N A V I D G H A F O U R I P O R T F O L
S E L E C T E D W O R K S
>
I
O
2017 - 2021
ABOUT ME
“
My name is Navid. I am a multi-disciplinary art & architecture practitioner. Having an immense interest in the social aspects of architecture, I embarked on my master studies in Umeå School of Architecture where I investigated subjects such as design activism, digital place-making, and communication. For me, the pleasure of architecture lies in the process of understanding the contextual layers of socio-spatial conditions and exploring new modes of interaction with physical and digital spheres. I hope to gain more experience by contributing to a relevant practice.
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> collage from the project “ a n t i - s t a g e ” Spring 2021, Umeå School of Architecture
C O N T E N T S
ACADEMIC WORKS 01
A HAPPY ROOFTOP
02
ANTI - STAGE
03
UDDEN : LINEAR TACTILITY
04
TEHRAN PAVILION
05
EXPERIMENTAL
06
KNACK SNACK
07
RE-THINKING DORMS
08
RESIDENTIAL COMPLEX
09
JACUZZY
10
ECO-PLUG
MA Architecture / Umeå School of Architecture / 2021
MA Architecture / Umeå School of Architecture / 2021
Workshop / Umeå School of Architecture / 2020
P. 09 P. 21 P. 25
Project Collaboration / 2019
Audito-Space / The Door Gap Artefact / 2020
Game Design / Freelance Collaboration / 2019
BA Architecture Thesis / Azad University of Mashhad / 2018
B Arch Design Studio 5 / Azad University of Mashhd / 2018
P. 33 P. 41 P. 48 P. 56 P. 62
ArcXsite Competition / 2017
Workshop / 2017 / CAAI School of Architecture
PROFESSIONAL WORKS NEXT OFFICE
Sharifi-ha House, Safadasht Dual: Architectural Drawing
ABAR STUDIO
Cheshm-o-Cheragh Bazaar: Architectural Drawing
FREELANCE
Interior and Furniture Design/Rendering
CON TACT INFO
P. 01
P. 65 P. 71
P. 83
ACADEMIC WORKS
01
A HAPPY ROOFTOP F O R T I AF I C O MMU NITY CE NTE R
The aim of the project was to design a playground on the rooftop of TIAFI Community Center, located in Izmir, Turkey to allow refugees to spend time with their children in a safe and lively environment. The structure needed to be temporary and flexible to be moved into other sites. We proposed a modular system made out of a series of curved metal tubes which was affordable and durable. By developing different variations of the modular system, we designed different activity spaces such as a football pitch, a gathering space, and a series of gardening facilities.
> Drawing: Facade Perspective of Tiafi Community Center
2
Umeå School of Architecture December 2021 UMA5 - Studio 10 building a future: Architecture for displaced populations in Greece and Turkey.
Design team: Adele Valtersson, Benjamin Roobol, Cecilia Johansson, Claire Hannon, Fanny Chaiyarach, Fatima Garcia De Tiedra Terron, Jesper Ullbing, Julia Olström, Karina Gataullina, Kasimir Suter Winter, Ludvig DAovberg, Maureen Doye, Navid Ghafouri, Paula Vallejo Terceño, Viktor Wahlén Diederichsen
Studio tutors: Prof. Robert Mull, Amalia Katopodis, Sangram Shirke
My role: Visualization through rendering and illustration, 3D Modeling, Details Design, Spatial Development, Diagrams
3 . A HAPPY ROOFTOP
> Prototype: Steel Pipes Prototyping 1:2
4
> Drawing: Detail design of the joinaries
5 . A HAPPY ROOFTOP
> Visualization: The gathering space made by the modular system
6
Corrugated Plastic
Metal tube
Fabric
> Drawing: Detail design of the steel pipe modules, corrugated plastic and the fabric hook
7 . A HAPPY ROOFTOP
> Visualization: View from the front side of TIAFI community center into the rooftop
8
02
ANTI-STAGE
A NEW DYNAMIC FOR MUSIC PERFORMANCE The project “anti-stage” investigates the musical stage as a ground for new possibilities in architecture to alter the conventional understanding of musical performance and introduce a new dynamic of co-creation of culture to urban life.
10
Umeå School of Architecture April 2021 UMA4 - Studio 11 work in process: socio-spatial scenarios and architectural experiments.
Studio tutors: Daniel Movilla Vega, Mette Harder, Lluís J. Liñán, Carla Collevecchio
The conventional painting technique on a vertical canvas was challenged when Pollock decided to lay a canvas on the floor and step inside it. I investigated the stage as a canvas that can be challenged within different urban pockets. An explorative process of analyzing and observing the possible ways of interaction between audience and performers within public and domestic domains helped me redefine the common understanding of how a stage can be perceived and can perform. Working with both traditional and nontraditional media —including drawings, models, renderings, photographs, collages, and prototypes, I tried to unravel the underlying potentials existing in different domestic and urban conditions. The outcome of these practices land on a proposal of different transportable structures that can respond to different urban pockets and performing conditions. The proposal tries to argue that stage as a medium carries a rich set of meanings in the way that it performs and the way it can stake a claim to public space.
11 . ANTI-STAGE
Earlier in the process, I investigated Piano as an object that can organize the space around it and change the way that human bodies relate to space. I tried to analyze the ways that people interact with a piano in public and domestic spaces.
> Drawings overlayed with models, investigating vertical & horizontal conditions
12
> Drawing from A Jazz musical event in Umeå at Birgit Lindberg’s living room
13 . ANTI-STAGE
To speculate how this interaction can be extended as an urban interactive performance, I started designing transportable wireframe spaces within 3 different urban pockets in the city that can carry a piano and create an interactive relationship between the passengers, audience, performers, and the instrument itself.
14
[SCOPE OF THE PROJECT] > Designing a series of artefacts that can activate different urban conditions in Umeå by incorporating donated pianos in second-hand markets. These artefacts should be able to conduct spontaneous public performances and make a meaningful dialogue between the city and its residents. Providing the spaces for public interaction with music performance, this project introduces temporary installations characterized by the certain spatial features they provide to make playful public events and become a part of the urban culture in Umeå.
15 . ANTI-STAGE
The Penetrator Can penetrate to buildings through a long and narrow staircase, creating a circulation from outside to inside and making a semi-closed performance space in the middle.
The Framer Acts as a frame and it can divide an in-between condition into two different spaces, by facing the performers on one side and the audience on the other side.
The spinner A circular staircase with a sheltered space underneath it that can spin and change its direction.
The Extractor Being attached to the facade of a building, this artefact can be best used for a vertical performance in a balcony, providing spaces for sitting and a pulley system for assisting the movement of a piano.
16
The attachment of artefacts in different configurations creating new typologies of event spaces.
17 . ANTI-STAGE
> Prototype of the “Extractor” artefact
The tectonics of the artefact is shaped by a modular scaffolding system. The proposed shoring system comprises prefabricated modular components that fit together and lock without using couplers or bolts. The Mills Tour shoring system is constructed so that each vertical face, including the telescopic level, is fully braced over the whole height.
Timber Frame Piano
15
120
min 15 max 105
28.4
>TELESCOPIC STANDARD
> HORIZONTAL DIAGONAL BRACE
L 120
Adjustable head Access deck Scaffold plank > MT 240 LADDER
120
MT ladder
120
255
Telescopic standard & locking pin Telescopic frame and pin
> T2 TRIPLE FORK 9.5
13
27
Ø 10
Fixed height standard Fixed height frame Horizontal diagonal brace Base ledger Screw jack
2
.2
0
m
Connec tor
1
.0
0
-
1
.6
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-
Troley
1.
00
-
1.
60
-
2.
20
m
19 . ANTI-STAGE
> Visualization of the proposed event, viewpoint from the balcony of a 2-storey house located in Östra Strandgatan Street, Umeå
20
The radicality of this proposal is not on the structure, nor the movement of the piano. The structure with the piano needs human bodies in order to complete the stage, and that’s where the concept of the stage is no longer static, exclusive and hierarchical.
03
UDDEN
L I N E A R T A C T I L ITY
Umeå School of Architecture September 2020 UMA4 - Vertical Workshop Investigating The Nature Reserve in Grössjön Students: Navid Ghafouri, Karl Lind, Linda Lindkvist, Viktor Lindström, Linnea Lundmark, Arvid Matton
> Photo Credits: Navid Ghafouri / Grössjön / September 2020
22
The previous fireplace and seats
The fluid form of the landscape
The horizontality of the lake view
the serenity of the sky view
The task was to rebuild the existing fireplace in Grössjön, situated about 7 km from the Arts Campus in Umeå, Sweden. The existing fireplaces constituted a concrete ring for making fire and benches offering seatings providing comfort and heat to the hiker. The benches were in poor shape and our task was to construct new ones by using the provided wooden material and hand tools. Given the goal to sustain the benches for a long period, strategies for maintenance became a priority in design thinking. Therefore, the material of the benches we built will be left untreated and in a couple of years, Umeå Kommun will treat them with tar or sludge colour.
23 . UDDEN
Making the Prototype
Preparing the base
Making the Curves
Transportation and Assembling on Site
> Fabrication Process
Axonometric construct principle of the daybed 1:10
s + sections 1:10 bed
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300
2800
30 28 750 1000
500
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Wood charring process > Axonometric: Construct principle of the daybed 1:10
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04
TEHRAN PAVILION A Dialogue Between the old town & the modern metopolitan city
How can a pavilion represent the historical evolution of a metropolitan city like Tehran? The adjacency of contradicting physical components of the old and the new fabric of Tehran lies in the veins of the city. Exposing these layers through different structural and functional components in a pavilion was the objective of this proposal. The co-existence between the long highways and the narrow alleys, the Highrise buildings and the small houses, the view to nature and the city life within a walking distance is what users of this pavilion will experience.
Project Collaboration Via Roja Azizzadeh March 2019 My role: Design Development, Modeling, Visualizations, Diagrams, Drawings
26
Gallery/Exhibition Boxes
Existing Steel Structures
Bridges
27 . TEHRAN PAVILION
> Drawing: Ground Floor Plan
28
> Drawing: A-A Section
29 . TEHRAN PAVILION
> Rendering: Exterior view of the main court-yard
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31 . TEHRAN PAVILION
> Rendering: Birdeye view of the paviolin
32
05
EXPERI MENTAL December 2020 UMA4 - Studio 11 work in process: socio-spatial scenarios and architectural experiments.
AUDITO -SPACE
Studio tutors: Daniel Movilla Vega, Mette Harder, Lluís J. Liñán, Carla Collevecchio
34 How does the auditory experience change our perception of space? Is there a way that we can identify a building from the sounds it produces? In this practice, I conducted a set of experiments to understand the way that sound behaves in different environments. In my first experiment, I investigated downspouts of Umeå city church as an instrument that produces sounds from the drops of water.
> Spectogram of 3 different downspouts at Umeå city church
35 . EXPERIMENTAL
MAPPING
Sound Recording Measuring audio isolated from the outside noise Drops Tempo Beats per minute of the drops of each downspout Volumetric Flow The amount of water shed from each downspout within a specific time period
The audio waveform of a single downspout during 9 hours of a day
36 RECOMPOSITION OF PARTS Investigating downspouts as assets that replicate the instruments of an orchestra led me through cataloguing the different organisms that shape this water draining system. From the rooftops to the gutters and to downspouts, these parts come together as a whole system that produces the auditory experience. By understanding the structural vocabulary of downspouts, we can create an urban soundscape.
37 . EXPERIMENTAL
Considering Umeå city church as a resonant box, I tried to analyse the ways that sound travels through space and reflect it until it loses its energy. I used onsite methods to calculate the reverberation time at different parts of the church and then compared it to computer calculations using the plugin “pachyderm” to model the sound travelling pattern. To understand how different rituals create specific auditory features that are originated from the movement pattern and the dominant frequencies of the sound sources, I investigated different acoustic conditions in the church through these drawings. The differences in frequency and the location of sound sources shows the way that sound fills the space.
38 Form Follows Sound!
Listen to the Auralization of 4 different acoustic conditions through a choir singing audio
In this practice I tried to speculate the spatial translations for pre-manipulated sounds. Using Rhino and Pachyderm plugin, I tried to experiment the sound propagation pattern of simple forms such as a box with different add-ins. By using the plugin results as a rule of thumb, I tried to apply a manual auralization to a pre-recorded choir singing audio to simulate the acoustic outcomes of the forms that I previously designed.
39 . EXPERIMENTAL
THE DOOR GAP ARTEFACT October 2020 UMA4 - Studio 11 Team: Emelie Wendelstig, Linnea Korpi, Marcus Tosse Hägglund, Navid Ghafouri, Rebecca Lindkvist, Sofia Klingesten
In this group practice, the old prison of Umeå was investigated through different experiments. “Limitation” as the main keyword of these investigations intrigued us to test the corridors, the cell and the prison doors through the notion of body restrictions.
40
In order to let the prisoners see the priest on Sundays, the doors could be opened with a gap of 10 cm. Prisoners had to wear a mask all the time to remain anonymous to each other. We tried to translate this door gap to a wearable artefact that limits the eye sight while giving a kind of anonymity to the user. And then we observed the way it changes our daily life activities. [video]
Click to watch how this artefact changes our daily life interactions!
06 August 2019 Game Design Collaboration A brain training app for children.
Team: Navid Ghafouri, Pedram Pasdar, Shahryar Malek, Soheil Mousavi
#Game Design #Graphic Design #Visual Identity #Character Design #Illustration #UI/UX Design
Knack Snack is a brain training app that encourages children to keep motivated to eat healthy food on a daily basis.
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Game Characters The game aims at helping children from 6-13 to form a relationship between healthy food diets and their achievements in the game. We came up with the idea of upgradable characters that grow and get stronger if the player feeds them with healthy food. Each character of the game has a role to play to fill the plate which is the inventory of the gamer. The challenge was to create four different worlds that connect with each other throughout the narrative of the whole story.
> Character Design
43 . KNACK SNACK
At the end of each game round, the player’s score is transfered to the tray in the form of healthy food.
44
The designed archipelago comprises four different islands: the mountain, the rocket launching site, the waterfall, and the factory. The colour palette associated with each island is specific to its own, creating a unique visual narrative in relation to the game character.
45 . KNACK SNACK
> Level Design: Illustrations for the mini games
46
> Graphic Design: Knack Snack booklet
06
RE-THINKING DORMS STUDENT HOUSING & COMMUNITY CENTER IN MASHHAD
> Physical Model: Using foam and balsa wood
Azad University of Mashhad BA Thesis Project September 2018 Supervisor: Mehran Kheirollahi
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A community centre in touch with the landscape of an undeveloped park and at the same time, a residence for the students redefines the program of a dorm inside one of the most important student zones in the city. A suitable site for the proposed programs required a remote place from the traffic congestions and accessible within a walking distance from the university. This site, with an 1800 m2 area offers the students great convenience both in the safety of the region and the suitable connectivity to the urban facilities and public transportation.
PICHAK PARK SUSAN PARK ISLAMIC AZAD UNIVERSITY OF MASHHAD
PARK
The idea was to lift up the landscape to make room for the public functions and on top of them, create semi-private open spaces for the dorm residents.
DORM
PARK
COMMUNITY CENTER
DORM
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SID TIA RE EN L SIDE TIA RES NTIA EN L RESIDIDE ENTIAL L NTIA TIA L
RETAIL
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TIA TIA L R L ESI RE DE SID N EN TIA TIA L L
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RE SIDE S N RE IDENTIAL RE SIDE TIA SID N L T RE ENT IAL RE SIDE IAL RE SIDE NTI SI N A RE DEN TIA L S TI L RE IDEN AL S T RE IDEN IAL SID TIA RE EN L S T Hija RE IDE IAL ED UCATI b St S N ONAL RE IDEN TIAL
1800 m2
IVE UN
Amenities such as dormitories have the potential of shaping new communities among students. Every year, almost 50,000 new students residing in Mashhad, the second most populated city in Iran to study. Providing the collegians temporary residentials within remote housing districts, the dorms typically disconnect students from the city life. This proposal tries to widen the scope of the investigation and offers more interactional spaces to student housing while establishing a connection with the local residents of the city.
49 . RE-THINKING DORMS
The project sits in a way to create a habitable space inside a park. It is comprised of 13-meter-wide dormitory masses over a park, adjacent to the university in order to crop the landscape with communicational programmes below the ground.
> Programs Distribution Diagram
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> Student units
51 . RE-THINKING DORMS
> Drawing: Section Perspective
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53 . RE-THINKING DORMS
> Rendering: Exterior view of the project
The most conspicuous material is the exposed concrete that makes up façades. Horizontal louvres are used with three different dimensions. They are attached each with the maximum cantilever from the vertical support to create a woven pattern to comprise a unified façade to the public and shaded walkways with a dynamic play of light for the inhabitants.
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06
RESIDENTIAL COMPLEX HOUSING PROJECT IN MASHHAD Regarding the increasing approach to living in residential complexes in Mashhad, the necessity of addressing the design and decision-making processes about social spaces has become widely controversial. One of the problems faced with the existing residential developments is the lack of infrastructures to inhabit different types of residents’ social interactions in the shared spaces. Having increasingly been weakened, the concept of the neighbourhood in relation to lifestyles and different everyday habits is the main question in this project.
> Rendering: Exterior view of the project
Azad University of Mashhad Architectural Design 5 Studio January 2018 Tutor: Leila Zamani Aghaiee
56
Accordingly, the hypothesis of the present practice is based on the principle that the way of organizing open spaces and blocks in residential complexes –due to its effect on factors like legibility, permeability, flexibility, and domain can influence the formation of public and semipublic spaces, and consequently affect the social interaction of residents. The following pixelated settlements try to investigate different ways of organizing the residential blocks in between the open spaces by emulating the existing pattern of density distribution in the old residential complexes adjacent to the site.
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65%
Open Area
28%
Semi-dense
20%
Dense
s es cc nA tria s de Pe s es cc sA icle h Ve
Extension Blocks
Targeted Settlements
Existing residential complexe
57 . RESIDENTIAL COMPLEX > Drawing:
Isometric view of the proposal and the analysis of the social groups in the neighborhood
Elderly Residents
Conjoined Residential Blocks
Daily Habits
Park Activities
Local Shops
58
Elderly People
Young Adults Modern Lifestyle
Old Routines
Less Flexibility
Accomodation
Gather in Open Spaces Live Independantly Privacy
Open Public Spaces
Entertainments Live with Family Recreational Facilities Semi Closed Public Spaces
59 . RESIDENTIAL COMPLEX
> Drawing: Floor plan: Third floor of low density residential blocks
60
> Drawing: Site plan: The continuity of the landscape beside the residential blocks
08
JACUZZY
Site Theatre International Competition ARKxSITE COMPETITION PORTUGAL November 2017
The Baleal Fortress is a significant landmark located within a remarkable place; a powerful natural scenery where the remains of the Fortress rises from the landscape and together with the cliff surfaces eroded by the wind are notable features within this setting. The competition aimed to create a new cultural destination and provide a place for open-air performances to enhance the experience within the landscape. The proposed project was a vast terrace that sits on the overlap between the water front and the cliffs to provide visitors with a unique experience of nature and culture.
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Due to the historical value of the site, the decision of not destroying any parts of the landscape became a priority. The idea was to extend the potential of the existing water activities alongside the coast into the project. Therefore the theatre was defined not only as a platform for performances, but also as a place to percept the performance of the nature. The emplacement of square-shaped planes with a large void inside sits in a way that expands the horizontality of the topography. The requested programs are distributed in two levels, each accesible from the main cliff.
63 . JC
> Visualization
64
09
ECO PLUG
Redistribution of Greenery in the Masterplan in the West of Tehran
CAAI School of Architecture Plugin Systems Studio September 2017
Students: Ehsan Rezakhani Mohsen Dehghan Navid Ghafouri
Tutors: Hooman Talebi, Homa Farjadi
My role: Urban Research, Modeling, Design Process, Drawings
The environmental issues of Tehran has been an on-going problem for decades. The previous regional plans left massive ecological spaces that need enormous resources in order to sustain. The biggest ones located in the westermost district of Tehran, known as natural lungs of the city, were designed before the new urban developments in district 22 of Tehran. While these green spaces do not have a strong connection to the urban fabric, their maintenance costs are rather high. This practice tries to evaluate the previous approaches while proposing a new strategy of ecological distribution in the region.
GREEN SPACE PER CAPITA IN TEHRAN
66
Intersecting rings
Bo tan
ica
High-rise Residentials Low-rise Residentials Commercials Agricultural
Hotel-commercials
Commercial
tel s
Jungle
Linear connection to city events
N 10
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Rental-gardens
Tehran, District 22
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Distant rings
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Overlapping rings
Recreation
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Local-Products Selling
Research labs
Educational
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67 . ECO-PLUG
The most significant attribute of the district 22 is the elongation of its boundaries. A disorganized urban tissue with discrete structures, and at the same time high-rise buildings that are focused on few ecological focal points. This disconnection between green spaces that leaves the social activities disconnected. The current ecological expansion across the district results in inconsistent variations is forced to work trans-regional due to the early masterplans of the district. The out-of-scale artificial forest and the artificial lake that consumes large amounts of natural resources without having a proper pedestrian access.
Our strategy is to mislead these ecological forces to make space for pedestrian networks. Known as Ecological-Flows, these forces pull focus from individual objects such as big shopping malls and the open areas of the luxurious residential high-rise buildings and at the same time make them related to each other by new ecological networks. By incorporating various urban pockets into flexible and growing frameworks, our proposed master plan balances the distribution of greenery within large residential complexes. These frameworks can be percieved as ecological Mega-Structures that can contain urban infrastructures and distribute their green spaces vertically.
HWY
EQUESTRIAN CLUBS CAMPING CYCLING HIK ING SKAT ING GASTRONOMY
D SC APE
×
FWY
LAKE
RESIDENTIAL COMPLEXES SUPERMARKETS
Disconnection of Chitgar Forest
AN
RECREATIONAL RESIDENTIAL INDUSTRIAL AUT OSAL ES CIN EMA AGRICULTURE BOAT RIDING COMMERCIAL
High rises along Hemmat hw.
Low rises along Latmal
fulfill the street lines with green spaces to make an interconnection with the pocket parks. pocket parks
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×
MEDIUM SIZED RESIDENTIALS OFFICES LOCAL BUSSINESS
PROGRAM
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INDUSTRIAL
ROAD
FOREST
L
FOREST
×
AG R I C U LT U R E
attaching a second skin to the shaded face of placing a surface the building to use the shadows efficiently. release the radial as a bridge landscape to the between the two surrounding open separate parts of spaces. forest.
place a linear products selling open space to the industrial zones in order to connect the agricultural fields.
STRATEGY
68
Park along Chitgar Lake
Industrial zone adjacant to Chitgar Forest
69 . ECO-PLUG
[PROPOSED MASTERPLAN]
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PROFESSIONAL WORKS
72
>
SHARIFI-HA HOUSE / NEXT OFFICE 2019 Isometric Drawing: Using Rhino & Adobe Illustrator
73 . PROFESSIONAL WORKS
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>
CHESHM-O-CHERAGH / ABAR OFFICE 2019 Section Isometric Drawing: Using Sketchup & Adobe Illustrator
75 . PROFESSIONAL WORKS
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>
SAFADASHT DUAL / NEXT OFFICE 2021 Section Perspective Drawing: Using Autodesk Revit & Adobe Illustrator
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FURNITURE DESIGN / FREELANCE 2021 Modeling, Rendering and Post Production Using Rhino, Keyshot & Adobe Photoshop
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INTERIOIR DESIGN / FREELANCE 2020 Photography, Rendering & Post Production_ Using Sketchup, V-Ray & Adobe Photoshop
>
ANIMATION / UMEÅ SCHOOL OF ARCHITECTURE ( 2021) Photography, Post Production & Animation_ Using Adobe Photoshop & After Effects Click to watch the animated version instagram.com/uma_architecture
C O N T A C T
navid.ghafouri@gmail.com
+46 72 848 0691
linkedin.com/in/navidmaani instagram.com/navidmaani issuu.com/navidmaani
> Photo Credits: Amir Hossein Bazianfar / September 2018
MAR 2022
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