Architecture Portfolio - Navid Ghafouri

Page 1

A R C H I T E C T U R E P O R T F O L I O

N A V I D G H A F O U R I

S ELECTED ACADE M I C. PROFES S IONAL WO R K S 2017 - 2021


A B O U T

M E

My name is Navid. I am a multi-disciplinary art & architecture practitioner. Having an immense interest in the social aspects of architecture, I embarked on my master studies in Umeå School of Architecture where I investigated subjects such as Design Activism, Participatory Urban Development and Digital Communication. The pleasure of architecture for me lies in the process of discovering the contextual layers of socio-spatial conditions that architecture performs within, and exploring the possibilities of challenging the conventional human interactions in both physical and virtual spheres. I hope to gain more experiences by doing an internship in a relevant field and nourish the ambition to bring more sustainability into the world. > 1 January 2022


/ / / /

> collage from the project “ a n t i - s t a g e ” Spring 2021, Umeå School of Architecture


C O N T E N T S ACADEMIC WORKS 01

A HAPPY ROOFTOP

02

ANTI - STAGE

03

UDDEN : LINEAR TACTILITY

04

TEHRAN PAVILION

05

RE-THINKING DORMS

06

RESIDENTIAL COMPLEX

07

JACUZZY

08

ECO-PLUG

MA Architecture / 2021 / Umeå School of Architecture

MA Architecture / 2021 / Umeå School of Architecture

Workshop / 2020 / Umeå School of Architecture

P. 09 P. 21

P. 25

Project Collaboration / 2019

BA Architecture Thesis / 2018 / Azad University of Mashhad

B Arch Design Studio 5 / 2018 / Azad University of Mashhd

P. 33 P. 41 P. 45

ArcXsite Competition / 2017

Workshop / 2017 / CAAI School of Architecture

PROFESSIONAL WORKS NEXT OFFICE

Sharifi-ha House, Safadasht Dual: Architectural Drawing

ABAR STUDIO

Cheshm-o-Cheragh Bazaar: Architectural Drawing

FREELANCE

Interior and Furniture Design/Rendering

CON TACT INFO

P. 01

P. 51

P. 57

P. 67


ACADEMIC WORKS


01

A HAPPY ROOFTOP F O R T I AF I C O MMU NITY CE NTE R

The aim of the project was to design a playground on the rooftop of TIAFI Community Center, located in Izmir, Turkey to allow refugees spend time with their children in a safe and lively environment. The structure needed to be temporary and flexible to be moved into other sites. We proposed a modular system made out of a series of curved metal tubes which was affordable and durable. By developing different variations of the modular system, we designed different activity spaces such as a football pitch, a gathering space and a series of gardening facilities.


2

Umeå School of Architecture December 2021 UMA5 - Studio 10 building a future: Architecture for displaced populations in Greece and Turkey.

Design team: Adele Valtersson, Benjamin Roobol, Cecilia Johansson, Claire Hannon, Fanny Chaiyarach, Fatima Garcia De Tiedra Terron, Jesper Ullbing, Julia Olström, Karina Gataullina, Kasimir Suter Winter, Ludvig DAovberg, Maureen Doye, Navid Ghafouri, Paula Vallejo Terceño, Viktor Wahlén Diederichsen

Studio tutors: Prof. Robert Mull, Amalia Katopodis, Sangram Shirke

My role: Project communication, Visualization through rendering and illustration, 3D Modeling, Details Design, Spatial Development, Diagrams


3 . A HAPPY ROOFTOP

> Visualization: The activity spaces formed by the modular system From the top: The small gathering space for adults, the big gathering space, the play area for children


4

> Drawing: Detail design of the steel pipe modules, corrugated plastic and fabric


5 . A HAPPY ROOFTOP

> Prototype: Steel Pipes Prototyping 1:2


6

> Drawing: Detail design of the joinaries


7 . A HAPPY ROOFTOP

> Visualization: View from the front side of TIAFI community center into the rooftop


8


02

ANTI-STAGE

AN NEW DYNAMIC FOR MUSIC PERFORMANCE The project “anti-stage” investigates musical stage as a ground for new possibilities in architecture to alter the conventional understanding of musical performance and introduce a new dynamic of co-creation of culture to urban life.


10

Umeå School of Architecture April 2021 UMA4 - Studio 11 work in process: socio-spatial scenarios and architectural experiments. Studio tutors: Daniel Movilla Vega, Mette Harder, Lluís J. Liñán, Carla Collevecchio

The conventional painting technique on a vertical canvas was challenged when Pollock decided to lay a canvas on the floor and step inside it. I investigated stage as a canvas that can be challenged within different urban pockets. An explorative process of analyzing and observing the possible ways of interaction between audience and performers within public and domestic domains helped me redefine the common understanding of how a stage can be perceived and can perform. Working with both traditional and nontraditional media —

including drawings, models, renderings, photographs, collages and prototypes, I tried to unravel the underlying potentials existing in different domestic and urban conditions. The outcome of these practices land on a propsal of different transportable structures that can respond to different urban pockets and performing conditions. The proposal tries to argue that stage as a medium carries a rich set of meanings in the way that it performs and the way it can stake a claim to public space.


11 . ANTI-STAGE

Earlier in the process, I investigated Piano as an object that can organize the space around it and change the way that human bodies relate to space. I tried to analyse the ways that people interact with a piano in public and domestic spaces.

> Drawings overlayed with models, investigating vertical & horizontal conditions


12

> Drawing from A Jazz musical event in Umeå at Birgit Lindberg’s living room based on the Youtube video: https://youtu.be/nrmQkP3ORxw


13 . ANTI-STAGE

To speculate how this interaction can be extended as an urban interactive performance, I started designing transportable wireframe spaces within 3 different urban pockets in the city that can carry a piano and create an interactive relationship between the passengers, audience, performers and the instrument itself.


14

[SCOPE OF THE PROJECT] > Designing a series of artefacts that can activate different urban conditions in Umeå by incorporating donated pianos in second-hand markets. These artefacts should be able to conduct spontaneous public performances and make a meaningful dialogue between the city and its residents. Providing the spaces for public interaction with music performance, this project introduces temporary installations charactrized by their certain spatial features they provide to make playful public events and become a part of the urban culture in Umeå.


15 . ANTI-STAGE

[THE THE MOBILE ARTEFACTS] ARTEFACTS The Penetrator Can penetrate to buildings through a long and narrow staircase, creating a circulation from outside to inside and making a semiclosed performance space in the middle.

The Framer Acts as a frame and it can divide an in-between condition into two different spaces, by facing the performers on one side and the audience on the other side.

The spinner A circular staircase with a sheltered space underneath it that can spin and change its direction.

The Extractor Being attached to the facade of a building, this artefact can be best used for a vertical performance in a balcony, providing spaces for sitting and a pulley system for assisting the movement of a piano.


16

The attachment of artefacts in different configurations creating new typologies of event spaces.


17 . ANTI-STAGE

> Prototype of the “Extractor” artefact


The tectonics of the artefact is shaped by a modular scaffolding system. The proposed shoring system comprises prefabricated modular components that fit together and lock without using couplers or bolts. The Mills Tour shoring system is constructed so that each vertical face, including the telescopic level, is fully braced over the whole height.

Timber Frame Piano

15

120

min 15 max 105

28.4

>TELESCOPIC STANDARD

> HORIZONTAL DIAGONAL BRACE

L 120

Adjustable head Access deck Scaffold plank > MT 240 LADDER

120

MT ladder

120

255

Telescopic standard & locking pin Telescopic frame and pin

> T2 TRIPLE FORK 9.5

13

27

Ø 10

Fixed height standard Fixed height frame Horizontal diagonal brace Base ledger Screw jack

2

.2

0

m

Connec tor

1

.0

0

-

1

.6

0

-

Troley

1.

00

-

1.

60

-

2.

20

m


19 . ANTI-STAGE

> Visualization of the proposed event, viewpoint from the balcony of a 2-storey house located in Östra Strandgatan Street, Umeå


20

The radicality of this proposal is not on the structure, nor the movement of the piano. The structure with the piano needs human bodies in order to complete the stage, and that’s where the concept of stage is no longer static, exclusive and hierarchical.


03

UDDEN

L I N E A R T A C T I L ITY

Umeå School of Architecture September 2020 UMA4 - Vertical Workshop Investigating The Nature Reserve in Grössjön Students: Navid Ghafouri, Karl Lind, Linda Lindkvist, Viktor Lindström, Linnea Lundmark, Arvid Matton

> Photo Credits: Navid Ghafouri / Grössjön / September 2020


22

The previous fireplace and seats

The fluid form of the landscape

The horizontality of the lake view

the serenity of the sky view

The task was to rebuild the existing fireplace in Grössjön, situated about 7 km from the Arts Campus in Umeå, Sweden. The existing fireplaces constituted a concrete ring for making fire and benches offering seatings providing comfort (heat) to the hiker. The benches were in poor shape and our task was to construct new benches using the provided wooden material and hand tools. As the goal was that the new fireplaces would be standing for a long period of time, thinking of questions of maintenance was important. The material of the benches we built will be left untreated. In a couple of years, the idea is that Umeå Kommun will treat them with tar or sludge colour.


23 . UDDEN

Making the Prototype

Preparing the base

Making the Curves

Transportation and Assembling on Site

> Fabrication Process


Axonometric construct principle of the daybed 1:10

s + sections 1:10 bed

122

300

2800

30 28 750 1000

500

100

25

122

60

244

324

50

Wood charring process > Axonometric: Construct principle of the daybed 1:10

24


04

TEHRAN PAVILION A Dialogue Between the old town & the modern metopolitan”

How can a pavilion represent the historical evolution of a metropolitan city like Tehran? The adjacancy of contradicting physical components of the old and the new fabric of Tehran lays in the veins of the city. Exposing these layers through different structural and functional components in a pavilion was the objective of this proposal. The co-existence between the long highways and the narrow alleys, the highrise buildings and the small houses, the view to nature and the city life within a walking distance is what users of this pavilion will experince.

Project Collaboration Via Roja Azizzadeh March 2019 My role: Design Development, Modeling, Visualizations, Diagrams, Drawings


26

Gallery/Exhibition Boxes

Existing Steel Structures

Bridges


27 . TEHRAN PAVILION

> Drawing: Ground Floor Plan


28

> Drawing: A-A Section


29 . TEHRAN PAVILION

> Rendering: Exterior view of the main court-yard


30


31 . TEHRAN PAVILION

> Rendering: Birdeye view of the paviolin


32


05

RE-THINKING DORMS STUDENT HOUSING & COMMUNITY CENTER IN MASHHAD

> Physical Model: Using foam and balsa wood

Azad University of Mashhad BA Thesis Project September 2018 Supervisor: Mehran Kheirollahi


8AM

SITE

Emam

IT RS Y 

d

RETAIL

d ta Os

B efi us Yo

lvd

EN

RETA Blv IL

iyeh

A community centre in touch with the landscape of an undeveloped park and at the same time, a residence for the students redefines the program of a dorm inside one of the most important student zones in the city. A suitable site for the proposed programs required a remote place from the traffic congestions and also accessible within a walking distance from the university. This site, with an 1800 m2 area offers the students great convenience both in the safety of the region and also the suitable connectivity to the urban facilities and public transportation.

The idea was to lift-up the landscape to make room for the public functions and on top of them, create semi-private open spaces for the dorm residents.

PICHAK PARK SUSAN PARK ISLAMIC AZAD UNIVERSITY OF MASHHAD

PARK

DORM

PARK

COMMUNITY CENTER

L

SID

RETAIL

RE

RETAIL

12PM

IDE IAL RES ID NT IA RES ENTIA EN L RESIDIDE ENTIAL L NTIA TIA L

RETAIL

RETA RETAIL IL RET RETA

TIA TIA L R L ESI RE DE SID N EN TIA TIA L L

d Blv ed ah Sh

RE

4PM

RE SIDE S N RE IDENTIAL RE SIDE TIA SID N L T RE ENT IAL RE SID IAL RE SIDEENTI SI N A RE DEN TIA L S TI L RE IDEN AL S T RE IDEN IAL S T RE IDEN IAL S Hija RE IDE TIAL ED UCATI b St S N ONAL RE IDEN TIAL S T

1800 m2

IVE UN

Amenities such as dormitories have the potential of shaping new communities among students. Every year, Almost 50,000 new students residing in Mashhad, the second populated city in Iran to study. Providing the collegians temporary residentials within remote housing districts, the dorms typically disconnect students from the city life. This proposal tries to widen the scope of the investigation and offers more interactional spaces to student housings while establishing a connection with the local residents of the city.

N

34

DORM


35 . RE-THINKING DORMS

The project sits in a way to create a habitable space inside a park. It is comprised of -13 meter wide dormitory masses over a park, adjacent to the university in order to crop the landscape with communicational programmes below the ground.

> Programs Distribution Diagram


36

> Student units


37 . RE-THINKING DORMS

> Drawing: Section Perspective


38


39 . RE-THINKING DORMS

> Rendering: Exterior view of the project

The most conspicuous material is the exposed concrete that makes up façades. Horizontal louvres are used with three different dimensions. They are attached each with the maximum cantilever from the vertical support to create a woven pattern to comprise a unified façade to the public and shaded walkways with a dynamic play of light for the inhabitants.


40


06

RESIDENTIAL COMPLEX HOUSING PROJECT IN MASHHAD Regarding the increasing approach to living in residential complexes, the necessity of paying attention to the design and decision making about these spaces becomes serious. Also, one of the problems that we face today, is the matter of amount and type of people’s social interaction in the residential places, having increasingly been weakened recently, due to the gradually fading concept of neighbourhood. This residential complex, located in Mashhad, tries to amalgamate different lifestyles into a united structure.

> Rendering: Exterior view of the project

Azad University of Mashhad Architectural Design 5 Studio January 2018 Tutor: Leila Zamani Aghaiee


42

Accordingly, the hypothesis of the present practice is based on the principle that the way of organizing open spaces and blocks in residential complexes –due to its effect on factors like legibility, permeability, flexibility, and domain can influence the formation of public and semipublic spaces, and consequently affect the social interaction of residents. The following pixelated settlements try to investigate different ways of organizing the residential blocks in between the open spaces by emulating the existing pattern of density distribution in the old residential complexes adjacent to the site.

um ori dit Au

Ca fe

+R es ta ura nts

Ga lle ry

Lib ra ry

al dic Me

l

ia

fic

Of

ial erc m m Co

Sp ort sc lub

65%

Open Area

28%

Semi-dense

20%

Dense

s es cc nA tria s de Pe s es cc sA icle h Ve

Extension Blocks

Targeted Settlements

Existing residential complexe


43 . RESIDENTIAL COMPLEX > Drawing:

Isometric view of the proposal and the analysis of the social groups in the neighborhood

Elderly Residents

Conjoined Residential Blocks

Daily Habits

Park Activities

Local Shops


44

Elderly People

Young Adults Modern Lifestyle

Old Routines

Less Flexibility

Accomodation

Gather in Open Spaces Live Independantly Privacy

Open Public Spaces

Entertainments Live with Family Recreational Facilities Semi Closed Public Spaces


45 . RESIDENTIAL COMPLEX

> Drawing: Floor plan: Third floor of low density residential blocks


46

> Drawing: Site plan: The continuity of the landscape beside the residential blocks


07

JACUZZY

Site Theatre International Competition ARKxSITE COMPETITION PORTUGAL November 2017

The Baleal Fortress is a significant landmark located within a remarkable place; a powerful natural scenery where the remains of the Fortress rises from the landscape and together with the cliff surfaces eroded by the wind are notable features within this setting. The competition aimed to create a new cultural destination and provide a place for open-air performances to enhance the experience within the landscape. The proposed project was a vast terrace that sits on the overlap between the water front and the cliffs to provide visitors with a unique experience of nature and culture.


48

Due to the historical value of the site, the decision of not destroying any parts of the landscape became a priority. The idea was to extend the potential of the existing water activities alongside the coast into the project. Therefore the theatre was defined not only as a platform for performances, but also as a place to percept the performance of the nature. The emplacement of square-shaped planes with a large void inside sits in a way that expands the horizontality of the topography. The requested programs are distributed in two levels, each accesible from the main cliff.


49 . JC

> Visualization


50


08

ECO PLUG

Redistribution of Greenery in the Masterplan in the West of Tehran

CAAI School of Architecture Plugin Systems Studio September 2017

Students: Ehsan Rezakhani Mohsen Dehghan Navid Ghafouri

Tutors: Houman Talebi, Homa Farjadi

My role: Urban Research, Modeling, Design Process, Drawings

The environmental issues of Tehran has been an on-going problem for decades. The previous regional plans left massive ecological spaces that need enormous resources in order to sustain. The biggest ones located in the westermost district of Tehran, known as natural lungs of the city, were designed before the new urban developments in district 22 of Tehran. While these green spaces do not have a strong connection to the urban fabric, their maintenance costs are rather high. This practice tries to evaluate the previous approaches while proposing a new strategy of ecological distribution in the region.

GREEN SPACE PER CAPITA IN TEHRAN


52

Intersecting rings

Bo tan

ica

High-rise Residentials Low-rise Residentials Commercials Agricultural

Hotel-commercials

Commercial

tel s

Jungle

Linear connection to city events

N 10

00

m

Rental-gardens

Tehran, District 22

rC

on

ne

Cit

c�

on

M

Ur b Ag an r Fie icut lds lral

yW atc h

ul�

Ag Air r Re icult po se ur rt arc al hL ab s

Distant rings

Agricultural

ea

Ho

Overlapping rings

Recreation

Lin

Local-Products Selling

Research labs

Educational

lP ark

ing

-us

e

Cu Zo ltu ne ral


53 . ECO-PLUG

The most significant attribute of the district 22 is the elongation of its boundaries. A disorganized urban tissue with discrete structures, and at the same time high-rise buildings that are focused on few ecological focal points. This disconnection between green spaces that leaves the social activities disconnected. The current ecological expansion across the district results in inconsistent variations is forced to work trans-regional due to the early masterplans of the district. The out-of-scale artificial forest and the artificial lake that consumes large amounts of natural resources without having a proper pedestrian access.

Our strategy is to mislead these ecological forces to make space for pedestrian networks. Known as Ecological-Flows, these forces pull focus from individual objects such as big shopping malls and the open areas of the luxurious residential high-rise buildings and at the same time make them related to each other by new ecological networks. By incorporating various urban pockets into flexible and growing frameworks, our proposed master plan balances the distribution of greenery within large residential complexes. These frameworks can be percieved as ecological Mega-Structures that can contain urban infrastructures and distribute their green spaces vertically.


HWY

EQUESTRIAN CLUBS CAMPING CYCLING HIK ING SKAT ING GASTRONOMY

D SC APE

×

FWY

LAKE

RESIDENTIAL COMPLEXES SUPERMARKETS

Disconnection of Chitgar Forest

AN

RECREATIONAL RESIDENTIAL INDUSTRIAL AUT OSAL ES CIN EMA AGRICULTURE BOAT RIDING COMMERCIAL

High rises along Hemmat hw.

Low rises along Latmal

fulfill the street lines with green spaces to make an interconnection with the pocket parks. pocket parks

×

×

MEDIUM SIZED RESIDENTIALS OFFICES LOCAL BUSSINESS

PROGRAM

×

INDUSTRIAL

ROAD

FOREST

L

FOREST

×

AG R I C U LT U R E

attaching a second skin to the shaded face of placing a surface the building to use the shadows efficiently. release the radial as a bridge landscape to the between the two surrounding open separate parts of spaces. forest.

place a linear products selling open space to the industrial zones in order to connect the agricultural fields.

STRATEGY

54

Park along Chitgar Lake

Industrial zone adjacant to Chitgar Forest


55 . ECO-PLUG

[PROPOSED MASTERPLAN]


56


PROFESSIONAL WORKS


58

>

SHARIFI-HA HOUSE / NEXT OFFICE 2019 Isometric Drawing: Using Rhino & Adobe Illustrator


59 . PROFESSIONAL WORKS


60

>

CHESHM-O-CHERAGH / ABAR OFFICE 2019 Section Isometric Drawing: Using Sketchup & Adobe Illustrator


61 . PROFESSIONAL WORKS


62

>

SAFADASHT DUAL / NEXT OFFICE 2021 Section Perspective Drawing: Using Autodesk Revit & Adobe Illustrator



64

>

FURNITURE DESIGN / FREELANCE 2021 Modeling, Rendering and Post Production Using Rhino, Keyshot & Adobe Photoshop



66

>

INTERIOIR DESIGN / FREELANCE 2020 Photography, Rendering & Post Production_ Using Sketchup, V-Ray & Adobe Photoshop


>

ANIMATION / UMEÅ SCHOOL OF ARCHITECTURE ( 2021) Photography, Post Production & Animation_ Using Adobe Photoshop & After Effects Click to watch the animated version instagram.com/uma_architecture



C O N T A C T

 navid.ghafouri@gmail.com  linkedin.com/in/navidmaani  instagram.com/navidmaani issuu.com/navidmaani 

+46 72 848 0691


> Photo Credits: Amir Hossein Bazianfar / September 2018


JAN 2022

All rights reserved ©

The graphic contents in this portfolio are produced by Navid Ghafouri


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.