Matthew 28 by Nathan Whittaker

Matthew 28 For mezzo soprano, baritone, and chamber orchestra

Nathan Whittaker

Instrumentation Flute/Piccolo Oboe Clarinet in Bb Bassoon Horn in F Trumpet in Bb Trombone Timpani Harp Mezzo-Soprano Baritone Violin I Violin II Viola Cello

Duration: c. 15'

Dedicated to Kyle, Martha, and all of my friends at JMU.

Performance Notes The ensemble for Matthew 28 can >it into two rows. Row 1 -‐ from conductor left to right: >lute, oboe, clarient, harp (takes two rows), violin II, violin I Row 2 -‐ from conductor left to right: trumpet, horn, trombone, bassoon, harp, cello Timpani should be behind strings Solo vocalists can be on either the left or right sides of the conductor, whichever they prefer. Of course this setup is not set in stone. If circumstances arise in which this will not work, please feel free to alter. Both works, Matthew 27: 45-‐54 and Matthew 28, can be treated as two movements of a larger work. If this is the case, some time will be needed to rearrange the ensemble. The above setup may remain on stage throughout both works, however, only the performers needed for Matthew 27 should be on stage for Matthew 27. Those performers should be arranged according to the setup provided in the Matthew 27 score. Only between pieces should the remaining performers enter the stage.

Program Notes I composed Matthew 28 as a sequel to my other work, Matthew 27: 45-‐54. Like the previous work, the text for Matthew 28 is taken from the King James version of the bible. The text depicts the resurrection of Christ three days after His cruci>ixion as well as the angel's visit to Mary Magdalene and Mother Mary to announce Jesus' resurrection, the bribing of the soldiers who guarded Jesus' tomb, and the Great Commission. The same three-‐note motif established in Matthew 27 is present here, building the harmonic foundation for this piece. This motif also serves as groundwork for various thematic ideas, such as the motif presented in the cello at the beginning of the work. Matthew 28 features a solo baritone and solo mezzo-‐soprano. The baritone is the narrator (with occasional help from the mezzo-‐soprano) and the voice of the cheif priests while the mezzo serves as the voice of the angel. Both voices together depict the voice of Jesus Christ. The work premiered on April 7, 2012 (Easter) at the Forbes Center Recital Hall on the campus of James Madison University in Harrisonburg, VA. The premiere featured soloists, Kyle Yampiro (baritone) and Martha Hensler (mezzo-‐soprano). -‐ Nathan Whittaker

Matthew 28 1.

In the end of the sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene and the other Mary to see the sepulchre.

And, behold, there was a great earthquake: for the angel of the Lord descended from heaven, and came and rolled back the stone from the door, and sat upon it.

His countenance was like lightning, and his raiment white as snow:

And for fear of him the keepers did shake, and became as dead men.

And the angel answered and said unto the women, "Fear not ye: for I know that ye seek Jesus, which was crucified."

"He is not here: for he is risen, as he said. Come, see the place where the Lord lay."

"And go quickly, and tell his disciples that he is risen from the dead; and, behold, he goeth before you into Galilee; there shall ye see him: lo, I have told you."

And they departed quickly from the sepulchre with fear and great joy; and did run to bring his disciples word.

And as they went to tell his disciples, behold, Jesus met them, saying, "All hail." And they came and held him by the feet, and worshipped him.

10. Then said Jesus unto them, "Be not afraid: go tell my brethren that they go into Galilee, and there shall they see me." 11. Now when they were going, behold, some of the watch came into the city, and shewed unto the chief priests all the things that were done. 12. And when they were assembled with the elders, and had taken counsel, they gave large money unto the soldiers, 13. Saying, "Say ye, His disciples came by night, and stole him away while we slept." 14. "And if this come to the governor's ears, we will persuade him, and secure you." 15. So they took the money, and did as they were taught. 16. Then the eleven disciples went away into Galilee, into a mountain where Jesus had appointed them. 17. And when they saw him, they worshipped him: but some doubted. 18. And Jesus came and spake unto them, saying, "All power is given unto me in heaven and in earth." 19. "Go ye therefore, and teach all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Ghost:" 20. "Teaching them to observe all things whatsoever I have commanded you: and, lo, I am with you always, even unto the end of the world." Amen.

Matthew 28

Score 3 4

∑

2 4 ∑

3 4

∑

3 4

∑

2 4 ∑

3 4

# 3 & # 4

∑

2 4 ∑

∑

Flute/Piccolo

Oboe

Clarinet in B b

Bassoon

Horn in F

Trumpet in B b

Tenor Trombone

Timpani

∑

3 4

∑

2 4 ∑

3 4

∑

2 4 ∑

3 4

∑

# 3 & # 4

∑

2 4 ∑

3 4

∑

42 ∑

∑

3 4

∑

2 4 ∑

3 4

∑

3 4

∑

2 4 ∑

3 4

∑

2 4

3 4

OOoPopOo

◊ 3 4 ˙. P

3 4

˙.

∑

2 4 ∑

3 4

∑

2 4 ∑

3 4

∑

Solemn and Forboding (q = c 60)

∑

3 4

∑

3 4

∑

3 4

∑

Viola

∑

Violin 2

∑

3 4

˙.

∑

O O Œ ‰ œJ œ p

Violin 1

Cello

Solemn and Forboding (q = c 60)

∑

Baritone

3 4

Nathan Whittaker

# 3 4

Harp

Mezzo-Soprano

Solemn and Forboding (q = c 60)

flute

O˙ ..

2 4 ∑

3 4

#˙.

˙.

œ bœ œ

‰ j bœ ˙ π

2 4 ˙

3 4 ˙.

˙.

œ. #œ.

˙.

2 4 ˙

3 4 ˙.

˙.

œ. bœ.

O˙ ..

∑ ∑

˙.

π

∑

2 B3 4 ∑ 4 Œ

#œ œ p

#œ #œ Œ ‰ J

Matthew 28

8 #œ 2 4 Œ p

3 ˙ 4 P

bœ bœ œ œ œ

∑

4 4

∑

Ob.

∑

2 4 Œ œ p

3 4 ˙ P

œ #˙

# & #

∑

2 4 Œ

3 4

nœ

œ #˙

∑

2 4

∑

3 4

∑

4 4

∑

2 4

∑

3 4

∑

# & #

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

B b Cl.

Bsn.

Hn.

B b Tpt.

T. Tbn.

Timp.

Bar.

œ ‰ œJ 43

3 4

∑

3 4

∑

3 4

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

bœ 4 œ 4 J‰ Œ Ó

∑

P P

‰ # œ 44 œ œ ˙ . J

∑

‰ œ œ bœ œ J loco

∑

2 4

∑

3 4

∑

4 4

∑

3 4

∑

2 4

∑

3 4

∑

4 4

∑

3 4

3 4 Œ

˙.

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

3 4

∑

3 4

˙.

2 4

Vln. 1

Vln. 2

˙.

2 4 ˙

3 4 ‰ j œ ˙

˙.

Vla.

˙.

2 ˙ 4

3 4 #˙.

˙.

j‰ œ œ #œ œ

Vlc.

b˙.

Mezzo

Œ 42

j bœ

Œ œ œ bœ œ

Hp.

4 Ó 4

Fl./Picc.

∑

œ ˙

2 bœ Œ ? 3 Œ 4 4

#œ œ œ bœ

b˙ bœ ˙

4 4 w 4 4

∑

Matthew 28

Fl./Picc.

3 4

Ob.

3 4

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

bœ

œ ˙

∑

3 4

∑

œ œ

œ ˙

4 4

∑ #œ

∑

#w P ˙

P w P

# 3 4

∑

4 4

∑

# 3 & # 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

bœ ‰ œ œ bœ œ bœ J bœ

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

j œ œ ‰ Œ œ

∑

#œ

bœ

b˙

Vln. 1

Vln. 2

3 4

∑

b˙. π

˙.

4 4 œ Œ Ó

Vla.

3 4

∑

˙.

#˙.

4 4 œ Œ Ó

3 4

#˙.

˙.

bœ

‰

∑

˙. π

j œ ˙ π

π

4 4

∑

œ ˙ bœ œ œ bœ œ 3

3 4

Vlc.

P #œ

4 4 w

#œ ˙

∑

Œ œ œ 44 b œ ˙

∑

bœ

4 4

∑ Œ

Hp.

Bar.

œ œ

œ œ nœ œ œ

Mezzo

∑

Timp.

bœ œ œ ˙

# 3 & # 4

Hn.

j bœ

4 4 œ Œ Ó

P ∑ ˙ P w P

Matthew 28

Fl./Picc.

∑

5 4

∑

4 4

Ob.

∑

5 4

∑

4 4

# & #

∑

5 4

∑

4 4

∑

5 4

∑

4 4

‰ ‰ œ ˙ J 3 p

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

œ ˙ bœ œ œ bœ œ

∑

5 4 Ó

B b Cl.

Bsn.

Hn.

B b Tpt.

T. Tbn.

Timp.

# & #

Hp.

Bar.

∑

‰œ œ œ œ œ

∑ 3

In the end of the

œ œ

3 Œ œ œ œ œ œ œ

sab - bath,

∑

Vln. 2

∑

Vla.

∑

Vlc.

#œ œ œ.

as it be - gan to dawn

Vln. 1

#œ œ F

œ ˙ bœ œ œ bœ œ

Mezzo

toward

5 œ 4

œ came

3 œ œ ˙ J 45 œ œ œ

the

first day of the week,

came

˙ Œ ˙ P

5 4 Ó

∑

4 4

4 4 4 4 4 4

5 4 œ

œ P

4 4

bœ œ F

5 œ 4

œ P

4 4

#œ œ F

5 4 œ

b˙

œ #œ F

4 4

Matthew 28

Fl./Picc.

4 4

Ob.

4 4

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

œ œ

4 Ó 4

b˙

˙.

π

j œ ‰ Œ Ó π

#w w

œ # œj œ œj œ œ œj œ 3 4

j #œ

jU œ

œ 2 4

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

# 4 & # 4

∑

3 4

U ∑

2 4

4 4

∑

3 4

U ∑

2 4

4 4

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

∑

U ∑

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

∑

3 4

U ∑

2 4

4 4

Hp.

œ œ b˙

∑

Œ œ b˙ ∑

4 œ œ œ œ œ œ 4 œ œ œ ‰

4 4

Bar.

∑

œ œj œ œj ˙ .

∑

Mezzo

∑

j #œ

∑

# 4 4

Timp.

∑

# 4 œ bœ ˙ & # 4 F

Hn.

∑

Ma - ry Mag-da-lene

and the o - ther

œ œ œ œ œ œ œ œ œ ‰ Ma - ry Mag-da-lene

and the o - ther

œ œ b˙

˙ ∑

œ œ œ Œ œ bœ œ œ œ œ

Ma-ry

œ œ bw

see the se-pul - chre.

oOpPOOpO

see the se-pul - chre.

Vln. 1

4 4

Vln. 2

4 4

∑

3 4

U ∑

2 4

Vla.

4 4

∑

3 4

U ∑

2 4

4 Ó 4

Vlc.

b˙

j‰ Œ #œ π

3 4

U 2

4 ˙ #œ

Matthew 28

12 B 35

Fl./Picc.

Ob.

Allegro (q = c 120)

2 œ bœ œ œ #œ œ 4 J‰œ 7 f 2 4

∑

bœ 4 J ‰Œ Ó 4 4 œj ‰ Œ Ó 4 f

# 2 œ 4 bœ & # 4 Œ œ bœ œ œ #œ œ 4 J ‰ Œ Ó f 7

B b Cl.

Bsn.

? B

B b Tpt.

T. Tbn.

Allegro (q = c 120)

∑

# 2 & # 4

∑

˙.

Œ ˙. f

3 4 œ ˙

4 4

∑

> > b œ . b œJ ˙

3 œ ˙ 4

4 ‰œ œ 4 bœ œ bœ Œ > > >

∑

b œ . œj ˙ > >

3 4 œ ˙

4 4

∑

bœ. œ ˙ J

3 œ 4 ˙

4 4 bw

∑

3 4

∑

b >œ œ n >œ 4 ‰ n >œ œ Œ 4 ƒ

∑

3 4

∑

>œ

b >˙

>œ ˙ J

>˙ .

>œ

>œ b >˙ .

∑

2 4

∑

4 4

˙ b >˙

>˙

N >œ . >œ ˙ J

bœ. œ ˙ J

∑

4 ‰bœ œ 4 œ œ œ > > > ƒ

3 œ 4 ˙

> b >œ œ n >œ 4 ‰bœ œ Œ 4 ƒ

∑

3 4

∑

4 Ó 4

∑

3 4

∑

4 4

∑

˙ b˙

∑

œ ~~4~~~~ J ‰ Œ Ó ~ ~ ~ ~ ~ ~ 4 œ ~~~~~~~

Œ bœ bœ > >bœ ƒ >

2 4 Œ

∑

44 œ #œ œ œ

2 4

∑

4 4

∑

3 4

∑

4 4

∑

2 4

∑

4 4

∑

3 4

∑

4 4

∑

Œ œ f

4 4

∑

Œ œ f

œ 4 4

∑

œæ ˙æ > f

wæ

B 35

Allegro (q = c 120)

2 4

∑

4 4

Vln. 1

Vln. 2

2 4

∑

4 4

Vla.

2 4

∑

4 Œ 4

2 4 œ œj

Vlc.

b˙

j œ. bœ ˙ > >

>˙ .

>œ >œ 4 # >œ >œ 4 f

Hp.

Bar.

4 b >œ . 4 f

∑

# >˙

2 4

Mezzo

4 >˙ 4 f

? 35

Timp.

4 4 #œ œ œ œ

∑

# 2 & 4

Hn.

2 4

∑

‰

4 4

wæ > f

b˙

œ J‰Œ

3 4

˙ bœ

œ 3 ˙ 4

∑

3 4

∑

4 4 b wæ

∑

3 4

∑

4 4 b wæ

Matthew 28

j> œ bœ >

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

‰ Ó

∑

˘ nœ bœ nœ

>œ >œ n >œ J ‰

# & # bœ œ œ > >

> œ œ œ ‰ > > J

b >œ b >œ œ

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4 #w

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4 #w

3 4

∑

4 4

∑

3 4

∑

4 4

∑

# n >œ b >œ œ

Timp.

œ œ b ˘œ

‰ Ó

# # b >œJ >œ &

Hn.

˘ bœ bœ nœ > > b >œ b œ n œ J ‰ Œ

˘œ œ œ Ó

>œ >œ n >œ J ‰

bœ ‰ Œ bœ œ œ J

~~ œ b œ ~~~~~ J J

bœ > ‰ Œ

Hp.

? 42

Mezzo

Bar.

& ?

∑

3 4

∑

4 4

∑

3 4

∑

f 4 Œ # œ ≈ œ ˙ 4

∑

And,

∑

‰

Vln. 2

∑

‰

>œ ˙ J

>œ œ 3 >œ . J 4

4 4

>œ >œ ˙ .

Vla.

b wæ >

œæ

# >œ ˙ ‰& J

> 3 b >œ . # œJ œ 4

4 w 4

> b >œ # œ ˙ .

b wæ >

œæ

3 4

4 4 #w

Vln. 1

Vlc.

4 4

œ œ ‰ # œJ œ œ œ

>œ ˙ J

>œ œ 3 >œ . J 4

be-hold,

∑

> >œ œ ˙ .

there was a great earth-quake:

Matthew 28

∑

3 4

∑

4 Œ 4

bœ œ

5 4

Fl./Picc.

∑

Ob.

∑

3 4

∑

4 Œ 4

# & #

∑

3 4

∑

4 4

3 4

∑

bœ ˙ ƒ

œ-

4 Ó 4

œ-

4 4

∑

5 4

B b Cl.

Bsn.

? 47

Hn.

B b Tpt.

T. Tbn.

# & # ? ?

5 4 5 4

∑ Œ

5 4

∑

3 4

∑

œ b˙

∑

3 4

∑

œ b˙

œ-

4 4

∑

5 4

3 4

∑

œ #˙

˙ # œ-

4 4

∑

5 4

∑

3 4

∑

4 Ó 4

∑

3 4

∑

4 4

∑

5 4

∑

œ Œ Œ

∑

4 4

∑

5 4

œ Œ Œ

Timp.

œœ

œ Œ

5 4

Hp.

∑

Mezzo

Bar.

& ?

Vln. 1

Vln. 2

Vla.

Vlc.

& & & ?

f ‰ ≈ r 43 œ œ œ ≈ œ # œ œ œ de

Œ ‰

œ œ œ œ œ. œ bœ. for the

> > >œ œ b ˙ .

an-gel of the Lord

> > >œ œ b œ >œ

>œ >œ >˙ .

> b >œ # œ >˙ .

scen - ded

from hea-ven,

œ œœ œ œ ≈ # œ œ 3 R ≈ 4

scen - ded

from hea-ven,

and

˙.

>œ >œ >œ # >œ

3 ˙. 4

> b >œ # œ >œ >œ

3 ˙. 4

3 4

œ œ ‰ J 44

∑

came

œ ≈ œ œ œ œ and rolled back the

5 4

Œ Œ

∑

4 4

∑

5 4

Œ Œ

∑

4 4

∑

5 4

œ Œ ŒB

∑

4 4

∑

5 4

∑

4 4

˙ F

b˙

5 4

Matthew 28

Fl./Picc.

5 œ 4

4 4

∑

3 4

∑

Ob.

5 4 œ

4 4

∑

3 4

∑

4 4

∑

3 4

∑

3 4

∑

B b Cl.

Bsn.

# 5 & # 4 ?

B b Tpt.

T. Tbn.

˙.

4 ˙ 4

#˙

∑

4 4

∑

3 4

∑

# 5 & # 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

5 4

∑

4 4

∑

3 4

∑

Timp.

5 bœ 4 # 5 4

Hn.

∑

wæ π

œæ Œ Ó π

∑

Hp.

∑

5 4

∑

4 4

∑

5 4

Mezzo

Bar.

5 4

Vln. 2

Vla.

Vlc.

œ œ œ

stone from the door,

œ and

∑

4 b œ œ œj œj ˙ 4 J J sat u - pon it.

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4 ˙

∑

4 4 #w

Ó O˙

∑

f Œ œ

∑

His

4 4

Vln. 1

j‰ Œ Ó œ

π

œ His

oOpPOOpO

3 4 œ œ œ

œ œ œ

∑ œ bœ

coun - te-nance was

3 4

∑

3 4

∑

3 4

∑

3 4

∑

# # Ow π

light - ning,

œ bœ

coun - te-nance was

œ œ

light - ning,

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

# & # Œ ? 58

Hn.

B b Tpt.

T. Tbn.

Hp.

Bar.

4 4

#œ œ

∑

4 4

∑

. œ bœ œ

5 4

∑

4 4

∑

œ œ œ.

5 4

∑

4 4

∑

5 4

∑

4 4

∑

4 4

∑

ƒ ƒ ƒ

~~~ œ ~~~~~~~~~~~~~~~~5 ~ b œ ‰ Œ Ó j ~~~~~~~~~~ J 4 J œ ~~~ f

5 4 Ó.

4 bœ œ 4

∑

5 4 Ó.

Vln. 2

Vla.

∑

œ ˙

bœ

and his

rai - ment

b œ œ 44

œ ˙

bœ

rai - ment

and his

‰

snow:

œ œ œ bœ œ œ

œ œ Œ

And for the fear of him

snow:

œ œ œ bœ œ œ

And for the fear of him

∑

5 4

∑

4 4

∑

œ # œœ Œ ÿ ÿ ƒ

5 4

∑

4 4

∑

5 4

4 4

∑

œ œ œ f ‰

4 b b Ow 4 p

b˙.

˙. >

5 4

œ bœ ÿ ÿ ƒ

5 4

∑

. œ bœ œ

ƒ œ´ # œ´

œ-

∑

Vlc.

4 4

b œ´ œ´ œ Œ œ

Vln. 1

∑

œ-

∑

Mezzo

4 4

4 #œ œ ˙ 4 P

∑ Œ

œ bœ ˙

5 4

bœ 5 J‰Œ Ó 4

5 Œ ∑ 4 œ b œ œ. ƒ œ œ #œ œ bœ œ œ bœ œ œ œ œ œ 5 J 4 ‰Œ Ó

Timp.

œ. b œ ˙ ƒ

# & # Œ ?

#œ œ œ œ œ œ œ œ œ bœ œ œ

Ó Ó

b˙ æ f ˙ æ f

˙. >

Matthew 28

Fl./Picc.

∑

Ob.

∑

# œ. Œ

# & #

∑

œ.

# œ.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

˙ #

b˙

∑

^j U Œ #œ ‰ Ó

∑

‰

˙ ˙ œ œ œ bœ œ

the keep -ers did shake,

œ œ œ bœ œ the keep -ers did shake,

Vln. 1

Vln. 2

œ æ

Vla.

B ?

˙ ˙

bœ œ œ œ J ‰‰J Ó

œ æ Œ

Ó ˙ ˙

œ œ b˙

œ œ p

œ bœ ˙

∑

n˙

∑

Œ Ó

∑

œ #œ

∑

˙ p ∑

j‰‰ j ‰Ó bœ œ œ œ œ œj

œ æ Œ

b˙

∑

and be-came

b˙

œ Œ Ó

∑

and be-came

bœ æ

U ˙

œ. œ. œ œ ƒ

œ bœ

∑

#˙ p

˙ ˙

b˙ b˙

∑

˙ ˙

# & #

Vlc.

Hp.

Bar.

∑

Mezzo

∑

Hn.

∑

œ œ #˙ ∑

w ∑

∑

‰ œ œ œ œ œ œ Œ

dead men.

œ œ U J ‰Ó dead men.

œ œ ÿ ÿ ƒ #œ œ ÿ ÿ ƒ #œ œ œ œ ÿ ÿ ƒ #œ œ œ œ ÿ ÿ ƒ

And the an - gel an -swered

w p

Œ ‰ œJ

and

∑

Matthew 28

18 w

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

3 2

∑

U ∑

3 2

# & # w

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

U ∑

3 2

∑ #

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

∑

U ∑

3 2

U ∑

3 2

∑

U ∑

∑

U ∑

∑

3 2

∑

œ œ ˙

3 2

∑

U ∑

3 2

# & #

∑

∑ w

& ?

b œ ≈ œ œ œ œ œ

I know that ye seek Je

sus,

U ∑

un-to the wo-men,

√ b˙

Vln. 1

Vln. 2

Vla.

∑

f bœ œ œ œ œ œ œ œ œ œ nœ ˙ "Fear not ye: for

said

No Tempo

∑

h = 60

U ∑

3 2

∑

No Tempo

Hp.

Vlc.

U ∑

3 2

Bar.

∑

U ∑

Mezzo

3 2

No Tempo

∑

Timp.

∑

h = 60

U ∑

Hn.

No Tempo

π π

No Tempo

U ∑

∑ B

π

˙o

No Tempo

b˙.

h = 60

3 2 3 2

3 2

œ œ

which was cru - ci - fied."

3 2 ˙

˙o b ˙o

˙.

3 2 U ∑

∑ w.

3 2

#˙.

3 2 ?

3 2

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

& &

B b Tpt.

T. Tbn.

∑

3 2

∑

3 2 h = 60

w ∑

∑ Ó

No Tempo

∑ œ π

#˙

U ∑

∑

U ∑

2 2

∑

U ∑

2 Ó 2

U ∑

2 2

U ∑

∑

U ∑

3 2

∑

U ∑

∑

U ∑

∑

U ∑

∑

bœ œ œ œ œ œ bœ

3 2

˙o

∑

3 2 œ Œ Ó

3 2

Vln. 2

Vla.

B ?

"He is

∑

h = 60

3 œ Œ Ó 2 3 2

˙o

b ˙o

Œ Ó

√ w

œ ˙ f

∑ w

∑ ∑

U ∑

2 2

∑

U ∑

∑

2 2

∑

2 2

∑

ris - en, as

he said."

b˙

U ˙

2 2

2 Œ 2 2 Ó 2

U ˙

>˙

"Come,

see

∑

D Forceful (h = 60)

U ∑ #˙

∑

U ∑

2 2

Forceful (h = 60)

2 2 ˙ f>

U ∑

2 2 ˙ F>

œ ˙

œ f

˙ f>

2 Œ 2

No Tempo

∑ B

bœ œ œ œ ˙

U ∑

3 œ #œ 2 œ w p 3 3 #˙ 2

not here: for he

∑

D Forceful (h = 60)

2 2

∑

Vlc.

U ∑

3 2

Vln. 1

œ œ

No Tempo

Hp.

Bar.

#œ ∑

# 3 & # 2 Ó

Mezzo

# 3 & 2

Timp.

3 2

# 3 & # 2 Ó

Hn.

h = 60

2 2 ˙ f>

∑

loco

œ œ f

∑ w

˙ f

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

∑

# & # œ œ b˙ ? 80

Hn.

∑

aœ œ œ n˙ Œ œ

∑

b˙

n˙

œ œ œ œ F 3

∑

Hp.

? 80

Mezzo

Bar.

∑ Œ œ the

œ œ

place where the

b˙ Lord

∑

4 4

∑

4 4

∑

4 4

∑

b˙

4 4

∑

4 4

∑

4 4

∑

b ˙o

˙ p

Tempo I ( h = q)

44 œ # œ œ b œ p 3

∑

œ œ ˙

∑

4 4

∑

4 4

∑

lay."

∑

Œ œ b˙

Vla.

Œ œ

b˙

n˙

4 4 ˙ p

b˙

Vln. 2

˙o

∑

Vlc.

∑

4 4

∑

Œ œ

∑

loco

rit.

4 4

∑

Vln. 1

Tempo I ( h = q)

∑

Œ œ œ œ œ b˙

∑

# & # œ œ

w Œ

rit.

Tempo I ( h = q)

∑

4 4

∑

4 4

∑

4 4

∑

rit.

b˙ p

4 w 4

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

j œ

Ó Œ œ

œ œj œ œj œ

˙.

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

# & #

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

#œ œ bœ œ

œ ˙

∑

#œ œ bœ œ 3

œ ˙

Œ œ w J π 3

Œ œ œ œ #œ p

#œ œ bœ œ 3

∑

3 Œ Œ #œ 4 œ

43 # ˙ #˙

œ œ

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

Bar.

œ œj œ œj ˙ .

∑

Hp.

Mezzo

Œ œ π

j œ

# & #

Hn.

Œ œJ ˙ 3 p

Vln. 1

∑

3 4

∑

4 4

Vln. 2

∑

3 4

∑

4 4

Vla.

∑

3 4 Œ Œ

∑

3 4 b˙. p

Vlc.

solo

bœ œ P

4 4 4 4

Matthew 28

Fl./Picc.

4 4

∑

Ob.

4 4

∑

# 4 & # 4

∑

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

∑

‰ œ œ œ œ œ Œ

∑

˙. >

E Allegro (q = c 120)

∑

# 4 & # 4

∑

4 4

∑

˙. F>

4 4

∑

4 4

∑

Timp.

∑

# 4 4

Hn.

4 4

E Allegro (q = c 120)

œ >

‰ œ œ œ

‰ #œ œ œ œ œ œ œ

>œ

œ >

b˙. >

∑

œœœ Œ

œ œ #˙

œ >

˙. >

∑

œ œ Œ

∑ œ œ Œ

>œ

> b˙.

˙. >

bœ œ œ œ >œ

∑

Hp.

Bar.

˙. ˙.

4 4

∑

4 4

∑

Mezzo

44 w w

#œ #œ

w w

∑

4 4

∑

Vln. 2

4 4

∑

Vla.

4 . 4 ˙

4 4 w

Vlc.

œ œ œ œ œ

"And go quick - ly,

Vln. 1

Œ ˙.

#œ

œœœœ

bœ

‰ j r j r Œ œ œ œ œ bœ œ and tell his

∑ œ œ Œ

‰ œ œ œ œ œ Œ F Ó

di - sci - ples

bœ œ œ œ œ œ œ

that he is ri - sen from the

∑

E Allegro (q = c 120)

‰

∑ bœ œ œ œ

œ œ Œ

‰ œ œ œ

œ œ Œ

‰ #œ œ œ œ œ œ œ

˙. F>

œ >

˙ >.

œ >

b˙ >

˙ >

˙. > F

œ >

˙. >

œ >

b˙ >

˙ >

Matthew 28

∑

3 4

∑

. #œ Œ Ó

∑

3 4

∑

. Œ Ó œ

∑

3 4

∑

Fl./Picc.

Ob.

B b Cl.

Bsn.

& & # & #

B b Tpt.

T. Tbn.

Timp.

3 4 œ

œ œ

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

Œ Œ

∑

5 4

∑

4 4

rit.

# & #

∑

#˙

3 4 #œ

œ œ

∑

3 4 œ

œ œ

∑

3 4

∑

3 4

∑

? 99

N œ. œ. œ œ Ó

∑

œ Œ œ . œJ ˙

dead:

and,

be - hold,

∑ ´ ´

#˙. #˙. >

he go-eth be

∑

fore you

3 4

∑

´ ´ #œ œ Ó œ œ

∑

3 4

∑

´ ´ Ó #œ œ œ œ

Vla.

#œ œ

Œ #œ

œ ˙

˙.

5 4 ˙.

Œ Œ 44

Œ œ

œ ˙

#˙

œ 45 ˙

œ œ

∑

5 4

∑

4 4

∑

5 4

∑

4 4

Œ Œ

∑

Œ #˙

4 4

∑

4 4

# # ·˙ Œ π

4 4

˙ ˙

Ga-li-lee

there

∑

´ ´

Œ Œ 44

∑

5 4 ˙.

∑

Vln. 2

in-to

∑

œ œ

˙.

3 4

∑

œ b˙

∑

Vln. 1

Œ œ

‰ œ b œ œ œ 43 œ œ Œ b œ œ œ œ œ Œ œ J

3 4

Vlc.

∑

Hp.

Bar.

#˙.

∑

Mezzo

rit.

3 4 œ

Hn.

. Œ Ó #œ

3 4 œ

œ œ

œ œ œ # œ œ Œ 45 Ó you shall

∑

Œ œ œ

˙ ˙

see him:

∑

5 4

∑

5 4 Ó

∑

5 4 Ó

∑ rit.

˙. ˙.

5 4 5 4 Ó

lo,

Œ 44

Œ ·˙ π

4 4

∑

4 4

·˙ Œ π

4 4

Matthew 28

24 F

Fl./Picc.

4 4

∑

Ob.

4 4

∑

# 4 & # 4

∑

107

B b Cl.

Bsn.

4 4

Andante (q = c 84)

5 4

∑

4 4

∑

5 4

∑

4 Œ 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

∑ ˙ P

∑ œ

w p

∑ b˙.

#˙.

# 4 4

∑

# 4 & # 4

∑

4 4

∑

4 4

∑

4 4

∑

107

Hn.

B b Tpt.

T. Tbn.

107

Timp.

107

4 4 #œ œ œ

Bar.

4 4

wæ π

Vln. 2

4 ·w 4

Vla.

4 4

Vlc.

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

4 4

∑

U U

∑

U U

∑

U· w U· w

œ œ

5 œ œ bœ œ 4 œ œ œ Œ œ 4 Œ ≈ œ œ œ œ œ 4 And they de-part - ed quick - ly from the

Andante (q = c 84)

∑

U· w

45 5 4

∑ ·w

4 4

∑

Vln. 1

∑

I have told you."

· 4 w 4

107

5 4

∑

107

Mezzo

Andante (q = c 84)

∑

Hp.

se-pul-chre

with

fear

œ œ and great

# œ œ œJ ‰Œ Œ

#œ œ œ ∑

#˙.

œ œ

joy;

and did

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

4 4

∑

5 4

˙ p

˙.

Matthew 28

113

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

b˙

P ∑

# & # ? #

˙.

œ ˙

˙ p

˙. ˙

˙.

∑

œ J ‰ Œ b˙

œ œ ˙

j‰ Œ œ ˙

bœ

b˙

Ó Ó

œ œ

Ó n˙

∑

bœ œ œ N˙.

∑

Œ bœ ˙

∑ ˙.

∑

# & #

∑

113

∑

113

∑

113

Hn.

Hp.

113

Mezzo

Bar.

& ?

œ. œ œ œ œ bœ œ J

run

∑

bw P

∑

bw p

∑

to bring his di - sci-ples word.

Vln. 1

∑

Vln. 2

∑

Vla.

∑

113

Vlc.

˙. P

b˙

œ ˙.

N˙.

˙.

Œ Œ

b˙. p ∑

n˙ ∑

Matthew 28

∑

# & #

∑

122

∑

122

∑

Œ Ó

∑

122

Fl./Picc.

Ob.

B b Cl.

Bsn.

# & # ? 122

Hn.

B b Tpt.

T. Tbn.

Timp.

∑

w #

◊

Hp.

∑

Bar.

bœ ˙

∑ w p

∑ w

∑

Vln. 1

∑

Vln. 2

∑

Vla.

∑

122

Vlc.

122

Mezzo

∑

nw p

˙ ∑

w Ó

b˙

bw p

˙ b˙ ∑

bw p œ-

∑ w

˙ b˙

˙ N˙

Œ Ó

∑

w N˙. P

bœ ∑

Matthew 28

∑

132

Fl./Picc.

Ob.

B b Cl.

Bsn.

& ?

B b Tpt.

T. Tbn.

w ∑

U w

## b w

U w

bU w

∑

132

Mezzo

Bar.

Vln. 1

∑

Vln. 2

b˙.

Vla.

132

Vlc.

∑ ˙

∑ bw

b˙ ∑

f ∑

2 4

∑

5 4

∑

2 4

∑

5 4

∑

2 4

5 4

∑

2 4

∑

5 4

∑

2 4

∑

5 4

∑

5 4 5 4

∑

b˙

∑

U w

∑

5 4

Hp.

∑

2 4

Forceful!

∑

2 4

5 2 4 œ bœ œ œ ˙ 4 bœ > >> > f G

5 4

∑

> 2 5 4 œ bœ œ œ ˙ bœ 4 > >> f

bw F

# bw

5 4

Forceful!

132

Timp.

U w

132

Hn.

## b w

5 4

∑

5 4 œ bœ œ œ ˙ >> f

4 4

∑

>œ 4 œ b œ œ œ 4 f

4 bœ nœ œ œ 4

5 4 4 œ bœ œ œ ˙ 4 bœ œ bœ bœ Nœ >> > f f

5 4

∑

œ œ

5 4

∑

4 b˙ 4 F

œ œ

5 4

∑

4 ˙ 4 F

nœ bœ

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

4 4

∑

2 4

∑

5 4

∑

4 4

∑

2 4

∑

5 4

∑

4 4

∑

2 ·˙ 4 f

5 4

∑

4 4

∑

œ œ bœ œ

Forceful!

> 2 5 4 œ bœ œ œ ˙ bœ 4 > >> f 5 4 œ œœ œ ˙ > >> f

2 œ 4 >

> 2 5 4 œ bœ œ œ ˙ bœ 4 > >> f

√ b˙ f

>œ 4 œ Œ Ó 4

∑

5 4 œ bœ œ œ ˙ > >> f

∑

5 4 4 œ œ œ œ ˙ bœ 4 bœ Œ Ó > >> > f

∑

5 4 4 œ bœ œ œ ˙ 4 bœ œ bœ bœ N œ > >> > f f

>œ b >œ >œ >œ

∑ ∑ ˙

œ œ

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

∑

4 4

∑

3 4

∑

4 4

3 4

∑

4 w 4 F

5 bw 4

3 4 b˙.

4 4

5 4 w

3 4 b˙.

4 4

# & # nw

3 4 ˙. 3 b˙. 4

# & # ? &

? ?

140

Timp.

bw bw

> > 3 bœ œ bœ bœ 4 f ∑

140

3 4

Hp.

? 140

Mezzo

Bar.

& ?

loco

140

Vln. 1

Vln. 2

Vla.

B ?

4 4

∑

4 4

5 4 bœ nœ F

∑

5 4 Ó

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

3 4

∑

f 3 4 4 Œ ‰ b œJ œ n œ 4 b œ .

#˙ ∑

4 4

bœ #œ bœ Nœ P ∑

went

his dis

∑

3 4

4 4

∑

3 4

4 4

bœ f

bœ

4 w 4

œ œ Ó

4 4

Œ bœ bœ f

œ œ œ

5 4

∑

3 œ œ œ Œ 4

5 4

∑

3 4

∑

5 4

3 4

∑

5 4

3 4

∑

5 4

3 4

∑

5 4

∑

3 4

∑

5 4

∑

4 4 œ b˙.

bœ œ œ

∑

4 4

∑

4 4

∑

g b œœ 3 ggg œ 4

∑

4 4

∑

3 4

∑

5 4

4 4

45 w ∑

bœ œ 5 bœ œ œ œ 4 J

to tell

5 ˙. 4

5 4 Ó

43 Œ

∑

b˙

bœ bœ nœ bœ F

∑

bœ bœ

ci - ples,

Be - hold,

Œ Œ

5 4

bœ œ œ œ. 4 J 4

œ œ. 3 J 4

4 4 bœ œ ˙

3 4

∑

5 4

4 4

3 4

∑

5 4

Je - sus met them,

say-ing:

5 4

3 4

∑

4 4

∑

5 4 Ó

3 4

∑

4 4

∑

5 4

4 4

∑

5 4 Ó

Œ bœ bœ f

4 4 Nw

3 4

∑

5 4

4 4

∑

5 4 Ó

Œ bœ bœ f

4 4 œ b˙.

3 4

∑

5 4

3 œ 4 b˙. œ bœ œ bw

∑

And as they

Vlc.

5 bw 4

3 4

140

Hn.

∑

140

3 4

∑

bœ bœ f

∑

Matthew 28

Fl./Picc.

5 4

∑

Ob.

5 4

∑

# 5 & # 4

∑

146

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

∑

5 4

œ b˙

4 4

∑

5 4

n˙

b˙.

4 4

∑

5 4

∑

4 Nw 4

P P b˙

Vlc.

5 4

œ œ bœ œ

b˙

5 4

# 5 & # 4

˙. F

∑

4 4

∑

œ œ bœ œ

b˙

5 4

5 bœ œ b˙. 4 F

˙. F

∑

4 4

∑

b˙. F

œ bœ œ œ œ

b˙

5 4

∑

4 4

∑

5 4

∑

4 4

∑

5 4

∑

44 b œ œ bœ

∑

4 4

∑

4 4

∑

& ?

F 5 bœ œ 4 b˙ "All

F˙ 5 4

bœ

∑

hail."

b˙

b˙.

5 ˙ 4 p

b˙.

5 4 Ó

5 4

hail."

5 4

146

Vla.

∑

"All

Vln. 2

b˙

∑

146

Vln. 1

œ bœ œ œ œ

4 4

Hp.

Bar.

b˙. F

∑

146

Mezzo

∑

146

Timp.

4 4

# 5 4

146

Hn.

5 4 ˙ F

bœ œ b˙.

˙ p ∑

#œ

œ bœ w

bœ œ œ bœ f œ

Œ œ

And they

f œ

And they

came

œ œ bœ œ

b˙

and

held him by the

feet,

œ œ bœ œ

b˙

held him by the

feet,

Œ œ

came

and

Œ œ 45 and

b˙

b˙.

4 4

∑

5 4

b˙.

4 4

∑

5 4

Œ 44

∑

5 4

∑

5 4

∑

4 4 bœ œ bœ bœ Nw

Matthew 28

Fl./Picc.

Ob.

B b Cl.

Bsn.

5 4

∑

4 Ó 4

5 4

∑

4 4

∑

# 5 & # 4

∑

4 4

∑

B b Tpt.

T. Tbn.

˙.

4 4

b˙.

4 4

∑

# 5 & # 4 bœ

˙.

4 4

∑

˙.

4 4

∑

4 4

∑

5 4 œ

5 4

b˙.

∑

5 4

∑

4 Œ 4

∑

4 4

153

bœ œ F

3 4

∑ ˙ bœ œ .

3 4

bœ œ

∑ œ

Œ Œ

œ ˙

∑

3 4

∑

3 4

∑

˙.

Ó ∑

153

Timp.

5 4 œ

# 5 4 Nœ

153

Hn.

œ bœ œ

153

˙ P

∑

Œ nœ œ ˙ F

3 4 ˙. œ bœ F

3 4 œ Œ Œ

∑

3 4

∑

3 4

∑

Œ Ó

∑

3 4

∑

Hp.

5 4 œ

5 œ 4

153

Mezzo

Bar.

˙.

wor -shipped him.

˙.

wor -shipped him.

Then said

Ó ˙

Vln. 2

5 4

∑

4 4

Vla.

5 4

∑

4 4

5 4

∑

4 4

∑

4 4

∑ ∑ œ bœ œ F bw P

œ œ œ

Je- sus un -to them,

3 4 Œ bœ œ bœ

œ œ œ b˙

"Be not a - fraid:

go tell my

bœ œ œ 3 4 Œ

"Be not a - fraid:

˙.

Vln. 1

Vlc.

∑

F 3 Œ b œ œ 44 b œ œ œ œ œ

5 4

153

Œ ∑

go tell my

3 4

∑ Ó

bœ œ

3 4

∑ ˙

∑

3 4 b˙. F

∑

3 4 b˙. F

Matthew 28

Fl./Picc.

∑

4 4

∑

Ob.

∑

4 4

∑

# & #

∑

4 4

∑

4 4

∑

4 4

∑

# & #

∑

4 4

∑

4 4

159

∑

159

& ?

159

B b Cl.

Bsn.

159

Hn.

B b Tpt.

T. Tbn.

Timp.

rit.

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

2 4

∑

4 4

∑

4 4

∑

2 4

∑

4 4

∑

rit.

Hp.

159

Mezzo

Bar.

& ?

bœ œ œ breth - ren

œ breth

159

œ œ

that they

œ œ

ren

that they

˙ œ bœ

Vln. 2

œ œ bœ

Vla.

Vlc.

4 4

œ bœ ∑

œ œ œ œ œ.

in - to

œ œ bœ œ œ.

in - to

4 œ 4

Vln. 1

4 œ 4

Ga - li - lee,

Œ Ó

4 4

‰ œ œ J

and there

œ œ ‰ J

Ga - li - lee,

4 ˙ 4 4 4

and there

bœ œ œ

rit.

œ œ they shall

œ œ see

bœ œ ˙ œ œ Ó

2 4

∑

4 4

œ J ‰ Œ

2 4

∑

4 4

O˙

2 O 4 ˙

me."

∑ Œ

œ ‰ Œ J

me."

œ bœ see

4 4

∑

2 4

∑

4 4

b˙.

2 4

∑

4 4

2 4

∑

4 4

Matthew 28

32 I

Fl./Picc.

Ob.

B b Cl.

Bsn.

∑

4 4

∑

# 4 & # 4 ?

T. Tbn.

∑

3 4

Con sord. straight

∑

# 4 & # 4

œ œ. Œ Ó p

∑

œ œ. Œ Ó p

∑

4 4

∑

Œ Ó

∑

4 4

∑

3 4

4 4

∑

3 4

∑

3 4

bœ

4 4

4 Ó 4

I 164

Œ Ó ∑

∑

Now when they were go-ing,

Vln. 2

4 bw 4 p

Vla.

4 4

∑

4 4

∑

bœ œ.

b˙.

‰ b œj ˙ . P

b˙. p

œ œ. Œ Ó

3 4

˙. Í

3 4

bœ.

∑ Œ

3 4

∑

‰

∑

be-hold,

∑

Vln. 1

Con sord. straight

∑

bœ œ œ œ nœ œ.

Adagio (q = c 68)

4 4

∑

3 4

∑

˙.

∑

w p

‰ nœ J Í

# 4 & 4

Con sord. straight

˙.

∑

Adagio (q = c 68)

œ ‰ J Í

∑

3 4

n˙

4 4

˙.

b >œ œ .

∑

164

Vlc.

∑

Hp.

Bar.

bœ

‰ n œJ œ Í

164

Mezzo

j œ

164

Timp.

j œ

∑

B b Tpt.

bœ œ œ œ. J P j œ

j œ

164

Hn.

Adagio (q = c 68)

4 4

164

œ œ œ œ ‰ bœ J 3

some of the watch

came

bœ œ œ œ œ Œ œ 3 4 3

in - to the ci-ty,

and

∑

‰ œj ˙ . p

3 4

œ 3 4 F 3 4

∑ Ó

b˙

3 4

Matthew 28

3 4

169

Fl./Picc.

Ob.

B b Cl.

Bsn.

# 3 & # 4 ?

B b Tpt.

T. Tbn.

3 4

nœ

4 Ó 4

∑

# 3 4

∑

4 œ œ 4

n˙

3 4

∑ ∑

4 4 4 4

∑

4 4

b˙

3 4

∑

4 4

∑

4 4

3 4

∑

4 Ó 4

3 4

∑

4 Ó 4

3 4

∑

4 4

∑

3 4

∑

3 4

∑

4 4

∑

3 4

˙ F ∑ ˙

F ˙æ π

3 4

b ˘œ J‰ Œ ƒ

to picc.

3 4

# 3 & # 4

169

Allegro (q = c 140)

4 Ó 4

169

Timp.

4 4

∑

3 4

∑

169

Hn.

4 4

∑

b ˘œ J‰ ƒ ˘œ J‰ ƒ ˘œ J‰ ƒ

∑

3 4

∑

4 4

∑

œ #œ bœ > > >

bœ >

4 # œ œ œ œ^ œ^ Ó 4 ƒ3 4 4

œœœœ Œ œ bœ #œ

Allegro (q = c 140)

3 4

3 4 ˙æ.

r œ

œœœœ œ nœ #œ 3

œ >

# œ œ œ œ^ œ^

œ œ œ œ^ # œ^ Ó

œ œ œ œ^ # œ^

œ œ œ b œ^ œ^

Senza sord.

ƒ ƒ

#œ >

4 4

j‰ Œ œ ƒ

∑

4 4

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

Hp.

169

Mezzo

Bar.

bœ bœ œ bœ œ J

shewed un-to the chief priests

bœ

bœ œ

Vln. 1

3 4

Vln. 2

3 4

Vla.

3 4

169

Vlc.

œ.

bœ œ œ bœ bœ ˙ 3

all the things that were done.

bœ 4 bœ 4

b˙

3 4

b˙

4 œ œ 4

bœ

4 4 œ

4 œ œ 4

bœ

‰ œ

4 ‰ 4

b˙

œ.

>œ > > #œ bœ

>œ

>œ > > #œ bœ ƒ

œ >

> > > #œ œ œ

>œ

œ # >œ b >œ > ƒ

bœ >

Allegro (q = c 140)

∑

4 4

3 4

∑

4 4

3 4

∑

4 4

˙ b˙

3 4

∑

4 4

>œ

# >œ

>œ

# >œ

> œ

>œ

œ >

#œ >

Matthew 28

174

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

& ? ?

174

Timp.

3 4

∑

# & # Œ

œœœœ Œ

174

Hn.

œ bœ #œ

œ nœ #œ

œœœœ

^ ^ ˘ Œ #œ œ œ œ œ œ 3

˘ œ œ œ œ^ # œ^ œ 3

˘œ

∑

3 4 Œ

‰

j n œ. œ. n œ. j œ. œ.

3 4 bœ.

b˙ >

bœ #œ 3 bœ #œ œ œ #œ œ 4

∑

# œ. œ. œ. œ. œ. œ. Œ

b œ. œ. œ œ . .

# œ. œ. œ. œ. Œ

Œ Œ œ. Œ œ. .

j . . œ. b œ œ œ. œ. b œ. œ.

3 4

∑

3 4

∑

3 4 bœ.

j œ œ

b œ. œ. œ œ . .

Œ œ.

j . . œ b œ œ œ. œ. b œ. œ.

3 4 bœ.

j œ œ

b œ. œ. œ œ . .

Œ œ.

j . . œ b œ œ œ. œ. b œ. œ.

∑

3 4

∑

3 4

∑

174

Hp.

174

Mezzo

Bar.

& ?

ƒ œ

And

3 4 bœ

bœ œ

when

they

œ œ

were

#œ œ œ œ œ œ

as - sem - bled with the eld - ers,

Œ œ. and

j œ #œ œ œ œ Œ

had

tak - en coun-sel,

Vln. 1

∑

3 4

∑

Vln. 2

∑

3 4

∑

Vla.

3 4

∑

174

Vlc.

w b˙

3 4 b˙.

#œ

˙.

∑

Matthew 28 r #œ

œ J ‰ Œ

to flute 179

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

r #œ

œ J ‰ Œ

? 179

Hn.

4 4

3 4

∑

3 4

∑

# œ œ œ œ^ œ^ 4 ‰ œ. ‰ 4 # œ. 3 p

∑

# & #

œ œ œ œ^ # œ^ 4 # œJ^ ‰ Œ 4

œ œ œ b œ^ œ^ 4 4

∑

3 4 Ó

3 4 Œ

. ^ ^ ‰ œ. ‰ # œ 43 # œ œ Œ f

∑

4 œ4

2 4

∑

4 Œ 4

2 4

∑

4 Ó 4

2 4

∑

4 4 bw

2 4

∑

4 w 4

2 4

^ # œ^ œ^ œ^ œ^ n œ^ œ^ # œ œ^ # œ^ œ^ 3 Œ 4

4 4

∑ #

^ ^ ^ œ^ œ^ œ^ b œ^ œ^ # œ^ œ^ # œ 4 3 œ œ Œ 4 4 4 4

∑

& &

œœœœ

2 œ Œ 4

4 4 w

œ œ œ 2 #œ œ 4

4 4 bw

œ- œ- œ- œ- œ- œ# œ- œ- œ- œ- œ‰ J # œ- œ- œ- œ-

179

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

179

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

4 4

∑

3 4

∑

2 4

∑

4 4

∑

Hp.

179

Mezzo

Bar.

& ?

they

gave

∑

179

Vln. 1

4 œ œ œ #œ 4

lar - ge mo - ney

4 4

œ œ bœ œ 3 œ œ Œ 4 un - to

the

sold-iers

3 4

∑

4 4

∑

3 4

Vla.

∑

4 4

∑

3 4 œ œ Œ

Vlc.

˙.

pizz.

bœ

#œ

3 4 #œ

Say - ing,

∑

2 4 2 4

∑

Vln. 2

4 #œ 4

œ œ

Œ Œ

#œ œ

4 4

"Say ye,

4 4

∑

œ.

œ #œ œ œ œ J

His

dis - ci - ples came by

œ-

œ- œ- œ- œ- œ- œ# œ- œ- œ- œ- œ‰ J

2 4

∑

4 Œ 4

2 4

∑

4 Ó 4

2 4

∑

& B

4 Ó 4

# œ- œ- œ- œ-

œ- œarco

Matthew 28

184

Fl./Picc.

Ob.

B b Cl.

Bsn.

& & & ?

B b Tpt.

T. Tbn.

∑

# œ- œ- œ- œ- œ‰ J

j œ ‰ b˙.

j œ ‰

∑

#˙.

#œ ‰ ˙. J

# j & # #œ ‰ ˙.

j #œ ‰ ˙.

∑

j œ ‰ #˙.

∑

j œ ‰ b˙.

∑

184

Timp.

# œ- œ- œ- œ-

# #œ J ‰ ˙.

184

Hn.

œ- œ- œ- œ- œ- œ-

∑

œ #œ œ #œ #œ œ œ œ œ œ #œ œ #œ œ #œ œ p

∑

& ?

#œ ‰ J

night,

184

Vln. 2

Vla.

Vlc.

œ #œ œ #œ œ œ

∑

184

Vln. 1

∑

Hp.

Bar.

œœœœ p

184

Mezzo

œ and

#œ stole

œ œ him a

œ- œ- œ- œ- œ- œ-

# œ- œ- œ- œ- œ‰ J

# œ- œ- œ- œ-

œ- œ-

#œ ‰ ‰ -

way

œ ˙

while we

slept."

Œ œœœ >>>

œ â

#œ œ œ #œ >>> â 3

œœœ >>>

œ â

#œ œ œ #œ >>> â

"And

œ œ

˙.

if this come sul tasto

#œ

œ #œ

œ œ œ

∑

to the

#œ

Matthew 28

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

∑

U ∑

4 4

∑

U ∑

4 4

∑

U ∑

4 4

∑

U ∑

4 4

U ∑

4 4

∑

U ∑

4 4

∑

U ∑

4 4

∑

4 4

∑

U ∑

4 4

3 4

∑

4 4

∑

U ∑

4 4

∑

U ∑

4 4

∑

3 4 Œ

∑

3 4

∑

4 4

# & #

∑

3 4

∑

w ß

3 4

∑

#œ œ œ ˙. ƒ

3 4

∑

4 4

∑

œ œ œ ˙.

3 4

∑

4 4

bœ œ œ ˙.

3 4

∑

3 4 ∑ ∑

# & # ˙ ∑

∑

189

#œ œ œ

? 189

Timp.

4 4

∑

189

Hn.

# ˘œ J‰Œ

189

Fl./Picc.

r bœ

#œ

ƒ3 ƒ3

œ #œ

œœ

wæ ß

No Tempo

Hp.

∑ ∑

189

Mezzo

Bar.

& ?

‰ b œ œ œ 43 # œ œ Œ # œ œ 44 # œ œ Œ Ó we will pur

œ œ

‰

go-venor's - ears,

189

Vln. 1

Vln. 2

Vla.

Vlc.

B ?

∑ œ

#œ œ

sul tasto

∑

#œ

˙ w ß

suade him

and se

cure you

œ œ #œ œ bœ œ œ 3 #œ œ 4 Œ Œ Ó 4 4 we will pur

suade him

∑

3 4 Œ

∑

3 4 Œ

3 4 Œ 3 4 Œ

# œ´

and se

norm.

cure you."

4 Œ 4

œ´ Œ ƒ

4 Œ 4

œ´

norm.

# œ´ ƒ

4 4

#œ œ œ œ œ œ œ œ œ œ œ ˙

U ˙

#˙.

b˙.

U ˙

No Tempo

Í Í Í ∑

So they took the mo-ney, and did as they were taught

˙.

U ∑

4 4 4 4 4 4 4 4 4 4

Matthew 28

38 K

∑

#˙ p

# 4 & # 4

∑

˙ p

∑

# 4 & # 4

#w p

∑

w p

4 4

∑

4 4

∑

4 Œ œo ‰ ‰ # œo Œ 4 J J π

4 4

K 194

O. 4 Œ ˙. 4 π

j ‰ œo Œ œj ‰ Œ o

∑

o ‰ œJ Œ

# œo ‰ Œ ‰ œj Œ o J

j œ bœ.

∑

bœ. b œ œ œ œJ œ

∑ ∑

j œo ‰ Œ

∑

bœ œ œ œ

∑

194

∑

œ. Then

œ œœ œ œ œ œ 3

the e - le - ven dis - ci - ples

∑

j ‰ œO ˙O .. π

∑

Adagio (q = c 68)

Vln. 1

Vln. 2

4 Ó 4

#O. ‰# œ. π

Vla.

4 4

Vlc.

∑

Hp.

Bar.

Adagio (q = c 68)

‰

∑

194

Mezzo

4 4

# 4 4

194

Timp.

∑

194

T. Tbn.

∑

B b Tpt.

œ œ. J

4 4

Ob.

Hn.

#˙

∑

Bsn.

œ.

∑

Fl./Picc.

B b Cl.

Adagio (q = c 68)

4 4

194

b O˙

π

O˙

Matthew 28

200

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

Timp.

3 ˙. 4 p

˙. P

3 4 #˙. p

3 ˙. 4 p

3 4

∑

# ˙. & # P ? 200

Hn.

˙.

∑ #

#˙ p

# & # Ó ? ?

˙ p ˙

P P

4 4

∑

j j j œ œ œ Œ œ œ ˙

4 4

∑

4 4

∑

4 4

∑

#˙

∑

3 4 ˙

∑

4 œ œ 4

3 4 ˙

∑

4 4

∑

4 4

∑

3 4

Œ ‰ ≈ œ R

∑

3 4

∑

4 4

∑

200

∑

3 4

∑

4 4

∑

œ œ œ œ 44 Nœ

∑

4 4

∑

Hp.

? 200

Bar.

200

Mezzo

& ?

∑

3 4

∑

#œ

∑

œ ‰ ‰ œ œ œ œ œ 43 œ # œ œ Œ ≈ œ œ œ # œ œ Œ J went a-way in-to

Ga - li-lee,

in-to a

mount-ain

œ where

œ œ œ 4 œJ œ œ œ 4

œ œ Œ Ó

∑

Je-sus had ap-point-ed them.

Vln. 1

∑

3 4

∑

4 4

∑

Vln. 2

∑

3 4

∑

4 4

∑

Vla.

∑

3 4

∑

4 4

∑

3 4

∑

4 4

∑

200

Vlc.

œ #œ P

Nœ Œ

Matthew 28

∑

# & #

∑

206

Fl./Picc.

Ob.

B b Cl.

Bsn.

206

Hn.

B b Tpt.

T. Tbn.

Timp.

# & # w ?

œ #œ P

∑

j œ Œ œ œ j œ

j œ

∑

2 2

∑

2 2 œ #œ ˙. >> >

∑

‰ ≈ œr w P

Nœ

‰ ≈ œ w R P

œ œ

˙ œ #œ F

∑

˙ Nœ Œ

œ bœ N˙

( q = h)

∑

206

∑

206

∑

2 2 #œ œ n˙. > > f >

w >

2 2 #œ œ ˙. > > f>

w >

> 2 >œ # >œ ˙ . 2 f

j Œ #œ œ œ œ œ œ œ œ œ œ œ #œ ‰ Œ Ó F

∑

w >

2 2 #œ œ ˙. >> > f L

w F

∑

( q = h)

2 2

∑

œ Œ

2 >œ # >œ >˙ . 2 f

> w

w æ

2 2

∑

2 2

∑

2 2

∑

Hp.

206

Mezzo

Bar.

w w F

∑

206

Vln. 1

Vln. 2

Vla.

Vlc.

∑

w ∑

∑

w ∑

∑

w ∑

( q = h)

∑ w

w F w F

2 2 œ ˙. >#œ > f > 2 2

w >

∑

w F

2 # œ n >˙ . 2 œ >> f

w >

w F

2 2 #œ œ ˙. >> > f

w >

Matthew 28

∑

œ bœ œ œ

214

Fl./Picc.

Ob.

B b Cl.

Bsn.

# & # œ #œ ˙. ? 214

Hn.

B b Tpt.

T. Tbn.

#œ œ n˙. f

#œ œ ˙. f

œ #œ ˙.

Œ œ Í ∑

œ Ó

˙ Í ∑

œ Œ #œ œ ∑

bœ ˙

œ bœ ˙

3 2

∑ bœ Œ Œ

3 2

bœ œ œ

3 Ó 2

∑ Ó

œ 3 ˙ 2 Í

Œ Ó

∑

3 2

∑

2 2

∑

2 2 #œ œ ˙. f

2 2 #œ œ n˙. f

œ ˙. Œ 22 # œ f

˙. Í

∑

(q = h)

∑

2 2

2 2 œ #œ ˙.

∑

œ Œ 32

(q = h)

∑

#œ œ œ bœ 3 2 Ó

œ Œ Ó Œ

3 2

∑

bœ œ œ

∑ Œ

˙.

∑ œ bœ

∑

#œ œ ˙. f

# œ #œ ˙. & # f

214

Timp.

∑

2 2 #œ œ ˙. f

2 œ #œ ˙. 2 f

wæ

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

3 2

∑

2 2

∑

214

Hp.

214

Mezzo

Bar.

214

b O˙

Owæ

Vln. 1

Vln. 2

œ #œ ˙. f

∑

Vla.

#œ œ n˙. f

∑

#œ œ ˙. f

∑

Vlc.

π

b b ·wæ

·˙ æ

·wæ

π

·wæ

3 2

(q = h)

∑

2 2 œ ˙. #œ f

∑

2 2

∑

3 ·wæ 2

∑

3 2

∑

2 #œ n˙. 2 œ f

∑

3 2

∑

2 2 #œ œ ˙. f

·˙ æ

∑

Matthew 28

∑

222

Fl./Picc.

Ob.

B b Cl.

Bsn.

Hn.

B b Tpt.

T. Tbn.

# & # ? &

w w

>˙

∑

œ Œ

∑

˙ æ

∑

œ Œ Ó

#œ

∑

Œ Ó

∑

w Œ

w ∑

∑

w ∑

# & #

222

Timp.

∑

222

∑

œ œ œ œ

sub.

Œ Ó

π

Œ œ œ œ œ œ Œ Ó sub. π 3

∑

œ Œ Ó

∑ √ w

∑

222

Hp.

222

Mezzo

Bar.

& ?

œ œ œ œ

And

when they saw Him

Vln. 1

∑

Vln. 2

∑

Vla.

222

Vlc.

Œ œ #œ they

œ 3

wor - shipped Him:

But some

∑

œ ˙

w w

bœ œ. œ J

doubt-ed

∑

bw w

∑ Œ

w w

Œ Ó sub. π

œœ œœ œœ œœ œœ 3

∑ ∑

Matthew 28

No Tempo 229

Fl./Picc.

Ob.

B b Cl.

Bsn.

& &

U ∑

# & #

U ∑

B b Tpt.

T. Tbn.

5 4

F 3

œ œ #œ œ F

4 4

U ∑

5 4 Œ

U ∑

U ∑ U ∑

U ∑

5 4 æ˙ . ƒ 5 4

∑

U ∑

fœ œ œ ˙ No Tempo

229

O˙

Vln. 2

U ∑

Vla.

U ∑

˙ > ƒ

˙>

œ 5 œ 4

˙ ˙ æ

˙ 3

say - ing,

∑

∑ b äœ

ä œ ˙ â

nw bw

ä ˙ nœ œ â â

4 b œ. ‰ Œ Ó 4 J ƒ

b äœ

ä œ ˙ â

4 4

∑

bœ

œ ˙

4 4

∑

4 4

∑

4 4

∑

3 #œ œ # œ œ œ 44 a wæ œ # œ œ œ 3 3 Í √ 3 # œ œ œ # œ 4 N wæ œ œ œ #œ 4 œ œ #œ œ 3 3 3 Í

4 4

bw ∑

bw bw

wæ

∑

wæ

3 5 3 œ œ # œ œ œ # œ œ œ # œ 4 b wæ œ 4 œ œ #œ œ #œ & 4 3 3 3 Í

5 4 . ˙

∑

ä #˙ œ œ â â

M Allegro (q = c 130)

5 4 Œ

j‰ Œ Ó b œ. ƒ

4 j‰ Œ Ó 4 n œ. ƒ

∑

5 4 Ó.

4 j‰ Œ Ó 4 Nœ . ƒ

˙ ˙

5 4

O˙

Vln. 1

#˙ > ƒ

45 . ˙ ˙.

and spake un - to them,

O˙

Allegro (q = c 130)

loco

œ œ œ œ œ Uœ

And Je - sus came

w F

5 4 Œ

3 œ œ # œ 4 n œ. #œ œ œ #œ œ 4 J‰Œ Ó œ œ #œ

U ∑

œ œ # œ œ œ œ 4 A œJ. ‰ Œ Ó 4

U ∑

229

Vlc.

5 4

œ #œ œ œ #œ œ 3

# & #

Hp.

Bar.

5 4 Œ

U ∑

229

Mezzo

5 4 Ó

U ∑ ˙

# œ N œ. œ #œ œ œ œ # œ œœ 4 J‰Œ Ó 4 3 3 3 F ƒ

M Allegro (q = c 130)

U ∑

No Tempo

229

Timp.

U ∑

229

Hn.

∑

wæ ∑

b äœ

∑ ä œ ˙ â

Matthew 28

∑

235

Fl./Picc.

Ob.

B b Cl.

Bsn.

& ? 235

Hn.

B b Tpt.

T. Tbn.

Timp.

œ^ #œ œ #œ J

‰

#œ

œ^ œœJ

‰ Œ #œ

∑

b˙

œ nœ bœ N˙

Œ œ

nœ

Œ œ

bœ

#˙

n˙

Œ bœ œ œ œ

b˙

235

∑

235

∑

Adagio (h = c 62)

3 2

∑

4 2

∑

3 2

œ œ 3 2

∑

4 2

∑

3 2

4 2

∑

3 2

Œ 42

∑

3 2

∑

4 2

∑

3 2

∑

4 2

∑

3 2

∑

4 2

∑

3 2

∑

4 2

∑

3 2

4 ∑ 2

∑

3 2 w 3 2

Œ Nœ œ œ œ

œ œ.

bœ

# & #

# œ œ # œ œ^ œœœ œ n˙ ‰ J

bœ #œ œ œ bœ œ

œ œ œ œ œ œ œp

œ œ 3 2 œ œ 3 2 œ œ

∑ bœ

3 2 w

Hp.

? &

∑

235

Mezzo

Bar.

32 ˙ ˙

∑

3 2

∑

235

Vln. 1

b˙

b˙. Œ æ π

˙. Œ æ π

Vln. 2

Vla.

Vlc.

∑ ∑

w w

b˙

b˙. Œ æ π

w w

∑

œ. 3 J‰Œ 2 ƒ œ. 3 J‰Œ 2 ƒ œ. 3 J‰ 2 œæ ƒ

3 2

wæ Í

4 ∑ 2

∑

Adagio (h = c 62)

loco

∑

3 2

∑

Adagio (h = c 62)

œ b˙

4 ∑ 2

F w Ó

4 2

∑

˙æ

3 2

"All

4 ∑ 2

3 2

"All

π

wæ

#˙

# # O˙

π

3 2 3 2

4 2 Wæ

3 2

4 2

3 2

Wæ

Matthew 28

Fl./Picc.

3 2

∑

5 2

∑

4 2

Ob.

3 2

∑

5 2

∑

4 2

# 3 & # 2

∑

5 2

∑

4 2

3 2

∑

# 3 2

∑

5 2

∑

4 2

# 3 & # 2

∑

5 2

∑

4 2

3 2

∑

5 w 2 π

3 2

∑

5 2

∑

4 2

3 2

∑

5 2

∑

4 2

∑

240

B b Cl.

Bsn.

240

Hn.

B b Tpt.

T. Tbn.

240

Timp.

240

œ b œ œ œ-

Œ Ó

5 2 ∑

œ bœ œ œ œ œ œ œ œ

4 2

Hp.

3 œœ 2

˙.

3 #œ œ 2

˙.

240

Mezzo

Bar.

∑ ˙

Po - wer

Vln. 1

O 3 w 2

Vln. 2

3 2

Vla.

3 2 wæ .

3 2 æ ˙

240

Vlc.

∑

œ œ œ œ ˙

#œ

gi - ven

un - to

Ow ..

un - to

∑

œæ b œæ œæ ˙æ

∑

œæ # œæ œæ wæ

wæ .

w Ó

∑

œ œ œ #œ ˙

gi - ven

5 œ œ ‰ œ œ w. 2 J

4 2

œ bw. 5 œ œ ‰œ 2 J

4 2

hea-ven

and in earth.

5 2

∑

4 2

5 2

∑

4 2

5 2 wæ 5 2

wæ

wæ . # wæ .

4 2 4 2

Matthew 28

Fl./Picc.

4 2

∑

5 2

Ob.

4 2

∑

5 2 ∑

# 4 & # 2

∑

5 2 ∑

244

B b Cl.

Bsn.

? 244

Hn.

B b Tpt.

T. Tbn.

b œ-

# 4 2 Ó

# 4 & # 2

Œ Ó

∑

b ˙o π

4 bw 2

4 2

∑

4 2

∑

244

Nw ∑

˙o

Bar.

∑

4 Ó 2

244

Mezzo

œ œ

ye there - fore,

œ œ

ye there - fore,

wæ

4 Ó 2

b˙ æ π

Vln. 2

4 Ó 2

˙ æ F

Vla.

4 2

b˙ æ π

4 #œ œ œ œ œ œ œ œ œ œ œ œ 2

˙ æ

π

∑

∑ ∑

5 2

∑

5 2

b˙

œ œ

teach

all

5 2

∑

na - tions,

œ œ

na - tions,

∑

5 œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ 2 3 3 3 3 3 p

5 2 œ œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ œ F 3

5 2

teach

and

∑

b˙

5 2 œ

and

π

∑

b˙

œ bœ œ œ œ œ œ œ œ œ œ œ œ œ 25 œ bw w.

bw.

b˙

Vlc.

b ˙o

∑

Vln. 1

244

˙o

b ˙o

5 ˙ 2

∑

5 2 w

∑

œ œ œ œ œ œ œ œ œ 3

5 2 w.

b˙

∑

Hp.

5 2

∑

? 244

Timp.

4 2

∑

œ bœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ œ œ œ 25 œ 3

Matthew 28

247

Fl./Picc.

Ob.

B b Cl.

Bsn.

& &

B b Tpt.

T. Tbn.

Timp.

# & #

∑

247

Hn.

∑

# & # ?

œ œ œ ˙ F

4 2

bœ œ œ ˙

4 2

œ œ œ w F bœ œ œ w

œ œ œ w F 3

bœ œ œ w

b˙ P

3 bœ œ œ bœ œ nœ œ nœ bœ 3 3 P

4 Ó 2

∑ .

nw P

4 2 w P

bœ bœ bœ œ nœ #œ

4 Ó 2

47 äœ ä˙ . ƒ äœ ä˙ . b äœ ä˙ .

#˙

> # >˙ œ œ > ƒ

#˙ >

b˙

4 2 w f

b˙

247

∑

4 2

∑

247

∑

4 2

∑

Mezzo

Bar.

Nœ œ œ w

bap - ti - zing them

bœ œ œ w

Œ Œ

bap - ti - zing them

247

Vln. 1

Vln. 2

Vla.

Vlc.

& & B ?

the

4 2 bw

the

4 ˙ 2

b˙

name

w f bw f

the

Fa - ther,

b˙

#˙ œ œ

äœ ä˙ .

b äœ ä˙ . ƒ œ ˙. ƒ

#˙ >

∑ #˙ œ œ œ

Fa - ther,

3 œ œ 4 bœ œ œ œ œ bœ œ œ œ œ œ œ Nœ œ Nœ œ #œ œ œ 2 3 3 3

Ï #œ ˙.

#˙ œ œ >

the

4 2 w

∑ .

3 3 4 œ bœ 2 b œ œ œ œ œ œ œ œ bœ œ bœ nœ bœ #œ œ œ œ œ œ œ œ œ œ œ œ 3 f 3

Ï œ ˙.

bœ bœ bœ œ nœ #œ

b œ œ œ œ œ œ œ œ œ 42 b w œ œ œ 3 f 3

b˙

name

Hp.

247

>˙

4 bw 2 F

œ œ œ œ bœ œ 3

∑

b˙ ˙

œ œ bœ

and

the

œ œ œ

and

the

œ œ bœ 3

œ œ œ œ bœ œ 3 3

œ bœ œ Ó 3

˙ > ƒ

Matthew 28

48 äœ ä˙ .

250

Fl./Picc.

Ob.

B b Cl.

Bsn.

& &

Hn.

B b Tpt.

T. Tbn.

250

Timp.

Ó #

# œ ˙ & # f ?

˙ >

Bar.

& ?

>œ >œ # >˙ Œ #˙

#˙ œ œ >

Vln. 1

Vln. 2

Vla.

Vlc.

& &

Ó Ó

˙.

Son,

and of

the

œ œ œ

#˙.

and of

ä ä bœ ˙.

the

œ œ bœ

œ œ bœ œ bœ œ 3 3

œ œœÓ

∑

Œ Ó œ bœ œ œ

∑

œ bœ œ

∑ ˙

b˙

∑

n˙ f

∑

n˙

b˙

œœ œœ œœœœœ w

∑

œ Œ Ó >ƒ

wæ

∑ ∑ ∑

W W œ bœ b˙.

∑

ly Ghost:

Ó Ó

ä ä bœ ˙.

∑

bœ ˙.

∑

Teach - ing

œ w -

∑

œ w

œ ˙.

∑ 3

˙ >

œœ œœ œœœœœ F ƒ

∑

œ bœ œ œ Œ œ œ œ

#œ œ œ œ œ œ œ œ œ F ƒ

äœ ä˙ .

∑

Œ œ œ œ

œ ˙.

∑

N 3

#˙

äœ ä˙ .

œ bœ œ œ

∑

#˙ œ œ

#œ œ œ œ œ

∑

#˙ >

∑

Son,

250

œ ˙. â â bœ ˙. â â

# >˙

Hp.

250

œ œœœœœ Ó

Mezzo

œœ œ œ bœ œ 3

250

? &

ä ä œ œ bœ bœ ˙. œ œ bœ 3

# b äœ ä˙ . & #

250

∑

äœ ä˙ .

œœœ

äœ ä˙ .

#œ œ œ 3

Teach - ing N

∑

œ bœ œ œ œ œ œ œ œ œ œ œ 3

to ob-serve all

b˙

bœ œ w

b˙

∑

œ bœ œ ˙ œ bœ œ w

œ œ œ œ

them

œ Nœ bœ ˙

∑ œœœ

œ œ œ œ

œ bœ œ #œ nœ œ œ œ œ œ œ œ

Matthew 28

254

Fl./Picc.

Ob.

B b Cl.

Bsn.

& ?

B b Tpt.

T. Tbn.

Timp.

b˙

rit.

f f

rit.

∑

3 œ bœ œ œ œ œ Ó 2 3 p 3

4 ∑ 2

3 2

4 2

∑

π

∑

4 2

∑

3 2

∑

4 2

∑

4 2

∑

3 2

∑

4 2

∑

254

∑

3 2

∑

4 2

∑

œ œ # œ œ œ œ œ œ œ œ œ œ 32

∑

œ bœ bœ œ ˙.

3 2

∑

F 4 Ó 2 b˙

3 2

& ?

things

what - so - ev - er

œ œ œ˙

b˙

œ œ œ˙

œ œ

things

254

Vln. 1

Vln. 2

Vla.

B ?

what - so - ev - er

rit.

have

˙ b˙

œ œ b˙.

com - mand-ed you:

˙ P

˙ #˙

Largo (h = c 50)

lo,

and,

lo,

F˙ b w

∑

4 2

∑

3 2

∑

4 2

∑

3 2

∑

4 2

∑

4 2

∑

∑ 3

∑

4 Ó 2

and,

3 2

∑

com - mand-ed you:

∑

œ œ bœ œ œ œ œ œ œ œ œ œ F 3

3 2

Nw.

Ó Ó

œ bœ œ œ œ œ

∑

254

Vlc.

4 2

254

Bar.

3 2

Hp.

Mezzo

∑

Largo (h = c 50)

b˙

# & # nw F w F

3 Ó 2

∑

nw F

b˙

∑

4 2

∑

3 Ó 2

Largo (h = c 50)

∑

œ œ bœ œ œ œ œ œ œ œ œ œ F 3

∑

254

Hn.

b˙

Matthew 28

rit.

5 2

∑

3 2

∑

4 ∑ 2 4 #˙ ˙ 2 p 3

Fl./Picc.

∑

Ob.

∑

5 2

∑

3 2

∑

# & #

∑

5 2

∑

3 2

∑

4 2 bw

∑

5 2

∑

3 2

∑

4 2

∑

5 2

∑

3 2

∑

4 2

# & #

∑

5 2

∑

3 2

∑

4 2

∑

5 2

∑

3 Ó 2

258

∑

5 2

∑

3 2

258

∑

5 2

∑

258

B b Cl.

Bsn.

258

Hn.

B b Tpt.

T. Tbn.

Timp.

π

rit.

b˙

Ó ˙

∑ #œ œ œ 3

∑ ∑

4 ˙ 2

œ œ w

∑

4 2

∑

3 2

∑

4 ∑ 2

∑

b˙

π

Hp.

258

Mezzo

Bar.

& ?

˙ I

Vln. 1

Vln. 2

Vla.

Vlc.

5 bw 2

with

5 bW 2

5 2 w

5 bW 2

π

∑

you

5 2 bœ ˙.

258

˙ you

al - way,

Ó Ó

way,

3 3 2 bœ œ œ ˙

ev - en un - to

the

4 2 bw

end

the

3 Nœ œ œ ˙ 2

4 bw 2

the

rit.

ev - en un - to

the

end

3 2

∑

4 ∑ 2

3 2

∑

4 bw 2

3 2

∑

4 ∑ 2

b˙

5 2 #œ œ #œ œ œ œ œ œ œ œ œ œ ˙

3 2

∑

4 ∑ 2

#œ œ œ Ó

Matthew 28

#w œ bœ œ œ œ œ œ œ œ œ œ œ

a tempo 262

Fl./Picc.

Ob.

B b Cl.

Bsn.

B b Tpt.

T. Tbn.

œ bœ œ œ œ œ œ œ œ œ œ œ

# & #

w F

∑ 3

∑

œ œ œ b˙ 3 ƒ

œ œ œ œ œ œ b˙

Ó N˙

œ œ œ œ œ œ b˙

n˙

∑

œ œ œ œ œ œ #˙

#˙

∑

bw F

œ œ œ œ œ œ b˙

b˙

∑

F #w F 3

∑

œ œ œ b˙

œ œ œ œ œ œ œ œ œ œ œ œ œ Œ Ó π F 3

œ œ #œ œ œ œ

œ œ œ # ˙rit. # ˙

∑

∑ w

a tempo

∑

# & #

262

Timp.

262

Hn.

˙ ˙

∑ Ó

rit.

ƒ ƒ

b˙

œ œ œ œ œ œ bœ Œ Ó 3

∑

262

∑

Hp.

262

Mezzo

Bar.

& ?

∑

world."

world." a tempo 262

Vln. 1

Vln. 2

Vla.

Vlc.

& & B ?

w f

œ œ œ œ œ œ #˙

#˙

∑

œ œ œ œ œ œ b˙

#˙

b˙

W Nw

w ∑

œ œ œ # ˙rit. # ˙

Œ Ó œ œ bœ œ œ œ bœ 3

∑

ƒ ƒ ƒ

∑

Matthew 28

52 O

meno mosso

∑

266

j œ

bœ

j œ

bœ

j œ

∑

Fl./Picc.

Ob.

∑

# & #

∑

B b Cl.

Bsn.

? O

B b Tpt.

T. Tbn.

bw p

meno mosso

π

rit.

3 2

∑

3 2

∑

3 2

∑

3 2

∑

3 2

∑

3 2

Hp.

˙ p

266

∑

Vln. 1

Vln. 2

Vla.

B ?

meno mosso

∑

b Ow

π ∑

NW p bW p

∑

P ˙

˙ -

∑

Ó ∑

˙ π

#˙

˙ -

#˙

266

P bw A

? O

Vlc.

∑

# & #

Bar.

Ó π

∑

266

Mezzo

∏

3 2

∑

266

Timp.

∑

266

Hn.

π

rit.

#˙

men.

W -

3 2 32 3 2 3 2

men. rit.

∑ ∑

∑

3 2

∑

3 2

∑

3 2

∑

3 2

Matthew 28

3 2

270

Fl./Picc.

Ob.

B b Cl.

Bsn.

∑

B b Tpt.

T. Tbn.

bœ ˙ w

∑

U ∑

# 3 ˙ & # 2

Ó Ó

∑

ŒŒ œ ˙ w 3 π

∑

U ∑

∑

3 2

# 3 & 2

∑

# 3 & # 2

∑

3 2

∑

3 2 3 2

∑

U ∑

Œ Œb œ ˙ w π

∑

U ∑

∑

ŒŒ œ ˙ w π

∑

U ∑

∑

ŒŒ œ ˙ w π

∑

U ∑

∑

U ∑

∑

U ∑

a tempo

œ ˙ ˙ bœ œ œ Ó Ó œ bœ

œ ˙ U w. bœœ œ œ bœ

∑

3 2

∑

U ∑

3 2

∑

U ∑

270

Vlc.

∑

ŒŒ 3 π

270

Vla.

Vln. 2

ŒŒ 3 π

∑

Hp.

Vln. 1

∑

Bar.

∑

270

Mezzo

∑

U w.

∑

270

Timp.

∑

œ ˙ w

∑

270

Hn.

∑

a tempo

3 2

∑

∑ œ bœ w solo

∑

a tempo

∑

∑ w

œ bœ w

∑

∑ Ó

∑

∑ w.

∑ ∑

∑

Ó Ó Ó

œ ˙ U w.

ŒŒ 3 π

bœ ˙ U w.

ŒŒ 3 π

œ ˙ U w.

ŒŒ 3 π ∑

U ∑