The Works of Mario Testino

THE WORKS OF

MARIO TESTINO

The Works of Mario Testino Published and distributed by Viction Workshop Ltd Unit C, 7/F Seabright Plaza, 9-23 Shell Street, North Point, Hong Kong www.victionary.com // we@victionary.com Edited and produced by viction:ary Concepts & art direction by Sarah Cheung First Edition Š2019 Viction Workshop Ltd Copywright on text, design and photography work is held by respective designers and contributors.

All rights reserved.

No part of this publication may be reproduced, stored in retrieval systems or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or any information storage, without written permissions from respective copyright owners.

All artwork, photography and textual information in this book are based on the materials offered by Mario Testino whose work has been included.

ISBN 978-988-19349-5-7 Printed and bound in China

THE WORKS OF

MARIO TESTINO

CONTENTS P. 0 8 BIOGRAPHY P. 1 2 COMMISSIONED WORK: VOGUE M AGA ZINE P. 2 2 COMMISSIONED WORK: VA N I T Y FA I R P. 3 2 COMMISSIONED WORK: GQ M AGA ZINE P. 4 2 COMMISSIONED WORK: BURBERRY P. 5 2 COMMISSIONED WORK: MICH A EL KORS

P. 6 2 PORTRAITS: P. 6 4 DIANA , PRINCESS OF WALES P. 7 0 H O L LY W O O D P. 8 0 MUSICIANS P. 9 0 PA RT IES P. 1 0 1 BIBLIOGRAPHY

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BIOGRAPHY Mario Testino is widely regarded as one of the most influential fashion and portrait

photographers of our times. His photographs have been published internationally in magazines such as Vogue, V Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from Gucci, Burberry, Versace and Michael Kors to Chanel, Estée Lauder and Dolce & Gabbana.

Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founder, art collector/collaborator and entrepreneur.

In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.

Born in Lima in 1954 to a traditional Catholic family, remote from the worlds of fashion and Hollywood, Testino moved from Peru to London in 1976. It was during apprenticeships at the studios of John Vickers and Paul Nugent that he made his first attempts as a photographer, inspired by how photography masters documented the society of their times: “I tried to emulate the English – the Mitford sisters, Stephen Tennant and Cecil Beaton.”

His career began tentatively with a commission to photograph a girl’s haircut for British Vogue.

The girl in the picture was stylist Lucinda Chambers and the shoot sparked a personal friendship and professional partnership that has lasted to this day. During the early nineties, Testino looked to his experience growing up in Peru and his long teenage summers in Brazil for inspiration, which helped him to create a unique and personal photographic language.

“I noticed an evolution in my work…when I tried to recreate my youth in pictures.”

Testino’s is an artistic vocabulary that transgresses genders, mixes masculinity and femininity and suggests sensuality rather than sexuality. Suzy Menkes, Vogue’s International Editor explains, “Testino’s skill is first and foremost to catch the moment and to bring out the humanity in his subjects.” Testino’s subjects appear confidently alive; he captures their energy by creating an openness and intimacy with them. Known for the extraordinary way in which he can capture the most private of moments, Testino’s spontaneous, intimate portraits offer the viewer new perspectives on famous faces, often establishing new fashion icons. He has documented subjects from A-list stars, muses, supermodels and artists, to subjects that he has encountered throughout his travels, from magnificent cities by night to mysterious landscapes and private soirees.

Testino was nicknamed the “John Singer Sargent of our times” by Terence Pepper, photography curator at The National Portrait Gallery in London. The Gallery’s 2002 Portraits exhibition attracted more visitors than any other show in the museum’s history at the time.

Charles Saumarez Smith, then director of the NPG, compared Testino to court artists and portraitists from Holbein to Reynolds.

“There is a strong relationship between Mario’s work and the general tradition of portrait artists. Just like court artists in the past, he works to a tight timetable and significant commercial constraints.”

One of Testino’s most memorable sittings to this day is his series with Diana, Princess of Wales.

Commissioned for Vanity Fair in 1997, he said: “One of my greatest experiences in life was photographing Princess Diana. It’s not only that the experience itself was amazing, but she opened a door for me because I then started photographing the royal families of Europe extensively…this brings out my love for tradition, for a way of showing family and the longevity of people”.

He has photographed many royals including The Prince of Wales, The Duke and Duchess of Cambridge, Prince Harry, the King and Queen of Jordan and King and Queen of the Netherlands.

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Testino’s work has been exhibited at museums around the world, among them the Helmut Newton Foundation in Berlin (Undressed, 2017), Museum of Fine Arts in Boston (In Your Face, 2012), the Shanghai Art Museum (Private View, 2012), Museo Thyssen-Bornemisza in Madrid (Todo o Nada, 2010), the Metropolitan Museum in Tokyo (Portraits, 2004) and Foam in Amsterdam (Portraits, 2003). Solo exhibitions of his work have been presented at galleries such as Mary Boone Gallery in New York, Phillips de Pury in London, Yvon Lambert in Paris and Timothy Taylor in London. More than sixteen books have been published on his work including Portraits (National Portrait Gallery, 2002), Let Me In! (Taschen, 2007), In Your Face (Taschen, 2012), SIR (Taschen, 2015) and Undressed (Taschen, 2017).

His growing personal collection of artworks ranging from painting to sculpture and photography has also been the subject of numerous shows.

Testino’s relationship with fine art developed after frequent visits to galleries and artist’s studios. He said: “Just as photography is a vehicle for me to live a new moment, to go to a new place, meet a new person and so on, art is a process of encounter and discovery. The display of art for me is not just about seeing the work isolated in a white cube. It’s also about engaging with the art – and sometimes the artist – to make something new.”

He has collaborated in the creation of some unique works with artists such as Keith Haring, Vik Muniz, John Currin and Julian Schnabel.

Awarded the Order of the British Empire in 2013 in recognition of his career and charity work, in 2010 he was also appointed one of the highest honours in his native country, The Grand Cross Order of Merit in Peru, and became President of the Board of World Monuments Fund Peru in 2014. He has worked with Save the Children, amfAR, The Elton John Aids Foundation and CLIC Sargent for children with cancer. The arts are a source of joy to Testino to the extent that in 2012 he opened a non-profit museum in Lima. MATE – Museo Mario Testino was established to contribute to Peru through the cultivation and promotion of culture and heritage. For Testino, art is never static. It is something to be appreciated and collected as fragments that make up a greater mental library: a library that is in constant flow.

In October 2016, Testino opened the Parques Teresita playpark in association with Natalia Vodianova, the founder of Naked Heart Foundation, the Provincial Municipality of Urubamba, and with the support of SURA Perú. Located in Cusco, Perú, Parques Teresita is named in memory of Testino’s late mother. The second Parques Teresita was launched in January 2019 in Ayacucho, within the Municipality of Huamanga. Once again, the project collaborated with the Naked Heart Foundation and the playground’s architect’s: Ecoparques, led by Eduardo Dreifuss.

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COMMISSIONED WORK:

VO GUE M AG A ZINE { A me r ican & B r itish Ed itions }

Not only known for his exceptional talent, but also for being one of the most well-liked people in the industry, some of his most famous fans joined him in a short film to showcase the most memorable moments of his career in celebration of his Lifetime Achievement Award. Narrated

by Kate Moss, and with appearances from Gigi Hadid, Amber Valletta, Christopher Bailey and Anna Wintour, the “mockumentary” makes it clear how fond people are of him. Does he think having a good relationship with those you work with is the secret to being a successful photographer?

“I work every single day of the year from eight in the morning to nine in the evening, so enjoying that time is very important and you only enjoy it by being with people you like,” he revealed. “I think if you look at a model like Kate Moss, her success doesn’t just come from being beautiful, but also that she’s an enhancement to life - you want to spend your day with her, you want to have fun with her.

She’s funny, witty, and she has taste. I want to bring that to whoever I work with too. I want to make them have a good day, to have fun, and to feel that what they’re doing has meaning, and I want to push them like I want to be pushed by my colleagues to do the best work I can.”

Gwyneth Paltrow New York, American Vogue, 2001 Kate Moss London, British Vogue, 2009

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Sienna Miller Rome, American Vogue, 2011

Lara Stone London, British Vogue, 2009 Lara Stone Paris, British Vogue, 2007

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“I realised that a beautiful photograph is worth so much”.

Scarlett Johansson & Mark Ruffalo Los Ángeles, American Vogue, 2012 Sasha Pivovarova London, British Vogue, 2007

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Cara Delevingne London, British Vogue, 2013

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Natalie Portman Los Ă ngeles, V Magazine, 2009

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COMMISSIONED WORK:

VA N I T Y FA I R

{ M agazine }

INTERVIEW WITH AL AIN ELK ANN

Oct 18, 2015

What camera do you usually work with?

For me, it is not the type of camera that matters most. What really counts is the idea that comes before the photograph is taken. It is about knowing where you are going, rather than what is taking you there. It’s about your outlook on things, more than the technical device you use.

Who were your mentors?

In London, I began working with Lucinda Chambers and Patrick Kinmonth. They were my first mentors. Patrick was actually an opera director, but he was also working for Vogue. I am also indebted to Franca Sozzani, who introduced me to the idea that photography is as much about art as it is about business, and taught me how to handle the world of fashion. I also learnt a lot from Anna Wintour, the director of Vogue America, who used to be the creative director of Vogue America and is now editor-inchief. I also learnt about different cultural attitudes to work: the French approach is different from the American one, and so is the Italian approach from the British one. I also worked with Carine Roitfeld, who has been the editor-inchief for Vogue Paris. She taught me not to be afraid of who I am, and this is very important. In the world of photography, you are free to create your own images, and she taught me to put my own style into my pictures.

So what are your pictures really about?

They are a mixture of many things together. I am a very open and cheerful person: I like the sea, parties and sex.

But I also like tradition, elegance and family values. So, my photography is a mix of colour, life and tradition. What I really like about my pictures is that they are open and they have a boundless energy about them.

Your photography is quite different from Helmut Newton’s, isn’t it?

Well, I wouldn’t quite say so. We were both born under the sign of Scorpio, and we both put sex into our work. The difference between us, however, is that he is German and I have Latin blood running through my veins. For me, it’s not enough for

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a woman to be in fashion: she also has to have something classic about her, and a crazy twist as well. My work has something intellectual about it, but I have no interest in sadomasochism like Newton has. I believe that the more a photographer delves into himself, the more his photography will reflect him. I recently came across some photographs that were taken in the North of England. They had a cold, rainy atmosphere which does not really do it for me.

Who are the great photographers for you?

There are many, but only a few of them are truly great. Penn, Avedon and Newton come to mind, and from my generation I can think of Lindberg, Weier, Meisel and Demarchelier.

And nowadays, photography is becoming accessible to a wider range of people. Many fashion designers, for example Domenico Dolce and Karl Lagerfeld, have started to take photographs themselves. Images are consumed at such a high rate that I am not even sure they need to be so wellfinished as they used to be, if putting so much attention and care into them makes sense any more…..?? I wonder whether the so called great photographers will still exist in the future. Of course, I would like to carry on being a photographer all my life, but we are now facing much greater competition than we used to when there were only a few photographers around.

Can photography be considered as art?

Of course it can, but not everybody needs something as sophisticated as artistic photography. Photography plays an important role when it documents something or it creates something new, and artistic photography will always continue to do that. Nowadays, however, people want to know what happens in the world on a moment-to-moment basis, and that’s why Instagram is so successful.

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Gisele BĂźndchen, New York, Vanity Fair, 2009

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“My pictures are my eyes. I photograph what I see - and what I want to see�.

Carolina Herrera & Carolina Adriana Herrera New York, Vanity Fair, 2013 A blast of the best New York, Vanity Fair, 2013

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Kristen Stewart, Paris, Vanity Fair, 2012

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Kristen Stewart Paris, Vanity Fair, 2012

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Rosamund Pike Paris, Vanity Fair, 2012

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COMMISSIONED WORK:

GQ M AG A ZINE

{ For men }

M A R I O T E S T I N O AT 30 Y E A R S

By Suzy Menkes - Oct 2, 2011

In 30 years of fashion photography, he has captured in images the hectic glamour of beach life in Rio de Janeiro or the disciplined enthusiasm of the Horse Guards for the royal wedding last April. For that historic occasion, he was not only behind the lens to create an iconic image of a cuddly “Wills and Kate” before the event, but was also highlighted on camera at Westminster Abbey for his fame as a household name.

“I am obsessed with people and how to make them look their best,” says the photographer, who turns 57 this month, and feels that “it is like a present from life” that he had six magazine covers across the world for the autumn issues.

In a recent exhibition in Rome, devoted to models, the portraits bring personality, not fashion to the fore. While he also has an ability to bring glamour to non-models, like the French Vogue cover of Charlotte Casiraghi of Monaco.

The supermodel Natalia Vodianova waxes lyrical about the photographer. She says that the slightest tension on a photo shoot is dispelled by “his broad gorgeous smile and contagious laugh. He is never shies away to endlessly flatter you and brings the best out of everyone who has the pleasure to stand in front of his lenses. But underneath his extravagant personality is a sensitive, beautiful, warm and kind person.”

At Burberry, where the photographer revitalized the dowdy image of the brand, just as he did with Gucci in the 1990s, the chief creative officer Christopher Bailey expresses neatly the “Mario” legend, saying: “He sees life though the eyes of joy. He loves things to be happy and his images to be beautiful — and everybody loves working with him. It’s always good fun.”

It is tough, indeed, to find anyone with a bad word to say about Mr. Testino, although there are faint murmurs of “Super Mario’s” super ego and the fact that he has failed to embrace the possibilities of modern technology in the way of the British photographer Nick Knight.

And there is a darker shadow to his sunny personality, seen in hard core images he has published in one of several collectors’s books.

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Carine Roitfeld, the former French Vogue editor, whose work with Mr. Testino in the 1990s at Gucci brought him to the apogee of a freedom and sensuality, describes their combined style as “erotic chic,” referring to their years working with Tom Ford. While the photographer says that in that period he switched from trying to emulate English culture to his more jubilant, celebratory and sexy work.

And in return, Giovanni Testino describes his brother as always being a “whizzy kid,” joking that their 25 years’ working together ‘’feels like 45!”

But on a more serious note he said: “Mario always had a wild side, but he had higher education and understands how to discipline talent. Nobody’s perfect, but Mario uses his intelligence. Success and power can spoil anyone — you can destroy yourself so fast with fame and glory.”

Mr. Testino feels deeply for his country and has bought a building in downtown Lima with the goal of funding a photographic center to advance local talent and document culture, like the images of colorful costumes from the Peruvian mountain people that he keeps on his computer.

Asociación Mario Testino scheduled to open in Lima in March.

The photographer stands in front of a studio board choosing images for an exhibition in Beijing next June. He and Mr Olesen work with a scale model representing the different rooms and themes — as they are doing for “In Your Face,” another exhibit to be held at the Boston Museum of Fine Art next year.

Yet for all his global reach, Mr. Testino has a yearning to nourish his roots in Peru, a kind of “going home” to the extent that he could bring to his native country the fruits — financial and artistic — of 35 years of work in absentia.

“We all left. You had to leave,” said Mr. Testino, referring to his siblings and noting that their mother was so pleased that his sister has returned after 30 years abroad.

The vast Mario Testino archives, which were costing such a fortune to store in Europe, have already arrived in Lima — maybe the first, faint wisp of one day coming home.

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Brad Pitt, New York, GQ Magazine, 2005

“I usually try to make my images look like they just exist, like no effort was put into it”.

Ryan Gosling Los Ángeles, GQ Magazine, 2011

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Chris Evans Los Ă ngeles, GQ Magazine, 2010

Michael Fassbender London,GQ Magazine, 2012

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Hayden Christensen Los Ă ngeles, GQ Magazine, 2005

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Orlando Bloom Los Ă ngeles, GQ Magazine, 2005

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COMMISSIONED WORK:

BURBERRY { B rand - L ondon , England }

Sienna Miller & Tom Sturridge Autumn/Winter, Burberry, 2013

Gabriella Wild & Roo Panes Autumn/Winter, Burberry, 2012

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Emma Watson, Douglas Booth, Nick Wilson & Charlie France Autumn/Winter, Burberry, 2009 Eddie Redmayne & Cara Delevingne Autumn/Winter, Burberry, 2012

“I think if you are curious, you create opportunities, and then if you open the doors, you create possibilities�.

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Jourdan Dunn & Matthew Whitehouse Autumn/Winter, Burberry, 2009

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Sam Claflin, Jake Cooper, Johnny George & Thomas Penfound Autumn/Winter, Burberry, 2011

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Sam Riley & Rosie Huntington-Whiteley Autumn/Winter, Burberry, 2008

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Sam Riley Autumn/Winter, Burberry, 2008

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COMMISSIONED WORK:

M I C H A E L KO R S

{ B rand - New Yor k , US A }

I N CO N V E R S AT I O N W I T H M A R I O T E S T I N O

By Julia Cooke - Nov 1, 2014

Mario Testino talks with his hands. He waves them when excited. He uses one to poke at the other to illustrate a point. He twirls them to emphasize the continuation of an idea, and he holds them in front of his body to indicate stillness. Testino addresses questions with half words, half hands.

With an oeuvre that spans Vanity Fair covers and Vogue spreads to exhibitions at Boston’s Museum of Fine Arts—and this fall, Dallas Contemporary (through Dec. 21)—Testino’s work moves fluidly between commercial fashion photography and fine art. Now the Peruvian photographer, who turns 60 this year, is only picking up the pace: Along with his continued magazine work, Testino has also founded an art space in his native Lima (called MATE, Museo Mario Testino), branched out into personal projects, and expanded his fashion photography into short videos—all without losing his signature for taking photographs that lure the world’s most known faces into original poses and fresh perspectives. From his iconic 1997 portrait series of Diana, Princess of Wales, to his ongoing photos of Kate Moss, Testino coaxes out newly refracted angles of each figure he captures.

During a recent interview with him at the newly opened Park Hyatt New York hotel, it was clear how he inspires such candidness in his subjects: Testino is excited, energetic, and always present. He evokes a rare sense of eminence without being enigmatic. His smile is contagious. Surface spoke with him on the occasion of his current Dallas show, “Alta Moda,” which features images he took of traditional and festive Peruvian dress during visits to Cusco over a period of five years.

So this was the start of your relationship with art in Peru?

Yes, and now opening this space it’s become even stronger.

We’ve only just started our new program, which will have changing exhibitions. It’s really exciting. All of a sudden I feel there’s a sense to my work living there, because it’s helped as a platform to promote Peruvian artists. We’re also going to bring things from abroad. Basically, what I want is to be a part of the movement that’s happening there in a very strong way: There are art and photography fairs starting; galleries are opening; the Museum of Modern Art [LiMAC] just opened in the area where my space is.

It’s clear from the “Alta Moda” photos that the drama and the iconic treatment of your subjects carry over from your fashion work to this work. How do you cultivate trust with your subjects?

When I look at my “Alta Moda” pictures, I don’t know whether my fashion work comes from that or whether that comes from my fashion work. I began finding it difficult to determine where the beginning of the project was: Did it start in Peru with looking at those dresses that influence my color, my posing, the way I look at fashion? Or was the way I’m looking at them a result of my learning about fashion in England, America, Italy, and France?

What’s the first thing you notice about a subject when you first meet him or her?

Personality. It’s the most important thing. Either they have it or they don’t. I like a personal point of view, people who really believe in what they believe regardless of anything else.

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I’ve been working a lot with Cara Delevingne—we used her for the Burberry campaign three years ago—and she always surprises me with her point of view with the way she sees life. To me, that’s what ticks, the persona.

How have your photos changed in the last five years?

It’s inevitable that you get better at what you do. What I’m noticing the most now is that I don’t compromise. If I want this to be that color, I will do anything until I get that color.

Maybe before I accepted life and its limitations, and now I don’t. I’m seeing in my work more and more that I set out to do one thing, and I think at the result it’s closer to what I set out to do than it was maybe five years ago.

It’s gotten more expressive.

And freer. It took me a long time to think that I could do something well. I think somewhere along the line I began considering myself intelligent, not in a pretentious way. At the same time, I see so much that’s better than what I do. I’m quite tough on myself.

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Wouter Peelen, Fall Ad Campaign, Michael Kors, 2016

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Edie Campbell, Fall Ad Campaign, Michael Kors, 2017

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Taylor Hill & Romee Strijd Fall Ad Campaign, Michael Kors, 2017

Edie Campbell Fall Ad Campaign, Michael Kors, 2017 Taylor Hill & Romee Strijd Fall Ad Campaign, Michael Kors, 2017

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Karmen Pedaru & Simon Nessman Holiday Ad Campaign, Michael Kors, 2014

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Karmen Pedaru Holiday Ad Campaign, Michael Kors, 2014

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PORTRAITS

{ D iana , Pr ince s s of Wale s • Holl y wo o d • M usicians }

Diana, Princess of Wales Iconographic images taken by Mario Testino of the late Diana, Princess of Wales in 1997 formed the main part of an exhibition that opened at Kensington Palace in 2005. The photographs Testino initially shot for Vanity Fair turned out to be the last official portraits taken of the Princess before her untimely death the same year.

Diana, Princess of Wales London, Vanity Fair, 1997

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“Photographing Diana, Princess of Wales for Vanity Fair in 1997 was one of the most memorable days of my career.�

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“I hope that the design will reflect my respect and admiration for her in this light celebration of her life.�

Diana, Princess of Wales exhibition at Kensington Palace, London - England

Diana, Princess of Wales London, Vanity Fair, 1997

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Holly wood Always bringing forth beauty and sensuousness, Testino’s work is in highest demand globally.

Famous for working towards that special moment that transcends the person portrayed, his portraits prevail a certain ease and comfort that is visible for everybody. And the result is an image that is seductive, welcoming, and sensual at the same time, though not afraid to suggest a more provocative and confrontational look at other times. Each context has its own possibilities, and Mario Testino is known for pushing the limits bringing forth energy, sex and optimism.

Sarah Jessica Parker Jersey City, Vogue Magazine, 2010

Jessica Biel Los Ă ngeles, Vogue Magazine, 2009

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Anne Hathaway, Paris, Vogue Magazine, 2010

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Scarlett Johansson, Paris, Vogue Magazine, 2012

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Charlize Theron Los Ă ngeles, Vogue Magazine, 2010

Charlize Theron Los Ă ngeles, Vogue Magazine, 2010

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Ashton Kutcher Los Ă ngeles, VMAN Magazine, 2008

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Blake Lively Los Ă ngeles, Vogue Magazine, 2008

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Musicians A Testino portrait is unmistakable. Portraits defined the ultra-A-list of our celebrity-conscious age: Diana, Madonna, Gwyneth, Kate – those whose names have become the hallmarks, almost the logos, of modern times. From London to Hollywood, this unprecedented overview of Testino’s career explored how his photographs have influenced attitudes towards fashion, beauty and glamour.

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BeyoncĂŠ, New York, Vogue Magazine, 2013

Sky Ferreira New York, V Magazine, 2011

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Keith Richards & Mick Jagger Los Ă ngeles, British Vogue, 2003

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Lady Gaga Antwerp, Vogue Magazine, 2011

Jennifer Lopez London, Vanity Fair, 2011

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Madonna, Budapest, Vanity Fair, 1996

Courtney Love, Los Ă ngeles, V Magazine, 2006

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Lana del Rey, New York, British Vogue, 2011

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PA R T I E S

Josh Harnett New York, 2007

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Naomi Campbell, Iman, John Galliano & Vanessa Bellanger New York, 1999

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Oprah Winfrey New York, 2010

Miranda Kerr Los Ă ngeles, 2013

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Naomi Campbell & Sean Penn Los Ă ngeles, 2007

Rihanna New York, 2012

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BeyocĂŠ & Jay Z New York, 2014

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Stella McCartney, Johnny Depp & Marion Cotillard New York, 2014

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BIBLIOGRAPHY BIOGRAPHY

Taken from Mario Testino’s website: www.mariotestino.com/biography/ February 2009

INTERVIEW WITH AL AIN ELKANN

Taken from Alain’s website: www.alainelkanninterviews.com/mario-testino/ October 18, 2015

M A R I O TE S TI N O AT 30 Y E A R S

Article by Suzy Menkes taken from The New York Times website: www.nytimes.com October 02, 2011

I N CO N V E R S ATI O N WITH M A R I O TE S TI N O

Interview by Julia Cooke taken from Surface Magazine website: www.surfacemag.com/articles/mario-testino/ November 01, 2014

DIAN A , PRINCESS OF WA LES

Paragraph taken from Mario Testino’s website: www.mariotestino.com/exhibitions/ Kensington Palace, London, 2005

H O L LY W O O D

Paragraph taken from Mario Testino’s website: www.mariotestino.com/exhibitions/ London, 2002

MUSICIANS

Paragraph taken from Mario Testino’s website: www.mariotestino.com/exhibitions/ London, 2002

PHOTOGRAPHY All the images used for the making of this book were taken from Mario Testino’s website: www.mariotestino.com Unless otherwise stated, all rights in any images or information belong to Mr. Mario Testino and it’s licensors.

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