February 2014 Winter Estates Auction by Neal Auction

Neal Auction

Important Winter Estates Auction February 8 & 9, 2014

Front Cover (detail): Attr. to Jean-Joseph-Xavier Bidauld (French, 1785-1846), “Eros Removing his Blindfold”, 1785, o/c, sd., 47 1/2 x 32 in. Back Cover (detail): Italian Ivory, Fruitwood and Pewter Inlaid Rosewood Commode, 18th c., w. 41 in. This page (detail): Jerry Uelsmann (American, b. 1934), “Untitled: Floating Tree, 1969,” b/w photomontage, sd., 9 3/4 x 12 1/4 in.

W denotes the lot is illustrated at www.nealauction.com

LOUISIANA WINTER ESTATES PURCHASE AUCTION AUCTION October February68 & & 7, 9, 2014 2007 On Our Premises 4038 Magazine Street & 3923 Carondelet Street • FEATURING: A Fine Collection of Natural History Works on Paper, Houma, LA • An Important John McCrady Painting from the Collection of New Orleans Artist Joyce Kelly • Art and Photography from the Collection of New Orleans Artist Charles Fritchie • Property from the Estate of Charles Pyle, Pauls Valley, OK • A Gentleman Antiquarian’s Collection of Period Furniture, Paintings, Porcelain and Decorations • Contents of a Noted St. Charles Avenue Residence • High-Style 19th Century Furniture from an Atlanta Collection • Contemporary Louisiana Art from the Estate Collection of Ronald Bourgeois and Charles East, New Orleans • Property Sold for the Benefit of Longue Vue House & Gardens • A Collection of Chinese Porcelain and Jade • Chinese Furniture from the Estate of Luo Yapquan (1917-2009), Flushing, NY and Miami, FL • And Property of Others

EXHIBITION both galleries beginning Monday, January 27, 10 a.m. to 5 p.m. Special Saturday Preview, February 1, 10 a.m. to 5 p.m. Evening Preview Reception, Thursday, February 6, 5 to 7 p.m. AUCTION SCHEDULE Saturday, February 8, 10 a.m., 4038 Magazine Street Sunday, February 9, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

We Invite You to Visit Us Online at www.nealauction.com

Neal Auction Company About Us Archived Auctions Artist Index Auction Auction Calendar Buy Catalogues Carondelet Gallery Condition Reports Conditions of Sale Consignment Contact Hammer Hits News Online Bidding Payments Press Releases Real Estate Record Sales Sales Results Shipping Info Submit Bids Visitors Info

View Large Full Color Images Full Lot Descriptions by Category and Lot Number Order Request and View Condition Reports Submit Absentee and Telephone Bids W denotes the lot is illustrated at www.nealauction.com

Session One Saturday, February 8th, 10 am 4038 Magazine Street

W denotes the lot is illustrated at www.nealauction.com

1 (1 of 4)

2 (1 of 4)

4 (6 of 12)

1. Four Antique French Vue d’Optiques, early 19th c., hand-colored engravings of Constantinople, the Royal Gardens of Denmark, and the Great Seraglio of the Mughal Empire, sight 10 1/2 in. x 15 in.

W 3. After Peter Frederick Rothermel (American, 1817-1895),

$500/700

$700/1000

2. Richard Boyle, Earl of Burlington (British, 16941753), with William Kent (1684-1748), 18th c., four hand-colored engraved plates (p. 40-43) joined, from The Designs of Inigo Jones (1727) representing Jones’ unexecuted project of Whitehall Palace, as drawn by Henry Flitcroft (16971769) and engraved by Henry Hulsbergh (d. 1729), sight 17 1/2 in. x 39 1/2 in., framed together.

4. A Fine Set of Twelve Royal Worcester Polychrome Painted Porcelain Dessert Plates, six signed “R. Sebright” and six signed “W. Bee”, each finely painted with an arrangement of fruit on a woodland floor encircled by a wide foliate rim decorated with gilt and raised gilt swags on a cobalt ground, bases with puce crowned monograms, retailer’s marks for David Collamore & Co., New York, red painted pattern nos. “C2032”, and impressed marks, diameter 8 3/4 in.

$600/900

$7000/10000

“George Washington”, c. 1852, stipple engraving, published by Fishel, Adler & Schwartz, NY, printed by A.H. Ritchie, sight 32 1/2 in. x 25 1/2 in., period oak frame.

7. A Chinese Archaistic Yellow and Russet Jade Covered Vase, probably Qing Dynasty (1644-1911), splayed square body with scroll flanges and lion ring handles, conforming cover with Buddhist lion finial, height 9 1/2 in., width 5 7/8 in., depth 4 1/8 in. $1500/2500 6

8. A Pair of Chinese Iron Red Decorated Blue and White Porcelain Wine Cups, bellform bodies with stylized lotus and ribbon decoration, bases with apocryphal Qianlong marks, height 1 3/4 in., diameter 3 1/8 in. $1000/1500 9. A Chinese Yixing Pottery Teapot, probably Qing Dynasty (1644-1911), globular body with bambooform handle and spout, domed, finialed cover, decorated with incised calligraphy and bamboo, base inscribed, height 5 in. $1500/2500

W 5. A “Royal Vienna” Porcelain

Miniature Urn, cobalt ground with gilt decoration, painted reserves of a maiden and cupid, height 7 3/4 in. $300/500

6. A Gilt-Bronze Mounted Chinese Oxblood Glazed Porcelain Vase, the porcelain probably Qing Dynasty (1644-1911), the bronze later, ogee body with flared rim, overall deep red crackle glaze, base with Yongzheng mark, height 18 1/2 in., bronze rim, figural handles and tall waisted foot, overall height 23 3/8 in.

10. A Chinese Famille Verte Porcelain Jar, probably 18th c., decorated with bird-and-flower and insect-and-flower panels on an iron red floral ground, height 9 in., now mounted as a lamp, overall height 22 1/2 in. $1200/1800

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

11. A Chinese Hardwood “Throne” Chair, Baozuo, probably Qing Dynasty (1644-1912), rectangular seat supporting three dragon carved panels, central panel with cylindrical scrolled crested rail, seat supported by a carved apron above cabriole legs with paw feet, floor stretchers, height 40 1/2 in., width 30 1/4 in., depth 25 in. $2000/4000 Provenance: Estate of Restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

12. A Chinese Hardwood Recessed Leg Table, probably 19th/20th c., rectangular inset top with archaic carved edges over similarly carved brackets and apron supported on carved trestles, height 32 1/2 in., width 55 in., depth 16 1/2 in. $2000/4000 Provenance: Estate of Restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. 13. A Pair of George II Carved Walnut and Caned Side Chairs, mid-18th c., volute crest, entwined pierced splat, serpentine seat rail, cabriole legs, ball and claw feet, stretchers. $1000/1500 14. A Fine William IV Carved Mahogany Chest of Drawers, early 19th c., Channel Islands, molded top, four graduated drawers, lappet and rosette stiles, paw feet, height 42 in., width 44 in., depth 21 1/2 in. $1500/2500

15. A Charles II Oak Chest of Drawers, late 17th c., molded top over four molded paneled drawers, molded base, block feet, height 34 1/2 in., width 35 1/2 in., depth 21 1/2 in.

$1200/1800 16. A Fine Antique English Papier-Mâché Chinoiserie Decorated Tray, mid-19th c., foliate rim, exotic landscape, on later conforming black lacquered stand with clustered bamboo turned legs, x-stretcher, height 16 in., width 30 1/2 in., depth 22 1/2 in. $1200/1800 17. C. Santarelli (Italian, 19th c.), “Sharpening the Arrows of Love”, 1875, watercolor and pencil on paper, signed and dated lower left, sight 10 5/8 in. x 15 1/8 in., period ornate giltwood frame. $1000/1500 18. Matthew Dubourg (British, active 1808-1838), four etchings from the Views of the Remains of Ancient Buildings in Rome and its Vicinity, published in London, 1820, hand-colored aquatint etchings, titled: “Temple of Vesta, plate 2”; “Tomb of Cecilia Metella, plate 7”; “Forum of Nerva, plate 14”; “Temple of Fortuna Virilis, plate 3”, sight 10 1/2 in. x 13 in., all framed alike. $1500/2500

W 19. Alessandro

Mastro-Valerio (Italian/American, 1889-1953), “The Gift of the Magi” and “The Dinner Party”, two mezzotints on paper, both pencil-signed lower right, inscribed and signed on mats lower right, sheet 5 3/4 in. x 5 1/4 in. and sheet 5 3/4 in. x 4 1/2 in., unframed. $500/700

18 (2 of 4)

Provenance: Estate of artist Morris Henry Hobbs (1892-1967). W denotes the lot is illustrated at www.nealauction.com

20. John Gould (English, 1804-1881), The Birds of Great Britain, 5 vols., [1862]-1873, published by the author, London, folio (22 in. x 15 in.), with 367 hand-colored lithographed plates by Gould, Joseph Wolf, H.C. Richter and W. Hart, with dedication leaf, preface, list of subscribers, list of plates, three quarter morocco, gilt titles, gilt “C” and stamp of Cruising Association Library, top edges gilt, marbled end papers, with bookplate of The Cruising Association. $35000/55000

22. A George III Mahogany Camelback Sofa, late 18th c., arched crest, scrolled arms, serpentine seat rail, stop-fluted square tapered legs, block feet, height 39 in., width 84 1/2 in., depth 28 in. $3000/5000 23. An American Queen Anne Carved Walnut Side Chair, mid-18th c., New England, shaped crest, chamfered stiles, vasiform splat, balloon seat on cabriole legs, chamfered rear legs, turned and blocked stretcher, pad feet. $800/1200 Provenance: Acquired from Marguerite Riordan, CT, 1982. 21

21. John Gould (English, 1804-1881), A Monograph of the Trochilidae or Humming Birds, Part IV, pub. London, Oct. 1, 1852, with 15 hand-colored lithographs, heightened with gum arabic, folio (22 in. x 15 in.), bound in original pictorial, titled boards. $5000/7000

22 W denotes the lot is illustrated at www.nealauction.com

27. A Fine Chinese Jade, Turquoise and Enamel Embellished Silver Filigree Box and Cover, 20th c., quatrefoil cylindrical body mounted with white jade bangle encircling rim beneath domed, finialed cover, decorated overall with birds, flowering branches, and cabochon turquoise gems, base marked “SILVER”, height 7 in. $1500/2500

24. An American Chippendale Carved Mahogany Daybed, late 18th c., Delaware River Valley, serpentine crest rail centering a shell, scrolled ears, pierced and interlaced splat, molded seat rails, cabriole legs terminating in claw and ball feet, height 41 in., length 73 1/2 in. $1500/2500 25. A Chinoiserie Paint-Decorated and Lacquered Wood Low Table, waisted rectangular top with phoenix and dragon, square legs, hoof feet, height 18 1/2 in., width 48 in., depth 24 in. $500/1000

26. A Small Chinese Purple-Splashed “Junyao” Tripod Censer, probably Qing Dynasty (1644-1911), compressed globular body on three pointed feet with loop handles, overall sky blue glaze with purple splashes, height 3 1/2 in., diameter 4 1/4 in. $1000/1500

28. A Good Chinese Pale Celadon and Russet Jade “Nine Dragon” Plaque Pendant, probably Ming Dynasty (13681644), rectangular form, relief-carved to the front and back with nine sinuous qilong dragons, height 2 1/2 in., width 1 3/4 in., depth 3/8 in. $1500/2500

29. A Chinese Carved Stone Head of Buddha, possibly Tang Dynasty (618-907), pitted white crystalline stone carved in the round as the head of Buddha with a downcast serene expression, pierced base, height 3 in. $700/900 30. A Chinese Bronze Figure of a Buddha, probably Ming Dynasty (1368-1644), crowned figure cast seated in dhyanasana with hands held in vitarka mudra, height 9 7/8 in. $700/900 31

29 31. A Chinese Silvered Bronze Mirror, probably Tang Dynasty (618906), cast with a design of squirrels amid fruiting grape vines, diameter 4 1/8 in. $800/1200 32. A Chinese Silver Inlaid Bronze Figure of a Buffalo, modeled standing foursquare, its thick arched neck supporting an alert forward facing head, overall stylized loop inlay, height 6 3/4 in., width 9 in., accompanied by ORENDA report number 2011207AFLS. (2 pcs.)

$1000/1500 Provenance: Ex-Collection Chauncey Lowe, Winter Park, FL. 33. A Chinese Archaistic Jade Figure of a Boar, probably Ming Dynasty (1368-1644), pale yellow stone with brown rivering carved as a standing beast with stylized hackles and incised details, height 3 1/8 in., length 6 1/2 in. $5000/7000 Provenance: Ex-Collection Chauncey Lowe, Winter Park, FL.

W denotes the lot is illustrated at www.nealauction.com

34. A Good Pair of Chinese Huanghuali Yokeback Armchairs, probably 20th c., undulating bow-form toprails, serpentine backsplats carved with dragon roundels, turned stiles, S-curved armrails, woven split bamboo seats, shaped seat rail, turned tapered legs, foot rests, stretchers, height 46 3/4 in., width 27 1/2 in., depth 22 1/4 in. $8000/12000 35 35. A Chinese Carved Wood Altar Table, probably Qing Dynasty (1644-1911), height 39 1/2 in., width 102 in., depth 16 in. $6000/8000 36. Chinese School, “Ancestor Portrait: Husband and Wife of Civil Rank”, ink, color and gilt on paper, sight 65 in. x 36 1/4 in., matted and framed. $2500/3500 37. A Regency Mahogany Hunt Table, 19th c., demilune top with removable center section and drop leaves, fitted with decanter trolley, turned legs, cuff casters, height 29 in., length 70 in., width 48 in. $1000/1500 37

38. A Fine George III-Style Carved Mahogany Vitrine Cabinet, molded top, glazed upper case with doors to the sides, interior glass shelves, sliding doors below, ogee bracket feet, height 84 in., width 52 1/2 in., depth 20 1/2 in. $1500/2500 39. A Pair of Louis XVI-Style Gilt Bronze-Mounted Onyx, Marble and Alabaster Pedestals, late 19th/early 20th c., each with molded top, beaded edge, tapered body with beribboned swags, wreath molded plinth base, height 47 1/2 in., width 18 1/2 in., depth 12 1/2 in.

$3000/5000 40. A Pair of Empire Carved Mahogany Armchairs, early 19th c., scrolled rectangular backs, curved arms on Egyptian busts, curved seat rail, square tapered legs, paw feet. $1200/1800 41. A George III Mahogany Partners Desk, late 18th/early 19th c., inset tooled leather top with turreted corners, conforming base, frieze fitted with six drawers, each pedestal with three graduated drawers to each side, fluted blocked corner columns, molded plinth base, height 29 in., width 72 in., depth 42 in. $4000/6000

41 W denotes the lot is illustrated at www.nealauction.com

42. A French Provincial Walnut Side Table, late 19th c., triangular inset tooled leather top, shaped frieze, cabriole legs ending in hoof feet, height 28 in., width 27 in., depth 22 1/2 in. Note: Underside with old partial label “...Dubois...”, probably French retailer. $700/1000 42

43. A Fine Pair of Regency Gilt and Patinated Bronze Three-Light Candelabra, c. 1820, standard with eagle head brackets issuing scrolled arms, plinth base, prism hung, height 13 1/4 in., width 14 in., depth 4 1/4 in. $700/1000 44. A Pair of English Chinoiserie Tôle Peinte Lamps, with Chinese landscapes, height 22 in., diameter 8 1/2 in. $500/1000

45. A George III Mahogany Stick Barometer, c. 1790, Dolland, London, broken-arch top, over a feather-banded trunk, hemispherical cistern, signed brass scale with manual vernier, height 39 1/2 in., width 5 1/4 in., depth 3 1/4 in. $1500/2500

46. A Pair of Anglo-Irish Cut Glass Lidded Urns, c. 1830, knop handles, cut in a fan and strawberry pattern, on square base, height 11 1/4 in., width 5 1/2 in. $1200/1800

47. An Anglo-Irish Cut Glass Bowl, c. 1830, diamond cut bowl on square plinth, height 7 1/2 in., diameter 9 1/4 in. $700/900

49 (surround only)

49. A French Rococo Carved Carrara Marble Fireplace Surround, serpentine shelf, carved with scrolls and cabochons, overall height 45 1/2 in., width 72 1/2 in., depth 17 in. $3000/5000

51 48 48. An Extensive Durgin “Iris” Pattern Sterling Silver Flatware Service, pat. 1900; comprised of 12 each: dinner forks, dinner knives, luncheon forks, luncheon knives, salad forks, gumbo spoons, cream soup spoons, dessert spoons, ice cream spoons, teaspoons and flat butter spreaders, 6 fish forks, 9 fruit knives, 24 citrus spoons, 18 cocktail forks, 18 demitasse spoons, 9 pastry forks, 3 piece roast carving set, 5 tablespoons, asparagus serving fork, oyster ladle, cracker scoop, ice cream slice, pie trowel, large berry spoon, large pierced berry spoon, small berry spoon, vegetable serving fork, salad serving fork, cheese scoop, chipped beef fork, gravy ladle, sauce ladle, 2 flat master butter knives, pierced olive spoon, mustard ladle, 4 master salt spoons, pickle fork, horseradish spoon, sugar tongs, and sugar sifter (250 pcs.), combined weight (weighable) 290.50 troy ozs.; in a mahogany and burlwood fitted case, the coffer with fall front enclosing 3 drawers, the integral stand with one drawer and cabriole legs, height 40 in., width 22 1/2 in., depth 17 1/4 in. $20000/30000

50. A George III Carved Mahogany Library Armchair, 18th c., rectangular back, padded arms with rosette terminals, conforming seat, blind fretwork square legs, stretchers. $1500/2500 51. A George II Mahogany Console, mid18th c., variegated terrazzo or cast stone top, molded frieze on molded volute cabriole legs, pad feet, height 33 in., width 44 in., depth 25 in. $2500/3500

W denotes the lot is illustrated at www.nealauction.com

52. A Very Fine Pair of Edwardian Chippendale-Style Carved Mahogany Commodes, early 20th c., each with serpentine crossbanded top, long frieze drawer, rosette corners, acanthus and bellflower stiles flanking a pair of paneled doors, shelf interior, shaped base, carved, beaded turned legs, height 36 1/2 in., width 59 in., depth 25 1/2 in. Note: Remnants of old newspaper backing on backboards of each. $5000/7500 53. After Hyacinthe Rigaud (French, 1659-1743), “A Pair of State Portraits: King Philip V of Spain and his consort Queen Elizabeth Farnese of Parma”, 18th c., oils on canvas, unsigned, with “D. B. Butler & Co., New York” (c. 1900-1935), labels en verso with client’s name “Jackson” and no. 62630, 48 in. x 38 1/2 in. and 47 in. x 38 in. respectively, framed, each with Spanish-language plaques giving sitters’ and artist’s names. $6000/8000 Note: Rigaud, court painter to King Louis XIV of France, painted the monarch’s grandson, Philip V of Spain, in 1700; that famous painting is still at Versailles. Philip’s second marriage to Elizabeth, daughter of Odouardo Farnese of Parma, occurred in December 1714, so the engraved prints on which these dramatic portraits were evidently based (prints which issued in the multiples from the Rigaud studio) were probably of two different dates. There is also a possibility that the 19th-century maker of the plaques on the present frames may have been mistaken about the original artist(s) of the prints, and that both these images may perhaps reflect the work of Jean Ranc (1674-1735), Rigaud’s apprentice and protégé, who in fact painted both the King and Queen in 1722/1723 (both paintings now in the Prado, Madrid). This possibility is credible when one considers that the style and handling of these pictures is much closer to Ranc’s typically drier, almost enamel-embossed emphasis on drapery and jewelry. 52

54. A Large Trompe l’oeil Allegory Painting of “Flora”, 19th c., surrounded by arabesques, wreaths and baskets in fictive gilt frame, oil on canvas, stamped “Grieve & Co.” en verso, 48 1/2 in. x 54 in., framed.

$2000/3000 55. A Pair of Chinese ChippendaleStyle Pier Mirrors, 19th c., pagoda and Ho Ho bird crests, foliate scrolled frames, divided mirror plates, height 68 in., width 35 in. $5000/7000 56. Chinese School, “Ducks Beneath Prunus”, ink and color on silk, sealed lower right, sight 13 in. x 10 3/4 in., framed, accompanied by a copy of a ParkeBernet invoice dated April 29, 1969. $1000/1500 Provenance: FriedleGarrison Collection, New Orleans, LA, acquired Parke-Bernet Galleries (Sotheby’s), Sale 2847, April 1969.

W 57. Chinese School, “Hare Resting beneath a Branch”, ink and color on silk, sight 9 3/4 in. x 11 5/8 in., framed,

accompanied by a copy of a Parke-Bernet invoice dated April 29, 1969. $1000/1500 Provenance: Friedle-Garrison Collection, New Orleans, LA, acquired Parke-Bernet Galleries (Sotheby’s), Sale 2847, April 1969. W denotes the lot is illustrated at www.nealauction.com

58. Chinese School, “Bird on a Branch”, ink and color on silk, sealed lower left, sight 12 3/8 in. x 10 1/8 in., framed, accompanied by a copy of a Parke-Bernet invoice dated April 29, 1969. $1000/1500 Provenance: Friedle-Garrison Collection, New Orleans, LA, acquired Parke-Bernet Galleries (Sotheby’s), Sale 2847, April 1969. 59. Chinese School, “Scholar and Attendant in Piney Landscape”, ink on paper, inscribed lower left, scattered seals, 33 1/4 in. x 17 3/8 in., framed. $1000/2000

60. A Chinese Celadon Pottery Tripod Censer, possibly Ming Dynasty (13681644), waisted bowl-form body on three tapering feet, overall incised floral decoration, height 4 1/4 in., diameter 11 in. $700/900 61. A Chinese Famille Verte Porcelain Rouleau Vase, probably 20th c., decorated with a continuous scene of scholars in a garden setting beneath further figures around the neck, height 13 5/8 in.

$600/800 W 62. An Antique Chinese Gilt

Washed Bronze Figure of a Horse, cast as a saddled figure in a prancing pose, height 3/4 in., width 1 1/4 in. $300/500

63. An Archaistic Chinese Bronze Tripod Covered Storage Vessel, Ding, possibly Han Dynasty (206 BC-220 AD) or later, globular body on three zoomorphic legs with upright strap handles, domed cover with bird finial, fitted wood stand, probably zitan, height 8 3/8 in. $1500/2500

W 64. A Chinese Qingbai Pottery Bowl, probably Song Dynasty (960-1279),

conical body raised on a short foot ring, overall creamy blue crackle glaze terminating beneath an unglazed rim, height 1 5/8 in., diameter 3 3/8 in., storage box. $300/500 63

Provenance: Acquired Diane Genre, Oriental Art & Antiques, Royal Street, New Orleans, LA.

68. A Chinese Blue and White Porcelain Wine Cup, probably Qing Dynasty (16441911), bell-form body raised on a short foot ring, decorated with lotus and scrolling foliage on the exterior and a floral spray on the interior, base with Jiajing mark, height 1 7/8 in., diameter 3 1/2 in. $800/1200

W 65. Asian Export, 19th c., two paintings

including “Still Life with Eggplant and Exotic Fruit” and “Bird on Flowering Branch”, gouache on pith paper, sight 9 1/4 in. x 7 1/4 in., oval Victorian frames. $150/250 66. Chinese School, “Mountainous Landscape with Scholars in Pavilions”, ink and color on silk, inscribed and sealed upper left, 54 1/4 in. x 20 1/2 in., mounted as a hanging scroll. $3000/5000 67. A Chinese Celadon Pottery Foliate Rim Dish, probably Ming Dynasty (1368-1644), shallow bowl form body with flat barbed rim, carved with a central floral medallion encircled by radiating lobed bands, height 2 1/4 in., diameter 15 3/4 in.

69. A Pair of Chinese Yixing Pottery Tea Caddies, probably Qing Dynasty (1644-1911), each of tapered hexagonal form with molded calligraphy panels on a geometric ground, bases with red painted collection numbers, height 5 in. $700/900 70. A Chinese Celadon Stoneware Bottle Vase, probably Song Dynasty (9601279), pear-form body with tall shaped neck, overall even moss green glaze with slight crackle, height 8 3/4 in. $1000/1500 71. A Chinese Celadon Pottery Bowl, probably Ming Dynasty (1368-1644), bubbleform body raised on a straight foot, overall pale green crackled glaze, height 3 in., diameter 6 5/8 in. $400/600

$1200/1800

W denotes the lot is illustrated at www.nealauction.com

74. Three Chinese Glazed Stoneware Bowls, probably Song Dynasty (960-1279), thinly potted conical bodies, two with celadon glaze and comb decoration, the third with qingbai glaze and molded fish decoration, heights 2 1/4 in. to 2 1/2 in., diameters 6 3/4 in. to 6 7/8 in.

$500/700 W 75. A Chinese Celadon Pottery Bowl,

probably Song Dynasty (960-1279), conical body with molded petal decoration, even green crackled glaze, height 2 5/8 in., diameter 6 1/4 in. $300/500 76. A Chinese Dingware Porcelain Yuhuchunping Vase, pear-form body carved with lotus and foliate bands, height 8 3/8 in. Note: Foot possibly reduced. $1500/2500 76 77. A George III Carved Mahogany Tilt-Top Tea Table, 18th c., dished top, birdcage support, turned standard, arched legs ending in “snake” feet, height 29 in., width 35 in., depth 34 in. $1500/2500 78 78. A George III Inlaid Rosewood Two Part Canterbury, early 19th c., removable spindled divided upper section, on stand with drawer and square molded legs, spade feet, height 30 in., width 18 1/2 in., depth 14 1/2 in.

W 72. A Chinese Celadon Glazed

Stoneware Vase, possibly Ming Dynasty (13681644), wide pear-form body with loop handles, covered overall in an even moss green glaze, height 3 1/4 in. $400/600 73. Three Chinese Green Glazed Tilework Architectural Elements, probably Qing Dynasty (1644-1911) or earlier, probably garden balustrade posts, each with molded decoration, heights 20 1/4 in. to 21 in.

$1200/1800

$300/500

80 82

79. A George III Mahogany Three Pedestal Dining Table, late 18th/early 19th c., vasiform pedestals, outswept reeded saber legs ending in brass cuffs, casters, height 28 in., length 114 in., width 42 in.

81. A George III Burl Walnut Chest of Drawers, 18th c., cross banded and herringbone inlaid top, dressing slide, four graduated drawers, molded base, bracket feet, height 32 in., width 29 1/2 in., depth 17 1/2 in. $2000/3000

$5000/7000 82. A George III Brass-Bound Oak Oval Cellarette, late 18th c., scalloped rim and handles, copper liner, on associated stand, height 27 in., width 19 in., depth 16 in.

80. A Set of Six George II Carved Walnut Chairs, mid18th c., arched backs, trapezoidal seats, acanthine cabriole legs ending in hoof feet. $6000/8000

$800/1200

81 W denotes the lot is illustrated at www.nealauction.com

85. A French Wallpaper FourPanel Folding Screen, 19th c., each panel with serpentine crest, scenic paper depicting Italian landscape above marbleized paper, floral patterned paper with border on reverse, height 76 3/4 in., width 94 in. $700/900

86. A Fine Continental Marquetry and KingwoodBanded Mahogany Sedan Chair in the Louis XV Taste, 18th c., arched crest above glazed windows and door, finely inlaid panels below featuring floral motifs, scrolling vines interspersed with urns, columns and arches, door framed with bronze molding, base with scrolled shoe feet, interior having brocade upholstery with padded seat and arms, height 65 3/4 in., width 28 in., depth 29 1/2 in.

83. An Edwardian Satinwood and PaintDecorated Armchair in the Adam Taste, shield-shaped back with floral splat, drapery swags and bellflower decoration, serpentine seat rail, caned seat, tapering square legs ending in spade feet.

$4000/6000

84. An Antique Empire-Style Gilt BronzeMounted Mahogany Low Table, circular marble top, frieze with anthemia, shaped legs, paw feet, cross stretcher base, height 19 in., diameter 35 in.

$700/900

$800/1200

87. A Continental Gilt Bronze and Iron Guéridon, marble top, pierced frieze, iron bracket supports, molded base, height 30 in., diameter 15 1/2 in. $300/500

88. A French Walnut Side Table, 19th c., marble top, gilt bronze gallery, small frieze drawer, lyre supports, concave stretcher shelf, arched legs, height 29 in., width 22 in., depth 9 1/2 in. $600/800

89. An Antique Provincial Carved Fruitwood and Caned Duchesse Brisée, probably 18th c., in two sections, arched paneled chair back, padded acanthine arms, shaped seat, fluted tapered legs, foot section with conforming back and shaped seat, height 27 in., length 43 in., width 29 in.

91. A French Gilt-Tooled Leather Letter Box, 19th c., divided interior, gilt bronze escutcheon, above a suede lined drawer, height 11 1/2 in., width 10 1/4 in., depth 7 in.

$2000/3000

92. A Pair of Large Continental Specimen Marble Obelisks, each decorated with geometric shapes, pedestal base, height 63 3/4 in., width 17 in., depth 17 in.

90. Continental School, 17th/18th c., “A Brothel Scene”, in the manner of Jan Steen (Dutch, 1626-1679), oil on cradled wood panel, unsigned, 20 1/2 in. x 25 1/4 in., framed.

$500/700

$1200/1800

$2000/3500 92 W denotes the lot is illustrated at www.nealauction.com

95. A Continental Egyptian Revival Gilt Bronze Figure of a Sphinx, 19th c., mounted on a porphyry base, height 8 in., width 8 1/2 in., depth 5 1/2 in. $600/900 96. A French Gilt Bronze TwoLight Bouillotte Lamp, 19th c., adjustable tôle shade, base with leaf decoration, electrified, height 23 in., width 13 in., depth 9 1/4 in. 93

$500/1000

97. A Continental Terracotta Figural Group of Putti, 19th c., after Clodion (French, 17381814), mounted as a lamp, on an Egyptian marble base, electrified, height 22 3/4 in., width 12 in., depth 9 in. $300/500

93. A Pair of Louis XVI-Style Gilt Bronze and Cut Glass Sweetmeat Stands, late 19th/early 20th c., each with wreath finial, columnar standard with three scalloped edge fan and diamond cut glass tiers, dolphin brackets, incurvate triangular plinth, engine turned feet, height 19 in., diameter 8 3/4 in. $800/1200

98. A Regency Mother-of-Pearl Inlaid Rosewood SarcophagusForm Nécessaire, c. 1820, beaded lid opening to gilt stenciled tooled leather framed mirror plate and fitted tray over a pair of doors enclosing two drawers over a writing drawer, melon feet, height 15 3/8 in., width 14 in., depth 11 1/4 in.

$1200/1800 95

94. A Fine French Gilt Bronze Cave à Liqueur, hinged lid, interior with fitted decanter stand, mirrored gallery on elephant mask legs, with five gilt banded and etched stoppered decanters and 14 cordials, height 17 1/2 in., width 17 1/4 in., depth 9 3/4 in. $1500/2500

100

99. A Regency Tortoiseshell Sarcophagus-Form Tea Caddy, c. 1800, with silver plaque and escutcheon, bronze lion’s mask and ring handles, and paw feet, interior with two covered tea canisters and open compartment for mixing bowl, ivory inlay throughout, height 7 in., width 12 1/2 in., depth 6 in. $2500/3500 100. A Regency Mahogany and Brass-Inlaid Standish, c. 1815, overall stylized floral pattern, fitted with two bronze and cut glass ink pots and integral pen trays, height 7 in., width 14 in., depth 11 in.

101

103

$2000/3000 101. A Pair of George III Gilt and Polychrome Tôle Peinte Chestnut Urns, c. 1770, each with Chinoiserie reserve, lion’s mask handles, height 12 1/4 in, width 6 in., depth 4 1/2 in. $700/1000 102. A George III Fruitwood Apple-Form Tea Caddy, c. 1800, traces of red paint, interior with remnants of foil lining; together with another apple-form tea caddy, 20th c., former height 4 1/2 in. (2 pcs.) $1200/1800

102

103. A Continental Silver Wine Cooler, Georg Roth & Co., Hanau, 1891-c. 1919; with lion’s head and ring handles, chased with procession of mythological figures, on shell and paw feet, associated sheet metal liner, height 9 1/4 in., width 9 1/2 in., weight 53.40 troy ozs.

104

$1000/1500 104. An Antique French Doublé Plate Hot Water Urn, Firmin Hallot, 8 Rue de Touraine, Paris, mid-19th c., domed cover with melon finial, globular body, elongated legs with lion’s paw feet, incurvate plinth, flower, leaf and shell banding, retains burner, height 14 1/2 in. $1200/1800 W denotes the lot is illustrated at www.nealauction.com

105

105. A George III Sterling Silver Cruet Stand, John Roberts & Co., Sheffield, 1813, mark reg. 1805; with armorial crest, central loop handle, gadrooned border and acanthus and shell feet; with diamond cut glass condiment bottles, the two mustard pots with conforming silver mounts and associated silver spoons; stand height 8 3/4 in., width 9 5/8 in., depth 6 5/8 in., weight 20.65 troy ozs.

109

110

107. A Set of Four Sheffield Plate Candlesticks, 19th c., trumpet form shaft, gadrooned borders, removable bobêches, height 11 1/2 in. $600/900 108. An English Sterling Silver Cased Dessert Service for Twelve, Aaron Hadfield, Sheffield, 1843, mark reg. 1818, comprised of 12 dessert forks and 12 dessert knives, in a fitted mahogany case.

106

$2000/3000

$600/800 109. An Edwardian Sterling Silver-Mounted Cut Crystal Claret Jug, maker HW, Sheffield, 1909; angular handle with foliate detail, fan-cut and crosshatched wheel-cut banded glass with cut starburst bottom, height 10 in. $500/700

107

106. A Sheffield Plate Tea Tray, early 19th c., molded serpentine border interspersed with shells, openwork handles with acanthus decoration, foliate scroll feet, central engraved crest with rampant lions, 29 in. x 20 1/2 in. $800/1200

108

110. A George III Sheffield Plate Hot Water Urn, c. 1790, reeded urn form with lion’s mask and ring handles, armorial crest, bright cut engraved borders, spigot with turned bone handle, height 20 1/2 in. Note: Inner sleeve removed. $800/1200

111. An Antique English Silverplate Dressing Mirror, late 19th c., oval mirror plate on columnar supports with candlearms, vintage motif decoration, height 26 in., width 28 in. $1500/2500 111

112

112. A Regency Rosewood, Églomisé and Needlepoint Pole Screen, early 19th c., adjustable giltwood framed needlepoint on a brass rod, turned stem, incurvate triangular plinth base, scroll feet, height 58 in., width 14 in. $2000/3000 113. A George III Carved Mahogany Breakfront, late 18th c., reticulated broken arch crest with floral terminal, Greek key molded cornice, four intricately carved doors, fabric lined interior with adjustable shelves, lower case with well-fitted writing drawer above four graduated drawers, cupboard door and four graduated drawers to each side, plinth base, height 111 in., width 86 1/2 in., depth 22 in. 113

$10000/15000

W denotes the lot is illustrated at www.nealauction.com

117. An Italian Rococo Highly Carved Giltwood Mirror, 19th c., acanthus scrolled crest and surround, shell carved base, beveled mirror plate, height 75 in., width 56 in. $3000/5000 114

117

115 116 114. A George III Carved Mahogany Armchair, 18th c., shaped crest with swags, pierced entertwined splat, scrolled volute arms, trapezoidal seat, square molded legs, stretchers.

115. A Regency Gilt and Black PapierMâché Tray, early 19th c., extensive gilt decoration, on later conforming stand, overall height 19 in., width 25 1/2 in., depth 20 in. $1500/2500 116. British School, early 20th c., “Street View of the Queen’s Hotel, Nottingham, England”, oil on canvas, monogrammed “A.G.” lower left, canvas stencil “S. Cooke, Nottingham” en verso, 24 in. x 36 in., framed.

$2500/3500

118

$7000/9000

118. A Pair of Regency Gilt Bronze, Cut Glass and Porcelain Candelabra, early 19th c., each with candle nozzle on vasiform standard, plinth base, prism hung., height 11 1/2 in. $1500/2500

119

119. A Pair of George III Carved Giltwood Mirrors, early 19th c., oval mirror plate surmounted by vase cascading leaves and flower buds, height 52 in., width 21 in. $5000/7000 120. A George III Walnut Bracket Clock, c. 1770, dial and backplate signed “Edmd. Prideaux/ London”, pagoda-form top with handle, arched door with reticulated spandrels, on brass bracket feet, double fusée movement with gut, striking on bell, height 20 in., width 11 in.

121

$2500/3500 121. A George I Burled Walnut Tallcase Clock, c. 1715, maker’s cartouche signed “Joshua Allsop/ East Smithfield/ London”, scroll top, brass dial with cast spandrels and calendar aperture, trunk door with ebonized molding and lenticle, height 83 in., width 17 1/4 in., depth 8 3/4 in. $2500/3500 120

W denotes the lot is illustrated at www.nealauction.com

122

122. A Northern Italian Ivory, Fruitwood and Pewter Inlaid Rosewood Commode, late 18th c., serpentine bombé form, marble top, two short over two long drawers, tapered flared legs, extensively inlaid with cherubs, birds, urns, and scrolled floral and foliate vines, height 35 in., width 41 in., depth 22 in.

124. A Continental Inlaid Rosewood Dressing Table, early 19th c., possibly Austrian, mirror with scrolled acanthus crest and dolphin supports, frieze drawers, urn support, dolphin brackets, hexagonal base, ball feet, height 61 in., width 41 1/2 in., depth 20 1/2 in.

$10000/15000

$1500/2500

123

123. A Regency Mahogany and Inlaid Wheel Barometer, c. 1820, marked “Tarelli, Northampton”, with shell and flower inlay, height 39 in., width 10 in., depth 2 in. $1200/1800 124

126

125

125. A George III Carved and Inlaid Mahogany Sécrétaire Bookcase, late 18th/early 19th c., molded cornice, inlaid frieze, diamond glazed doors, fabric lined interior with adjustable shelves, lower case with fitted writing drawer above two doors enclosing sliding trays and drawers, blocked feet, height 93 in., width 52 in., depth 19 in. $3000/5000 126. A Good American Federal Mahogany Breakfront Bookcase, early 19th c., attributed to Joseph B. Barry & Son, Philadelphia, upper case with molded cornice, glazed doors flanking central mirrored door; lower case centering fall front writing drawer with burl maple and ebonized fitted interior, over pair of doors, flanked by oval paneled doors, the whole with ebonized escutcheons, turned and reeded feet, height 94 1/2 in., width 70 in., depth 18 1/2 in. $2500/3500 Provenance: With Philip Bradley, Downingtown, PA; to Woody Straub, Zelienople, PA; to Earl Autenreith, Beaver Falls, PA. Illustrated: The Magazine Antiques, (April 1967), p. 460. Note: A similar breakfront bookcase bearing the label of Joseph Barry descended in the family of Robert Mackay, of the firm Meins & Mackay of Savannah. Barry’s brief attempt to expand his market to Savannah occurred during October and November of 1798. Reference: Boor, Allison. Philadelphia Empire Furniture, 2006, p.430, fig. 275; Trump, Robert, “Joseph B. Barry, Philadelphia Cabinetmaker,” The Magazine Antiques, v. 106, # I (January, 1975), pp. 159-163.

127

127. An American Classical Carved Mahogany Sideboard, early 19th c., New York, shaped backsplash with urn finials, three drawer frieze, over two doors and central bottle drawers flanked by freestanding columns with gilt bronze Corinthian capitals, finely carved hairy paw feet, bookmatched veneers throughout, height 55 1/2 in., width 64 in., depth 25 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

128

130

130. A Regency Rosewood Library Table, early 19th c., shaped top, frieze drawers, bracketed supports, trestle base, disc feet, casters, height 28 in., width 36 in., depth 20 in. $1200/1800 131. A Regency Rosewood Inlaid Satinwood Pembroke Table, early 19th c., crossbanded drop-leaf top, frieze drawer, tapered legs, cuff casters, height 28 in., width 32 in., depth 19 1/2 in. $1200/1800

129

128. An American Classical Gilt BronzeMounted Mahogany Games Table, early 19th c., Boston, foldover top, frieze mounted with rosettes, turned support, drum plinth, hipped saber legs, brass paw feet, casters, height 29 1/2 in., width 34 in., depth 18 in. $1000/1500

132 131

129. An American Late Classical Mahogany Box Sofa, early 19th c., New York, probably Duncan Phyfe, molded crest rail, incurvate arm supports, straight seat rail, blocked and flared feet, height 34 1/2 in., width 85 1/2 in., depth 25 in. $1500/2500

132. An English Carved Rosewood Canterbury, 19th c., four compartments connected by turned spindles, cove molded base with drawer, turned feet, cuff casters, height 18 in., width 22 in., depth 15 1/2 in. $600/800

134

133

133. A Regency Brass Inlaid Rosewood Chiffonier, early 19th c., galleried marble top, glazed doors, shelf interior, bracketed supports; lower case with a drawer above a pair of doors, flanking brass colonnettes, turned feet, height 55 in., width 37 in., depth 15 in. $2500/3500 134. A Pair of Antique Regency-Style Carved Mahogany Library Armchairs, each with shaped back, reeded arms ending in scrolled terms with concentric bosses, turned vasiform uprights, conforming legs, found in old green leather with brass nailhead trim.

135

$2500/3500 135. An Italian Neoclassical Walnut Settee, c. 1800, ribbon back, shaped arms, scroll supports, serpentine seat, square tapered legs, height 34 1/2 in., width 58 in., depth 19 in. $1200/2000 136. Attributed to George Vincent (British, 1796-1831), “An Angler Beside a Stream in the Highlands with a Country House Beyond”, oil on canvas, unsigned, attributed on artist’s plaque, 18 in. x 24 in., antique giltwood frame. $800/1200

136

W denotes the lot is illustrated at www.nealauction.com

137 138 (2 of 8)

140

W 141. A Set of

Six Wedgwood Creamware Dinner Plates, 19th c.; together with two matching oval platters, gilt and iron red borders and armorial reserve, plate diameter 9 1/2 in., platter 12 1/2 in.

139

137. British School, 19th c., “A Gothic Revival Country House”, oil on canvas laid on board, backed with modern newsprint, 11 in. x 14 in., framed. $500/800 138. Vincent Brooks Day & Son (British, 18671940), “Vanity Fair”, 1875, set of eight chromolithographs, titled and dated top margin, signed in plate lower left, largest sight 13 in. x 8 in., all framed alike, (8 pcs.)

$500/700 142

$1000/2000 Provenance: From a New York collection. 139. A Royal Worcester Painted Porcelain Plaque, c. 1878, label en verso indicating “Painting on Worcester Porcelain by J. Birbeak, 1878”, sight 11 in. x 8 3/4 in., framed. $800/1200

140. A Pair of Rockingham Covered Sauce Tureens and Underplates, c. 1840, decorated with cobalt, gilt scrolls and flowers, height 8 in., width 9 in., depth 6 1/2 in. $800/1200

142. A Fine Pair of Regency CutGlass Lustres, early 19th c., trumpet-form, on lobed base, height 9 in., diameter 5 1/2 in. $800/1200

145

146

145. A Rare Pair of French Rococo Gilt Bronze Five-Light Wall Sconces, 19th c., each acanthus scrolled bracket, with lion head terminus, fluted standard, issuing foliate candlearms, height 15 in., width 12 in., depth 16 in. $1200/1800 146. A Pair of French Gilt and Patinated Bronze Eleven-Light Figural Candelabra, each with opposed female figure holding aloft a cornucopia issuing foliate arms, pedestal base with appliqués, height 44 in.

148

W 143. A French

Bronze-Mounted Cobalt Glass Dresser Box, beveled glass, lid with enameled knop, void interior, on claw feet, fitted with lock, height 4 1/2 in., width 10 1/4 in., depth 4 1/4 in.

$3000/5000 147. An Empire-Style Gilt and Patinated Bronze Six-Light Chandelier, molded corona with palm fronds, chains suspending bowl with appliqués and swan-form arms, foliate pendant, height 34 in., diameter 37 in.

$500/800

$2000/3000

W 144. A French

Neoclassical Carved Mahogany Parcel Gilt Coffer, molded top, void interior, with continuous frieze of Classical figures, height 11 in., width 18 1/2 in., depth 11 in. $300/500

147

148. Two Art Deco SilveredBronze Polar Bear Table Lamps, c. 1925, by Thomas François Cartier (French, 1879-1943), both with “Fabricator Française” foundry mark, one signed “T. Cartier”, modeled as polar bears playing with iceberg-form shades, plinth base, largest height 12 in., width 13 in., depth 6 1/4 in. $800/1200

W denotes the lot is illustrated at www.nealauction.com

150

150. A Pair of Continental Carved Giltwood Mirrors, early 19th c., with deep, foliate carved circular frames, diameter 15 in. $1200/1800 151. A Regency Carved Mahogany Freestanding Open Bookcase, early 19th c., each side with three graduated shelves above two drawers, trestle base with hipped saber legs, brass cuff casters, turned stretcher, height 49 1/2 in., width 31 in., depth 24 in. $2000/3000 152. A Fine Regency Carved and Inlaid Mahogany Sofa Table, early 19th c., crossbanded drop-leaf top, serpentine center drawer flanked by drawers, reeded lyre supports, pierced stretcher, reeded saber legs, brass paw feet, casters, height 29 in., width 40 in., depth 24 in.

151

149

149. After Joseph-Pierre Chinard (French, 1756-1813), “Bust of Madame Recamier”, marble socle inscribed “Pradier”, height 25 in.; antique green marble pedestal, pedestal height 42 1/2 in., width 12 in., depth 12 in.

$1000/1500

$2500/3500

152

155 (1 of 2)

153

156

153. A Napoleon III Inlaid, Amboyna, Ebonized, Porcelain and Gilt BronzeMounted Bonheur du Jour, c. 1860-70, galleried superstructure with mirror back niche flanked by doors, frieze drawers, center fitted with writing surface, shaped shelf, plinth base, turned feet, height 59 1/2 in., width 53 1/2 in., depth 22 in. $5000/7000 154. A Louis XVI-Style BronzeMounted Mahogany and Parquetry Bureau Plat, shaped, inset tooled leather top, three frieze drawers, mounted cabriole legs, sabots, height 29 1/2 in., width 51 in., depth 30 in. $2500/3500 155. Two Antique Louis XV-Style Gilt Bronze-Mounted Walnut Miniature Commodes, each with shaped top, case fitted with three drawers, larger height 11 in., width 14 in., depth 9 1/2 in., smaller height 10 in., width 13 in., depth 10 in. $700/900

154

156. A Directoire “Porphyry” and Walnut Guéridon, early 19th c., circular top, conforming frieze, square tapered legs ending in brass cuffs, height 27 1/2 in., diameter 26 in. $700/1000 W denotes the lot is illustrated at www.nealauction.com

W 159. Eleven Waterford

Wine Glasses, marked, faceted stems, starcut bowls, height 9 1/4 in. $300/500 160. Chinese School, eight album leaves, “Boys at Play”, each ink and color on silk, each sight 6 1/2 in. x 7 3/4 in., mounted in sets of four and framed alike. $800/1200

157

161. Chinese School, “Butterflies and Plum”, ink and color on paper, inscribed and sealed lower right, sealed lower left, 40 1/4 in. x 13 1/4 in., brocade mounted.

163

$600/800

162

160 (4 of 8)

161

162. A Pair of Monumental Chinese Famille Rose Porcelain Vases, probably 19th/20th c., baluster bodies with applied qilong dragons to the shoulders and confronting Buddhist lions to the necks, everted foliate rims, decorated with figural panels on a floral ground, height 48 1/4 in. $2000/4000

157. A Pair of French Empire Gilt Bronze Candlesticks, 19th c., treeform standard entwined with serpent, claw feet, height 10 in. $1000/1500

W 158. A Waterford Thirty-

Four Piece Stemware Service, marked, including water goblets and red wines, tallest height 7 1/2 in. $800/1200

163. A Chinese White Slip Decorated Celadon Porcelain Moon Flask Vase, probably 20th c., molded body with applied dragon handles, decorated with antiques, base with Qianlong mark, height 13 3/4 in. $1000/1500

167

164. A Large Chinese Oxblood Glazed Porcelain Dish, probably Qing Dynasty (16441911), shallow bowl-form body with overall deep red glaze thinning to white at the rim, base with five character mark and painted collection numbers, height 3 7/8 in., diameter 15 7/8 in.

164

165

$1000/1500 165. A Chinese Blue and White Porcelain Vase, probably 18th c., tapering faceted body with slightly flared rim and round splayed foot, decorated with panels of flowering plants rising from rocks, base with orchid mark, height 9 1/4 in. $800/1200 166. A Chinese Blue and White Porcelain Dish, probably Qing Dynasty (1644-1911), interior decorated with a dragon and a celestial horse amid clouds, exterior with rockwork and cresting waves, height 2 1/4 in., diameter 11 in. $800/1200

166

167. A Pair of Chinese Yellow Glazed Porcelain Bowls, Guangxu mark and probably period (1875-1908), bell-form bodies raised on short footrings, incised with dragons around the exterior and cranes on the interior, base with Guangxu mark, height 2 5/8 in., diameter 5 1/8 in. $1200/1800

168

168. A Chinese Ming-Style Blue and White Porcelain Moon Flask Vase, probably Qing Dynasty (1644-1911), flattened circular body with slightly flared neck and dragon scroll handles, decorated with lotus flowers and scrolling foliage, height 13 1/4 in. $2000/3000 W denotes the lot is illustrated at www.nealauction.com

171. A Fine and Rare Chinese Famille Noire Decorated Gilded Porcelain Bottle Vase, probably Qing Dynasty (1644-1911), faceted, molded body with raised panels enameled with vases of pomegranates, peaches, peonies, and lotus on a carved fretwork ground, base with impressed Qianlong seal mark, height 8 1/2 in.

170

$3000/5000

169

172

171

170. A Pair of Chinese Cream Glazed Porcelain Buddhist Lions, probably Qing Dynasty (1644-1911), each figure with applied details modeled seated on its haunches on a plinth base, height 5 3/4 in. $1000/1500

169. A Chinese Guan-Type Porcelain Hu Vase, probably Qing Dynasty (1644-1911), flattened pear-form body with tubular “archer” handles, molded to the front and back sides with peony medallions, height 9 3/4 in. $1000/2000

173

172. A Chinese Oxblood Glazed Porcelain Baluster Vase, probably 19th c., streaked deep red crackle glaze thinning to white around the neck and flared flared rim, height 15 3/5 in. $1500/2500 173. A Chinese Blue and White Porcelain Vase, probably Qing Dynasty (1644-1911), decorated with a sage and an attendant in landscape, base with Kangxi mark, height 9 3/8 in. $1500/2500

175

174

177 176

174. A Fine Chinese Tortoiseshell Box Cover, probably Qing Dynasty (1644-1911), elaborately carved with figures and buildings in an idealized landscape, mounted to a wood base, height 1 1/2 in., diameter 5 1/4 in. $2000/3000 175. A Chinese Bronze Censer, probably Qing Dynasty (1644-1911), squat bombe body with monster mask handles, base with Xuande mark, height 3 in., diameter 7 1/4 in. $700/900 176. A Pair of Chinese Cinnabar Lacquer Garden Stools, probably 20th c., barrel-form bodies carved with bands of dragons amid clouds on a fretwork ground, height 19 3/8 in., diameter 17 1/4 in. $2000/4000 177. A Flemish-Style Ebonized and Horn Inlaid Convex Mirror, ripple molded frame, segmented inlay, diameter 35 in.

178

178. A Pair of Patinated and Gilt Bronze Eagle Heads, on variegated black marble bases, height 13 in., width 7 in., depth 11 in. $800/1200

$500/750

W denotes the lot is illustrated at www.nealauction.com

179

183

179. A Continental Gilt and Polychrome Painted Embossed Leather Four Panel Screen, 19th/early 20th c., probably Dutch, central Chinoiserie waterscape with ducks and cranes amid lotus, hydrangea, prunus, and magnolia, surrounded by shaped panels enclosing floral arrangements and antiques, height 69 1/4 in., width 77 in. $2000/3000 Provenance: With Adaline Hooper, Selma, AL; to Charles Word Hooper Jr.; to current owner. 180. A George III Inlaid Mahogany Stool, 18th c., rectangular top, tapered inlaid legs ending in pad feet, oxbow stretcher, height 19 1/2 in., width 18 in., depth 14 in.

180

182

$800/1200

181. A Regency Ebony Inlaid Mahogany Drum Table, early 19th c., inset tooled leather top, frieze with four drawers interspersed with faux drawers, turned support, saber legs, brass cuffs, casters, height 29 1/2 in., diameter 42 in. $1500/2500 182. A Louis XVI-Style Inlaid Kingwood Commode, early 19th c., shaped marble top above two drawers, molded stiles, fluted tapered legs, height 33 in., width 36 in., depth 22 1/8 in. $1200/1800 183. An Italian Carved Walnut Gondola Chair, late 19th c., probably Venetian, fiddle shaped finial centering griffin cartouche, molded arms terminating in lion masks, shaped splat with mask, curule seat with scrolled acanthus, scrolled legs, stretcher with lobed finial. 181

$800/1200

184. A Neoclassical-Style Bronze-Mounted Verde Antico Marble Pedestal, early 20th c., square swivel top, Ionic capital, columnar support, square base, blocked feet, height 44 in., width 14 in., depth 14 in. $1200/1800 W 185. [Rembrandt and

European Art Reference Books], a group of 25 books, Masters of 17th c. Dutch Landscape Painting, 1987; Munz, Rembrandt; Rembrandt’s Academy, Hoogsteder, 1992; Held, Rembrandt’s Aristotle and other Rembrandt Studies, 1969; Rembrandt/Not Rembrandt in 2 volumes, Metropolitan Museum of Art, 1995; The Renaissance in the North, Metropolitan Museum of Art, 1987; Landsberger, Rembrandt, The Jews and the Bible, 1962; Mayor, Rembrandt and the Bible, Metropolitan Museum of Art, 1979; Roberts, Holbein, 1979; Schmidt, Die Malerei des 20 Jahrhunderts in Deutschland, 1900-1918; Wilenski, Flemish Painters volume 1; In The Eye of the Beholder: Northern Baroque Paintings, New Orleans Museum of Art, 1997; Kunsthistorisches Museum Wein: The Picture Gallery; Johannes Vermeer, National Gallery of Art, 1995; and others. $300/500 W 186. [British Art

Reference Books], a group of 27 books, including Royal Academy Pictures, 9 vols., 1890-1898; The Index of Paintings Sold in the British Isles during the 19th Century; Anecdotes of Painting in England, 4 vols.; The Thames and Hudson Encyclopedia of British Art; The British Institution 1806-1867; Agnew’s 1817-1967; British Artists, 1880-1940; The Royal Society of British Artists 1824-1893; Kismead, The Royal Scottish Academy 1826-1916; Esme Gordon, The Royal Scottish Academy 1826-1976; and others. $300/500

194

W 189. [Leather Bindings], Canada and Its Provinces, 23

vols., 1913, (limited edition), #570 of 875, Edinburgh University Press. 184

$500/700

W 187. [Reference Books on

W 190. [Decorative Leather Bindings], 23 books: The

Antique Furniture], 25 books, including F. Collard, Regency Furniture; D. Knell, English Country Furniture; J. Andrews, Victorian and Edwardian Furniture; Sotheby’s, Concise Encyclopedia of Furniture; Schwartz, The Furniture of John Henry Belter and the Rococo Revival; Dubrow, Styles of American Furniture: 1860-1960; Nutting, Furniture Treasury; Aronson, The Encyclopedia of Furniture; Mallalieu, The Illustrated History of Antiques; and others.

Works of Eugene Sue, limited edition #453 of 1000, 14 vols, 1899; Guizot, The History of France, 4 vols, 1869; L.A. Theirs, The Consulate and Empire of France Under Napoleon, 2 vols, 1839; Memoirs of Madame Junot, Duchesse D’Abrantes, 3 vols, 1883. $300/500 W 191. A Group of Five Lalique Molded Glass

Objects, signed, including a ‘Bagatelle’ vase, a ‘Dampierre’ vase, a ‘Nogent’ compote, and two bird figures, tallest height 6 3/4 in., diameter 5 in. $500/700

$300/500 W 192. A Group of Four Baccarat Glass Objects, W 188. [Art Reference Books],

20 books on mythology, archaeology and symbolism including Winckelmann, The History of Ancient Art, 4 vols, 1872; J.W. Mollett, Dictionary of Art and Archaeology, 1994; The Cambridge Encyclopedia of Archaeology, A. Sherratt, ed., 1980; Bulfinch’s Mythology, 1979; Seyffert’s Dictionary of Classical Antiquities: Mythology, Religion, Literature and Art, H. Nettleship and J.E. Sandys, eds., 1891; A.R.H Moncrieff, A Treasury of Classical Mythology, 1992; and others. $200/300

marked, including a flare vase, a faceted baluster vase, a triform vase, and an egg on stand, tallest height 10 1/4 in. $400/600 W 193. A Group of Four Baccarat Cut Glass

Decanters, including a pair, acid-stamped mark, each with square body, canted corners, and panel cut neck; a ship’s decanter; and a panel cut decanter, tallest height 12 in. $300/500 194. After Vasilli Gratchev (Russian, 1831-1905), “Cossack’s Farewell Kiss”, 19th c., patinated bronze, cast signature and Woerffel foundry mark in Cyrillic, naturalistic base, height 9 1/2 in., width 8 3/8 in., depth 5 1/2 in. $3000/5000 Provenance: Mobile, AL estate. acquired c. 1950. W denotes the lot is illustrated at www.nealauction.com

197

195

195. An English Parian Figure of a Nude Female Bather, 19th c., seated on rockery, drying her feet, height 13 1/4 in., width 6 in., depth 6 in. $300/500 196. A Good Pair of George IV Sterling Silver Candlesticks, Waterhouse, Hodson & Co., Sheffield, 1823, mark reg. 1822, fully marked; baluster form with exuberant floral scroll decoration, removable bobêches, weighted bases, height 11 1/4 in.

196

$2000/3000 197. A Pair of English Sterling Silver Sconces, in the early Georgian taste, William Hutton & Sons, Ltd., London, 1895, mark reg. 1894; height 8 in., width 6 in., weight 37.45 troy ozs.

199

$1500/2500 198. A Good Pair of Napoleon III Patinated Bronze Doré TwoLight Figural Candelabra, mid19th c., opposing pair of putti supporting two candlearms each, circular white marble bases, toupie feet, height 14 1/2 in., width 9 in., depth 6 in. $1500/2000

198

199. A Regency Satinwood Pole Screen, early 19th c., arched framed Chinese needlepoint, flame finialed adjustable rod, turned and reeded vasiform standard, incurvate plinth with ebonized finials, turned feet, height 60 1/2 in., width 13 in. $1500/2500

200. A George II Carved Mahogany Tripod Wine Stand, mid-18th c., hexagonal tray top, vasiform support, arched legs, slipper feet, height 22 in., width 13 in., depth 13 in. $1200/1800

200

202

201

201. A Chinoiserie PaintDecorated and Lacquered Wood Low Table, waisted rectangular top decorated with mounted figures, square legs, hoof feet, height 18 1/2 in., width 48 in., depth 24 in. $500/700 202. A Charles II Oak Tavern Table, 17th c., molded top, scrolled apron, turned legs, shaped stretcher, height 26 1/2 in., width 33 in., depth 23 1/2 in.

204

$800/1200 203. A Queen Anne Walnut Wing Chair, 18th c., arched back, shaped wings, scrolled arms, straight seat rail, cabriole legs, pad feet, stretchers, height 46 1/2 in., width 36 in., depth 23 1/2 in.

204. A George III Carved Giltwood Mirror, c. 1790, molded cornice, frieze centering a Wedgwood black jasperware plaque depicting Achilles delivered to Chiron, the centaur, by Thetis, impressed mark on reverse, clustered columnar stiles with Corinthian capitals, molded and blocked base, height 50 in., width 29 7/8 in. $4000/6000 203

$1000/1500

W denotes the lot is illustrated at www.nealauction.com

205. Chinese School, two paintings, including “Lotus”, ink on paper, inscribed and sealed upper right and upper left, 58 1/8 in. x 16 3/8 in.; and “Hydrangeas”, ink on paper, inscribed and sealed upper left, 58 5/8 in. x 16 1/4 in., each mounted as a hanging scroll, storage box. $2000/3000 206. Chinese School, “Spotted Horse”, ink and color on paper, inscribed and sealed upper middle, 30 1/4 in. x 17 1/8 in., mounted as a hanging scroll. $2000/3000 207. A Bronze-Mounted Chinese Famille Verte Decorated Powder Blue Porcelain Covered Jar, probably 19th/20th c., U-form body and domed cover decorated with bird, insect, and floral panels, base with ribboned book mark, bronze foot, rims and finial, height 7 7/8 in. $800/1200 Provenance: Arthur Bennett Kouwenhoven, Savannah, GA. 208. Two Pair of Britannia Standard Silver Goblets, Bulgari, London, 1973, both with knopped stems, one height 6 in., the other height 5 1/2 in., weight 33.60 troy ozs.

206

$1500/2500 W 209. A Pair of

Ilias Lalaounis HandHammered Sterling Silver Goblets, height 4 1/4 in., weight 7.40 troy ozs. $500/750 205 (1 of 2)

208 210. A Victorian Diamond Jubilee Sterling Silver Presentation Tyg, Martin Hall & Co., Sheffield, mark used after 1880; with presentation inscription for the Reading Athletic Club race held July 17, 1897 in commemoration of Her Majesty’s Diamond Jubilee; baluster form with scroll handles and floral repoussé, gilt interior, height 7 7/8 in., width 7 7/8 in., weight 25.15 troy ozs. $1000/1500

207

210

211. A Fine Japanese Export Silver and Enamel Urn, c. 1900, maker’s mark untraced, lobed body with wisteria and iris motif decoration, pedestal base with stylized decoration, height 11 1/2 in., weight 27 troy ozs. $4000/6000 212. A Japanese Export Silver and Enamel Censer, c. 1900, apparently unmarked, reticulated body with chrysanthemum decoration, domed cover, tripod supports, associated Continental silver liner, height 5 1/4 in., weight 8.75 troy ozs.

212

211

$2000/3000 213. A Japanese Export Silver and Enamel Censer, c. 1900, apparently unmarked, globular body with domed cover and tripod supports, removable silver liner, height 4 1/2 in., weight 7.30 troy ozs. $1200/1800

213

214

214. A George III Satinwood Inlaid Mahogany Cellarette, banded oval lid centering a patera, divided zinc-lined interior, body with bellflowers, patera and banding on splayed tapered square legs, brass cuffs, casters, height 29 in., width 22 1/2 in., depth 18 1/2 in. $2500/3500

W denotes the lot is illustrated at www.nealauction.com

215

217

216. A Regency Papier-Mâché Tray, early 19th c., shaped dished tray with extensive Chinoiserie gilt decoration on later conforming bamboo turned stand, X stretcher, overall height 21 in., width 32 in., depth 24 1/2 in. $1200/1800

216

215. A Monumental Irish William IV Carved Mahogany Side Cabinet, early 19th c., shaped top, massive acanthus-carved cyma supports, paneled doors, interior with drawers, linen trays and shelves, conforming blocked base, height 43 in., width 135 in., depth 31 in. $4000/6000

217. [Fine 18th c. Wall Map of Africa], “Africa with All Its States, Kingdoms, Republics, Regions, Islands...”, 1794, London, published by Laurie & Whittle, hand-colored engraved map, dissected and mounted on linen, by S. Bolton, after d’Anville’s earlier version, 41 1/2 in. x 48 1/2 in., framed. $5000/7000 Provenance: New York Collection.

218. A Pair of Georgian 18-Inch Library Globes, c. 1833, by Smith, London, each made up of two sets of handcolored finely engraved gores, engraved brass hour dials, brass meridian circle with graduated degrees, the papered horizon rings with degrees of amplitude and azimuth, compass directions and houses of the Zodiac, the celestial globe showing constellations depicted by mythical figures and beasts, raised on Regency-style walnut stands, turned standard, the downcurved legs with brass casters, height 43 1/2 in. $25000/35000 Note: The terrestrial globe bears the applied cartouche of Boston importer Loring, and reads: “Loring’s Terrestrial Globe Containing all The Late Discoveries...Compiled from Smith’s new English Globe with additions and improvements by Annin & Smith, Josiah Loring, 136 Washington St. [Boston], 1833.” 219. A George III Harewood and Marquetry Cylinder Writing Desk, late 18th/early 19th c., in the manner of Pierre Langlois, top with tinted floral spray inlay and banding, conforming lid opening to a fitted interior with inset leather pull-out writing slide, two drawers below, cabriole legs with sabots, height 41 in., width 38 in., depth 21 1/2 in. $4000/6000 Note: The floral marquetry decoration tied with ribbons on the desk presented here relates to a pair of commodes attributed to Pierre Langlois (17541810) in the Royal Collection © Her Majesty Queen Elizabeth II (RCIN 39224).

218

Reference: http://www.royalcollection.org.uk/collection/39224.

220

219

220. A George III Carved Mahogany Writing Table, late 18th c., inset tooled leather top, frieze with three drawers on each side, chamfered square legs, Marlborough feet, casters, height 31 in., width 55 in., depth 37 1/2 in. $2500/3500 W denotes the lot is illustrated at www.nealauction.com

221

222

223

221. A Regency Mahogany and Caned Bergère, early 19th c., arched canted back, continuous arms, seat rail with bosses, turned tapered reeded legs, brass cuffs, casters. $1200/1800

222. A Fine Regency Chinoiserie Lacquered Sewing Table, early 19th c., lift top, well fitted interior with sewing accoutrements, turned supports, medial stretcher, arched paw feet, fine gilt decoration throughout, height 28 in., width 25 in., depth 16 1/2 in. $1200/1800

223. A Pair of George III Carved Mahogany Library Armchairs, late 18th c., each back with arched crest, padded arms on curved reeded supports, molded reeded square legs, stretchers. $8000/12000

224. John Frederick Herring, Jr. (English, 18151907), “English Hunt Scene”, oil on canvas, signed “JF Herring” lower left, 28 in. x 36 in., period giltwood frame. $50000/75000 Provenance: Private Collection, Dallas TX; to antiquarian Cliff Fewell, Jackson, MS; thence to a private collection. 224

226. A Pair of Delft Blue and White Pottery Jars, 18th c., baluster bodies decorated with Chinoiserie landscapes, approx. height 15 in., mounted as kerosene lamps with 19th c. bronze collars, burners and bases, burners marked “Williams & Bach/ 92 New Bond St. London”, overall height 25 1/2 in. 226

$3000/5000

225. A George III Carved Walnut and Giltwood Mirror, 18th c., broken arch molded crest centered by a cabochon, leaf and shell frieze, rosette corners, carved molded surround, height 50 in., width 26 in. $2500/3500

225 W denotes the lot is illustrated at www.nealauction.com

227

227. A Very Rare Anglo-Indian Antler Horn Veneered Sandlewood Tea Caddy, early-to-mid 19th c., Vizagapatam, India, serpentine hinged lid, conforming body, interior fitted with two penengraved ivory lids over divided lead-lined compartment, height 7 in., width 12 3/4 in., depth 7 3/4 in. $5000/7000

229

Note: A similar horn workbox from Vizagapatam, shown at the Universal Exhibition in Paris in 1855, is in the collection of the Victorian and Albert Museum (accession number 0969:1). 228. A Fine Pair of Continental Carved Walnut Architectonic Lions, probably 19th c., height 15 in., width 32 1/2 in., depth 7 in. $4000/6000 Note: The opposing pair of reclining lions has excellent patina, and is probably inspired by Renaissance models of heraldry. 229. A Fine Pair of Antique Italian Carved, Polychromed and Gilt Figural Torchères, early 19th c., angels holding cornucopiae, their robes with gilt floral decoration, on molded octagonal bases, height 53 in., width 15 in., depth 17 in. $5000/7500

228

231

231. A Fine Northern Italian Neoclassical Olivewood Inlaid Walnut Commode, 18th c., gris de St. Anne serpentine marble top, conforming case with two drawers, cabriole legs, sabots, height 36 1/2 in., width 54 1/2 in., depth 27 in. $5000/7500 230

232

230. An Italian Carved Bichromatic Marble Bust of “Augustus of Prima Porta”, after the marble figure excavated in Rome in 1863, now in the Vatican Museum, set into a variegated replica of the original breastplate, socle base, overall height 31 1/4 in., width 20 in., depth 10 1/2 in.

232. A Spanish Renaissance-Style Mixed Woods and Wrought Iron Trestle Table, 19th c., paneled top, splayed shaped supports connected by scrolled iron stretchers, height 30 in., length 108 in., width 38 in. $5000/7000

$2500/3500 W denotes the lot is illustrated at www.nealauction.com

234. An Antique Dutch or Flemish RenaissanceStyle Carved Oak Tall Case Clock, late 18th/ early 19th c., arched bonnet top, three glazed doors, steel and brass chased face signed “J van Nieussanbought a St. Tiond”, highly carved case, door with putti, musical trophée, floral reserve, beaded moldings, flared base, block feet, height 96 in., width 16 in., depth 10 in.

233

$4000/6000

235

236

234

235. Cuzco School, 19th c., retablo and wall bracket, the panel painting of a lady with songbirds in a landscape, the altar bracket with carved serpent support, with inset mirrored glass, polychrome decoration throughout, height 52 in., width 20 1/2 in., depth 10 in. $1000/1500

233. A Pair of Continental Gilt Bronze and Alabaster Jardinières on Stands, late 19th c., reticulated rims, the vessels with fruit swags, raised on tripartite stands, the legs mounted with busts of court ladies, height 41 1/2 in., diameter 13 1/2 in. $2500/3500

236. A Continental Carved and Polychromed Wood Figure of St. Roch, 18th/19th c., standing figure clothed as a pilgrim with a dog, inscribed in Portuguese on underside, height 14 1/2 in., width 6 1/2 in., depth 4 1/2 in. $1000/1500

237. Follower of Severo da Ravenna (Italian, c. 1465/75before 1538), “A Pair of Nude Male Figures Supporting Inkwells”, probably mid-16th c., bronze statuettes with russet alloys, chestnut patinas, and black lacquers, heights 6 1/2 in., on variegated black marble plinths. $3000/5000 Provenance: Collection of a Gentleman, purchased 1968 from Manheim Antique Galleries (in B.H. Latrobe’s Louisiana State Bank Building), corner of Royal and Conti Streets, New Orleans. Note: Severo di Domenico Calzetta, known from the city of his birth and death as Severo da Ravenna, where he was enrolled as a Master in 1496 (though his principal works were executed in Padua, from 1500 to 1511), is an exceptional artist who was particularly celebrated in the writings of the Paduan humanist Pomponio Gaurico—especially in his treatise De Sculptura (1504)— but was subsequently forgotten, and only “rediscovered” in the 20th century. Over the last fifty years Severo has been acknowledged as one of the most inventive and prolific of all Renaissance bronzecasters: something approaching 200 casts, of at least 35 or 40 different small bronze designs, have been recognized as issuing from his shop. Even within such an enormous oeuvre, the present figures may well represent a yet-unidentified model: their closest counterparts are apparently the three similarly sized and posed Male Nudes on the topmost of the six figural registers of a colossal Bronze Candlestick in the Fine Art Museums of San Francisco (61.35), in which trios of similar and larger figures (with upraised arms) support the successive platforms and of which the Female Nudes on the bottom tier are also idiosyncratic variants of Severo’s Cleopatra. The possibility that these remarkably handsome figures may in fact derive from such a source, is reinforced (first) by their highly unusual preservation in the form of an exact pair, probably confirming their derivation from just such a multi-figured utensil; and (second) by the fact that their absolutely standard Severan inkwells—life casts from a real seashell, such as that of the galeodea echinophora of Linnaeus—are here present in the form of aftercasts (implying their replication from other, identical specimens closer to the natural models). These shell-inkwells are each attached to their figures’ backs by two early screws: one above their shoulders, and with a second, running diagonally (and most unusually) into the backs of their heads. References: Anthony F. Radcliffe, “Replicas, Copies and Counterfeits of Early Italian Bronzes,” Apollo 1986, pp. 184-185, fig. 4 (for the San Francisco Candlestick); Richard E. Stone, “Severo Calzetta da Ravenna and the indirectly cast bronze,” Burlington Magazine, vol. 48 (Dec. 2006), pp. 810-819; Dylan Smith, “I bronzi di Severo da Ravenna: un approccio tecnologico per la cronologia,” in L’Industria Artistica del Bronzo del Rinascimento, M. Ceriano e V. Avery, eds., Verona, 2008, pp.49-80 (esp. p. 77, note 75, on the Candlestick again). We are particularly grateful to Dr. Charles Avery for calling that artifact to our attention (private communication).

237

238

238. Charles Warren Eaton (American, 1857-1937), “Lake Como”, oil on canvas, signed lower right, 20 in. x 24 in., original frame. $3000/5000 Provenance: Acquired Milford, CT. W denotes the lot is illustrated at www.nealauction.com

239

240

239. A Pair of Italian Renaissance Carved Walnut Cabinets, 17th c. and later, dentil molded top, two drawers over doors, flanked by caryatid and telamon pilasters, dentilated base, splayed feet, height 33 1/2 in., width 31 1/2 in., depth 14 in. $4000/6000

241

240. A Pair of Late Jacobean Side Chairs, late 17th c., arched crest, caned back, blocked and turned stiles, trapezoidal slip seat, conforming legs, stretchers. $1000/2000

241. A Charles II Highly Carved and Inlaid Oak Court Cupboard, 17th c., rectangular top, paneled frieze with mask blocks over a pair of paneled doors flanked by masks, eagle supports, medial drawer, turned legs, shelf base, height 49 1/2 in., width 53 in., depth 19 in. $1200/1800 Note: A comparable, earlier, cupboard is illustrated in Herbert Cescinsky’s English Furniture: From Gothic to Sheraton, p.95.

244

242

245

242. An Antique William and Mary Burled Walnut Chest on Stand, molded cornice, two over three cross banded drawers, molded base with long drawer, barley-twist legs, shaped stretchers, height 51 in., width 38 in., depth 21 in. $3000/5000 243. A George II Giltwood Mirror, mid-18th c., broken arch crest centered by a feather cartouche, scrolled sides, foliatecarved frame, height 36 in., width 19 1/2 in.

246

245. A Pair of Chinese Yellow Silk Kesi Dragon Roundels, probably Qing Dynasty (1644-1911), each worked in slit-weave technique with metallic thread highlights with five-clawed dragons clutching flaming pearls, diameter 13 1/8 in.

$1500/2500 244. A Pair of Chinese Blue Silk Kesi Winged-Tiger Roundels, probably Qing Dynasty (13681644), each worked in slit-weave technique with a tiger in flight amid clouds, diameter 12 1/4 in. $3000/5000

$7000/9000

243

246. A Large Chinese Famille Rose Porcelain Dish, probably Qing Dynasty (16441911), shallow bowl-form body decorated with a flowering prunus branch, bamboo, and peony, base with Yongzheng mark, height 2 7/8 in., diameter 17 1/8 in. $1000/1500 W denotes the lot is illustrated at www.nealauction.com

247

250

247. A Pair of Chinese Famille Rose Porcelain Baluster Vases, probably 20th c., each decorated in mirror image with a monkey in a pine tree teasing a pair of spotted deer, calligraphic inscriptions, bases bearing seals of Wang Yijun, height 13 1/8 in. 248

$1000/1500 248. A Chinese Ge Ware Porcelain Alms Bowl, probably 19th/20th c., tapering globular body with incurved rim covered overall in an even celadon glaze with gold and black crackle, height 6 5/8 in., diameter 12 in. $1000/1500 249. A Chinese Yellow Silk Brocade Nine Dragon Panel, probably Qing Dynasty (1644-1911), woven with nine five-clawed dragons amid cloud scrolls and flaming pearls above a terrestrial diagram at the hem, 58 1/8 in. x 53 in., fringe. 249 (detail)

$5000/7000 250. A Monumental Louis XV-Style Gilt Bronze and Cut Crystal Thirty-Light Chandelier, acanthine corona issuing scrolled tendrils, foliate and vasiform standard, scrolled foliate arms, with bellflower swags, foliate pendant, extensively prism hung, height 65 in., diameter 48 in. 249

$3000/5000

251

251. A Pair of Antique George III Inlaid Mahogany Commodes, each with shell inlaid serpentine top, meandering ribbon and vine banding, four graduated drawers, chamfered inlaid corners, molded base, shaped bracket feet with shell inlay, height 38 in., width 48 in., depth 22 in. $7000/10000

253

253. A George II Carved Mahogany Armchair, mid-18th c., shaped crest and stiles, vasiform splat, serpentine arms, trapezoidal slip seat with shaped rail, cabriole legs, pad feet.

252

$1500/2500

252. A George III Satinwood Inlaid Mahogany Bookcase, mid-18th c., upper case with cove molded cornice, plain frieze, paired glazed doors enclosing adjustable shelves; conforming base with paired doors, shelf interior, plinth base, height 86 1/2 in., width 52 in., depth 24 in. $3000/5000 W denotes the lot is illustrated at www.nealauction.com

257. A Chinese Painted Pottery Figure of a Court Lady, Tang Dynasty (618906), standing corpulent beauty modeled wearing loose voluminous robes and upswept thick coffure, height 22 in., accompanied by an Oxford Authentication TL Report. $2500/3500 Note: The dating of this lot is consistent with the results of Oxford Authentication Ltd. thermo luminescence test no. C105z20.

254

254. An Ornate Asian Hardwood Frame, probably late 19th c., carved with dragons amid flowering vines with birds and an infant Buddha on leaf, height 30 1/4 in., width 26 in.; enclosing an Asian School grisaille painting on canvas, 22 1/4 in. x 18 in. $1000/1500 255. A Rare and Monumental Chinese Painted Pottery Figural Group of a Bactrian Camel, Tang Dynasty (618-907), animated figure superbly modeled partially kneeling with backturned snarling head, body set with removable saddle and fur blanket and surmounted by the figure of a Sogdian merchant embracing a monkey beside another monkey climbing the blanket, height 29 in., length 27 in.; accompanied by an Oxford Authentication TL Report.

255

$40000/60000 Note: The dating of this lot is consistent with the result of Oxford Authentication Ltd. thermoluminesence test no. C108a94. 256. A Pair of Chinese Sancai Glazed Pottery Earth Spirits, probably Tang Dynasty (618-907), one with a cloven hooved leonine body, human face, single horn, large ears, and wings; the other with similar body, lion head, branched horns, and flared ears, each on a rockwork base, height 25 1/2 in. and 27 3/4 in., accompanied by an Oxford Authentication TL Report. $6000/8000 Note: The dating of the second figure in this lot is consistent with the results of Oxford Authentication Ltd. thermoluminescence test no. C105n14.

256

257

258. A Chinese Jizhou LeafDecorated Black Glazed Pottery Tea Bowl, probably Song Dynasty (960-1279), conical body with leaf temmoku decoration on black crackle ground, height 2 3/8 in., diameter 6 1/8 in. $2000/3000 259. A Large Chinese Cizhuo Pottery Storage Jar, probably Yuan/Ming Dynasty (12791644), ovoid body decorated in brown slip with stylized floral decoration on a cream ground, height 24 3/4 in.

258

260

$1000/1500 260. A Chinese Junyao Stoneware Tripod Censer, probably Yuan/ Ming Dynasty (1279-1644), bombè body with tall neck and flat everted rim raised on three scroll feet, overall streaked blue glaze, height 3 1/4 in., diameter 3 1/2 in. $2000/3000 W 261. A Chinese

“Hare’s Fur” Glazed Stoneware Bowl, probably Song Dynasty (960-1279), conical body with overall blackstreaked brown glaze pooling above the unglazed foot, height 1 3/4 in., diameter 4 7/8 in.

259

262. A Chinese Gilt Decorated Black Lacquer Cabinet on Stand, 18th c., upper case with paneled doors, fitted interior with drawers of overall architectural design including fretwork screens and balustrades; stand with waisted pierced frieze, cabriole legs, claw and ball feet, height 56 in., width 31 in., depth 21 in. $1500/2500 Provenance: Christie, Manson & Woods, London, October 21, 1971, lot 130.

262

W 263. A Chinese

Carved Celadon Pottery Bottle Vase, probably Song Dynasty (960-1279), pear-form body carved around the belly with lingzhi scrolls, overall olive green crackle glaze with unglazed foot ring, height 5 5/8 in. $400/600

$400/600 262 (closed) W denotes the lot is illustrated at www.nealauction.com

W 267. A Chinese Gray and Brown

Glazed Stoneware Tea Bowl, probably Song Dynasty (960-1279), conical body with overall gray and brown cracked glaze, height 1 1/2 in., diameter 3 1/2 in. $150/250 268. A Chinese Blue and White Porcelain Rouleau Vase, probably Qing Dynasty (1644-1912), decorated with flowering prunus branches against a cracked ice ground, base with Kangxi mark, height 14 3/8 in. $1000/1500 W 269. A Chinese Celadon Porcelain

Baluster Vase, probably 19th c., carved around the wide body with confronting phoenix birds between bands of pendant and upright leaves at the waisted neck and foot, base with impressed hall mark, height 15 1/4 in. $800/1200

264 268

270. A Chinese Wucai Porcelain Baluster Jar, probably 17th c., decorated with phoenix birds, peonies, foliage and vines, height 12 3/8 in. $4000/6000 W 271. A

Chinese Junyao Stoneware Tea Bowl, probably Song Dynasty (960-1279), U-form body with overall mottled blue, mushroom and brown glaze, height 1 3/8 in., diameter 3 3/16 in.

272

264. A Large Chinese Brown Glazed Stoneware Storage Jar, probably Ming Dynasty (1368-1644), ovoid body with carved surface imitating woven straw, overall black streaked brown glaze, height 26 in.

$200/400

$500/700 W 265. A Chinese Blue and White

Porcelain Bowl, probably Ming Dynasty (13681644), U-form body decorated with flowering plants on the exterior and a single flower on the interior, base inscribed, height 2 1/4 in., diameter 4 3/4 in. $200/400

270

W 266. A Chinese Brown Glazed

Jarlet, possibly Ming Dynasty (13681644), compressed ovoid body with loop handles and rolled rim, overall even brown crackle glaze, height 2 1/4 in. $150/200

272. A Chinese Green Glazed Pottery Pillow, probably Qing Dynasty (16441911), modeled as the crouching figure of a child holding an offering bowl, height 7 in., width 10 3/4 in. $800/1200

273. A Chinese Famille Verte Porcelain Rouleau Vase, probably Qing Dynasty (1644-1911), tapering cylindrical body decorated with alternating antiques and floral-androck panels, height 6 7/8 in. $800/1200 274. A Small Chinese Blue and White Porcelain “Lotus Pond” Jar, probably Ming Dynasty (13681644), globular body decorated with aquatic plants, height 3 3/4 in. $1000/1500 275. A Chinese Oilspot Glazed Stoneware Jar, probably Song/ Yuan Dynasty (960-1368), ovoid body with horizontal ribbing, tall slopping shoulder and short straight neck, overall black speckled brown glaze, height 7 3/4 in.

274

$600/800 276. A Chinese Blue and White Porcelain “Nine Dragon” Jar and Cover, probably 19th c., tapering cylindrical body decorated with dragons amid clouds above a wave border, flat cover with knob finial, height 14 1/2 in. 273

$1000/1500 277. An Antique Chinese Brown and Russet Jade Figure of a Horse, mottled stone carved as a recumbent figure with backturned head, height 2 5/8 in., width 4 3/8 in.

275

$3500/4500

277

276

W denotes the lot is illustrated at www.nealauction.com

278

279 280 278. A Chinese Spinach Green and Russet Jade Figure of a Bactrian Camel, probably Qing Dynasty (1644-1911), mottled stone carved as a recumbent beast with backturned head, height 4 142 in., length 7 3/4 in. $800/1200 279. A Fine Chinese Western Zhou-Style Creamy White Jade Vase and Cover, probably Ming Dynasty (1368-1644), hu-form body with stylized dragon handles, bosses and flanges, raised on a tall splayed foot, relief carved with taotie masks and archaic dragons, domed cover with pierced dragon knop, incised inside in archaic script, height 8 in. Note: Cover with gilt lacquer repair. $30000/50000 281

Provenance: With Jeffrey Moy, Chicago, IL, c. 1995; to current owner.

280. A Tibetan Bronze Figure of a Bodhisattva, probably Qing Dynasty (16441911), modeled seated in dhyanasana on a tall, draped throne attended by two deer, height 11 1/2 in. $1200/1800 281. A Chinese Bronze Figure of a Ram, probably Qing Dynasty (1644-1911), cast as a seated male with long recurved horns, height 2 7/8 in., width 9 1/2 in. $800/1200

284

284. A Chinese Bronze Planter, probably 19th/20th c., canted rectangular form with dragon loop handles raised on four bracket feet, relief-cast around the sides with archaistic birds, height 4 1/4 in., length 16 1/2 in., depth 10 in. 282

$200/300 285. J. Enrico Coleman (Italian, 1846-1911), “Pastoral Landscape with Horses”, 1890, watercolor on paper, signed, dated, and inscribed “Tenuta di Vannina, 13 Ag. 1890” lower right, sight 9 1/2 in. x 29 in., framed. $3000/5000 Provenance: A Missouri Estate.

285 282. A Chinese Beige and Gray Silk Kesi Panel, possibly Ming Dynasty (13681644), worked in slit-weave technique with a central quatrefoil medallion enclosing figures in a landscape surrounded by four Buddhist symbols, 19 1/2 in. x 20 1/2 in., framed. $800/1200 W 283. A

Chinese Archaistic Mottled Spinach Green Jade Dagger, probably 19th c., leaping tiger hilt and looped pommel with inscribed blade, length 15 1/2 in.

286. Jacob Simon Henrick Kever (Dutch, 1854-1922), “Mother and Child”, oil on canvas, signed lower right, 34 in. x 29 in., period frame.

287. A Fine KPM Porcelain Plaque of a Woman Holding a Cat, c. 1900, with impressed mark, 7 3/4 in. x 5 1/2 in., framed.

$250/350

$1500/2500

$5000/7000

286

287

W denotes the lot is illustrated at www.nealauction.com

289

288

288. A Fine Pair of Continental Art Nouveau BronzeMounted Vases, c. 1890, “Sèvres” marks, lustre ground, with raised gilt floral design, the reserves painted with allegorical scenes of Hercules and Deianeira, signed “F. Vogt”, height 24 1/2 in., diameter 6 1/2 in. $3000/5000 289. A Pair of Antique English Silverplate Three-Light Candelabra, 290 William Hutton & Sons, Sheffield, early 20th c., crossed keys mark; each with scrolled arms, urn-form candlecups with removable bobêches, central candlecup with removable flame finial, shell and scroll decoration, height 25 in., width 17 1/4 in. $1000/1500

291

290. An Antique Moorish Brass and Blue Glass Hall Lantern, 1900, bombé-form, intricate reticulated metalwork inset with glass panels, height 34 in., diameter 13 in. $600/900 291. A Napoleon III Inlaid, Amboyna, Ebonized, Gilt Incised, Porcelain and Gilt Bronze-Mounted Vitrine Cabinet, mid-19th c., multi-tiered superstructure, beaded moldings; base with niche above two doors, glazed doors to the sides, molded base, turned feet, extensively mounted overall, height 101 1/2 in., width 72 in., depth 20 in. $5000/8000

292

294

292. A Venetian Rococo Carved, Painted and Gilt-Decorated Armchair, 18th c., cartouche-shaped padded back, serpentine arms, serpentine seat rail, cabriole legs. $1000/1500 293. A German Rococo-Style Gilt Bronze-Mounted, Gilt and Polychrome Porcelain Table, late 19th c., blue underglaze mark, probably Carl Thieme, circular top centering inset plaque depicting 18th century courting figures amid conforming plaques, frieze with applied flowers, baluster support on scrolled legs surmounted by putti, height 32 1/2 in., width 31 1/2 in., depth 31 1/2 in. $6000/8000 294. A Pair of Continental Carved, Gilded and Faux Marbre Architectural Pedestals, 18th/19th c., probably Spanish, each with scrolled acanthus capital, acanthine garlands on verde and rouge column, molded plinth, foliate feet, height 62 in., width 23 in., depth 15 in. $5000/7500

293 W denotes the lot is illustrated at www.nealauction.com

297. An Antique Italian Patinated Bronze Figure of “Diana the Huntress”, after the antique “Diana of Versailles” now in the Louvre, Paris; the goddess depicted with a quiver of arrows over her shoulder and a leaping stag by her side, inscribed “A. Messina Roma” on rotating circular self-base, all on cylindrical marble base, height 18 1/2 in., width 10 in., depth 6 1/2 in. $2000/3000 295

298. A Terracotta Composite Bust of Emperor Titus , inscribed “Tito” on socle, black and variegated faux-marbre base, height 31 1/2 in., width 21 in., depth 10 1/2 in., presented on stop-fluted pedestal, height 69 1/2 in. 298

296

$1200/1800

297

295. A Fine Pair of Antique Neoclassical-Style Bronze-Mounted Carved Sodalite Urns, elaborate bronze and carved handles modeled as winged mermaids, mounted as lamps, urn height 16 1/4 in. $3000/5000 296. A Good Continental Marble Figure of a Shepherd Boy, 18th/19th c., height 34 1/2 in., width 13 1/2 in., depth 14 in. $1200/1800

299

299. An American Renaissance Carved, Burled Walnut and Gilt Incised Overmantel Mirror, late 19th c., arched crest surmounted by a sunflower, anthemion finials, portrait medallion within the frieze, bracketed stiles, blocked base, height 67 in., width 64 in. $800/1200

300

301

302 303 300. A Large Regency Giltwood Pier Mirror, early 19th c., flared blocked cornice, acanthus frieze, rosette blocked corners, split columnar surround with acanthus, blocked base, retaining original gilt surface, height 75 in., width 71 in. $2500/3500

302. A French Provincial Gilt Bronze-Mounted Carved Walnut Commode, 18th c., shaped molded top, conforming bombé case with three drawers, flared feet, height 33 in., width 50 in., depth 24 1/2 in. $4500/5500

301. A Rare Louis XVI-Style Gilt Bronze Double-Sided Clock Garniture, opposing dials marked “Lenoir, à Paris”, surmounted by a lidded urn with frieze of cherubs, canted case mounted with rams’ heads, conforming urns, clock height 24 in., width 13 in., depth 10 in. $5000/7500

303. A Fine Neoclassical-Style Bronze Doré, Patinated Bronze and Malachite Center Table, circular veneered top, bronze chased frieze with Greek key banding, mask blocks, caryatid supports, plinth base, stretcher, toupie feet, height 31 1/2 in., diameter 34 1/2 in. $10000/15000

W denotes the lot is illustrated at www.nealauction.com

304

305

307. An American Carved Rosewood Portfolio Cabinet on Stand, c. 1845, attributed to J. & J.W. Meeks, New York, three quarter pierced gallery, ripple molded cabinet centering needlepoint, depicting a scene from Shakespeare’s Romeo and Juliet, each end with a fretwork panel door opening to a divided interior, scrolled trestle base, height 66 in., width 26 in., depth 17 in.

306

304. A Pair of American Aesthetic Carved Rosewood Side Chairs, late 19th c., attributed to Herter Brothers., New York, spindled crest, foliate-incised stiles with rosette blocks, turned legs. $1200/1800 305. A Renaissance-Style Highly Carved Oak Hall Bench, late 19th c., paneled back, relief of griffins and putti presenting orbs, griffin arms, tooled leather lift seat, void interior, blocked base with floral panel, height 40 in., width 56 in., depth 23 1/2 in. $1000/1500

306. A Fine American Renaissance Burled, Inlaid, and Gilt-Decorated Walnut Center Table, c. 1870, New York, intricately inlaid top, stepped molded edge, frieze with panels and bosses, tapered fluted legs surmounted by scrolled capitals, shaped stretcher, tapered feet, casters, height 29 1/2 in., width 45 1/2 in., depth 29 in.

$4000/6000 Provenance: Neal Auction Company, October 1993, Lot 523. 307

$2000/3000 Note: The strong Louis XVI elements of this table relate closely to examples from a number of French émigré cabinet makers working in New York, including Leon Marcotte (1824-1887). A center table by Marcotte with supports and stretcher terminals similar to those seen here is conserved by the Metropolitan Museum of Art (acc. no. 34.140.1). Reference: Howe, Katherine S., et al, Herter Brothers: Furniture and Interiors for a Gilded Age, 1994, fig. 47, pp. 68-69; http://www.chipstone.org/publications/1994AF/index1994gray.html

Exhibition: “Art and the Empire City: New York, 1825-1861,” Metropolitan Museum of Art, September 19, 2000 – January 7, 2001. Illustrated: Art and the Empire City: New York, 18251861, Voorsanger, Catherine Hoover & John K. Howat, 2000-2001, pl. 233, pp. 522-23

308. An American Aesthetic Carved, Gilded and Ebonized Pedestal, late 19th c., Herter Brothers, New York, stamped, square top, turned and fluted supports, medial galleried shelf, molded base, flared bracketed legs, height 48 in., width 15 in., depth 17 1/4 in. $1000/2000 309 309. A Pair of American Renaissance Gilt Incised and Ebonized Music Stools, late 19th c., each iron underplate marked “Newark, NJ”, circular tufted seats, adjustable standards, flared, bracketed legs, height 18 in., diameter 18 1/4 in. $500/800 310. A Pair of American Classical Carved Mahogany Hall Chairs, c. 1830, probably Baltimore, shield shaped backs, pierced, volute crests, trapezoidal lift seats, leaf-carved tapered legs.

308

311. A Dutch NeoclassicalStyle Marquetry Meridienne, c. 1920, scrolled head and foot rail, shaped back, straight seat rail, outswept scrolled feet, inlaid vines and paterae overall, height 37 in., length 81 in., depth 28 in. $1200/1800

$1000/1500

310

311

312. A Dutch Marquetry and Carved Elm Armchair, 19th c., shaped crest, vasiform splat, serpentine seat rail, acanthine cabriole legs, claw and ball feet, shaped stretcher. $800/1200

312

W denotes the lot is illustrated at www.nealauction.com

313

314

313. An Italian Faux Marbre Chest of Drawers, 18th c., probably Sicily, molded top above two short and three long drawers, bracketed base, drawer interiors with marbled paper, hand wrought iron escutcheons and pulls, height 39 1/2 in., width 42 in., depth 20 1/2 in. $3500/4500 314. Italian School, 19th c., “The Bacino di San Marco”, in the manner of Francesco Guardi (1712-1793), oil on canvas, unsigned, 14 in. x 17 in., framed. $2500/3500

315

315. British School, 19th c., “Family Group” and “Children Playing with a Goat”, pair of églomisé panels, sight 12 1/4 in. x 8 1/2 in., framed alike. (2 pcs). $2500/3500 316. Joseph Rusling Meeker (American/ Louisiana, 1827-1887), “Lake George, New York”, 1850, oil on canvas, signed and dated lower right, titled in pencil on stretcher en verso, “Guarisco Gallery Ltd., Washington D.C.” label en verso, 22 in. x 40 in., gilt frame. $7000/9000 Note: Joseph Rusling Meeker was raised in Auburn, NY in the Finger Lakes region. He received a scholarship to the National Academy of Design in New York City where he studied with the Hudson River School painter Asher B. Durand and with the portraitist Charles Loring Elliot. After completing his studies, Meeker established a studio in Buffalo from 1849-52. This expansive view of Lake George in New York was likely painted during this time period. The composition certainly shows the influence of the Hudson River School of painting. The luminous sky with its gradations of color and fiery clouds is an early example of one of the hallmarks of Meeker’s landscape paintings.

316

318

317. John James Audubon (American, 1785-1851), The Birds of America, New York and Amsterdam: Johnson Reprint Corporation and Theatrum Orbis Terrarum Ltd., 1971-1972, Amsterdam edition, with 435 offset color lithograph plates, loose as issued in gray card portfolios, with limitation page stating this copy “number 226” of 250, housed in original oak flat files, with fall-front doors, sheet 39 1/2 in. x 26 1/2 in., flat file height 20 1/2 in., width 42 inches, depth 29 in. $12000/18000 317 318. George Louis Viavant (American/Louisiana, 18721924), “Nature Morte: Canvasback Drake”, 1914, watercolor on paper, signed and dated lower left, sight 29 1/2 in. x 19 5/8 in., period frame. $12000/18000 319. A Fine American Renaissance Carved and Ebonized Walnut Extension Dining Table, mid-19th c., circular top, paneled frieze with bosses, chamfered stem, bracketed plinth base, casters, height 30 in., length 58 in., width 58 1/2 in., with two conforming leaves, each 23 5/8 in. $2000/3000

319

W denotes the lot is illustrated at www.nealauction.com

321

320. A Rare American Classical Gilt Stenciled Mahogany Secretary Desk, c. 1825, New York, upper case with flared cornice, arched frieze, glazed doors flanked by Corinthian columns; lower case with fall front compartment enclosing pigeon holes, foldover baize-lined writing surface, paneled doors flanked by columns below, acanthine and lobed feet, height 101 in., width 55 in., depth 28 in. $10000/15000 Note: The deep flat cornice, arched frieze, distinctive carved capitals, and framing mullions on the upper case of the secretary are nearly identical to those on two well-known examples: the first bearing the label of Robert Fisher (New York, active 1824-1837) in the Terian collection, the second conserved at the Metropolitan Museum of Art (acc. 60.29.Iab). 320

This desk is also related to one illustrated in the 1833 Joseph Meeks and Sons broadside as item no. 41. Reference: Voorsanger, Catherine Hoover & John K. Howat, Art and the Empire City: New York, 1825-1861, 2000-2001, fig. 239, pp. 293-295; cat. no. 223, p. 515; fig. 225, p. 517.

321. An English Mahogany Étagère, mid-19th c., with four galleried tiers, third tier fitted with a drawer, turned legs, casters, height 48 1/2 in., width 24 3/4 in., depth 14 1/2 in. $800/1200 322. John Mackie Falconer (Scottish/American, 1820-1903), “Lady Holding her Cat”, 1853, and “Portrait of a Little Girl in a Cloak”, 1851, two watercolors on paper, initialed “JMF” and dated lower right, and signed and dated lower left, respectively, sight 9 1/4 in. x 6 1/2 in. and 9 1/8 in. x 6 1/2 in., framed. $700/1000 322

323

323. James Currie (English, active 1840-1870), “On the Wing”, 1867, full size copy after the original by William Tylee Ranney (American, 1813-1857) now at the Butler Institute of American Art Youngstown, OH, oil on canvas, signed and dated lower right, sight 32 in. x 45 in., framed.

324

$2500/3500

325. John Mackie Falconer (Scottish/American, 1820-1903), “Portrait of a Standing Man in a Cap”, 1851, and “Portrait of a Seated Man in a Cap”, 1853, two watercolors on paper, both signed and dated lower left, sight 9 1/4 in. x 6 1/2 in. and 9 1/4 in. x 6 1/2 in., framed.

Provenance: A Louisiana Estate.

$700/1000

324. F. Falinski (American/New York, 19th c.), “Probable Portrait of Tennessee Congressman John Bell (1796-1869)”, c. 1835-1845, oil on canvas, signed lower right, 40 in. x 32 in., antique frame.

326. An American Classical Carved Mahogany Pier Table, early 19th c., marble top, (probably violet brocatelle), cove-molded frieze, scroll supports with elliptical and rosette carving, mirrored back flanked by pilasters, shaped plinth, lappet-carved feet, height 36 in., width 41 1/2 in., depth 19 3/4 in.

$2000/3000

325 (1 of 2)

$1500/2500

Note: Falinski was an accomplished portrait and history painter, who emigrated from Poland after the Polish-Prussian War in 1832. Between the late 1830s and mid 1840s, he exhibited at the National Academy of Design in New York City and painted many prominent New England figures, such as Rachel Evans Ellicott, wife of the New York real estate tycoon Joseph Ellicott. In 1844, Falinski moved to Paris where he lived the rest of his life, exhibiting portraits and history scenes at the Paris Salon through the late 1850s. In this superb portrait, Falinski captures the dignified composure of a statesman, who appears to be congressman John Bell, the seminal 19th century Tennessee politician, who served as Secretary of War under William Henry Harrison (1841) and ran against Abraham Lincoln in the 1860 election. Bell served in both the House of Representatives and Senate for Tennessee (1827-1841, 1847-1859), and was a key figure in the Whig Party. The portrait may have been painted between 1840- 1841 when Bell was nominated Secretary of War. The tentative age of the sitter, his dress, and the bound volumes of Joseph Story’s 1833 Commentaries on the Constitution in the background are consistent with an 1840 date, chronologically placing this portrait between the two other well known portraits of Bell by William Cooper c. 1835 (Tennessee State Museum) and Willie Betty Newman’s 1911 posthumous portrait of Bell in his early 50s (U.S. House of Representatives Collection). References: National Academy of Design Exhibition Record, 1826-1860, vol. 1 New York: J. J. Little & Ives Co. , 1943. p. 154; Małkiewicz, Barbara. . .Modern Polish Painting: Paintings of the 19th Century: the Catalogue of Collections/ National Museum in Cracow, Part 1. Cracow: National Museum, 2001 p. 75.

326 W denotes the lot is illustrated at www.nealauction.com

328

327

328. A Fine American Classical Carved Mahogany Desk, early 19th c., attributed to Joseph Barry, Philadelphia, fall front writing drawer flanked by foliate and rosette panels, gothic arch 328 (detail) paneled doors below, interior fitted with two over three drawers, flanked by reeded columns with foliate capitals and hairy paw feet, plinth base, turned feet, brass caps, height 48 in., width 47 1/2 in., depth 24 in. $3000/5000 Note: The distinctive paterae, carved columns, finely matched door veneer, blocked plinth and turned legs on this desk are nearly identical to those on the well-known Rebecca Gratz (1783-1869) sideboard attributed to Joseph Barry (Philadelphia, wc. 1810-1822). The Gratz sideboard descended in the family until 1973 when it was purchased by Andy Warhol and, later, acquired from his estate by Winterthur in 1988. Reference: Cooper, Wendy, Classical Taste in America 1800-1840., p. 133, fig. 93; Feld, Neoclassicism in America: Innovation and Inspiration; Fennimore, Donald, “Egyptian Influence on American Furniture,” Magazine Antiques (May, 1990) p. 1198, pl. V. ; Trump, Robert and Fennimore, Donald, “Joseph B. Barry, Philadelphia Cabinetmaker Revisited,” Magazine Antiques(May, 1989).

329

327. An American Classical Carved Mahogany Gentleman’s Dressing Table, early 19th c., mirror with turned beehive supports on glove drawers, case with three drawers, beehive supports, stretcher shelf, paw feet, birch secondary wood, height 62 1/2 in., width 38 in., depth 21 1/2 in. $1500/2500

329. An American Classical Carved Mahogany Games Table, early 19th c., Boston, possibly carved by Thomas Wightman, foldover top, frieze centering foliate panel above acanthus-carved baluster standard, round plinth, saber legs, brass paw feet, casters, height 29 in., width 36 in., depth 18 in. $800/1200 Note: London-trained carver Thomas Wightman adapted his work to American sensibilities and frequently worked with Boston cabinetmakers John and Thomas Seymour and William Fisk. The use of carved details, distinctive for a Boston maker, on this table as well as the use of choice mahogany and a distinctive manner of mounting the top to the base, strongly suggest Wightman as a source for this table.

330

331

333

330. An American Rococo Carved Rosewood Stool, c. 1840, probably Boston, volute seat rail centered by fleur-de-lis, rosette carved cabriole legs, scrolled toes, height 17 1/2 in., width 31 in., depth 18 1/2 in. $1000/1500 331. An American Late Classical Carved Mahogany Pier Table, c. 1840, Boston, Egyptian marble top, lancet carved frieze, fluted columnar supports, conforming pilasters flanking mirror back, plinth base, height 35 3/4 in., width 40 1/4 in., depth 18 1/2 in. $2500/3500 Note: A similar pier table from the Estate of Lee B. Anderson, New York, sold in these rooms on September 15, 2012 as lot 94.

332

332. An American Late Classical Carved Mahogany Pier Table, early 19th c., Boston, Egyptian marble top, blocked frieze, Ionic columnar supports, conforming pilasters flanking mirror back, incurvate plinth base, height 37 in., width 43 in., depth 19 in. $2500/3500 333. An American Federal Inlaid Mahogany Tambour Secretary Desk, c. 1810, New England, concealed lift top, inlaid cornice, tambour slides opening to a fitted interior of drawers and compartments, foldover writing surface above three drawers over two drawers, on turned legs, extensively inlaid, height 57 in., width 44 1/2 in., depth 20 1/2 in. $1500/2500

W denotes the lot is illustrated at www.nealauction.com

336. American School, late 19th c., “Portrait of Alexander Hamilton”, after John Trumbull (1756-1843), oil on canvas, unsigned, 36 in. x 24 in., framed. $2000/3000

336

334

337

334. A George III Carved Mahogany Bookcase, 18th c., molded Greek key and fluted cornice, glazed doors enclosing adjustable shelves; lower case with a pair of doors enclosing sliding trays, molded base, bracket feet, height 89 in., width 46 1/2 in., depth 22 in. $2500/3500

335

335. A Pair of French Restauration Carved Mahogany Fauteuils, early 19th c., each with arched crest rail, rectangular padded back, scrolled arms resting on blocks carved with lotus leaves, bowed seat rail, shaped legs with lotus leaves. $1000/1500

Note: This painting is after John Trumbull’s famous posthumous 1805 “Portrait of Alexander Hamilton” (72 in. x 52 1/2 in.) now conserved in the New York City Hall Collection. In 1880, the U.S. Treasury Department commissioned a copy of the painting to be made by Caroline Ormes Ransom (18261910), a student of Asher B. Durand. The portrait of Hamilton on the $10 note was later printed after Ransom’s copy. Two other Hamilton portraits by Trumbull, which bear a close resemblance to the one auctioned here, were painted in 1791 and 1806. The former can be seen at the Metropolitan Museum of Art and Crystal Bridges Museum of American Art (through joint ownership) and the latter at the Washington University Law School in St. Louis, MO. References: ARTstor; Oxford Dictionary of Art; “Alexander Hamilton (1789-1795)”, U.S. Department Of Treasury. Web. 17 Oct. 2013; Kornhauser, Elizabeth Mankin (Curator of Paintings at the Metropolitan), John Trumbull’s Portrait of Alexander Hamilton”, The Magazine Antiques, 9 Sept. 2013. Web. 17 Oct. 2013.

337. Robert Ward van Boskerck (American, 18551932), “River Landscape”, oil on canvas, signed lower left, 20 in. x 24 in., original Albert Milch, New York frame. $1500/2500

338. After William Edward West (American, 1801-1861), “Battle of New Orleans and Death of Major General Packenham on the 8th of January 1815”, engraved by J. Yeager, 1817, plate 16 in. x 20 3/4 in., framed. $1200/1800

338

W 339. L. Prang & Co. Publishers

(1860-1938), “Capture of New Orleans; Farragut Passing the Fort by Night”, 1886, chromolithograph, from the series “Prang’s War Pictures: Aquarelle Facsimilie Prints”, sight 15 5/8 in. x 22 1/8 in., framed.

340

$300/500 340. A Hyde & Goodrich Coin Silver Repoussé Pitcher, c. 1850, New Orleans, wc. 1828-1861, marked “HYDE & GOODRICH” in rectangle, lobed pear shape with alternating panels of Continental landscapes and floral scrolls, vacant cartouche, foliate scroll handle, reticulated shell and scroll feet, height 10 3/4 in., weight 28.05 troy ozs. $1200/1800 Note: Two Hyde & Goodrich pitchers with identical handles and feet are illustrated in Crescent City Silver, p. 14 and p. 17.

341

343

343. A Marquand “King’s” Pattern Coin Silver Punch Ladle, Frederick Marquand (17991882), act. Savannah 18201824, New York, 1824-1838; marked “F.M.” in rectangle and with pseudo hallmarks; with script monogram “JH”, length 10 1/2 in., weight 4.05 troy ozs.

341. A Virginia Coin Silver Creamer, Joseph Clarico (1785-1828), Norfolk, act. 1813-1828 marked “J CLARICO” in rectangle, mark rubbed; helmet form with scroll handle, gadroon rim and lobed body, height 7 1/8 in., weight 6.75 troy ozs. $1000/1500 Reference: Hollan, Catherine B. Virginia Silversmiths, Their Lives and Marks, 1607-1860, McLean: Hollan Press, 2010, p. 148-150.

342. A Mobile Coin Silver Water Pitcher, James Conning (1813-1872), act. Mobile, 1840-1872, marked “J.CONNING” in rectangle and “MOBILE” in rectangle; jug form with vacant C-scroll cartouche and floral repoussé, scroll handle, beaded rims, height 8 3/4 in., weight 23.10 troy ozs.

$500/750 Reference: Waters, Deborah D. Elegant Plate, p. 370. Cutten, George Barton. The Silversmiths of Georgia, pp. 85-86.

$3500/4500 Reference: Smith, Sidney Adair. Mobile Silversmiths and Jewelers, 1820-1867. Mobile: Historic Preservation Society, 1970-71.

342 W denotes the lot is illustrated at www.nealauction.com

344

345

346

W 348. A Group of Virginia Coin

Silver, including a serving spoon, Michael Shaver, Abingdon, VA, wc. 1810-1856, marked “M SHAVER” in rectangle, length 9 7/8 in.; a sauce ladle, marked “E.LARODA” in rectangle, length 7 1/4 in.; 3 teaspoons, William McCay (177X-1837), wc. 1796 -1811, Richmond, VA, 1811-1818, Petersburg, VA and 1818-1837, Huntsville, AL, marked “W.Mc.CAY” in serrated rectangle, length 5 5/8 in.; a tablespoon, George Ott (1770-1831), wc. 1801-1830, Norfolk, VA, marked “G.OTT” in rectangle, length 8 7/8 in.; and a teaspoon, marked “I.HITE” in rectangle and with pseudo hallmark, length 5 3/8 in. 350

344. A Pair of American Coin Silver Serving Tongs, Ball, Black & Co., New York, wc. 1851-1876; in the “Fiddle Thread” pattern, length 10 in., weight 5.10 troy ozs. $500/700 Note: Oral history interviews with elderly Natchez, MS citizens in the 1970s indicate that this type of tongs was used to serve fried chicken in the 19th and early 20th centuries. Crescent City Silver, p. 19; Nineteenth Century Natchez-Made Silver, Baton Rouge: Angle-American Museum, 1970, p. 41.

$150/250 346. A Pair of American Sterling Repoussé Castors and Master Salts, in the Georgian Taste, each with floral chased decoration, C-scroll cartouche and lion’s mask and paw feet, the salts with cobalt glass liners; caster height 6 1/2 in., combined weight 19.10 troy ozs, (4 pcs.) $500/800

Reference: Hollan, Catherine B. Virginia Silversmiths: Their Lives and Marks, 2010, pp. 693-695, 496-500 and 577-580.

W 349. An 1884 World’s Industrial

and Cotton Centennial Exposition Medal and a Silver Pelican Souvenir Spoon, presented in a contemporary gilt shadowbox frame. $150/250

W 347. A Group of Southern Coin

345. A New Orleans Coin Silver Sauce Ladle, Hyde & Goodrich, wc. 18291861, marked “HYDE & GOODRICH” in rectangle, fiddle typt pattern, script monogram on reverse, length 8 1/2 in.

Silver Spoons, including a tablespoon, Woodstock & Whitlock, Augusta, GA, wc. 1850-1851, length 8 7/8 in.; a teaspoon, Cyprian Wilcox (1795-1875), wc. 18171827, Sparta, GA, New Haven, CT, 18271840, marked “C.Wilcox” in rectangle, length 5 11/16 in.; and 2 teaspoons, marked “J.McC”, length 5 1/2 in.

$300/500

$150/250 Provenance: Estate of Steven Cabot Barnes Harvey. Exhibited High Museum of Art. Reference: Cutten, George Barton. Silversmiths of Georgia, 1958, pp. 40 and 119-121.

Provenance: Estate of Steven Cabot Barnes Harvey. Exhibited MESDA.

Note: An identical pelican souvenir spoon of c. 1900 by Maurice Scooler is illustrated in Crescent City Silver, 1980, p. 110. 350. An American Coin Silver Repoussé Coffee and Tea Service, S. Kirk & Sons, Baltimore, c. 1880-1890, including a coffee, teapot pot, kettle, and creamer, each of footed vase form, approx. weight 134.05 troy ozs. $3000/5000

352

351

351. An American Classical Coin Silver Coffee and Tea Service, Frederick Marquand (1799-1882), act. Savannah 1820-1824, New York, 18241838; marked “F.MARQUAND” in rectangle and with pseudo hallmarks; comprised of a coffee pot, teapot, covered sugar and creamer; lobed urn forms with applied die rolled flower and leaf decoration, coffee pot height 11 3/4 in., combined weight 119 troy ozs. $4000/6000 Reference: Waters, Deborah D. Elegant Plate, p. 370. Cutten, George Barton. The Silversmiths of Georgia, 1958, pp. 85-86.

355 352. A George III Sterling Silver Alms Basin, Chas. Woodward, London, 1771; with gadroon border, engraved “St. Anns Sandy Point”, probably for St. Ann’s Church, St. Kitts, West Indies, diameter 9 1/2 in.

353

$400/600 Provenance: Estate of Steven Cabot Barnes Harvey. Exhibited MESDA. 353. A Diminutive George III Sterling Silver Hot Water Urn, London, 1792, maker’s mark rubbed, vase shape with neoclassical banding, height 14 1/2 in., weight 42.30 troy ozs. $600/900 354. A Pair of Regency Sheffield Plate Telescopic Candlesticks, 19th c., gadrooned borders, height 8 1/4 in. $250/350

356

355. A Late Georgian Sheffield Plate Cake Basket, c. 1820, swing handle with floral and foliate decoration, body with foliate gadrooned border and shell and floral well, height (to top of handle) 9 1/2 in., diameter 11 1/4 in. $300/500

354

356. A Georgian Sheffield Plate Meat Dish, Matthew Boulton, 19th c., double starburst mark, shaped oval with gadrooned border, length 15 3/4 in., width 12 3/4 in. $500/700

W denotes the lot is illustrated at www.nealauction.com

357. An American or English Classical Gilt Lacquered Brass and Bronze Sinumbra Lamp, mid-19th c., font over foliate columnar standard, pedestal base, cut and etched glass shade, overall height 29 in. $1200/1800 358. An American or English Patinated Bronze and Gilt Lacquered Copper and Brass Sinumbra Lamp, c. 1830-60, retailed by Baldwin Gardiner, New York, labeled, acanthine columnar standard, foliate ring on three griffin supports, molded plinth base, paw feet, cut and etched glass shade, overall height 30 in., together with a glass chimney. $800/1200

357

Note: Baldwin Gardiner opened his warehouse at 149 Broadway, New York, late 1826/early 1827 selling lamps and other goods.

358

Reference: Art and the Empire City: New York, 18251861, ed. Voorsanger, Catherine Hoover & John K. Howat, 2000, p. 361.

W 359. [Governor Baron de Carondelet], partially-

printed passport signed “El Baron de Carondelet”, as governor of Louisiana and West Florida, New Orleans, March 5, 1793, countersigned by Andres Lopez Armesto, Secretary of the Cabildo, granting safe passage for Don Juan Bautistade Frette from Bordeaux, France to New Orleans, with engraved seal of Carondelet, 11 3/4 in. x 8 1/4 in. $500/700

W 360. [New Orleans

Industrial and Cotton Centennial Exposition Map], “Exposition Map of the City of New Orleans”, published by F.F. Hansell Law Bookseller and Dealer in Stationery, School Books and Notions, 30 Camp St. New Orleans, Near City Hotel, n.d. but c. 1884, lithograph map on cotton, detailed with street names, canals, rail and ferry routes, with inset vignettes of the fair and main buildings; the Mississippi with soundings and steamship illustrations, 25 in. x 26 1/2 in., sheet 27 1/2 in. x 28 3/4 in. $700/1000 361. An American Classical Carved and Gilded Pier Mirror, c. 1830, molded surround, height 96 in., width 43 1/2 in. $1500/2500 Provenance: From the Estate of William Clark (1770-1838), Explorer and Governor of the Missouri Territories; thence by descent in the Clark Family. Note: A pier glass, probably the lot offered here, appears in William Clark’s estate inventory of 1840. 362. An American Classical Carved Mahogany Work Table, early 19th c., Philadelphia, shaped top with rounded corners, torus molded drawers, turned support, incurvate plinth, bracketed acanthus paw feet, height 29 in., width 22 1/2 in., depth 15 1/2 in. $800/1200

361

362

363. An American Classical Carved Mahogany Sécrétaire à Abattant, early 19th c., Boston, molded cornice, paneled fall front enclosing fitted interior with open compartment and drawers, paneled doors below, pilasters with lotus leaf capitals, plinth base, height 59 in., width 40 1/2 in., depth 17 1/2 in. $3000/5000 Note: The bold lotus-carved capitals on this sécrétaire relate closely to those on a console table made for Salem philanthropist George Peabody by Abraham Kimball (1789-1890) or Winthrop Sargent (1799-1850). The distinctive ornamentation on the door panels of this lot can be seen in many Boston examples, including a cabinet exhibited by antiquarian Stuart Feld. Reference: Farnam, Anne, “Furniture at the Essex Institute, Salem, Massachusetts,” The Magazine Antiques (May, 1977), p. 973, pl XVI; Feld, Stuart P., Boston in the Age of NeoClassicism: 1810-1840, 1999, p 61-63, pl. 25,26.

363 (closed)

363 (open)

364

364. A Set of Six American Classical Carved Mahogany Side Chairs, early 19th c., attributed to the workshop of Duncan Phyfe, each with baluster-turned crest rail, scrolled stiles, pierced slat with lyres centering gilt-brass rosette, slip seat, saber legs with hairy shanks terminating in paw feet. $1500/2500 Note: Duncan Phyfe is known to have produced chairs and sofas decorated with a single, small gilt-brass mount, including a sofa (1810-1815) made for New York merchant Thomas Cornell Pearsall and a side chair with a history of Philadelphia ownership, dated 1815-1820. Each stands on a curule base applied in the center with a gilt-brass lion’s mask. The paw feet, hairy shanks, and round bosses with multiple rings on the chairs offered here are details found on chairs documented or attributed to Phyfe. A side chair bearing these features, as well as a pierced slat centering a carved rosette, is in the collections of the New York State Museum in Albany, New York; the chair is attributed to Duncan Phyfe. References: Kenny, Peter M. and Michael K. Brown. Duncan Phyfe: Master Cabinetmaker in New York, 2011, pp. 178-181, plate 15 and pp. 188-191, plate 21; Scherer, John L. New York Furniture at the New York State Museum, 1984, p. 41, fig. 38.

365

365. An American Neo-Grec Carved, Ebonized, Gilt and Paint-Decorated Walnut Pedestal, late 19th c., possibly by Killian Brothers., New York, molded rectangular top, columnar bracketed support with rosettes and inset porcelain tiles, molded plinth, shaped feet, height 39 in., width 15 in., depth 15 in. $1500/2500

W denotes the lot is illustrated at www.nealauction.com

367. An American Classical Carved Mahogany Center Table, early 19th c., attributed to Anthony Quervelle, Philadelphia, inset marble top with gadrooned molding, torus-molded frieze, gadrooned baluster standard, incurvate plinth, scrolled bracketed paw feet, casters, height 29 in., diameter 43 in. $7000/10000 Note: A center table bearing two labels from the shop of Anthony Quervelle, with identical standard and collar to that seen here, is conserved by the Metropolitan Museum of Art (acc. 68.96). Quervelle also made very similar examples for the White House in 1829, as well as a table descended in the Bache Family of Philadelphia.

366

366. An American Renaissance Walnut, Burled and Gilt-Incised Library Folio Stand, late 19th c., adjustable upright rack, shaped legs connected by a burled stretcher, casters, height 45 in., width 31 in., depth 26 in. $800/1200

368

The design of this table belongs to a small group of tables in Quervelle’s oeuvre based on designs from George Smith’s 1808 Collection of Designs for Household Furniture, (see pl. 89). Reference: Davidson, Marshall, The American Wing, The Metropolitan Museum of Art, p. 162, fig. 250. Smith, Robert, “The Furniture of Anthony Quervelle of Philadelphia, Part II, the Pedestal Tables,” Magazine Antiques, (July, 1973), p. 91.

368. An American Classical Carved Mahogany Candlestand, early 19th c., New York, shaped flame mahogany top, vasiform standard, reeded legs, height 29 in., width 26 in., depth 19 1/2 in. $600/900

367

369

371

372

370

369. An American Classical Carved Mahogany Bowfront Chest of Drawers, early 19th c., Massachusetts, probably Salem, turreted top, case fitted with four graduated drawers flanked by acanthine and reeded stiles, ring-turned legs, height 41 in., width 43 3/4 in., depth 22 1/4 in. $1200/1800 370. An American Classical Carved Mahogany Work Table, early 19th c., New York, top with rounded corners above fitted writing drawer, two drawers below, bulbous acanthine support, acanthine legs ending in paw feet, casters, height 32 in., width 24 in., depth 17 1/2 in.

371. An American Classical Carved Mahogany Games Table, early 19th c., Boston, foldover swivel top with molded edge, turned and lobed support with acanthus, plinth base, reeded outswept legs, brass acanthine cuffs, casters, height 30 in., width 34 in., depth 16 1/2 in. $800/1200 372. An American Classical Carved Mahogany Center Table, early 19th c., attributed to Anthony Quervelle, Philadelphia, segmented top, conforming narrow frieze, acanthus carved and turned pedestal support, incurvate plinth, winged lion’s paw feet, height 30 1/2 in., diameter 41 in. $2500/3500

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

373

374

376 374. A George III Mahogany Inlaid Satinwood Games Table, late 18th c., banded foldover top, chamfered corners, banded frieze, square tapered legs, spade feet, swing legs to the rear, height 29 in., width 37 in., depth 18 in. $1500/2500 375. A George III Inlaid Satinwood Sécrétaire, late 18th c., galleried superstructure of glazed arched doors flanked by inlaid doors and drawers, foldover tooled leather writing surface above three drawers, incurvate tambour doors below, square tapered legs, cuff casters, height 49 in., width 34 in., depth 21 in.

375

373. An American Federal Carved Mahogany Games Table, early 19th c., Haines-Connelly School, Philadelphia, shaped foldover top with reeded edge, conforming frieze with patera blocks, ringturned and reeded legs, height 29 1/2 in., width 18 in., depth 35 in. $800/1200

$3000/5000 376. A Regency Brass Inlaid Mahogany Open Bookcase, early 19th c., galleried top, turned feet, brass cuffs, casters, height 36 1/2 in., width 32 in., depth 17 1/2 in. $1500/2500

378

377

379

377. An English Carved, Ebonized and Gilt Armchair, 19th c., shaped crest, padded arms, scrolled terms, bowfront seat rail, cabriole legs, casters.

380. Karl Stuhlmüller (German, 18581930), “Landscape with Cows”, oil on panel, signed lower right, 3 3/4 in. x 5 1/4 in., framed.

$1200/1800

378. American School, 20th c., “Clipper Ship, likely a Loch Tay Model”, oil on canvas, signed “Maffei” lower left, 27 1/2 in. x 39 1/4 in., framed.

381. Continental School, 19th c., “Floral Still Life with Vase Decorated with Classical Maidens”, oil on canvas, unsigned, 32 1/4 in. x 26 1/2 in., oval frame.

380

$2500/3500 379. Tinus de Johan (South African, 1885-1942), “Mountain Scape, South Africa”, oil on canvas, signed lower left, inscribed “Brought by Carl Lindstram from Capetown about 1930. Axel Linstram sponsored this artist” en verso, 18 in. x 25 in., framed.

$1000/1500 381

Provenance: Acquired London.

$2500/3500 W denotes the lot is illustrated at www.nealauction.com

383

383. A French Pressed Brass and Gilt Bronze Fire Fender, molded top, fruit and foliate panels amid shaped uprights, plinth base, paw feet, height 18 in., width 75 in., depth 16 1/2 in. $1000/1500

384. A Fine Continental Carved Giltwood Circular Frame, 19th c., decorated with flowers, fruit and leaves, opening diameter 17 3/8 in. $1200/1800

382 385. A Pompeian Bronze, Carved Marble and Rock Crystal Centerpiece, after the Antique, tripartite base, with lions supporting rock crystal sphere, centered by shallow marble basin, height 11 1/2 in., width 15 1/2 in., depth 15 1/2 in. $1200/1800

384

386. A Pair of English Bronze Figural Chenets, late 19th c., modeled as lions rampant, on reticulated, scroll bases, height 15 1/2 in., width 14 in., depth 6 1/2 in.

385

$1200/1800 387. An American Gilt Lacquered Brass Hanging Solar Lamp, c. 1859, attributed to Hooper & Co., Boston, retains original E.F. Jones patented kerosene burner, period chimney, shade and smoke bell, cut and etched prisms, height 24 in.

386

$600/800

382. A Rococo-Style Carved Rouge Marble Fireplace Surround, serpentine shelf, scroll carved surround with central cabochon, overall height 46 1/2 in., width 72 1/2 in., depth 13 in. $3000/5000

387

388. A Pair of Regency Gilt Bronze and Brass Candlesticks, early 19th c., foliate circlet hung with prisms, height 8 5/8 in. $500/750

388

389

392

389. An American Classical Carved Mahogany Writing Desk, early 19th c., Boston, superstructure with three-quarter galleried shelf, scrolled brackets with oval panels, three drawers below; lower case with paneled frieze drawer opening to baize writing surface and fitted interior, arched mirrored doors below, plinth base, foliate turned feet, height 54 1/2 in., width 33 3/4 in., depth 20 3/4 in. $2000/3000

390 391

390. An American Federal Walnut Lowboy, late 18th/early 19th c., Southern, rectangular top above a long drawer, scalloped apron, square tapered legs, height 31 in., width 30 in., depth 13 1/2 in. $500/750

391. An American Classical Curly Maple Stool, early 19th c., caned seat, height 8 7/8 in., length 14 1/2 in., depth 9 in. $300/500 392. A Pair of American Classical Carved Tiger Maple Child’s Chairs, early 19th c., New York, each with shaped crest rail, pierced foliate slat, cane seats, ring turned legs and stretchers, flared “French” feet. $800/1200 W denotes the lot is illustrated at www.nealauction.com

395. A Southern Walnut Serving Table, early 19th c., Valley of Virginia, three quarter gallery, three frieze drawers, square tapered legs, height 33 1/2 in., width 41 in., depth 18 in. $500/750 394

393

395

393. An American Federal Mahogany Sugar Chest, early 19th c., Southern, crossbanded lift top opening to void interior, turned legs, brass cuffs, casters, height 29 1/2 in., width 18 in., depth 16 in. $1200/1800 394. An American Classical Birdseye Maple Inlaid Mahogany Work Table, early 19th c., with two elliptical paneled drawers, turned support, outswept scrolled legs, casters, height 28 in., width 17 in., depth 16 1/2 in. $600/800

396

396. An American Federal Carved Walnut Bowfront Chest of Drawers, c. 1827, inscribed and dated, four graduated drawers, convex molded stiles, turned feet, height 42 in., width 42 in., depth 23 in. $1000/2000 Note: Bears old inscription “Jacob Setley, Reading... 1827” on interior side of backboards. A Jacob Setley appears in the 1820 Federal Census in Reading, Pennsylvania. The Smithsonian Institution holds his 1832-1848 papers and daybooks (Call No. ACNMAH 0190), which indicates that he operated a brick kiln, leased property, managed construction, and bought and sold merchandise.

397

398

400

401

400. A George III Inlaid Satinwood Tea Caddy, c. 1800, shell inlay, double compartment interior, height 5 in., width 7 in., depth 4 1/4 in.

399

$600/900

397. A Regency Carved Mahogany Bed Steps, early 19th c., spindled gallery, three tooled leather inset treads, center with hinged top, turned legs, height 34 in., width 20 in., depth 30 in.

401. A George III Inlaid Satinwood Tea Caddy, c. 1800, inlaid with reserves of a shell and an urn, foil lined interior, height 4 3/4 in., width 4 1/4 in., depth 4 in.

$1500/2500 398. An Empire Carved Mahogany Settee, early 19th c., upholstered back and seat with padded armrests, Egyptian bust supports, bowfront seat rail, tapering legs, paw feet, height 37 1/4 in., width 53 in., depth 28 in. $1000/1500

402

$600/900 402. An English Chinoiserie Lacquered Sewing Box, 18th c., shaped lid with reserves of genre scenes, bail handles, fitted interior, one drawer, paw feet, height 6 in., width 15 in., depth 11 in. $700/900

399. A George III Brass Bound Mahogany Bucket, 18th c., removable liner, bail handle, height 12 in., diameter 12 in. $1000/1500 W denotes the lot is illustrated at www.nealauction.com

403

405

407

406. An Early George III Carved Giltwood Mirror, late 18th c., bowknot and urn crest with bellflower swags, molded oval surround, scrolled acanthine pendant centering a rosette, height 42 3/4 in., width 18 1/2 in. $1500/2500 407. An Edwardian Inlaid Satinwood and Rosewood Two Tiered Stand in the Adam Taste, 19th c., oval galleried top, flared square legs, shell and bellflower inlays in variously colored woods, height 32 in., width 28 1/2 in., depth 21 in.

404

403. A Cast Iron Hearth Plate and Fire Grate, dated 1697, probably English, arched plate with putti, box grate, scroll feet, height 29 in., width 17 1/2 in., depth 11 1/2 in. $1000/1500 404. An Italian Carved Walnut Architectural Panel, 17th/18th c., molded cornice, two niches with carved and polychromed figures of St. John the Baptist and a Bishop Saint, amid Solomonic columns, scrolled brackets with bellflowers to each end, molded plinth base, height 23 1/2 in., width 34 in., depth 4 1/2 in. $1200/1800 405. A Polychromed and Carved Wood Figure of St. Eligius, Patron Saint of Goldsmiths and Metalworks, 18th or 19th c., possibly Canadian, unsigned, inscribed on base in French “St. Eloi”, height 34 3/4 in., width 15 in., depth 7 in. $500/800

406

$1500/2500

408. An Edwardian Mahogany and Caned Gentleman’s Library Armchair, c. 1900, fitted with cushions, on ring-turned legs, casters. $800/1200 409. An American Renaissance Carved Walnut Portfolio Stand, late 19th c., pierced adjustable rack, baluster turned supports, arched outswept legs, height 43 1/2 in., width 24 in., depth 21 in. $1000/1500 408

409

410

410. A Napoleon III Inlaid, Ebonized, Amboyna and Gilt Bronze-Mounted Parlor Cabinet, c. 1860-70, blocked demilune top, conforming case with inlaid door centering Wedgwood jasperware plaque flanked by glazed doors, columnar supports, turned feet, height 42 in., width 66 in., depth 18 3/4 in.

412

411. A Venetian Carved and Polychromed Figural Table, early 19th c., trompe-l’oeil top in the form of a table cover, crouching blackamoor support, plinth base, canted paw feet, height 29 1/2 in., width 18 1/2 in., depth 15 in. $2000/3000 412. An American Neo-Grec Gilt Brass-Mounted, Gilt Incised and Carved Rosewood Armchair, c. 1865-1875, attributed to Pottier & Stymus, New York, shaped padded back flanked by stiles with bronze portrait medallions, padded arms over volute supports, bowfront seat rail, square tapering legs terminating in palmette feet, casters.

$2000/3000

$1000/1500

411 W denotes the lot is illustrated at www.nealauction.com

415

417

414. Paul Ludwig Kowalczewski (German, 1865-1910), “Fairy”, c. 1900, bronze, signed, with Parisian “Bronze Garanti au Titre” foundry mark, on rouge marble base, overall height 13 1/4 in., width 6 in., depth 4 in.

413

$1000/1500 415. H. Jacquet, Fils (French, 19th c.), “Bust of Apollo”, bronze, signed and marked “Francfort-sur-le-main” on reverse, height 12 1/2 in., width 8 3/4 in., depth 6 1/2 in. $500/1000 416. An Art Nouveau Bronze Figure, early 20th c., mounted on original green onyx base, indistinctly signed on self-base, overall height 11 1/2 in., width 6 1/4 in., depth 5 in. $600/900

416

417. D. Mazzi (probably Italian, late 19th c.), “Bust of a Maiden”, marble, height 18 in., width 11 in. $1200/1800

413. A Good Antique Bronze-Mounted Rouge Marble Pedestal, probably late 19th/ early 20th c., stepped top, acanthine capital, plinth base, height 42 1/2 in., width 12 in., depth 12 in. 414

$800/1200

418. Alfred Dubucand (French, 18281894), “Hunting Day”, bronze, signed on base, foundry mark “EV2359”, height 5 3/4 in., width 10 in., depth 4 1/4 in. $800/1200 418

422

419

419. A Set of Six LouisPhilippe Carved Mahogany Gondola Chairs, c. 1830, each with arched crest, vasiform splat, leather slip seat, lotus-carved legs, later brass paw feet. $800/1200 420. A Pair of Continental Carved and Crème Peinte Figural Pedestals, 20th c., height 49 in., width 11 1/2 in., depth 11 1/2 in. $1200/1800 421. A Venetian Polychrome Figural Bench, 19th c., upholstered seat, seated blackamoor support, conforming base, height 24 1/2 in., width 23 1/2 in., depth 13 1/2 in. $2500/3500

420

423

422. A Russian Plique à Jour Kvosh, c. 1910, with polychrome floral decoration, height 3 in., width 6 1/2 in., depth 3 in. $2500/3500 423. A Pair of American Sterling Silver Repoussé Tazzas, ret. Theresa Hausmann & Son, New Orleans, c. 18901893, marked “STERLING/HAUSMANN & SON” and with indistinct trademark; grape and grapevine motif decoration, scrolledover rim, baluster support and domed foot, height 5 in., diameter 8 1/2 in., combined weight 43.50 troy ozs.

421

$1800/2500 W denotes the lot is illustrated at www.nealauction.com

426. A Fine Tiffany & Co. Sterling Silver Repoussé Coffer, pattern 1885, overall flower and fern decoration, handsome script monogram “KB” on underside, height 1 3/4 in., width 9 in., depth 6 in., weight 24.85 troy ozs. $1500/2500

424

427. A Good American Sterling Silver Punchbowl, Meriden Britannia Co., Meriden, CT, founded 1895, absorbed into International Silver Co. 1898; with presentation inscription commemorating E.F. Swinney’s election as president of the American Bankers Association in 1905, the footed lobed form with floral and scroll rims, height 10 in., diameter 16 in., weight 70.70 troy ozs. $1500/2500 Note: Edward F. Swinney (1857-1946) was president of the First National Bank of Kansas City from 1900-1927. 428. Georges Recipon (French, 18601920), “Androcles”, bronze, signed on base, height 21 in., width 23 in.

425

427

$5000/7000

426

424. A Pair of French Provincial Carved Walnut Jardinières, 19th c., serpentine form, acanthus carved legs, on scrolled feet, removable tin liner, height 21 1/2 in., width 28 in., depth 17 in. $1500/2500 425. A Gorham Sterling Silver Tyg, marked with Gorham trademark, date mark for 1893 and “GORHAM MFG. CO/3 PINT/400/STERLING”; inscribed “Presented to/ Walter F. Keenan/ By a few WANDERERS/ On the occasion of his/ departure from Chicago/ April 28, 1896”, with chased decoration, scroll handles and dolphin feet, height 7 1/4 in., width 10 in., weight 28.20 troy ozs. $1200/1800

428

430

430. An English Satinwood, Ebonized and Bronze-Mounted Parlor Cabinet, late 19th c., shaped top with gallery, arched mirror door flanked by freestanding columns and bowfront glazed doors, conforming base, height 46 1/2 in., width 60 in., depth 17 1/2 in.

429

$1800/2500 431. A Pair of French Belle Époque ThreeLight Candelabra, 19th c., three tier with scrolled candlearms, profusely mounted with crystal and amethyst pendants, height 23 1/2 in., diameter 12 in. $1000/1500 432. A Pair of Spanish Colonial Carved Polychrome and Gilt Five-Light Torchères, late 18th/ early 19th c., supports carved with fruit, standard with foliate and cherub decoration, on scrolled feet, height 79 in., diameter 16 in.

431

429. A Charles X Gilt Bronze-Mounted Mahogany Dressing Table, early 19th c., circular mirror on columnar supports, marble top, escritoire frieze drawer, columnar supports, stretcher base, disc feet, height 55 in., width 29 1/2 in., depth 18 in. $1000/2000

$2000/3000 432

W denotes the lot is illustrated at www.nealauction.com

437. A Carved Oak Drinks Trolley, galleried top fitted with silvered bottle holders and ice bucket, galleried stretcher shelf, casters with silvered mounts, height 34 1/2 in., length 38 in., width 21 1/2 in. $1000/1500

434

433

433. A French Bronze Figural Group, “Two Bacchantes with Three Infant Satyrs”, inscribed Clodion, height 21 1/4 in., on molded circular verde antico base, overall height 25 1/4 in. $2500/3500 434. An English Paint-Decorated, Gilt Bronze-Mounted and Satinwood Inlaid Kingwood Commode in the Georgian Taste, c. 1900, shaped marble top, possibly Gris des Ardennes, conforming case with floral garland frieze over three cross banded drawers centering a beribboned medallion, splayed legs surmounted by capitals, paw feet, oak secondary wood, height 36 in., width 55 in., depth 19 in.

436

$2000/3000 435. A Fine French Provincial Carved Fruitwood Chimney Cupboard, 18th c., molded cornice above raised panel door, shelf interior, chamfered stiles, scrolled feet, height 84 in., width 15 in., depth 10 1/2 in.

435

$1500/2000 436. An Antique French Louis XVI-Style Painted and Gilded Side Table, rectangular marble top, swag and rosette frieze, leaf carved, fluted tapered legs, height 34 in., width 35 1/2 in., depth 19 1/2 in. $1800/2500 437

438. An American Polychrome Painted Cast Iron Bellman Cardholder, c. 1920s, in original paint, on molded base, height 37 1/2 in., width 7 in., depth 14 in. $1000/1500 439. Clementine Hunter (American/Louisiana, 1886-1988), “Crow Hunting”, c. 1963, oil on canvas board, monogrammed lower right, 18 in. x 24 in., framed. $5000/8000 Provenance: Acquired from the artist; Estate of pecan broker Charles Pyle (and wife Elaine), Pauls Valley, Oklahoma.

439

440. Clementine Hunter (American/Louisiana, 1886-1988), “Zinnias”, oil on canvas board, initialed lower right, artist label en verso, 18 in. x 24 in., framed. $4000/6000 438

Provenance: Acquired from the artist; Estate of pecan broker Charles Pyle (and wife Elaine), Pauls Valley, Oklahoma. 441. Clementine Hunter (American/ Louisiana, 1886-1988), “Easter Procession”, oil on canvas board, initialed lower right, 22 in. x 23 3/4 in., framed.

440

$4000/6000 Provenance: Acquired from the artist; Estate of pecan broker Charles Pyle (and wife Elaine), Pauls Valley, Oklahoma.

442

442. A.E. Backus (American/Florida, 1906-1991), “Pink Hibiscus”, 1965, oil on canvas board, signed lower right, titled and dated en verso, artist studio stamp en verso, 20 in. x 16 in., framed. $3000/5000 441

W denotes the lot is illustrated at www.nealauction.com

443. A Rare and Monumental Shearwater Pottery Jardinière, c. 1940, thrown by Peter Anderson and decorated by James McConnell “Mac” Anderson with a white slip ground and black and green stylized scroll design, the rim with a geometric pattern of blossoms, roundels and banding in black and green, height 26 3/4 in., diameter 19 in., accompanied by a certificate of authenticity.

445. A Newcomb College Art Pottery Vase, 1929, decorated by Sadie Irvine with the Tall Pine and Moon landscape design modeled in high relief, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. RT43 and shape no. 330, retaining partial original paper label, height 9 1/16 in.

$15000/25000 Note: This rare and likely unique Shearwater Pottery jardinière is remarkable not only for its monumental size and form, but for the fact that it has survived to this day. Made by special order only, this pot was hand pressed by Peter Anderson into a mold which was then fired in the ground. Due to the large size of the piece, this was a difficult process hence these jardinières were only made on commission. The main mold used for this vase was destroyed in 2005 by Hurricane Katrina which devastated the Shearwater Pottery.

$7000/9000 Note: This beautifully modeled vase is similar to one illustrated in The Arts & Crafts of Newcomb Pottery, plate 146, p. 215.

This visually stunning piece decorated by James McConnell “Mac” Anderson incorporates scrolling vertical forms that bring to mind clouds, waterspouts or mermaids purses. The design certainly references his brother Walter Anderson’s linocuts of Clouds and Waterspouts. Reference: Pickard, Mary Anderson, ed., Form and Fantasy: The Block Prints of Walter Anderson, Jackson: University Press of Mississippi, 2007.

Reference: Conradsen, David, et.al., The Arts & Crafts of Newcomb Pottery, New York: Skira Rizzoli, 2013.

443

444

444. A Shearwater Pottery Bowl, c. 1950, thrown by Peter Anderson, decorated by Walter Anderson with a pattern of fish and waves in brown, iron red and white slip glaze with an unusual antique green overglaze, impressed quarter size mark, height 2 7/8 in., diameter 9 5/8 in. $3000/5000

445

100

446

446. A Rookwood Art Pottery Vellum Glazed Scenic Plaque, 1914, “A Southern Sunset”, decorated by Elizabeth McDermott, signed lower right, Rookwood logo, date and “V” impressed marks and artist label with title on reverse, 6 in. x 8 in., period frame. $3000/4000 Provenance: From a collection in Jacksonville, Florida.

447

448. John Kelly Fitzpatrick (American/Alabama, 18881953), “Athens”, 1930, oil on canvas, signed, titled and dated lower right, 15 in. x 18 in., framed. $3000/5000 Note: John Kelly Fitzpatrick dedicated his life to promoting the arts in his home state of Alabama. He was born in Elmore County, a rural area north of Montgomery. Fitzpatrick initially enrolled in the University of Alabama to study journalism, but soon left to attend the Art Institute of Chicago where he studied for a year. After serving in Europe in the military in WWI, Fitzpatrick returned to Alabama and worked as a landscape and genre painter. In 1926, he traveled to Europe once again, spending several months in Paris at the Académie Julian where he was inspired by the work of the Fauves and the Post-Impressionists. When he returned to Alabama the following year he incorporated bright colors and exaggerated lines into his depictions of the Southern landscape. In Alabama, Fitzpatrick became a leading figure in promoting the arts of his home state. Prior to 1930, artists had very few venues to display their work, so Fitzpatrick led a small group of artists, known as the Morningview Painters, and founded the Alabama Art League with the intent of finding places to hold exhibitions. The success of the resulting exhibitions led to the formation of the Montgomery Museum of Art in 1930. Fitzpatrick served on the original board of directors and the exhibition committee for the newly opened museum.

448

447. Alberta Kinsey (American/Louisiana, 1875-1952), “Figure on a Staircase, French Quarter Courtyard”, oil on artist board, signed lower left, 14 1/2 in. x 14 1/4 in., framed. $1800/2500

In 1933, Fitzpatrick and his friends Sallie B. Carmichael, Warree Carmichael LeBron, and Frank Applebee founded the Dixie Art Colony, also known as Poka-Hutchi, a Creek Indian expression meaning the “gathering of picture writers.” It was located on the banks of Lake Jordan near Wetumpka, Alabama. Guest artists to the colony included Anne Goldthwaite, an Alabama native who taught at the Art Students League in New York, and Lamar Dodd, head of the art department at the University of Georgia.

W denotes the lot is illustrated at www.nealauction.com

101

449 449. John McCrady (American/New Orleans, 1911-1968), “August Evening”, 1952, oil and casein on canvas, signed and dated lower right, titled on artist label en verso, New Orleans Museum of Art exhibition label en verso, 21 in. x 37 in., original frame paint-decorated by McCrady. $50000/75000 Provenance: Acquired from the artist by painter and scholar Joyce Babin Kelly (New Orleans, d. 2004); thence by descent. Exhibited: New Orleans Museum of Art, New Orleans, LA, September 26-November 2, 1975; Mississippi Art Association, Inc., Jackson, MS, February 8-March 21, 1976; Montgomery Museum of Fine Arts, Montgomery, AL, April 18-May 30, 1976; The Paine Art Center and Arboretum, Oshkosh, WI, June 27-August 8, 1976. Illustrated: Marshall, Keith, John McCrady, 1911-1968, New Orleans Museum of Art, 1975, cat. no. 34, p. 70. Note: John McCrady wrote the following related to the painting offered here. A favorite month for visiting Grand Isle was that of August. Mary and Kalma walk, contemplating, along the water’s

102

edge; and I wonder what they are thinking. They seem to enjoy this August spell, the last month in the year when one can on a vacation dwell… For my still life the material I use is furnished by the earth, the sea and myself. The generous earth donated the wood as well as the flowers and leaves for the living color. The sea, who is sometimes co-operative, has shaped the wood and created a patina that completes the sculpture. It has also contributed moisture, used by the clouds to nourish the flowers. I furnished, on loan, the drawings of angels, a result of a most delightful association. McCrady said “I see in a still life set-up an opportunity to reflect something of my inner-self.” In characteristic McCrady style, the curving, undulating clouds resemble the angels he often includes in his paintings, in this instance with one of his own sketches depicted in the tableau. The driftwood is indicative of the human form and looks like a figure reaching towards the heavens. The colorful and expressive composition seen here is a lovely example of McCrady’s mature and unique style of painting. Reference: Mc Crady, John. “In and About New Orleans,” document from the McCrady Estate, published in Marshall, Keith, Ibid.

450

452

453

451 450. Clarence Millet (American/New Orleans, 1897-1959), “Saw Mill at Tunica, West Feliciana Parish. Louisiana”, oil on canvas board, signed lower right, signed, titled and inscribed en verso, 15 in. x 18 in., period frame.

452. Colette Pope Heldner (American/New Orleans, 19021990), “Vieux Carré”, oil on canvas, with sketch-painting en verso, signed lower left, 15 in. x 23 in., framed. $3000/5000

$7000/9000

Provenance: From a Michigan Estate.

Provenance: Acquired from the artist, descended in a Baton Rouge family. The inscription from the artist reads “ For John … who knows the Tunica Hills and the area where your father and I spent many happy times.”

453. Louisiana School, 19th c., “Wagon with Oxen in a Louisiana Landscape”, oil on canvas, unsigned, 10 in. x 14 in., framed. $3000/5000

451. Colette Pope Heldner (American/New Orleans, 19021990), “Old Don Toledo House - Oldest House in St. Augustine, Florida (America’s Oldest City)”, 1934, oil on canvas board, signed lower right, signed, titled, dated and with “Farish Art Store, New Orleans” label en verso, 17 3/4 in. x 23 3/4 in., period gilt frame. $3500/5000 Provenance: From a Michigan Estate. W denotes the lot is illustrated at www.nealauction.com

103

454 454. Marie Adrien Persac (French/Louisiana, 1823-1873), “View of a French Harbor”, c. 1850, gouache and watercolor on paper mounted on board, signed “A. Persac” lower right, sheet 5 3/8 in. x 8 1/2 in., framed.

the second ship. This architectural feature could be a major clue to the location of this scene. Persac’s surviving works give no indication that he painted capriccios; rather, he rendered each feature as it was. He was unrealistic only in his tendency to depict all of his subjects in immaculate condition.

$10000/15000

As with most of Persac’s paintings, there are unusual elements which challenge identification; in this image the curious conically draped objects in the left foreground are examples. Nearby is a delightful blue and white tent with a scalloped border and gilt tassels on a raised stone foundation. Or is it an open market draped with canvas sides? Or is it even a building painted to look like a tent? The three openings facing the river are made by pushing cloth to either side. What was the purpose of this attractive confection?

Note: This view of an as-yet-unknown river harbor is the first unknown Persac painting to be discovered since a cache of fourteen small watercolors, also done in France, appeared in England in 2000. The picture gives evidence of being an early work painted in France before the artist made his first trip to the United States around 1842. This early French harbor scene affords collectors a rare opportunity to acquire a Persac. Of the seventy-six known Persacs, fifty-four are in public collections. The watercolor being offered here, invites comparison with Persac’s later view of the “Port of New Orleans” owned by The Historic New Orleans Collection. Like it, this view obviously represents a river port near the sea lanes , as is attested by a vast number of ocean-going sailing ships docked on both banks and one sailing midstream. Another similarity is that both images feature a broad bend—a crescent—in their respective rivers. Not surprisingly, the two-to-four story buildings of the town sport iron balconies reminiscent of the Vieux Carre, New Orleans. While St. Louis Cathedral appears at center right in Persac’s “Port of New Orleans”, what appear to be the twin Gothic towers of a cathedral or large church can be seen through the cross trees of

104

Persac was trained in France. He enjoyed success as an architect, civil engineer and cartographer, and added photography to his skills after his arrival in the United States. He always had the soul of an artist and the charm that pervades his Louisiana work, including his slightly skewed perspective, is attractively present in this harbor scene. Neal Auction Company would like to thank H. Parrott Bacot for his assistance with this catalogue entry. H. Parrott Bacot is Professor Emeritus of the History of Art and former Director of the LSU Museum of Art. He was the organizer of the exhibition “Marie Adrien Persac, Louisiana Artist” and principal co-author of the book (LSU Press; 2000)

455. A Newcomb College Art Pottery High Glaze Pitcher, 1905, decorated by Marie de Hoa LeBlanc with buds around the rim, dark-blue, green and white underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. AP55 and Q for buff clay body, height 5 1/2 in. $1500/2500

455

458

458. Dorothy Stanley Emmons (American, 1891-1960), “Balcony on South Battery, Charleston, South Carolina”, 1926, oil on canvas affixed to board, signed lower left, pencil dated and artist label with title en verso, 9 in. x 11 in., framed. $1500/2500 Note: The painter, etcher, illustrator and author Dorothy Emmons was the daughter and life long companion of photographer Chansonetta Stanley Emmons of the Stanley Steamer Motor Carriage Company family. Emmons studied art at Wellesley College and in Ogunquit, Maine, with American Impressionist Charles Woodbury. In 1926, Dorothy and her mother traveled to Charleston, South Carolina. While Chansonetta took photographs of the rural communities of the Lowcountry, Dorothy painted this charming impressionistic view of the South Battery. Reference: Severens, Martha R. The Charleston Renaissance, Saraland Press: Spartanburg, South Carolina, 1998.

456

456. Meyer Straus (German/ New Orleans, 1831-1905), “Louisiana Landscape”, 1902, watercolor on board, signed and dated lower right, 7 3/4 in. x 11 in., framed. $700/900 457. Elizabeth O’Neill Verner (American/South Carolina, 1883-1979), “On Sol Legare Road James Island”, pastel on silk, signed, titled and inscribed on backing paper affixed en verso, sight 13 1/2 in. x 18 1/2 in., framed with artist plaque. $8000/12000

457 W denotes the lot is illustrated at www.nealauction.com

105

460. Southern School, late 19th/ early 20th c., “A Bayou Scene with Moss Laden Trees”, oil on academy board, unsigned, 12 in. x 18 1/4 in., framed. $2000/3000

459

460

462

461. Patrick Henry Bruce (American/Virginia, 1881-1937), “Live Oak with Spanish Moss”, pastel and watercolor on paper, signed lower right, sight 15 3/8 in. x 19 1/2 in., framed. $2000/3000 Illustrated: Brewer, Philip and Lyne Blackman, ed., Spot: Southern Works on Paper, Charleston, 2008, p. 42.

459. Alexander John Drysdale (American/Louisiana, 1870-1934), “Live Oak in a Louisiana Bayou”, oil wash on board, signed lower right, sight 5 1/2 in. x 19 1/2 in., period frame.

462. William de Leftwich Dodge (American/ Virginia, 1867-1935), “African-American Boy with a Pumpkin”, c. 1928, oil on canvas, unsigned, estate inscription “Negro boy with Pumpkin, painted by my father, William de Leftwich Dodge, signed Sara Dodge Kimbrough, 1979” en verso, 30 in. x 20 in., period frame.

$2500/3500

$3000/5000

461

Provenance: A Jacksonville, Florida, Collection.

106

463. Knute Heldner (Swedish/New Orleans, 18771952), “View Along the Coast, Sailboat at the Pier and Sable Palms”, oil on canvas, signed lower left, 18 in. x 20 in., framed. $4000/6000 464. Knute Heldner (Swedish/New Orleans, 1875/77-1952), “The Market, France”, oil on canvas, signed lower left, signed, titled and Decker’s Art Store, Duluth label en verso, 25 1/2 in. x 21 1/2 in., framed.

466 463

$4000/6000 465. James Wells Champney (American, 18431903), “Farmville, Virginia”, 1873, gouache, ink and pencil on paper, unsigned, titled and dated lower right, sight 3 1/2 in. x 9 3/4 in., framed. $500/750 466. Robert Gordy (American/New Orleans, 1933-1986), “Females on a Yellow Ground”, 1972, acrylic on canvas, initialed and dated lower left, “Galerie Simonne Stern, New Orleans” label with title en verso, 25 1/2 in. x 26 in., period frame.

464

467. Henry Casselli (American/ New Orleans, b. 1946), “Hopscotch”, 1974, oil wash on paper, signed and dated lower right, signed, titled and dated en verso, sheet 29 3/4 in. x 22 1/4 in., Gothicframe constructed by the artist. $3000/5000

$2000/3000 Provenance: Collection of Charles Fritchie (1936-2013), New Orleans, LA.

467

465

Note: Born in New Orleans’ Ninth Ward, Henry Casselli studied at the McCrady School of Fine and Applied Arts on Bourbon Street in the French Quarter, where he developed a close student-teacher relationship with the great southern artist, John McCrady. In the 1970s, Casselli began to earn considerable success with his work and exhibited at the American Watercolor Society and National Academy of Design. He was commissioned to paint the portrait of President Ronald Reagan now at the National Portrait Gallery. W denotes the lot is illustrated at www.nealauction.com

107

470

468. George Rodrigue (American/ Louisiana, 1944-2013), “Midnight in LaPlace”, c. 2007, acrylic on canvas, signed lower right, signed and titled en verso, 30 in. x 24 in., framed. $25000/35000 469. James “Mac” Anderson (American/Mississippi, 1907-1998), “Market”, 1991, oil on masonite, signed and dated lower right, 24 in. x 48 in., framed. $4000/6000 468

Provenance: Acquired from the artist. 470. James “Mac” Anderson (American/ Mississippi, 19071998), “Avocets”, 1990, oil on masonite, signed and dated lower right, titled on artist label en verso, 24 1/4 in. x 16 1/2 in., framed. $2000/3000 Provenance: Acquired from the artist.

469

108

471

473

471. James “Mac” Anderson (American/ Mississippi, 19071998), “Oak Tree”, 1990, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $2000/3000 Provenance: Acquired from the artist. 472. Ida Rittenberg Kohlmeyer (American/New Orleans, 19121997), “Circular Forms #1”, 1978, mixed media on canvas, signed and dated lower right, 48 3/4 in. x 50 1/4 in., framed. $12000/18000 473. Keith Perelli (American/ Louisiana b. 1968), “Twin Aviaries/If People Could Fly”, 2003, mixed media on canvas, signed, titled and dated en verso, 18 in. x 15 in., framed.

472

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

109

474. Karel Appel (Dutch/ American, 1921-2006), “Close Together”, 1977, painted wood, signed, numbered 6/50 on underside, pub. by Editions Press, San Francisco, with label on underside of base, height 30 in., width 27 in., depth 12 1/2 in.

475

$3000/5000 474

476

475. William Lewis (American, 20th c.), “9 Wings”, 1990, terracotta, signed and dated lower right, height 29 1/4 in., width 17 in., depth 20 in., pedestal.

477

$1500/2500 Provenance: Wendy Morehead Gallery, New Orleans, 1991. 476. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), “Circus Series, 3D #1”, 1989, mixed media and wood, signed and dated on back, height 18 1/2 in., width 22 1/2 in., depth 5 in., with custom Plexiglas case and stand. $5000/8000

110

477. William Ludwig (American, 1935-2011), “Transformation”, 1976, bronze on wood base, signed and dated right side, height 24 in. $1500/2500 Provenance: Acquired from New Orleans sculptor Enrique Alferez (1901-1999).

478. Jacqueline Bishop (American/New Orleans, b. 1955), “Curiosa”, 2004, oil on leather baby shoes, signed, titled, dated and labeled underneath, height 5 in., width 5 in., depth 2 1/4 in. $500/800 Provenance: Arthur Roger Gallery, New Orleans. 479. Mildred “Millie” Wohl (American/ Louisiana, d. 1977), “No. 11”, oil and mixed media on masonite, signed and titled en verso, 21 in. x 26 in., period frame.

478

$2000/3000 Provenance: Collection of Ronald Bourgeois, A.S.A. and Chuck East, New Orleans. 480. André Vincent Becquerel (French, 18931981), “Golden Wedding”, patinated bronze and ivory, signed “A. Becquerel” on marble base, 15 x 11 5/8. $800/1200 479

481

482. Alexander Falguière (French, 1831-1900), “Le Vainqueur au combat de coq”, bronze, signed on self-base “A. Falguiere”, foundry mark “Thiébaut Frères.Fondateur.Paris”, mounted on marble base, overall height 21 1/2 in.

480

481. Vassilakis Panayotis Takis (Greek/New Orleans, b. 1925), “Wisteria”, 1985, enameled metal and cast iron kettle, signed and dated “5-17-85”, height 68 in., Lucite case. $3000/5000

$1500/2500 482

W denotes the lot is illustrated at www.nealauction.com

111

486. Philomé Obin (Haitian, 1892-1986), “Marché de Revendeuses”, oil on masonite, signed lower right, titled lower center, 29 3/4 in. x 23 3/4 in., framed. $5000/7000

483

486

484

Note: Philomé Obin (1892-1986) is considered by many to be the greatest of all Haitian artists. Born in Cap-Haitien, Obin took drawing lessons as a child. Many of his early paintings were on cardboard or masonite and were unappreciated by the general public who looked more to the ‘sophisticated’ art of France. By 1944, the artist was desperate because of his commitment to art and the lack of response he was receiving. However, the next year, he got the attention of Dewitt Peters, an American artist who was a Quaker and pacifist, and who had established the Centre d’Art in Port-au-Prince, Haiti’s capital, as an alternative to doing military service for the American government. Obin sent Peters a painting depicting Franklin D. Roosevelt and was immediately invited to join the Centre. Obin subsequently founded and directed the Branche Capois de Centre d’Art in his home city of Cap-Haitien, where he grew to become universally considered the father of the “Cap-Haitien style’” of painting. His brother Seneque and many of Philomé’s children, nieces, nephews and grandchildren eventually took up painting resulting in an impressive body of work reflecting the creations of many subsequent generations, a vibrant family legacy that continues to this day. Sometimes called a “sophisticated naif,” Philomé had a unique sense of perspective. His work ranges from enchanting views of life in Haiti to allegories with strong messages. One of Obin’s significant contributions was to the mural project in the Episcopal Cathedral of Sainte Trinite in Port-auPrince where he painted “The Crucifixion” and “The Last Supper”. His work is included in the permanent collections of the Museum of Modern Art in New York, the Milwaukee Museum of Art, the Musee d’Art Haitien du College Saint Pierre in Portau-Prince, the Figge Art Museum in Iowa, the Wadsworth Atheneum in Hartford, CT, and the Yale University Art Gallery.

483. Edith Baretto Parsons (American, 1878-1956), “Untitled (Prancing Lamb)”, bronze, signed “E.B. Parson”, foundry mark “Gorham Co. Founders/ OFOR” on base, height 4 1/2 in., width 3 1/2 in., depth 2 1/8 in. $700/1000 484. Elizabeth Norton (American, 1887-1985), “A Baby Playing with a Frog”, 20th c., bronze, signed on base “Elizabeth Norton. Calif.” and marked “Art Bronze Foundry, L.A.”, height 5 1/2 in., width 4 in., depth 2 3/4 in.

Reference: Reference: Demme, Jonathan. Island on Fire: Passionate Visions of Haiti from the Collection of Jonathan Demme. Nyack, NY: Kaliko Press, 1997.

487

487. Robert Rauschenberg (Texas/ Florida, 1925-2008) “Core (Congress of Racial Equality) Poster”, 1965, color offset lithograph and screenprint with varnish, signed, dated and numbered “28/200” lower right, W 485. An American Bronze Dolphin catalogue raisonné 32:Foster, sight 35 1/4 in. x 23 1/4 in., framed. Fountain, 20th c., by E. Karkadoulis, $800/1200 height 16 in. $700/1000

$400/600

W 488. Marc Chagall (Russian/French, 1887-1985), “Fables of La Fontaine, L’Ours et l’amateur

les jardins”, drypoint etching on paper, pencil-signed lower right, signed in plate lower left, ed. marked “H.C.”, sight 13 1/2 in. x 10 3/4 in., framed. $500/800

112

489

492

489. Odd Nerdrum (Norwegian, b. 1944), “Untitled: Two Figures”, lithograph, pencilsigned and numbered “58/80” lower right, sight 23 5/8 in. x 23 3/8 in., framed. $2000/3000 490. A Venetian Carved and Polychrome PaintDecorated Armchair, 18th c., molded crest rail, caned splat, shaped arms, caned seat, cabriole legs, shaped feet. $700/1000 491. A Spanish Baroque Carved Walnut Slant Front Desk, 17th c., fall front with stepped interior, two frieze drawers, carrying handles, bulbous turned reeded legs, height 41 1/2 in., width 37 1/2 in., depth 21 in. $1500/2000

490

491

492. A Venetian PaintDecorated Settee, 19th c., shell carved padded back, shaped scrolled arms, serpentine seat rail, cabriole legs, pad feet, height 39 in., width 57 in., depth 24 in. $1000/1500 493. A East Indian Exotic Woods and Bone Inlaid Dower Chest, molded top, void interior, extensively inlaid with scenic vignettes, height 13 1/2 in., width 43 in., depth 23 in.

493

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

113

498

496. A Modernist Sterling Silver Water Pitcher, Juventino Lopez Reyes, Mexico City, mid-20th c., marked with conjoined “JLR” and “0.925/STERLING”; height 10 1/2 in., weight 27.60 troy ozs. $300/500

494

497. A Modernist Sterling Silver Sugar and Creamer, Juventino Lopez Reyes, Mexico City, mid-20th c., marked with conjoined “JLR” and “0.925/ STERLING”; height 5 in. and 4 3/4 in. respectively, combined weight 23.95 troy ozs. $200/400

494. A French Giltwood and Brass Triple Singing Bird Automaton, c. 1920, twisted wire birdcage, carved giltwood base, the birds moving and chirping to a variety of birdsong, height 22 1/2 in., width 15 in., depth 10 in.

498. A Peruvian .900 Silver Holy Water Font, maker CB untraced; in the Spanish Colonial taste, repoussé decoration featuring the coat of arms of the city of Lima, scroll feet, height 8 1/4 in., width 16 in., depth 12 1/2 in., weight 29.90 troy ozs.

$2500/3500

$800/1200 495. A Modernist Sterling Silver Coffee and Tea Service, Juventino Lopez Reyes, Mexico City, mid-20th c., marked with conjoined “JLR” and “0.925/ STERLING”; comprised of coffee pot, teapot, covered sugar, creamer and waste bowl, coffee pot height 8 1/2 in., combined weight 97 troy ozs. $2000/3000

114

W 499. George

Barris (American, b. 1922), “The Last Shoot”, 1987, 8 photographs from the 1962 Marilyn Monroe photo shoot, unsigned, with publisher “Weston Editions” stamp en verso, 8 in. x 10 in., unframed; accompanied with edition certificate and portfolio sleeve. (8 pcs.) 495, 496, 497

$600/900

W 500. Antique Photographic

Archive of Bohemian Club/ Grove and California, 1907-1910, presented in a leather-bound album, photos 3 in. x 4 1/2 in. or smaller, with two large loose, including 33 images of Bohemian Club members engaged in various pursuits at the Grove and along the Russian River; and also over 100 photographs of the Deane family in Yosemite, Santa Cruz, Monterrey, Lake Tahoe, along the Truckee River, Mt. Shasta and photos of the San Francisco Fire, most places and subjects identified in pencil on mounts; together with an extraillustrated ALS from club member and California artist Xavier Martinez (1869-1943); ALS from club member and author Charles Warren Stoddard (1843-1909); an invitation for the 1937 Bohemian Grove Jinks celebration of Gilbert and Sullivan, noting Louis Deane as Sire; and a telegram from member Oliver Wendell Holmes in the form of a poem, sent to Dr. C.T. Deane, Bohemian Jinks, Feb., 28, 1874. 501

$1000/1500

502

501. Ansel Adams (American, 1902-1984), “Moonrise, Hernandez, New Mexico”, 1941, printed February, 1978, silver gelatin print mounted on board, pencil-signed on mount, “Carmel Gallery” stamp, inscribed and titled en verso, image 15 1/4 in. x 19 in., unframed.

502. Ansel Adams (American, 1902-1984), “Winter Sunrise, Sierra Nevada (from Lone Pine, California)”, 1944, later imprint, silver gelatin print, unsigned, “Carmel Gallery” stamp and titled en verso, 14 7/8 in. x 19 3/8 in., unframed.

503. Herman Leonard (American, 1923-2010), “Lester Young-Paris”, 1956, printed 1992, duo-tone print, from The Memorial Collection, signed, titled and dated in lower margin, image 11 3/4 in. x 9 in., framed.

$8000/12000

$25000/35000

$800/1200

Provenance: Estate of Collector and Artist Charles Fritchie (New Orleans, 1936-2013).

503

W denotes the lot is illustrated at www.nealauction.com

115

506. Cindy Sherman (American, b. 1954), “Untitled (Seated man in yellow coveralls, holding a toy snake)”, 1985, c-print, inscribed lower margin, “Thanks Ray, for all your help-xxoo Cindy Sherman ‘88”, signed, editioned “14/15 AP”, and dated en verso, image 8 in. x 11 3/4 in., unframed. $1200/1800

504

507. Edward Weston (American, 1886-1958) and Cole Weston (American, 1919-2003), “Shell”, negative 1927, silver gelatin print, late 1970s, titled en verso and inscribed “negative by Edward Weston, print by Cole Weston”, image 9 3/8 in. x 7 1/4 in., unframed.

507

$1500/2500 Provenance: Estate of Collector and Artist Charles Fritchie (1936-2013), New Orleans, LA. 508. Walker Evans (American, 1903-1975), “Depression Worker”, silver gelatin print, artist’s stamp and numbered “111-41” en verso of print and mat board, 10 in. x 8 in., unframed $2500/3500 Provenance: Estate of Collector and Artist Charles Fritchie (1936-2013), New Orleans, LA.

506

509. Jerry Uelsmann (American, b. 1934), “Portrait in an Allegorical Landscape”, 1963, silver gelatin print, initialed and dated lower right, titled lower left, titled, dated and artist label en verso, image 9 7/8 in. x 11 7/8 in., unframed.

508

504. Bert Stern (American, 1929-2013), “Marilyn Lying Down”, 1989, c-print, signed and numbered “169/250” lower margin, sight 20 1/2 in x 19 in., framed; together with Bert Stern “Marilyn Standing with Scarf”, 1989, c-print, signed and numbered “9/250” in lower margin, sight 20 in. x 19 1/2 in., framed (2 pcs.).

$1000/1500

$700/1000 W 505. Laurie Simmons (American, b.

1949), “Holiday Petit Fours”, 1991, color photograph, resin coated Kodak paper, signed, titled and dated en verso, sheet 11 in. x 14 in., unframed. $800/1200

509

116

510. Jerry Uelsmann (American, b. 1934), “Untitled: Floating Trees”, 1969, silver gelatin print, initialed and dated lower right, signed, dated and artist label en verso, image 9 3/4 in. x 12 1/4 in., unframed. $1200/1800 Provenance: Estate of Collector and Artist Charles Fritchie (1936-2013), New Orleans, LA. 510

511. Jerry Uelsmann (American, b. 1934), “Quest of Continual Becoming”, 1965, silver gelatin print, initialed and dated lower right, titled lower left, signed, titled, dated, and artist label en verso, image 12 in. x 9 7/8 in., unframed.

511

$1000/1500 Provenance: Estate of Collector and Artist Charles Fritchie (19362013), New Orleans, LA. W 512. Robert Gordy (American/

New Orleans, 1933-1986), “Abstract”, color lithograph, pencilsigned lower right, numbered “7/100” lower left, sight 24 1/2 in. x 32 1/2 in., framed. $300/500 W 513. Joan Miró (Spanish,

1893-1983), “Untitled Abstract”, lithograph, pencil-signed lower right, sheet 12 1/2 in. x 19 3/8 in., framed. $700/900 W 514. Henri Matisse (French,

1869-1954), “Apollin”, 1953, lithograph, pencil-signed lower right, signed and dated in plate lower left, sheet 14 in. x 20 3/4 in., framed. $700/900

516

W 515. Pierre Bonnard (French, 1867-1947),

“Parthenon Courcelles”, 1894, three double-sided lithographs, pencil-signed mid-right, sheet 12 1/2 in. x 9 1/2 in. (2); and 12 in. x 9 1/2 in. (1), all unframed. $400/600 518 (1 of a collection)

Provenance: Galerie les Tourettes, Dr. A. Wertheimer, Paris, Certificate. 516. Raffaele Mainella (Italian, 18581907), “Journey”, watercolor on paper, signed lower right, sight 6 1/2 in. x 12 1/4 in., framed. $800/1200 Provenance: A Missouri Estate. W 517. Pietro Gabrini (Italian, 1856-1926),

“Boat Ride”, watercolor on paper, signed lower left, sight 20 in. x 28 1/4 in., original frame. $600/800 Provenance: A Missouri Estate.

518. Heinrich Claudius (German/ American, mid-to-late 19th c.), a collection of signed Neo-Classical and Romantic prints and drawings that depict Classical subjects and studies from antiquity, nature and genre scenes, many of which were printed in Harper’s Weekly and German newspapers like the Über Land und Meer: Allgemeine Illustrirte Zeitung, comprising 46 prints, 8 in. x 9 1/4 in. to 16 in. x 25 1/2 in.; 45 pencil/graphite drawings, 7 1/4 in. x 10 1/4 in. to 23 1/2 in. x 19 in.; 16 pen and ink, 8 in. x 9 in. to 18 1/2 in. x 23 1/2 in.; 6 charcoal, 9 in. x 12 1/2 in. to 20 1/4 in. x 16 in.; together with catalogue of engravings from Harper’s Weekly and Cladius’ 1865 diploma/ certificate in engraving from Stuttgart, Germany, unframed. $700/1000

W denotes the lot is illustrated at www.nealauction.com

117

522

524

W 520. A Group of Twelve Antique Continental

Porcelain Portrait Plates, various makers including Royal Munich, Royal Vienna, Rosenthal, and others, with raised gilt decorated borders, diameters 9 3/4 in. and smaller. $700/1000 W 520A. A Group of Twelve Antique Continental

Porcelain Portrait Plates, various makers including Royal Munich, Royal Vienna and others, with raised gilt borders, diameters 9 3/4 in. and smaller. $700/1000 W 521. John Gould (English, 1804-1881), “Shoveller

Duck” and “Red Breasted Merganser”, two hand-colored lithographs, each sight 13 1/2 in. x 19 in., each framed. $600/900 522. A Regency-Style Carved Mahogany and ParcelGilt Extension Table, early 20th c., circular leather-inset top, frieze with false drawers, octagonal standard, incurvate plinth with sphinxes, lion’s paw feet, height 29 7/8 in., diameter 53 in. $2000/3000

523

W 519. Twelve Continental Polychrome and Gilt Porcelain

Dinner Plates, 19th c., scalloped rims, each well painted with various botanical specimens, diameter 10 in. $500/800

523. A Fine English Burled Elm Bookcase, 19th c., upper case with molded cornice, three glazed doors with brass grillework, shelf interior; lower case with three paneled doors, plinth base, height 96 in., width 68 in., depth 17 1/2 in. Note: Interior of lower case modified. $2000/3000 524. A George III Inlaid Mahogany Hanging Wall Shelf, late 18th/early 19th c., two tiers with urn inlaid doors below, sides with vine inlay, shaped base, height 35 in., width 28 in., depth 6 1/2 in. $1500/2500

118

525

525. A Regency Carved Rosewood Side Cabinet, early 19th c., marble top, molded frieze with rosette blocks, glazed doors, shelf interior, melon feet, height 37 in., width 34 in., depth 15 in. $800/1200

526

W 529. An

Italian NeoclassicalStyle Tôle and Carved Giltwood SixLight Candelabrum, urn-form standard issuing scrolling branches with leaves, electrified, height 37 1/6 in., width 23 in., depth 14 in. $500/700

530

527

526. A Pair of Continental Neoclassical Carved Giltwood Looking Glasses, 18th c., each with acanthus crest, oval lion’s mask cartouche, mirror frame with foliate scrolls, height 34 1/2 in., width 16 1/4 in.

527. A Bronze Figure of Neptune, early 20th c., after the life size original by Giambologna (1592-1608) in the Piazza San Petronio, Bologna, Italy, inscribed “Mirone” on reverse of self- base, height 20 3/8 in. $800/1200 W 528. A Pair of Italian Art Glass Vases, c. 1940, now mounted as

lamps, decorated with illustrations of Roman figures, pottery and medallions, height 19 in. $500/700

530. A Pair of Beaux-Arts Gilt Bronze and Crystal FourLight Sconces, 19th c., backplate surmounted with wirework basket, mounted with portrait medallion, issuing scroll supports, electrified, height 19 in., width 12 in., depth 6 in. $1200/1800

$3000/5000 W denotes the lot is illustrated at www.nealauction.com

119

531

534

534. A Persian Kashan Carpet, cream and green ground, overall floral design, 9 ft. 7 in. x 14 ft. 3 in. $4000/6000 W 535. A

Persian Bactairie Carpet, red and blue ground, central medallion, 7 ft. x 10 ft. 1 in. $1800/2500

532 536 531. A Persian Meshad Carpet, red ground, central medallion, stylized floral design, 8 ft. 2 in. x 11 ft. 10 in. $2000/3000 532. A Persian Serapi Carpet, dark blue ground, bold floral designs, 12 ft. 5 in. x 16 ft. 2 in. $8000/12000

120

W 533. A Persian Qashqai Carpet, red ground,

central and spandrel medallions, intricate repeating design, 5 ft. 5 in. x 8 ft. 5 in. $800/1200

536. A Persian Serapi Carpet, cream, blue and red ground, stylized floral design, 13 ft. 1 in. x 15 ft. 8 in. $8000/12000

537. A Persian Serapi Carpet, cream and red ground, repeating stylized floral design, 10 ft. 9 in. x 12 ft. 9 in. $4000/6000 W 538. A

Persian Qashqai Carpet, red ground, repeating central medallions, 7 ft. 9 in. x 10 ft. 10 in. $2000/3000

537

540

541

539

539. A Persian Tabriz Carpet, red ground, overall vining floral design, 8 ft. x 11 ft. 4 in. $2000/3000 540. A Persian Heriz Carpet, red and cream ground, central medallion serrated spandrels, 7 ft. 7 in. x 10 ft. 5 in.

541. A Fine Chinese Wucai Porcelain Wine Cup, Jiajing mark and probably period (1522-1566), U-form body raised on a slightly tapering foot ring, enameled around the exterior with four red and green four-clawed dragons in pursuit of the flaming pearl, the interior with a central blue five-clawed dragon roundel, base with Jiajing mark, height 2 1/4 in., diameter 3 1/4 in.

542

$5000/7000 542. Chinese School, two paintings, including “Lychee and Bee” and “Rhododendron and Butterfly”, each ink and color on paper, each inscribed and sealed, round 8 3/4 in. x 9 in., square 7 7/8 in. x 8 3/4 in., mounted together on blue brocade with calligraphy panels, 32 1/2 in. x 12 7/8 in., mounted as a hanging scroll. $1000/1500

$2500/3500 W denotes the lot is illustrated at www.nealauction.com

121

548. A Chinese Copper Red Glazed Porcelain Brushwasher, probably Qing Dynasty (16441911), bowl-form body with steep, petal-lobed sides, overall liver red glaze, base with incised Xuande mark, height 1 1/2 in., diameter 6 1/4 in. $2000/3000

543

544

548

$1500/2500

543. A Large Chinese Rootwood Scroll Pot, probably 18th/19th c., carved from a section of trunk with burled and knotted exterior, height 16 1/2 in., width 20 in.

549

$3500/4500 544. An Antique Chinese Wood Figure of the Water Moon Guanyin, carved seated in rajalilasana on a rockwork base, wearing loose robes and a diadem set with the figure of Buddha Amitabha, trace paint decoration, height 28 in. $800/1200 W 545. A Chinese Cast Iron Figure of Buddha, probably

Qing Dynasty (1644-1911), cast seated in dhyanasana with hands held in vitarka mudra bearing a serene expression and wearing a loose robe open at the chest revealing a raised swastika, height 11 in. $500/700

W 546. A Chinese Anhua Decorated

White Glazed Porcelain Tea Bowl, probably Qing Dynasty (1644-1911), bellform body raised on a short foot ring, incised around the sides with dragons amid clouds and flames, base with Chenghua mark, height 1 3/8 in., diameter 3 3/8 in. $400/600 W 547. A Chinese Mirror Black Glazed

Porcelain Bottle Vase, probably Qing Dynasty (1644-1911), overall even black glaze thinning to brown at the rim, base drilled, height 14 1/4 in. $400/600

122

549. A Chinese Green Glazed Black Ground Dragon Dish, probably Qing Dynasty (16441911), shallow U-form body decorated with a dragon-and-pearl roundel encircled by a wide band of flowering branches, the exterior with dragons in pursuit of the flaming pearl, base with Kangxi mark and “Michael B. Weisbrod Inc/ New York” label, height 1 5/8 in., diameter 7 7/8 in.

W 550. A

Chinese Gilt Decorated Blue Porcelain Brushpot, probably Qing Dynasty (1644-1911), slightly waisted cylindrical body with gilt calligraphy on a mazarin blue ground, base with Kangxi mark and “CHINA” in red paint, height 5 7/8 in., diameter 7 1/2 in. $800/1200

552

555

556

W 551. A Chinese

Blue and White Porcelain Bowl, probably Qing Dynasty (1644-1911), bell-form body on straight foot, decorated with a continuous landscape, base with Kangxi mark, height 2 1/2 in., diameter 6 in. $1000/1500 552. A Chinese Blue and White Porcelain Jar, proably Qing Dynasty (1644-1911), ovoid body with straight neck and foot ring decorated with an official in a pavilion and scholars in a garden, base with hare mark, height 6 3/8 in. $1000/1500 553. A Chinese Blue and White Porcelain Dish, probably Qing Dynasty (1644-1912), shallow bowl-form body decorated with birds in a flowering pomegranate tree surrounded by fruit and foliage, base with flower mark, height 2 1/8 in., diameter 9 7/8 in.

553

554. A Chinese Copper Red Glazed Porcelain Yuhuchunping Vase, probably Qing Dynasty (16441911), pear form body with flared rim, covered overall in an even liver red glaze, base with Kangxi mark, height 10 in.

554

$1500/2500 555. A Chinese Copper Red Decorated Blue and White Porcelain Meiping Vase, probably Qing Dynasty (1644-1911), decorated with red carp on a blue and white ‘lotus pond’ ground, base with Kangxi mark, height 6 1/4 in.

556. A Chinese Bamboo Figural Group, probably Qing Dynasty (1644-1911), carved as a bearded sage seated on a nesting crane holding a fly whisk, height 7 3/4 in. $3000/5000

$4500/5500

$1500/2500

W denotes the lot is illustrated at www.nealauction.com

123

W 562. A Pair of Chinese Embroidered Off-

White Silk Panels, probably Qing Dynasty (16441911), each rectangular panel worked in satin stitch with a scene of a lady and her servant in a garden, 15 in. x 3 3/8 in., each in shadow-box frame. $600/800 W 563. A Pair of Chinese Embroidered Gold Silk

Panels, probably Qing Dynasty (1644-1911), each rectangular panel worked in satin and knot stitch with a scene of figures in a garden, 20 3/8 in. x 3 ¼ in., matted and framed.

557

$600/800

559

564

559. A Chinese Bronze Censer and Stand with Wood Cover, probably Qing Dynasty (1644-1911), bombe body with waisted neck and everted rim on three splayed feet, base with Yutang Qingwan mark, fitted bronze stand with I-Ching symbol, wood fretwork cover, height 9 1/2 in., diameter 9 in. $1800/2500 W 560. A Chinese Wood Libation Cup,

565

557. A Set of Six Chinese Carved Wood Libation Cups, probably Qing Dynasty (16441911), each relief carved with sages and attendants amid bamboo and pine trees, silver liners, height 2 1/4 in. $1000/1500 W 558. A Chinese Wood Figure of Guanyin,

probably Qing Dynasty (1644-1911), carved seated in rajalilasana holding a scroll in the right arm, height 7 in. $400/600

124

probably Qing Dynasty (1944-1911), naturalistic trunk-form body and handle relief carved with scenes of figures in a pine forest and on a river, height 4 3/8 in. $1000/1500

564. A Pair of Chinese Hardwood Folding Horseshoeback Armchairs, Jiaoyi, probably Qing Dynasty (16441912), possibly Jichimu, rounded crest rails with outswept handrests and curved extensions attached to the front legs, backsplat carved with two dragons, rear legs attached to the front seat rail, seats of diamond pattern woven hemp, decorated overall with brass appliqués, height 41 1/2 in., width 27 7/8 in., depth 21 1/2 in. $2000/4000 Provenance: Estate of Restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL.

W 561. A Chinese Red, Black and

Gold Lacquer Ring-Form Box, probably Qing Dynasty (1644-1911), incised with dragons on a brocade ground, base with Qianlong mark, height 2 1/4 in., diameter 10 1/8 in. $1000/1500

565. A Chinese Peachbloom Glazed Porcelain Vase, probably Qing Dynasty (1644-1911), apple form body covered overall in a mottled iron red and green glaze, base with Kangxi mark, height 3 5/8 in. $800/1200

566. A Chinese Mirror Black Glazed Porcelain Bottle Vase, probably Qing Dynasty (1644-1911), bulbous body with elongated neck, overall rich glassy black glaze, base with Kangxi mark dated to 1672, height 12 3/4 in. $5000/7000 W 567. A Chinese Blue and White Porcelain

Dish, probably Qing Dynasty (1644-1911), shallow bowl-form body decorated to the interior with a sparrow in a flowering magnolia tree, exterior with floral sprays, base with blue double circles, diameter 5 7/8 in. $600/800 W 568. A Chinese Blue and White Porcelain

Tripod Censer, probably Qing Dynasty (16441911), waisted bowl-form body with wide everted rim raised on three curved feet, decorated with a continuous landscape scene, height 3 1/8 in., diameter 7 7/8 in. $600/800 569. Chinese School, “Calligraphy”, ink on paper, sealed lower left and upper right, 70 in. x 20 1/2 in., mounted as a hanging scroll.

566

$1000/2000 570. A Very Fine Chinese Greenish White Jade Ruyi Scepter, probably 18th/19th c., pale greenish white stone with russet inclusions, delicately and naturalistically carved as an undulating branch bearing entwined peach and lingzhi tendrils terminating in a ruyi head, length 5 1/2 in.

569

570

571. A Fine Pair of Chinese Bronze Figures of Xiezhi, probably Qing Dynasty (16441911), each mythical beast modeled seated on its haunches with flaming mane and tail, partially scaled body, and claw feet, height 17 1/8 in., width 18 in. $3500/4500

$4000/6000

Note: Incorporating features from both unicorns and dragons, Xiezhi are mythical beasts said to be able to distinguish between right and wrong, and virtue and evil.

571 W denotes the lot is illustrated at www.nealauction.com

125

572

573

574. A Chinese Celadon Jade Horse and Monkey Group, probably 17th/18th c., celadon stone with russet inclusions carved as a recumbent horse with a monkey climbing its back, height 2 in., width 3 1/2 in. $1800/2500 575. A Chinese White Jade Garment Hook, probably 18th/19th c., pale greenish white stone with russet inclusions carved as a curving shaft surmounted by a qilong dragon crawling toward the dragon head hook, underside with circular button, length 4 3/4 in.

574

$2500/3500 576. A Chinese Carved Pale Celadon Jade Vase and Cover, probably Qing Dynasty (1644-1911), thin walled, pear-form body with loose ring loop handles raised on a tall, splayed foot, decorated overall with foliate scrolls, domed finialed cover, height 8 1/4 in. 576

575

572. A Good Chinese Soapstone Figure of the Laughing Lion Luohan, Vajraputra, probably 18th c., carved seated in monk’s robes playing with a lion cub, height 5 1/8 in., presented in wood model of a bed, overall height 8 1/2 in., width 8 in., depth 6 in. $600/800

573. A Good Chinese Pale Celadon Jade Figural Group of a Buddhist Lion and Pup, probably 18th/19th c., pale icy celadon stone intricately carved as a recumbent lion clutching a brocade ball with a playful pup on its back, height 2 3/8 in., length 5 3/4 in. $6000/8000

126

$1500/2500 W 577. A Chinese Highly Carved

White Jade Plaque, probably Qing Dynasty (1644-1911), rectangular form with openwork carving of a dragon amid foliage, height 3 1/8 in., width 2 1/4 in. $300/500

578. A Chinese Celadon Jade Figural Group, probably Qing Dynasty (16441911) or earlier, even colored stone with russet inclusions dynamically carved as a snarling mythical beast seated on its haunches beside a small cub, height 3 in. $2000/3000 W 579. A

581

Chinese Cloisonné Enamel Garlic Head Vase, probably Qing Dynasty (16441911), globular body issuing splayed neck with stylized gilt handles and garlic head mouth, decorated with figural reserves on blue ground with dragons and flower scrolls, base with Qianlong mark, height 10 1/2 in.

578

$1000/1500 580. A Chinese Spinach Green Jade Inset Carved Wood Table Screen, rectangular plaque inscribed to the face and reverse, height 11 7/8 in., width 7 7/8 in., set in a hardwood stand, probably zitan, as a table screen, overall height 17 1/2 in., width 11 3/8 in., depth 4 7/8 in. $6000/8000

580 582 581. A Chinese Cinnabar Lacquer Foliate Rim Dish, probably Qing Dynasty (1644-1911), deeply carved with a central garden scene enclosing figures in pavilions, wide foliate rim banded with shaped floral panels, base with Qianlong mark, diameter 12 in. $1000/1500

582. A Chinese White Jade Figural Group of the He He Erxian Twins, probably 18th c., even colored stone carved as one standing twin carrying a lotus beside the other kneeling twin holding an offering box, height 4 1/8 in. $8000/12000

W denotes the lot is illustrated at www.nealauction.com

127

W 586. A Chinese White Slip

Decorated Powder Blue Ground Porcelain Dish, probably Qing Dynasty (1644-1911), shallow bowl-form body with raised slip decoration of flowering peonies and foliage, height 2 3/8 in., diameter 13 1/4 in. $800/1200 W 587. A Chinese Iron Red and Gilt

Decorated Porcelain Dish, probably late 19th/20th c., decorated with bats and shou characters, base with Jiaqing mark, height 1 1/4 in., diameter 9 1/2 in.

583

$400/600 588. A Rare Chinese Blue and White Porcelain Dish, Jiaqing mark and probably period (1796-1820), interior decorated with two phoenix birds in flight amid stylized cloud scrolls, exterior with phoenix-andcloud decoration, base with Jiaqing seal mark, height 1 1/8 in., diameter 6 1/4 in.

584

$3000/5000

588

584. A Chinese Bronze Tripod Censor, probably Qing Dynasty (1644-1911), bombé-form body with loop handles, raised on three short feet, bulging sides with shaped cartouches enclosing Islamic script on a ring-punched ground, base with two character mark, height 4 1/2 in, diameter 6 1/2 in. $1000/1500

585

583. A Fine Chinese Pale Greenish White Jade Brush Washer, probably 18th/19th c., hollowed gnarled branch-form body carved with a canopy of entwined fruiting peach branches surmounted by two recumbent boys, height 3 1/2 in., width 8 1/2 in. $6000/8000

128

585. An Antique Chinese Hardwood Stool, probably Huanghuali, waisted square top with inset panel, cabriole legs, blocked feet, height 20 in., width 19 in., depth 19 in. $2500/3500

W 589. A

Chinese Iron Red, Grisaille and Gilt Decorated Porcelain Saucer Dish, probably 18th c., thin walled body decorated with figures at a table surrounded by antiques, the rim encircled by a gilt floral band, diameter 4 1/2 in. $300/500 W 590. A Chinese Iron Red and Gilt

Decorated Peachbloom and White Porcelain Brushwasher, probably Qing Dynasty (1644-1911), beehive-form body decorated in overglaze iron red and gilt with bats above crashing waves beneath an underglaze peachbloom band of pendant ruyi heads encircling the rim, height 2 in., diameter 3 5/8 in. $500/700

591. A Chinese Famille Rose Porcelain Wine Cup, probably Qing Dynasty (1644-1911), bellform body decorated with two figures alongside rockwork with attendants, a deer and a bat, base with Yongzheng mark, height 1 3/4 in., diameter 3 1/4 in.

591

$1000/1500 592. A Chinese Doucai Porcelain Dish, probably Qing Dynasty (16441911), saucer-form body decorated with asters, butterflies and rockwork, base with Yongzheng mark and label reading “Ching/ Imperial Dish/ Portobello/ 2978 London”, height 1 1/8 in., diameter 5 1/4 in. $1000/1500 W 593. A

Chinese Bamboo Brush Pot, probably Qing Dynasty (1644-1911), naturalistic trunkform body relief carved with fruiting peach branches and rockwork, bearing signature of Mu Shan, height 6 1/8 in. $1000/1500

594

592

594. A Fine Miniature Chinese Blue and White Porcelain Hu Vase, probably Qing Dynasty (1644-1911), pear-form body with squared pierced handles raised on a slightly splayed foot, decorated with dragons amid foliage between horizontal foliate and ruyi bands, base with Qianlong mark, height 4 1/2 in. $10000/15000 Provenance: Ex-Collection Robert Mascarelli, Long Island, NY. 595. A Chinese Turquoise Glazed Stoneware Baluster Vase and Cover, probably 18th c., archaic form with stylized dragon handles and domed, ruyi finialed lid, overall low relief archaistic decoration under Kingfisher blue glaze, base with Qianlong mark, height 11 3/8 in. $10000/15000 Provenance: Ex-San Diego Collection. W 596. A Chinese Bamboo Figural Group

of the He He Erxian Twins, probably Qing Dynasty (1644-1911), carved as Hanshan and Shide standing on rockwork platform with the three legged toad, Jin Chan, at their feet, height 6 3/8 in. $400/600

595

W denotes the lot is illustrated at www.nealauction.com

129

597

597. A Chinese Carved and Molded Clairde-Lune Glazed Porcelain Brush Rest, probably 18th c., modeled as three mountain peaks, one with a pavilion, overall pale blue glaze, base with Jing Wei Tang Zhi hall mark, height 5 1/2 in.

598

$2500/3500 W 603. A

Chinese White Jade Pendant, probably 19th c., reticulated lockform body carved with a leaping carp surmounted by the figure of a boy holding lingzhi sprays, height 1 7/8 in., width 2 in.

598. A Chinese Embroidered Brown Summer Gauze Dragon Robe, probably Qing Dynasty (1644-1911), worked in brick stitch and metallic thread highlights with five-clawed dragons, Buddhist symbols, clouds, and bats above a terrestrial diagram at the hem, height 53 in., width 55 in., shadowbox frame. Note: Sleeves shortened, buttons replaced. $4000/6000

$400/600

W 599. A Pair of Chinese Hongmu

Textile Hangers, probably 19th c., pierced squared shafts with dragon head terminals, height 3 1/4 in., length 35 3/4 in.

W 604. A

Chinese Celadon Jade Figure of a Lion Dog, even colored stone carved as a recumbent figure with backturned head, length 3 in.

$500/700 600. A Chinese Lacquered Wood Garment Rack, probably 19th/20th c., turned toprail with floral scroll terminals, foliate pierced central plaque, turned crossbars and stiles, scrolled foliate brackets, bracketed feet, height 67 1/2 in., width 81 in., depth 22 1/2 in.

$200/400 600 W 605. A

$1500/2500 W 602. Chinese School, “Scholars Admiring W 601. Chinese School, “Mountain Peak and

Lake”, ink and color on paper, inscribed and sealed upper left, 51 7/8 in. x 25 5/8 in., mounted as a hanging scroll. $300/500

130

Bamboo”, ink and color on paper, inscribed and sealed upper right, 52 in. x 25 1/2 in., mounted as a hanging scroll. $300/500

Chinese White Jade Figural Group, probably 19th c., even white stone carved as two male figures grooming a docile elephant, height 2 in. $400/600

606. A Chinese White Jade Vase, probably 19th c., lobed bamboo shoot-form body relief carved around the sides with the “Three Friends of Winter”, prunus, pine and bamboo, set with a pair of cranes holding lingzhi sprays in their beaks, base with “Australian Antique Dealers Association” label, height 6 7/8 in. $5000/7000 607. A Good Chinese Yellow Jade Figure of a Mythical Beast, probably 19th c., pale yellow stone with russet inclusions, finely carved as a recumbent beast with its head turned to one side, height 1 1/2 in., width 2 3/8 in. $2500/3500 608. A Chinese Celadon and Russet Jade Figure of a Duck, probably 19th c., carved seated beside a lotus leaf with a flower head and a seed pod in its mouth, height 2 1/2 in., length 3 1/8 in., wood stand, overall height 3 in.

606

$1500/2500 609. Chinese School, “Wild Orchids”, ink and color on silk, inscribed and sealed upper right, sealed lower left, 44 1/4 in. x 15 7/8 in., mounted as a hanging scroll. $1000/1500 609

W 610. A Chinese Gilt Decorated

Soufflé Blue Porcelain Yuhuchunping Vase, probably 19th/20th c., pear-form body decorated with dragons pursuing the flaming pearl, base with Guangxu mark, height 11 5/8 in. $400/600

607

611. A Chinese Famille Rose Porcelain Bottle Vase, probably Qing Dynasty (1644-1911), bulbous body with slightly flared neck, decorated with the “Three Friends of Winter” beneath a band of lotus and shou characters, base with Guangxu mark, height 15 1/4. $1000/1500 W 612. A Chinese Famille Rose

Porcelain Bowl, probably Qing Dynasty (1644-1911), bell-form body raised on a short foot ring, decorated to the exterior with squirrels and grape vines, base with four character mark, height 2 3/4 in., diameter 6 1/4 in.

611

$500/700

608

W denotes the lot is illustrated at www.nealauction.com

131

W 613. A

Chinese Famille Rose Porcelain Dish, probably late 19th/20th c., shallow bowl-form body decorated on exterior with peaches, flowers, and foliage, base with Jiaqing mark, height 1 3/4 in., diameter 5 1/4 in. $400/600 W 614. A

Chinese Famille Rose Porcelain Stem Bowl, probably 19th/20th c., interior decorated with Shoulao and an acolyte with two bats, exterior with bats and ribbons, base with Qianlong mark, height 2 3/8 in., diameter 6 1/4 in.

616

$300/500 W 615. A Chinese Blue and White Porcelain Jar,

probably Qing Dynasty (1644-1911), ovoid body decorated with a continuous scene of Immortals amid clouds in a rocky landscape, height 8 1/4 in. $500/700 616. A Good Pair of Chinese Hardstone, Cloisonné and Wood Embellished Yellow Lacquer Panels, Qing Dynasty (1644-1912), each sectioned as an elaborate display cabinet with galleried shelves, shaped platforms, and enclosed compartments, decorated with applied jade, hardstone, wood, and cloisonné “antiques” on a yellow lacquer ground, height 44 7/8 in., width 30 3/4 in., gilt bronze hanger and ruyi shaped supports. $10000/15000 617. A Fine Chinese Russet and White Jade Scholar’s Mountain, probably 19th c., well-carved with a scene of a boatman navigating a mountainous stream, the reverse with pavilions in the clouds beside an incised inscription, height 4 1/4 in., width 4 7/8 in., carved wood stand, overall height 6 in., width 5 7/8 in. $15000/25000

617

132

618 (8 of 16)

619

618. A Fine and Rare Group of Sixteen Chinese Embroidered Silk Album Leaves, probably Qing Dynasty (1644-1911), each leaf meticulously worked in satin and knot stitch with Buddhist figures on a cream silk ground, 12 7/8 in. x 11 1/2 in., mounted in a later accordion fold album with silk brocade covers, 19 3/4 in. x 17 1/8 in. $8000/12000

619. A Chinese Celadon, Green, and Russet Jade Brush Washer, probably Qing Dynasty (1644-1911), carved as an incurved lotus leaf with qilong dragons, water weeds, and lotus root in relief, height 4 in., width 10 1/8 in.

620

$12000/18000 Provenance: Ex-Collection Bernadette and George Cunningham, Miami, FL, acquired Manheim Antique Galleries, New Orleans, 1980s.

620. An Antique Chinese Hardwood Side Table, probably Zitan, rectangular top with inset panel above spindled apron, turned legs, boxed stretcher, height 29 1/2 in., width 15 7/8 in., depth 13 in. $3000/5000

W denotes the lot is illustrated at www.nealauction.com

133

621. A Pair of Chinese Hardwood Low Back Armchairs, Meiguiyi, probably Qing Dynasty (16441912), probably Huanghuali, straight top rails above elaborate pierced and carved panels, straight arms with carved aprons, all above soft seats of woven split bamboo, rounded legs with carved aprons, plain stretchers and foot rests, height 34 1/2 in., width 24 1/4 in., depth 18 in. $4000/6000 Provenance: Estate of Restaurateur Luo Yapquan (1917-2009), Flushing, NY and Miami, FL. 622. A Rare Chinese “Coral” Glass Eight Immortals Scholar’s Mountain, probably Qing Dynasty (16441911), pitted and mottled pink glass bolder carved in imitation of coral with the Eight Immortals amid waves, height 3 in., carved wood stand, overall height 5 1/4 in.

621

$15000/25000 Provenance: Acquired Christie’s, New York, c. 19921995.

623

Exhibited: Museum of Fine Arts, St. Petersburg, FL, January-May 1999; Lowe Art Museum, University of Miami, Coral Gables, FL, December 1999January 2000.

623. A Sino-Tibetan Gilt Bronze Figure of Jambhala, probably Qing Dynasty (1644-1911), Bodhisattva of material and spiritual wealth modeled seated on a double lotus base holding a mongoose in one hand and a fruit in the other, height 5 7/8 in. $1500/2500 622

134

624. A Sino Tibetan Gilt Bronze Figure of Tara, probably Qing Dynasty (1644-1911), modeled seated in dhyanasana on a lotus base with hands in abhaya and varada mudra, wearing a five point diadem and celestial scarves, height 5 3/8 in., width 4 1/4 in. $1000/1500 625. A Sino-Tibetan Turquoise Inset Gilt Bronze Figure of a Bodhisattva, probably Qing Dynasty (1644-1911), modeled seated on a lotus base in dhyanasana, with his hands suspended above his lap holding an attribute, wearing geminset necklaces and a celestial scarf, the face with a serene downcast gaze surmounted by an elaborate fivepoint diadem surrounding a high chignon painted blue, height 8 3/4 in. $4000/6000 Provenance: Ex-Collection Ingrid Freund, Miami, FL.

624

626

626. A Sino-Tibetan Gem Inset Gilt Bronze Figure an EightArmed Bodhisattva, probably Qing Dynasty (1644-1911), modeled standing on a circular lotus base with six of his eight arms holding attributes, wearing a celestial scarf which falls in waves at his feet, the face with a downcast gaze surmounted by a five-point diadem surrounding a high chignon painted blue, height 11 1/8 in. $4000/6000 Provenance: Ex-collection Ingrid Freund, Miami, FL.

625

627

627. A Chinese Black Lingbi Scholar’s Rock, elaborate contorted form with spreading top and splayed base, height 21 1/4 in., wood stand, overall height 22 1/2 in. 628

$4000/6000

628. A Chinese Bamboo Brush Pot, probably Qing Dynasty (1644-1911), canted rectangular body raised on bracket feet, carved with figural landscapes and scrolling foliage, height 6 3/8 in. $1200/1800

W denotes the lot is illustrated at www.nealauction.com

135

W 636. A

Chinese Bamboo Brush Pot, probably Qing Dynasty (1644-1911), cylindrical body carved as a dense stand of bamboo between rockwork, height 6 3/4 in.

637

$400/600 637. Two Chinese Silver Repoussé Cups, probably 19th/20th c., the first, of flared hexagonal form with overall raised prunus decoration, base marked “WH 90” for Wang Hing, height 1 3/8 in.; the second, of flared Western style with overall raised floral decoration and a dragon handle, base marked, height 1 13/16 in., total 2.45 troy oz.

634 640

W 632. A Chinese Stained Ivory Figure of

Meiren, 19th c., standing figure carved wearing an informal robe, height 8 in., wood stand, overall height 9 in. $600/800 W 633. A Chinese Soapstone Figure of

Guanyin, probably 19th/20th c., olive green stone with black and russet inclusions carved as a seated figure wearing loose robes and carrying a scroll in one hand, height 9 1/4 in. 638

$500/700 638. A Good Chinese Soapstone Brushwasher, probably 19th c., mottled yellow stone carved as a lobed oval bowl with openwork chrysanthemum flowers and foliage, height 2 5/8 in., width 8 3/4 in., wood stand, overall height 4 1/2 in. $1500/2500 Provenance: Ex-Collection John and Rose Meengs, Holland, MI.

$500/700 W 639. A Chinese

W 629. A Pair of Chinese Carved Wood

Incense Stick Holders, probably 20th c., tubular bodies relief-carved with scholars in a garden with fitted foliate covers and bases, height 12 1/8 in., (6 pcs.) $400/600 W 630. A Chinese Red and Black Lacquer

Box, probably Qing Dynasty (1644-1911), U-form body and domed cover carved overall with flowering chrysanthemums and foliage, height 3 1/2 in., diameter 7 3/8 in. $500/700 W 631. A Chinese Ivory Figure of a

Scholar, 19th c., standing figure carved wearing a short informal robe and cap, height 9 1/4 in., wood stand, overall height 10 1/2 in. $800/1200

136

634. A Chinese White Soapstone Inset Carved Wood Table Screen, probably 19th c., rectangular plaque carved in low relief with a scholar and an attendant in a piney landscape, the reverse with incised bamboo decoration, sight 6 1/8 in. x 4 1/8 in., mounted in a fretwork wood stand as a table screen, overall height 16 1/2 in., width 10 5/8 in., depth 5 in.

Soapstone Seal, probably Qing Dynasty (1644-1911), columnar body incised with a mountain pavilion beneath calligraphy, carved chop, height 4 3/8 in.

$1000/1500

640. A Chinese Bronze Ice Container, Jian, probably Qing Dynasty (1644-1911), deep U-form body with waisted rolled rim, lion head handles, upper body with incised Qialong mark, height 7 3/8 in., diameter 10 1/2 in.

W 635. A Chinese Wood Brush Pot, probably

19th/20th c., rectangular body carved with recessed panels of potted seasonal flowers, corners mounted with copper fittings, height 5 3/4 in. $400/600

$600/800

$2000/3000

641

645

642

643

644

641. A Pair of Chinese Bronze Dragon Vases, probably 20th c., each pear-form body with ringed dragon handles, relief decorated with dragons amid clouds, foot rings with Qianlong marks, height 17 1/2 in.

645. A Chinese Hardwood Table, paneled rectangular top with reeded edge, frieze imitating bamboo, spandrel corners, tubular legs, height 33 in., width 71 in., depth 35 1/2 in.

$2000/3000

W 646. A Chinese Edict, ink

642. A Chinese White Jade Bangle Bracelet, carved overall with twisted rope design, diameter 3 1/2 in.

$1000/1500

on yellow silk backed with paper, sealed throughout, 11 1/2 in. x 124 in. $1000/1500 647

$1500/2500 643. A Chinese Apple Green Jadeite Bangle Bracelet, carved in circular domed form, diameter 2 1/2 in. $800/1200

647. A Chinese Yixing Pottery Teapot, probably 19th c., ring-form body with short scroll spout and loop handle incised with calligraphy, flat conforming cover, base and interior of cover bearing seal of Yang Peng Nian, height 3 in., width 7 1/4 in. $3000/5000 Provenance: With Zhao Jianqi, Yixing pottery specialist, Beijing, China, 2007; to current owner.

644. A Chinese White Jade Bangle Bracelet, slightly rose colored white stone carved in round tubular form, diameter 3 in. $500/700

W denotes the lot is illustrated at www.nealauction.com

137

650. A Chinese BrownBlack “Hare’s Fur” Glazed Porcelain Bottle Vase, probably 19th/20th c., bulbous body with tall tubular neck covered overall in a russetstreaked black glaze, base with blue and white seal mark, height 12 1/2 in. $800/1200 W 651. A Chinese Celadon

Pottery Jar, probably 19th/20th c., bulbous body with ribbed sides and applied dragons at shoulders, short waisted neck with loop handles, height 4 in., diameter 5 1/4 in. $200/300

654 650

652. A Chinese Copper Red Glazed Porcelain Bottle Vase, probably Qing Dynasty (1644-1911), pearform body with tall tubular neck covered overall in an even liver red glaze, base with Guangxu mark, height 10 7/8 in. $1000/1500 W 653. A Chinese Pale Blue Glazed

Porcelain Vase, probably Qing Dynasty (1644-1911), stupa-form body with tapered neck, base with Guangxu mark, height 7 1/2 in. $800/1200 654. A Chinese Aubergine Decorated Yellow Ground Porcelain Dish, probably 19th c., shallow bowl-form body, decorated with a dragon amid clouds encircled by a dragon border repeated on the exterior, base with Qianlong mark and “Boone’s Antiques, Inc.” label, height 1 3/4 in., diameter 9 3/4 in. $700/900 W 655. A Chinese Blue and White

652

656

W 648. A Chinese Yixing Pottery

W 649. A Chinese Turquoise Blue

Teapot, probably Qing Dynasty (16441911), squat bulbous body with scroll spout, metal loop handles and inverted flat cover, base and cover sealed, height 4 in.

Glazed Porcelain Bottle Vase, probably 19th c., pear-form body with tall tubular neck, overall even turquoise blue glaze, height 5 3/4 in.

$200/400

Porcelain Bowl, probably Qing Dynasty (1644-1911), bell-form body decorated on the interior with a central shou character beneath a ruyi band, exterior with further characters and peonies, height 2 1/4 in., diameter 5 in. $800/1200 656. A Large Chinese Bronze ‘Nine Dragon’ Bottle Vase, probably 20th c., bulbous body and flared neck elaborately cast with nine five-clawed, horned dragons amid waves, base with Yongzheng mark, height 26 in. $1000/1500

138

W 657. A Chinese Yellow Glass Bottle Vase,

probably late 19th/early 20th c., globular body with tall cylindrical neck carved with confronting archaistic dragons and shou characters, base with Qianlong mark, height 5 1/2 in. $1000/1500 658. A Chinese Greenish White Glass Figure of a Beauty, probably 19th c., carved in imitation of jade as an elegant standing female wearing long robes and hair tied high in a chignon, height 10 1/2 in. $1000/1500 659. A Chinese Green Glass Brush Pot, probably 19th c., mottled green glass carved in cylindrical form in imitation of jade with a sage in a grotto beside a calligraphic inscription, base with Daoguang mark, height 5 5/8 in. $3000/5000 660. A Chinese Yellow Glass Seal Paste Box, probably Qing Dynasty (1644-1911), domed cover carved with quail and millet, body with fish amid lotus, base with Qianlong mark, height 2 1/2 in., diameter 4 in.

658

659

$1500/2500 661. A Chinese Famille Rose and Gilt Enameled White Glass Libation Cup, probably 20th c., archaic form with dragon handle, enameled with birds in flowering branches, base with Qianlong mark, height 2 in., length 3 1/2 in.

660

661

$1000/1500 662. A Chinese Yellow Glass Bowl, probably 20th c., bellform body carved around the exterior with a sparrow amid flowering plants, height 3 1/2 in., diameter 8 1/2 in. $1500/2500 663. A Chinese “Realgar” Glass Gu Vase, probably Qing Dynasty (1644-1911), variegate red, black and purple glass carved in imitation of realgar, height 8 7/8 in. $2000/3000

662

W 664. An Antique Chinese Horn Brush Washer, carved as an

663

incurved lotus leaf with ribbed veins and a monkey clambering over the edge, height 1 in., length 4 1/2 in. $800/1200 W denotes the lot is illustrated at www.nealauction.com

139

668. A Chinese Apple Green, Lavender and Russet Jadeite Vase and Cover, probably 19th/20th c., carved as an angular flattened vase with birds and flowering branches in high relief, height 7 3/8 in. $2500/3500 W 669. A Chinese Puddingstone Meiping Vase,

probably 20th c., well hollowed variegated red, ochre, black, and celadon stone, height 6 1/2 in. $500/700 667

670. A Chinese Hardstone Embellished Red Lacquer and Carved Wood Table Screen, rectangular panel embellished in soapstone and mother-of-pearl with a female deity riding a dragon, reverse painted with bats amid clouds, sight 16 1/2 in. x 13 1/8 in., set in a hardwood stand, possibly zitan, as a table screen, overall height 23 1/4 in., width 15 3/8 in., depth 7 7/8 in. $1000/1500 W 671. A Chinese Celadon

and Russet Jade Avian Group, probably Qing Dynasty (1644-1911), carved as a goose with a gosling on its back holding a lingzhi spray in its mouth, height 2 1/8 in., width 2 1/2 in. $600/800 W 672. Chinese School.,

668

670

W 665. An Antique Chinese Horn

$500/800

Brush Rest, carved in the form of two lotus seed pods and a lotus bud atop a cluster of lotus stems, height 2 in., width 4 1/4 in.

673. A Chinese Incised Yellow Ground Porcelain Hu Vase, probably 20th c., pear-form body with cloud scroll handles, incised with dragons amid clouds, base with Kangxi mark, height 5 1/8 in.

$600/800 W 666. A Chinese Bamboo Brush

Washer, probably 19th c., naturalistically carved from a bamboo node as a tree trunk section with pine branches in relief, height 2 3/4 in., width 5 1/8 in., depth 4 1/4 in.

$1000/1500 W 674. A Chinese Celadon

$300/500

Porcelain Covered Jar, probably 20th c., ovoid body with domed finialed cover, relief-molded with lotus reserves and overlapping petal lappets, base with Qianlong mark, height 5 3/4 in.

667. A Large Chinese Celadon, Russet and Apple Green Jadeite Brush Washer, carved in undulating lingzhi form with five bats, prunus and further lingzhi along the wide furled rim, height 2 1/4 in., width 8 3/4 in. $2000/3000

140

“Mountainous Landscape with Lake”, ink and color on silk, sealed lower right, 23 1/4 in. x 39 1/4 in., matted and framed.

$800/1200 673

675. A Chinese Blue, White and Copper Red Decorated Celadon Porcelain Baluster Vase, probably 20th c., relief-molded with Immortals on a slightly crackled pale green ground, height 22 1/4 in. $800/1200 676. A Chinese Doucai Porcelain Vase, probably 20th c., bulbous body with molded flared neck and sinuous dragon handles, decorated with Buddhist symbols amid scrolling foliage and flowers, base with Qianlong mark, height 17 3/8 in. $1200/1800 677. A Chinese Doucai Porcelain Dish, probably 20th c., shallow bowl-form body finely decorated with stylized lotus and vining foliage, base with Yongzheng mark, height 2 in., diameter 10 3/4 in. $1500/2500 Provenance: Acquired c. 1990. 675

676

677

W 678. A Chinese Grayish White and Russet

Jade Figural Group of the He He Erxian Twins, probably 19th c., carved as two young boys carrying lotus leaves, a prunus spray, and the three legged toad, Jin Chan, height 1 7/8 in., width 1 3/4 in. $500/700 679. A Chinese Celadon Jade Plaque, probably 20th c., even colored stone carved in naturalistic craggy form with a scene of a small pavilion set in an old pine grove atop a cluster of rocky mountains with a small figure in a boat navigating turbulent waters below, height 6 3/8 in., width 9 1 4/ in., wood stand, overall height 7 1/4 in.

679

W 680. A Chinese White Jade Boy and Gourd Group, creamy white stone

carved as a boy straddling a giant gourd borne on leafy branches, length 2 1/4 in. $100/200 W 681. A Chinese Greenish White Jade Figure of a Maiden, probably

19th c., elegant standing figure carved holding flowering branches, height 2 3/4 in., wood base, overall height 3 3/8 in. $100/200

$5000/7000 W denotes the lot is illustrated at www.nealauction.com

141

685. A Chinese Celadon Jade Tripod Censer and Cover, even pale green stone carved in bombéform with lion head ring handles, domed cover with dragon finial, height 7 3/8 in., wood stand, overall height 8 7/8 in. $1000/1500 W 686. A Chinese Carved Wood

Stand, probably 20th c., flat oval top above pierced scrollwork body, height 4 1/4 in., width 9 3/8 in. $400/600 W 687. A Chinese Bronze Figure

of Buddha, probably Qing Dynasty (1644-1911), cast seated in dhyanasana on a waisted tiered base holding an offering bowl and surrounded by a flaming mandorla, height 10 7/8 in.

685

690

$800/1200 W 688. A Group of Four Chinese

Gilt Bronze Seals, probably Qing Dynasty (1644-1911), one modeled as a figure of Buddha, another as a stupa, and two as figures of birds, each raised on cast bases with seals, height 1 1/8 to 1 5/8 in. $400/600 689. A Chinese Turquoise Glazed Porcelain Vase, probably Republican Period (1911-1949), ribbed bulbous body with dog head ring handles, incised with a dragon and a phoenix amid clouds, base with Hongzhi mark, height 14 1/8 in. $800/1200

689

W 682. A Chinese White Jade Pendant,

probably 20th c., reticulated lock-form body carved with stylized leaf sprays surmounted by a pierced ball inset with an articulating inner ball, height 2 in., width 2 in.

691

$1500/2500

$350/450

W 684. A Pair of Chinese Spinach

W 683. A Chinese Celadon Jade Vase,

Green Jade Figures of Jin Chan, each carved as the mythical three legged toad with a coin in its mouth and a string of cash with a bat on its back, height 7/8 in., width 2 1/8 in.

probably Qing Dynasty (1644-1911), even colored stone carved as a curled lotus leaf born on lotus stems with a monkey clambering up the rim, height 3 3/4 in. $500/700

142

690. A Chinese Famille Rose Decorated Turquoise Ground Porcelain Bottle Vase, probably Republican Period (1911-1944), bulbous body with tall cylindrical neck decorated with twelve figures with flowers, base with Jiaqing mark, height 13 in.

$600/800

691. A Chinese Iron Red and Gilt Decorated Porcelain Bottle Vase, probably Republican Period (1911-1949), enameled with a variety of flowers and scrolling foliage, base with Qianlong mark, height 7 1/4 in. $1500/2500

W 692. A Chinese

Famille Rose Porcelain Covered Jar, probably early 20th c., ovoid body decorated with peonies and foliage on a green ground, conforming domed cover, base with Yongzheng mark, height 10 1/4 in. $500/700 693. A Chinese Polychrome Decorated Gilt Ground Porcelain Double Gourd Vase and Cover, probably Republican Period (19111949), molded throughout with small gourds and painted with leaf decoration, base with Qianlong mark, height 11 1/4 in.

695

693

$1200/1800 W 694. A Chinese

Famille Rose and Iron Red Decorated Celadon Porcelain Double Gourd Vase, probably 20th c., lower bulb molded with a ribbon-tied sash, decorated throughout with floral sprays, base with Qianlong mark, height 7 1/2 in. $600/800 695. A Chinese FivePiece Porcelain Scholar’s Desk Set, 696 probably Republican Period (1911-1949), decorated with pairs of fighting crickets amid grasses, bases with Shi Yuchu marks, height 1 1/8 in. to 5 3/8 in., storage box. $1000/1500 696. A Chinese Overglaze Blue and White Porcelain Brushpot, probably Republican Period (1911-1949), rectangular body raised on gilt bracket feet, painted with four recessed calligraphic panels between raised meandering floral borders, height 4 in.

702

W 698. A Chinese Polychrome Decorated Mustard

Yellow Glazed Porcelain Bottle Vase, probably 20th c., decorated overall with dragons amid clouds, height 12 1/4 in. $400/600 W 699. A Chinese Blue Glazed Porcelain Dish, probably

20th c., saucer-form body with a deep blue glaze to exterior sides, white glazed interior and base with Qianlong mark, height 1 1/2 in., diameter 6 1/2 in. $400/600 W 700. A Chinese Blue and White Porcelain Dish,

probably 20th c., shallow bowl-form body decorated with peaches and foliage between radiating trellises, exterior banded by a continuous trellis pattern, base with Qianlong mark, height 1 1/2 in., width 8 1/2 in. $300/500 W 701. A Chinese Blue and White Porcelain Bottle

Vase, probably 20th c., decorated with lotus, foliage, and plantain leaves, base with Kangxi mark, height 9 in.

$1500/2500

$400/600

W 697. A Set of Four Chinese Famille Rose Porcelain Panels,

702. A Chinese Stained Ivory Floral Group, early-to-mid 20th c., realistically carved as three roses borne on a leafy stem, height 6 in., width 13 1/4 in., in an acrylic box, overall height 7 3/4 in., width 16 3/4 in., depth 8 1/2 in.

probably Republican Period (1911-1949), rectangular tiles decorated with birds amid seasonal flowers and grasses, each with calligraphy, height 10 1/2 in., width 3 1/8 in. $400/600

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

143

706. A Chinese Huanghuali Brush Pot, probably 20th c., slightly waisted cylindrical body raised on three crescent feet, height 8 1/4 in., diameter 7 1/2 in. $2000/3000 707. A Chinese Cloisonné Enamel Teapot, probably Republican Period (1911-1949), heavy rectangular body with conforming stylized loop handle and scroll spout, decorated with seasonal branches and flowers, base marked, height 2 7/8 in., width 6 in., depth 2 1/4 in., wood stand, overall height 4 3/8 in.

704

$1000/1500 W 708. A Pair of Chinese Canton

Enamel Vases, probably 20th c., cylindrical bodies with waisted necks decorated with figures of boys playing with firecrackers on a yellow ground, bases with Qianlong marks and “China”, height 6 1/2 in. $500/700 W 709. A Chinese Ivory Scenic Group

705

706

W 703. A

Chinese Famille Rose Porcelain Plaque, probably Republican Period (1911-1949), thick circular body painted with an amorous couple seated on a settee, diameter 12 3/4 in.

on Stand, early 20th c., composed of an elegant Beauty holding a spray of flowers and a fan in a fenced garden with potted plants and a child, wood base, height 8 1/4 in., width 11 in. $600/800 W 710. A Large Chinese Cloisonné Enamel

Covered Censer, probably 20th c., rounded rectangular form with outswept flared handles raised on cloud-scroll feet, conforming domed, finialed cover, decorated with dragon and phoenix reserves, height 19 1/8 in., width 16 1/2 in. $800/1200

$400/600 W 711. A Chinese Hardwood Low Table,

704. A Chinese Canton Enamel Ruyi Scepter, probably Qing Dynasty (1644707 1911), undulating shaft ending in a ruyi head terminal decorated with antiques, flowers and a shou character on a yellow ground, length 11 1/4 in.

square waisted top, incurvate legs, height 20 in., width 42 in., depth 41 in. $800/1200 W 712. A Chinese Rock Crystal Figure of

Budai, probably 20th c., boulder-form body carved as the seated corpulent figure holding a string of prayer beads, height 6 1/2 in. $400/600

$600/800 W 713. Chinese School, “Beauty before a

705. A Chinese Canton Enamel Brush Pot, probably Qing Dynasty (1644-1911), square-form body decorated with panels of quail amid garden flowers on a floral ground, base with Qianlong mark, height 4 3/4 in., width 3 5/8 in., depth 3 5/8 in.

Screen”, ink and color on paper, 51 1/2 in. x 12 1/4 in., mounted as a hanging scroll.

$1000/1500

Provenance: Acquired during the 1960s; thence by descent.

144

$500/700

W 714. A Pair of Chinese Famille Rose Porcelain Bottle

Vases, probably 20th c., each decorated with antiques and flowers, bases with Qianlong marks, height 14 1/4 in. $200/400 715. A Chinese Famille Rose Porcelain Chrysanthemum Form Dish, probably Republican Period (1911-1949), decorated with two herons standing beneath a flowering bower, height 1 1/4 in., diameter 10 1/2 in. $700/900

715

716

716. A Chinese Famille Rose Porcelain Brush Pot, probably 20th c., rectangular body decorated with panels of domestic fowl amid flowering plants, base bearing seal of Deng Xiaoyu, height 8 3/4 in. $1200/1800 W 717. A Miniature Chinese Blue and White Porcelain

Jardinière, probably 20th c., tapering hexagonal body raised on six mask feet, decorated with figural and floral panels, height 2 3/8 in., width 5 7/8 in. $600/800 W 718. A Chinese Cinnabar Lacquer Rectangular Box,

probably 20th c., hinged cover and sides carved with floral motifs, blue enamel interior, height 2 1/4 in., width 5 7/8 in., depth 4 in. $300/500 W 719. A Chinese Carved Hardwood Stand, probably late 19th

c., inset marble top, frieze with foliate panels, legs surmounted by lion masks, pierced foliate brackets with deer, circular stretcher, shaped feet, height 36 in., diameter 16 1/2 in. $200/300 W 720. A Chinese Zhangmu Storage Chest, probably early

20th c., rectangular form with hinged cover, reinforced metal corners, locks, and handles, height 19 3/8 in., width 39 5/8 in., depth 22 in. $800/1200 Provenance: Acquired as a wedding gift, c. 1940; thence by descent.

W denotes the lot is illustrated at www.nealauction.com

145

Notes

146

Session Two Sunday, February 9, 11 am 3923 Carondelet Street

W denotes the lot is illustrated at www.nealauction.com

147

W 725. [Mardi Gras], Rex

dance card, February 16, 1915; ball programs, 1966, 1970, 1974, 1975, 1978, 1980, 1986, 1990, 1991, 1994 and 2002; and ball invitation, 2002; together with Bards of Bohemia ball programs, 1936, 1937, 1960, 1961, 1966, 1968, 1970, 1971, 1974-76, 1990 and 1992, (approx. 26 pcs.). $150/250 W 726. [Mardi Gras], Rex

dance card, March 7, 1906, theme “Visions From Poets”; ball invitation, 2002; two admit cards, no date; ball programs, 1971, 1977, 1983, 1985, 1991, 1999 (2), 2000, 2002 and 2006; Krewe of Les Marionettes, ball programs, 1937 (2), 1971, 1974 (2), 1975 and 1976; The Harlequinns, ball invitation, 1959; Krewe of Mystery, ball invitation, 1932, ball programs, 1968 (2), 1969 and 1974; and The Mystic Club, ball program, 1935. (approx. 29 pcs.).

723 721

721. A Papier-Mâché and Polychrome Painted Costume Mask, probably Mardi Gras, figure of a woman wearing bonnet, height 25 1/2 in., width 16 in., depth 15 in. $300/500 W 722. [Mardi Gras], Rex ball invitation,

theme of “Ivanhoe”, February 17, 1885, lithography by F. Appel, Paris; menus from “The Feast of Kings” for William E. Stauffer, March 10, 1911 and Geo. W. Clay Feb. 20, 1912, both at the St. Charles Hotel, and for Ernest Lee Jahncke, February 27, 1915 in the Gold Room at the Grunewald; together with a French Opera House program for “La Bamboula” dated February 12, 1887.

$200/400

727

$250/350 Note: The 1885 Rex invitation is illustrated in Henri Schindler’s Mardi Gras Treasures, Invitations of the Golden Age, Pelican Publishing Co., Gretna, 2000, p. 56.

$300/500

723. [Mardi Gras], Rex ball invitation, February 18, 1896, designed by Bror Anders Wikstrom (Swedish/New Orleans, 18541909), theme of “Heavenly Bodies”.

728. [Mardi Gras], Krewe of Proteus, parade bulletin, February 12, 1888, theme “Myths and Legends of the North American Indians”, 28 in. x 42 in., unframed.

$300/500 Note: Illustrated in Henri Schindler’s Mardi Gras Treasures: Invitations of the Golden Age, Pelican Publishing Co., Gretna, 2000, pp. 66-69. W 724. [Mardi Gras], Rex dance card,

February 24, 1914; ball programmes, 19671969, 1973, 1976, 1979, 1981, 1984, 1987-1989, 1990 and 1992; ball invitation, 2003; and Rex Royal Run poster, 2005, (approx. 15 pcs.). $150/250

148

727. [Mardi Gras], Rex, parade bulletin, February 13, 1923, theme “A Fantasy of the Sea”, 28 in. x 41 3/4 in., unframed.

728

$300/500

729. [Mardi Gras], Independent Order of the Moon, parade bulletin, February 14, 1888, theme “Flights of Fancy”, published by Illustrated Carnival Edition of the Moons, 28 in. x 42 in., framed.

W 733. [Mardi Gras], The Atlanteans, two

W 736. [Mardi Gras], Elves of Oberon,

dance cards with pencils, 1901 and 1891; ball invitation, January 13, 1940; and programmes, 1952, 1954, 1957-1961, 1963-1974, 1977, (approx. 23 pcs.)

$500/750

$300/500

ball invitations, 1899, 1902, 1903, 1940, 1966, 1969-173, 1976, 1979, 1984 and 1994; The Mystic Club programs, 1928, 1929, and 1935; Knights of Momus Centennial Program, 1972; and Krewe of Omardz programs, 1968, 1969(2), 1974(2) and 1976, (approx. 22 pcs.).

Note: The short-lived carnival krewe of the Independent Order of the Moon only existed from 1881 to 1888 and was known for its satirical and politically themed parades.

$200/400 W 737. [Mardi Gras], Elves

of Oberon ball invitation, February 15, 1900; dance card, February 18, 1895, theme of “Midsummer Night’s Dream”; ball programs, 1937, 1940, 1941, 1947, 1948, 1950, 1953, 1954, 1960, 1990 and 1992; together with Osiris ball programmes, 1957, 19681971, 1973, 1976 and 1978; and Krewe of Moslem ball programs, 1974(2) and 1976, (approx. 24 pcs.).

W 730. [Mardi Gras], The

Atlanteans, 3 dance cards, February 7, 1893, theme “The Bird Wife (Lafcadio Hearn)”; February 20, 1900, with pencil, theme “The Last of the Incas”; and February 9, 1904, (missing back), theme “Glimpses of Fairyland”; together with Twelfth Night Revelers ball programmes, 1937(2), 1938, 1940, 1941, 1949, 1950, 1957, 1964, 1966, 1967, 1969, 1971, 1973, 1974, 1980 and 1992(2); Caliphs of Cairo ball programmes, 1940(2), 1952, 1954-56, 1959, 1968, 1969, 1973, 1976(2), 1977, 1989, 1990(2), 1991, 1992, 1993(2), 1997, 1998(2) and 2002, (approx. 46 pcs.).

$200/400 729 W 738. [Mardi Gras], Elves

of Oberon, ball invitations, 1904, 1908, 1930, 1933, 1936, 1937, 1939, 1940, 1946, 1948, 1950, 1952, 1953, 1964, 1968(2), 1970, 1972, 1990; dance card, February 18, 1897, theme “A Rhineland Fancy”, and 1936 program, (approx. 21 pcs.).

$300/500 W 731. [Mardi Gras], The

Atlanteans, 2 dance cards with pencils, February 7, 1899 and February 12, 1901; admit card, February 21, 1911; together with Krewe of Dorians, ball invitations 2002 and 2004; ball programs 1950, 1952, 1964-66, 1968-1971, 1973, 1974(2 ), 1976, 1976, 1985, 1989-1996; Knights of Sparta, ball programs, 1959, 1968, 1972, 1991, 1993, 1995, (approx. 28 pcs.).

$200/400 W 739. [Mardi Gras], Les

734

$300/500

734. [Mardi Gras], Krewe of Proteus ball invitation, February 13, 1893, theme “Kalevala (Myths of Finland)”. Note: Condition.

W 732. [Mardi Gras], The Atlanteans, 2

$150/250

dance cards with pencils, February 5, 1907, theme of “Court of the Great Mogul Shah Jehan”, and February 25, 1908, theme of “The Realm of Hyperion”, ball programmes, 1990(2), 1991(2), 1992 and 1993; together with, Athenians ball programs, 1939, 1940, 1946(2), 1954(4), 1959, 1961, 1963, 1968, 1969, 1973(3), 1976(2), 1990, 1992, 1993 and 1996, (approx. 30 pcs.). $200/400

Mystérieuses, 2 ball invitations, January 10, 1896 and January 3, 1900; together with Krewe of Mystery ball invitations, 1929, 1933(2), 1937(2) and 1940; ball programs, 1950, 167, 1969, 1971, 1974, 1976(3), 1990(2), 1991, 1992(2), 1993, 1995 and 1997, and the Mystic Club ball invitation, 1939; ball programs, 1950, 1956, 1961, 1964, 1965, 1966, 1972, 1973, 1975 and 1982, (approx. 38 pcs.). $400/600

W 735. [Mardi Gras], Elves of Oberon ball

invitations, 1895, 1908, 1909, 1910, 1911, 1933, 1936, 1939, 1946, 1948, 1949, 1952, 1953, and 1959; dance card, February 15, 1900, theme of “Chance”; ball programs, 1937, 1947, 1960, 1966 and 1991; together with Krewe of Venus ball programs, February 16, 1969(2), (approx. 23 pcs.)

W 740. [Mardi Gras], Les Mystérieuses, 2

$300/500

$400/600

ball invitations, January 10, 1896 and January 3, 1900; The Mystic Club ball invitations, 1924, 1929, 1987(2) and 1988; ball programs, 1929, 1936-1941(2), 1946, 1948-1950, 1952-54, 1956, 1958-1961, 1964-1970, 1972-1974, 1975-1977, 1983, 1990-1993, 2000, (approx. 46 pcs.).

W denotes the lot is illustrated at www.nealauction.com

149

W 746. [Mardi Gras], The Olympians, ball

invitations, February 10, 1908, February 2, 1914, January 25, 1915 and January 20, 1996(2); dance card, February 10, 1908; ball programs, 1968-1970(2), 1972, 1974, 1976, 1985, 1986, 1990 and 1992; together with Krewe of Mokana admit cards, 1955(2) and 1963(2); ball programs, 1968(2), 1969 and 1976; and Krewe of Noblads ball program, 1976, (approx. 26 pcs.). $200/400 W 747. [Mardi Gras], Olympians ball

invitations, February 5, 1906, January 17, 1910, January 29, 1912, January 23, 1954 and January 25, 1992; dance card with pencil, February 10, 1908; ball programs, 1956, 1968, 1969, 1972, 1974, 1976, 1986, 1990, 1992, 1993, 1996, and 2001; together with Krewe of Mecca ball programs, 1969, 1972(2) and 1976; Krewe of Okeanos, ball programs, 1968 and 1976(2); and Krewe of Mid City ball programs, 1952(2), 1961, 1968(3), 1969(2), 1970(2) and 1972(2), (approx. 37 pcs.).

750

W 741. [Mardi Gras], High Priests of Mithras, ball

invitations, 1904, 1909, 1913(2), 1917(2) and 1940; admit card, 1900; and ball programs, 1934, 1940(2), 1941, 1967, 1971(2), and 1973; together with The Mittens ball invitation, January 12, 1910; and Krewe of Choctaw ball programs, 1968-1977, (approx. 27 pcs.). $300/500

$300/500

W 742. [Mardi Gras], Twelfth Night Revelers, three ball

invitations, January 7, 1895, January 6, 1897 and January 6, 1929; and three programs, 1950, 1959, and 1969; together with Krewe of Proteus ball invitations, 1956(2), 1975, 1977, 1980, 1984 and 1990(3); and ball program, 1981, (approx. 16 pcs.).

W 748. [Mardi Gras], The Atlanteans ball

751

$100/200

$200/300 W 743. [Mardi Gras], Twelfth Night Revelers ball invitation, January

6, 1911; dance card, 1911; ball program, January 6, 1938 (2 pcs.), 1940 and 1941; together with Knights of Babylon ball invitation, 1973; ball programs 1968, 1971-1977, 1979-1982, 1990-1992 and 1994; and Krewe of Eros, ball programs, 1968-1970, 1973, 1974, 1976, 1990-1993 and 2001, (approx. 40 pcs.). $200/400 W 744. [Mardi Gras], Krewe of Nereus ball invitation, February 21,

1900 and February 2, 1911; ball programs, 1969, 1973, 1976, 1980, 1983, 1984, 1992-95, 1997 and 1998; together with the Krewe of Diane ball programs, 1950, 1971, 1976; Krewe of Carrollton ball programs, 1968-1969, 1971, 1973 and 1976; and Harlequins ball invitation, 1959; and ball programs, 1962, 1974, 1975 and 2001, (approx. 28 pcs.).

tableau program, February 11, 1947, theme “A Valentine Ball Masque” and The Atlanteans ball invitation, February 15, 1955, (2 pcs.).

W 749. [Mardi Gras], Children’s Carnival Club, ball programs,

1959, 1968, 1969, 1970, 1972, 1975-77, 1980, 1984 and 1991(2); Mystick Krewe of Louisianians ball invitations, 1994(2) and two admit cards, 1985 and 1988; The Krewe of Bal Masque, ball programs, 1969, 1971-1973; Krewe of Nippon, ball invitations, 1930(2) and 1931(2); Niobeans, ball programs, 1961, 1968, 1969, 1973, 1976 and 1986; Krewe of Nereus, ball invitation, 1973; ball programs, 1969, 1970, 1973, 1975 and 1977; and four 1970 King’s Room circular paper tokens; Krewe of MCCA (Magic City Carnival Association), Bogalusa, ball programs, 1995; The Krewe of Naiads, ball programs, 1969; and The Krewe of Bal Masque, ball programs, 1969, 1971-1973 (approx. 43 pieces). $150/250

$200/400

750. [Mardi Gras], two books on the history of Comus comprising, The Mistick Krewe of Comus, 1857-1947, 1947, soft cover, 40 pgs.; and One Hundred Years of Comus, 1956, soft cover, 38 pgs., with a color plate of President Grant as a tobacco grub.

W 745. [Mardi Gras], Krewe of Nereus, 3 ball invitations, February

$300/500

15, 1897, theme of “Coral Groves and Grottoes”, and January 10, 1910 and February 6, 1981; ball programs 1952, 1962, 1970, 1976, 1991, 1992, 1994, 1998 and 2001; together with Prophets of Persia, 4 ball initiations, 1930, 1952, 1954, and 1976; ball programs, 1940, 1941, 1946, 1947, 1950(2), 1952, 1954, 1968-1974, 1976, 1981, 1982 and 1991; The Niobeans, ball programs, 1969, 1976, 1986 and 1989, (approx. 39 pcs.). $200/400

150

751. An American Victorian Patinated Bronze and Glass Pole Screen, 19th c., pineapple finial, adjustable circular screen with faceted and beveled glass, incurvate plinth with serpent brackets, acanthine scrolled feet, height 64 in., width 18 in., depth 18 in. $600/800

W 752. A

Continental Gilt Bronze Processional Crucifix, 20th c., with fitting for staff, height 21 in., width 10 3/4 in., depth 1 1/2 in. $200/300 757

W 753. Six

Continental Porcelain Garniture Figures of Neoclassical Maidens, early 20th c., richly gilt, each dancing and playing a musical instrument, two figures incorporating candleholders, height 10 1/4 in.

762

$300/500 Provenance: Estate of Sarah Zemurray, New Orleans, LA. 760

W 754. An

Antique Miniature Carved and Stained Bone Figure of a Nude Female, length 2 3/4 in. $200/400 W 755. An

English Art Nouveau Faux Shagreen Tin Biscuit Box, c. 1900, Huntley & Palmer, Reading & London, marked, in the form of a handbag, height 3 in., width 7 in., depth 6 1/4 in. $100/150

W 756. A Large Group of Sterling Silver and

Silverplate Souvenir Spoons, including American, English and Continental examples, approx. 70 pcs.

763

$150/250 W 761. A Set of Antique Nuremberg Nesting

757. A Continental Silver Gilt Wheelbarrow Table Garniture, Germany, .925 fine, height 3 1/2 in., length 9 1/2 in., weight 13.70 troy ozs.

Weights, 18th c., the cup marked “N” over a crown, with seven weights (lacking “pill”); together with a larger Nuremberg nesting weight cup (lacking weights), marked with an “S”, “4” and a chalice; a Dutch mortar and pestle; another mortar; and a decorative 17th c. iron lock plate, height of largest mortar 4 1/4 in.

$400/600 W 758. A Group of Fourteen Antique English

Porcelain Trompe-l’oeil Plates, 19th c., with basket-form grounds, the “napkins” painted with various floral decoration, gilt rims, diameter 8 in. $500/700 W 759. A Pair of Chinese Export Porcelain

Covered Jars, 20th c., ovoid bodies with flat conforming covers decorated in the “Cabbage Leaf” pattern, height 11 1/4 in., now mounted as lamps, overall height 25 in. $200/300 760. A Continental Silver-Mounted Coconut, 19th c., raised on hoof feet, height 3 1/4 in., diameter 3 3/4 in.

$300/500 762. Two French Gilt and Polychrome Decorated Porcelain Apothecary Jars, 19th c., each with caduceus centering oval reserve and decorated with flower filled cornucopiae, cacti and turtles, height 10 1/4 in., diameter 4 1/2 in. $500/750 763. A Pair of Italian Carved Polychrome and Gilt Prickets, 19th c., tiered and molded form, in dark red, with gilt highlights, height 22 1/2 in., width 9 1/2 in., depth 9 1/2 in. $300/500

$300/500

W denotes the lot is illustrated at www.nealauction.com

151

W 767. A Pair of

Italian Baroque-Style Carved Giltwood Pricket Wall Sconces, 19th c., with scroll and foliate decoration, height 10 1/2 in., width 5 1/2 in., depth 19 in. $500/700 764

765

766 768 764. A Decorative Brass and Composite Six-Light Chandelier, standard in the form of a monkey beside a palm tree, height 25 in., diameter 23 1/2 in. $500/700 765. A Pair of Antique Brass and Patinated Metal Carriage Lanterns, shaped beveled glass panes, silvered reflectors, height 28 in., width 8 in., depth 10 in. $400/600

152

766. A Louis XVI-Style Gilt Bronze Three-Light Bouillotte Lamp, 19th c., adjustable tôle shade, columnar standard issuing scrolling branches with leaves, height 27 3/4 in., diameter 15 1/2 in. $200/400

768. A Pair of Antique French Gilt Bronze and Cut Crystal Three-Light Girandoles, vasiform standard, with tiers of scrolled arms, hung with pendants and prism chains, electrified, height 24 1/4 in., diameter 11 1/2 in. Note: Damage to finial. $800/1200

769

770

771

772

770. An Empire-Style Gilt Bronze-Mounted Carved and Parcel Gilt Mahogany Canapé, scrolled crest rail over rectangular padded back, downswept arms, bow-front seat rail, saber legs, height 37 1/2 in., width 65 in., depth 29 1/2 in. $1500/2500 771. A Louis XV-Style Ebonized and Boullework Center Table, 19th c., serpentine top, conforming frieze fitted with a drawer, cabriole legs, height 29 1/2 in., width 52 1/4 in., depth 30 1/4 in. 773

769. A Pair of French Empire Gilt Bronze Three-Light Wall Sconces, 19th c., backplate cast with shell, wings and acanthus, issuing swan-form candlearms, height 15 in., width 11 in., depth 6 in.

$700/900 772. A Pair of Louis-Philippe Carved Mahogany Fauteuils, early 19th c., each with shaped crest, lappet carved arms, rounded seat rail, lappet scrolled legs. $1000/1500

$400/600 773. An Italian Neoclassical-Style Olivewood Console, shaped top, frieze drawer, cabriole legs, height 29 in., width 49 in., depth 22 in. $500/1000

W denotes the lot is illustrated at www.nealauction.com

153

776. A LouisPhilippe Carved Mahogany Console, 19th c., shaped marble top, conforming frieze, mirrored doors below, canted corners, shaped plinth, height 35 in., width 47 1/2 in., depth 16 in. $600/800 774

776

777. An Empire Gilt BronzeMounted Mahogany Sécrétaire à Abattant, early 19th c., marble top, blocked frieze with drawer, fall front opening to fitted interior, three drawers below, flanked by collared columns, plinth base, turned feet, height 54 1/2 in., width 37 1/2 in., depth 17 1/2 in. $1000/1500

775

777

774. A Louis XV-Style Gilt Bronze-Mounted Parquetry and Marquetry Commode, probably early 20th c., branded “FD” in a shield, shaped marble top, conforming case with two drawers, shaped legs, sabots, height 33 1/2 in., width 44 1/2 in., depth 19 1/2 in.

W 779. An Antique French

Note: Another commode with the same brand sold in these rooms on November 24th, 2013, as lot 118.

Engraving of Bats, 1809, by Bouquet from Descriptiona de l’Égypte, stamped “Chalcographie du Louvre; Musées Nationaux”, sight 24 in. x 16 in., framed.

$1400/1800

154

$500/750

$700/900

775. A French Restauration Gilt MetalMounted Carved Walnut Armoire, early 19th c., molded cornice, arched frieze, paneled doors, shelf interior with medial belt of drawers, columnar uprights, turned feet, height 98 in., width 66 in., depth 27 in.

778

778. A French Empire-Style Gilt BronzeMounted Mahogany Pier Table, rectangular black slate top over conforming frieze fitted with drawer, columnar supports, incurvate plinth, cylindrical feet, height 32 in., width 24 1/2 in., depth 14 in.

$300/500

W 780. Simon

Philippe Thomassin (French, 16381722), collection of six copperplate engravings (no. 173-179) of the sculptures in the gardens of the palace of Versailles, France, sight 6 in. x 4 in., framed alike. $500/700 Note: Commissioned by Louis XIV, Thomassin’s collection of engravings were published as a guidebook of the Palace gardens in 1694 under the title Recueil des figures, groupes, thèmes, fontaines, vases et autres ornemens tels qu’ils se voyent á present dans le Château et parc de Versailles.

783

785

W 781. George

Braque (French, 1882-1963), “Phaeton Chariot Horse”, 1963, lithograph, pencilsigned lower right, printed by Fernand Mourlot and André Sauret, sight 7 1/2 in. x 9 5/8 in., framed. $400/600

789 790

W 784. A Large Sèvres Porcelain

Cabinet Plate, with underglaze blue mark, cobalt ground, gilt floral decoration, the reserves painted with floral sprays and a courting couple, diameter 12 1/4 in. $200/300

W 782. British School, late

18th/early 19th c., three portrait miniatures of fashionable ladies, one after Sir Joshua Reynolds (English, 17231792), oil on thin copper sheets, 4 1/4 in. x 3 in., in loose mats. $250/350 783. A Dresden Painted Porcelain Plaque of “The Penitent Magdalene”, c. 1870, oval plaque with impressed “K 1”, after the painting by Ludwig Sturm (German, 1834-1906), sight 5 1/4 in., x 7 1/4 in., framed. $600/900

785. A Pair of Sèvres-Style Porcelain Urns, each with cobalt ground, gilt decoration, plinth base, height 17 in., on carved giltwood stand, overall height 31 1/2 in. $800/1200 W 786. A Pair of French Blanc-de-Chine

Porcelain Busts of Madame Recamier, with crown over “N” in underglaze blue, and impressed “Made in France”, height 8 in., width 3 3/4 in., depth 2 1/2 in. $200/300 W 787. A Pair of Dresden Gilt and Polychrome

Porcelain Urns, marked, each with cobalt ground, floral reserves, shaped handles, height 7 5/8 in. $200/300

W 788. A Set of Three English Gilt

and Polychrome Porcelain Tazzas, 19th c., comprising a single and a pair, each with scalloped rim, floral reserve, scrolled support, molded incurvate plinth, height 5 in. and 3 1/8 in., diameter 9 in. $200/300 789. A Pair of Louis XVI-Style Gilt Bronze-Mounted Mahogany Wall Brackets, each with mask crest, shelf with reticulated scrolled gallery, shaped back with allegorical putto, height 24 in., width 13 in., depth 9 in. $700/1000 790. A Pair of Louis XVI-Style Gilt Bronze-Mounted Mahogany Wall Brackets, each with mask crest, shelf with reticulated scrolled gallery, shaped back with allegorical putto, height 24 in., width 13 in., depth 9 in. $700/1000

W denotes the lot is illustrated at www.nealauction.com

155

796

795

W 791. Four Antique French

Fans, in shadowbox frames, largest 20 1/2 in. x 30 1/2 in. $600/800 798

W 792. A Neoclassical-Style

Silvered Bronze Dresser Box, marked “Oscar Bach”, hinged lid centering a seated Greek figure playing a lyre, void interior, height 3 in., width 4 1/2 in., depth 5 in. $400/600 W 793. Seventeen Baccarat

799

795. A Baccarat-Style Bronze-Mounted Lidded Cut Crystal Urn, pineapple finial, faceted and twist-cut urn, flanked by foliate handles, height 32 in., width 13 in., depth 9 1/2 in.

Wine and Water Glasses, in the “Malmaison” pattern, tallest height 7 3/8 in.

$800/1200

$400/600

796. An Italian “Della Robbia” Style Cast Architectural Wall Shelf, molded edge, cherub supports, height 18 in., width 40 in., depth 14 in.

W 794. Twenty-Five Baccarat

$600/900

Wine and Water Glasses, in the “Massena” pattern, and a pair of matching candlesticks, tallest glass height 7 3/8 in., candlestick height 6 1/8 in. (27 pcs.) $600/800

W 797. An Antique French Terracotta Portrait Bust of

a Young Woman, after a bust by Jean-Jacques Caffieri (French, 1725-1792) now conserved in the California Palace of the Legion of Honor, San Francisco, height 19 1/2 in., width 10 1/2 in., depth 7 1/2 in. $300/500

156

798. After Édouard Drouot (French, 1859-1945), “La Semeuse”, bronze mounted on wood pedestal, cast signature on reverse, overall height 66 1/2 in., width 13 1/4 in. $800/1200 799. An Italianate Relief Carved Giltwood Mirror, 19th c., crest centering a putto, scrolled floral, foliate and vine surround with a putto to each side, height 47 1/4 in., width 40 in. $2500/3500

804

803. A Chinese Bronze Vase, probably 20th c., baluster form with horned lion head handles cast with cartouches of Buddhist lions in landscapes between lappet borders, base with Xuande mark, height 21 in.

803

W 800. Chinese School, two paintings,

including “Seeing a Temple in the Forest”, ink and color on paper, inscribed and sealed upper right, 53 in. x 15 1/8 in.; and “Sightseeing in the Gorge”, ink and color on paper, inscribed and sealed upper left, 57 in. x 13 1/8 in., (2 pcs.)

$800/1200

$500/700 Provenance: Acquired during the 1960s; thence by descent.

Provenance: Estate of Richard Waters, Ocean Springs, MS.

805

804. An Antique Louis XVI-Style Carved Walnut Table, 19th c., guilloche and dentil molded top, shaped frieze with rosette blocks, fluted tapered legs, height 30 in., length 79 in., width 50 in. $800/1200 805. A French Provincial-Style Carved Fruitwood Commode, 19th c., shaped top, conforming case with three drawers, cabriole legs, height 38 1/2 in., width 53 1/2 in., depth 24 1/2 in. $1200/1800

806

W 801. Chinese School, two paintings,

W 802. Chinese School, two paintings,

including “Scholars beneath Mountains”, ink and color on paper, sealed lower right, 65 1/4 in. x 20 3/4 in.; and “Scholar and Attendant”, ink and color on gold washed paper, 35 3/4 in. x 21 7/8 in., (2 pcs.)

including “Visiting the Mountains”, ink and color on silk, inscribed and sealed upper right, 34 3/4 in. x 10 7/8 in.; and “Cranes over Landscape”, ink and color on paper, inscribed and sealed upper right, 27 1/2 in. x 16 3/8 in., (2 pcs.)

$500/700 Provenance: Acquired during the 1960s; thence by descent.

806. A Vintage Green Leather Chesterfield Sofa, button tufted, scrolling arms, turned hardwood legs with later casters, height 27 in., width 82 in., depth 38 1/2 in. $1200/1800

$500/700 Provenance: Acquired during the 1960s; thence by descent. W denotes the lot is illustrated at www.nealauction.com

157

807

810

809

808

807. A Regency Rosewood Grained Side Cabinet, early 19th c., breakfront top, conforming case with four doors, shelf interior, plinth base, height 36 in., width 66 1/2 in., depth 17 1/2 in. $1000/1500 808. A George III Carved Mahogany Library Armchair, 18th c., acanthine crest, shaped stiles, padded arms, scroll supports, seat rail centering a shell, acanthine cabriole legs, volute pad feet. 811

$1000/1500 809. An Antique English Oak Dresser Base, probably 19th c., frieze drawers over drawers and doors, molded base, block feet, bat wing pulls, height 32 in., width 72 in., depth 18 1/2 in. Note: Lower two center drawers modified. $1200/1800

158

810. A Regency Mahogany Sofa Table, early 19th c., drop-leaf top, frieze drawers, medial stretcher, paired saber legs, brass cuffs, casters, height 29 in., width 57 in., depth 23 3/4 in.

811. A Regency Inlaid Mahogany Sideboard, early 19th c., frieze drawers over recessed doors, flanked by pedestals of three drawers on each side, turned legs, lion’s mask pulls, height 41 1/2 in., width 83 in., depth 22 in.

$1500/2500

$800/1200

814

812

812. An Empire-Style Bronze-Mounted Mahogany Center Table, specimen marble top with gameboard center, columnar support, incurvate triangular base, paw feet, height 28 in., diameter 36 in. $2500/3500 815 813. A Directoire-Style Mahogany Extension Dining Table, inset green marble top, straight frieze with brass lozenge inlay, turned tapered legs with brass cuffs and casters, two conforming leaves, height 29 3/4 in., length 89 3/8 in., width 49 7/8 in. $800/1200 814. A Set of Eight Chinese Export Famille Rose Porcelain Soup Plates, probably 18th c., each decorated with floral sprays beneath the petal-lobed rim, height 1 3/8 in., diameter 9 in. $1000/1500 813

815. A Set of Eight Chinese Export Famille Rose Porcelain Soup Plates, probably 18th c., each decorated with a garden scene encircled around the barbed rim by foliate sprays, height 1 3/8 in., diameter 9 in.

W 817. A Pair of

Chinese Cloisonné Enamel Fish-Form Vases, probably 20th c., each cast as carp leaping from cresting waves, height 19 in., mounted as lamps, overall height 31 1/2 in.

$1000/1500 816. A Chinese Export Gilt Decorated Brown Lacquer Tea Caddy, 19th c., fan form body raised on winged claw feet with overall Chinoiserie decoration, inset with two pewter canisters, height 5 1/8 in., width 13 in. $400/600

$700/1000

816

W denotes the lot is illustrated at www.nealauction.com

159

W 819. A Chinese Hardwood

Figural Group, 19th/20th c., carved as the figure of an Immortal carrying a flowering plum branch standing beside an attendant and a crane, height 8 in., wood stand, overall height 9 1/2 in. $300/500 820. A Group of Five Japanese Bronze Figures of Elephants, probably Meiji Period (1868-1912), striding figures modeled with ivory tusks, tallest signed, tallest height 3 3/4 in., raised together on a carved wood platform, overall height 4 3/4 in., width 25 3/4 in.

820

$1500/2500 821. A Large Japanese Bronze Covered Urn, probably early 20th c., bulbous body with lion head handles and dragon head spigot raised on a splayed circular foot, cast with archaic decoration, cover with shi shi finial, height 27 in. Note: Condition. $1200/1800 822. An Asian Bronze Figure of Guanyin, probably 19th c., cowled figure holding a willow branch and upturned bottle modeled standing on a tall wave base before a flaming mandorla, height 18 in.

821

$2000/3000 823. A Tibetan Gilt Copper Repoussé Panel, 18th/19th c., shaped panel with fierce demon head repoussé above confronting dragons, painted highlights, height 15 in., width 16 in.

822

$2500/3500 824. An Indian or Southeast Asian Gilt Bronze Figure of a Bodhisattva, probably 19th c., modeled seated in dyhanasana wearing beaded robes and ornate jewelry, height 19 1/2 in.

824

W 818. A Chinese Double Sword and

Shagreen Scabbard, probably 19th c., single edged steel blade, horn handle, shagreen scabbard opening to reveal a secondary blade within, length 30 in. $300/500

160

$1000/1500 823

825 831

830

832

833

825. A Southeast Asian Silver Repoussé Bowl and Associated Tray, probably early 20th c., probably Thailand, the globular bowl raised on three floral scroll feet, repoussé decorated with figures and animals, base marked, height 5 in., diameter 9 in.; the round tray raised on three loop feet with figural repoussé decoration around the petal lobed rim, marked, diameter 10 1/4 in.

W 828. A Tibetan Silver-Mounted

$700/900 W 826. A Southeast Asian Sword and

Shell Ceremonial Trumpet, Dung Dkar, probably 19th c., natural conch shell mounted with silver repoussé inset with turquoise and coral gems, length 18 3/8 in.

831. An Anglo-Colonial Hardwood Plantation Work Table, early 19th c., possibly West Indies, three board plank top, frieze with two drawers to one side, turned tapered legs, height 30 1/2 in., length 85 in., width 43 in.

$400/600

$1200/1800

W 829. A Tibetan Bronze Figure of

832. Morris Henry Hobbs (American/New Orleans, 18621967), “Spanish Moss Draped Trees in Louisiana Bayou”, watercolor on paper, signed lower right, 13 in. x 9 1/2 in., unframed.

a Demon, modeled standing on a lotus base surrounded by a flaming mandorla, height 4 in.

Scabbard, 19th/20th c., possibly Thailand, slightly arched engraved steel blade, coral studded flared hilt, wood scabbard, length 31 1/2 in.

$200/400

$300/500

830. An Antique West Indies Carved Mahogany Armchair, possibly Martinique or Guadeloupe, scrolled crest and arms, suppressed ball supports, straight seat rail, bulbous turned legs. Note: Lacking original caning, now upholstered.

W 827. An Asian “Damascene” Dagger,

ivory and horn hilt, pointed double-sided steel blade with bird-and-flower inlay, length 21 5/8 in. $100/150

$400/600

$1000/1500 833. Morris Henry Hobbs (American/New Orleans, 18621967), “A Corner in Whitesell’s Patio, New Orleans”, 1941, watercolor on paper, signed, titled and dated lower left, 12 in. x 9 in., unframed. $1000/1500

W denotes the lot is illustrated at www.nealauction.com

161

834. Granville Perkins (American, 1830-1895), “A Florida View of an Estuary”, 1885, oil on board, signed and dated lower left, 14 in. x 20 in., framed. $1000/1500 Note: Perkins was an American illustrator and landscape painter, who traveled throughout the American South and Caribbean in the early 1850s, recording the “exotic” flora and fauna of the terrain in a series of sketches and paintings. Between the 1860s and 1880s, Harper’s Weekly and travel publications, such as Beyond the Mississippi: From the Great River to the Great Ocean (1869), published numerous engravings by Perkins of the Florida bayous and estuaries that included illustrations after De Soto’s Expedition in Florida. The painting offered here clearly inspired these engravings; one particular engraving titled “A Florida Scene”, reproduced in the American Art and American Art Collection (1889), is strikingly similar in composition (see page 293). 835. George Rodrigue (American/New Orleans, 1944-2013), “Henry and Henriette,” 1998, acrylic on canvas, signed lower left, signed, dated and inscribed en verso, German framer and customs‘ label on frame, 30 in. x 40 in., framed. $40000/50000 Provenance: Acquired Galerie Blue Dog GmBH, Munich, Germany, 1998. 834

835

162

837

836

836. William “Bill” Hemmerling (American/Louisiana, 1943-2009), “Muffin Goes to See Rock City, Chattanooga Tenn./ See America An/ American/ Original Stuckeys”, house paint on metal, signed lower right and titled, 43 in. x 26 3/4 in., unframed.

839

840

$3000/5000 Provenance: Purchased at Louisiana Furniture and Gallery, Ponchatoula, Louisiana, c. 2004.

839. Carroll Thayer Berry (American, 1886-1978), “Avery Island Salt Mine View”, 1945, oil on canvas, signed and dated lower right, 26 in. x 30 in., framed.

Note: The self-taught artist Bill Hemmerling worked with found objects and favored subjects relating to the South and African-American culture. This painting is of Hemmerling’s beloved dog, Muffin, evidently on a trip to Rock City, Tennessee. The red hearts on either side of the dog express the artist’s affection.

$2500/3500 Provenance: Sold in these rooms, October 12, 2008.

837. William Tolliver (American/ Louisiana, 1951-2000), “Autumn Landscape”, oil on canvas, signed lower right, 20 3/4 in. x 28 in., unframed.

838. Walt Louderback (American, 1887-1941), “Portrait of a Native American Hunter”, oil on canvas, signed lower left, 16 in. x 12 in., framed.

840. William “Bill” Hemmerling (American/Louisiana, 1943-2009), “Sweet Olive”, house paint on wood, signed lower right, titled lower center, 78 in. x 17 7/8 in., unframed.

$2500/3500

$3000/5000

$1500/2500 Provenance: Family of the artist.

838 W denotes the lot is illustrated at www.nealauction.com

163

W 846. J.E. Miller

(American, 20th c.), “Dunleith, Natchez, MS”; “Rienzi, 1796”; “Houmas House, Burnside, La.”; and “Stanton Hall, Natchez, MS”, four silver gelatin prints, pencilsigned lower right, localized lower left, all 10 in. x 13 in., framed alike. $400/800 W 847. French School,

early 20th c., “Les Vaches Alignees, La Boucherie, Bruxelles (The Cows Lined Up, The Butcher Shop, Brussels)”, 1936, silver gelatin print, signed “R. Jouelet” and dated lower right, Encadre par La Maison Fox, Bruxelles label en verso, 23 1/8 in. x 30 3/4 in., framed. 849

$150/250 850 W 848. Laughlin, Clarence

W 841. Morris Henry Hobbs (American/

John and Cohn, David L., New Orleans and Its Living Past, 1941, Houghton Mifflin, Boston, photographs by Clarence John Laughlin, text by David L. Cohn, signed by both on the limitation page, this copy #130 of 1030, with 62 photogravures.

New Orleans, 1892-1967), “Exchange Alley and Canal Street”, etching, signed lower right, sheet 13 1/4 in. x 10 1/2 in., unframed. $500/900 W 842. Eugene E. Loving (American/New

Orleans, 1907-1971), “Sunlight and Shadows, Old New Orleans”, etching, pencil-signed and titled, edition of 200, image 7 in. x 5 in.; Accompanied by James Carl Hancock (American/ New Orleans, 1898-1966), “Field Court, New Orleans, LA”, etching, pencil-signed and titled, image 4 in. x 2 2/3 in.; and Edith Oliver (American/ New Orleans, 1889-1979), “Spanish Court, New Orleans, LA”, etching, pencil-signed and titled, image 5 in. x 3 1/4 in., all framed, (3 pcs.).

$600/900

$300/500 W 843. Morris Henry Hobbs (American,

1892-1967), “Lafitte’s Blacksmith Shop, Old New Orleans”, 1939, etching, edition of 100, pencilsigned, titled, and numbered, dated in plate, sight 6 1/2 in. x 8 1/4 in., framed.

851

849. Clarence John Laughlin (American/ Louisiana, 1905-1985), “The Photographer as Explorer of Space + Light: (Wynn Bullock, 1902-1975)”, 1956, printed in 1976, silver gelatin print, signed, titled and dated in lower margin, photographer’s stamp and notations en verso, image 13 1/4 in. x 10 1/2 in., unframed. $500/750

$300/500

1967), “Alice”, etching on paper, pencil signed and titled lower margin, image 7 3/4 in. x 6 in., sheet 10 in. x 7 3/4 in., unframed.

850. Clarence John Laughlin (American/New Orleans, 1905-1985), “Water Witch”, 1939, silver gelatin print, signed lower right, titled and dated lower left, artist stamp en verso, image 13 5/8 in. x 10 in., unframed.

$200/300

$1000/1500

W 844. Morris Henry Hobbs (American/New Orleans, 1892-

Provenance: Estate of Charles Fritchie (1936-2013), New Orleans, LA. W 845. Eugene Delacroix (American/Louisiana, 1891-1967),

“Old Brulatour Courtyard”; “Little Theatre Courtyard”; and “Old Brulatour Patio”, three hand-colored photographs, all signed lower right, titled en versos, sight 6 1/2 in. x 4 1/2 in.; 9 1/2 in. x 7 1/2 in.; and 9 1/2 in. x 7 1/2 in., respectively, period frames. (3 pcs.) $500/700

Exhibited: New Orleans Academy of Fine Arts, January 1987. 851. Clarence John Laughlin (American/New Orleans, 1905-1985), “Triumph of Black”, 1941, silver gelatin print, signed lower right, titled and dated lower left, artist stamp and numbered “12/53” en verso, image 13 1/2 in. x 10 1/4 in., unframed. $800/1200

164

852. Clarence John Laughlin (American/ New Orleans, 19051985), “Elegy for the Old South (No.6): 1946 and The Moss Weeps (No.2)”, 1946, silver gelatin photomontage print, signed lower right, titled and dated lower left, artist stamp with ed. “6/76” and titled en verso, image 10 5/8 in. x 13 1/2 in., unframed. $500/800 Provenance: Estate of Charles Fritchie (1936-2013), New Orleans, LA.

852

Exhibited: New Orleans Academy of Fine Arts, January 1987. W 853. Clarence John Laughlin

858

(American/New Orleans, 19051985), “The Improbable Dome (No. 1)”, 1965, silver gelatin print, signed lower right, titled and dated lower left, artist stamp en verso, image 19 3/4 in. x 15 1/4 in., unframed.

W 857. Michael P. Smith (American/ New

Orleans, 1937-2008), “St. Catherine”, 1973, silver gelatin print, titled lower left, pencil signed & dated lower right, signed en verso, image 12 in. x 11 in., unframed.

$400/600

$500/800 W 854. Clarence John Laughlin

(American/New Orleans, 19051985), “From an Iron Inferno”, 1964, silver gelatin print, signed lower right, titled and dated lower left, artist stamp with ed. “6/76” en verso, image 13 5/8 in. x 10 3/4 in., unframed. $400/600

858. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Tony Kristicevich, Oysterman”, 1938, silver gelatin print, signed and dated lower right, titled lower left, 14 in. x 11 in., matted. $1200/1800 855

855. Debbie Fleming Caffery (American/New Orleans, b. 1948), “Woman with White Scarf”, 1974, silver gelatin print, signed, titled and dated en verso, image 20 in. x 16 in., unframed.

Provenance: Descended in a Baton Rouge Family. Note: A favorite subject of Fonville Winans, Tony Kristicevich, was among the Croatian immigrants who worked as oystermen in southern Louisiana. The photograph is illustrated in Cyril E. Vetter’s book Fonville Winans’ Louisiana: Politics, People, and Places, Baton Rouge: LSU Press, 1995, p. 104. 859. Theodore “Fonville” Winans (American/Louisiana, 1911-1992), “Wedding, Sacred Heart of Jesus, Baton Rouge”, 1947, vintage silver gelatin print, signed and dated lower right on mat, 10 in. x 8 in, original mat and folder.

$800/1200 Provenance: Estate of Charles Fritchie (1936-2013), New Orleans, LA. W 856. Michael P. Smith

$400/600

(American/New Orleans, 19372008), “Cynthia”, 1970, silver gelatin print, titled lower left, pencilsigned and dated lower right, artist stamp en verso, image 14 in. x 11 in., unframed.

Provenance: Descended in a Baton Rouge Family. Note: Once Fonville Winans married and had children, he became a popular Baton Rouge wedding photographer. His trademark was to follow the bride the whole day - from getting dressed to the altar. Fonville referred to himself as the “world’s greatest wedding photographer”.

$500/800

859 W denotes the lot is illustrated at www.nealauction.com

165

863

W 861. Swinney

W 862. A Preservation Hall Jazz Band

(American/New Orleans, mid-20th c.), “Brulatour Patio”; “Brulatour Courtyard; New Orleans”; “Patio Royal; New Orleans”; “Spanish Arms Gate; Old New Orleans”; and “Brulatour Stairway, New Orleans”; five hand-colored photographs, all signed lower right, titled lower left and en verso, sight 10 in. x 13 1/2 in.; 7 1/2 in. x 9 1/2 in.; 6 1/2 in. x 4 1/2 in.; 6 1/2 in. x 4 1/2 in. and 6 1/2 in. x 4 1/2 in., respectively, period frames, (5 pcs.).

Collage, 20th c., incorporating posters and photos of the band, sight 31 in. x 27 1/2 in., framed.

$300/500

“Sundown”, 1974, acrylic on canvas, signed and dated lower left, signed, titled, dated and inscribed “Stern #11” en verso, 24 in. x 22 in., artist embellished frame.

$150/250 863. Mildred “Millie” Wohl (American/Louisiana, d. 1977), “No. 22”, oil on masonite, signed and titled en verso, 20 3/4 in. x 24 in., period frame. $2000/3000 Provenance: Collection of Ronald Bourgeois, A.S.A. and Chuck East, New Orleans. W 864. S.A. Scott (American, 20th c.),

$500/700 Provenance: Estate of Artist and Collector Charles Fritchie (1936-2013), New Orleans, LA. 865. Noel Rockmore (American/New Orleans, 1928-1995), “Mexican Woman”, 1963, oil on board, signed and dated lower right, “Vincent Price Collection, Sears, Roebuck and Co.” label en verso, 19 in. x 12 in., period frame; accompanied by original Sears, Roebuck and Co., Los Angeles, receipt for painting. $800/1200 Provenance: Vincent Price Collection, Sears, Roebuck and Co., Los Angeles, California; thence to private collector, Cocoa Beach, Florida. 866. Noel Rockmore (American/New Orleans, 1928-1995), “Voodoo Princess”, 1984, pastel, signed and dated lower right, titled en verso, sight 24 1/2 in. x 18 1/2 in., framed.

866

865

$800/1200

W 860. C. Bennette Moore (American/

Louisiana, 1879-1939), “Old Brulatour Courtyard”, two hand-colored photographs, each signed lower right, sight 6 1/2 in. x 4 1/2 in., period frames; together with New Orleans School, 20th c., “Pirates Alley” and “Brulatour Courtyard”, two hand-colored photographs, unsigned, titled lower left, image 6 1/2 in. x 4 1/2 in., matching period frames. (4 pcs.).

867. Fred Trenchard (American/Louisiana, b. 1941), “Untitled: Male Figure (drawing en verso)”, 1971, oil on canvas, initialed “F.T.” and dated lower right, “Galerie Simon Stern, Royal Street, New Orleans” and artist’s title labels en verso, 42 in. x 42 in., unframed.

$300/500

$1200/1800

867

166

868. Adrian Deckbar (American/ Louisiana, b. 1950), “Woman on a Rose Blanket”, oil on canvas, signed lower left, 63 in. x 43 in., framed. $2000/3000 869. A Monumental Continental Decorative Canvas Panel, 19th/20th c., painted with an urn and birds amid garlands on a fictive trellis-work, unsigned, 109 in. x 48 1/2 in., unframed.

868

$1200/1800 Provenance: Sold in these rooms, September 15, 2013 as lot 1204.

869 877 W 875. An American Patinated

W 870. Marc

Bronze Paperweight, 19th c., fluted urn with arrangement of flower buds, height 7 in., width 5 in., depth 5 in.

Chagall (Russian/French, 18871985), “Fables of La Fontaine, Le Renard et le Buste”, 1927, drypoint etching on paper, pencil-signed lower right, signed in plate lower left, numbered “2/100” hors commerce, “Beverly Hills Galleries” label en verso, sight 13 1/2 in. x 11 in., framed.

$200/400 W 876. A Group of Four

$500/800

American Gilt Metal Curtain Tie Backs, 19th c., scrolled acanthine form, height 2 in., width 7 in., depth 6 1/2 in.

W 871. Debbie Fleming Caffery

$250/350

(American/New Orleans, b. 1948), “Bessie”, 1981, silver gelatin print, signed, titled and dated en verso, image 20 in. x 16 in., unframed. $500/800 Provenance: Estate of Charles Fritchie (1936-2013), New Orleans, LA. W 872. A Group of Five Wedgwood

Blue and White “Princeton University” Plates, 1930, each decorated with a Princeton scene within a foliate border, including “Stony Brook Bridge”, “Clio and Whig Halls”, “Nassau Hall”, “Graduate College” and “Holder Court and Tower”, diameter 10 1/2 in. $300/500

878

W 873. An English Aesthetic

Movement Bronze-Mounted Porcelain Urn, late 19th c., black ground body with painted scene of a maiden with Cupid, supported on the backs of storks, height 12 3/4 in., width 9 in., depth 5 3/4 in. $200/300 W 874. An American Patinated

Bronze Tripod Bowl, 19th c., decorated with intertwined vines with cordate leaves and berries, raised on dolphin feet, plinth base, height 6 3/8 in., width 7 1/4 in., depth 4 1/2 in.

877. An American or English Brass and Wirework Fire Fender, 19th c., decorated with swags and scrolls, height 10 in., width 43 1/2 in., depth 13 1/4 in. $300/500 878. A Fine Pair of American Classical Brass Andirons, early 19th c., faceted baluster form standard, beehive legs, ball feet, height 22 in., width 12 1/2 in., depth 23 in. $500/800

$200/400 W denotes the lot is illustrated at www.nealauction.com

167

879

880

883

883. A George III Satinwood Wheel Barometer, c. 1810, marked “Jos. Somalvico & Co./ 16 Charles Street/ Hatton Garden”, incorporating a thermometer and hygrometer dial, height 46 in., width 14 1/2 in., depth 2 1/2 in. $1000/1500

881 882 879. A Regency-Style Faux Tortoiseshell Cellarette, oval, with removable copper liner, casters, height 25 in., width 24 in., depth 18 in. $800/1200 880. A Neoclassical-Style Patinated Bronze Twelve-Light Chandelier, fluted columnar standard, scrolled support over acanthine bell, pineapple pendant, height 29 in., diameter 23 in. $800/1200

881. A Pair of Charles X Gilt and Patinated Bronze Six-Light Candelabra, each with scrolled arms, columnar standard on paw feet, incurvate plinth, height 28 1/4 in., diameter 9 in. $1000/1500 882. A Good French Gilt-Bronze and Cut-Crystal Twelve-Light Chandelier, c. 1900, probably Baccarat, vasiform standard, diamond-cut bell, all over hung with chains and pendants, faceted ball, height 32 in., diameter 22 in. $3000/5000

168

884. Preston Powers (American, 1843-1931), “Bust of a Gentleman, possibly John Greenleaf Whittier (1807-1892)”, 1876, marble, signed, dated, and numbered “19” on rear truncation, 30 1/8, width 20 1/2 in., depth 13 1/2 in. $2500/3500 Note: According to the Smithsonian Institution Research Information System, Powers sculpted a marble bust of the famed American poet and abolitionist John Greenleaf Whittier in 1874. The bust, now conserved in the Boston Public Library, was displayed at the Boston Museum of Art in 1875 and a copy was made for the Haverhill Public Library (MA) in 1881. In addition to these recognized works, newspaper articles indicate that there was another Whittier marble bust in Powers’ studio in Florence, Italy, that was completed in late 1876/early 1877.

885 884

References: Evening Post (NY), 16 April 1875; San Francisco Bulletin,12 Feb. 1877.

885. A Wedgwood Basalt Bust of Elizabethan Dramatist Francis Beaumont (15841616), 19th c., inscribed “Beaumont and “Wedgwood”, height 15 1/4 in., width 9 1/4 in., depth 5 1/2 in. $1000/1500

887

886. A Wedgwood Basalt Bust of Actor and Playwright David Garrick (1717-1779), 19th c., height 16 3/4 in. $1000/1500

886

887. After Pierre-Jules Mêne (French, 1810-1879), “Veneur Louis XV à Cheval”, bronze, cast signature on base, now on marble plinth, height 25 in., width 23 3/4 in. $2000/3000

W denotes the lot is illustrated at www.nealauction.com

169

888

888. A Pair of Federal-Style Carved Giltwood Pier Mirrors, Quigley Furniture Co., Chicago, stamped, each with opposed spread-winged eagle crest, dentil molded surround with rosettes, height 77 in., width 34 in. $2500/3500 Note: During the 1940s and 50s Quigley provided custom designs from Samuel Marx, David Adler and Frances Elkins. 889. A Georgian Carved Mahogany Settee, late 18th c., arched molded back, padded arms, serpentine seat rail, cabriole legs, height 34 in., width 62 in., depth 31 in. $1200/1800

889

170

890

890. A Pair of French Gilt-Bronze Figures of Scholars, late 19th c., one marked “École Royale”, on white marble bases, height 10 in., width 5 1/2 in., depth 5 1/2 in. $800/1200 891. A George III-Style Carved, Painted and Parcel Gilt Torchère, 19th c., white ground, circular top, fluted frieze suspending laurel festoons, tripod supports surmounted by ram’s heads and terminating in hoof feet, incurvate triangular plinth, ball feet, height 55 1/2 in., width 23 in., depth 23 in.

891

894

$400/600 892. An Antique Regency-Style Mahogany Three Pedestal Dining Table, turned baluster supports, outswept reeded legs, brass cuffs, casters, height 29 in., length 96 in., width 48 in. $1500/2000 893. A Set of Ten Queen AnneStyle Carved Walnut Dining Chairs, comprised of two arm and eight side chairs; vasiform splat backs, shaped stiles, balloon slip seats, shell cabriole legs, ball and claw feet.

892

$2500/3500 894. An American or English Carved Giltwood Looking Glass, 19th c., molded surround with rosettes and strapwork, width 25 1/2 in., height 41 1/2 in. $500/700

893 W denotes the lot is illustrated at www.nealauction.com

171

896

895

895. A French Provincial Carved Fruitwood Commode, 19th c., shaped Egyptian marble top, conforming swelled case with four drawers, scrolled acanthine stiles, scrolled feet, height 41 in., width 56 in., depth 22 1/2 in.

897

$3500/5000

898. A Monumental Limoges Porcelain Gilt Bronze-Mounted Vase, c. 1890, marked with “Limoge VF France” for Vignaud Frères, and with spurious Sèvres marks, the reserve with genre scene painted by R. Petit, flanked by scrolled handles, floral decoration, associated lid with fruit finial, height 29 1/2 in., width 14 in., depth 10 in.

896. An Antique Northern European Carved and PaintDecorated Blanket or Dower Chest, 18th c., possibly German, lift top, wrought iron 898 strapwork hinges, void interior with small drawers and till, front with arched tulip painted panels, rosette corners, shaped bracketed base, height 32 in., width 53 in., depth 25 1/2 in.

$4000/6000 899. A French Neoclassical-Style Patinated Bronze Urn, 19th c., double-handled urn with frieze of parading musicians, now mounted as a lamp, height 27 1/2 in., diameter 7 1/2 in.

$1200/1800 897. A Napoleon III Polychrome Painted Porcelain Plaque, c. 1870, “Le Récit de l’Éclaireur”, signed “Armano”, lower right, after the painting by Alphonse de Neuville (French, 1836-1885), 12 in. x 15 in., framed. $1200/1800

172

899

$800/1200

900 904

905 903 904. A Pair of RégenceStyle Walnut Fauteuils à la Reine, each with arch crest, padded arms, scrolled uprights, seat rail centering shell, cabriole legs, shaped “X” stretcher.

900. A Pair of French Carved Ivory Figural Plaques, 19th c., probably Dieppe, inscribed “Johanna d’Arc” and “Charles VII”, in low relief, height 8 1/2 in., width 4 1/4 in., depth 1/4 in., wood stands. $800/1200

$1200/1800

W 901. Three George III Polychromed Chocolate

905. A Vintage English Olive Green Leather Chesterfield Sofa, c. 1920, button-tufted, with two loose cushions, height 38 1/2 in., width 68 in., depth 32 1/2 in.

Pots, c. 1800, two pewter, one tin, pear form with loop handles, spigots, cabriole legs, ball feet, largest height 18 1/4 in., width 8 in., depth 11 1/4 in. $500/700

$1500/2500

W 902. A George III Lacquered Dressing Box, c.

1800, octagonal with Chinoiserie reserves, void interior, paw feet, height 5 1/2 in., width 11 1/2 in., depth 8 1/2 in.

906. A Fine Georgian-Style Tufted Leather “Porter’s Chair”, barrel back, shaped mahogany arms and plinth storage compartment, seat with loose cushion, green leather upholstery with nailhead trim, height 67 1/2 in.

$300/500 903. A Fine Pair of Adam-Style Carved Mahogany Urns, removable domed covers with floral medallion border, decorated bodies on foliate circular bases, square plinth, height 24 1/2 in., diameter 13 1/2 in. $1000/1500

$2500/3500 906 W denotes the lot is illustrated at www.nealauction.com

173

W 907. An Antique English

Papier-Mâché Tray, 19th c., oval floral painted tray, on conforming later bamboo turned base, X stretchers, overall height 19 in., width 30 in., depth 23 in. $400/600 908. An Antique GeorgianStyle Mahogany Hanging Vitrine, molded cornice, glazed door, conforming sides, shelf interior, molded base, height 45 in., width 32 in., depth 10 in. $700/900 908

909

909. An Antique George III-Style Mahogany Bowfront Chest of Drawers, dressing slide over four graduated drawers, bracket feet, height 32 1/2 in., width 34 in., depth 22 in. $800/1200 910. A George III Carved and Inlaid Mahogany Two Pedestal Dining Table, 19th c., banded top, baluster supports, reeded legs, brass cuffs, casters, height 30 1/2 in., length 84 in., width 44 in., with one conforming leaf. $2500/3500

910

911. An English Mahogany Dumbwaiter, mid19th c., shaped backsplash, three shelves, balusterturned supports, casters, height 49 in., width 40 in., depth 17 in. $500/700 912. A George III Carved Mahogany Library Armchair, late 18th c., molded back, padded arms, scroll supports, dentilated serpentine seat rail, tapered fluted legs. $800/1200 911

174

912

913. A Pair of Regency Ebonized and Caned Armchairs, each back centering a patera, scrolled arms, trapezoidal seat, turned tapered legs. $1000/1500 914. An Edwardian PaintDecorated Satinwood Lap Desk, 19th c., in the Adam taste, hinged lid centering reserve of putti, fitted interior with baize writing surface, one side fitted with a long drawer, carrying handles, on associated mahogany stand, overall height 20 in., width 15 1/2 in., depth 10 in.

913

914

$700/900 915. A French Provincial Walnut Work Table, 18th/19th c., marble top, scalloped frieze, single drawer, cabriole legs, height 25 in., width 29 in., depth 19 1/2 in.

915 916

917. After Titziano Vecelli, “Titian” (Italian, 1488-1576), 19th c., “Ranuccio Farnese in the Robes of a Knight of Malta”, after the original conserved at the National Gallery of Art, Washington, D.C., oil on canvas, unsigned, inventory stencil 1937 en verso, 37 in. x 30 in., framed.

$500/700 916. A French Provincial Walnut Wine Tasting Table, 18th c., circular tilt top, gated supports, trestle feet, height 27 1/2 in., diameter 34 1/2 in.

$600/900 W 918. French School, mid-19th c., “Grisaille

Painting of the Holographic Will of François Marie-Joseph Hector Duclaux de Bésignan (1768-1837)”, oil on canvas, unsigned, 37 in. x 25 in, framed.

$700/1000

$500/800

917

W denotes the lot is illustrated at www.nealauction.com

175

921 919. Attributed to Jean-Joseph-Xavier Bidauld (French, 1758-1846), “Eros Removing his Blindfold”, 1785, oil on canvas, Initialed and dated “J.B. 1785” lower right, 47 1/2 in. x 32 in., framed. $5000/8000 920. Gaetano Capone (Italian, 1845-1920), “Monk that Visited the Piazza”, oil on canvas, signed lower right, 22 in. x 12 in., gilt frame. $1500/2000

919

921. José Weiss (British, 1859-1919), “Landscape”, oil on canvas, signed lower right, “Kurt Schon...New Orleans” gallery label en verso, 28 in. x 38 in., period frame. $1500/2500 922. Marguerite Joseph (British, 1856-1905), “Still Life with Roses, Gooseberries, Melons and Peaches”, oil on canvas, signed lower left, stenciled “60” en verso, 46 in. x 29 in., period frame. $1000/1500

920

176

922

923. A French Carved Walnut Aneroid Barometer, c. 1900, carved with acanthus and pineapple pendant, suspended from knotted ribbon, height 40 in., width 13 1/2 in., depth 3 1/2 in. $600/800 924. A Carved Marble Figure of John Milton (1608-1674), height 22 1/2 in., width 11 1/4 x depth 5 1/2 in. $1500/2500 925. A Louis XVI-Style Ebonized and Repoussé Brass Cushion Mirror, 19th c., mirror plate of divided cushion form, foliate surround, height 44 1/2 in., width 36 in. $1000/1500

923

925

926

924

926. A Gilt Bronze Equestrian Figure of Bartolomeo Colleoni, 19th c., after the monumental sculpture by Andrea Verrocchio (Italian, 1435-1488) in Venice, stepped marble plinth, overall height 15 in., length 14 1/4 in., width 8 in. $1800/2500

W denotes the lot is illustrated at www.nealauction.com

177

927

928

928. An American Aesthetic Ebonized, Gilt-Incised, Carved Walnut and Ash Bedstead, late 19th c., attributed to Herter Brothers, New York, headboard surmounted by arched crest with shells and rosettes, panels below flanked by columnar posts with turned finials, paneled foot board with conforming posts, bracketed paneled rails, turned feet, the whole with foliate decoration and burled and figured panels, height 89 in., interior length 78 in., width 59 in. $2500/3500 Provenance: By repute, acquired in New York; descended in the Astor family. Note: A bedstead with similar design elements sold as part of a suite attributed to Herter in these rooms on November 5, 1988, as lot 612. The fine carving, gilt incising, crest, finials, decorative floral rosettes and the use of threaded bolts in the bed offered here reflect the quality and craftsmanship of Herter Brothers.

929

927. An American Aesthetic Carved, Incised, Inlaid, and Ebonized Music Cabinet, late 19th c., New York, stepped galleried top, frieze drawer above door, fitted interior, columnar stiles flanked by tiered shelves, height 50 1/2 in., width 49 1/2 in., depth 18 1/2 in. Note: Later ebonization.

929. An American Renaissance Carved Walnut Chaise Longue, late 19th c., bears stamp “Herter Bro’s/New York”, also stamped “W.H. Van., 4808”, outscrolled end with dolphin support, padded back rail above panel decorated with dolphins, reeded front seat rail, tapered legs surmounted by blocks, height 33 in., width 68 1/2 in., depth 27 in. $1200/1800 930. An American Rococo Cast-Iron Centripetal Spring Chair, mid-19th c., designed by Thomas Warren, manufactured by American Chair Company, Troy, New York, cartouche-shaped padded back, round seat, base with scrolls and leaves.

$1200/1800

$700/1000

930

178

933

931

931. An American Gothic Carved Walnut Child’s Chair, c. 1850, Boston or New York, arched crest, spindle-turned back and stiles, shaped seat, turned legs, original needlepoint upholstery. $400/600 932. A Victorian Oak, Suede and Metal Strapwork Steamer Trunk, c. 1875, having a domed lid, fitted interior lined with green velvet, brass lockplate stamped “Patented Nov. 1st 1864 & May 11th 1875”, height 30 in., width 34 1/2 in., depth 21 1/2 in.

932

935

934. An Antique George II-Style Mahogany Console Table, rectangular marble top with rounded corners, conforming frieze with gothic blind fretwork, shellcarved cabriole legs terminating in ball and claw feet, height 34 in., width 42 1/2 in., depth 23 1/2 in.

$700/900 933. A Georgian-Style Carved Mahogany Extension Dining Table, 19th c., gadrooned oval top with crank mechanism, molded frieze, eagle carved cabriole legs, ball and claw feet, height 29 in., length 94 1/4 in., width 44 in., with two leaves.

$700/1000 935. An English Cast Iron Pub Table, 19th c., mahogany top, polychromed base with Bacchus mask decoration, stretcher shelf, shoe feet, height 27 1/4 in., diameter 21 1/4 in. $400/600

$1500/2500 934 W denotes the lot is illustrated at www.nealauction.com

179

937. An Austrian Inlaid and Burled Walnut Center Table, 19th c., shaped top with mountain goat reserve, pierced foliate frieze, acanthus carved stem, eagle headed arched legs, scrolled toes, height 30 in., width 39 in., depth 29 in. $1200/1800

937

936

938. A Louis XVI-Style GiltBronze and Cut-Glass Eighteen-Light Chandelier, c. 1900, vasiform standard, lobed bell with pineapple pendant, hung with chains, pendants and faceted ball, height 41 in., diameter 29 in. $1500/2500

939

939. A BaccaratStyle Ten-Light Cut Crystal Chandelier, 20th c., vasiform standard, fluted arms, faceted ball pendant, hung with prisms and chains, height 36 in., diameter 33 in. $800/1200 940. A Pair of Italian Glass Sculptures of Cranes, 20th c., handblown, the interior with foil decoration, height 23 1/4 in., width 9 1/2 in., depth 5 1/4 in.

938

936. A Georgian-Style Japanned and Carved Walnut Cabinet-on-Stand, upper case with Chinoiserie decoration, two doors with pierced brass strapwork hinges; stand with molded edge, single frieze drawer, acanthine cabriole legs, pad feet, height 63 1/4 in., width 39 in., depth 21 in.

$500/700

$800/1200

940

180

941. A Pair of Continental Wrought-Iron Three-Light Torchères, late 19th c., rope-twist standard issuing scrolled arms, quadripartite legs, spade feet, height 69 in., width 20 in., depth 21 in. $700/1000 W 942. A Lead Figural Fountain, depicting a

reclining figure seated next to a bird on a shellform basin, shaped base, height 14 in. $300/500 W 943. Charles Fritchie (American/New

Orleans, 1936-2013), “Male Nude with Eyes Closed”, patinated bronze, unsigned, height 42 in., width 10 in., depth 4 in. $800/1200 Provenance: Estate of the artist. 944. Charles Fritchie (American/New Orleans, 1936-2013), “Female Nude with Arms Crossed”, patinated bronze, signed and dated on self base, height 34 in., width 9 in., depth 13 in.

941

$800/1200

944

Provenance: Estate of the artist. 945. Max Ernst (German, 18911976), “Untitled”, colored etching, illustration for La Brebis Galante by Benjamin Peret, c. 1949, signed and numbered in pencil, with certificate from Renaissance Fine Arts, Ohio, sight 6 in. x 5 in., framed. $600/900 W 946. Max Ernst

(German, 18911976), “Untitled”, colored etching, illustration for La Brebis Galante, by Benjamin Peret, c. 1949, with certificate from Renaissance Fine Arts, Ohio, sight 6 in. x 5 in., framed.

945

947 (1 of a pair)

948. A George Nelson for Herman Miller Round Rosewood Table, c. 1955, veneered circular top, nickel-plated base, adjustable height 20-30 in., diameter 42 in.

$600/900 947. A Pair of Art DecoStyle Wrought Iron Consoles, each with inset green faux marbre top, winged geometric bases, height 35 1/2 in., width 43 1/2 in., depth 10 in.

$1500/2500

$700/1000 948 W denotes the lot is illustrated at www.nealauction.com

181

949

950 (1 of a pair)

952

953

957

952. A George Nelson for Herman Miller Rosewood Wall Mounted Shelf, c. 1955, fitted with two drawers, height 4 1/2 in., width 31 in., depth 18 in. $500/750

949. A George Nelson for Herman Miller “Thin Edge” Full Size Bed, c. 1955, birch caned headboard, white enameled legs and support, height 35 1/2 in., interior length 84 1/2 in., width 54 in. $2000/3000 950. A Pair of George Nelson for Herman Miller “Steelframe” White Enamel and Walnut Single Headboards, c. 1955, with Herman Miller tag, height 30 in., width 38 in. $700/1000 W 951. A Pair of George Nelson for Herman Miller

“Steelframe” White Enamel and Walnut Single Headboards, c. 1955, with Herman Miller tag, height 30 in., width 38 in. $700/1000

W 955. A Mexican Art Moderne

Sterling Silver Hot Milk Pitcher, probably Taxco, mid-20th c., footed cylindrical form, angular handle with spherule accents and bone heat insulators, height 6 in., weight 9 troy ozs. $200/300

953. A Pair of Charles and Ray Eames for Herman Miller LCW Lounge Chairs, 2001, metal Herman Miller tag, molded birch plywood in red aniline dye.

W 956. An American Sterling

Silver Water Pitcher, Elemore Silver Co., Meriden, CT, 1935-1960; height 8 1/2 in., weight 16.95 troy ozs. Note: Dents.

$600/900

$300/500

W 954. An Antique English

957. A Pair of American Sterling Silver Tazzas, Frank M. Whiting Co., North Attleboro, MA, act. 1878-1940, ret. J.E. Caldwell & Co., Philadelphia, 1848 to present; serpentine gadrooned borders, neoclassical decoration, stepped weighted bases, height 3 3/4 in., diameter 8 1/2 in.

Silverplate-Mounted Cut Crystal Claret Jug, late 19th c., height 10 1/2 in. $250/350

$400/600

182

959

960

962

W 958. An Antique Silverplate

Dressing Mirror, late 19th/early 20th c., with chased foliate scroll decoration and easel back, 16 7/8 in. x 14 7/8 in. $300/500

960. A Tiffany & Co. Sterling Silver Wine Coaster, c. 1929, rim with stylized decoration, height 1 1/2 in., diameter 6 3/8 in., weight 5.95 troy ozs. $250/350

959. A Tiffany & Co. Sterling Silver and Vermeil Serving Spoon, in the 17th century Dutch taste, custom-designed pattern 625, 1894-1895; elliptical gilt washed bowl with elongated rat tail, flat stem with cast running foliage, shield-shaped terminal with cast figures, length 9 7/8 in. $600/800 Note: After the Centennial Exposition of 1876 created a demand for colonial-style objects, Tiffany & Co. began to manufacture silver in the “Old English” taste. Charles Venable notes that “Ten years later Tiffany’s was even making silver in the seventeenthcentury Dutch taste, in keeping with the colonial history of New York.” He illustrates a related spoon in the “Love Playing with Time” pattern in fig. 9.21. Venable, Charles L. Silver in America, 1840-1940, 1995, p.268 and 270.

W 961. An American

Sterling Silver Centerpiece and Matching Candleholders, International Silver Co., Meriden, CT, 1898 to present, centerpiece height 8 1/2 in., width 9 1/2 in., candleholder height 5 1/4 in., combined weight 39.70 troy ozs; together with a pair of sterling silver three-light candelabra with weighted bases, height 7 1/4 in.; and a vintage motif silverplate server, height 9 in., diameter 19 3/4 in. $600/800

963

962. A Reed and Barton “Francis I” Pattern Sterling Silver Luncheon Flatware Service for Twelve, pat. 1907, comprised of 12 each: luncheon forks, luncheon knives, salad forks, soup spoons, teaspoons and butter spreaders (fh); total weight (weighable) 78.65 troy ozs. (72 pcs.) $2000/3000 963. A Wallace “Sir Christopher” Pattern Sterling Silver Flatware Service, pat. 1936; comprised of 8 each: dinner forks, dinner knives, salad forks, soup spoons, cocktail forks, flat handle butter spreaders; 6 teaspoons, 2 cold meat forks, 2 tablespoons, a gravy ladle, a sugar shell and a master butter knife, total weight (weighable) 79.80 troy ozs. (61 pcs.) $2500/3500 W 964. A Tiffany-Style Leaded Glass Chandelier, 20th

c., domed top, the frieze with vining floral design, height 13 in., diameter 27 in. $600/900

W denotes the lot is illustrated at www.nealauction.com

183

965

969

W 970. An Antique

English Silverplate Luncheon Flatware Service, Martin, Hall & Co., Sheffield, 18541897; comprised of 12 forks and 12 knives, in a fitted burl walnut case. $300/500

971

965. A Watson “Exemplar” Pattern Sterling Silver Coffee and Tea Service, mid-20th c., comprised of a coffee pot, teapot and creamer, coffee pot height 10 in.

972

971. An Antique English Silverplate Tea Tray, 19th c., oval with openwork foliate handles and feet, well with engraved stag crest surrounded by shell and foliage chasing, 35 1/2 in. x 24 in. $600/800

$1200/1800 972. A Pair of NeoclassicalStyle Gilt Bronze Lamps, each with pierced body, mask handles, faux malachite plinth base, height 18 in., diameter 9 in.

W 966. A Group of Sterling Silver, including a

covered dresser jar, J.E. Caldwell, Philadelphia, 1848present, height 4 1/2 in.; a butter dish with reticulated liner, Unger Brothers, Newark, 1872-1914, diameter 7 in.; a bowl, Alvin, Providence, RI, 1886-present, height 1 3/4 in., diameter 7 1/2 in.; 2 baby cups, Weidlich Sterling Spoon Co., Bridgeport, CT, wc. 1915-1952, heights 2 in. and 2 ¼ in.; a baby cup, Webster, North Attleboro, MA, 1894-present, height 1 3/4 in.; and a Continental silver footed bowl, height 3 in., width 5 3/4 in.; combined weight 23.35 troy ozs.

$1000/1500

$200/300 W 967. A Group of Vintage American Sterling

Silver Table Articles, mid-20th c., various makers; including 5 bread plates, Fisher Silversmiths, Inc.; Gorham “Chantilly” pattern small bowl; 6 dessert coupes, Manchester Silver Co.; 6 Mexican sipper spoons with Aztec calendar decoration; and 12 Mexican sipper spoons with leaf decoration; combined weight 44.95 troy ozs. $250/350 W 968. A Victorian Turned Wood Umbrella

Stand, c. 1880, acorn finial, removable tin catch basin, height 27 1/2 in., width 24 in., depth 10 in. $200/300

184

973 969. A Gorham “Plymouth” Pattern Sterling Silver Coffee and Tea Service, comprised of a coffee pot, teapot, sugar, creamer and waste bowl, coffee pot height 9 in., combined weight 53.15 troy ozs. $1200/1800

973. An Antique George III-Style Carved Mahogany Tea Table, probably late 18th c., reticulated galleried octagonal tilt top, fluted and carved baluster support, acanthine arched legs, claw and ball feet, height 29 in., width 31 1/2 in., depth 31 1/2 in. $500/750

975

978

976

W 974. An Antique

George III-Style Inlaid Mahogany Side Table, molded top, frieze drawers, paterae above bracketed square tapered legs, height 28 3/4 in., width 41 1/4 in., depth 22 3/4 in. $300/500

977

976. An Antique George III Mahogany Dining Table, probably late 18th c., comprised of two demilune dropleaf ends, each with straight frieze, square tapered legs, brass spade feet, casters, height 30 in., length 66 1/2 in., width 46 in. $800/1200

975. A Regency Carved Mahogany Pedestal Sideboard, early 19th c., outset top with pedimented backsplash, bolection frieze drawers, each pedestal with pylon panel, one side fitted with drawers, the other with shelves, melon feet, height 45 in., width 78 1/2 in., depth 26 in. $800/1200

977. A Set of Seven Antique George IIIStyle Elm or Oak Dining Chairs, 19th c., comprised of six side and one armchair, arched crest rail, pierced vasiform splat, trapezoidal seat rail, square legs, stretchers. $800/1200

979

978. An English Mahogany Campaign Chest, late 19th c., in two parts, brass bound top above two over three drawers, blocked feet, height 41 in., width 36 in., depth 19 in. $800/1200

979. A George III-Style Mahogany Partner’s Desk, inset tooled leather top, frieze drawers, columnar supports, incurvate plinth, outswept legs, brass paw cuffs, casters, height 30 in., width 71 in., depth 41 in. $800/1200

W denotes the lot is illustrated at www.nealauction.com

185

982. Antal Neogrady (Hungary, 18611942), “Young Woman Gathering Wildflowers in a Field”, oil on canvas, signed lower right, 23 1/2 in. x 17 5/8 in., framed. $1000/1500 983. Paul Renard (French, 1941-1997), “Paris Street Scene”, oil on canvas laid down on board, signed lower right, 151/4 in. x 19 1/2 in., framed.

980

$1200/1800 Provenance: Cocoa Beach, FL Estate. 981

984. Heinrich Stein (German, 1847-1913), “View of the Nile and Great Pyramids of Giza, Cairo, Egypt”, 1894, oil on wood panel, signed and dated lower right, 12 in. x 16 in., framed.

983

$500/800 W 985. After William

and Henry Barraud (British, 1810-1850 and 1811-1874), “Mr. William Long on Bertha” and “Mr. Charles Davis on Traverser”, later restrikes after the 1849 hand-colored engravings by EDW Hacker, London, signed in plate lower left, sights 18 1/2 in. x 21 1/2 in., framed alike. (2 pcs).

982

$600/900 984

980. An English Gilt-Decorated and Mother-ofPearl Inlaid Papier-Mâché Tray, 19th c., eagle reserve, later bamboo turned stand, X stretcher, height 19 1/2 in., width 31 in., depth 23 1/2 in. $500/700

186

981. A William IV Carved Mahogany Linen Press, early 19th c., flared cornice over arched paneled doors enclosing linen trays, two short over two long drawers below, plinth base, height 83 in., width 60 in., depth 24 in. $800/1200

W 986. An American Brass

Standish, 18th c., with two lidded inkwells, pounce pot and quill holder on conforming tray, raised on pierced paw feet, height 5 in., width 9 1/2 in., depth 5 1/2 in. $200/400

990

988

991

W 987. A Coalport Polychrome

and Silver-Mounted Bottle, c. 1895, marked, the reserves painted with a highland landscape and floral spray, height 5 in. $300/500 988. An English Stenciled and Ebonized Dressing Box, early 19th c., lid with a scene of a fallen knight receiving last rites, borders of vining floral design, height 4 in., width 11 in., depth 9 in. $250/350 W 989. A Pair of Hepplewhite-

Style Mahogany Knife Boxes, 20th c., urn inlay, fitted interiors, height 14 in., width 8 1/2 in., depth 9 3/4 in.

991. A Good Pair of American Classical Brass Andirons, early 19th c., faceted baluster standards, log stops, billet bars, height 23 1/4 in. $500/700 W 992. A Louis XV

Needlepoint Chair Seat and Back, 19th c., beige silk ground with wool foliate swags and floral branches in shades of green, professionally backed, overall seat length 26 in., width 29 in., back length 19 in., width 16 in. $500/700

994

W 993. A French Aubusson Silk and Wool Tapestry Chair

Seat Cover, 19th c., olive ground reserved with floral bouquet, overall length 21 in., width 21 in.

$400/600

$200/400

990. A Monumental Silverplate Meat Dish and Cover, the cover with elaborate geometric decoration, height 12 in., width 41 in., depth 26 in.

994. An American Rococo Carved Giltwood Overmantel Mirror, 19th c., scrolled acanthus floral and foliate crest, bead molded frame, retains original gilt surface, height 78 in., width 47 1/2 in. $1000/1500

$1200/1800 W denotes the lot is illustrated at www.nealauction.com

187

997. A George III Oak Blanket Chest, late 18th c., molded top with strapwork hinges, void interior, paneled body, block feet, height 26 in., width 42 in., depth 20 in. $800/1200

996

998. An Antique Georgian Carved Oak Tea Table, probably late 18th c., circular top, vasiform standard, arched legs ending in slipper feet, height 27 1/2 in., diameter 36 in. $700/900 999. An Edwardian Mahogany and Marquetry Cabinet-onStand, late 19th/early 20th c., upper case with arched cornice, astragal glazed doors, shelf interior; stand fitted with two drawers, square tapered legs, height 70 in., width 28 1/2 in., depth 21 in. $500/750

997

995

995. A Georgian Inlaid Mahogany Tall Case Clock, late 18th c., finialed arched crest, dial signed by John Pratt Dover, fluted columns and quarter columns to the sides, arched door, cove molded waist, shell inlaid base, bracket feet, height 90 in., width 20 1/2 in., depth 10 1/2 in. $2500/3500

998

996. An English Burlwood Center Table, 19th c., octagonal tilt-top with gadrooned edge, acanthine stem, scrolled legs, height 29 1/2 in., diameter 52 in. $1400/1800 999

188

1000. A George III Mahogany Linen Press, late 18th/early 19th c., molded cornice, pair of paneled doors over three graduated drawers, molded base, bracket feet, height 81 1/4 in., width 51 3/4 in., depth 24 1/2 in. Note: Lacks linen drawers. $700/1000 W 1001. A George III-

Style Mahogany Music Stand, early-tomid-19th c., canted rectangular music rest with gilt bronze candlearms, tapered standard and spider legs, height 40 in., width 20 in.

1003

$300/500 1002. Harry Leonard Lopp (American, 1888-1974), “Hay Stacks”, oil on canvas, signed lower left, “J & R Picture Frames, Hollywood, California” stamp en verso, 12 in. x 15 3/4 in., framed.

1000

$800/1200 1003. American School, early 20th c., “Woman Sewing by the Window”, oil on canvas, illegibly signed in red lower left, 14 in. x 18 in., unframed. $1800/2500 Provenance: Purchased in Michigan, originally acquired from a Chicago Estate.

1002

1005

1004. Georges Philibert Charles Maroniez (French, 1865-1933), “Cottage by a Seashore: Workman Approaching, Under a Full Moon”, oil on canvas, signed lower right, 18 1/4 in. x 24 in., original frame. $1000/2000 1005. German School, 19th c., “Titian’s Serving Girl”, after the larger original by Titian in the Berlin Museum, c. 1555, oil on canvas, unsigned, 26 in. x 21 in., framed. $800/1200

1004 W denotes the lot is illustrated at www.nealauction.com

189

W 1012. A Group

of Textiles and Traditional Garments from Bahrain, collected c. 1940, including garments possibly worn by Mrs. Deane to State functions including a traditional mislah, a silk sirwal, a Kurtah, thwab and others. $1000/1500 1006

1010

1007

1006. JeanBaptiste Victor Daulnoy (French 18241910), “Cottages on a Rural Bluff”, oil on canvas, signed lower right, artist supply stencil “Paris” en verso, 10 1/2 in. x 13 1/2 in., framed. $500/800

1009

$500/700 1008. William Samuel Howitt (English, 1765-1822), “Hunt Scene”, watercolor and graphite on paper, signed lower right, sight 8 1/4 in. x 12 1/4 in., framed. $800/1200 1009. William Henry Williamson (British, 1820-1883), “Mountainous Landscape”, 1875, oil on board, signed and dated lower left, 12 in. x 21 in., period frame.

190

W 1013. A Woven

$300/500

Renaissance Revival Walnut, Ebonized and Gilt Hanging Letter Holder, c. 1870, mounted with bronze medallion of a bird, height 25 in., width 13 1/2 in., depth 6 1/2 in.

1008

1007. Sir David Young Cameron, ARA (English, 18651945), “Seil Island of Oban”, watercolor on paper, signed lower left, titled en verso, sight 6 3/4 in. x 14 1/2 in., framed.

$400/600

1010. Attributed to Henry William Bunbury (British, 1750-1811), “Billiards”, c. 1780, ink wash on paper, perhaps the original design for a stipple engraving published by Watson and Dickenson, London, 8 3/4 in. x 11 in., unframed.

W 1011. A Large

Collection of Royal Invitations and Photographs from Bahrain, 1932-1940, including 10 pieces of correspondence from the Sheikh Hamad bin Isa Al Khalifa who ruled Bahrain from 1932-1942 and his wife to Mr. J.T. Deane and his wife to attend dinners, teas and other social events during the period 1936 -1939; and a group of photographs of the Sheikh taken at the opening of the Bahrain Petroleum Company, 1935; family photos of trips taken by the Deane family in the Middle East. $1000/1500

Wool Wall Tapestry after Henri Matisse (French, 1859-1964), “Mimosa”, 1951, from the edition of 500 by Alexander Smith, lacking label, 57 in. x 36 in. $600/900 W 1014. A

$250/350

1015. An American Classical Carved Mahogany Sofa, early 19th c., crest rail flanked by foliate volutes, acanthine scrolled arms, paneled seat rail, cornucopia bracketed paw feet, height 32 in., width 96 in., depth 25 1/2 in. 1015

$1200/1800 1016. An American Classical Mahogany Bookcase, early 19th c., molded pedimented crest, glazed sliding doors, shelf interior found in green paint, paneled doors below, bracket feet, height 79 3/4 in., width 49 1/2 in., depth 20 in. $1200/1800 1017. An American Classical Carved Mahogany Pier Table, early 19th c., marble top, ogee molded frieze, scrolled supports, mirrored back, plinth base, scroll feet, height 38 in., width 39 1/2 in., depth 17 1/2 in.

1017

$800/1200 1018. A Pair of American Classical Mahogany Gondola Armchairs, 19th c., each with arched crest, vasiform splat, scrolled arms, saber legs.

1016

$1200/1800 1019

1019. An American Rococo Carved Rosewood Side Table, mid-19th c., J. & J.W. Meeks, New York, labeled, reticulated gallery, frieze drawer, spiral-turned supports, pierced stretcher, shaped feet, casters, height 33 in., width 32 1/2 in., depth 13 in. $500/800 1018 W denotes the lot is illustrated at www.nealauction.com

191

1021. An American Rococo Gilt Bronze SixLight Figural Gasolier, mid-19th c., possibly Cornelius & Co., Philadelphia, the standard mounted with allegorical figures of “Art”, “Science” and “Industry”, mounted with Classical masks, scrolled arms, foliate pendant, with later associated shades, electrified, height 50 in., diameter 33 in. $4000/6000

1020

1023

Note: A chandelier with a nearly identical allegorical mount is pictured on the cover of 19th-Century America, Furniture and other Decorative Arts..., The Metropolitan Museum of Art, 1970. 1022. An American Gilt Lacquered Brass and Bronze Solar Lamp, 19th c., attributed to H.N. Hooper & Co., Boston, identified as item No. 631 in the 1850 catalogue, period etched and cut shade, chimney and crystal prisms, overall height 25 in. $800/1200 Reference: Gowitt, Gerald 19th Century Elegant Lighting, 2002, p. 31.

1022

1023. An American Rococo Carved Rosewood Dressing Table, mid-19th c., probably New Orleans, shaped mirror, scrolled acanthus supports on serpentine variegated marble top, conforming frieze fitted with a drawer, scrolled brackets, incurvate stretcher shelf, molded feet, casters, height 73 in., width 44 in., depth 21 1/2 in. $1200/1800

1021 W 1024. An American Carved Mahogany Side Table, 19th c.,

1020. An American Rococo Mahogany Armoire, mid-19th c., New Orleans, stepped and beaded cornice, paneled doors, divided interior, scrolled acanthine feet, height 93 in., width 69 in., depth 29 1/2 in. $2000/3000

192

serpentine marble top, turned trestle base, shaped feet, stretcher, height 29 in., width 29 in., depth 17 in. $400/600

1025. An American Federal Birch and Mahogany Work Table, early 19th c., two drawers, turned tapered legs ending in button feet, height 28 1/2 in., width 21 in., depth 16 in. $600/900 1026. A Regency Carved Mahogany Cellarette, early 19th c., molded top, shaped sides, ebonized paw feet, height 17 in., width 27 in., depth 21 in.

1027

1025

$1000/1500 1027. An Empire-Style Gilt BronzeMounted Mahogany Center Table, circular top, conforming frieze with anthemia, cornucopiae, columnar supports, incurvate triangular plinth, bun feet, height 29 1/2 in., diameter 31 in.

1026

1028

$500/750 1028. A Pair of Black Marble Pedestals, with bronze mounts, height 40 in., width 12 1/2 in., depth 12 1/2 in.

1029

$1200/1800 1029. A Pair of American Brass Ecclesiastical Fourteen-Light Candelabra, late 19th/ early 20th c., with adjustable candle holders, height 23-33 in., width 22 in., depth 12 in. $600/800 1030. A Pair of Italian Carved Giltwood Two-Light Wall Sconces, modeled as a ribbon hung musical trophée, height 40 1/2 in., width 15 in., depth 5 in. $700/900 1030 W denotes the lot is illustrated at www.nealauction.com

193

1032

1033

1034

1032. Felix-Maurice Charpentier (French, 1858-1924), “L’Étoile Filante”, gilded bronze, cast signature lower right, height 20 in., width 29 in., depth 8 3/4 in. $1400/1800

1031

1033. A French Terracotta Figure of St. Benoît, 19th c., height 15 1/2 in., width 4 in., depth 4 3/4 in. $700/900

1031. A Set of Four Classical-Style Cast Stone Herm Figures of the Four Seasons, height 71 in., width 21 1/2 in. $3000/5000

1034. A Bronze Figure of “Il Spinario”, after the original in the Capitoline Museum, Rome, Italy, incised initials “E.B.” to self base, height 4 3/4 in., mounted on later black marble pedestal, overall height 8 1/2 in. $500/750

194

1035. A Grand Tour Verdigris Bronze Statue of Narcissus, after the Antique example found in Pompeii in 1862, height 24 3/4 in., width 9 in. $1000/1500 W 1036. A Pair of Rococo-Style

Carved and Gilded Mirrors, each of lozenge shape with C-scroll and foliate surround, height 40 in., width 32 in.

1040

$700/1000 1035

1039

1041

W 1037. A French Gilt Bronze

Figural Mantel Clock, 19th c., Japy Freres & Co., marked, seated figure of Sir Walter Scott surmounting porcelain dial with Roman numerals, base decorated with harp and laurel branches, height 18 in., width 13 3/4 in., depth 5 in.

1041. A Pair of George III-Style Carved Mahogany Armchairs, each with molded oval back, shaped arms, dentillated seat rail with boss blocks, tapered reeded legs.

$400/600

$1500/2500

W 1038. A French Gilt Bronze

1042. An Antique Continental Neoclassical Fruitwood Parquetry Commode, marble top above three paneled banded drawers, block feet, height 34 in., width 50 in., depth 24 1/4 in.

and Marble Mantel Clock, late 19th c., case surmounted with trophée, porcelain dial, swell front pendulum window, conforming marble base, on toupie feet, height 12 in., width 6 1/2 in., depth 5 in.

1042

$500/700 1039. A Set of Four ColonialStyle “Argenté” Repoussé Side Chairs, in the Anglo-Indian taste, tablet crest, square legs.

1040. A Pair of Painted and Silver Gilt Pedestals in the Adam Taste, molded tops, ram’s head corners, bellflower swags and pendants, patera embellished standards, conforming bases, height 42 in., width 17 in., depth 17 in.

$1000/1500

$1400/1800

$1000/1500

W denotes the lot is illustrated at www.nealauction.com

195

1043

1044

1043. A Good English Carved Walnut DropLeaf Dining Table, 19th c., straight frieze, chamfered legs, height 28 1/2 in., open width 56 1/2 in., depth 43 1/2 in. $600/800

1045

1047 (1 of a pair)

1046

1044. An Antique Queen AnneStyle Carved Walnut Welsh Dresser Base, rectangular top, three frieze drawers, scalloped skirt, square legs, block feet, height 32 1/2 in., width 74 in., depth 19 in. $400/600 1045. An English Regency-Style Upholstered Bench, tufted seat, turned legs, casters, height 18 in., width 29 in., depth 31 in. $500/800

196

1046. A Set of Six Italian RococoStyle Fruitwood Dining Chairs, serpentine crest rail, pierced splat, rush seat, cabriole legs, pad feet, shaped H stretcher.

1048

$700/900 1047. A Pair of Wrought Iron Tables, each with white marble top, openwork frieze with rosettes, scrolled legs, stretcher centering flowers, height 30 in., width 28 in., depth 28 in. $800/1000

1048. An Italian Renaissance-Style Carved Walnut Curule Form Prie-Dieu, early 19th c., arched support, shaped seat, stretchers. $400/600

1049. A RenaissanceStyle Carved Walnut Side Table, 19th c., paneled top, frieze fitted with drawer, mask corners, barley-twist legs with rosette blocks, finialed stretcher, ball feet, height 27 1/2 in., width 29 1/2 in., depth 19 1/2 in. $800/1200 1049

1050. A Directoire BronzeMounted Mahogany Sécrétaire à Abattant, early 19th c., marble top, fall front, fitted interior, doors below, stiles with bronze bust mounts, molded base, paw feet, height 50 in., width 32 in., depth 15 1/2 in.

1050

$1000/2000 1051. Hugh Newell (Irish/ American 18301915), “Sing a Song”, oil on canvas, signed lower left, 18 in. x 14 in., framed. $1000/1800 Provenance: Estate Collection Cocoa Beach, FL. 1052. Manner of John Francis Sartorious (British, c. 1775-1831), “Hunt Scenes”, two oils on canvas, each bears initials “JFS”, each 13 3/4 in x 17 1/2 in., framed, (2 pcs). $1500/2500

1051

W 1053. After Simon Thomassin (French,

1654-1733), three engravings, signed in plate lower right, sight 6 in. x 4 in., framed alike. (3 pcs.) $500/700 W 1054. An Irish Album of Vintage

Photographs of Carton House, County Kildare, Ireland, home of the Fitzgerald Family, 1891, ten silver gelatin prints of views of the facade and interior space, images 8 1/2 in. x 11 in., album with gold lettering “Carton, 1891” on front cover. $400/600 Note: Carton House was one of Ireland’s greatest stately homes and the ancestral seat of the Earls of Kildare and Dukes of Leinster. For over two hundred years, the house was situated on eleven hundred acres in Maynooth, County Kildare. 1052 W denotes the lot is illustrated at www.nealauction.com

197

1055. A Rare American Walnut Corner Bookcase, 19th c., molded cornice, paired glazed doors, shelf interior, paneled sides, plinth base fitted with four drawers, height 96 in., width 59 1/2 in., depth 59 in. $2500/3500

1057

1055

1056. An American PaintDecorated Blanket Chest, c. 1820-30, probably midAtlantic, feather decorated ochre paint, lid with hand-wrought fiche hinges, interior till, ball feet, height 25 1/4 in., width 49 in., depth 25 in. $800/1200

1056

1059

1057. An American Walnut Campeche Chair, mid-19th c., fleur-de-lis and cartouche carved crest rail, scroll arms on arched curule base joined by stretchers. $500/750

1058. An American Rococo Carved Walnut Center Table, mid-19th c., serpentine marble top, conforming frieze with foliate decoration centering a shell, S scrolled legs, conforming stretcher centering foliate finial, casters, height 30 1/2 in., width 48 1/2 in., depth 28 in. $1200/1800 Provenance: White Columns Plantation, Madison, GA. 1059. An American Classical Mahogany Bookcase, 19th c., ogee molded cornice, paired glazed doors, shelf interior, plinth base, paw feet, height 89 in., width 64 in., depth 23 1/2 in. $1200/1800 1058

198

1060

1061 1062. An American Renaissance Carved Rosewood Dressing Chest, mid-19th c., en suite with preceding lot, anthemion crest, mirrored back with candleshelves, marble top with ovolo corners, three graduated drawers over a plinth drawer, disc feet, old New Orleans storage label on back, height 94 in., width 47 in., depth 21 1/2 in.

1063

1062

1060. An American Late Victorian Carved Walnut Davenport Desk, 19th c., pierced gallery, inset leather writing slant opening to well and compartments, four drawers on each side, trestle base, height 34 1/4 in., width 22 1/4 in., depth 24 in.

1061. An American Renaissance Carved Rosewood Bedstead, mid-19th c., probably New Orleans, paneled arched headboard with anthemion crest, octagonal posts with turned finials, conforming footboard, bracketed rails, casters, height 84 in., interior length 80 1/2 in., interior width 62 1/2 in. $2000/3000 Provenance: Descended in a Louisiana Family.

$800/1200 1063. An American Late Classical Mahogany Games Table, early 19th c., foldover top, molded frieze, lyre form pedestal on egg and dart plinth base, scrolled feet, casters, height 30 1/2 in., width 36 1/4 in., depth 17 3/4 in. $500/1000

$400/600 W denotes the lot is illustrated at www.nealauction.com

199

1064

1065

1066

1064. A Set of Seven American Late Classical Carved Mahogany Chairs, mid-19th c., comprising six side chairs and one armchair, each with floral crest rail over swan form splat, slip seat, bowfront seat rail, S curve legs. $800/1200 1065. An American Classical Figured Mahogany Secretary/Bookcase, early 19th c., upper case with flared molded cornice, glazed doors over three short drawers; lower case with foldover writing surface over a long drawer, paneled doors below, ogee bracket feet, height 88 1/2 in., width 53 1/2 in., depth 22 1/2 in. $1200/1800 1066. An American Classical Carved Mahogany Sofa, 19th c., shaped crest over outscrolled arms, rosette bolster, straight seat rail, shaped feet, height 37 in., width 87 in., depth 24 in.

W 1067. A Chinese

Chippendale-Style Mahogany Settee, comprised of antique components, latticework back, vasiform legs joined by box stretchers, height 32 in., width 72 in., depth 24 in. $400/800 1068. An American Rococo Carved Rosewood Armoire, mid-19th c., pierced acanthine crest centering cartouche, molded cornice, straight frieze, two paneled doors flanked by pilasters, interior fitted with two drawers and three shelves, base fitted with two drawers, scrolled bracket feet, height 111 1/2 in., width 69 1/2 in., depth 27 in. $1000/1500

$1000/1500 1068

200

1069. A Set of Six Centennial Chippendale-Style Carved Mahogany Dining Chairs in the Philadelphia Style, mid-19th c., comprised of two arm and four side chairs, shape crests, pierced splat, trapezoidal slip seats, cabriole legs, ball and claw feet, armchairs with voluted knuckle arms. $800/1200 W 1070. An American

Late Classical Mahogany Sécrétaire à Abattant, mid19th c., marble top, fall front opening to inset leather writing surface and fitted interior, three graduated drawers below, plinth base, turned feet, height 54 in., width 37 in., depth 22 in.

1069

1071

$800/1200 1071. An American Rococo Carved Mahogany Dressing Chest, mid-19th c., New Orleans, molded mirror on scrolled supports, marble top, outset frieze drawer, three graduated drawers below, acanthine feet, height 77 1/4 in., width 45 1/2 in., depth 21 in. $800/1200 1072. A Southern Carved Walnut Tester Bed, mid-19th c., probably lower Mississippi Valley, ogee molded tester with ruched interior, turned tapered posts, arched scrolled headboard centered by an angel-carved cartouche, conforming shaped rails, height 115 in., interior length 78 1/2 in., interior width 63 in. $3000/5000

1073 1072 W 1074. An Antique American

1073. An American Late Classical Carved Mahogany Dressing Table, c. 1830, oval mirror with swan’s neck supports, marble top, fitted drawer, scrolled legs joined by turned stretcher, height 54 7/8 in., width 32 in., depth 16 7/8 in. $700/1000

Mahogany Slipper Chair, arched back, circular seat, shaped legs, casters. $150/250 W 1075. An American Carved Walnut

Armoire, 19th c., arched paneled doors, enclosing fitted interior of shelves, drawer and open hanging compartment, molded plinth, ogee bracket feet, height 82 in., width 48 in., depth 20 in. $700/1000

W denotes the lot is illustrated at www.nealauction.com

201

1081

W 1079. An Edwardian Carved

Mahogany and Marquetry Chaise Longue, c. 1900, padded back and arms on pierced supports with satinwood and ivory inlaid rosewood panels, cabriole legs, height 30 1/2 in., width 64 in., depth 21 1/2 in. Note: Lacking casters $500/700 1078

1076

1076. An American Carved and Satinwood Inlaid Mahogany Corner Cupboard, 19th c., broken arch crest, beaded frieze over glazed door with interlaced tracery, shelf interior, two arched glazed doors below, scrolled apron, bracket feet, height 77 in., width 31 1/2 in., depth 15 1/2 in. $700/1000

W 1080. A Pair of Edwardian Carved

Mahogany and Marquetry Armchairs, c. 1900. en suite with previous lot. Note: Lacking casters. $300/500 1081. A Napoleon III Gilt BronzeMounted, Inlaid and Ebonized Side Table, late 19th c., top with floral reserve, shaped frieze, cyma curved legs, stretcher shelf, scrolled feet, height 30 in., width 19 1/2 in., depth 14 in. $500/700

1077. An American Southern Cherrywood Work Table, 19th c., drop-leaf top, two drawers, turned legs, height 26 in., width 20 in., depth 15 in. $700/900 1078. A Rococo-Style Cast Iron Hall Tree, basket of fruit finial, scrolled upright with adjustable mirror and branches with hooks, umbrella stand below with drip pan, height 79 in., width 26 1/2 in., depth 16 1/2 in. $400/600 1077

202

W 1082. A Louis XV-Style Carved Gris

Peinte Bench, rectangular top, acanthus seat rail, cabriole legs, serpentine stretcher, height 21 1/2 in., width 40 in., depth 16 in. $250/350 W 1083. A Louis Philippe Carved

Mahogany Fauteuil, early 19th c., shaped crest, conforming slat, arms with turned uprights, caned seat, turned legs, stretchers. $200/300

1084. A Louis XV-Style Carved and Painted Bergère, late 19th c., floral crest rail, padded back, shaped wings, molded arms, serpentine front seat rail, cabriole legs, whorl feet. $400/600 1084

1085

1087

1085. An Antique French Provincial Carved Fruitwood Armoire, molded cornice, frieze with shaped panels over paired paneled doors with fiche hinges, shelf interior with belt of drawers, long drawer below, scalloped skirt, molded feet, height 92 1/2 in., width 65 in., depth 27 1/2 in. $800/1200

1088. An American Late Classical Carved Mahogany Pier Table, mid19th c., bowfront marble top, conforming frieze, oval mirrored back flanked by stepped scroll brackets, stepped plinth, scroll feet, height 33 in., width 33 in., depth 17 1/2 in. $500/750

1088

W 1086. An American Late Classical

Carved Rosewood Side Table, mid19th c., molded top, case fitted with two drawers, ring turned legs, shaped stretcher shelf, ball feet, height 28 in., width 19 in., depth 12 in. Note: “Estate” condition. $300/500 1087. A Set of Six American Late Classical Mahogany Gondola Chairs, c. 1840, each with arched crest, vasiform splat, hipped legs. $700/1000

W 1089. An Empire-Style

Gilt Bronze-Mounted Mahogany Sécrétaire à Abattant, molded top, fall front opening to fitted interior, over three drawers, flanking engaged columns, plinth base, suppressed ball feet, height 56 in., width 42 in., depth 18 in. $400/600

W 1090. An Antique Queen Anne-Style

Mahogany Side Chair, shaped volute crest, vasiform splat, molded slip seat, volute cabriole legs, pad feet. $300/500 W 1091. An English Carved Walnut Sunderland

Table, 19th c., drop-leaf top, turned swing legs, lyre supports, shaped stretcher, height 28 1/2 in., length 45 in., width 34 in. $400/600

W denotes the lot is illustrated at www.nealauction.com

203

W 1092. A George III-

W 1100. A Group of Ten

Style Satinwood and Marquetry Jardinière, late 19th/early 20th c., circular body decorated with ribbon-tied oval medallions enclosing urns, conforming brass liner, integral stand with square tapering legs, incurvate triangular stretcher shelf, height 22 in., diameter 12 in.

Silverplate Items, comprised of a centerpiece, oval tray, teapot, ice bucket, reticulated wine coaster, lidded butter dish, small wine cooler, silent butler, silver overlay pitcher and claret jug. $150/250 W 1101. An Alabama

$200/400 1096 W 1093. A French Bronze-

Mounted “Sevres” Porcelain Jardinière, spurious marks, signed “P. Roche”, cobalt ground reserves of courting couples, on paw feet, height 4 in., diameter 7 1/4 in.

$150/250 Reference: Smith, Sidney Adair. Mobile Silversmiths and Jewelers 1820-1867.

$400/600

W 1102. A Good American Sterling

W 1094. A Paris Porcelain Partial

Dessert Service, 19th c., comprising a two-tier pot de crème stand, four lidded pot de crèmes, two lidded sauce tureens, each with peach bands and foliate gilt decoration, stand height 9 in., diameter 10 3/4 in., sauce tureen height 7 in. $400/600 1098

W 1095. A Pair of Paris Porcelain

W 1103. An Antique

Neoclassical-Style Silverplate Figural Stand, with guilloche collar, griffin-form supports, palmette feet and stretchers with artichoke finial; presented with an American brilliant cut glass bowl.

$300/500 1096. An American Gilt Brass Three-Piece Girandole Garniture, c. 1848, William F. Shaw, Boston, marked, “Bigelow Chapel” model, comprising a three-light centerpiece flanked by single-lights, double marble plinth, prism hung, center piece height 17 3/4 in., width 17 1/2 in.

$200/300 W 1104. A Good Group of

1105

$500/750

Reference: Bacot, Nineteenth Century Lighting, p. 188, pl. 261a.

W 1097. A Pair of Venetian-Style

Silver Soup Ladle, Alvin Silver Co., Providence, RI, 1886 to present, “Orange Blossom” pattern, pat. 1904, ret. CarterAllen Jewelry Co., Shreveport, LA; the scalloped bowl with floral detail, monogrammed “D”, length 12 1/2 in., weight 7.65 troy ozs.; together with later Art Nouveau-style sterling silver pie server and pierced berry spoon, lengths 11 1/4 in. and 8 5/8 in., weight 10.35 troy ozs. $250/350

Polychrome and Gilt Cachepots, mid19th c., raised gilt cartouches with black ground, floral sprays throughout, reeded band with lion’s mask handles, height 7 in., width 8 5/8 in.

Note: This model exhibits the classic Boston style candlecup and pierced trumpet vine prism ring.

Coin Silver Cake Server, Knapp & Leslie, Mobile, wc. 1850-1854, marked “KNAPP&LESLIE” in rectangle, and with curious mark; fiddle thread handle with Gothic monogram “MCC”, length 10 1/2 in.

1098. A Good Victorian Silverplate Grape and Grapeleaf Motif Compote, Elkington & Co., Birmingham, c. 1840-1897; with cut and frosted glass bowl, height 10 3/4 in., diameter 9 1/2 in.

Carved Giltwood Wall Brackets, each shaped body centering a shell, flanking bellflowers, foliate pendant, height 11 1/2 in., width 9 1/2 in., depth 5 1/2 in.

$600/900

$300/500

$150/250

W 1099. A Vintage Motif Silverplate

Tea Tray, length 27 in., width 16 1/2 in.

Antique Silverplate, including a quatrefoil footed bowl, James Dixon & Sons, Sheffield, late 19th/early 20th c., height 2 3/4 in., width 10 1/2 in., depth 8 in.; a shell and oar motif goblet, James W. Tufts, Boston, wc. 1875-1891, height 5 1/4 in.; and a teapot, probably American, with melon finial and flat chasing, height 6 in. $150/250 1105. A Regency-Style Silverplate Meat Dish and Dome, the oval meat dish with foliate scroll feet and hot water compartment, conforming domed cover with repoussé decoration and scroll handle. $600/800

204

W 1106. An Antique Sheffield Plate Egg

Hexagonal Hanging Lantern, 19th c., cut and etched glass panes, height 17 1/2 in., diameter 9 1/2 in., electrified.

W 1110. John Gay, Fables, two volumes, first editions of each, the first 1727, by Tonson and Watts, London, 1/4 leather, 9 1/2 in. x 7 1/2 in., with 51 vignettes by Wooten and Kent; the second 1738, Knapton and Cox, London, full calf, 7 7/8 in. x 4 3/4 in., with frontispiece and 16 plates; together with John Gay, The Beggar’s Opera. As it is Acted at the Theatre-Royal in Lincoln-in-Fields, 1735, fourth edition, [bound with], The Man of Taste, published anonymously by James Miller, 1735, second edition, with some later Beggar’s Opera editions and critiques.

$150/250

$300/500

1108. An American Gilt Lacquered Bronze Astral Lamp, mid-19th c., Dietz, Davis & Co., New York, labeled, Corinthian columnar standard entwined with a floral garland, cut and etched blown glass shade, cut glass font, square base, scrolled paw feet, overall height 33 in.

W 1111. A Group of Silver Overlay Objects,

Cruet, early 19th c., the stand with central coupe and 6 egg cups, all with gilded interiors, acanthus and flower decoration, stand retains original tinned back, height 7 in., diameter 7 in. $100/150 W 1107. An American Patinated Bronze

including two perfume bottles with original stoppers, one with emerald glass marked “sterling”, height 4 3/4 in., diameter 3 1/4 in.; the other with clear glass bearing “W” initial and marked “sterling”, height 4 1/2 in., diameter 3 in.; and a flask with hinged stopper, marked “Pat. Jan 5 88/ SCLD/Silver”, height 5 3/4 in., width 3 3/4 in. (3 pcs.)

$500/750 W 1109. [First Lady Eleanor Roosevelt

Manuscript Archive], a group of five items including, Official White House condolence card and envelope, to Mrs. Earle Williams Newton, Hyde Park, NY, postmarked September 19, 1941, on the occasion of the death of President Roosevelt’s mother.

$300/500 W 1112. A Group of Silver Overlay

1108

Objects, including two silver overlay clear glass perfume bottles with original stoppers, one engraved “Harriet”, height 6 in., diameter 6 in., the other with “HCV” monogram, height 4 1/2 in., diameter 4 in.; and a silver overlay clear glass covered jar bearing initial “M”, height 5 3/4 in., diameter 3 3/4 in. (3 pcs.)

Typed Letter Signed by Edith Helm, Social Secretary to First Lady Eleanor Roosevelt, to Mrs. E.W. Newton, on White House stationery, January 25, 1945, with a White House admission card for the Northwest Gate.

$400/600

In full: “My dear Mrs. Newton: / Mrs. Roosevelt has asked me to thank you for the invitation you have extended her to lunch with you during the week February third to tenth. She is very sorry that she cannot accept this invitation, but she hopes you will come to see her on Friday, February ninth, at four-thirty./Very sincerely yours, Edith Helm, Mrs. J.H. Helm, Secretary to Mrs. Roosevelt

W 1113. A Peachblow Art Glass Vase,

early 20th c., possibly Stevens and Williams, bulbous form, white glass encased in red shading to light pink glass with applied amber glass vine, height 8 3/4 in., width 6 in., depth 5 in. $200/400

Autographed and Typed Letter Signed by First Lady Eleanor Roosevelt, on White House stationery, February 19, 1945, to Mrs. Josephine Newton, In full: “Dear Mrs. Newton: / I think you can get help on your book from others better than from me! / I think too, it should not be too personal but an evaluation of the job as circumstances have made it in the last twelve years./ Very sincerely yours, Eleanor Roosevelt/ I enjoyed so much seeing you and I know my husband will be interested in your husband’s trip.” Typed Letter Signed by Eleanor Roosevelt, on Apartment 15-A, 29 Washington Square, West, NY letterhead, February 4, 1947, to Mr. Earle W. Newton, in response to a query about some real estate; together with a typed letter signed by Henry Hackett about the real estate. A Memorial Envelope with First Day of Issue Stamps, showing Roosevelt and his home at Hyde Park.

W 1114. A Group of Thirty-Six

Colored Crystal Goblets, various colors and sizes, tallest height 9 6/8 in. $600/900 1115

1115. A Large English Parian Bust of “Clytie”, mid-19th c., attributed to Copeland, depicted with loose drapery, emerging from a sunflower, after the AD 40-50 Roman bust conserved at the British Museum, socle base, height 22 1/2 in, width 16 in., depth 11 in. $300/500 Reference: Dennis, The Parian Phenomenon, figs. 138, 610, 768.

W 1116. A Marble Bust of a Poet Laureate of Rome, height 23 1/8 in., width 19 1/2 in., depth 10 in.

$400/600

$400/600 W denotes the lot is illustrated at www.nealauction.com

205

1123. An American Carved Giltwood Parlor Suite, late 19th c., comprising a settee and a pair of armchairs, each having scallop shell tufted back and arms, rounded seat rail, cabriole legs, scroll toes, casters, recently upholstered in cotton brocade, settee height 35 1/2 in., width 82 in., depth 32 in. $2500/3500 W 1124. An

1117

1123

1117. A Parian Figure of a Classical Maiden with an Oil Jug and a Lamp, 19th c., wearing neo-Egyptian ornaments, the underside numbered “287” and bearing various makers’ marks, height 17 1/4 in. $200/300 1118. An Antique Italian Carved Wood Figural Group of the Young Christ with St. Anne, probably 18th c., probably limewood, taller figure modeled with flowing robes, one arm upon the shoulder of the smaller, height 61 in. $300/500

1118

206

W 1119. A Pair of Antique Louis

XVI-Style Carved and Gilded Mirrors, each with floral crest, pierced scrolled foliate surround, height 22 in., width 14 in. $400/600 W 1120. A Full Length Lynx

Coat, with “Bifanoa” label, together with matching Lynx hat labeled “Raffaele”. $400/600 W 1121. A Revillion Full Length

Dark Mink Coat, with sable collar and cuffs. $300/500 W 1122. A Large Rare Antique

German Teddy Bear, early 20th c., possibly mohair, with orange glass eyes, dipped muzzle, black stitched nose and mouth, swivel head, growler, mechanical arms and legs, height 27 in. $1200/1800

American Faux Bois and PaintDecorated Toy Dresser, late 19th c., bracketed mirror on glove drawers, three drawers below, shaped base, height 43 in., width 23 in., depth 13 in. $400/600 W 1125. An

American Late Classical Rosewood Piano Stool, early 19th c., octagonal swivel seat, fluted standard, shaped plinth, turned feet, height 20 in. $200/300

1126. Two American Rococo Carved and Laminated Rosewood Parlor Chairs, mid-19th c., attributed to John Henry Belter, New York, floral and shell crest, oak leaf and grape carved back, circular seat rail with roses, cabriole legs, scrolled toes, casters. Note: Condition. $500/700

1126

1130

W 1127. An

American Rococo Carved Walnut Child’s Settee, mid-19th c., shaped back with C-scroll crest, scrolled arms, cabriole legs, height 31 1/2 in., width 46 in., depth 22 in. $400/600 1128. An American Aesthetic Gilt Incised, Paint-Decorated and Ebonized Lady’s Desk, late 19th c., galleried top, fall front opening to fitted interior, columnar supports, two tiered shelves, shoe feet, height 49 in., width 24 in., depth 17 in. $500/800 1133

W 1129. A Rococo Carved Walnut

Library Armchair, 19th c., arched crest, padded arms, scrolled uprights, cabriole legs, casters. $400/600 1130. A Regency Mahogany Chest of Drawers, 19th c., molded top, two over three graduated drawers, “French” feet, height 40 1/2 in., width 41 1/2 in., depth 19 1/2 in. $500/750 W 1131. A Pair of Georgian-Style

Mahogany Bergères, each with padded back and arms, square legs, spade feet, casters. $300/500 W 1132. A George III-Style Carved

Mahogany Pembroke Table, 19th c., drop-leaf top, frieze drawer, square tapered cuffed legs, pierced X stretcher, height 28 in., width 20 in., depth 38 1/2 in.

1128

1133. Thomas Cantwell Healy (American, 1820-1899, active Mississippi/Louisiana, 1843-1899), “Portrait of a Southern Lady”, 1863, oil on canvas, signed and dated lower left, 14 in. x 12 1/4 in., framed. $1000/1500 1134. Edward Armfield (British, 1817-1896), “Three Terriers”, oil on canvas, signed lower right, 16 in. x 12 in., framed.

1134

$800/1200

$500/700 W denotes the lot is illustrated at www.nealauction.com

207

1138. Cornelius Haly Hankins (American/ Tennessee, 1863/641946), “Flowering Field”, oil on board, signed lower left, 12 3/4 in. x 16 1/4 in., framed. $1500/2500

1136

1138

1139. Willard Cooper (Texas/Louisiana, b. 1921), “By the River, Shreveport”, oil on canvas, signed lower right, 26 in. x 32 in., period frame. $1000/1500

1139

1137

While working at Centenary College, Cooper painted this charming scene of downtown Shreveport along the Red River.

W 1135. Attributed to Edwin Henry

Boddington, Jr. (British, 1836-1905), “Figures Gathering Water and Fishing Beside a Suffolk Stream”, oil on canvas, unsigned, spuriously identified as by James Stark (17941859) on frame plaque, inscribed in pencil on 19th c. paper label en verso of top stretcher rail, 22 in. x 33 1/2 in., framed. $500/750 1136. American School, late 19th/early 20th c., “Still Life of a Woodcock, Mallard Drake and Fruit”, églomisé with abalone shell inlay, 18 in. x 21 1/2 in., oval period gilt frame. $600/900 Provenance: Private Collection, Baton Rouge, Louisiana.

1140

1137. American School, mid-19th c., probably Southern Piedmont, “Portrait of a Young Child and Dog”, oil on canvas, “Morris Museum of Art” label en verso, 36 in. x 29 in., period gilt cove-molded frame. $2000/4000 Note: Sold to benefit the Acquisition Fund of the Morris Museum of Art, Augusta, GA.

208

Note: Born in Denison, Texas, Willard Cooper studied with Texas Regionalist artists Don Brown and Thomas Stell. Cooper earned a BA from Centenary College in Shreveport and an MFA from Escuela Universitaria de Bellas Artes in Mexico. He became head of the Art Department at Columbia College in South Carolina from 1949 to 1958. Cooper returned to Louisiana in 1958 and became the Chairman of the Art Department at Centenary College, and eventually Founding Director and Curator of the college’s Meadows Museum.

1140. Alexander John Drysdale (American/New Orleans, 18591939), “Live Oak”, 1912, oil wash on board, pencil-signed and dated lower left, 12 in. x 18 in., framed. $2000/3000 Provenance: Acquired from the artist; descended in a Baton Rouge Family.

1141. James Reid Lambdin (American, 1807-1889), “Portrait of an Alabama Gentleman”, 1838, oil on canvas, signed, dated and inscribed “Painted by J.R. Lambdin, Mobile, Dec. 1838” en verso, 26 in. x 21 5/8 in., in a period giltwood frame. $2500/3500 Note: From January of 1835 to December of 1838, Lambdin traveled throughout Alabama painting portraits. Lambdin would later paint the portraits of such important political leaders as Senator Henry Clay, General Zachary Taylor, President William Henry Harrison and Senator Daniel Webster. Reference: E. Bryding Adams, ed., Made in Alabama: A State Legacy, Birmingham: Birmingham Museum of Art, 1995, p. 135.

1142. T. Brown (American/Texas, late 19th/early 20th c.), “A Field of Bluebonnets”, watercolor and gouache on paper, signed lower left, sheet 10 1/4 in. x 17 3/4 in., framed. 1141

$1000/1500 W 1143. Maud Spiller

Holt (American/ Arkansas, 18661952), “Birch Trees”, oil on canvas board, signed lower right, “Roper’s Hall of Frames, Lawton, Oklahoma” label en verso, 12 in. x 16 in., period frame.

1144

1144. Robert Rucker (American/Louisiana, 1932-2001), “Stag and Hunter”, watercolor on paper, signed lower left, “Baton Rouge Custom Framing” label en verso, sight 28 in. x 9 in., framed.

$500/700

1142

$700/900 1145. Robert M. Rucker (American/New Orleans, 1932-2001), two watercolors on paper including “For Sale”, signed lower left, and “Stone Wall”, 1971, signed and dated lower right, title labels en verso, sight 14 in. x 17 1/2 in. and sight 18 in. x 13 in., matted and framed alike. $1000/1500

1145 (1 of 2)

1146. Forrest Kirkland (American/Texas, 18921146 1942), “St. Louis Cathedral View from Chartres Street, French Quarter” and “Carondelet Street, New Orleans”, c. 1930s, pair of watercolors on paper, signed lower right and left respectively, sight 10 in. x 11 3/4 in. and 9 1/2 in. x 11 1/2 in., framed alike. $600/800 Provenance: Acquired from a close friend of the artist. W denotes the lot is illustrated at www.nealauction.com

209

1150. Rolland Harve Golden (American/Louisiana, b. 1931), “New Orleans Street Scene”, 1960, watercolor, signed and dated lower right, localized and inscribed en verso, sight 20 1/2 in. x 29 3/4 in., gilt frame. $800/1200 Provenance: From a collector in Berkeley, CA. W 1151. Louisiana School, 19th/20th

c., “Wooded Stream”, oil on canvas, unsigned, “La State Museum” label en verso, 18 in. x 14 in., framed. $800/1500 Provenance: From a New Orleans collection.

1148

1152. Grace Neville Carrothers (American/ Oklahoma, 1882-1961) “Cabin by the Lake”, 1927, oil on board, signed and dated lower right, “Ziegler Art and Frame, Tulsa, Oklahoma” label en verso, 14 in. x 17 in., framed.

1155

$1200/1800 W 1153. Louis

1150 1154

1148. Bror Anders Wikstrom (Swedish/New Orleans, 1854-1909), “Returning from Hunting - On the Highroad - Louisiana”, 1885, ink on paper, initialed, titled and dated lower right, “W.E. Seebold, New Orleans” label en verso, 10 1/2 in. x 8 in., framed. $500/700 W 1149. Helen Shapland

1152

W 1147. Will Ousley (American/Louisiana, 1866-

1953), “Autumn, West Fork of Calcasieu River, Southwest Louisiana (no. 318)”, 1929, oil on canvas, signed lower right, titled lower center, signed, titled and dated en verso, 17 1/2 in. x 34 in., framed. $500/800

210

Herdliska (American/ Louisiana, 1915-2003), “Chartres Street, French Quarter”, 1946, watercolor, signed and dated lower left, 14 1/4 in. x 12 in., unframed. $300/500

Wright (American/ Louisiana, 20th c.), “La Belle Louisiana”, oil on canvas laid down on board, signed lower right, titled en verso, 24 in. x 34 in., framed. $500/800 1154. Colette Pope Heldner (American/New Orleans, 1902-1990), “Brulatour Courtyard”, oil on artist board, signed lower left, 16 in. x 20 in., framed. $1500/2500 1155. William R. Hollingsworth, Jr. (American/Mississippi, 1910-1944), “Portrait of a Man, Jackson, Mississippi”, watercolor on paper, signed lower left, 7 in. x 5 1/2 in., period frame. $500/750 Note: William Hollingsworth is best known for his watercolors of African-American life in rural Mississippi. In 1937, one of his watercolors won the William Tuthill prize in an international watercolor show at the Art Institute of Chicago. This watercolor is an appealing example of his intimate portrait studies, conveying a sense of thoughtfulness.

1156. Julia M. Massie (Mississippi/ New Orleans, 1869-1949), “A Glimpse of a Country House”, oil on canvas, signed lower right, signed and titled on label, New Orleans frame shop stamp, and inscribed on stretcher en verso, 10 in. x 16 in., period gilt frame.

1156

$800/1200 Note: In 1898 the New Orleans Daily States newspaper proclaimed Julia M. Massie to be one of the city’s leading artists whose work was praised “both at home and abroad”. Born in Jackson, Mississippi, Massie’s family moved to New Orleans when she was a child. As a promising young artist, Massie studied art with local artists Paul Poincy, Andres Molinary and Bror Anders Wikstrom at the Artists’ Association of New Orleans. The charming painting “A Glimpse of a Country House” reveals her talent as a landscape painter and is inscribed with her uptown New Orleans address of 5919 Tchoupitoulas on the back of the stretcher 1158 W 1157. Emil Eugen

Holzhauer (American/ Georgia, 1887-1986), “Mailboxes, Georgia (Portrait of a Black Man in a Hat, en verso)”, watercolor, signed lower right, 22 3/4 in. x 15 1/2 in., unframed. $300/500 Provenance: Estate of the artist. 1158. Arnold Turtle (American/Louisiana, 1892-1954), “Woman in Red”, oil on masonite, signed lower right, 20 in. x 16 in., original frame. $1000/1500

1159. Attributed to Henrietta Johnston (American/Charleston, c. 1670/75- c. 1729), “Pair of Female Portraits, Said to Represent the Williams Sisters”, early 18th c., two pastels on laid paper, unsigned, each 8 3/8 in. x 6 1/4 in., matching molded giltwood frames. $1000/1500 Provenance: Earle Williams Newton II (1917-2012): his autograph inscription en verso of one back board states, “Miss Williams/ from a Williams family estate / which also included a silver can[n] / of Colonial origin / attributed to Henrietta Johnston [signed] Earle Williams Newton”; [in his hand, on newer adhesive labels] “Purchased for/ Norton Asner/ Baltimore”, as well as “Accepted as by/ H. Johnston/ by Director of/ Charleston Museum/ biographer of Johnston.” Note: Unfortunately the previous owner failed to note the name or exact institution of the ‘Charleston museum director’ who accepted these portraits as possible works by Henrietta Johnston, America’s first woman artist, as well as its first artist in pastels. The historical Henrietta Johnston almost always employed sheets of paper of 12 inches by 9 inches, from which standard the present sheets are only about two-thirds as large in each direction; the historical artist specialized in rather stiff figures shown to the full half-figure length, and apparently always with exaggeratedly long necks. The present smaller, shorter, and more compact figures do, however, share certain of the idiosyncrasies of Henrietta Johnston’s characteristic costumes and coiffures. On balance, there may exist a preponderance of evidence in favor, at least, of a tentative ascription of these portraits to the shop, circle, or following of Henrietta Johnston.

1159

W 1160. James

Michalopoulos (American/ New Orleans, b. 1951), “Portrait of Artist James Block”, 1989, oil on canvas, signed and dated lower left, 14 in. x 11 in., unframed. $1000/1500 Provenance: Acquired from the artist.

Reference: Darryl Patrick, “Johnston, Henrietta,” Grove Dictionary of Art, Jane Turner, ed., 34 vols., London, 1996, vol. 17, p. 626.

W denotes the lot is illustrated at www.nealauction.com

211

1162

W 1161. James Michalopoulos (American/New

Orleans, b. 1951), “Nude Descending a Staircase”, pastel on paper, unsigned, “Uptown Frames, New Orleans” stamp en verso, sheet 20 in. x 16 in., framed. $500/800 Provenance: Acquired from the artist. 1162. R.C. Davis (American/New Orleans, b. 1950), “New Orleans Twilight from Algiers Point”, oil on canvas, signed and titled lower right, 24 in. x 72 in., framed. $6000/8000 1163. Clarence Millet, A.N.A. (American/ Louisiana, 1897-1959), “A Lower Manhattan Street Corner in the Rain”, 1922/1924, oil on canvas board, signed lower right, 12 in. x 16 in., period coved frame of Modernist design. $2500/3500 1163

Note: A native of Hahnville, Millet came to New Orleans in 1917 to work with Robert Grafton and Louis Oscar Griffith, who were painting their celebrated murals in the lobby of the St. Charles Hotel. From 1922 to 1924 Millet studied at the Art Students’ League in New York City, before returning in the latter year to New Orleans, where he worked for the rest of his life. The combination of these facts, with the Gimbels Department Store stencil on the reverse of this canvas board, very strongly supports the hypothesis that this bold and innovative painting was executed in New York during those formative years. Indeed the depicted cityscape seems to bear this out, with the broad “avenue” at left intersected by a typically narrower “side street” in the foreground. The unassuming commercial scene itself appears to fit this interpretation: the size and character of the buildings, their awnings and signage, the flickering images of fast-moving traffic, with a few rain-lashed pedestrians under a lurid night sky, all suggest the strong effect on this 26-year-old artist of the bombshell of European Expressionism, which had burst on the American scene through New York’s notorious Armory Show of 1913, just ten years before. Reference: Estill Curtis Pennington, Downriver: Currents of Style in Louisiana Painting, 1800-1950, New Orleans Museum of Art, 1990/91, pp. 169-174.

1164

1164. Leo Meiersdorff (German/New Orleans, 1934-1994), “Patio Jazz Band”, 1982, watercolor, signed and dated lower right, “Liberty Gallery, Royal Street, New Orleans” labels en verso, sight 21 1/4 in. x 29 in., framed. $1000/1500 Provenance: Acquired from the Hyatt Hotel, New Orleans, LA.

212

1168

1169

1165

1165. Kermit Oliver (American/Texas, b. 1943), “The Family: Mother and Daughter”, 1979, oil on canvas, signed and dated lower left, 32 in. x 24 in., framed. $3000/5000 Note: South Texas native Kermit Oliver studied art at Texas Southern University, and currently maintains his studio in Waco, Texas and works for the United States Postal Service. He has had gallery representation from DuBose Gallery and Hooks-Epstein Galleries of Houston, and a retrospective exhibition at the Museum of Fine Arts, Houston (2005). Oliver has also been engaged for the last thirty years with Hermes International S.A. for scarf deigns. Reference: Sheeler, Jason. “Portrait of the Artist as Postman, The strange Secret World of Kermit Oliver” Texas Monthly. (October 2012); Wardlaw, Alvia. Notes from a Child’s Odyssey: The Art of Kermit Oliver (2005) Houston Museum of Art.

1168. Larry Connatser (American/Georgia, 19381996), “Untitled: The Conversation”, acrylic on plywood, unsigned, 36 in. x 36 in., unframed. $600/800 Provenance: Gift of the Estate of the Artist. Sold to benefit the Acquisition fund of the Morris Museum of Art, Augusta, Georgia. 1169. Lamar Dodd (American/Georgia, 19091996), “Picking Cotton”, 1944, graphite on paper, signed, dated and inscribed lower right, 10 7/8 in. x 16 in., unframed. $800/1200

W 1166. Leo Meiersdorff (American/New Orleans, 1934-1994), “Official

Gentleman of the Jury - The Cooking Olympics”, 1991, watercolor on paper, signed, titled and dated lower left, 22 in. x 30 in., unframed.

Provenance: Estate of the artist; accompanied by a letter of authenticity signed by Annie Laurie Dodd, widow of artist, dated 6-5-13.

$400/600 Provenance: Liberty Gallery, Royal Street, New Orleans. W 1167. Larry Connatser (American/Georgia), 1938-1996, “Untitled: A

Couple”, acrylic on wood, unsigned, 80 in. x 28 in., framed. $700/1000 Provenance: Gift of the Estate of the Artist. Sold to Benefit the Acquisition Fund of the Morris Museum of Art, Augusta, Georgia.

W 1170. Tazewell (Louisiana/Mississippi, 20th

c.), “The World’s Best Gumbo Starts with the World’s Best Homemade Cigar”, 1994, acrylic on horn shaped wood, signed lower right, signed and dated en verso and “The Trinity Eyes See it!”, acrylic and marker on fish shaped wood, signed lower right, 22 in. x 21 in. and 15 1/4 in. x 34 1/2 in., unframed., (2 pcs.) $400/600 Provenance: Purchased at Peligro Gallery, French Quarter, New Orleans. W denotes the lot is illustrated at www.nealauction.com

213

1171. Jack R. Meyers (American/Louisiana, 1930-1994), “Wash Day at the Sharecropper’s Cabin”, 1976, oil on canvas, signed and dated lower right, titled en verso, 12 in. x 16 in., framed; accompanied by Artist’s biography from “Gallery Studio d’Artiste, New Orleans”.

1174. Arnold Turtle (American/New Orleans, 1892-1954), “Exchange Alley, New Orleans”, watercolor, signed lower right, titled lower left, sight 16 in. x 11 in., framed. $500/800 Provenance: Acquired in Chicago. 1175. Alice Latimer Moseley (American/Mississippi, 1909-2004), “Grist Mill”, oil and mixed media on wood, signed lower right, artist label affixed en verso, 5 3/4 in. x 16 1/2 in.

$1200/1800 Provenance: Gallery Studio d’Artiste, French Quarter, New Orleans.

$800/1200

1171

1172

1173

1174

1175

1172. Jack R. Meyers (American/Louisiana, 1930-1994), “A Walk by the Cotton Fields”, 1977, oil on canvasboard, signed and dated lower right, 7 in. x 5 in., framed. $800/1200

1176

1176. Alice Latimer Moseley (American/ Mississippi, 1909-2004), “The Big Black Pot”, oil on wood, signed lower right, titled on artist label affixed en verso, 9 1/2 in. x 16 1/2 in. $700/1000

1173. Jack R. Meyers (American/Louisiana, 1930-1994), “Mother and Child in the Cotton Fields”, 1977, oil on canvasboard, signed and dated lower right, 7 in. x 5 in., framed. $800/1200

214

W 1177. Lilian

Hazel Westrop Bartle (British/ Baton Rouge, d. 2000), “Old Barn”, oil on canvasboard, signed lower right, 18 in. x 24 in., framed. $500/700 W 1178. Lilian

Hazel Westrop Bartle (British/ Baton Rouge, d.2000), “Cabin in the Louisiana Bayou”, oil on canvas, signed lower right, 12 in. x 16 in., framed. $300/500 1182

1185

W 1179. George

David Coulon (French/New Orleans, 18221904), “Study of Horses after John Fredrick Herring”, 1879, oil on wood panel, initialed and dated lower right, signed, titled, dated and inscribed “After Herring” and “New Orleans”, remnants of label en verso, 10 3/4 in. x 9 3/4 in., period giltwood frame.

W 1184. Arnold

(American/Louisiana, late 20th/21st c.), “Suburban Cross Road”, oil on canvas, unsigned, titled en verso, 30 in. x 29 1/2 in., unframed.

“Bodie” Bodeker (American, b. 1893), “Lobster Traps” and “Dockside”, two watercolors, both signed lower right, 17 1/2 in. x 23 1/2 in. and 10 1/2 in. x 14 1/2 in. respectively, both framed.

$300/500 Note: Represented by Carol Robinson Gallery, New Orleans.

$300/500

$300/500 W 1180. Nestor

W 1181. James N. King

1183

Hippole Frugé (Mexican/New Orleans, 19162012), “St. Louis Cathedral from Pere Antoine’s Alley”, watercolor, signed lower left, 19 1/4 in. x 13 in., framed.

1182. Manuel Joachim de Franca (Portuguese/ American, 1808-1865), “Portrait of Fannie T. Blow as a Child (1851-1885)”, 1853, oil on canvas, signed and dated lower left, sitter identified on period label affixed to stretcher and with inscription on canvas en verso, 24 in. x 20 in. oval, period frame. $1200/1800 Provenance: Descended in the family of William Clark, Explorer and Governor of the Missouri Territories. 1183. Paul Bodin (American, 19101994), “Portrait of a Woman in a Red Dress”, c. 1940, oil on canvas, signed mid left, 20 in. x 16 in., framed.

$300/500

1185. Margaret Eddy Fleming (American/ California, 18881977), “Red and White Anthuriums, Honolulu”, 1943, oil on canvas, signed, dated and inscribed “Honolulu” lower left, 46 in. x 42 in., period frame. $1000/1500 1186. Bruce Backman Turner (American, b. 1941), “Evening Thunder”, 1987, oil on canvas, signed lower left, signed, titled, dated and inscribed en verso, 24 in. x 30 in., framed. $700/900

$1000/1500

1186 W denotes the lot is illustrated at www.nealauction.com

215

W 1191. A

William IV Mahogany Pedestal Commode, early 19th c., shaped hinged top, interior seat, plinth base with drawer, height 17 1/2 in., diameter 15 1/2 in. $100/200

1187 1188

1187. Ralph Crosby Smith (American/ California, 19111965), “Jungle Story: The Path to Freedom”, oil on canvasboard, signed lower left, titled en verso, 24 in. x 18 in., framed.

1192. An American Regency-Style Mahogany Two Pedestal Dining Table, Kittinger, Buffalo, New York, branded, satinwood banded top, vasiform supports, outswept legs, brass cuff casters, height 29 in., length 78 in., width 48 in., with three conforming leaves, each 18 in. $1000/1500

$1500/2500 1188. Jeanette Blackburn (New Zealand, b. 1940), “Little Spotted Kiwi”, c. 1960, acrylic and oil on board, signed lower right, 17 1/2 in. x 14 1/2 in., framed.

1193. An American Inlaid Mahogany Carlton House Desk, 20th c., Schmieg & Kotzian, Inc., New York, labeled, with small drawers and compartments, inset leather writing surface, three frieze drawers, square tapered legs, height 37 1/2 in., width 50 1/8 in., depth 26 1/2 in.

1192

$2500/3500 Provenance: Acquired from the artist in New Zealand in the 1960s. W 1189. Scottish School, 19th c.,

“Portrait of a Boy Wearing a Kilt”, oil on canvas, unsigned, 30 in. x 25 in., period frame.

$1200/1800

$400/600 W 1190. A Small Figured Walnut

Serpentine Side Table, c. 1920; together with a Regency-style brass and mahogany floor lamp, table height 24 3/4 in., width 25 1/2 in., depth 12 1/2 in.; lamp height 59 1/2 in., diameter 15 3/4 in. $150/250 1193

216

1194. An American Federal-Style Mahogany Breakfront Bookcase, Baker, labeled, upper case with broken arch fretwork crest, dentil molding, paneled frieze, four astragal glazed doors; lower case centering banded fall front writing drawer, two over three conforming drawers, flanking cupboard doors, plinth base, height 94 1/4 in., width 75 1/2 in., depth 14 3/4 in.

1206

$1200/1800

W 1203. A Continental Alabaster

W 1195. A Pair

Figural Group, early 20th c., carved as a musician and a dancer, mounted with a dove; together with another loose dove, height 17 in., width 8 in., depth 9 in.

of Empire-Style Gilt BronzeMounted Gondola Chairs, of typical form; together with an associated guéridon, two armchairs and two side chairs, guéridon height 30 in., diameter 20 1/2 in. $500/700

1194

$200/300

W 1199. A Newcomb College Art

Pottery Vase, 1933, decorated by Sadie Irvine with stylized reeds, matte glaze with blue, green and pink underglaze, based marked with Newcomb cipher, decorator’s mark, Francis Ford’s potter’s mark, and reg. no. UQ23, height 3 3/4 in.

W 1196. Robert Gordy (American/

$600/900

New Orleans, 1933-1986), “Clouds”, silkscreen on paper, signed lower right, numbered “4/30” lower left, sheet 28 1/2 in. x 32 in., framed.

W 1200. A Shearwater Pottery Vase,

$500/700 Provenance: From the collection of Ronald Bourgeois, A.S.A. and Chuck East, New Orleans, LA.

W 1204. A Pair of Venetian Carved

and Polychromed Planters, molded rim, shaped skirt, the reserves painted with floral bouquets, metal liner, on cabriole legs, height 24 in., width 31 in., depth 18 in. $500/800 W 1205. A Pair of Continental Cast

c. 1950, antique green glaze, impressed quarter-size mark, height 6 7/8 in. Note: Long hairline crack. $200/300

Iron Urns, c. 1900, lobed rim, double mask handles, on a plinth base, height 24 in., diameter 18 in.; together with a pair of cast-iron jardinières, oval form, foliate handles, height 15 in., width 31 in., depth 13 in. $500/800

W 1197. Will Barnet (American, 1911-

2012), “Reflection”, 1971, serigraph, pencil-signed, titled and numbered 127/225, sight 23 in. x 15 in., framed. $300/500 Provenance: Collection of Ronald Bourgeois and Chuck East, New Orleans, LA. W 1198. A Shearwater Pottery

Double Handled Pitcher, c. 1950, copper red glaze, dime-size impressed mark, height 6 3/4 in. $300/500

W 1201. Two New Orleans Related

Wood and Silvered Metal Award Plaques, one the Tulane Varsity “T Club Award” (1936-1955), the other won by the Ursuline sophomore class in 1936, approximate height 17 in., diameter 12 in. $200/300 W 1202. A Decorative Faux Snakeskin

Box, together with a patinated and cast brass lidded coffer, hinged lid, height 2 1/2 in., width 6 3/4 in., depth 2 3/4 in.

1206. An American Patinated Metal and Leaded Glass Table Lamp, late 19th/early 20th c., Bradley & Hubbard, Meriden, CT, marked and numbered “194”, interlaced shade with openwork florals below, glass panels in red, green and pink, columnar standard, incised hexagonal base, height 21 in., diameter 15 1/2 in. $600/900

$150/250

W denotes the lot is illustrated at www.nealauction.com

217

W 1209. An

Empire Tôle Peinte and Gilt Bronze Carcel Lamp, early 19th c., labeled “N 13478/ PAR BREVET D INVENTION LAMP...S HYDROSTATIQUES / DE THILORIER & SERRUROT / RUE DU BOULOY No. 4”, period cut and etched blown glass globe, electrified, overall height 26 3/4 in.

1207

1207. A Pair of French Three-Light Bouillotte Lamps, with adjustable tôle shades and candle support, reticulated dish base, height 25 1/2 in., diameter 13 1/2 in.

$200/400

$500/750 1208. A Louis XVI-Style Gilt Bronze Six-Light Chandelier, feathered corona, the fluted bell issuing Greek-key candle arms, mounted with swags and acanthus, height 34 1/2 in., diameter 18 in. $1000/1500

1208

1212 (2 of 4)

W 1210. An American Painted-Decorated Blanket

Chest, mid-19th c., sponge painted surface, rectangular lift top, divided interior, bracket feet, height 25 3/4 in., width 39 1/2 in., depth 19 5/8 in. $200/400 1211. An American Carved Walnut Tester Bed, mid19th c., molded tester, vasiform turned posts, headboard with arched crest and turned uprights, shaped foot board, conforming rails, height 97 in., interior length 75 in., interior width 58 in. $1200/1800 1212. Four Oval Wrought Iron Jardinières, each with liner, in scrollwork stand, oxidized surface. 1211

218

$1000/1500

W 1213. A Cast

Iron Garden Suite in the Renaissance Revival Style, comprising a side table, four armchairs, and a settee; table with rectangular marble top, chair backs centering scenes of the Four Seasons, settee height 36 in., width 38 in., depth 23 in., table height 28 in., width 35 in., depth 23 1/2 in.

1215

W 1221. A

Collection of Six Continental Polychrome Porcelain Decorative Objects, comprising a Paris centerpiece, a German figural centerbowl, a Corinthian columnar candlestick, a pair of busts, and a figure of an owl, heights 8 in. to 15 1/2 in.

$500/750 1214. A Pair of Decorative Iron Gates, with fleurde-lis finials, incorporating C and S scroll design, height 104 in., width 123 in., depth 2 in.

1214 (1 of a pair)

$2000/3000

$300/500 1215. A Good American Cast Iron Bell, 19th c., mounted with original yoke and clapper, height 15 in., diameter 18 in.

W 1222. A

1216

$600/900 1216. An American Cast Iron Figural Hitching Post, McKittrick Foundry Co., Union Branch, N.J., labeled, of typical form, pedestal base, remnants of old paint, height 45 in., width 15 1/8 in., depth 15 in.

W 1219. Two Miniature Bronze

$400/600

$150/250

1217. An Antique Cast Iron Figure of Flora, height 58 in., width 24 in., depth 12 in., on a cast iron pedestal, pedestal height 32 in.

W 1220. A Collection of Seven

Busts, 20th c., after the well-known Bronzi di Riace (460-450 BC) Greek originals conserved in the Museo Nazionale della Magna Grecia in Reggio Calabria, Italy, marble plinths, height 10 3/4 in.

Continental Polychrome Porcelain Decorative Objects, 19th/20th c., comprising an encrier, two cologne bottles, a lidded coffer, a slant front desk and figural group, all variously decorated with floral sprays and gilt accents.

$1000/2000 W 1218. A Bronze Figure of

$300/500

“The Faun with Clappers” and Scabellum, after the Antique marble in the Tribuna of the Uffizi, Florence, on a rouge and white Grand Tour marble stand, height 16 1/4 in. $300/500

Collection of Eight Continental Vessels, 19th c., probably French, comprised of six bronze-mounted porcelain urns (two mounted as lamps) and two green opaline vases. $300/500 W 1223. A Pair

of Paris Porcelain Figures, 19th c., man with tricorn hat, woman with flowers in her apron, on round base with gilt decoration, height 9 in., width 4 in., depth 3 1/4 in. $300/500

1217 W denotes the lot is illustrated at www.nealauction.com

219

W 1224. A Continental Cobalt and Gilt Decorated

W 1230. A Group of Nine American Etchings, including:

Porcelain Jardinière, late 19th c., marked “MD”, with gilt decorated borders and goat mask handles, height 30 in., diameter 20 1/2 in.

Nicholas R. Dunphy, “Down California Street to the Bay, S.F.”; Churchill Ettinger, “Woodstock”; Phillip Kappel, “Flies versus Worms”, “Cartegena Harbor”, and “Off Shore”; Herman Rose, “Bailey’s Island”; Harriet J. Roudebush, “Tamalpais from Russian Hill”; Sam Thal, “Belmont Farm” and Wolfeboro, N.H.”, all pencil signed, sight from 6 in. x 8 3/4 in. to 9 in. x 12 in.

$300/500 W 1225. A Renaissance-Style Tin Glazed Wine Cistern,

$700/900

cobalt blue decoration with lion’s mask mounts, on paw feet, height 7 1/2 in., width 19 3/4 in., depth 12 in.

W 1231. Theodore Kruse

(German/American, 18261900), a collection of 21 works on paper, including, 14 pen/gouache and watercolor on cardboard fashion studies for Harper’s Weekly, 1880s1900s, 11 in. x 7 1/2 in. to 20 3/4 in. x 15 1/4 in.; 8 charcoal on paper academic model studies, signed and dated lower right, 19 3/4 in. x 12 1/2 in. to 24 in. x 18 1/2 in.; together with a wallet containing a photo of Kruse in his studio, late 19th c., 4 1/2 in. x 9 1/2 in., unframed, (22 pcs.)

$150/250 W 1226. An Italian

Majolica Jar, ovoid body decorated with portrait medallions on ground of scrolling vines with flowers and buds, height 11 1/2 in., diameter 12 in. $300/500 1227. Hananiah Harari (American, 1912-2000), “Sky Passage”, oil on canvas, signed lower left, titled en verso, 18 in. x 24 in., framed. $2000/3000 Note: In the 1930s, Hananiah Harari was one of a group of American painters that promoted the cause of International Modernism and Abstraction in the United States, with membership in Abstract American Artists. Throughout his career as an illustrator for leftist magazines and an art instructor at the School of Visual Arts in Manhattan, he alternated between abstraction, realism, portraiture and trompe l’oeil. His work is included in the permanent collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, Brooklyn Museum of Art and others.

$600/900 1227

W 1232. [New Orleans

Architecture], three books, including, Curtis, Nathaniel Cortlandt, New Orleans, Its Old Houses, Shops and Public Buildings, 1933; Delcroix, Eugene, Patios, Stairways and Iron-Lace Balconies of New Orleans, 1945; and Ricciuti, Italo William, New Orleans and its Environs, The Domestic Architecture, 17271870, 1938. $600/900 W 1233. William Woodward

(American/New Orleans, 1859-1939) and Olive Leonhardt (American/New Orleans, 1895-1963), Woodward, French Quarter Etchings of Old New Orleans, 1938, Magnolia Press, New Orleans, first edition, with dust jacket; together with Leonhardt, New Orleans Drawn and Quartered, 1938, Dale Press, Richmond, with a signed forward by Lyle Saxon, with 39 reproductions after her work.

1228. Robert Lebron (American/ Florida, b. 1928), “Rare Wall Street Visitors”, oil on canvas, signed lower right, artist stamp and title en verso, 40 in. x 30 in., framed. $700/900 Provenance: Acquired from the artist in Florida and then featured on the television show Jeopardy!®, February 19, 2013. W 1229. Currier & Ives Publishers,

“U.S. Military Academy, West Point, from the Opposite Shore”, 1862, hand-colored lithograph, calligraphic note indicating “Currier and Ives Print... presented to Field Marshal Viscount Montgomery, November 29, 1949, To commemorate his visit to B. Altman & Co.” en verso, sight 13 1/2 in. x 17 1/4 in., curly maple frame. $250/350

220

1228

$400/600 W 1234. [Louisiana Plantation Homes and Family Trees],

Seebold, Herman de Bachelle Old Louisiana Plantation Homes and Family Trees, 1941, published privately, printed New Orleans, in two volumes, hardcover, remnants of slipcase; together with King, Grace, Creole Families of New Orleans, 1921, signed dedication, hardcover, with Ellsworth Woodward illustration. $500/700

W 1235. [Huey P.

Long Memorabilia], including, Every Man a King, The Autobiography of Huey P. Long, 1933, signed, National Book Co., Inc., New Orleans; Deutsch, Hermann, The Huey Long Murder Case, 1963, Doubleday & Co.; Briley III, Richard, Death of the Kingfish, 1960, Triangle Publishing; and Mardesich III, Joseph, Who Shot Huey Long?, 1964, Hermitage Press; together with a vintage pin back button and instructions for Long’s “Share the Wealth Society” movement.

1237

$700/1000

1239

W 1236. [Boston Club

and Orleans Club History], two books, including Landry, Stuart, History of the Boston Club, reprint of 1938 edition, Pelican Publishing Co., New Orleans, bound with the 1990 Sesquicentennial Supplement, hardcover; together with Orleans Club History, 19531971, self-published, softcover.

1240. A Sheffield Bowie Knife with Scabbard, c. 1860, marked “S.C. Wragg Island Works, Sheffield”, etched blade with floral decoration reads “A SURE DEFENCE”, with leather over wood scabbard embossed “S.C.W.”, length of blade 7 in.

1240

$700/1000 W 1241. An English Bowie Knife,

marked “G. Wostenholm & Son, Washington Works”, “The Real I XL Knife”, “The Hunters Companion”, engraved in gilt “America, Land of the Free and Home of the Brave”, 10 inch steel blade, horn handle, with leather sheath.

$200/300 1237. [Leather Bindings], 22 books including Jared Parks, The Writings of George Washington, 12 vols, 1852; together with Jared Sparks, The Writings of George Washington, 10 of 12 vols, 1837.

$100/150 1242. A Civil War Cedar Canteen, wood and iron construction, carved and painted “W.H.H./ Blakeley Alabama/ April 1865”, with cotton strap. $800/1200

$400/600 1242

W 1243. A Large Group of Civil War-

W 1238. [Antique New

Orleans Map], “Lake Ponchartrain, Harbour & Breakwater, Louisiana”, 1853, lithograph, folding map extracted from a book, sheet 9 in. x 38 in. $100/200

1239. An American Polychrome Paint-Decorated Cast Iron Dressing Mirror, c. 1860, probably Northeastern United States, oval reticulated mirror, supports in the form of hoop-skirted ladies atop olive branches shading the American flag, acanthus and shell base, height 20 3/4 in., width 14 1/4 in., depth 6 1/2 in. $300/500

Era Postal Covers, presented in a 19th c. 1/4 leather album, over 900 covers, all Union themed. Note: Only the front or back of the covers is presented. $800/1200 W 1244. [Obsolete Currency], a group

Note: An identical model from the Virginia Carroll Crawford Collection, High Museum, Atlanta sold in these rooms February 19, 2005, as lot 498.

of 20 Southern obsolete currency notes, from the states of Georgia, South Carolina, Mississippi and Tennessee, matted and framed (2 pcs.)

Reference: Pierce, Donald, C. Art and Enterprise, American Decorative Art, 1825-1917: The Virginia Carroll Crawford Collection, 1999, p. 48, pl. 22.

$500/700

W denotes the lot is illustrated at www.nealauction.com

221

W 1245. [Obsolete Currency], a

1252. Léonard Tsuguharu Foujita (French/Japanese, 1886-1968), “Male Nudes”, ink and ink wash on paper, signed middle right, 16 1/8 in. x 23 1/8 in., gilded oak frame.

group of 11 obsolete currency notes including: Alabama (2), South Carolina (3), North Carolina (2), Georgia (3) and The Mississippi & Alabama Railroad Company (1).

$3000/5000

$300/500 W 1253. Haku Maki (Japanese, W 1246. Group of Thirty-Eight

1924-2000), “Collection-18 (Stone)”, 1979, woodblock print with cement relief, sealed, signed, titled, dated and numbered “183-205” lower margin, sight 10 1/8 in. x 8 3/4 in., matted and framed.

Confederate Currency Notes, incl: Type 8-10, 14, 16-18, 20, 21, 22 (counterfeit), 24, 25, 28-31 (2 Type 30s) 33, 36, 37, 39, 39 (counterfeit), 40, 41, 44, 46, 52, 55, 57-59, 61, 62, 66, 67 and 69-71, various condition, several cancelled.

$150/250

$500/700 1247. A Turkish Brass Tray on Stand, late 19th/early 20th c., dished tray with geometric design, turned and spindled folding stand.

W 1254. A Japanese Embroidered

Orange Silk Wedding Robe, Furisode, 20th c., worked in satin stitch and couched metallic threads with multiple golden cranes flying amid vibrant multicolored fans, length 73 in.

1247

$300/500

$150/250

W 1248. Thomas E.

W 1255. An Antique

Ashburn (American/New Orleans, 20th c.), “SelfPortrait”, 1996, paint, wood and mixed media sculpture, unsigned, dated on back, height 46 in., width 16 in.

Japanese Ivory Figural Group, carved as a man holding a fan and a cup kneeling beside a covered basket and a pair of sandals, height 6 3/8 in., wood base inset with inscribed ivory cartouche signed in the red lacquer reserve, overall height 8 in., width 8 1/4 in.

$300/500 W 1249. Thomas E.

Ashburn (American/New Orleans, 20th c.), “The Curse”, 1998, paint, wood and mixed media sculpture, signed and dated on back, height 30 in., width 14 in.

$300/500 1252 W 1256. A Japanese Bronze

Urn Cover, 19th c., elaborately cast as the figure of a horned demon with taloned hands and feet holding a covered jar, height 7 in., diameter 8 1/2 in.

$300/500 W 1250. A Group of Twelve

American Folk Art Carved and Polychromed Root Sculptures, early 20th c., North Carolina, including 10 whimsical figures, decorated with sawdust, and two boards, tallest height 21 in. $1800/2500

$700/900 1257. A Pair of Japanese Lacquer Hibachi, Meiji Period (1868-1912), each of decagonal form, overall mottled orange-red speckled pattern, copper liners, height 10 7/8 in., diameter 12 1/4 in.

1257

W 1251. An Iron and Glass

$400/600

Breakfast Table, plate glass top with molded edge, curule base, height 29 1/2 in., diameter 47 in. $150/250

W 1258. A Japanese Molded Celadon Stoneware Vase,

probably 19th c., cylindrical body modeled as a bamboo stalk, reliefdecorated with bamboo sprays, height 8 in. $200/300

222

1259. Japanese School, “Resting Tiger”, ink and color on silk mounted to paper board, inscribed and sealed middle right, sealed upper and lower left, 18 7/8 in. x 20 3/4 in., framed.

W 1266. Utagawa Fusatane

$400/600

$150/250

1260. Japanese School, “Kitten Studying a Frog in a Lotus Pond”, ink and color on paper, inscribed and sealed upper left, 13 in. x 25 3/4 in., brocade mounted and framed.

W 1267. After Kawase Hasui

(Japanese, active 1849-1870), “Ebisn and Daikokn Frolicking”, woodblock print, sheet 14 in. x 9 3/4 in., unframed.

(Japanese, 1883-1957), “Honmonji Temple In Snow (Ikegami Homonji)”, woodblock print, sight 21 1/4 in. x 14 1/2 in., double matted and framed.

$600/800

$100/150 W 1261. A Pair of Japanese

Bronze Baluster Vases, Meiji Period (1868-1912), each reliefdecorated with birds and grasses, height 8 3/4 in., now mounted as lamps.

W 1268. A Japanese Imari

1259

Porcelain Charger, probably Meiji Period (1868-1912), shallow bowl-form body and wide foliate rim decorated with floral panels, base with impressed mark, height 2 1/8 in., diameter 16 in.

$100/200 W 1262. A Japanese

Bronze Vase, archaistic style with wide hexagonal body issuing a tall flared neck mounted with a pair of playful shishi lion-dogs, height 11 3/8 in.

$200/300 W 1269. A Large

Japanese Polychrome Porcelain Figure of Kannon, 20th c., modeled wearing elaborate robes and a red cowl standing on a cresting wave base, base with impressed mark, height 33 1/2 in.

$150/250 W 1263. Hiroshige

(Japanese, 1797-1858), “Chiryo”, woodblock print from the series “The Fifty-Three Station of the Tokaido (Tokaido Gojuson tsugi nouchi)”, sheet 8 1/4 in. x 12 3/4 in., framed. $100/200 W 1264.

Hiroshige II (Japanese, 1826-1869) and Kunisada (Japanese, 1786-1865), “Moon Viewing at Shinshu”, woodblock print, sheet 14 1/4 in. x 9 3/4 in., framed. $100/150 W 1265. A Group of Japanese Woodblock Prints, probably

19th c., including “Geishas at Leisure”, diptych, joined sheets 15 in. x 20 in., unframed; and “Shogun Riding Bull”, sheet 22 3/8 in. x 9 1/8 in., unframed. $300/500

1260

$800/1000 W 1270. A

Group of Chinese Export Famille Rose Porcelain, 18th c., comprised of three saucer dishes 1271 and a matching cup and saucer, saucer diameter 4 1/2 in. to 5 3/8 in., cup height 2 1/2 in. (5 pcs.) $200/300 Provenance: Irving and Bettie Redler Collection, New Orleans, LA, acquired Henry Stern Antiques, New Orleans, LA. 1271. Two Chinese Export Polychrome Porcelain Bowls, 19th c., the first decorated with landscape panels enclosing pairs of deer and water buffalo between floral cartouches, base with “Fred B. Nadler Antiques” label, height 3 7/8 in., diameter 9 in.; the second with floral and fruit panels on a blue and white ground, height 3 7/8 in., diameter 9 in. $400/600

W denotes the lot is illustrated at www.nealauction.com

223

1272. A Chinese Export Famille Rose Decorated Blue and White Porcelain Covered Tureen and Undertray, 19th c., quadrilobed oval tureen decorated with shaped floral and figural panels on a blue and white diaper ground, iron red and gilt highlights, domed cover with pierced crown finial, undertray en suite, tureen height 6 1/4 in., width 10 in., undertray width 11 in., depth 9 7/8 in. $400/600

W 1279. A Chinese Blue and

White Porcelain Tea Bowl, probably Qing Dynasty (1644-1911), U-form body decorated with cresting waves, base with double ring mark, height 1 1/2 in., diameter 3 in. $300/500 W 1280. A Chinese Reverse

Decorated Blue and White Porcelain Bowl, probably 19th c., bell-form body decorated with a central dragon roundel beneath a lotus band, exterior with dragons in pursuit of the flaming pearl, base with incised Jiajing mark, height 3 1/2 in., diameter 7 7/8 in.

1272

W 1273. A Group of Three

Chinese Export Famille Rose Porcelain Dishes, 19th c., each decorated with a central roundel enclosing figures in a garden setting, diameter 7 3/4 in., 7 3/4 in. and 9 5/8 in.

$300/500

1281. A Chinese Bronze Mounted Blue and White Porcelain Jar, probably Qing Dynasty (1644-1911), globular body decorated with stylized asters, bronze-mounted rim and bronze butterfly handles, height 6 in., diameter 8 in.

W 1274. A Chinese Export Famille Rose

Pottery Covered Jar, 20th c., baluster body with loop handles, conforming cover with lion finial, decorated throughout with birds, flowers and scrolling vines, height 17 1/8 in.

$800/1200

$100/150 W 1282. A Metal-Mounted Chinese Blue W 1275. A Group of Four Chinese

and White Porcelain Bowl, probably Qing Dynasty (1644-1911), deep U-form body decorated with dragons amid clouds, foot and rim reinforced with metal strips, height 4 1/4 in., diameter 7 1/4 in.

Export Canton Famille Rose Porcelain Pieces, Qing Dynasty (1644-1911), including three lobed serving dishes, height 1 1/2 in., width 10 3/8 in., and a covered rectangular box, height 2 3/4 in., width 7 in.

$200/400

$200/300 1278

W 1283. A Pair of Chinese Blue

W 1276. A Group of Six Chinese

and White Porcelain Baluster Vases, probably late Qing Dynasty (1644-1911), olive-form bodies decorated with boys holding vases against floral scroll grounds, bases with Kangxi marks, height 10 1/8 in. Note: One with restoration.

Export Blue and White Porcelain Covered Mustard Pots, 20th c., each decorated with pavilions in a lakeside setting, height 3 1/4 in. $75/100

$150/250 W 1277. A Chinese Gilt-

Decorated Green Glazed Porcelain Covered Jar, probably 19th c., globular body and domed cover with thick green enamel surrounding gilt floral sprays, bats, pendant ruyi heads, and petal lappets, base with double circle mark, height 6 1/2 in. Note: Staple repair to cover. $350/450 1278. A Chinese ‘Blanc-de-Chine’ Porcelain Figure of Shoulao, probably Qing Dynasty (1644-1911), modeled holding a staff standing atop an intricate rockwork base, height 7 1/2 in. Note: Break to left arm. $500/700

224

W 1284. A Chinese Famille Verte

Porcelain Meiping Vase, probably 20th c., decorated with butterflies and fruiting branches beneath elaborate bands at the shoulder and foot, base with scroll mark, height 11 3/4 in.

1281

$300/500 W 1285. A Chinese Polychrome Decorated Yellow Ground

Porcelain Bottle Vase, probably 20th c., pear-form body decorated in raised enamels with dragons pursuing the flaming pearl, base with Qianlong mark, height 10 1/4 in. $200/300

W 1286. A Chinese Famille Rose Green Ground

Porcelain Snuff Bottle, probably 19th/20th c., cylindrical body decorated with flower heads, stopper, height 3 1/8 in. $500/700 W 1287. A Chinese ‘Qian Jiang’ Porcelain Snuff

Bottle, probably 19th c., cylindrical body enameled with a continuous scene of the “Seven Sages of the Bamboo Grove”, stopper, height 3 18 in. $600/800 W 1288. A Chinese Polychrome Porcelain Snuff

Bottle, probably 19th/20th c., flattened spade-form body decorated on each side with a cricket, stopper height 2 1/2 in.

1289

1290

$700/900 1289. A Chinese Pink Glass Snuff Bottle, flattened globular body with mask ring handles, incised with ancient bronzes on one side and archaic calligraphy on the other, stopper, height 2 3/8 in. $1000/1500 1290. A Chinese Double Overlay Pink, White and Translucent Red Glass Snuff Bottle, flattened globular body carved with lotus petals arising from a furled lotus leaf, stopper, height 2 3/4 in. $2000/4000 1291. A Chinese Famille Rose Enameled Milk Glass Snuff Bottle, possibly 18th c., flattened ovoid body enameled with scenes of figures in gardens, base with Guyue Xuan mark, stopper, height 2 5/8 in. $2000/3000

1292 1291

1292. A Chinese Gold Foil Flecked Brown Glass Snuff Bottle, probably 19th c., flattened globular body carved with the figure of a caparisoned elephant, stopper, height 2 3/8 in. $800/1200 W 1293. A Chinese Red Overlay Green Glass

Snuff Bottle, probably 19th c., pear-form body overlaid in a casing of red, stopper, height 2 3/4 in. $800/1200 1294. A Chinese White Glass Snuff Bottle, probably 19th c., square form body with mock ring handles, carved to two sides with a rabbit amid plants, stopper, height 3 in. $800/1200 1295. A Chinese Red Overlay Snowflake Glass Snuff Bottle, probably 19th c., flattened pear-form body carved with a songbird amid flowering plants, stopper, height 3 in.

1294

1295

$1000/1500 W denotes the lot is illustrated at www.nealauction.com

225

W 1298. A Chinese Inside Painted Clear Glass

Snuff Bottle, probably 20th c., flattened rectangular body with rounded shoulders, painted with a traveler and an attendant on a donkey, reverse with a fisherman and a servant, stopper, height 2 7/8 in. $800/1200 W 1299. A Group of Three Chinese Snuff

Bottles, including an imitation realgar glass bottle, stopper, height 2 7/8 in.; a carved green aventurine quartz bottle, stopper, height 2 3/8 in.; and a molded “cinnabar” resin bottle, stopper, height 2 7/8 in. $150/250 W 1300. A Chinese Quartz Crystal Snuff Bottle,

1306

probably 19th c., carved as a pumpkin borne on leafy vines bearing three smaller pumpkins, stopper, height 2 1/4 in. $600/800 W 1301. A Chinese Silver Mounted Quartz

1296

Crystal Snuff Bottle, rounded rectangular body carved with flowering tree peonies, mounted as a scent bottle with silver dragon and jade set stopper, height 3 5/8 in. $1200/1800 1302. A Chinese Jadeite Snuff Bottle, probably 19th/20th c., globular shield-form body with a slightly convex foot, stopper, height 2 1/4 in. $800/1200 W 1303. Two Chinese Carved Hardstone Snuff

Bottles, including one of gray agate with carved brown skin, stopper, height 2 1/2 in.; and the other of dark green jade with carving of geese, stopper, height 2 in. $800/1200 1307

1302

1296. A Chinese Five Color Overlay Blue Glass Snuff Bottle, probably 19th/20th c., flattened pear-form body decorated with lotus, antiques and a bat, stopper, height 3 in. $1000/1500

1304. A Chinese Shadow Agate Snuff Bottle, flattened globular body carved with an aquatic scene with fish, snails and lotus, stopper, height 2 7/8 in. $2000/4000 W 1305. A Chinese Agate Snuff Bottle, probably

19th c., flattened oval body on oval foot, stopper, height 2 3/8 in. $500/700

W 1297. A Chinese Inside

Painted Clear Glass Snuff Bottle, probably 20th c., flattened rectangular body with rounded shoulders painted with boys and a fishbowl, reverse with beauties in a garden, stopper, height 3 1/8 in.

1306. A Chinese Agate Snuff Bottle, probably 19th/20th c., flattened spade-form body with mock ring handles, carved with Liu Hai on the front and men in a boat on the reverse, stopper, height 2 1/2 in. $800/1200

$800/1200 1307. A Chinese Agate Snuff Bottle, probably 19th c., flattened rectangular body, stopper, height 2 3/4 in. 1304

226

$800/1200

1308. A Chinese Agate Snuff Bottle, probably 19th c., flattened spade-form body with mock ring handles, stopper, height 2 7/8 in. $1000/1500 1309. A Chinese Translucent Agate Snuff Bottle, probably late 19th c., flattened spade-form body with mock ring handles, stopper, height 2 7/8 in. $1000/1500 W 1310. An Antique

Chinese Horn Snuff Bottle, flattened spade-form body carved on each side with a lotus flower and scrolling foliage, stopper lacking spoon, height 2 1/2 in.

1308

1312

1309

1313

$500/700 W 1311. A Chinese Wood

Snuff Bottle, carved in the round as a Buddha’s hand citron borne on a leafy branch, stopper, height 2 3/4 in. $400/600 1312. A Chinese PurpleSplashed Junyao Stoneware “Bubble” Bowl, probably Qing Dynasty (1644-1911) or earlier, round tapering body on short foot covered in a milky blue glaze thinning to mushroom at the rim, interior with reddish purple splash, height 4 1/8 in., diameter 8 3/4 in. $600/800 1313. A Chinese Black Glazed Stoneware Jar, probably Qing Dynasty (16441911) or earlier, ovoid body with tapering shoulders and short neck, overall mottled black glaze pooling above the unglazed base, height 5 1/4 in., diameter 7 1/4 in. $600/800

W 1315. A Chinese Celadon

W 1317. A Chinese Celadon Stoneware Model of a

Pottery Cong Vase, probably Qing Dynasty (1644-1911), square-form body with horizontal ribbed edges, glazed overall in moss green with brown crackle, height 12 5/8 in.

Pagoda, probably 20th c., modeled as a tapered six-story tower with arched windows, overall even colored green glaze, base marked, height 16 in.

$400/600 W 1316. A Chinese Ge-Ware

Porcelain Lingzhi Vase, probably 20th c., modeled as a clustered stalk of the long-life fungus, overall pale green crackled glaze, height 7 3/8 in. $400/600

$300/500 W 1318. A Chinese Celadon Porcelain Bowl, probably

20th c., bell-form body with petal lobed rim, the well impressed with a dogwood blossom roundel, height 3 in., diameter 7 1/4 in. $400/600 W 1319. An Asian Blue Glazed Pottery Dish, probably

19th c., shallow bowl-form body with flat everted rim with rolled edge, spurmarks, height 2 3/8 in., diameter 12 3/8 in. $200/400

W denotes the lot is illustrated at www.nealauction.com

227

UPCOMING AUCTIONS Spring Estates Auction April 25, 26 & 27 Summer Estates Auction June 28 & 29 Autumn Estates Auction September 13 & 14 Louisiana Purchase Auction™ November 22 & 23

Neal Auction Company ✹SUBSCRIPTION ORDER FORM ✹ Annual subscription ��$125 International subscription ��$325

Name �� Address �� City ________________________________________ State _________________ ZIP Code ��

Mail check and order form to: Neal Auction Company 4038 Magazine Street New Orleans, Louisiana 70115 or e-mail to: clientservices@nealauction.com or fax to: 504-617-6539 228

Check

Visa

MasterCard

Discover

AMEX

Card number �� Expiration Date ________________ V-Code �� Signature X ��

Important Spring Estates Auction April 25, 26 & 27, 2014 An Invitation to Consign We are especially interested in 18th and 19th century American furniture and decorative arts; English and French antiques; Continental and English paintings; Southern coin silver; Newcomb pottery; American and Southern paintings, prints and photographs; historical documents and memorabilia; and Civil War artifacts. This important upcoming auction provides consignors and discerning collectors with a most attractive auction opportunity. Record prices have been achieved in many of our sales. Extensive presale advertising and marketing is being scheduled. We would be delighted to consult with you.

Inquiries: consignments@nealauction.com 800-467-5329 www.nealauction.com

American Gothic Carved and Laminated Rosewood Ă&#x2030;tagĂ¨re, c. 1850, New York, height 84 in. W denotes the lot is illustrated at www.nealauction.com

229

Important Bidding Information All Absentee/Telephone bids for the Saturday and Sunday auction sessions must be received by Friday, February 7 at 5 P.M. C.S.T. For a Telephone Bid each item must have a minimum low estimate of $500. Visit www.nealauction.com

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named. Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category. 230

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist. School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist. Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period. After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named. Bears signature “George Inness” In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

WIRE TRANSFER INFORMATION: Capital One 313 Carondelet Street New Orleans, LA 70130 504-533-7223 ACCT# 026223628 ROUTING #065000090 International Swift #HIBKUS44

A.E. Backus, 442 Will Barnet, 1197 William and Henry Barraud (aft), 985 George Barris, 499 Lilian Hazel Westrop Bartle, 11771178 Andre Vincent Becquerel, 480 Carroll Thayer Berry, 839 Jean-Joseph-Xavier Bidauld, 919 Jacqueline Bishop, 478 Jeanette Blackburn, 1188 Edwin Boddington, Jr (aft), 1135 Arnold “Bodie” Bodeker, 1184 Paul Bodin, 1183 Pierre Bonnard, 515 Robert Ward van Boskerck, 337 Richard Boyle, 2 George Braque, 781 British School, 116, 137, 315, 782 T. Brown, 1142 Patrick Henry Bruce, 461 Henry William Bunbury (attr), 1010

Debbie Fleming Caffery, 855, 871 Jean-Jacques Caffieri (aft), 797 Sir David Young Cameron, 1007 Grace Neville Carrothers, 1152 Henry Casselli, 467 Thomas Francois Cartier, 148 Gaetano Capone, 920 Marc Chagall, 488, 870 James Wells Chapney, 465 Felix-Maurice Charpentier, 1032 Joseph-Pierre Chinard (aft), 149 Chinese School, 36, 56, 57-59, 6566, 160-161, 205-206, 254, 281, 542, 569, 601-602, 609, 672, 713, 800-802 Heinrich Claudius, 518 Clodion (aft), 433 J. Enrico Coleman, 285 Larry Connatser, 1167-1168 Continental School, 90, 236, 287, 381, 869, 991 Willard Cooper, 1139 George David Coulon, 1179 James Currie, 323 Currier & Ives Publishers, 1229 Cuzco School, 235

Jean-Baptiste Victor Daulnoy, 1006 R.C. Davis, 1162 Vincent Brooks Day & Son, 138

Adrian Deckbar, 868 Eugene Delacroix, 845 Lamar Dodd, 1169 William de Leftwich Dodge, 462 Edouard Drouot (aft), 798 Alexander John Drysdale, 459, 1140 Mathew Dubourg, 18 Alfred Dubucand, 418

Charles Warren Eaton, 238 Dorothy Stanley Emmons, 458 Max Ernst, 945-946 Walker Evans, 508

John Mackie Falconer, 322, 325 Alexander Falguiere, 482 F. Falinski, 324 John Kelly Fitzpatrick, 448 Margaret Eddy Fleming, 1185 Manuel Joachim de Franca, 1182 French School, 1, 847, 918, 1033 Charles Fritchie, 943-944 Nestor Hippole Frugé, 1180 Leonard Tsuguharu Foujita, 1252 Utagawa Fusatane, 1266

Pietro Gabrini, 517 German School, 1005 Giambologna (aft), 527 Rolland Harve Golden, 1150 Robert Gordy, 466, 512, 1196 John Gould, 20, 21, 521 Vasilli Gratchev (aft), 194

Cornelius Haly Hankins, 1138 Hananiah Harari, 1227 Kawase Hasui (aft), 1267 Thomas Cantwell Healy, 1133 Colette Pope Heldner, 451, 452, 1154 Knute Heldner, 463, 464 William “Bill” Hemmerling, 836, 840 Helen Shapland Herdliska, 1149 John Frederick Herring, Jr., 224 Hiroshige, 1263-1264 Morris Henry Hobbs, 832-833, 841, 843, 844 William R. Hollingsworth, Jr., 1155 Emil Eugen Holzhauer, 1157 William Samuel Howitt, 1008 Clementine Hunter, 439, 440, 441

Italian School, 297, 298, 314, 10341035, 1118

H. Jacquet, fils, 415 Japanese School, 1259-1260 Tinus de Johan, 379 Henrietta Johnston (attr), 1159 Marguerite Joseph, 922

E. Karkadoulis, 485 Jacob Simon Hendrick Kever, 286 James N. King, 1181 Alberta Kinsey, 447 Forrest Kirkland, 1146 Ida Rittenberg Kohlmeyer, 472, 476 Paul Ludwig Kowalczewski, 414 Theodore Kruse, 1231

James Reid Lambdin, 1141 Clarence Laughlin, 848-854 Robert Lebron, 1228 Herman Leonard, 503 William Lewis, 475 Harry Leonard Lopp, 1002 Walt Louderback, 838 Louisiana School, 453, 1151 Eugene E. Loving, 842 William Ludwig, 477

Raffaela Mainella, 516 Georges Philibert Charles Maroniez, 1004 Julia M. Massie, 1156 Alessandro Mastro-Valerio, 19 Henri Matisse, 514 Henri Matisse (aft), 1013 D. Mazzi, 417 John McCrady, 449 Leo Meiersdorff, 1164, 1166 Joseph Rusling Meeker, 316 Pierre-Jules Mene, 887 Jack R. Meyers, 1171-1173 James Michalopoulos, 1160-1161 J.E. Miller, 846 Clarence Millet, 450, 1163 Joan Miro, 513 C. Bennette Moore, 860 Alice Latimer Moseley, 1175-1176

Odd Nerdrum, 489 Antal Neogrady, 982 Alphonse de Neuville (aft), 897 New Orleans School, 360, 862 Hugh Newell, 1051 Elizabeth Norton, 484

Philome Obin, 486 Kermit Oliver, 1165 Will Ousley, 1147

Edith Baretto Parson, 483 Keith Perelli, 473 Granville Perkins, 834 Marie Adrien Persac, 454 L. Prang & Co. Publishers, 339 Preston Powers, 884

Georges Recipon, 428 Paul Renard, 983 Hyacinthe Rigaud (aft), 53 Noel Rockmore, 865-866 George Rodrigue, 468, 835 Peter Frederick Rothermel (aft), 3 Robert Rucker, 1144-1145

C. Santarelli, 17 John Francis Sartorious (man.), 1052 S.A. Scott, 864 Scottish School, 1189 Laurie Simmons, 505 Cindy Sherman, 506 Michael P. Smith, 856-857 Ralph Crosby Smith, 1187 Southern School, 460 Maud Spiller, 1143 Heinrich Stein, 984 Bert Stern, 504 Karl Stuhlmuller, 380 Ludwig Sturm, 783 Meyer Straus, 456 Swinney, 861

Vassilakis Panayotis Takis, 481 Tazewell, 1170 Simon Phillippe Thomassin, 780 Simon Phillippe Thomassin (aft), 1053 Titian (aft), 917, 1005 William Tolliver, 837 Fred Trenchard, 867 Bruce Backman Turner, 1186 Arnold Turtle, 1158, 1174

Jerry Uelsmann, 509, 510, 511

Titziano “Titian” Vecelli (aft), 917 Elizabeth O’Neill Verner, 457 George Louis Viavant, 318 George Vincent (attr), 136

Jose Weiss, 921 William Edward West (aft), 338 Edward Weston, 507 Bror Anders Wikstrom, 1148 William Henry Williamson, 1009 Theodore “Fonville” Winans, 858859 Mildred “Millie” Wohl, 479, 863 William Woodward, 1233 Louis Wright, 1153

✹

Ansel Adams, 501, 502 American School, 336, 378, 1003, 1136-1137, 1230 James “Mac” Anderson, 469, 470, 471 Karel Appel, 474 Edward Armfield, 1134 Thomas E. Ashburn, 1248-1249 John James Audubon, 317

February 8 & 9, 2014 ✹ artist index ✹ artist index ✹ artist index

Robert Rauschenberg, 487 Severo da Ravenna (foll. of), 237 William Tylee Ranney (aft), 323 W denotes the lot is illustrated at www.nealauction.com

231

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6539 • www.nealauction.com

Auction Date: Feb. 8 & 9, 2014

Condition Report Request Form Please Review Guidelines For Condition Report Requests:

1. Items must have a minimum low estimate of $500. 2. Condition Reports will not be given verbally. 3. The Condition Reports Department is available to take requests two weeks prior to every auction. 4. Photo requests will only be processed for items not illustrated in our catalogue or on our website at www.nealauction.com. Detail photos provided upon discretion. 5. Condition Report Requests should be submitted by facsimile to 504-897-3808 or via the online request form by Wednesday, 2/5/14. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability.

First Name: ______________________________________________ Last Name: __________________________________ Company: _____________________________ Address: ________________________________________________________ City: ___________________________________________ Prov/State__________________ Postal Code __________________ Home Ph.: (____)___________________ Work Ph.: (____)______________________ Fax:(____)_____________________ Email: ______________________________________________________

LOT #

DESCRIPTION

SPECIAL REQUESTS

SELECT:

All reports will be sent via Fax or email

❒ Fax

❒ Email

Fax this form to 504-897-3808 on or before Wednesday, 2/5/14. 232

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6539 • www.nealauction.com

Confidential Absentee / Telephone Bid Form

14/02M

Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more. Absentee bids are gladly accepted for all items below $500. 2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Friday prior to the auction. 3. In the event identical bids are submitted, the earliest bid received will take precedence. 4. A 25% deposit must accompany all bids. A credit card number is required for securing your bids. 5. Auction addendum available prior to the auction on the website or via facsimile. 6. All property is sold “AS IS”. No statement regarding condition of any item, whether it is made orally at the auction or any other time, or in writing in the catalogue or elsewhere, shall be deemed to be a warranty, representation or assumption of liability. 7. In the event of discrepancies, lot number and not lot description will take precedence.

First Last Name: _________________________ Name: ____________________________________ Company: __________________________ Address: ______________________________________________________________________________________________________ City: _____________________________________________ Prov/State _______________________ Postal Code ________________ Home Ph.: (_____)___________________ Work Ph.: (_____)______________________ Fax: (_____)_____________________ Dealer Resale# ________________________________State __________Email: __________________________________________________ Dealers must provide Neal Auction Company with proper documentation prior to bidding.

MUST PROVIDE: Visa/MC/Discover/Amex_______________________________________ Exp: _______ Credit Card V-code:________

☎

MUST PROVIDE: Cash Payment Check Method: Wire

Credit Card

IF SUCCESSFUL, please bill my card. Number To Call For Phone Bid: (1) (____)__________________________ (2) (____)__________________________

Lot#

Description

Bid Amount $ or Telephone No.

I understand that Neal Auction Company undertakes the execution of absentee bids as a convenience for clients and is not responsible for inadvertent failure to execute bids, or for any error in the execution of bids. I have read and agree to the “Conditions of Sale” as stated in the catalogue. I understand that a buyer’s premium will be charged on each lot purchased at 22% up to and including $200,000 plus 10% of the hammer price greater than $200,000. For purchase made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. No exceptions.

✍ Signature Required

Date

For Internal Use Only: Approved_ _____________Registered____________ Entered_ ____________ Clerks Initial________________ Account #_ _________________ Confirmed_______________________

Fax Form on or before Friday, 2/7/14 to 504-617-6431 or 504-617-9990

W denotes the lot is illustrated at www.nealauction.com

233

Neal Auction Company

Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6539 • www.nealauction.com page 2 14/02M

Name: ________________________________________________________________________

Lot#

Description

Bid Amount $ or Telephone

✍ Signature Required For Internal Use Only: Approved________________________ Registered________________Entered_ ______________________ Clerks Initial_____________________ Account #______________ Confirmed_______________________

234

Date

Fax Form on or before Friday, 2/7/14 to 504-617-6431 or 504-617-9990

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale. 1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer. Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.” B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within a reasonable time from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale. C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery. D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable. E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate. F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief. 2. The auctioneer shall have absolute discretion in determining the successful bidder. At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same. 4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item. 5. No merchandise will be released before the end of the auction. 6. If the buyer fails to comply with any of the conditions of sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder. ABSENTEE/TELEPHONE BIDS 1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction. 2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500. 3. We assume no responsibility for failure to execute bids for any reason whatsoever. 4. We reserve the right to require that advance bids be accompanied by a 25% deposit. PAYMENT 1. The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For purchases made by cash, check or wire transfer, the buyer’s premium shall be discounted 2.5% of this 22%. 2. Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price. 3. Documentation of tax exemption must be provided upon registration. 4. Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid. 5. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer. LIVE INTERNET BIDDING Live internet bidding is available through Live Auctioneers at a buyer’s premium in the amount of 25% of the hammer price. See www.liveauctioneers.com TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requests that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account. SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper. STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale. W denotes the lot is illustrated at www.nealauction.com 235

Auction Results for November 2013 0001-$657 0002-$610 0003-$418 0004-$478 0006-$492 0008-$549 0009-$307 0010-$8066 0011-$2214 0012-$1195 0014-$298 0015-$1195 0016-$1220 0017-$1464 0018-$1220 0019-$1553 0020-$3585 0021-$2440 0023-$1464 0026-$2091 0030-$1195 0032-$5227 0033-$1353 0035-$1830 0036-$4421 0038-$239 0039-$1912 0040-$1434 0041-$836 0043-$976 0044-$358 0045-$298 0046-$717 0048-$1195 0049-$5975 0050-$2196 0051-$597 0052-$492 0054-$2440 0055-$657 0056-$1553 0057-$1673 0059-$1314 0061-$1968 0063-$861 0064-$5975 0065-$717 0066-$597 0067-$2135 0068-$597 0069-$1314 0072-$2390 0075-$2509 0076-$7625 0079-$2509 0080-$537 0082-$492 0084-$15860 0086-$3585 0087-$6100 0089-$717 0090-$793 0091-$3050 0093-$1673 0095-$305 0096-$956 0097-$5490 0098-$615 0099-$1314 0100-$3050 0102-$1464 0103-$776 0104-$1599 0105-$1553

236

0107-$4481 0108-$4780 0109-$2270 0110-$861 0113-$1195 0115-$488 0116-$984 0117-$1476 0119-$1553 0120-$1599 0122-$597 0123-$1912 0124-$2440 0125-$1830 0126-$5535 0130-$3704 0131-$1220 0132-$861 0137-$1195 0138-$2688 0140-$10157 0141-$1673 0143-$6871 0144-$1968 0145-$2829 0147-$3997 0148-$3585 0149-$1586 0151-$2031 0155-$4182 0157-$13742 0159-$1912 0160-$2745 0161-$2987 0162-$2987 0163-$1673 0165-$3050 0166-$4780 0168-$6100 0171-$1553 0172-$13742 0175-$597 0179-$738 0180-$597 0181-$6871 0183-$717 0184-$1195 0186-$10755 0187-$2390 0189-$35850 0191-$2091 0192-$1792 0193-$1553 0194-$1586 0195-$3050 0196-$3050 0199-$1845 0203-$1195 0205-$2390 0207-$597 0209-$854 0210-$717 0211-$717 0213-$657 0214-$2031 0215-$1830 0216-$3660 0217-$478 0218-$478 0219-$369 0220-$179 0221-$298 0222-$418 0223-$246

0224-$179 0334-$478 0226-$3997 0335-$239 0227-$615 0336-$657 0229-$776 0338-$488 0231-$2151 0340-$366 0232-$3585 0341-$418 0233-$8066 0344-$1135 0234-$3107 0345-$418 0236-$358 0346-$358 0237-$956 0348-$268 0238-$1434 0349-$1434 0240-$836 0351-$239 0241-$1952 0352-$478 0243-$1599 0353-$369 0244-$1107 0355-$244 0245-$3465 0357-$358 0246-$717 0358-$123 0247-$358 0359-$418 0248-$1195 0360-$1230 0250-$358 0361-$338 0251-$239 0362-$244 0252-$388 0363-$537 0253-$478 0364-$1599 0254-$369 0367-$358 0255-$657 0368-$418 0256-$2509 0370-$861 0258-$956 0373-$3465 0261-$3965 0374-$1314 0262-$2706 0376-$1195 0263-$3346 0377-$1673 0264-$1342 0378-$1553 0265-$3997 0379-$836 0268-$657 0380-$717 0269-$5490 0381-$956 0271-$3050 0382-$298 0272-$2196 0384-$1168 0275-$3075 0385-$553 0276-$358 0387-$2987 0278-$4481 0388-$1553 0279-$2562 0389-$956 0281-$1015 0390-$657 0284-$15535 0391-$738 0287-$956 0394-$1314 0291-$1673 0395-$1434 0292-$2706 0396-$1075 0293-$8365 0397-$1314 0294-$4780 0399-$1230 0296-$3883 0400-$2031 0297-$4182 0401-$2318 0299-$896 0402-$1342 0300-$2987 0403-$1195 0301-$2074 0404-$4481 0304-$1342 0408-$1230 0305-$8610 0410-$1434 0306-$5078 0411-$239 0307-$976 0412-$4392 0310-$1220 0415-$1553 0311-$478 0416-$3585 0312-$358 0417-$3660 0313-$1098 0419-$1553 0314-$615 0420-$3050 0315-$18910 0423-$3355 0316-$183000 0424-$1075 0317-$4575 0425-$3346 0319-$358 0426-$5078 0320-$1553 0427-$3997 0321-$717 0429-$3382 0322-$1553 0431-$2196 0324-$7767 0433-$7767 0327-$1195 0434-$4780 0328-$1673 0435-$1107 0329-$1673 0436-$1553 0332-$956 0437-$1673 0333-$418 0438-$4780

0441-$956 0561-$1792 0442-$3943 0562-$4780 0444-$4182 0564-$3690 0445-$3883 0565-$3997 0446-$1230 0566-$597 0447-$2031 0567-$17925 0448-$717 0568-$1107 0450-$1075 0570-$1195 0451-$86637 0571-$1195 0452-$10755 0572-$1952 0453-$58555 0576-$1075 0454-$2031 0578-$732 0455-$1434 0579-$2091 0456-$3824 0580-$2688 0457-$1673 0581-$3883 0458-$2270 0582-$3883 0459-$956 0583-$6273 0461-$1673 0584-$597 0462-$335 0585-$1553 0463-$1464 0586-$2151 0464-$1195 0587-$2868 0465-$591000 0588-$3883 0466-$37045 0589-$3286 0468-$15535 0590-$1075 0472-$3198 0591-$16132 0474-$1553 0592-$1220 0475-$418 0593-$1220 0476-$10157 0594-$1220 0477-$1673 0595-$1464 0478-$28680 0597-$5975 0480-$155350 0599-$4270 0481-$2390 0601-$1195 0483-$1434 0603-$11651 0485-$10065 0604-$1722 0489-$3075 0606-$1830 0490-$1314 0608-$18300 0494-$5676 0610-$2031 0498-$3286 0613-$2151 0501-$657 0614-$2390 0503-$4182 0615-$1434 0508-$4305 0618-$1912 0509-$1353 0619-$1075 0511-$45140 0621-$2214 0512-$4880 0624-$5975 0513-$14340 0625-$4780 0520-$615 0626-$5490 0523-$2270 0630-$5975 0524-$2440 0632-$7015 0525-$1135 0636-$4780 0526-$4182 0642-$1792 0527-$3883 0643-$3286 0528-$1107 0646-$956 0529-$10370 0647-$7170 0531-$854 0648-$5975 0532-$799 0651-$793 0534-$492 0652-$776 0535-$1195 0656-$3585 0536-$307 0657-$1464 0538-$2987 0658-$3050 0539-$2509 0661-$1792 0540-$8962 0662-$2509 0541-$13145 0664-$1107 0547-$27485 0665-$1792 0548-$22705 0666-$1075 0549-$19120 0668-$1159 0550-$4780 0671-$15250 0551-$5975 0672-$11950 0553-$2390 0673-$9560 0554-$5975 0674-$23900 0556-$5019 0675-$11895 0557-$2270 0676-$83650 0558-$1195 0677-$2987 0559-$1968 0678-$17925 0560-$1553 0679-$5676

0680-$2509 0681-$5377 0682-$35850 0683-$3585 0685-$4481 0686-$21510 0687-$9560 0688-$3226 0690-$2509 0692-$2806 0693-$4182 0694-$956 0695-$1673 0696-$597 0698-$14760 0699-$6572 0700-$5078 0702-$20315 0704-$1553 0705-$4660 0706-$2270 0707-$1952 0708-$732 0709-$854 0710-$366 0711-$16605 0712-$21510 0713-$9560 0714-$4270 0715-$1434 0716-$34655 0717-$31070 0718-$11950 0719-$2390 0720-$10980 0722-$14340 0723-$10980 0724-$14030 0725-$2460 0726-$4302 0727-$2748 0728-$4481 0729-$2987 0731-$1722 0732-$717 0733-$537 0735-$4182 0738-$2440 0740-$8066 0741-$956 0743-$1830 0744-$2987 0745-$1434 0746-$836 0747-$2031 0748-$2031 0759-$5078 0762-$3286 0765-$1195 0767-$1845 0770-$2196 0775-$1952 0777-$2987 0780-$597 0781-$984 0783-$861 0784-$430 0791-$7320 0792-$418 0793-$717 0795-$597 0796-$366 0797-$1314 0798-$776

0800-$854 0801-$1314 0805-$676 0806-$976 0809-$597 0810-$478 0811-$2074 0814-$657 0817-$956 0818-$1015 0820-$1708 0821-$1952 0823-$1912 0824-$1845 0826-$1673 0830-$984 0831-$1075 0833-$956 0834-$358 0836-$615 0837-$1195 0838-$3321 0839-$676 0840-$305 0845-$5078 0848-$2987 0852-$896 0853-$8066 0855-$1015 0856-$1015 0859-$956 0862-$418 0863-$305 0866-$369 0868-$122 0869-$244 0870-$615 0871-$1353 0872-$153 0873-$776 0876-$537 0877-$184 0878-$122 0879-$153 0880-$507 0881-$3465 0882-$1015 0884-$239 0885-$448 0886-$149 0888-$597 0889-$1195 0890-$549 0891-$1464 0892-$305 0893-$915 0894-$4660 0895-$657 0896-$657 0897-$553 0898-$184 0899-$119 0901-$209 0903-$298 0904-$119 0905-$239 0906-$2214 0908-$956 0909-$1015 0911-$597 0914-$5490 0915-$537 0916-$956 0918-$13145

0920-$5227 0923-$1673 0924-$298 0925-$6100 0926-$1553 0927-$1673 0929-$239 0931-$738 0933-$4612 0934-$7468 0935-$4780 0938-$1314 0942-$2688 0944-$4392 0945-$717 0948-$6100 0949-$1792 0950-$2440 0951-$956 0953-$854 0954-$717 0955-$746 0956-$537 0959-$956 0961-$179 0962-$179 0963-$179 0964-$179 0965-$179 0966-$6572 0967-$6572 0968-$9760 0969-$3286 0971-$956 0972-$717 0973-$956 0974-$3585 0975-$597 0977-$1464 0979-$492 0980-$239 0981-$549 0982-$1553 0983-$717 0984-$1230 0985-$1195 0988-$366 0989-$597 0990-$836 0991-$430 0992-$478 0993-$179 0996-$478 0997-$418 0998-$478 1001-$776 1002-$956 1003-$427 1004-$7930 1005-$1792 1008-$5377 1009-$610 1018-$657 1019-$1075 1020-$478 1021-$1673 1023-$5676 1025-$1195 1026-$1220 1028-$399 1030-$1792 1031-$2390 1032-$4305 1033-$7767

1034-$1342 1035-$2390 1037-$1314 1040-$3585 1041-$537 1042-$418 1044-$5377 1045-$2509 1048-$1230 1051-$492 1054-$657 1056-$1195 1057-$537 1061-$1195 1062-$1314 1063-$2214 1066-$2031 1068-$1075 1070-$776 1071-$537 1072-$657 1073-$2748 1074-$717 1076-$984 1077-$1314 1078-$1230 1080-$1195 1081-$4481 1082-$5676 1084-$3883 1085-$2688 1086-$1195 1087-$3585 1089-$1476 1091-$2987 1094-$1792 1095-$1230 1096-$7170 1097-$6572 1098-$1673 1099-$1722 1101-$1075 1102-$836 1103-$3585 1104-$1107 1105-$597 1106-$5975 1107-$7170 1110-$717 1111-$2509 1112-$478 1113-$1353 1114-$1792 1115-$1722 1117-$836 1118-$4780 1119-$717 1120-$717 1121-$1195 1122-$597 1123-$1476 1124-$1792 1125-$1673 1126-$717 1127-$1195 1129-$358 1132-$597 1133-$836 1137-$1107 1138-$1314 1141-$1792 1142-$717 1143-$610 1144-$1586

1145-$3382 1146-$1792 1147-$2868 1148-$2987 1150-$549 1151-$717 1153-$610 1157-$5078 1158-$956 1159-$610 1162-$1673 1163-$2460 1165-$1599 1167-$861 1169-$1722 1172-$896 1173-$717 1174-$776 1175-$2270 1176-$1075 1178-$1314 1179-$1314 1180-$478 1181-$369 1182-$597 1183-$3226 1185-$717 1186-$366 1188-$597 1189-$369 1191-$1792 1191A-$239 1192-$184 1193-$418 1194-$1434 1195-$732 1197-$427 1198-$537 1200-$244 1201-$149 1202-$984 1203-$418 1204-$430 1206-$1159 1207-$358 1208-$537 1209-$358 1212-$305 1214-$488 1215-$418 1216-$657 1218-$776 1221-$478 1223-$418 1224-$1220 1225-$1230 1226-$615 1230-$717 1231-$1912 1234-$1314 1237-$896 1238-$1195 1240-$492 1244-$369 1245-$399 1249-$836 1251-$1673 1252-$478 1258-$246 1261-$239 1262-$418 1263-$597 1264-$671 1266-$922

1270-$1045 1271-$984 1272-$615 1273-$597 1275-$1037 1277-$239 1278-$537 1279-$836 1281-$717 1284-$307 1285-$358 1286-$1673 1288-$861 1290-$123 1291-$119 1292-$956 1293-$615 1294-$478 1296-$418 1297-$149 1299-$307 1300-$537 1304-$430 1306-$657 1307-$119 1308-$149 1309-$615 1310-$2270 1312-$776 1313-$298 1316-$776 1317-$369 1318-$478 1319-$307 1321-$5975 1322-$149 1323-$209 1324-$179 1325-$239 1326-$657 1327-$553 1328-$358 1329-$358 1330-$246 1331-$488 1332-$244 1333-$358 1335-$776 1336-$478 1337-$305 1338-$537 1339-$549 1340-$717 1341-$2151 1342-$246 1343-$358 1344-$1195 1346-$418 1347-$366 1348-$1075 1349-$1195 1350-$3585 1352-$298 1353-$239 1354-$1792 1356-$246 1360-$597 1362-$1230 1363-$1464 1364-$1342 1366-$717 1367-$369 1368-$922 1370-$6273

1371-$2629 1373-$896 1374-$1195 1376-$799 1377-$305 1378-$836 1379-$3883 1380-$1434 1382-$1195 1383-$597 1383A-$358 1384-$478 1384A-$7170 1386-$184 1387-$244 1388-$478 1392-$687 1393-$184 1394-$597 1395-$246 1397-$179 1399-$119 1400-$179 1401-$492 1402-$184 1403-$246 1405-$298 1407-$179 1408-$239 1409-$298 1410-$1434 1411-$1434 1412-$492 1413-$3444 1414-$369 1415-$366 1416-$298 1417-$7170 1418-$358 1419-$244 1420-$246 1422-$478 1423-$507 1424-$448 1425-$358 1426-$152 1427-$209 1428-$239 1430-$246 1431-$246 1433-$123 1434-$122 1435-$122 1437-$122 1440-$244 1443-$122 1446-$239 1447-$358 1449-$358 1450-$209

Neal Auction Company John R. Neal Chairman

Neal Alford Katherine Hovas President Senior Vice President

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance Michelle LeBlanc Leckert, CAI Database Manager/Assistant to Director Jackie Hernandez Client Services Johanna Darilek Database/Administrative Assistant Lisa Weisdorffer

Director of Consignments Books, Maps & Natural History Prints Marc Fagan Director of Furniture & Decorative Arts Neal Alford; Steven G. Rutledge Director of Paintings, Prints & Photography Rachel Weathers; Reneé Gautreaux Silver & Decorative Arts Katherine Hovas Asian Arts Bettine Field Sackey Research Nicole Casi, Ph.D. Inventory Coordinator Steven G. Rutledge Consigments Administrator Claire Thriffiley

GENERAL MANAGER Jason Leckert

GRAPHICS Art Director Emory Nolan Catalogue Design Carolyn Finnell Photography Jason Leckert Tom Simpson Reneé Gautreaux

OPERATIONS Director of Operations Charles Lee Operations Staff Sol Carter Charlie Clay Kelvin Gibson Thomas Johnson Jerry Majors

EXHIBITION STAFF Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Sackey #1874

Michelle LeBlanc Leckert, CAI Vice President

AUCTION SERVICES Director of Business Development Bettine Field Sackey Director of Museum Services & Research Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor Henry G. McCall Senior Appraiser Fine Arts Amanda Mantle Winstead Appraisals Rachel Weathers; Marc Fagan

CATALOGUE CONSULTANTS Paintings & Fine Arts Claudia Kheel Furniture & Decorative Arts Doris Mollenkopf Newcomb Pottery & Decorative Arts Sally Main Silver Carey Mackie Decorative Arts & Victoriana Ann M. Masson Fine & Decorative Arts Linda Stubbs Asian Arts Richerson Rhodes

W denotes the lot is illustrated at www.nealauction.com