroup Return to Forever IV joins the Frank Zappa tribute band Zappa Plays Zappa for an unforgettable concert. Local jazz fans have had the opportunity to see RTF members Chick Corea and Stanley Clarke at the Schermerhorn in recent years, but this concert will feature the whole powerhouse ensemble, who helped define the sound of fusion in the 1970s with such albums as Romantic Warrior. Founding member and keyboardist Corea recently re-formed the group, bringing together bassist Clarke and drummer Lenny White with two new members, guitarist Frank Gambale and electric violinist Jean-Luc Ponty

— both renowned musicians in their own right. More than just a tribute band, Zappa Plays Zappa is the family legacy of guitarist Dweezil Zappa, son of the imitable Frank Zappa, who died in 1993. During his lifetime, the elder Zappa was best known for his outspokenness and his offbeat sense of humor, but he was also a phenomenally gifted composer and musician, creating singular, sophisticated rock masterpieces. For the past five years, Dweezil has studied his father’s music intently, taking apart complex solos and entire songs so that he could bring them back to life in Zappa Plays Zappa. This will be the group’s first Nashville appearance. Tickets for this can’t-miss show are now on sale at NashvilleSymphony.org or by calling 615.687.6400.

Nashville Symphony Council taps Ambassadors from across entire Middle Tennessee community

currently encompasses. These meetings, led by county co-chairs, share the latest news about the Nashville Symphony, and NSC members are encouraged to spread this information within their networks of influence. Members are kept apprised of Symphony news year-round via a special newsletter and through social media outlets such as Facebook and Twitter. The group is currently co-chaired by Kevin Lavender, Senior Vice President of Fifth Third Bank, and Howard Stringer, a respected community leader and volunteer and the retired chairman of Colonial Corp of America. Membership in the NSC is by invitation only and includes leaders in business, real estate, medicine, law, religion, education, government, civic life, nonprofit services and the arts. For more information, please contact Holly Noble at hnoble@nashvillesymphony.org.

Nashville Symphony’s origins are firmly rooted in the city of Nashville, but today the orchestra’s impact is felt all across Middle Tennessee. To help increase awareness and build relationships throughout the region, the Nashville Symphony last year formed the Nashville Symphony Council (NSC), an organization of more than 450 leaders from Davidson, Williamson, Rutherford, Wilson and Sumner counties who serve as ambassadors for the organization. Their charge is to spread the word about the key role our world-class orchestra plays in ensuring the cultural, educational and economic health of the entire Middle Tennessee community. The NSC annually hosts meetings in all five Middle Tennessee counties the organization

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2011/12 season calendar Season Tickets Now on Sale! Call 615.687.6400 or visit NashvilleSymphony.org

SunTrust Classical Series September 22, 23 & 24, 2011 BÉLA Fleck’s Banjo Concerto October 6, 7 & 8, 2011 Ax Plays Beethoven November 3, 4 & 5, 2011 Tchaikovsky’s Violin Concerto November 17, 18 & 19, 2011 Mahler’s Fourth December 1, 2 & 3, 2011 Brahms’s First January 5, 6 & 7, 2012 Tianwa Yang Returns January 26, 27 & 28, 2012 Ohlsson Plays Chopin February 9, 10 & 11, 2012 Dr. Atomic & Mr. Haydn February 23, 24 & 25, 2012 Mozart & Copland March 8, 9 & 10, 2012 Russian Masters March 29, 30 & 31, 2012 Rachmaninoff’s Rhapsody April 19, 20 & 21, 2012 Brahms & Sierra’s Sinfonía May 3, 4 & 5, 2012 Tracy Silverman Premieres Terry Riley May 31, June 1 & 2, 2012 Carmina Burana

A Great Performance Deserves a Memorable Celebration

J C D P V T B I P S R

PRIME STEAK & 100 WINES BY THE GLASS

Bank of America Pops Series September 15, 16 & 17, 2011 WYNONNA October 20, 21 & 22, 2011 CHRISTOPHER CROSS November 10, 11 & 12, 2011 MIKE ELDRED­—THE VERY BEST OF JOHN DENVER January 12, 13 & 14, 2012 WICKED DIVAS February 2, 3 & 4, 2012 MARVIN HAMLISCH March 22, 23 & 24, 2012 KATHY MATTEA April 5, 6 & 7, 2012 AN INTIMATE EVENING WITH STEVE WARINER Featuring a Tribute to Chet Atkins May 17, 18, 19, 2012 CHRIS BOTTI

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September 30, 2011 LARRY CARLTON January 20, 2012 BRANFORD MARSALIS March 2, 2012 CASSANDRA WILSON

The Ann & Monroe Carell Family Trust Pied Piper Series October 29, 2011 THE COMPOSER IS DEAD, Two performances: One in English and one in Spanish! December 17, 2011 THE HOLIDAY MUSIC INSTRUMENT WORKSHOP February 18, 2012 MUSIC, NOISE & SILENCE April 14, 2012 PIED PIPER FANTASY

Special Events August 22, 2011 RETURN TO FOREVER IV with ZAPPA PLAYS ZAPPA September 9, 2011 YO-YO MA Opening Night Champagne Celebration October 14, 2011 SONNY ROLLINS October 31, 2011 HALLOWEEN MOVIE NIGHT Featuring Phantom of the Opera with organist Tom Trenney December 8, 2011 HOME FOR THE HOLIDAYS Featuring LeAnn Rimes December 15, 16 & 17, 2011 HANDEL’S MESSIAH February 18, 2012 BRUCE HORNSBY March 12, 2012 TAO: THE WAY OF THE DRUM March 19, 2012 CLEVELAND ORCHESTRA April 24, 2012 ORPHEUS CHAMBER ORCHESTRA

1/12/11 1:05 PM


ENRI C H IN G LIVES T H ROU G H MUSI C

Education&Community Engagement This year, the Nashville Symphony will reach more than 200,000 people through its Education and Community Engagement programs, which seek to inspire, to inform and to uplift people of all ages and backgrounds. This month, we’re proud to present our Regions Community Concerts, which have become a Nashville tradition. Assistant Conductor Kelly Corcoran leads these free, fesNashville Symphony musicians Deidre Bacco, Anna Lisa tive evenings of music in local parks, which share the joy Hoepfinger, Lynn Peithman and Dan Reinker perform at and excitement of live orchestral music with thousands of Vanderbilt-Ingram Cancer Center. Middle Tennessee residents every year. For a complete list of upcoming events, turn to the back page of this month’s InConcert. This spring, the Nashville Symphony’s Community Engagement activities also include the relaunch of its participation in Vanderbilt-Ingram Cancer Center’s Music in the Clinic program, which offers musical performances as a way of helping to comfort and support patients and their families. Musicians perform in treatment rooms, which gives them an opportunity to interact with patients in a one-on-one setting at what can often be a difficult and stressful time. In addition, small ensembles of musicians also perform in waiting rooms and lobbies, which helps to enliven the long stretches of time that patients and their loved ones often experience when undergoing or waiting for treatment. “It’s clear to us that our playing and our presence at the Vanderbilt-Ingram Cancer Center has an effect on the patients and their families,” says Dan Reinker, Principal Violist for the Nashville

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Symphony and a volunteer for the Music in the Clinic program. “We’re glad to be there to bring some joy to people during a difficult time.” Vanderbilt-Ingram Cancer Center’s facilities have been renovated recently, and they now include several public areas where musical ensembles can perform — including one with a piano on site. The Nashville Symphony looks forward to building a relationship with this valued institution and the many people it serves every year. For more information about the Nashville Symphony’s Education and Community Engagement programs, visit NashvilleSymphony.org/education or call 615.687.6552.

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Backstage

Isabel Bartles, first violin Hometown: New York, N.Y. Member of the Nashville Symphony since: 1991 What’s your earliest musical memory? It’s probably going to see the musical Half a Sixpence on Broadway when I was about 6 years. My dad was in the orchestra pit. It was very exciting. So your father was a musician as well? Yes, his name was Alfred H. Bartles. He grew up here, and when he was a kid, he used to go hear the Nashville Symphony perform in War Memorial Auditorium. In the 1970s, he was a cellist for the orchestra. He taught at Tennessee Tech in Cookeville at the time, and he’d come down to Nashville with several other faculty members for rehearsals and concerts. He was a composer as well, and the Symphony premiered a piece of his back in the 1960s. Then, in the mid-’90s, after I joined the orchestra, we played it with Kenneth Schermerhorn. That was exciting — I’d heard it all my life, but I’d never played it before then. It has been quite a season for the Nashville Symphony. What do you feel like you learned from the experience of going through the flood? It was very sad for me, because this huge effort had been put into building this beautiful, beautiful hall. It’s quite unique because it’s a modernized version of the greatest halls in Europe, and we’re so fortunate to have it. Now that we’re back, it’s like we love it even more. It’s such a privilege and a joy to play in the Schermerhorn. At the same time, we appreciate all of the places, like Lipscomb University, that made it possible for us to continue playing during the rebuilding process. Do you perform or teach outside of your work with the Symphony? I teach private lessons. My students mainly come from Linden Waldorf School.

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What music do you to listen to for enjoyment? Whatever the latest thing on the radio is — I listen to 107.5 The River. If you weren’t an orchestra musician, what would you be doing? I’ve already done it — I was a flight attendant for a while, but I quit. So now I’d have to say that if I wasn’t an orchestra musician…I’d probably be an orchestra musician. Any interesting plans for the summer? I’m going to Helsinki to visit my roommates from when I lived in Israel. We’re going to get together and play string quartets. What are you most looking forward to performing next season? Everything!


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The Memorial Foundation is a leading partner in the Nashville Symphony’s Music Education City initiative, through which the organization is able to reach more than 200,000 children and adults annually with a variety of free programs aimed to enhance classroom curriculum and music in the community. Whether offering ongoing support or responding in times of crisis, The Memorial Foundation provides funding to nonprofits that have a mission to improve the quality of life — for people.

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Support the Arts: Bolt Them to Your Car!

You’ve seen them around town — those eye-catching license plates decorated with a saxophone-playing cat, a grinning fish and a colorful rainbow. But did you know they help a worthy cause? Annual sales of these and other specialty license plates provide more than two-thirds of the funding for the Tennessee Arts Commission’s grants programs. So if you love the arts, invest in one of these license plates. Arts organizations that receive Tennessee Arts Commission grants are much better equipped to serve their communities and improve the quality of life for people of all ages and backgrounds. When you purchase one of these specialty license plates, you are:

• Providing the primary source of funding for the Tennessee Arts Commission’s grant programs • Funding projects in communities both large and small, urban and rural • Enhancing education and appreciation of the arts

• Building Tennessee’s next generation of artists and art students • Generating tax dollars for the state • Helping to train a qualified workforce • Leveraging private dollars for local arts activities

If you’d like to order a specialty license plate, you can visit your local County Clerk’s Office, or you can order one online at www.tennessee.gov/revenue/vehicle/ licenseplates/specialty.htm. The Nashville Symphony thanks you for your support of the arts! Arts organizations can’t succeed in their missions without funds from local, state and national government agencies.

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special event

Tuesday, June 7, at 7 p.m.

IDINA MENZEL Nashville Symphony Matthew Kraemer, conductor Rob Mounsey, music director

Selections to be announced from the stage

The Official Vehicle of the Nashville Symphony:

The Official Airline of the Nashville Symphony:

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special event

About the artist IDINA MENZEL Tony Award winner Idina Menzel has a diverse career on the stage, in films and television, and in music. She constantly amazes audiences with her strong, emo­tional performances. Menzel recently appeared in the hit television series Glee and is currently on a sold-out tour performing with leading orchestras around the country. A skillful songwriter, Menzel writes and performs her own music. She released the Glen Ballardproduced album I Stand for her record label and played to sold-out houses around the United States. She performed her show in New York as part of the MasterCard Soundstage series, which aired on PBS. In film, Menzel appeared opposite Susan Sarandon, Patrick Dempsey and Amy Adams in Disney’s Enchanted, directed by Kevin Lima. Prior to that, she was seen in director Chris Columbus’s film version of the Pulitzer Prize- and Tony Award-winning musical Rent, in which she reprised her role as Maureen. She also co-starred in Robert Towne’s Ask the Dust, alongside Salma Hayek and Colin Farrell.

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Menzel’s role as Elphaba won her Tony Award for Lead Actress in a Musical in Wicked. Helmed by Tony Award-winning director Joe Mantello, Wicked has played to packed audiences at the Gershwin Theatre since it opened in October 2003. Additionally, Menzel was nominated for a Drama Desk Award for her role as the misunderstood green girl. In September 2006, Idina premiered the Broadway hit Wicked in the West End in London to rave reviews and received the Theatregoers’ Choice Award for Best Actress in a Musical. Menzel received a Tony nomination for her Broadway debut performance as Maureen, in the original production of the Pulitzer Prize-winning hit Rent. She also earned a Drama Desk nomination for her performance as Kate in Manhattan Theater Club’s Off-Broadway original musical The Wild Party. She starred in Michael John LaChiusa’s musical See What I Wanna See directed by Ted Sperling at The Public Theater. This role garnered Menzel a Drama Desk Award nomination as well as a Drama League Award nomination. She appeared as Sheila in the Encores! production of Hair and starred as Amneris in Broadway’s Aida. Her other Off-Broadway credits include the preBroadway, original, buzz-creating production of Rent and The Vagina Monologues.


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Friday & Saturday, June 17 & 18, at 7:30 p.m.

summer festival 1

Spanish Nights Nashville Symphony

Giancarlo Guerrero, conductor Joaquín Achúcarro, piano

Program HECTOR BERLIOZ Le carnaval romain Overture, Op. 9 [Roman Carnival] MANUEL DE FALLA Noches en los jardines de España [Nights in the Gardens of Spain] Symphonic Impressions for Piano and Orchestra En el generalife [In the Generalife] Danza lejaña [Distant Dance] En los jardines de la Sierra de Córdoba [In the Gardens of the Sierra de Córdoba] Joaquín Achúcarro, piano

Intermission GEORGES BIZET Suite from Carmen Les Toréadors Prélude Aragonaise Intermezzo Sequedille Les dragons d’Alcala Habanera Chanson de toréador Danse Bohême MAURICE RAVEL Boléro The second and third movements of Noches en los jardines de España [Nights in the Gardens of Spain] are played without interruption. media sponsor:

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HECTOR BERLIOZ Born on December 11, 1803, in La Côte-Saint-André, France; died on March 8, 1869, in Paris Le carnaval romain Overture, Op. 9 [Roman Carnival] Berlioz composed the Roman Carnival Overture as a concert piece in 1843, recycling material from his failed 1838 opera Benvenuto Cellini. The Overture, an example of Berlioz’s sparkling orchestration, highlights the opera’s themes of communal festivity and artistic triumph. First performance: February 3, 1844, in Paris. First Nashville Symphony performance: February 17, 1953, at War Memorial Auditorium with Music Director Guy Taylor. Estimated length: 10 minutes Recommended recording: The great Berlioz interpreter Charles Munch leads the Boston Symphony in a thrilling performance that has been nicely remastered (RCA).

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What to listen for The festive music that had proved so problematic is exactly what Berlioz chose to launch the Overture. It also provides important material for the rest of the piece. The fiery opening is brief, suddenly yielding to an introspective, wistful strain scored for solo English horn. This melody — quintessential Berlioz — represents Cellini’s love for Teresa, whose father has promised her hand to a rival sculptor. An expanded version of the boisterous carnival music follows. In the opera, Cellini finally completes his commission for the famous bronze statue of Perseus, against all odds, and is thus able to marry his beloved Teresa. Berlioz symbolizes the artist’s double victory by weaving the love theme into the somersaulting carnival music in a swirling, vivacious climax. The Roman Carnival Overture is scored for 2 flutes (2nd doubling piccolo), 2 oboes (2nd doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 2 cornets, 3 trombones, timpani, cymbals, 2 tambourines, triangle and strings.

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French composers on a program celebrating “Spanish nights”? As it happens, those featured tonight were, artistically speaking, great border crossers. The arch-Romantic Hector Berlioz set the pattern for his successors, though his focus in the Roman Carnival Overture was on a different part of the Latin world. In his early breakthrough work, the Symphonie fantastique (1830), Berlioz drew on his bouts with unrequited love to depict the fate of the artist, but the following year brought another important source of inspiration when the composer headed to Rome for a lengthy sojourn and traveled widely throughout Italy. The stimulus of being abroad provided Berlioz with ideas for several new compositions, including his first completed opera. The composer became fascinated by the Renaissance phenomenon Benvenuto Cellini — the Florentine sculptor, goldsmith, musician and soldier — and homed in on the operatic potential of his thrilling autobiography, in which art and love together prove triumphant. Berlioz’s own Memoirs, however, recount the fiasco of the premiere of the opera (named after its hero, Cellini) in 1838 — a humiliation that Berlioz compared to being “stretched on the rack.” A chief reason for the opera’s failure was the willfully incompetent performance led by conductor François-Antoine Habeneck, which effectively sabotaged the piece. Berlioz recalled that Habeneck refused to follow the lively tempo prescribed for the Roman Carnival (i.e., Mardi gras) celebrations that figure in the opera’s plot and precipitate a crisis for Cellini. In an attempt to salvage some of the excellent music from the operatic score, Berlioz later crafted Le Carnaval romain as an independent concert overture.

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MANUEL DE FALLA Born on November 23, 1876, in Cádiz, Spain; died on November 14, 1946, in Alta Gracia, Argentina Nights in the Gardens of Spain for Piano and Orchestra

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De Falla began Nights in the Gardens of Spain in 1909 as a set of piano pieces in 1909 but was subsequently persuaded to develop it into a full-fledged orchestral work featuring an important part for solo piano. In 1915 he finished the score, which combines the techniques of musical Impressionism he had learned from his colleagues in Paris with a newfound appreciation for his native Andalusian heritage. First performance: April 9, 1916, in Madrid, with José Cubiles as pianist and Enrique Fernández Arbós conducting the Madrid Symphony Orchestra. First Nashville Symphony performance: October 9 & 10, 1972, at War Memorial Auditorium with soloist Alicia de Larrocha and Music Director Thor Johnson. Estimated length: 25 minutes Recommended listening: Pianist Alicia de Larrocha is soloist in the highly atmospheric recording with the London Philharmonic under Rafael Frühbeck de Burgos (Philips).

The only composer on our program who was actually Spanish-born, Manuel de Falla paradoxically came to a full appreciation of the essence of Spanish music while he was living in Paris. His career exemplifies the powerful role of cultural cross-pollination, this time from a Spanish point of view. In 1907, Falla, a native of the port city of Cádiz in Andalusian Spain, moved to Paris. There he developed close ties with Debussy and Ravel as well as with fellow expatriate Spanish composers. It was just at this time that Debussy and Ravel were experimenting with form and texture in piano and orchestral compositions that drew inspiration from Spanish imagery and settings. Their musical circle also included the Spanish pianist Ricardo Viñes, for whom Falla set out to write a set of evocative nocturnes titled Nights in the Gardens of Spain (Noches en los jardines de España). On the advice of Viñes and others, Falla decided to expand his scope and create an orchestral triptych, which he composed after returning to Spain upon the outbreak of war in 1914. He dedicated the score to Viñes. In his early years, Falla had already been interested in investigating the musical traits that characterized Andalusia, but his time in Paris triggered an epiphany: Instead of literally recasting folk

materials, the most effective way to write “Spanish music” was to evoke it, and Debussy’s sensual manipulation of atmosphere and impression had suggested a way. Nights in the Gardens of Spain shows Falla confidently applying this insight in a work that combines aspects of a piano concerto and a tone poem, and which the composer himself described as “symphonic impressions” meant to evoke “places, sensations and feelings.”

What to listen for In fact, Falla drew a distinction between “expressive” and “descriptive” music, insisting that Nights involved the former and was not intended as mere programmatic illustration. Instead, sounds that conjure images of festivals and celebrations merge inextricably with subjective, shifting moods: “for melancholy and mystery have their part also,” as the composer remarked. Similarly, Falla reworks elements of popular music from Andalusia — including dance and the flamencostyle “deep” singing known as cante jondo — but filters these through his state-of-the-art orchestral imagination and develops them in symphonic ways. The first panel, “In the Generalife,” refers to the Alhambra Palace complex in Granada and immediately evokes Falla’s sense of “mystery.”

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spanish nights

The exotic turns of the first theme are further elaborated by the piano writing, while a more exuberant theme conjures sparkling fountains amid the shadowy garden scene. “Distant Dance,” the briefest panel, stirs and flutters to the pulse of a dance in an unidentified garden. The piano joins in with captivating rhythmic motifs, and its pas de deux with the orchestra builds in excitement, leading without pause to the final scene, “In the Gardens of the Sierra de Córdoba.” Here Falla clearly gives the piano a role as a Gypsy singer encouraged by the surrounding onlookers. The orchestration not only elicits a sense of shared festivity, but — especially in the magic final pages — distills the nocturnal beauty of the setting with an air of gentle melancholy, as of past joys recalled. In addition to solo piano, Nights in the Gardens of Spain is scored for an orchestra of piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, triangle, celesta, harp and strings. Georges Bizet’s operatic masterpiece about the beautiful, free-spirited Gypsy Carmen is set in and around Seville, but its tone of obsessive passion and destructive jealousy has nothing in common with the antics of the wily barber Figaro. For all the Spanish associations Bizet conjures in the opera — from dance and serenade to landscape painting — the composer in fact never visited the country next door to his own. Even more ironic is the initial fate of what has long ranked among the most popular of all operas. Carmen’s premiere was a flop and a critical scandal to boot, thanks both to the story’s perceived immorality and to Bizet’s innovative use of the orchestra. Bizet died only a few months after the opening and never knew the overwhelming success his masterpiece would enjoy. Along with its familiarity in the opera house, Carmen is a ubiquitous cultural phenomenon: Bizet’s version of femme fatale-ity has been recycled and sampled countless times. Following the composer’s premature death, his associates were intent on salvaging the music despite the recent failure of the opera. Two concert suites — one of instrumental music that Bizet placed between scenes, and the other of famous vocal numbers arranged for orchestra alone — became repertory standards and provide the source for the excerpts we hear.

What to listen for Les Toréadors presents music from the opera’s overture (which is also used in the final scene). The festive cheer of the parading toreadors evokes the public spaces in which

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GEORGES BIZET Born on October 25, 1838, in Paris; died on June 3, 1875, in Bougival, just outside Paris Suite from Carmen Bizet composed Carmen in 1874. This series of instrumental extracts is taken from the two concert suites that were edited and published posthumously by Fritz Hoffmann. Based on the composer’s original orchestration, these excerpts highlight the lyricism, color and vitality that have kept Bizet’s final opera a popular favorite in the concert hall as well. First performance: The opera Carmen opened on March 3, 1875, in Paris. First Nashville Symphony performance: A concert staging of Carmen was presented April 17, 1956, at War Memorial Auditorium with Music Director Guy Taylor. Carmen Suite No. 1 was first performed May 3, 1980, at War Memorial Auditorium with Assistant Conductor Jay Dawson. Estimated length: 25 minutes Recommended listening: Leonard Bernstein leads the New York Philharmonic in a zesty account that includes the two Carmen suites in their entirety (Sony).


These extracts from Carmen are scored for 2 flutes and piccolo, 2 oboes (2nd doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, triangle, tambourine, snare drum, bass drum, cymbals, castanets, 2 harps and strings. Ravel composed Boléro in 1928 to fulfill a commission for a ballet. Ravel deployed his renowned mastery of orchestral color and nuance in shockingly unexpected ways for this simple, Spanishthemed tale of a dancer stoking the desire of her onlookers.

MAURICE RAVEL Born on March 7, 1875, in Ciboure, France; died on December 28, 1937, in Paris Boléro

First performance: November 22, 1928, at the Paris Opera, with Walter Straram conducting. First Nashville Symphony performance: April 17 & 18, 1961, at War Memorial Auditorium with Music Director Willis Page. Estimated length: 16 minutes Recommended listening: Herbert von Karajan’s electric interpretation with the Berlin Philharmonic on Deutsche Grammophon still holds its own as a classic.

With his colleague Debussy, Ravel shared a long-standing fascination with Spanish themes. One of his earliest pieces was in fact the Habanera for two pianos, which won Debussy’s admiration. Ravel later incorporated it into one of his earliest full-scale orchestral compositions — titled, appropriately, Rapsodie espagnole. Ravel’s mother, who was of Basque origin and who had spent many years in Spain, imbued her son with a lifelong enthusiasm for Spanish culture.

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Carmen’s tragedy is played out, from her first meeting with the soldier Don José to her murder against the dramatic backdrop of a bullfight in progress. Trembling strings introduce the Prelude and its darkly intoned, ominous motif, which is associated with the fateful desire stirred up by Carmen and contrasts starkly with the sunlit cheer of the crowd music. In the Aragonaise, Bizet introduces one of several Spanish-flavored dances that are laced throughout the opera. It serves in its original context as an interlude between the third and fourth acts, right before the climactic bullfight during which Don José confronts his ex-lover Carmen. The deft interplay of rhythms and enticing woodwind melodies is a good example of Bizet’s imaginative orchestration, which gives Carmen so much of its flavor. The bucolic Intermezzo introduces the third act. Here the scene has shifted outside Seville to a remote place where Don José, now a fugitive, pursues Carmen. The Sequedille is both a folksong-based aria and, as Carmen delivers it, a kind of performance art with dance in which she first seduces the hapless José. His life as a soldier is depicted by the marching music of Les Dragons d’Alcala. When she first appears in the opera, Carmen delivers the Habanera, explaining her philosophy that love cannot be tamed. (In its original form, her aria is echoed by a chorus of her fellow factory workers.) Against the Habanera’s signature dance rhythm (an import from Cuba), Bizet unfolds a seductive melody he apparently thought had originated as a folk tune, though it was in fact a popular tune written by Spanish composer Sebastián Yradier. The macho, decisive phrases of the Toreador Song, by contrast, are the emblem of Don José’s rival, the famous bullfighter Escamillo. Danse Bohème is a flamenco-powered showstopper reminding us that Carmen is very much in control, hardly a passive victim. Here, in front of a group of soldiers at a disreputable tavern, she performs an impromptu dance with her Gypsy friends. The dance’s gradually accelerating frenzy becomes a metaphor for Carmen’s irresistible effect on those around her.


spanish nights

In Boléro, a work dating from the end of his career, Ravel’s love of Spanish themes and his ongoing preoccupation with dance converge. Like several of his best-known works, Boléro began life as a ballet before it went on to become even more familiar in the concert hall — not to mention in film scores and elsewhere in popular culture. Ravel had a special gift for transcribing music originally conceived for piano into dazzling orchestral guises. Hoping to benefit from this gift, Ida Rubinstein — a celebrity ballerina formerly with the Paris-based Ballets Russes dance company — asked Ravel to orchestrate a preexisting set of piano pieces on Spanish themes composed by Isaac Albéniz. Copyright issues complicated the project, though, so Ravel ditched it in favor of an entirely new ballet score for the scenario suggested by Rubinstein.

What to listen for As if to underline the stark simplicity of the ballet (see the sidebar at right), Ravel fixates on the easily recognizable and hypnotic rhythmic pattern of the traditional bolero. It consists of two measures in triple meter at a moderate tempo. This is repeated by the snare drum throughout the piece and is one of the two repetitive elements around which Ravel structured his score. The other is, of course, the Boléro melody itself. Laid out in two sections, each of which is repeated, the melody unwinds like a charmed snake. Moreover, Ravel delegates different instruments from his unusually large orchestra to voice the theme, starting with a solo flute and passing from solo instruments to instrumental choirs. In other words, for all its repetitions, Boléro also uses a form of variation. The melody remains the same, but the instrumental coloration changes. Two things about Ravel’s concept are especially radical. (There were even speculations that the music was evidence of insanity, even though Boléro quickly became a hit.) First is the singleminded monomania of the repetition, which almost anticipates the continual looping of Minimalism. Second is the complete absence of thematic development, that mainstay of musical content in the Western classical tradition. Yet the piece seems to grow: Ravel structures Boléro as a slowly building crescendo. Moreover, the constant shifting of tone colors against the rigid rhythmic pattern generates a sense of tension that, at the climax, is finally released in a chaotic sonic explosion. Ravel scored Boléro for a large orchestra consisting of piccolo, 2 flutes, 2 oboes (2nd doubling oboe d’amore), English horn, 2 B-flat clarinets, E-flat clarinet, bass clarinet, 2 bassons, contrabassoon, 4 horns, piccolo trumpet, 3 trumpets, 3 trombones, tuba, 2 saxophones, timpani, snare drums, cymbals, tam-tam, celesta, harp and strings.

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The Story of ‘Boléro’ Unlike Ravel’s classically themed, large-scale ballet Daphnis et Chloé or the episodic dance suite illustrating Mother Goose fairy-tales, the original ballet scenario of Boléro focuses attention on a single dancer. The atmosphere for this ultrasimple story line is reminiscent in some ways of Carmen. A female flamenco dancer in a Spanish tavern is lustfully cheered by the crowd. She leaps onto a table and dances with mounting passion as the men are driven into a state of excitement by her performance.

Thomas May is the Nashville Symphony’s program annotator. He writes extensively about music and theater. His books include Decoding Wagner and The John Adams Reader.


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About the soloist JOAQUÍN ACHÚCARRO, piano

Achúcarro has played in recital and as soloist with over 200 orchestras, including the Berlin, Los Angeles and Tokyo symphony orchestras.

Joaquín Achúcarro has been described by the Chicago Sun-Times as “the consummate artist,” and he enjoys a stellar worldwide reputation. Born in Bilbao, Spain, he won a number of international prizes during his student days, but it was his victory at the 1959 Liverpool International Competition and the rave reviews after his debut with the London Symphony Orchestra that marked the beginning of his career. Since then, Achúcarro has enjoyed an uninterrupted international career, touring in 59 countries to date and performing in such venues as Avery Fisher Hall, Berlin Philharmonie, Amsterdam’s Concertgebouw, the Royal Albert Hall, Salle Gaveau, Teatro alla Scala, Suntory Hall and the Sydney Opera House. He has played in recital and as soloist with over 200 orchestras, including the Berlin, Los Angeles and Tokyo symphony orchestras; La Scala and Saint Cecilia di Roma; nacionals de Chile, de Mexico, de Colombia and de Venezuela; and every Spanish orchestra. He has performed under more than 350 conductors, including Zubin Mehta, Sir Yehudi Menuhin, Seiji Ozawa and Sir Simon Rattle. In March 2010, Opus Arte released the DVD Achúcarro Plays Brahms, which included a recital at the Prado Museum and a documentary about Achúcarro’s life. A second Opus Arte DVD featuring Manuel de Falla’s Nights in the Gardens of Spain, with Sir Simon Rattle conducting the Berlin Philharmonic, was released in late spring 2011. As a recording artist, Achúcarro rewrote and recorded for Sony his own revision of Joaquín Rodrigo’s Piano Concerto, and has garnered prizes for his recordings of de Falla, Granados, Ravel and Brahms. Since 1989, Achúcarro has held the Tate Chair at Southern Methodist University in Dallas, and he has been a professor at the international summer courses of the Accademia Chigiana of Siena. In 2008, the Joaquín Achúcarro Foundation was created by a group of individuals and institutions from the Dallas community to perpetuate his artistic and teaching legacy, and to help young pianists at the outsets of their careers.

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When the Lights Go Down, Come Stay Where the Stars Come Out

Butterfly

MeadowS Inn & Farm

Bed & Breakfast Retreat Center Event Location Just Minutes South of Nashville 615-671-4594 • relax@butterflymeadowsinn.com www.butterflymeadowsinn.com


*United Way of Metropolitan Nashville at Work Here.

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A Leader Among Leaders In 1981, Thomas F. Frist, Jr., and a charter group of Nashville leaders started the Alexis de Tocqueville Society as a way for leaders to publicly demonstrate their commitment to making Nashville a better community. Since that time, the Society has been adopted by major cities across the country and around the world. It has claimed as members such names as Gates, Dell, Lilly, Trump, and Hunt. We would like to recognize the members of the Alexis de Tocqueville Society, Alpha Chapter. Thank you for your leadership.

2009 Alexis de Tocqueville Society Members, Alpha Chapter Mr. and Mrs. Kent Adams Mr. and Mrs. David G. Anderson Mr. and Mrs. W. Michael Arthur Ms. Sue G. Atkinson Jim and Janet Ayers Mr. J. B. Baker Dr. Jeffrey R. Balser Mr. and Mrs. H. Lee Barfield II Carol and Barney Barnett Mr. Russell W. Bates Mr. and Mrs. James S. Beard Dr. and Mrs. Robert Daniel Beauchamp Mr. and Mrs. Francis J. Bedard Mr. and Mrs. Jeffrey Belser Mr. and Mrs. Phil and Amberly Billington Mr. and Mrs. W. Perry Blandford Mr. and Mrs. Frederick L. Blank Mr. and Mrs. Brad Blevins Mr. and Mrs. J. William Blevins Linda and David Bohan Mr. and Mrs. Jack O. Bovender, Jr. Mr. and Mrs. Richard M. Bracken Mrs. James C. Bradford, Jr. Mr. Edward H. Braman Mr. and Mrs. Michael T. Bray Mr. and Mrs. Laurance H. Brewster David and Jenny Briggs Mr. and Mrs. Henry Clay Bright III Mr. and Mrs. Martin S. Brown Mr. and Mrs. Frank M. Bumstead Mr. and Mrs. John R. Burch Mr. and Mrs. Matthew Burnstein Diane and Kyle Callahan Mr. and Mrs. John P. Campbell III Mr. and Mrs. Victor Campbell David and Elizabeth Cannady Mrs. Monroe J. Carell, Jr. Bill and Trudy Carpenter Mr. and Mrs. Michael Carter Mr. and Mrs. William J. Carver, Jr. Mr. Fred J. Cassetty Mr. and Mrs. Thomas G. Cigarran Mr. and Mrs. John W. Clay, Jr. Mr. and Mrs. William S. Cochran Mr. J. Chase Cole Mr. and Mrs. Wiley B. Coley III Mr. and Mrs. Charles W. Cook, Jr. Mr. and Mrs. John H. Crosslin Mr. and Mrs. Kevin Crumbo Harvey and Helen Cummings Mr. and Mrs. Brownlee O. Currey, Jr. Professor Richard Daft and Dorothy Marcic Mr. and Mrs. Frank Daniels III Mr. and Mrs. Ralph Davis Mr. and Mrs. Hilton Dean Mayor Karl F. Dean and Ms. Anne Davis Mr. and Mrs. Dennis T. Delaney Mr. and Mrs. Robert Dennis Mr. and Mrs. Sam B. DeVane Mr. and Mrs. Eric Dewey Mr. and Mrs. Jeffrey T. Dobyns Mr. and Mrs. Stephen T. Dolan Mr. and Mrs. Cullen E. Douglass

Mr. and Mrs. Emanuel Eads Mr. and Mrs. Mark J. Eddy Cassie and Tom Edenton Mr. and Mrs. Charles A. Elcan Mr. and Mrs. Mark A. Emkes Mr. and Mrs. Jason Epstein Mrs. Irwin B. Eskind Dr. and Mrs. Jeffrey B. Eskind Mr. and Mrs. DeWitt Ezell, Jr. Bob and Amanda Farnsworth Mr. and Mrs. Ernest T. Felts, Jr. Mr. and Mrs. John D. Ferguson Mr. and Mrs. Edmund B. Fitzgerald Mr. and Mrs. Gene Fleming Mr. and Mrs. Tom Foster Mr. Sam O. Franklin III Mr. and Mrs. David Freeman Mr. and Mrs. William R. Frist Dr. and Mrs. Robert A. Frist Dr. and Mrs. Thomas F. Frist, Jr. The Honorable and Mrs. William H. Frist Mr. and Mrs. Herbert A. Fritch Mr. Mario J. Gabelli Mr. and Mrs. John Gawaluck Mr. and Mr. Gerard V. Geraghty Mr. and Mrs. Kenneth W. Gerdesmeier Larraine and Jerry Gerelick Mr. and Mrs. Frank Gordon Mr. and Mrs. Joel C. Gordon Robert and Julie Gordon Mr. and Mrs. Dennis Green Mr. and Mrs. Steve Greene Mr. and Mrs. Chad Greer Mr. and Mrs. Charles A. Grice Landis B. Gullett Lead Annuity Trust Mr. and Mrs. James S. Gulmi Scott and Kathy Hadfield Mr. and Mrs. James C. Hailey Mr. Charles J. Hall Russ and Elvia Harms Mr. and Mrs. Robert L. Harris Mr. and Mrs. Spencer Hays Mr. and Mrs. Samuel N. Hazen Mr. and Mrs. E. Anthony Heard III Mrs. Phyllis G. Heard Ms. Sherri M. Henry Mr. and Mrs. C. Keith Herron Mr. J. Reginald Hill Mr. and Mrs. Damon Hininger Mr. and Mrs. James D. Hinton Mr. and Mrs. Dan W. Hogan Mr. and Mrs. William Holleman Mr. and Mrs. Henry W. Hooker Mrs. Sara Jo Gill / The Houghland Foundation Ms. Angela H. Humphreys Mr. Franklin Y. Hundley, Jr. Mr. and Mrs. James V. Hunt, Sr. Mr. and Mrs. David B. Ingram Martha R. Ingram Mr. and Mrs. John R. Ingram Mr. and Mrs. Orrin H. Ingram Mr. and Mrs. Gordon E. Inman Mr. and Mrs. Donald J. Israel Mr. and Mrs. Clay T. Jackson Mr. and Mrs. Granbery Jackson III Mr. Jess C. Jennings Mr. and Mrs. James L. Johnson Mr. and Mrs. R. Milton Johnson Roy and Marty Jordan

Mr. and Mrs. Leonard L. Kindig Robin and Bill King Mr. and Mrs. Eric Klindt Mr. and Mrs. Larry Kloess Mr. and Mrs. Ronald F. Knox, Jr. Mr. and Mrs. F. W. Lazenby Mr. Robert S. Lipman Mr. and Mrs. Sam Lipshie Mr. and Mrs. Michael F. Lovett Mr. and Mrs. C. Stephen Lynn Barbara and Kenny Lyons Mr. and Mrs. Myles A. MacDonald Mr. and Mrs. David J. Malone, Jr. Mr. and Mrs. Chip Manning Mr. and Mrs. Stephen P. Masie Ms. Cheryl White Mason Mrs. Jack C. Massey Ms. Margaret C. Mazzone Ms. Maeve E. McConville Mr. and Mrs. Frank W. McGregor Betsy Vinson McInnes Mr. and Mrs. Robert McNeilly, Jr. Phil and Belinda McSween Mr. and Mrs. R. Clayton McWhorter Mr. and Mrs. Scott McWilliams Mr. and Mrs. James R. Meadows, Jr. Lynn and Ken Melkus Mr. and Mrs. Kevin S. Millen Andrew Woodfin Miller Foundation Mr. and Mrs. Robert Miller Ms. Mary Mirabelli and Mr. Steven Cristanus Mr. Kevin N. Monroe Mr. Donald R. Moody Mr. and Mrs. A. Bruce Moore, Jr. Mr. and Mrs. Joseph D. Moore Mr. and Mrs. William P. Morelli Mr. and Mrs. Gregg F. Morton Ralph and Juli Mosley Mr. and Mrs. Charles E. Nash Mr. and Mrs. Troy A. Nunn Mr. and Mrs. Philip Orr Mr. and Mrs. Eric Paisley Mr. Larry Papel Mr. and Mrs. James N. Parrott Ms. Mary Parsons Mr. and Mrs. William V. Parsons, Jr. Mr. and Mrs. Paul Martin Paslick Mr. Steven A. Pate Mr. and Mrs. Hal N. Pennington Mr. and Mrs. James W. Perkins, Jr. Mr. and Mrs. Clay Petrey Craig E. Philip and Marian T. Ott Mr. and Mrs. Sid Pilson Mr. and Mrs. Marshall T. Polk III Mr. and Mrs. Charles R. Pruett Mr. and Mrs. Mel Purcell Mr. Larry Quinlan Mr. and Mrs. Art Rebrovick Mr. and Mrs. Ben L. Rechter Mr. and Mrs. Ben R. Rechter Mr. and Mrs. Mark R. Rechter Mr. and Mrs. Colin Reed Ms. Bonnie S. Reid Mr. and Mrs. Paul A. Rein Mr. Kenneth L. Rideout Dr. and Mrs. Wayne J. Riley Mr. and Mrs. Stephen S. Riven Mr. and Mrs. Kenneth L. Roberts

If you would like to enquire about membership in this elite group of leaders, you may do so by contacting Celeste Wilson at: celeste.wilson@unitedwaynashville.org or (615) 780-2403 615.255.8501 | www.unitedwaynashville.org 250 Venture Circle, Nashville, TN 37228

Mr. and Mrs. Bailey P. Robinson III Mr. and Mrs. John T. Rochford III Mr. and Mrs. Douglas J. Rohleder Mr. Anthony A. Rose W. Andrew and Sabrina Ruderer Anne and Joe Russell Mr. and Mrs. Floyd Rutan Mr. and Mrs. Bill B. Rutherford Mr. and Mrs. William Paul Rutledge The Scarlett Family Foundation Mr. and Mrs. Joe Scarlett Tim and Beth Scarvey Mr. and Mrs. James Schmitz Mr. and Mrs. David G. Sehrt Mr. and Mrs. Richard Shallcross Mr. and Mrs. Owen G. Shell, Jr. Michael and Lisa Shmerling Mr. and Mrs. Martin E. Simmons Mr. and Mrs. W. Lucas Simons Mr. and Mrs. Barry R. Smith Mr. and Mrs. Jeffrey Smith Mr. and Mrs. Wayne T. Smith Joe and Joanne Sowell Mr. and Mrs. Robert E. Spieth Mr. and Mrs. Charles Sprintz Mr. and Mrs. Joe N. Steakley Mr. John M. Steele Mr. and Mrs. John Stein Mr. Donald Stinnett Mr. and Mrs. Don Street, Jr. Mr. and Mrs. J. Michael Sullivan Mr. and Mrs. Earl S. Swensson Mr. and Mrs. Steve Thomas Mrs. Kim Bradley Thomason Mrs. Donald W. Thurmond Mr. and Mrs. John C. Tishler Ms. Claire Whitfield Tucker Mr. and Mrs. Cal Turner James Stephen Turner Family Foundation Mr. and Mrs. William E. Turner, Jr. Mr. and Mrs. Lee F. Van Dyke Mr. and Mrs. David T. Vandewater Mr. and Mrs. Fred Viehmann Mr. and Mrs. Jay Wallace Mr. and Mrs. Johnson B. Wallace, Jr. Mr. and Mrs. Brian Waller Mr. Brian Ampferer Ward Mr. and Mrs. Robert Waterman Mr. and Mrs. Jonathan Weaver Colleen and Ted Welch Betty and Bernard Werthan Foundation Mrs. John Warner White Dr. and Mrs. Tim White Mr. and Mrs. David Williams II Mr. and Mrs. Ridley Wills II Dan Wilson and Linda Dickert Wilson Mr. and Mrs. Brad Withrow Mr. and Mrs. Kevin Witt Mr. and Mrs. Alan R. Yuspeh Mrs. Robert K. Zelle Chancellor Nicholas S. Zeppos Raymond and Etta Zimmerman Eight members prefer to remain anonymous.



Friday & Saturday, June 24 & 25, at 7:30 p.m.

summer festival 2

classical

Trombone festival Nashville Symphony

Giancarlo Guerrero, conductor Joseph Alessi, trombone

Program LEONARD BERNSTEIN Three Dance Episodes from On the Town The Great Lover Displays Himself Lonely Town (Pas de deux) Times Square 1944 DANIEL SCHNYDER Concerto for Tenor Trombone and Orchestra = 132 . = 72 = 132 Joseph Alessi, trombone World Premiere

Intermission SERGEI RACHMANINOFF Symphonic Dances, Op. 45 Non allegro Andante con moto (Tempo di valse) Lento assai - Allegro vivace Daniel Schnyder’s Concerto for Trombone was commissioned by Mark and Theresa Tillinger, with generous support from Dr. Joseph Awad, for Joseph Alessi and the Nashville Symphony in celebration of the 40th Anniversary of the International Trombone Festival. Performance materials for Concerto for Trombone supplied by E. Williams Music Publishing Company, sole copyright owner.

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trombone festival

“How could I know my son was going to grow up to be Leonard Bernstein?” So the father of an American legend once famously quipped. In 1943, the 25-yearold Lenny was catapulted to international fame thanks to a pair of career-changing events that occurred within a few months of each other. One was his dramatically unexpected debut conducting the New York Philharmonic, when he filled in at the last minute for an ailing Bruno Walter. The second was an invitation by up-and-coming choreographer Jerome Robbins to write the score for a new one-act ballet, Fancy Free. When it premiered in April 1944 at the old Metropolitan Opera House, the ballet was an instant critical and commercial hit. Fancy Free was the proving ground for a revolutionary type of musical theater in which dance became an integral part of the narrative. Bernstein and Robbins soon decided to expand the ballet’s scenario into a Broadway musical called On the Town. The composer teamed up with his friends Betty Comden and Adolph Green, who provided book and lyrics based on Robbins’s simple story of three sailors during wartime who spend their 24-hour shore leave searching for love and adventure in the Big Apple. While they fleshed out the story, Bernstein supplied an entirely new score. His wondrous mélange of jazz-fueled dance, boogie-woogie, tender ballads and energetic ensembles — all a valentine to New York — hit just the right note and launched his brilliant career writing Broadway shows.

What to listen for Bernstein distills the essence of On the Town, which was centered on dance, into his compact concert suite. The first episode “The Great Lover Displays Himself,” occurs as part of a dream sequence in which the sailor Gabey fantasizes about his ideal woman inspired by a subway poster (“Miss Turnstiles”). This brief, snappy number, with its prominent trombone part, gives a flavor of Bernstein’s idiosyncratic approach to jazz idioms, mixed with a touch or two of Stravinsky. Gabey’s romantic side comes to the fore in the bluesy shades of “Lonely Town,” as he despairs of finding his true love in the anonymous, coldhearted city. It’s a great example of a basic dualism in Bernstein’s music: Complex passages of nervous energy are typically set against disarmingly spellbinding melodies that evoke a lost American

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LEONARD BERNSTEIN Born on August 25, 1918, in Lawrence, Massachusetts; died on October 14, 1990, in New York City Three Dance Episodes from On the Town Bernstein wrote the musical On the Town in 1944, and it became his first Broadway hit when it opened in December. The following year he orchestrated a set of extracts from his original score to create a short symphonic suite. Here Bernstein has already begun to fuse the varied worlds his genius inhabited — musical theater, concert hall, ballet and jazz — into a sophisticated but highly accessible compositional style. First performance: February 3, 1946, with the composer conducting the San Francisco Symphony in San Francisco’s Civic Auditorium. First Nashville Symphony performance: March 2 & 3, 1984, at Tennessee Performing Arts Center with guest conductor John Covelli. Estimated length: 10 minutes Recommended listening: Bernstein conducts the New York Philharmonic in a definitive recording on Sony that also includes the Symphonic Dances from West Side Story and other Bernstein classics.


Bernstein scores Three Dances Episodes from On the Town for flute (doubling piccolo), oboe, 3 clarinets (doubling E-flat clarinet, alto saxophone and bass clarinet), 2 horns, 3 trumpets, 3 trombones, tuba, timpani, snare drum, bass drum, traps, suspended cymbal, triangle, woodblock, xylophone, piano and strings.

DANIEL SCHNYDER Born on March 12, 1961, in Zurich, Switzerland; currently resides in New York City Concerto for Tenor Trombone and Orchestra Daniel Schnyder composed the Concerto for Tenor Trombone and Orchestra in 2010-11. The piece was commissioned by Mark and Theresa Tillinger, with generous support from Dr. Joseph Awad, for Joseph Alessi and the Nashville Symphony, in celebration of the 40th Anniversary of the International Trombone Festival. A composer and performer who blurs the boundaries between classical tradition and jazz, Schnyder incorporates specifically American techniques of trombone playing developed over the past half-century into this new work. First performance: The Trombone Concerto receives its world premiere at these concerts. Estimated length: 22 minutes Recommended listening: Schnyder has an extensive discography, including 10 CDs of his own compositions and numerous releases on which he appears as performer. subZERO, his Concerto for Bass Trombone, is available on the CD Absolution (Enja Nova), which received a GRAMMY® nomination for Best Classical Small Ensemble Recording in 2002. More information can be found on the composer’s website at www. danielschnyder.com.

Swiss-American Daniel Schnyder has earned a dynamic reputation in the fields of jazz and classical music alike, as both a composer and a highly sought-after saxophone performer. His compositions have been performed and recorded all over the world. He has been commissioned by such institutions as the Orpheus Chamber Orchestra in New York, the Tonkünstler Orchestra in Vienna, the Radio Symphony Orchestra in Berlin, the Chicago Sinfonietta, Bern Opera, the NDR Orchestra in Hannover, the Milwaukee Symphony Orchestra, the New York-based new music group Absolute Ensemble and the St. Paul Chamber Orchestra, among many others. His vast catalogue of works for chamber music has also been performed by such artists as Emmanuel Pahud, the Eroica Trio, David Taylor and the Graham Ashton Brass Ensemble, just to mention a few. Schnyder won first prize at the 1996 International Trumpet Guild’s Composition Contest, one of many awards garnered by his prolific list of compositions, which also include large-scale works and operas. A composer with Universal Edition’s Spectrum Series, Schnyder has held prestigious composer residencies with the Milwaukee Symphony Orchestra, the Radio Symphony Orchestra Berlin, the Bremen Musikfest 2008, the Orchestre de Chambre de Lausanne and the Absolute Ensemble. He designs programs for the Camerata Bern 2009 (HIMMEL), the Berlin Philharmonic and the Crested Butte Festival in Colorado. Schnyder also tours with soloists of the Berlin Philharmonic, performing his program AROUND THE WORLD at such major festivals as the Bremen Musikfest and the Salzburg Easter Festival.

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innocence. In the final episode, “Times Square: 1944,” Bernstein spells out the infectious tune subliminally heard in the first episode — “New York, New York,” the signature hit of On the Town. A brilliant series of variations on the tune’s up-and-down shape sound out an exuberant metaphor for the untiring, sexy energy of the American city.


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trombone festival

What to listen for The composer has supplied the following description of his new Tenor Trombone Concerto: Cast in three movements, the Trombone Concerto has a very distinctive American character which reflects the last 50 years of American trombone playing without limiting itself to classical traditions, but extending to Cuban, Brazilian, jazz, experimental avant-garde and other aspects of modern and ultramodern trombone playing. The instrument developed like rocket science in the last century, from the solo in Ravel’s Boléro, which was considered unplayable at the time, to the extravaganzas and explorations of players like Joe Alessi, Christian Lindberg, David Taylor and Stefan Schulz, just to name a few. My compositions tap into this new and newest history of the instrument. In this work I have written a concerto from an American point of view, knowing that the piece will be premiered in Nashville, probably the “most American” music city there is. It would be a big mistake, though, to assume that my perception of American music of today has something to do with the Americana of Aaron Copland or Samuel Barber. My music is driven by American music inventions from the mid-1950s to today and uses styles and techniques developed in the United States mostly in the last part of the 20th century. This Concerto was unplayable and unthinkable 40 years ago. In addition to solo trombone, Schnyder scores his Trombone Concerto for piccolo, flute, oboe, English horn, clarinet, bass clarinet, bassoon, contrabassoon, 2 horns, 2 trumpets, 2 trombones, timpani, percussion and strings.

I have written a concerto from an American point of view, knowing that the piece will be premiered in Nashville, probably the “most American” music city there is.

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The multifaceted talent of Daniel Schnyder As an arranger/composer, Schnyder has produced albums for jazz artists Abdullah Ibrahim (African Suite), Lee Konitz (Tribute to Billie Holiday) and Paquito D’Rivera (Habanera). He has also worked with Simon Shaheen, Peter Herbert, Burhan Öçal and a number of other artists on a variety of projects merging Arab and Chinese music elements with jazz and classical music. Schnyder’s versatility can also be seen in the orchestral variations he has written on themes by non-classical music icons like the Rolling Stones, Duke Ellington and Jimi Hendrix. As a performer, Schnyder has toured and recorded with many well-known classical musicians, world music artists and jazz players. He appears with orchestras playing his Songbook for Saxophone and Orchestra and Oriental Suite, among other works. With string quartet, he frequently performs a special project combining composition and improvisation, jazz and traditional chamber music. In addition to the Trombone Concerto whose world premiere we hear this evening, Schnyder recently composed a new version of Mozart’s uncompleted opera Zaïde, which conductor Kristjan Järvi premiered in New York. Schnyder leads the Stuttgart Crossover Academy (with Ingo Goritzki), the Cross Over Academy at the Bruckner University in Linz (with Norbert Girlinger) and the ABSOLUTE ACADEMY in Bremen (with the Absolute Ensemble). He gives master classes in composition, chamber music, improvisation and saxophone. In addition, Schnyder is active as a consultant and producer in classical music and jazz, working closely with major festivals, promoters and ensembles.


trombone festival

Rachmaninoff became a permanent — and unceasingly homesick — exile from his native Russia in the wake of the 1917 Revolution. Settling in the United States not only left him emotionally unmoored but forced Rachmaninoff to readjust his musical priorities out of financial necessity. From his early years, he pursued the combined roles of composer and performer, both conducting and concertizing as piano soloist; but the loss of his Russian base of support forced Rachmaninoff to take up more concert engagements as a pianist to support his family. A brutal touring schedule often brought him to the point of exhaustion. Moreover, a condition of permanent homesickness aggravated his creative paralysis, no matter how closely the tall, thin, aristocratically poised composer tried to replicate the atmosphere of his beloved pre-Revolutionary Russia. Rachmaninoff ’s compositional output thus dwindled to just a handful of works in his final 25 years. The Symphonic Dances represents the very last of these. From the start, Rachmaninoff was imagining Symphonic Dances in several dimensions. In its most familiar form, as the concert suite we hear, it stands as an unofficial Fourth Symphony (or even Fifth, if you count the earlier choral symphony The Bells, based on Edgar Allan Poe). Rachmaninoff also prepared a version for two pianos, reflecting his dual personalities as composer and pianist. Meanwhile, another work — the Rhapsody on a Theme of Paganini — had recently found new success as a ballet choreographed by Mikhail Fokine. Rachmaninoff approached Fokine with the idea of a new collaboration based on Symphonic Dances, but the choreographer died in 1942, before such a project could proceed. An earlier title Rachmaninoff considered was Fantastic Dances, and at one point he suggested a loose program by using times of day as titles for each of the work’s three movements (“Noon,” “Twilight” and “Midnight”). He later abandoned those as unnecessary distractions and allowed only the conventional tempo indications to stand. Perhaps the titles were meant to suggest periods in his personal life. Events in Europe during the summer of 1940, when Rachmaninoff composed the work, may well have triggered a desire to reflect on the direction his life had been forced to take in a violent century. Symphonic Dances can be approached as a guarded retrospective survey of his past career, as Rachmaninoff laces the score with self-quotations from a number of earlier works.

SERGEI RACHMANINOFF Born on April 1, 1873, in Semyonovo, Russia; died on March 28, 1943, in Beverly Hills, California Symphonic Dances, Op. 45 Rachmaninoff composed the Symphonic Dances in 1940. His orchestral swan song, this symphonic suite takes a retrospective look over the composer’s earlier career, but with a hauntingly spare, pared-down style that features some of his most imaginative orchestral touches. First performance: January 3, 1941, with Eugene Ormandy conducting the Philadelphia Orchestra First Nashville Symphony performance: October 18 & 19, 1996, at Tennessee Performing Arts Center with Music Director Kenneth Schermerhorn. Estimated length: 38 minutes Recommended listening: Released on EMI, Mariss Jansons and the St. Petersburg Philharmonic pair the Symphonic Dances with the Third Symphony on one of the most thrilling recorded interpretations of Rachmaninoff.

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What to listen for A bleak, brief introductory passage hints at the pared-down character of Rachmaninoff ’s late style. The music soon takes on momentum and is driven by a potent and restless three-note rhythmic idea. Much of the movement’s drama is generated from the contrast between this opening material and the folk song-like melody that is given so unforgettably to the saxophone. The manner in which Rachmaninoff allows the opening theme to creep back into the scene and supplant this haunting interlude is magnificently staged. His predilection for bell-like sounds emerges in a colorful coda that brings the music to a gentle rest. The second movement unfolds as a rueful waltz, its anxiousness intensified by repeated interruptions of momentum. Details are worried over in gorgeously detailed solo writing, like a quickly fragmenting dream the composer wants to preserve before it dissipates entirely. The final movement — the longest of the three — alternates between extreme slow and fast tempos. Here Rachmaninoff recalls some of the spirit of the opening movement, but the atmosphere is decidedly more

demonic. Indeed, the famous medieval chant of Dies Irae from the Requiem Mass appears (in various slightly disguised forms) as one of the themes alongside the main theme originating from Russian sacred chant. Aside from its obvious reference to death and judgment in this context, the Dies Irae had served in several other Rachmaninoff compositions as a kind of fatalistic (rather than necessarily morbid) leitmotif. Toward the end of this piece, though, Rachmaninoff introduces a more hopeful sacred melody taken from his luminous a cappella choral music, the All-Night Vigil. Its consoling presence robs the Dies Irae of its sting. Rachmaninoff ’s score calls for a large orchestra of piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets,3 trombones, tuba, timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam, xylophone, glockenspiel, tubular bells, harp, piano and strings. — Thomas May is the Nashville Symphony’s program annotator. He writes extensively about music and theater. His books include Decoding Wagner and The John Adams Reader.


trombone festival

About the soloist JOSEPH ALESSI, trombone Joseph Alessi was appointed principal trombone of the New York Philharmonic in the spring of 1985. Prior to joining the Philharmonic, he was second trombone of the Philadelphia Orchestra for four seasons, and principal trombone of L’Orchestre symphonique de Montréal for one season. Alessi has been a guest soloist with the Lincoln Symphony, Colorado Symphony Orchestra, Alabama Symphony Orchestra, Santa Barbara Symphony, New Japan Philharmonic, Mannheim National Theater Orchestra, Puerto Rico Symphony, Hague Philharmonic and the Hartford Symphony, among others. He has also participated in numerous festivals, including the Festivale di Musica da Camera in Protogruaro, Italy, the Cabrillo Music Festival, Swiss Brass Week and Lieksa Brass Week in Finland. He is a founding member of the Summit Brass ensemble at the Rafael The recording of George Mendez Brass Institute in Tempe, Arizona. Crumb’s Star-Child on the Alessi is currently on the faculty of The Juilliard School, and his students now occupy posts with many major sympho- Bridge record label, featuring ny orchestras in the U.S. and internationally. As a clinician for Alessi as soloist, won a the Edwards Instrument Co., he has also given master classes GRAMMY® Award in 2000 throughout the world and has toured Europe extensively as a master teacher and recitalist. He began his own musical studies with his father, Joseph Alessi, Sr., as a high school student in San Rafael, California. He was a soloist with the San Francisco Symphony before continuing his musical training at Philadelphia’s Curtis Institute of Music. Alessi’s discography includes many releases on the Summit record label, including Trombonastics, and a disc with New York Philharmonic principal trumpet Philip Smith, entitled Fandango. He also recorded New York Legends on the Cala label. His live recording of the Rouse Concerto with the New York Philharmonic can be heard on An American Celebration, Volume II on New York Philharmonic Special Editions, the orchestra’s recording label. Other recordings include Return to Sorrento on the Naxos record label and Visions, recorded with the Columbus State University Wind Ensemble. In 2007, conductor/composer Bramwell Tovey recorded a piece written especially for Alessi, entitled Urban Cabaret, with Alessi as soloist. The recording of George Crumb’s Star-Child on the Bridge record label, featuring Alessi as soloist, won a GRAMMY® Award in 2000. Further information about Alessi can be found on his website, www.slidearea.com.

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Nashville Symphony

Mei-Ann Chen, conductor Alban Gerhardt, cello

Program OSVALDO GOLIJOV

Sidereus

CAMILLE SAINT-SAËNS Concerto No. 1 in A minor for Cello and Orchestra, Op. 33 Allegro non troppo Allegretto con moto Allegro non troppo Alban Gerhardt, cello

Intermission FELIX MENDELSSOHN Symphony No. 3 in A minor, Op. 56 “Scottish” Andante con moto - Allegro agitato Scherzo: vivace non troppo Adagio cantabile Allegro vivacissimo - Finale: Allegro maestoso assai Nashville Symphony is part of a consortium of orchestras that commissioned Sidereus in honor of retiring League of American Orchestras CEO Henry Fogel.

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OSVALDO GOLIJOV tour-de-force for cello

Born on December 5, 1960, in La Plata, Argentina; currently resides in Newton, Massachusetts Sidereus: Overture for Small Orchestra Golijov composed Sidereus in 2010 on a commission from a consortium of U.S. and Canadian orchestras to honor Henry Fogel, former president of the League of American Orchestras and an acclaimed champion of classical music. Sidereus is a concert overture inspired by the astronomer Galileo’s first explorations through his telescope.

Osvaldo Golijov, whose parents were Eastern European Jewish immigrants, already had a wide range of musical impulses competing for his attention as he came of age in his native Argentina. He grew up taking in an intoxicating mix that ranged from Old World classical traditions to Yiddish klezmer to Astor Piazzolla’s tango innovations. After a pivotal period of study in Jerusalem, Golijov (pronounced GO-lih-hoff) settled in the United States in 1986, where he has continued to treat genres and sonorities often kept in separate compartments as fair game for his all-embracing stylistic perspective — colors to be blended into a vibrant new synthesis. Close collaborations with performers have always been a key facet of Golijov’s creative process. He wrote his Cello Concerto (Azul), for example, for Yo-Yo Ma and then revised it for Alisa Weilerstein. Soprano Dawn Upshaw has been his muse for several important works, including his first opera Ainadamar (“Fountain of Tears”), a dreamlike meditation on poet-playwright Federico García Lorca and his favorite actress. But with Sidereus, which he subtitles “Overture for Small Orchestra,” Golijov sought to honor the extraordinary contributions of former League of American Orchestras president Henry Fogel by writing a work that could be readily performed by a wide variety of orchestras across the country.

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First Performance: October 16, 2010, with the Memphis Symphony Orchestra conducted by Music Director Mei-Ann Chen at the Cannon Center for the Performing Arts in downtown Memphis. First Nashville Symphony Performance: These are the Nashville Symphony’s first performances of Sidereus. Estimated length: 11 minutes Recommended listening: An excellent entrée into Golijov’s world is the recent recording of his highly successful choral work La Pasión según San Marcos (“The Passion According to Saint Mark”), which includes an alternate live performance on DVD that captures the visual impact of his music.

“It certainly felt more abstract, writing a piece to be interpreted by 35 or more ensembles with different expectations, different audiences, different personalities,” the composer remarked in an interview last fall with Sarah Baird Knight. “The challenge was trying to create something that would serve them all.” Golijov takes his title from a treatise published in 1610 by the astronomer and mathematician Galileo: Sidereus Nuncius. “It’s more commonly translated as ‘Starry Messenger,’ ” notes Golijov, “but to me the word ‘sidereal’ is more beautiful. He wrote it after observing the moon for the first time with the telescope.” The composer points out that Galileo’s scientific observations made the moon “no longer the province of poets exclusively” and opened up the possibility of life existing beyond the Earth, a threatening hypothesis that ensured conflict with the Vatican. Having a brand-new work played within a very short time frame by so many different ensembles is, of course, an unusual opportunity for a contemporary composer. Shortly after the Memphis Symphony gave the world premiere last fall, Golijov made small revisions to the “dark theme that opens the piece and reappears in the middle,” as he explained at the time, then sent the score on for the rest of its widespread tour.


What to listen for

The score for Sidereus calls for 2 flutes, oboe, English horn, 2 clarinets (2nd doubling bass clarinet), 2 bassoons (2nd doubling contrabassoon), 2 horns, 2 trumpets (1st doubling piccolo trumpet), 2 trombones, tuba, timpani and strings. Camille Saint-Saëns was bound to feel at home with the genre of the concerto. A virtuoso pianist himself, he played an important role in introducing all five of Beethoven’s piano concertos to skeptical French audiences, and he composed and performed a cycle of five concertos of his own for the instrument. For his first public recital in Paris (at the age of 10), Saint-Saëns performed piano concertos by Mozart and Beethoven. For an encore, he offered to play the audience’s choice from Beethoven’s cycle of 32 piano sonatas — by memory, of course. Such feats of showmanship were simply par for the course in a musical life marked by extraordinary productivity, not to mention longevity. Saint-Saëns remained active before the public right up into his 86th year, giving his last performance just 10 days before he died. The composer’s long lifespan also entailed an epic journey from the heyday of Romanticism through the birth pangs of Modernism and the trauma of World War I. It encompassed the revolutionary new music of Liszt and Wagner, which Saint-Saëns boldly championed, and the breakthroughs of Debussy and Stravinsky. Saint-Saëns himself, though,

CAMILLE SAINT-SAENS Born on October 9, 1835, in Paris, France; died on December 16, 1921 in Algiers, Algeria Cello Concerto No. 1 in A minor, Op. 33 Saint-Saëns composed the Cello Concerto No. 1 in 1872 for Auguste Tolbeque (1830-1919), a contemporary cello celebrity and the work’s dedicatee. This first of his two cello concertos, cast as a single movement, integrates soloist and orchestra with imaginative craftsmanship and remains one of the best loved of 19th-century concertos. First Performance: January 19, 1873, with Auguste Tolbeque as soloist at the Paris Conservatoire. First Nashville Symphony Performance: March 13 & 14, 1967, at War Memorial Auditorium with guest cellist Leonard Rose and Music Director Willis Page. Estimated length: 19 minutes Recommended listening: Johannes Moser plays a spellbinding performance with the Stuttgart Radio Symphony under Fabrice Bollon on a disc that includes Saint-Saëns’s complete works for cello and orchestra (Hänssler).

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tour-de-force for cello

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of the Nashville Symphony Sidereus is in the tradition of the self-standing concert overture and develops a compelling sense of drama and mystery from just a few themes colorfully arrayed across a relatively modest orchestral canvas. “Ominous, massive, suspended in time and space” is Golijov’s prescription for the opening, in which we hear a spread of deep, dark chords. This theme recurs later, suggesting, Golijov observes, an “ominous question mark that tears the fabric of a piece that is essentially spacious and breathes with a strange mixture of melancholy and optimism.” Meanwhile, quasi-minimalist textures fluctuate as a pulsating background for a haunting theme that the composer identifies with the moon. Golijov further elaborates on Sidereus as follows: “The melodies and the harmony are simple, so they can reveal more upon closer examination. For the ‘Moon’ theme I used a melody with a beautiful, open nature, a magnified scale fragment that my good friend and longtime collaborator, accordionist Michael Ward Bergeman, came up with some years ago, when we both were trying to come up with ideas for a musical depiction of the sky in Patagonia. I then looked at that theme as if through the telescope and under the microscope, so that the textures, the patterns from which the melody emerges and into which it dissolves, point to a more molecular, atomic reality. Like Galileo with the telescope, or getting close to Van Gogh’s brushstrokes.”


tour-de-force for cello

fell victim to the changing tides of musical fashion. Though his output was enormous, ranging across all the major genres (he was even an early pioneer of the film score), only a handful of his works has remained an active part of the repertory. His most familiar compositions date from the 1870s and 1880s, when Saint-Saëns was at the peak of his fame. Along with the Cello Concerto No. 1, these include the tone poem Danse Macabre, the opera Samson and Delilah, the Third Symphony (the “Organ” Symphony) and Carnival of the Animals.

What to listen for Like Mendelssohn, with whom he also ranks as one of music history’s most remarkable prodigies, Saint-Saëns often shows an inherent preference for neoclassical clarity and transparency. Still — and despite his later reputation as a fading relic out of touch with early Modernism — Saint-Saëns didn’t unthinkingly parrot the classical forms he inherited. Indeed, the Cello Concerto No. 1 is renowned for its condensation of the conventional concerto’s three-movement format into an organically compact single movement. Additionally, Saint-Saëns transcends the Romantic cliché of the solo protagonist as a hero in conflict with the orchestra. Instead, he creates drama by keeping the cello at the center of attention throughout much of the work, carefully integrating it into the orchestral fabric. Dispensing with preliminary fuss, the concerto gives the cellist center stage immediately following a brisk opening chord from the orchestra. Fast-flowing triplets come to a pause on a core motif (a rising and falling half-step). Although Saint-Saëns shows great ingenuity in developing his motivic ideas, he never does so at the expense of the “embroidery” and beautiful surface details that unfold. Tempo and key change as a lyrical interlude provides passage to an enchanting middle section. Muted strings supply a sweet minuet accompaniment as the cello, playing high in its register, affably joins in the serenade. In a flash, agitated strings of flowing triplets bring a return of the opening motifs. Again the cello spells out the contrasting themes, with nuanced commentary from the orchestra. Unobtrusively, the soloist also brings a new but subtly related motif into the picture. In the coda, a sequence of sustained chords then steers the music into the major as the cello takes a decisive final bow. In addition to solo cello, Saint-Saëns scores for pairs each of flutes, oboes, clarinets, bassoons, horns and trumpets, along with timpani and strings.

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FELIX MENDELSSOHN Born on February 3, 1809, in Hamburg, Germany; died on November 4, 1847, in Leipzig, Germany Symphony No. 3 in A minor, Op. 56 “Scottish” Mendelssohn first conceived of writing his Scottish Symphony while traveling in Scotland in 1829, but over a dozen years passed before he finished his first version of the score in January 1842. Despite its numbering, the Symphony No. 3, dedicated to Queen Victoria, is actually the last of Mendelssohn’s five mature symphonies to be completed. A feature of this alluring symphony is the balance it achieves between the composer’s Classical sensibility and Romantic tendencies toward programmatic evocation. First Performance: March 3, 1842, with the composer conducting the Leizpzig Gewandhaus Orchestra. First Nashville Symphony Performance: December 14, 1954, at War Memorial Auditorium with Music Director Guy Taylor. Estimated length: 43 minutes Recommended listening: Peter Maag leads the London Symphony in a legendary Decca recording of the Scottish Symphony, which is coupled with his delightful incidental music to A Midsummer Night’s Dream.


Another spontaneous musical inspiration occurred during Mendelssohn’s trip to Edinburgh — this time sparked not by nature but by the palpable sense of history that imbues Holyrood introduction to the Third Symphony. (See the sidebar on p. 62.) It remained dormant, though, for a dozen years before he began grappling with the composition. The Scottish Symphony — Mendelssohn himself referred to the work as his “Scotch” Symphony — is actually his last, chronologically speaking, and thus benefits from his mature technical mastery. As with the Hebrides Overture, Mendelssohn left no explicit program for the Scottish Symphony, but his allusion to Queen Mary is usually cited as a subtext for at least some aspects of the work, particularly the slow movement. Commentators have suggested that other impressions from the Scottish tour also play a role, ranging from Celtic legend and folklore to the Highland Games and the fiction of Sir Walter Scott. (The composer and his traveling companion paid an impromptu visit to Scott, whose fame was then at its height, and got a cranky reception.) Yet for all its Romantic associations, the music refers to no specific literary source in the manner of, say, the Overture to A Midsummer Night’s Dream, composed when Mendelssohn was 17. Rather, the Third Symphony integrates the evocative power of early Romanticism with the composer’s mature admiration for classical balance and internally consistent musical design.

What to listen for Mendelssohn’s design emphasizes the sense of overall coherence he wants to impart. The four distinct movement types you would expect of a Classical-era symphony are apparent, but the score asks that these be played without interruption, as a seamless whole. The long opening movement includes a slow introduction leading into an agitated main section. A mood of gloomy obsession — the musical idea that occurred to Mendelssohn at Holyrood Palace — pervades the Continued on page 62 j une

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tour-de-force for cello

1829, the year when Felix Mendelssohn entered his 20s, marked an artistic as well as a chronological turning point for a composer who had already revealed his genius as a child prodigy. His famous revival of Bach’s St. Matthew Passion that spring helped shore up Mendelssohn’s reputation as a leading and influential musical thinker. Several months afterward, always eager to enlarge his experience, the young composer embarked on a “grand tour” throughout Europe. The first stage of the tour took him on a lengthy visit to Britain, where he would gain an enthusiastic following for his performances as a conductor, as well as for his own music. These travels allowed Mendelssohn to store up impressions on which he would draw for numerous future compositions, including two of his orchestral masterpieces: the concert overture known alternately as The Hebrides and Fingal’s Cave, and the Third Symphony (“Scottish”). A subsequent period of travel in Europe similarly inspired another of his finest compositions, the Fourth Symphony (“Italian”). After finishing up his engagements for the concert season in London, Mendelssohn undertook a walking tour of Scotland in the company of Karl Klingemann, a family friend from Berlin then serving as a diplomat in London. The contrast between the social whirlwind of the metropolis and Scotland’s awe-inspiring scenic beauty made the composer especially susceptible to the latter. Letters to his family back in Berlin recorded Mendelssohn’s reactions to the misty, forlorn seascape off Scotland’s west coast. His excursion there prompted him to sketch out a musical idea that would form the kernel of the Hebrides Overture, a pioneering work that helped pave the way toward the quintessential Romantic genre of the tone poem. Another spontaneous musical inspiration occurred during the composer’s trip to Edinburgh — this time sparked not by nature but by the palpable sense of history that imbues Holyrood Palace, the official monarchical residence situated at the opposite side of the old city from Edinburgh Castle. After paying a visit to the palace, Mendelssohn noted down a melancholy musical idea that would serve as the atmospheric


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tour-de-force for cello

introduction. It features a rising motif with a dotted (i.e., long-short) rhythm that will take on various guises later in the work. The main movement proper launches with another variant of that opening motif and is driven restlessly forward. A second, singing theme anticipates the melancholy of Brahms. Mendelssohn adds a remarkably eventful coda of passionate storminess, which sheds a new light on what has gone before and is followed by a subdued, brief reprise of the introductory theme. The compact Scherzo contains the most “Scottish”sounding music of the score. Mendelssohn tweaks that all-important dotted rhythm in a way that suggests a signature trait of Scottish folk and dance music, while his simple, diatonic tunes also sound folk-like. Still, there’s always a chicken-and-egg aspect to these matters, particularly with a composer as ambivalent about program music as Mendelssohn. It’s worth recalling that when his friend Schumann first heard the piece, he raved about the symphony’s marvelous Italian local color. Occupying the emotional center, the Adagio develops two distinctive ideas: a poignant, longspanning melody first heard on strings and a dirge-like, steady, ceremonial march. (The dotted rhythms are especially prominent here.) Regardless of whether you discern a tonal portrait of Mary Stuart’s secret love and her tragic fate, the writing features Mendelssohn’s sure hand as an orchestrator. Savor how he varies the musical texture with serenade-like pizzicato accompaniments and afterthoughts spun by woodwinds. After this intimate music, the finale suggests a more epic perspective: Mendelssohn even asks for the Allegro to be played with “warlike” intensity. R. Larry Todd, a leading authority on Mendelssohn, writes that the energy of this music, “with its jagged dissonances and contrapuntal strife, generalizes the topic of conflict in Scottish history.” But then, in another extraordinary concluding section — a kind of extended epilogue to be played in a “majestic” manner — Mendelssohn abandons his A minor home key in favor of a confident, hymn-like melody in A major. Heard first on violas and clarinets, it brings the Scottish Symphony to a stately, dignified close. The Symphony No. 3 is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani and strings.

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A Haunting Visit Mary, Queen of Scots, lived in Holyrood Palace until she was forced to abdicate. Even today, a haunting gloom pervades the rooms Mary inhabited and where she was forced to witness the notorious murder in 1566 of her private secretary (suspected of being her lover). In one of his dispatches home, Mendelssohn recounted a thrilling visit at twilight to Holyrood, “where Queen Mary lived and loved.” He was also fascinated by the poetic ruins of the early medieval abbey church next to the palace, which had been pulled down during the Reformation: “Everything there is ruined, decayed and open to the clear sky. I believe that I have found there today the beginning of my Scotch Symphony.”

Thomas May is the Nashville Symphony’s program annotator. He writes extensively about music and theater. His books include Decoding Wagner and The John Adams Reader.


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About the ARtists tour-de-force for cello

MEI-ANN CHEN, conductor

One of the most sought-after young conductors in America, Mei-Ann Chen has just begun her tenure as Music Director of the Memphis Symphony Orchestra. In July 2011, she will also take on the position of Music Director for the Chicago Sinfonietta. Chen’s upcoming schedule includes debut engagements with the symphonies of Chicago, Columbus, Edmonton, Phoenix and Victoria, British Columbia, as well as the Pacific Symphony in Orange County, California; BBC Scottish Symphony; Graz Symphony; and the Netherlands Philharmonic at the Amsterdam Concertgebouw. Her previous guest conducting engagements include all the principal Danish orchestras, the Norwegian Radio Orchestra, the symphonies of Alabama, Atlanta, Bournemouth, Fort Worth, Honolulu, Oregon, Princeton, Seattle, Toledo, Toronto and Trondheim, as well as the Grand Teton Music Festival and the Norrlands Opera in Sweden. In 2005, Chen became the first woman to win the Malko Competition. She has served as Assistant Conductor of the Oregon Symphony and has recently completed highly successful tenures as Assistant Conductor of the Atlanta and Baltimore Symphonies, two positions sponsored by the League of American Orchestras. Recipient of the 2007 Taki Concordia Fellowship, Chen appeared jointly with Marin Alsop and Stefan Sanderling in highly acclaimed subscription concerts with the Baltimore Symphony, Colorado Symphony and Florida Orchestra. In 2002, Chen was unanimously selected as Music Director of the Portland Youth Philharmonic in Oregon, the oldest orchestra of its kind and the model for many of the youth

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orchestras in the United States. During her fiveyear tenure with the orchestra, she led its sold-out debut in Carnegie Hall, received an ASCAP award for innovative programming, and developed new and unique musicianship programs for the orchestra’s members. She was honored with a Sunburst Award from Young Audiences for her contribution to music education. Born in Taiwan, Chen has lived in the United States since 1989. She holds a Doctor of Musical Arts degree in conducting from the University of Michigan, where she was a student of Kenneth Kiesler. Prior to that, she was the first student in New England Conservatory’s history to receive simultaneous master’s degrees in both violin and conducting. Chen also participated in the National Conducting Institute in Washington, D.C., and the American Academy of Conducting in Aspen.

ALBAN GERHARDT, cello Over the past decade, Alban Gerhardt has established himself as one of the great cellists of our time. His sound is unmistakable, and his interpretations of the repertoire are strikingly original. He fascinates audiences with his combination of unerring musical instinct and riveting stage presence. After early success in competitions and in his debut with the Berlin Philharmonic under Semyon Bychkov, Gerhardt has now performed with more than 170 different orchestras worldwide. Conductors with whom he has collaborated include Sir Neville Marriner, Kurt Masur, Leonard Slatkin and Michael Tilson Thomas. Performances this season include engagements with the Residentie Orkest in Amsterdam, the Tampere Philharmonic,


he plays regularly with colleagues such as Lisa Batiashvili, Julia Fischer, Thomas Larcher and Tabea Zimmermann. An acclaimed recording artist, Gerhardt has won three ECHO Classic Awards, most recently for his all-Reger double CD in 2009. He records exclusively with Hyperion, spearheading their Romantic Cello Concertos series. Recent releases include a recital CD featuring sonatas by Chopin and Alkan with Steven Osborne, and Prokofiev’s Sinfonia Concertante and Concerto in E minor, Op. 58 with the Bergen Philharmonic under Andrew Litton. Born in Berlin to a musical family, Gerhardt demonstrated his extraordinary musical talent on both cello and piano at a very early age. The teachers to whom he feels most indebted include Boris Pergamenschikow, Markus Nyikos and Frans Helmerson. Gerhardt performs on a magnificent cello made by the legendary Matteo Gofriller.

tour-de-force for cello

Cologne’s Gurzenich Orchestra and the Seoul Philharmonic. Among other highlights are appearances with The Cleveland Orchestra, London Philharmonic, BBC Philharmonic and the Sydney Symphony. In North America, Gerhardt has appeared with The Philadelphia Orchestra, the Los Angeles Philharmonic and the symphonies of Boston, Chicago, San Francisco and Toronto. Internationally, he has performed with the Bavarian Radio Orchestra, BBC Symphony, Berlin Philharmonic, China Philharmonic, Melbourne and Sydney symphonies, NHK Symphony (Tokyo), Orchestre National de France, Vienna Symphony, Zurich Tonhalle, and the radio orchestras of Berlin, Frankfurt, Hamburg and Madrid. Gerhardt’s collaborations with composers such as Unsuk Chin and Matthias Pintscher demonstrate his strong interest in enlarging the cello repertoire. An enthusiastic recitalist,


Conductors

Giancarlo Guerrero music director Now in his second season with the Nashville Symphony, Giancarlo Guerrero continues to flourish as the orchestra’s music director. A fervent advocate of new music and contemporary composers, Guerrero has collaborated with and championed the works of several of America’s most respected composers, including John Adams, John Corigliano, Osvaldo Golijov, Jennifer Higdon, Michael Daugherty and Roberto Sierra. In the fall of 2009, Naxos released a recording of Guerrero and the Nashville Symphony performing works by Michael Daugherty, which has earned three GRAMMY® Awards. Guerrero’s latest recording with the orchestra features the music of Argentine legend Astor Piazzolla. During the 2010/11 season, Guerrero will travel to five continents to guest-conduct a wide array of repertoire. In North America, he conducts the Cleveland Orchestra during one of its Miami residency weeks, marking his fourth appearance with the orchestra in as many years. He also returns to the Kansas City Symphony for a second consecutive year. In South and Central America, he makes his Brazilian debut with the São Paulo State Symphony Orchestra in a two-week residency with concerts in both São Paulo and Rio de Janeiro. He now returns annually to Caracas, Venezuela, to conduct the Orquesta Sinfónica Simón Bolívar and to work with young musicians in the country’s much-lauded El Sistema music education program. In addition, he will make a special appearance in his native Costa Rica to conduct the 70th anniversary gala concert of the Costa Rican National Orchestra. Guerrero appears for the first time in Asia conducting the Malaysian Philharmonic Orchestra in Kuala Lumpur, again with a two-week residency. He returns to Australia for a re-engagement with the Adelaide Symphony Orchestra, which he conducted at the 2008 Adelaide Festival, coupled with a debut visit to the West Australian Symphony Orchestra in Perth. In Europe he will make his debut with the Brussels Philharmonic. In recent seasons, Guerrero has appeared with many of the major North American orchestras, including the symphony orchestras of Boston, Philadelphia, Baltimore, Seattle, Dallas, Detroit, Indianapolis, Houston, Milwaukee, Cincinnati, San Diego, Toronto, Vancouver and the National Symphony in Washington, D.C. He has also appeared at several major summer festivals, including the Los Angeles Philharmonic at the Hollywood Bowl, Cleveland Orchestra at Blossom Music Festival, and Indiana University’s summer orchestra festival. Also in demand in Central and South America, Guerrero made his debut at the Casals Festival with Yo-Yo Ma and the Puerto Rico Symphony Orchestra in 2005, which was followed by return engagements in 2006 and 2007. He recently conducted the Filarmónica de Buenos Aires in one of its first concerts in the newly refurbished Teatro Colón. In June 2004, Guerrero was awarded the Helen M. Thompson Award by the American Symphony Orchestra League, which recognizes outstanding achievement among young conductors nationwide. He holds degrees from Baylor and Northwestern universities. He was most recently the music director of the Eugene Symphony. From 1999 to 2004, Guerrero served as associate conductor of the Minnesota Orchestra. Prior to that appointment, he served as music director of the Táchira Symphony Orchestra in Venezuela.

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Conductors Albert-George Schram resident conductor

Kelly Corcoran associate conductor

Albert-George Schram, a native of the Netherlands, has served as resident conductor of the Nashville Symphony since August 2005 and is concurrently staff conductor of the Columbus Symphony Photo by Amy Dickerson Orchestra. He also holds regular guest-conducting positions with the Tucson Symphony and the Charlotte Symphony Orchestra. When the Nashville Symphony opened Schermerhorn Symphony Center in 2006, Schram was invited to become the orchestra’s resident conductor. While he has conducted on all series the orchestra offers, Schram is primarily responsible for its Bank of America Pops Series. Maestro Schram’s longest tenure has been with the Columbus Symphony Orchestra, where he has worked in a variety of capacities since 1979 and is an audience favorite for all series he conducts, including Pops and the CSO’s summer season. As a regular guest conductor of the Charlotte Symphony Orchestra, Maestro Schram in 2002 opened the orchestra’s new permanent summer home, Symphony Park. He has regularly conducted the Charlotte Symphony for nine consecutive years. In 2008 Maestro Schram was invited to conduct the Orquesta Sinfónica Nacional of Bolivia in La Paz and the Orquesta Sinfónica UNCuyo in Mendoza, Argentina. His other foreign conducting engagements have included the KBS Symphony Orchestra and the Taegu Symphony Orchestra in Korea, and the Orchester der Allgemeinen Musikgesellschaft Luzern in Switzerland. He has made return appearances to his native Holland to conduct the Netherlands Radio Philharmonic and the Netherlands Broadcast Orchestra. Schram’s studies have been largely in the European tradition under the tutelage of Franco Ferrara, Rafael Kubelik, Abraham Kaplan and Neeme Järvi. He received the majority of his initial training at the Conservatory of The Hague in the Netherlands. His training was completed at the University of Washington.

The 2010/11 season marks Associate Conductor Kelly Corcoran’s fourth season with the Nashville Symphony. During this time, she has conducted a variety of programs, including the Symphony’s Photo by Bill steber & PAT CASEY DALEY SunTrust Classical Series and Bank of America Pops Series, and has served as the primary conductor for the orchestra’s education and community engagement concerts. She also conducted the Nashville Symphony’s CD with Riders In The Sky, ‘Lassoed Live’ at the Schermerhorn. Corcoran debuts this season with the Houston Symphony, Louisville Orchestra, Colorado Symphony and Springfield (Mo.) Symphony. She has conducted orchestras throughout the country, including performances with the Milwaukee, Detroit and National symphonies, as well as the Naples (Fla.) Philharmonic. In 2009, she made her successful South American debut as a guest conductor with the Orquesta Sinfónica UNCuyo in Mendoza, Argentina. Named as Honorable Mention for the Taki Concordia Conducting Fellowship, Corcoran conducted the Bournemouth (U.K.) Symphony in January 2008 and studied with Marin Alsop. Prior to her position in Nashville, she completed three seasons as assistant conductor for the Canton Symphony Orchestra in Ohio and music director of the Canton Youth Symphony and the Cleveland-area Heights Chamber Orchestra. In 2004, Corcoran participated in the selective National Conducting Institute, where she studied with her mentor, Leonard Slatkin. She has held additional posts as assistant music director of Nashville Opera, founder/music director of the Nashville Philharmonic Orchestra and fellow with the New World Symphony. Originally from Massachusetts and a member of the Tanglewood Festival Chorus for more than 10 years, Corcoran received her Bachelor of Music in vocal performance from The Boston Conservatory. She received her Master of Music in instrumental conducting from Indiana University. Corcoran currently serves on the conducting faculty at Tennessee State University. j une

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Conductors

George Mabry chrorus director and conductor George Mabry, who has directed the Nashville Symphony Chorus since 1998, is Professor Emeritus of Music at Austin Peay State University in Clarksville. He served as Director of its Center for the Creative Arts and Director of Choral Activities at the university until his retirement in 2003. While at Austin Peay, Mabry’s choirs performed for national and regional conventions of the Music Educators National Conference and the American Choral Directors Association. A native Tennessean, Mabry holds a Bachelor’s Degree from Florida State University and Master of Music and Doctor of Philosophy degrees from George Peabody College for Teachers at Vanderbilt University. Mabry is active as a choral clinician and festival adjudicator. He has conducted All-State choirs in Kentucky and Virginia. Mabry is also a published composer and arranger. In addition to his choral and instrumental compositions, he has written and produced musical shows for entertainment parks around the country. He was formerly Director of Entertainment for Opryland U.S.A. in Nashville. In 2003, he received the Governor’s Award in the Arts for Arts Leadership in Tennessee and the Spirit of Tennessee Award from the Tennessee Arts Academy.

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2010/11

Orchestra

Nashville Symphony Giancarlo Guerrero Music Director

Albert-George Schram Resident Conductor First Violins* Concertmaster, vacant Walter Buchanan Sharp Chair Gerald C. Greer, Acting Concertmaster Erin Hall, Acting Associate Concertmaster Denise Baker, Acting Assistant Concertmaster Mary Kathryn Van Osdale, Concertmaster Emerita Kristi Seehafer John Maple Deidre Fominaya Bacco Alison Gooding Paul Tobias Beverly Drukker Anna Lisa Hoepfinger Kirsten Mitchell Erin Long Isabel Bartles Second Violins* Carolyn Wann Bailey, Principal Zeneba Bowers, Assistant Principal Louise Morrison Rebecca J Willie Kenneth Barnd Radu Georgescu Benjamin Lloyd Jessica Blackwell Lisa Thrall Jeremy Williams Rebecca Cole Laura Ross +Keiko Nagayoshi Violas* Daniel Reinker, Principal Shu-Zheng Yang, Assistant Principal Judith Ablon Bruce Christensen

Kelly Corcoran Associate Conductor

Michelle Lackey Collins Christopher Farrell Mary Helen Law Melinda Whitley Clare Yang Cellos* Anthony LaMarchina, Principal Julia Tanner, Assistant Principal James Victor Miller Chair Bradley Mansell Lynn Marie Peithman Stephen Drake Michael Samis Matthew Walker Christopher Stenstrom Keith Nicholas Xiao-Fan Zhang Basses* Joel Reist, Principal Glen Wanner, Assistant Principal Elizabeth Stewart Gary Lawrence, Principal Emeritus Kevin Jablonski Joe Ferris Flutes Erik Gratton, Principal Anne Potter Wilson Chair Ann Richards, Assistant Principal Norma Grobman Rogers Piccolo Norma Grobman Rogers Oboes Principal, vacant Ellen Menking, Acting Co-Principal Roger Wiesmeyer, Acting Co-Principal

George L. Mabry Chorus Director

English Horn Roger Wiesmeyer

Bass Trombone Steven Brown

Clarinets James Zimmermann, Principal Cassandra Lee, Assistant Principal Daniel Lochrie

Tuba Gilbert Long, Principal Timpani William G. Wiggins, Principal

E-flat Clarinet Cassandra Lee

Percussion Sam Bacco, Principal Richard Graber, Assistant Principal

Bass Clarinet Daniel Lochrie Bassoons Cynthia Estill, Principal Dawn Hartley, Assistant Principal Gil Perel

Harp Licia Jaskunas, Principal Keyboard Robert Marler, Principal

Contra Bassoon Gil Perel Horns Leslie Norton, Principal Beth Beeson Kelly Cornell, Associate Principal/3rd Horn Hunter Sholar Radu V. Rusu, Assistant 1st Horn Trumpets Jeffrey Bailey, Principal Patrick Kunkee, Co-Principal Gary Armstrong, Assistant Principal

Librarians D. Wilson Ochoa, Principal Jennifer Goldberg, Librarian Orchestra Personnel Managers Anne Dickson Rogers Carrie Marcantonio, Assistant *Section seating revolves +Leave of Absence

Trombones Lawrence L. Borden, Principal Susan K. Smith, Assistant Principal

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Boardof Directors

2010/11 BOARD OF DIRECTORS Officers James C. Gooch Board Chair John T. Rochford Board Vice Chair Lee A. Beaman * Immediate Past Board Chair David Williams II Board Treasurer Julie G. Boehm Board Secretary Alan D. Valentine * President & CEO

Ben L. Cundiff Greg Daily David Steele Ewing John D. Ferguson John Gawaluck Edward Goodrich Amy Grant Carl Grimstad Francis S. Guess Billy Ray Hearn C. Keith Herron Dan W. Hogan Lee Ann Ingram Martha R. Ingram Clay Jackson Ruth E. Johnson Elliott Warner Jones, Sr. Kevin P. Lavender Mary Helen Law * Zachary Liff Richard Maradik, Jr. Ellen Harrison Martin * Robert A. McCabe, Jr. Robert E. McNeilly III Eduardo Minardi Gregg Morton Peter Neff Hal N. Pennington Joseph K. Presley * Charles R. Pruett Jesse B. Register Wayne J. Riley

Directors Janet Ayers Julian B. Baker, Jr. Russell W. Bates Scott Becker James L. Beckner Rob Bironas David L. Black James B. Boles Jack O. Bovender, Jr. William H. Braddy III, CFP Anastasia Brown Virginia Byrn Ann Carell Pamela L. Carter Rebecca Cole * Michelle Lackey Collins * Susannah C. Culbertson *

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Norma Rogers * Anne L. Russell Michael Samis * James C. Seabury III Kristi Seehafer * Mark Silverman Beverly K. Small Patti Smallwood Stephen Sparks * Howard Stringer Bruce D. Sullivan Brett Sweet Louis B. Todd Steve Turner Jay Turner David T. Vandewater Jeffery Walraven Johnna Watson Ted Houston Welch William Greer Wiggins * Jeremy Williams * Sadhna V. Williams * Betsy Wills William M. Wilson Clare Yang * Shirley Zeitlin ingram scholars interns Madeline Myers Devin Schultz *Indicates Ex Officio


Staff

2010/11

Nashville Symphony Staff Executive Alan D. Valentine, President and CEO Karen Fairbend, Executive Assistant to the President and CEO Mark A. Blakeman, V.P. of Orchestra and Building Operations and General Manager Sarah Jones Assistant to the V.P. of Orchestra and Building Operations Andrea Dillenburg, V.P. of External Affairs Polly Rembert, Assistant to the V.P. of External Affairs Michael Kirby, V.P. of Finance and Administration and CFO Mitchell Korn, V.P. of Education and Community Engagement Jim Mancuso, V.P. of Artistic Administration Andy Campbell, Assistant to the VPs of Education and Artistic Administration Jonathan Norris, SPHR, V.P. of Human Resources

Development Susan D. Williams, CFRE, CVA, Sr. Director of Development Charles Stewart, Director of the Annual Campaign Maribeth Stahl, Manager of Sponsorships and Grants Holly Noble, Special Campaigns Coordinator Kristy Reuter, Benefit Fulfillment Coordinator Kathleen McCracken, Development Associates Manager Dennis Carter, Development Associate Jessica Hetterich, Development Associate David Solorio, Development Associate Kyle Wilkerson, Development Associate

Artistic Administration Emma Smyth, Manager of Artistic Administration Valerie Nelson, Manager of Pops and Special Programs Andrew Risinger, Organ Curator

Finance Karen Warren, Controller Mildred Payne, Accounts Payable and Payroll Manager Sheri Switzer, Senior Accountant Steven McNeal, Finance Assistant Debra Hollenbeck, Buyer/Retail Manager

Box Office/Ticketing Kimberly Darlington, Director of Ticket Services Emily Shannon, Box Office Manager Tina Messer, Ticket Services Specialist Missy Hubner, Ticket Services Assistant Communications Jonathan Marx, Director of Communications Jared Morrison, Website and Multimedia Manager Laurie Davis, Publicist Data Standards Kent Henderson, Director of Data Standards Sheila Wilson, Sr. Database Associate Grant Cooksey, Patron Services Analyst

Education Blair Bodine, Education and Community Engagement Program Manager Avery Ewing, Education and Community Engagement Program Manager

Food, Beverage and Events Steve Perdue, Director of Food, Beverage and Events Roger Keenan, Executive Chef David Bolton, Sous Chef Bruce Pittman, Catering and Events Manager Lacy Lusebrink, Food and Beverage Manager Angela Gutheridge, Food and Beverage Supervisor Sherman Hughes, Banquet Captain Anderson S. Barns, Beverage Manager

Jody Sweet, Beverage Manager Lori Scholl, Catering and Events Manager Collin Husbands, Food, Beverage and Events Coordinator Human Resources Ashley Skinner, PHR Human Resources Generalist Martha Bryant, Receptionist and Human Resources Assistant I.T. Dan Sanders, Director of Information Technology Maren Smith, Technical Support Specialist Marketing Ronda Combs Helton, Sr. Director of Marketing Misty Cochran, Advertising and Promotions Manager Meredith Benning, Group Sales Specialist Susana Galarza, Graphic Designer Production and Orchestra Operations Tim Lynch, Sr. Director of Operations Anne Dickson Rogers, Orchestra Personnel Manager Carrie Marcantonio, Assistant Orchestra Personnel Manager D. Wilson Ochoa, Principal Librarian Jennifer Goldberg, Librarian John Sanders, Chief Technical Engineer Brian Doane, Production Manager Mitch Hansen, Lighting Director Gary Call, Audio Engineer Mark Dahlen, Audio Engineer W. Paul Holt, Stage Manager

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Patron Services Kristen Oliver, Director of Patron Services Darlene Boswell, Patron Services Specialist Aaron Coleman, Patron Services Specialist Ben Graves, Patron Services Specialist Sara Hanahan, Patron Services Specialist Daniel Tonelson, Patron Services Specialist Judith Wall, Patron Services Specialist Jackie Knox, Manager of Marketing Associates Andrea Flowers, Assistant Manager of Marketing Associates Linda Booth, Marketing Associate Bonnie Carden, Marketing Associate James Calvin Davidson, Marketing Associate Gina Haining, Marketing Associate Mark Haining, Marketing Associate Lloyd Harper, Marketing Associate Rick Katz, Marketing Associate Deborah King, Marketing Associate Venue Management Eric Swartz, Associate V.P. of Venue Management Craig Colunga, Director of Security Danny Covington, Chief Engineer Raay Creech, Facility Maintenance Technician Kenneth Dillehay, Facility Maintenance Technician Wade Johnson, Housekeeping Manager Kevin Butler, Housekeeper Veronica Morales, Housekeeper Ellen Kasperek, House Manager Volunteer Services Stacie Taylor, Director of Nashville Symphony Orchestra League Nicole Bellare, Volunteer Coordinator

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Applause

Annual Fund Individuals

The Nashville Symphony is deeply grateful to the following individuals who support its concert season and its services to the community through their generous contributions to the Annual Fund. Donors as of April 25, 2011.

Virtuoso Society Gifts of $10,000+ Anonymous (2) Judy & Joe Barker Mr. James B. Boles Richard & Judith Bracken Mr.* & Mrs. J. C. Bradford Jr. Mr. & Mrs. John Chadwick Mac & Linda Crawford Janine & Ben Cundiff Mr. & Mrs. Brownlee O. Currey Jr.

Mr. & Mrs. Frank A. Daniels III Mr. & Mrs. Charles Anthony Elcan Jennifer & Billy Frist James C. Gooch & Jennie P. Smith Giancarlo & Shirley Guerrero Patricia & H. Rodes Hart Mr. & Mrs. J. Michael Hayes Mr. & Mrs. Spencer Hays

Mrs. Martha R. Ingram Mr. & Mrs. Fred W. Lazenby LifeWorks Foundation The Martin Foundation Ellen Harrison Martin Dr. Ron McDow The Melkus Family Foundation Andrew Woodfin Miller Foundation Mr. & Mrs. Cano Ozgener

CW Pinson, M.D., MBA Mr. & Mrs. Ben R. Rechter Anne & Joe Russell Mr. & Mrs. James C. Seabury III Margaret & Cal Turner Mr. & Mrs. Steve Turner Mr. & Mrs. Ted H. Welch

Stradivarius Society Gifts of $5,000+ Anonymous (1) Mr. & Mrs. James Ayers J. B. & Carylon Baker Russell W. Bates Mr. & Mrs. Lee A. Beaman Mr. & Mrs. Jack O. Bovender Jr. Pamela & Michael Carter Kelly & Bill Christie Mr. & Mrs. Tom F. Cone Hilton & Sallie Dean Mr. & Mrs. Robert J. Dennis Marty & Betty Dickens Dee & Jerald Doochin Mr. & Mrs. John W. Eakin Jr. Jere & Linda Ervin The Jane & Richard Eskind & Family Foundation Marilyn Ezell Allis Dale & John Gillmor

Mrs. Harold Hassenfeld Mr. & Mrs. Billy Ray Hearn Helen & Neil Hemphill Mr. & Mrs. David B. Ingram Lee Ann & Orrin Ingram Gordon & Shaun Inman Keith & Nancy Johnson Elliott Warner Jones & Marilyn Lee Jones Dr. & Mrs. Howard Kirshner Christine Konradi & Stephan Heckers Ralph & Donna Korpman Karen & Jim Lewis Mr. Zachary B. Liff Robert Straus Lipman Mrs. Jack Carroll Massey Mr. & Mrs. Robert A. McCabe Jr. Sheila & Richard McCarty

The Honorable Gilbert S. Merritt Christopher & Patricia Mixon Mr. & Mrs. Sam Z. Moore Gregg & Cathy Morton Anne & Peter Neff Dr. Harrell Odom II & Mr. Barry W. Cook Mr. & Mrs. Bond E. Oman Burton Jablin & Barron Patterson Hal & Peggy Pennington Mr. & Mrs. Philip M. Pfeffer Mr. & Mrs. Charles R. Pruett Carol & John T. Rochford The Roros Foundation Marvin J. Rosenblum, MD Dorothy & Joe Scarlett Mr. & Mrs. Nelson Severinghaus Ronald & Diane Shafer

Nelson & Sheila Shields Mr. & Mrs. Irvin Small Linda & Gibbs Smith Barbara & Les Speyer Michael & Grace Sposato Bruce & Elaine Sullivan Mr. & Mrs. Earl S. Swensson Mr. & Mrs. Louis B. Todd Jr. Peggy & John Warner David & Gail Williams Mr. & Mrs. William M. Wilson Mr. & Mrs. Julian Zander Jr. Mr. Nicholas S. Zeppos & Ms. Lydia A. Howarth

Golden Baton Society Gifts of $2,500+ Anonymous (1) Clint & Kali Adams Mrs. R. Benton Adkins Jr. Shelley Alexander Dr. & Mrs. Elbert Baker Jr. Allison & John Beasley Wendy & Thomas W. Beasley Dr. & Mrs. Robert O. Begtrup Julie & Dr. Frank Boehm Dr. & Mrs. H. Victor Braren Mr.* & Mrs. Arthur H. Buhl III Mr. & Mrs. Terry W. Chandler James H. Cheek III Mr. & Mrs. John W. Clay Jr. Mrs. Nancy B. Cooke Richard & Kathy Cooper

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Charles & Andrea Cope Mr. & Mrs. James H. Costner Mr. & Mrs. Justin Dell Crosslin Barbara & Willie K. Davis John & Natasha Deane Andrea Dillenburg & Ted Kraus Dr. & Mrs. Jeffrey B. Eskind John & Carole Ferguson Bob & Judy Fisher Amy Grant & Vince Gill Kate R. W. Grayken Mr. & Mrs. Carl A. Grimstad Carl & Connie Haley Suzy Heer Mr. & Mrs. Robert C. Hilton Ms. Cornelia B. Holland

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Mr. & Mrs. Donald J. Israel Mr. & Mrs. John F. Jacques Anne Knauff Mr. & Mrs. Michael A. Koban Jr. Mitchell Korn Kevin P. & May Lavender Gina & Dick Lodge Dr. Arthur M. Mellor F. Max & Mary A. Merrell Edward D. & Linda F. Miles Mr. & Mrs. Joseph K. Presley Dr. Terryl A. Propper Eric Raefsky, M.D. & Ms. Victoria Heil Mr. & Mrs. John A. Roberts Ms. Sylvia Roberts

Anne & Charles Roos Dr. & Mrs. A. G. Schram Mr. & Mrs. J. Ronald Scott Mr. & Mrs. Rusty Siebert Dr. Michael & Tracy Stadnick Pamela & Steven Taylor Dr. John B. Thomison The Vandewater Family Foundation Drs. Pilar Vargas & Sten H. Vermund Mr. & Mrs. Jeffery C. & Dayna L. Walraven Carroll Van West & Mary Hoffschwelle Mr. & Mrs. Herbert Wiesmeyer


Betsy & Mitchell Hilt

Nancy Clements & Tori Heil

K.C. & Mary Smythe

Conductor’s Circle Gifts of $1,500+ Anonymous (6) James & Glyna Aderhold Dr. Alice & Mr. Richard C. Arnemann Jon K. & Colleen Atwood James M. Bailey Jr. Barbara & Mike Barton Betty C. Bellamy Mr. & Mrs. Jeffrey K. Belser Barbara Bennett & Peter Miller Frank M. Berklacich, MD Mr.* & Mrs. Harold S. Bernard Mark & Sarah Blakeman Mr. & Mrs. Robert Boyd Bogle III Mr. Jamey Bowen & Mr. Norman Wells Mr. & Mrs. William H. Braddy III Dan & Mindy Brodbeck Mr. & Mrs. Paul J. Buijsman Ann & Frank Bumstead Betty & Lonnie Burnett Chuck & Sandra Cagle Mr. & Mrs. Gerald G. Calhoun Brenda & Edward Callis Mr. & Mrs. William H. Cammack Jan & Jim Carell Ann & Sykes Cargile Anita & Larry Cash Barbara & Eric Chazen Mr. & Mrs. John J. Chiaramonte Jr. Catherine Chitwood M. Wayne Chomik Mr. & Mrs. Sam E. Christopher Drs. Keith & Leslie Churchwell Mr. & Mrs. John M. Clark Dorit & Don Cochron Esther & Roger Cohn Ed & Pat Cole Chase Cole Marjorie & Allen* Collins Mr. & Mrs. Charles W. Cook Jr. Mr. & Mrs. Roy J. Covert Mr. & Mrs. Donald S. A. Cowan James L. & Sharon H. Cox Kimberly L. Darlington The Rev. & Mrs. Fred Dettwiller DJMD Philanthropic Fund Mr. & Mrs. Glenn Eaden E.B.S. Foundation Dr. & Mrs. E. Mac Edington Robert D. Eisenstein David Ellis & Barry Wilker Dr. Meredith A. Ezell T. Aldrich Finegan John David & Mary Dale Trabue Fitzgerald John & Cindy Watson Ford

Sally M. Levine John T. Lewis Margaret & Bill Lindberg Dr. & Mrs. Nicholas Lippolis Robert A. Livingston Jim & Elizabeth Mancuso Shari & Red Martin Rhonda A. Martocci & William S. Blaylock Scott & Jennifer McClellan Mr. & Mrs. Robert McNeilly Jr. Mr. & Mrs. Robert E. McNeilly III Mr. & Mrs. Richard D. McRae III Mr. & Mrs. William T. Minkoff Jr. Ms. Lucy H. Morgan Matt & Rhonda Mulroy James & Patricia Munro Leonard Murray & Jacqueline Marschak Lannie W. Neal Ms. Agatha L. Nolen Jonathan R. Norris & Jennifer L. Carlat Representative & Mrs. Gary L. Odom Jerry & Patricia Painter Drs. Mark & Nancy Peacock Ms. Mary E. Pinkston David & Adrienne Piston Susan & Bob Plageman Charles H. Potter Jr. Dr. Neil Price & Nancy M. Falls Dr. Gipsie B. Ranney Charles H. & Eleanor L. Raths Sharon Hels & Brad Reed Dr. Jesse B. Register Drs. Jeff & Kellye Rice Drs. Wayne & Charlene Riley Mr. & Mrs. Doyle R. Rippee Mr. & Mrs. Kenneth L. Roberts Margaret Ann & Walter Robinson Foundation Ms. Sara L. Rosson & Ms. Nancy Menke James & Patricia Russell Mr. & Mrs. John J. Sangervasi Dr. Norm Scarborough & Ms. Kimberly Hewell Mr. Paul H. Scarbrough Mrs. Wendy F. Sensing Dr. & Mrs. R. Bruce Shack Allen Spears* & Colleen Sheppard Tom & Sylvia Singleton William & Cynthia Sites Joanne & Gary Slaughter Drs. Louise Hanson & Walter Smalley Suzanne & Grant Smothers K. C. & Mary Smythe

Tom & Judy Foster Danna & Bill Francis Ann D. Frisch Tommy & Julie Frist Cathey & Wilford Fuqua Carlene Hunt & Marshall Gaskins John & Lorelee Gawaluck Harris A. Gilbert Mr. & Mrs. Roy J. Gilleland III Frank Ginanni Ed & Nancy Goodrich Tony & Teri Gosse Francis S. Guess Kathleen & Harvey Guion Mr. & Mrs. Arthur S. Hancock Dr. Edward Hantel Jay & Stephanie Hardcastle Janet & Jim Hasson Mr. & Mrs. John Burton Hayes Philip & Amber Hertik Lucia & Don Hillenmeyer Mr. & Mrs. Jeffrey N. Hinson Judith Hodges Ken & Pam Hoffman Mr. & Mrs. Dan W. Hogan Mr. & Mrs. Henry W. Hooker Mr. & Mrs. Thomas W. Hulme Dr. & Mrs. Stephen P. Humphrey Judith & Jim Humphreys Marsha & Keel Hunt Mr. & Mrs. Charles L. Irby Sr. Donald L. Jackson Mr. & Mrs. Adam W. James Louis Johnson M.D. George & Shirley Johnston Mary Evelyn & Clark Jones Jan Jones & Steve Williams Drs. Spyros Kalams & Lisa Mendes Mr. & Mrs. Christopher P. Kelly Mr. & Mrs. Bill G. Kilpatrick Mr. & Mrs. Michael R. Kirby Tom & Darlene Klaritch Mr. Richard B. Kloete William C. & Deborah Patterson Koch Mr. & Mrs. Gene C. Koonce Mr. & Mrs. Edward J. Kovach Heloise Werthan Kuhn Mr. & Mrs. Randolph M. LaGasse Bob & Mary LaGrone Martha & Larry Larkin Tom & Sandi Lawless Jon & Elaine Levine

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Jack & Louise Spann Mickey M. & Kathleen Sparkman Dan & Cynthia Spengler Stuart & Shirley Speyer Mr. & Mrs. Hans Stabell Mr. & Mrs. James G. Stranch III Ann & Bob Street Fridolin & Johanna Sulser Andrew Keith & Donna Dame Summar Mr. & Mrs. Brett Sweet Dr. & Mrs. John Tapp Dr. Steve A. Hyman & Mr. Mark Lee Taylor Rev. & Mrs. Tim Taylor Ann M. Teaff & Donald McPherson III Dr. & Mrs. C. S. Thomas Jr. Scott & Julie Thomas Candy Toler Mr. & Mrs. Marshall Trammell Christi & Jay Turner Alan D. & Connie F. Valentine Kris & G. G. Waggoner Dr. & Mrs. Robert W. Wahl Deborah & Mark Wait Mr. & Mrs. Martin H. Warren Mr. & Mrs. Thomas G. B. Wheelock Charles Hampton White Mr. & Mrs. Jimmie D. White Stacy Widelitz Craig P. Williams & Kimberly Schenck Mr. Donald E. Williams Jim & Sadhna Williams Shane & Laura Willmon Mr. & Mrs. Ridley Wills III Ms. Marilyn Shields-Wiltsie & Dr. Theodore E. Wiltsie Dr. & Mrs. Lawrence K. Wolfe

Mr. & Mrs. James A. Brown Sharon Lee Butcher John E. Cain III Dr. Elizabeth Cato Erica & Doug Chappell Mrs. John H. Cheek Jr. Mr. & Mrs. Joe C. Cook Jr. Roger & Barbara Cottrell Mr. & Mrs. J. Bradford Currie Sandra & Daryl Demonbreun Kimberly & Stephen Drake Mr. & Mrs. Thomas S. Edmondson Sr. Dr. & Mrs. William H. Edwards Sr. Drs. James & Rena Ellzy Robert & Cassandra Estes Ms. Paula Fairchild Mr. William C. Farris Drs. Robert & Sharron Francis Dr. & Mrs. Robert A. Frist Dr. & Mrs. John R. Furman Mr. & Mrs. Troy L. Gentry Ted M. George Mr. & Mrs. Andrew Giacobone Dr. Fred & Martha Goldner Mr. & Mrs. J. Michael Gould Mr. & Mrs. Tom Harrington Mrs. Charles Hawkins III Keith & Kelly Herron Mr.* & Mrs. John B. Hickox Mr. & Mrs. Ephriam H. Hoover III Ray Houston Bud Ireland Rodney Irvin Family Mr. & Mrs. Toshinari Ishii Mr. & Mrs. Clay T. Jackson Ray & Rosemarie Kalil Peter & Marion Katz Dr. & Mrs. David G. Lalka Robert & Carol Lampe Richard & Diane Larsen Dr. & Mrs. John W. Lea IV Dr. & Mrs. T. A. Lincoln Dr. & Mrs. Christopher Lind Mr. & Mrs. Lawrence Lipman Mr. & Mrs. William D. Lockett Drs. Amy & George Lynch Tim Lynch Dr. & Mrs. Joe MacCurdy Mr. & Mrs. Stephen S. Mathews Lynn & Jack May

Encore Circle Gifts of $1,000+ Anonymous (5) Jeff & Tina Adams Mark & Niki Antonini Ms. Peggy Mayo Bailey Mrs. Brenda Bass Mr. & Mrs. James Beckner Dr. Eric & Elaine Berg Mr. & Mrs. Raymond P. Bills Bob & Marion Bogen Mr. Michael F. Brewer

Taavo & Nancy Virkhaus, Margaret & Bill Lindberg

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Jim & Judi McCaslin Emily & Jonathan McDevitt Mr. & Mrs. W. P. Morelli Mr. & Mrs. Frank E. Neal Robert Ness Dr. Casey L. Noble & Mrs. Holly L. Noble Ann & Denis O’Day Mr. & Mrs. Douglas Odom Jr. Mr. Garrick O. Ohlsson Mr. & Mrs. William C. O’Neil Jr. Mr. & Mrs. James E. Orgain Alex S. Palmer David & Pamela Palmer Don & Chris Portell Mr. & Mrs. Paul E. Prill Mr. Edwin B. Raskin Susan B. Ridley Mr. & Mrs. David L. Rollins Georgianna W. Russell David Sampsell Paula & Kent Sandidge Max & Michelle Shaff Nita & Mike Shea Bill & Sharon Sheriff Dr. & Mrs. Andrew Shinar Susan & Luke Simons Matt & Kristen Slocum Mr. & Mrs. Brian S. Smallwood Julie & George Stadler Jane Lawrence Stone Hope & Howard Stringer James B. & Patricia B. Swan William & Rebecca Taylor Joe & Ellen Torrence Dr. & Mrs. Alexander Townes Thomas L. & Judith A. Turk Mike & Elaine Walker Jonathan & Janet Weaver Ms. Rachel L. Wendell Bill & Gay Wiggins Judy S. Williams Mr. & Mrs. Mark A. Williams Jane Yount Shirley Zeitlin Concertmaster Gifts of $500+ Anonymous (19) Jerry Adams Don & Judi Arnold Jeremy & Rebecca Atack Mr. & Mrs. James E. Auer Mr. & Mrs. Brian C. Austin Jeff & Carrie Bailey David A. & Stephanie Bailey Sallie & John Bailey Mr. & Mrs. Thomas N. Bainbridge Mr. & Mrs. Thomas E. Bateman Ms. Katrin Bean Scott & Dawn Becker Marti Bellingrath Bernice Amanda Belue Mike & Kathy Benson Dr. & Mrs. Ben J. Birdwell Ralph & Jane Black Randolph & Elaine Blake


James Gooch, Anne and Bob Street

Elaine Goldblatt & Barbara Begtrup

Mr. & Mrs. Bill Blevins Dr. & Mrs. Marion G. Bolin Irma Bolster Dr. & Mrs. T. B. Boyd III Mr. & Mrs. William E. Boyte Jeff & Jeanne Bradford Joseph & Bethany Bradford Mr. & Mrs. Stephen Braun Keith & Lisa Brent Berry & Connie Brooks Mr. & Mrs. Martin S. Brown Jr. Dr. & Mrs. Robert Burcham Drs. Rodney & Janice Burt John & LuAnnette Butler Virginia Byrn Mr. & Mrs. Cabot J. & Angelia Cameron Janet C. Camp Mr. Thomas R. Campion Michael & Linda Carlson Mr. & Mrs. William F. Carpenter III Mary & Joseph Cavarra Mr. & Mrs. John L. Chambers Dr. & Mrs. Robert H. Christenberry Jay & Ellen Clayton Sallylou & David Cloyd Dr. & Mrs. Alan G. Cohen Charles J. Conrick III Paul & Alyce Cooke Marion Pickering Couch Richard & Marcia Cowan Ms. Susannah C. Culbertson Jim & Carolyn Darke Mr. & Mrs. Charles E. Davis Mr. & Mrs. Julian de la Guardia Mark & Barbara Dentz Suzanne Day Devine Mr. & Mrs. Arthur DeVooght Mr. & Mrs. Kenton Dickerson Wally & Lee Lee Dietz Tere & David Dowland

Laura L. Dunbar Dr. Jane Easdown & Dr. James Booth Emily & Mark Eberle Dr.* & Mrs. Lloyd C. Elam Dr. Christopher & Wendy Ellis Dr. & Mrs. Alan Ericksen Laurie & Steven Eskind Carolyn Evertson Dr. John & Janet Exton Bill & Dian S. Ezell Ms. Marilyn Falcone Francisco P. Ferraraccio Dr. Arthur C. Fleischer & Family Art & Charlotte Fogel Randy & Melanie Ford Patrick & Kimberly Forrest Ms. Deborah F. Turner & Ms. Beth A. Fortune Mr. & Mrs. David B. Foutch Lois & Gilbert Fox Robert & Peggy Frye Suzanne J. Fuller John & Eva Gebhart Dr. & Mrs. Harold L. Gentry Mr. & Mrs. H. Steven George Bryan D. Graves Richard & Randi Green Mr. & Mrs. C. David Griffin R. Dale & Nancy G. Grimes Steve & Anna Grizzle Mr. Gary L. Groot Mr. & Mrs. Elden Hale Jr. Scott, Kathy & Kate Hall Kent & Becky Harrell Dr. & Mrs. Jason Haslam Ronda & Hank Helton Kent & Melinda Henderson Dr. Anne L. Hillegas & Mr. Donald Hill Kem & Marilyn Hinton Mr. & Mrs. Jim Hitt Mr. & Mrs. Richard Holton Mr. & Mrs. John M. Hooper II Ken & Beverly Horner Allen, Lucy & Paul Hovious Margie & Nick* Hunter Ms. Sherry J. Hunter Mr. & Mrs. David Huseman James R. & Helen H. James Lee & Pat Jennings Bob & Virginia Johnson Ruth E. Johnson Mary Loventhal Jones Mrs. Robert N. Joyner Dr. Barbara F. Kaczmarska

Dr. & Mrs. Michael Kaminski Mr. & Mrs. Michael Kane Thomas Keenan Mr. & Mrs. James Kelso Mrs. Edward C. Kennedy John & Eleanor Kennedy Jane Kersten Ms. Linda R. Koon Dr. Kristine L. LaLonde Betty S. Lamar Mr. & Mrs. Thomas W. Land Mr. & Mrs. Samuel W. Lavender Ted & Anne Lenz Mr. & Mrs. Irving Levy Mr. & Mrs. Don R. Liedtke Mr. & Mrs. John Lillie Drs. Walt & Shannon Little The Howard Littlejohn Family Mr. & Mrs. Denis Lovell Drs. George & Sharon Mabry William R. & Maria T. MacKay Donald M. & Kala W. MacLeod James & Jene Manning Mr. & Mrs. Michael R. Manno Mr. & Mrs. Richard Maradik Lee Marsden James & Patricia Martineau Robert P. Maynard Mrs. Joanne Wallace McCall Mr. & Mrs. Ken P. McDonald Joey & Beth McDuffee Mary G. McGrath Dr. & Mrs. Alexander C. McLeod Catherine & Brian McMurray Ed & Tracy McNally Patty Meeks Herbert & Sharon Meltzer Linda & Ray Meneely Dr. & Mrs. Berry Middleton Mr. & Mrs. Rich Miles Drs. Randolph & Linda Miller Dr. & Mrs. Kent B. Millspaugh Dr. Jere Mitchum Diana & Jeff Mobley Dr. & Mrs. Charles L. Moffatt Ms. Gay Moon Steve & Laura Morris Lynn Morrow Margaret & David Moss Dick & Mary Jo Murphy Lucille C. Nabors Larry & Marsha Nager Mr. & Mrs. Joseph L. Nave Jr. Jane K. Norris Chris & Leslie Norton Virginia O’Brien D. Wilson Ochoa Mr. & Mrs. Russell Oldfield Jr. Philip & Marilyn Ollila Patricia J. Olsen Dan & Helen Owens Frank & Pamela Owsley Dr. & Mrs. Harry L. Page Mr. Steven C. Page Terry & Wanda Palus Mr. & Mrs. M. Forrest Parmley Drs. Teresa & Phillip Patterson

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Theresa G. Payne Dr. & Mrs. Joel Q. Peavyhouse Steve A. Perdue Linda & Carter Philips Drs. Sherre & Daniel Phillips Mr. Edward B. Phillips Mr. John Pope Dr. & Mrs. James L. Potts Mr. & Mrs. John Prine George & Joyce Pust Mr. & Mrs. Hugh M. Queener Dr. James Quiggins Nancy & Harry Ransom France & Cynthia Recchia Mr. Nigel A. Redden Martha & Buist Richardson Dr. & Mrs. Jorge Rojas Dr. & Mrs. Mace Rothenberg Mr. & Mrs. Dick Sammer John R. Sanders Jr. Samuel L. & Barbara Sanders Geoffrey & Sandra Sanderson Philip & Jane Sanderson Samuel A. Santoro & Mary M. Zutter Mr. & Mrs. Charles R. Schlacter Cooper & Helen Schley Pam & Roland Schneller Dr. & Mrs. Timothy P. Schoettle Drs. Carl & Wendy Schofield Dr. Kenneth E. Schriver & Dr. Anna W. Roe Peggy C. Sciotto Dolores & John Seigenthaler Odessa L. Settles Patrick & Judy Sharbel Joan Blum Shayne Allen Shoffner Crea & Alan Sielbeck Dr. & Mrs. Nicholas A. Sieveking Sr. Betty B. Sisk Pamela Sixfin David & Robin Small Smith Family Foundation Richard & Molly Dale Smith Dr. Robert Smith & Barbara Ramsey Mr. & Mrs. S. Douglas Smith Mr. & Mrs. Robert Smyth Mr. & Mrs. James H. Spalding Ms. Maggie P. Speight Dr. & Mrs. Anderson Spickard Jr. Christopher & Maribeth Stahl Mr. & Mrs. Joe N. Steakley Dr. & Mrs. Robert Stein Gloria & Paul Sternberg Elizabeth Stewart & James Grosjean Dr. & Mrs. William R. Stewart Jean Stumpf Mr. & Mrs. James E. Summar Sr. Craig & Dianne Sussman Mr. & Mrs. Kirk R. Sykes Dr. & Mrs. J. D. Taylor Ms. Ann Marie Kilpatrick Terry Norman & Marilyn Tolk

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Martha J. Trammell Karl & Ann VanDevender Larry & Brenda Vickers John & Ann Waddle Dr. & Mrs. Martin H. Wagner Dr. & Mrs. John J. Warner Bill & Ruth Wassynger Talmage M. Watts Mrs. William C. Weaver III Mr. & Mrs. James Webb III Dr. Medford S. Webster Beth & Arville Wheeler Mr. & Mrs. Fred Wheeler Harvey & Joyce White Alyson Wideman Adam & Laura Wilczek Mr. & Mrs. Ridley Wills II Gary & Cathy Wilson Ms. Sandra Wiscarson Mr. & Mrs. D. Randall Wright Shu-Zheng Yang & Li Li Roy & Ambra Zent First Chair Gifts of $250+ Anonymous (34) Judith Ablon The Rev. Dr. & Mrs. W. Robert Abstein Ben & Nancy Adams Elizabeth Adams & David Scott Chip Alford Dr. & Mrs. John Algren Carol M. Allen Dr. Joseph H. Allen Ruth G. Allen Adrienne Ames Mark Amonett William J. & Margery Amonette Ken & Jan Anderson Newell Anderson & Lynne McFarland Ms. Teresa Broyles-Aplin Mr. & Mrs. Carlyle D. Apple Mr. & Mrs. James Armstrong Mr. & Mrs. Joseph B. Armstrong III Mr. & Mrs. John S. Atkins Don & Beverly Atwood Dr. Philip Autry Mr. & Mrs. Gerald Averbuch Janet B. Baggett Mr. & Mrs.* F. Clay Bailey Jr. Ms. Susie M. Baird Drs. Ferdinand & Eresvita Balatico Dr. & Mrs. Billy R. Ballard Susan F. & Paul J. Ballard Mr. & Mrs. J. Oriol Barenys Dr. Beth S. Barnett Mr. & Mrs. William Beach Dr. & Mrs. R. Daniel Beauchamp Susan O. Belcher Mark H. Bell Mr. & Mrs. W. Todd Bender Cynthia Bennett & Bill Grundy

2011

Mr. & Mrs. Earl Bentz Mr. & Mrs. Richard M. Berry Mr. & Mrs. W. Irvin Berry Mr. & Mrs. A. C. Best Cherry & Richard Bird William W. Bivins William & Betty Blackford Joan Bledsoe David L. Bone David Bordenkircher Jerry & Donna Boswell Robert E. Bosworth Mr. Brian Boxer Don & Deborah Boyd Mr. & Mrs. Douglas G. Bradbury III Mr. & Mrs. James F. Brandenburg Mr. Jere T. Brassell Robert & Barbara Braswell Mary Lawrence Breinig Phil & Pat Bressman Jamie A. Brewer Miss Sandra J. Brien Betty & Bob Brodie Kathy & Bill Brosius Mr. & Mrs. Charles H. Brown Dr. & Mrs. Edward W. Browne Jr. Mr. S. Mark Brumbelow Burnece Walker Brunson Mr. & Mrs. Jeffrey G. Bunting Linda & Jack Burch

Michael W. Smith, Lynn Morrow

Mr. & Mrs. David G. Buttrick Geraldine & Wilson Butts Dr. & Mrs. Robert Byrd Drs. Robert & Mirna Caldwell Mrs. Julia C. Callaway Claire Ann Calongne Mrs. Bratschi Campbell Mr. Gary Canaday Dori & Byron Canaday Karen Carr


Ronald & Nellrena Carr Mr. & Mrs. Edwin Carter Valleau & Robert M. Caruthers Bill & Chris Carver Kent Cathcart Martin & Mitzi Cerjan Mr. & Mrs. John P. Chaballa Evelyn L. Chandler Ernest & Carolyn Cheek Mrs. Robert L. Chickey Ms. Dorothy H. Chitwood Bette & Mark Christofersen Neil Christy & Emily Freeman Dr. AndrĂŠ & Ms. Doreatha H. Churchwell Mr. Daryl Claggett Councilman Phil Claiborne & Judy Bishop Roy C. Clark Steven & Donna Clark Mr. & Mrs. Thomas A. Clarkson Matt Kloete & Matthew Weaver

Mr. & Mrs. Roy Claverie Sr. Mr. & Mrs. Neely B. Coble III Misty Cochran & Josh Swann Cheryl M. Coffin & Ralph E. Topham Ms. Peggy B. Colson The Honorable & Mrs. Lewis H. Conner William & Margaret Connor Laura & Kyle Cooksey Arlene & Charley Cooper Dr. Jackie Corbin & Jan Gressman Elizabeth Cormier Dr. & Mrs. Jeff Creasy Mr. & Mrs. Rob Crichton Mary & Jim Crossman R. Barry & Kathy Cullen Julie & Peter Damp Katherine C. Daniel Kim & Roy Dano Andrew Daughety & Jennifer Reinganum

Mr. & Mrs. Edgar Davenport Janet Keese Davies Adelaide S. Davis Ellen & Jim Davis Mrs. Edwin DeMoss Wade & Jeanine Denney Mr. & Mrs. J. William Denny Ann Deol Dr. Jayant Deshpande & Ms. Patricia Scott Dr. Joseph & Ambassador Rachel Diggs Ms. Shirley J. Dodge Peter & Kathleen Donofrio Michael Doochin & Linda Kartoz-Doochin James & Ramsey Doran Elizabeth Tannenbaum & Carl Dreifuss Clark & Peggy Druesedow Ms. Susan L. Drye Mr. & Mrs. Carl Duffield Mr. & Mrs. Bradley Dugger Kathleen & Stephen Dummer Mr & Mrs. Mike Dungan Ms. Margaret R. Dunn Michael & Beverly Dunn Kathryn & Webb Earthman Drs. Timothy & Stephanie Eidson The Rev. Dr. Donna Scott & Dr. John Eley Dan & Zita Elrod Mr. Owen T. Embry Mr.* & Mrs.* Thomas E. Epperson Dr. & Mrs. James Ettien Ms. Claire Evans David Ewing & Alice Randall Drs. Charles & Evelyn Fancher Kathryn Beasley & Chris Farrell Ms. Carole P. Farris Laurie & Ron Farris Michael & Rosemary Fedele Dana Ferris Janie & Richard Finch Julia, Susan, Carolyn & Adam Finch Mr. John T. Fisher Jr. Ms. Elizabeth G. Folsom Anne A. Fottrell Scott Aikin & Susan Foxman Mr. & Mrs. Andrew & Mary Foxworth Sr. Ms. Elizabeth A. Franks Scott & Anita Freistat Emily & Randy Frey Ms. Bettie D. Fuller Ms. Johnnie L. Fulton Dr. David & Kimberly Furse Tom & Jennifer Furtsch Dr. Henry Fusner Lois & Peter Fyfe Bill & Ginny Gable Jim & Michiko Gaittens Dr. & Mrs. Ronald E. Galbraith Mr. & Mrs. George C. Garden Mr. & Mrs. Jerry Garrett Alan & Jeannie Gaus Em J. Ghianni

Dr. & Mrs. John Gibson William & Helen Gleason Linda & Joel Gluck Carol A. Gnyp Tom & Carol Ann Graham Antonio M. Granda M.D. Roger & Sherri Gray Mr. Joseph F. Green Mr. & Mrs. Luke Gregory Mr. John F. Gregory III Mary Beth & Raul Guzman Dr. & Mrs. John D. Hainsworth Byron & Antoinette Haitas Ms. Leigh Ann Hale Cathey & Doug Hall John & Freda Hall Walter H. White III & Dr. Susan Hammonds-White Mr. & Mrs. Richard W. Hanselman Patty & Bill Harbison Mr. & Mrs. Robert E. Hardison Jr. Frank & Liana Harrell Mrs. Edith Harris Dickie & Joyce Harris Mr. & Mrs. Jay Hartley Mr. James S. Hartman Mr. & Mrs. Ira Hartman Dr. Morel Enoch & Mr. E. Howard Harvey Robert & Nora Harvey Kay & Karl Haury David & Judith Slayden Hayes Bob & Judy Haynes Judy & Fred Helfer Doug & Becky Hellerson Ms. Doris Ann Hendrix Ernest & Nancy Henegar Ms. Marilyn L. Henry Dr. Casilda I. Hermo Gregory Hersh Dr. & Mrs. George A. Hill Mr. David Hilley Mr. & Mrs. Robert C. Hilmer Samuel & Melanie Hirt Anna Lisa Hoepfinger Mr. & Mrs. Donald Hofe Sean Hogan Aurelia L. Holden Dr. Nancy D. Holland James & Christa Holleman William Hollings Dale A. Holmer Paul Holt Drs. Richard T. & Paula C. Hoos Dr. Cherry L. Houston Louis & Lyn Hoyt Dr. Jason R. Hubbard Dr. & Mrs. Louis C. Huesmann II Mr. & Mrs. William E. Hughes Mr. & Mrs. Robert Huljak The Hunt Family Foundation Desda Passarella & Jim Hutchins Dr. & Mrs. Roger Ireson Dr. Anna M. Jackson Frances C. Jackson Dr. & Mrs. G. Whit James j une

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Robert Moore, Sondra Morris, Charlotte & Tom Cone

Dr. Robert Cameron Jamieson Koen Vercruysse & Licia Jaskunas Mr. & Mrs. Alan R. Javorcky Carl Johnson & Mine Yoshizawa Joyce E. Johnson Pres. Melvin N. Johnson & Dr. Marcy N. Johnson Mary & Doug Johnston Donald & Catherine Joiner Pat & David Jones Frank & Audrey Jones Mr. Jesse Lee Jones Sarah Rose Jones Edward & Eunice Kern Robert Kerns Ms. Corinne B. Kidd David & Katy Killion Jacqueline & Bill King Marilyn & Wayne King Jane & Frank Kirchner James L & Dale Knight Edward & Rosemary Knish Mr. & Mrs. Rick Koelz David & Judy Kolzow Sanford & Sandra Krantz Ms. Geri Kristof Tim Kyne Anthony La Marchina Mr. Daniel L. LaFevor John & Susan Laird Nancy & Edd Lancaster Don & Melanie Larson Mr. & Mrs. William Lassiter Mr. & Mrs. Joseph A. Lawrence Ms. Ellen C. Lawson Mrs. Douglas E. Leach Rob & Julia Ledyard Dr. & Mrs. George R. Lee J. Mark Lee Richard & Deborah Lehrer Martin & Eileen Leinwand Dorothy & Jim Lesch Ralph G. Leverett Michael & Ellen Levitt John & Marge Lewis Rick & Shirley Lievanos Marty & Ronald S. Ligon Mr. & Mrs. Mack S. Linebaugh Joanne L. Linn, M.D. Mr. & Mrs. Michael Linton Keltner W. & Debra S. Locke Jean & Steve Locke Kim & Mike Lomis

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Kim & Bob Looney Frances & Eugene Lotochinski Mr. & Mrs. David L. Loucky Thomas H. Loventhal J. Edgar Lowe Mr. & Mrs. Jay Lowenthal Mr. & Mrs. Ed Lowery Mr. & Mrs. James C. Lundy Jr. George & Cathy Lynch Jeffrey C. Lynch Patrick & Betty Lynch Sharron Lyon Ms. Francine K. Maas Mr. John Maddux Anne & Joe Maddux Dr. Mark A. Magnuson & Ms. Lucile Houseworth Mr. & Mrs. Robert A. Maier Mr. Mikal Malik Beverly Darnall Mansfield David & Leah Marcus Robert & Debra Marler Jean W. Martin Abraham, Lesley & Jonathan Marx Mr. & Mrs. Steven J. Mason Dr. & Mrs. Ralph Massie Sue & Herb Mather Lynn & Paul Matrisian Ralph & Lucia Maxson Drs. Ricardo Fonseca & Ingrid Mayer Mr. & Mrs. John D. McAlister Mr. & Mrs. Joseph P. McAllister Mr. Jack McCall Chris & John McCarthy Mr. & Mrs. Charles R. McCarty Kathleen McCracken Roy Wunsch & Mary Ann McCready Mr. & Mrs. Edwin A. McDougle Mr.* & Mrs. William Thomas McHugh Michael McKinley Mr. Brian L. McKinney Malcolm & Jamesina McLeod Dr. & Mrs. Timothy E. McNutt Sr. Sam & Sandra McSeveney Mr. & Mrs. Michael R. McWherter Mr. & Mrs. James R. Meadows Mr. & Mrs. Martin L. Medley Ms. Virginia J. Meece Ronald S. Meers

2011

Janis Meinert Manfred & Susan Menking Sara Meredith Bruce & Bonnie Meriwether Dr. Mark & Mrs. Theresa Messenger Dr. & Mrs. Philip G. Miller Dr. Ron V. Miller Jim & Glenda Milliken Dr. Fernando Miranda & Dr. Patricia Bihl-Miranda Dr. Ken Moffat Mr. & Mrs. Steven Moll Dr. & Mrs. Anthony Montemuro Mr. James Elliott Moore Dr. Kelly L. Moore Mr. & Mrs. Steve Moore Margaret E. Moorhead Mr. David K. Morgan Mr. & Mrs. Jonathan Morphett Lee & Ingeborg Mountcastle Dr. J. Philip Moyers Mr. & Mrs. Charles Murchison Mr. & Mrs. Dwayne Murray Mr. & Mrs. J. William Myers Allen & Janice Naftilan Valerie Nelson Dodie & Bob Nemcik Dr. & Mrs. Harold Nevels Dr. John Newman & Ms. Rebecca Lyford Leslie & Scott Newman Barbara & Stephen Nichol John & Judy Nichols William & Kathryn Nicholson Al Nisley Mr. & Mrs. Lee F. Noel Mrs. Caroline T. Nolen Ms. Kristen Oliver Hunt & Debbye Oliver Frank & Nancy Orr Philip & Carolyn Orr Dr. & Mrs. Ronald E. Overfield Judy Oxford & Grant Benedict Dr. & Mrs. James Pace Nancy & Gary Pack Mrs. Kimberly Williams Paisley Mr. & Mrs. Chris Panagopoulos Doria Panvini Lisa & Doug Pasto-Crosby Grant & Janet Patterson John & Lori Pearce Charlie & Connally Penley Anne & Neiland Pennington Ms. Rosetta Miller Perry Claude Petrie Jr. Mary & Joe Rea Phillips Charles & Mary Phy Mr. & Mrs. James R. Pickel Jr. David & Teresa Pitzer Don & Viv Pocek Rick & Diane Poen Phil & Dot Ponder Stanley D. Poole Norm Potoksky Ann Pushin Mr. & Mrs. John E. Ragan Edria & David Ragosin


Mr. & Mrs. Ross Rainwater Mr. & Mrs. Randall A. Rawlings Nancy Ward Ray Mr. & Mrs. David R. Reeves Ms. Sandra L. Reeves Raul & Kelly Regalado Polly & Mark Rembert S. D. & Carole Reynolds Al & Laura Rhodes Barbara Richards Don & Connie Richardson Ann Richmond & Darrell Smith Mrs. Jane H. Richmond Mary Riddle Mrs. Paul E. Ridge Margaret Riegel Janice Rinker Ms. Margot A. Riser Mr. & Mrs. Stephen Riven Ms. Stacie Robbins Mrs. Roscoe R. Robinson Albert & Donna Rodewald Fran C. Rogers Bruce & Norma Rogers Mr. & Mrs. Richard Ropelewski Rodney & Lynne Rosenblum Laura Ross Victoria Olin Ross Edgar & Susan Rothschild Jan & Ed Routon Lauren & Christopher Rowe Ms. Jean W. Russell Dr. & Mrs. Don Russo Pamela Lee Rutledge Michael Samis & Christopher Stenstrom Robert & Karen Sams Ron & Lynn Samuels James & Susan Sandlin Jack & Diane Sasson William B. & Toni C. Saunders Mr. Donald D. Savoy Mr. & Mrs. Thomas W. Schlater III Jack Schuett Dr. & Mrs. Stephen J. Schultenover Gary & Becky Scott Mr. & Mrs. Robert Scott Gina & Stephen Scott Drs. Fernando F. & Elena O. Segovia Mr. & Mrs. J. Douglas Seiters Gene A. & Linda M. Shade Richard & Marilyn Shadinger Caroline & Danny Shaw Mrs. Jack W. Shepherd Mr. Michael Simpson Russ Sims & Sophia Lee Dr. & Mrs. Manuel Sir Alice Sisk Donny & Charles Sissom Miss Ashley N. Skinner Dr. & Mrs. David Slosky Charles R. & Vernita Hood-Smith Dallas & Jo Ann Smith Joy & Richard Smith

Mrs. Susan K. Smith & Mr. Joe Stegemann Mr. & Mrs. Brian Smokler Mr. & Mrs. Douglas C. Snyder Marc & Lorna Soble Dan & Siri Speegle Nan E. Speller Thomas F. Spiggle Mr. M. Clark Spoden Mrs. Randolph C. St. John Caroline Stark & Lane Denson Janice & Charley Stefl Mr. & Mrs. Lemuel Stevens Jr. Richard & Jennifer Stevens CAPT & Mrs. Charles E. Stewart Jr. Mr. & Mrs. Charles V Stewart III Mr. & Mrs. David B. Stewart Mr. J. Cyril Stewart Bob & Tammy Stewart Lois & Larry Stone

Kay & Larry Wallace Ms. Leslie P. Ware Mr. & Mrs. Robert J. Warner Jr. Lawrence & Karen Washington Carolyn M. Wasleski Gayle & David Watson Shirley Marie Watts Frank & Jane Wcislo H. Martin & Joyce Weingartner Mr. Kevin L. Welsh J. Jason Wendel M.D. Kim & Jason West Ms. Jo H. West Linda C. West Franklin & Helen Westbrook J Peter R. Westerholm Dr. & Mrs. Mark B. Whaley Ms. Harriett C. Whitaker Linda & Raymond White Jerrie Barnett-Whitlow Jonna & Doug Whitman Ms. Eleanor D. Whitworth

Joicelyn & David Gregory, Leonard Slatkin

Mr. Harry E. Stratton* Jane & Sam Stumpf Jr. Gayle Sullivan Mrs. T. C. Summers Thomas & Sarah Summers Frank Sutherland & Natilee Duning Mr. & Mrs. Herbert Svennevik Dr. Esther & Mr. Jeff Swink Ms. Camille Terranova Dr. Paul E. Teschan Dr. & Mrs. Edward L. Thackston Mr. & Mrs. Richard Theiss Dr. & Mrs. William Thetford Jennifer Kraus & family Mr. & Mrs. Billy H. Thompson Mr. & Mrs. Bob F. Thompson David & Kathryn Thompson Mr. & Mrs. Wendol R. Thorpe Richard & Shirley Thrall Mr. & Mrs. Robert W. Thurman Scott & Nesrin Tift Leon Tonelson Mr. Michael P. Tortora Mila & Bill Truan Richard, Kimiko, Jennifer & Lindsey Tucker Jay & Peggy Turman Alan & Catherine Umstead Dr. Jan Van Eys Mr. James N. Vickers Kimberly Dawn Vincent Crystal Walker

Ms. Judith B. Wiens Roger Wiesmeyer Marie Holman Wiggins Mr. Robert S. Wilkinson Frank & Marcy Williams Jeremy S. Williams John & Anne Williams Dr. Pamela C. Williams Susan & Fred Williams Paul & Dena Williamson Carol Ann & Tommy Wilson The Rev. & Mrs. H. David Wilson The Wing Family Scott & Ellen Wolfe Ms. Marilyn V. Wolven Edward & Mary E. Womack Mr. Michael T. Woods Patricia A. Wozniak Mr. & Mrs. Matthew W. Wright Gary & Marlys Wulfsberg Kay & Randall Wyatt Pam & Tom Wylly Richard A. & Vivian R. Wynn Dr. Mary Yarbrough Emmett & Lee Yeiser Dr. Michael Zanolli & Julie K. Sandine Mr. & Mrs. Bruce Zeitlin Mr. & Mrs. Michael A. Zibart James & Candice Zimmermann *denotes donors who are deceased

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Applause

Annual Fund

Corporations, Foundations & Government Agencies

The Nashville Symphony is deeply grateful to the following corporations, foundations and government agencies that support its concert season and its services to the community through generous contributions to the Annual Fund. Donors as of April 25, 2011.

Season Presenters Gifts of $100,000+

The Martin Foundation President’s Council Gifts of $75,000+

Directors’ Associates Gifts of $50,000+

Principal Players Gifts of $25,000+ Mike Curb Family Foundation

Los Angeles Philharmonic Association

Government Metropolitan Government of Nashville and Davidson County

Metropolitan Nashville Arts Commission

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Mayor Karl F. Dean

Metropolitan Council


Orchestra partners Gifts of $10,000+

Akustiks, LLC American Commercial Industrial Electric (ACIE) American Constructors, Inc. AT&T Blevins, Inc. CapWealth Advisors LLC Caterpillar Financial Services Coca-Cola Bottling Company Consolidated Ford Motor Company Frost Specialty, LLC Gaylord Entertainment Foundation GBT Realty Corporation Harwell Howard Hyne Gabbert & Manner Hastings Architecture Associates, LLC The HCA Foundation Lee Company MetLife Foundation Neal & Harwell Publix Super Markets Charities Mary C. Ragland Foundation David M. Schwarz Architect Charitable Foundation Earl Swensson Associates, Inc. (ESa) I.C. Thomasson Associates Inc. VSA – The International Organization on Arts and Disability Wells Fargo Foundation

You might say the newest endowed chair at Lipscomb University is…a bench. The newly established Patricia and Rodes Hart Chair in Piano will seat distinguished music faculty for generations to come, beginning with its first distinguished faculty member, Dr. Jerome Reed, professor in the Lipscomb University Department of Music

and internationally respected pianist and teacher. We invite you to take a seat at his performances—or at any of hundreds of arts performances on the Lipscomb campus each year, most with no admission charge. Go to events.lipscomb.edu for a schedule. Music, theatre and visual arts…the next most important chair is the one you fill.

Music at Lipscomb moves to first chair.

artistic underwriters Gifts of $5,000+ Academy of Country Music Lifting Lives Aladdin Industries, LLC Anchor Trailways & Tours Chet Atkins Music Education Fund of the Community Foundation of Middle Tennessee BDO CapStar Bank Clinical Research Associates Inc. Corrections Corporation of America Cracker Barrel Foundation Dan McGuinness Irish Pub Samuel M. Fleming Foundation Ann Hardeman and Combs L. Fort Foundation Gannett Foundation/ The Tennessean Ann and Gordon Getty Foundation Landis B. Gullett Charitable Lead Annuity Trust Heidtke & Company, Inc. Interior Design Services, Inc. Lexus of Nashville OSHi Flowers The Elizabeth Craig Weaver Proctor Charitable Foundation

events.lipscomb.edu


Capitol Records CedarStone Bank The Celebration Chaffin’s Barn Dinner Theatre D.F. Chase, Inc. Cornerstone Commercial Real Estate Services Country Music Association Fabricators CAD Service, Inc. Gould Turner Group, P.C. Haber Corporation KSI/Structural Engineers Pam Lewis & PLA Media Loews Vanderbilt Hotel PICA Group RD Plastics Co., Inc. SESAC, Inc. Stansell Electric Co., Inc. Sysco Nashville WBUZ Buzz 102.9 / WPRT Party 102.5

Lewis, King, Krieg & Waldrop, P.C. Tennessee Christian Medical Foundation Waller Lansden Dortch & Davis, LLP

business partner Gifts of $2,500+ American General Life & Accident Insurance Company AMSURG City of Brentwood Dave Nemo Entertainment Delta Dental of Tennessee First Baptist Church Nashville Nashville Symphony Chorus Pinnacle Financial Partners Inc. Washington Foundation business council Gifts of $1,500+ BioVentures, Inc. The Glover Group H. G. Hill Realty Company, LLC The Hendrix Foundation Indianapolis Musicians J. Alexander’s Corporation Nashville Philharmonic Orchestra True Line Coring & Cutting WASCO, Inc.

business friend Gifts of $300++ A-1 Appliance Company V. Alexander & Co., Inc. Alpha Delta Omega Foundation Altissimo Entertainment Batten & Shaw, Inc. BB&T Cooper, Love, Jackson, Thornton & Harwell Insurance Services, Inc. Bradshaw Collision Repair Centers Case Selects Wine and Spirits CB Richard Ellis, Inc. Cooper Steel Courtyard by Marriott Downtown Dancy’s, Nancy June Brandon DBS & Associates Engineering, Inc. Demos’ Steak & Spaghetti House Freeman Webb Company Realtors, Inc. Hoge Motor Company Hunter Marine IBIS Communications, Inc. integrity events, inc. J & J Interiors, Inc. Jack Cawthon/ Jack’s Bar-B-Que National Toxicology Specialists Inc. Nitetrain Coach Perennial Services Network Prime Properties, Inc. David L. Battis / Edwin B. Raskin Company Servitech Industries, Inc. Trickett Honda Monte Turner/Turner and Associates Realty, Inc. Volunteer Barge & Transport, Inc.

business leader Gifts of $1,000+ Anonymous (1) Barge Waggoner Sumner & Cannon, Inc. Barrett Johnston Bryan Symphony Orchestra at TTU Cage Drywall, Inc. Carter-Haston Holdings, LLC Marylee Chaski Charitable Corporation J&J’s Market & Cafe Consolidated Pipe & Supply Co., Inc. Economy Pencil Co. Lexus of Nashville Kaatz, Binkley, Jones & Morris Architects, Inc. Paramore|Redd Online Marketing Purity Dairies, Inc. Smith Seckman Reid, Inc. Trades Unlimited, LLC William Morris Endeavor Entertainment business associates Gifts of $500+ APEX & Robert E. Lee Moving & Storage, Inc. Barge, Cauthen & Associates Black Box Network Services BMW-MINI of Nashville R. H. Boyd Publishing Corporation Broadcast Music, Inc. Buford Lewis Co.

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IN-KIND American Airlines American Paper & Twine Co. American Tuxedo AT&T Real Yellow Pages Bates Nursery & Garden Center Dulce Desserts

2011

The Glover Group Hampton Inn & Suites Downtown Nashville, 4th Avenue Mr. & Mrs. Billy Ray Hearn McQuiddy Printing Omni Beverage Co. Performance Studios Steinway Piano Gallery Mr. Thomas L. Turner Tyson Foods WTVF-TV, Channel 5 honorary In honor of Lin Andrews In honor of Fredric Blumberg’s 80th Birthday In honor of Zeneba Bowers (2) In honor of Bridgie Brelsford In honor of Barbara Chazen In honor of Laurie Davis & Meredith Benning In honor of Dr. Laura Dunbar In honor of Gov. Winfield C. Dunn In honor of Richard Eskind In honor of Mr. & Mrs. Earl Fischer In honor of Giancarlo Guerrero In honor of Mr. & Mrs. Billy Ray Hearn In honor of Ronda Combs Helton In honor of Martha R. Ingram In honor of Mitchell Korn In honor of Callum, Julia & A. J. McCaffrey In honor of Robert Ness In honor of J. Kirby Pate M.D. In honor of Hal Pennington In honor of James Robinson & Andrea Hatcher In honor of Steve & Judy Turner for their civic leadership In honor of Jerry L. Warren memorial In memory of Carole Slate Adams In memory of Carol Ainsworth In memory of Jessica Bloom


In memory of Elizabeth Carré-Pirtle (4) In memory of Geraldine Riordan Conrick In memory of Beverly Newman Creel In memory of Geoffrey Crisco (3) In memory of Gerry Daniel In memory of Allen Eskind In memory of Gary Fitzhugh In memory of Keith Peter Fosbinder In memory of Eva R. Garfinkle In memory of Jeannie Hastings In memory of John Barker Hickox In memory of T. Earl Hinton & Nora Gardner Smith Hinton (2) In memory of Davis Hunt In memory of Rodney Irvin (2) In memory of Edna B. Kurzynske In memory of Mark Alan Lewis In memory of Mary Hannah Long In memory of Clare Loventhal In memory of Cate Myer In memory of Claude N. O’Donnell In memory of Mildred J. Oonk In memory of Ron Portell In memory of Edward S. Pride In memory of Lisa Renegar In memory of Lillie Hollabaugh Rhame In memory of Lenore S. Schermerhorn In memory of Mary Jane Stewart (4) In memory of Harry Stratton (2) In memory of Samuel Terranova In memory of Stanley Udell In memory of Marjorie Valentine In memory of Sandra K. Whipple (2) In memory of Barbara Wiles In memory of Charles C. Wollett

The difference is one degree.

You’re just one degree away from a life-changing career move with a graduate degree from Lipscomb University’s Graduate School of Business.

Call (615) 966-1833, or go to onedegreeaway.lipscomb.edu MBA / Professional MBA Master of Accountancy / Master of Human Resources GRADUATE SCHOOL OF BUSINESS


A Time For Greatness Campaign A Time for Greatness, the Nashville Symphony’s endowment campaign, ensures a brilliant future for the orchestra. Funds raised through A Time for Greatness are used to increase the orchestra’s financial capacity to support continuing artistic growth and program development, and sustain the orchestra’s expanded operations in Schermerhorn Symphony Center. Changes as of April 25, 2011

Founders Gifts of $1,000,000+ AmSouth Foundation James W. Ayers - FirstBank Bank of America Alvin & Sally Beaman Foundation Lee A. Beaman, Trustee / Kelley Beaman, Trustee Mr. & Mrs. Dennis C Bottorff Ann & Monroe* Carell CaremarkRx Caterpillar Inc. & Its Employees The Community Foundation of Middle Tennessee Mike Curb Family Foundation Greg & Collie Daily Dollar General Corporation

Laura Turner Dugas The Frist Foundation The Grimstad & Stream Families Patricia & H. Rodes Hart Mr. & Mrs. Spencer Hays HCA Ingram Charitable Fund Gordon & Shaun Inman Ellen Harrison Martin Charles N. Martin Jr. The Martin Foundation Mr. & Mrs. R. Clayton McWhorter The Memorial Foundation Metropolitan Government of Nashville & Davidson County

Anne* & Dick Ragsdale Mr. & Mrs. Ben R. Rechter The Grimstad & Stream Families Margaret & Cal Turner Jr. James Stephen Turner Charitable Foundation Vanderbilt University The Vandewater Family Foundation Ms. Johnna Benedict Watson Colleen & Ted Welch The Anne Potter Wilson Foundation

Leadership Gifts Gifts of $500,000+ HCA Foundation, in honor of Dr. & Mrs. Thomas F. Frist Mr. & Mrs. Robert A. McCabe Jr. Regions Bank

Anonymous (1) Mr. Tom Black Giarratana Development, LLC Mr. & Mrs. J. Michael Hayes

Gifts of $250,000+ American Retirement Corp. Connie & Tom Cigarran E.B.S. Foundation

Harry & Jan Jacobson The Judy & Noah Liff Foundation Robert Straus Lipman

SunTrust Bank Laura Anne Turner Anne H. & Robert K.* Zelle

Gifts of $100,000+ Mr. & Mrs. Dale Allen Phyllis & Ben* Alper American Constructors, Inc. Andrews Cadillac / Land Rover Nashville Averitt Express Barbara B. & Michael W. Barton BellSouth Julie & Frank Boehm Boult, Cummings, Conners & Berry, PLC Richard & Judith Bracken Mr.* & Mrs. James C. Bradford Jr. The Charles R. Carroll Family Fred J. Cassetty Mr.* & Mrs. Michael J. Chasanoff CLARCOR Mr. & Mrs. William S. Cochran Mr. & Mrs. Thomas Fite Cone

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Corrections Corporation of America Deloitte & Touche LLP The Rev. Canon & Mrs. Fred Dettwiller Michael D. & Carol E. Ennis Family ESa Design Team Earl Swensson Associates Inc. I.C. Thomasson Associates Inc. KSI/ Structural Engineers Annette & Irwin* Eskind The Jane & Richard Eskind & Family Foundation Mr. & Mrs. Steven B. Franklin Frost Brown Todd LLC Dr. Priscilla Partridge de Garcia & Dr. Pedro E. Garcia Gordon & Constance Gee

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2011

Genesco Inc. Amy Grant & Vince Gill Mr. & Mrs. Joel C. Gordon Guardsmark, LLC Billy Ray & Joan* Hearn The Hendrix Foundation Mr. & Mrs. Henry W. Hooker and Family Walter & Sarah Knestrick Lattimore, Black, Morgan & Cain, PC Mrs. Jack C. Massey Lynn & Ken Melkus Andrew Woodfin Miller Foundation Nashville Symphony Chorus Nashville Symphony Orchestra League Pat & John W. Nelley Jr. O'Charley's Bonnie & David Perdue

Mr. & Mrs. Philip Maurice Pfeffer Mr. & Mrs. Dale W. Polley Mary C. Ragland Foundation The John M. Rivers Jr. Foundation Inc. Carol & John Rochford Anne & Joseph Russell and Family Daniel & Monica Scokin Bill & Sharon Sheriff Mr. & Mrs. Martin E. Simmons Luke & Susan Simons Irvin & Beverly Small The Henry Laird Smith Foundation Mr. & Mrs. Michael W. Smith Barbara & Lester Speyer The Starr Foundation Hope & Howard Stringer Louis B. & Patricia C. Todd Jr. Lillias & Fred Viehmann Mr. & Mrs. E.W. Wendell Mr. David M. Wilds


Major Gifts Gifts of $50,000+ Adams and Reese / Stokes Bartholomew LLP Baker, Donelson, Bearman, Caldwell & Berkowitz, A Professional Corporation J B & Carylon Baker Barbara & Jack Bovender Dr. & Mrs. T. B. Boyd III Dr. Ian & Katherine* Brick Betty & Martin Brown Michael & Jane Ann Cain The Danner Foundation Dee & Jerald Doochin Ernst & Young Mr. & Mrs. David S. Ewing Ezell Foundation / Purity Foundation Mr.* & Mrs. Sam M. Fleming Gannett Foundation / The Tennessean Letty-Lou Gilbert, Joe Gilbert & Family Gail & Steven Greil Bill & Ruth Ann Leach Harnisch Hastings Architecture Associates, LLC Mr. & Mrs. Clay T. Jackson KPMG LLP Mrs. Heloise Werthan Kuhn Mr. & Mrs. Fred Wiehl Lazenby Gilbert Stroud Merritt Mr. & Mrs. David K. Morgan Musicians of the Nashville Symphony Cano & Esen Ozgener Ponder & Co. Eric Raefsky, M.D. & Ms. Victoria Heil Ro’s Oriental Rugs, Inc. Rosalie Buxbaum Delphine & Ken Roberts Mrs. Dan C. Rudy Mary Ruth & Bob Shell Stites & Harbison, PLLC Mr. & Mrs. Bruce D. Sullivan Waller Lansden Dortch & Davis, LLP Nicholas S. Zeppos & Lydia A. Howarth Gifts of $25,000+ AMSURG The Bank of Nashville Bass, Berry & Sims PLC Tom & Wendy Beasley The Honorable Philip Bredesen & Ms. Andrea Conte Mr.* & Mrs. Arthur H. Buhl III Mr. & Mrs. Charles W. Cook Jr. Doug & Sondra Cruickshanks

Gail & Ted DeDee In memory of Ann F. Eisenstein Enco Materials, Inc./ Wilbur Sensing Jr., Chair Emeritus John & Carole Ferguson Mr. & Mrs. F. Tom Foster Jr. Mr. & Mrs. Keith D. Frazier John & Lorelee Gawaluck Jeannie* & Jim Hastings Hawkins Partners, Inc. Landscape Architects Neil & Helen Hemphill Hilton Nashville Downtown Nancy Leach & Bill Hoskins Hudson Family Foundation John F. & Jane Berry Jacques Mercedes E. Jones Mr. & Mrs. Randall L. Kinnard KraftCPAs PLLC Mr. & Mrs. Lawrence M. Lipman The Howard Littlejohn Family Mimsye & Leon May Kevin P. & Deborah A. McDermott Rock & Linda Morphis Anne & Peter Neff Carole & Ed Nelson Odom’s Tennessee Pride Sausage, Inc. Larry D. Odom, Chairman/CEO Hal N. & Peggy S. Pennington Celeste Casey* & James Hugh Reed III* Renasant Bank Lavona & Clyde Russell Kenneth D. Schermerhorn* Family of Kenneth Schermerhorn Nelson & Sheila Shields Michael & Lisa Shmerling Joanne & Gary Slaughter Doug & Nan Smith Hans & Nancy Stabell Ann Street / Robert H. Street Mr. and Mrs. William J. Tyne Alan D. & Connie Linsler Valentine Janet & Alan Yuspeh Mr. & Mrs. Martin Zeitlin Special Gifts Gifts of $15,000+ Donna & Kent Adams Aladdin Industries, LLC Mr. & Mrs. J. Hunter Atkins Mr. & Mrs. Albert Balestiere Baring Industries James S. & Jane C. Beard Mr. & Mrs. Boyd Bogle III John Auston Bridges Terry W. Chandler Community Counselling Service Co., Inc. Barbara & Willie K. Davis

Mr. & Mrs. Arthur C. DeVooght Mr. & Mrs. Matthew H. Dobson V Mr. John W. Eley & Ms. Donna J. Scott Larry P. & Diane M. English Nancy M. Falls & Neil M. Price Beatriz Perez & Paul Knollmaier Richard & Delorse Lewis Frances & Eugene Lotochinski The Loventhal Family: Clare & Samuel Loventhal Thomas H. Loventhal Oscar* & Mary Loventhal Jones Mr.* & Mrs. Robert C. H. Mathews, Jr. Mr. & Mrs. James Lee McGregor Dr. & Mrs. Alexander C. McLeod Dr. Arthur M. Mellor Christopher & Patricia Mixon Piedmont Natural Gas Dr. & Mrs. Clifford Roberson Anne & Charles Roos Joan Blum Shayne Eli & Deborah Tullis Mr. & Mrs. James M. Usdan Betty & Bernard Werthan Foundation Mr. & Mrs. W. Ridley Wills II Gifts of $10,000+ Anonymous (2) Ruth Crockarell Adkins American Brokerage Company, Inc. American Paper & Twine Co. Mr. & Mrs. William F. Andrews Dr. Alice A. & Mr. Richard Arnemann Sue G. Atkinson Mr. & Mrs. H. Lee Barfield II Brenda C. Bass Allison & John Beasley Frank & Elizabeth Berklacich Ann & Jobe* Bernard Mr. & Mrs. Roger T. Briggs Jr. Mr. & Mrs. Frank M. Bumstead Patricia & Manny* Buzzell Mr. & Mrs. Gerald G. Calhoun Chase Cole Dr. & Mrs. Lindsey W. Cooper Sr. Mr. & Mrs. Andrew D. Crawford Ms. Rita Bennett* & Mr. Steve Croxall Janine & Ben Cundiff Marty & Betty Dickens Mike & Carolyn Edwards Martin & Alice Emmett Dr. & Mrs. Jeffrey B. Eskind Bob & Judy Fisher Karen & Eugene C. Fleming Cathey & Wilford Fuqua Paul & Patricia Gaeto

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Greenebaum Doll & McDonald PLLC Heidtke & Company, Inc. Robert C. Hilton Dr. & Mrs. Stephen P. Humphrey Franklin Y. Hundley Jr. Margie & Nick* Hunter Joseph Hutts Mr. & Mrs. TJ Jackson Jr. Mr. & Mrs. David B. Johnson Mr. & Mrs. Russell A. Jones Jr. Pamela & Michael Koban Jr. Robert A. Livingston Jack & Lynn May Betsy Vinson McInnes Mary & Max Merrell Donald J. & Hillary L. Meyers NewsChannel 5 Network Susan & Rick Oliver David & Adrienne Piston Charles H. Potter Jr. Joseph & Edna Presley Linda & Art Rebrovick Mr. & Mrs. Walter M. Robinson Jr. Ron Rossmann In memory of Kenneth Schermerhorn Mr. & Mrs. Irby C. Simpkins, Jr. Patti & Brian Smallwood Murray & Hazel Somerville Southwind Health Partners® Dr. Steve A. Hyman & Mark Lee Taylor John B. & Elva Thomison Mr. & Mrs. Marshall Trammell Jr. Louise B. Wallace Foundation David & Gail Williams Dr. & Mrs. Lawrence K. Wolfe Dr. & Mrs. Artmas L. Worthy Mr. & Mrs. Julian Zander Jr. Gifts of $5,000+ Anonymous (3) Elizabeth Adams & David Scott In memory of Carole Slate Adams Mr. & Mrs. James Devoe Aderhold Jr. American Airlines Joël Anquetil DeVan D. Ard & Renée A. Chevalier The Arrants Family Mark & Lisa Bainbridge Dr. & Mrs. Elbert W. Baker Jr. Dr. & Mrs. R. Daniel Beauchamp Jim & May Bell Annie Laurie & Irvin Berry Dr. Marion & Tricia Bolin Mr. & Mrs. Douglas G. Bradbury III Mr. & Mrs. Jeffrey C. Bradford

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Rhonda and Matt Mulroy

Dr. & Mrs. Victor Braren Mr. William V. Briggs Mr. Richard F. Bryan J. Burts Bryant Jr. Michael & Sarah Buckland Dr. & Mrs. Glenn Buckspan Hillary & Jimmy Bynum Ann & Sykes Cargile Clint Carter / Patty Carter Mr. & Mrs. Christopher J. Casa Santa Central Business Group / Space Saver Mr. & Mrs. James A. Charron Sr. Mr. & Mrs. Robert W. Chasanoff Barbara & Eric Chazen John Hancock Cheek Jr.* Drs. Keith & Leslie Churchwell CIC Foundation, Inc. Bishop & Mrs.* Roy C. Clark Esther & Roger Cohn Mrs. Peggy Wemyss Connor Joseph & Beverly Craig The Currie Family Kimberly L. Darlington In memory of Joe Davis Drs. Carla & Dick Davis Mr. & Mrs. J. William Denny Carol A. King & Thomas J. DePauw Mr. Mark Deutschmann Jane Davis Doggett Mr. & Mrs. Robert S. Doochin Mr. & Mrs. Lawrence S. Eastwood Jr. Dr. & Mrs. E. Mac Edington Sylvia & Robert H. Elman Kitty & Patrick Emery Mr. & Mrs. John David Fitzgerald Jr. Mr.* & Mrs. Gerald Fleischer Phyllis & Steve Fridrich Dr. & Mrs. John R. Furman Mr. & Mrs. Landy Gardner Timothy J. Gilbreath Fred & Deana Goad Edward A. & Nancy Goodrich Gerald C. Greer & Dr. Scott Hoffman Jennifer & Dan Gremillion Dale & Nancy Grimes Doug & Rose Grindstaff Jim & Paula Grout Sylvia Hyman & Arthur Gunzberg

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John & Freda Hall Mr. Mark Hann R. Rick Hart Janet & Jim Hasson William A. & Robin Hawkins Mr. & Mrs. John Burton Hayes In memory of Macon Hilton Judith & Mark* Hodges Mr. & Mrs. Dan W. Hogan Sally A. Holland Mr. & Mrs. Ephriam H. Hoover III Keel & Marsha Mason Hunt Mr.* & Mrs. V. Davis Hunt Mr. & Mrs. David Huseman Toshinari & Emiko Ishii Mr. & Mrs. Donald J. Israel Frances C. Jackson Mr. Erin Matthew Johnson George T. Johnston / Shirley A. Johnston Mark IV In Honor of Mercedes E. Jones Journal Communications, Inc. Mr. & Mrs. Michael Kane Mr. & Mrs. Marshall Karr Cornelia S. Kelly Carolyn & Buddy* Killen Mr. & Mrs. Thomas M. Klaritch Tom & Randi Land Larry J. Larkin Sally M. Levine Barbara & Irving Levy Zach Liff Drs. Thomas & Lee Limbird Dr. & Mrs. Nicholas J. Lippolis Mrs. Roberta D. Lochte-Jones Mr. & Mrs. Michael F. Lovett William R. & Maria T. MacKay Mr. & Mrs. H. Hill McAlister Karen C. & Charles R. McCarty Sheila & Richard McCarty Mr. & Mrs. David McClain Mr. & Mrs. Mark McDonald James Victor Miller* Richard L. & Sharalena Miller Mrs. Margaret E. Moorhead Mr. & Mrs. William P. Morelli John & Mariann Morris Mr. & Mrs. Lee Mountcastle Dr. J. Philip Moyers Mr. & Mrs. F.I. Nebhut Jr. Mr. & Mrs. Charles Ralls Niewold Mr. & Mrs. Marvin J. Nischan Oakwood the Greener Cleaner

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The O'Briant Family Hunt Oliver – Nashville Carpet Center Lucius & Freida Outlaw Pamela & David Palmer Pan South Productions Parking Management Company Dr. & Mrs. Joel Q. Peavyhouse Nancy Sanders Peterson Valery & Paul Prill Production Resource Group Dr. Gipsie B. Ranney Randy Rayburn Michael & Janice Reeves John & Nancy Roberts Charles, Jean & Paisley Robison Mrs. Teena Rodgers Charles B. & Margaret G. Rush Mr. & Mrs. Philip R. Russ Mr. & Mrs. P. Michael Saint David F. Sampsell Dr. Paula C. Sandidge & Mr. Kent Sandidge III James A. Scandrick Jr. In memory of Emanuel Schatten In memory of Kenneth Schermerhorn Cooper & Helen Schley Mr. & Mrs. John Schottland Dr. & Mrs. Joseph W. Scobey Edward J. & Karen A. Scott Dr. & Mrs. Max Shaff R. Patrick & Susan Shepherd Betty B. Sisk Mr. & Mrs. Richard Small Dr. & Mrs. Brent A. Soper Karen Spacek Mickey & Kathleen Sparkman Ms. Maggie P. Speight Michael & Grace Sposato Edward & Sally Stack John & Beth Stein Cheryl A. & Wm. Robert Stewart Cyndi Stover Mr. & Mrs. James G. Stranch III Tracy Tajbl & Neil Kent Jones Mr. Brad Thomason Candy Toler & Bob Day Byron & Aleta Trauger Larry & Brenda Vickers Rosemary & Bayard Walters Terry & Amber Wang Mr. & Mrs. James Crawford Ward Sr. Nancy & Marty Warren Drs. Mark & Sally Watson & Billy Jimmie D. & Patricia White Mr. & Mrs. Herbert Wiesmeyer Frank & Mareca Williams John & Anne Williams Gary & Catherine Wilson Marilyn Shields-Wiltsie & Theodore Elliott Wiltsie

Tim & Mary Wipperman Richard & Vivian Wynn Ms. Donna B. Yurdin General Gifts Gifts of $2,500+ Anonymous (8) David & Linda Anderson In memory of Ann Canfield Arnett Mr. Frederick C. Ayers* Mr. & Mrs. F. Clay Bailey Jr. Mr. & Mrs. Martin L. Bauguess Dr. & Mrs. Cliff B. Bennett Mr. & Mrs. Richard Bibb Drs. William & Wanda Bigham Randolph & Elaine Blake Mr. & Mrs. Mark A. Blakeman The Very Rev. Robert E. & Linda M. Brodie Dr. Richard G. Bruehl & Dr. Nancy J. Stott Mr. Earl C. Burgess Daniel & Rosalie Buxbaum Ms. Janet C. Camp Mr. Kent S. Cathcart Cavalier Family Cavarra Family Mr. & Mrs. William G. Coke Jr. Everett & Katheryne Cowan Dr. & Mrs. George H. Crossley III Janice Crumpacker Donna & Dan Daniel Mr. & Mrs. Jay Dawson Dr. & Mrs. Roy L. DeHart Daryl & Sandra Demonbreun Dr. Robert F. Dendy & Ms. Lisa R. Silver Michael & Roxanna Devlin Ken & Beth Downey Mike & Carol Dye Gloria & Colin Elliot Sam & Laura Faust Beverly K. Feldman Kevin & Susan Foley Family Faith & Ron Galbraith Joaquin & Barbara Garcia John & Eva Gebhart Kate R. W. Grayken Holly Greene Matthew T. Grimm Mr. & Mrs. Charles L. Hankla Mr. & Mrs. J. George Harris Ron & Carolyn Harris Dr. Richard & Rev. Paula C. Hoos The Houghland Foundation Mr. & Mrs. James M. Hull The Hunt Family Foundation of Nashville, TN Inc. Mr. & Mrs. James V. Hunt, Sr. Mr. & Mrs. James V. Hunt, Jr. Mr. Allan B. Hunt Dr. Anna M. Jackson


Mr. & Mrs. Donald W. Jones Harold G. & Robbie H. Jones Dr. & Mrs. Sam Jones Mr. & Mrs. Kazuhiko Kawamura Adrienne & Nicole Kersey Wayne & Marilyn King Deborah P. & William C. Koch Philip & Leslie Kulp Mr. & Mrs.* Frank Kurzynske Mr. & Mrs.* Vaden Lackey Jr. Mrs. Douglas E. Leach Jim & Dorothy Lesch Elaine & Jon Levine LifeWorks Foundation Dr. & Mrs. Christopher D. Lind Jay & Debbie Lowenthal Mr. & Mrs. James P. Manning Mr. & Mrs. James L. Martineau Dr. & Mrs. Douglas C. Mathews Sally & Joe Matlock Jackson Brim McCall & Family Mr. & Mrs. Dale McCulloch Mr. & Mrs. Robert M. Meadows Robert W. Meyer & Family Philip & Lechelle Moore Mr. & Mrs. Russell F. Morris III William & Jennifer Moseley In memory of Professor C. A. & Mrs. Ruby Mosemiller Craig & Linda Nelson Judy Oxford & Grant Benedict Gary & Nancy Pack Ms. Patricia Paiva Dr. Mary W. Parks Tom Patterson & Mike Eldred Mr. & Mrs. Robert C. Plageman Ms. Elizabeth M. Queener Dr. James G. Quiggins Mr. & Mrs. Harry Ransom Eleanor & Charles Raths Mr. & Mrs. David L. Raybin Martha & Buist Richardson Miss Margaret L. Riegel Kathleen H. Rivers Georgianna W. Russell Dr. & Mrs. Henry P. Russell Mr. & Mrs. Richard K. Sammer Caren A. Shaffer Dana & Nicole Shockley James T. & Judith Smythe Clark Spoden Mr. & Mrs. Roland R. Strickert Drs. Reid C. Thompson & Lorraine B. Ware Mr. & Mrs. Charles A. Trost Kenneth & Jean Tyree Mr. & Mrs. M. Andrew Valentine Mary Kathryn VanOsdale Dr. & Mrs. Robert W. Wahl Kenneth Allen Walkup David & Karen Walton Talmage M. Watts & Debra Greenspan Watts Mrs. Marie H. Wiggins

Judy S. Williams Mrs. Mary K. Wolf* Donald & Trudi Yarbrough Peter G. Youngman Gifts of $1,000+ Anonymous (13) Bassel & Rima Abou-Khalil Rev. Dr. & Mrs. William Robert Abstein Clint & Kali Adams Aerial Innovations of Tennessee, Inc. Rob & Linda Allen David E. & Kathy Anderson Mr. & Mrs. Thomas Andrews Jr. Mr. Carl D. Apple Mr. Daniel H. Ashmead & Ms. Mary Candice Burger Mr. & Mrs. Sam D. Bacco Carolyn Wann Bailey Jeff Bailey Mr. & Mrs. William M. Ballard Mr. & Mrs. Kevin A. Barber Dr.* & Mrs. Thomas Barr Clisby Hall Barrow Mr. & Mrs. Richard H. Batson Nader & Barbara Baydoun & Family Ted & Beverly Beckwith Sarah Elizabeth Beeson Ronald & Sheryl Bell Lori & Jeff Belser Mr. & Mrs. W. Todd Bender Mr. David W. Berndt Charlotte Bialeschki Dr. Joel S. Birdwell Diana & Phil Bittle Ralph & Jane Black Mr. & Mrs. Robert R. Blagojevich Drs. Mary Anne Blake & Judson E. Rogers John & Jeanette Bliss Dr. & Mrs. George C. Bolian Sandra J. Boone Mr. & Mrs. Richard L. Booth John & Teri Bosio Mr. & Mrs. Donald R. Boyd Mr. & Mrs. James K. Brahaney Jere T. Brassell Dr. & Mrs. Phillip L. Bressman Mr. James J. Breuss Ms. Sandra J. Brien Dr. & Mrs. Marcellus Brooks Dr. & Mrs. Gaylan W. Brown Mr. & Mrs. Tony E. Brown Mr. & Mrs.* Fred D. Bryan Mr. & Mrs. William J. Bryan Jr. Jean & David Buchanan Melissa & Rod Buffington Donah & Roger Burgess Jamie & Gene D. Burton Mr. & Mrs. Stephen A. Caldwell Kathryn H. Campbell

Dr. & Mrs. Warren Barton Campbell Mike, Linda, Rick & Lauren Carlson Mr. & Mrs. David G. Carson Karen D. Casey Mr. & Mrs. Thomas C. Cassilly Gladys M. Chatman Barbara F. Richards & Stanley Chervin Dr. & Mrs. Robert Childress Sam & Alice Childs Mr. Won S. Choi Elsie H. Clark Mr. George D. Clark Jr. The Honorable & Mrs. Bob Clement Mr. Penn B. Cobb Marcia & Steve Colburn

Mr. W. T. Davidson Dr. & Mrs. Ben W. Davis Mr. & Mrs. W. I. Dawson Ms. Martha Lou Deacon Mrs. Edwin F. DeMoss Mrs. Anne R. Dennison William T. DePriest Don Dey Mr. & Mrs. G. Orion Dickson Mr. & Mrs. Matthew H. Dobson IV Mr. & Mrs. Bruce C. Doeg Ms. Amy Dorfman & Mr. Donald Capparella Lynn Dorris Ted & Karen Dreier Mrs. Jane Anderson Dudley & Mr. Dwayne Johnson Mr. & Mrs. Carl D. Duffield Mr. & Mrs. William D. Duke Jr.

Molly & Jonathan Morphett, Robert McDuffie, Sandra & Chuck Cagle

Lisa & Jonathan Cole Sam Coleman & Phillip Stewart Annamarie Collins Mr. & Mrs. W. Ovid Collins Don & Mary Gail Compton Mr. Peter Condiles Robert & Gail Merritt Congdon The Honorable & Mrs. Lewis H. Conner Terry & Joani Cook Paul & Alyce Cooke Dr. Michael Cooper & Ms. Bethany Jackson James L. & Sharon H. Cox Mr. & Mrs. John T. Crain D. Robert Crants III Suzanne Cherry Cravens Mr. & Mrs. Ronald C. Crawford John & Rosalie Crispin Mr. & Mrs. Robert C. Crouch Joann Cruthirds Ms. Kay C. Crowder Carol L. Crowell-Bayer & William Bayer The Honorable & Mrs. James Dewey Daane Katherine Daniel Mrs. Donald L. Davenport Mr. & Mrs. Mark Davenport

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Mr. & Mrs. Timothy E. Dunnington Mr. & Mrs. John W. Eakin Jr. Susan Sheppard Edwards Eric & Nena Egli Mr. & Mrs. Lawrence W. Elkin Steve & Suzi Elsesser Ms. Constance N. Ely Mrs. Ervin M. Entrekin Ann Epperson Ms. Betty E. Esslinger Dr. & Mrs. Roy C. Ezell Lois B. Faison Mr. & Mrs. Jacob Flaker Fletcher Rowley Chao Riddle Inc. Dr. Edward & Mrs. Janet Foley Ms. Elizabeth G. Folsom Mrs. Patricia A. Fredericksen

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Mr. James C. Free Alexander & Makiko Freeman Anita & Scott Freistat Hubert & Wendy Freund Mary Carol & Charles Friddell Ms. Pamela B. Garrett Mr. & Mrs. Tim K. Garrett Carlene Hunt & Marshall Gaskins Mr. & Mrs. Marbut G. Gaston Jr. David & Patsy Gaw Ms. Sally Ann Gentry Mr. & Mrs. V. Carl George Mr. & Mrs. Edwin F. Gerace Mr. Harry E. Gibson Mr. Terrence L. Gibson Elizabeth Gilliam Dr. Joseph Awad & Ms. Jane E. Gilliam Dr. Francis R. Ginanni Dr. & Mrs. Gerald S. Gotterer Jay Grannis Bryan D. Graves Dr.* & Mrs. Herschel A. Graves Jr. In memory of Greg Griffith Ms. Thelma L. Grimsley Mr. & Mrs. Russell D. Groff Daniel J. Guill / Sara E. Guill Mr. & Mrs. Maurice M. Hallum III Mr. & Mrs. William P. Hamilton Edward & Kathryn* Hantel Dr. Charlene Harb Jay & Stephanie Hardcastle

George & Cindy Harper Paul & Senator Thelma Harper Scott & Carol Harris Mr. & Mrs. Clifford J. Harrison Jr. Jay & Dawn Hartley Dorothy M. Hartman* Mr. James S. Hartman Lane & Hugh Harvey Mr. & Mrs. Robert Harvey Chris & Sedley Hassel Mr.* & Mrs. Marion J. Hatchett David & Judith Slayden Hayes Bill & Lisa Headley Peter & Gini Heller Kent & Melinda Henderson Mr. William I. Henderson Ms. Doris A. Hendrix Mr. & Mrs. David A. Herlitzka Mr. & Mrs. Marion W. Hickerson III Ms. Martha Sue Highfill* The Hilt Family Eileen R. Holloran Dr. & Mrs. Robert W. House Mr. & Mrs. Rannie D. Howell Mr. & Mrs. L. Wearen Hughes Judith & Jim Humphreys In honor of the birthday of Mrs. Martha R. Ingram In honor of Martha R. Ingram Rodney Irvin* 15P. Isenhour Homes Jr.TPAC Dr. & Mrs.HS Albert

“There’s something special about this place.”

Dr. & Mrs. Edward I. Isibor J & J Interiors, Inc. Claudia S. Jack Donald L. Jackson Ms. Patricia M. Jansen Mr. John Barlow Jarvis Mr. Charles Jenkins Mrs. Mary Grey Jenkins Dr. & Mrs. Gary F. Jensen Keith & Nancy Johnson Mary & Doug Johnston Mr. & Mrs. Cecil D. Jones Jr. Mr. & Mrs. Sydney L. Jones Jr. Dr. & Mrs. Martin Katahn Christopher & Ginger Kelly & Family Mr. & Mrs. Mark H. Kelly The Kelly Family Mr. & Mrs. John L. Kennedy Patrick B. Kennedy & Jaime S. Amos & Riley & Eden Mr. & Mrs. Bill G. Kilpatrick Dr. Edward M. & Bonita D. Kimbrell Kathleen & Don King Jim & Bunny King & Family Mr. & Mrs. Keith Kinser Michael & Melissa Kirby Mr. & Mrs. Joseph D. Kitchell Mr. & Mrs. James A. Knestrick 1/6 page vert 8/17/10 Ms. Linda R. Koon

15 homes. 6 years. Thank you. The Habitat HomeStores sell donated home-related items and building materials at generous discounts to the public. Donations to and purchases from the HomeStores have funded the construction of 15 Nashville Area Habitat homes for more than 50 family members in six years of operation.

www.habitatnashville.org/homestore • 1001 8th Ave.S. • 908 Division

Building lives, one home, one family, one community at a time. Nashville Area Habitat for Humanity is an ecumenical Christian ministry that provides people with the life-changing opportunity to purchase and own quality, affordable homes. We are an equal opportunity/drug-free employer. For information on Fair Housing and Equal Opportunity go to www.hud.gov/offices/fheo or call the local HUD office.

615.292.9465 www.ctk.org PREKINDERGARTEN THROUGH GRADE 8

This advertising space has been made available through a generous gift from the Glover Group in honor of Jack and Daniella Fleischer and Hermitage Lighting Gallery for their continued support and commitment to Nashville Area Habitat and the Habitat HomeStores.

Ms. Linda J. Knowles Bob & Cathy Krumm Dr. & Mrs. John W. Lamb Sterling S. Lanier III* Robert M. Latimer* Mr. & Mrs. Danny Law Fran & Chuck Lawson James E. & Judith Lawson Richard & Sandra Lenz In memory of Dr. Virgil Shields LeQuire Dr. & Mrs. Thomas J. Lewis Ms. Mary Frances Ligon Rhea & Marie Little Drs. Walt & Shannon Little Stephen & Jean Locke Kaye Lockwood Douglas & Denise Lokken David & Nancy Loucky Johnny & Lindalu Lovier Mr. James Edgar Lowe William & Evelyn Luetzow Dr.* & Mrs. John N. Lukens Jr. Ms. Nina B. Lunn Mrs. Robert P. Mace Mrs. Robert MacKenzie Mr. & Mrs. Boyce C. Magli Helga & Andrea Maneschi Mark & Kelly Manning Bradley Mansell John Maple 7:44 Martin AM Page 1 Annette


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Ben & Loy Martin Dr. & Mrs. Raymond S. Martin III Ms. Cynthia Clark Matthews Ms. Sonje K. Hubsch Mayo Ms. Jocelynne I. McCall Jennifer & Shane McClure Lisa H. McDonald Ms. Josephine McLeod* Mr. & Mrs. Walter D. McMahan Michael & Mary Jane McWherter Mr. Ronald S. Meers Ellen Menking Mr. & Mrs. Roy L. Mewbourne Jr. Dr. & Mrs. J. Berry Middleton Mr. Anthony P. Migliore Cedric & Delberta Miller Jim & Glenda Milliken Diana & Jeff Mobley Mr. & Mrs. Ernest J. Moench Jr. Mr. & Mrs. William L. Moench Dr. & Mrs. Charles L. Moffatt Mr. & Mrs. Stephen J. Molnar Jr. Mr. Kevin N. Monroe Margaret W. Moore Cynthia & Richard Morin The Morphett Family Mr. & Mrs. Rogers H. Morrison Sr. Mr. & Mrs. William E. Mullins Nashville Advertising and Promotions Mr.* & Mrs. Roger J. Neal Mr.* & Mrs. John C. Neff James & Irene Neilan Dr.* & Mrs. I. Armistead Nelson Lee & Emily Noel Chuck Norman Jonathan R. Norris D. Wilson Ochoa Dr. Samuel O. Okpaku Hazel R. O'Leary Jo Ellen L. Olson Mr. & Mrs. Jack A. Oman Hansi D. Orgain Dr. & Mrs. Harry L. Page Mrs. John Gray Palmer Mr. Clint Parrish Dr. & Mrs. Earl Q. Parrott Mr. Richard D. Parrottino Lisa & Doug Pasto-Crosby Jeannie & Jack Patterson Mr. & Mrs. John W. Patterson Mr. Stephen D. Patton Dr. W. Faxon & Frances W. Payne Dr. & Mrs. Thomas G. Pennington Elizabeth & Phil Perkins Rosetta & L.O.P.* Perry Dr. & Mrs. A. F. Peterson Dr. James A. Petty Mrs. Patsy C. Petway Mr. & Mrs. Charles L. Phy Robert Webb & Gail Plucker Robert S. Poole Mr. & Mrs. Joel A. Pope Mr. & Mrs. Bob Pope Ms. Rhonda M. Prevatt

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Charles W. Rager & Amber Culverhouse Mr. & Mrs. David E. Rawlings Jeff & T Reese Ms. Sandra L. Reeves Reliable Ultrasound Services, Inc. Steven & Ellen Resnick Brooke & Jason Reusch & Family Kay & Byung-Hyun Rhee Kellye & Jeff Rice Ms. Ann Richards & Mr. Glen Wanner Cemele & Woody Richardson Mrs. Cornelius Ridley Dr. & Mrs. Russell Ries Mrs. Roscoe R. Robinson Anne D. Rogers Fran C. Rogers Norma & Bruce Rogers Sydney & Buddy Rogers Mr. & Mrs. Tate Rogers Bart & Delinda Rollins Ms. Judith R. Roney Mr. & Mrs. Richard V. Ropelewski Lynne & Rodney M. Rosenblum Laura Ross Joyce & Mace Rothenberg Dr. & Mrs. Robert M. Roy Mr. Warren T. Runion & Ms. Catherine J. Holsen Ms. Patricia Russell Ms. Jean W. Russell Mr. & Mrs. Jason Saling John R. Sanders Jr. Sam & Barbara Sanders Ms. Suzanne Sanders James & Susan Sandlin Pauline & Robert Satterfield Mr. & Mrs. William B. Saunders In memory of Kenneth Schermerhorn (18) Molly & Richard Schneider Jim & Mary Schumacher Claire & Marvin Schwartz In Memory of Ola Mabel Webb Scott Gary & Gloria Scott Terry & Patti Sears Charles & Bettye Seivers Dr. & Mrs. John S. Sergent Odessa L. Settles John & Nanette Shand Dr. & Mrs. Steven B. Shankle & Family Mr. & Mrs. Alfred Sharp III Joe & Tricia Sharp Ms. Kenya Sharp Beverly P. Sharpe & Devin C. Sharpe Nita & Mike Shea Mrs. Jack W. Shepherd Gerald "Buzz" & Lex Ann Sheridan Jr. David & Nancy Shurson Mr. & Mrs. Christopher J. Sigmund Ms. Sandra Simpson

Michael & Susanne Sims Dr. & Mrs. Manuel Sir Pamela Sixfin Ms. Diane M. Skelton Ms. Susan Sloatman Sandra & Randall Smith Mr. Joe R. Smith Ms. Melanie K. Smith Mrs. Samuel Boyd Smith Dr. & Mrs. Anderson Spickard Jr. Mr. & Mrs. James A. Staley Leon E. Stanislav, DDS Mrs. Elise L. Steiner Michael Samis & Christopher Stenstrom Mr. & Mrs. John L. Stephens Dan & Rosi Stewart Michael Stiltz Kelli & Bill Stokes Dr. & Mrs. William S. Stoney Jr. Shelby B. Strickland Cindy Strother Richard & Jennifer Stults John & Judy Sujdak Michael* & Kay Sykes Dr. & Mrs. S. Bobo Tanner Boyce & Amelia Tate Mr. & Mrs. Richard Tatum Bobby G. Taylor Donald & Kristin Taylor Mr. & Mrs. Robert Taylor

William E. & Susan E. Taylor Dr. & Mrs. William Thetford Mr. Frank Thomas Mr. & Mrs. Gregory Thomas Gloria & Frank Thomas Patricia & Parker W. Thomas Jr. Mrs. Overton Thompson Jr. In memory of Moneta Allison Thorpe Mr. & Mrs. John H. Tipton Jr. John W. Todd Mr. & Mrs. Norman H. Tolk Dr. & Mrs. Alex S. Townes Claire & Reece Whitfield Tucker Lizette M. Tucker Mr. & Mrs. John A. Turnbull Ms. Donna Vaughn Mr. & Mrs. Victor R. Vaughn Mr. Wayne Vaught Joyce A. Vise Robert C. & Mary M. Vowels Dr. & Mrs. Martin H. Wagner Mrs. Patricia W. Wallace Mr. & Mrs. Thomas E. Walton Mr.* & Mrs. James M. Ward Leslie P. Ware W. Miles* & Sharon Warfield C. Brian & Alison H. Warford Karen M. Warren Cheryl & Mark Wathen Dr. & Mrs. Gates J. Wayburn Jr.

Mr. & Mrs. Francis W. Wcislo Mr.* & Mrs. William C. Weaver III Mr. Stephen Webb H. Martin & Joyce Weingartner William* & Raylene Welch Ms. Jo H. West Charles Hampton White James W. White Raymond & Linda White Mr. & Mrs. William G. Wiggins Mr. & Mrs. John D. Wilkening Mr.* & Mrs. Jimmy D. Williams Ms. Vicki Gardine Williams Paul & Dena Williamson Rod & Phyllis Williamson Eleanor Lawson Willis Blythe Wilson, Elysabeth Lackey Mr. & Mrs. Jerry R. Wingler Scott & Ellen Wolfe Ms. Rachel B. Wolfe Dale & Carol Womack Ms. Lisa A. Wood Joy Worland & Paul Gambill James & Jan Yarbrough Mr. & Mrs. Barry Zeitlin Mr. & Mrs. Michael A. Zibart Dr. Thomas F. Zimmerman

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LegacySociety

Nashville Symphony Legacy Society l e av i n g a l e g a c y, b u i l d i n g a f u t u r e The Nashville Symphony Legacy Society honors those patrons who have included the Symphony in their estate planning

When Schermerhorn Symphony Center opened to the public in 2006, we envisioned our concert hall serving many generations for decades to come. If you have that same vision for the Nashville Symphony, then a planned gift can become your ultimate demonstration of commitment and support. You can help us plan for our future — and your own — through this creative approach to philanthropy and estate planning, which allows you to make a significant contribution to the Nashville Symphony while also enjoying income and tax benefits for you and your family. Great orchestras, like all great cultural institutions throughout history, are gifts to posterity; they are built and bestowed to succeeding generations by visionary philanthropists. To find out more about planned giving opportunities, please contact Holly Noble, Special Campaigns Coordinator, at 615.687.6529 or visit NashvilleSymphony.org/plannedgiving.

Anonymous Barbara B. & Michael W. Barton Julie & Frank Boehm Mr. & Mrs. Dennis C Bottorff Charles W. Cagle Donna & Steven Clark Mrs. Barbara J. Conder Mr. & Mrs. Roy Covert Andrea Dillenburg & Ted Kraus William M. & Mildred P.* Duncan Deborah Faye Duncan Annette & Irwin* Eskind Judy & Tom Foster Dr. Priscilla Partridge de Garcia & Dr. Pedro E. Garcia James C. Gooch Billy Ray Hearn Judith Hodges Judith S. Humphreys Martha R. Ingram Heloise Werthan Kuhn Sally M. Levine

John T. Lewis Clare* & Samuel Loventhal Ellen Harrison Martin Dr. Arthur McLeod Mellor Cynthia & Richard Morin Anne T. & Peter L. Neff Mr. & Mrs. Michael Nowlin Pamela K. & Philip Maurice Pfeffer Joseph Presley Eric Raefsky, MD & Victoria Heil David and Edria Ragosin Mr. & Mrs. Ben R. Rechter Fran C. Rogers Mr. & Mrs. Martin E. Simmons Irvin & Beverly Small Dr. John B. Thomison Sr. Judy & Steve Turner Barbara & Bud Zander Shirley Zeitlin Anne H. & Robert K.* Zelle

*deceased

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GuestInformation

Arpeggio Arpeggio is a dining experience offered in the East Lobby. Open before all nighttime SunTrust Classical, Bank of America Pops, Adams and Reese Jazz Series concerts and most special performances, it features a sumptuous four-course buffet including appetizer, soup station, four entrées and dessert. The price is $38 with water and tea, not including tax and gratuity. Doors open two hours before the performance. Reservations are preferred; please call 615.687.6400. For updated menu information, please visit NashvilleSymphony.org. THE CAFÉ AND LOBBY BARS The Café, located in the West Lobby, offers a bistro-style à la carte menu beginning two hours prior to all concerts. The Café is also open from 9 a.m. to 2 p.m. Monday through Friday. Seven bars are spread throughout the building offering premium spirits, cocktails, wine, beer, soft drinks and bottled water. SYMPHONY STORE The Symphony Store is located on the west side of the building near the West Atrium lobby and the Café. A variety of items, including a wide selection of classical CDs, are available at all price ranges. Customers may also place special orders. Store hours are 10 a.m. to 2 p.m. Wednesday through Friday, and on all concert evenings from two hours prior to performance until up to 30 minutes after the performance has ended. ACCOMMODATIONS Restrooms and water fountains are available on the Lounge Level, located one floor below the Main Lobby; on the east and west sides of the Founders and Balcony Levels; and outside the Mike Curb Music Education Hall on the Founders Level. All restrooms are equipped for people with disabilities. Located on the Lounge Level, unisex restrooms are also available for disabled guests needing special assistance. CAMERAS, CELL PHONES, RECORDERS, BEEPERS & WATCH ALARMS Cameras or audio recording equipment may not be brought into any space where a rehearsal, performance or lecture is taking place. Cellular phones, beepers and watch alarms must be turned off prior to the start of any event.

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COAT CHECK To enhance the acoustical experience inside Laura Turner Concert Hall, we ask that guests check their coats at one of several complimentary coatcheck locations on each seating level. The most convenient is on the Lounge Level, located one floor below the Main Lobby. LATE SEATING As a courtesy to the performers and other audience members, each performance will have designated breaks when latecomers are seated. Those arriving after a performance begins will be asked to remain outside the entrance door nearest their ticketed seats until the appropriate break. CONCERT CONCIERGE Have a question, request or comment? Please visit our Concert Concierge on the northwest side of the Main Lobby. The Concierge is available to help you with anything you might need during your visit. Concert Concierge is open through the end of intermission. TICKET SALES The Box Office is located at street level on the Fourth Avenue side of the building closest to Symphony Place. Tickets may be purchased with MasterCard, VISA, American Express, Discover, cash or local personal checks. Limited 15-minute parking is available on Fourth Avenue just outside the Box Office. Regular Hours: 10 a.m.-6 p.m. Monday-Friday 10 a.m.-2 p.m. Saturday Hours on Concert Days: 10 a.m. to intermission Monday-Saturday Call for hours on Sunday


GuestInformation Tickets for future performances and Will Call reservations are available by using one of the self-service kiosks located in the East and West Atrium lobbies or in the Box Office lobby. To speak with a customer service representative by phone, call 615.687.6400. Tickets are also available for future Nashville Symphony concerts through the Nashville Symphony’s website (NashvilleSymphony.org).

ACCESSIBLE SEATING Accessible and companion seating are available at all seating and price levels with excellent acoustics and sight lines to the stage. Transfer seating is also available to allow guests in wheelchairs to transfer easily to seats in the hall. Please arrange in advance for accessible seating by calling a customer service representative at 615.687.6400.

CHAUFFEURED TRANSPORTATION Why drive when we can drive you? Grand Avenue, the official transportation provider for the Nashville Symphony, offers town cars, sedans, limousines and bus transport for individuals and groups of all sizes. We specialize in airport, corporate wedding and all special occasion transportation. Contact us to reserve today! GrandAvenueLimo.com or 615.714.5466.

LOST AND FOUND Please check with the House Manager’s office for any items that may have been left in the building. The phone number for Lost and Found is 615.687.6450.

CLASSICAL CONVERSATIONS Offered in the Balcony Lobby prior to each SunTrust Classical Series concert, these informal halfhour talks with our conductors and guest artists explore the evening’s program. Talks begin at 6 p.m. Thursday and at 7 p.m. Friday and Saturday. CAN’T MAKE A CONCERT? If you are unable to use your tickets, you may exchange them for another performance, availability permitting, or you may donate them for a tax deduction. Tickets must be exchanged or donated by 6 p.m. on the day before the performance. Some restrictions may apply. Call 615.687.6401. LISTENING DEVICES An infrared hearing system is available for guests who are hearing impaired. Headsets are available at no charge on a first-come, first-served basis from the coat-check area on the Lounge Level, and from the Concert Concierge. EMERGENCY MESSAGES Guests expecting urgent calls may leave their name and exact seat information (seating level, door number, row and seat number) with any usher. Anyone needing to reach guests during an event may call the Security Desk at 615.687.6610. EVACUATION To ensure your safety in case of fire or other emergency, we ask that you note the exit route nearest your seat. Please follow the instructions of our ushers, who are specifically trained to assist you in case of an emergency.

SERVICES FOR GUESTS WITH DISABILITIES Schermerhorn Symphony Center has been carefully designed to be barrier-free and meets or exceeds all criteria established by the Americans with Disabilities Act (ADA). All public spaces, meeting rooms, offices, backstage dressing rooms and orchestra lounge, and production control rooms will accommodate performers, staff and guests with disabilities. Interior signage and all elevators make use of Braille lettering for directional signs in both public and backstage areas, including all room signs. VALET Valet parking, provided by Parking Management Company, is available for all performances on Symphony Place, on the north side of the building between Third and Fourth avenues. We offer prepaid valet parking for all performances. For more details, call 615.687.6401. shuttles For $10 cash per person, round-trip shuttle service is available for SunTrust Classical Series and Bank of America Pops Series concerts. First come, first served. The shuttles leave from Belle Meade Plaza, The Factory at Franklin and Peartree Village Shopping Center. For more info, call 615.687.6541. PARKING AT THE PINNACLE Our new next-door neighbors, The Pinnacle at Symphony Place, are offering Symphony patrons pre-paid parking at a discount! The Pinnacle is located directly across Third Avenue from Schermerhorn Symphony Center. To purchase pre-paid parking at The Pinnacle, please call 615.687.6401.

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BuildingMap Exit

Restrooms

Stairs

Elevator

Coat check and main restrooms located half-floor down in Lower Lobby

Concert Concierge

East Atrium

West Atrium

Box Office

Bar

Bar

Symphony Store Symphony Cafe

Bar

arpeggio

Loge Hall Loge Boxes

West Lobby

Laura Turner Concert Hall

Loge Hall Loge Boxes

Martha Rivers Ingram Courtyard

East Lobby

Security

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BuildingMap Coat Check

Food

WiFi Access

Concert Concierge Classical Conversations, additional bar and restrooms located in third-floor Balcony Lobby

East Grand Staircase

West Grand Staircase

Founders Circle

Green Room

Founders Boxes

Board Room

Founders Hall

Bar

Bar

Founders Boxes

Laura Turner Concert Hall

Orchestra View

Curb Room

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SymphonyPlanner

Coming Soon... REGIONS COMMUNITY CONCERTS

Throughout the month of June, the Nashville Symphony will be traveling around to local parks to perform free concerts for the people of Middle Tennessee. So pack a picnic, bring your family and enjoy a night of music under the stars led by Associate Conductor Kelly Corcoran! Programs will include favorites by Copland, Gershwin, Tchaikovsky and more, along with music from Oklahoma, Jaws, Star Wars and other memorable movies and shows. Upcoming concerts include: East Park, 8 p.m. June 9 Bicentennial Mall State Park, 8 p.m. June 10 Crockett Park in Brentwood, 7 p.m. June 12 Cumberland University in Lebanon, 7 p.m. June 14 (Admission: $5) Moss Wright Park in Goodlettsville, 7:30 p.m. June 15 Centennial Park, 7:30 p.m. June 21 & 28

JULY FOURTH Come down to Riverfront Park and help us celebrate at the city’s annual Fourth of July party. There’ll be tons of family fun and some of the most spectacular fireworks you’ve ever seen, with a live soundtrack provided by the Nashville Symphony — and it’s free! For more information, visit MusicCityJuly4th.com.

2011/12 SEASON We’ve got a fantastic season in store, beginning with an opening celebration on September 9 featuring cellist Yo-Yo Ma, who will perform two lyrical works by Dvořák. From there, the Nashville Symphony’s SunTrust Classical Series will take a tour through classic works by Beethoven, Mahler, Tchaikovsky, Shostakovich and much more, along with exciting new pieces by Béla Fleck, Terry Riley, Richard Danielpour and Daniel Bernard Roumain. Highlights of the Bank of America Pops Series include Wynonna, Christopher Cross, Steve Wariner and much more, while our Jazz Series welcomes guitarist Larry Carlton, vocalist Cassandra Wilson and saxophonist Branford Marsalis. Add in a few spectactular special events, such as legendary saxophonist Sonny Rollins, and you’ve got an incredible year of music! Learn more about all of it — and purchase season tickets — at NashvilleSymphony.org.

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